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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, Girl Drama, Girl,

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Speaker 2: all about.

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Speaker 1: Them high school queens. We'll take you for a ride,

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Speaker 1: and our comic girl sharing for the right teen.

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Speaker 2: Drama Queens, Jaylie's cough girl fashion, but your tough girl,

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Speaker 2: you could sit with us, Girl Drama, Queen Drama, Queens Drama,

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Speaker 2: Queens Drama, drahn the Queens Drama Queens.

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Speaker 3: Well. Well, gosh, Sophia, they gave you the Burning Boat episode,

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Speaker 3: the penultimate episode.

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Speaker 1: It made me so emotional to watch this.

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Speaker 4: You guys, me too.

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Speaker 1: This was a great app oh man.

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Speaker 3: Alright, Season nine, episode twelve, Anyone who had a Heart

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Speaker 3: All of Us Air date March twenty eight, twenty twelve.

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Speaker 1: Okay, As Haley prepares.

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Speaker 3: To mc the annual tree Hill Burning Boat Festival, Brook

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Speaker 3: uses this opportunity to process her father's betrayal, while Julian

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Speaker 3: tries to breathe new life into a path. Idea Mouth

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Speaker 3: and Millie make a change, and what a change it

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Speaker 3: is to their morning show, and Clay and Quinn get

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Speaker 3: ready for Logan's first night at the beach house. Director

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Speaker 3: Sofia bush Oh which was.

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Speaker 4: Me written by Brian L.

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Speaker 3: Riding's well, he was a new writer on the show.

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Speaker 3: I guess right, I don't recognize it.

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Speaker 5: I recognize yeah.

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Speaker 1: I think he was new for our last season. And

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Speaker 1: what a great episode. The callbacks to early season nostalgia,

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Speaker 1: the kind of lessons you see all of these adults

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Speaker 1: that we've grown up with processing. I just I loved

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Speaker 1: it so so.

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Speaker 3: Much, and there were so many pieces of nostalgia that

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Speaker 3: were intentionally dropped in. I mean, watching the boys on

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Speaker 3: the river court, watching Brooke and Victoria back together, Mouth

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Speaker 3: and Milly back together, well, Hayley with Lydia a lot

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Speaker 3: was great too. Being able to see I love that

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Speaker 3: they just like threw Chase and Haley together for this

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Speaker 3: whole episode since Nathan.

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Speaker 4: Was not around.

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Speaker 1: It was so sweet.

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Speaker 4: And being able to.

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Speaker 3: See Quinn and Clay finally coming together as a family,

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Speaker 3: the family they've always wanted to be with Logan included now.

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Speaker 5: Getting to see Richard Burgee with his shirt off.

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Speaker 1: I mean right, what like Okay, that.

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Speaker 5: Was the shirtless hunk this show had been missing the time,

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Speaker 5: how sir?

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Speaker 1: I know, you know, it was really fun to watch

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Speaker 1: the There's so much I remember about the episode obviously

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Speaker 1: because I directed it, and because it was so close

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Speaker 1: to the end and there was so much that I

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Speaker 1: had hanging around in my brain and in my heart

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Speaker 1: about what I wanted to make sure it felt like

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Speaker 1: as we began to you know, close the box and

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Speaker 1: then put the bow on it and wrap up our show.

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Speaker 1: And it was really fun going into it thinking oh,

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Speaker 1: I can't wait to remember all of this, and then

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Speaker 1: to still be surprised. I forgot that Julian was doing

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Speaker 1: this practice pitch to Brook and then it did that

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Speaker 1: great transition to find him in the pitch. What I

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Speaker 1: remembered as soon as it started is Peter Kowalski, our

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Speaker 1: DP and I worked really hard on these these kinds

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Speaker 1: of cool trick shots where the camera's pulling back but

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Speaker 1: also zooming in and it kind of changes the way

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Speaker 1: the movements feel across the long dining room table at

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Speaker 1: Brook and Julian's house, and instantly I remembered this moment,

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Speaker 1: you know, standing in my wardrobe behind video village watching

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Speaker 1: them do it with second team and being like, Okay,

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Speaker 1: it's working. Oh my god, we got it. This is

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Speaker 1: going to be so great. And like those little things

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Speaker 1: that put energy you know, in the opening of the episode,

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Speaker 1: I wanted the energy to feel up. I wanted it

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Speaker 1: to feel happy, and I think it did.

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Speaker 4: It really did.

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Speaker 5: And when you transition to him being in the actual boardroom, Yeah,

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Speaker 5: was that because there's a there's a picture over Julian's

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Speaker 5: shoulder and it is either it either is or it's

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Speaker 5: very intentionally reminiscent of the Warner Brothers water Tower, Yeah, which,

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Speaker 5: by the way, was a part of One Tree Hill,

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Speaker 5: which is part of the c W you know. So

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Speaker 5: I wasn't certain if we were allowed to reference that

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Speaker 5: or if you were just cheekily put in something that

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Speaker 5: was nearly identical to it.

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Speaker 1: That I would imagine that was a decision made by

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Speaker 1: the producers. I do know we all were like, he's

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Speaker 1: like pitching the WB right, Like that's what we're doing.

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Speaker 1: And I liked in a way that the pitch got

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Speaker 1: to go so well, and also that it felt light

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Speaker 1: despite the fact obviously that our writers were trying to

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Speaker 1: poke fun at you know, Twilight and the Vampire Diaries

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Speaker 1: and everything else. It worked. Austin delivered it so much

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Speaker 1: humor and the kind of coyness between Brooke and Julian.

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Speaker 1: I think overshadowed what might have seemed petty on the page,

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Speaker 1: and then when he's in the room and her feedback,

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Speaker 1: which seems silly and flirtatious, actually works, and then we

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Speaker 1: make fun of ourselves and he's like, it doesn't have

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Speaker 1: to be in a conference room, we can be in

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Speaker 1: a hot tub. Like it just felt very correct.

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Speaker 3: Here's my pitch that I think this was a missed

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Speaker 3: opportunity because we were at the end of our show.

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Speaker 3: We totally could have done a spinoff that was the

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Speaker 3: filmed version, yes, like Julian's version.

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Speaker 4: Yes, Ravens.

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Speaker 1: Absolutely, it could have started a whole.

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Speaker 3: New series where we just like took the characters in

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Speaker 3: different directions as you do, and named them different ways.

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Speaker 1: It could have been like The Office. You could have

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Speaker 1: watched everyone film a TV show. You know, you could

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Speaker 1: have been the filming of the TV show. Could have

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Speaker 1: been a really funny, funny thing.

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Speaker 4: Even just like the meta. It would been so meta.

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Speaker 5: As a fan as well, it would have been cool

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Speaker 5: for Lucas to have been back at least some capacity,

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Speaker 5: seeing as how it's his book that's being pitched, even

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Speaker 5: if it's just him and Julian like talking it out

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Speaker 5: or something. Yeah, I think the fans would have loved that,

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Speaker 5: and like, that's the most organic way to have him

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Speaker 5: be there, you know, it's his books.

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Speaker 1: Yes, especially because we did get that years ago. You know,

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Speaker 1: we had Lucas and Julian working together, trying to make

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Speaker 1: a project together. It was the whole We got James

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Speaker 1: Vanderbeek to come in as the you know, the worst

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Speaker 1: director ever. We've seen it and it's worked, and it

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Speaker 1: would have been really fun to nod to that that

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Speaker 1: moment when oh, we didn't get to make Ravens as

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Speaker 1: a movie, you know, and unkindness of Ravens as a movie,

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Speaker 1: and now Julian's going to do it as a show.

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Speaker 1: It would have been so cool to offer that it

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Speaker 1: was working. To the writer, what I will say is

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Speaker 1: not having that character come back. What touched me and

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Speaker 1: what I did forget is that as Julian is pitching

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Speaker 1: it because Brooke is his wife, he pitches this story

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Speaker 1: of all these kids in high school in a way

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Speaker 1: that kind of sounds like a love letter to her.

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Speaker 1: And the first version, you know, when they tried to

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Speaker 1: make the movie really wasn't. She was so offended by

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Speaker 1: her character write up and it all went so badly

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Speaker 1: for them that they almost broke up. And I was like,

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Speaker 1: oh my god, look at the way he's pitching this.

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Speaker 1: This is so sweet, Like if i'd actually been her,

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Speaker 1: what I would have given to be a fly on

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Speaker 1: the wall for this moment. And I was really touched

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Speaker 1: by that. I didn't remember it.

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Speaker 5: Well.

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Speaker 4: We didn't have James either.

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Speaker 5: Which is so weird, so weird.

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Speaker 1: What was he doing because I know and I don't

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Speaker 1: remember what, and I'd be we should have asked him

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Speaker 1: in Paris?

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Speaker 5: Did he direct the episode before this? By chance? No,

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Speaker 5: he didn't, didn't I don't think so.

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Speaker 1: I wasn't paying sorry that would pay attention.

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Speaker 6: But he he had something going on this you know,

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Speaker 6: season nine special time season nine mini series, because he

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Speaker 6: negotiated to have a certain number of episodes.

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Speaker 1: Off, so you know that was the kidnapping storyline. Was

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Speaker 1: partially motivated by that. But I couldn't believe that one

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Speaker 1: of the episodes they gave him off was the second

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Speaker 1: to last one. I was like, hello, he must have

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Speaker 1: been filming or something and needed the week. I will say, though, Joy,

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Speaker 1: you did such a beautiful job making Nathan's absence work

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Speaker 1: as Haley, because the way that you shared you know

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Speaker 1: what was essentially expository writing to explain why he's gone,

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Speaker 1: you grounded it in such a place of I've really

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Speaker 1: been through something with my person, but our kid has

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Speaker 1: been through it too.

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Speaker 5: Yeah.

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Speaker 1: Yeah, and you put a real weight behind that. And

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Speaker 1: so even though it felt strange as a viewer to

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Speaker 1: have Nathan missing, your explanation of why and what Jamie

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Speaker 1: needed and how you have to prioritize your kid above

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Speaker 1: even yourself made the whole thing work for me. So

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Speaker 1: it hats off to you.

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Speaker 3: Oh thanks, I think it's a reasonable I mean, we

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Speaker 3: know as AFEs were like, wait, we missed our character

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Speaker 3: in the show, But yeah, it is plausible for sure.

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Speaker 3: I think as a family, that's just what they would

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Speaker 3: have needed. And I really enjoyed seeing Haley just happy

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Speaker 3: with Lydia. It wasn't all the stress around the baby.

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Speaker 3: It feels like since Lydia was born there was just stress, stress, stress, stress, dress.

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Speaker 4: So this was nice.

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Speaker 3: Plus I had my breastfeeding body, which was super fun

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Speaker 3: to see, like all the baby weighted dropped off and

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Speaker 3: my boobs were big. I was like, oh that's fun.

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Speaker 1: You're like, hey, girl.

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Speaker 5: You know who else's body was dramatic. Different was good

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Speaker 5: old Mouth.

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Speaker 4: Good old Mouth.

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Speaker 5: Thank god we put that fat suit to bed.

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Speaker 4: Yeah, I'm sure he was thrilled as well.

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Speaker 5: Oh to see Mouth and Milly in a scene that

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Speaker 5: wasn't about that ridiculous storyline was yeah, so nice.

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Speaker 1: Yeah, them really getting back to themselves. And I loved that.

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Speaker 1: The run, even though it came from a storyline we hated,

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Speaker 1: gave us the device to get to the river court

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Speaker 1: with all the boys because seeing them get back on

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Speaker 1: the court and Mouth doing his announcing like he did

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Speaker 1: in season one, even in the pilot, it hits you

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Speaker 1: with that nostalgia and you remember how far these friends

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Speaker 1: have come together, and you know now so many of

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Speaker 1: them have kids, and it's like, oh my god. Again,

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Speaker 1: just thinking about what we wanted to call back from

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Speaker 1: the beginning of the show as we were wrapping it up,

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Speaker 1: I thought it was a great device for the writers

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Speaker 1: to put all the boys there and then to bring

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Speaker 1: Milli there and for that to be the place where

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Speaker 1: she said to him, you miss sports, and yes I

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Speaker 1: want to work with you, and yes I want to

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Speaker 1: be with you every day, but I know you enough

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Speaker 1: and love you enough to know what you need, and

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Speaker 1: that it wound up being, you know, the joke of

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Speaker 1: like you're trying to get me fired, Like the whole

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Speaker 1: thing just played so perfectly. But it really struck me

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Speaker 1: watching it that I'm so happy we shot that scene

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Speaker 1: at the river court because in a way, without having

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Speaker 1: to say it, Milly was meeting a part of mouth

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Speaker 1: that predates her, but it's so central to who he is,

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Speaker 1: and that's how your locations can become characters in your story,

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Speaker 1: and I thought it really it just really added something

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Speaker 1: for me watching it.

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Speaker 3: Back now every time there on the river court, and

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Speaker 3: there was quite a bit of that in this episode.

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Speaker 4: Yeah, we didn't use.

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Speaker 3: It as much as I wish we had over the

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Speaker 3: last few seasons, same because it is such a central

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Speaker 3: piece and I get that the boys weren't really playing

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Speaker 3: basketball anymore, so it just became this place that sometimes

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Speaker 3: character would go, characters would go to stop and think

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Speaker 3: because it was in case they used.

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Speaker 4: To go, which is sweet.

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Speaker 3: But yeah, I was really happy to see that in

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Speaker 3: this episode.

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Speaker 4: And you and I had had a scene there.

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Speaker 5: About that.

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Speaker 4: It was so windy, but it felt like it was

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Speaker 4: only windy on my side. I don't know if you

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Speaker 4: noticed this.

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Speaker 1: No, every time.

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Speaker 3: They shot to you, your hair was perfect, your makeup

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Speaker 3: is perfect.

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Speaker 4: The sun wasn't in your eyes. It was just like ah.

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Speaker 3: And then they cut to me and it was like

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Speaker 3: the the bizarro world version of it where I was like,

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Speaker 3: my eyes were you could see my mescara was down

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Speaker 3: on my eyes because my eyes were watering from the song.

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Speaker 3: And yeah, and my hair just could not be tamed,

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Speaker 3: and my felt like my makeup was you know, my

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Speaker 3: skin was like eating my makeup and all that. It

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Speaker 3: was like I felt like, who does she play in

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Speaker 3: Kate McKinnon and Barbie?

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Speaker 4: What was this?

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Speaker 5: Oh messy Barbie or whatever like that.

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Speaker 3: Yeah, I totally felt like that when it made me laugh.

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Speaker 3: But it was a really sweet scene. I loved seeing

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Speaker 3: us together do that.

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Speaker 1: I loved it too. And I loved that because it

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Speaker 1: was the burning boat. It gave us the device of

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Speaker 1: people are going to go sit at the river court

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Speaker 1: and watch this thing get constructed. And I remember really,

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Speaker 1: you know, wanting to tell the story and the way

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Speaker 1: I wanted to tell it as a director, and really

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Speaker 1: wanting to fight for all these scenes to be there

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Speaker 1: no matter what, and then watching it back going. Oh yeah,

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Speaker 1: that's why they hated shooting at the River Court because

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Speaker 1: of the wind. Because we had to ad r all

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Speaker 1: the dialogue. We had to loop every single line. They

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Speaker 1: couldn't control the weather.

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Speaker 3: It was a pain trans bo too, because if it rained,

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Speaker 3: there was just we were in a pool everywhere you walked.

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Speaker 7: If your idea of getting some action is watching The

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Speaker 7: Hunting Wives, you need to listen to I Do Part two.

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Speaker 7: Listen to I Do Part two on the iHeartRadio app,

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Speaker 7: Apple podcast or wherever you get your podcasts.

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Speaker 5: I have a question about the burning boat of it all,

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Speaker 5: because I have only ever known like a burning boat

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Speaker 5: type ceremony, like a Viking funeral to be when the

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Speaker 5: boat is actually on the water. It's kind of the

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Speaker 5: point of it. It can burn itself all the way

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Speaker 5: into the water. So I was very surprised when it

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Speaker 5: was a landlocked ship. So was there ever talk in

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Speaker 5: this episode of it actually being a floating boat.

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Speaker 1: No, because we had done a burning boat just like

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Speaker 1: this in the high school years and it was in

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Speaker 1: the exact same place.

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Speaker 4: Oh so it's like a town tradition.

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Speaker 1: Yeah, So when you open your speech, you know when

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Speaker 1: Haley's talking and says, you know, welcome back to our tradition.

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Speaker 1: We haven't seen it in I don't know, seven or

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Speaker 1: eight seasons, but apparently we do it every year. That's

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Speaker 1: the fireproof platform on the bricks Man.

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Speaker 3: They really missed that too, because that would have been

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Speaker 3: a fun thing to do, Like everybody's guaranteed at the

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Speaker 3: end of every season there's a burning boat episode and

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Speaker 3: what's going to happen and all the drama.

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Speaker 5: Also, it's the ninety third annual burning boat. You're telling

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Speaker 5: me they were burning boats on land and the like

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Speaker 5: you know in nineteen hundred, Like, no, come on, you

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Speaker 5: know that they were pushing those things out. They didn't

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Speaker 5: have a fireproof area. But regardless, it still looked great.

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Speaker 5: But as soon as I started watching that and I

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Speaker 5: saw that it wasn't going to go to the water,

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Speaker 5: was like, I got asked, so if she if she

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Speaker 5: was pushing for that to be on water, and maybe

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Speaker 5: it was just like logistically impossible or something.

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Speaker 1: Yeah, I think it's I think it's a little logistically

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Speaker 1: impossible because you know, when you remove the movie magic

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Speaker 1: of it, the boat is burning most of the time

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Speaker 1: with gas lines like little pipes that are letting flames out.

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Speaker 1: You can really see it when it starts. It's like

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Speaker 1: little fingers of fire that aren't really touching anything. And

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Speaker 1: they don't burn the boat for a day because you're

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Speaker 1: filming all the stuff that happens before they really soak

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Speaker 1: it in whatever they soak it in and light it

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Speaker 1: on fire. And so the boat ironically has to burn

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Speaker 1: but also not burn. So it's part of the reason

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Speaker 1: they keep it on land because they've got all the

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Speaker 1: tanks underneath it and all the things that allow them

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Speaker 1: to control the fire for However, many nights of filming

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Speaker 1: prior to the actual burn you have to do. And

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Speaker 1: so that was a weird thing too, logistically, sitting with

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Speaker 1: the producers and going, well, how are we going to

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Speaker 1: burn the boat for hours before we burn the boat?

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Speaker 1: Like fires fire?

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Speaker 5: What do you mean? Yeah?

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Speaker 3: And if you spray it down then it doesn't relight

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Speaker 3: all of a sudden.

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Speaker 2: Yeah.

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Speaker 1: So there were all these crazy things that we had

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Speaker 1: to do, and there is there is one moment when

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Speaker 1: it starts to burn and you can really just see

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Speaker 1: that it's all the gas line tubes that made me

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00:16:56,240 --> 00:16:59,360
Speaker 1: cringe then and makes me cringe now. Because they were like,

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Speaker 1: don't worry, we'll never use the very beginning. And I'm like,

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Speaker 1: you used the very beginning.

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Speaker 3: You never believe them when they say that. Never believe them, actors,

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00:17:06,840 --> 00:17:09,159
Speaker 3: when people tell you will never use it, do not

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Speaker 3: believe the lies.

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Speaker 1: Terrible to the end.

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Speaker 5: Though, I did not notice that shot, so that's you

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Speaker 5: only noticed it because you are aware of it. I

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Speaker 5: don't I doubt anyone else unless it's a fan who's

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Speaker 5: watching it back for the fourth time or something.

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Speaker 1: It's like, why does the fire look weird? Yeah? Yes,

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Speaker 1: you know what, I really do love about the boat.

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Speaker 1: As much as I hated the rigging, I love that

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Speaker 1: it gave us a central place for people to gather,

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Speaker 1: Like Joy was saying, you know, even the Chase and

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Speaker 1: Haley run ins, you know, seeing Brooke and Victoria. I

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Speaker 1: forgot about the gag with the golf clubs for us

351
00:17:43,400 --> 00:17:45,520
Speaker 1: and trying to haul those up into the boat together

352
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Speaker 1: is so funny to me. And just watching everybody come

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Speaker 1: to this place to put something down, to try to

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Speaker 1: get rid of something, and then Antoine being our star

355
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Speaker 1: comedian with CDs. It's such a good device, the traditional moment.

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00:18:04,280 --> 00:18:07,600
Speaker 5: Yeah, And also that's such a relatable human moment that

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00:18:07,640 --> 00:18:09,959
Speaker 5: of course someone is just gonna come and want to

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Speaker 5: just dump their trash. Of course they are.

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Speaker 1: I mean these that.

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Speaker 5: Might not be good for the environment or yeah, for

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Speaker 5: the cause.

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Speaker 1: I mean such a funny moment between the two of you,

363
00:18:21,320 --> 00:18:25,680
Speaker 1: joy because you having to be like, no, you can't

364
00:18:25,680 --> 00:18:27,760
Speaker 1: burn these, and you're like but why and you're like

365
00:18:27,800 --> 00:18:30,720
Speaker 1: with it and him leaving and you having to push

366
00:18:31,000 --> 00:18:35,399
Speaker 1: the box down behind the pirate. There were moments that

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Speaker 1: I remember thinking, because of the set deck we had,

368
00:18:38,800 --> 00:18:40,840
Speaker 1: like I want some of these moments to almost feel

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Speaker 1: a little campy, like Pirates of the Caribbean. And that

370
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Speaker 1: was one of the moments that really worked for me.

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Speaker 1: And then I forgot that the payoff of you getting

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Speaker 1: stuck with the CDs was finding the friends with benefit.

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Speaker 3: Yes, I love that, and even bringing Peyton back into

374
00:18:57,359 --> 00:19:00,240
Speaker 3: the frame just was seeing her on the post her.

375
00:19:00,280 --> 00:19:02,600
Speaker 3: I feel like they did that every chance they could

376
00:19:02,680 --> 00:19:04,480
Speaker 3: on the show and just bring in, you know, the

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00:19:04,520 --> 00:19:08,320
Speaker 3: people that we loved that weren't there anymore. That made

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00:19:08,359 --> 00:19:09,959
Speaker 3: me happy to see they open that poster.

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00:19:10,080 --> 00:19:11,479
Speaker 4: It's like, oh that's so sweet.

380
00:19:11,800 --> 00:19:15,080
Speaker 5: Yeah, speaking of bringing people back, we had a fun

381
00:19:15,359 --> 00:19:20,359
Speaker 5: little one episode cameo by miss Sasha Jackson Kylie, Yes, yes,

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Speaker 5: where I was like, what, oh okay, here's this character now?

383
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Speaker 4: Was she on the show before?

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00:19:27,359 --> 00:19:32,120
Speaker 5: Yeah? She was like a sort of a fling of Clays.

385
00:19:33,200 --> 00:19:35,200
Speaker 1: She's the one who swims naked in his pool.

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00:19:35,440 --> 00:19:39,800
Speaker 4: That's right. Oh okay, that.

387
00:19:39,720 --> 00:19:41,840
Speaker 1: Makes Quinn dumps as Smoothie on.

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00:19:42,359 --> 00:19:42,840
Speaker 5: Yeah.

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Speaker 4: Man, I don't know why.

390
00:19:44,320 --> 00:19:46,120
Speaker 3: I guess just of all the storylines that I'm trying

391
00:19:46,119 --> 00:19:47,720
Speaker 3: to hold in my brain, that one didn't stick in.

392
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Speaker 3: But that makes so much more sense because my notes

393
00:19:50,240 --> 00:19:53,160
Speaker 3: are like, why are we not that I don't love?

394
00:19:53,640 --> 00:19:55,240
Speaker 3: You know, she's a lovely actress. But I was like,

395
00:19:55,280 --> 00:19:57,800
Speaker 3: why are we wasting time on new characters that we

396
00:19:57,840 --> 00:20:00,159
Speaker 3: don't know? Like we've got one episode left or two

397
00:20:00,200 --> 00:20:03,280
Speaker 3: episodes now? Like what we've got these twins that we're

398
00:20:03,359 --> 00:20:05,440
Speaker 3: now we're looking at this Australian girl. I'm like, what's

399
00:20:05,480 --> 00:20:07,480
Speaker 3: going on? Why are we not paying attention to us?

400
00:20:07,960 --> 00:20:11,120
Speaker 1: It was like the cameos for people that we loved

401
00:20:11,400 --> 00:20:14,639
Speaker 1: through the seasons. Yes.

402
00:20:15,000 --> 00:20:17,920
Speaker 5: Yes. The one thing I like about that though, is

403
00:20:17,960 --> 00:20:22,760
Speaker 5: that we actually gave her being there, gave Jerry an

404
00:20:22,880 --> 00:20:27,399
Speaker 5: opportunity to actually do something for once, and he was

405
00:20:27,720 --> 00:20:28,760
Speaker 5: very funny.

406
00:20:28,400 --> 00:20:30,199
Speaker 1: With it, very funny, which I.

407
00:20:30,160 --> 00:20:33,159
Speaker 5: Feel like he's been around so long that he deserved

408
00:20:33,440 --> 00:20:36,879
Speaker 5: to have something that's like fun as opposed to just

409
00:20:36,920 --> 00:20:39,560
Speaker 5: like you shouldn't have done that, You're fired, You're on

410
00:20:39,640 --> 00:20:41,800
Speaker 5: thin ice, you know. Yeah, you actually got to be

411
00:20:41,880 --> 00:20:43,960
Speaker 5: funny and be the butt of a joke. And you know,

412
00:20:44,600 --> 00:20:48,080
Speaker 5: it was great, And of course we managed to put

413
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Speaker 5: her in a bikini at the end of it.

414
00:20:51,040 --> 00:20:55,879
Speaker 3: Of course us with the chicken head, with the chicken head, why.

415
00:20:57,359 --> 00:20:57,840
Speaker 2: Why not?

416
00:20:58,119 --> 00:20:59,760
Speaker 1: Even the chicken head got a cameo.

417
00:20:59,800 --> 00:21:03,280
Speaker 4: Again, that's the way to look at it.

418
00:21:03,560 --> 00:21:06,919
Speaker 5: But another great moment from that runner was when she

419
00:21:07,440 --> 00:21:12,280
Speaker 5: freezes on air and just goes winker. And then later

420
00:21:12,359 --> 00:21:16,760
Speaker 5: when it's Mills and skills. Incredible according he pretends to

421
00:21:16,800 --> 00:21:19,080
Speaker 5: freeze and says winker and you're like, no way, it's

422
00:21:19,080 --> 00:21:21,080
Speaker 5: happening again. He's like, nah, I'm just messing with you.

423
00:21:22,000 --> 00:21:25,200
Speaker 1: Immediately, great, Immediately, he's the best.

424
00:21:25,640 --> 00:21:31,280
Speaker 3: I completely forgot that we got a million skills together. Yeah,

425
00:21:31,600 --> 00:21:35,320
Speaker 3: and that well, then it turned into mouth and skills, like, wait,

426
00:21:35,440 --> 00:21:36,280
Speaker 3: am I saying it wrong?

427
00:21:36,520 --> 00:21:39,199
Speaker 1: Mills and skills, Mills and skills and that's what he

428
00:21:39,320 --> 00:21:42,520
Speaker 1: comes up with after his faux freeze. Yeah, he's like,

429
00:21:42,560 --> 00:21:44,399
Speaker 1: I'm just messing with you. You got mills and skills,

430
00:21:44,960 --> 00:21:47,720
Speaker 1: and he's just like he's got the ad libs.

431
00:21:47,880 --> 00:21:51,720
Speaker 3: He's already oh yeah, yeah, he knows for this job.

432
00:21:52,760 --> 00:21:55,000
Speaker 3: I just love seeing them together again, and love that

433
00:21:55,040 --> 00:21:59,720
Speaker 3: we gave Antoine something to do that was like real

434
00:22:00,359 --> 00:22:04,960
Speaker 3: and integral, you know, getting back into involved in the

435
00:22:05,000 --> 00:22:07,760
Speaker 3: storyline where he has he's going to have some agency

436
00:22:07,800 --> 00:22:09,680
Speaker 3: and actually something to do rather than just reacting to

437
00:22:09,720 --> 00:22:12,040
Speaker 3: everybody else's stuff. I thought that was always that's always

438
00:22:12,080 --> 00:22:12,600
Speaker 3: really fun.

439
00:22:12,760 --> 00:22:16,679
Speaker 1: I also loved that that came about from Millie and

440
00:22:16,840 --> 00:22:22,240
Speaker 1: Mouth standing up to Jerry and Jerry getting his real

441
00:22:22,359 --> 00:22:25,439
Speaker 1: great comedy moment and then saying, well, fine, you come

442
00:22:25,520 --> 00:22:27,920
Speaker 1: up with a co host and in unison immediately they

443
00:22:27,920 --> 00:22:30,359
Speaker 1: both say skills. It's like, yeah, they know what the

444
00:22:30,400 --> 00:22:33,600
Speaker 1: show needs, they know what the town needs, and it's

445
00:22:33,800 --> 00:22:39,040
Speaker 1: it's right. It's like a perfectly correct move. And then

446
00:22:39,080 --> 00:22:42,400
Speaker 1: you see the payoff at how good he is and

447
00:22:42,440 --> 00:22:44,600
Speaker 1: it I don't know, maybe I'm thinking about it because

448
00:22:44,600 --> 00:22:47,800
Speaker 1: I just interviewed Carson Daly on my other show and

449
00:22:47,920 --> 00:22:50,240
Speaker 1: was talking about like our early TRL days and I

450
00:22:50,280 --> 00:22:52,720
Speaker 1: was like, oh my god, skills is giving me full

451
00:22:52,880 --> 00:23:21,040
Speaker 1: TRL Carson Daily VJ like perfection and it feels.

452
00:23:10,920 --> 00:23:13,000
Speaker 5: How great was Julian in this episode?

453
00:23:13,760 --> 00:23:16,679
Speaker 3: That was my next thing. This dirty dancing moment was

454
00:23:16,680 --> 00:23:17,159
Speaker 3: so funny.

455
00:23:17,240 --> 00:23:17,919
Speaker 4: I always trying to.

456
00:23:17,920 --> 00:23:19,960
Speaker 3: Give a speech to your dad and he's like, I

457
00:23:20,080 --> 00:23:22,520
Speaker 3: will not let anyone put her in a corner, and

458
00:23:22,600 --> 00:23:24,840
Speaker 3: please don't stop taking me seriously because.

459
00:23:24,600 --> 00:23:27,359
Speaker 1: I just use a dirty dancing Yeah, despite my dirty

460
00:23:27,400 --> 00:23:29,880
Speaker 1: dancing references, I will continue to reprimand you for being

461
00:23:29,880 --> 00:23:30,800
Speaker 1: a less than father.

462
00:23:31,480 --> 00:23:33,879
Speaker 5: And then and then even when you know, he's like

463
00:23:33,920 --> 00:23:36,200
Speaker 5: what kind of person would do that? Hint at rhymes

464
00:23:36,200 --> 00:23:40,000
Speaker 5: with thick, And then I like it was so funny.

465
00:23:40,040 --> 00:23:44,280
Speaker 5: That's it's somehow funny when he's also really land sticking

466
00:23:44,280 --> 00:23:47,240
Speaker 5: the landing of being like it's dick, which is funny

467
00:23:47,240 --> 00:23:49,160
Speaker 5: because like everyone knows what it is, but then he goes,

468
00:23:49,200 --> 00:23:51,880
Speaker 5: it's dick, Ted, You're a dick. You should be ashamed

469
00:23:51,880 --> 00:23:54,920
Speaker 5: of yourself, and I was like, that was so cathartic

470
00:23:55,400 --> 00:23:58,520
Speaker 5: to watch. I was like, oh my god, that would

471
00:23:59,000 --> 00:24:01,560
Speaker 5: like there was such a strong theme in this episode

472
00:24:01,600 --> 00:24:06,560
Speaker 5: of partners Yes and the way partners are friends and

473
00:24:06,600 --> 00:24:09,040
Speaker 5: their teammates and how they are showing up for each other.

474
00:24:09,400 --> 00:24:12,680
Speaker 5: It's Millie potentially losing her love as a co host

475
00:24:12,680 --> 00:24:15,120
Speaker 5: because she sees he could be happier doing something else.

476
00:24:15,720 --> 00:24:19,760
Speaker 5: Julian going to bat with Brook's dad because he knows

477
00:24:19,800 --> 00:24:25,800
Speaker 5: she deserves better. It's Quinn putting up the picture of Sarah.

478
00:24:25,040 --> 00:24:27,760
Speaker 4: Broke my heart. That was so good in the best way.

479
00:24:28,320 --> 00:24:30,560
Speaker 5: This show. It's like we've talked about before, like this

480
00:24:30,720 --> 00:24:33,760
Speaker 5: show is about relationships, about and friendships. I think I

481
00:24:33,760 --> 00:24:36,000
Speaker 5: remember saying this like very early on doing this podcast

482
00:24:36,000 --> 00:24:39,000
Speaker 5: with you, But that's I saw so much of that.

483
00:24:39,119 --> 00:24:42,400
Speaker 5: I feel like when the show is really shining, it's

484
00:24:42,480 --> 00:24:46,040
Speaker 5: often around the theme of like friendships and relationships, and

485
00:24:46,080 --> 00:24:49,800
Speaker 5: this episode delivered like everyone got to have.

486
00:24:49,680 --> 00:24:55,080
Speaker 3: That, Haley and Chase even so Brooks parents. Yes, like

487
00:24:55,160 --> 00:24:58,200
Speaker 3: the partnership that they were trying to figure out, Like, yes,

488
00:24:58,240 --> 00:24:59,480
Speaker 3: I agree with you wholeheartedly.

489
00:25:00,080 --> 00:25:05,399
Speaker 1: And something I really loved is that every single leading

490
00:25:05,480 --> 00:25:09,479
Speaker 1: man on our show took a beat to thank his

491
00:25:09,640 --> 00:25:13,680
Speaker 1: woman because we haven't seen that a lot, and Rob

492
00:25:13,720 --> 00:25:15,440
Speaker 1: you even talked about it a couple of weeks ago.

493
00:25:15,920 --> 00:25:19,520
Speaker 1: Even what Quinn has been patient with put up with

494
00:25:19,760 --> 00:25:24,720
Speaker 1: like the way people stay, you know, each of you,

495
00:25:24,720 --> 00:25:27,680
Speaker 1: You with her, and Julian with Brooke, and Lee with

496
00:25:28,200 --> 00:25:32,760
Speaker 1: and Mouth with Milly. You know, we had these scenes

497
00:25:32,840 --> 00:25:36,280
Speaker 1: where each man said, Hey, I need to tell you something.

498
00:25:36,960 --> 00:25:38,760
Speaker 1: I need to thank you for the way that you

499
00:25:38,800 --> 00:25:40,520
Speaker 1: show up. I need to thank you for the way

500
00:25:40,520 --> 00:25:42,199
Speaker 1: that you support me. I need to thank you for

501
00:25:42,240 --> 00:25:44,840
Speaker 1: the way that you believe in me. It and it

502
00:25:44,960 --> 00:25:52,320
Speaker 1: was just so lovely and for all the grotesquely stereotypically

503
00:25:52,359 --> 00:25:55,920
Speaker 1: masculine ick we've gotten on our show over the years,

504
00:25:55,960 --> 00:25:58,600
Speaker 1: including putting Kylie in the bikini and the chicken head

505
00:25:59,000 --> 00:26:05,840
Speaker 1: in this episode, these were such moments of shining heroic

506
00:26:06,160 --> 00:26:12,119
Speaker 1: masculine goodness and like emotional intelligence and it just it

507
00:26:12,160 --> 00:26:15,520
Speaker 1: was gorge Like. I loved watching all three of you

508
00:26:16,240 --> 00:26:20,320
Speaker 1: in those scenes. It was just like it was a

509
00:26:20,320 --> 00:26:21,119
Speaker 1: little boat for me.

510
00:26:21,280 --> 00:26:21,720
Speaker 4: For sure.

511
00:26:22,359 --> 00:26:25,240
Speaker 3: I was really happy to see Clay and Quinn together,

512
00:26:25,800 --> 00:26:27,400
Speaker 3: like the way that you guys.

513
00:26:30,160 --> 00:26:30,480
Speaker 4: Felt.

514
00:26:30,520 --> 00:26:34,639
Speaker 3: It felt like we were finally getting I guess I

515
00:26:34,680 --> 00:26:37,359
Speaker 3: said it before, like this family that we always finally

516
00:26:37,400 --> 00:26:43,040
Speaker 3: wanted you guys to settle into, and Logan coming in

517
00:26:43,080 --> 00:26:47,719
Speaker 3: and the model airplane, but the way that Quinn supported you,

518
00:26:47,800 --> 00:26:49,960
Speaker 3: even bringing in the photo and setting down the photo

519
00:26:50,000 --> 00:26:53,000
Speaker 3: of Sarah, and like, oh, it broke my heart in

520
00:26:53,040 --> 00:26:54,879
Speaker 3: the best way. I just felt like, this is what

521
00:26:54,960 --> 00:26:58,800
Speaker 3: a real partner does, yea, I embrace.

522
00:26:58,480 --> 00:27:04,840
Speaker 5: All of you in terms of the you know, Clay Banking, Quinn,

523
00:27:05,040 --> 00:27:10,800
Speaker 5: Julian Banking, Brook. I also I related to it. Yeah,

524
00:27:11,200 --> 00:27:13,639
Speaker 5: I identified with that, like I have that in my

525
00:27:13,720 --> 00:27:16,199
Speaker 5: own marriage, in my relationship, you know, where there are

526
00:27:16,240 --> 00:27:19,960
Speaker 5: moments where Jenny speaks confidence and support and to me

527
00:27:20,160 --> 00:27:22,480
Speaker 5: at a time when like I really need it, you know,

528
00:27:22,680 --> 00:27:25,280
Speaker 5: and it's a team sport, and so our wins, our

529
00:27:25,320 --> 00:27:27,000
Speaker 5: team wins. So I just thought that was a nice

530
00:27:27,040 --> 00:27:30,920
Speaker 5: moment because not only was it beautiful, it's just it's

531
00:27:31,080 --> 00:27:34,280
Speaker 5: so real and authentic that I think a lot of

532
00:27:34,320 --> 00:27:39,200
Speaker 5: people can relate to. And and Pierce are you kidding Peers?

533
00:27:39,400 --> 00:27:43,680
Speaker 5: When he's looking at the ocean and he says, does

534
00:27:43,720 --> 00:27:47,720
Speaker 5: it does it get any closer? Because he's afraid of

535
00:27:47,760 --> 00:27:51,160
Speaker 5: the ocean, and he backs up, I was like this

536
00:27:51,400 --> 00:27:52,920
Speaker 5: protect this child that all.

537
00:27:52,760 --> 00:27:59,679
Speaker 1: Costs just so sweet and having the element you know,

538
00:27:59,760 --> 00:28:03,240
Speaker 1: as you as you're saying to honor all of a person,

539
00:28:04,200 --> 00:28:07,160
Speaker 1: you know, when you fall in love with someone who

540
00:28:07,200 --> 00:28:12,960
Speaker 1: comes from things, they bring those things into your relationship.

541
00:28:13,040 --> 00:28:15,280
Speaker 1: And to love someone who's been through grief is a

542
00:28:15,280 --> 00:28:20,119
Speaker 1: big thing. And to watch Clay and Quinn have navigated grief,

543
00:28:20,320 --> 00:28:22,359
Speaker 1: you know, and then all the jumping the shark stuff

544
00:28:22,400 --> 00:28:25,440
Speaker 1: in between, and now be navigating with this little boy.

545
00:28:26,160 --> 00:28:30,160
Speaker 1: To have the totality of it in this little cocoon,

546
00:28:30,240 --> 00:28:32,879
Speaker 1: that was one of the things that I remember talking

547
00:28:32,880 --> 00:28:35,360
Speaker 1: to set Deck about. And I really wanted the cocoon

548
00:28:35,480 --> 00:28:40,480
Speaker 1: to be a warm color by the tent, sorry, because

549
00:28:40,520 --> 00:28:43,320
Speaker 1: I wanted it to feel like a cocoon. And we

550
00:28:43,560 --> 00:28:49,320
Speaker 1: found this like butterfly wing orange tent so that it

551
00:28:49,360 --> 00:28:52,479
Speaker 1: would really feel like they went into this bubble and

552
00:28:52,520 --> 00:28:56,360
Speaker 1: they came out as a better version of something and

553
00:28:57,200 --> 00:29:00,240
Speaker 1: it worked. And even like we made I don't if

554
00:29:00,240 --> 00:29:03,600
Speaker 1: you remember, Rob, but we made a projector light. We

555
00:29:03,640 --> 00:29:07,200
Speaker 1: did a stencil of the green lantern symbol and we

556
00:29:07,280 --> 00:29:10,040
Speaker 1: made a tiny projector light that we had to hide

557
00:29:10,120 --> 00:29:13,600
Speaker 1: in the in between you guys, in between yeah, like

558
00:29:13,600 --> 00:29:18,200
Speaker 1: the sleeping bags, so that when Pierce comes up into

559
00:29:18,280 --> 00:29:21,040
Speaker 1: frame with the ring that you need to propose and

560
00:29:21,080 --> 00:29:24,240
Speaker 1: then she puts it on. We wanted to cheat that

561
00:29:24,480 --> 00:29:26,880
Speaker 1: like in a superhero movie, like a bat signal, the

562
00:29:27,000 --> 00:29:30,160
Speaker 1: ring would shine through the roof of the tent, but

563
00:29:30,200 --> 00:29:31,800
Speaker 1: we had to make a light to do it because

564
00:29:31,800 --> 00:29:33,840
Speaker 1: obviously it was like a teeny tiny thing that didn't

565
00:29:33,840 --> 00:29:37,240
Speaker 1: have that much power. And seeing it again, I remember

566
00:29:38,120 --> 00:29:41,080
Speaker 1: sitting in the chair watching You Guys on monitor like

567
00:29:41,280 --> 00:29:45,320
Speaker 1: in tears because it worked, but seeing it ten years later,

568
00:29:46,200 --> 00:29:48,680
Speaker 1: like watching as a fan on my Giant TV, I

569
00:29:48,760 --> 00:29:51,280
Speaker 1: was sobbing. I was like, Oh, it so special.

570
00:29:51,360 --> 00:29:56,720
Speaker 5: They deserve this, and even to like the writing of it,

571
00:29:56,720 --> 00:30:01,680
Speaker 5: it was I love so there, Like there's just such respect,

572
00:30:01,800 --> 00:30:04,160
Speaker 5: right because I understand, first of all, Clay has no

573
00:30:04,200 --> 00:30:06,640
Speaker 5: idea what he's doing. He's just trying his best, as

574
00:30:06,680 --> 00:30:09,960
Speaker 5: is Quinn as his logan, right, But I understand why

575
00:30:10,000 --> 00:30:13,200
Speaker 5: Clay might not have put a picture of Sarah up

576
00:30:13,360 --> 00:30:16,360
Speaker 5: because he's not sure how that's gonna make Quinn feel,

577
00:30:16,640 --> 00:30:18,480
Speaker 5: you know, and he's navigating this for the first time.

578
00:30:18,520 --> 00:30:21,560
Speaker 5: She's being incredibly supportive. So I'm like, I understand why

579
00:30:21,600 --> 00:30:25,360
Speaker 5: Clay might might not have done that respect. And then

580
00:30:25,360 --> 00:30:27,800
Speaker 5: I but the fact that Quinn is the one to

581
00:30:27,840 --> 00:30:30,360
Speaker 5: be like, yeah, I know this needs to be here,

582
00:30:30,400 --> 00:30:33,280
Speaker 5: she's showing like respect for Sarah and respect to Clay.

583
00:30:33,320 --> 00:30:37,280
Speaker 5: And and then the fact that then like that Logan

584
00:30:37,360 --> 00:30:40,800
Speaker 5: then sort of gives permission for like them all to

585
00:30:40,840 --> 00:30:43,040
Speaker 5: be a family by taking the picture of the three

586
00:30:43,080 --> 00:30:45,120
Speaker 5: of them and putting it in the frame next to

587
00:30:45,200 --> 00:30:48,880
Speaker 5: Sarah was so beautiful.

588
00:30:49,040 --> 00:30:49,600
Speaker 4: I'm smart.

589
00:30:50,200 --> 00:30:52,880
Speaker 5: Oh, it was so good.

590
00:30:53,280 --> 00:30:56,440
Speaker 3: I was thinking that I really missed seeing you guys

591
00:30:56,480 --> 00:30:59,440
Speaker 3: with everybody at the burning boat. But it felt so

592
00:30:59,760 --> 00:31:05,360
Speaker 3: right to have this time of rest and connection for

593
00:31:05,480 --> 00:31:09,000
Speaker 3: the three of you that as much as it was like, oh,

594
00:31:09,040 --> 00:31:10,880
Speaker 3: I wish it would have been fun to have like

595
00:31:10,960 --> 00:31:13,880
Speaker 3: all of our faces there, but this is what Quinn

596
00:31:14,000 --> 00:31:18,720
Speaker 3: Clay needed. This is the cap on this long the bow,

597
00:31:18,960 --> 00:31:22,680
Speaker 3: if you will, on this long story, this long journey

598
00:31:22,680 --> 00:31:23,719
Speaker 3: that they've been on together.

599
00:31:24,200 --> 00:31:27,760
Speaker 1: Yeah, it was all right. And I appreciated that a

600
00:31:27,760 --> 00:31:30,479
Speaker 1: lot of the humor in the episode, which you needed

601
00:31:30,520 --> 00:31:34,600
Speaker 1: because you were getting such big emotional payoffs, I appreciated

602
00:31:34,640 --> 00:31:39,640
Speaker 1: that the humor wasn't so outlandish even with you three,

603
00:31:40,120 --> 00:31:42,080
Speaker 1: you know, trying to work with him to not be

604
00:31:42,160 --> 00:31:44,520
Speaker 1: afraid of the ocean, and you're like, oh my god,

605
00:31:44,560 --> 00:31:46,200
Speaker 1: and he's here with us and his grandparents and he

606
00:31:46,200 --> 00:31:47,800
Speaker 1: can't sleep and it's the thing. And then his mom

607
00:31:47,800 --> 00:31:50,640
Speaker 1: who passed away, and you know, Quinn's like, it's the immensity.

608
00:31:50,680 --> 00:31:53,040
Speaker 1: I totally get it. And he's like I'm scared of sharks.

609
00:31:53,800 --> 00:31:59,760
Speaker 1: And it's like, oh, you're still good. It like let

610
00:31:59,880 --> 00:32:02,040
Speaker 1: you just a little of the emotional pressure out in

611
00:32:02,080 --> 00:32:06,200
Speaker 1: the most perfect way. That was so sweet, and you

612
00:32:06,200 --> 00:32:09,160
Speaker 1: remember like, oh, yeah, he's he's also just six. Yeah,

613
00:32:09,280 --> 00:32:09,760
Speaker 1: he's a kid.

614
00:32:09,760 --> 00:32:13,640
Speaker 3: Totally do that as parents and adults like project all

615
00:32:13,680 --> 00:32:18,560
Speaker 3: this stuff like do you are you subconsciously feeling like like, no,

616
00:32:18,720 --> 00:32:20,240
Speaker 3: I'm just afraid of sharks.

617
00:32:20,280 --> 00:32:23,720
Speaker 5: That's yeah. First of all, I don't know what immensity means.

618
00:32:24,280 --> 00:32:27,880
Speaker 5: The second of all, have you heard of sharks? Yeah?

619
00:32:28,240 --> 00:32:31,320
Speaker 1: Sea monsters? Like it's just perfect.

620
00:32:31,640 --> 00:32:34,800
Speaker 5: He Yeah, he was great. And as much as I

621
00:32:34,840 --> 00:32:39,920
Speaker 5: have issues with the road we took to get here, boy,

622
00:32:40,480 --> 00:32:44,479
Speaker 5: this is a really nice destination. And I was talking

623
00:32:44,640 --> 00:32:47,200
Speaker 5: with we were at a convention last weekend and I

624
00:32:47,240 --> 00:32:49,680
Speaker 5: was talking with some fans. I was finding myself asking like,

625
00:32:49,680 --> 00:32:53,960
Speaker 5: what's your favorite season? And it was really interesting to

626
00:32:54,000 --> 00:32:55,840
Speaker 5: hear what people thought. And then someone asked me and

627
00:32:56,200 --> 00:32:58,560
Speaker 5: I was saying, you know, I've only seen seven eighty nine.

628
00:32:58,600 --> 00:33:02,120
Speaker 5: But I gotta say much as I have kind of

629
00:33:02,200 --> 00:33:06,000
Speaker 5: ripped on season nine for the first half of it,

630
00:33:06,000 --> 00:33:10,360
Speaker 5: it is giving such a strong finish that it is

631
00:33:10,400 --> 00:33:12,520
Speaker 5: becoming a contender for my favorite season.

632
00:33:13,000 --> 00:33:18,320
Speaker 1: Yeah, yeah, I love that. I also have to give

633
00:33:18,560 --> 00:33:21,080
Speaker 1: speaking of comedy, I have to give the most amazing

634
00:33:21,160 --> 00:33:23,400
Speaker 1: props to my parents.

635
00:33:23,640 --> 00:33:26,240
Speaker 4: Daphne. I know, I was gonna say, when you walk

636
00:33:26,280 --> 00:33:26,600
Speaker 4: into that.

637
00:33:26,600 --> 00:33:32,640
Speaker 1: Hotel room, Daphne and Richard just crushed this and even

638
00:33:32,760 --> 00:33:35,280
Speaker 1: it's funny when I realized, oh, this is the episode

639
00:33:35,320 --> 00:33:38,640
Speaker 1: where Brook catches them. I went back to watch us

640
00:33:38,760 --> 00:33:41,240
Speaker 1: putting the golf clubs in the boat, and she's like,

641
00:33:41,280 --> 00:33:43,600
Speaker 1: you know, maybe you should just hear about and she

642
00:33:43,680 --> 00:33:45,920
Speaker 1: has just a hint of something and I look at

643
00:33:45,920 --> 00:33:47,120
Speaker 1: her and she goes, you know, so we can make

644
00:33:47,120 --> 00:33:49,600
Speaker 1: fun of him or whatever, you know, for nothing else

645
00:33:49,600 --> 00:33:52,840
Speaker 1: than to see him flailing in the wind like she covers.

646
00:33:53,440 --> 00:33:57,000
Speaker 1: But Daphney's so good that she had a little something

647
00:33:57,840 --> 00:34:01,400
Speaker 1: under what she was saying. Then, so when you when

648
00:34:01,480 --> 00:34:05,400
Speaker 1: you get into the hotel room, and it's like the

649
00:34:05,520 --> 00:34:07,760
Speaker 1: robe and then the bed, and then the hair, and

650
00:34:07,800 --> 00:34:12,439
Speaker 1: then the dune dune of the chocolate covered strawberries, which,

651
00:34:12,480 --> 00:34:18,160
Speaker 1: for whatever reason, are the hotel sex giveaway. It's she

652
00:34:18,400 --> 00:34:20,240
Speaker 1: just crushes crushes.

653
00:34:20,440 --> 00:34:24,680
Speaker 5: Let me give you some props because no one plays

654
00:34:24,800 --> 00:34:29,880
Speaker 5: horrified like you, and you are so good with comedy.

655
00:34:29,920 --> 00:34:33,399
Speaker 5: But I gotta tell you the you know, comedy comes

656
00:34:33,440 --> 00:34:37,080
Speaker 5: in threes, and so there's who when Richard comes out

657
00:34:37,800 --> 00:34:41,799
Speaker 5: shirtless looking like he's chiseled from stone. That's incredible. By

658
00:34:41,800 --> 00:34:43,719
Speaker 5: the way, what are you doing, sir? I mean making

659
00:34:43,760 --> 00:34:46,360
Speaker 5: all the right choices uparent right. I watched that scene,

660
00:34:46,440 --> 00:34:50,480
Speaker 5: was like I gotta go for a jog, honestly, but

661
00:34:50,640 --> 00:34:53,760
Speaker 5: so he so you so Brooke, you an amazing face,

662
00:34:53,800 --> 00:34:56,480
Speaker 5: and you're like, oh my god, and you leave the

663
00:34:56,560 --> 00:34:59,520
Speaker 5: room and there's a beat, and then Richard says, or

664
00:34:59,560 --> 00:35:03,400
Speaker 5: then Ted says to Victoria, funny, that's what you were

665
00:35:03,440 --> 00:35:07,279
Speaker 5: saying last night. There's our second. And then then from

666
00:35:07,320 --> 00:35:09,680
Speaker 5: out on the other side of the door, you hear

667
00:35:09,760 --> 00:35:10,279
Speaker 5: Brooke go.

668
00:35:10,280 --> 00:35:16,759
Speaker 6: Oh my god, yes, so good, and then Daphney picks

669
00:35:16,760 --> 00:35:18,440
Speaker 6: it up and goes, oh my god.

670
00:35:19,320 --> 00:35:21,320
Speaker 4: And it just the timing.

671
00:35:21,680 --> 00:35:24,200
Speaker 1: I remember when we were getting that and needing to

672
00:35:24,200 --> 00:35:27,040
Speaker 1: figure out how I could start to back out of

673
00:35:27,080 --> 00:35:29,680
Speaker 1: the room in just the right way so that he

674
00:35:29,760 --> 00:35:31,640
Speaker 1: could come out of the door and we could smack

675
00:35:31,719 --> 00:35:35,320
Speaker 1: into each other. And I and I remember telling Maddie,

676
00:35:35,360 --> 00:35:39,680
Speaker 1: our camera operator, when we do it, keep the frame

677
00:35:39,760 --> 00:35:42,400
Speaker 1: above his towel, because I want the audience for a

678
00:35:42,480 --> 00:35:46,600
Speaker 1: minute to think Brooke has just slammed into her naked dad.

679
00:35:47,320 --> 00:35:49,080
Speaker 1: And then when we start to move, you see that

680
00:35:49,120 --> 00:35:51,680
Speaker 1: he has a towel around him. But for a moment

681
00:35:51,840 --> 00:35:53,799
Speaker 1: it's like, I mean, it's already the worst thing that

682
00:35:53,840 --> 00:35:57,480
Speaker 1: could happen, but it seems even worse. And then the

683
00:35:57,520 --> 00:35:59,759
Speaker 1: cacophony of oh my god, oh my god, oh my god, oh,

684
00:35:59,840 --> 00:36:03,760
Speaker 1: I like the build. You think it's over when Daphne

685
00:36:03,920 --> 00:36:06,839
Speaker 1: does the slow burn one, and then when they walk

686
00:36:06,880 --> 00:36:09,360
Speaker 1: into Brook and Julian's and it happens again. It's like

687
00:36:10,000 --> 00:36:13,919
Speaker 1: that kind of comedic writing and timing is my very

688
00:36:14,000 --> 00:36:15,399
Speaker 1: favorite thing in the world to play.

689
00:36:15,520 --> 00:36:19,560
Speaker 5: Yeah. Oh, when he squeezes her butt when they are

690
00:36:19,640 --> 00:36:24,920
Speaker 5: leaving your apartment and then Julian does it, You're like,

691
00:36:25,480 --> 00:36:28,600
Speaker 5: no ah, so wait, I want to go back to

692
00:36:28,600 --> 00:36:31,360
Speaker 5: the beach scene for a second because I noticed, and

693
00:36:31,400 --> 00:36:32,880
Speaker 5: I'm just curious if you caught this or if you

694
00:36:32,920 --> 00:36:36,080
Speaker 5: remember this that when when Quinn is getting Logan to

695
00:36:36,160 --> 00:36:38,200
Speaker 5: walk out into the water, and we are shooting out

696
00:36:38,239 --> 00:36:40,960
Speaker 5: into the ocean. Did you notice that there was just

697
00:36:41,280 --> 00:36:45,239
Speaker 5: a random dude in the water in the background, like

698
00:36:45,280 --> 00:36:49,360
Speaker 5: a surfer. No, just like a dude. I didn't see that,

699
00:36:49,520 --> 00:36:51,520
Speaker 5: like half of a guy. And then it's funny because

700
00:36:51,520 --> 00:36:53,319
Speaker 5: then the camera kind of crops him out and I

701
00:36:53,360 --> 00:36:56,120
Speaker 5: was laughing, like I wonder if it was just someone swimming,

702
00:36:56,120 --> 00:36:58,239
Speaker 5: and you guys were like, get the rando out of

703
00:36:58,239 --> 00:37:01,919
Speaker 5: the shot, like, what are you doing, sir, which it's,

704
00:37:01,920 --> 00:37:05,399
Speaker 5: by the way, totally okay. Clay lives on a public beach. Yes,

705
00:37:05,480 --> 00:37:07,520
Speaker 5: it's funny because those moments you're not used to seeing

706
00:37:07,520 --> 00:37:10,120
Speaker 5: someone who's not in the show, just like casually filling

707
00:37:10,160 --> 00:37:12,359
Speaker 5: in the corner of a frame. So yeah, and when.

708
00:37:12,280 --> 00:37:15,600
Speaker 3: They're cropped out like clearly, I say, mad dollar, cameraroberator.

709
00:37:15,600 --> 00:37:17,879
Speaker 3: I'm sure it was just like slightly moving the kid.

710
00:37:18,239 --> 00:37:20,600
Speaker 1: Let me do this slow so you don't really notice,

711
00:37:20,680 --> 00:37:23,040
Speaker 1: but I fixed the problem. That's so great.

712
00:37:23,239 --> 00:37:25,399
Speaker 3: I love seeing I love watching that on shows when

713
00:37:25,400 --> 00:37:27,280
Speaker 3: you can spot a problem and you see the camera

714
00:37:27,520 --> 00:37:28,520
Speaker 3: just slightly moving.

715
00:37:30,560 --> 00:37:35,040
Speaker 5: Comedy didn't stop there because we had all Chase bringing

716
00:37:35,120 --> 00:37:37,720
Speaker 5: it with the totally not a cry for help runner,

717
00:37:38,320 --> 00:37:42,239
Speaker 5: that scene with Haley, which was he was so good

718
00:37:42,239 --> 00:37:43,600
Speaker 5: in this episode. I mean we say this, it was

719
00:37:43,719 --> 00:37:47,360
Speaker 5: even all the time, but so under It was funny

720
00:37:47,360 --> 00:37:48,920
Speaker 5: but also really grounded.

721
00:37:49,520 --> 00:37:52,440
Speaker 3: Yeah, he just never tries too hard. It makes me

722
00:37:52,560 --> 00:37:55,400
Speaker 3: so happy when I watch him, like I can relax.

723
00:37:56,600 --> 00:37:59,920
Speaker 3: You know, there's there's an anxiety I feel as if

724
00:37:59,920 --> 00:38:01,719
Speaker 3: you were when I'm watching an actor that I feel

725
00:38:01,719 --> 00:38:05,279
Speaker 3: like is trying really hard. I just get a little like,

726
00:38:05,400 --> 00:38:07,319
Speaker 3: I don't know what, what is your expectation of me?

727
00:38:07,440 --> 00:38:08,919
Speaker 3: And like not even the same room with the person

728
00:38:08,960 --> 00:38:10,520
Speaker 3: that it was filmed, you know, a year ago, but

729
00:38:10,560 --> 00:38:11,440
Speaker 3: I'm watching it like.

730
00:38:11,560 --> 00:38:13,239
Speaker 4: Oh god, I don't know how to react to this.

731
00:38:13,800 --> 00:38:17,280
Speaker 3: Yeah, but Steven's just so easy to watch because he's

732
00:38:17,480 --> 00:38:21,320
Speaker 3: he's just so unconcerned with anything.

733
00:38:21,360 --> 00:38:23,120
Speaker 4: I mean, he's just so natural. I don't know how

734
00:38:23,120 --> 00:38:23,759
Speaker 4: else to say it.

735
00:38:24,440 --> 00:38:28,319
Speaker 1: I also like that he leaned into the stress and

736
00:38:28,360 --> 00:38:31,440
Speaker 1: the nervousness and nothing is working and I don't know

737
00:38:31,480 --> 00:38:33,560
Speaker 1: how I'm going to pay for all of this. You know,

738
00:38:33,600 --> 00:38:37,200
Speaker 1: these are real world problems and he's leaning into them

739
00:38:37,560 --> 00:38:40,440
Speaker 1: with you know, the best listener he's talking to Haley,

740
00:38:40,480 --> 00:38:42,320
Speaker 1: but also like Haley's a rock star, he's married to

741
00:38:42,360 --> 00:38:46,080
Speaker 1: a basketball player. And then it's like that dawns on

742
00:38:46,160 --> 00:38:48,840
Speaker 1: him and he looks at you and just so deadpan,

743
00:38:49,000 --> 00:38:52,080
Speaker 1: not a cry for help. It's like I did, I'm

744
00:38:52,120 --> 00:38:54,719
Speaker 1: not meaning to stress you out for as much as

745
00:38:54,760 --> 00:38:58,600
Speaker 1: I'm stressed out. And it's the dryness that makes it

746
00:38:58,960 --> 00:39:03,360
Speaker 1: so funny but also lets you hold the the emotion

747
00:39:03,560 --> 00:39:05,879
Speaker 1: underneath it. It's so well played on his.

748
00:39:05,880 --> 00:39:11,560
Speaker 5: Part, and also a hilarious, very small hint of a

749
00:39:11,600 --> 00:39:14,160
Speaker 5: callback to Haley working at the crisis center.

750
00:39:15,320 --> 00:39:20,480
Speaker 3: Oh yeah, yeah, oh yeah, good old Hailey, always there

751
00:39:20,480 --> 00:39:22,239
Speaker 3: for advice when someone needs it.

752
00:39:23,320 --> 00:39:25,080
Speaker 5: Did we ever find out? Because I know at the end,

753
00:39:25,320 --> 00:39:27,640
Speaker 5: you know, Haley's like, what if you just what if

754
00:39:27,640 --> 00:39:29,600
Speaker 5: the bar was yours? Like what if you just bought it?

755
00:39:29,760 --> 00:39:30,040
Speaker 7: Yeah?

756
00:39:30,120 --> 00:39:33,239
Speaker 5: Yeah, I'm broke, So no, And Haley said some of

757
00:39:33,280 --> 00:39:35,960
Speaker 5: the effect of like I have an idea about that.

758
00:39:36,280 --> 00:39:38,920
Speaker 5: We didn't hear the plan for that, correct, I didn't know.

759
00:39:39,080 --> 00:39:42,120
Speaker 3: She just goes to Karen I guess yeah, and has

760
00:39:42,160 --> 00:39:45,200
Speaker 3: a conversation with her, which definitely annoyed me that we

761
00:39:45,239 --> 00:39:47,600
Speaker 3: didn't have Moiro back on the show for that episode.

762
00:39:47,760 --> 00:39:49,440
Speaker 3: I don't know remember if we got her back for

763
00:39:49,480 --> 00:39:50,759
Speaker 3: the next one, but we'll find out.

764
00:39:50,840 --> 00:39:53,880
Speaker 1: Well, the pebble that we drop is the Friends with

765
00:39:54,000 --> 00:39:59,279
Speaker 1: Benefit flyer that you find. Yeah, and obviously we know

766
00:39:59,320 --> 00:40:01,440
Speaker 1: how the next epist, so it ends, so you can

767
00:40:01,520 --> 00:40:05,120
Speaker 1: kind of imagine that we do a big fundraiser to

768
00:40:05,239 --> 00:40:09,800
Speaker 1: buy the bar. I would bet okay, yeah, bet is

769
00:40:09,840 --> 00:40:16,720
Speaker 1: the is the plan. It's it's very cool the nods

770
00:40:16,760 --> 00:40:21,239
Speaker 1: to high school, and you know, they managed to tell

771
00:40:21,239 --> 00:40:26,280
Speaker 1: a story. I do wish we'd had Moira. I remember

772
00:40:26,320 --> 00:40:29,480
Speaker 1: a few things, you know, just sort of from behind

773
00:40:29,520 --> 00:40:34,200
Speaker 1: the scenes directing, Like I'd wanted a photo. I'd wanted

774
00:40:34,239 --> 00:40:36,400
Speaker 1: Haley to get a text message of a photo of

775
00:40:36,480 --> 00:40:39,120
Speaker 1: Nathan and Jamie camping, like we could have just taken

776
00:40:39,160 --> 00:40:41,120
Speaker 1: it in the back of the studio against a tree,

777
00:40:41,160 --> 00:40:43,640
Speaker 1: like And it was one of those things. Because we

778
00:40:43,640 --> 00:40:46,200
Speaker 1: were wrapping in November and then these episodes were going

779
00:40:46,239 --> 00:40:48,440
Speaker 1: to air like March and April. They were like, yeah, yeah, yeah,

780
00:40:48,440 --> 00:40:50,319
Speaker 1: we'll get it. And then I watched the final cut

781
00:40:50,320 --> 00:40:55,680
Speaker 1: and I'm like, nobody, nobody remembered my note. And there

782
00:40:55,760 --> 00:40:58,920
Speaker 1: was a thing as well where I remember because of

783
00:40:58,960 --> 00:41:01,719
Speaker 1: the boat the way we did it. They hadn't set

784
00:41:01,800 --> 00:41:06,480
Speaker 1: up like a like a side container to do inserts

785
00:41:06,480 --> 00:41:09,040
Speaker 1: of burning. We were going to do it at the studio,

786
00:41:09,080 --> 00:41:11,520
Speaker 1: and then we ran out of time and then they

787
00:41:11,520 --> 00:41:13,080
Speaker 1: were like, oh, we'll do it during the finale, and

788
00:41:13,120 --> 00:41:17,000
Speaker 1: then obviously it didn't happen. So you miss Brook's diary burning,

789
00:41:17,280 --> 00:41:19,279
Speaker 1: which was one of those things I wanted because the

790
00:41:19,320 --> 00:41:23,160
Speaker 1: diary was such a runner in the episode. Yeah, and

791
00:41:23,200 --> 00:41:26,239
Speaker 1: I loved that it called us back kind of like

792
00:41:26,280 --> 00:41:28,840
Speaker 1: The Boys and the River Court. I love that we

793
00:41:28,880 --> 00:41:31,719
Speaker 1: got the call back to the early seasons because Rob

794
00:41:31,760 --> 00:41:34,600
Speaker 1: there's this voiceover that I have. I think it's maybe

795
00:41:34,640 --> 00:41:38,120
Speaker 1: top of season three, or maybe it's season two, running

796
00:41:38,200 --> 00:41:40,399
Speaker 1: like in the morning, sneaking out of a boy's house

797
00:41:40,400 --> 00:41:43,799
Speaker 1: that I've slept over at, sneaking back into mind, being like,

798
00:41:43,840 --> 00:41:46,399
Speaker 1: you know, good girls keep diaries and bad girls don't

799
00:41:46,440 --> 00:41:49,799
Speaker 1: have time. So that's why when Brooke brings Julie in

800
00:41:49,800 --> 00:41:51,640
Speaker 1: the diary and is like, I used to say, I

801
00:41:51,640 --> 00:41:53,560
Speaker 1: didn't keep one of these. It's just because I didn't

802
00:41:53,600 --> 00:41:57,280
Speaker 1: want anyone to find it. And then you hear about

803
00:41:57,320 --> 00:42:01,040
Speaker 1: all the turmoil at home and the parents, the parents

804
00:42:01,200 --> 00:42:04,520
Speaker 1: arguments and and you know, we don't talk to each other,

805
00:42:04,520 --> 00:42:08,640
Speaker 1: we've never sat together. That's the runner that gets you

806
00:42:08,719 --> 00:42:11,759
Speaker 1: to the end again, our final picnic table moment at

807
00:42:11,760 --> 00:42:15,400
Speaker 1: the river court with this family finally sitting together. And

808
00:42:15,480 --> 00:42:18,799
Speaker 1: I was like, my burning journal shot is missing from

809
00:42:18,800 --> 00:42:22,160
Speaker 1: this moment right before the fireworks. But it's fire I'll

810
00:42:22,200 --> 00:42:22,719
Speaker 1: get over it.

811
00:42:22,840 --> 00:42:25,120
Speaker 3: I did love that moment though, I mean the over

812
00:42:25,160 --> 00:42:30,400
Speaker 3: the shoulder shot of those you three, like just onto

813
00:42:30,440 --> 00:42:33,359
Speaker 3: the burning boat, onto up into the fireworks. The big

814
00:42:33,400 --> 00:42:35,880
Speaker 3: crane shot was it a crane or a drone? At

815
00:42:35,880 --> 00:42:37,560
Speaker 3: the h that was a crane number and.

816
00:42:37,520 --> 00:42:40,799
Speaker 1: Those were viz effects, right, Yeah, the fireworks were fake.

817
00:42:42,600 --> 00:42:45,000
Speaker 5: But what do you think was on the one page

818
00:42:45,239 --> 00:42:48,200
Speaker 5: of Brook's diary that she tore out wouldn't let Julian.

819
00:42:48,000 --> 00:42:57,680
Speaker 8: See I I would imagine here's my thought, because there

820
00:42:57,800 --> 00:43:00,480
Speaker 8: was the overlap in season six where Julian and Lucas

821
00:43:00,520 --> 00:43:01,320
Speaker 8: worked together.

822
00:43:01,480 --> 00:43:04,160
Speaker 1: I imagine it was a story about Lucas and she was like,

823
00:43:04,239 --> 00:43:07,160
Speaker 1: let's not, let's not burn that into my husband's memory,

824
00:43:07,440 --> 00:43:10,560
Speaker 1: like because not only to rip it out, but then

825
00:43:10,640 --> 00:43:15,400
Speaker 1: to eat it to stop it from seeing it. Yeah,

826
00:43:15,400 --> 00:43:16,080
Speaker 1: that's what I think.

827
00:43:16,880 --> 00:43:17,719
Speaker 4: So fusciting.

828
00:43:18,160 --> 00:43:20,800
Speaker 3: We had fun on this show. I do remember shooting

829
00:43:20,800 --> 00:43:26,440
Speaker 3: this episode. It's like not a super clear, but I

830
00:43:26,560 --> 00:43:31,359
Speaker 3: do feel the nostalgia that we all felt when we

831
00:43:31,360 --> 00:43:35,799
Speaker 3: were walking around downtown, like, oh my gosh, we're doing

832
00:43:35,840 --> 00:43:38,760
Speaker 3: another burning boat. Oh my gosh, this is almost over.

833
00:43:39,440 --> 00:43:39,960
Speaker 4: Wow.

834
00:43:41,160 --> 00:43:43,680
Speaker 3: Really it was like a time when we were all

835
00:43:43,719 --> 00:43:47,400
Speaker 3: really soaking up our time with each other, knowing that

836
00:43:47,440 --> 00:43:50,200
Speaker 3: we only had one more left. Yeah, it's only a

837
00:43:50,200 --> 00:43:52,840
Speaker 3: few weeks left. It really kicked into our brains a

838
00:43:52,880 --> 00:43:54,799
Speaker 3: lot of us. I think all of a sudden, we're like, Okay,

839
00:43:54,840 --> 00:43:58,160
Speaker 3: we're not dealing with crazy storylines. We don't have anything

840
00:43:58,200 --> 00:44:00,560
Speaker 3: insane happening where we really have to focus and be

841
00:44:01,480 --> 00:44:04,080
Speaker 3: stressed out long hours or late nights or it was

842
00:44:04,200 --> 00:44:07,200
Speaker 3: just we were just hanging all together really good.

843
00:44:07,600 --> 00:44:08,720
Speaker 1: It's just so sweet.

844
00:44:09,160 --> 00:44:10,920
Speaker 5: Only one more left.

845
00:44:10,719 --> 00:44:11,800
Speaker 1: Only one more left.

846
00:44:11,840 --> 00:44:24,600
Speaker 9: Oh my gosh.

847
00:44:26,840 --> 00:44:30,440
Speaker 5: Cody's question is One Tree Hill was my show growing up.

848
00:44:30,640 --> 00:44:33,279
Speaker 5: Everyone knew it. That night each week the family TV

849
00:44:33,440 --> 00:44:37,200
Speaker 5: was mine. I wept when the series ended. Otch absolutely

850
00:44:37,200 --> 00:44:39,040
Speaker 5: shaped me in a lot of ways. When it ended,

851
00:44:39,080 --> 00:44:41,319
Speaker 5: I felt like a little part of me died. I

852
00:44:41,360 --> 00:44:43,680
Speaker 5: know I'm being dramatic, but I learned from the best.

853
00:44:44,520 --> 00:44:47,359
Speaker 5: I want to know, what is your One Tree Hill?

854
00:44:47,760 --> 00:44:50,719
Speaker 5: What is the show, movie, book, etc. That shaped you

855
00:44:50,840 --> 00:44:53,919
Speaker 5: and played a massively influential role in your life.

856
00:44:54,560 --> 00:44:57,440
Speaker 3: Oh my gosh, I wish i'd read this question before.

857
00:44:57,560 --> 00:45:01,439
Speaker 1: Now I know to think about it answers in chunks,

858
00:45:02,080 --> 00:45:06,600
Speaker 1: So like college, going into filming One Tree Hill, Sex

859
00:45:06,640 --> 00:45:09,600
Speaker 1: and the City was it for me. I'd never seen

860
00:45:09,640 --> 00:45:12,960
Speaker 1: women's stories told that way, women shot that way, women

861
00:45:13,080 --> 00:45:16,359
Speaker 1: centered that way. It really influenced so much of how

862
00:45:16,360 --> 00:45:20,080
Speaker 1: I felt about our show. I think about after our

863
00:45:20,120 --> 00:45:23,440
Speaker 1: show wrapped, being home and Jenny and I going like

864
00:45:23,719 --> 00:45:27,280
Speaker 1: so deep on Orphan Black and just being obsessed and watching,

865
00:45:28,280 --> 00:45:32,879
Speaker 1: you know, was what was possible in story? And then

866
00:45:32,920 --> 00:45:37,200
Speaker 1: I think about, you know, in my adult life, like lately,

867
00:45:37,239 --> 00:45:39,640
Speaker 1: it's the books that have really impacted me, like Maggie

868
00:45:39,680 --> 00:45:45,239
Speaker 1: Smith's book You Could Make This Place Beautiful, like it

869
00:45:45,280 --> 00:45:47,680
Speaker 1: is like a religious text for me prior to that,

870
00:45:47,880 --> 00:45:51,279
Speaker 1: in between these times Cheryl stra Tiny Beautiful Things. I

871
00:45:51,360 --> 00:45:53,640
Speaker 1: read it every year once a year. It's a tradition,

872
00:45:54,400 --> 00:45:57,560
Speaker 1: Like I think, there are the stories that find you

873
00:45:57,719 --> 00:46:00,520
Speaker 1: for these moments in your life, and I think it's

874
00:46:00,560 --> 00:46:03,880
Speaker 1: why hearing things like this from people like you, Cody

875
00:46:04,000 --> 00:46:07,520
Speaker 1: is so meaningful because for us to have been such

876
00:46:07,560 --> 00:46:12,239
Speaker 1: a part of your life is I don't know, like

877
00:46:12,280 --> 00:46:16,879
Speaker 1: we have that and it's really profound. So thank you

878
00:46:16,960 --> 00:46:19,880
Speaker 1: for sharing. What do you guys have? Do you do

879
00:46:19,920 --> 00:46:21,680
Speaker 1: them in chunks too, or do you think it's like

880
00:46:21,760 --> 00:46:22,279
Speaker 1: one thing?

881
00:46:22,800 --> 00:46:24,360
Speaker 4: Yeah, mine's in chunks.

882
00:46:24,600 --> 00:46:27,000
Speaker 3: I mean it doesn't have the same emotional weight. But

883
00:46:27,120 --> 00:46:29,960
Speaker 3: I love Lucy really. I mean, I just I grew

884
00:46:30,000 --> 00:46:31,520
Speaker 3: up watching it from when I was a kid, and

885
00:46:31,560 --> 00:46:33,319
Speaker 3: I continue to watch it. It's still on in my

886
00:46:33,320 --> 00:46:34,440
Speaker 3: house on Saturday mornings.

887
00:46:34,440 --> 00:46:34,919
Speaker 4: It's just.

888
00:46:36,480 --> 00:46:39,640
Speaker 3: She's just such a genius and it's so fun. I

889
00:46:39,719 --> 00:46:43,840
Speaker 3: never stopped laughing at it. And The Twilight Zone, I think.

890
00:46:43,760 --> 00:46:45,360
Speaker 4: Really I always.

891
00:46:46,760 --> 00:46:49,480
Speaker 3: Had a very even from when I was a kid

892
00:46:49,600 --> 00:46:56,759
Speaker 3: or like adolescent, the concept of mortality was not a

893
00:46:56,800 --> 00:46:59,879
Speaker 3: fearful thing for me. So I wasn't afraid of them,

894
00:47:00,120 --> 00:47:02,480
Speaker 3: cob or the things that were bizarre.

895
00:47:02,640 --> 00:47:05,400
Speaker 4: I was really intrigued and wanted to understand more.

896
00:47:05,920 --> 00:47:09,680
Speaker 3: So I really liked The Twilight Zone because it explored

897
00:47:09,719 --> 00:47:10,759
Speaker 3: a lot of those.

898
00:47:10,880 --> 00:47:16,280
Speaker 4: Themes in a way that was fun. Yeah, And then.

899
00:47:16,040 --> 00:47:17,440
Speaker 3: I mean, I'm trying to think of the thing that

900
00:47:17,560 --> 00:47:20,480
Speaker 3: really got me emotional. The show that ended that I

901
00:47:20,520 --> 00:47:24,239
Speaker 3: felt emotional. I was like, how am I going to

902
00:47:25,040 --> 00:47:27,400
Speaker 3: how am I going to keep moving after this is done.

903
00:47:27,920 --> 00:47:30,479
Speaker 3: I'm kind of embarrassed to say it because I feel like.

904
00:47:30,400 --> 00:47:35,960
Speaker 4: You guys are laugh at me. But it's so cliche

905
00:47:36,200 --> 00:47:37,000
Speaker 4: Game of Thrones.

906
00:47:37,920 --> 00:47:41,600
Speaker 1: Okay, I'm sorry, it's so cliche as mad as your show.

907
00:47:41,640 --> 00:47:44,600
Speaker 3: But like I was, okay, I was going through my

908
00:47:44,680 --> 00:47:49,000
Speaker 3: divorce while like Tyry and Lanister was gidding, was just

909
00:47:49,080 --> 00:47:52,200
Speaker 3: like getting beaten down, beaten down, and I was like,

910
00:47:52,239 --> 00:47:55,520
Speaker 3: I just desperately need an underdog to win in something

911
00:47:55,560 --> 00:47:58,440
Speaker 3: in my life. I need to see that, like really

912
00:47:58,480 --> 00:48:02,040
Speaker 3: amazing things can happen for people that are like down

913
00:48:02,080 --> 00:48:05,440
Speaker 3: at their worst. Yea, And he won that battle, like

914
00:48:05,800 --> 00:48:08,080
Speaker 3: the huge battle. If you're a fan of Game Thrones,

915
00:48:08,120 --> 00:48:09,560
Speaker 3: that you know which one I'm talking about. I don't

916
00:48:09,560 --> 00:48:11,279
Speaker 3: even know how to name them because I wasn't that

917
00:48:11,440 --> 00:48:13,040
Speaker 3: kind of a fan where I knew the details. I

918
00:48:13,160 --> 00:48:17,320
Speaker 3: just was like a character fan. But he basically wins

919
00:48:17,360 --> 00:48:22,279
Speaker 3: this massive, massive, massive battle for his family or is

920
00:48:22,320 --> 00:48:23,360
Speaker 3: it for someone else's family?

921
00:48:23,360 --> 00:48:24,080
Speaker 4: I can't even remember.

922
00:48:24,239 --> 00:48:26,040
Speaker 3: It was a huge battle that he won and he's

923
00:48:26,080 --> 00:48:29,360
Speaker 3: this tiny guy. And then as a story kept going,

924
00:48:29,400 --> 00:48:32,920
Speaker 3: I just fell so deeply in love with these characters

925
00:48:33,040 --> 00:48:37,960
Speaker 3: and their humanity and it deeply connected with me. So

926
00:48:38,239 --> 00:48:41,160
Speaker 3: when it was over, I was really sad. I felt

927
00:48:41,200 --> 00:48:43,080
Speaker 3: like I lost a lot of friends all of a sudden.

928
00:48:43,719 --> 00:48:47,120
Speaker 5: Yeah, man, I would rob me the same with Chunks.

929
00:48:47,239 --> 00:48:50,359
Speaker 5: And as far as things being influential, it's really it's

930
00:48:50,440 --> 00:48:55,160
Speaker 5: been all comedies for me because like I remember watched

931
00:48:55,160 --> 00:48:58,520
Speaker 5: the first time I watched Wet Hot American Summer. Oh,

932
00:48:58,560 --> 00:49:01,840
Speaker 5: there were jokes in that that I remember thinking, I

933
00:49:01,880 --> 00:49:04,880
Speaker 5: didn't know you could do that. Like I remember ending

934
00:49:04,920 --> 00:49:08,920
Speaker 5: that movie and I felt like, oh, like new neural pathways,

935
00:49:09,040 --> 00:49:11,719
Speaker 5: new wrinkles are in my brain because I wasn't even

936
00:49:11,760 --> 00:49:15,600
Speaker 5: aware that that was an option. Like it was like

937
00:49:15,680 --> 00:49:17,839
Speaker 5: someone went, hey, by the way, we have four new

938
00:49:17,880 --> 00:49:20,920
Speaker 5: colors of crayons, and I was like, holy seriously, so

939
00:49:21,040 --> 00:49:23,919
Speaker 5: like that like kiss Kiss, Bang Bang. I had never

940
00:49:23,960 --> 00:49:27,840
Speaker 5: seen humor and dialogue intertwined so seamlessly, and I was like,

941
00:49:28,040 --> 00:49:30,279
Speaker 5: I guess this is an option. We can do this,

942
00:49:30,400 --> 00:49:31,120
Speaker 5: you know, and then.

943
00:49:31,280 --> 00:49:33,400
Speaker 4: It's like the West Wing, Yes, yes.

944
00:49:33,800 --> 00:49:36,520
Speaker 5: Arrested development. I was like I had no idea we

945
00:49:36,560 --> 00:49:39,959
Speaker 5: could do this. So for me, it's been comedies where

946
00:49:39,960 --> 00:49:42,839
Speaker 5: like I feel like, oh, like there's been a new

947
00:49:42,880 --> 00:49:45,040
Speaker 5: part of my brain has opened up that I can

948
00:49:45,080 --> 00:49:47,600
Speaker 5: now play in that I didn't even know existed.

949
00:49:48,120 --> 00:49:52,440
Speaker 1: Yeah, I love that, especially, You're right, comedy can crack

950
00:49:53,440 --> 00:49:58,360
Speaker 1: expectation in a way that I think sometimes drama doesn't.

951
00:49:59,320 --> 00:50:01,960
Speaker 1: Like Harter, I had that same feeling watching Parks and

952
00:50:02,080 --> 00:50:05,960
Speaker 1: Rec I was like, this can be work, this can

953
00:50:06,000 --> 00:50:09,759
Speaker 1: be what we do. Oh my god, like, oh, it's

954
00:50:09,760 --> 00:50:10,360
Speaker 1: so fun.

955
00:50:11,080 --> 00:50:15,359
Speaker 5: It's probably also because I think humor is my strike zone, Like,

956
00:50:15,520 --> 00:50:18,399
Speaker 5: it's my love language, it's my self defense tool. It's

957
00:50:18,480 --> 00:50:20,319
Speaker 5: kind of my Swiss army knife. So I think it

958
00:50:20,360 --> 00:50:23,919
Speaker 5: makes sense that the most impactful stuff has been when

959
00:50:23,960 --> 00:50:25,600
Speaker 5: it is geared towards that. You know.

960
00:50:26,000 --> 00:50:29,240
Speaker 1: Yeah, great question, that's such a good question.

961
00:50:32,520 --> 00:50:34,960
Speaker 4: I guess let's spin a wheel, guys, let's.

962
00:50:34,680 --> 00:50:37,480
Speaker 3: Do it second to last wheel.

963
00:50:42,560 --> 00:50:47,000
Speaker 5: Oh, this one is great. Most likely to text their

964
00:50:47,080 --> 00:50:49,920
Speaker 5: ex during mercury retro grade.

965
00:50:52,200 --> 00:50:53,040
Speaker 4: That's so funny.

966
00:50:53,080 --> 00:50:54,800
Speaker 5: I'm going to say it's not any of the boys,

967
00:50:54,840 --> 00:50:56,680
Speaker 5: because I don't think any of us would know when

968
00:50:56,719 --> 00:50:58,560
Speaker 5: mercury is in retrograde.

969
00:50:59,840 --> 00:51:02,360
Speaker 3: I don't usually know either. I mean, I guess sometimes

970
00:51:02,400 --> 00:51:04,680
Speaker 3: I feel weird and then I find out later that

971
00:51:04,719 --> 00:51:06,799
Speaker 3: mercury was in retrograde and I'm like, oh, I guess

972
00:51:06,840 --> 00:51:07,520
Speaker 3: that's what happening.

973
00:51:07,600 --> 00:51:12,880
Speaker 1: You know what character I actually think it is Chase. Yeah,

974
00:51:12,920 --> 00:51:14,720
Speaker 1: that boy loves to text his ex.

975
00:51:15,120 --> 00:51:16,680
Speaker 4: That's very on point for this episode.

976
00:51:16,680 --> 00:51:18,719
Speaker 1: And you know what, who's going to be talking more

977
00:51:18,719 --> 00:51:21,799
Speaker 1: about mercury retrograde than some sad person sitting at a bar,

978
00:51:22,280 --> 00:51:25,320
Speaker 1: so he would overhear it and probably get a little

979
00:51:25,320 --> 00:51:28,600
Speaker 1: swept away in the story and then decide to text

980
00:51:28,719 --> 00:51:30,920
Speaker 1: one of the ladies who he was deleting from his

981
00:51:31,040 --> 00:51:32,799
Speaker 1: phone in this very episode.

982
00:51:33,000 --> 00:51:38,200
Speaker 5: Perfect, that's the answer. Sign all right, join us next

983
00:51:38,239 --> 00:51:40,479
Speaker 5: week because we have Oh my god, that's a big

984
00:51:40,520 --> 00:51:46,160
Speaker 5: episode in that it's the final episode Season nine, Episode thirteen.

985
00:51:46,680 --> 00:51:49,400
Speaker 5: Couldn't think of a better title, One Tree.

986
00:51:49,239 --> 00:51:52,000
Speaker 1: Hill, Oh my God, I'm gonna cry. Okay, see you

987
00:51:52,000 --> 00:51:54,480
Speaker 1: next week. Bye, love you guys.

988
00:51:55,280 --> 00:51:56,480
Speaker 4: Hey, thanks for listening.

989
00:51:56,560 --> 00:51:58,800
Speaker 1: Don't forget to leave us a review. You can also

990
00:51:58,840 --> 00:52:01,560
Speaker 1: follow us on Instagram at drama Queens o.

991
00:52:01,600 --> 00:52:05,800
Speaker 2: T H or email us at drama Queens at iHeartRadio

992
00:52:05,880 --> 00:52:06,680
Speaker 2: dot com.

993
00:52:06,920 --> 00:52:07,919
Speaker 4: See you next time.

994
00:52:09,160 --> 00:52:12,560
Speaker 3: We all about that high school drama girl, drama girl,

995
00:52:12,640 --> 00:52:13,400
Speaker 3: all about them.

996
00:52:13,280 --> 00:52:16,320
Speaker 1: High school queens forever. We'll take you for a ride,

997
00:52:16,360 --> 00:52:19,560
Speaker 1: and our comic girl cheering for the right teams.

998
00:52:19,360 --> 00:52:23,399
Speaker 2: Drama queensise my girl, vegirl fashion with your tough girl,

999
00:52:23,480 --> 00:52:24,439
Speaker 2: you could sit with us.

1000
00:52:24,480 --> 00:52:28,560
Speaker 3: Girl Drama Queens, Drama queens, Drama queens, Drama, Drama Queens,

1001
00:52:28,640 --> 00:52:30,239
Speaker 3: Drama Queens