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Speaker 1: I really did something in that clap. I felt it

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Speaker 1: that time.

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Speaker 2: Oh yeah, It's like a Pavlovian response. At this point,

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Speaker 2: I can't. I can't do this part.

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Speaker 1: I just I just do that before. Like people call

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Speaker 1: me and I just clap into the phone to be like, Okay,

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Speaker 1: we're saying what are you doing? Yeah, weird.

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Speaker 2: It comes in to talk to you like wait, I'll

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Speaker 2: go yeah.

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Speaker 1: And I'm just like, what is wrong with you? And

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Speaker 1: they ask me that anyway?

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Speaker 2: So oh too cool.

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Speaker 1: I cannot believe it. We're at the end of season two.

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Speaker 2: It snuck up, Like I feel like it's snuck.

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Speaker 1: Up on us right now. I see why people can

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Speaker 1: binge the show so easily, because I'm like, how do

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Speaker 1: we we?

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Speaker 2: Just wow, yeah, we're already through yeah, two seasons in No,

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Speaker 2: It's it's it blows my mind thinking about it. I'm like, wow,

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Speaker 2: I can't. I can't wait to see what happens next.

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Speaker 2: I have no idea what happens in season three.

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Speaker 1: So no clue, none, no clue, no clue.

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Speaker 2: Season It's great when the faneritos are like, oh, no,

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Speaker 2: you know this happens later in the season, don't you remember,

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Speaker 2: And I'm like, no, no, we don't remember any we

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Speaker 2: know nothing except for these first you know, two seasons

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Speaker 2: worth of episodes. That's it.

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Speaker 1: And even then sometimes I'm like, wait, we watched that

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Speaker 1: episode and I still don't remember what happened. Yeah, brain,

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Speaker 1: we're doing our best. Brainfall man, this is a Yeah.

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Speaker 1: I can't believe that we've made it through season two.

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Speaker 2: I think it was a solid season.

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Speaker 1: I think it was a it was a it was

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Speaker 1: a pretty solid season. I feel like we uh, I mean,

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Speaker 1: other than Jesse's continuing problematic.

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Speaker 2: Behavior, it's getting better. He's shown growth.

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Speaker 1: Yeah, Jesse's problematic behavior is continuing, but with Becky, she

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Speaker 1: seems to be trying to kind of pull him together

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Speaker 1: a little bit more. But this this.

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Speaker 2: Episode, yeah, this is what a season closer, you know,

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Speaker 2: what a season finale. This is right, this was deserving

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Speaker 2: of a two parter. I feel like the two parter

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Speaker 2: in seas one where the seven month itch where Jesse's like,

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Speaker 2: I can't live in this house anymore. That I was like, okay, But.

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Speaker 1: We seem to keep ending seasons on Jesse having some sort.

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Speaker 2: Of it's like his manic energy is impulsive decision.

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Speaker 1: I'm gonna start up. I don't know, Jing like, it's

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Speaker 1: just you know, it's constantly like he's just he's very impulsive.

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Speaker 1: With the end of the season is when Jesse and.

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Speaker 2: Revels, Yeah, yeah, no, this this was a great will

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Speaker 2: they won't they will they get married? You know, I

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Speaker 2: was I know how it happens, or I know what happens,

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Speaker 2: but I was still on the edge of my seat saying, oh, yeah,

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Speaker 2: how are they gonna go?

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Speaker 1: Yeah, I did not, I mean I knew that. You know,

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Speaker 1: they obviously weren't going to get married in this episode

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Speaker 1: because we we know that spoiler alert everyone.

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Speaker 2: For those of you watching Full House for those ever, well.

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Speaker 1: That would be us really if we didn't, if we

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Speaker 1: didn't live it, we wouldn't we wouldn't know. We'd be like,

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Speaker 1: oh my god, they're gonna get buried, right, But yeah,

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Speaker 1: I uh it, Jesse's just a little immature.

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Speaker 2: He's just a little five.

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Speaker 1: Six twenty six.

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Speaker 2: Yeah, I didn't know what I was doing at twenty

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Speaker 2: six barely has a.

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Speaker 1: Frontal yeah right, right, yeah, it's I mean, I yeah, barely.

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Speaker 2: But I definitely feel like season two has found more

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Speaker 2: of a groove like season one was fantastic, but they

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Speaker 2: were still trying to figure out what what the theme

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Speaker 2: or you know what the touchstone of the entire series, right.

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Speaker 1: Who kind of who everybody was, what the audience wanted

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Speaker 1: to see. Yeah, I think we've found our way a

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Speaker 1: little bit more into the rhythm of what Full House was,

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Speaker 1: which was kind of the family comedy. And I think, yeah,

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Speaker 1: season one, we we saw a little bit of the uh,

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Speaker 1: the trying to figure out what the tone of the

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Speaker 1: show was, and we did figure out that it's not.

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Speaker 2: It's not Secrews.

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Speaker 1: No, we figured out that is definitely not the tone

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Speaker 1: of the show.

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Speaker 2: Right, But now we're leaning more heavily into the Michelle centric,

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Speaker 2: like they just started with the Hounds. Now we're in

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Speaker 2: the showy stuff. Yeah. No, it's like, oh, here we go.

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Speaker 1: Sorry God, Howie Howe. I just it's gonna like.

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Speaker 2: I Howe, how we know? Bye bye?

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Speaker 1: I hate that. I hate that Amphibian.

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Speaker 2: I mean I just like, yeah, well, let's okay, forget

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Speaker 2: the Amphibian. Let's uh, let's get into this episode, shall we.

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Speaker 1: Let's do it.

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Speaker 2: Let's it's a great one. Yes, welcome back to how

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Speaker 2: Rude Tannerito's I'm Andrea Barber and I'm Jody Sweeten, and

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Speaker 2: today we're discussing season two, episode twenty two, Luck Be

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Speaker 2: a Lady, Part two. Lots lots of so many twos

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Speaker 2: you're writing, it's a lot of twos to to feel to.

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Speaker 2: It originally aired on May fifth, nineteen eighty nine, and

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Speaker 2: it goes a little something like this. Jesse and Becky

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Speaker 2: decide to marry each other secretly right away. DJ and

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Speaker 2: Steph are easily aware that they are hiding something, so

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Speaker 2: they played detectives. It was directed by Billy Foster Coffee

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Speaker 2: Coffee Coffee. We can't we can't say his name.

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Speaker 1: With that, adding that actually is his full name is

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Speaker 1: Billy Foster Coffee, Coffee Coffee.

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Speaker 2: It's on his birth certificate like that. Yeah, yeah, And

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Speaker 2: we have a whole lot of writers again, we've got

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Speaker 2: this was. The story was written by Rob Dames and

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Speaker 2: Bob Frasier uh and then the teleplay was written by

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Speaker 2: Lawrence H. Hartstein and Richard Rossner. I don't recognize those

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Speaker 2: last time either.

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Speaker 1: I don't either.

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Speaker 2: I don't think they.

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Speaker 1: Were just very kids. We didn't well I think as

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Speaker 1: kids too, we didn't have as much to do with

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Speaker 1: the like the writer's room and knowing who the writers

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Speaker 1: were other than the ones that like really stuck around

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Speaker 1: for multiple seasons. Yeah, or like that were really involved

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Speaker 1: heavily writing our characters per se But yeah, I feel like.

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Speaker 2: That, Yeah, that's true. And they were just like these

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Speaker 2: nameless people who would walk onto set for run through

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Speaker 2: and then walk off right, and we're like, I don't

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Speaker 2: know who those people are.

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Speaker 1: But Okay, not that they weren't absolutely important and vital

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Speaker 1: to the writing of the show.

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Speaker 2: Well they were, but there's you know, there's a lot

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Speaker 2: of separation between actor and writer. There's not a whole

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Speaker 2: lot of commingling unless you want to. But there's not

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Speaker 2: a whole lot of reason to commingle because you get

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Speaker 2: your notes from the director that you know, we don't

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Speaker 2: really talk to the writers. The writers talk to the director,

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Speaker 2: the director talks to the actor.

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Speaker 1: True.

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Speaker 2: Anyways, Tangent, we got two guest stars this week. We

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Speaker 2: have Luis Avolos returning as the fabulous Mister Santana, and

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Speaker 2: then we have Helen Martin as Shirley, who's known as

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Speaker 2: Pearl from the sitcom two two seven.

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Speaker 1: Yes love that.

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Speaker 2: Oh she's fantastic, She's so great. And she's also appeared

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Speaker 2: on Hill Street Blues, Good Times, What's Happening Sandford Is

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Speaker 2: And so that's My Mama and Maud starring your wonderful

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Speaker 2: be Arthur.

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Speaker 1: I wonder yes, b Arthur.

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Speaker 2: Yeah, you're you're you're soulmate, my Arthur.

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Speaker 1: My my yeah, my, uh my, my saint and guiding

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Speaker 1: Light Arthur. Now, I will say it's interesting because we

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Speaker 1: break the fourth wall in this recap.

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Speaker 2: Yeah, teaser is as a recap, it was very jarring.

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Speaker 1: Yeah, Michelle's talking to the camera, which is not something

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Speaker 1: that we I think really ever did and she was

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Speaker 1: like yeah last week and or you know, and then

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Speaker 1: and it was like wait, wait, like two, do you

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Speaker 1: know what you're doing?

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Speaker 2: Like do you know what you're talking? It was very

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Speaker 2: for me.

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Speaker 1: It was more that like wait, and I guess it's

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Speaker 1: that's always sort of that thing is like when you

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Speaker 1: break that fourth wall. But I guess we did it

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Speaker 1: on Fuller too, so it doesn't really Yeah, I can't really.

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Speaker 2: It was written into the storyline like this was like

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Speaker 2: she was a producer announcing O last week, this is

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Speaker 2: what happened. Right then, It's like.

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Speaker 1: Who else would you know what? I mean, like you

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Speaker 1: kind of to do the recap, like you have to

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Speaker 1: have it be one of the characters that's sort of

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Speaker 1: introducing it. Otherwise, be what is Billy Foster going to

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Speaker 1: do it? Well?

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Speaker 2: But they chose the youngest member who can't read lines,

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Speaker 2: like they chose they chose the one person that really

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Speaker 2: has no clue what's going on or why they're placed

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Speaker 2: in front of this camera. You know, they were probably

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Speaker 2: told by Adrian don't look in the camera, and now

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Speaker 2: all of a sudden it's like, hey, look in the

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Speaker 2: camera and say last week, right, it's a little unnatural,

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Speaker 2: but hey, she's cute, so.

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Speaker 1: Just a little unnatural. Yeah, whatever, But your.

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Speaker 2: Toddlers, but I sit them in front of cameras all

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Speaker 2: the day.

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Speaker 1: I don't know about your saying you're doing recaps of

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Speaker 1: last week's episode. Yeah, what will happen? I don't know.

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Speaker 2: Oh yeah that was, yeah, that was. Yeah, she's cute,

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Speaker 2: but yes, that was she's cute.

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Speaker 1: But yeah that was. It was when we were getting

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Speaker 1: to the thing when we're like, oh, this is where

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Speaker 1: this is the little like yeah, performative Michelle stuff and

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Speaker 1: performed again Michelle not like yeah, it was cute, but

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Speaker 1: I guess I think now like it. Yeah, it does it.

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Speaker 1: It's a little different where you're like.

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Speaker 2: They it was, they were more like puppets. You know.

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Speaker 2: It didn't feel well, at least this teaser bit. That

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Speaker 2: didn't feel natural, like something a two year old would

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Speaker 2: naturally say. So, yeah, they were just like little puppets

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Speaker 2: back then, until they developed some agency and kind of

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Speaker 2: understood more about what was going on. Okay, so that

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Speaker 2: was our teaser recap. We cut to some generic footage

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Speaker 2: of trees in a lake to remind you that we

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Speaker 2: are still in Lake Tahoe at the fount of the

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Speaker 2: Alibaba Hotel and Casino. Right, we're back in Becky's hotel

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Speaker 2: room where Jesse has just proposed to Becky and she

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Speaker 2: has just said yes.

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Speaker 1: Beautiful tear jerker of a scene.

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Speaker 2: Yeah, yeah, it was great. It was very well done

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Speaker 2: by both both actors. And then Jesse begins to bolt

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Speaker 2: out of the hotel room, saying they need to get

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Speaker 2: married now they've declared their love for each other, They're

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Speaker 2: in Nevada and they have to do it. Becky runs

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Speaker 2: after him and stops him. I mean, this is crazy.

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Speaker 2: She never does things like this, and Jesse exclaims, I

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Speaker 2: always do things like this. I love this.

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Speaker 1: I yeah, Jesse, Jesse, Oh this is insane. Yes, this

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Speaker 1: episode was a little close to home, but okay, never

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Speaker 1: first of all, wasn't Tahoe no, but but yeah, that was.

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Speaker 1: It's funny though. Now looking you idiot, are you doing you?

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Speaker 1: I'm like, oh my god.

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Speaker 2: Right, well, hey, you're young. You know, Jesse's young. He's impulsive,

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Speaker 2: he's just he wants to jump.

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Speaker 1: And but that's the thing is I look at it

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Speaker 1: now as like, what's wrong with you? And then I

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Speaker 1: remember being twenty five or twenty six and uh and

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Speaker 1: and eloping and my parents being like what is wrong

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Speaker 1: with you? And be being like everything's fine. And now

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Speaker 1: I'm like, ah, yes, I see, I see why you

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Speaker 1: were concerned.

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Speaker 2: Yeah, Janice was right.

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Speaker 1: She's listening. She's been listening, by the way, on UH

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Speaker 1: to the podcast now on her walks around the neighborhood

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Speaker 1: in the morning, so she's she's got a ways to

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Speaker 1: catch up, but she'll be excited when.

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Speaker 2: She gets here that we've I love you, Janie, huh.

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Speaker 1: Anyway back to uh, back to immature decisions, Back to

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Speaker 1: immature decisions, not mine.

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Speaker 2: Jesse's no, we're talking about Jesse here. Jesse plops Becky

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Speaker 2: down on the bed and decides that they need to

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Speaker 2: find a place to get married right away. He frantically

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Speaker 2: grabs the Yellow Pages.

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Speaker 1: Oh remember those right? Yeah, those are things where phone

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Speaker 1: numbers were listed, because there was no Internet where you

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Speaker 1: could look for things, so you had to flip pages

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Speaker 1: that were printed. Yeah.

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Speaker 2: Could he Siri to tell you the phone number.

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Speaker 1: Of Yeah, no, No, you had to look and you

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Speaker 1: had to know how things went in alphabetical order.

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Speaker 2: Yeah, oh yeah, which he he illustrates right here. He's like,

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Speaker 2: I'm looking for a place, pl pull and he's like, no, wait,

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Speaker 2: I'm an idiot. I need a wedding chapel.

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Speaker 1: Yeah. W well, yeah, sometimes you have to be like,

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Speaker 1: what am I actually looking for?

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Speaker 2: Yeah? You have to you have to really think about it.

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Speaker 2: It's true. Jesse promises Becky that he will be smarter

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Speaker 2: once they get married. Becky is frantic. She's listening all

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Speaker 2: the things she needs to do before they get married.

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Speaker 2: Hair dress, reception, venue. Jesse finds a wedding chapel and

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Speaker 2: it's located right in their hotel. Fabulous, it's the fabulous

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Speaker 2: The telling can see you. Becky lists the names of

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Speaker 2: people she needs to call while Jesse picks up the

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Speaker 2: phone to call the wedding chapel. Becky's writing down everything

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Speaker 2: she needs to do, telling Jesse she'll need about six

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Speaker 2: months to plan this wedding. He hangs up the phone

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Speaker 2: and tells her the chapel can take them in an hour.

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Speaker 1: This Jesse's yeah, I mean, yeah, I.

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Speaker 2: Give the give the girl her day. You know, she

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Speaker 2: wants to have her family there, she wants to.

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Speaker 1: Well, we've been learned, dres Jesse that it's not about Becky.

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Speaker 1: It's Jesse's having Yeah, he's ha Jesse's having a feeling

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Speaker 1: and he needs to act on it right now. So yeah.

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Speaker 2: Becky laughs and then tells him he's insane. Or she

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Speaker 2: tells him that's insane.

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Speaker 1: I'd agree with both.

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Speaker 2: Jesse grabs her hands and tells her this is magic, passion,

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Speaker 2: and spontaneity. He doesn't think they need a big wedding

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Speaker 2: with a bunch of people. All that matters is the

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Speaker 2: two of them. Becky sighs, telling him, well, it is

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Speaker 2: awfully romantic. Jesse assures her that they'll throw a big

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Speaker 2: party after they're married, with all of their family and

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Speaker 2: friends and a few other people who will bring them

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Speaker 2: nice gifts, he whispers, until we say I do. This

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Speaker 2: will be our little secret. And Becky is just so

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Speaker 2: in love and giddy. She can't believe that this is

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Speaker 2: actually happening. Neither can I, Becky.

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Speaker 1: Neither. I mean, I'm like, oh, like, I cause I

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Speaker 1: know where this is going, you know.

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Speaker 2: What I mean? So? Yeah, it's so, Jesse leans in

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Speaker 2: and they start making out. There's a knock at the door,

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Speaker 2: and Jesse tells the person to come in, while they

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Speaker 2: continue to.

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Speaker 1: Why why, why? Why come in?

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Speaker 2: That?

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Speaker 1: Even DJ says it.

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Speaker 2: DJ says that why say come in when you don't

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Speaker 2: really mean it? Again?

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Speaker 1: Thank you? Thank you? Like walking, I'm like, who invites someone? Yeah,

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Speaker 1: come in. I don't worry. I've just got my tongue

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Speaker 1: down someone's throat.

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Speaker 2: But you want in either tell them to wait or

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Speaker 2: get your tongue out of your throat?

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Speaker 1: Right?

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Speaker 2: Really can't do both?

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Speaker 1: Yeah? No, sir. I'm beginning to think Jesse has some

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Speaker 1: sort of an exhibitionist streaking him, you know what I mean?

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Speaker 1: Something in there. I'm just like, what is your deal? Bro?

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Speaker 1: Why do you always need to make out in front

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Speaker 1: of people.

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Speaker 2: It's weird. Like again, let's just blame Nick Cartzopolis. He

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Speaker 2: seems like the type that would want to show everyone

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Speaker 2: his manliness. You know, is Hubris that he can? Yeah? Yeah, yeah,

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Speaker 2: you know he owns this woman anyways? Right, anyway, So

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Speaker 2: the kissing stops and Steph asks if they're ready to

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Speaker 2: go horseback riding. Becky and Jesse are flustered. They don't

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Speaker 2: know how to get out of it without telling the

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Speaker 2: girls about their elopement. Jesse comes up with an excuse,

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Speaker 2: saying they're going to run some emergency errands, but DJ's

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Speaker 2: onto them, asking if they're hiding something. Jesse and Becky laugh.

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Speaker 2: They can't stop laughing, and DJ begins to fake laugh

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Speaker 2: along with them. Steph looks at these laughing maniacs in confusion.

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Speaker 1: It's just like, what has happened?

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Speaker 2: There?

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Speaker 1: A gas leak? What's going on in here?

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Speaker 2: DJ finally stops and admits I don't get it. Becky

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Speaker 2: gives the girls an idea. She tells them to call

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Speaker 2: their dad and ask if he can go horseback riding

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Speaker 2: with them. Jesse and Becky sit the girls in the

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Speaker 2: bed and give them the phone before excitedly running out

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Speaker 2: of the room together. Stuff concludes they're up to something.

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Speaker 2: DJ is in agreement, and she believes that they have

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Speaker 2: a mystery to solve. Mmm.

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Speaker 1: They need to be detectives like Simon and Simon, which

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Speaker 1: was a show back in the eighties for those of

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Speaker 1: you who are like, who's Simon?

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Speaker 2: Yeah? What? And Stuff is fine with this plan as

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Speaker 2: long as she gets to play Simon. So now we

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Speaker 2: are back in the Ali Baba Casino, the fabulous.

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Speaker 1: Alibaba Fabulous Alibaba Hotel casino.

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Speaker 2: He says it like later he gets us like this

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Speaker 2: breathy Throatya.

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Speaker 1: That was where the like remember the guys used to

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Speaker 1: do their weird like and that was I believe it

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Speaker 1: came from that. It started with how this guy said fabulous,

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Speaker 1: mister Santana.

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Speaker 2: Yeah, he's really. I mean that takes a lot of

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Speaker 2: like core work and like breath work, like he really.

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Speaker 1: Yeah, Like it's just.

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Speaker 2: I know, it never gets old for me. I love it.

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Speaker 2: So Joey is still at the slot machine. He's become

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Speaker 2: a gambling addict.

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Speaker 1: In the last Yeah, we've just seen Joey's slow descent

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Speaker 1: into right giving up everything that he owns.

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Speaker 2: He's yelling come on baby, show me some similar fruit,

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Speaker 2: but alas the machine shows him dissimilar fruit, and Joey

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Speaker 2: disappointingly calls it a fruit cocktail. An elderly woman is

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Speaker 2: gambolinga alongside him, playing every machine in their row. Once

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Speaker 2: Joey loses, she wants to take a whack at his

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Speaker 2: machine because she has a system she plays one row

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Speaker 2: at a time, and Joey is in her in her row,

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Speaker 2: she Joey refuses to leave this machine because it's the

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Speaker 2: same one that scored him the one hundred thousand dollars

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Speaker 2: jackpot that morning. The lady says, the whole casino's been

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Speaker 2: talking about him. He's known as the jackpot jerk. Why

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Speaker 2: is he Why is he known as a jerk?

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Speaker 1: Oh?

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Speaker 2: Because he let the because he let the girl.

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Speaker 1: He left because the kids were the ones that wanted that.

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Speaker 1: So he basically, like the kids, blew it.

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Speaker 2: For it blew everyone.

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Speaker 1: But also, if the machine has already paid out the

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Speaker 1: one hundred thousand dollars jackpot, it ain't go to a

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Speaker 1: new machine, go to one in the back corner of

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Speaker 1: the room that's not being loved, because that the one

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Speaker 1: that just.

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Speaker 2: Hit is not yet lightning is not going to strike twice,

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Speaker 2: So yeah, move on to a different machine.

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Speaker 1: The casino has very strong feelings about that appen. Yes,

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Speaker 1: and I don't think it's gonna happen again, Oh Joey.

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Speaker 2: So she tells him her name is Shirley, and then

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Speaker 2: she holds up a quarter, telling Joey she's saving it

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Speaker 2: for the moment he leaves his machine. Joey shakes his

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Speaker 2: bucket of quarters, saying they're gonna make him a winner.

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Speaker 2: Shirley tells him I've waited out three husbands. I can

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Speaker 2: wait out you too, Honey. I love this woman, She's

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Speaker 2: so fantastic. Danny walks over with Michelle, who's wearing a

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Speaker 2: swimsuit with a floaty around her waist and floaties on

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Speaker 2: her arms. Danny tells Joey he's gonna teach Michelle to

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Speaker 2: swim like a fish. Michelle holds out her arms wide

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Speaker 2: and exclaims big fishy. Shirley takes this moment to try

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Speaker 2: and use Joey's machine, but he catches her and threatens

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Speaker 2: to call security. Danny and Michelle exit right as Jesse

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Speaker 2: walks into the casino wearing a nice suit. He has

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Speaker 2: a giant smirk plastered on his face, but DJ and

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00:18:58,200 --> 00:19:02,520
Speaker 2: Steph are following close behind him. He pauses, looks behind him,

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00:19:02,640 --> 00:19:04,920
Speaker 2: but the girls quickly hide before he can catch him.

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00:19:06,240 --> 00:19:08,440
Speaker 2: He shrugs and then heads into the same area where

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Speaker 2: they filmed Wake Up San Francisco.

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00:19:10,320 --> 00:19:12,719
Speaker 1: It's a very small hotel, so it's a boutique hotel

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Speaker 1: that there's just this one small little gambling area and.

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Speaker 2: Yeah, there's just two rooms and two hotel rooms and

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Speaker 2: that's it.

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Speaker 1: Yeah, yeah, yeah, and the managers all, yes, he manages.

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Speaker 1: He does everything everything.

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Speaker 2: He's yeah, room service, house's yeah, he's in the chapel,

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Speaker 2: he's officiating weddings like he does all. He's a man

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Speaker 2: of many talents. So the fabulous mister Santana sees him

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Speaker 2: and runs up to him, giving him a giant hug,

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Speaker 2: and we see Stephan DJ peeking over the half wall.

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00:19:41,440 --> 00:19:44,760
Speaker 2: Jesse is uncomfortable, of course, and mister Santana explains he's

402
00:19:44,800 --> 00:19:48,040
Speaker 2: just so excited for him. He exclaims on behalf of

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Speaker 2: the management of the fabulous Ali Baba Hotel and casino

404
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Speaker 2: and wedding chapel. Jesse cuts him off.

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Speaker 1: It's just getting longer and longer every time, fabulous Ali

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Speaker 1: Baba hotel and casino and wedding chapel and convent.

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00:20:00,160 --> 00:20:02,520
Speaker 2: He's going to need a commercial break before he finishes

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00:20:02,960 --> 00:20:07,600
Speaker 2: the sentence. Yeah, so, Jesse cuts him off, explaining that

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Speaker 2: he's trying to keep this a secret. Mister Santana understands.

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00:20:12,160 --> 00:20:14,480
Speaker 2: He asks if Jesse has a wedding ring yet, because

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Speaker 2: they have a fabulous jewelry store here at the Jesse

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Speaker 2: fortunately cuts him off again, saying he's already been there.

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00:20:22,200 --> 00:20:24,840
Speaker 2: He holds up a gift bag from this fabulous jewelry

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Speaker 2: store and pulls the ring out so he can show

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Speaker 2: mister Santana. Meanwhile, the girls have managed to sneak up

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Speaker 2: on stage so they can get a closer look. Jesse

417
00:20:34,359 --> 00:20:34,960
Speaker 2: looks towards me.

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Speaker 1: So, Jesse's just carrying around thousands of dollars with him

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Speaker 1: to buy a diamond ring.

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Speaker 2: Well, maybe he got a credit card on him. I

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Speaker 2: don't I don't know. Yeah, that seems okay.

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Speaker 1: How much was this ring?

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Speaker 2: You're right that most people have to save for a

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Speaker 2: long time to be able, right.

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Speaker 1: Yeah, he's yeah, and if he got that out of money, like.

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00:20:52,200 --> 00:20:53,359
Speaker 2: Are you're living in the full house?

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Speaker 1: You make it that's what I'm saying.

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Speaker 2: And he's twenty six, he's sold three jingles and now

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Speaker 2: he can afford an engagement ring. Well, who knows, maybe

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Speaker 2: he just used a court. Maybe he use one of

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00:21:03,800 --> 00:21:06,560
Speaker 2: Joey's quarters and put it in one of those gumball

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Speaker 2: machines and got at a little ring. I mean, you know,

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Speaker 2: it's not about Becky, it's about Jesse. So right, it's true.

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Speaker 2: So Jesse tells mister Santana it's strange, but he feels

435
00:21:18,240 --> 00:21:21,960
Speaker 2: like he's being watched. He tells Jesse that he'll see

436
00:21:22,000 --> 00:21:25,160
Speaker 2: him at two o'clock and they part ways. Shortly after,

437
00:21:25,200 --> 00:21:27,600
Speaker 2: the girls run over to the table where Jesse left

438
00:21:27,680 --> 00:21:31,120
Speaker 2: the bag from the jewelry store. Djay examines the gift

439
00:21:31,160 --> 00:21:36,120
Speaker 2: bag and realizes this is their first clue. Steph exclaims, aha,

440
00:21:36,560 --> 00:21:40,120
Speaker 2: but it's an empty bag. Dj counters, Ah, but it's

441
00:21:40,160 --> 00:21:42,480
Speaker 2: from a jewelry store. They look at each other and

442
00:21:42,520 --> 00:21:46,800
Speaker 2: say aha, in Unison, it's a cute bit. You guys

443
00:21:46,800 --> 00:21:50,320
Speaker 2: are hysterical together. Just then, the camera shows Becky walking

444
00:21:50,440 --> 00:21:54,600
Speaker 2: right past them outside carrying a garment bag. Dj quickly

445
00:21:54,640 --> 00:21:56,600
Speaker 2: gets up and tells Stuff they need to follow her.

446
00:21:57,160 --> 00:21:59,359
Speaker 2: They run out, and then we see Joey, who is

447
00:21:59,560 --> 00:22:00,919
Speaker 2: still gambling.

448
00:22:00,960 --> 00:22:03,560
Speaker 1: Because he's just going in his slow descent down to

449
00:22:05,000 --> 00:22:06,160
Speaker 1: gambling annex anonymous.

450
00:22:06,640 --> 00:22:09,560
Speaker 2: He pulls the lever and doesn't win. He tells Shirley

451
00:22:09,600 --> 00:22:13,080
Speaker 2: that was his last quarter. Shirley takes this opportunity to

452
00:22:13,160 --> 00:22:16,720
Speaker 2: finally use his machine, but she doesn't win either. She

453
00:22:16,760 --> 00:22:20,080
Speaker 2: doesn't understand how that could be possible, and Joey is

454
00:22:20,160 --> 00:22:23,200
Speaker 2: smirkin as he tells her, Well, simple, Shirley, you thought

455
00:22:23,200 --> 00:22:26,800
Speaker 2: I spent my last quarter, but I didn't. He smacks

456
00:22:26,800 --> 00:22:29,320
Speaker 2: the bottom of his cup and out pops his actual

457
00:22:29,520 --> 00:22:32,440
Speaker 2: last quarter. He puts it in the machine and gets

458
00:22:32,480 --> 00:22:35,280
Speaker 2: three grapes in a row. He pumps his fist and

459
00:22:35,320 --> 00:22:39,080
Speaker 2: exclaims the curse is broken. A five dollars jackpot, and

460
00:22:39,280 --> 00:22:42,679
Speaker 2: I am even. He grabs his quarters and tells Shirley

461
00:22:42,720 --> 00:22:46,119
Speaker 2: the key to responsible gambling is knowing when to walk away.

462
00:22:46,520 --> 00:22:49,439
Speaker 1: It's true, it's true, five dollars, really is. He's been

463
00:22:49,440 --> 00:22:51,639
Speaker 1: playing for a long time. But it must be like

464
00:22:51,680 --> 00:22:53,040
Speaker 1: a penny slot's something.

465
00:22:53,280 --> 00:22:54,560
Speaker 2: Yeah, yeah, no, it's well.

466
00:22:54,440 --> 00:22:55,920
Speaker 1: No, it is quarters. He's playing quarters.

467
00:22:56,000 --> 00:22:58,120
Speaker 2: He's playing quarters. But you know, if you win five

468
00:22:58,160 --> 00:22:59,920
Speaker 2: bucks that is your cue to stop.

469
00:22:59,640 --> 00:23:01,600
Speaker 1: Because that's exactly you're like, and I'm done.

470
00:23:01,720 --> 00:23:05,280
Speaker 2: Yeah, he's right about that, but then you Shirley holding

471
00:23:05,280 --> 00:23:07,560
Speaker 2: the lever and she gets, of course, a twenty five

472
00:23:07,760 --> 00:23:11,000
Speaker 2: taller jackpot. She's over the moon as a bunch of

473
00:23:11,080 --> 00:23:13,240
Speaker 2: quarters spill out of the machine and Joey is just

474
00:23:13,359 --> 00:23:17,480
Speaker 2: watching and disappointment. Oh Joey, you can't.

475
00:23:17,280 --> 00:23:20,640
Speaker 1: Catch a break. He just shouldn't gamble, right, it's.

476
00:23:20,560 --> 00:23:24,800
Speaker 2: A cautionary tale. So back in Becky's hotel room, Becky

477
00:23:24,880 --> 00:23:27,560
Speaker 2: sneaks in and DJ and Stephanie quickly run up to her,

478
00:23:27,720 --> 00:23:30,800
Speaker 2: following her inside. DJ's out of breath as she tries

479
00:23:30,840 --> 00:23:33,159
Speaker 2: to play it off cool, pretending like they just happen

480
00:23:33,280 --> 00:23:36,720
Speaker 2: to run into each other. Steph asks Becky how her

481
00:23:36,760 --> 00:23:40,560
Speaker 2: secret errands went. Becky tells her, well, they weren't secret errands.

482
00:23:40,560 --> 00:23:44,240
Speaker 2: They were actually boring errands. She lies and says she

483
00:23:44,240 --> 00:23:46,840
Speaker 2: can't even remember where she went or why she's holding

484
00:23:46,880 --> 00:23:50,480
Speaker 2: a gift bag from the Ali Baba Dress and Gift store.

485
00:23:51,920 --> 00:23:54,840
Speaker 2: Then Jesse runs in. He awkwardly greets the girls. When

486
00:23:54,840 --> 00:23:57,960
Speaker 2: he realizes they're there, Becky grabs his arm and forces

487
00:23:58,040 --> 00:24:00,000
Speaker 2: him to talk. In the hallway where the light is better.

488
00:24:00,520 --> 00:24:03,240
Speaker 2: They close the door behind them, and DJ tells Stephanie

489
00:24:03,280 --> 00:24:06,800
Speaker 2: that they need to quickly search the room. Steph lunges

490
00:24:06,800 --> 00:24:09,960
Speaker 2: for Becky's items on the bed as DJ locks the door.

491
00:24:10,560 --> 00:24:12,880
Speaker 2: DJ quickly runs over to the garment bag and reveals

492
00:24:12,960 --> 00:24:17,959
Speaker 2: a new fancy dress. Steph pulls a blue garter out

493
00:24:18,000 --> 00:24:19,960
Speaker 2: of the gift bag and puts it on her head

494
00:24:20,160 --> 00:24:20,960
Speaker 2: like a headband.

495
00:24:21,880 --> 00:24:25,919
Speaker 1: It's like a sweatband. Yeah. The best part though, is

496
00:24:25,960 --> 00:24:29,399
Speaker 1: that my head fit on something that would go around

497
00:24:29,520 --> 00:24:31,200
Speaker 1: like it was meant for a leg. He nut heads

498
00:24:31,200 --> 00:24:33,879
Speaker 1: Sin's day one. Yeah, I'm like, I'm not sure, like

499
00:24:34,200 --> 00:24:37,439
Speaker 1: that Laurie's head is or that Laurie's leg is that small,

500
00:24:37,560 --> 00:24:39,600
Speaker 1: or that my head was that. I mean, I'm sure

501
00:24:39,600 --> 00:24:43,040
Speaker 1: it wasn't. Maybe an actual real garter, although who knows.

502
00:24:43,160 --> 00:24:46,720
Speaker 2: It is hysterical. Stephanie was so proud to put it off.

503
00:24:46,760 --> 00:24:48,040
Speaker 1: She was like a headband.

504
00:24:48,440 --> 00:24:53,040
Speaker 2: It was great. It's so funny. So DJ examines the

505
00:24:53,040 --> 00:24:55,640
Speaker 2: phone book and points out that they drew a heart

506
00:24:55,880 --> 00:24:59,600
Speaker 2: around the Ali Baba wedding chapel. DJ shouts, Uncle Jesse

507
00:24:59,680 --> 00:25:03,280
Speaker 2: and Becky are getting married. We solve the mystery. Steph

508
00:25:03,400 --> 00:25:05,840
Speaker 2: jumps up and down and screams, we won, We won,

509
00:25:06,000 --> 00:25:11,000
Speaker 2: with the garter still on her head. Yeah, it's such

510
00:25:11,000 --> 00:25:11,679
Speaker 2: a great visual.

511
00:25:11,760 --> 00:25:14,080
Speaker 1: I was. I laughed at that moment and I was like, yeah,

512
00:25:14,119 --> 00:25:17,320
Speaker 1: that's that track. That's very that's just a very stuff moment. Yeah,

513
00:25:17,480 --> 00:25:18,119
Speaker 1: very me moment.

514
00:25:18,200 --> 00:25:20,160
Speaker 2: Yeah, very jokey moment. Yeah.

515
00:25:20,200 --> 00:25:21,400
Speaker 1: Yeah.

516
00:25:21,560 --> 00:25:25,120
Speaker 2: So Steph stops jumping and realizes Uncle Jesse and Becky

517
00:25:25,119 --> 00:25:28,000
Speaker 2: are getting married. Right then, Becky knocks on the door,

518
00:25:28,080 --> 00:25:30,920
Speaker 2: telling the girls to let them in. DJ scrambles to

519
00:25:30,920 --> 00:25:33,880
Speaker 2: put everything back in place, reminding stuff they can't tell

520
00:25:33,920 --> 00:25:37,040
Speaker 2: them that they know. DJ opens the door and hides

521
00:25:37,040 --> 00:25:40,120
Speaker 2: the phone book behind her back. Jesse asks what's going on,

522
00:25:40,440 --> 00:25:43,520
Speaker 2: and DJ explains nothing. The wind must have blown the

523
00:25:43,520 --> 00:25:48,320
Speaker 2: door shut. Steph cheerfully adds and locked it. They quickly

524
00:25:48,400 --> 00:25:50,480
Speaker 2: leave before they can be interrogated anymore.

525
00:25:51,040 --> 00:25:56,240
Speaker 1: Becky asks, Hey, less stuff, say less so obvious girls.

526
00:25:57,240 --> 00:25:59,320
Speaker 2: Becky asks Jess if he thinks the girls are up

527
00:25:59,359 --> 00:26:03,800
Speaker 2: to something, and we quickly cut to Stephan DJ's hotel room.

528
00:26:04,160 --> 00:26:06,879
Speaker 2: Steph runs into the room and grabs mister Bear to

529
00:26:07,000 --> 00:26:08,560
Speaker 2: tell him this secret.

530
00:26:09,000 --> 00:26:14,000
Speaker 1: Uncle Jesse and Becky are getting married. She screams, Danna

531
00:26:14,080 --> 00:26:14,760
Speaker 1: tell somebody.

532
00:26:14,800 --> 00:26:17,680
Speaker 2: I know, I can just tell. You're bursting, like you're bursting.

533
00:26:17,720 --> 00:26:21,600
Speaker 2: You can't wait. DJ shushes her, reminding stuff that they

534
00:26:21,640 --> 00:26:25,960
Speaker 2: need to keep this a secret. Steph sassily responds, me,

535
00:26:26,440 --> 00:26:28,919
Speaker 2: keep this a secret. Do you know who you're talking to?

536
00:26:30,000 --> 00:26:31,280
Speaker 2: Like you're so self aware?

537
00:26:31,960 --> 00:26:34,879
Speaker 1: Yeah, I's like, I'm not. I I don't trust me

538
00:26:34,880 --> 00:26:35,919
Speaker 1: with secrets. I blab.

539
00:26:36,040 --> 00:26:39,200
Speaker 2: This is so just. Then Danny, Michelle, and Joey all

540
00:26:39,240 --> 00:26:41,680
Speaker 2: walk into the room. Michelle is dressed in a cute

541
00:26:41,720 --> 00:26:44,680
Speaker 2: cow towel, and DJ asked how she liked swimming in

542
00:26:44,760 --> 00:26:48,320
Speaker 2: Lake Tahoe. Michelle responds water was too cold.

543
00:26:48,760 --> 00:26:51,679
Speaker 1: Burm yeah, freezing, yeah, freezing.

544
00:26:51,720 --> 00:26:53,560
Speaker 2: I thought they were going to the pool. They were

545
00:26:53,600 --> 00:26:54,840
Speaker 2: swimming in Lake Tahoe.

546
00:26:56,600 --> 00:27:00,600
Speaker 1: I mean yeah, all right, it's the fabulous about the hotel,

547
00:27:00,680 --> 00:27:03,399
Speaker 1: casino and convention center and shops and wedding chapel that

548
00:27:03,440 --> 00:27:05,600
Speaker 1: are located right on the shores of Lake Tahoe.

549
00:27:05,680 --> 00:27:07,639
Speaker 2: Okay, so all right, you know, throw the two year

550
00:27:07,640 --> 00:27:09,600
Speaker 2: old will go to go to the lake?

551
00:27:09,720 --> 00:27:11,160
Speaker 1: Why you can't, but yeah, lakes are.

552
00:27:11,680 --> 00:27:14,399
Speaker 2: Cold, oh yeah, freezy. There's no there's no heater in

553
00:27:14,400 --> 00:27:17,840
Speaker 2: a lake. So Joey asks the girls where Uncle Jesse is,

554
00:27:17,920 --> 00:27:22,640
Speaker 2: and DJ stutters uncle Jesse stuff answers, never heard of him.

555
00:27:24,040 --> 00:27:28,680
Speaker 1: Yeah, Steph way low key, Steph just no idea.

556
00:27:29,520 --> 00:27:34,160
Speaker 2: Joey whispers to Danny someone has a secret. Steph denies it,

557
00:27:34,280 --> 00:27:37,480
Speaker 2: but Joey persists, if we want to get information out

558
00:27:37,480 --> 00:27:40,439
Speaker 2: of these two girls we ought to speak to, and

559
00:27:40,480 --> 00:27:43,200
Speaker 2: they both say Stephanie in you and is sent. They

560
00:27:43,200 --> 00:27:46,320
Speaker 2: know they know where to link yep, they know the source.

561
00:27:47,680 --> 00:27:49,679
Speaker 2: They pick up Steph's chair and sit her in the

562
00:27:49,680 --> 00:27:52,080
Speaker 2: middle of the room. They encourage her to talk well.

563
00:27:52,160 --> 00:27:56,840
Speaker 2: Danny adds, you were born to blab. Steph keeps her

564
00:27:56,880 --> 00:28:00,600
Speaker 2: mouth glued shut, but Danny persists, reminding her that there's

565
00:28:00,640 --> 00:28:05,240
Speaker 2: nothing better than blabbing a big, juicy secret. Oh, he

566
00:28:05,320 --> 00:28:06,080
Speaker 2: is egging her on.

567
00:28:06,640 --> 00:28:08,000
Speaker 1: He is really egging her on.

568
00:28:09,520 --> 00:28:13,040
Speaker 2: Steph's mouth opens as she becomes tempted, but DJ runs

569
00:28:13,040 --> 00:28:15,639
Speaker 2: over to her and shouts, fight it, Steph, fight it.

570
00:28:16,840 --> 00:28:19,960
Speaker 2: Joey tries to sway her, and Steph smiles, pardon me

571
00:28:20,040 --> 00:28:23,280
Speaker 2: for one moment. She rushes over to Michelle and whispers

572
00:28:23,320 --> 00:28:27,160
Speaker 2: the secret in her ear. Michelle repeats out loud, Jesse

573
00:28:27,400 --> 00:28:28,200
Speaker 2: getting married.

574
00:28:29,160 --> 00:28:33,439
Speaker 1: Oh, dear Danny smart though, that's see. Steph is smart.

575
00:28:33,480 --> 00:28:35,440
Speaker 1: She's like, use a third party, don't you know? Keep

576
00:28:35,440 --> 00:28:37,480
Speaker 1: your hands cleaned, like I happen to tell you, but

577
00:28:37,720 --> 00:28:39,320
Speaker 1: you really were the one that did it.

578
00:28:39,440 --> 00:28:42,920
Speaker 2: I that is smart. Yeah, she's technically not the one

579
00:28:42,920 --> 00:28:43,760
Speaker 2: who one.

580
00:28:44,400 --> 00:28:46,560
Speaker 1: Yeah, one step away from things and keep your hands clean.

581
00:28:46,680 --> 00:28:46,840
Speaker 2: You know.

582
00:28:47,160 --> 00:28:49,200
Speaker 1: Steph's not stupid, she's brilliant.

583
00:28:49,360 --> 00:28:54,680
Speaker 2: She is brilliant. So Danny is flabbergasted at this news,

584
00:28:55,120 --> 00:28:59,520
Speaker 2: and Steph judges Michelle, calling her a blabbermouth. Joey asks

585
00:28:59,600 --> 00:29:02,560
Speaker 2: why they think this, and dj shows them the proof

586
00:29:02,640 --> 00:29:05,840
Speaker 2: that they found. Joey looks at the evidence and realizes

587
00:29:05,960 --> 00:29:08,840
Speaker 2: it is true. Danny tells them he's gonna try to

588
00:29:08,920 --> 00:29:11,600
Speaker 2: stop it. He believes this would be the biggest mistake

589
00:29:11,680 --> 00:29:14,959
Speaker 2: of their lives. They have five minutes to stop this wedding.

590
00:29:15,520 --> 00:29:16,200
Speaker 1: Oh my god.

591
00:29:16,440 --> 00:29:19,040
Speaker 2: We cut to a suspenseful commercial break.

592
00:29:19,280 --> 00:29:23,280
Speaker 1: Right and dismantle a bomb. No, it's a mcguiver full

593
00:29:23,320 --> 00:29:25,960
Speaker 1: House crossover episode, and when.

594
00:29:25,840 --> 00:29:27,960
Speaker 2: We come back, we are still in this hotel room.

595
00:29:28,200 --> 00:29:30,920
Speaker 2: Danny is leaving so he can prevent this wedding from happening,

596
00:29:30,960 --> 00:29:33,520
Speaker 2: but Joey stops him. He reminds Danny of the fact

597
00:29:33,560 --> 00:29:36,120
Speaker 2: that he and Pam ran off and got married.

598
00:29:36,840 --> 00:29:38,760
Speaker 1: Okay, so this was fascinating. Ah right.

599
00:29:38,960 --> 00:29:42,160
Speaker 2: I was like, okay, okay, I didn't expect this. I

600
00:29:42,200 --> 00:29:45,280
Speaker 2: figured they had a big, you know, traditional wedding with all.

601
00:29:45,200 --> 00:29:47,440
Speaker 1: The family and they ran off. And now it makes sense,

602
00:29:47,480 --> 00:29:49,880
Speaker 1: Like they were they were young. They were like eighteen,

603
00:29:49,960 --> 00:29:52,320
Speaker 1: right a, so yeah, it's all making sense.

604
00:29:52,960 --> 00:29:55,600
Speaker 2: Danny reminds Joey that both of their families went crazy.

605
00:29:55,720 --> 00:29:58,480
Speaker 2: His mom cried for a month, and Jesse is likely

606
00:29:58,520 --> 00:30:01,680
Speaker 2: forgetting how he felt when that happened. Jesse was only thirteen,

607
00:30:02,000 --> 00:30:04,120
Speaker 2: but he was very upset, and in fact, he tried

608
00:30:04,120 --> 00:30:05,120
Speaker 2: to beat up Danny.

609
00:30:06,760 --> 00:30:07,360
Speaker 1: But he did.

610
00:30:08,440 --> 00:30:09,120
Speaker 2: He beat him up.

611
00:30:09,560 --> 00:30:11,800
Speaker 1: He beat him. He makes a comment, he goes, he goes,

612
00:30:11,800 --> 00:30:14,000
Speaker 1: he did beat you up. Oh yeah, he broke Like

613
00:30:14,040 --> 00:30:16,880
Speaker 1: I wouldn't call a broken rib try or something. I'm like, wait,

614
00:30:17,400 --> 00:30:20,720
Speaker 1: there's been violence between Jesse and Jesse was thirteen.

615
00:30:20,840 --> 00:30:22,800
Speaker 2: This is it was a very casual They just dropped that.

616
00:30:22,880 --> 00:30:23,440
Speaker 2: In casual.

617
00:30:23,520 --> 00:30:25,240
Speaker 1: They just dropped that, And I was like, whoa, there

618
00:30:25,280 --> 00:30:27,840
Speaker 1: is some dysfunction here in this family that we have

619
00:30:27,920 --> 00:30:28,600
Speaker 1: not addressed.

620
00:30:28,760 --> 00:30:29,880
Speaker 2: Yeah, where are.

621
00:30:29,800 --> 00:30:33,880
Speaker 1: Those families didn't know where right, where's Jesse's thirteen and

622
00:30:33,960 --> 00:30:37,680
Speaker 1: angry and just beating Danny up, breaks his rib. Pam's crying,

623
00:30:37,800 --> 00:30:38,640
Speaker 1: what's happening?

624
00:30:38,760 --> 00:30:42,120
Speaker 2: He had this impulsive impulsiveness from an early age, his

625
00:30:42,240 --> 00:30:44,040
Speaker 2: anger issues at an early age.

626
00:30:44,160 --> 00:30:46,960
Speaker 1: You know, Oh, can you imagine? Can you imagine Nick

627
00:30:47,240 --> 00:30:48,800
Speaker 1: and Irene must have been before?

628
00:30:48,880 --> 00:30:52,200
Speaker 2: Oh yeah, oh dear, yeah, that's now. That is a

629
00:30:52,240 --> 00:30:57,240
Speaker 2: show I want to see right there, right, So Danny

630
00:30:57,240 --> 00:30:59,720
Speaker 2: bolts out the door, Joey follows him, and Michelle is

631
00:30:59,760 --> 00:31:01,480
Speaker 2: still sitting on the bed as she announces, come on,

632
00:31:01,760 --> 00:31:04,160
Speaker 2: let's go. She hops off and runs out the door

633
00:31:04,200 --> 00:31:08,000
Speaker 2: in her swimsuit, and Steph decides I'm with her. DJ

634
00:31:08,080 --> 00:31:11,400
Speaker 2: gets up to saying follow Michelle. The girls all run out,

635
00:31:11,400 --> 00:31:13,520
Speaker 2: and DJ comes back to close the door, and she

636
00:31:13,640 --> 00:31:16,160
Speaker 2: questions aloud, when did Michelle take over?

637
00:31:16,840 --> 00:31:20,920
Speaker 1: Somewhere around middle of season two was when that happened.

638
00:31:21,160 --> 00:31:24,080
Speaker 2: That's like a perfect tagline for the rest of the series.

639
00:31:25,680 --> 00:31:26,400
Speaker 1: Shows it.

640
00:31:27,960 --> 00:31:30,760
Speaker 2: Next, we are in the Fabulous Ali Baba Wedding Chapel

641
00:31:31,160 --> 00:31:34,480
Speaker 2: and mister Santana is officiating a wedding as Danny runs

642
00:31:34,480 --> 00:31:38,040
Speaker 2: in and ye'll stop, You're making a huge mistake. The

643
00:31:38,120 --> 00:31:41,720
Speaker 2: couple who are not Jesse and Becky turn around in shock.

644
00:31:42,480 --> 00:31:46,320
Speaker 2: Danny admits he feels like a total idiot. Joey admits,

645
00:31:46,560 --> 00:31:49,480
Speaker 2: you know what they say, close make the man, as

646
00:31:49,520 --> 00:31:52,280
Speaker 2: he examines.

647
00:31:51,120 --> 00:31:52,200
Speaker 1: Wearing an all purple outfit.

648
00:31:52,560 --> 00:31:55,480
Speaker 2: Well, it was like Danny swim It was like swim trunks,

649
00:31:55,520 --> 00:32:00,680
Speaker 2: but he had like a matching shirt. You know, he's

650
00:32:00,680 --> 00:32:04,040
Speaker 2: not dressed for the Alibaba wedding casino or the wedding chapel.

651
00:32:04,040 --> 00:32:09,280
Speaker 2: But that's okay. Mister Santana finishes the elopement and physically

652
00:32:09,280 --> 00:32:11,600
Speaker 2: pushes the newlyweds out of the chapel, telling them if

653
00:32:11,640 --> 00:32:14,360
Speaker 2: they're fast enough, they can get their parking validated at

654
00:32:14,400 --> 00:32:15,120
Speaker 2: the front desk.

655
00:32:16,880 --> 00:32:19,240
Speaker 1: Hey, i'd be very upset. I'd be like, sir, give

656
00:32:19,280 --> 00:32:21,200
Speaker 1: me my five minute full wedding experience.

657
00:32:21,760 --> 00:32:24,440
Speaker 2: No, he's got he's got this. You know, he's booked solid.

658
00:32:24,480 --> 00:32:29,360
Speaker 2: He's got the turnover has to be very quick. On cue,

659
00:32:29,480 --> 00:32:32,400
Speaker 2: Jesse and Becky walk in all dressed up to get married.

660
00:32:32,840 --> 00:32:37,240
Speaker 2: They're shocked to see the entire family is there. Danny pleads,

661
00:32:37,280 --> 00:32:39,680
Speaker 2: don't do this. I'm trying to save you from making

662
00:32:39,720 --> 00:32:43,240
Speaker 2: the same mistake I made, reminding Jesse how angry he

663
00:32:43,400 --> 00:32:47,520
Speaker 2: was when Danny and Pam eloped. Jesse remembers beating him up,

664
00:32:47,680 --> 00:32:50,440
Speaker 2: and he threatens to do it again again.

665
00:32:50,520 --> 00:32:53,320
Speaker 1: I'm like, whoa, whoa, whoa. We need hold on. There

666
00:32:53,400 --> 00:32:56,640
Speaker 1: is there's layers to this family drama that we have

667
00:32:56,880 --> 00:33:02,200
Speaker 1: not seen, no at all. Casual vice is the dysfunction

668
00:33:02,400 --> 00:33:04,280
Speaker 1: that's hiding beneath the surface.

669
00:33:04,480 --> 00:33:08,080
Speaker 2: Yeah, that alone should have given Becky pause and like,

670
00:33:08,200 --> 00:33:11,800
Speaker 2: wait a minute, there's a big red flag here, you know. Yes,

671
00:33:11,920 --> 00:33:13,960
Speaker 2: Becky tells them they were going to break the news

672
00:33:13,960 --> 00:33:16,440
Speaker 2: tonight and have a big party with family and friends.

673
00:33:16,440 --> 00:33:20,040
Speaker 2: When they got home, mister Santana rushes in, carrying Becky's

674
00:33:20,080 --> 00:33:22,520
Speaker 2: bouquet and telling the family, I don't mean to rush you,

675
00:33:22,800 --> 00:33:25,920
Speaker 2: but the Kopelman's have the chapel in fifteen minutes. He

676
00:33:25,960 --> 00:33:28,240
Speaker 2: looks at his watch and corrects himself. Make that twelve.

677
00:33:29,360 --> 00:33:31,440
Speaker 2: Jesse's ready to go, and Danny pats him on the

678
00:33:31,480 --> 00:33:34,200
Speaker 2: shoulder to apologize. He just needed to get that off

679
00:33:34,200 --> 00:33:36,880
Speaker 2: his chest. He tells the two of them, I love

680
00:33:36,920 --> 00:33:39,680
Speaker 2: you both very much and I wish you nothing but happiness.

681
00:33:40,240 --> 00:33:42,360
Speaker 2: Jesse thanks him and gives him a big hug. This

682
00:33:42,560 --> 00:33:45,440
Speaker 2: was resolved really quickly, like what in a matter of

683
00:33:45,520 --> 00:33:48,479
Speaker 2: two minutes, Like Danny panics and freaks out and now

684
00:33:48,480 --> 00:33:49,840
Speaker 2: he's over it and gives him a hug and gives

685
00:33:49,920 --> 00:33:50,760
Speaker 2: him a blessing like.

686
00:33:51,360 --> 00:33:58,040
Speaker 1: Well, you know, I mean, sitcom emotional timelines are incredibly truncated,

687
00:33:58,240 --> 00:34:01,320
Speaker 1: and everyone really come to a conclusion quickly.

688
00:34:01,640 --> 00:34:02,600
Speaker 2: We only have twenty two men.

689
00:34:02,960 --> 00:34:05,320
Speaker 1: It's therapy. No, yeah, it's like, nah, you know what,

690
00:34:05,320 --> 00:34:07,000
Speaker 1: I've come to a conclusion and I think I'm going

691
00:34:07,040 --> 00:34:09,360
Speaker 1: to make a healthy decision. Yeah, and it's like, oh,

692
00:34:09,480 --> 00:34:09,920
Speaker 1: we love you.

693
00:34:10,120 --> 00:34:13,399
Speaker 2: Yeah, yeah, it came. It came quickly. And then I thought,

694
00:34:13,440 --> 00:34:16,440
Speaker 2: what everybody's making problems where there don't need to be problems,

695
00:34:16,440 --> 00:34:18,520
Speaker 2: like Jesse and Becky. Why are they keeping this a secret?

696
00:34:18,719 --> 00:34:21,800
Speaker 1: Like what a That's literally the definition of a sitcom

697
00:34:22,320 --> 00:34:25,000
Speaker 1: is making problems where there aren't any so that there's

698
00:34:25,040 --> 00:34:29,200
Speaker 1: a storyline. That's it's a situation comedy. You put people

699
00:34:29,280 --> 00:34:33,040
Speaker 1: in stupid situations and watch for the comedy. So yeah,

700
00:34:33,080 --> 00:34:35,720
Speaker 1: that's literally the definition of a sitcom. It's just true

701
00:34:35,960 --> 00:34:36,960
Speaker 1: problems where they don't.

702
00:34:36,800 --> 00:34:37,120
Speaker 2: Need to be.

703
00:34:37,239 --> 00:34:39,200
Speaker 1: We we wouldn't have a show if there were no

704
00:34:40,440 --> 00:34:43,360
Speaker 1: problems like them having a reasonable conversation. Be like, you know,

705
00:34:43,400 --> 00:34:45,480
Speaker 1: I think we're really making an appropriate decision. Yeah, you know,

706
00:34:45,520 --> 00:34:47,120
Speaker 1: I think we are too. You know a lot of

707
00:34:47,200 --> 00:34:49,440
Speaker 1: this comes from my dad. He's a terrible misogynist and

708
00:34:49,480 --> 00:34:51,120
Speaker 1: he really and I had a lot of feeling. And

709
00:34:51,160 --> 00:34:52,600
Speaker 1: then that's the show.

710
00:34:52,760 --> 00:34:55,120
Speaker 2: No, yeah, no, that's that's not nearly as riveting as

711
00:34:55,160 --> 00:35:00,120
Speaker 2: what we have just seen. Right exactly, So Jesse wants

712
00:35:00,120 --> 00:35:03,280
Speaker 2: the entire family to stay for the ceremony. Wow, problem

713
00:35:03,320 --> 00:35:06,200
Speaker 2: solved right there. Becky asked the girls if they'd like

714
00:35:06,239 --> 00:35:08,960
Speaker 2: to be her bridesmaids, while Jesse asks the guys to

715
00:35:09,000 --> 00:35:12,239
Speaker 2: be his best men. Mister Santana runs up to tell

716
00:35:12,239 --> 00:35:14,600
Speaker 2: them they only have eight minutes now. He takes Michelle

717
00:35:14,600 --> 00:35:17,040
Speaker 2: and tells her she'll be the flower girl. He cues

718
00:35:17,080 --> 00:35:20,000
Speaker 2: the music and the pianist begins to play. Here comes

719
00:35:20,040 --> 00:35:24,239
Speaker 2: the bride. Jesse squeezes Becky's hand, telling her this is it.

720
00:35:24,880 --> 00:35:29,160
Speaker 2: She bites her lip and says, I guess so, Stephan.

721
00:35:28,920 --> 00:35:32,879
Speaker 1: DJ was not a real resounding yes, you know, you.

722
00:35:32,840 --> 00:35:35,000
Speaker 2: Can see the hesitating, like Laurie is so good in this.

723
00:35:35,160 --> 00:35:37,600
Speaker 2: In this scene, you can see the hesitation in her

724
00:35:37,640 --> 00:35:40,959
Speaker 2: face without her even saying a word. Stephan DJ walked

725
00:35:40,960 --> 00:35:43,760
Speaker 2: down the aisle to the music with those awkward Thank goodness,

726
00:35:43,760 --> 00:35:46,240
Speaker 2: we don't do those awkward steps down the aisle anymore

727
00:35:46,239 --> 00:35:47,680
Speaker 2: where it's like that weird gait.

728
00:35:48,200 --> 00:35:50,440
Speaker 1: I don't know that any I don't think we ever

729
00:35:50,480 --> 00:35:53,359
Speaker 1: really did. It was more just like a you just

730
00:35:53,400 --> 00:35:55,879
Speaker 1: take a step and like slowly walk. But I think

731
00:35:55,920 --> 00:36:00,160
Speaker 1: it's people do that because they uh don't know how

732
00:36:00,200 --> 00:36:03,080
Speaker 1: to move their bodies in a cohesive, smooth manner, so

733
00:36:03,120 --> 00:36:05,000
Speaker 1: they do it like that. They're like, well, I take

734
00:36:05,040 --> 00:36:06,520
Speaker 1: a step and then I come together, right.

735
00:36:06,560 --> 00:36:07,800
Speaker 2: It's like it's very robotic.

736
00:36:07,960 --> 00:36:11,560
Speaker 1: Just walk slow, just walk slow. But that's what humans

737
00:36:11,560 --> 00:36:12,400
Speaker 1: walking slow looks like.

738
00:36:12,480 --> 00:36:14,359
Speaker 2: I guess. I guess it's a way to make it

739
00:36:14,480 --> 00:36:17,400
Speaker 2: a more formal, a more formalized walk.

740
00:36:17,440 --> 00:36:21,480
Speaker 1: So the joke has to work. The funny if they're

741
00:36:21,520 --> 00:36:23,560
Speaker 1: walking down like little pigeons.

742
00:36:23,560 --> 00:36:26,600
Speaker 2: True. True, So it's a very funny visual. I will

743
00:36:26,600 --> 00:36:31,439
Speaker 2: admit that Michelle appears sprinkling flowers down the aisle while

744
00:36:31,440 --> 00:36:35,919
Speaker 2: wearing her swimming attire. Still, then Becky and Jesse walk

745
00:36:35,960 --> 00:36:39,239
Speaker 2: down the aisle together, stepping up to the podium, Mister

746
00:36:39,320 --> 00:36:42,440
Speaker 2: Santana cuts off the music and begins his ceremonial speech.

747
00:36:42,920 --> 00:36:45,920
Speaker 2: When he says the line their commitment to journey together

748
00:36:46,360 --> 00:36:50,759
Speaker 2: wherever life's roads may take them, Steph interrupts, asking Jesse

749
00:36:50,840 --> 00:36:52,239
Speaker 2: and Becky where are they going?

750
00:36:53,760 --> 00:36:55,200
Speaker 1: Jesse tells a reasonable question.

751
00:36:55,560 --> 00:36:59,000
Speaker 2: Steph is the only reasonable one in this entire show.

752
00:36:59,160 --> 00:37:03,280
Speaker 1: I get STEP's was like, you people, what are you doing?

753
00:37:04,560 --> 00:37:04,799
Speaker 1: You know?

754
00:37:05,080 --> 00:37:07,400
Speaker 2: She's like this is thought about this.

755
00:37:08,040 --> 00:37:11,080
Speaker 1: Yeah, She's like where are you going? Yeah, because obviously

756
00:37:11,280 --> 00:37:14,600
Speaker 1: I mean moving Becky in. Well we've come to find

757
00:37:14,600 --> 00:37:16,799
Speaker 1: out later that answers yes, yeah, but you know.

758
00:37:17,080 --> 00:37:20,279
Speaker 2: I mean Jesse already moved out impulsively once before, Like

759
00:37:20,400 --> 00:37:21,319
Speaker 2: is he gonna do it again?

760
00:37:21,719 --> 00:37:22,080
Speaker 1: I'm out.

761
00:37:22,120 --> 00:37:25,560
Speaker 2: I'm Steph has really valid.

762
00:37:25,360 --> 00:37:26,120
Speaker 1: It's like, what are you doing?

763
00:37:26,320 --> 00:37:26,520
Speaker 2: Well?

764
00:37:26,600 --> 00:37:29,200
Speaker 1: Really, Steph's like, where are you going? And do I

765
00:37:29,239 --> 00:37:29,920
Speaker 1: get my room back?

766
00:37:31,600 --> 00:37:34,480
Speaker 2: Yeah? She get her room with the bunnies back. That's

767
00:37:34,560 --> 00:37:35,560
Speaker 2: that might be the motivation.

768
00:37:35,600 --> 00:37:38,879
Speaker 1: Where are you? Where are you going? You? Uh, you're

769
00:37:39,000 --> 00:37:41,439
Speaker 1: moving out? You're going to leave that space for Megan.

770
00:37:41,600 --> 00:37:45,480
Speaker 2: Steph is ready to pounce on those pink bunnies. Yeah,

771
00:37:45,960 --> 00:37:48,440
Speaker 2: so Jesse tells her they're not going anywhere. They're staying

772
00:37:48,520 --> 00:37:51,759
Speaker 2: right there in San Francisco. But this prompts Becky to

773
00:37:51,800 --> 00:37:54,440
Speaker 2: ask Jesse what would happen if she got a better

774
00:37:54,560 --> 00:37:57,439
Speaker 2: job offer in New York? Then they would have to move.

775
00:37:58,520 --> 00:38:01,239
Speaker 2: Jesse lets out an awkward giggle and asks everyone to

776
00:38:01,280 --> 00:38:04,040
Speaker 2: excuse them for a minute. He leads Becky to the

777
00:38:04,160 --> 00:38:06,680
Speaker 2: entrance of the chapel and asks what she is talking about.

778
00:38:07,320 --> 00:38:10,880
Speaker 2: Becky explains it was just hypothetical. It could be any city. Really.

779
00:38:11,239 --> 00:38:14,840
Speaker 2: She just meant wherever life's journey takes her, they'll go together.

780
00:38:15,600 --> 00:38:18,240
Speaker 2: Jesse asks, well, what's wrong with San Francisco? His family

781
00:38:18,280 --> 00:38:23,440
Speaker 2: lives there, his band, his advertising career. Mister Santana says

782
00:38:24,000 --> 00:38:27,880
Speaker 2: five minutes, gives them a five minute warning. Yeah, Jesse's

783
00:38:27,920 --> 00:38:30,440
Speaker 2: still making this all about himself though, you know his band.

784
00:38:31,160 --> 00:38:36,000
Speaker 2: I'm like gro It's Jesse's world. Becky is just living

785
00:38:36,080 --> 00:38:39,960
Speaker 2: in it, you know. But Jesse reassuringly pats her on

786
00:38:40,000 --> 00:38:41,839
Speaker 2: the shoulder and tells her that they can talk about

787
00:38:41,880 --> 00:38:45,359
Speaker 2: it on their honeymoon. Mister Santana tells them to hurry up,

788
00:38:45,520 --> 00:38:47,920
Speaker 2: so the pianist plays the song at five times the

789
00:38:47,920 --> 00:38:50,880
Speaker 2: speed as Becky and Jesse quickly walk up the aisle,

790
00:38:52,800 --> 00:38:56,680
Speaker 2: so Santana continues his speech, saying that their marriage will

791
00:38:56,680 --> 00:39:00,799
Speaker 2: be blessed with many, many children. Jesse comments and soon

792
00:39:01,920 --> 00:39:07,160
Speaker 2: Becky cuts them off, saying not too soon. Yeah, dude,

793
00:39:08,080 --> 00:39:08,719
Speaker 2: Like did you not?

794
00:39:09,000 --> 00:39:11,160
Speaker 1: Was all I could think in this was like, hey, Nick,

795
00:39:11,360 --> 00:39:14,480
Speaker 1: sit down, right, you know what I mean? Nick cutsopolis,

796
00:39:14,600 --> 00:39:15,280
Speaker 1: take a seat.

797
00:39:15,400 --> 00:39:17,880
Speaker 2: You're yeah, like not even thinking what the other person

798
00:39:17,960 --> 00:39:19,960
Speaker 2: might want, Like, no, it doesn't matter. He wants babies,

799
00:39:19,960 --> 00:39:22,080
Speaker 2: and he wants them now, just like he wanted that wedding.

800
00:39:22,440 --> 00:39:26,319
Speaker 2: Now he can't wait. So Becky gives him a rough

801
00:39:26,440 --> 00:39:29,399
Speaker 2: estimate of five to ten years, and he gets wide eyed.

802
00:39:29,920 --> 00:39:32,000
Speaker 2: In five to ten years, I thought we'd have five

803
00:39:32,040 --> 00:39:33,239
Speaker 2: to ten kids.

804
00:39:33,840 --> 00:39:41,760
Speaker 1: What absolutely not, dude, Dude that also Jesse wants ten kids.

805
00:39:41,520 --> 00:39:47,279
Speaker 1: He's been in this house like eighteen two years and

806
00:39:47,320 --> 00:39:49,360
Speaker 1: he's just getting used to kids. He was like, I

807
00:39:49,400 --> 00:39:53,440
Speaker 1: don't know what to do with these things, a right,

808
00:39:53,560 --> 00:39:54,920
Speaker 1: and now I was that He's like I want ten

809
00:39:54,960 --> 00:39:57,480
Speaker 1: of them, and you're like, bro, what Yeah, he's not

810
00:39:57,520 --> 00:39:58,640
Speaker 1: so little all over the place.

811
00:39:58,680 --> 00:40:02,800
Speaker 2: He doesn't think anything. He really doesn't. He's very impulsive.

812
00:40:03,600 --> 00:40:06,239
Speaker 2: So Becky awkwardly laughs and tells everyone to excuse them

813
00:40:06,280 --> 00:40:10,480
Speaker 2: for another moment. She shouts ten kids before pulling Jess

814
00:40:10,640 --> 00:40:13,600
Speaker 2: back to the entrance. She reminds him that she has

815
00:40:13,640 --> 00:40:16,200
Speaker 2: a lot to do with her career before she starts

816
00:40:16,239 --> 00:40:21,040
Speaker 2: having children. Thank you, Becky. Yeah, God bless Becky for

817
00:40:21,200 --> 00:40:25,040
Speaker 2: breaking this mold that the Katzopol men want to like

818
00:40:25,239 --> 00:40:29,799
Speaker 2: stifle women. You know, they just they just yeah, dude.

819
00:40:29,520 --> 00:40:30,640
Speaker 1: Not going to night school.

820
00:40:31,000 --> 00:40:33,719
Speaker 2: Yeah, what about their dreams? You know?

821
00:40:33,840 --> 00:40:37,120
Speaker 1: Yeah, taking Irene and Becky should go do you know

822
00:40:37,239 --> 00:40:39,399
Speaker 1: they should go off somewhere and go go live their dreams.

823
00:40:39,440 --> 00:40:41,480
Speaker 1: They should get Mary Nick, have to figure out. Yeah,

824
00:40:41,560 --> 00:40:42,759
Speaker 1: they got to figure some things out for.

825
00:40:42,719 --> 00:40:47,560
Speaker 2: Themselves, definitely. So Jesse agrees, but reminds her that she's

826
00:40:47,600 --> 00:40:49,759
Speaker 2: so good with children and she's going to make a

827
00:40:49,800 --> 00:40:54,440
Speaker 2: great mother. Becky agrees, but that'll be when she's ready.

828
00:40:55,040 --> 00:40:59,000
Speaker 2: Mm hmmm yeah, Jesse asks, don't I have anything to

829
00:40:59,040 --> 00:40:59,719
Speaker 2: say about this?

830
00:41:00,360 --> 00:41:02,680
Speaker 1: Well, all you've had is things to say. Well, all

831
00:41:02,680 --> 00:41:05,640
Speaker 1: we've been listening to is things that Jesse has to say.

832
00:41:06,040 --> 00:41:07,640
Speaker 1: Nobody else has been saying anything.

833
00:41:07,760 --> 00:41:10,160
Speaker 2: The whole reason they're in this wedding chapel right now,

834
00:41:10,200 --> 00:41:11,480
Speaker 2: because if what he had.

835
00:41:11,360 --> 00:41:15,080
Speaker 1: To say, do I have anything I know?

836
00:41:15,640 --> 00:41:21,040
Speaker 2: Classic? Jesse Becky sighs, admitting I think we both have

837
00:41:21,120 --> 00:41:23,719
Speaker 2: a lot to say about this. Thank you, thank you.

838
00:41:24,480 --> 00:41:28,359
Speaker 2: Mister Santana yells two minute warning, Move it, people, This

839
00:41:28,480 --> 00:41:30,240
Speaker 2: guy needs to settle down.

840
00:41:30,960 --> 00:41:36,160
Speaker 1: His his like nudging people and pushing them and hustling

841
00:41:36,200 --> 00:41:39,160
Speaker 1: them towards getting married is grounds for a moment on

842
00:41:39,520 --> 00:41:42,000
Speaker 1: Like every wedding that he's performed that day has been

843
00:41:42,080 --> 00:41:46,040
Speaker 1: under duress and pressure. Right, so I feel like anyone

844
00:41:46,080 --> 00:41:47,920
Speaker 1: getting married there could just walk into a court and

845
00:41:47,920 --> 00:41:51,479
Speaker 1: be like this guy I was thinking, and he made

846
00:41:51,520 --> 00:41:53,399
Speaker 1: me do it, and now I need this wedding off

847
00:41:53,400 --> 00:41:53,840
Speaker 1: the books.

848
00:41:53,920 --> 00:41:55,960
Speaker 2: Yeah, you know that is grounds for a moment. The

849
00:41:56,440 --> 00:41:59,960
Speaker 2: fabulous mister Santana maybe isn't quite so fabulous right now.

850
00:42:00,080 --> 00:42:04,319
Speaker 2: Right so Jesse sighs and says, well, they can talk

851
00:42:04,360 --> 00:42:06,480
Speaker 2: about it. After they say I do, he pushes her

852
00:42:06,840 --> 00:42:09,080
Speaker 2: back towards the aisle again, and this time they walk

853
00:42:09,120 --> 00:42:11,680
Speaker 2: down the aisle at ten times the speed. It is

854
00:42:11,920 --> 00:42:15,600
Speaker 2: very funny visual. Yes, walking like pigeons, Like you said,

855
00:42:16,480 --> 00:42:18,920
Speaker 2: mister Santana forces them to cut right to the chase.

856
00:42:19,239 --> 00:42:22,680
Speaker 2: He quickly asks, do you Jesse Katzopolis. Take Rebecca Donaldson

857
00:42:22,680 --> 00:42:24,799
Speaker 2: to be your lofty wedded wife, for better or worse,

858
00:42:24,800 --> 00:42:26,879
Speaker 2: et cetera, et cetera, et cetera. Till death do your part,

859
00:42:27,040 --> 00:42:30,040
Speaker 2: Say I do. Jesse puts the ring on Becky's hand

860
00:42:30,160 --> 00:42:34,640
Speaker 2: as he says I do. Becky looks at him, obviously

861
00:42:34,719 --> 00:42:38,880
Speaker 2: reconsidering this. As mister Santana gives her the same spiel,

862
00:42:39,560 --> 00:42:44,000
Speaker 2: she gulps it before stuttering, I I think I need

863
00:42:44,040 --> 00:42:45,680
Speaker 2: some more time to think this over.

864
00:42:46,680 --> 00:42:47,160
Speaker 1: Thank you.

865
00:42:47,760 --> 00:42:49,760
Speaker 2: I'm so glad she didn't bend to the pressure.

866
00:42:50,360 --> 00:42:53,120
Speaker 1: So Jesse like, don't do it, don't do it, don't

867
00:42:53,160 --> 00:42:56,680
Speaker 1: do it. Mister Santana needs to sit down and relax.

868
00:42:57,280 --> 00:43:00,399
Speaker 1: Jesse needs to stop it. Yeah, it just you.

869
00:43:00,360 --> 00:43:02,840
Speaker 2: Know, everyone needs to just take a breath, Like, just

870
00:43:02,880 --> 00:43:04,280
Speaker 2: take a deep breath. People.

871
00:43:04,400 --> 00:43:06,560
Speaker 1: Yeah, it's okay.

872
00:43:07,040 --> 00:43:09,840
Speaker 2: But mister Santana begs her to think fast. She only

873
00:43:09,880 --> 00:43:14,080
Speaker 2: has forty five seconds until the Copelman wedding, mister Santana,

874
00:43:14,400 --> 00:43:19,040
Speaker 2: Jesse is what. Jesse is shocked, and Becky apologizes, saying

875
00:43:19,320 --> 00:43:22,239
Speaker 2: she just can't go through with this. She runs out

876
00:43:22,280 --> 00:43:24,640
Speaker 2: of the chapel, tossing her bouquet into the arms of

877
00:43:24,680 --> 00:43:29,920
Speaker 2: the soon to be missus Copeleman. Jesse is in disbelief.

878
00:43:30,760 --> 00:43:34,560
Speaker 2: He sits yiy because he's been turned down. He probably

879
00:43:34,640 --> 00:43:36,040
Speaker 2: is like, well, of course she wants to marry me,

880
00:43:37,000 --> 00:43:37,879
Speaker 2: but I I just.

881
00:43:37,880 --> 00:43:40,759
Speaker 1: It was like, you're devastated. What did you think was

882
00:43:40,760 --> 00:43:43,759
Speaker 1: gonna happen? Yet he wasn't thinking like Becky's the only

883
00:43:43,840 --> 00:43:45,359
Speaker 1: one he thought he was gonna get his way. Yeah

884
00:43:45,440 --> 00:43:45,719
Speaker 1: he's not.

885
00:43:45,800 --> 00:43:48,799
Speaker 2: Yeah, Becky's the only woman that has told him no

886
00:43:49,600 --> 00:43:52,640
Speaker 2: or made him wait or you know. She's the orange

887
00:43:52,640 --> 00:43:56,480
Speaker 2: person with reason in this relationship, and I applaud her

888
00:43:56,480 --> 00:43:56,719
Speaker 2: for it.

889
00:43:57,360 --> 00:43:58,480
Speaker 1: Yeah.

890
00:43:58,520 --> 00:44:00,200
Speaker 2: So he sits on the step of the podium. He's

891
00:44:00,320 --> 00:44:02,799
Speaker 2: very sad, and Michelle walks up to him, puts her

892
00:44:02,920 --> 00:44:06,360
Speaker 2: arm on his shoulder and sweetly says, I do, And

893
00:44:06,400 --> 00:44:10,240
Speaker 2: the crowd lets out a big awe oh, which is sweet,

894
00:44:10,239 --> 00:44:13,480
Speaker 2: except she's just saying she wants to marry her uncle bitter.

895
00:44:13,800 --> 00:44:16,080
Speaker 1: I know, yeah that. I was like, let's just forgive

896
00:44:16,120 --> 00:44:19,320
Speaker 1: what you're saying. I do. Yeah, but it was sweet.

897
00:44:19,320 --> 00:44:21,319
Speaker 2: Michelle doesn't know what she's saying, so I can. I

898
00:44:21,320 --> 00:44:26,160
Speaker 2: can forgive them. We cut to a very sad commercial break,

899
00:44:34,080 --> 00:44:36,920
Speaker 2: and when we come back from the commercial break, Jesse's

900
00:44:37,560 --> 00:44:39,799
Speaker 2: Jesse's back at the full House in his room.

901
00:44:39,960 --> 00:44:41,319
Speaker 1: Oh my god, he.

902
00:44:41,400 --> 00:44:45,440
Speaker 2: Is sitting on the floor. He's listening to sitting on

903
00:44:45,480 --> 00:44:48,480
Speaker 2: the dock of the bay. He is in obvious disarray

904
00:44:48,840 --> 00:44:50,759
Speaker 2: as the camera zoom's in and we see that he's

905
00:44:50,800 --> 00:44:54,799
Speaker 2: been crying. Okay, as ridiculous as Jesse is, John is

906
00:44:55,120 --> 00:44:56,600
Speaker 2: very good in this moment.

907
00:44:56,719 --> 00:44:59,160
Speaker 1: He's a great Yes, he's a very great actor.

908
00:44:59,239 --> 00:44:59,879
Speaker 2: Dramatic act.

909
00:45:00,400 --> 00:45:04,160
Speaker 1: I was. All I wrote down was why is he

910
00:45:04,200 --> 00:45:08,480
Speaker 1: being so dramatic? This is you did this? No one,

911
00:45:08,520 --> 00:45:11,400
Speaker 1: I don't feel sorry for you. You created this scenario

912
00:45:11,560 --> 00:45:13,440
Speaker 1: and pressured her into something that she wasn't ready for

913
00:45:13,880 --> 00:45:16,880
Speaker 1: and now she had to say no, and you're acting

914
00:45:17,040 --> 00:45:18,000
Speaker 1: like a big old baby.

915
00:45:18,680 --> 00:45:21,359
Speaker 2: True he is. But I actually felt for him in

916
00:45:21,400 --> 00:45:23,120
Speaker 2: this moment because I'm like, you could you can just

917
00:45:23,120 --> 00:45:25,799
Speaker 2: feel his despair. This is his like rock bottom. Yeah,

918
00:45:25,840 --> 00:45:28,000
Speaker 2: so I feel for him in that sense, in his

919
00:45:28,560 --> 00:45:31,400
Speaker 2: you know, in his little mind, in his little world.

920
00:45:31,520 --> 00:45:33,959
Speaker 1: Yeah, it is little, in his little little brain.

921
00:45:34,040 --> 00:45:37,160
Speaker 2: I can see, yes, frustated, you know he thought she

922
00:45:37,239 --> 00:45:39,760
Speaker 2: was a shoe. Yeah, it's a reality.

923
00:45:39,880 --> 00:45:43,200
Speaker 1: Ches before he acted like a crazy person.

924
00:45:43,360 --> 00:45:46,279
Speaker 2: Yeah, anyway, anyways, Okay. So there's a knock at the

925
00:45:46,320 --> 00:45:49,319
Speaker 2: door and it's Becky. He tells her, Oh, hold on

926
00:45:49,360 --> 00:45:51,399
Speaker 2: a second while he turns off the music, wipes away

927
00:45:51,400 --> 00:45:53,880
Speaker 2: his tears, and puts a phone to his ear, pretending

928
00:45:53,920 --> 00:45:56,400
Speaker 2: he's talking to someone. As soon as Becky walks in,

929
00:45:56,520 --> 00:45:59,359
Speaker 2: Jesse pretends he's talking on the phone Crystal, Oh yeah,

930
00:45:59,400 --> 00:46:03,279
Speaker 2: I'm a free man now, Saturday night sounds great. As

931
00:46:03,320 --> 00:46:05,960
Speaker 2: he's talking, the phone actually begins to ring and he

932
00:46:06,000 --> 00:46:06,840
Speaker 2: awkwardly hangs up.

933
00:46:06,960 --> 00:46:09,240
Speaker 1: I was so glad that he looks stupid in that moment,

934
00:46:09,239 --> 00:46:11,440
Speaker 1: because I was like, are you for real? Why do

935
00:46:11,440 --> 00:46:12,200
Speaker 1: you need to act like that?

936
00:46:12,920 --> 00:46:15,080
Speaker 2: This happened in the last episode two with the with

937
00:46:15,120 --> 00:46:18,040
Speaker 2: the with the phone in the hotel room and he

938
00:46:18,120 --> 00:46:20,239
Speaker 2: pretends he's talking to Becky and she walks, right, I

939
00:46:20,280 --> 00:46:20,600
Speaker 2: love it.

940
00:46:20,920 --> 00:46:22,759
Speaker 1: Yeah, Jesse's trying to be a mister cool guy and

941
00:46:22,800 --> 00:46:24,640
Speaker 1: it's like, no, no, stop.

942
00:46:24,480 --> 00:46:27,239
Speaker 2: Put him in his place. I do love it. So

943
00:46:27,320 --> 00:46:29,680
Speaker 2: he greets Becky as though he's just got no care

944
00:46:29,719 --> 00:46:32,640
Speaker 2: in the world, but Becky tells him he doesn't need

945
00:46:32,640 --> 00:46:36,200
Speaker 2: to put on this act. He tries to hide his sadness,

946
00:46:36,360 --> 00:46:40,160
Speaker 2: and we see Becky beginning to cry, She apologizes for

947
00:46:40,200 --> 00:46:44,280
Speaker 2: what happened. She didn't want to hurt him. He scoffs, Oh, please,

948
00:46:44,560 --> 00:46:47,719
Speaker 2: you hurt me. I'm a fighter man. He puts on

949
00:46:47,719 --> 00:46:50,600
Speaker 2: a whole act, but Becky grabs his shoulder and he stops.

950
00:46:51,440 --> 00:46:53,399
Speaker 1: This was such a soap opera moment though.

951
00:46:53,440 --> 00:46:54,080
Speaker 2: It really was.

952
00:46:54,360 --> 00:46:57,160
Speaker 1: Yeah, the like turn away from the camera and the

953
00:46:57,160 --> 00:47:00,279
Speaker 1: person behind, and then they turned them back, and I

954
00:47:00,360 --> 00:47:02,960
Speaker 1: was like, oh, yes, we're having a full soap moment.

955
00:47:03,040 --> 00:47:05,879
Speaker 2: It's a very emotional blocking in this ess.

956
00:47:06,640 --> 00:47:06,839
Speaker 1: Yeah.

957
00:47:07,160 --> 00:47:09,680
Speaker 2: Jesse turns to face her and asks, how could you

958
00:47:09,800 --> 00:47:12,279
Speaker 2: do this to me? When you turned and walked out

959
00:47:12,320 --> 00:47:16,560
Speaker 2: like that? It killed me. Becky explained that she needs

960
00:47:16,600 --> 00:47:20,400
Speaker 2: time to think, and everything was happening so fast. She

961
00:47:20,520 --> 00:47:23,359
Speaker 2: asks if he was genuinely ready to get married, move

962
00:47:23,360 --> 00:47:26,239
Speaker 2: into her place, have children, and turn his whole life

963
00:47:26,280 --> 00:47:30,200
Speaker 2: upside down. Jesse argues that he was. That's the way

964
00:47:30,200 --> 00:47:32,560
Speaker 2: he does things. He sees something, he commits to it,

965
00:47:32,600 --> 00:47:36,239
Speaker 2: and then he goes for it. Becky shouts, well, we

966
00:47:36,239 --> 00:47:38,719
Speaker 2: didn't even think it through. We were walking down the

967
00:47:38,719 --> 00:47:41,239
Speaker 2: aisle and up the aisle, and down the aisle and

968
00:47:41,320 --> 00:47:43,840
Speaker 2: up the aisle, and we discovered we had some pretty

969
00:47:43,840 --> 00:47:47,799
Speaker 2: big differences. Jesse sarcastically thanks her for saving them from

970
00:47:47,880 --> 00:47:51,680
Speaker 2: making a horrible mistake. He begins to walk out, and

971
00:47:51,719 --> 00:47:54,000
Speaker 2: she yells at him to stop and take a look

972
00:47:54,040 --> 00:48:00,200
Speaker 2: at himself. Thank you you. Yes, Becky boy, Jesse reads

973
00:48:00,280 --> 00:48:04,080
Speaker 2: her more than anyone else, Like she's for real.

974
00:48:04,680 --> 00:48:07,719
Speaker 1: She's like, how about you look at you? Yes, how

975
00:48:07,760 --> 00:48:11,839
Speaker 1: about you look at your behavior you have created again

976
00:48:11,880 --> 00:48:15,359
Speaker 1: in your product you Yeah, you're acting like a crazy person. Yeah,

977
00:48:15,760 --> 00:48:17,839
Speaker 1: he really, you're not listening. You're not like, you're not

978
00:48:17,880 --> 00:48:20,319
Speaker 1: even You're not just no, he doesn't not listening to

979
00:48:20,320 --> 00:48:23,520
Speaker 1: anybody else. You are just fully running the Jesse show.

980
00:48:23,680 --> 00:48:25,799
Speaker 2: For at least eighteen minutes of this episode, he's not

981
00:48:25,880 --> 00:48:29,319
Speaker 2: listened to anyone, and now now he's finally listening to her.

982
00:48:30,239 --> 00:48:33,160
Speaker 2: H So, Becky questions, why does everything have to be

983
00:48:33,280 --> 00:48:37,279
Speaker 2: all or nothing? Thank you? Yes, we learned we have

984
00:48:37,360 --> 00:48:39,200
Speaker 2: some differences that we need to work out, but we

985
00:48:39,280 --> 00:48:43,680
Speaker 2: also learned that we have something in common and common. Yes, Becky,

986
00:48:43,760 --> 00:48:46,600
Speaker 2: the world is not black or white. Two things can

987
00:48:46,640 --> 00:48:50,400
Speaker 2: be true at once, you know, and you.

988
00:48:50,280 --> 00:48:52,480
Speaker 1: Need to have a conversation and find out what the

989
00:48:52,520 --> 00:48:55,000
Speaker 1: other person even thinks, first, yes, you didn't even go

990
00:48:55,080 --> 00:48:55,439
Speaker 1: that far.

991
00:48:55,600 --> 00:48:58,920
Speaker 2: No, no, it's like, thank goodness, Becky's there to talk

992
00:48:59,000 --> 00:48:59,920
Speaker 2: some sense, and it I blame it.

993
00:49:00,360 --> 00:49:00,840
Speaker 1: I blame you.

994
00:49:03,040 --> 00:49:07,480
Speaker 2: So Jesse scoffs, like what, and Becky calmly responds, like,

995
00:49:07,800 --> 00:49:12,279
Speaker 2: we love each other. Jesse softly smiles, asking you still

996
00:49:12,320 --> 00:49:15,880
Speaker 2: love me? She reminds him I almost married you at

997
00:49:15,880 --> 00:49:19,399
Speaker 2: the fabulous Ali Baba Hotel and Casino wedding Chapel. Now

998
00:49:19,520 --> 00:49:25,640
Speaker 2: that is love, babe. Everything finally clicks and he states,

999
00:49:25,640 --> 00:49:27,840
Speaker 2: oh my god, we almost got married.

1000
00:49:29,320 --> 00:49:32,120
Speaker 1: Indeed, dude, even he's like that would have been a

1001
00:49:32,160 --> 00:49:34,920
Speaker 1: bad decision, but thirty seconds but he's like, that's what

1002
00:49:34,960 --> 00:49:36,960
Speaker 1: I do. This is the greatest thing ever. And now

1003
00:49:37,120 --> 00:49:40,320
Speaker 1: was like, oh wait, yeah, yeah, it's just so interesting.

1004
00:49:40,360 --> 00:49:42,279
Speaker 2: I'm like, what is it? Because she said she has

1005
00:49:42,320 --> 00:49:45,360
Speaker 2: been saying some version of this argument like THEO throughout

1006
00:49:45,360 --> 00:49:47,239
Speaker 2: the whole episode, So what is it that finally gets

1007
00:49:47,280 --> 00:49:49,600
Speaker 2: him to shake out of his dream like state and

1008
00:49:49,640 --> 00:49:51,000
Speaker 2: be like, oh, oh, you're right.

1009
00:49:51,360 --> 00:49:54,040
Speaker 1: She's like nothing has changed.

1010
00:49:54,200 --> 00:49:55,440
Speaker 2: Yes, she still loves him.

1011
00:49:55,920 --> 00:50:00,320
Speaker 1: I still love you, but we have to talk, you

1012
00:50:00,400 --> 00:50:02,440
Speaker 1: know what I mean? Like and like it's it's almost

1013
00:50:02,440 --> 00:50:05,280
Speaker 1: like he hadn't considered that fact. Again, it was either

1014
00:50:05,400 --> 00:50:08,040
Speaker 1: we're either getting married and doing this or we're not together.

1015
00:50:08,600 --> 00:50:11,320
Speaker 1: She's like, that's not there's that's why.

1016
00:50:11,680 --> 00:50:14,279
Speaker 2: Yeah. So he considered this like there's another option, and

1017
00:50:14,320 --> 00:50:16,120
Speaker 2: she just considered it like, let's just see.

1018
00:50:16,520 --> 00:50:19,200
Speaker 1: He's like, I'm a freeman, you hate me, you broke

1019
00:50:19,280 --> 00:50:20,560
Speaker 1: up with me, blah blah blah, and she's like, I

1020
00:50:20,640 --> 00:50:23,040
Speaker 1: just didn't want to get married with the you know,

1021
00:50:23,360 --> 00:50:25,960
Speaker 1: mister fabulous Alibaba Hotel and casino man yelling at me.

1022
00:50:26,200 --> 00:50:30,000
Speaker 2: Right with a timer running you know, right, yeah, don't

1023
00:50:30,080 --> 00:50:34,160
Speaker 2: rush me. Yeah no, it's it's true. And this is

1024
00:50:34,200 --> 00:50:36,200
Speaker 2: the same guy that impulsively broke up with her the

1025
00:50:36,239 --> 00:50:40,400
Speaker 2: last episode live on Wake Up San Francisco. Right, yeah,

1026
00:50:40,480 --> 00:50:43,200
Speaker 2: he just needed to slow down and listen, and he

1027
00:50:43,239 --> 00:50:45,799
Speaker 2: finally has Okay, where where am i?

1028
00:50:46,200 --> 00:50:48,240
Speaker 1: Everything finally clicks, Everything finally clicks.

1029
00:50:48,280 --> 00:50:50,760
Speaker 2: Yeah, Jess. He's like, oh my god, we almost got married.

1030
00:50:50,920 --> 00:50:53,320
Speaker 2: They both let out a little laugh and he grabs

1031
00:50:53,360 --> 00:50:56,279
Speaker 2: her hands and admits, I was just so excited that

1032
00:50:56,360 --> 00:50:59,000
Speaker 2: you finally said you love me. It was such a

1033
00:50:59,040 --> 00:51:01,920
Speaker 2: wonderful feeling and I didn't want it to end, so

1034
00:51:02,000 --> 00:51:07,040
Speaker 2: I proposed. He sighs, realizing realizing he didn't think about

1035
00:51:07,040 --> 00:51:10,120
Speaker 2: the next day or the days after, and he jokes,

1036
00:51:10,320 --> 00:51:11,560
Speaker 2: why did you say yes anyway?

1037
00:51:11,600 --> 00:51:12,280
Speaker 1: Are you crazy?

1038
00:51:13,719 --> 00:51:16,080
Speaker 2: Jesse is victim blaming here.

1039
00:51:16,600 --> 00:51:18,880
Speaker 1: Right, yeah, I came up with a terrible idea, but

1040
00:51:18,920 --> 00:51:20,240
Speaker 1: you agreed to it. You're an idiot?

1041
00:51:20,320 --> 00:51:21,000
Speaker 2: Right what?

1042
00:51:21,200 --> 00:51:23,960
Speaker 1: No? No, no, Jesse, No, no, no no.

1043
00:51:24,239 --> 00:51:26,640
Speaker 2: But Becky has a good comeback. She smiles and says

1044
00:51:26,800 --> 00:51:31,320
Speaker 2: I'm crazy about you, and he responds right back at you, babe.

1045
00:51:32,440 --> 00:51:35,359
Speaker 2: They kiss each other and Becky asks can we keep

1046
00:51:35,400 --> 00:51:38,760
Speaker 2: getting to know each other? And Jesse nods and he says,

1047
00:51:38,960 --> 00:51:42,720
Speaker 2: when I get married, I want it to last forever.

1048
00:51:43,000 --> 00:51:46,839
Speaker 1: Now he's got opinions on this, though thirty seconds ago

1049
00:51:46,920 --> 00:51:49,040
Speaker 1: he had no.

1050
00:51:49,040 --> 00:51:52,279
Speaker 2: Now he's now, he's suddenly bro this.

1051
00:51:53,040 --> 00:51:55,919
Speaker 1: It's just I need to see some changes. The lip

1052
00:51:55,960 --> 00:51:57,480
Speaker 1: service is not buying it.

1053
00:51:57,560 --> 00:51:59,680
Speaker 2: He's working on it. He's working on it. She makes him, wait,

1054
00:51:59,719 --> 00:52:02,319
Speaker 2: what a couple more seasons before you get married? So

1055
00:52:02,440 --> 00:52:06,440
Speaker 2: you know, yeah, she made him wait. Suddenly Michelle walks

1056
00:52:06,440 --> 00:52:10,040
Speaker 2: in and she asks, you okay, Jesse. He bends down

1057
00:52:10,080 --> 00:52:12,759
Speaker 2: to pick her up and says he's okay, and then

1058
00:52:12,800 --> 00:52:15,040
Speaker 2: he yells into the hallway. You guys can come in now.

1059
00:52:15,200 --> 00:52:17,480
Speaker 2: You didn't have to send the munchkin in to spy.

1060
00:52:18,800 --> 00:52:21,520
Speaker 2: Danny strolls in and explains they were in the girls room,

1061
00:52:21,600 --> 00:52:24,839
Speaker 2: and Steph interrupts, we were waiting for the right time

1062
00:52:24,880 --> 00:52:27,920
Speaker 2: to send Michelle in. Jesse tells them they don't need

1063
00:52:27,920 --> 00:52:31,760
Speaker 2: to worry because everything's okay. He and Becky aren't getting married,

1064
00:52:32,160 --> 00:52:38,120
Speaker 2: but they're still in love. He loves that word love.

1065
00:52:39,520 --> 00:52:43,080
Speaker 2: Jesse wants to celebrate. He turns some music on and,

1066
00:52:43,239 --> 00:52:46,520
Speaker 2: sitting on the dock of the bay, starts blasting. Joey

1067
00:52:46,600 --> 00:52:51,320
Speaker 2: sarcastically says, now there's a happy song. Danny argues, Hey,

1068
00:52:51,400 --> 00:52:54,880
Speaker 2: the Tanners can make anything happy, and the entire family

1069
00:52:54,920 --> 00:52:58,440
Speaker 2: proceeds to sing along. And that is our show and

1070
00:52:58,520 --> 00:52:59,680
Speaker 2: our season two.

1071
00:52:59,520 --> 00:53:04,480
Speaker 1: And our ending on a musical note, as with a

1072
00:53:04,480 --> 00:53:07,839
Speaker 1: great song. Otis ready great song, Yes, fabulous Jesse. He's

1073
00:53:07,880 --> 00:53:12,120
Speaker 1: giving a little like manic if he's going he's depressed,

1074
00:53:12,160 --> 00:53:17,439
Speaker 1: he's crying, he's he's yelling. Now he's celebrating. Well, Jesse,

1075
00:53:17,600 --> 00:53:19,759
Speaker 1: we need it's we need to.

1076
00:53:19,840 --> 00:53:22,160
Speaker 2: Just the highs are very high and the lows are

1077
00:53:22,239 --> 00:53:24,520
Speaker 2: very low, and it's the roller coaster and we're just

1078
00:53:24,520 --> 00:53:25,239
Speaker 2: along for the ride.

1079
00:53:25,400 --> 00:53:28,840
Speaker 1: You know, yeah, I had I did not remember Jesse

1080
00:53:29,160 --> 00:53:32,960
Speaker 1: having this much uh turmoil.

1081
00:53:32,960 --> 00:53:36,759
Speaker 2: Yeah, yeah, No, it's he went straight from womanizer to

1082
00:53:36,880 --> 00:53:39,000
Speaker 2: why aren't you marrying me right this second? You know.

1083
00:53:39,040 --> 00:53:41,000
Speaker 2: It's he's had a lot of growth, and it's not

1084
00:53:41,000 --> 00:53:44,120
Speaker 2: always linear, you know, he's like two steps forward and

1085
00:53:44,960 --> 00:53:45,560
Speaker 2: heart Yeah.

1086
00:53:45,680 --> 00:53:50,680
Speaker 1: Rarely linear. But I'm so you know, can you imagine

1087
00:53:51,400 --> 00:53:53,480
Speaker 1: what would have become of Jesse had Becky not entered

1088
00:53:53,480 --> 00:53:56,600
Speaker 1: the picture. Oh, I would have had to do seasons

1089
00:53:56,600 --> 00:53:59,040
Speaker 1: of this oss of his insanity.

1090
00:54:00,040 --> 00:54:03,160
Speaker 2: God bless Lori Lachlan, Like, thank god she arrived when

1091
00:54:03,280 --> 00:54:05,200
Speaker 2: she did, right and can because.

1092
00:54:05,040 --> 00:54:07,560
Speaker 1: Yeah, she's the only one one had the sense to

1093
00:54:07,640 --> 00:54:10,080
Speaker 1: write Becky as a person of reason.

1094
00:54:10,360 --> 00:54:12,480
Speaker 2: True, very true. I don't think we do we have

1095
00:54:12,520 --> 00:54:15,560
Speaker 2: any female writers on staff at this point. I don't

1096
00:54:15,600 --> 00:54:17,600
Speaker 2: know if we did. I think these are all male writers.

1097
00:54:18,520 --> 00:54:21,000
Speaker 2: So this is actually very progressive for men to be

1098
00:54:21,040 --> 00:54:25,320
Speaker 2: writing this role of Becky as this this forward thinking person.

1099
00:54:25,360 --> 00:54:27,480
Speaker 1: Maybe there was one woman writer in the room who

1100
00:54:27,520 --> 00:54:31,520
Speaker 1: finally went like, you guys, you guys, you cannot this

1101
00:54:31,600 --> 00:54:35,120
Speaker 1: is this is ridiculous, right, And they're like, okay, fine,

1102
00:54:35,120 --> 00:54:38,040
Speaker 1: we'll let her have some input. Yeah, but that's that's

1103
00:54:38,080 --> 00:54:40,160
Speaker 1: exactly what it feels like. Is it. Somewhere along the line,

1104
00:54:40,239 --> 00:54:42,719
Speaker 1: someone finally went, you can't behave like this.

1105
00:54:42,880 --> 00:54:45,280
Speaker 2: Yeah, this is you can't hack like this. You can't,

1106
00:54:45,480 --> 00:54:49,279
Speaker 2: you can't it's it's it's not okay. But I love

1107
00:54:49,360 --> 00:54:52,480
Speaker 2: watching the growth of this couple, you know, Jesse and Becky.

1108
00:54:53,400 --> 00:54:54,400
Speaker 1: It's been fun to watch.

1109
00:54:54,440 --> 00:54:57,120
Speaker 2: I love them, Yeah, I do love them together, despite

1110
00:54:57,160 --> 00:55:00,040
Speaker 2: Jesse's problematic behavior. But I guess because we were so

1111
00:55:00,120 --> 00:55:01,880
Speaker 2: young at the time, I just kind of took them

1112
00:55:02,280 --> 00:55:04,200
Speaker 2: for granted, like, oh, it's Jesse and Becky, They're always

1113
00:55:04,239 --> 00:55:05,880
Speaker 2: going to be endgame. But it's been so fun to

1114
00:55:06,000 --> 00:55:08,880
Speaker 2: watch the origin story and to watch the growth of

1115
00:55:08,920 --> 00:55:11,840
Speaker 2: them as a couple and go through their highs and lows.

1116
00:55:11,960 --> 00:55:14,479
Speaker 2: You know, they weren't always a stable couple, and it's been.

1117
00:55:14,640 --> 00:55:16,880
Speaker 1: It's been glass to watch. Jesse was not always a

1118
00:55:16,880 --> 00:55:20,000
Speaker 1: stable human. No, that's where he's been. He's been working

1119
00:55:20,080 --> 00:55:22,359
Speaker 1: on that over the years. Yes, very proud of him.

1120
00:55:23,000 --> 00:55:25,280
Speaker 2: Oh gosh, well.

1121
00:55:25,239 --> 00:55:27,560
Speaker 1: I can't believe that we are at the end of

1122
00:55:27,640 --> 00:55:28,279
Speaker 1: season two.

1123
00:55:28,520 --> 00:55:31,920
Speaker 2: Yeah, no, it's this is Nut's wild did you Did

1124
00:55:31,920 --> 00:55:34,000
Speaker 2: you have any everywhere he looks from this episode?

1125
00:55:34,000 --> 00:55:36,320
Speaker 1: I didn't have any everywhere you look moments.

1126
00:55:36,080 --> 00:55:38,920
Speaker 2: Like this, I have one, you do? I do? I

1127
00:55:38,960 --> 00:55:41,200
Speaker 2: almost texted you last night too, because I was like,

1128
00:55:42,080 --> 00:55:44,480
Speaker 2: is this right? Okay? So in the wedding chapel. In

1129
00:55:44,520 --> 00:55:47,400
Speaker 2: the wedding chapel scene when the first couple is getting married,

1130
00:55:47,440 --> 00:55:51,000
Speaker 2: right before Russe and Becky walk in, right there is

1131
00:55:51,719 --> 00:55:54,520
Speaker 2: someone in the front pew, a man in a white

1132
00:55:54,840 --> 00:55:59,520
Speaker 2: and I believe the man is Kim Weisakoff, who was

1133
00:55:59,560 --> 00:56:02,440
Speaker 2: one of our Yes, okay, So did you notice him

1134
00:56:02,480 --> 00:56:03,600
Speaker 2: or I didn't know if you noticed him. I almost

1135
00:56:03,600 --> 00:56:05,359
Speaker 2: texted you like, does that is that Kim weise cough.

1136
00:56:05,600 --> 00:56:08,319
Speaker 1: I didn't notice him, but now that you mention it,

1137
00:56:08,400 --> 00:56:10,600
Speaker 1: I can kind of picture that scene and I know,

1138
00:56:11,480 --> 00:56:13,400
Speaker 1: like the person that you're talking about. So, yes, that

1139
00:56:13,480 --> 00:56:14,160
Speaker 1: was Kim Weysoff.

1140
00:56:14,280 --> 00:56:16,080
Speaker 2: Yeah. I thought, oh, there, it goes a little Easter

1141
00:56:16,120 --> 00:56:19,759
Speaker 2: egg for us. So yeah, that was that was I wish.

1142
00:56:19,880 --> 00:56:23,239
Speaker 1: I was looking in like the background of the of

1143
00:56:23,280 --> 00:56:25,000
Speaker 1: the casino and stuff. I was like, are there any

1144
00:56:25,000 --> 00:56:27,399
Speaker 1: people I was looking for a Loretta moment again.

1145
00:56:27,640 --> 00:56:31,120
Speaker 2: Yeah, yeah, there's a lot more family members in these

1146
00:56:31,160 --> 00:56:33,640
Speaker 2: scenes for sure. But that's okay. We got one writer

1147
00:56:34,280 --> 00:56:35,439
Speaker 2: and that's it.

1148
00:56:35,560 --> 00:56:37,879
Speaker 1: We got a writer. We had Loretta in last one. Yeah,

1149
00:56:38,719 --> 00:56:40,840
Speaker 1: so yeah, the family is still making appearances. Well, I

1150
00:56:40,840 --> 00:56:43,080
Speaker 1: can't believe we're at the end of season two. I'm

1151
00:56:43,120 --> 00:56:46,799
Speaker 1: so excited for season three. Yes, yes, so we will

1152
00:56:46,840 --> 00:56:49,520
Speaker 1: be coming back with season three episode one, which is

1153
00:56:49,640 --> 00:56:54,759
Speaker 1: Tanner's Island, the Hawaiian episode. Oh is that the hawaiid?

1154
00:56:54,880 --> 00:56:58,440
Speaker 2: Yeah, that's the Hawaii episode. They opened season three with

1155
00:56:58,520 --> 00:57:02,680
Speaker 2: the Hawaii episode. I don't remember that. I don't think

1156
00:57:03,960 --> 00:57:08,080
Speaker 2: is it it's the it's the Hawaii episode, but that

1157
00:57:08,200 --> 00:57:10,279
Speaker 2: usually comes later in the sea. Usually that's like the

1158
00:57:10,320 --> 00:57:12,960
Speaker 2: season closer is like when you go on location. This

1159
00:57:13,080 --> 00:57:13,760
Speaker 2: is a lot of money.

1160
00:57:13,840 --> 00:57:17,440
Speaker 1: I guess we must have been, uh doing big things

1161
00:57:17,520 --> 00:57:18,040
Speaker 1: season three.

1162
00:57:18,080 --> 00:57:20,760
Speaker 2: Full House was very successful in season two, so they're like, hey, we're.

1163
00:57:20,680 --> 00:57:22,640
Speaker 1: Going to Hawaii, Like we're going to Hawaii to.

1164
00:57:22,640 --> 00:57:25,160
Speaker 2: Open season three. Yeah, which is why all.

1165
00:57:25,080 --> 00:57:28,240
Speaker 1: Right, Well, I am very excited then, because there are

1166
00:57:28,920 --> 00:57:32,600
Speaker 1: there is all sorts of fun to be had, clipboards

1167
00:57:32,640 --> 00:57:35,560
Speaker 1: of clipboards of so many in fact, clipboard flipboards of

1168
00:57:35,640 --> 00:57:47,440
Speaker 1: fun ridiculous Hawaii episodes menahonies and probably very problematic jokes

1169
00:57:47,480 --> 00:57:50,000
Speaker 1: and things like that, but I'm here for it.

1170
00:57:49,960 --> 00:57:52,200
Speaker 2: Because I am so excited on the behind the scenes

1171
00:57:52,200 --> 00:57:54,920
Speaker 2: stories like that shoe was a hot mess with Jeff

1172
00:57:55,160 --> 00:57:57,320
Speaker 2: yes breaking his leg or his foot or whatever you

1173
00:57:57,400 --> 00:58:01,000
Speaker 2: bring up, and like on pain killerssh.

1174
00:58:00,080 --> 00:58:03,000
Speaker 1: Yeah good, it'll be It'll be a really great way

1175
00:58:03,040 --> 00:58:06,440
Speaker 1: to open uh season three, and it'll be a really

1176
00:58:06,480 --> 00:58:08,200
Speaker 1: fun Howard Tannarto's.

1177
00:58:07,640 --> 00:58:10,040
Speaker 2: Episode Yeah Yeah, I can't wait so well.

1178
00:58:10,080 --> 00:58:12,360
Speaker 1: Thank you everybody for joining us again and wrapping up

1179
00:58:12,400 --> 00:58:13,240
Speaker 1: season two with us.

1180
00:58:13,640 --> 00:58:14,000
Speaker 2: Uh.

1181
00:58:14,080 --> 00:58:16,840
Speaker 1: We are going to be back next time with Tanner's

1182
00:58:16,880 --> 00:58:20,600
Speaker 1: Island season three episode one. We are so excited, UH,

1183
00:58:20,600 --> 00:58:22,160
Speaker 1: and thank you for joining us. If you want to

1184
00:58:22,200 --> 00:58:24,240
Speaker 1: find us on Instagram, you can always find us at

1185
00:58:24,240 --> 00:58:27,000
Speaker 1: Howard Podcast, or you can send us our emails at

1186
00:58:27,000 --> 00:58:29,720
Speaker 1: Howard podcast at gmail dot com. We love hearing your

1187
00:58:29,720 --> 00:58:32,600
Speaker 1: comments and questions and all that fun stuff. And make

1188
00:58:32,600 --> 00:58:34,920
Speaker 1: sure you're liking and subscribing to the podcast wherever you're

1189
00:58:34,960 --> 00:58:37,040
Speaker 1: listening to it so that you can make sure and

1190
00:58:37,080 --> 00:58:38,920
Speaker 1: get all of the new episodes as soon as they

1191
00:58:38,920 --> 00:58:42,720
Speaker 1: come out and when they're released. And thank you wonderful

1192
00:58:42,760 --> 00:58:45,560
Speaker 1: fan ritos for joining us again. We have so much

1193
00:58:45,600 --> 00:58:51,960
Speaker 1: fun at the fbulous Howard Tanner Rito's Hotel and Casino.

1194
00:58:52,360 --> 00:58:53,960
Speaker 2: Let's officially work that into the title.

1195
00:58:54,400 --> 00:58:58,760
Speaker 1: Yeah, yeah, yeah, I'm gonna do my best, but thank

1196
00:58:58,800 --> 00:59:02,560
Speaker 1: you guys, and remember the world is small, but the

1197
00:59:02,560 --> 00:59:03,200
Speaker 1: house is full.

1198
00:59:04,200 --> 00:59:07,240
Speaker 2: Nailed it one more time. Are you going to keep

1199
00:59:07,240 --> 00:59:09,480
Speaker 2: this tagline for season three? Or are you going to

1200
00:59:09,560 --> 00:59:13,320
Speaker 2: explore a different tagline now that you've mastered this one?

1201
00:59:13,560 --> 00:59:15,240
Speaker 1: I don't know, I don't know.

1202
00:59:15,360 --> 00:59:16,880
Speaker 2: Let's get input from fanaritos.

1203
00:59:17,360 --> 00:59:20,320
Speaker 1: Oh yeah, yeah, yeah? What are the tagline?

1204
00:59:20,360 --> 00:59:21,680
Speaker 2: You want? The same? You want to see? What do

1205
00:59:21,720 --> 00:59:23,600
Speaker 2: you want to see Jody mess up? The same tagline

1206
00:59:23,680 --> 00:59:24,200
Speaker 2: or a new tag?

1207
00:59:24,320 --> 00:59:24,720
Speaker 1: Wow?

1208
00:59:25,240 --> 00:59:26,480
Speaker 2: Wow, you know I love you.

1209
00:59:26,560 --> 00:59:30,440
Speaker 1: Not entirely wrong, but but yeah, are we are we?

1210
00:59:30,640 --> 00:59:32,840
Speaker 1: Are we staying with tradition or are we changing it up?

1211
00:59:32,880 --> 00:59:35,320
Speaker 1: Now that now that obviously.

1212
00:59:34,880 --> 00:59:37,360
Speaker 2: I'm okayable You've mastered it. I'm so proud of you.

1213
00:59:37,440 --> 00:59:41,720
Speaker 2: It only took you two seasons. I love you, Jody Sweeten, I.

1214
00:59:41,760 --> 00:59:46,280
Speaker 1: Love you Andrew Barber and Barber jo A Sweeten. See

1215
00:59:46,280 --> 00:59:46,880
Speaker 1: you next time.