WEBVTT -  Rocking the Boat • EP 912

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<v Speaker 1>First of all, you don't know me.

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<v Speaker 2>We all about that high school drama, Girl Drama, Girl,

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<v Speaker 2>all about.

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<v Speaker 1>Them high school queens. We'll take you for a ride,

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<v Speaker 1>and our comic girl sharing for the right teen.

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<v Speaker 2>Drama Queens, Jaylie's cough girl fashion, but your tough girl,

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<v Speaker 2>you could sit with us, Girl Drama, Queen Drama, Queens Drama,

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<v Speaker 2>Queens Drama, drahn the Queens Drama Queens.

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<v Speaker 3>Well. Well, gosh, Sophia, they gave you the Burning Boat episode,

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<v Speaker 3>the penultimate episode.

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<v Speaker 1>It made me so emotional to watch this.

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<v Speaker 4>You guys, me too.

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<v Speaker 1>This was a great app oh man.

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<v Speaker 3>Alright, Season nine, episode twelve, Anyone who had a Heart

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<v Speaker 3>All of Us Air date March twenty eight, twenty twelve.

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<v Speaker 1>Okay, As Haley prepares.

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<v Speaker 3>To mc the annual tree Hill Burning Boat Festival, Brook

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<v Speaker 3>uses this opportunity to process her father's betrayal, while Julian

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<v Speaker 3>tries to breathe new life into a path. Idea Mouth

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<v Speaker 3>and Millie make a change, and what a change it

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<v Speaker 3>is to their morning show, and Clay and Quinn get

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<v Speaker 3>ready for Logan's first night at the beach house. Director

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<v Speaker 3>Sofia bush Oh which was.

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<v Speaker 4>Me written by Brian L.

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<v Speaker 3>Riding's well, he was a new writer on the show.

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<v Speaker 3>I guess right, I don't recognize it.

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<v Speaker 5>I recognize yeah.

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<v Speaker 1>I think he was new for our last season. And

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<v Speaker 1>what a great episode. The callbacks to early season nostalgia,

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<v Speaker 1>the kind of lessons you see all of these adults

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<v Speaker 1>that we've grown up with processing. I just I loved

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<v Speaker 1>it so so.

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<v Speaker 3>Much, and there were so many pieces of nostalgia that

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<v Speaker 3>were intentionally dropped in. I mean, watching the boys on

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<v Speaker 3>the river court, watching Brooke and Victoria back together, Mouth

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<v Speaker 3>and Milly back together, well, Hayley with Lydia a lot

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<v Speaker 3>was great too. Being able to see I love that

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<v Speaker 3>they just like threw Chase and Haley together for this

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<v Speaker 3>whole episode since Nathan.

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<v Speaker 4>Was not around.

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<v Speaker 1>It was so sweet.

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<v Speaker 4>And being able to.

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<v Speaker 3>See Quinn and Clay finally coming together as a family,

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<v Speaker 3>the family they've always wanted to be with Logan included now.

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<v Speaker 5>Getting to see Richard Burgee with his shirt off.

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<v Speaker 1>I mean right, what like Okay, that.

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<v Speaker 5>Was the shirtless hunk this show had been missing the time,

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<v Speaker 5>how sir?

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<v Speaker 1>I know, you know, it was really fun to watch

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<v Speaker 1>the There's so much I remember about the episode obviously

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<v Speaker 1>because I directed it, and because it was so close

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<v Speaker 1>to the end and there was so much that I

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<v Speaker 1>had hanging around in my brain and in my heart

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<v Speaker 1>about what I wanted to make sure it felt like

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<v Speaker 1>as we began to you know, close the box and

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<v Speaker 1>then put the bow on it and wrap up our show.

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<v Speaker 1>And it was really fun going into it thinking oh,

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<v Speaker 1>I can't wait to remember all of this, and then

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<v Speaker 1>to still be surprised. I forgot that Julian was doing

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<v Speaker 1>this practice pitch to Brook and then it did that

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<v Speaker 1>great transition to find him in the pitch. What I

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<v Speaker 1>remembered as soon as it started is Peter Kowalski, our

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<v Speaker 1>DP and I worked really hard on these these kinds

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<v Speaker 1>of cool trick shots where the camera's pulling back but

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<v Speaker 1>also zooming in and it kind of changes the way

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<v Speaker 1>the movements feel across the long dining room table at

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<v Speaker 1>Brook and Julian's house, and instantly I remembered this moment,

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<v Speaker 1>you know, standing in my wardrobe behind video village watching

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<v Speaker 1>them do it with second team and being like, Okay,

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<v Speaker 1>it's working. Oh my god, we got it. This is

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<v Speaker 1>going to be so great. And like those little things

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<v Speaker 1>that put energy you know, in the opening of the episode,

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<v Speaker 1>I wanted the energy to feel up. I wanted it

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<v Speaker 1>to feel happy, and I think it did.

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<v Speaker 4>It really did.

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<v Speaker 5>And when you transition to him being in the actual boardroom, Yeah,

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<v Speaker 5>was that because there's a there's a picture over Julian's

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<v Speaker 5>shoulder and it is either it either is or it's

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<v Speaker 5>very intentionally reminiscent of the Warner Brothers water Tower, Yeah, which,

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<v Speaker 5>by the way, was a part of One Tree Hill,

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<v Speaker 5>which is part of the c W you know. So

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<v Speaker 5>I wasn't certain if we were allowed to reference that

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<v Speaker 5>or if you were just cheekily put in something that

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<v Speaker 5>was nearly identical to it.

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<v Speaker 1>That I would imagine that was a decision made by

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<v Speaker 1>the producers. I do know we all were like, he's

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<v Speaker 1>like pitching the WB right, Like that's what we're doing.

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<v Speaker 1>And I liked in a way that the pitch got

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<v Speaker 1>to go so well, and also that it felt light

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<v Speaker 1>despite the fact obviously that our writers were trying to

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<v Speaker 1>poke fun at you know, Twilight and the Vampire Diaries

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<v Speaker 1>and everything else. It worked. Austin delivered it so much

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<v Speaker 1>humor and the kind of coyness between Brooke and Julian.

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<v Speaker 1>I think overshadowed what might have seemed petty on the page,

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<v Speaker 1>and then when he's in the room and her feedback,

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<v Speaker 1>which seems silly and flirtatious, actually works, and then we

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<v Speaker 1>make fun of ourselves and he's like, it doesn't have

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<v Speaker 1>to be in a conference room, we can be in

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<v Speaker 1>a hot tub. Like it just felt very correct.

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<v Speaker 3>Here's my pitch that I think this was a missed

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<v Speaker 3>opportunity because we were at the end of our show.

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<v Speaker 3>We totally could have done a spinoff that was the

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<v Speaker 3>filmed version, yes, like Julian's version.

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<v Speaker 4>Yes, Ravens.

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<v Speaker 1>Absolutely, it could have started a whole.

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<v Speaker 3>New series where we just like took the characters in

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<v Speaker 3>different directions as you do, and named them different ways.

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<v Speaker 1>It could have been like The Office. You could have

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<v Speaker 1>watched everyone film a TV show. You know, you could

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<v Speaker 1>have been the filming of the TV show. Could have

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<v Speaker 1>been a really funny, funny thing.

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<v Speaker 4>Even just like the meta. It would been so meta.

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<v Speaker 5>As a fan as well, it would have been cool

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<v Speaker 5>for Lucas to have been back at least some capacity,

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<v Speaker 5>seeing as how it's his book that's being pitched, even

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<v Speaker 5>if it's just him and Julian like talking it out

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<v Speaker 5>or something. Yeah, I think the fans would have loved that,

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<v Speaker 5>and like, that's the most organic way to have him

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<v Speaker 5>be there, you know, it's his books.

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<v Speaker 1>Yes, especially because we did get that years ago. You know,

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<v Speaker 1>we had Lucas and Julian working together, trying to make

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<v Speaker 1>a project together. It was the whole We got James

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<v Speaker 1>Vanderbeek to come in as the you know, the worst

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<v Speaker 1>director ever. We've seen it and it's worked, and it

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<v Speaker 1>would have been really fun to nod to that that

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<v Speaker 1>moment when oh, we didn't get to make Ravens as

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<v Speaker 1>a movie, you know, and unkindness of Ravens as a movie,

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<v Speaker 1>and now Julian's going to do it as a show.

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<v Speaker 1>It would have been so cool to offer that it

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<v Speaker 1>was working. To the writer, what I will say is

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<v Speaker 1>not having that character come back. What touched me and

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<v Speaker 1>what I did forget is that as Julian is pitching

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<v Speaker 1>it because Brooke is his wife, he pitches this story

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<v Speaker 1>of all these kids in high school in a way

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<v Speaker 1>that kind of sounds like a love letter to her.

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<v Speaker 1>And the first version, you know, when they tried to

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<v Speaker 1>make the movie really wasn't. She was so offended by

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<v Speaker 1>her character write up and it all went so badly

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<v Speaker 1>for them that they almost broke up. And I was like,

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<v Speaker 1>oh my god, look at the way he's pitching this.

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<v Speaker 1>This is so sweet, Like if i'd actually been her,

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<v Speaker 1>what I would have given to be a fly on

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<v Speaker 1>the wall for this moment. And I was really touched

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<v Speaker 1>by that. I didn't remember it.

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<v Speaker 5>Well.

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<v Speaker 4>We didn't have James either.

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<v Speaker 5>Which is so weird, so weird.

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<v Speaker 1>What was he doing because I know and I don't

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<v Speaker 1>remember what, and I'd be we should have asked him

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<v Speaker 1>in Paris?

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<v Speaker 5>Did he direct the episode before this? By chance? No,

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<v Speaker 5>he didn't, didn't I don't think so.

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<v Speaker 1>I wasn't paying sorry that would pay attention.

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<v Speaker 6>But he he had something going on this you know,

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<v Speaker 6>season nine special time season nine mini series, because he

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<v Speaker 6>negotiated to have a certain number of episodes.

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<v Speaker 1>Off, so you know that was the kidnapping storyline. Was

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<v Speaker 1>partially motivated by that. But I couldn't believe that one

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<v Speaker 1>of the episodes they gave him off was the second

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<v Speaker 1>to last one. I was like, hello, he must have

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<v Speaker 1>been filming or something and needed the week. I will say, though, Joy,

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<v Speaker 1>you did such a beautiful job making Nathan's absence work

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<v Speaker 1>as Haley, because the way that you shared you know

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<v Speaker 1>what was essentially expository writing to explain why he's gone,

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<v Speaker 1>you grounded it in such a place of I've really

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<v Speaker 1>been through something with my person, but our kid has

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<v Speaker 1>been through it too.

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<v Speaker 5>Yeah.

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<v Speaker 1>Yeah, and you put a real weight behind that. And

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<v Speaker 1>so even though it felt strange as a viewer to

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<v Speaker 1>have Nathan missing, your explanation of why and what Jamie

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<v Speaker 1>needed and how you have to prioritize your kid above

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<v Speaker 1>even yourself made the whole thing work for me. So

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<v Speaker 1>it hats off to you.

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<v Speaker 3>Oh thanks, I think it's a reasonable I mean, we

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<v Speaker 3>know as AFEs were like, wait, we missed our character

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<v Speaker 3>in the show, But yeah, it is plausible for sure.

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<v Speaker 3>I think as a family, that's just what they would

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<v Speaker 3>have needed. And I really enjoyed seeing Haley just happy

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<v Speaker 3>with Lydia. It wasn't all the stress around the baby.

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<v Speaker 3>It feels like since Lydia was born there was just stress, stress, stress, stress, dress.

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<v Speaker 4>So this was nice.

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<v Speaker 3>Plus I had my breastfeeding body, which was super fun

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<v Speaker 3>to see, like all the baby weighted dropped off and

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<v Speaker 3>my boobs were big. I was like, oh that's fun.

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<v Speaker 1>You're like, hey, girl.

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<v Speaker 5>You know who else's body was dramatic. Different was good

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<v Speaker 5>old Mouth.

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<v Speaker 4>Good old Mouth.

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<v Speaker 5>Thank god we put that fat suit to bed.

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<v Speaker 4>Yeah, I'm sure he was thrilled as well.

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<v Speaker 5>Oh to see Mouth and Milly in a scene that

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<v Speaker 5>wasn't about that ridiculous storyline was yeah, so nice.

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<v Speaker 1>Yeah, them really getting back to themselves. And I loved that.

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<v Speaker 1>The run, even though it came from a storyline we hated,

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<v Speaker 1>gave us the device to get to the river court

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<v Speaker 1>with all the boys because seeing them get back on

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<v Speaker 1>the court and Mouth doing his announcing like he did

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<v Speaker 1>in season one, even in the pilot, it hits you

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<v Speaker 1>with that nostalgia and you remember how far these friends

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<v Speaker 1>have come together, and you know now so many of

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<v Speaker 1>them have kids, and it's like, oh my god. Again,

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<v Speaker 1>just thinking about what we wanted to call back from

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<v Speaker 1>the beginning of the show as we were wrapping it up,

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<v Speaker 1>I thought it was a great device for the writers

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<v Speaker 1>to put all the boys there and then to bring

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<v Speaker 1>Milli there and for that to be the place where

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<v Speaker 1>she said to him, you miss sports, and yes I

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<v Speaker 1>want to work with you, and yes I want to

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<v Speaker 1>be with you every day, but I know you enough

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<v Speaker 1>and love you enough to know what you need, and

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<v Speaker 1>that it wound up being, you know, the joke of

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<v Speaker 1>like you're trying to get me fired, Like the whole

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<v Speaker 1>thing just played so perfectly. But it really struck me

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<v Speaker 1>watching it that I'm so happy we shot that scene

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<v Speaker 1>at the river court because in a way, without having

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<v Speaker 1>to say it, Milly was meeting a part of mouth

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<v Speaker 1>that predates her, but it's so central to who he is,

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<v Speaker 1>and that's how your locations can become characters in your story,

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<v Speaker 1>and I thought it really it just really added something

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<v Speaker 1>for me watching it.

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<v Speaker 3>Back now every time there on the river court, and

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<v Speaker 3>there was quite a bit of that in this episode.

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<v Speaker 4>Yeah, we didn't use.

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<v Speaker 3>It as much as I wish we had over the

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<v Speaker 3>last few seasons, same because it is such a central

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<v Speaker 3>piece and I get that the boys weren't really playing

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<v Speaker 3>basketball anymore, so it just became this place that sometimes

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<v Speaker 3>character would go, characters would go to stop and think

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<v Speaker 3>because it was in case they used.

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<v Speaker 4>To go, which is sweet.

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<v Speaker 3>But yeah, I was really happy to see that in

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<v Speaker 3>this episode.

0:12:16.800 --> 0:12:19.079
<v Speaker 4>And you and I had had a scene there.

0:12:21.200 --> 0:12:21.840
<v Speaker 5>About that.

0:12:23.240 --> 0:12:25.240
<v Speaker 4>It was so windy, but it felt like it was

0:12:25.280 --> 0:12:27.079
<v Speaker 4>only windy on my side. I don't know if you

0:12:27.160 --> 0:12:27.600
<v Speaker 4>noticed this.

0:12:27.760 --> 0:12:29.600
<v Speaker 1>No, every time.

0:12:29.440 --> 0:12:32.640
<v Speaker 3>They shot to you, your hair was perfect, your makeup

0:12:32.760 --> 0:12:33.160
<v Speaker 3>is perfect.

0:12:33.240 --> 0:12:35.720
<v Speaker 4>The sun wasn't in your eyes. It was just like ah.

0:12:35.760 --> 0:12:37.240
<v Speaker 3>And then they cut to me and it was like

0:12:37.320 --> 0:12:39.840
<v Speaker 3>the the bizarro world version of it where I was like,

0:12:39.920 --> 0:12:42.600
<v Speaker 3>my eyes were you could see my mescara was down

0:12:42.640 --> 0:12:44.679
<v Speaker 3>on my eyes because my eyes were watering from the song.

0:12:45.040 --> 0:12:48.160
<v Speaker 3>And yeah, and my hair just could not be tamed,

0:12:48.200 --> 0:12:50.680
<v Speaker 3>and my felt like my makeup was you know, my

0:12:50.720 --> 0:12:52.599
<v Speaker 3>skin was like eating my makeup and all that. It

0:12:52.720 --> 0:12:55.760
<v Speaker 3>was like I felt like, who does she play in

0:12:55.920 --> 0:12:57.120
<v Speaker 3>Kate McKinnon and Barbie?

0:12:57.400 --> 0:12:57.839
<v Speaker 4>What was this?

0:12:58.280 --> 0:13:00.600
<v Speaker 5>Oh messy Barbie or whatever like that.

0:13:00.840 --> 0:13:03.720
<v Speaker 3>Yeah, I totally felt like that when it made me laugh.

0:13:03.840 --> 0:13:05.680
<v Speaker 3>But it was a really sweet scene. I loved seeing

0:13:05.760 --> 0:13:06.679
<v Speaker 3>us together do that.

0:13:07.080 --> 0:13:09.160
<v Speaker 1>I loved it too. And I loved that because it

0:13:09.240 --> 0:13:12.160
<v Speaker 1>was the burning boat. It gave us the device of

0:13:12.600 --> 0:13:14.960
<v Speaker 1>people are going to go sit at the river court

0:13:15.000 --> 0:13:19.840
<v Speaker 1>and watch this thing get constructed. And I remember really,

0:13:20.920 --> 0:13:22.719
<v Speaker 1>you know, wanting to tell the story and the way

0:13:22.720 --> 0:13:24.600
<v Speaker 1>I wanted to tell it as a director, and really

0:13:24.640 --> 0:13:27.280
<v Speaker 1>wanting to fight for all these scenes to be there

0:13:27.360 --> 0:13:30.360
<v Speaker 1>no matter what, and then watching it back going. Oh yeah,

0:13:30.400 --> 0:13:32.400
<v Speaker 1>that's why they hated shooting at the River Court because

0:13:32.400 --> 0:13:34.959
<v Speaker 1>of the wind. Because we had to ad r all

0:13:35.040 --> 0:13:37.880
<v Speaker 1>the dialogue. We had to loop every single line. They

0:13:37.920 --> 0:13:39.120
<v Speaker 1>couldn't control the weather.

0:13:40.080 --> 0:13:43.640
<v Speaker 3>It was a pain trans bo too, because if it rained,

0:13:43.720 --> 0:13:46.760
<v Speaker 3>there was just we were in a pool everywhere you walked.

0:13:57.120 --> 0:14:00.599
<v Speaker 7>If your idea of getting some action is watching The

0:14:00.720 --> 0:14:04.240
<v Speaker 7>Hunting Wives, you need to listen to I Do Part two.

0:14:05.000 --> 0:14:07.840
<v Speaker 7>Listen to I Do Part two on the iHeartRadio app,

0:14:07.960 --> 0:14:11.880
<v Speaker 7>Apple podcast or wherever you get your podcasts.

0:14:13.440 --> 0:14:15.880
<v Speaker 5>I have a question about the burning boat of it all,

0:14:16.800 --> 0:14:20.280
<v Speaker 5>because I have only ever known like a burning boat

0:14:20.280 --> 0:14:23.040
<v Speaker 5>type ceremony, like a Viking funeral to be when the

0:14:23.080 --> 0:14:25.760
<v Speaker 5>boat is actually on the water. It's kind of the

0:14:25.800 --> 0:14:27.440
<v Speaker 5>point of it. It can burn itself all the way

0:14:27.480 --> 0:14:30.120
<v Speaker 5>into the water. So I was very surprised when it

0:14:30.240 --> 0:14:33.840
<v Speaker 5>was a landlocked ship. So was there ever talk in

0:14:33.880 --> 0:14:36.400
<v Speaker 5>this episode of it actually being a floating boat.

0:14:37.040 --> 0:14:41.320
<v Speaker 1>No, because we had done a burning boat just like

0:14:41.400 --> 0:14:43.920
<v Speaker 1>this in the high school years and it was in

0:14:43.960 --> 0:14:45.120
<v Speaker 1>the exact same place.

0:14:45.600 --> 0:14:47.680
<v Speaker 4>Oh so it's like a town tradition.

0:14:48.080 --> 0:14:50.400
<v Speaker 1>Yeah, So when you open your speech, you know when

0:14:50.440 --> 0:14:53.160
<v Speaker 1>Haley's talking and says, you know, welcome back to our tradition.

0:14:55.160 --> 0:14:57.520
<v Speaker 1>We haven't seen it in I don't know, seven or

0:14:57.520 --> 0:15:00.520
<v Speaker 1>eight seasons, but apparently we do it every year. That's

0:15:00.560 --> 0:15:03.120
<v Speaker 1>the fireproof platform on the bricks Man.

0:15:03.160 --> 0:15:05.240
<v Speaker 3>They really missed that too, because that would have been

0:15:05.240 --> 0:15:07.840
<v Speaker 3>a fun thing to do, Like everybody's guaranteed at the

0:15:07.880 --> 0:15:09.880
<v Speaker 3>end of every season there's a burning boat episode and

0:15:09.880 --> 0:15:12.240
<v Speaker 3>what's going to happen and all the drama.

0:15:12.280 --> 0:15:16.560
<v Speaker 5>Also, it's the ninety third annual burning boat. You're telling

0:15:16.600 --> 0:15:19.320
<v Speaker 5>me they were burning boats on land and the like

0:15:19.520 --> 0:15:22.760
<v Speaker 5>you know in nineteen hundred, Like, no, come on, you

0:15:22.840 --> 0:15:24.520
<v Speaker 5>know that they were pushing those things out. They didn't

0:15:24.520 --> 0:15:27.920
<v Speaker 5>have a fireproof area. But regardless, it still looked great.

0:15:27.920 --> 0:15:29.280
<v Speaker 5>But as soon as I started watching that and I

0:15:29.320 --> 0:15:30.600
<v Speaker 5>saw that it wasn't going to go to the water,

0:15:30.720 --> 0:15:33.200
<v Speaker 5>was like, I got asked, so if she if she

0:15:33.320 --> 0:15:34.880
<v Speaker 5>was pushing for that to be on water, and maybe

0:15:34.880 --> 0:15:37.080
<v Speaker 5>it was just like logistically impossible or something.

0:15:37.160 --> 0:15:39.480
<v Speaker 1>Yeah, I think it's I think it's a little logistically

0:15:39.480 --> 0:15:43.840
<v Speaker 1>impossible because you know, when you remove the movie magic

0:15:43.880 --> 0:15:48.200
<v Speaker 1>of it, the boat is burning most of the time

0:15:48.480 --> 0:15:52.800
<v Speaker 1>with gas lines like little pipes that are letting flames out.

0:15:52.840 --> 0:15:54.560
<v Speaker 1>You can really see it when it starts. It's like

0:15:54.600 --> 0:15:58.000
<v Speaker 1>little fingers of fire that aren't really touching anything. And

0:15:58.040 --> 0:16:01.880
<v Speaker 1>they don't burn the boat for a day because you're

0:16:01.880 --> 0:16:04.600
<v Speaker 1>filming all the stuff that happens before they really soak

0:16:04.640 --> 0:16:06.440
<v Speaker 1>it in whatever they soak it in and light it

0:16:06.480 --> 0:16:10.520
<v Speaker 1>on fire. And so the boat ironically has to burn

0:16:10.560 --> 0:16:13.960
<v Speaker 1>but also not burn. So it's part of the reason

0:16:14.320 --> 0:16:16.960
<v Speaker 1>they keep it on land because they've got all the

0:16:17.040 --> 0:16:20.040
<v Speaker 1>tanks underneath it and all the things that allow them

0:16:20.040 --> 0:16:24.880
<v Speaker 1>to control the fire for However, many nights of filming

0:16:24.960 --> 0:16:29.520
<v Speaker 1>prior to the actual burn you have to do. And

0:16:29.560 --> 0:16:32.000
<v Speaker 1>so that was a weird thing too, logistically, sitting with

0:16:32.080 --> 0:16:34.920
<v Speaker 1>the producers and going, well, how are we going to

0:16:35.000 --> 0:16:37.640
<v Speaker 1>burn the boat for hours before we burn the boat?

0:16:37.720 --> 0:16:39.360
<v Speaker 1>Like fires fire?

0:16:39.440 --> 0:16:41.040
<v Speaker 5>What do you mean? Yeah?

0:16:41.040 --> 0:16:43.520
<v Speaker 3>And if you spray it down then it doesn't relight

0:16:43.640 --> 0:16:44.320
<v Speaker 3>all of a sudden.

0:16:44.640 --> 0:16:45.040
<v Speaker 2>Yeah.

0:16:45.040 --> 0:16:47.280
<v Speaker 1>So there were all these crazy things that we had

0:16:47.320 --> 0:16:50.640
<v Speaker 1>to do, and there is there is one moment when

0:16:50.680 --> 0:16:52.640
<v Speaker 1>it starts to burn and you can really just see

0:16:52.640 --> 0:16:56.080
<v Speaker 1>that it's all the gas line tubes that made me

0:16:56.240 --> 0:16:59.360
<v Speaker 1>cringe then and makes me cringe now. Because they were like,

0:16:59.360 --> 0:17:01.440
<v Speaker 1>don't worry, we'll never use the very beginning. And I'm like,

0:17:01.520 --> 0:17:03.120
<v Speaker 1>you used the very beginning.

0:17:03.360 --> 0:17:06.800
<v Speaker 3>You never believe them when they say that. Never believe them, actors,

0:17:06.840 --> 0:17:09.159
<v Speaker 3>when people tell you will never use it, do not

0:17:09.320 --> 0:17:10.399
<v Speaker 3>believe the lies.

0:17:10.800 --> 0:17:11.840
<v Speaker 1>Terrible to the end.

0:17:11.840 --> 0:17:15.040
<v Speaker 5>Though, I did not notice that shot, so that's you

0:17:15.119 --> 0:17:17.000
<v Speaker 5>only noticed it because you are aware of it. I

0:17:17.000 --> 0:17:19.720
<v Speaker 5>don't I doubt anyone else unless it's a fan who's

0:17:19.760 --> 0:17:21.679
<v Speaker 5>watching it back for the fourth time or something.

0:17:22.000 --> 0:17:24.560
<v Speaker 1>It's like, why does the fire look weird? Yeah? Yes,

0:17:24.960 --> 0:17:27.040
<v Speaker 1>you know what, I really do love about the boat.

0:17:27.080 --> 0:17:30.199
<v Speaker 1>As much as I hated the rigging, I love that

0:17:30.240 --> 0:17:32.720
<v Speaker 1>it gave us a central place for people to gather,

0:17:33.000 --> 0:17:35.560
<v Speaker 1>Like Joy was saying, you know, even the Chase and

0:17:35.920 --> 0:17:39.600
<v Speaker 1>Haley run ins, you know, seeing Brooke and Victoria. I

0:17:39.680 --> 0:17:42.880
<v Speaker 1>forgot about the gag with the golf clubs for us

0:17:43.400 --> 0:17:45.520
<v Speaker 1>and trying to haul those up into the boat together

0:17:45.640 --> 0:17:50.120
<v Speaker 1>is so funny to me. And just watching everybody come

0:17:50.200 --> 0:17:52.800
<v Speaker 1>to this place to put something down, to try to

0:17:52.800 --> 0:17:56.240
<v Speaker 1>get rid of something, and then Antoine being our star

0:17:56.440 --> 0:18:03.640
<v Speaker 1>comedian with CDs. It's such a good device, the traditional moment.

0:18:04.280 --> 0:18:07.600
<v Speaker 5>Yeah, And also that's such a relatable human moment that

0:18:07.640 --> 0:18:09.959
<v Speaker 5>of course someone is just gonna come and want to

0:18:10.000 --> 0:18:12.920
<v Speaker 5>just dump their trash. Of course they are.

0:18:13.800 --> 0:18:15.840
<v Speaker 1>I mean these that.

0:18:15.960 --> 0:18:18.159
<v Speaker 5>Might not be good for the environment or yeah, for

0:18:18.240 --> 0:18:18.719
<v Speaker 5>the cause.

0:18:19.000 --> 0:18:21.159
<v Speaker 1>I mean such a funny moment between the two of you,

0:18:21.320 --> 0:18:25.680
<v Speaker 1>joy because you having to be like, no, you can't

0:18:25.680 --> 0:18:27.760
<v Speaker 1>burn these, and you're like but why and you're like

0:18:27.800 --> 0:18:30.720
<v Speaker 1>with it and him leaving and you having to push

0:18:31.000 --> 0:18:35.399
<v Speaker 1>the box down behind the pirate. There were moments that

0:18:35.920 --> 0:18:38.760
<v Speaker 1>I remember thinking, because of the set deck we had,

0:18:38.800 --> 0:18:40.840
<v Speaker 1>like I want some of these moments to almost feel

0:18:40.880 --> 0:18:43.800
<v Speaker 1>a little campy, like Pirates of the Caribbean. And that

0:18:43.880 --> 0:18:45.919
<v Speaker 1>was one of the moments that really worked for me.

0:18:46.800 --> 0:18:50.399
<v Speaker 1>And then I forgot that the payoff of you getting

0:18:50.400 --> 0:18:53.440
<v Speaker 1>stuck with the CDs was finding the friends with benefit.

0:18:54.119 --> 0:18:57.320
<v Speaker 3>Yes, I love that, and even bringing Peyton back into

0:18:57.359 --> 0:19:00.240
<v Speaker 3>the frame just was seeing her on the post her.

0:19:00.280 --> 0:19:02.600
<v Speaker 3>I feel like they did that every chance they could

0:19:02.680 --> 0:19:04.480
<v Speaker 3>on the show and just bring in, you know, the

0:19:04.520 --> 0:19:08.320
<v Speaker 3>people that we loved that weren't there anymore. That made

0:19:08.359 --> 0:19:09.959
<v Speaker 3>me happy to see they open that poster.

0:19:10.080 --> 0:19:11.479
<v Speaker 4>It's like, oh that's so sweet.

0:19:11.800 --> 0:19:15.080
<v Speaker 5>Yeah, speaking of bringing people back, we had a fun

0:19:15.359 --> 0:19:20.359
<v Speaker 5>little one episode cameo by miss Sasha Jackson Kylie, Yes, yes,

0:19:21.359 --> 0:19:25.000
<v Speaker 5>where I was like, what, oh okay, here's this character now?

0:19:25.200 --> 0:19:26.479
<v Speaker 4>Was she on the show before?

0:19:27.359 --> 0:19:32.120
<v Speaker 5>Yeah? She was like a sort of a fling of Clays.

0:19:33.200 --> 0:19:35.200
<v Speaker 1>She's the one who swims naked in his pool.

0:19:35.440 --> 0:19:39.800
<v Speaker 4>That's right. Oh okay, that.

0:19:39.720 --> 0:19:41.840
<v Speaker 1>Makes Quinn dumps as Smoothie on.

0:19:42.359 --> 0:19:42.840
<v Speaker 5>Yeah.

0:19:42.920 --> 0:19:44.200
<v Speaker 4>Man, I don't know why.

0:19:44.320 --> 0:19:46.120
<v Speaker 3>I guess just of all the storylines that I'm trying

0:19:46.119 --> 0:19:47.720
<v Speaker 3>to hold in my brain, that one didn't stick in.

0:19:47.800 --> 0:19:50.200
<v Speaker 3>But that makes so much more sense because my notes

0:19:50.240 --> 0:19:53.160
<v Speaker 3>are like, why are we not that I don't love?

0:19:53.640 --> 0:19:55.240
<v Speaker 3>You know, she's a lovely actress. But I was like,

0:19:55.280 --> 0:19:57.800
<v Speaker 3>why are we wasting time on new characters that we

0:19:57.840 --> 0:20:00.159
<v Speaker 3>don't know? Like we've got one episode left or two

0:20:00.200 --> 0:20:03.280
<v Speaker 3>episodes now? Like what we've got these twins that we're

0:20:03.359 --> 0:20:05.440
<v Speaker 3>now we're looking at this Australian girl. I'm like, what's

0:20:05.480 --> 0:20:07.480
<v Speaker 3>going on? Why are we not paying attention to us?

0:20:07.960 --> 0:20:11.120
<v Speaker 1>It was like the cameos for people that we loved

0:20:11.400 --> 0:20:14.639
<v Speaker 1>through the seasons. Yes.

0:20:15.000 --> 0:20:17.920
<v Speaker 5>Yes. The one thing I like about that though, is

0:20:17.960 --> 0:20:22.760
<v Speaker 5>that we actually gave her being there, gave Jerry an

0:20:22.880 --> 0:20:27.399
<v Speaker 5>opportunity to actually do something for once, and he was

0:20:27.720 --> 0:20:28.760
<v Speaker 5>very funny.

0:20:28.400 --> 0:20:30.199
<v Speaker 1>With it, very funny, which I.

0:20:30.160 --> 0:20:33.159
<v Speaker 5>Feel like he's been around so long that he deserved

0:20:33.440 --> 0:20:36.879
<v Speaker 5>to have something that's like fun as opposed to just

0:20:36.920 --> 0:20:39.560
<v Speaker 5>like you shouldn't have done that, You're fired, You're on

0:20:39.640 --> 0:20:41.800
<v Speaker 5>thin ice, you know. Yeah, you actually got to be

0:20:41.880 --> 0:20:43.960
<v Speaker 5>funny and be the butt of a joke. And you know,

0:20:44.600 --> 0:20:48.080
<v Speaker 5>it was great, And of course we managed to put

0:20:48.080 --> 0:20:50.080
<v Speaker 5>her in a bikini at the end of it.

0:20:51.040 --> 0:20:55.879
<v Speaker 3>Of course us with the chicken head, with the chicken head, why.

0:20:57.359 --> 0:20:57.840
<v Speaker 2>Why not?

0:20:58.119 --> 0:20:59.760
<v Speaker 1>Even the chicken head got a cameo.

0:20:59.800 --> 0:21:03.280
<v Speaker 4>Again, that's the way to look at it.

0:21:03.560 --> 0:21:06.919
<v Speaker 5>But another great moment from that runner was when she

0:21:07.440 --> 0:21:12.280
<v Speaker 5>freezes on air and just goes winker. And then later

0:21:12.359 --> 0:21:16.760
<v Speaker 5>when it's Mills and skills. Incredible according he pretends to

0:21:16.800 --> 0:21:19.080
<v Speaker 5>freeze and says winker and you're like, no way, it's

0:21:19.080 --> 0:21:21.080
<v Speaker 5>happening again. He's like, nah, I'm just messing with you.

0:21:22.000 --> 0:21:25.200
<v Speaker 1>Immediately, great, Immediately, he's the best.

0:21:25.640 --> 0:21:31.280
<v Speaker 3>I completely forgot that we got a million skills together. Yeah,

0:21:31.600 --> 0:21:35.320
<v Speaker 3>and that well, then it turned into mouth and skills, like, wait,

0:21:35.440 --> 0:21:36.280
<v Speaker 3>am I saying it wrong?

0:21:36.520 --> 0:21:39.199
<v Speaker 1>Mills and skills, Mills and skills and that's what he

0:21:39.320 --> 0:21:42.520
<v Speaker 1>comes up with after his faux freeze. Yeah, he's like,

0:21:42.560 --> 0:21:44.399
<v Speaker 1>I'm just messing with you. You got mills and skills,

0:21:44.960 --> 0:21:47.720
<v Speaker 1>and he's just like he's got the ad libs.

0:21:47.880 --> 0:21:51.720
<v Speaker 3>He's already oh yeah, yeah, he knows for this job.

0:21:52.760 --> 0:21:55.000
<v Speaker 3>I just love seeing them together again, and love that

0:21:55.040 --> 0:21:59.720
<v Speaker 3>we gave Antoine something to do that was like real

0:22:00.359 --> 0:22:04.960
<v Speaker 3>and integral, you know, getting back into involved in the

0:22:05.000 --> 0:22:07.760
<v Speaker 3>storyline where he has he's going to have some agency

0:22:07.800 --> 0:22:09.680
<v Speaker 3>and actually something to do rather than just reacting to

0:22:09.720 --> 0:22:12.040
<v Speaker 3>everybody else's stuff. I thought that was always that's always

0:22:12.080 --> 0:22:12.600
<v Speaker 3>really fun.

0:22:12.760 --> 0:22:16.679
<v Speaker 1>I also loved that that came about from Millie and

0:22:16.840 --> 0:22:22.240
<v Speaker 1>Mouth standing up to Jerry and Jerry getting his real

0:22:22.359 --> 0:22:25.439
<v Speaker 1>great comedy moment and then saying, well, fine, you come

0:22:25.520 --> 0:22:27.920
<v Speaker 1>up with a co host and in unison immediately they

0:22:27.920 --> 0:22:30.359
<v Speaker 1>both say skills. It's like, yeah, they know what the

0:22:30.400 --> 0:22:33.600
<v Speaker 1>show needs, they know what the town needs, and it's

0:22:33.800 --> 0:22:39.040
<v Speaker 1>it's right. It's like a perfectly correct move. And then

0:22:39.080 --> 0:22:42.400
<v Speaker 1>you see the payoff at how good he is and

0:22:42.440 --> 0:22:44.600
<v Speaker 1>it I don't know, maybe I'm thinking about it because

0:22:44.600 --> 0:22:47.800
<v Speaker 1>I just interviewed Carson Daly on my other show and

0:22:47.920 --> 0:22:50.240
<v Speaker 1>was talking about like our early TRL days and I

0:22:50.280 --> 0:22:52.720
<v Speaker 1>was like, oh my god, skills is giving me full

0:22:52.880 --> 0:23:21.040
<v Speaker 1>TRL Carson Daily VJ like perfection and it feels.

0:23:10.920 --> 0:23:13.000
<v Speaker 5>How great was Julian in this episode?

0:23:13.760 --> 0:23:16.679
<v Speaker 3>That was my next thing. This dirty dancing moment was

0:23:16.680 --> 0:23:17.159
<v Speaker 3>so funny.

0:23:17.240 --> 0:23:17.919
<v Speaker 4>I always trying to.

0:23:17.920 --> 0:23:19.960
<v Speaker 3>Give a speech to your dad and he's like, I

0:23:20.080 --> 0:23:22.520
<v Speaker 3>will not let anyone put her in a corner, and

0:23:22.600 --> 0:23:24.840
<v Speaker 3>please don't stop taking me seriously because.

0:23:24.600 --> 0:23:27.359
<v Speaker 1>I just use a dirty dancing Yeah, despite my dirty

0:23:27.400 --> 0:23:29.880
<v Speaker 1>dancing references, I will continue to reprimand you for being

0:23:29.880 --> 0:23:30.800
<v Speaker 1>a less than father.

0:23:31.480 --> 0:23:33.879
<v Speaker 5>And then and then even when you know, he's like

0:23:33.920 --> 0:23:36.200
<v Speaker 5>what kind of person would do that? Hint at rhymes

0:23:36.200 --> 0:23:40.000
<v Speaker 5>with thick, And then I like it was so funny.

0:23:40.040 --> 0:23:44.280
<v Speaker 5>That's it's somehow funny when he's also really land sticking

0:23:44.280 --> 0:23:47.240
<v Speaker 5>the landing of being like it's dick, which is funny

0:23:47.240 --> 0:23:49.160
<v Speaker 5>because like everyone knows what it is, but then he goes,

0:23:49.200 --> 0:23:51.880
<v Speaker 5>it's dick, Ted, You're a dick. You should be ashamed

0:23:51.880 --> 0:23:54.920
<v Speaker 5>of yourself, and I was like, that was so cathartic

0:23:55.400 --> 0:23:58.520
<v Speaker 5>to watch. I was like, oh my god, that would

0:23:59.000 --> 0:24:01.560
<v Speaker 5>like there was such a strong theme in this episode

0:24:01.600 --> 0:24:06.560
<v Speaker 5>of partners Yes and the way partners are friends and

0:24:06.600 --> 0:24:09.040
<v Speaker 5>their teammates and how they are showing up for each other.

0:24:09.400 --> 0:24:12.680
<v Speaker 5>It's Millie potentially losing her love as a co host

0:24:12.680 --> 0:24:15.120
<v Speaker 5>because she sees he could be happier doing something else.

0:24:15.720 --> 0:24:19.760
<v Speaker 5>Julian going to bat with Brook's dad because he knows

0:24:19.800 --> 0:24:25.800
<v Speaker 5>she deserves better. It's Quinn putting up the picture of Sarah.

0:24:25.040 --> 0:24:27.760
<v Speaker 4>Broke my heart. That was so good in the best way.

0:24:28.320 --> 0:24:30.560
<v Speaker 5>This show. It's like we've talked about before, like this

0:24:30.720 --> 0:24:33.760
<v Speaker 5>show is about relationships, about and friendships. I think I

0:24:33.760 --> 0:24:36.000
<v Speaker 5>remember saying this like very early on doing this podcast

0:24:36.000 --> 0:24:39.000
<v Speaker 5>with you, But that's I saw so much of that.

0:24:39.119 --> 0:24:42.400
<v Speaker 5>I feel like when the show is really shining, it's

0:24:42.480 --> 0:24:46.040
<v Speaker 5>often around the theme of like friendships and relationships, and

0:24:46.080 --> 0:24:49.800
<v Speaker 5>this episode delivered like everyone got to have.

0:24:49.680 --> 0:24:55.080
<v Speaker 3>That, Haley and Chase even so Brooks parents. Yes, like

0:24:55.160 --> 0:24:58.200
<v Speaker 3>the partnership that they were trying to figure out, Like, yes,

0:24:58.240 --> 0:24:59.480
<v Speaker 3>I agree with you wholeheartedly.

0:25:00.080 --> 0:25:05.399
<v Speaker 1>And something I really loved is that every single leading

0:25:05.480 --> 0:25:09.479
<v Speaker 1>man on our show took a beat to thank his

0:25:09.640 --> 0:25:13.680
<v Speaker 1>woman because we haven't seen that a lot, and Rob

0:25:13.720 --> 0:25:15.440
<v Speaker 1>you even talked about it a couple of weeks ago.

0:25:15.920 --> 0:25:19.520
<v Speaker 1>Even what Quinn has been patient with put up with

0:25:19.760 --> 0:25:24.720
<v Speaker 1>like the way people stay, you know, each of you,

0:25:24.720 --> 0:25:27.680
<v Speaker 1>You with her, and Julian with Brooke, and Lee with

0:25:28.200 --> 0:25:32.760
<v Speaker 1>and Mouth with Milly. You know, we had these scenes

0:25:32.840 --> 0:25:36.280
<v Speaker 1>where each man said, Hey, I need to tell you something.

0:25:36.960 --> 0:25:38.760
<v Speaker 1>I need to thank you for the way that you

0:25:38.800 --> 0:25:40.520
<v Speaker 1>show up. I need to thank you for the way

0:25:40.520 --> 0:25:42.199
<v Speaker 1>that you support me. I need to thank you for

0:25:42.240 --> 0:25:44.840
<v Speaker 1>the way that you believe in me. It and it

0:25:44.960 --> 0:25:52.320
<v Speaker 1>was just so lovely and for all the grotesquely stereotypically

0:25:52.359 --> 0:25:55.920
<v Speaker 1>masculine ick we've gotten on our show over the years,

0:25:55.960 --> 0:25:58.600
<v Speaker 1>including putting Kylie in the bikini and the chicken head

0:25:59.000 --> 0:26:05.840
<v Speaker 1>in this episode, these were such moments of shining heroic

0:26:06.160 --> 0:26:12.119
<v Speaker 1>masculine goodness and like emotional intelligence and it just it

0:26:12.160 --> 0:26:15.520
<v Speaker 1>was gorge Like. I loved watching all three of you

0:26:16.240 --> 0:26:20.320
<v Speaker 1>in those scenes. It was just like it was a

0:26:20.320 --> 0:26:21.119
<v Speaker 1>little boat for me.

0:26:21.280 --> 0:26:21.720
<v Speaker 4>For sure.

0:26:22.359 --> 0:26:25.240
<v Speaker 3>I was really happy to see Clay and Quinn together,

0:26:25.800 --> 0:26:27.400
<v Speaker 3>like the way that you guys.

0:26:30.160 --> 0:26:30.480
<v Speaker 4>Felt.

0:26:30.520 --> 0:26:34.639
<v Speaker 3>It felt like we were finally getting I guess I

0:26:34.680 --> 0:26:37.359
<v Speaker 3>said it before, like this family that we always finally

0:26:37.400 --> 0:26:43.040
<v Speaker 3>wanted you guys to settle into, and Logan coming in

0:26:43.080 --> 0:26:47.719
<v Speaker 3>and the model airplane, but the way that Quinn supported you,

0:26:47.800 --> 0:26:49.960
<v Speaker 3>even bringing in the photo and setting down the photo

0:26:50.000 --> 0:26:53.000
<v Speaker 3>of Sarah, and like, oh, it broke my heart in

0:26:53.040 --> 0:26:54.879
<v Speaker 3>the best way. I just felt like, this is what

0:26:54.960 --> 0:26:58.800
<v Speaker 3>a real partner does, yea, I embrace.

0:26:58.480 --> 0:27:04.840
<v Speaker 5>All of you in terms of the you know, Clay Banking, Quinn,

0:27:05.040 --> 0:27:10.800
<v Speaker 5>Julian Banking, Brook. I also I related to it. Yeah,

0:27:11.200 --> 0:27:13.639
<v Speaker 5>I identified with that, like I have that in my

0:27:13.720 --> 0:27:16.199
<v Speaker 5>own marriage, in my relationship, you know, where there are

0:27:16.240 --> 0:27:19.960
<v Speaker 5>moments where Jenny speaks confidence and support and to me

0:27:20.160 --> 0:27:22.480
<v Speaker 5>at a time when like I really need it, you know,

0:27:22.680 --> 0:27:25.280
<v Speaker 5>and it's a team sport, and so our wins, our

0:27:25.320 --> 0:27:27.000
<v Speaker 5>team wins. So I just thought that was a nice

0:27:27.040 --> 0:27:30.920
<v Speaker 5>moment because not only was it beautiful, it's just it's

0:27:31.080 --> 0:27:34.280
<v Speaker 5>so real and authentic that I think a lot of

0:27:34.320 --> 0:27:39.200
<v Speaker 5>people can relate to. And and Pierce are you kidding Peers?

0:27:39.400 --> 0:27:43.680
<v Speaker 5>When he's looking at the ocean and he says, does

0:27:43.720 --> 0:27:47.720
<v Speaker 5>it does it get any closer? Because he's afraid of

0:27:47.760 --> 0:27:51.160
<v Speaker 5>the ocean, and he backs up, I was like this

0:27:51.400 --> 0:27:52.920
<v Speaker 5>protect this child that all.

0:27:52.760 --> 0:27:59.679
<v Speaker 1>Costs just so sweet and having the element you know,

0:27:59.760 --> 0:28:03.240
<v Speaker 1>as you as you're saying to honor all of a person,

0:28:04.200 --> 0:28:07.160
<v Speaker 1>you know, when you fall in love with someone who

0:28:07.200 --> 0:28:12.960
<v Speaker 1>comes from things, they bring those things into your relationship.

0:28:13.040 --> 0:28:15.280
<v Speaker 1>And to love someone who's been through grief is a

0:28:15.280 --> 0:28:20.119
<v Speaker 1>big thing. And to watch Clay and Quinn have navigated grief,

0:28:20.320 --> 0:28:22.359
<v Speaker 1>you know, and then all the jumping the shark stuff

0:28:22.400 --> 0:28:25.440
<v Speaker 1>in between, and now be navigating with this little boy.

0:28:26.160 --> 0:28:30.160
<v Speaker 1>To have the totality of it in this little cocoon,

0:28:30.240 --> 0:28:32.879
<v Speaker 1>that was one of the things that I remember talking

0:28:32.880 --> 0:28:35.360
<v Speaker 1>to set Deck about. And I really wanted the cocoon

0:28:35.480 --> 0:28:40.480
<v Speaker 1>to be a warm color by the tent, sorry, because

0:28:40.520 --> 0:28:43.320
<v Speaker 1>I wanted it to feel like a cocoon. And we

0:28:43.560 --> 0:28:49.320
<v Speaker 1>found this like butterfly wing orange tent so that it

0:28:49.360 --> 0:28:52.479
<v Speaker 1>would really feel like they went into this bubble and

0:28:52.520 --> 0:28:56.360
<v Speaker 1>they came out as a better version of something and

0:28:57.200 --> 0:29:00.240
<v Speaker 1>it worked. And even like we made I don't if

0:29:00.240 --> 0:29:03.600
<v Speaker 1>you remember, Rob, but we made a projector light. We

0:29:03.640 --> 0:29:07.200
<v Speaker 1>did a stencil of the green lantern symbol and we

0:29:07.280 --> 0:29:10.040
<v Speaker 1>made a tiny projector light that we had to hide

0:29:10.120 --> 0:29:13.600
<v Speaker 1>in the in between you guys, in between yeah, like

0:29:13.600 --> 0:29:18.200
<v Speaker 1>the sleeping bags, so that when Pierce comes up into

0:29:18.280 --> 0:29:21.040
<v Speaker 1>frame with the ring that you need to propose and

0:29:21.080 --> 0:29:24.240
<v Speaker 1>then she puts it on. We wanted to cheat that

0:29:24.480 --> 0:29:26.880
<v Speaker 1>like in a superhero movie, like a bat signal, the

0:29:27.000 --> 0:29:30.160
<v Speaker 1>ring would shine through the roof of the tent, but

0:29:30.200 --> 0:29:31.800
<v Speaker 1>we had to make a light to do it because

0:29:31.800 --> 0:29:33.840
<v Speaker 1>obviously it was like a teeny tiny thing that didn't

0:29:33.840 --> 0:29:37.240
<v Speaker 1>have that much power. And seeing it again, I remember

0:29:38.120 --> 0:29:41.080
<v Speaker 1>sitting in the chair watching You Guys on monitor like

0:29:41.280 --> 0:29:45.320
<v Speaker 1>in tears because it worked, but seeing it ten years later,

0:29:46.200 --> 0:29:48.680
<v Speaker 1>like watching as a fan on my Giant TV, I

0:29:48.760 --> 0:29:51.280
<v Speaker 1>was sobbing. I was like, Oh, it so special.

0:29:51.360 --> 0:29:56.720
<v Speaker 5>They deserve this, and even to like the writing of it,

0:29:56.720 --> 0:30:01.680
<v Speaker 5>it was I love so there, Like there's just such respect,

0:30:01.800 --> 0:30:04.160
<v Speaker 5>right because I understand, first of all, Clay has no

0:30:04.200 --> 0:30:06.640
<v Speaker 5>idea what he's doing. He's just trying his best, as

0:30:06.680 --> 0:30:09.960
<v Speaker 5>is Quinn as his logan, right, But I understand why

0:30:10.000 --> 0:30:13.200
<v Speaker 5>Clay might not have put a picture of Sarah up

0:30:13.360 --> 0:30:16.360
<v Speaker 5>because he's not sure how that's gonna make Quinn feel,

0:30:16.640 --> 0:30:18.480
<v Speaker 5>you know, and he's navigating this for the first time.

0:30:18.520 --> 0:30:21.560
<v Speaker 5>She's being incredibly supportive. So I'm like, I understand why

0:30:21.600 --> 0:30:25.360
<v Speaker 5>Clay might might not have done that respect. And then

0:30:25.360 --> 0:30:27.800
<v Speaker 5>I but the fact that Quinn is the one to

0:30:27.840 --> 0:30:30.360
<v Speaker 5>be like, yeah, I know this needs to be here,

0:30:30.400 --> 0:30:33.280
<v Speaker 5>she's showing like respect for Sarah and respect to Clay.

0:30:33.320 --> 0:30:37.280
<v Speaker 5>And and then the fact that then like that Logan

0:30:37.360 --> 0:30:40.800
<v Speaker 5>then sort of gives permission for like them all to

0:30:40.840 --> 0:30:43.040
<v Speaker 5>be a family by taking the picture of the three

0:30:43.080 --> 0:30:45.120
<v Speaker 5>of them and putting it in the frame next to

0:30:45.200 --> 0:30:48.880
<v Speaker 5>Sarah was so beautiful.

0:30:49.040 --> 0:30:49.600
<v Speaker 4>I'm smart.

0:30:50.200 --> 0:30:52.880
<v Speaker 5>Oh, it was so good.

0:30:53.280 --> 0:30:56.440
<v Speaker 3>I was thinking that I really missed seeing you guys

0:30:56.480 --> 0:30:59.440
<v Speaker 3>with everybody at the burning boat. But it felt so

0:30:59.760 --> 0:31:05.360
<v Speaker 3>right to have this time of rest and connection for

0:31:05.480 --> 0:31:09.000
<v Speaker 3>the three of you that as much as it was like, oh,

0:31:09.040 --> 0:31:10.880
<v Speaker 3>I wish it would have been fun to have like

0:31:10.960 --> 0:31:13.880
<v Speaker 3>all of our faces there, but this is what Quinn

0:31:14.000 --> 0:31:18.720
<v Speaker 3>Clay needed. This is the cap on this long the bow,

0:31:18.960 --> 0:31:22.680
<v Speaker 3>if you will, on this long story, this long journey

0:31:22.680 --> 0:31:23.719
<v Speaker 3>that they've been on together.

0:31:24.200 --> 0:31:27.760
<v Speaker 1>Yeah, it was all right. And I appreciated that a

0:31:27.760 --> 0:31:30.479
<v Speaker 1>lot of the humor in the episode, which you needed

0:31:30.520 --> 0:31:34.600
<v Speaker 1>because you were getting such big emotional payoffs, I appreciated

0:31:34.640 --> 0:31:39.640
<v Speaker 1>that the humor wasn't so outlandish even with you three,

0:31:40.120 --> 0:31:42.080
<v Speaker 1>you know, trying to work with him to not be

0:31:42.160 --> 0:31:44.520
<v Speaker 1>afraid of the ocean, and you're like, oh my god,

0:31:44.560 --> 0:31:46.200
<v Speaker 1>and he's here with us and his grandparents and he

0:31:46.200 --> 0:31:47.800
<v Speaker 1>can't sleep and it's the thing. And then his mom

0:31:47.800 --> 0:31:50.640
<v Speaker 1>who passed away, and you know, Quinn's like, it's the immensity.

0:31:50.680 --> 0:31:53.040
<v Speaker 1>I totally get it. And he's like I'm scared of sharks.

0:31:53.800 --> 0:31:59.760
<v Speaker 1>And it's like, oh, you're still good. It like let

0:31:59.880 --> 0:32:02.040
<v Speaker 1>you just a little of the emotional pressure out in

0:32:02.080 --> 0:32:06.200
<v Speaker 1>the most perfect way. That was so sweet, and you

0:32:06.200 --> 0:32:09.160
<v Speaker 1>remember like, oh, yeah, he's he's also just six. Yeah,

0:32:09.280 --> 0:32:09.760
<v Speaker 1>he's a kid.

0:32:09.760 --> 0:32:13.640
<v Speaker 3>Totally do that as parents and adults like project all

0:32:13.680 --> 0:32:18.560
<v Speaker 3>this stuff like do you are you subconsciously feeling like like, no,

0:32:18.720 --> 0:32:20.240
<v Speaker 3>I'm just afraid of sharks.

0:32:20.280 --> 0:32:23.720
<v Speaker 5>That's yeah. First of all, I don't know what immensity means.

0:32:24.280 --> 0:32:27.880
<v Speaker 5>The second of all, have you heard of sharks? Yeah?

0:32:28.240 --> 0:32:31.320
<v Speaker 1>Sea monsters? Like it's just perfect.

0:32:31.640 --> 0:32:34.800
<v Speaker 5>He Yeah, he was great. And as much as I

0:32:34.840 --> 0:32:39.920
<v Speaker 5>have issues with the road we took to get here, boy,

0:32:40.480 --> 0:32:44.479
<v Speaker 5>this is a really nice destination. And I was talking

0:32:44.640 --> 0:32:47.200
<v Speaker 5>with we were at a convention last weekend and I

0:32:47.240 --> 0:32:49.680
<v Speaker 5>was talking with some fans. I was finding myself asking like,

0:32:49.680 --> 0:32:53.960
<v Speaker 5>what's your favorite season? And it was really interesting to

0:32:54.000 --> 0:32:55.840
<v Speaker 5>hear what people thought. And then someone asked me and

0:32:56.200 --> 0:32:58.560
<v Speaker 5>I was saying, you know, I've only seen seven eighty nine.

0:32:58.600 --> 0:33:02.120
<v Speaker 5>But I gotta say much as I have kind of

0:33:02.200 --> 0:33:06.000
<v Speaker 5>ripped on season nine for the first half of it,

0:33:06.000 --> 0:33:10.360
<v Speaker 5>it is giving such a strong finish that it is

0:33:10.400 --> 0:33:12.520
<v Speaker 5>becoming a contender for my favorite season.

0:33:13.000 --> 0:33:18.320
<v Speaker 1>Yeah, yeah, I love that. I also have to give

0:33:18.560 --> 0:33:21.080
<v Speaker 1>speaking of comedy, I have to give the most amazing

0:33:21.160 --> 0:33:23.400
<v Speaker 1>props to my parents.

0:33:23.640 --> 0:33:26.240
<v Speaker 4>Daphne. I know, I was gonna say, when you walk

0:33:26.280 --> 0:33:26.600
<v Speaker 4>into that.

0:33:26.600 --> 0:33:32.640
<v Speaker 1>Hotel room, Daphne and Richard just crushed this and even

0:33:32.760 --> 0:33:35.280
<v Speaker 1>it's funny when I realized, oh, this is the episode

0:33:35.320 --> 0:33:38.640
<v Speaker 1>where Brook catches them. I went back to watch us

0:33:38.760 --> 0:33:41.240
<v Speaker 1>putting the golf clubs in the boat, and she's like,

0:33:41.280 --> 0:33:43.600
<v Speaker 1>you know, maybe you should just hear about and she

0:33:43.680 --> 0:33:45.920
<v Speaker 1>has just a hint of something and I look at

0:33:45.920 --> 0:33:47.120
<v Speaker 1>her and she goes, you know, so we can make

0:33:47.120 --> 0:33:49.600
<v Speaker 1>fun of him or whatever, you know, for nothing else

0:33:49.600 --> 0:33:52.840
<v Speaker 1>than to see him flailing in the wind like she covers.

0:33:53.440 --> 0:33:57.000
<v Speaker 1>But Daphney's so good that she had a little something

0:33:57.840 --> 0:34:01.400
<v Speaker 1>under what she was saying. Then, so when you when

0:34:01.480 --> 0:34:05.400
<v Speaker 1>you get into the hotel room, and it's like the

0:34:05.520 --> 0:34:07.760
<v Speaker 1>robe and then the bed, and then the hair, and

0:34:07.800 --> 0:34:12.439
<v Speaker 1>then the dune dune of the chocolate covered strawberries, which,

0:34:12.480 --> 0:34:18.160
<v Speaker 1>for whatever reason, are the hotel sex giveaway. It's she

0:34:18.400 --> 0:34:20.240
<v Speaker 1>just crushes crushes.

0:34:20.440 --> 0:34:24.680
<v Speaker 5>Let me give you some props because no one plays

0:34:24.800 --> 0:34:29.880
<v Speaker 5>horrified like you, and you are so good with comedy.

0:34:29.920 --> 0:34:33.399
<v Speaker 5>But I gotta tell you the you know, comedy comes

0:34:33.440 --> 0:34:37.080
<v Speaker 5>in threes, and so there's who when Richard comes out

0:34:37.800 --> 0:34:41.799
<v Speaker 5>shirtless looking like he's chiseled from stone. That's incredible. By

0:34:41.800 --> 0:34:43.719
<v Speaker 5>the way, what are you doing, sir? I mean making

0:34:43.760 --> 0:34:46.360
<v Speaker 5>all the right choices uparent right. I watched that scene,

0:34:46.440 --> 0:34:50.480
<v Speaker 5>was like I gotta go for a jog, honestly, but

0:34:50.640 --> 0:34:53.760
<v Speaker 5>so he so you so Brooke, you an amazing face,

0:34:53.800 --> 0:34:56.480
<v Speaker 5>and you're like, oh my god, and you leave the

0:34:56.560 --> 0:34:59.520
<v Speaker 5>room and there's a beat, and then Richard says, or

0:34:59.560 --> 0:35:03.400
<v Speaker 5>then Ted says to Victoria, funny, that's what you were

0:35:03.440 --> 0:35:07.279
<v Speaker 5>saying last night. There's our second. And then then from

0:35:07.320 --> 0:35:09.680
<v Speaker 5>out on the other side of the door, you hear

0:35:09.760 --> 0:35:10.279
<v Speaker 5>Brooke go.

0:35:10.280 --> 0:35:16.759
<v Speaker 6>Oh my god, yes, so good, and then Daphney picks

0:35:16.760 --> 0:35:18.440
<v Speaker 6>it up and goes, oh my god.

0:35:19.320 --> 0:35:21.320
<v Speaker 4>And it just the timing.

0:35:21.680 --> 0:35:24.200
<v Speaker 1>I remember when we were getting that and needing to

0:35:24.200 --> 0:35:27.040
<v Speaker 1>figure out how I could start to back out of

0:35:27.080 --> 0:35:29.680
<v Speaker 1>the room in just the right way so that he

0:35:29.760 --> 0:35:31.640
<v Speaker 1>could come out of the door and we could smack

0:35:31.719 --> 0:35:35.320
<v Speaker 1>into each other. And I and I remember telling Maddie,

0:35:35.360 --> 0:35:39.680
<v Speaker 1>our camera operator, when we do it, keep the frame

0:35:39.760 --> 0:35:42.400
<v Speaker 1>above his towel, because I want the audience for a

0:35:42.480 --> 0:35:46.600
<v Speaker 1>minute to think Brooke has just slammed into her naked dad.

0:35:47.320 --> 0:35:49.080
<v Speaker 1>And then when we start to move, you see that

0:35:49.120 --> 0:35:51.680
<v Speaker 1>he has a towel around him. But for a moment

0:35:51.840 --> 0:35:53.799
<v Speaker 1>it's like, I mean, it's already the worst thing that

0:35:53.840 --> 0:35:57.480
<v Speaker 1>could happen, but it seems even worse. And then the

0:35:57.520 --> 0:35:59.759
<v Speaker 1>cacophony of oh my god, oh my god, oh my god, oh,

0:35:59.840 --> 0:36:03.760
<v Speaker 1>I like the build. You think it's over when Daphne

0:36:03.920 --> 0:36:06.839
<v Speaker 1>does the slow burn one, and then when they walk

0:36:06.880 --> 0:36:09.360
<v Speaker 1>into Brook and Julian's and it happens again. It's like

0:36:10.000 --> 0:36:13.919
<v Speaker 1>that kind of comedic writing and timing is my very

0:36:14.000 --> 0:36:15.399
<v Speaker 1>favorite thing in the world to play.

0:36:15.520 --> 0:36:19.560
<v Speaker 5>Yeah. Oh, when he squeezes her butt when they are

0:36:19.640 --> 0:36:24.920
<v Speaker 5>leaving your apartment and then Julian does it, You're like,

0:36:25.480 --> 0:36:28.600
<v Speaker 5>no ah, so wait, I want to go back to

0:36:28.600 --> 0:36:31.360
<v Speaker 5>the beach scene for a second because I noticed, and

0:36:31.400 --> 0:36:32.880
<v Speaker 5>I'm just curious if you caught this or if you

0:36:32.920 --> 0:36:36.080
<v Speaker 5>remember this that when when Quinn is getting Logan to

0:36:36.160 --> 0:36:38.200
<v Speaker 5>walk out into the water, and we are shooting out

0:36:38.239 --> 0:36:40.960
<v Speaker 5>into the ocean. Did you notice that there was just

0:36:41.280 --> 0:36:45.239
<v Speaker 5>a random dude in the water in the background, like

0:36:45.280 --> 0:36:49.360
<v Speaker 5>a surfer. No, just like a dude. I didn't see that,

0:36:49.520 --> 0:36:51.520
<v Speaker 5>like half of a guy. And then it's funny because

0:36:51.520 --> 0:36:53.319
<v Speaker 5>then the camera kind of crops him out and I

0:36:53.360 --> 0:36:56.120
<v Speaker 5>was laughing, like I wonder if it was just someone swimming,

0:36:56.120 --> 0:36:58.239
<v Speaker 5>and you guys were like, get the rando out of

0:36:58.239 --> 0:37:01.919
<v Speaker 5>the shot, like, what are you doing, sir, which it's,

0:37:01.920 --> 0:37:05.399
<v Speaker 5>by the way, totally okay. Clay lives on a public beach. Yes,

0:37:05.480 --> 0:37:07.520
<v Speaker 5>it's funny because those moments you're not used to seeing

0:37:07.520 --> 0:37:10.120
<v Speaker 5>someone who's not in the show, just like casually filling

0:37:10.160 --> 0:37:12.359
<v Speaker 5>in the corner of a frame. So yeah, and when.

0:37:12.280 --> 0:37:15.600
<v Speaker 3>They're cropped out like clearly, I say, mad dollar, cameraroberator.

0:37:15.600 --> 0:37:17.879
<v Speaker 3>I'm sure it was just like slightly moving the kid.

0:37:18.239 --> 0:37:20.600
<v Speaker 1>Let me do this slow so you don't really notice,

0:37:20.680 --> 0:37:23.040
<v Speaker 1>but I fixed the problem. That's so great.

0:37:23.239 --> 0:37:25.399
<v Speaker 3>I love seeing I love watching that on shows when

0:37:25.400 --> 0:37:27.280
<v Speaker 3>you can spot a problem and you see the camera

0:37:27.520 --> 0:37:28.520
<v Speaker 3>just slightly moving.

0:37:30.560 --> 0:37:35.040
<v Speaker 5>Comedy didn't stop there because we had all Chase bringing

0:37:35.120 --> 0:37:37.720
<v Speaker 5>it with the totally not a cry for help runner,

0:37:38.320 --> 0:37:42.239
<v Speaker 5>that scene with Haley, which was he was so good

0:37:42.239 --> 0:37:43.600
<v Speaker 5>in this episode. I mean we say this, it was

0:37:43.719 --> 0:37:47.360
<v Speaker 5>even all the time, but so under It was funny

0:37:47.360 --> 0:37:48.920
<v Speaker 5>but also really grounded.

0:37:49.520 --> 0:37:52.440
<v Speaker 3>Yeah, he just never tries too hard. It makes me

0:37:52.560 --> 0:37:55.400
<v Speaker 3>so happy when I watch him, like I can relax.

0:37:56.600 --> 0:37:59.920
<v Speaker 3>You know, there's there's an anxiety I feel as if

0:37:59.920 --> 0:38:01.719
<v Speaker 3>you were when I'm watching an actor that I feel

0:38:01.719 --> 0:38:05.279
<v Speaker 3>like is trying really hard. I just get a little like,

0:38:05.400 --> 0:38:07.319
<v Speaker 3>I don't know what, what is your expectation of me?

0:38:07.440 --> 0:38:08.919
<v Speaker 3>And like not even the same room with the person

0:38:08.960 --> 0:38:10.520
<v Speaker 3>that it was filmed, you know, a year ago, but

0:38:10.560 --> 0:38:11.440
<v Speaker 3>I'm watching it like.

0:38:11.560 --> 0:38:13.239
<v Speaker 4>Oh god, I don't know how to react to this.

0:38:13.800 --> 0:38:17.280
<v Speaker 3>Yeah, but Steven's just so easy to watch because he's

0:38:17.480 --> 0:38:21.320
<v Speaker 3>he's just so unconcerned with anything.

0:38:21.360 --> 0:38:23.120
<v Speaker 4>I mean, he's just so natural. I don't know how

0:38:23.120 --> 0:38:23.759
<v Speaker 4>else to say it.

0:38:24.440 --> 0:38:28.319
<v Speaker 1>I also like that he leaned into the stress and

0:38:28.360 --> 0:38:31.440
<v Speaker 1>the nervousness and nothing is working and I don't know

0:38:31.480 --> 0:38:33.560
<v Speaker 1>how I'm going to pay for all of this. You know,

0:38:33.600 --> 0:38:37.200
<v Speaker 1>these are real world problems and he's leaning into them

0:38:37.560 --> 0:38:40.440
<v Speaker 1>with you know, the best listener he's talking to Haley,

0:38:40.480 --> 0:38:42.320
<v Speaker 1>but also like Haley's a rock star, he's married to

0:38:42.360 --> 0:38:46.080
<v Speaker 1>a basketball player. And then it's like that dawns on

0:38:46.160 --> 0:38:48.840
<v Speaker 1>him and he looks at you and just so deadpan,

0:38:49.000 --> 0:38:52.080
<v Speaker 1>not a cry for help. It's like I did, I'm

0:38:52.120 --> 0:38:54.719
<v Speaker 1>not meaning to stress you out for as much as

0:38:54.760 --> 0:38:58.600
<v Speaker 1>I'm stressed out. And it's the dryness that makes it

0:38:58.960 --> 0:39:03.360
<v Speaker 1>so funny but also lets you hold the the emotion

0:39:03.560 --> 0:39:05.879
<v Speaker 1>underneath it. It's so well played on his.

0:39:05.880 --> 0:39:11.560
<v Speaker 5>Part, and also a hilarious, very small hint of a

0:39:11.600 --> 0:39:14.160
<v Speaker 5>callback to Haley working at the crisis center.

0:39:15.320 --> 0:39:20.480
<v Speaker 3>Oh yeah, yeah, oh yeah, good old Hailey, always there

0:39:20.480 --> 0:39:22.239
<v Speaker 3>for advice when someone needs it.

0:39:23.320 --> 0:39:25.080
<v Speaker 5>Did we ever find out? Because I know at the end,

0:39:25.320 --> 0:39:27.640
<v Speaker 5>you know, Haley's like, what if you just what if

0:39:27.640 --> 0:39:29.600
<v Speaker 5>the bar was yours? Like what if you just bought it?

0:39:29.760 --> 0:39:30.040
<v Speaker 7>Yeah?

0:39:30.120 --> 0:39:33.239
<v Speaker 5>Yeah, I'm broke, So no, And Haley said some of

0:39:33.280 --> 0:39:35.960
<v Speaker 5>the effect of like I have an idea about that.

0:39:36.280 --> 0:39:38.920
<v Speaker 5>We didn't hear the plan for that, correct, I didn't know.

0:39:39.080 --> 0:39:42.120
<v Speaker 3>She just goes to Karen I guess yeah, and has

0:39:42.160 --> 0:39:45.200
<v Speaker 3>a conversation with her, which definitely annoyed me that we

0:39:45.239 --> 0:39:47.600
<v Speaker 3>didn't have Moiro back on the show for that episode.

0:39:47.760 --> 0:39:49.440
<v Speaker 3>I don't know remember if we got her back for

0:39:49.480 --> 0:39:50.759
<v Speaker 3>the next one, but we'll find out.

0:39:50.840 --> 0:39:53.880
<v Speaker 1>Well, the pebble that we drop is the Friends with

0:39:54.000 --> 0:39:59.279
<v Speaker 1>Benefit flyer that you find. Yeah, and obviously we know

0:39:59.320 --> 0:40:01.440
<v Speaker 1>how the next epist, so it ends, so you can

0:40:01.520 --> 0:40:05.120
<v Speaker 1>kind of imagine that we do a big fundraiser to

0:40:05.239 --> 0:40:09.800
<v Speaker 1>buy the bar. I would bet okay, yeah, bet is

0:40:09.840 --> 0:40:16.720
<v Speaker 1>the is the plan. It's it's very cool the nods

0:40:16.760 --> 0:40:21.239
<v Speaker 1>to high school, and you know, they managed to tell

0:40:21.239 --> 0:40:26.280
<v Speaker 1>a story. I do wish we'd had Moira. I remember

0:40:26.320 --> 0:40:29.480
<v Speaker 1>a few things, you know, just sort of from behind

0:40:29.520 --> 0:40:34.200
<v Speaker 1>the scenes directing, Like I'd wanted a photo. I'd wanted

0:40:34.239 --> 0:40:36.400
<v Speaker 1>Haley to get a text message of a photo of

0:40:36.480 --> 0:40:39.120
<v Speaker 1>Nathan and Jamie camping, like we could have just taken

0:40:39.160 --> 0:40:41.120
<v Speaker 1>it in the back of the studio against a tree,

0:40:41.160 --> 0:40:43.640
<v Speaker 1>like And it was one of those things. Because we

0:40:43.640 --> 0:40:46.200
<v Speaker 1>were wrapping in November and then these episodes were going

0:40:46.239 --> 0:40:48.440
<v Speaker 1>to air like March and April. They were like, yeah, yeah, yeah,

0:40:48.440 --> 0:40:50.319
<v Speaker 1>we'll get it. And then I watched the final cut

0:40:50.320 --> 0:40:55.680
<v Speaker 1>and I'm like, nobody, nobody remembered my note. And there

0:40:55.760 --> 0:40:58.920
<v Speaker 1>was a thing as well where I remember because of

0:40:58.960 --> 0:41:01.719
<v Speaker 1>the boat the way we did it. They hadn't set

0:41:01.800 --> 0:41:06.480
<v Speaker 1>up like a like a side container to do inserts

0:41:06.480 --> 0:41:09.040
<v Speaker 1>of burning. We were going to do it at the studio,

0:41:09.080 --> 0:41:11.520
<v Speaker 1>and then we ran out of time and then they

0:41:11.520 --> 0:41:13.080
<v Speaker 1>were like, oh, we'll do it during the finale, and

0:41:13.120 --> 0:41:17.000
<v Speaker 1>then obviously it didn't happen. So you miss Brook's diary burning,

0:41:17.280 --> 0:41:19.279
<v Speaker 1>which was one of those things I wanted because the

0:41:19.320 --> 0:41:23.160
<v Speaker 1>diary was such a runner in the episode. Yeah, and

0:41:23.200 --> 0:41:26.239
<v Speaker 1>I loved that it called us back kind of like

0:41:26.280 --> 0:41:28.840
<v Speaker 1>The Boys and the River Court. I love that we

0:41:28.880 --> 0:41:31.719
<v Speaker 1>got the call back to the early seasons because Rob

0:41:31.760 --> 0:41:34.600
<v Speaker 1>there's this voiceover that I have. I think it's maybe

0:41:34.640 --> 0:41:38.120
<v Speaker 1>top of season three, or maybe it's season two, running

0:41:38.200 --> 0:41:40.399
<v Speaker 1>like in the morning, sneaking out of a boy's house

0:41:40.400 --> 0:41:43.799
<v Speaker 1>that I've slept over at, sneaking back into mind, being like,

0:41:43.840 --> 0:41:46.399
<v Speaker 1>you know, good girls keep diaries and bad girls don't

0:41:46.440 --> 0:41:49.799
<v Speaker 1>have time. So that's why when Brooke brings Julie in

0:41:49.800 --> 0:41:51.640
<v Speaker 1>the diary and is like, I used to say, I

0:41:51.640 --> 0:41:53.560
<v Speaker 1>didn't keep one of these. It's just because I didn't

0:41:53.600 --> 0:41:57.280
<v Speaker 1>want anyone to find it. And then you hear about

0:41:57.320 --> 0:42:01.040
<v Speaker 1>all the turmoil at home and the parents, the parents

0:42:01.200 --> 0:42:04.520
<v Speaker 1>arguments and and you know, we don't talk to each other,

0:42:04.520 --> 0:42:08.640
<v Speaker 1>we've never sat together. That's the runner that gets you

0:42:08.719 --> 0:42:11.759
<v Speaker 1>to the end again, our final picnic table moment at

0:42:11.760 --> 0:42:15.400
<v Speaker 1>the river court with this family finally sitting together. And

0:42:15.480 --> 0:42:18.799
<v Speaker 1>I was like, my burning journal shot is missing from

0:42:18.800 --> 0:42:22.160
<v Speaker 1>this moment right before the fireworks. But it's fire I'll

0:42:22.200 --> 0:42:22.719
<v Speaker 1>get over it.

0:42:22.840 --> 0:42:25.120
<v Speaker 3>I did love that moment though, I mean the over

0:42:25.160 --> 0:42:30.400
<v Speaker 3>the shoulder shot of those you three, like just onto

0:42:30.440 --> 0:42:33.359
<v Speaker 3>the burning boat, onto up into the fireworks. The big

0:42:33.400 --> 0:42:35.880
<v Speaker 3>crane shot was it a crane or a drone? At

0:42:35.880 --> 0:42:37.560
<v Speaker 3>the h that was a crane number and.

0:42:37.520 --> 0:42:40.799
<v Speaker 1>Those were viz effects, right, Yeah, the fireworks were fake.

0:42:42.600 --> 0:42:45.000
<v Speaker 5>But what do you think was on the one page

0:42:45.239 --> 0:42:48.200
<v Speaker 5>of Brook's diary that she tore out wouldn't let Julian.

0:42:48.000 --> 0:42:57.680
<v Speaker 8>See I I would imagine here's my thought, because there

0:42:57.800 --> 0:43:00.480
<v Speaker 8>was the overlap in season six where Julian and Lucas

0:43:00.520 --> 0:43:01.320
<v Speaker 8>worked together.

0:43:01.480 --> 0:43:04.160
<v Speaker 1>I imagine it was a story about Lucas and she was like,

0:43:04.239 --> 0:43:07.160
<v Speaker 1>let's not, let's not burn that into my husband's memory,

0:43:07.440 --> 0:43:10.560
<v Speaker 1>like because not only to rip it out, but then

0:43:10.640 --> 0:43:15.400
<v Speaker 1>to eat it to stop it from seeing it. Yeah,

0:43:15.400 --> 0:43:16.080
<v Speaker 1>that's what I think.

0:43:16.880 --> 0:43:17.719
<v Speaker 4>So fusciting.

0:43:18.160 --> 0:43:20.800
<v Speaker 3>We had fun on this show. I do remember shooting

0:43:20.800 --> 0:43:26.440
<v Speaker 3>this episode. It's like not a super clear, but I

0:43:26.560 --> 0:43:31.359
<v Speaker 3>do feel the nostalgia that we all felt when we

0:43:31.360 --> 0:43:35.799
<v Speaker 3>were walking around downtown, like, oh my gosh, we're doing

0:43:35.840 --> 0:43:38.760
<v Speaker 3>another burning boat. Oh my gosh, this is almost over.

0:43:39.440 --> 0:43:39.960
<v Speaker 4>Wow.

0:43:41.160 --> 0:43:43.680
<v Speaker 3>Really it was like a time when we were all

0:43:43.719 --> 0:43:47.400
<v Speaker 3>really soaking up our time with each other, knowing that

0:43:47.440 --> 0:43:50.200
<v Speaker 3>we only had one more left. Yeah, it's only a

0:43:50.200 --> 0:43:52.840
<v Speaker 3>few weeks left. It really kicked into our brains a

0:43:52.880 --> 0:43:54.799
<v Speaker 3>lot of us. I think all of a sudden, we're like, Okay,

0:43:54.840 --> 0:43:58.160
<v Speaker 3>we're not dealing with crazy storylines. We don't have anything

0:43:58.200 --> 0:44:00.560
<v Speaker 3>insane happening where we really have to focus and be

0:44:01.480 --> 0:44:04.080
<v Speaker 3>stressed out long hours or late nights or it was

0:44:04.200 --> 0:44:07.200
<v Speaker 3>just we were just hanging all together really good.

0:44:07.600 --> 0:44:08.720
<v Speaker 1>It's just so sweet.

0:44:09.160 --> 0:44:10.920
<v Speaker 5>Only one more left.

0:44:10.719 --> 0:44:11.800
<v Speaker 1>Only one more left.

0:44:11.840 --> 0:44:24.600
<v Speaker 9>Oh my gosh.

0:44:26.840 --> 0:44:30.440
<v Speaker 5>Cody's question is One Tree Hill was my show growing up.

0:44:30.640 --> 0:44:33.279
<v Speaker 5>Everyone knew it. That night each week the family TV

0:44:33.440 --> 0:44:37.200
<v Speaker 5>was mine. I wept when the series ended. Otch absolutely

0:44:37.200 --> 0:44:39.040
<v Speaker 5>shaped me in a lot of ways. When it ended,

0:44:39.080 --> 0:44:41.319
<v Speaker 5>I felt like a little part of me died. I

0:44:41.360 --> 0:44:43.680
<v Speaker 5>know I'm being dramatic, but I learned from the best.

0:44:44.520 --> 0:44:47.359
<v Speaker 5>I want to know, what is your One Tree Hill?

0:44:47.760 --> 0:44:50.719
<v Speaker 5>What is the show, movie, book, etc. That shaped you

0:44:50.840 --> 0:44:53.919
<v Speaker 5>and played a massively influential role in your life.

0:44:54.560 --> 0:44:57.440
<v Speaker 3>Oh my gosh, I wish i'd read this question before.

0:44:57.560 --> 0:45:01.439
<v Speaker 1>Now I know to think about it answers in chunks,

0:45:02.080 --> 0:45:06.600
<v Speaker 1>So like college, going into filming One Tree Hill, Sex

0:45:06.640 --> 0:45:09.600
<v Speaker 1>and the City was it for me. I'd never seen

0:45:09.640 --> 0:45:12.960
<v Speaker 1>women's stories told that way, women shot that way, women

0:45:13.080 --> 0:45:16.359
<v Speaker 1>centered that way. It really influenced so much of how

0:45:16.360 --> 0:45:20.080
<v Speaker 1>I felt about our show. I think about after our

0:45:20.120 --> 0:45:23.440
<v Speaker 1>show wrapped, being home and Jenny and I going like

0:45:23.719 --> 0:45:27.280
<v Speaker 1>so deep on Orphan Black and just being obsessed and watching,

0:45:28.280 --> 0:45:32.879
<v Speaker 1>you know, was what was possible in story? And then

0:45:32.920 --> 0:45:37.200
<v Speaker 1>I think about, you know, in my adult life, like lately,

0:45:37.239 --> 0:45:39.640
<v Speaker 1>it's the books that have really impacted me, like Maggie

0:45:39.680 --> 0:45:45.239
<v Speaker 1>Smith's book You Could Make This Place Beautiful, like it

0:45:45.280 --> 0:45:47.680
<v Speaker 1>is like a religious text for me prior to that,

0:45:47.880 --> 0:45:51.279
<v Speaker 1>in between these times Cheryl stra Tiny Beautiful Things. I

0:45:51.360 --> 0:45:53.640
<v Speaker 1>read it every year once a year. It's a tradition,

0:45:54.400 --> 0:45:57.560
<v Speaker 1>Like I think, there are the stories that find you

0:45:57.719 --> 0:46:00.520
<v Speaker 1>for these moments in your life, and I think it's

0:46:00.560 --> 0:46:03.880
<v Speaker 1>why hearing things like this from people like you, Cody

0:46:04.000 --> 0:46:07.520
<v Speaker 1>is so meaningful because for us to have been such

0:46:07.560 --> 0:46:12.239
<v Speaker 1>a part of your life is I don't know, like

0:46:12.280 --> 0:46:16.879
<v Speaker 1>we have that and it's really profound. So thank you

0:46:16.960 --> 0:46:19.880
<v Speaker 1>for sharing. What do you guys have? Do you do

0:46:19.920 --> 0:46:21.680
<v Speaker 1>them in chunks too, or do you think it's like

0:46:21.760 --> 0:46:22.279
<v Speaker 1>one thing?

0:46:22.800 --> 0:46:24.360
<v Speaker 4>Yeah, mine's in chunks.

0:46:24.600 --> 0:46:27.000
<v Speaker 3>I mean it doesn't have the same emotional weight. But

0:46:27.120 --> 0:46:29.960
<v Speaker 3>I love Lucy really. I mean, I just I grew

0:46:30.000 --> 0:46:31.520
<v Speaker 3>up watching it from when I was a kid, and

0:46:31.560 --> 0:46:33.319
<v Speaker 3>I continue to watch it. It's still on in my

0:46:33.320 --> 0:46:34.440
<v Speaker 3>house on Saturday mornings.

0:46:34.440 --> 0:46:34.919
<v Speaker 4>It's just.

0:46:36.480 --> 0:46:39.640
<v Speaker 3>She's just such a genius and it's so fun. I

0:46:39.719 --> 0:46:43.840
<v Speaker 3>never stopped laughing at it. And The Twilight Zone, I think.

0:46:43.760 --> 0:46:45.360
<v Speaker 4>Really I always.

0:46:46.760 --> 0:46:49.480
<v Speaker 3>Had a very even from when I was a kid

0:46:49.600 --> 0:46:56.759
<v Speaker 3>or like adolescent, the concept of mortality was not a

0:46:56.800 --> 0:46:59.879
<v Speaker 3>fearful thing for me. So I wasn't afraid of them,

0:47:00.120 --> 0:47:02.480
<v Speaker 3>cob or the things that were bizarre.

0:47:02.640 --> 0:47:05.400
<v Speaker 4>I was really intrigued and wanted to understand more.

0:47:05.920 --> 0:47:09.680
<v Speaker 3>So I really liked The Twilight Zone because it explored

0:47:09.719 --> 0:47:10.759
<v Speaker 3>a lot of those.

0:47:10.880 --> 0:47:16.280
<v Speaker 4>Themes in a way that was fun. Yeah, And then.

0:47:16.040 --> 0:47:17.440
<v Speaker 3>I mean, I'm trying to think of the thing that

0:47:17.560 --> 0:47:20.480
<v Speaker 3>really got me emotional. The show that ended that I

0:47:20.520 --> 0:47:24.239
<v Speaker 3>felt emotional. I was like, how am I going to

0:47:25.040 --> 0:47:27.400
<v Speaker 3>how am I going to keep moving after this is done.

0:47:27.920 --> 0:47:30.479
<v Speaker 3>I'm kind of embarrassed to say it because I feel like.

0:47:30.400 --> 0:47:35.960
<v Speaker 4>You guys are laugh at me. But it's so cliche

0:47:36.200 --> 0:47:37.000
<v Speaker 4>Game of Thrones.

0:47:37.920 --> 0:47:41.600
<v Speaker 1>Okay, I'm sorry, it's so cliche as mad as your show.

0:47:41.640 --> 0:47:44.600
<v Speaker 3>But like I was, okay, I was going through my

0:47:44.680 --> 0:47:49.000
<v Speaker 3>divorce while like Tyry and Lanister was gidding, was just

0:47:49.080 --> 0:47:52.200
<v Speaker 3>like getting beaten down, beaten down, and I was like,

0:47:52.239 --> 0:47:55.520
<v Speaker 3>I just desperately need an underdog to win in something

0:47:55.560 --> 0:47:58.440
<v Speaker 3>in my life. I need to see that, like really

0:47:58.480 --> 0:48:02.040
<v Speaker 3>amazing things can happen for people that are like down

0:48:02.080 --> 0:48:05.440
<v Speaker 3>at their worst. Yea, And he won that battle, like

0:48:05.800 --> 0:48:08.080
<v Speaker 3>the huge battle. If you're a fan of Game Thrones,

0:48:08.120 --> 0:48:09.560
<v Speaker 3>that you know which one I'm talking about. I don't

0:48:09.560 --> 0:48:11.279
<v Speaker 3>even know how to name them because I wasn't that

0:48:11.440 --> 0:48:13.040
<v Speaker 3>kind of a fan where I knew the details. I

0:48:13.160 --> 0:48:17.320
<v Speaker 3>just was like a character fan. But he basically wins

0:48:17.360 --> 0:48:22.279
<v Speaker 3>this massive, massive, massive battle for his family or is

0:48:22.320 --> 0:48:23.360
<v Speaker 3>it for someone else's family?

0:48:23.360 --> 0:48:24.080
<v Speaker 4>I can't even remember.

0:48:24.239 --> 0:48:26.040
<v Speaker 3>It was a huge battle that he won and he's

0:48:26.080 --> 0:48:29.360
<v Speaker 3>this tiny guy. And then as a story kept going,

0:48:29.400 --> 0:48:32.920
<v Speaker 3>I just fell so deeply in love with these characters

0:48:33.040 --> 0:48:37.960
<v Speaker 3>and their humanity and it deeply connected with me. So

0:48:38.239 --> 0:48:41.160
<v Speaker 3>when it was over, I was really sad. I felt

0:48:41.200 --> 0:48:43.080
<v Speaker 3>like I lost a lot of friends all of a sudden.

0:48:43.719 --> 0:48:47.120
<v Speaker 5>Yeah, man, I would rob me the same with Chunks.

0:48:47.239 --> 0:48:50.359
<v Speaker 5>And as far as things being influential, it's really it's

0:48:50.440 --> 0:48:55.160
<v Speaker 5>been all comedies for me because like I remember watched

0:48:55.160 --> 0:48:58.520
<v Speaker 5>the first time I watched Wet Hot American Summer. Oh,

0:48:58.560 --> 0:49:01.840
<v Speaker 5>there were jokes in that that I remember thinking, I

0:49:01.880 --> 0:49:04.880
<v Speaker 5>didn't know you could do that. Like I remember ending

0:49:04.920 --> 0:49:08.920
<v Speaker 5>that movie and I felt like, oh, like new neural pathways,

0:49:09.040 --> 0:49:11.719
<v Speaker 5>new wrinkles are in my brain because I wasn't even

0:49:11.760 --> 0:49:15.600
<v Speaker 5>aware that that was an option. Like it was like

0:49:15.680 --> 0:49:17.839
<v Speaker 5>someone went, hey, by the way, we have four new

0:49:17.880 --> 0:49:20.920
<v Speaker 5>colors of crayons, and I was like, holy seriously, so

0:49:21.040 --> 0:49:23.919
<v Speaker 5>like that like kiss Kiss, Bang Bang. I had never

0:49:23.960 --> 0:49:27.840
<v Speaker 5>seen humor and dialogue intertwined so seamlessly, and I was like,

0:49:28.040 --> 0:49:30.279
<v Speaker 5>I guess this is an option. We can do this,

0:49:30.400 --> 0:49:31.120
<v Speaker 5>you know, and then.

0:49:31.280 --> 0:49:33.400
<v Speaker 4>It's like the West Wing, Yes, yes.

0:49:33.800 --> 0:49:36.520
<v Speaker 5>Arrested development. I was like I had no idea we

0:49:36.560 --> 0:49:39.959
<v Speaker 5>could do this. So for me, it's been comedies where

0:49:39.960 --> 0:49:42.839
<v Speaker 5>like I feel like, oh, like there's been a new

0:49:42.880 --> 0:49:45.040
<v Speaker 5>part of my brain has opened up that I can

0:49:45.080 --> 0:49:47.600
<v Speaker 5>now play in that I didn't even know existed.

0:49:48.120 --> 0:49:52.440
<v Speaker 1>Yeah, I love that, especially, You're right, comedy can crack

0:49:53.440 --> 0:49:58.360
<v Speaker 1>expectation in a way that I think sometimes drama doesn't.

0:49:59.320 --> 0:50:01.960
<v Speaker 1>Like Harter, I had that same feeling watching Parks and

0:50:02.080 --> 0:50:05.960
<v Speaker 1>Rec I was like, this can be work, this can

0:50:06.000 --> 0:50:09.759
<v Speaker 1>be what we do. Oh my god, like, oh, it's

0:50:09.760 --> 0:50:10.360
<v Speaker 1>so fun.

0:50:11.080 --> 0:50:15.359
<v Speaker 5>It's probably also because I think humor is my strike zone, Like,

0:50:15.520 --> 0:50:18.399
<v Speaker 5>it's my love language, it's my self defense tool. It's

0:50:18.480 --> 0:50:20.319
<v Speaker 5>kind of my Swiss army knife. So I think it

0:50:20.360 --> 0:50:23.919
<v Speaker 5>makes sense that the most impactful stuff has been when

0:50:23.960 --> 0:50:25.600
<v Speaker 5>it is geared towards that. You know.

0:50:26.000 --> 0:50:29.240
<v Speaker 1>Yeah, great question, that's such a good question.

0:50:32.520 --> 0:50:34.960
<v Speaker 4>I guess let's spin a wheel, guys, let's.

0:50:34.680 --> 0:50:37.480
<v Speaker 3>Do it second to last wheel.

0:50:42.560 --> 0:50:47.000
<v Speaker 5>Oh, this one is great. Most likely to text their

0:50:47.080 --> 0:50:49.920
<v Speaker 5>ex during mercury retro grade.

0:50:52.200 --> 0:50:53.040
<v Speaker 4>That's so funny.

0:50:53.080 --> 0:50:54.800
<v Speaker 5>I'm going to say it's not any of the boys,

0:50:54.840 --> 0:50:56.680
<v Speaker 5>because I don't think any of us would know when

0:50:56.719 --> 0:50:58.560
<v Speaker 5>mercury is in retrograde.

0:50:59.840 --> 0:51:02.360
<v Speaker 3>I don't usually know either. I mean, I guess sometimes

0:51:02.400 --> 0:51:04.680
<v Speaker 3>I feel weird and then I find out later that

0:51:04.719 --> 0:51:06.799
<v Speaker 3>mercury was in retrograde and I'm like, oh, I guess

0:51:06.840 --> 0:51:07.520
<v Speaker 3>that's what happening.

0:51:07.600 --> 0:51:12.880
<v Speaker 1>You know what character I actually think it is Chase. Yeah,

0:51:12.920 --> 0:51:14.720
<v Speaker 1>that boy loves to text his ex.

0:51:15.120 --> 0:51:16.680
<v Speaker 4>That's very on point for this episode.

0:51:16.680 --> 0:51:18.719
<v Speaker 1>And you know what, who's going to be talking more

0:51:18.719 --> 0:51:21.799
<v Speaker 1>about mercury retrograde than some sad person sitting at a bar,

0:51:22.280 --> 0:51:25.320
<v Speaker 1>so he would overhear it and probably get a little

0:51:25.320 --> 0:51:28.600
<v Speaker 1>swept away in the story and then decide to text

0:51:28.719 --> 0:51:30.920
<v Speaker 1>one of the ladies who he was deleting from his

0:51:31.040 --> 0:51:32.799
<v Speaker 1>phone in this very episode.

0:51:33.000 --> 0:51:38.200
<v Speaker 5>Perfect, that's the answer. Sign all right, join us next

0:51:38.239 --> 0:51:40.479
<v Speaker 5>week because we have Oh my god, that's a big

0:51:40.520 --> 0:51:46.160
<v Speaker 5>episode in that it's the final episode Season nine, Episode thirteen.

0:51:46.680 --> 0:51:49.400
<v Speaker 5>Couldn't think of a better title, One Tree.

0:51:49.239 --> 0:51:52.000
<v Speaker 1>Hill, Oh my God, I'm gonna cry. Okay, see you

0:51:52.000 --> 0:51:54.480
<v Speaker 1>next week. Bye, love you guys.

0:51:55.280 --> 0:51:56.480
<v Speaker 4>Hey, thanks for listening.

0:51:56.560 --> 0:51:58.800
<v Speaker 1>Don't forget to leave us a review. You can also

0:51:58.840 --> 0:52:01.560
<v Speaker 1>follow us on Instagram at drama Queens o.

0:52:01.600 --> 0:52:05.800
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0:52:05.880 --> 0:52:06.680
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0:52:06.920 --> 0:52:07.919
<v Speaker 4>See you next time.

0:52:09.160 --> 0:52:12.560
<v Speaker 3>We all about that high school drama girl, drama girl,

0:52:12.640 --> 0:52:13.400
<v Speaker 3>all about them.

0:52:13.280 --> 0:52:16.320
<v Speaker 1>High school queens forever. We'll take you for a ride,

0:52:16.360 --> 0:52:19.560
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0:52:19.360 --> 0:52:23.399
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