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Speaker 1: Warning, today's episode contain's spoilers for the first two episodes

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Speaker 1: of the charming Star Wars Skeleton Crew. Oh my name

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Speaker 1: is Jason Getzepsion and joining us today, we have some

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Speaker 1: special but also comforting guests.

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Speaker 2: Okay, I'm Joe Lane.

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Speaker 3: And I'm Aaron Kaufman, and.

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Speaker 1: Welcome back to the extra vision of the podcast where

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Speaker 1: we dive deep bitty of very Joe's movies, comments, and

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Speaker 1: pop culture. Coming from Myron Podcasts. We're bringing you three

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Speaker 1: episodes week every Tuesday and Thursday, and extra episode every Wednesday.

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Speaker 1: Today's episodes we're reacting to the first two episodes, wonderful

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Speaker 1: episodes of Disney's latest Star Wars show, Skeleton Crewe and

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Speaker 1: it's fantastic. We're gonna be jumping out of the airlock

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Speaker 1: to talk about Skeleton Crew episodes one and two coming up. Now,

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Speaker 1: all right, let's start. Do we open in the year nine?

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Speaker 1: Ab y folks. The Empire is fallen, the New Republic

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Speaker 1: is solidifying it's governmental infrastructure across the galaxy, and it's

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Speaker 1: a little messy, but that's what democracy is. It's a

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Speaker 1: little messier because everybody has a voice, but it is

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Speaker 1: messy and in particular intergalactic travel. Intergalactic cargo is being

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Speaker 1: preyed upon by piracy, which remains a massive problem in

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Speaker 1: the New Republic era. We open in space, a pirate

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Speaker 1: vessel attacks a cargo ship. The pirates board. There's a

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Speaker 1: big firefight, but the pirates win. They get into the

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Speaker 1: vault at the best of apparently their captain. Do we

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Speaker 1: do we think that this helmeted gentlemen who spoiler alert

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Speaker 1: is Jude Law's character and you can kind of tell

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Speaker 1: through the through the yeah, yeah, but he appears to

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Speaker 1: be the captain of this of this particular pirate crew, right,

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Speaker 1: and he clearly has sold them a bill of goods,

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Speaker 1: which is we're going to attack this ship. This ship

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Speaker 1: has it purports to be just carrying fruits and vegetables

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Speaker 1: and what have you. But there's a magnetic vault on it,

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Speaker 1: which can only mean massive, massive wealth within this ship.

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Speaker 1: But they cut open the vault and there's one measly

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Speaker 1: credit inside. And so now the pirates, including a wolfman

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Speaker 1: named Brutus, is first of all awesome, I have we

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Speaker 1: have not seen a live action wolfman since Star Wars,

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Speaker 1: and only briefly in the CANTEENA correct me some someone

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Speaker 1: if I'm wrong. Although he's The Wolfmen have made appearances

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Speaker 1: in other formats, including the comics, but awesome, awesome to

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Speaker 1: see one and they're all pissed at Jude Law and

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Speaker 1: they start just beating the brakes off this guy. We

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Speaker 1: go elsewhere to a planet that we don't know the

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Speaker 1: name of yet we will eventually, and we meet Whim,

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Speaker 1: a young human who is getting ready for school. His father, Wendel,

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Speaker 1: is a single dad, played shockingly for fans of mid

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Speaker 1: aught indie rock by t Brooklyn's TV on the radio

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Speaker 1: Frontman tun Day at a Bimbay Anyone like Me, any

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Speaker 1: other TV on the radio.

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Speaker 3: Heads out there did not expect a Pitchfork favorite to

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Speaker 3: be in the new Star Wars show.

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Speaker 1: He's been in other stuff. He was in, Oh, what's

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Speaker 1: the Anne Hathaway wedding film? That's very good, Rachel get married.

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Speaker 2: He's in that.

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Speaker 1: He's been in other stuff, but like it. I was

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Speaker 1: like I had to pause and like gather myself. I'm like,

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Speaker 1: oh my god.

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Speaker 2: The dead.

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Speaker 1: Anyway, dad is very very busy, and he leaves his

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Speaker 1: son with like a pile of credits and leaves, which

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Speaker 1: leads me to ask the group, shouldn't the Republic and

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Speaker 1: shouldn't the Empire before them have figured out a more

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Speaker 1: efficient currency format, because it just feels like a big

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Speaker 1: like pile of dou balloons is not necessarily It was great,

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Speaker 1: by the way, for this particular story, absolutely, but I

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Speaker 1: don't know if it's I don't know if it's the

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Speaker 1: medium for intergalactic trade that you're looking for.

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Speaker 3: Yeah, they don't have like a kid's credit card version

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Speaker 3: of the visa bucks or whatever.

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Speaker 4: They're trading everything else on like little floppy disc esque technology.

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Speaker 4: I feel you could absolutely have digital currency at this point.

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Speaker 2: Get it together, Star Wars.

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Speaker 1: Come on, Yeah, I get it together. Wim lives in

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Speaker 1: a really well laid out and picturesque suburban settlement on

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Speaker 1: whatever planet this is. He's on his way to school.

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Speaker 1: He runs into his friend Neil, who is an Ordolan,

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Speaker 1: one of the elephant species of Star Wars. I believe

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Speaker 1: the keyboard player in the Max. I believe Max Rebo

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Speaker 1: is an Orderland. Is that not the is that?

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Speaker 4: So there's there's believe that this is not an Orland.

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Speaker 4: Max Fewill is one This that's a little more expressive,

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Speaker 4: a little different, and the I believe the creator and

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Speaker 4: the showrunner have both confirmed that this is a different species.

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Speaker 2: But I don't think we know what this species is yet.

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Speaker 3: Okay, I see and thank god he's more expressive because

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Speaker 3: Neil's eyes are my MVP of episode one for sure.

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Speaker 3: Neil Is is absolutely the runaway MVP of the series

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Speaker 3: thus far. Neil and Whim are obsessed with Jedis. They

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Speaker 3: get on the bus and out the window, Whim sees

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Speaker 3: two girls whip by on a speeder which another fun

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Speaker 3: fact about this particular planet is their currency is big

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Speaker 3: gold coins, and kids can drive vehicles at excessive rates

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Speaker 3: of speed on highways that look like it could just

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Speaker 3: be like Houston, Texas. Like the on ramps and off

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Speaker 3: ramps feel very like basic metropolitan highway here.

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Speaker 1: Listen, school is boring, we get it. Classes boring, the

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Speaker 1: teachers are very boring droids but no personalities. Wim gets

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Speaker 1: caught dueling instead of paying attention by the guest speaker

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Speaker 1: of the class this particular day, and that is Under

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Speaker 1: Secretary Pharah of the New Republic. She comes to address

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Speaker 1: the class about the Career Assessment Test, which is tomorrow.

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Speaker 1: Career Assessment Test just like it sounds. It's like it

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Speaker 1: sounds like kind of like O levels. I guess, like

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Speaker 1: in England, it's like, this is the test you take

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Speaker 1: that will basically set you up for your career and

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Speaker 1: lock you in for life.

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Speaker 2: Did you guys have to do career aptitude tests?

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Speaker 1: No?

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Speaker 3: No, I never did, did you know?

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Speaker 2: Oh yeah absolutely?

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Speaker 4: Right after Squared Dancing, they were like, okay, here's the

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Speaker 4: career aptitude test and it'll tell you what jobs you

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Speaker 4: should look at in the future. But it's a very

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Speaker 4: dumb test. It's sort of like taking a Yahoo test

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Speaker 4: where you're like, I kind of know what the answers

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Speaker 4: are gonna Do you like writing?

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Speaker 2: Do you journal a lot? I was gonna be a writer?

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Speaker 3: Is like, which of these answers makes me a Jedi? Yeah,

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Speaker 3: I'll answer yes to all that I wish.

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Speaker 1: Right, Sofa asks, you know, it goes around the classes

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Speaker 1: like what do you want to do? What are you

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Speaker 1: interested in? And she calls on whim who's like trying

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Speaker 1: to hide from answering, and he basically says like I,

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Speaker 1: in not so many words, I would like to be

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Speaker 1: a Jedi. I want to help people when they're in danger.

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Speaker 1: I want to It's been interesting. This is the first

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Speaker 1: Star Wars that I can recall in which Jedis are

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Speaker 1: like famous, famous, because it seems to me previously, it

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Speaker 1: seems to me previously that it's like Jedi, who what?

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Speaker 1: What are they?

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Speaker 2: Right?

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Speaker 1: They did they even exist? What's going on with them?

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Speaker 1: This is super interesting to me, and I hope they

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Speaker 1: explain it in detail, right.

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Speaker 4: Yeah, I hypothesizing if we're nine years after the Battle

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Speaker 4: of Jevan and we understand that Luke eventually goes on

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Speaker 4: to build a Jedi school. Okay, at first I was prickly,

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Speaker 4: and then I was like, Okay, well it's a little different.

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Speaker 2: We haven't really been here before.

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Speaker 4: But we'll pick this conversation up when we're recapping the

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Speaker 4: second episode, because then there's a wrench, right that makes

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Speaker 4: me question all of that then.

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Speaker 1: Because I yeah, because there's that, I can't wait to

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Speaker 1: get to that wrench, because I think the wrench might

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Speaker 1: have something to do with explaining why Jedis are so

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Speaker 1: much more well known on this particular planet. Anyway, Wim

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Speaker 1: is stressed about the assessment because he completely forgot about it.

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Speaker 1: We learned that Neil has a crush on a particular

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Speaker 1: student named Runa Neil Roswim for saying he wants to

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Speaker 1: be a Jedi. And elsewhere we meet the girls Fern

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Speaker 1: and KB. They're on their speeder. They are driving again

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Speaker 1: at excessive speed and extremely irresponsibly. They are how they

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Speaker 1: are allowed to drive like this, I don't know, but

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Speaker 1: their speeder breaks down and they end up having to

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Speaker 1: walk it home. Elsewhere, Wim watches Neil get welcomed home

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Speaker 1: by his large and loving and very active family, and

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Speaker 1: then Wim goes home to an empty house and he's

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Speaker 1: very sad. It's wonderful and they all seem to get along.

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Speaker 3: Yes, everyone's excited. Neil's home, a parent is home.

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Speaker 1: And they're all watching TV together and playing together. And

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Speaker 1: then Wim goes home to like his iPad and his

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Speaker 1: darkened house. This is like a very gen X coded story,

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Speaker 1: not just in the fact that, like we're obviously calling

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Speaker 1: on Spielbergian tones et the Goonies, these kinds of kids

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Speaker 1: on their bikes alone nobody watching them kind of feel.

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Speaker 1: But this latchkey kid thing too feels very specifically gen X.

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Speaker 1: I think it's pretty smart.

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Speaker 4: Also, the single parent household element, yes, very gen X

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Speaker 4: of like my family is not a whole sort of situation.

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Speaker 4: Uh yeah, I really feel I feel like we get

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Speaker 4: a lot of insight into this little dude. I wim

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Speaker 4: is maybe the most charming name for a care character

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Speaker 4: like this ever. And the minute they were like yeah,

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Speaker 4: he's whom I was like, Oh no, I love the

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Speaker 4: sleep Baby. Please protect him at all. Cough, I'm worried

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Speaker 4: about him. He's courting danger too much.

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Speaker 1: At home. KB, who is the one of the girls

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Speaker 1: of the pair who wears the kind of like Jordi

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Speaker 1: from Star Trek the next Generation type visor, is trying

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Speaker 1: to fix the speeder. More on this later, because it

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Speaker 1: feels like KB is the one who knows how to

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Speaker 1: do everything, but somehow Fern is always in the lead. Okay,

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Speaker 1: but she can't fix it. They need a power converter,

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Speaker 1: and apparently they really need it because Fern has a

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Speaker 1: upcoming race against like the cool kid Bullies who are

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Speaker 1: just like they come by and they're just like, we're

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Speaker 1: gonna beat your ass at this race.

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Speaker 2: You better be there.

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Speaker 3: The cool kid Bullies, who is like one older kid

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Speaker 3: and then two little kids in the sidecar too. It's

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Speaker 3: the least intimidating look of a bullet, ever, but still

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Speaker 3: very charming.

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Speaker 1: It seems like the girls are new to the planet. Also,

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Speaker 1: Fern goes home late. He convinces she convinces her droid

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Speaker 1: to lie to her mom that she was actually home

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Speaker 1: all the time and she was just doing homework and

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Speaker 1: we learned that her mom is under Secretary of Farah.

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Speaker 1: And of course Mom is very much like, Hey, assessment test,

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Speaker 1: you got to kill it. Dad returns home to find

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Speaker 1: Whim cramming for the test. Wim is like, will you

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Speaker 1: read me a bedtime story like mom used to do?

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Speaker 1: And Dad is like no, and also, aren't you too

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Speaker 1: old for.

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Speaker 2: This toxic masculinity? E late this kid, this wasn't spend

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Speaker 2: time with you, dad, Jesus.

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Speaker 1: I agree with the note that when you just like

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Speaker 1: learn to read and read on your own, but also

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Speaker 1: hang out with your son you've been not been home

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Speaker 1: all day, do something else you don't you know, do

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Speaker 1: another thing, but like hang over with your kid.

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Speaker 2: What is happening here?

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Speaker 1: Anyway? Wim gets on his iPad and reads his Jedi book.

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Speaker 1: The next day, Whim misses the bus very bad because

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Speaker 1: it's test day. He grabs a speeder from the garage

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Speaker 1: and takes the short cut that he saw Fern and

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Speaker 1: KB take the previous morning. Neil, a great friend, tries

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Speaker 1: to delay the test to no avail. Of course, the

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Speaker 1: short cut through the woods is like extremely treacherous, and

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Speaker 1: Wim crashes into a gully, tries to climb out of

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Speaker 1: the gully, and as he is climbing, he discovers like

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Speaker 1: a strange hatch buried in the mud. A school attends

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Speaker 1: at Droid finds him because he's within sight of the school.

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Speaker 1: He's probably I don't know, judging by like CGI distances,

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Speaker 1: I'm guessing he's like a mile and a half from

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Speaker 1: the school, but like close enough that a Droid could

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Speaker 1: pick up his chain code, I guess, and be like,

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Speaker 1: where is this kid? The Droid takes him to school.

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Speaker 1: He has to sit in the hallway to talk to

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Speaker 1: what is their version of the principal, the procter. He's

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Speaker 1: looking through his Jedi book, looking because he feels like

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Speaker 1: this must be a Jedi temble. He's looking for symbology

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Speaker 1: that could tie what he knows about Jedi to this

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Speaker 1: thing that he found. And then Fern comes and sits

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Speaker 1: down next to him, and she's in trouble for something.

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Speaker 1: Whim missed the test. Fern isn't for racing bikes. Whim

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Speaker 1: is like I saw you racing. Fern is like, you know,

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Speaker 1: the last kid who missed the test was taken to

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Speaker 1: work in the mines and he died down there. And

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Speaker 1: we learned from this that Fern is a loves to

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Speaker 1: tell these tall tales, big tall tale. Tell her dad

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Speaker 1: arrives and he's pissed. He's like, first of all, I

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Speaker 1: had to leave work, which is crazy. Second of all,

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Speaker 1: you missed the test, and now you're fucked because you

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Speaker 1: have to get a perfect score on the test to

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Speaker 1: even pass. Do you even just.

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Speaker 4: Get like how crazy this is what you're be like,

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Speaker 4: you could the best you could hope for is an

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Speaker 4: F what like or maybe like a D minus fifty.

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Speaker 4: I don't know if you're like grading on a scale

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Speaker 4: or what it is, but if if they were using

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Speaker 4: American test standards, that would still be considered a failing grade.

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Speaker 4: And I was like, why, why said the kid up

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Speaker 4: to he can't have a fair shot?

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Speaker 2: That's crazy. I don't like it.

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Speaker 1: I know this is like extremely I disagree with all

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Speaker 1: of this, and not to mention some of the most

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Speaker 1: famous people that and successful people that we've seen in

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Speaker 1: this universe did not go to school. Unclear, like Luke

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Speaker 1: can he read? I don't actually know.

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Speaker 4: It's giving empire like this first of all, yeah, and

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Speaker 4: I don't know if Luke has ever picked up a

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Speaker 4: book and well wait, see he gets the.

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Speaker 2: Jedi text later when does.

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Speaker 1: He learn once he gets there?

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Speaker 4: Yeah, eventually he gets there, but that it might have

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Speaker 4: come after saving the galaxy, which is fair. But I

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Speaker 4: think like this school system is giving empire and like

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Speaker 4: you need to be coded and classified into all of

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Speaker 4: the kids that the jobs they shouted out were boring

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Speaker 4: as hell to They were like I.

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Speaker 1: Want to be an analysts, Like, okay, what's going on?

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Speaker 2: Kids? So I having to imagination.

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Speaker 1: In a big conversation about the test, Wim is trying

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Speaker 1: to tell his dad about this Jedi temple he found,

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Speaker 1: and Fern is very curious about this. It's like, wait

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Speaker 1: a second, say more about that. And Wim realizing now

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Speaker 1: that he may have given up too much information to

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Speaker 1: a stranger regarding something that he wants to explore on

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Speaker 1: his own with Neil and not with some person that

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Speaker 1: he encountered in the hallways like that that wasn't true.

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Speaker 2: That was a lie.

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Speaker 1: Wim goes to see Neil later, climbs up on the skylight,

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Speaker 1: sees Neil bathing, which is crazy, huge bath to that family,

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Speaker 1: get a huge math, but also like this is a

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Speaker 1: private woman for you. Wim, come down.

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Speaker 2: My guy.

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Speaker 3: Did you guys have skylights when you're growing up?

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Speaker 1: Yes?

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Speaker 3: Did anyone ever climb up your roof?

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Speaker 1: And so Wim gets Neil to help him, of course,

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Speaker 1: investigate the temple. When they arrived there, I guess what.

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Speaker 1: Fern and KB are already there and they're like, we're involved

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Speaker 1: in this, whether you like it or not. They have

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Speaker 1: like a bit of a tussle about whose actual claim

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Speaker 1: in a very charming scene holds authority, in which they're like, no,

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Speaker 1: I claim it, I claim it. Fern wants to like

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Speaker 1: find she needs that power converter. She's hoping one's in there.

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Speaker 1: Probably one is in there. She lies though, and says

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Speaker 1: that this is probably some kind of like cannibal sewer

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Speaker 1: thing absolute queen of tall tales. Eventually they agree to

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Speaker 1: a tenuous alliance to explore this. That night Dad comes home,

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Speaker 1: it's like the garage is open, the house is dark. Whim,

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Speaker 1: where the fuck are you? Where they are is digging

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Speaker 1: into the dirt to like unearth this thing. KB gets

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Speaker 1: it open, because again, KB is the one who knows

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Speaker 1: how to do stuff in this tenuous alliance of four kids.

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Speaker 1: And they go inside. But well, they're about to go

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Speaker 1: inside when Whim's dad shows up. Inside the hatch, they

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Speaker 1: find like a rectroid caught it a booby trap. And

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Speaker 1: this is where I'm like, oh, I get it. This

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Speaker 1: is goonies in space.

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Speaker 4: I love it absolutely fu getting them in the design

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Speaker 4: of this bottle is so cool, oh.

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Speaker 3: Man with an unlimited supply of little rats to come

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Speaker 3: out of its eye too.

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Speaker 1: Throughout the next couple episodes, Oh my god, the kids

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Speaker 1: accidentally trigger the door. Really Wim does, and now they're trapped.

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Speaker 1: KB suggests, like in a video game, follow these wires

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Speaker 1: and we will find the source of power. Meanwhile, Wim

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Speaker 1: is just dropping Jedi facts as they're exploring. KB and

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Speaker 1: Fern are leading the way. Wim is frustrated because Neil

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Speaker 1: is like getting nervous and is like, I just kind

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Speaker 1: of want to go home, Like this is your idea,

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Speaker 1: I'm not into this, and Wim is like what are

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Speaker 1: you talking about? This is like the greatest thing that's

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Speaker 1: ever happened to any of us. This is like the

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Speaker 1: best And he goes off to explore KB. In what

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Speaker 1: will again is part of a theme, KB gets the

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Speaker 1: power back on, they discover their ship elsewhere, Whim is

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Speaker 1: like on the bridge. He is flipping fucking switches and

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Speaker 1: pushing buttons and putting on headsets. I prefer it as like, stop,

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Speaker 1: don't touch anything.

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Speaker 2: What are you doing.

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Speaker 1: Let's go back to the hatch and leave. Whim sees

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Speaker 1: a fucking blinking light and he presses it because this

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Speaker 1: kid like amped up for adventure, and of course the

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Speaker 1: ship takes off. They peek out of the hatch, they

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Speaker 1: see fucking Whim's dad. He's like waving at them, like

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Speaker 1: what do you Wim nearly falls off, the ship almost dies.

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Speaker 1: The kids pull them back inside and next thing you know,

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Speaker 1: hyperspace is achieved and they are flying away. That is

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Speaker 1: the end of Act one. That is the end of

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Speaker 1: our little talk. Be back with you after a word

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Speaker 1: from our sponsors.

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Speaker 4: Yeah, and.

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Speaker 1: We're back a charming start. No, Joelle Aaron I say

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Speaker 1: like already I'm in.

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Speaker 4: Freakingly delightful my huggles were up because Skeleton Crew was

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Speaker 4: such a dope name for a show. And then they're like,

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Speaker 4: but it's a kid's show, I said, not.

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Speaker 2: A horror Star Wars.

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Speaker 4: I was okay, so I had to adjusted expectations. Luckily

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Speaker 4: they gave me a lot of time to think about it.

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Speaker 4: They were like, but Jude Laws here, he's gonna be

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Speaker 4: giving bad daddy sort of pirate energy.

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Speaker 2: That's fun.

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Speaker 4: Okay, I really like the opening sequence here, the right

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Speaker 4: number of alien characters all of Star Wars, this number

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Speaker 4: of aliens in my shows, okay, correct. And then when

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Speaker 4: we get to the kids, I really feel I'm not

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Speaker 4: gonna call them out because they're kids, but like most

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Speaker 4: of these kids are doing really, really well. One of

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Speaker 4: them is a little bit behind, uh, struggling to keep

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Speaker 4: up performance wise. I hope they get there by the end.

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Speaker 2: But they're that You're like, okay, I'm pretty invested.

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Speaker 4: The other thing, j Law gave a quote to star

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Speaker 4: wars dot Com about how much he was excited to

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Speaker 4: do this project because like everyone plays Star Wars as

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Speaker 4: a kid pretty much if you were born mid seventies

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Speaker 4: on for short Jedi or whatever, and so seeing it

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Speaker 4: you know, not through a sort of broad lends for everybody,

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Speaker 4: but very specifically for children that interested him, like as

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Speaker 4: an actor and sort of like leading that group.

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Speaker 2: And then two like.

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Speaker 4: I you forget what it's like to be a kid.

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Speaker 4: I'm very divorced from my childhood at this point.

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Speaker 2: But like the dad, that's a great yeah.

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Speaker 4: Like I was like, man, the dad in this is

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Speaker 4: so mean, Like they're not giving any kind of like perspective,

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Speaker 4: the kind of like well, because usually any things that

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Speaker 4: you're like, oh, the parent's busy, I can really read

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Speaker 4: how stressed they are.

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Speaker 2: And they're they're giving their best. This dad seems really devoided.

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Speaker 4: But if you're a kid, you don't have the nuance

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Speaker 4: to understand why dad won't spend time with you. I

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Speaker 4: really feel like they nailed like this is a child's perspective.

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Speaker 1: It's a great, great point. I spent a lot of

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Speaker 1: time thinking and rewatching like scenes from ET the Last

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Speaker 1: Starfighter in like different movies with kids perspectives, just to

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Speaker 1: be like, oh, yeah, this is what it's like kids.

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Speaker 1: From this perspective, kids are going to do adventurous, fun

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Speaker 1: novel things that are exciting that engage their curiosity and

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Speaker 1: if you were in the adult perspective, this is kids

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Speaker 1: doing the dumbest shit yea ever imaginable, flipping random buttons

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Speaker 1: on the stars, like and you have to take yourself

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Speaker 1: out of that, and when you do that, it's wonderful.

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Speaker 1: Like I spend a lot of time thinking about et

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Speaker 1: and like all the absolutely idiotic shit that like Elliott

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Speaker 1: and his crew do over the and Goonies where it's

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Speaker 1: like everybody's dying, like coming very close to death, like

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Speaker 1: every thirty seconds in that movie.

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Speaker 3: I love how that all four kids have all four

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Speaker 3: kids have like really well defined characteristics so far, Yes,

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Speaker 3: And you can see your childhood in one or more

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Speaker 3: likely a combination of the two of them. And you

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Speaker 3: have this brainy like sort of emotionless character who's figuring

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Speaker 3: things out and studying things and building things. You have

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Speaker 3: this other character who's really bold and adventurous and like

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Speaker 3: wants to take charge of a situation. You have the

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Speaker 3: other kid who's just like filled with anxiety, like at

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Speaker 3: all times filled with anxiety. And then you have the

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Speaker 3: kid who's like super curious. And I also, like Joelle

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Speaker 3: to your point about like them being kids and seeing

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Speaker 3: the world through their eyes. I loved women and Neil

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Speaker 3: play fighting with lightsabers the first time to really see

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Speaker 3: each other and like, oh, my guts are spilling out.

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Speaker 3: Oh wait, hold on, there's something in my eye. I

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Speaker 3: think I have an eye latch there. Like, what a

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Speaker 3: great little interaction for a Star Wars show.

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Speaker 1: It was really really cool. And to your point, Joelle

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Speaker 1: about the performances coming off of the show that was

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Speaker 1: spotty the accolade and in which I felt like some

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Speaker 1: of the weakest parts were the performances of the child

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Speaker 1: of the younger actors, this is a show that does

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Speaker 1: not have that particular problem that I feel like also,

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Speaker 1: and also the characterizations of the writing are pitched to

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Speaker 1: the particular bandwidth of childhood.

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Speaker 3: So I mean it's working.

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Speaker 1: Episode two, Wim gets the ship out of hyperspace. But

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Speaker 1: now they're just like randomly in the fucking galaxy somewhere

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Speaker 1: right you're the way from wherever funt of her planet.

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Speaker 2: They're just literally lost in space. Children. At this point,

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Speaker 2: I was like, oh, yes, where are we? What's going on?

435
00:24:45,320 --> 00:24:48,400
Speaker 1: Is their food on this ship? What's happening? Neil is

436
00:24:48,880 --> 00:24:53,040
Speaker 1: absolutely freaking out. He wants to go home. Meanwhile, like

437
00:24:53,160 --> 00:24:55,000
Speaker 1: are we alone on the ship, because now we're hearing

438
00:24:55,080 --> 00:25:01,439
Speaker 1: crazy fucking beast sounds and a hulking with a missing

439
00:25:01,520 --> 00:25:05,479
Speaker 1: eye with a rat living in its head comes like

440
00:25:06,720 --> 00:25:10,480
Speaker 1: lurching out of the darkness. The droid seems very confused

441
00:25:10,480 --> 00:25:13,240
Speaker 1: about where it is, like when it is and who

442
00:25:13,320 --> 00:25:18,200
Speaker 1: he is addressing, and he's like, where's my captain? What's

443
00:25:18,240 --> 00:25:20,919
Speaker 1: going on. Fern, very quick thinking, is like, captain is

444
00:25:20,960 --> 00:25:24,960
Speaker 1: dead and the droid is absolutely now even more confused.

445
00:25:24,960 --> 00:25:29,879
Speaker 1: The droid's name is SM thirty three, and Fern, improvising says,

446
00:25:31,560 --> 00:25:34,080
Speaker 1: guess what, I killed your captain. So, by the laws

447
00:25:34,119 --> 00:25:38,520
Speaker 1: of space piracy and the transitional nature of authority in space,

448
00:25:39,119 --> 00:25:42,680
Speaker 1: I am the captain now. And SM thirty three takes

449
00:25:42,720 --> 00:25:44,520
Speaker 1: a minute to think about it, and it's like, okay,

450
00:25:45,040 --> 00:25:46,360
Speaker 1: what do you want to do with these other three?

451
00:25:46,440 --> 00:25:48,040
Speaker 1: Do we want to launch them in the airlock or

452
00:25:48,040 --> 00:25:52,160
Speaker 1: are we good with them? And Fern is like, teach

453
00:25:52,200 --> 00:25:54,040
Speaker 1: us how to fly the ship. So there's this big

454
00:25:54,280 --> 00:25:58,399
Speaker 1: tutorial that includes mentioning a big self destruct button that

455
00:25:58,480 --> 00:26:04,480
Speaker 1: whim of course wants press. Everybody's like, don't do that,

456
00:26:04,880 --> 00:26:05,960
Speaker 1: it will blow up the ship.

457
00:26:06,560 --> 00:26:09,080
Speaker 4: I love a flashing light too when I get it.

458
00:26:09,440 --> 00:26:13,280
Speaker 4: What does this do is my favorite game? Dangerous to

459
00:26:13,320 --> 00:26:14,040
Speaker 4: play when you're.

460
00:26:13,960 --> 00:26:16,600
Speaker 2: Already lost in space, but I get it.

461
00:26:17,320 --> 00:26:19,880
Speaker 4: I think Nick Frost does such a great job here,

462
00:26:19,920 --> 00:26:22,520
Speaker 4: Like I think a droid is something that's really difficult

463
00:26:22,520 --> 00:26:23,320
Speaker 4: to pull off.

464
00:26:23,400 --> 00:26:26,520
Speaker 2: I love K Twoso, who was our.

465
00:26:26,480 --> 00:26:29,520
Speaker 4: Second to last super chatty bot, and I think maybe

466
00:26:29,560 --> 00:26:33,440
Speaker 4: the greatest robot since like R two and C three po.

467
00:26:34,560 --> 00:26:39,000
Speaker 4: This is fun though, like getting to play their protector slash,

468
00:26:39,560 --> 00:26:44,560
Speaker 4: you know, sort of antagonists, sort of co pilot hulky

469
00:26:44,640 --> 00:26:47,359
Speaker 4: guy to the kids, like, oh gosh, it's really fun,

470
00:26:47,400 --> 00:26:49,120
Speaker 4: and I think his comedy is gonna lend a lot

471
00:26:49,160 --> 00:26:49,640
Speaker 4: to this show.

472
00:26:50,840 --> 00:26:55,359
Speaker 1: Fern orders SM to fly them home, but SM is like, okay,

473
00:26:55,400 --> 00:26:56,119
Speaker 1: where where is that?

474
00:26:56,240 --> 00:26:56,840
Speaker 2: Where are we?

475
00:26:56,880 --> 00:27:01,000
Speaker 1: Where's your planet? Galaxy is absolute too big. They can't

476
00:27:01,000 --> 00:27:06,240
Speaker 1: even point out what star system they are from. And

477
00:27:07,320 --> 00:27:10,200
Speaker 1: they mentioned finally what system they're from, and they say

478
00:27:10,200 --> 00:27:12,479
Speaker 1: it's at At and he has never heard of it.

479
00:27:13,040 --> 00:27:17,399
Speaker 1: They're fully, fully lost in space, but SM is like,

480
00:27:17,440 --> 00:27:20,199
Speaker 1: I know of a spaceport that's kind of nearby. So

481
00:27:20,320 --> 00:27:22,880
Speaker 1: Fern is like, okay, let's go to the spaceport back

482
00:27:22,920 --> 00:27:26,880
Speaker 1: on at At In security droids are investigating this spot

483
00:27:26,920 --> 00:27:30,000
Speaker 1: in the woods where the ship has emerged. WiM's dad

484
00:27:30,040 --> 00:27:32,200
Speaker 1: comes running out. He's like trying to tell them about

485
00:27:32,200 --> 00:27:35,520
Speaker 1: the starship and the kids back on the ship, Neil

486
00:27:35,560 --> 00:27:38,720
Speaker 1: goes looking for Wim. Instead, he finds dead bodies.

487
00:27:38,400 --> 00:27:39,160
Speaker 2: Like everywhere.

488
00:27:39,200 --> 00:27:44,320
Speaker 1: There's been some sort of fight here, and Wim loves it.

489
00:27:44,400 --> 00:27:45,680
Speaker 1: Whim was like, this is cool.

490
00:27:45,800 --> 00:27:48,760
Speaker 3: Is it not the greatest thing that ever happened?

491
00:27:49,920 --> 00:27:51,400
Speaker 2: Yeah?

492
00:27:51,440 --> 00:27:53,879
Speaker 1: He goes. He's like, and by the way, check it out.

493
00:27:53,920 --> 00:27:56,280
Speaker 1: I found the captain's quarters. They go, they're poking around

494
00:27:56,359 --> 00:27:59,040
Speaker 1: the captain's courts, super dusty. He finds the captain's hat.

495
00:27:59,400 --> 00:28:01,240
Speaker 2: Wim is like, you have a sleepover in there.

496
00:28:01,640 --> 00:28:04,280
Speaker 1: Yeah, let's let's not go home right away, Like obviously

497
00:28:04,320 --> 00:28:06,840
Speaker 1: we're gonna go home, but like right now, Neil is,

498
00:28:07,280 --> 00:28:10,080
Speaker 1: who has a wonderful home life, cannot wait to get

499
00:28:10,080 --> 00:28:10,560
Speaker 1: back to it.

500
00:28:10,760 --> 00:28:13,760
Speaker 3: Also, Neil complains that it smells bad on the ship,

501
00:28:13,920 --> 00:28:15,159
Speaker 3: which because.

502
00:28:14,880 --> 00:28:18,040
Speaker 1: There's dead bodies everywhere and he's got the biggest notes.

503
00:28:18,119 --> 00:28:21,080
Speaker 3: Yes, he does so, but he doesn't breathe. He doesn't

504
00:28:21,119 --> 00:28:23,199
Speaker 3: speak through it, which is very important to know.

505
00:28:23,600 --> 00:28:26,040
Speaker 1: But he's smelling things clearly, like on.

506
00:28:26,000 --> 00:28:27,120
Speaker 3: A different at a higher level.

507
00:28:27,200 --> 00:28:28,040
Speaker 2: Yeah. Yes.

508
00:28:28,280 --> 00:28:31,040
Speaker 1: They arrive at the starport and immediately it's like this

509
00:28:31,119 --> 00:28:36,760
Speaker 1: place is distributable, like just on site by looking at

510
00:28:36,760 --> 00:28:40,400
Speaker 1: the ships. Bad neighborhood. The name of the spaceport is

511
00:28:40,520 --> 00:28:45,080
Speaker 1: Ort Borgo. SM thirty three confirms this is a dangerous

512
00:28:45,120 --> 00:28:48,240
Speaker 1: and bad place. I'm going to say on the ship

513
00:28:48,280 --> 00:28:51,880
Speaker 1: to make repairs, which, by the way, what with what parts?

514
00:28:51,880 --> 00:28:53,479
Speaker 1: Why don't you just go with the kids. We can

515
00:28:53,520 --> 00:28:56,160
Speaker 1: start the repairs when you all get back. Anyway, bad idea,

516
00:28:56,240 --> 00:28:58,720
Speaker 1: But kids are making decisions, so what are you gonna do?

517
00:28:59,520 --> 00:28:59,640
Speaker 3: Uh?

518
00:29:00,320 --> 00:29:04,880
Speaker 1: At the port, Wim immediately gets swindled for like some

519
00:29:04,960 --> 00:29:09,480
Speaker 1: of his credits, like instantly by the cab driver gets swindled.

520
00:29:09,960 --> 00:29:12,560
Speaker 1: He is like, okay, smart thing to do. I'm gonna

521
00:29:12,640 --> 00:29:15,680
Speaker 1: hide the rest of my credits in my shoe. Fern

522
00:29:15,840 --> 00:29:20,040
Speaker 1: goes to ask directions to like where they should be headed.

523
00:29:21,320 --> 00:29:24,600
Speaker 1: Curious looks abound. Everybody's like what are children doing here?

524
00:29:24,960 --> 00:29:28,600
Speaker 1: They pass by like a canteena with uh there's an

525
00:29:29,080 --> 00:29:33,320
Speaker 1: interesting looking female alien who is working the door. Wim

526
00:29:33,440 --> 00:29:39,760
Speaker 1: is like, let's go inside. Fern is like, uh no,

527
00:29:40,240 --> 00:29:43,240
Speaker 1: But when she's distracted everybody goes their separate ways. KB

528
00:29:43,440 --> 00:29:46,360
Speaker 1: ends up like an a rare animal shop where Fern

529
00:29:46,400 --> 00:29:48,600
Speaker 1: finds her and she's like, where are these idiot boys?

530
00:29:49,520 --> 00:29:52,200
Speaker 1: No idea. The woman from the canteena runs up and

531
00:29:52,240 --> 00:29:58,040
Speaker 1: she's like, hold on, are you children? And Fern is

532
00:29:58,080 --> 00:30:01,120
Speaker 1: like yes, and she's like you should not be here,

533
00:30:01,360 --> 00:30:03,800
Speaker 1: and she's like, well, I need directions. We're trying to

534
00:30:03,840 --> 00:30:06,880
Speaker 1: get home to at Aton and the lady has never

535
00:30:06,880 --> 00:30:09,520
Speaker 1: heard of it. And we're realizing now that there is

536
00:30:09,560 --> 00:30:12,680
Speaker 1: something strange about the planet that these kids are from.

537
00:30:13,080 --> 00:30:15,680
Speaker 1: More on that in a bit. To continue our discussion

538
00:30:15,720 --> 00:30:18,000
Speaker 1: about the Jedi thing, I think it intersects with the

539
00:30:18,040 --> 00:30:21,480
Speaker 1: mystery around this planet. Maybe the boys are at a

540
00:30:21,480 --> 00:30:26,040
Speaker 1: street food cart. The food is just purely like stuff

541
00:30:26,120 --> 00:30:32,520
Speaker 1: for space rats. It's disgusting, whim pays the shopkeeper. Shopkeeper

542
00:30:32,600 --> 00:30:34,920
Speaker 1: immediately tries to swindle in because it's clear that this

543
00:30:35,040 --> 00:30:39,040
Speaker 1: kid has like a load of like original Republic credits.

544
00:30:39,600 --> 00:30:42,920
Speaker 1: The word immediately gets out there's two little kids on

545
00:30:43,200 --> 00:30:45,680
Speaker 1: orc Borga and they are loaded with fucking coin. The

546
00:30:45,720 --> 00:30:48,320
Speaker 1: kids are now running for it. Fern and KB learned

547
00:30:48,320 --> 00:30:54,720
Speaker 1: that their planet is apparently a legendary treasure spot in

548
00:30:54,880 --> 00:30:57,520
Speaker 1: pirate lore, like it's a forgotten treasure planet.

549
00:30:58,640 --> 00:30:59,200
Speaker 2: Oh my god.

550
00:30:59,320 --> 00:31:04,080
Speaker 1: Okay, let's pause here for a moment. I think that

551
00:31:04,160 --> 00:31:08,120
Speaker 1: this must somehow intersect with the why they know so

552
00:31:08,200 --> 00:31:10,840
Speaker 1: much about Jedis. I think information must be siloed here

553
00:31:10,840 --> 00:31:13,480
Speaker 1: and different in a way than it is for the

554
00:31:13,520 --> 00:31:18,480
Speaker 1: wider galaxy, leading me to believe that these the people

555
00:31:18,520 --> 00:31:22,840
Speaker 1: who populate this planet are like, not necessarily refugees, but

556
00:31:24,200 --> 00:31:30,320
Speaker 1: people directly from the Republic, like middle class republic people

557
00:31:31,000 --> 00:31:33,920
Speaker 1: who had to find a new planet because their planet

558
00:31:33,920 --> 00:31:36,040
Speaker 1: got blowed up or whatever happened. And they know a

559
00:31:36,080 --> 00:31:38,720
Speaker 1: lot about Jedi and I know a lot about events

560
00:31:38,800 --> 00:31:41,080
Speaker 1: during the war and maybe current events as well, and

561
00:31:41,120 --> 00:31:45,160
Speaker 1: then they populated this planet. That is my guess.

562
00:31:45,400 --> 00:31:48,440
Speaker 3: There's also we didn't talk at all about the barrier,

563
00:31:48,600 --> 00:31:51,200
Speaker 3: which they reference multiple times. The kids are like, oh no,

564
00:31:51,240 --> 00:31:53,040
Speaker 3: if we don't get out of the ship, it's going

565
00:31:53,120 --> 00:31:53,960
Speaker 3: to hit the barrier.

566
00:31:54,200 --> 00:31:56,480
Speaker 1: Right that there is some sort of barrier protecting the

567
00:31:56,520 --> 00:32:01,720
Speaker 1: planet clearly from scans and maybe even from from visual location.

568
00:32:02,240 --> 00:32:05,200
Speaker 3: Yeah, And Wendell when he's talking to the droids is

569
00:32:05,280 --> 00:32:08,400
Speaker 3: like that the kids flew out past the barrier. And

570
00:32:08,440 --> 00:32:10,640
Speaker 3: the droids, like no one is allowed past the barrier.

571
00:32:11,200 --> 00:32:14,680
Speaker 3: So having just you know, thought through fallout, is this

572
00:32:14,720 --> 00:32:18,280
Speaker 3: maybe some kind of like nuclear shelter planet. Yes, no

573
00:32:18,320 --> 00:32:21,040
Speaker 3: one knows about. Yeah, Like what is this?

574
00:32:21,640 --> 00:32:22,480
Speaker 2: One hundred percent?

575
00:32:22,560 --> 00:32:24,960
Speaker 4: Aaron I was thinking about, like what we know about

576
00:32:25,840 --> 00:32:31,040
Speaker 4: planetary structures as they applied to like the culturry ard

577
00:32:31,080 --> 00:32:33,440
Speaker 4: to the center of the galaxy, the more like inherently

578
00:32:33,440 --> 00:32:36,000
Speaker 4: involved you were with the republic, right, and then the

579
00:32:36,040 --> 00:32:39,560
Speaker 4: further out you were, the less technology, more secluded you.

580
00:32:39,880 --> 00:32:42,360
Speaker 4: They seem to be somewhere in the middle, right, not

581
00:32:42,480 --> 00:32:44,640
Speaker 4: connected to the larger world so much so that nobody

582
00:32:44,680 --> 00:32:47,959
Speaker 4: knows they're a planet, but they seem to have all

583
00:32:48,000 --> 00:32:52,880
Speaker 4: of the same technology, style of dress, like verbiage that

584
00:32:53,160 --> 00:32:56,040
Speaker 4: everyone that we know in the galaxy has as well.

585
00:32:56,400 --> 00:32:58,120
Speaker 2: Which I was curious because.

586
00:32:57,920 --> 00:33:00,480
Speaker 4: There's really, to me, one of my big criticul of

587
00:33:00,480 --> 00:33:03,720
Speaker 4: Star Wars as like a whole franchise, there's a homogeny

588
00:33:03,800 --> 00:33:05,200
Speaker 4: to the look of a lot of things that a

589
00:33:05,240 --> 00:33:08,640
Speaker 4: galaxy should not have. We're mounting all over the place,

590
00:33:08,680 --> 00:33:13,000
Speaker 4: we should see a drastic difference in styles, and I'm

591
00:33:13,080 --> 00:33:15,720
Speaker 4: curious how that loophole closes here.

592
00:33:16,000 --> 00:33:19,800
Speaker 2: I love the idea that they were recently sequestered themselves

593
00:33:19,920 --> 00:33:24,360
Speaker 2: from the very scary empire and perhaps don't fully know

594
00:33:24,480 --> 00:33:26,200
Speaker 2: that what's happened in the galaxy.

595
00:33:27,040 --> 00:33:29,720
Speaker 1: Do we think where is this planet? Is it in

596
00:33:29,760 --> 00:33:33,560
Speaker 1: the unknown regions? Is in the inner galaxy? Do we

597
00:33:33,680 --> 00:33:34,480
Speaker 1: know where it is?

598
00:33:35,320 --> 00:33:37,640
Speaker 4: I wouldn't even know where to guess it's got It

599
00:33:37,640 --> 00:33:39,080
Speaker 4: feels like it has to be unknown.

600
00:33:39,600 --> 00:33:42,440
Speaker 3: When they ask SM thirty three too, SM thirty three

601
00:33:42,480 --> 00:33:45,800
Speaker 3: has no memory of where its last location was, So

602
00:33:45,840 --> 00:33:49,760
Speaker 3: we don't even have any idea where that that ship

603
00:33:49,880 --> 00:33:52,680
Speaker 3: might have been before it crashed. Uh, so we have

604
00:33:52,720 --> 00:33:54,960
Speaker 3: a full on mystery with it, which I think is great.

605
00:33:55,360 --> 00:33:58,680
Speaker 1: This planet's not going to be star killar base, right, like.

606
00:33:58,880 --> 00:34:05,400
Speaker 4: Oh god, I hope not. But again, there's systems of organization.

607
00:34:05,480 --> 00:34:08,640
Speaker 4: The way they were pushing their kids into very technical jobs.

608
00:34:08,680 --> 00:34:11,319
Speaker 4: It's giving empires, so it absolutely could be.

609
00:34:12,400 --> 00:34:19,200
Speaker 1: Oh my god, Okay, let's continue. So, Uh, there's a

610
00:34:19,200 --> 00:34:21,480
Speaker 1: lot to There's truly a lot to think of. There's

611
00:34:21,520 --> 00:34:24,359
Speaker 1: a lot to think about here. So they learned that

612
00:34:24,400 --> 00:34:27,720
Speaker 1: the their planet is some kind of top secret pirate

613
00:34:27,840 --> 00:34:30,799
Speaker 1: lore treasure spot. Fern has a gun. She pulls a

614
00:34:30,800 --> 00:34:33,239
Speaker 1: blaster on these pirates to make them stop, but she

615
00:34:33,280 --> 00:34:37,120
Speaker 1: immediately gets disarmed because she's a kid and these are hardened,

616
00:34:37,560 --> 00:34:41,160
Speaker 1: fucking pirates. The outlaws are very interested in ad ad.

617
00:34:41,560 --> 00:34:43,719
Speaker 1: They want to know if the kids are telling the

618
00:34:43,760 --> 00:34:46,879
Speaker 1: truth at all. But if four things can go completely left.

619
00:34:47,000 --> 00:34:50,480
Speaker 1: S thirty three shows up to defend the kidsmately maims

620
00:34:50,520 --> 00:34:54,960
Speaker 1: and potentially kills several of the pirates, which, honestly, fine,

621
00:34:55,000 --> 00:34:59,960
Speaker 1: that's good. But then SM gets I'm hoping stun blasts

622
00:35:00,080 --> 00:35:04,319
Speaker 1: did and the rat in its head falls out and

623
00:35:04,400 --> 00:35:08,120
Speaker 1: hopefully doesn't die because that would actually make me really sad.

624
00:35:09,239 --> 00:35:09,680
Speaker 2: Brutus.

625
00:35:09,719 --> 00:35:13,120
Speaker 1: The wolfman arrives and the youngsters all get thrown in

626
00:35:13,200 --> 00:35:15,279
Speaker 1: the brig. No idea. What happens to s M three

627
00:35:15,360 --> 00:35:20,680
Speaker 1: three in the brig? It's just like arguments they Neil

628
00:35:21,440 --> 00:35:26,200
Speaker 1: takes the rat from SM's head and is like, hey,

629
00:35:26,520 --> 00:35:28,359
Speaker 1: through the bars. If you go through the bars and

630
00:35:28,560 --> 00:35:31,759
Speaker 1: there's the key is hanging like on a on a

631
00:35:31,800 --> 00:35:35,960
Speaker 1: fucking nail, like an old West jail, can you go

632
00:35:36,120 --> 00:35:39,000
Speaker 1: out and go get the key? And it doesn't work.

633
00:35:39,040 --> 00:35:43,279
Speaker 1: The rat just fully runs away. Recriminations fly. The kids

634
00:35:43,320 --> 00:35:46,640
Speaker 1: are discussing whether at Aton really is a treasure planet?

635
00:35:46,719 --> 00:35:49,840
Speaker 1: Or what is what does this mean? What is the

636
00:35:49,840 --> 00:35:53,840
Speaker 1: way people reacting this? Is this true? While they're arguing,

637
00:35:53,880 --> 00:35:57,839
Speaker 1: they hear a voice from deeper in the dungeon. It's

638
00:35:57,880 --> 00:36:02,839
Speaker 1: the Captain from episode one, and the Captain's like addresses

639
00:36:02,880 --> 00:36:04,720
Speaker 1: them and is like, I can get us out of here.

640
00:36:05,000 --> 00:36:11,760
Speaker 1: He then uses the Force apparently like is this a trick?

641
00:36:12,040 --> 00:36:14,520
Speaker 1: Is this truly the Force? But it truly does it.

642
00:36:14,640 --> 00:36:16,640
Speaker 1: I was like waiting for this to be a con,

643
00:36:17,239 --> 00:36:20,520
Speaker 1: but it does appear to be the Force and gets

644
00:36:20,560 --> 00:36:22,920
Speaker 1: the key from across the room, and women is like,

645
00:36:23,000 --> 00:36:28,640
Speaker 1: holy shit, wow a real Jedi end of episode two,

646
00:36:31,280 --> 00:36:37,680
Speaker 1: you know or the other one? Yeah, Well, is this

647
00:36:37,840 --> 00:36:38,960
Speaker 1: like a let me ask you?

648
00:36:39,120 --> 00:36:39,880
Speaker 2: Is this a con?

649
00:36:40,160 --> 00:36:41,120
Speaker 1: Is he conning them?

650
00:36:41,400 --> 00:36:41,520
Speaker 2: Like?

651
00:36:41,640 --> 00:36:45,080
Speaker 1: Is this entire thing a setup? We've got this mysterious

652
00:36:45,160 --> 00:36:48,640
Speaker 1: like homing. We've got this like mysterious ship that's on

653
00:36:48,680 --> 00:36:53,040
Speaker 1: a planet that's hidden takes them to where the pirates are.

654
00:36:53,480 --> 00:36:56,200
Speaker 1: I don't know the feeling. There's definitely a deeper mystery

655
00:36:56,200 --> 00:37:15,759
Speaker 1: here to unravel. But what are we thinking about this

656
00:37:15,880 --> 00:37:16,640
Speaker 1: show thus far?

657
00:37:17,280 --> 00:37:20,319
Speaker 4: I'm in on this show. I really love that they're

658
00:37:20,360 --> 00:37:22,799
Speaker 4: like reaching back out to kids. I think they've been

659
00:37:23,080 --> 00:37:28,680
Speaker 4: struggling as a franchise to like get young kids into it.

660
00:37:28,800 --> 00:37:31,279
Speaker 4: You know a lot of kids seems crazy to me,

661
00:37:31,360 --> 00:37:33,520
Speaker 4: but they're like those movies from the seventies. They look

662
00:37:33,560 --> 00:37:35,680
Speaker 4: old and I can't watch it. It hurts my eyes.

663
00:37:35,800 --> 00:37:38,719
Speaker 4: I don't want to see it. Some of the you know,

664
00:37:39,760 --> 00:37:43,120
Speaker 4: old young folks in their twenties who were very very

665
00:37:43,200 --> 00:37:46,400
Speaker 4: young when the preaqules came out, are really dedicated to those.

666
00:37:46,520 --> 00:37:49,400
Speaker 4: But after that, it's been hard to get kids connecting

667
00:37:49,400 --> 00:37:51,840
Speaker 4: to the source material. So I hope that this reaches

668
00:37:51,880 --> 00:37:53,920
Speaker 4: out to them and connects with them. It's really fun.

669
00:37:54,040 --> 00:37:55,359
Speaker 4: I feel like when I was a kid, I would

670
00:37:55,360 --> 00:37:58,160
Speaker 4: have really been vibing with the whole bike's elements of this

671
00:37:58,280 --> 00:37:59,800
Speaker 4: level of freedom and access.

672
00:38:00,480 --> 00:38:05,680
Speaker 2: All that really works Disney they love to be incestuous.

673
00:38:05,719 --> 00:38:08,120
Speaker 4: They got mix Giacchino to do the score for this,

674
00:38:08,200 --> 00:38:10,400
Speaker 4: and I actually have did a really good job.

675
00:38:10,760 --> 00:38:13,720
Speaker 2: It's so whimsical. I gasped a little when the keys moved.

676
00:38:13,800 --> 00:38:17,200
Speaker 4: It was clearly a practical effect instead of CGI, and

677
00:38:17,280 --> 00:38:20,760
Speaker 4: I was like, oh, appeals magical, Like it's it's really happening.

678
00:38:20,800 --> 00:38:24,279
Speaker 4: It weirdly brought up a level of nostalogia in me

679
00:38:24,320 --> 00:38:26,720
Speaker 4: that I haven't had for Star Wars in a minute.

680
00:38:27,600 --> 00:38:29,719
Speaker 2: It's good, guys, I have fun with it.

681
00:38:30,440 --> 00:38:32,560
Speaker 1: I was feeling that as well. I think that to

682
00:38:34,960 --> 00:38:39,160
Speaker 1: kind of elaborate on the the eighties, gen X nineties

683
00:38:39,239 --> 00:38:44,480
Speaker 1: codedness of this show, it's clearly pitched not to appeal

684
00:38:44,480 --> 00:38:46,360
Speaker 1: to kids, but also to appeal to their parents so

685
00:38:46,400 --> 00:38:48,239
Speaker 1: they can all watch it together. I think that there's

686
00:38:48,280 --> 00:38:51,960
Speaker 1: something very notable about the fact that, like we are

687
00:38:52,000 --> 00:38:58,360
Speaker 1: in this highly advanced sci fi setting, but also kids

688
00:38:58,440 --> 00:39:01,160
Speaker 1: have no way to contact their parents on the fly,

689
00:39:01,320 --> 00:39:04,680
Speaker 1: cell phones not existing, Like kids are just on their own,

690
00:39:05,120 --> 00:39:08,640
Speaker 1: and there's that wonderful kind of agency that that creates

691
00:39:08,680 --> 00:39:13,400
Speaker 1: the sense of like getting into the imaginative space of

692
00:39:14,239 --> 00:39:17,160
Speaker 1: the kids themselves, understanding this world through their eyes. I

693
00:39:17,160 --> 00:39:21,160
Speaker 1: think it's like a breath of fresh air and really wonderful.

694
00:39:21,160 --> 00:39:22,920
Speaker 1: And to your point about like connecting kids to it,

695
00:39:22,960 --> 00:39:26,040
Speaker 1: I think that there is like the acolyte like the

696
00:39:26,080 --> 00:39:28,600
Speaker 1: discussions around any of these Star Wars properties that have

697
00:39:28,680 --> 00:39:32,279
Speaker 1: happened over the last couple of years, it feels like

698
00:39:32,480 --> 00:39:36,040
Speaker 1: all of the discourse around them have been dominated and

699
00:39:36,080 --> 00:39:40,520
Speaker 1: even warped by like old head Star Wars fans who

700
00:39:40,560 --> 00:39:46,120
Speaker 1: hate everything and this is like specifically pitched away from them,

701
00:39:46,360 --> 00:39:50,080
Speaker 1: and good great. I think that is awesome.

702
00:39:50,560 --> 00:39:53,600
Speaker 3: I think it's kind of nice too. I after watching

703
00:39:53,640 --> 00:39:56,759
Speaker 3: the first two episodes, no part of me thinks any

704
00:39:56,800 --> 00:39:59,360
Speaker 3: of the four main characters are going to use the Force.

705
00:40:00,120 --> 00:40:01,759
Speaker 3: I don't think any of these kids are going to

706
00:40:01,960 --> 00:40:05,640
Speaker 3: become pot of One and I like that. I like

707
00:40:05,719 --> 00:40:07,920
Speaker 3: that all four of these kids seem to be just

708
00:40:08,160 --> 00:40:11,480
Speaker 3: regular people who will exist and be heroes within this world.

709
00:40:12,120 --> 00:40:14,600
Speaker 3: And it feels like a lot of the newer stuff

710
00:40:14,640 --> 00:40:17,360
Speaker 3: we're getting is very very like, Oh, they have to

711
00:40:17,360 --> 00:40:19,200
Speaker 3: be a Jedi, they have to somehow be using the

712
00:40:19,239 --> 00:40:21,839
Speaker 3: Force in order to make the story worth telling, and

713
00:40:21,840 --> 00:40:24,480
Speaker 3: that's not the case clearly, and we're doing that with

714
00:40:25,840 --> 00:40:27,239
Speaker 3: is Jude Law Jedi? Is he not?

715
00:40:27,320 --> 00:40:27,520
Speaker 2: You know?

716
00:40:27,680 --> 00:40:30,759
Speaker 3: Who knows? I think as someone who's seen Aladdin, I'm

717
00:40:30,800 --> 00:40:33,479
Speaker 3: always suspicious of anyone who's been locked in a jail

718
00:40:33,520 --> 00:40:35,880
Speaker 3: cell but it has the ability to break out but

719
00:40:35,960 --> 00:40:37,359
Speaker 3: hasn't broken themselves out yet.

720
00:40:37,400 --> 00:40:40,359
Speaker 1: Yeah, that's wonder That's what that feels to me the same.

721
00:40:40,440 --> 00:40:43,120
Speaker 1: That's the thing that that also piqued my interests it's like,

722
00:40:43,200 --> 00:40:45,960
Speaker 1: this is something going on here, you were just hanging

723
00:40:46,000 --> 00:40:46,919
Speaker 1: out for a while here.

724
00:40:49,400 --> 00:40:52,719
Speaker 3: I also, like Joelle, you mentioned in the beginning the

725
00:40:52,840 --> 00:40:56,239
Speaker 3: opening of episode one with the perfect amount of alien characters,

726
00:40:56,320 --> 00:40:59,640
Speaker 3: and I thought that that episode, the opening of that

727
00:40:59,640 --> 00:41:04,279
Speaker 3: episodisode and SM thirty three's scene in episode two, the

728
00:41:04,320 --> 00:41:08,560
Speaker 3: show's surprisingly action packed and violent. I mean like SM

729
00:41:08,600 --> 00:41:12,000
Speaker 3: thirty three using his shields on his arms to absorb

730
00:41:12,080 --> 00:41:15,520
Speaker 3: the blaster fire and then burn someone with the heat

731
00:41:16,000 --> 00:41:17,440
Speaker 3: collected is great.

732
00:41:17,960 --> 00:41:20,520
Speaker 4: So this is YI, It's right, and Jason pointed it

733
00:41:20,560 --> 00:41:23,080
Speaker 4: out earlier. There's a very legitimate sense of fear for

734
00:41:23,160 --> 00:41:25,560
Speaker 4: the children in that. Yeah, And I think there's a

735
00:41:25,640 --> 00:41:29,520
Speaker 4: very legitimate like everything. It feels like they're actually in

736
00:41:29,560 --> 00:41:31,440
Speaker 4: this world and it could be bad for them, and

737
00:41:31,520 --> 00:41:33,880
Speaker 4: you're like, oh my god, and they're escaping just by

738
00:41:33,880 --> 00:41:35,800
Speaker 4: the hair of their teeth and that's kind of fine.

739
00:41:36,360 --> 00:41:38,319
Speaker 4: But also I think, yeah, I always felt when I

740
00:41:38,360 --> 00:41:40,880
Speaker 4: was a kid watching shows four kids like I hated

741
00:41:40,920 --> 00:41:43,680
Speaker 4: when I was being talked down to when they were

742
00:41:43,719 --> 00:41:46,000
Speaker 4: like when the world was obviously too safe, but like

743
00:41:46,400 --> 00:41:48,120
Speaker 4: I had some street no how I could get around.

744
00:41:48,120 --> 00:41:49,440
Speaker 4: I knew what to do if I was lost, Like

745
00:41:49,440 --> 00:41:53,200
Speaker 4: there's an element of respect for kids in this and

746
00:41:53,280 --> 00:41:57,160
Speaker 4: like understanding what's going on and being sheltered from the truth.

747
00:41:57,200 --> 00:42:00,000
Speaker 4: That's really interesting. I also think they've built up Mistrey

748
00:42:00,120 --> 00:42:02,680
Speaker 4: You much better than some of our other Star Wars shows.

749
00:42:03,000 --> 00:42:04,840
Speaker 4: I'm like, really, I'm like, what is going on with

750
00:42:04,880 --> 00:42:06,759
Speaker 4: these parents? Because the two parents we spend the most

751
00:42:06,760 --> 00:42:10,160
Speaker 4: time with are so anxious for their children to do well.

752
00:42:10,239 --> 00:42:13,920
Speaker 4: It seems as if there's something out like whatever is

753
00:42:14,040 --> 00:42:16,839
Speaker 4: controlling this planet, ruling this planet will do bad things

754
00:42:16,840 --> 00:42:18,440
Speaker 4: to you if you are not performing and at the

755
00:42:18,440 --> 00:42:20,520
Speaker 4: top of your class. The months is what there's not

756
00:42:20,680 --> 00:42:22,279
Speaker 4: enough room for everybody at the top.

757
00:42:22,560 --> 00:42:24,719
Speaker 2: What does that mean? What happens if you're not at

758
00:42:24,719 --> 00:42:25,520
Speaker 2: the top? Where do you go?

759
00:42:25,680 --> 00:42:28,480
Speaker 4: Is it just regular suburban angs or is it something

760
00:42:28,520 --> 00:42:31,680
Speaker 4: more sinister? Like it's a really compelling show.

761
00:42:32,760 --> 00:42:37,240
Speaker 1: I completely agree, and the mystery to kind of expand

762
00:42:37,280 --> 00:42:39,960
Speaker 1: on that. I mean, it feels like Jude Law got

763
00:42:40,000 --> 00:42:43,319
Speaker 1: thrown in the brig on purpose, right, doesn't it? Like

764
00:42:43,360 --> 00:42:45,880
Speaker 1: from that opening scene thinking about it, like he clearly

765
00:42:46,000 --> 00:42:50,640
Speaker 1: gave this pirate group information about a ship that he

766
00:42:50,880 --> 00:42:53,640
Speaker 1: maybe knew was not true in order to get thrown

767
00:42:53,640 --> 00:42:56,560
Speaker 1: in here? Could he have engineered this whole thing?

768
00:42:56,719 --> 00:42:56,799
Speaker 2: Like?

769
00:42:56,960 --> 00:43:00,439
Speaker 1: Is he trying to get my sense? Is like he's

770
00:43:00,480 --> 00:43:02,120
Speaker 1: from at Aton somehow.

771
00:43:02,440 --> 00:43:06,960
Speaker 4: Mmm okay, okay, I like that He's It's interesting because

772
00:43:06,960 --> 00:43:11,000
Speaker 4: they set him up as sort of the the cocky pilot,

773
00:43:11,000 --> 00:43:14,280
Speaker 4: which was a trope we get a lot throughout Star Wars. Yeah,

774
00:43:14,320 --> 00:43:17,600
Speaker 4: but also if he is one with the fourth how

775
00:43:17,680 --> 00:43:19,360
Speaker 4: smart and how much does he know? Is also a

776
00:43:19,400 --> 00:43:21,319
Speaker 4: thing we get a lot with these guys. Is he

777
00:43:22,000 --> 00:43:24,200
Speaker 4: the Yoda affect? Is he kooky and crazy? Or is

778
00:43:24,239 --> 00:43:28,399
Speaker 4: he whise beyond anybody's comprehension. I think both of those

779
00:43:28,440 --> 00:43:30,719
Speaker 4: elements are sort of at play with this character, which

780
00:43:31,040 --> 00:43:33,919
Speaker 4: again just sort of it makes you want to tune

781
00:43:33,920 --> 00:43:34,279
Speaker 4: in again.

782
00:43:34,440 --> 00:43:36,040
Speaker 2: I have to know where the story's going.

783
00:43:36,080 --> 00:43:38,799
Speaker 4: I don't think we've had anything like, certainly not in

784
00:43:38,880 --> 00:43:41,080
Speaker 4: live action on Star Wars. But I'm struggling even to

785
00:43:41,080 --> 00:43:43,120
Speaker 4: think of like a novel or comic book that comes

786
00:43:43,120 --> 00:43:48,160
Speaker 4: close to this sort of style of storytelling. It's I

787
00:43:48,239 --> 00:43:50,359
Speaker 4: was I was really prepared to be like, oh, Star

788
00:43:50,400 --> 00:43:52,759
Speaker 4: Wars kids show, but man, they really did get me.

789
00:43:54,239 --> 00:43:56,480
Speaker 1: Yeah, no, they they did get They did get me

790
00:43:56,520 --> 00:43:59,319
Speaker 1: as well. I'm I'm super excited to see where this goes.

791
00:43:59,400 --> 00:44:03,680
Speaker 1: I can't wait. I've like this, I've am very excited

792
00:44:03,719 --> 00:44:08,640
Speaker 1: by this show. And the sense of nostalgia is intense.

793
00:44:09,320 --> 00:44:15,200
Speaker 1: It makes you realize, like, how few stories like this

794
00:44:15,280 --> 00:44:18,120
Speaker 1: there really are right now? I mean, I think this

795
00:44:18,200 --> 00:44:19,920
Speaker 1: is part of the reason that Stranger Things when it

796
00:44:19,960 --> 00:44:24,400
Speaker 1: first came out, hits so hard. Yeah, this is pitched

797
00:44:24,400 --> 00:44:28,200
Speaker 1: in that exact space, and it's just feels great. It

798
00:44:28,200 --> 00:44:29,120
Speaker 1: feels you know.

799
00:44:29,120 --> 00:44:32,120
Speaker 4: What, it's giving like Craig of the Creek sort of

800
00:44:32,200 --> 00:44:36,640
Speaker 4: adventure time vibes in that here's a very open world

801
00:44:36,680 --> 00:44:41,400
Speaker 4: with not a lot of adult interaction, where you're allowed

802
00:44:41,400 --> 00:44:43,719
Speaker 4: to sort of dream or be as big as you

803
00:44:44,160 --> 00:44:47,120
Speaker 4: want to be. And that's like that little girl is

804
00:44:47,160 --> 00:44:48,759
Speaker 4: a captain, like immediately, like.

805
00:44:48,719 --> 00:44:49,600
Speaker 2: All of her energy.

806
00:44:49,840 --> 00:44:55,279
Speaker 4: You pointed out earlier, Jason, that KB and what's the

807
00:44:55,320 --> 00:44:59,920
Speaker 4: other girl's name? Uh yeah, okay, I have a theory. Okay,

808
00:45:00,120 --> 00:45:03,840
Speaker 4: so yes, KP's clearly the intelligent one. But if I

809
00:45:03,880 --> 00:45:06,880
Speaker 4: was going to classify her, i'd give her like a

810
00:45:06,880 --> 00:45:09,520
Speaker 4: a Jinkies Velma sort of vibe, you know what I mean,

811
00:45:09,560 --> 00:45:10,080
Speaker 4: Like she's.

812
00:45:09,920 --> 00:45:14,680
Speaker 1: Like, yes, yeah, she's not the she's not the charismatic

813
00:45:14,719 --> 00:45:15,440
Speaker 1: one for sure.

814
00:45:15,560 --> 00:45:17,600
Speaker 2: Yes she's not Fred, and that's okay.

815
00:45:17,719 --> 00:45:20,160
Speaker 4: I think Fern is more of a Fred Daphne hybrid,

816
00:45:20,480 --> 00:45:21,920
Speaker 4: and I really appreciate the.

817
00:45:22,239 --> 00:45:23,440
Speaker 2: Vibes of their friendship.

818
00:45:23,560 --> 00:45:27,120
Speaker 4: They're very you know, girls mature faster than boys, and

819
00:45:27,200 --> 00:45:29,560
Speaker 4: so when you're at the same age, in the same class,

820
00:45:29,680 --> 00:45:31,680
Speaker 4: especially around the sage, which I would guess is between

821
00:45:31,719 --> 00:45:35,520
Speaker 4: like nine and eleven, you know, where are these boys

822
00:45:35,520 --> 00:45:40,560
Speaker 4: and why are they being Let's go like poor poor

823
00:45:40,560 --> 00:45:42,239
Speaker 4: women's never been outside of his house. He has no

824
00:45:42,280 --> 00:45:45,160
Speaker 4: idea how to interact with his zero street credit, like

825
00:45:45,239 --> 00:45:47,719
Speaker 4: no knowledge of how to maneuver through these streets.

826
00:45:48,120 --> 00:45:50,560
Speaker 2: And I really appreciate all the other kids being like

827
00:45:51,000 --> 00:45:52,200
Speaker 2: this one. We have to keep an eye on.

828
00:45:52,239 --> 00:45:54,279
Speaker 4: He's giving youngest child in the class, and I really

829
00:45:54,280 --> 00:45:55,080
Speaker 4: appreciate it.

830
00:45:56,040 --> 00:45:59,920
Speaker 3: Fern is like Louise Joelle like for your Bob's Burg

831
00:46:00,080 --> 00:46:02,239
Speaker 3: or is fandom like Fern reminds me of Louise and

832
00:46:02,280 --> 00:46:06,520
Speaker 3: that she she'll she'll manipulate the situation and she knows

833
00:46:06,520 --> 00:46:08,719
Speaker 3: how to get everyone to do her things for her,

834
00:46:09,200 --> 00:46:11,160
Speaker 3: which is not a bad like, not in a negative way.

835
00:46:11,280 --> 00:46:15,319
Speaker 3: But she's number well, that's true. Yeah, so she is

836
00:46:15,360 --> 00:46:19,480
Speaker 3: also very intelligent and high achieving, even though she's getting

837
00:46:19,640 --> 00:46:22,520
Speaker 3: pulled over by the school droids all the time for

838
00:46:22,760 --> 00:46:25,719
Speaker 3: misbehaving and going to the principal's office. I guess.

839
00:46:27,160 --> 00:46:31,320
Speaker 1: Okay, quick fire rapid predictions. What do we think anything

840
00:46:31,480 --> 00:46:35,000
Speaker 1: anything that's that's peaking your interests. Let's start with you Erin.

841
00:46:35,080 --> 00:46:37,080
Speaker 1: What do you what are some quick predictions?

842
00:46:37,280 --> 00:46:42,200
Speaker 3: I want to know what what at Adam is? My

843
00:46:42,239 --> 00:46:44,759
Speaker 3: biggest thing is like, is this some kind of is

844
00:46:44,800 --> 00:46:47,960
Speaker 3: it a place lost in time? Or are they intentionally

845
00:46:48,000 --> 00:46:50,680
Speaker 3: being kept away from everything going on in the outside.

846
00:46:50,719 --> 00:46:53,560
Speaker 3: So that's my biggest thing. Why are they unaware of

847
00:46:53,880 --> 00:46:55,920
Speaker 3: I mean the kids that when when they fly up

848
00:46:55,920 --> 00:46:58,360
Speaker 3: into space for the first time, Like, are those planets

849
00:46:58,640 --> 00:47:01,600
Speaker 3: know they're stars? Like the kids don't even know about space,

850
00:47:01,680 --> 00:47:04,640
Speaker 3: it seems like. So that's my biggest thing is why

851
00:47:04,840 --> 00:47:06,239
Speaker 3: are they so clueless around this?

852
00:47:07,080 --> 00:47:08,400
Speaker 1: Joelle?

853
00:47:09,880 --> 00:47:12,760
Speaker 4: I'm really interested to see where this intersects with other

854
00:47:13,000 --> 00:47:18,280
Speaker 4: Star Wars if it will, Like are we getting especially

855
00:47:18,480 --> 00:47:21,200
Speaker 4: knowing that Luke is on a path of building the

856
00:47:21,280 --> 00:47:24,000
Speaker 4: Jedi Academy and knowing that this kid wants to be

857
00:47:24,040 --> 00:47:26,759
Speaker 4: a Jedi, And clearly we're dealing with some kind of

858
00:47:26,800 --> 00:47:29,840
Speaker 4: force wielding like I want to see what the intersection

859
00:47:29,920 --> 00:47:32,480
Speaker 4: of that is, but also need are we on star

860
00:47:32,560 --> 00:47:33,120
Speaker 4: Killer Base?

861
00:47:33,400 --> 00:47:37,480
Speaker 2: What is it a lost treasure planet? Are we hopping dimensions?

862
00:47:37,560 --> 00:47:40,239
Speaker 4: Like they're so because of how open Star Wars has

863
00:47:40,239 --> 00:47:43,439
Speaker 4: become in the last like seven years, there's so many

864
00:47:43,480 --> 00:47:46,880
Speaker 4: directions this could go. I love how small they've started

865
00:47:46,880 --> 00:47:51,320
Speaker 4: and how little we know. It really like gives your space,

866
00:47:51,680 --> 00:47:53,799
Speaker 4: your head, a lot of space to imagine. I look

867
00:47:53,840 --> 00:47:56,440
Speaker 4: forward to the forums. Please send us your fan theories

868
00:47:56,440 --> 00:47:57,160
Speaker 4: and stuff I think.

869
00:47:57,480 --> 00:47:58,680
Speaker 1: Please please play the shoulder.

870
00:47:58,719 --> 00:48:00,879
Speaker 2: We can dive into it and under things a lot.

871
00:48:00,960 --> 00:48:01,920
Speaker 2: It's going to be a blast.

872
00:48:02,480 --> 00:48:06,000
Speaker 4: What about you, Jason, what are you looking forward to?

873
00:48:06,440 --> 00:48:08,799
Speaker 1: My big crazy one is that they're on Starcular Base.

874
00:48:08,840 --> 00:48:13,839
Speaker 1: Although I love that theory, I I I guess that's

875
00:48:13,880 --> 00:48:16,280
Speaker 1: not true, but it's I but it would be crazy.

876
00:48:16,360 --> 00:48:21,600
Speaker 1: And then I guess I would predict that Captain Silvo

877
00:48:22,040 --> 00:48:25,759
Speaker 1: Jude Law does cannot use the force. I think it

878
00:48:25,920 --> 00:48:34,560
Speaker 1: the the practicalness of the key draw seemed so like

879
00:48:36,120 --> 00:48:41,319
Speaker 1: uniquely practical that I feel that he is playing some

880
00:48:41,360 --> 00:48:45,640
Speaker 1: sort of con on them, specifically trying to like mystify them.

881
00:48:45,680 --> 00:48:48,279
Speaker 1: He can't use the force and this is all some

882
00:48:48,480 --> 00:48:51,799
Speaker 1: kind of game, part of whatever con scheme that he

883
00:48:51,880 --> 00:48:54,080
Speaker 1: is playing. That's my guess.

884
00:48:54,719 --> 00:48:57,600
Speaker 3: I also want to know will is Neil ever going

885
00:48:57,640 --> 00:49:00,520
Speaker 3: to get a chance speak to runa for the first time.

886
00:49:02,400 --> 00:49:05,160
Speaker 2: Dangie, this ship he's gonna get right back. That's gonna

887
00:49:05,200 --> 00:49:07,680
Speaker 2: be like, you can't believe so much, and now I'm

888
00:49:07,719 --> 00:49:08,480
Speaker 2: ready to talk.

889
00:49:08,520 --> 00:49:12,759
Speaker 1: I'm built to all of the confidence I need to pirates. Yeah,

890
00:49:13,080 --> 00:49:18,280
Speaker 1: you absolutely cannot see that and not have a controversition.

891
00:49:18,480 --> 00:49:20,000
Speaker 1: We love Meal too much.

892
00:49:20,640 --> 00:49:22,920
Speaker 4: Also, if I was a betting person, I'd gamble that

893
00:49:22,920 --> 00:49:28,920
Speaker 4: we see Honda eventually. We're right, We're yeah, we're in

894
00:49:28,960 --> 00:49:31,640
Speaker 4: the pocket area for Honda to still be around.

895
00:49:32,360 --> 00:49:35,400
Speaker 2: Please show up. He's my favorite pirate who has the kids.

896
00:49:35,719 --> 00:49:37,920
Speaker 3: Yeah, this wouldn't be a cad Bane. This would be

897
00:49:37,960 --> 00:49:41,280
Speaker 3: Hondo Like cad Bane's too dark. Honda would be perfect

898
00:49:41,280 --> 00:49:41,440
Speaker 3: for this.

899
00:49:42,040 --> 00:49:46,759
Speaker 1: I think my final prediction is that all these kids

900
00:49:46,800 --> 00:49:49,040
Speaker 1: are gonna be fine. Nothing bad is going to happen

901
00:49:49,080 --> 00:49:51,400
Speaker 1: to them, although they are going to face tremendous danger.

902
00:49:51,560 --> 00:49:54,040
Speaker 1: But we're all going to fall in love with sm

903
00:49:54,080 --> 00:49:55,360
Speaker 1: thirty three and he's gonna die.

904
00:49:55,800 --> 00:49:59,040
Speaker 4: Oh no, I have to say goodbye to so many already.

905
00:49:59,080 --> 00:50:04,280
Speaker 4: I love Kate too, I love the trades.

906
00:50:07,200 --> 00:50:09,960
Speaker 1: Coming up next on episodes of Extra Vision, We're diving

907
00:50:10,120 --> 00:50:13,160
Speaker 1: back into Dune Prophecy episode one on three, and on Wednesday,

908
00:50:13,480 --> 00:50:15,600
Speaker 1: our Books and Comics twenty twenty four round up. That's

909
00:50:15,600 --> 00:50:16,880
Speaker 1: over this episode. Thanks for listening.

910
00:50:16,920 --> 00:50:26,560
Speaker 3: Thank you, Erin, Thank you Joel, thank you, Jason bye x.

911
00:50:26,600 --> 00:50:30,080
Speaker 1: Ray Vision is hosted by Jason Kensepsion and Rosie Knight

912
00:50:30,760 --> 00:50:34,560
Speaker 1: and is a production of iHeart Podcasts. Our executive producers

913
00:50:34,560 --> 00:50:38,880
Speaker 1: are Joelle Smith and Aaron Kaufman. Our supervising producer is

914
00:50:39,120 --> 00:50:44,200
Speaker 1: a Boo Zafar. Our producers are Carmen Laurent and Mia Taylor.

915
00:50:44,960 --> 00:50:48,440
Speaker 1: Our theme song is by Brian Basquez. Special thanks to

916
00:50:49,000 --> 00:50:53,080
Speaker 1: Soul Rubin and Chris Lord, Kenny Goodman and Heidi on

917
00:50:53,239 --> 00:50:54,239
Speaker 1: Disco Modera