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Speaker 1: Look, oh, I see you my own look over there

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Speaker 1: is that culture. Yes, love cult love, culturist calling, and

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Speaker 1: we are let's get tactile. Well, let's get tactile touching.

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Speaker 1: And there's a third hand. There's no six hands in

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Speaker 1: the middle.

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Speaker 2: We are really pushing the boundaries today.

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Speaker 3: Here's a huge explosive bit of reality for you. Open wide,

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Speaker 3: open wide. We're not wearing cans, which is the sort

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Speaker 3: of professional way of saying. We're not wearing headphones, which

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Speaker 3: is the professional way of saying that this is going

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Speaker 3: to be real.

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Speaker 4: Not only are we not wearing them, we have issuing them.

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Speaker 4: We have shown cans. Please confirm I'm using it correctly.

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Speaker 3: I don't know because I heard someone say eskew the

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Speaker 3: other day and I went to a shoe. Something is

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Speaker 3: different than for something. But they said, this game is skewed,

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Speaker 3: conventional thing.

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Speaker 1: Who's at it?

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Speaker 3: Can we someone on YouTube, a YouTube video game blogger?

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Speaker 4: You would stack my reputation as a mart Smith against

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Speaker 4: this YouTuber. I feel like Margo Robbie in the film

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Speaker 4: Mary Queen of Scott's when she said something about my

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Speaker 4: inferior and Margot said, that's how.

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Speaker 2: I feel in the face of what you've said and

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Speaker 2: not only just but done to me.

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Speaker 3: Just now, Mary Queen of Scott's a movie that should

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Speaker 3: have been watched more.

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Speaker 1: Yes or no, I wouldn't know. I didn't watch it,

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Speaker 1: but we all saw the trailer.

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Speaker 2: You know what's crazy.

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Speaker 4: We've sort of already decided and this is breaking news,

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Speaker 4: already decided what the categories will be for the last

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Speaker 4: Coach Recess Culture Awards. But now I'm thinking, do we

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Speaker 4: bring back the category of best Movie we did not see?

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Speaker 4: And is Mary Queen of Scott's a front runner in.

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Speaker 3: The think best Movie we did not see? It's still

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Speaker 3: in the category list. Let me just should I check?

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Speaker 4: Yes?

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Speaker 1: Yes?

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Speaker 3: Okay, hold on, I have this would be huge news

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Speaker 3: of this. Okay, there's more reveals incoming, but let's there's

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Speaker 3: just so.

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Speaker 2: Many reveals in coming because guess what we are here

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Speaker 2: to announce.

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Speaker 4: This is a huge episode in which we push boundaries

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Speaker 4: and so far the front runner for title lopap is

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Speaker 4: episode in which we push boundaries. But we're gonna see

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Speaker 4: if we can beat it. But it is officially award season.

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Speaker 4: It is award season. It is lost culture recas Culture

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Speaker 4: Awards season. The publicist you are re hired, hit the

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Speaker 4: ground and campaign.

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Speaker 1: It is time Boon Yang. How we're feeling.

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Speaker 3: We feel great. This is one of the only award

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Speaker 3: shows that is not touched by the strike.

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Speaker 1: No, this couldn't be less word.

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Speaker 3: You're not gonna pull Drew Berry Moore and pull out

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Speaker 3: of the Movie Awards at the last minute, which we

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Speaker 3: applaud her for doing.

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Speaker 1: And I am gonna stand up right now and do

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Speaker 1: very that. Stand up right now and do very that.

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Speaker 4: Stand upright that's actually a really culture number eight. And

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Speaker 4: I'm gonna stand up right now and do very that.

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Speaker 3: We have to acknowledge something. First of all, there's a

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Speaker 3: dog in the studio named Ruth, who is a star.

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Speaker 1: It is not every day you meet a legend.

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Speaker 3: No, it is not every day. And I think today

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Speaker 3: is a legendary day for me personally. I'm seeing Ruth.

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Speaker 3: Our guest is inches away from me. We're seeing moona

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Speaker 3: tonight a Terminal five, which a venue I have not

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Speaker 3: returned to since college.

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Speaker 1: I'm very scared.

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Speaker 4: Well, I mean famously, Gaga performed at Terminal five, right,

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Speaker 4: and she went on to become Lady Gaga, the actress,

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Speaker 4: the actress, And I want to say one quick thing

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Speaker 4: before we bring the legendary guests in.

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Speaker 2: And you're all just like edging at home.

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Speaker 1: You've all skipped fifteen second skip skip.

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Speaker 2: I just want to say, I want to want to

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Speaker 2: relate to the audience for just one second.

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Speaker 1: So it's sort of Spring is definitely sprung. It's May.

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Speaker 4: We're in May, Bowen says to me, I'm wearing my

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Speaker 4: concert clothes to the recording. Yeah, I have a full

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Speaker 4: on panic. I ask you, why are you wearing? You

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Speaker 4: don't respond literally right away.

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Speaker 1: I see that star.

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Speaker 2: No, don't apologize to me.

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Speaker 4: I'm just saying it's indicative of a phenomenon right now,

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Speaker 4: which is, oh my god, spring is sprung.

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Speaker 1: I'm back in New York.

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Speaker 4: What is clothes right now? I don't know if I

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Speaker 4: can go out in the pants. Our guest is holding

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Speaker 4: a full on jacket, which I swear you couldn't need

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Speaker 4: less And welcome back to New York, my sister. The

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Speaker 4: way you just rolled your eyes at the guests, locome

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Speaker 4: back to New York. Get a good lawyer, Get a

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Speaker 4: good lawyer.

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Speaker 2: The way that you're in cut off everything.

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Speaker 3: Yeah, it's too much. I looked at myself in the

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Speaker 3: mirror and as but it was it was one point thirty.

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Speaker 3: I was like, I gotta get on the train and

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Speaker 3: you're wearing Muna merch. I'm wearing Munam merch. This is

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Speaker 3: merch that they that they gifted me.

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Speaker 4: Well, I mean, I mean you are dressed for it,

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Speaker 4: and I didn't know what to do. And that's what

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Speaker 4: doesn't matter less, it doesn't. No, that's not when Moona

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Speaker 4: is about. This is my form of expression in my

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Speaker 4: excitement to go to the Muda concert. Okay, I'm gonna

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Speaker 4: go home cut more things, yes, way, yes, maybe I'll

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Speaker 4: come in a Mets shirt that's cut off.

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Speaker 1: Yes, and I'll be like life so fun, it's so fun.

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Speaker 2: Our guest is currently on Broadway.

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Speaker 1: Let that sink in.

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Speaker 3: Let that sink in. And can I say this is

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Speaker 3: gonna sound this is gonna sound interesting. Well, it's gonna

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Speaker 3: sound that it's gonna happen to her good friend, our

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Speaker 3: good friend, good friend, shared good friend, Michael chrus Kane,

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Speaker 3: who also has a show opening soon.

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Speaker 4: Sometimes you hear someone's name and you just throw your hands.

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Speaker 4: You just starts shaking your head in the positive way,

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Speaker 4: you know what I mean. Like you're like damn like

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Speaker 4: and he's one of those names you hear and you

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Speaker 4: just start shaking your head.

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Speaker 3: Damn, damn you go yes, A finalist, A finalist, Michael

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Speaker 3: Krrius Kane is a finalist for sure. We were both

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Speaker 3: walking from the theater from Helen Hay second stages to

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Speaker 3: the party space talking about our guest, going God, isn't

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Speaker 3: it just amazing that it like it translates. We've seen

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Speaker 3: her on stage at uc B, in TV shows and movies,

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Speaker 3: but then to see her on like a Broadway stage

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Speaker 3: not terribly existentially different from anything else, but just it

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Speaker 3: is a different energy. And to see her fucking both

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Speaker 3: Carrie in her moments where she's supposed to carry as

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Speaker 3: her character and then also share the space in this

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Speaker 3: wonderful ensemble comedy, the Thanksgiving play.

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Speaker 1: It is special. It is wonderful. I was very happy

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Speaker 1: to bear witness to it, as were you.

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Speaker 4: Absolutely. I mean, I couldn't have said about it myself.

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Speaker 4: I said, it's just started on display.

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Speaker 1: Luminosity, luminosity with three other stars.

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Speaker 4: With truly a great cast, and I mean it's also

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Speaker 4: a really fun play in and of itself, like it's

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Speaker 4: gonna get done and done and done. Yep, And I

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Speaker 4: think that, like it's also gonna. What I love about

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Speaker 4: it is it's just real comedy on Broadway. And I've

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Speaker 4: said this, it always sticks out to me. It's happening

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Speaker 4: more and more. There is more and more real comedy. Yeah, Broadway.

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Speaker 4: I would cite Kimberly a Kimbo as an example. I

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Speaker 4: haven't seen Shucked yet.

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Speaker 1: People are fiving about Shucked. I'm waiting for the right day.

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Speaker 4: I'm loving laughing and I'm loving sitting for the Broadway lately.

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Speaker 2: And please kind of bring in the guests because this

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Speaker 2: guest is on fire.

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Speaker 1: And her name is.

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Speaker 4: Wow.

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Speaker 1: Back in Luca's back in the house, I believe it

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Speaker 1: was the house after almost two years to the it

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Speaker 1: was like it was like a week or two ago.

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Speaker 3: She sent us the photo of us two years ago

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Speaker 3: in the l A studio with the class separator.

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Speaker 4: That's wild. I think that it always feels like it

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Speaker 4: was fifteen minutes now in the best way.

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Speaker 1: I do too, you know what I mean. I guess

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Speaker 1: I was therefore.

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Speaker 2: To be a special guest.

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Speaker 1: Even before that, you came in for an episode where

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Speaker 1: we were you were the solo guest. Yes, yes, but

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Speaker 1: that was Yeah, that was the two years ago. Uh huh.

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Speaker 1: The last year was the song? Yes, the song?

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Speaker 4: Officially, I think of the way that episode occupies time

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Speaker 4: and space for me is when you threw the what

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Speaker 4: was it like a cum quat?

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Speaker 2: You threw a cum quat or like a tangerine in

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Speaker 2: the air, an orange?

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Speaker 4: It could have been as simple as, oh my god,

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Speaker 4: I remember this, yes, and I remember, and I was

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Speaker 4: just like, wow, we are off to the races.

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Speaker 2: A fruit is in the air.

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Speaker 1: The fruit is absolutely sailing through the air throwing I

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Speaker 1: do throwing food. I'm looking around for food. I'm saying nothing.

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Speaker 4: Wow, no, no, don't do you throw food in the play?

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Speaker 4: I can't remember you throw you throw? You throw another thing?

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Speaker 1: I don't want to do. That's true. I do you know?

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Speaker 1: One night I threw a grape in the air to

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Speaker 1: like catch in my mouth, and then I was like,

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Speaker 1: that's hack. Did you catch it in your mouth? I

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Speaker 1: don't think that's hack. You don't think I think that

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Speaker 1: the character produces a.

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Speaker 4: Huge discussion if throwing food in the air and catching

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Speaker 4: it in your mouth is this is one of the

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Speaker 4: culture topics we have not yet breathed.

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Speaker 1: But okay, it felt like I was like, this is

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Speaker 1: me asking the audience to laugh. They will laugh at this,

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Speaker 1: which felt a little hack. I don't know how it's

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Speaker 1: not half because you know why. It's high risk. Okay, great,

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Speaker 1: great hack is low ristard or not even high rewards,

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Speaker 1: lowest glow reward. Okay, I'll try it. I'll try it

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Speaker 1: on Tuesday, Tuesday at seven pm. This is this is.

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Speaker 4: I'm thinking what might be a fresh take on the

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Speaker 4: eye through this is. I think what it would be good.

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Speaker 4: Okay if you threw a food cut in your mouth

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Speaker 4: and then acted shock that you did it.

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Speaker 1: That's fine. Oh my god, wait, I've never before you

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Speaker 1: just stops the play. Stop wait wait wait stop? Did

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Speaker 1: you guys never? I want to do that. I just

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Speaker 1: take it. Yes, I bet they would go with me.

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Speaker 1: They would go with me.

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Speaker 4: It is the definition of what like the larger community

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Speaker 4: would call a fun group on stage.

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Speaker 1: That's why you go see theater. I know, don't you

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Speaker 1: love I love theater?

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Speaker 3: I do.

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Speaker 1: Sorry, it's I love it. I love it. What is

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Speaker 1: it like doing it? It's so fine, you guys, you

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Speaker 1: got to do it, Okay, don't.

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Speaker 4: Actually want to very bad? I know, I know that's

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Speaker 4: been something that maybe I don't know why I resisted

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Speaker 4: doing it or maybe felt like I couldn't do you

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Speaker 4: know what I mean, Like, did you ever feel like

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Speaker 4: that in the process of like approaching it, Like because

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Speaker 4: we come from like a comedy background, and yes, be

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Speaker 4: like booked and film and television and stuff, but it

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Speaker 4: does feel weird, like all of a sudden, it's Broadway.

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Speaker 1: It's key exactly. You're like, am I allowed to do this?

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Speaker 1: I really, I really did. I sat down with Rachel

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Speaker 1: Chafkin the n and I really had before, you know,

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Speaker 1: sort of like saying the day after I'd read the

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Speaker 1: play like it wasn't a done deal yet, and I

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Speaker 1: really was like I wasn't asking her to like hype

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Speaker 1: me up or anything, but I was like, why do

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Speaker 1: you think I can do this? Like, you know totally

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Speaker 1: that's I would ask the same, right, It's like something

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Speaker 1: that I have training in and did so long ago,

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Speaker 1: and I know I can do it somewhere deep down,

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Speaker 1: But for fifteen years, I have not done a play.

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Speaker 1: And I know we've all done so much stage work

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Speaker 1: and live stuff, but doing a play and doing a

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Speaker 1: month rehearsals and it's a different thing, and it's deep

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Speaker 1: in us and by the way, you can and will

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Speaker 1: do it and it will be so fun. But it

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Speaker 1: is a different process. It's totally like I think something

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Speaker 1: that struck me and you guys will get this, like

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Speaker 1: as comedy people is having to do well, let's see,

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Speaker 1: it's continuous.

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Speaker 3: Yeah, that's that's the thing that I think I take

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Speaker 3: for greater because you're not like breaking it into smaller VI.

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Speaker 1: That is so fun about it.

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Speaker 3: I know.

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Speaker 1: This is something that like you would do for your

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Speaker 1: Christmas show, like you find bits and you repeat them

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Speaker 1: every night. But as improvisers and also just as like

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Speaker 1: doing comedy on TV, where it's take after take and

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Speaker 1: it's try something new, to try something new. Oh well,

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Speaker 1: this would be for Saturday night. No, it's it's esenl

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Speaker 1: It's like you have to like abandon it different.

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Speaker 2: This is like it's literally living breathing.

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Speaker 1: By the way, if you find a funny thing in

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Speaker 1: week one rehearsal and the producer and the director and

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Speaker 1: there's play right whoever's there, they laugh, they want you

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Speaker 1: to do it again in the next run through, and

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Speaker 1: it feels like sacrilegious. It can feel and so that

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Speaker 1: was something I had I like really struggled with and

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Speaker 1: had to have like a heart to heart with the

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Speaker 1: cast and director gat to be like I everything in me.

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Speaker 1: If you guys laugh at me, if I do something

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Speaker 1: and you laugh, in my brain, I go, I can't

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Speaker 1: do it again. Yeah I didn't explain it, well, I

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Speaker 1: can't to do it again would be like breaking the rules.

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Speaker 1: Because as you as the listeners know, if you've done

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Speaker 1: any comedy or improv or anything, to like do a

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Speaker 1: funny thing twice, that's not allowed. It's not only not

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Speaker 1: allowed to repeat it, I should say to repeat, but

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Speaker 1: to repeat it is also we might think as comedy

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Speaker 1: trained people it's not allowed.

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Speaker 3: But it's also I think, I truly believe so difficult

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Speaker 3: right totally to do it again.

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Speaker 1: And like get the it's you're probably not going to

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Speaker 1: get the same. Wow, God, it is bringing me back.

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Speaker 1: Come with me, come with bringing me the hell back too.

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Speaker 1: High school, maybe I was a junior or something like that.

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Speaker 1: I hosted em Seed the Dance the Girls Dance, the

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Speaker 1: Girls Dance Show. Okay, represent this person who now, yes,

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Speaker 1: you see me m yeah, of course of coure so

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Speaker 1: I'm em seeing it. And one there's two shows, two night,

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Speaker 1: one night, let's say Wednesday, and let's say a Thursday.

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Speaker 1: It's not the weekend. It's not going to be the weekend.

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Speaker 1: No no, no, no no. And I and something happened

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Speaker 1: on stage and when when it was my turn to

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Speaker 1: do like my little MCing guys, I improvised something and

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Speaker 1: it absolutely killed. Just okay, I killed some little off

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Speaker 1: the cut thing. Wow, and it killed?

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Speaker 4: Now?

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Speaker 1: Did I try it again the next night? I did?

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Speaker 1: For you. I almost feel like I've told you, guys

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Speaker 1: this so badly that some boy and the audience went booacous?

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Speaker 1: Do you remember what it was? It was something about

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Speaker 1: the song they were dancing to. And even this will

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Speaker 1: really hit home, you guys. The song these girls were

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Speaker 1: dancing too was bad to the bone. Wait, oh god,

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Speaker 1: I thought you were gonna say I knew you were

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Speaker 1: gonna say that. Oh my god, I'm so sorry. I

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Speaker 1: am so sorry, something like that, bleeding in the booth.

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Speaker 2: I don't know I need Did you finish the story okay?

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Speaker 1: Really quickly? You just felt it?

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Speaker 3: Or because I literally did a show my freshman year

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Speaker 3: of a high school called Dance Showcase. It was directed

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Speaker 3: by Miss Wood this person who I still think about

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Speaker 3: who you know, she's a character.

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Speaker 2: On the pod and I have look.

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Speaker 3: We tried to humanize her and sympathize her, but she

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Speaker 3: also was like that bad, bad, bad, scarred scarred. Hear

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Speaker 3: it down, she did, but she did. We did dance showcase.

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Speaker 3: The song that we did was bad to the Boat Come,

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Speaker 3: and that was one of my first moments of some

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Speaker 3: of the guys were rockers. Was the rockers versus the nerds,

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Speaker 3: and we were trying to seduce the girls, and I

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Speaker 3: was one of the nerds and then I kind of

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Speaker 3: like really took big swings physically in my choreo. And

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Speaker 3: then it was it was hearing one of the deans

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Speaker 3: after the show turna miss went and go, I mean

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Speaker 3: Bowen really stole the show, and Miss Wood making a

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Speaker 3: face that was like pissed about it, pissed about like

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Speaker 3: I was pulling focus. I was like I was being

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Speaker 3: too handy, So I have a very I'm so sorry.

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Speaker 3: I know that that explains the emotional response.

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Speaker 1: It so maybe like he was having like it was

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Speaker 1: almost as if something bad was no, no, it was

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Speaker 1: it was it was euphoria. What we've seen. Yeah, it

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Speaker 1: was what you were building up to. The song that

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Speaker 1: these girls dance too was and I was going to say,

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Speaker 1: you be like, well, of course she's not going to

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Speaker 1: say that that's my memory.

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Speaker 3: You now, please. I feel like I never I didn't

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Speaker 3: think I could feel more connected.

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Speaker 1: Damn it.

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Speaker 2: I was really a joy to watch and listen to.

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Speaker 1: And I love it now, you know, I've listened to

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Speaker 1: I would say ninety percent of this entire podcast. How

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Speaker 1: have I not heard about?

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Speaker 4: She comes from every like once every two years as

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Speaker 4: a figure in Bowen's past who did not encourage I've

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Speaker 4: had them. In fact, it feels like maybe even worked

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Speaker 4: against him in high school. I to sure that he

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Speaker 4: did not fulfill theatrical stardom.

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Speaker 1: Yeah, and it does stick with you. I have one sticks,

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Speaker 1: one of those. It sticks. Mine's dead, damn And we

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Speaker 1: danced on her grave wood a man. It's okay because

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Speaker 1: it's hard for women exactly her, you know, honestly her.

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Speaker 1: She was jealous of you and right now she's choking

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Speaker 1: on her own bile. Yeah, I just but I also

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Speaker 1: I also feel I also feel her. Yeah. I imagine

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Speaker 1: a full.

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Speaker 2: Grown woman who starts him with a kid like something's

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Speaker 2: going on.

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Speaker 1: It's nice of you to feel for her, but we

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Speaker 1: don't feel for her. Okay, what is There's nothing to

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Speaker 1: it other than like the dance team was all girls,

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Speaker 1: and it was all like hot girls, and they were

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Speaker 1: all wearing like red bandanas around their head and like

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Speaker 1: leather vests and they were doing like modern cord. And

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Speaker 1: one of them was especially tiny, like she was just

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Speaker 1: like a wee little thing. And I said something about it. Yes,

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Speaker 1: her name was Stacy Ray. Listening, I'm actually.

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Speaker 2: It's like Britney Spears. Yes, Stacey Ray. It's the same name.

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Speaker 1: And I said something when it I keep saying cut

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Speaker 1: back to me when it came back to me when

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Speaker 1: the spotlight, because.

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Speaker 2: You see yourself in film when it.

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Speaker 1: Cut back to me. When it cut back to me,

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Speaker 1: I said something about I wish I could remember the

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Speaker 1: exact thing, but something about like, yes, you know, like

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Speaker 1: bad to the bone, Stacy Ray really scared us. Something

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Speaker 1: something something about her being tough, which, by the way,

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Speaker 1: like or Stacy Ray, but I mean whatever, that's not

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Speaker 1: bad enough to get a boot. It just was that

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Speaker 1: it was off the cuff. Got I hate the phrase

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Speaker 1: off the cuff. It was just you do it's like

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Speaker 1: it feels like somebody's grandpa. Off the cuff.

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Speaker 4: I like it.

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Speaker 1: I like taking it back.

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Speaker 2: I feel like off the cuff, it's kind of funny.

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Speaker 1: Away. Yeah, just like to say it exactly, just like

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Speaker 1: off the just say off the cuff.

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Speaker 2: Because it's the self awareness about that.

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Speaker 5: It's Graand there's a better version of off the cup,

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Speaker 5: which is apropos of nothing okay, from the head, shooting

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Speaker 5: from but it doesn't quite mean the same thing.

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Speaker 1: I think it's well not no, no, It's like I'm

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Speaker 1: shooting from the head. I'm just like I'm not even

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Speaker 1: thinking about what I'm doing. It's a little different. What

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Speaker 1: else is really good?

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Speaker 4: We've been talking a lot on the podcast about like

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Speaker 4: what it's fun to like phrase a logically say nowadays

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Speaker 4: a shoe a shoe, we've shoe sort of boundaries and borders.

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Speaker 4: And this is the episode where we're going, yeah, wait,

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Speaker 4: and I just had it and now I forgot it.

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Speaker 4: I got lost in that word zoo. There's something that

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Speaker 4: that is good to just throw out there and say.

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Speaker 6: In an off the off the Customer long story six

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Speaker 6: of one, six of one of one, doesn't it is

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00:18:38,560 --> 00:18:40,960
Speaker 6: a good phrase, and it's basically saying like it's the

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00:18:41,000 --> 00:18:41,720
Speaker 6: same thing, it's.

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Speaker 1: Just a little different.

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Speaker 4: You know what what you're saying, it feels like it's

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Speaker 4: six of one if we go like here for dinner,

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Speaker 4: or they're the same.

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Speaker 2: I love that distance away.

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Speaker 1: I've never I've never said it, right, you know what

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00:18:52,560 --> 00:18:55,440
Speaker 1: I mean? Yeah, Now can you imagine if I hadn't

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Speaker 1: found it? Thank you for doing just me drowning trying

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Speaker 1: to get to the surf. Now that's a hard word Brown, Yes,

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00:19:01,119 --> 00:19:03,000
Speaker 1: because tell me you don't want to put a d

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Speaker 1: at the end of the rounding.

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Speaker 4: Drownding, oh my god, like drowned, Oh my god. Is

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Speaker 4: the episode that pushes boundaries we're talking about things we.

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Speaker 1: Has to be another.

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Speaker 4: Another thing we've been saying is the podcast is really

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Speaker 4: a talk based thing. That's who says that talking needs

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Speaker 4: to fit in the box of this is what the

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Speaker 4: podcast usually does. It can just be talking and it

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00:19:32,840 --> 00:19:35,920
Speaker 4: still qualifies as a podcast. Yes, in an hour from now.

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Speaker 1: This is going to be anything. Oh, I see what

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Speaker 1: you're saying. Okay, I'm going to finish the story, which

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Speaker 1: is no, no, no, it's not even a story. I

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Speaker 1: just have to put a button on it, which is.

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Speaker 1: It wasn't that it was a great joke. It just

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Speaker 1: got a good laugh. So the next night I was like,

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Speaker 1: that got a good laugh. Watch me absolutely destroy on

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Speaker 1: this little off the cuff thing. I pushed it too hard,

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Speaker 1: like I really set it up right, you know, like

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Speaker 1: that to the bone. Well Stacey Ray, you know, like

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Speaker 1: that sort of thing. The audience was silent except for

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Speaker 1: one loan football boy saying boo. And I went into

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Speaker 1: my car afterwards, my little Toyota Crussada. Thank you Grandma

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Speaker 1: Nita for giving it to me. Sorry, And I cried,

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Speaker 1: and I learned good that.

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Speaker 2: You cried because you needed to truly from that experience.

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Speaker 1: You need to go.

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Speaker 4: And I have to tell you, and I feel comfortable

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Speaker 4: saying this to you know at the time you were

440
00:20:27,920 --> 00:20:29,360
Speaker 4: not an experience exactly.

441
00:20:29,560 --> 00:20:32,040
Speaker 2: No, it was you needed to gain that experience and

442
00:20:32,119 --> 00:20:35,639
Speaker 2: get that edge to be on Broadway. And I'm telling you, when.

443
00:20:35,560 --> 00:20:36,040
Speaker 1: You're in the.

444
00:20:37,520 --> 00:20:40,639
Speaker 2: Way, what the way, that you just.

445
00:20:42,480 --> 00:20:44,960
Speaker 1: Became aware of your own tips flying in the sky.

446
00:20:45,800 --> 00:20:48,440
Speaker 1: I bounced and felt my body. It's a lot of

447
00:20:48,520 --> 00:20:51,240
Speaker 1: things bodies moving were a.

448
00:20:51,560 --> 00:20:54,760
Speaker 4: Little kids, right, I mean sometimes okay, yes, I mean

449
00:20:54,800 --> 00:20:56,680
Speaker 4: absolutely are you asking me do I wave my penis

450
00:20:56,720 --> 00:20:58,399
Speaker 4: in the air sometimes when I buy myself.

451
00:20:59,400 --> 00:21:01,120
Speaker 1: It's the same body we had when we were just sick.

452
00:21:01,280 --> 00:21:03,200
Speaker 4: I know, and like this is so weird, but remember

453
00:21:03,320 --> 00:21:06,240
Speaker 4: and the Lady Gaga justin tumble Andy Samberg video when

454
00:21:06,280 --> 00:21:07,159
Speaker 4: they skill they go.

455
00:21:07,359 --> 00:21:14,720
Speaker 1: To impress the chick helicopter like this.

456
00:21:15,119 --> 00:21:18,040
Speaker 4: That's actually classic comedy. And I dare you to be

457
00:21:18,080 --> 00:21:19,600
Speaker 4: alone in your house and put that on and not

458
00:21:19,720 --> 00:21:21,480
Speaker 4: helicopter dare you?

459
00:21:22,200 --> 00:21:27,520
Speaker 1: I would love to helicopter dick. Will you just helicopter titties?

460
00:21:27,760 --> 00:21:30,520
Speaker 1: I know, but that's not a helicopter. That's different. Yeah,

461
00:21:30,560 --> 00:21:35,160
Speaker 1: that's just like one. But I want to just that's

462
00:21:35,560 --> 00:21:43,720
Speaker 1: last name on Succession. Watched God damn it. Yeah, give

463
00:21:43,720 --> 00:21:48,120
Speaker 1: her them, give them, give them. You know she moved

464
00:21:48,119 --> 00:21:51,200
Speaker 1: to lead. Actually I actually listen. I'm gonna this isn't

465
00:21:51,400 --> 00:21:53,399
Speaker 1: that important. I do that too much, I do know,

466
00:21:53,480 --> 00:21:55,359
Speaker 1: what do you mean? I texted Jason last night, who's

467
00:21:55,400 --> 00:21:57,840
Speaker 1: in l A husband, Jason, and I'm in New York

468
00:21:58,280 --> 00:22:00,480
Speaker 1: and I love Jason. I know I did too, and

469
00:22:01,280 --> 00:22:02,879
Speaker 1: he hadn't watched Succession yet, and I said, you got

470
00:22:03,000 --> 00:22:04,480
Speaker 1: to watch it. And then I'm looking at my text

471
00:22:04,520 --> 00:22:06,880
Speaker 1: I'm looking at my text. I was basically like, don't

472
00:22:06,920 --> 00:22:08,400
Speaker 1: text me while you're watching it. You need to watch

473
00:22:08,400 --> 00:22:11,200
Speaker 1: it all in one. Yeah, yeah, yeah, I said to him,

474
00:22:11,680 --> 00:22:15,600
Speaker 1: I actually hate it when people say this, but give

475
00:22:15,680 --> 00:22:19,000
Speaker 1: them both the Emmy. Now, I hate you, I said,

476
00:22:19,320 --> 00:22:21,040
Speaker 1: I actually hate when Bow and Yang said that's not

477
00:22:21,240 --> 00:22:23,520
Speaker 1: no no no. I just mean, like it's so overused

478
00:22:23,520 --> 00:22:25,880
Speaker 1: to say, like give them the Emmy, but give literally

479
00:22:25,960 --> 00:22:32,120
Speaker 1: give it. To see this entire it is like they

480
00:22:32,280 --> 00:22:35,720
Speaker 1: the two of them were like, let's do something crazy

481
00:22:35,800 --> 00:22:37,399
Speaker 1: this season. That's what it feels like. They were like,

482
00:22:37,520 --> 00:22:41,080
Speaker 1: this is our last season, Let's show them what we got.

483
00:22:41,240 --> 00:22:44,040
Speaker 4: I literally, I'm not even sure that this episode is

484
00:22:44,080 --> 00:22:48,920
Speaker 4: their submission. I literally couldn't decide between what is the

485
00:22:49,000 --> 00:22:51,920
Speaker 4: most exemplary episode of their work. Her first episode of

486
00:22:51,960 --> 00:22:56,000
Speaker 4: this season was insane. She was one yes and she

487
00:22:56,200 --> 00:23:01,119
Speaker 4: was unbelievable. In the third episode, when he passes, it

488
00:23:01,240 --> 00:23:02,520
Speaker 4: was the right move for her to move to leed

489
00:23:02,560 --> 00:23:06,000
Speaker 4: to she was and I always just think, you know,

490
00:23:06,160 --> 00:23:08,879
Speaker 4: if you occupy a space like that, like just campaign that.

491
00:23:09,240 --> 00:23:09,400
Speaker 1: Yeah.

492
00:23:09,440 --> 00:23:12,320
Speaker 2: I mean, I don't like the category fraud. It bothers

493
00:23:12,400 --> 00:23:13,159
Speaker 2: me where I.

494
00:23:13,200 --> 00:23:20,200
Speaker 1: Care a political system which is the Yeah, but goddamn,

495
00:23:20,280 --> 00:23:22,359
Speaker 1: but I literally said the same thing to Josh last night.

496
00:23:22,440 --> 00:23:24,800
Speaker 3: I turned to Josh sh sharp and I never say

497
00:23:24,800 --> 00:23:26,600
Speaker 3: ship like this, but I literally was like, and I

498
00:23:26,680 --> 00:23:30,600
Speaker 3: kind of zeroed in on Sarah because we're homosexual, homosexual,

499
00:23:30,640 --> 00:23:33,640
Speaker 3: But I turned to Josh, give her the fucking It's.

500
00:23:33,600 --> 00:23:36,200
Speaker 1: Just it's and it wasn't.

501
00:23:38,040 --> 00:23:39,760
Speaker 2: Versus creamer thing where it was restrained.

502
00:23:39,800 --> 00:23:40,800
Speaker 1: It's so confident.

503
00:23:40,920 --> 00:23:44,120
Speaker 4: Well, she's here's the thing, the reason why her breaking

504
00:23:44,280 --> 00:23:46,320
Speaker 4: now in the fourth season and like her having these

505
00:23:46,359 --> 00:23:49,280
Speaker 4: little outbursts is hitting as hard as because she has

506
00:23:49,440 --> 00:23:53,600
Speaker 4: been a model of restraint. She has been it's been

507
00:23:53,760 --> 00:23:57,120
Speaker 4: so important to that character to appear unbothered and now

508
00:23:57,160 --> 00:24:00,359
Speaker 4: it's just like she's so desperate and so on hinge.

509
00:24:00,560 --> 00:24:00,840
Speaker 1: I love it.

510
00:24:01,080 --> 00:24:04,440
Speaker 4: Like that's why it's hitting is because this is really

511
00:24:04,920 --> 00:24:08,640
Speaker 4: their first fight ever, like yes, and that it's giving

512
00:24:08,720 --> 00:24:11,280
Speaker 4: mad men. It's like when something has been built up

513
00:24:11,320 --> 00:24:14,479
Speaker 4: and you just know so well, yes, now when they

514
00:24:14,560 --> 00:24:17,560
Speaker 4: finally have it, it feels like watershed. Yes, of course

515
00:24:17,640 --> 00:24:19,560
Speaker 4: that is because the show is almost.

516
00:24:19,440 --> 00:24:21,680
Speaker 1: Right and they literally you know, they actually said like,

517
00:24:21,760 --> 00:24:23,399
Speaker 1: are we going to do this right now? Like as

518
00:24:23,480 --> 00:24:26,880
Speaker 1: if that's what we're caring.

519
00:24:27,720 --> 00:24:30,439
Speaker 3: I will say Tom going back to the party being

520
00:24:30,480 --> 00:24:32,800
Speaker 3: like everybody go home like that was amazing, but a

521
00:24:33,000 --> 00:24:33,760
Speaker 3: small moment of.

522
00:24:33,880 --> 00:24:39,720
Speaker 1: Like, whoa, god, he's good, he's great. Oh my god, Wow,

523
00:24:39,880 --> 00:24:40,919
Speaker 1: I never made him.

524
00:24:40,960 --> 00:24:44,639
Speaker 4: You did not, You did not, Jim Rogers on a second,

525
00:24:45,000 --> 00:24:46,119
Speaker 4: that's unbelievable.

526
00:24:46,240 --> 00:24:49,439
Speaker 1: You never never realized? Is this when you realize culture

527
00:24:49,560 --> 00:24:53,240
Speaker 1: was for you? Can I? And can I say something recently?

528
00:24:53,320 --> 00:24:55,160
Speaker 4: I got dragged for coming on this podcast by literally

529
00:24:55,240 --> 00:24:57,760
Speaker 4: one person, which I shouldn't care about, but I said

530
00:24:57,800 --> 00:24:59,560
Speaker 4: that I didn't know who the Chemical Brothers were.

531
00:24:59,720 --> 00:25:02,520
Speaker 2: And the and they were like, he doesn't know culture.

532
00:25:02,760 --> 00:25:03,120
Speaker 1: Get real.

533
00:25:04,359 --> 00:25:06,560
Speaker 4: But now in this moment when I'm realizing that Matthew

534
00:25:06,600 --> 00:25:09,000
Speaker 4: mco wasn't from pride and prejudice, maybe I don't know.

535
00:25:09,160 --> 00:25:11,200
Speaker 1: You know what that is the words of j Mitchell.

536
00:25:12,440 --> 00:25:13,399
Speaker 2: And then I earned a background.

537
00:25:13,440 --> 00:25:16,360
Speaker 1: Okay, you know what? Yeah you did. That's just about him.

538
00:25:16,440 --> 00:25:19,920
Speaker 1: That's not about you. That's showing what good is and

539
00:25:20,119 --> 00:25:26,399
Speaker 1: how different his hair, his hair, I'm sure he's different

540
00:25:26,440 --> 00:25:30,040
Speaker 1: in like a coat and the wist coat, the hair

541
00:25:30,119 --> 00:25:32,359
Speaker 1: and the voice. Come on, give yourself that grace, baby,

542
00:25:32,520 --> 00:25:36,880
Speaker 1: don't you dare but now don't you care, chemical don't

543
00:25:36,880 --> 00:25:39,159
Speaker 1: you chemical? Brothers? Oh my god, he's amazing, And there

544
00:25:39,240 --> 00:25:41,399
Speaker 1: was there was a little bit of twitter talk that

545
00:25:41,520 --> 00:25:43,800
Speaker 1: maybe two episodes ago where there were maybe one episode

546
00:25:43,800 --> 00:25:45,639
Speaker 1: ago where they were talking on the stairs and he

547
00:25:45,800 --> 00:25:48,520
Speaker 1: was like telling her about the first time they met,

548
00:25:49,800 --> 00:25:52,359
Speaker 1: and it was almost like a romantic moment, and there

549
00:25:52,440 --> 00:25:54,720
Speaker 1: was a lot of like, Tom is mister Darcy in

550
00:25:54,800 --> 00:25:55,240
Speaker 1: this moment?

551
00:25:55,400 --> 00:25:57,920
Speaker 4: Oh yes, I mean even in this I should have

552
00:25:58,000 --> 00:26:00,520
Speaker 4: known it in this episode and that scene because he's

553
00:26:00,640 --> 00:26:03,240
Speaker 4: so declared ive and there was something like there was

554
00:26:03,280 --> 00:26:04,960
Speaker 4: something romantic about the anger.

555
00:26:05,200 --> 00:26:06,080
Speaker 1: Yeah, you know what I mean.

556
00:26:06,119 --> 00:26:09,000
Speaker 4: He's like I really believe teacher only cared and was

557
00:26:09,160 --> 00:26:12,879
Speaker 4: letting himself free at that moment, like him realizing that,

558
00:26:13,119 --> 00:26:15,359
Speaker 4: like it's in a statement like are we actually going

559
00:26:15,440 --> 00:26:15,680
Speaker 4: to do this?

560
00:26:15,920 --> 00:26:16,800
Speaker 1: Are we going to end it?

561
00:26:16,880 --> 00:26:18,359
Speaker 2: Because if we actually see it.

562
00:26:18,720 --> 00:26:20,560
Speaker 1: Happen, it is done. Oh my god. And then when

563
00:26:20,600 --> 00:26:23,440
Speaker 1: she's like I don't care, I actually don't care. Oh

564
00:26:23,600 --> 00:26:27,440
Speaker 1: my god, this show, damn, it's damn.

565
00:26:28,119 --> 00:26:29,560
Speaker 2: It's it's beyond good.

566
00:26:29,600 --> 00:26:41,639
Speaker 1: Todath. Yeah, it's so damn is ttp as the people

567
00:26:41,720 --> 00:26:42,399
Speaker 1: online call it.

568
00:26:42,520 --> 00:26:44,920
Speaker 4: And by the way, I was at TTP and literally

569
00:26:45,040 --> 00:26:47,320
Speaker 4: someone was like, Matt was spotted at TTP.

570
00:26:47,560 --> 00:26:52,920
Speaker 1: Maybe back to the pod. It gets yes, yes, yes, people, okay, good,

571
00:26:53,000 --> 00:26:55,680
Speaker 1: good good. Is it giving open ended run or is

572
00:26:55,760 --> 00:26:59,359
Speaker 1: it it's limited TTP? The Thanksgiving play. There was a

573
00:26:59,440 --> 00:27:02,639
Speaker 1: while where people were calling it the t g P

574
00:27:03,960 --> 00:27:09,200
Speaker 1: giving Thanksgiving and giving different but then also the good place,

575
00:27:09,240 --> 00:27:13,560
Speaker 1: and I was getting confused. Letters there, damn letters make

576
00:27:13,600 --> 00:27:18,920
Speaker 1: more letters. Thank you consonants, Thank you Constance, thank you,

577
00:27:19,080 --> 00:27:21,760
Speaker 1: will you Constance, thank you Constance.

578
00:27:21,840 --> 00:27:27,200
Speaker 4: WU actually culture number eight, thank you Constance, thank you Constance.

579
00:27:28,160 --> 00:27:32,280
Speaker 1: Myself, I forgot rule all your contribution is thank you,

580
00:27:33,480 --> 00:27:38,240
Speaker 1: but Rule seventy eight is thank thank you Constance, thank

581
00:27:38,280 --> 00:27:40,359
Speaker 1: you for the correction. It is a limited run. It

582
00:27:40,400 --> 00:27:43,679
Speaker 1: closes June eleven. Yeah, I do like a limited run.

583
00:27:43,760 --> 00:27:44,960
Speaker 1: Are you going to be in town? Are you going

584
00:27:45,000 --> 00:27:46,080
Speaker 1: to stay in town for a little bit or you

585
00:27:46,119 --> 00:27:49,080
Speaker 1: know it's funny. June seventeenth, Is that the day that

586
00:27:49,680 --> 00:27:52,960
Speaker 1: is that is a reason for me to stay perfect? Yeah?

587
00:27:53,359 --> 00:27:55,720
Speaker 1: I really want. I mean I missed last year. What

588
00:27:55,920 --> 00:27:58,639
Speaker 1: you missed is that was one of breaking one of

589
00:27:58,720 --> 00:28:01,560
Speaker 1: the funnest thanks the mail I could almost not. I mean,

590
00:28:01,800 --> 00:28:04,440
Speaker 1: I gobbled up every possible video. I could see of it,

591
00:28:04,520 --> 00:28:06,680
Speaker 1: but it was almost hard to watch. Of course it

592
00:28:06,800 --> 00:28:11,680
Speaker 1: was so fun. Listeners, Readers, Katies, you know I've never

593
00:28:11,960 --> 00:28:12,920
Speaker 1: can I admit something?

594
00:28:13,040 --> 00:28:14,280
Speaker 2: Yeah, you've never identified?

595
00:28:14,359 --> 00:28:14,560
Speaker 1: Really?

596
00:28:14,600 --> 00:28:16,240
Speaker 2: I just want to Yeah, now of.

597
00:28:16,280 --> 00:28:17,200
Speaker 1: The four do you identify?

598
00:28:17,280 --> 00:28:21,359
Speaker 3: Okay, Okay, you talked about this maybe like Leader Katie, Publicist, Finals.

599
00:28:21,920 --> 00:28:24,000
Speaker 2: The Houses of Lost Culture and everyone.

600
00:28:25,080 --> 00:28:27,600
Speaker 4: Do you want to say, keep an eye on merchandising

601
00:28:28,440 --> 00:28:32,080
Speaker 4: hot because you may be able to publicly identify.

602
00:28:33,720 --> 00:28:35,960
Speaker 1: June and seventeen. When you said this on the pod,

603
00:28:36,240 --> 00:28:37,600
Speaker 1: I was like, oh, I guess that's what I am,

604
00:28:37,680 --> 00:28:40,520
Speaker 1: but I kind of can't remember. So giving Leader, I

605
00:28:40,560 --> 00:28:42,920
Speaker 1: feel like you're a reader. I think I am.

606
00:28:43,080 --> 00:28:45,600
Speaker 4: Ready, you've been around for a while in terms of

607
00:28:45,760 --> 00:28:48,240
Speaker 4: like I do you feel and this is not to

608
00:28:48,920 --> 00:28:52,000
Speaker 4: say anything means more than anything else, but in terms

609
00:28:52,040 --> 00:28:55,080
Speaker 4: of your media diet, do we fit in a consistent way?

610
00:28:55,560 --> 00:28:58,120
Speaker 2: Okay, then you're a reader, I think, but we have

611
00:28:58,280 --> 00:28:58,920
Speaker 2: for a long time.

612
00:28:58,960 --> 00:28:59,360
Speaker 1: But you're not.

613
00:28:59,600 --> 00:29:03,160
Speaker 2: You're not listening to the pod like, yes, you're listening

614
00:29:03,240 --> 00:29:04,720
Speaker 2: to the pod like mm hmm, but.

615
00:29:04,800 --> 00:29:08,240
Speaker 1: Were you You've never identified as the reader. I was

616
00:29:08,280 --> 00:29:10,240
Speaker 1: going to say, I've never identified it as a Katie

617
00:29:10,280 --> 00:29:13,520
Speaker 1: and let me tell you why. I in a similar way,

618
00:29:14,040 --> 00:29:16,680
Speaker 1: let me take it back again to my childhood, in

619
00:29:16,760 --> 00:29:20,760
Speaker 1: a similar way to me being sick the week that

620
00:29:21,000 --> 00:29:24,000
Speaker 1: my elementary school class whatever this was fourth grade or something,

621
00:29:24,080 --> 00:29:27,360
Speaker 1: learned about the planets. And I never learned the planets.

622
00:29:28,320 --> 00:29:30,800
Speaker 1: I missed the episode where you guys talked about katies,

623
00:29:30,840 --> 00:29:33,280
Speaker 1: so I never got I get it, but I don't

624
00:29:33,320 --> 00:29:35,200
Speaker 1: get it. It's the same thing. It's the same thing.

625
00:29:35,280 --> 00:29:37,280
Speaker 1: I don't know planets. I don't know Katie's and that

626
00:29:40,080 --> 00:29:42,840
Speaker 1: something I don't and I don't know.

627
00:29:45,320 --> 00:29:47,280
Speaker 4: I think there's going to be Katies that are going

628
00:29:47,360 --> 00:29:50,120
Speaker 4: to feel disappointed that you're not among them. Okay, but

629
00:29:50,280 --> 00:29:53,560
Speaker 4: you've always get if I placed the last on your head,

630
00:29:54,000 --> 00:29:55,440
Speaker 4: it's giving reader to me.

631
00:29:55,600 --> 00:29:56,360
Speaker 1: Great, that's what I am.

632
00:29:56,520 --> 00:29:59,040
Speaker 3: I will say katies have this going for them, which

633
00:29:59,120 --> 00:30:01,280
Speaker 3: is when you introduce Katie's. It was a very controversial

634
00:30:01,360 --> 00:30:03,480
Speaker 3: thing because some people felt like it was offensive.

635
00:30:03,920 --> 00:30:06,240
Speaker 2: Not everyone identified as Katie.

636
00:30:06,320 --> 00:30:08,720
Speaker 3: So for people who do identify as Katie's, I think

637
00:30:08,760 --> 00:30:13,320
Speaker 3: that is extremely noble because you are going against like

638
00:30:13,640 --> 00:30:16,080
Speaker 3: other people being like, ugh, that's not a good It's

639
00:30:16,080 --> 00:30:17,760
Speaker 3: like it's like someone forgive us.

640
00:30:20,040 --> 00:30:23,320
Speaker 1: It's giving much more controversially.

641
00:30:24,640 --> 00:30:28,640
Speaker 4: I think katies are giving Hufflepuff someone Katie, I'm a cad.

642
00:30:28,720 --> 00:30:30,560
Speaker 4: I was literally going to say I never said that before.

643
00:30:30,880 --> 00:30:31,960
Speaker 4: Before I stopped myself.

644
00:30:32,000 --> 00:30:33,240
Speaker 3: I was like, it's giving, and I was like, I'm

645
00:30:33,240 --> 00:30:36,080
Speaker 3: sorry to compare this to Hogwarts, but it's Hufflepuff where

646
00:30:36,080 --> 00:30:38,160
Speaker 3: it's like it's the the sort of weird one out

647
00:30:38,200 --> 00:30:40,960
Speaker 3: of the four that people feel a little sort of

648
00:30:41,320 --> 00:30:42,000
Speaker 3: uneasy about.

649
00:30:42,040 --> 00:30:44,360
Speaker 1: But I think Katie is hugely important.

650
00:30:44,600 --> 00:30:46,760
Speaker 4: I am a Katie and I've never said that, pop

651
00:30:47,320 --> 00:30:50,880
Speaker 4: never identified, but I am a Katie and that's something

652
00:30:50,920 --> 00:30:53,360
Speaker 4: that's like really important to to me.

653
00:30:53,520 --> 00:30:56,240
Speaker 1: And you guys. Matt is sobbing right now, and your reader,

654
00:30:56,680 --> 00:30:58,280
Speaker 1: your reader. I think I'm a publicist.

655
00:30:58,400 --> 00:30:59,600
Speaker 2: You think of yourself as a publiciser.

656
00:30:59,600 --> 00:31:02,280
Speaker 1: I'm ay, so I think that that really works reader,

657
00:31:02,520 --> 00:31:06,120
Speaker 1: Katie publicist and finalists finalist. Oh but you guys actually

658
00:31:06,280 --> 00:31:10,720
Speaker 1: literally called me and Melanielynsky called me a finalist too. Cat,

659
00:31:10,880 --> 00:31:13,400
Speaker 1: It's actually different. So you know what I did. I

660
00:31:13,680 --> 00:31:15,920
Speaker 1: screen recorded that little chunk and I sent it to

661
00:31:15,960 --> 00:31:16,360
Speaker 1: my sister.

662
00:31:18,160 --> 00:31:21,880
Speaker 3: I felt like I read you in that moment when

663
00:31:21,920 --> 00:31:23,920
Speaker 3: she said I felt like I was Darcy and she's like,

664
00:31:24,000 --> 00:31:26,040
Speaker 3: oh my gosh. The way she said Darcy Card it

665
00:31:26,200 --> 00:31:27,880
Speaker 3: was so whatrified.

666
00:31:27,480 --> 00:31:28,960
Speaker 1: Okay, wait, I'm looking to see if I have it

667
00:31:29,200 --> 00:31:29,600
Speaker 1: my sisters.

668
00:31:29,640 --> 00:31:30,240
Speaker 4: I mean it is.

669
00:31:30,440 --> 00:31:33,240
Speaker 1: It does sound absolutely it's a new term. Okay, great

670
00:31:33,640 --> 00:31:36,200
Speaker 1: because it's the lexicon, you know, it's a brand new tube.

671
00:31:36,200 --> 00:31:41,120
Speaker 1: But I listened, I did about it, talk about let's

672
00:31:41,120 --> 00:31:48,239
Speaker 1: talk about it. I know that. Yeah. I love her,

673
00:31:48,480 --> 00:31:51,280
Speaker 1: I really love her. She's really good. She was great

674
00:31:51,360 --> 00:31:54,960
Speaker 1: on the show. She was so easy to talk to.

675
00:31:55,200 --> 00:32:00,600
Speaker 1: She's such a deeply, really really nice person, let alone

676
00:32:00,920 --> 00:32:06,000
Speaker 1: insanely but just so welcoming and warm and lovely, and

677
00:32:06,120 --> 00:32:07,800
Speaker 1: she's like somebody I want to know for the rest

678
00:32:07,800 --> 00:32:08,000
Speaker 1: of her.

679
00:32:08,080 --> 00:32:10,560
Speaker 4: She also like uses her platform in a way that

680
00:32:10,640 --> 00:32:15,200
Speaker 4: I think is so cool. She's constantly highlighting other people performance.

681
00:32:15,960 --> 00:32:20,320
Speaker 1: John Reynolds, I saw that. That was so cool. Yeah,

682
00:32:20,360 --> 00:32:24,760
Speaker 1: she's she's rad. She's rad damn like and also taste, yeah,

683
00:32:24,920 --> 00:32:26,080
Speaker 1: taste today.

684
00:32:26,320 --> 00:32:29,920
Speaker 3: Darcy is a finalist reader sort of hybrid. I think

685
00:32:29,960 --> 00:32:31,680
Speaker 3: Melanie is the textbook finalist.

686
00:32:32,000 --> 00:32:36,680
Speaker 4: Yes, came already prepackaged, culturally iconic, you know what I mean.

687
00:32:36,760 --> 00:32:37,840
Speaker 2: That's a finalist behavior.

688
00:32:38,000 --> 00:32:42,320
Speaker 4: Yes, we saw her out like Harmony from Survivor was

689
00:32:42,360 --> 00:32:44,880
Speaker 4: a finalist because we found her in the culture and

690
00:32:44,960 --> 00:32:46,000
Speaker 4: then we we said.

691
00:32:45,960 --> 00:32:49,680
Speaker 1: We have and bring her in totally. That's a finalist.

692
00:32:49,800 --> 00:32:50,600
Speaker 2: That's a finalist.

693
00:32:50,800 --> 00:32:53,000
Speaker 1: That's great. Who I'm working on right now? You want

694
00:32:53,040 --> 00:32:55,960
Speaker 1: to say it? Who I'm working on? Who I'm working on?

695
00:32:56,160 --> 00:32:56,880
Speaker 1: Who I really want to.

696
00:32:58,760 --> 00:33:00,440
Speaker 2: We're trying to nail down Andy want to come on

697
00:33:00,520 --> 00:33:01,000
Speaker 2: last culture.

698
00:33:01,080 --> 00:33:04,120
Speaker 1: Wait, I don't want to talk about this. Why because

699
00:33:04,320 --> 00:33:05,000
Speaker 1: I'm curious.

700
00:33:05,360 --> 00:33:06,360
Speaker 2: I don't want to talk about this.

701
00:33:06,440 --> 00:33:09,680
Speaker 4: And I was like, oh my god, do I literally

702
00:33:09,720 --> 00:33:13,600
Speaker 4: thought you just because your arms are you were sitting

703
00:33:13,640 --> 00:33:15,240
Speaker 4: here with your arms folded and looked to the ground

704
00:33:15,280 --> 00:33:16,160
Speaker 4: and said, I don't.

705
00:33:16,000 --> 00:33:18,320
Speaker 1: Want I guess what I want to talk about is

706
00:33:18,600 --> 00:33:21,480
Speaker 1: you guys have really good chemistry me and but the

707
00:33:21,640 --> 00:33:23,400
Speaker 1: journey is to talk about the journey.

708
00:33:23,600 --> 00:33:25,800
Speaker 4: Okay, I can be transparent about this and who knows,

709
00:33:25,840 --> 00:33:27,320
Speaker 4: maybe I'll even bring it up on the But now

710
00:33:27,360 --> 00:33:28,640
Speaker 4: I feel like I have to know that I've said that,

711
00:33:28,960 --> 00:33:33,520
Speaker 4: which is our relationship did start via flirting, yes, DM,

712
00:33:33,840 --> 00:33:36,200
Speaker 4: I knew it, and then it quickly changed when I

713
00:33:36,280 --> 00:33:39,360
Speaker 4: went on the show. I don't know why but it

714
00:33:39,480 --> 00:33:40,920
Speaker 4: just kind of was just like, oh, now he's like

715
00:33:40,960 --> 00:33:43,000
Speaker 4: a friend. I weirdly think of him as like my boss.

716
00:33:43,160 --> 00:33:46,200
Speaker 4: When I go funny, I weirdly like I feel like

717
00:33:46,240 --> 00:33:48,240
Speaker 4: when I go that I report for works, and I

718
00:33:48,320 --> 00:33:50,200
Speaker 4: really like he gets that and is entertained by what

719
00:33:50,320 --> 00:33:50,520
Speaker 4: I do.

720
00:33:50,800 --> 00:33:53,120
Speaker 2: So like the flirty do I still.

721
00:33:52,960 --> 00:33:55,840
Speaker 1: Think that's hot, and I know that I know we're

722
00:33:55,840 --> 00:34:00,400
Speaker 1: not that anymore. I mean, here's the thing. We can

723
00:34:00,480 --> 00:34:01,800
Speaker 1: think that. We can't think that.

724
00:34:03,520 --> 00:34:07,840
Speaker 2: Culture for a little we do. Okay, I think I

725
00:34:07,920 --> 00:34:09,480
Speaker 2: should not know, No, you can.

726
00:34:09,960 --> 00:34:10,520
Speaker 1: No, it's good.

727
00:34:10,719 --> 00:34:12,839
Speaker 2: I'm having a transparent year.

728
00:34:12,880 --> 00:34:14,560
Speaker 1: I think cool, that's amazing, that's cool.

729
00:34:15,239 --> 00:34:21,520
Speaker 4: I just learned about give me inhibitory systems and excitatory

730
00:34:21,680 --> 00:34:23,080
Speaker 4: systems sexually.

731
00:34:23,280 --> 00:34:26,759
Speaker 1: Okay. So there's like these models. Kay, I'm I'm wide open,

732
00:34:26,800 --> 00:34:29,680
Speaker 1: I'm gaping. Okay. So the models for.

733
00:34:31,239 --> 00:34:34,879
Speaker 3: Sex have been like in terms of stages up until

734
00:34:34,880 --> 00:34:37,040
Speaker 3: like the nineties, but like back in the day, it

735
00:34:37,160 --> 00:34:41,160
Speaker 3: was like it would be like arousal, plateau, orgasm, and

736
00:34:41,320 --> 00:34:44,200
Speaker 3: then like after that would be oh, it sorts of

737
00:34:44,239 --> 00:34:46,279
Speaker 3: an R but it's like sort of regressive. Let's just

738
00:34:46,280 --> 00:34:50,000
Speaker 3: say regressive, Okay, And then like these like psychologists like

739
00:34:50,200 --> 00:34:53,080
Speaker 3: reduce it to three things, three stages, which is they

740
00:34:53,080 --> 00:34:54,840
Speaker 3: didn't account for desire in the first model, right, so

741
00:34:54,920 --> 00:34:57,160
Speaker 3: they go, it's desire, arousal orgasm, and that's it.

742
00:34:57,239 --> 00:35:00,400
Speaker 1: That's what sex is. I got it, but now not now,

743
00:35:00,480 --> 00:35:02,200
Speaker 1: but like since the nineties, like I think.

744
00:35:02,080 --> 00:35:05,960
Speaker 3: People like are adopting this like sexual excitement versus sexual inhibition.

745
00:35:06,080 --> 00:35:08,960
Speaker 3: And I feel like my fucking damage not to get

746
00:35:09,000 --> 00:35:11,480
Speaker 3: super real. But I always tell me, I always talk

747
00:35:11,520 --> 00:35:14,800
Speaker 3: myself out of like a sexy situation or a situation

748
00:35:15,280 --> 00:35:17,760
Speaker 3: no I can't do it. Oh, I immediately I tell myself,

749
00:35:17,880 --> 00:35:19,080
Speaker 3: like like Matt and I will see a hot guy

750
00:35:19,120 --> 00:35:20,759
Speaker 3: in the street. Matt'll be like, look at that guy

751
00:35:20,760 --> 00:35:23,719
Speaker 3: and be like, oh yeah, but no, but it wouldn't happen,

752
00:35:23,880 --> 00:35:25,680
Speaker 3: or it's just there's there's there are all these reasons

753
00:35:25,719 --> 00:35:28,280
Speaker 3: why it shouldn't. It wouldn't happen, yeah, and ask yourself

754
00:35:28,320 --> 00:35:31,680
Speaker 3: why Yeah, totally yeah, And it's all about like insecurities

755
00:35:31,680 --> 00:35:33,560
Speaker 3: and stuff like that. But it's like I'm finally getting

756
00:35:33,719 --> 00:35:35,680
Speaker 3: It's like, rather than think about it in stages, it's

757
00:35:35,719 --> 00:35:39,600
Speaker 3: it's just between like two like brain processes that like

758
00:35:39,680 --> 00:35:41,520
Speaker 3: work in tandem. So it's not even stages. It's just

759
00:35:41,560 --> 00:35:44,120
Speaker 3: two things that are working at once. Yeah, and that's

760
00:35:44,120 --> 00:35:46,160
Speaker 3: all that matters. It's not even like orgasm centered anymore

761
00:35:46,200 --> 00:35:48,000
Speaker 3: like sex to me anything, and the orgism doesn't have

762
00:35:48,080 --> 00:35:48,640
Speaker 3: to be a part of it.

763
00:35:48,920 --> 00:35:50,600
Speaker 1: And so I'm going like wow, and.

764
00:35:50,600 --> 00:35:52,960
Speaker 3: It's actually kind of interesting and I'm kind of like, ah,

765
00:35:53,239 --> 00:35:55,400
Speaker 3: this is making sex better for me.

766
00:35:55,640 --> 00:35:57,120
Speaker 1: Good, and it's opening something up.

767
00:35:57,719 --> 00:36:00,160
Speaker 3: If I'm like, I should just make it about things

768
00:36:00,200 --> 00:36:02,359
Speaker 3: that excite me right right, right right, and not think

769
00:36:02,400 --> 00:36:04,080
Speaker 3: about the things that are like inhibiting.

770
00:36:04,239 --> 00:36:09,120
Speaker 1: Yes, anyway, No, that's so interesting. God. Yeah, it kind

771
00:36:09,160 --> 00:36:12,040
Speaker 1: of like it breaks something open. But that's actually gigantic. Yeah,

772
00:36:12,200 --> 00:36:14,160
Speaker 1: how did you discover that video?

773
00:36:14,360 --> 00:36:14,520
Speaker 4: It was?

774
00:36:14,640 --> 00:36:15,279
Speaker 1: It was a video.

775
00:36:16,560 --> 00:36:18,560
Speaker 3: It's on It's on YouTube dot comments like this channel

776
00:36:18,560 --> 00:36:20,480
Speaker 3: called like Big Thing where they bring in like experts

777
00:36:20,520 --> 00:36:23,440
Speaker 3: to like talk about why, like you know, we need

778
00:36:23,480 --> 00:36:25,480
Speaker 3: a substitute for religion or else, like society is going

779
00:36:25,520 --> 00:36:27,359
Speaker 3: to collapse likely And they're really smart.

780
00:36:27,440 --> 00:36:28,080
Speaker 1: I love smart.

781
00:36:28,480 --> 00:36:30,600
Speaker 2: I love smart too, Like my god, I love.

782
00:36:33,120 --> 00:36:33,160
Speaker 5: No.

783
00:36:33,440 --> 00:36:37,320
Speaker 4: No, I mean even sharing that so illuminating and emotionally intelligent.

784
00:36:37,400 --> 00:36:39,320
Speaker 4: And I was that's why I asked, like, did it

785
00:36:39,400 --> 00:36:41,960
Speaker 4: come from somewhere because I feel like, of course my

786
00:36:42,120 --> 00:36:43,800
Speaker 4: thing is I don't think I could arrive at that,

787
00:36:44,040 --> 00:36:46,200
Speaker 4: like you just put you just put it so simply

788
00:36:46,320 --> 00:36:48,440
Speaker 4: in a way where it's just like, yes, it's it's.

789
00:36:48,320 --> 00:36:50,120
Speaker 2: As simple as like a decolonization.

790
00:36:50,280 --> 00:36:52,280
Speaker 3: But it's like, so you shift your your whole mindset

791
00:36:52,520 --> 00:36:54,360
Speaker 3: because if I am like having sex with someone, I

792
00:36:54,400 --> 00:36:55,840
Speaker 3: do think of in terms of like, okay, first it's this,

793
00:36:55,920 --> 00:36:58,520
Speaker 3: then it's this, then it's but instead it should just

794
00:36:58,600 --> 00:36:59,759
Speaker 3: be like what's fun?

795
00:36:59,840 --> 00:37:00,840
Speaker 1: Right, yeah, exactly what.

796
00:37:02,360 --> 00:37:03,960
Speaker 4: Is I know we just mentioned poverty, but it's like

797
00:37:04,360 --> 00:37:08,160
Speaker 4: scarcity mindset is keeping you from like not having sex

798
00:37:08,280 --> 00:37:11,239
Speaker 4: because you are fixated on these other things that have

799
00:37:11,440 --> 00:37:14,400
Speaker 4: Weirdly they ultimately like end up having value to us,

800
00:37:14,480 --> 00:37:15,880
Speaker 4: which are our negative thoughts, you know.

801
00:37:15,880 --> 00:37:16,200
Speaker 5: What I mean.

802
00:37:16,239 --> 00:37:18,719
Speaker 4: It's like, well, I know I have this thing to

803
00:37:18,800 --> 00:37:20,560
Speaker 4: go back to. I know I have my escape route

804
00:37:20,560 --> 00:37:22,279
Speaker 4: out of this. But then it is like, and I

805
00:37:22,360 --> 00:37:24,320
Speaker 4: do think that because spring has sprung, Le's come to

806
00:37:24,400 --> 00:37:27,279
Speaker 4: the fort, yes, like there is this opportunity now to

807
00:37:27,400 --> 00:37:32,560
Speaker 4: like change the thinking around that because we're all feeling horny.

808
00:37:34,360 --> 00:37:40,719
Speaker 1: Talk about Andy. Yes, okay, so we need to get

809
00:37:40,760 --> 00:37:42,839
Speaker 1: Andy on the pod, which is like, that's not even hard.

810
00:37:42,960 --> 00:37:43,279
Speaker 1: He would.

811
00:37:43,280 --> 00:37:48,160
Speaker 2: I'm sure we're probably doing it soon tomorrow, Yeah, right

812
00:37:48,200 --> 00:37:48,440
Speaker 2: after this.

813
00:37:49,400 --> 00:37:50,960
Speaker 1: Oh oh my god, I can't wait to see it. Okay.

814
00:37:51,000 --> 00:37:53,040
Speaker 4: I did want to text him though, because I was

815
00:37:53,120 --> 00:37:55,279
Speaker 4: listening to Radio Andy and I was watching Watch What

816
00:37:55,360 --> 00:37:58,120
Speaker 4: Happens Live last week, and you know who I realized

817
00:37:58,480 --> 00:37:59,920
Speaker 4: would be an incredible housewife.

818
00:38:00,000 --> 00:38:01,279
Speaker 1: I'm going to pitch this to him live.

819
00:38:02,040 --> 00:38:05,480
Speaker 4: Sonny houstin from the view, would be an incredible New

820
00:38:05,600 --> 00:38:06,719
Speaker 4: York housewife.

821
00:38:06,920 --> 00:38:08,680
Speaker 1: But I think she would think that she is like

822
00:38:08,880 --> 00:38:10,840
Speaker 1: above it, and that is exactly why she did.

823
00:38:13,000 --> 00:38:14,520
Speaker 3: I don't know though, because then you get like when

824
00:38:14,520 --> 00:38:16,480
Speaker 3: you bring Bethany back, she thinks she's above the show

825
00:38:16,480 --> 00:38:17,000
Speaker 3: and she's nice.

826
00:38:17,880 --> 00:38:19,040
Speaker 1: I don't think it does ghow.

827
00:38:19,719 --> 00:38:21,360
Speaker 4: And this is why I think Sonny would be perfect.

828
00:38:21,520 --> 00:38:24,120
Speaker 4: Do you know about what happened when Sonny Houston and

829
00:38:24,200 --> 00:38:27,839
Speaker 4: Bethany Frankel were sharing space in the Hamptons like they

830
00:38:27,880 --> 00:38:29,359
Speaker 4: both had neighboring beach house.

831
00:38:29,400 --> 00:38:31,680
Speaker 1: Okay, wait, maybe I do, and only would know it

832
00:38:31,760 --> 00:38:33,759
Speaker 1: from this podcast if you've said it before. I think

833
00:38:33,800 --> 00:38:34,000
Speaker 1: we have.

834
00:38:34,080 --> 00:38:36,680
Speaker 4: We talked about this, so basically what happened was that

835
00:38:37,080 --> 00:38:39,360
Speaker 4: they were talking about the Housewives on the View, and

836
00:38:39,400 --> 00:38:41,320
Speaker 4: Meghan McCain was like obsessed with the Housewives, and she

837
00:38:41,480 --> 00:38:42,840
Speaker 4: brought up Bethany and Sonny.

838
00:38:42,880 --> 00:38:47,200
Speaker 2: Apropos of nothing whips out this. She was very nice

839
00:38:47,239 --> 00:38:47,759
Speaker 2: to my kids.

840
00:38:48,400 --> 00:38:54,000
Speaker 1: Yes, and then Meghan starts and then Sonny in the

841
00:38:54,120 --> 00:38:54,879
Speaker 1: shadiest tone.

842
00:38:54,880 --> 00:38:57,640
Speaker 4: It's just like, yeah, my kids were playing on the

843
00:38:57,680 --> 00:39:01,000
Speaker 4: beach and she came out and reamed at them to

844
00:39:01,080 --> 00:39:01,959
Speaker 4: stop making noise.

845
00:39:02,600 --> 00:39:05,080
Speaker 1: And she screamed at my kids and then went back

846
00:39:05,080 --> 00:39:05,560
Speaker 1: at our house.

847
00:39:05,920 --> 00:39:08,120
Speaker 4: So my kids told me that, and I walked over

848
00:39:08,200 --> 00:39:10,400
Speaker 4: there and I knocked on the door and she answered,

849
00:39:10,400 --> 00:39:12,319
Speaker 4: and I said, if you have a problem with my kids,

850
00:39:12,400 --> 00:39:13,960
Speaker 4: you take it up with me the adult.

851
00:39:14,080 --> 00:39:14,520
Speaker 1: You do not.

852
00:39:15,200 --> 00:39:20,319
Speaker 4: Andy went on watch it happened and in response said,

853
00:39:20,840 --> 00:39:22,920
Speaker 4: Sonny has a maybe she is on drugs.

854
00:39:22,960 --> 00:39:28,720
Speaker 1: Oh my god, drunk. Wow. And literally it was so petty.

855
00:39:31,239 --> 00:39:33,920
Speaker 4: I can't even explain, just like the way that Sonny

856
00:39:34,040 --> 00:39:36,680
Speaker 4: wanted to get because she felt righteous.

857
00:39:37,160 --> 00:39:38,920
Speaker 1: These are the quality.

858
00:39:40,040 --> 00:39:45,360
Speaker 4: Television because she's truly smart, she's truly stylish, She's we

859
00:39:45,520 --> 00:39:46,880
Speaker 4: hung out with her in the Bahamas.

860
00:39:47,000 --> 00:39:50,680
Speaker 1: She was fine, she'll have a cocktail, She'll have a cocktail.

861
00:39:50,880 --> 00:39:53,400
Speaker 1: She she was doing something on the plane that was

862
00:39:53,520 --> 00:40:01,160
Speaker 1: like joy had her feet up. I love. We were

863
00:40:01,200 --> 00:40:02,200
Speaker 1: on a plane with all of that.

864
00:40:03,560 --> 00:40:06,880
Speaker 4: Well, we were coming back from the Bahamas because we

865
00:40:06,960 --> 00:40:10,040
Speaker 4: did an episode review, but we were literally was it

866
00:40:10,080 --> 00:40:12,360
Speaker 4: whoopy on the flight to No, I don't think was

867
00:40:12,400 --> 00:40:14,719
Speaker 4: there we were on the flight with I believe remember, yeah,

868
00:40:14,719 --> 00:40:17,359
Speaker 4: I would remember, Yes, she can drive, she can drive.

869
00:40:17,920 --> 00:40:20,719
Speaker 1: I guess from the well, there's a long bridge, it's

870
00:40:20,760 --> 00:40:24,359
Speaker 1: a long bow. There, there's a boat you can get

871
00:40:24,400 --> 00:40:29,000
Speaker 1: on that doesn't move. It all your smart come on,

872
00:40:29,080 --> 00:40:31,719
Speaker 1: come on, come on, come on, come on. Wait, I'll

873
00:40:31,760 --> 00:40:34,200
Speaker 1: tell you something smart. And then this is a little

874
00:40:34,400 --> 00:40:35,839
Speaker 1: chunk and then go right back to what you're saying.

875
00:40:36,000 --> 00:40:39,080
Speaker 1: You guys said, Terminal five is where you're singing night.

876
00:40:39,640 --> 00:40:44,120
Speaker 1: I discovered this yesterday. Up until yesterday, I hadn't thought

877
00:40:44,160 --> 00:40:45,839
Speaker 1: about it much. But when people said they were seeing

878
00:40:45,880 --> 00:40:48,800
Speaker 1: something at terminal five, I thought they would go to JFK,

879
00:40:50,640 --> 00:40:52,879
Speaker 1: And I was like so rad that they just turned

880
00:40:52,880 --> 00:40:55,600
Speaker 1: the airport into so much more is happening at terminal

881
00:40:55,680 --> 00:40:58,680
Speaker 1: five now? I mean, like the concerts really want to

882
00:40:58,760 --> 00:41:00,600
Speaker 1: drive all the way to GfK, but to see Yeah,

883
00:41:00,600 --> 00:41:03,719
Speaker 1: I would do that. And there's get the people who

884
00:41:03,920 --> 00:41:06,759
Speaker 1: go to the airport. You haven't been to La guardian.

885
00:41:08,520 --> 00:41:10,680
Speaker 3: Is the night That's all what I'm saying. I'm saying

886
00:41:10,719 --> 00:41:13,759
Speaker 3: the people who go to the t w A like

887
00:41:14,000 --> 00:41:15,480
Speaker 3: who go all the way out.

888
00:41:17,000 --> 00:41:20,080
Speaker 1: That, but have you been there? I haven't walked through.

889
00:41:20,280 --> 00:41:22,600
Speaker 1: I've not walked through. I mean it's really cool, but

890
00:41:22,680 --> 00:41:24,439
Speaker 1: I am the same way where I'm like, because didn't

891
00:41:24,440 --> 00:41:27,840
Speaker 1: they have like a premiere there these events having to

892
00:41:27,920 --> 00:41:29,760
Speaker 1: go all the way or like a wedding or something,

893
00:41:30,280 --> 00:41:32,719
Speaker 1: having to go to JFK to go to an event. No,

894
00:41:33,440 --> 00:41:34,120
Speaker 1: here's what I'm saying.

895
00:41:34,200 --> 00:41:36,120
Speaker 4: If they told me there was an event Atla Guardia

896
00:41:36,160 --> 00:41:37,920
Speaker 4: and it was in any way relevant to me, I

897
00:41:38,120 --> 00:41:40,120
Speaker 4: don't know about JFK. I haven't checked in with her

898
00:41:40,200 --> 00:41:41,719
Speaker 4: in this regard, Like I don't know about her night

899
00:41:41,760 --> 00:41:47,640
Speaker 4: club potential. LaGuardia has massive, really night club potential through

900
00:41:47,880 --> 00:41:48,960
Speaker 4: the roof Laguardias.

901
00:41:49,080 --> 00:41:52,640
Speaker 2: That girl and we need to start saying to you, is.

902
00:41:52,760 --> 00:41:57,320
Speaker 1: Okay, I'm looking at Manhattan, is that right? Guardia is

903
00:41:57,360 --> 00:42:00,840
Speaker 1: right here is like just basically like north in a

904
00:42:00,880 --> 00:42:05,040
Speaker 1: little bit west of Jfkally Queen is like the very

905
00:42:05,080 --> 00:42:07,719
Speaker 1: bottom corner of Queens Newark is the one that's like

906
00:42:08,200 --> 00:42:10,960
Speaker 1: just New York is really from we don't even need

907
00:42:11,000 --> 00:42:13,360
Speaker 1: to talk about Okay, great, great, But I feel like

908
00:42:13,520 --> 00:42:17,400
Speaker 1: it's maybe a sleeper, like quick into the city Newark.

909
00:42:17,880 --> 00:42:23,000
Speaker 1: I don't think deeming if I'm living like West Low

910
00:42:23,160 --> 00:42:29,080
Speaker 1: West little maybe maybe maybe maybe you're saying, and all

911
00:42:29,080 --> 00:42:33,600
Speaker 1: of a sudden it hits me come back. Actually, I

912
00:42:33,719 --> 00:42:38,319
Speaker 1: just can't. I don't deal with New York people. Yeah

913
00:42:39,400 --> 00:42:43,839
Speaker 1: you got Newark person, we got oh my god, they're

914
00:42:43,840 --> 00:42:48,719
Speaker 1: also mad at me right now. Yes, I'm telling you

915
00:42:49,120 --> 00:42:58,120
Speaker 1: that guard. I don't know creative. What are you talking? Signage?

916
00:42:58,600 --> 00:43:01,960
Speaker 4: The signage when I see the for the bathroom. First

917
00:43:01,960 --> 00:43:03,520
Speaker 4: of all, you want to know a good bit right now,

918
00:43:03,719 --> 00:43:05,800
Speaker 4: whenever you are walking by a men's room.

919
00:43:05,680 --> 00:43:07,840
Speaker 1: Okay, I'm already you're a gay guy, okay, I'm.

920
00:43:07,640 --> 00:43:11,920
Speaker 4: There, or women okay, you turn to your so that's

921
00:43:11,920 --> 00:43:13,840
Speaker 4: where they are, really and then if you can go

922
00:43:13,960 --> 00:43:17,600
Speaker 4: in and bite your lip like, that's really good.

923
00:43:18,040 --> 00:43:18,399
Speaker 1: Really good.

924
00:43:20,280 --> 00:43:23,040
Speaker 3: I did a lateral pitch, a lateral six one, six

925
00:43:23,120 --> 00:43:24,880
Speaker 3: of one. The six of one version is so that's

926
00:43:24,880 --> 00:43:25,600
Speaker 3: where they keep them.

927
00:43:26,560 --> 00:43:30,279
Speaker 1: That's good. Six of one absolutely, six of one, six

928
00:43:30,360 --> 00:43:31,880
Speaker 1: of one, and the other thing is half dozen of

929
00:43:31,880 --> 00:43:35,320
Speaker 1: the other is that that's that's one or a half dozen,

930
00:43:35,760 --> 00:43:38,680
Speaker 1: six of one or half dozen of the other.

931
00:43:38,600 --> 00:43:44,120
Speaker 4: It's a double yeah, one six, six of one or

932
00:43:44,680 --> 00:43:49,400
Speaker 4: half a dozen, half a dozen of one, half a dozen.

933
00:43:50,000 --> 00:43:52,480
Speaker 1: So actually this phrase is not even It should be

934
00:43:52,560 --> 00:43:55,239
Speaker 1: the exact same to make the am I high right now?

935
00:43:55,560 --> 00:43:59,839
Speaker 1: It should be exact same to make it makes sense. Okay,

936
00:43:59,920 --> 00:44:03,280
Speaker 1: I'm not hiring the same number. It's the same number,

937
00:44:03,320 --> 00:44:05,759
Speaker 1: a dozen, but I do think the actual phrase is

938
00:44:06,040 --> 00:44:09,200
Speaker 1: six of one, half dozen of six of one.

939
00:44:09,280 --> 00:44:12,359
Speaker 4: Half You say, no, Google, I'm telling you, I think

940
00:44:12,560 --> 00:44:15,200
Speaker 4: this is just all the time where I'm like, it's

941
00:44:15,239 --> 00:44:16,400
Speaker 4: not just yes, half.

942
00:44:17,840 --> 00:44:20,400
Speaker 3: Half a dozen six, you're saying it should be like

943
00:44:20,560 --> 00:44:21,879
Speaker 3: six of one, half dozen.

944
00:44:22,000 --> 00:44:25,239
Speaker 1: The fact that it's basically saying this is the same thing,

945
00:44:25,600 --> 00:44:32,680
Speaker 1: isn't it six it's six of one. It goes unsaid

946
00:44:33,480 --> 00:44:36,719
Speaker 1: half a dozen of the So it's basically saying this

947
00:44:37,040 --> 00:44:39,000
Speaker 1: is the same thing as this, right, yes, yeah, And

948
00:44:39,040 --> 00:44:39,520
Speaker 1: the fact.

949
00:44:39,320 --> 00:44:41,560
Speaker 2: That there's a preposition actually makes it even more the

950
00:44:41,719 --> 00:44:42,160
Speaker 2: same thing.

951
00:44:42,320 --> 00:44:46,279
Speaker 3: So with the second part of this, you get the

952
00:44:46,360 --> 00:44:48,520
Speaker 3: word dozen has to be sad and then of the

953
00:44:48,640 --> 00:44:50,360
Speaker 3: other it has to be that's.

954
00:44:50,239 --> 00:44:53,319
Speaker 1: One hit of a joint last night. And I swear

955
00:44:53,320 --> 00:44:56,200
Speaker 1: to God, you well, you know what I've been doing,

956
00:44:56,520 --> 00:44:59,480
Speaker 1: wake and baking. Really, I don't ever done that in

957
00:44:59,560 --> 00:44:59,920
Speaker 1: my lea.

958
00:45:00,320 --> 00:45:01,600
Speaker 2: I think it's not a good sign.

959
00:45:01,680 --> 00:45:04,480
Speaker 1: Really, I think it's I think low key. It's like

960
00:45:04,600 --> 00:45:08,719
Speaker 1: not probably a good Maybe you should like eat a

961
00:45:08,760 --> 00:45:10,840
Speaker 1: little you know, like mushroom gummy or something like that.

962
00:45:10,920 --> 00:45:12,560
Speaker 1: Wouldn't that maybe like awake you more.

963
00:45:12,680 --> 00:45:15,080
Speaker 3: I think I'm like, I don't know. I feel like

964
00:45:15,160 --> 00:45:17,719
Speaker 3: we did a lot of substances. Yeah, and I'm kind

965
00:45:17,760 --> 00:45:19,160
Speaker 3: of like pumping the brakes, Yeah.

966
00:45:19,040 --> 00:45:20,680
Speaker 1: Pump the brakes. Have a Dike coke, you know what

967
00:45:20,719 --> 00:45:20,960
Speaker 1: I mean?

968
00:45:21,120 --> 00:45:23,120
Speaker 3: We need you said you needed to talk about a

969
00:45:23,160 --> 00:45:25,839
Speaker 3: matt before we were starting. Just finished the joy story

970
00:45:26,320 --> 00:45:28,200
Speaker 3: finish bare feet up.

971
00:45:28,400 --> 00:45:31,000
Speaker 1: On darn was row one.

972
00:45:31,400 --> 00:45:36,920
Speaker 3: Bear put her bear tonail, polished beautiful feet, the gorgeous

973
00:45:36,920 --> 00:45:37,279
Speaker 3: feet up.

974
00:45:37,320 --> 00:45:41,160
Speaker 1: She pressed them against the wall, one so longer or shorter.

975
00:45:41,360 --> 00:45:43,759
Speaker 4: I didn't, I didn't look at the like was sort

976
00:45:43,800 --> 00:45:45,320
Speaker 4: of like, wow, I can't believe the bare feet. And

977
00:45:45,440 --> 00:45:47,239
Speaker 4: then then I say that with all the love in

978
00:45:47,280 --> 00:45:51,960
Speaker 4: the world, and Sonny was watching ze Way watching which

979
00:45:52,000 --> 00:45:52,600
Speaker 4: I contacted.

980
00:45:53,239 --> 00:45:54,879
Speaker 1: Oh my god, the Barefoot.

981
00:45:55,280 --> 00:45:56,399
Speaker 2: I feel like we spied on them.

982
00:45:56,800 --> 00:45:59,600
Speaker 1: Well there they were, they weren't in a private room.

983
00:45:59,600 --> 00:46:03,840
Speaker 4: I mean, they're literally icons. Joy I just love, I

984
00:46:04,000 --> 00:46:05,680
Speaker 4: just I was talking at everything.

985
00:46:05,800 --> 00:46:07,080
Speaker 1: Yes, every this is what this was.

986
00:46:07,120 --> 00:46:09,799
Speaker 4: The point was every single thing I see and hear

987
00:46:09,840 --> 00:46:12,360
Speaker 4: from Sunny Houstin. And I say this as a huge

988
00:46:12,520 --> 00:46:15,880
Speaker 4: compliment because what I'm saying is she's dynamic and powerful,

989
00:46:15,920 --> 00:46:18,240
Speaker 4: and I think this guy's the limit. Being a housewife

990
00:46:18,239 --> 00:46:20,040
Speaker 4: would give her an army.

991
00:46:20,320 --> 00:46:24,800
Speaker 3: She has the right amount of righteousness to succeed on

992
00:46:24,880 --> 00:46:26,520
Speaker 3: that show and glamour and all this stuff.

993
00:46:26,640 --> 00:46:26,719
Speaker 5: Right.

994
00:46:26,760 --> 00:46:27,000
Speaker 1: Sorry.

995
00:46:27,080 --> 00:46:29,000
Speaker 4: Yeah, there was a day where Bowen and I went

996
00:46:29,040 --> 00:46:31,280
Speaker 4: to the View years ago to see when Kelly Clarkson

997
00:46:31,360 --> 00:46:33,360
Speaker 4: was on Think about It, and we were literally we

998
00:46:33,480 --> 00:46:36,360
Speaker 4: were we were sitting in the crowd and we literally

999
00:46:36,440 --> 00:46:39,280
Speaker 4: on a commercial break screamed in Unison.

1000
00:46:39,320 --> 00:46:42,080
Speaker 3: Sonny, you look amazing, and then she goes, and then

1001
00:46:42,160 --> 00:46:43,799
Speaker 3: I will never for And then I hear her say

1002
00:46:43,840 --> 00:46:45,759
Speaker 3: this all the time in my mind. She goes, thank you.

1003
00:46:45,880 --> 00:46:48,040
Speaker 3: You know sometimes I don't wear makeup. I don't wear

1004
00:46:48,080 --> 00:46:50,799
Speaker 3: makeup at all. It was like it was makeup at all.

1005
00:46:51,120 --> 00:46:53,040
Speaker 3: She's wearing it in the moment when I'm not doing

1006
00:46:53,080 --> 00:46:57,120
Speaker 3: this makeup. She's kind of like, yeah, I am, I

1007
00:46:57,200 --> 00:46:59,160
Speaker 3: do look at anything. That is exactly what she's saying.

1008
00:46:59,200 --> 00:47:00,359
Speaker 3: She's like, you think I look good now?

1009
00:47:00,960 --> 00:47:01,759
Speaker 1: I always look at.

1010
00:47:02,440 --> 00:47:05,960
Speaker 4: The iconic day where there was a dance contest and

1011
00:47:06,239 --> 00:47:09,040
Speaker 4: the party motivator in the crowd or whatever. She's like

1012
00:47:09,080 --> 00:47:10,719
Speaker 4: the warm up comment the warm up comic was like,

1013
00:47:10,760 --> 00:47:12,800
Speaker 4: what do you think will and will Be said, I

1014
00:47:12,840 --> 00:47:13,200
Speaker 4: don't know.

1015
00:47:13,400 --> 00:47:14,000
Speaker 1: Fuck about that.

1016
00:47:14,120 --> 00:47:18,040
Speaker 4: Oh, and Sonny was and Sonny was participating. She goes, sorry,

1017
00:47:18,040 --> 00:47:18,479
Speaker 4: I just spit.

1018
00:47:18,880 --> 00:47:21,920
Speaker 1: I hate it. Monny was participating, and she goes, I

1019
00:47:22,120 --> 00:47:25,839
Speaker 1: liked the woman over there? She was good, you are

1020
00:47:26,800 --> 00:47:31,000
Speaker 1: any impression I read the book. I haven't watched the

1021
00:47:31,080 --> 00:47:36,040
Speaker 1: View since ever, and I since ever. I feel like it.

1022
00:47:36,920 --> 00:47:38,520
Speaker 1: Have you ever been on? No, I've never been on.

1023
00:47:38,760 --> 00:47:39,320
Speaker 4: What I know?

1024
00:47:39,719 --> 00:47:40,640
Speaker 1: That's I know?

1025
00:47:40,840 --> 00:47:40,880
Speaker 3: What?

1026
00:47:41,280 --> 00:47:42,880
Speaker 1: What are you need to go on? You need to

1027
00:47:42,920 --> 00:47:45,640
Speaker 1: go on for this? Okay, make it happen, make it so.

1028
00:47:46,160 --> 00:47:47,719
Speaker 1: Maybe they know I haven't watched, but I did. The

1029
00:47:47,800 --> 00:47:50,200
Speaker 1: last time I watched was when I went to the

1030
00:47:50,320 --> 00:47:53,759
Speaker 1: show as an audience an audio with my friend's mom

1031
00:47:53,840 --> 00:47:58,880
Speaker 1: who was visiting New York and it is maybe seventeen

1032
00:47:58,960 --> 00:48:00,560
Speaker 1: years ago or what was the cast?

1033
00:48:00,600 --> 00:48:01,719
Speaker 2: Remember who was the cast of the view?

1034
00:48:01,760 --> 00:48:04,520
Speaker 4: When you kind of don't remember who was seventeen years

1035
00:48:04,560 --> 00:48:06,720
Speaker 4: two thousand and six, like maybe Rosie.

1036
00:48:08,800 --> 00:48:10,520
Speaker 1: I kind of I think it was a little bit

1037
00:48:10,520 --> 00:48:13,160
Speaker 1: of like a Sherry definitely a little bit not like

1038
00:48:13,239 --> 00:48:15,160
Speaker 1: a blackout moment, but a little bit like where you

1039
00:48:15,280 --> 00:48:17,160
Speaker 1: kind of were like, I don't really like I.

1040
00:48:17,200 --> 00:48:20,920
Speaker 2: Think I don't, but I want to tell you what

1041
00:48:21,000 --> 00:48:21,239
Speaker 2: I did.

1042
00:48:21,960 --> 00:48:24,360
Speaker 1: I think similar to what you're talking about, there's like

1043
00:48:24,440 --> 00:48:26,600
Speaker 1: a party warm up person, and do they have people

1044
00:48:26,680 --> 00:48:28,759
Speaker 1: come on the stage and like dance or something was.

1045
00:48:28,960 --> 00:48:31,319
Speaker 4: They were doing a dance content. Maybe back then they

1046
00:48:31,360 --> 00:48:34,160
Speaker 4: had people they stand up in the back rows and dance.

1047
00:48:34,239 --> 00:48:38,040
Speaker 1: There was something where like the person the like warm

1048
00:48:38,120 --> 00:48:40,200
Speaker 1: up person asked the audience like who wants to come

1049
00:48:40,280 --> 00:48:42,439
Speaker 1: down and do something? And it was a moment where

1050
00:48:42,440 --> 00:48:44,840
Speaker 1: I looked around and nobody was volunteering.

1051
00:48:44,920 --> 00:48:47,880
Speaker 4: So I was like, well, I have to do and

1052
00:48:48,000 --> 00:48:50,640
Speaker 4: so I did about responsible energy in the room. Have

1053
00:48:50,719 --> 00:48:51,520
Speaker 4: you asked yourself why?

1054
00:48:51,760 --> 00:48:55,440
Speaker 1: It's probably something with my dad. I'm just kidding, no,

1055
00:48:55,680 --> 00:48:57,200
Speaker 1: just actually what I mean, is he would do the

1056
00:48:57,239 --> 00:48:59,799
Speaker 1: same thing he's do you have remember you of going

1057
00:48:59,880 --> 00:49:02,680
Speaker 1: up on stage then? But it's like a blackout. It's

1058
00:49:02,760 --> 00:49:04,359
Speaker 1: like it's like a thing of like, I don't want

1059
00:49:04,400 --> 00:49:06,799
Speaker 1: to be doing this. This isn't what you don't think.

1060
00:49:07,880 --> 00:49:10,279
Speaker 1: It's almost like whether I slay or not, I don't know.

1061
00:49:10,480 --> 00:49:12,719
Speaker 1: There I had so many moments early on, especially in

1062
00:49:12,760 --> 00:49:14,520
Speaker 1: my twenties, where I was like, this isn't how it

1063
00:49:14,640 --> 00:49:18,840
Speaker 1: should be. That's okay, that's part of growing up.

1064
00:49:18,880 --> 00:49:20,520
Speaker 2: I think it's perfectly Yeah, I do too.

1065
00:49:29,280 --> 00:49:31,720
Speaker 4: Do you know this single time we bombed the worst?

1066
00:49:31,920 --> 00:49:36,800
Speaker 4: I I know we bombed together, and I think it

1067
00:49:36,920 --> 00:49:38,960
Speaker 4: was the worst. It was certainly the worst.

1068
00:49:39,160 --> 00:49:39,640
Speaker 2: It's the worst.

1069
00:49:39,680 --> 00:49:43,239
Speaker 1: It's the worst I've ever bombed. And is it d

1070
00:49:45,200 --> 00:49:49,000
Speaker 1: Natomy improv? It was Josh and Aaron show agasion for

1071
00:49:49,000 --> 00:49:50,680
Speaker 1: all people at the du Plaque. So this isn't so

1072
00:49:50,920 --> 00:49:53,720
Speaker 1: long ago. This is just no, this is like two thousand.

1073
00:49:54,040 --> 00:49:57,560
Speaker 3: I want to say, no, no, no, it's like fifteen okay,

1074
00:49:57,680 --> 00:49:58,600
Speaker 3: fourteen fourteen.

1075
00:49:58,680 --> 00:49:59,920
Speaker 2: That's so scary that it was so rare.

1076
00:50:00,040 --> 00:50:03,520
Speaker 3: It's pretty it's within the last ten years. Okay, and

1077
00:50:04,239 --> 00:50:08,120
Speaker 3: Josh and a booked me on the show. I wasn't

1078
00:50:08,200 --> 00:50:12,080
Speaker 3: really doing anything so low, and I got really nervous.

1079
00:50:12,160 --> 00:50:16,239
Speaker 3: And then thank God for you, Matt, because I reached

1080
00:50:16,239 --> 00:50:18,160
Speaker 3: out to man, I go, can you please help me out?

1081
00:50:18,640 --> 00:50:20,160
Speaker 3: Can you please do something with me on the show?

1082
00:50:20,160 --> 00:50:23,040
Speaker 3: I have no idea what to do, panicking, panicking, Oh

1083
00:50:23,120 --> 00:50:25,160
Speaker 3: my god, I'm so stressed even talking about this. And

1084
00:50:25,200 --> 00:50:28,480
Speaker 3: then Matt was like, being the best friend that he is,

1085
00:50:28,560 --> 00:50:32,080
Speaker 3: the amazing friend that he is, said yes, and then

1086
00:50:32,120 --> 00:50:34,400
Speaker 3: we talked out ideas and then I think we landed

1087
00:50:34,480 --> 00:50:37,399
Speaker 3: on let's wear scrubs and you were a blonde wig.

1088
00:50:37,520 --> 00:50:40,279
Speaker 3: I'll wear a black wig, put on lipstick. We'll do

1089
00:50:40,360 --> 00:50:44,360
Speaker 3: Gray's Anatomy improv and dag where I played I played Christina,

1090
00:50:44,440 --> 00:50:45,200
Speaker 3: you Playzy.

1091
00:50:45,480 --> 00:50:46,399
Speaker 1: Were you were you married?

1092
00:50:46,560 --> 00:50:49,240
Speaker 4: I think the blonde in the wig was so blonde

1093
00:50:49,320 --> 00:50:51,680
Speaker 4: that we said I was, But I think spiritually we

1094
00:50:51,840 --> 00:50:53,000
Speaker 4: really wanted to be married.

1095
00:50:54,400 --> 00:50:57,759
Speaker 3: That was really the blueprint, and it was it was

1096
00:50:57,840 --> 00:51:02,279
Speaker 3: a full, full nuclere tipped missile in the water.

1097
00:51:02,600 --> 00:51:05,200
Speaker 4: Neither of us were having fun for the second We're

1098
00:51:05,239 --> 00:51:07,200
Speaker 4: doing it, and literally we could go off as Gray's

1099
00:51:07,200 --> 00:51:10,120
Speaker 4: Anatomy drag now and probably it would go okay.

1100
00:51:10,280 --> 00:51:12,120
Speaker 1: Actually would a ship, you should take it.

1101
00:51:12,160 --> 00:51:14,400
Speaker 4: At the time, we were both so scared because we

1102
00:51:14,480 --> 00:51:16,840
Speaker 4: looked up to Josh so much, which is an element

1103
00:51:16,920 --> 00:51:20,399
Speaker 4: of this we're not saying. At the time, we were

1104
00:51:20,920 --> 00:51:24,400
Speaker 4: terrified that they would think we were not fun and

1105
00:51:24,520 --> 00:51:26,400
Speaker 4: that their cool audience that was coming to see them

1106
00:51:26,440 --> 00:51:28,160
Speaker 4: at the Duplex would think that we were not funny.

1107
00:51:28,360 --> 00:51:31,480
Speaker 2: And then we were awful and ran off the stage.

1108
00:51:31,480 --> 00:51:33,919
Speaker 4: And I remember, I don't even know, I don't even

1109
00:51:33,960 --> 00:51:36,360
Speaker 4: know if we talked about it, but you know, I

1110
00:51:36,440 --> 00:51:37,960
Speaker 4: do remember that they were.

1111
00:51:38,440 --> 00:51:44,160
Speaker 1: So this was like early friendship, this of us. No, No,

1112
00:51:44,239 --> 00:51:46,360
Speaker 1: if you and Josh and we were I wouldn't have

1113
00:51:46,400 --> 00:51:52,200
Speaker 1: even like they were friendly having dinner with them tonight

1114
00:51:52,360 --> 00:51:56,440
Speaker 1: tonight my jealousy come. But you're I would. It's like

1115
00:51:56,480 --> 00:51:57,919
Speaker 1: I would go to muna with you and you would

1116
00:51:57,920 --> 00:51:59,360
Speaker 1: come to dinner with me. So how can we be

1117
00:51:59,400 --> 00:52:00,399
Speaker 1: in two places at once?

1118
00:52:00,760 --> 00:52:03,239
Speaker 4: We'll talk about it because I'm sort of where are

1119
00:52:03,239 --> 00:52:05,080
Speaker 4: you guys going to dinner? Say it on the pod

1120
00:52:05,120 --> 00:52:06,080
Speaker 4: for everyone to hear, like.

1121
00:52:06,200 --> 00:52:11,400
Speaker 1: Little Mermaid or something, Little mermaids, Little Mermaid right by here.

1122
00:52:12,000 --> 00:52:17,160
Speaker 1: It's in the Ville lot. I love the west villere

1123
00:52:17,360 --> 00:52:20,120
Speaker 1: imagine Yeah, we're going to dinner in Times Square. You

1124
00:52:20,280 --> 00:52:24,880
Speaker 1: fucking dork, you fucking dork ass, just kidding being on Broadway.

1125
00:52:25,160 --> 00:52:28,959
Speaker 2: You do have dinner, and where's your favorite Time Square dinner?

1126
00:52:29,120 --> 00:52:31,960
Speaker 1: We've been going to five Knapkeenburger a lot. Which is

1127
00:52:32,040 --> 00:52:33,840
Speaker 1: the list? You don't like it? Well, you have burger

1128
00:52:33,920 --> 00:52:35,600
Speaker 1: every day? No, no, no, they have so many great

1129
00:52:35,640 --> 00:52:41,719
Speaker 1: salads they do, yeah, they do. The actual cutest thing

1130
00:52:41,760 --> 00:52:44,200
Speaker 1: that has been happening is, Okay, I'm going to tell

1131
00:52:44,200 --> 00:52:49,400
Speaker 1: you the name of the cast. Katy finneran legend, legend, legend,

1132
00:52:50,040 --> 00:52:53,880
Speaker 1: Scott Foley legend. You mean, these are honestly legends. All

1133
00:52:55,400 --> 00:53:01,880
Speaker 1: isn't sweetest? He's so good and so and such arrange

1134
00:53:02,040 --> 00:53:05,760
Speaker 1: like he's an actor. They're all incredible, truly, Like I'm really,

1135
00:53:06,440 --> 00:53:09,480
Speaker 1: I'm really telling you this. These are three like geniuses.

1136
00:53:09,600 --> 00:53:13,840
Speaker 1: They're amazing and such damn sweeties. I love them. Okay.

1137
00:53:13,960 --> 00:53:16,920
Speaker 1: Something that has been happening is on two show days

1138
00:53:17,040 --> 00:53:21,239
Speaker 1: Wednesdays and Saturdays, Scott Fully's wife, Marika, who is not

1139
00:53:21,400 --> 00:53:24,400
Speaker 1: only hot as hell, but she's a great actress and

1140
00:53:24,640 --> 00:53:27,680
Speaker 1: a great person. She's so hot it's crazy. Wow, I

1141
00:53:27,760 --> 00:53:30,480
Speaker 1: can't look. I know, they're so hot.

1142
00:53:31,280 --> 00:53:33,880
Speaker 2: They're so hot, I mean house. And there was a

1143
00:53:33,920 --> 00:53:36,360
Speaker 2: couple of times where I looked at my said, do.

1144
00:53:36,440 --> 00:53:40,040
Speaker 3: You see there's a steamy little change.

1145
00:53:40,200 --> 00:53:44,719
Speaker 1: Yeah, totally, totally. But so she bakes bread and I know,

1146
00:53:44,840 --> 00:53:56,880
Speaker 1: I know, gesture so hard. I'm corny. Anyways, she makes

1147
00:53:57,000 --> 00:54:01,280
Speaker 1: us lunch. She makes us lunch, she makes fresh, big bread.

1148
00:54:01,400 --> 00:54:03,000
Speaker 4: I think I saw you on one of these days

1149
00:54:03,000 --> 00:54:04,560
Speaker 4: because I saw a Saturday man there.

1150
00:54:04,640 --> 00:54:07,000
Speaker 1: Yes, and we were like, we're going to go have

1151
00:54:07,160 --> 00:54:10,360
Speaker 1: lunch all together my dressing room and eat lunch, the

1152
00:54:10,480 --> 00:54:12,400
Speaker 1: four of us. It's really cute. And then we just

1153
00:54:12,440 --> 00:54:14,960
Speaker 1: think about the show, talk about the show, we talk

1154
00:54:15,000 --> 00:54:18,040
Speaker 1: about everything. It's great. It's really great. It's so lovely.

1155
00:54:18,120 --> 00:54:19,840
Speaker 1: It's such a nice time in my life right now.

1156
00:54:19,960 --> 00:54:25,040
Speaker 3: Damn you you seem to have these wonderful cast casts

1157
00:54:25,239 --> 00:54:31,560
Speaker 3: and bonding stories because from because like I remember you

1158
00:54:31,640 --> 00:54:33,920
Speaker 3: were Marco poloing me from the house. That's right when

1159
00:54:33,960 --> 00:54:35,880
Speaker 3: you were shooting it. You were like, yeah, we all

1160
00:54:35,960 --> 00:54:38,759
Speaker 3: just like get together and and like each week we

1161
00:54:38,920 --> 00:54:42,279
Speaker 3: like watch someone's movie. I was like, Darcy is like

1162
00:54:42,440 --> 00:54:44,120
Speaker 3: in these perfect oh my.

1163
00:54:45,960 --> 00:54:52,320
Speaker 1: Roots, beautiful dog sitting on every day you meet allegendends

1164
00:54:52,360 --> 00:54:53,360
Speaker 1: and your legends.

1165
00:54:53,400 --> 00:54:54,920
Speaker 2: While you still can't wish in this.

1166
00:54:55,040 --> 00:54:57,360
Speaker 1: Moment, In this moment only, I wish that the podcast

1167
00:54:57,520 --> 00:55:00,680
Speaker 1: was a visual too. I really ish for you guys

1168
00:55:00,760 --> 00:55:04,800
Speaker 1: at home, reader, haities, publicist, and financial What do you

1169
00:55:04,840 --> 00:55:06,719
Speaker 1: think after I leave that? Now, I'm going to get

1170
00:55:06,719 --> 00:55:07,040
Speaker 1: a dog?

1171
00:55:07,320 --> 00:55:08,560
Speaker 2: You think goo after you?

1172
00:55:08,960 --> 00:55:15,880
Speaker 1: So that's huge. I don't know what. At some point.

1173
00:55:22,320 --> 00:55:26,080
Speaker 4: I'm barging the story from Deadline and Variety. You must

1174
00:55:26,200 --> 00:55:30,520
Speaker 4: be studio was chilling, studio loving freak.

1175
00:55:31,400 --> 00:55:33,279
Speaker 1: I think that would be really nice for you. I

1176
00:55:33,320 --> 00:55:35,120
Speaker 1: think you need it. And when you look at someone

1177
00:55:35,200 --> 00:55:38,319
Speaker 1: like good, when you look at someone like over there,

1178
00:55:38,440 --> 00:55:42,040
Speaker 1: help me look at you? My only Cyrus song. Do

1179
00:55:42,239 --> 00:55:44,879
Speaker 1: you think of yourself as a big dog boy? Well,

1180
00:55:45,000 --> 00:55:47,080
Speaker 1: I'm always like, well, in the city, you gotta get

1181
00:55:47,200 --> 00:55:47,759
Speaker 1: something little.

1182
00:55:47,880 --> 00:55:51,680
Speaker 2: But I think could pull up a surprisingly large.

1183
00:55:51,600 --> 00:55:51,759
Speaker 4: Do you.

1184
00:55:52,200 --> 00:55:54,799
Speaker 1: I think Ruth is the perfect size, no bigger than Ruth.

1185
00:55:55,600 --> 00:55:58,080
Speaker 1: What is Ruth? Eighty sixty seventy's Ruth?

1186
00:55:59,120 --> 00:56:01,200
Speaker 2: She's the first creator.

1187
00:56:02,520 --> 00:56:07,680
Speaker 1: Beautiful. It's like cool sculpting, getting are we so scared

1188
00:56:07,719 --> 00:56:08,520
Speaker 1: of cool sculpting?

1189
00:56:11,080 --> 00:56:11,719
Speaker 5: And I'm a lord.

1190
00:56:12,400 --> 00:56:13,919
Speaker 2: I'm also like does it work?

1191
00:56:14,320 --> 00:56:16,200
Speaker 1: And I'm a Lord. You said I'm a Lord a

1192
00:56:16,320 --> 00:56:25,560
Speaker 1: Lord podcast. Didn't I just text you guys the word

1193
00:56:25,680 --> 00:56:26,520
Speaker 1: Lord the other day?

1194
00:56:26,560 --> 00:56:28,520
Speaker 3: Why am I you did text this Lord the singer

1195
00:56:29,160 --> 00:56:31,040
Speaker 3: because you're listening to Lord and you're dressing I guess

1196
00:56:31,080 --> 00:56:31,760
Speaker 3: it was I'm tapping.

1197
00:56:32,160 --> 00:56:32,560
Speaker 1: I'm sorry.

1198
00:56:33,120 --> 00:56:36,520
Speaker 2: Bringing Lord in the dressing room is something people have great.

1199
00:56:36,960 --> 00:56:39,279
Speaker 1: I have something called a pre show playlist that I

1200
00:56:39,400 --> 00:56:43,440
Speaker 1: made for myself just help get you in the characters. Yeah,

1201
00:56:44,080 --> 00:56:46,040
Speaker 1: you more like hyping me up, like like getting what's

1202
00:56:46,120 --> 00:56:46,480
Speaker 1: what's on it?

1203
00:56:47,440 --> 00:56:48,880
Speaker 2: Or no, no, no, I don't mean no.

1204
00:56:49,000 --> 00:56:49,440
Speaker 1: This is good.

1205
00:56:49,520 --> 00:56:51,320
Speaker 4: This is one of those like I never leave the

1206
00:56:51,360 --> 00:56:56,040
Speaker 4: house without the emoji with a little smile, like the

1207
00:56:57,480 --> 00:56:58,919
Speaker 4: what's in my playlist smile.

1208
00:56:59,120 --> 00:57:00,680
Speaker 1: I'm just gonna say a cup. Well, I'm gonna actually

1209
00:57:00,719 --> 00:57:02,600
Speaker 1: not say everyone. I'm gonna like as I.

1210
00:57:02,640 --> 00:57:05,879
Speaker 4: Scrolled, and can I just cueue up the segment for this, Yes,

1211
00:57:06,200 --> 00:57:09,280
Speaker 4: this is what's on my playlist with Darcy Carden.

1212
00:57:10,760 --> 00:57:13,400
Speaker 1: Okay, I'm just going to read a couple nights Frank Ocean,

1213
00:57:14,040 --> 00:57:19,720
Speaker 1: silver Lining, Ryle O'kylie, Falling Water, Maggie Rogers, Desperado, Rihanna,

1214
00:57:20,560 --> 00:57:27,040
Speaker 1: The TF is uh as it was, Harry styles Ye, Reptilia,

1215
00:57:27,160 --> 00:57:31,160
Speaker 1: The Strokes, Maps, Yeah, Yeah, Yeah, Lemon n e r

1216
00:57:31,240 --> 00:57:36,439
Speaker 1: d Rihanna, Sunflower, Post Malone, It's Not Living nineteen seventy five,

1217
00:57:37,040 --> 00:57:41,440
Speaker 1: Bad Kid's Hair, The Cure, Lady Got My God.

1218
00:57:41,360 --> 00:57:45,640
Speaker 2: Comes the Cue, one of the great songs.

1219
00:57:45,400 --> 00:57:48,800
Speaker 1: A song that she wrote about my relationship with my dog.

1220
00:57:49,360 --> 00:57:49,560
Speaker 4: Yeah.

1221
00:57:50,800 --> 00:57:53,320
Speaker 1: I want you. I want you to listen to the

1222
00:57:53,440 --> 00:57:55,880
Speaker 1: song The Cure by Lady Gaga and think of Ruth

1223
00:57:56,120 --> 00:57:59,400
Speaker 1: on every single line and you will weep. Ruth is

1224
00:57:59,560 --> 00:58:00,760
Speaker 1: you know, really works.

1225
00:58:00,560 --> 00:58:03,600
Speaker 4: For doctor The Cure is a big song for us

1226
00:58:03,840 --> 00:58:06,080
Speaker 4: because that actually was and I associate you for some

1227
00:58:06,240 --> 00:58:08,720
Speaker 4: time with The Cure. And the reason is I'm realizing,

1228
00:58:08,880 --> 00:58:11,720
Speaker 4: is because that's the trip we met Darcy when we first.

1229
00:58:11,600 --> 00:58:15,320
Speaker 3: Moved l D and this attic in this Airbnb, listened

1230
00:58:15,320 --> 00:58:18,160
Speaker 3: to it nonstock and then it was like the same

1231
00:58:18,200 --> 00:58:19,320
Speaker 3: week we like you came on the pod.

1232
00:58:19,880 --> 00:58:21,760
Speaker 1: I have great memories of that. I feel like that

1233
00:58:21,880 --> 00:58:25,560
Speaker 1: was so was that in like Pasadena, it was, it was,

1234
00:58:25,720 --> 00:58:28,400
Speaker 1: it was, it was in the valley. We had so

1235
00:58:28,520 --> 00:58:30,280
Speaker 1: much and not that that was the first time we

1236
00:58:30,360 --> 00:58:31,720
Speaker 1: had met, but that was the first time we had

1237
00:58:32,040 --> 00:58:34,360
Speaker 1: but like the first time we had spent weeks. Yes,

1238
00:58:34,840 --> 00:58:36,680
Speaker 1: but we had known each other. I know, it's weird.

1239
00:58:36,880 --> 00:58:39,920
Speaker 1: I can remember that so well. I can remember, like

1240
00:58:40,360 --> 00:58:42,280
Speaker 1: we even after the pod was off, we like sat

1241
00:58:42,320 --> 00:58:44,400
Speaker 1: around on the couch and watched like a Reese Witherspoon

1242
00:58:44,440 --> 00:58:45,360
Speaker 1: getting arrested video.

1243
00:58:45,800 --> 00:58:47,880
Speaker 4: Yeah, when she was saying, well, you're going to find

1244
00:58:47,880 --> 00:58:52,200
Speaker 4: that whos.

1245
00:58:50,280 --> 00:58:52,160
Speaker 1: And I just want to say that, like, I think

1246
00:58:52,240 --> 00:58:54,960
Speaker 1: that is like a very likable moment for her.

1247
00:58:55,120 --> 00:58:57,600
Speaker 2: Yes, but it tells the story of Reese in a

1248
00:58:57,640 --> 00:58:58,760
Speaker 2: way that's pretty explicit.

1249
00:58:58,880 --> 00:59:01,040
Speaker 3: Like I think it's a good Sorry, I think more

1250
00:59:01,160 --> 00:59:03,400
Speaker 3: highly of her because of that. Oh no, I definitely

1251
00:59:03,720 --> 00:59:05,240
Speaker 3: she definitely ascended for me.

1252
00:59:05,360 --> 00:59:09,680
Speaker 1: Yes, ascended word. Yeah. So those are cool songss. There's others,

1253
00:59:09,760 --> 00:59:11,240
Speaker 1: but you know those are just those are good. Those

1254
00:59:11,240 --> 00:59:12,600
Speaker 1: are just a little bit of a pump up, not

1255
00:59:12,760 --> 00:59:15,240
Speaker 1: like through the roof pump up, but just like get

1256
00:59:15,280 --> 00:59:17,560
Speaker 1: my energy going as I put on my own makeup

1257
00:59:17,600 --> 00:59:19,479
Speaker 1: and do my own hair, which is a fun little

1258
00:59:19,520 --> 00:59:21,680
Speaker 1: thing that you get to do and play. You do

1259
00:59:21,800 --> 00:59:23,720
Speaker 1: all your own do my own stuff. I put on

1260
00:59:23,760 --> 00:59:27,480
Speaker 1: my own eyelashes, everything. I know. It's really fun. Get

1261
00:59:27,520 --> 00:59:29,560
Speaker 1: better and better and also you just like have an

1262
00:59:29,680 --> 00:59:32,360
Speaker 1: hour by yourself alone in yourressing room to sort of

1263
00:59:32,400 --> 00:59:33,440
Speaker 1: like do what you gotta do.

1264
00:59:33,560 --> 00:59:35,360
Speaker 4: This come back to me now, Like when I was

1265
00:59:35,440 --> 00:59:39,760
Speaker 4: in when I did the punk rock musical version of Maroad.

1266
00:59:40,640 --> 00:59:41,920
Speaker 1: I came to see that, and I was.

1267
00:59:41,920 --> 00:59:44,120
Speaker 2: The Marquis de Sade and did come to see it,

1268
00:59:44,240 --> 00:59:47,080
Speaker 2: and I think he left us. I'm upset.

1269
00:59:47,520 --> 00:59:50,680
Speaker 1: I was mostly confused. Yeah, it was a very.

1270
00:59:52,120 --> 00:59:54,560
Speaker 4: I was the Marquis and there was a punk rock

1271
00:59:54,680 --> 00:59:56,800
Speaker 4: musicalized version of it using the original text.

1272
00:59:56,960 --> 00:59:58,800
Speaker 1: Okay, you you darkened your hair for it.

1273
00:59:58,960 --> 01:00:01,240
Speaker 4: I died my hair black and I was doing my

1274
01:00:01,360 --> 01:00:03,840
Speaker 4: own makeup at the time, and I just know it

1275
01:00:04,000 --> 01:00:06,440
Speaker 4: was fucked. Yeah, And I remember we all were pretty

1276
01:00:06,480 --> 01:00:09,120
Speaker 4: bad at it, to the point where we started leaning

1277
01:00:09,200 --> 01:00:10,840
Speaker 4: in because it looked like we had all of our

1278
01:00:10,880 --> 01:00:14,400
Speaker 4: skin had gone like Gangrenois because of how much makeup

1279
01:00:14,440 --> 01:00:16,200
Speaker 4: we were putting on. So you started doing it more

1280
01:00:16,760 --> 01:00:18,120
Speaker 4: like Yeah, I mean I just leaned in.

1281
01:00:18,200 --> 01:00:18,560
Speaker 1: I remember.

1282
01:00:18,640 --> 01:00:20,680
Speaker 4: And I also remember, I was, of course at the

1283
01:00:20,760 --> 01:00:22,960
Speaker 4: time in college, like thinking that in order to play

1284
01:00:22,960 --> 01:00:25,520
Speaker 4: a dark character you had to yourself have a psychotic break.

1285
01:00:26,360 --> 01:00:28,560
Speaker 2: So I was also like sort of crying when I.

1286
01:00:28,600 --> 01:00:31,920
Speaker 4: Was doing my makeup, like really, I don't really remember

1287
01:00:31,960 --> 01:00:34,720
Speaker 4: why I was so upset, but honestly, if I'm being

1288
01:00:34,760 --> 01:00:39,000
Speaker 4: really honest, may have had something to do with drama

1289
01:00:39,240 --> 01:00:41,600
Speaker 4: at the department, because I was a writing student in

1290
01:00:41,680 --> 01:00:45,520
Speaker 4: an acting production and I remember being like, fuck everyone.

1291
01:00:46,600 --> 01:00:47,840
Speaker 1: That's like, that's your big drama.

1292
01:00:47,880 --> 01:00:48,640
Speaker 2: And I remember I had just.

1293
01:00:48,640 --> 01:00:52,440
Speaker 4: Seen Black Swan, so it was really sort of susceptible

1294
01:00:52,520 --> 01:00:54,400
Speaker 4: in the moment too, dyeing your hair black and like

1295
01:00:54,520 --> 01:00:57,160
Speaker 4: walking through like New York and the cold, and like

1296
01:00:57,560 --> 01:00:59,280
Speaker 4: thinking the camera was behind you as.

1297
01:00:59,200 --> 01:01:02,200
Speaker 1: Like there was just I really think at some point

1298
01:01:02,560 --> 01:01:05,080
Speaker 1: every actor has had that, whether when they were twelve

1299
01:01:05,160 --> 01:01:06,680
Speaker 1: or when they were thirty or whatever. Like you guess

1300
01:01:06,760 --> 01:01:09,440
Speaker 1: I was twenty one. Yeah, I feel like mine. I

1301
01:01:09,600 --> 01:01:11,560
Speaker 1: probably did it around then too.

1302
01:01:11,840 --> 01:01:14,440
Speaker 2: Yeah you have your big theatrical I did it.

1303
01:01:14,680 --> 01:01:17,400
Speaker 1: I did a big hair thing too. In college. My

1304
01:01:17,520 --> 01:01:22,760
Speaker 1: senior year, I played Sally the Bolls. Oh you played

1305
01:01:22,800 --> 01:01:24,720
Speaker 1: Sally Bulls. I always Sally Bols. And guess who was

1306
01:01:24,800 --> 01:01:27,840
Speaker 1: one of my kit kat girls, Ruthie Ann Miles. Oh

1307
01:01:28,000 --> 01:01:30,840
Speaker 1: my god, this is so much. So you know I

1308
01:01:30,920 --> 01:01:33,520
Speaker 1: know ruth from together. Yeah, really, I think she was

1309
01:01:33,560 --> 01:01:35,200
Speaker 1: like a freshman when I was a senior, so she

1310
01:01:35,400 --> 01:01:36,720
Speaker 1: you know, she should have been Sally Balls, but she

1311
01:01:36,800 --> 01:01:36,920
Speaker 1: was a.

1312
01:01:36,920 --> 01:01:38,720
Speaker 2: Fresh Have you gotten to see Sweeney?

1313
01:01:39,240 --> 01:01:41,600
Speaker 1: We have the same schedule. I haven't got to We

1314
01:01:41,680 --> 01:01:43,520
Speaker 1: have the same So that's another reason for me to

1315
01:01:43,520 --> 01:01:45,640
Speaker 1: stay in extra week so I can see Kimberly, I

1316
01:01:45,640 --> 01:01:47,000
Speaker 1: can see really.

1317
01:01:48,880 --> 01:01:51,240
Speaker 2: Ruth Yeah, and Sweeny, I mean Ruthy and Sweeney is.

1318
01:01:51,480 --> 01:01:53,080
Speaker 4: When she got nominated for the Tony I was like,

1319
01:01:53,200 --> 01:01:55,840
Speaker 4: thank God, it's just so cool that that role is

1320
01:01:55,840 --> 01:01:56,840
Speaker 4: a Tony nominated role.

1321
01:01:57,000 --> 01:01:59,000
Speaker 2: Yeah, and because she is doing the best version of

1322
01:01:59,040 --> 01:02:00,720
Speaker 2: it that i've She's she's on.

1323
01:02:00,800 --> 01:02:02,480
Speaker 1: A truly on another planet.

1324
01:02:02,520 --> 01:02:06,400
Speaker 4: She's soa her voice is so full, and it's like,

1325
01:02:06,720 --> 01:02:09,080
Speaker 4: especially in a show where like Josh Grobin is the

1326
01:02:09,160 --> 01:02:11,720
Speaker 4: lead and like his voice cuts through in such a

1327
01:02:11,760 --> 01:02:13,160
Speaker 4: way like her voice also just.

1328
01:02:13,320 --> 01:02:16,720
Speaker 2: Fills the spaces. Incredible, and she's also scary as shit.

1329
01:02:16,800 --> 01:02:22,240
Speaker 1: You have to see an actor. The MC was Joseph Morales,

1330
01:02:22,280 --> 01:02:27,640
Speaker 1: who was like the touring Hamilton and know the talent,

1331
01:02:27,840 --> 01:02:29,600
Speaker 1: did you give maybe this time in such a way,

1332
01:02:29,760 --> 01:02:31,800
Speaker 1: in such a way. But what I but what I

1333
01:02:31,920 --> 01:02:35,320
Speaker 1: did was I, without telling anyone, I went to the

1334
01:02:35,480 --> 01:02:38,040
Speaker 1: salon and had my haircut into like a little page

1335
01:02:38,080 --> 01:02:43,560
Speaker 1: boy like short bangs. So let me tell you my

1336
01:02:44,080 --> 01:02:47,120
Speaker 1: face don't work with that hairstyle. But I did not

1337
01:02:47,280 --> 01:02:49,480
Speaker 1: give a ship. And when I went to like the

1338
01:02:49,760 --> 01:02:53,360
Speaker 1: costume department slash like you know, beauty whatever department, they

1339
01:02:53,400 --> 01:02:58,400
Speaker 1: were like, we have a wig, yeah, but I was

1340
01:02:58,440 --> 01:02:59,959
Speaker 1: like no, no, no, I really needed to like feel

1341
01:03:00,040 --> 01:03:02,600
Speaker 1: of a character. I bet you did. I bet it helped.

1342
01:03:02,680 --> 01:03:04,360
Speaker 1: It only could have helped, you know what. Let me

1343
01:03:04,400 --> 01:03:06,360
Speaker 1: tell you something, you guys, I'm just gonna tell you something.

1344
01:03:06,400 --> 01:03:06,520
Speaker 4: Really.

1345
01:03:06,720 --> 01:03:07,640
Speaker 1: Yes, we're talking theater.

1346
01:03:07,680 --> 01:03:07,919
Speaker 2: Okay.

1347
01:03:08,320 --> 01:03:09,840
Speaker 1: It was going to be my last play of my

1348
01:03:09,960 --> 01:03:12,880
Speaker 1: college career. I wanted to be in Cabaret so bad.

1349
01:03:13,040 --> 01:03:16,080
Speaker 1: It's my favorite musical. I knew there was such a

1350
01:03:16,120 --> 01:03:18,680
Speaker 1: good show. I knew there was no way I could

1351
01:03:18,840 --> 01:03:23,480
Speaker 1: possibly be Sally, but maybe maybe something, maybe a kick girl,

1352
01:03:23,520 --> 01:03:29,160
Speaker 1: maybe something something something, maybe this time. My Grandma Lilah, Okay, hi,

1353
01:03:29,240 --> 01:03:35,640
Speaker 1: Grandma Liylah. She in the mail sent me green nail polish,

1354
01:03:36,640 --> 01:03:39,880
Speaker 1: which is a Sally Bowls staple, and was just like,

1355
01:03:40,240 --> 01:03:43,400
Speaker 1: I think you're going to get this role before Oh

1356
01:03:43,520 --> 01:03:46,680
Speaker 1: my gosh. She had a Prophecy had a vision, almost

1357
01:03:47,160 --> 01:03:49,400
Speaker 1: vision like a prophecy, and then I got the role,

1358
01:03:49,440 --> 01:03:52,080
Speaker 1: and then I used that green nail polish every damn night. Anyway,

1359
01:03:52,120 --> 01:03:54,280
Speaker 1: I just it's like one of the best gifts of

1360
01:03:54,320 --> 01:03:55,640
Speaker 1: my entire life. That's really good.

1361
01:03:55,920 --> 01:03:57,240
Speaker 2: That's a monumental thought.

1362
01:03:57,560 --> 01:04:02,640
Speaker 1: Yes, it really to totally tote him, damn told him that.

1363
01:04:02,920 --> 01:04:05,560
Speaker 1: That's the title that maybe.

1364
01:04:06,000 --> 01:04:08,360
Speaker 4: Was there one that was already goody, because I love

1365
01:04:08,440 --> 01:04:10,680
Speaker 4: totally told him and you I'll tell you why alliteration,

1366
01:04:11,360 --> 01:04:13,160
Speaker 4: don't you just totally tot him?

1367
01:04:13,160 --> 01:04:16,360
Speaker 3: But that's not the shortcut to title. Yeah, it's not

1368
01:04:16,440 --> 01:04:18,560
Speaker 3: title that whatever captures.

1369
01:04:20,000 --> 01:04:21,920
Speaker 4: I think that we can all agree that we are

1370
01:04:22,000 --> 01:04:25,360
Speaker 4: so grateful that totally told him happened, but it is

1371
01:04:25,560 --> 01:04:27,200
Speaker 4: not going to be the title of that.

1372
01:04:27,360 --> 01:04:28,280
Speaker 1: And I think we all.

1373
01:04:28,320 --> 01:04:31,160
Speaker 4: Everyone listening, readers, Katie's publics, finalists, everyone, we can be

1374
01:04:31,200 --> 01:04:32,280
Speaker 4: happy to smile that it happened.

1375
01:04:32,320 --> 01:04:34,280
Speaker 1: Smiling, smiling, smile that it happened.

1376
01:04:34,520 --> 01:04:37,640
Speaker 2: Wait, maybe that's the title of that smile that happens.

1377
01:04:37,960 --> 01:04:44,560
Speaker 1: No title of that. No, don't because don't it's over.

1378
01:04:44,840 --> 01:04:49,400
Speaker 1: Don't cry because it's over. It happened. I like that

1379
01:04:50,000 --> 01:04:53,960
Speaker 1: about all my relationships. Okay, smiling really hard, smiling really

1380
01:04:55,600 --> 01:04:59,800
Speaker 1: because it happens. How are you doing? I mean good?

1381
01:05:01,600 --> 01:05:02,120
Speaker 4: You know what it is?

1382
01:05:02,200 --> 01:05:04,720
Speaker 1: You look hot? Do you actually think that? Yes? What

1383
01:05:04,800 --> 01:05:06,600
Speaker 1: did I say when you walked into the studio, bitch?

1384
01:05:07,440 --> 01:05:09,280
Speaker 2: That seems like an okay, no, no, no no.

1385
01:05:09,360 --> 01:05:10,680
Speaker 1: I wasn't like you look good. I was like, god,

1386
01:05:10,760 --> 01:05:11,360
Speaker 1: you look good.

1387
01:05:11,960 --> 01:05:14,280
Speaker 4: It's nice that you say that, because, in reverse of

1388
01:05:14,360 --> 01:05:16,520
Speaker 4: Bowen's you know, thrusting forward at the spring in like

1389
01:05:16,600 --> 01:05:19,520
Speaker 4: a positive way, I have been feeling that spring springing,

1390
01:05:19,800 --> 01:05:22,040
Speaker 4: spring spring is daunting.

1391
01:05:21,720 --> 01:05:22,360
Speaker 1: To me right now?

1392
01:05:22,400 --> 01:05:25,400
Speaker 3: Oh no, I'm right there with you. I'm not going

1393
01:05:25,440 --> 01:05:27,400
Speaker 3: into it with like too much excitement. I'm just to

1394
01:05:27,480 --> 01:05:28,360
Speaker 3: wear that like it's.

1395
01:05:28,400 --> 01:05:31,920
Speaker 1: Sorry, but well, I will say readers, Katie's publicist finalists,

1396
01:05:31,960 --> 01:05:35,000
Speaker 1: these two boys sitting next to me look really fucking hot. Bowen,

1397
01:05:35,080 --> 01:05:38,800
Speaker 1: isn't a cutoff T shirt, sweatshirt, mona life is so fun?

1398
01:05:39,320 --> 01:05:41,960
Speaker 1: Very short hot shorts. I agree with you. I love

1399
01:05:42,080 --> 01:05:45,520
Speaker 1: short shorts on men. Please men, short legs. You have

1400
01:05:45,640 --> 01:05:47,959
Speaker 1: short shorts. I don't even know what you're talking about.

1401
01:05:47,960 --> 01:05:51,200
Speaker 1: Your legs are so to be fair, no, ship, are

1402
01:05:51,240 --> 01:05:53,120
Speaker 1: you kidding me? They probably? I'm sure they have their

1403
01:05:53,160 --> 01:05:54,160
Speaker 1: own web boys.

1404
01:05:54,360 --> 01:05:56,840
Speaker 4: Bring them up and I bring them up constantly, and

1405
01:05:56,880 --> 01:05:58,320
Speaker 4: then I look over at him and I get the

1406
01:05:58,400 --> 01:06:00,600
Speaker 4: sense that he's talk about he doesn't love that. I'm

1407
01:06:01,560 --> 01:06:03,920
Speaker 4: I feel sometimes there you can't ignore them. For example,

1408
01:06:04,360 --> 01:06:06,920
Speaker 4: when we were in Disney World and he is that

1409
01:06:07,080 --> 01:06:11,280
Speaker 4: person he walks way ahead of the group because when

1410
01:06:11,320 --> 01:06:13,560
Speaker 4: he decides he wants to go somewhere, he's he's going,

1411
01:06:14,080 --> 01:06:14,920
Speaker 4: and you have.

1412
01:06:15,440 --> 01:06:17,600
Speaker 1: No choice but to assess.

1413
01:06:18,160 --> 01:06:22,280
Speaker 4: The leg situation on you is legendary and up there

1414
01:06:22,320 --> 01:06:28,520
Speaker 4: with like j Lo and Beyonce, like Calves, like the

1415
01:06:28,600 --> 01:06:29,240
Speaker 4: Cavs situation.

1416
01:06:29,360 --> 01:06:29,920
Speaker 2: The leg situation.

1417
01:06:30,600 --> 01:06:33,840
Speaker 1: We've been calling him a lower body. Wonder. Yes, we've

1418
01:06:33,840 --> 01:06:38,560
Speaker 1: been singing the eighth the World One, Kimberly.

1419
01:06:40,120 --> 01:06:43,840
Speaker 3: It's nominated for Record of the Year, Kim Kimberly wonders,

1420
01:06:43,880 --> 01:06:46,400
Speaker 3: not mad for record. We're singing it live at the awards.

1421
01:06:47,000 --> 01:06:52,360
Speaker 1: Yes, what just happened to you?

1422
01:06:53,800 --> 01:06:57,720
Speaker 4: To Bowen Yang realizing that he also had a story

1423
01:06:57,760 --> 01:07:01,160
Speaker 4: about that song, God, my God, that was a great moment.

1424
01:07:02,320 --> 01:07:04,360
Speaker 2: The bone the bats of the bone reaction that he

1425
01:07:04,400 --> 01:07:05,360
Speaker 2: had was very similar.

1426
01:07:05,520 --> 01:07:10,080
Speaker 1: One got sucked into a different dimensium. I really was.

1427
01:07:10,280 --> 01:07:12,720
Speaker 1: But I know we always talk about Bowen's calves, but

1428
01:07:13,080 --> 01:07:16,960
Speaker 1: lest we forget his fucking thighs. I'm saying, lower body,

1429
01:07:17,040 --> 01:07:22,960
Speaker 1: wonder kill me with your thighs. I was gonna squished

1430
01:07:23,000 --> 01:07:25,920
Speaker 1: my brain out. Oh my god, I beg you explode

1431
01:07:26,040 --> 01:07:29,800
Speaker 1: my skull. I don't, I don't please. People are looking

1432
01:07:29,880 --> 01:07:33,720
Speaker 1: down there as the things. The woman is begging, please

1433
01:07:33,960 --> 01:07:34,800
Speaker 1: make my skull.

1434
01:07:34,880 --> 01:07:37,200
Speaker 4: She was begging for you to pop her skull with

1435
01:07:37,360 --> 01:07:39,200
Speaker 4: demn thighs, which qualifi.

1436
01:07:39,840 --> 01:07:44,320
Speaker 1: I think till her Darcy rewards, I will. I will

1437
01:07:44,400 --> 01:07:48,200
Speaker 1: be squeezing her with my thist okay, and you can

1438
01:07:48,320 --> 01:07:52,000
Speaker 1: count on that. You can bet on it, bead on it,

1439
01:07:52,280 --> 01:07:56,160
Speaker 1: bead on it, bead on it, bad on it. Whoa

1440
01:07:56,760 --> 01:07:59,200
Speaker 1: and the high school musicals don't know what, don't know

1441
01:07:59,240 --> 01:08:00,440
Speaker 1: what and shove it.

1442
01:08:00,760 --> 01:08:02,080
Speaker 2: But I support you.

1443
01:08:02,880 --> 01:08:03,120
Speaker 4: You know what?

1444
01:08:03,240 --> 01:08:09,959
Speaker 1: Songs in my head right now because you said Legendary prism. Wow,

1445
01:08:10,920 --> 01:08:11,200
Speaker 1: you know what.

1446
01:08:11,280 --> 01:08:16,400
Speaker 4: I didn't realize that's a great album album. It's crazy

1447
01:08:16,479 --> 01:08:18,800
Speaker 4: that legendary levers popped into your head. I'm sorry, it's

1448
01:08:18,880 --> 01:08:19,679
Speaker 4: fucking insane.

1449
01:08:20,680 --> 01:08:22,479
Speaker 1: I'm taking it's crazy.

1450
01:08:23,479 --> 01:08:29,599
Speaker 4: I'm floored. Legendary clearly number thirteen on that album's track list.

1451
01:08:29,800 --> 01:08:33,040
Speaker 1: It's like number two in terms of quality. I'm willing

1452
01:08:33,120 --> 01:08:36,040
Speaker 1: to say, oh my god, that album is so good.

1453
01:08:37,360 --> 01:08:42,639
Speaker 1: Prism is great, It's great, it's a good readers, bab

1454
01:08:43,400 --> 01:08:45,479
Speaker 1: Maybe there's like a really religious song that rubs me

1455
01:08:45,520 --> 01:08:46,760
Speaker 1: the wrong way, but I still love it. By the

1456
01:08:46,800 --> 01:08:50,639
Speaker 1: grace of God. Yeah, but it's still really good. Really

1457
01:08:51,560 --> 01:08:55,200
Speaker 1: just trying to sing, Readers. I encourage you to listen

1458
01:08:55,240 --> 01:08:58,320
Speaker 1: to that album on a plane. That's a good plane album.

1459
01:08:58,479 --> 01:09:01,400
Speaker 1: We're just talking about albums, yes, No, like some albums

1460
01:09:01,600 --> 01:09:04,280
Speaker 1: just hit different, some out big plane artist for me

1461
01:09:04,400 --> 01:09:06,240
Speaker 1: is Radiohead. I like to listen to Oh yeah, that's

1462
01:09:06,920 --> 01:09:10,120
Speaker 1: on an album on a album myself now, and Rambos

1463
01:09:10,200 --> 01:09:12,920
Speaker 1: is good and great on a plane. Yes, but you

1464
01:09:12,960 --> 01:09:15,360
Speaker 1: know what I just noticed, I'm also wearing kind of

1465
01:09:15,400 --> 01:09:19,200
Speaker 1: a cut off sweatshirt. Yeah, okay, bitch, it's a sweatshirt.

1466
01:09:19,240 --> 01:09:23,800
Speaker 1: I'm wearing a sweat Oh my god, that's so god. Lie,

1467
01:09:24,200 --> 01:09:31,280
Speaker 1: I won't lie. A helicopter chick, helicopter my Maybe it

1468
01:09:31,360 --> 01:09:33,680
Speaker 1: was actually gigantic right now, I mean, you.

1469
01:09:35,479 --> 01:09:38,880
Speaker 3: Got can I say to go back to that time

1470
01:09:38,920 --> 01:09:40,599
Speaker 3: when Darcy came on the pod for the first time

1471
01:09:40,640 --> 01:09:44,479
Speaker 3: in LA I remember opening the door, yeah and being

1472
01:09:44,479 --> 01:09:45,320
Speaker 3: like and Darky was.

1473
01:09:45,320 --> 01:09:46,400
Speaker 1: Holding an ice coffee.

1474
01:09:47,160 --> 01:09:50,320
Speaker 3: It was an ice coffee or green juice, and it

1475
01:09:50,560 --> 01:09:54,040
Speaker 3: was an as a gay man, I feel like it's

1476
01:09:54,160 --> 01:09:57,640
Speaker 3: relatively not harmful that I say this, but it was

1477
01:09:57,840 --> 01:10:01,120
Speaker 3: just so like, Wow, this is the mo gorgeous, the

1478
01:10:01,200 --> 01:10:04,160
Speaker 3: most gorgeous woman. And and since since you've talked about

1479
01:10:04,160 --> 01:10:07,639
Speaker 3: my thousand calves, I have to say the tits were stunning.

1480
01:10:10,840 --> 01:10:12,880
Speaker 4: I think we I think I think we might have

1481
01:10:13,040 --> 01:10:18,040
Speaker 4: screamed the word, certainly because we didn't know you, but.

1482
01:10:18,120 --> 01:10:22,680
Speaker 1: I think we later said it in the moment you

1483
01:10:22,720 --> 01:10:25,000
Speaker 1: maybe did snatched away. I want to be hot tile.

1484
01:10:26,520 --> 01:10:29,400
Speaker 1: But you guys, this when my little sister Miranda was

1485
01:10:29,479 --> 01:10:34,960
Speaker 1: like a little tiny kid this glove and she called

1486
01:10:40,479 --> 01:10:42,800
Speaker 1: interlocking fingers, she would like reach up to my dad

1487
01:10:42,840 --> 01:10:47,560
Speaker 1: and be like, glovelove. Interlocking fingers is like over the

1488
01:10:47,760 --> 01:10:51,320
Speaker 1: do you guys prefer? I think it depends on but god,

1489
01:10:51,400 --> 01:10:55,720
Speaker 1: I love gloves. Interlocking fingers is so intense and yeah,

1490
01:10:56,360 --> 01:10:59,280
Speaker 1: intimate glove is not sustainable, Yeah glove, Yeah, but a

1491
01:10:59,320 --> 01:11:01,760
Speaker 1: little it's okay, mit, And I can do forever with

1492
01:11:01,840 --> 01:11:03,920
Speaker 1: someone and I can do forever, Oh my god. Maybe

1493
01:11:03,960 --> 01:11:08,080
Speaker 1: glove is like dating and is like marri I don't know.

1494
01:11:08,560 --> 01:11:11,040
Speaker 4: Actually, I don't think I prefer glove just because it

1495
01:11:11,120 --> 01:11:15,800
Speaker 4: feels more did and then also, like you do your

1496
01:11:16,000 --> 01:11:17,920
Speaker 4: inside of your fingers can get a little sweater.

1497
01:11:18,120 --> 01:11:21,000
Speaker 1: That's right, mitten is restrained. Mitten is Sarah Snook, you know,

1498
01:11:21,360 --> 01:11:25,960
Speaker 1: oh Snook. I love her. She's so good. I love

1499
01:11:26,040 --> 01:11:29,720
Speaker 1: I'd be really intimidated to meet her. I bet she's too.

1500
01:11:30,000 --> 01:11:33,040
Speaker 1: I bet she's too. But just sometimes when somebody is

1501
01:11:33,080 --> 01:11:35,000
Speaker 1: that talented and not hot, it's hard to even like

1502
01:11:35,200 --> 01:11:37,120
Speaker 1: be near that. Well, then what the fuck are we

1503
01:11:37,160 --> 01:11:38,120
Speaker 1: supposed to think about you?

1504
01:11:38,439 --> 01:11:42,400
Speaker 2: Then it's really easy to be around ship.

1505
01:11:42,640 --> 01:11:45,200
Speaker 1: No, no, no, I was saying, but Darcy, wait, you

1506
01:11:45,240 --> 01:11:46,800
Speaker 1: guys are the hot. We don't need to we don't

1507
01:11:46,800 --> 01:11:49,599
Speaker 1: need to go down and think you're the highest people alive.

1508
01:11:52,640 --> 01:11:55,320
Speaker 1: I don't know. It was just a song.

1509
01:11:55,360 --> 01:11:57,400
Speaker 2: I was trying, like I'm sort of trying out songs.

1510
01:11:57,640 --> 01:12:00,400
Speaker 4: I should always be channeling everything I'm going through into

1511
01:12:00,439 --> 01:12:04,000
Speaker 4: a project and the no, that's not gonna make it.

1512
01:12:04,840 --> 01:12:07,680
Speaker 2: But I've been trying to get creative again, and this

1513
01:12:07,840 --> 01:12:08,280
Speaker 2: is the time.

1514
01:12:08,760 --> 01:12:10,920
Speaker 1: Are you really trying to? Yeah? I feel it. You're

1515
01:12:11,080 --> 01:12:15,160
Speaker 1: you are truly you have never been better creatively do

1516
01:12:15,160 --> 01:12:15,720
Speaker 1: you think that?

1517
01:12:19,680 --> 01:12:21,880
Speaker 2: So I guess what we're saying is this is three

1518
01:12:21,880 --> 01:12:24,679
Speaker 2: people that did a podcast episode. They're at their creative peak,

1519
01:12:25,120 --> 01:12:25,719
Speaker 2: not three.

1520
01:12:25,720 --> 01:12:31,160
Speaker 1: And we're gonna channel that three into ballow. Okay because

1521
01:12:31,240 --> 01:12:33,519
Speaker 1: of the strike, No, no, no, just because general move.

1522
01:12:33,600 --> 01:12:35,519
Speaker 1: You're just feeling a little Yeah, but that's it's not

1523
01:12:35,600 --> 01:12:36,080
Speaker 1: a complaint.

1524
01:12:36,120 --> 01:12:38,599
Speaker 4: We're we're in a precipice area. We're on the precipice

1525
01:12:38,640 --> 01:12:41,040
Speaker 4: of spring, and that brings things up. But I'm ready

1526
01:12:41,080 --> 01:12:41,519
Speaker 4: to dive in.

1527
01:12:41,560 --> 01:12:46,400
Speaker 1: We're diving in. We're diving in. The eclipse just happened.

1528
01:12:46,479 --> 01:12:49,080
Speaker 1: And then we're moving into you know, sun is semi

1529
01:12:49,280 --> 01:12:50,120
Speaker 1: uranus right now.

1530
01:12:52,280 --> 01:12:54,200
Speaker 3: Told you I don't know the planet, and and and

1531
01:12:54,320 --> 01:12:55,960
Speaker 3: so we're and a lot of stuff is in tourists

1532
01:12:56,000 --> 01:12:59,200
Speaker 3: right now, which means like slow mellow, we're figuring it out.

1533
01:12:59,400 --> 01:13:01,360
Speaker 3: And I feel all that very much. Yeah, you know

1534
01:13:01,400 --> 01:13:04,960
Speaker 3: what I'm saying. Thank you to Channy Nicholas, who may

1535
01:13:05,040 --> 01:13:07,800
Speaker 3: or may not be on the podsuit. Sometimes she's expressed she.

1536
01:13:07,960 --> 01:13:10,400
Speaker 4: Reached out, talk about speaking things and to exist. Yes,

1537
01:13:10,479 --> 01:13:11,760
Speaker 4: how she reached she's reached out.

1538
01:13:12,320 --> 01:13:15,120
Speaker 1: Let's get it on. I'm saying, we're figuring it out.

1539
01:13:15,200 --> 01:13:17,920
Speaker 1: Oh my god, you need to get into Channing Channing Tatum,

1540
01:13:18,320 --> 01:13:21,640
Speaker 1: Channing Tatum, you need imagine telling someone that you know

1541
01:13:21,760 --> 01:13:28,400
Speaker 1: you need to get into Channing data. You wait, you would, Okay,

1542
01:13:28,600 --> 01:13:30,680
Speaker 1: I think I would. Wait, you did a movie with him?

1543
01:13:30,800 --> 01:13:32,439
Speaker 1: I did? And do you have any interaction?

1544
01:13:32,680 --> 01:13:34,760
Speaker 3: We had plenty of interactions because in between takes, he

1545
01:13:34,760 --> 01:13:37,960
Speaker 3: and I would stand backstage of this like yes, yes, yes,

1546
01:13:38,040 --> 01:13:40,880
Speaker 3: the auditorio, the auditorio. This is right when he was

1547
01:13:40,880 --> 01:13:43,320
Speaker 3: starting to date Zoe. It wasn't public yet, so he

1548
01:13:43,360 --> 01:13:45,200
Speaker 3: would just be like, my girlfriend showed me a lot

1549
01:13:45,200 --> 01:13:45,519
Speaker 3: of art.

1550
01:13:45,560 --> 01:13:48,640
Speaker 1: It's like really cool. I'm like, oh yeah, girlfriend. He

1551
01:13:48,760 --> 01:13:50,240
Speaker 1: was like, where do you live? It was like he

1552
01:13:50,360 --> 01:13:53,120
Speaker 1: was like, oh, my girlfriend lives here, too cute and

1553
01:13:53,240 --> 01:13:54,320
Speaker 1: then should be saying this.

1554
01:13:55,360 --> 01:13:59,720
Speaker 3: Yeah, I love it, must piggle it st snort, and

1555
01:13:59,800 --> 01:14:01,160
Speaker 3: then I was just like I was just like, well,

1556
01:14:01,200 --> 01:14:02,840
Speaker 3: you know, like there's a lot of cool stuff. Then

1557
01:14:02,880 --> 01:14:04,720
Speaker 3: he's like yeah, yeah, no, I like Brooklyn is like

1558
01:14:04,840 --> 01:14:06,960
Speaker 3: very different. I'm like totally totally.

1559
01:14:06,720 --> 01:14:10,360
Speaker 2: Different, but you look number ninety nine bro different.

1560
01:14:10,600 --> 01:14:13,040
Speaker 1: We'll cut this out, No, no, I will. If anything,

1561
01:14:13,040 --> 01:14:15,560
Speaker 1: you could go beep beep, We're not cutting we're not

1562
01:14:15,600 --> 01:14:18,760
Speaker 1: cutting it out. I love him, I do too, okay, beep, yeah,

1563
01:14:19,000 --> 01:14:22,320
Speaker 1: I love and where she lives And that's actually rule

1564
01:14:22,320 --> 01:14:25,519
Speaker 1: of culture two hundred and seventy three. Where you live.

1565
01:14:26,520 --> 01:14:30,719
Speaker 1: When I listen to this, you know, weekly, I cannot

1566
01:14:30,880 --> 01:14:33,040
Speaker 1: help myself but say rurals.

1567
01:14:33,280 --> 01:14:38,000
Speaker 2: You know, that's what makes it a super rule. Like

1568
01:14:38,160 --> 01:14:39,760
Speaker 2: when the guest says the rule too, that makes it.

1569
01:14:40,600 --> 01:14:43,320
Speaker 1: I can't help it. Sit in my own home, shower

1570
01:14:43,439 --> 01:14:46,519
Speaker 1: or whatever. I say it aloud to no one.

1571
01:14:46,880 --> 01:14:49,280
Speaker 4: We encourage good because we want you to be practicing

1572
01:14:49,320 --> 01:14:52,360
Speaker 4: that so when you combat, then you can make the

1573
01:14:52,400 --> 01:14:54,439
Speaker 4: things a super rule that I'm more solidified in time

1574
01:14:54,520 --> 01:14:55,799
Speaker 4: and hold a higher.

1575
01:14:55,680 --> 01:14:59,760
Speaker 1: Eshl Nintendo game Bye, I don't know why it's super hard. Yes,

1576
01:15:00,280 --> 01:15:11,240
Speaker 1: our Endo game vies. It may be time for I

1577
01:15:11,280 --> 01:15:12,400
Speaker 1: don't Think so honey.

1578
01:15:12,600 --> 01:15:15,439
Speaker 2: Which is really where we channel the most rage are feeling.

1579
01:15:16,000 --> 01:15:18,320
Speaker 4: So if we ever have the opportunity to come together

1580
01:15:18,360 --> 01:15:20,719
Speaker 4: and record an episode of Lost Culturists, it is custom

1581
01:15:20,800 --> 01:15:22,240
Speaker 4: for I Don't Think so Honey to happen at the

1582
01:15:22,320 --> 01:15:24,200
Speaker 4: end of that episode. It is a sixty second segment

1583
01:15:24,280 --> 01:15:29,160
Speaker 4: that we take to rail and rant and rage against

1584
01:15:29,400 --> 01:15:33,160
Speaker 4: culture that needs to be dragged and I have something.

1585
01:15:33,600 --> 01:15:40,040
Speaker 4: It's sort of bigger than any I've ever done before.

1586
01:15:40,560 --> 01:15:43,080
Speaker 1: It's bigger. It's sort of bigger than anything I've ever done.

1587
01:15:43,640 --> 01:15:47,760
Speaker 1: I was looking at this guy trying to play my

1588
01:15:47,840 --> 01:15:48,400
Speaker 1: god Sully.

1589
01:15:52,080 --> 01:15:55,680
Speaker 4: This is Matt Rogers. I don't time starts now. I

1590
01:15:55,720 --> 01:16:00,720
Speaker 4: don't think so, honey, that skin changes over time. When

1591
01:16:00,760 --> 01:16:06,560
Speaker 4: I there was a time when I used to and

1592
01:16:07,400 --> 01:16:10,040
Speaker 4: I would have what people looked at me and they said,

1593
01:16:10,040 --> 01:16:12,040
Speaker 4: why I have great skin. Now it's like I go

1594
01:16:12,120 --> 01:16:14,760
Speaker 4: to a different location. They change locationally where I am.

1595
01:16:15,240 --> 01:16:17,600
Speaker 4: It's like my skin doesn't know what's happening for the

1596
01:16:17,680 --> 01:16:21,200
Speaker 4: first time ever. And I try to adapt to new

1597
01:16:21,320 --> 01:16:24,920
Speaker 4: skin practices, like using sunscreen every day, but it feels

1598
01:16:25,040 --> 01:16:26,920
Speaker 4: like I don't know if it's just that I'm getting

1599
01:16:27,000 --> 01:16:30,640
Speaker 4: a little bit older, but it feels like nothing I

1600
01:16:30,680 --> 01:16:32,720
Speaker 4: can do to scott my skin from aging and being

1601
01:16:32,760 --> 01:16:34,200
Speaker 4: affected by my surroundings.

1602
01:16:34,840 --> 01:16:36,439
Speaker 1: I am asking for help.

1603
01:16:36,800 --> 01:16:39,120
Speaker 4: I come to this podcast to reach out to everyone

1604
01:16:39,280 --> 01:16:41,719
Speaker 4: in the law school racist community, no matter how you identify,

1605
01:16:42,080 --> 01:16:45,000
Speaker 4: to reach out to me and say, hey, I'm looking

1606
01:16:45,080 --> 01:16:46,560
Speaker 4: at you and it looks like we might have a

1607
01:16:46,640 --> 01:16:47,679
Speaker 4: similar skin situation.

1608
01:16:47,800 --> 01:16:48,680
Speaker 2: I'm been experiencing this.

1609
01:16:48,840 --> 01:16:49,439
Speaker 1: This has worked.

1610
01:16:49,920 --> 01:16:52,800
Speaker 4: I look to you in the Houston song. I don't think,

1611
01:16:52,880 --> 01:16:55,120
Speaker 4: so Honey. My skin changing over time, and.

1612
01:16:55,200 --> 01:16:59,240
Speaker 1: That's what you need to go. I had a moment like, no,

1613
01:16:59,360 --> 01:17:03,240
Speaker 1: it's like when you did the the back to the thing.

1614
01:17:03,720 --> 01:17:05,960
Speaker 1: I just had that moment because Matt, when I tell

1615
01:17:06,040 --> 01:17:09,000
Speaker 1: you that was what you're going to be there. Yeah,

1616
01:17:09,400 --> 01:17:09,960
Speaker 1: you want to know why.

1617
01:17:10,120 --> 01:17:12,479
Speaker 2: It's because you were in l A for a while

1618
01:17:12,720 --> 01:17:14,639
Speaker 2: then came to New York and something's weird.

1619
01:17:14,800 --> 01:17:17,400
Speaker 1: Yeah. Absolutely. I mean I have like a little well

1620
01:17:17,439 --> 01:17:19,000
Speaker 1: this isn't what you're talking, but I have a little

1621
01:17:19,120 --> 01:17:23,559
Speaker 1: rash on my way. I'm breaking out for some reason.

1622
01:17:23,680 --> 01:17:26,479
Speaker 2: My chest and neck is getting very red.

1623
01:17:26,640 --> 01:17:29,720
Speaker 1: I'm like itchy, skin changing, skin.

1624
01:17:29,680 --> 01:17:30,559
Speaker 2: Changes over time.

1625
01:17:30,720 --> 01:17:34,599
Speaker 1: It's so okay, okay, I'm truly like, I'm like tripping out.

1626
01:17:34,640 --> 01:17:37,120
Speaker 1: I'm in a different dimension. I cannot believe you said that,

1627
01:17:37,160 --> 01:17:39,000
Speaker 1: because I was also like, were you going to use

1628
01:17:39,040 --> 01:17:39,519
Speaker 1: that verbiage?

1629
01:17:39,760 --> 01:17:39,800
Speaker 3: No?

1630
01:17:40,000 --> 01:17:42,400
Speaker 1: No, I wasn't. But like so many, I don't think

1631
01:17:42,439 --> 01:17:44,320
Speaker 1: so Honey's popped into my head in the last day

1632
01:17:44,400 --> 01:17:46,680
Speaker 1: or two, and that is what the one like, I

1633
01:17:46,760 --> 01:17:48,160
Speaker 1: think what I will do and maybe I should just

1634
01:17:48,240 --> 01:17:50,640
Speaker 1: do it right now? Is like more broad? Can you

1635
01:17:50,720 --> 01:17:51,200
Speaker 1: do yours now?

1636
01:17:51,280 --> 01:17:52,679
Speaker 2: Yeah, because this is the discussion topic.

1637
01:17:52,720 --> 01:17:55,400
Speaker 1: But this is like crazy five seven eight, This historic cards.

1638
01:17:55,400 --> 01:17:57,120
Speaker 1: I don't think so, honey. Her time starts now, I

1639
01:17:57,240 --> 01:18:01,120
Speaker 1: don't think so, honey. The passage of time. Okay, you're

1640
01:18:01,280 --> 01:18:05,600
Speaker 1: making me sad. It is like, and I know I

1641
01:18:05,680 --> 01:18:06,960
Speaker 1: only have a minute, and I'm just going to tell you.

1642
01:18:07,479 --> 01:18:12,519
Speaker 1: It is skin changing, its hair changing, it's parents aging,

1643
01:18:13,120 --> 01:18:20,240
Speaker 1: can't it's dogs dying. It's little nieces and nephews becoming bitchids.

1644
01:18:20,800 --> 01:18:27,120
Speaker 1: You were just with them but then being and then

1645
01:18:27,240 --> 01:18:30,479
Speaker 1: all of a sudden them like having a job. It's

1646
01:18:30,560 --> 01:18:35,400
Speaker 1: not right. How many more times in our it's best

1647
01:18:35,479 --> 01:18:40,280
Speaker 1: friends seeing them once a year. No, life is passing

1648
01:18:41,320 --> 01:18:45,240
Speaker 1: and it's only getting faster and worse. And also on

1649
01:18:45,360 --> 01:18:47,840
Speaker 1: the topic of skin, I'm sorry to just bump over here,

1650
01:18:47,920 --> 01:18:49,759
Speaker 1: but I don't think so, honey. Paper cuts and also

1651
01:18:49,920 --> 01:18:55,240
Speaker 1: cardboard cuts seconds, cardboard cut, Oh no, and that's one minute.

1652
01:18:55,720 --> 01:18:59,120
Speaker 4: So you agree, I agree that one of the elements,

1653
01:18:59,200 --> 01:19:02,479
Speaker 4: one of the elements changing of the guard in terms

1654
01:19:02,520 --> 01:19:06,040
Speaker 4: of time. In my second that gets more advanced in

1655
01:19:06,160 --> 01:19:07,759
Speaker 4: time exactly, we get more into the future.

1656
01:19:07,800 --> 01:19:10,800
Speaker 1: Every second. Our skin, Our skin is one of the things. Well,

1657
01:19:10,840 --> 01:19:13,960
Speaker 1: it's a visual representation also, those are like and this

1658
01:19:14,120 --> 01:19:18,840
Speaker 1: is what I found with my with I'm gonna just

1659
01:19:19,280 --> 01:19:22,960
Speaker 1: I'm going to conjure her name, my sweet, wonderful, lovely

1660
01:19:23,120 --> 01:19:25,040
Speaker 1: dog Penny who recently passed. We love her, We love

1661
01:19:25,080 --> 01:19:29,920
Speaker 1: her so much hot like watching a dog age like

1662
01:19:30,080 --> 01:19:33,519
Speaker 1: in rapid. It's faster than fuck. It's so fast that

1663
01:19:33,600 --> 01:19:35,919
Speaker 1: a dog, you know, I mean, this is the whole thing. Famously,

1664
01:19:36,040 --> 01:19:38,160
Speaker 1: dog's what seven years or whatever it is dog years?

1665
01:19:38,160 --> 01:19:40,200
Speaker 1: You know what I'm saying. It really is true, y'all.

1666
01:19:40,240 --> 01:19:44,320
Speaker 1: They like age fast. And watching my little puppy dog

1667
01:19:44,479 --> 01:19:46,600
Speaker 1: turn into like an old lady and pass in my

1668
01:19:47,120 --> 01:19:51,120
Speaker 1: arms up like that is that's real as fuck. And

1669
01:19:51,280 --> 01:19:54,240
Speaker 1: that really like puts things in perspective. And and I

1670
01:19:54,320 --> 01:19:57,000
Speaker 1: think there's something about like a visual representation of age,

1671
01:19:57,040 --> 01:20:00,000
Speaker 1: and it is babies getting older, It is our skin change.

1672
01:20:00,280 --> 01:20:03,160
Speaker 1: It is like seeing a wrinkle or whatever. And I

1673
01:20:03,280 --> 01:20:05,880
Speaker 1: think a big part of it is the lockdown, like

1674
01:20:05,960 --> 01:20:07,720
Speaker 1: having a couple of years of like being indoors and

1675
01:20:07,800 --> 01:20:10,160
Speaker 1: then coming out and being like, wow, I haven't seen

1676
01:20:10,720 --> 01:20:14,679
Speaker 1: this person in a year, or like things really got

1677
01:20:14,920 --> 01:20:16,600
Speaker 1: real as hell for me. You want to know what

1678
01:20:16,680 --> 01:20:16,920
Speaker 1: it was?

1679
01:20:17,080 --> 01:20:19,400
Speaker 4: I think that like you're talking about last like a

1680
01:20:19,479 --> 01:20:22,960
Speaker 4: few years, right, Yeah, So like with the pandemic, that

1681
01:20:23,280 --> 01:20:27,880
Speaker 4: like doesn't necessarily feel like a long time. Yeah, it

1682
01:20:28,000 --> 01:20:30,600
Speaker 4: feels like because things stopped and then they were so

1683
01:20:30,840 --> 01:20:33,560
Speaker 4: same for such a long period of time, it for

1684
01:20:33,680 --> 01:20:36,439
Speaker 4: some reason gets remembered as like just the pandemic and

1685
01:20:36,520 --> 01:20:38,400
Speaker 4: filed away, you know what I mean, and all of

1686
01:20:38,439 --> 01:20:39,200
Speaker 4: a sudden, like.

1687
01:20:39,640 --> 01:20:41,160
Speaker 2: We have come out of it and we are like

1688
01:20:41,320 --> 01:20:42,719
Speaker 2: three and a half years older.

1689
01:20:43,000 --> 01:20:44,120
Speaker 1: Yeah, you know what I mean. And so that I

1690
01:20:44,160 --> 01:20:46,400
Speaker 1: think just feels pronounced, Yes, totally.

1691
01:20:46,520 --> 01:20:48,760
Speaker 4: And I also think the existential questions that arise with

1692
01:20:48,840 --> 01:20:50,679
Speaker 4: something like a global experience anyway.

1693
01:20:50,760 --> 01:20:55,080
Speaker 3: Yeah, it's an abstract concept. Time passing is an abstract

1694
01:20:55,240 --> 01:20:59,679
Speaker 3: thing that you like attach little things to, like after yeah,

1695
01:21:00,160 --> 01:21:02,080
Speaker 3: a certain amount of time goes by. Does that make sense.

1696
01:21:02,080 --> 01:21:04,240
Speaker 3: It's like like you're like, oh, three years have past.

1697
01:21:04,280 --> 01:21:07,720
Speaker 3: What's happened since like in that time? Oh right, like

1698
01:21:07,800 --> 01:21:11,519
Speaker 3: my nieces and nephews have grown up, these lives were lost, whatever.

1699
01:21:11,800 --> 01:21:15,280
Speaker 1: It's it's so big. It's hard to like attach that to.

1700
01:21:15,320 --> 01:21:17,519
Speaker 4: The blast three years because things are so things have

1701
01:21:17,600 --> 01:21:19,479
Speaker 4: been so slippery and also just like flat.

1702
01:21:19,640 --> 01:21:23,160
Speaker 1: Yeah, yeah, totally sad. I mean, I know it's been said,

1703
01:21:23,200 --> 01:21:25,360
Speaker 1: but it's like I do feel like in the future

1704
01:21:25,400 --> 01:21:27,920
Speaker 1: we will look back on this time it will be

1705
01:21:28,520 --> 01:21:30,679
Speaker 1: like I don't think we even we can even wrap

1706
01:21:30,680 --> 01:21:31,400
Speaker 1: our heads around.

1707
01:21:31,240 --> 01:21:35,000
Speaker 4: It, right, No, no, bizarre, And I mean it feels

1708
01:21:35,120 --> 01:21:39,880
Speaker 4: like what people who are realistic about the sixties are

1709
01:21:39,960 --> 01:21:41,560
Speaker 4: like about the sixties, you know what I mean, Like

1710
01:21:41,640 --> 01:21:44,400
Speaker 4: the sixties was fucked right, Like there was so much

1711
01:21:45,120 --> 01:21:47,840
Speaker 4: like trauma and terror that yeah, was happening at that time,

1712
01:21:47,920 --> 01:21:50,360
Speaker 4: and so much war and so much discord and fear

1713
01:21:50,439 --> 01:21:54,000
Speaker 4: and unknown that like it feels weird to be living

1714
01:21:54,040 --> 01:21:55,599
Speaker 4: in what you know is going to be an era

1715
01:21:56,240 --> 01:21:58,400
Speaker 4: that is marked by a lot of the same. Yeah,

1716
01:21:59,160 --> 01:22:00,960
Speaker 4: you know what I mean, Like it does make you

1717
01:22:01,880 --> 01:22:04,559
Speaker 4: hopeful that at least there are errors incoming that are

1718
01:22:04,600 --> 01:22:05,680
Speaker 4: gonna turn the page on that.

1719
01:22:05,840 --> 01:22:09,200
Speaker 3: But like, you know, y'all, I for some reason had

1720
01:22:09,240 --> 01:22:13,160
Speaker 3: this movie on my list lage tee. It's this fucking

1721
01:22:13,840 --> 01:22:16,439
Speaker 3: thirty minute long French movie that they made in nineteen

1722
01:22:16,479 --> 01:22:21,120
Speaker 3: sixty two, and it's all told in like photos and

1723
01:22:21,200 --> 01:22:23,599
Speaker 3: it's about how it's.

1724
01:22:23,600 --> 01:22:26,600
Speaker 1: Barely sounds like a movie. It's very a movie. But

1725
01:22:27,000 --> 01:22:31,680
Speaker 1: it's like I was like this.

1726
01:22:31,840 --> 01:22:33,160
Speaker 3: I was like, I'm gonna watch a taste I was like,

1727
01:22:33,200 --> 01:22:35,879
Speaker 3: I've been watching trash. I'm gonna watch a tasteful film. Yeah,

1728
01:22:36,080 --> 01:22:39,880
Speaker 3: bad idea, because guess what the movie is about? This

1729
01:22:40,080 --> 01:22:43,280
Speaker 3: man whose last memory before like World War three started,

1730
01:22:43,680 --> 01:22:46,240
Speaker 3: was him at this airport. And then it's all about

1731
01:22:46,320 --> 01:22:50,000
Speaker 3: like people in post world where post nuclear holocaust paris

1732
01:22:50,080 --> 01:22:53,080
Speaker 3: trying to send this man back in time, attaching himself

1733
01:22:53,120 --> 01:22:55,760
Speaker 3: to memories of like the before times. And I'm like

1734
01:22:55,960 --> 01:22:57,800
Speaker 3: this is too much. I wasn't even stone, but I

1735
01:22:57,880 --> 01:23:00,519
Speaker 3: was like, this is crazy. I can't think about this.

1736
01:23:00,920 --> 01:23:02,439
Speaker 3: And then I start going down this rabbit hole of

1737
01:23:02,479 --> 01:23:05,439
Speaker 3: looking up World War three things of like it literally

1738
01:23:05,600 --> 01:23:09,160
Speaker 3: almost happened during the Cuban missile crisis. We literally almost

1739
01:23:09,320 --> 01:23:12,400
Speaker 3: all died when that happened. By like a fucking eyelash,

1740
01:23:12,479 --> 01:23:16,760
Speaker 3: we like averted. It isn't that crazy that I think

1741
01:23:18,200 --> 01:23:20,080
Speaker 3: I had to turn it off? And if I've turned

1742
01:23:20,080 --> 01:23:21,519
Speaker 3: it off, that means this one's going to turn it off.

1743
01:23:21,640 --> 01:23:24,000
Speaker 4: So here's the thing. Like this is an example of

1744
01:23:24,040 --> 01:23:27,519
Speaker 4: why having taste is not necessarily a good idea totally,

1745
01:23:27,640 --> 01:23:30,280
Speaker 4: that's what and that's little culture number eleven. Having taste

1746
01:23:30,360 --> 01:23:33,960
Speaker 4: is not necessarily the best idea, Yeah, because I sort

1747
01:23:34,000 --> 01:23:38,120
Speaker 4: of haven't watched Yeah and therefore aren't fixated on death

1748
01:23:38,320 --> 01:23:39,040
Speaker 4: and world war.

1749
01:23:41,280 --> 01:23:44,640
Speaker 3: The doomsday clock is ninety seconds to midnight, Like, right,

1750
01:23:45,240 --> 01:23:49,439
Speaker 3: I never would have been Yes, in sixty two it

1751
01:23:49,600 --> 01:23:53,920
Speaker 3: was five minutes to midnight. We're ninety closure.

1752
01:23:53,720 --> 01:23:56,400
Speaker 1: Than the era I just won that. Look back on

1753
01:23:56,479 --> 01:23:59,439
Speaker 1: this Nightmarege, I'm so sorry to do. No, you have

1754
01:23:59,600 --> 01:24:02,040
Speaker 1: to not to sort of give it to to the

1755
01:24:02,160 --> 01:24:07,839
Speaker 1: Thanksgiving play, but this is very my character yet imagine

1756
01:24:08,680 --> 01:24:12,639
Speaker 1: like I'm here to your character, but that is something

1757
01:24:12,680 --> 01:24:16,040
Speaker 1: I actually know that there's any like you know, redeemable

1758
01:24:16,160 --> 01:24:20,040
Speaker 1: or what like, there's no but that's like an aspirational

1759
01:24:20,120 --> 01:24:22,120
Speaker 1: thing that like your character has, which is like she

1760
01:24:22,280 --> 01:24:25,120
Speaker 1: just doesn't let her She's like, I don't want to know.

1761
01:24:25,479 --> 01:24:28,120
Speaker 1: I'm able to live in the bubble. Yes, and it's

1762
01:24:28,160 --> 01:24:31,000
Speaker 1: not it's not right, but it's okay.

1763
01:24:33,000 --> 01:24:37,120
Speaker 4: She'll never challenge herself, she'll never challenge herself beyond anything

1764
01:24:37,200 --> 01:24:39,759
Speaker 4: because it's working for But that's how we all cope,

1765
01:24:39,920 --> 01:24:40,080
Speaker 4: I know.

1766
01:24:40,640 --> 01:24:42,720
Speaker 1: Yeah, Like I had to turn that sh off. We

1767
01:24:42,920 --> 01:24:45,240
Speaker 1: have to raise our voice. That's what I would have said.

1768
01:24:45,160 --> 01:24:47,120
Speaker 4: To your character is at the end. If I could

1769
01:24:47,160 --> 01:24:50,519
Speaker 4: talk to her, I would say, you have a voice,

1770
01:24:50,560 --> 01:24:52,080
Speaker 4: and you have to raise your voice. And then I

1771
01:24:52,080 --> 01:24:54,599
Speaker 4: would comment on her privilege, and I would say your

1772
01:24:54,680 --> 01:24:56,799
Speaker 4: privileged and you have to raise your voice.

1773
01:24:57,120 --> 01:24:59,120
Speaker 1: So if you could tell her that, I would live

1774
01:25:00,120 --> 01:25:03,439
Speaker 1: way in your preparation. In the moment, my god, I

1775
01:25:03,520 --> 01:25:05,960
Speaker 1: think I might change my whole performance tomorrow night. But

1776
01:25:06,120 --> 01:25:09,080
Speaker 1: keep the grape popped, the grape pop, the grape, pop

1777
01:25:09,200 --> 01:25:11,759
Speaker 1: the grape. Two nights in a row, A grape drip

1778
01:25:12,120 --> 01:25:16,920
Speaker 1: dripped on my hot like titty, my white shirt, white

1779
01:25:17,400 --> 01:25:20,760
Speaker 1: shirted titty, and there's like a little grape dot. And

1780
01:25:20,960 --> 01:25:23,200
Speaker 1: all my little castmates looked at me in the eye

1781
01:25:23,200 --> 01:25:24,559
Speaker 1: and then looked at my tit and then looked at

1782
01:25:24,560 --> 01:25:28,719
Speaker 1: me and not great to be like, you dripped again, bitch.

1783
01:25:28,560 --> 01:25:30,240
Speaker 2: And also just say hey, my eyes.

1784
01:25:31,120 --> 01:25:33,439
Speaker 1: But then at the stage door afterwards, so many people

1785
01:25:33,520 --> 01:25:36,679
Speaker 1: were like, you dripped on your I noticed your grape rip.

1786
01:25:37,160 --> 01:25:38,680
Speaker 1: You know when I cried. I went back to my

1787
01:25:38,760 --> 01:25:41,559
Speaker 1: dressing room and I so no, I didn't. I laughed,

1788
01:25:41,600 --> 01:25:43,519
Speaker 1: I took pictures, I signed autographs, and I went home.

1789
01:25:43,560 --> 01:25:50,240
Speaker 1: I made a goddamn cheeseburger. Oh my god, Oh my god,

1790
01:25:50,360 --> 01:25:54,840
Speaker 1: I want to eat cheeseburgers, so I would go for one.

1791
01:25:55,040 --> 01:25:59,800
Speaker 1: Oh my god, that was my moment. That that was

1792
01:26:00,680 --> 01:26:01,040
Speaker 1: my god.

1793
01:26:01,680 --> 01:26:04,600
Speaker 4: This is this is the moment, has no idea, A

1794
01:26:04,720 --> 01:26:09,400
Speaker 4: lot of three things cheese and together.

1795
01:26:10,920 --> 01:26:13,960
Speaker 1: Meat, cheese and bread. Oh my god, he said, Oh my,

1796
01:26:18,560 --> 01:26:22,720
Speaker 1: We've all screamed. Wait, this is something I used to

1797
01:26:22,720 --> 01:26:24,080
Speaker 1: do when I was a kid. Let's say it works.

1798
01:26:27,320 --> 01:26:30,120
Speaker 1: Oh my god, that sounds so good. You can kind

1799
01:26:30,160 --> 01:26:34,080
Speaker 1: of do in your hand. You're really good at it's

1800
01:26:34,240 --> 01:26:37,040
Speaker 1: really good song. Musical family grew up.

1801
01:26:43,479 --> 01:26:47,800
Speaker 2: Oh my god, you sounds so you sound like when

1802
01:26:47,840 --> 01:26:49,360
Speaker 2: Nicky mckimp Oh, I shouldn't say that.

1803
01:26:49,720 --> 01:26:50,080
Speaker 1: Gods.

1804
01:26:51,560 --> 01:26:53,120
Speaker 4: There was an iconic moment at the end of the

1805
01:26:53,160 --> 01:26:59,200
Speaker 4: finale where Kelly was having trouble singing and like took

1806
01:26:59,240 --> 01:27:06,000
Speaker 4: the microphone and said saying, I remember she didn't even

1807
01:27:06,040 --> 01:27:06,559
Speaker 4: just felt it out.

1808
01:27:06,600 --> 01:27:11,479
Speaker 2: She just made a choice. She was so on the

1809
01:27:11,600 --> 01:27:14,080
Speaker 2: mic yet that it was iconic.

1810
01:27:14,280 --> 01:27:18,240
Speaker 4: And we do also say, god, rest I was a

1811
01:27:18,360 --> 01:27:20,679
Speaker 4: nick McKinnon apologize, Well.

1812
01:27:20,560 --> 01:27:22,720
Speaker 1: What's the hologist's great?

1813
01:27:22,800 --> 01:27:24,400
Speaker 4: It was just she got picked on the most that

1814
01:27:24,520 --> 01:27:26,960
Speaker 4: season for like still being there. You know what I mean,

1815
01:27:27,000 --> 01:27:29,519
Speaker 4: It's like that think about American I was like one

1816
01:27:29,600 --> 01:27:32,160
Speaker 4: person would be bullied every year for like still being there,

1817
01:27:32,479 --> 01:27:35,240
Speaker 4: as if it was their decision. They were like somehow

1818
01:27:35,360 --> 01:27:38,320
Speaker 4: like like if John Stevens who ended up beating remember

1819
01:27:38,400 --> 01:27:40,920
Speaker 4: when he beat Jennifer Hudson, he was like a coroner

1820
01:27:41,280 --> 01:27:46,400
Speaker 4: yet it really wasn't very good and that he made

1821
01:27:46,400 --> 01:27:48,479
Speaker 4: it further than like Jennifer Hudson. And I remember the

1822
01:27:48,600 --> 01:27:51,480
Speaker 4: fandom and I was very online in front of the fandom.

1823
01:27:51,720 --> 01:27:55,880
Speaker 1: Was so cruel to him for being there, totally like

1824
01:27:55,960 --> 01:27:57,680
Speaker 1: as if he like like they got in like a

1825
01:27:57,720 --> 01:27:58,200
Speaker 1: fist fighter.

1826
01:27:58,520 --> 01:28:03,120
Speaker 3: Yeah, yeah, yeah, I feel very spiritually connected to Nicki McKibben.

1827
01:28:03,360 --> 01:28:08,200
Speaker 1: And here's why. Seventh grade, my algebra teacher, Nicole Schaffner.

1828
01:28:08,280 --> 01:28:10,400
Speaker 1: Why are you saying her first name? We stand miss

1829
01:28:10,840 --> 01:28:13,080
Speaker 1: no No. I mean, like, why how do you know her?

1830
01:28:13,920 --> 01:28:17,120
Speaker 1: Because your teacher we called we call her missus Schaffner.

1831
01:28:17,760 --> 01:28:20,320
Speaker 3: And she was the best seventh grade algebra teacher we

1832
01:28:20,400 --> 01:28:23,120
Speaker 3: could have asked for and went and then we all

1833
01:28:23,240 --> 01:28:25,519
Speaker 3: campaigned as a class for the eighth grade year that

1834
01:28:25,640 --> 01:28:27,400
Speaker 3: she would come into this geometry, but then she was

1835
01:28:27,439 --> 01:28:29,120
Speaker 3: not allowed to all.

1836
01:28:29,479 --> 01:28:31,240
Speaker 1: So then Miss Maynard in the eighth where we like

1837
01:28:31,600 --> 01:28:38,400
Speaker 1: bullied the ship out of this can no. But it's

1838
01:28:38,439 --> 01:28:39,679
Speaker 1: not her fault. It's not her fault.

1839
01:28:40,320 --> 01:28:45,360
Speaker 3: Anyway, back to missus Schaffner Nicole Nicole Schaffner nay born

1840
01:28:45,640 --> 01:28:46,599
Speaker 3: Nicole McKibben.

1841
01:28:46,840 --> 01:28:50,559
Speaker 1: What and she says that her the spelling of her

1842
01:28:50,640 --> 01:28:52,000
Speaker 1: last name McKibben.

1843
01:28:51,720 --> 01:28:56,920
Speaker 3: Is extremely extremely rare mc kay I b b I

1844
01:28:57,160 --> 01:29:00,400
Speaker 3: an it's normally eat man I M.

1845
01:29:00,760 --> 01:29:03,840
Speaker 1: And they look alike, are you are you? Are you

1846
01:29:04,000 --> 01:29:06,000
Speaker 1: six of one? Half dozen? Name of the other? I

1847
01:29:06,080 --> 01:29:09,439
Speaker 1: mean you're not hold on, did you just make two like? Okay, okay,

1848
01:29:09,560 --> 01:29:10,880
Speaker 1: I don't have my words. I don't have my words.

1849
01:29:10,920 --> 01:29:16,680
Speaker 1: I don't have my words. Okay, you just compared the

1850
01:29:16,800 --> 01:29:21,960
Speaker 1: American idol with the algebra teacher to and also the

1851
01:29:22,080 --> 01:29:24,640
Speaker 1: name like you just did two connections.

1852
01:29:24,160 --> 01:29:29,240
Speaker 4: In his and literally we're very very god But missus

1853
01:29:29,240 --> 01:29:33,200
Speaker 4: Shocker was like, I'm pretty sure we're related because they looked.

1854
01:29:33,920 --> 01:29:36,680
Speaker 1: Okay, they looked identical and they have the same name name.

1855
01:29:39,320 --> 01:29:40,000
Speaker 1: She doesn't.

1856
01:29:40,080 --> 01:29:42,800
Speaker 4: But she fucking taught the ship out of algebra, and

1857
01:29:43,640 --> 01:29:46,280
Speaker 4: she made us love algebra at a young age.

1858
01:29:46,439 --> 01:29:49,920
Speaker 1: Is it possible that it was the same woman. Oh

1859
01:29:50,080 --> 01:29:53,960
Speaker 1: my god, I really think it's possible. This one is

1860
01:29:54,000 --> 01:29:56,240
Speaker 1: still with us. Okay, but I think it's possible that. No,

1861
01:29:56,360 --> 01:30:00,240
Speaker 1: I'm gonna just missus is mother. By the way, that

1862
01:30:00,400 --> 01:30:03,400
Speaker 1: from the second yeah you actually said it, yeah, you literally,

1863
01:30:03,479 --> 01:30:03,960
Speaker 1: And I.

1864
01:30:04,000 --> 01:30:06,320
Speaker 3: Do want to apologize on behalf of the Laredo Middle

1865
01:30:06,360 --> 01:30:10,439
Speaker 3: School class of two thousand and four. I apologize to

1866
01:30:10,479 --> 01:30:13,000
Speaker 3: Missus Maynard because we really really treat her well and

1867
01:30:13,080 --> 01:30:14,479
Speaker 3: she was just trying to teach us geometry.

1868
01:30:14,560 --> 01:30:16,439
Speaker 4: There are those teachers out there that are doing you

1869
01:30:16,560 --> 01:30:19,519
Speaker 4: must apology. You have to apologize to would apologize to

1870
01:30:19,600 --> 01:30:24,840
Speaker 4: two women right now, Ms Gillan, who taught earth science. Unfortunately,

1871
01:30:25,000 --> 01:30:28,200
Speaker 4: she just showed too many weaknesses for a class of

1872
01:30:28,320 --> 01:30:30,639
Speaker 4: people who were trying to find a sense of humor.

1873
01:30:30,680 --> 01:30:31,040
Speaker 1: Exactly.

1874
01:30:31,560 --> 01:30:32,160
Speaker 4: You know what I mean.

1875
01:30:32,400 --> 01:30:36,320
Speaker 1: You told me was the teacher who would go alway, No.

1876
01:30:36,439 --> 01:30:39,439
Speaker 4: That was miss McDonald's who's my secondlogy? Okay, she was

1877
01:30:39,479 --> 01:30:42,960
Speaker 4: simply too young in an experienced to teach a difficult

1878
01:30:43,000 --> 01:30:46,000
Speaker 4: subject with the sixth grade math. It's like kids in

1879
01:30:46,120 --> 01:30:48,040
Speaker 4: math class they want to act out so bad because

1880
01:30:48,080 --> 01:30:49,320
Speaker 4: it's so bad.

1881
01:30:49,479 --> 01:30:49,839
Speaker 1: Totally.

1882
01:30:50,000 --> 01:30:53,360
Speaker 4: Math sucks so much, it's been said, yeah, and so

1883
01:30:53,520 --> 01:30:56,479
Speaker 4: when a that doesn't have a handle of the room

1884
01:30:56,640 --> 01:30:59,880
Speaker 4: tries to teach it, they simply a chance. And for

1885
01:31:00,040 --> 01:31:01,639
Speaker 4: her to stand in front of the class and say

1886
01:31:01,720 --> 01:31:04,679
Speaker 4: I'll wait and for one of the audience, for the audience,

1887
01:31:04,720 --> 01:31:07,200
Speaker 4: which is really because it was a gesture show for

1888
01:31:07,360 --> 01:31:08,439
Speaker 4: one kid in the class to go.

1889
01:31:08,800 --> 01:31:13,720
Speaker 1: Okay, kill yourself, you have to. It didn't feel good,

1890
01:31:13,800 --> 01:31:14,040
Speaker 1: I know.

1891
01:31:14,840 --> 01:31:18,200
Speaker 4: And then Miss Gillan, I will say she didn't sand

1892
01:31:18,200 --> 01:31:20,160
Speaker 4: a chance either. There was a day where she was

1893
01:31:20,200 --> 01:31:23,640
Speaker 4: taking attendance and one of my friends wasn't there, And

1894
01:31:23,720 --> 01:31:25,880
Speaker 4: the bit I was doing at the time was when

1895
01:31:26,040 --> 01:31:29,439
Speaker 4: someone wasn't there. They were like, she got to my

1896
01:31:29,479 --> 01:31:31,800
Speaker 4: friend Lorienne and she said Lorienne and I made noise

1897
01:31:31,880 --> 01:31:35,840
Speaker 4: like this, oh oh. And then Ms Gilan said what Matt,

1898
01:31:36,320 --> 01:31:42,360
Speaker 4: and I said, Lauren passed away. She passed away. Third period.

1899
01:31:43,600 --> 01:31:47,639
Speaker 1: It was like period, that is so funny. She said,

1900
01:31:47,680 --> 01:31:49,080
Speaker 1: that is so funny. People laughed.

1901
01:31:49,080 --> 01:31:51,479
Speaker 2: But again it was more my delivery probably wasn't great

1902
01:31:52,360 --> 01:31:53,040
Speaker 2: the second.

1903
01:31:55,960 --> 01:31:57,880
Speaker 4: It was so the bit I was doing that when

1904
01:31:57,960 --> 01:32:00,240
Speaker 4: some kid wasn't there, especially with the substitute teacher that

1905
01:32:00,400 --> 01:32:03,000
Speaker 4: they passed away fourth period. We're all grieving. That was

1906
01:32:03,040 --> 01:32:06,400
Speaker 4: something I thought was truly so funny. And this woman

1907
01:32:06,479 --> 01:32:07,120
Speaker 4: turned to me and.

1908
01:32:07,200 --> 01:32:09,640
Speaker 2: She said, that's not fun Of course she did. I

1909
01:32:09,760 --> 01:32:11,000
Speaker 2: knew a child that died.

1910
01:32:11,120 --> 01:32:14,639
Speaker 1: Okay, sure we all did. Actually, she sucks.

1911
01:32:15,080 --> 01:32:19,920
Speaker 4: And I said, I don't know that you made this matter,

1912
01:32:20,080 --> 01:32:22,040
Speaker 4: like if you like it, yeah, called.

1913
01:32:21,880 --> 01:32:27,599
Speaker 1: Me after you brought up a child. I actually knew

1914
01:32:27,640 --> 01:32:34,160
Speaker 1: a child that died. That's not funny. Okay, what did

1915
01:32:34,200 --> 01:32:37,519
Speaker 1: the kids say? When when you when she said, I'll wait, okay,

1916
01:32:39,000 --> 01:32:40,760
Speaker 1: she said, okay, I want to do this again. Ready

1917
01:32:40,760 --> 01:32:43,800
Speaker 1: you use that ready, that's not funny. I actually know

1918
01:32:44,360 --> 01:32:48,360
Speaker 1: a child that died. Okay, yes, you're so mother for that.

1919
01:32:48,680 --> 01:32:49,439
Speaker 1: That would have been.

1920
01:32:51,600 --> 01:32:54,000
Speaker 2: Terrors, horrors to these women who.

1921
01:32:56,200 --> 01:32:58,400
Speaker 3: I know it's hard and it would be I'm sorry,

1922
01:32:58,520 --> 01:33:01,360
Speaker 3: it would be women that's it sucks and that's what's

1923
01:33:01,400 --> 01:33:03,439
Speaker 3: gonna suck. And that's why I kind of have some

1924
01:33:03,680 --> 01:33:06,559
Speaker 3: sort of I humanized missus Wood a little bit because

1925
01:33:06,600 --> 01:33:08,799
Speaker 3: she was like, I'm not going to take any bullshit,

1926
01:33:09,200 --> 01:33:13,080
Speaker 3: but her crime was like inflicting upon me, who's truly

1927
01:33:13,160 --> 01:33:13,439
Speaker 3: doing that?

1928
01:33:13,640 --> 01:33:18,000
Speaker 1: I was being hammy as a ninth grader, who fucking care?

1929
01:33:18,400 --> 01:33:21,280
Speaker 1: She deserves bad. She deserves bad, and like, guess what,

1930
01:33:21,520 --> 01:33:22,760
Speaker 1: Like that's followed me into like.

1931
01:33:22,920 --> 01:33:25,080
Speaker 3: Adulthood, and I'm like, you mean, like it's made you

1932
01:33:25,080 --> 01:33:26,920
Speaker 3: who you are or it's like it's like people call

1933
01:33:26,960 --> 01:33:28,680
Speaker 3: me Hammy all the time and I'm like, who fucking cares?

1934
01:33:28,720 --> 01:33:28,880
Speaker 4: Great?

1935
01:33:28,880 --> 01:33:30,920
Speaker 1: Great? Great? It's that So it is. I mean, with

1936
01:33:31,000 --> 01:33:32,879
Speaker 1: all these things that happened to us in our childhood,

1937
01:33:32,880 --> 01:33:35,320
Speaker 1: there is sometimes I look back and I'm like, oh,

1938
01:33:35,360 --> 01:33:37,040
Speaker 1: that hurd or that felt I didn't like that. But

1939
01:33:37,080 --> 01:33:40,439
Speaker 1: then I'm like, oh, maybe that whatever and that made

1940
01:33:40,640 --> 01:33:42,479
Speaker 1: me would be able to do this, that or whatever.

1941
01:33:42,800 --> 01:33:46,080
Speaker 1: So maybe it was for good. But she's still wrong

1942
01:33:46,160 --> 01:33:47,920
Speaker 1: for doing of course, you know wrong.

1943
01:33:48,040 --> 01:33:50,040
Speaker 2: Yeah, I mean, we get better from adversity, but we're

1944
01:33:50,080 --> 01:33:50,719
Speaker 2: not standing.

1945
01:33:52,040 --> 01:33:56,280
Speaker 1: I'm not like, hey, thanks Fannel, we're all better off. No,

1946
01:33:56,520 --> 01:33:59,680
Speaker 1: my relatives passed away. They turned to dust, thank you.

1947
01:34:00,040 --> 01:34:02,560
Speaker 1: They turned because of him. You know what.

1948
01:34:02,720 --> 01:34:04,720
Speaker 2: On the other side of it, am I happy I

1949
01:34:04,840 --> 01:34:05,519
Speaker 2: got stronger?

1950
01:34:05,840 --> 01:34:05,960
Speaker 4: Oh?

1951
01:34:06,080 --> 01:34:08,840
Speaker 1: Yeah? But do I wish death on anyone that I love? No,

1952
01:34:09,000 --> 01:34:12,200
Speaker 1: And so for that reason I'm not standing thanos speaking fans,

1953
01:34:12,280 --> 01:34:13,360
Speaker 1: my husband you booked Marvel.

1954
01:34:13,520 --> 01:34:20,880
Speaker 2: Yes, I booked, Yes, finn As.

1955
01:34:23,479 --> 01:34:28,559
Speaker 4: It's actually really closer number fifty, she'll be playing finn Ass.

1956
01:34:31,720 --> 01:34:34,439
Speaker 1: Okay, there's this Jason and Miranda sister and husband. Oh

1957
01:34:34,479 --> 01:34:34,840
Speaker 1: my god.

1958
01:34:34,960 --> 01:34:40,320
Speaker 7: We saw this great comment on some video about the

1959
01:34:40,439 --> 01:34:44,000
Speaker 7: Avengers where somebody was talking about Elizabeth Olsen and the

1960
01:34:44,200 --> 01:34:47,120
Speaker 7: comment was beautiful powers, but why is she have to

1961
01:34:47,160 --> 01:34:47,800
Speaker 7: turn to dust?

1962
01:34:49,720 --> 01:34:52,160
Speaker 1: And we put that beautiful powers, but why does she

1963
01:34:52,240 --> 01:34:53,200
Speaker 1: have to turn to dust?

1964
01:34:53,320 --> 01:34:55,960
Speaker 4: I would ask her that. I would to ask Elizabeth.

1965
01:34:56,400 --> 01:34:57,880
Speaker 4: I'd be like, I just want to say, I'm a

1966
01:34:58,000 --> 01:35:00,479
Speaker 4: huge fan. I saw you in Multi Diverse, and I

1967
01:35:00,600 --> 01:35:02,439
Speaker 4: just want to say, beautiful.

1968
01:35:02,040 --> 01:35:04,840
Speaker 2: Power, Why it is so good?

1969
01:35:04,920 --> 01:35:06,960
Speaker 1: It's so good, it's so good. How would you answer that?

1970
01:35:07,120 --> 01:35:09,599
Speaker 1: And also I'm like trying to remember did she turn

1971
01:35:09,640 --> 01:35:11,280
Speaker 1: to dust? She did? Right, she did.

1972
01:35:11,600 --> 01:35:15,400
Speaker 2: She got crushed by a big stone when the snap happened.

1973
01:35:15,920 --> 01:35:19,240
Speaker 4: She should go yeah, and that was a horrible moment

1974
01:35:19,320 --> 01:35:22,000
Speaker 4: for her because yes, well she she was She basically

1975
01:35:22,160 --> 01:35:24,720
Speaker 4: was with when he was getting the stone ripped out

1976
01:35:24,720 --> 01:35:27,439
Speaker 4: of his head, and she feels, you know, responsible for that.

1977
01:35:27,600 --> 01:35:28,320
Speaker 1: She's sitting in it.

1978
01:35:28,360 --> 01:35:33,800
Speaker 4: And then she said her damn hands and Mama's Derivay.

1979
01:35:32,600 --> 01:35:35,439
Speaker 1: Disappearing, disappear, although it's kind of like, well, you feel bad,

1980
01:35:35,439 --> 01:35:37,320
Speaker 1: you're about to be dead, so get over it. Then

1981
01:35:37,400 --> 01:35:41,200
Speaker 1: she comes to and it's more hell. I know she's

1982
01:35:41,240 --> 01:35:41,800
Speaker 1: been through hell.

1983
01:35:41,840 --> 01:35:43,200
Speaker 2: That's why Multiverse manis.

1984
01:35:43,280 --> 01:35:45,400
Speaker 1: I was kind of like, I get it, I get it.

1985
01:35:47,360 --> 01:35:49,519
Speaker 1: He give her some grace.

1986
01:35:49,720 --> 01:35:52,920
Speaker 3: That's why, like the performance in Multiverse of Madness is perfect,

1987
01:35:52,960 --> 01:35:54,720
Speaker 3: because if I were her, I would be like this.

1988
01:35:54,880 --> 01:36:00,840
Speaker 1: I'd be like you, you get celebrated, watch everything, but

1989
01:36:00,880 --> 01:36:02,240
Speaker 1: I don't know what the fuck you're talking about.

1990
01:36:02,240 --> 01:36:07,559
Speaker 4: What's multi doctor Stranger, which is that I didn't want

1991
01:36:07,560 --> 01:36:09,479
Speaker 4: to becomes the villain. It's a big twist. It gets

1992
01:36:09,520 --> 01:36:12,840
Speaker 4: revealed mercifully early because then you get to just enjoy

1993
01:36:12,960 --> 01:36:16,200
Speaker 4: her like being the villain, bad, bad for the whole thing.

1994
01:36:16,479 --> 01:36:19,120
Speaker 4: And then at the end she sort of gets crushed

1995
01:36:19,280 --> 01:36:23,160
Speaker 4: by big rocks a temple and so it sort of

1996
01:36:23,200 --> 01:36:25,880
Speaker 4: open ended, like she might still be alive. She did

1997
01:36:25,960 --> 01:36:28,240
Speaker 4: do Elizabeth Wilsen to do a thing that was so

1998
01:36:28,360 --> 01:36:30,560
Speaker 4: funny on the red carpet because there was there was

1999
01:36:30,680 --> 01:36:32,519
Speaker 4: like there was a reporter. Maybe I said that there

2000
01:36:32,560 --> 01:36:34,720
Speaker 4: was a reporter asked her like an entertainment reporter. That

2001
01:36:34,800 --> 01:36:37,240
Speaker 4: was like, so at the end of the movie, you know, Wanda,

2002
01:36:37,640 --> 01:36:39,280
Speaker 4: like it looks like she dies, so do you think

2003
01:36:39,320 --> 01:36:39,920
Speaker 4: she'll be back?

2004
01:36:40,400 --> 01:36:42,559
Speaker 2: And also just looks at the girl and she goes.

2005
01:36:43,160 --> 01:36:52,120
Speaker 1: I think, yeah, filming it. I I'm obsessed with her.

2006
01:36:52,200 --> 01:36:56,400
Speaker 1: And she just did a thing for death.

2007
01:36:56,680 --> 01:36:58,439
Speaker 4: No, no, well, love and death obviously, but she just

2008
01:36:58,520 --> 01:37:00,599
Speaker 4: did like a little piece which was she rewatch.

2009
01:37:01,200 --> 01:37:03,639
Speaker 1: I watched that too. She's so good at just watching

2010
01:37:03,720 --> 01:37:04,960
Speaker 1: herself and commenting.

2011
01:37:05,120 --> 01:37:07,880
Speaker 2: But Elizabeth Olsen I really enjoyed watching her talk about

2012
01:37:07,960 --> 01:37:08,559
Speaker 2: Inger Goes West.

2013
01:37:09,000 --> 01:37:11,200
Speaker 1: I loved hearing her talking about Ingero's West.

2014
01:37:11,560 --> 01:37:15,160
Speaker 2: I mean, have you seen Inger, Yes, I have.

2015
01:37:15,240 --> 01:37:18,320
Speaker 1: I love it. I love it so good. She's so good. Yeah,

2016
01:37:18,400 --> 01:37:22,519
Speaker 1: it's such a great movielde ride. Yeah. Yeah, she's the

2017
01:37:22,560 --> 01:37:23,920
Speaker 1: best part. Do you have to do your I don't

2018
01:37:23,920 --> 01:37:25,720
Speaker 1: think so, honey, I do. Okay, this is a moment,

2019
01:37:25,960 --> 01:37:28,240
Speaker 1: really quick one, really frivolous. It's really quick. It'll only

2020
01:37:28,320 --> 01:37:29,040
Speaker 1: last one minute.

2021
01:37:29,200 --> 01:37:32,640
Speaker 2: This is bo Yang and he is about to do this.

2022
01:37:32,680 --> 01:37:34,519
Speaker 2: I don't think so, honey. His time starts now.

2023
01:37:34,600 --> 01:37:37,200
Speaker 3: I don't think so, honey. Playing solitaire on the subway

2024
01:37:37,439 --> 01:37:40,080
Speaker 3: on your phone? Who are you me because when I

2025
01:37:40,240 --> 01:37:42,479
Speaker 3: see you playing Solitaire on your phone on the subway,

2026
01:37:42,520 --> 01:37:44,720
Speaker 3: I go, hey, that's my thing. And then I go, well,

2027
01:37:44,720 --> 01:37:47,519
Speaker 3: I guess I'm not that original, then am I? And

2028
01:37:47,600 --> 01:37:50,719
Speaker 3: then I go, I'm just like, we're all sad people

2029
01:37:50,840 --> 01:37:51,920
Speaker 3: just playing Solitaire.

2030
01:37:52,320 --> 01:37:56,680
Speaker 1: Solitaire is the only game in town. I'm doing the

2031
01:37:56,720 --> 01:37:58,720
Speaker 1: clay ach and versual thing, motherfucker.

2032
01:37:59,640 --> 01:38:02,880
Speaker 3: And and then I think, God, isn't this just my

2033
01:38:03,120 --> 01:38:07,960
Speaker 3: life right now? Playing this card game solo solo on

2034
01:38:08,040 --> 01:38:11,599
Speaker 3: the train And that's okay. But I go, there's got

2035
01:38:11,680 --> 01:38:14,280
Speaker 3: to be another game to play. Maybe I better start

2036
01:38:14,360 --> 01:38:19,080
Speaker 3: learning how to play poker Texas. Holden, please, fifteen seconds left.

2037
01:38:19,200 --> 01:38:22,559
Speaker 1: I just I think I need to find I need

2038
01:38:22,640 --> 01:38:23,040
Speaker 1: to read.

2039
01:38:23,240 --> 01:38:25,280
Speaker 3: I need to read a book on the subway because

2040
01:38:25,320 --> 01:38:27,760
Speaker 3: I'm running out of ideas. All I ever want to

2041
01:38:27,800 --> 01:38:29,479
Speaker 3: do is play Solitaire. But then when I see someone

2042
01:38:29,520 --> 01:38:31,600
Speaker 3: else playing, and I go, wait a minute, I need

2043
01:38:31,680 --> 01:38:32,479
Speaker 3: to put an end to this.

2044
01:38:32,800 --> 01:38:36,160
Speaker 1: And that's your time. Oh that is so true. Though,

2045
01:38:36,479 --> 01:38:39,800
Speaker 1: when you started singing Solitaire, you knew with Clay you

2046
01:38:42,360 --> 01:38:44,240
Speaker 1: like you gave it a playing or something. You kind

2047
01:38:44,280 --> 01:38:49,639
Speaker 1: of did. M Soli the only game man he would

2048
01:38:49,720 --> 01:38:50,800
Speaker 1: wrap his mind around it.

2049
01:38:50,920 --> 01:38:53,000
Speaker 2: He would wrap his hole mouth around a dobrado.

2050
01:38:53,760 --> 01:38:58,519
Speaker 1: He would give you big ol'd wait. The last time

2051
01:38:58,560 --> 01:38:59,920
Speaker 1: I was on the show, the title of that was

2052
01:39:00,000 --> 01:39:01,600
Speaker 1: the name of a song of his. This is the

2053
01:39:01,720 --> 01:39:03,679
Speaker 1: nice Yea, which.

2054
01:39:03,520 --> 01:39:06,120
Speaker 4: I don't I've been awaiting for before.

2055
01:39:06,280 --> 01:39:08,320
Speaker 1: This is the.

2056
01:39:13,280 --> 01:39:18,440
Speaker 4: Oh my god, my god, him doing unchained melody americanodle,

2057
01:39:18,960 --> 01:39:19,840
Speaker 4: Oh my god.

2058
01:39:20,360 --> 01:39:23,519
Speaker 1: We're talking. When I tell you, we literally literally say

2059
01:39:23,720 --> 01:39:26,080
Speaker 1: we did this song. I've only I only know this

2060
01:39:26,160 --> 01:39:27,640
Speaker 1: song because you guys sang it the last time I

2061
01:39:27,720 --> 01:39:27,840
Speaker 1: was on.

2062
01:39:28,000 --> 01:39:30,519
Speaker 4: Well, I'm telling you it's important that that building block

2063
01:39:30,680 --> 01:39:32,439
Speaker 4: was put there, so now you can come back totally

2064
01:39:32,560 --> 01:39:33,439
Speaker 4: even more advanced.

2065
01:39:33,520 --> 01:39:36,720
Speaker 1: Reader and were talking about Solitaire. We're going to talk

2066
01:39:36,720 --> 01:39:40,880
Speaker 1: about solidaire, a song by Klagen. It was a cover.

2067
01:39:41,040 --> 01:39:43,640
Speaker 1: He did it for Neil so Doka week, but it

2068
01:39:43,720 --> 01:39:49,880
Speaker 1: was Neil whole Neil Sedaka week. Are you lying? It's

2069
01:39:49,880 --> 01:39:55,400
Speaker 1: actually rule a culture number eight? But I okay, I

2070
01:39:55,439 --> 01:39:57,040
Speaker 1: think we also talked about this last time I was on.

2071
01:39:57,240 --> 01:40:01,360
Speaker 1: I did watch every single episode of American Idol, much

2072
01:40:01,439 --> 01:40:03,880
Speaker 1: longer than both of you. I watched. I watched through

2073
01:40:03,960 --> 01:40:07,800
Speaker 1: like the j the JLO, so I did see it.

2074
01:40:08,160 --> 01:40:10,639
Speaker 1: But I don't remember it. I don't remember. I don't

2075
01:40:10,640 --> 01:40:11,719
Speaker 1: remember the Rule.

2076
01:40:11,640 --> 01:40:15,800
Speaker 4: Eighty culture because you because you because you worked, work,

2077
01:40:16,200 --> 01:40:19,240
Speaker 4: watched the American Idol through.

2078
01:40:20,600 --> 01:40:25,880
Speaker 1: Sorry, did you remember it? Gold On? Now take it

2079
01:40:26,000 --> 01:40:26,960
Speaker 1: back and take a differ.

2080
01:40:27,120 --> 01:40:30,800
Speaker 4: I remember an episode where she was so distraught by

2081
01:40:30,880 --> 01:40:32,880
Speaker 4: having to cut someone. I believe his name was Chris

2082
01:40:33,280 --> 01:40:36,519
Speaker 4: long Hair. She was so distraught by having to cut

2083
01:40:36,600 --> 01:40:40,160
Speaker 4: someone that she broke down behind the judges table and

2084
01:40:40,520 --> 01:40:43,960
Speaker 4: Steven Tyler had to like comfort her, and I believe

2085
01:40:44,000 --> 01:40:45,600
Speaker 4: it was Harry Connor Junior too, and she was like,

2086
01:40:45,680 --> 01:40:48,120
Speaker 4: I just feel yeah, and they were like no, they

2087
01:40:48,160 --> 01:40:50,280
Speaker 4: were like, you were so kind, you were so I

2088
01:40:50,479 --> 01:40:53,760
Speaker 4: totally do. But there was a moment where whether or

2089
01:40:53,840 --> 01:40:56,519
Speaker 4: not j Loo was on display there like she was

2090
01:40:56,720 --> 01:40:59,719
Speaker 4: just like genuine real. I think it was just because

2091
01:40:59,840 --> 01:41:02,800
Speaker 4: it was she really broke down and I remember it.

2092
01:41:02,880 --> 01:41:06,840
Speaker 4: And that's like part of Judge culture where you had

2093
01:41:06,920 --> 01:41:09,960
Speaker 4: to have humanity, you had to have humanity.

2094
01:41:10,040 --> 01:41:10,479
Speaker 1: That's true.

2095
01:41:10,600 --> 01:41:12,559
Speaker 2: That's why Simon and Paula balanced out.

2096
01:41:12,760 --> 01:41:15,600
Speaker 1: But that's why Simon, we don't look back on with

2097
01:41:15,680 --> 01:41:18,760
Speaker 1: the same fund. We don't. You know, yeah, you know,

2098
01:41:18,880 --> 01:41:19,519
Speaker 1: I don't. I don't.

2099
01:41:19,560 --> 01:41:22,200
Speaker 4: I think that he occupied a space in the culture,

2100
01:41:22,320 --> 01:41:24,800
Speaker 4: in the in the mono culture, that's undeniable. But I

2101
01:41:24,920 --> 01:41:28,840
Speaker 4: also think that the not even just comment culture, that

2102
01:41:29,040 --> 01:41:32,040
Speaker 4: it standardized for everyone but the negative totally.

2103
01:41:32,200 --> 01:41:35,760
Speaker 1: And it also is very of that time, like that is.

2104
01:41:35,920 --> 01:41:39,040
Speaker 4: That was it was perfectly hands with the tabloid culture

2105
01:41:39,040 --> 01:41:40,920
Speaker 4: at the time, which is, let's look at this person

2106
01:41:41,080 --> 01:41:45,080
Speaker 4: trying and knock them down just because that was ugly.

2107
01:41:45,960 --> 01:41:49,559
Speaker 4: It was very misogynist, very deeply racid racist.

2108
01:41:49,600 --> 01:41:52,280
Speaker 1: Yeah, it was an ugly, ugly time and it felt icky,

2109
01:41:52,800 --> 01:41:52,960
Speaker 1: you know.

2110
01:41:53,080 --> 01:41:56,240
Speaker 4: Jennifer Hudson like at the time, she said that one

2111
01:41:56,240 --> 01:41:58,360
Speaker 4: of the things that they were telling her at the

2112
01:41:58,439 --> 01:42:01,360
Speaker 4: time was she was wearing her hair like naturally big,

2113
01:42:01,520 --> 01:42:03,720
Speaker 4: and then they started straightening it and she started doing

2114
01:42:03,760 --> 01:42:04,640
Speaker 4: better in the competition.

2115
01:42:05,360 --> 01:42:07,800
Speaker 1: I'm sure. I do feel like there's like could be

2116
01:42:07,880 --> 01:42:11,000
Speaker 1: the deepest dive into race on America. Let's let's do

2117
01:42:11,120 --> 01:42:13,680
Speaker 1: the documentary. Yeah, yeah, yeah, I remember thinking about the time,

2118
01:42:15,439 --> 01:42:17,720
Speaker 1: I like Borrow, that's really good.

2119
01:42:18,920 --> 01:42:20,920
Speaker 4: And do you know like Borrow, one of the things

2120
01:42:20,960 --> 01:42:22,560
Speaker 4: he does is can you make a point that you

2121
01:42:22,640 --> 01:42:25,240
Speaker 4: believe in? Yeah, And so there were these moments of

2122
01:42:25,400 --> 01:42:26,639
Speaker 4: racism on American idol.

2123
01:42:31,680 --> 01:42:33,280
Speaker 1: It kind of feels like he's always like falling down

2124
01:42:33,320 --> 01:42:38,519
Speaker 1: a hill. He's like, is the you guys have him

2125
01:42:38,560 --> 01:42:40,280
Speaker 1: on the pod? What a guess. I don't know. He

2126
01:42:40,680 --> 01:42:41,280
Speaker 1: would hate it.

2127
01:42:41,800 --> 01:42:44,920
Speaker 2: I think that we wouldn't necessarily meet nathetically.

2128
01:42:45,080 --> 01:42:47,920
Speaker 1: Yeah, I would like to know off camera who is

2129
01:42:47,920 --> 01:42:52,640
Speaker 1: the biggest of those worst guest judge, But I just

2130
01:42:52,720 --> 01:42:54,439
Speaker 1: want to know. I wonder if I even have a

2131
01:42:54,479 --> 01:42:55,160
Speaker 1: guest I don't.

2132
01:42:55,040 --> 01:42:57,080
Speaker 4: Think I do, but I would sonically connect on like

2133
01:42:57,320 --> 01:43:00,680
Speaker 4: sonically or psychically connect right now who the worst guest

2134
01:43:00,760 --> 01:43:01,120
Speaker 4: ever was?

2135
01:43:01,280 --> 01:43:02,439
Speaker 2: Just look at me my eyes.

2136
01:43:02,600 --> 01:43:05,559
Speaker 1: Yes, oh interesting, Oh I know who it is? Huh

2137
01:43:06,479 --> 01:43:09,639
Speaker 1: huh interesting? I mean I think that yeah, yeah, yeah, yeah.

2138
01:43:10,560 --> 01:43:11,439
Speaker 1: Should we say it and bleep? It?

2139
01:43:13,040 --> 01:43:13,280
Speaker 5: Scared?

2140
01:43:13,800 --> 01:43:19,080
Speaker 1: Because God forbid? Because what if AI or computer gets

2141
01:43:19,120 --> 01:43:21,280
Speaker 1: to a point where they can go back into every

2142
01:43:21,400 --> 01:43:24,479
Speaker 1: podcast ever and remove a beep? They can remove the

2143
01:43:24,560 --> 01:43:28,920
Speaker 1: beep and better that is gonna happen.

2144
01:43:30,320 --> 01:43:31,200
Speaker 2: That is gonna happen.

2145
01:43:34,160 --> 01:43:38,080
Speaker 1: Everything redacted will be made, will be brought to the

2146
01:43:38,360 --> 01:43:40,720
Speaker 1: Like wait, what was the fucking New York Times thing?

2147
01:43:40,800 --> 01:43:42,760
Speaker 3: Like the Bad Art Friend thing where like they were

2148
01:43:42,800 --> 01:43:45,639
Speaker 3: like subpoenaing the texts about like them like talking about

2149
01:43:45,640 --> 01:43:50,000
Speaker 3: this one that freaks me because I'm like, like, we're.

2150
01:43:49,880 --> 01:43:56,200
Speaker 8: All toasts, We're all buttered toast, We're all crispy toast

2151
01:43:56,400 --> 01:43:59,040
Speaker 8: that you wouldn't even eat if you were starving, because

2152
01:43:59,080 --> 01:44:01,920
Speaker 8: it's too I'm not eating that.

2153
01:44:03,720 --> 01:44:06,840
Speaker 1: Make me another What do you put on toast? One

2154
01:44:07,080 --> 01:44:07,800
Speaker 1: two three?

2155
01:44:08,200 --> 01:44:10,080
Speaker 4: J J?

2156
01:44:12,360 --> 01:44:15,160
Speaker 1: What do you put on a bagel? One two three?

2157
01:44:15,479 --> 01:44:19,920
Speaker 1: Cree cheese? I want to step further, I said plane.

2158
01:44:20,000 --> 01:44:21,080
Speaker 1: I know that's true, that's true.

2159
01:44:21,120 --> 01:44:22,240
Speaker 2: I like vegetable, creepy.

2160
01:44:22,520 --> 01:44:24,439
Speaker 1: I love that world. I love it. I love it.

2161
01:44:24,479 --> 01:44:26,720
Speaker 1: I love it. I'm like a I'm like a saltysh

2162
01:44:26,840 --> 01:44:34,559
Speaker 1: like everything. Bagel. Oh my god, right now bagel, Right now,

2163
01:44:36,200 --> 01:44:40,439
Speaker 1: he's going to I want he's going where you getting from?

2164
01:44:40,479 --> 01:44:42,559
Speaker 1: Where you get it from five seven eight.

2165
01:44:42,560 --> 01:44:46,120
Speaker 4: Court Street Diner, because that's that's where that's Oh my god,

2166
01:44:46,120 --> 01:44:46,840
Speaker 4: that's a great diner.

2167
01:44:48,680 --> 01:44:51,080
Speaker 1: Where you live. I want people to want them. I

2168
01:44:51,240 --> 01:44:54,240
Speaker 1: want the mack who lives at Court.

2169
01:44:54,080 --> 01:44:56,160
Speaker 2: Street in Queens. I've told people I live in the

2170
01:44:56,200 --> 01:44:56,679
Speaker 2: Holand City.

2171
01:44:56,920 --> 01:45:00,080
Speaker 1: Yeah, people, people, where where I live? You don't know

2172
01:45:00,120 --> 01:45:01,240
Speaker 1: where I live, Okay.

2173
01:45:01,320 --> 01:45:02,760
Speaker 2: So I feel like there's a lot of energy in that.

2174
01:45:05,400 --> 01:45:07,600
Speaker 1: Ruth needs to go. Ruth needs to go.

2175
01:45:09,640 --> 01:45:11,280
Speaker 2: Even when I said that, they didn't look me up.

2176
01:45:11,560 --> 01:45:13,120
Speaker 1: I know that means. And that made me feel like,

2177
01:45:13,640 --> 01:45:16,400
Speaker 1: is given't it like when we do this and we

2178
01:45:16,520 --> 01:45:19,120
Speaker 1: get on Mike and we press record in an hour,

2179
01:45:19,280 --> 01:45:21,439
Speaker 1: two hours have passed. Isn't it crazy that like we

2180
01:45:21,560 --> 01:45:23,120
Speaker 1: haven't even scratched the circle.

2181
01:45:23,200 --> 01:45:24,040
Speaker 5: Oh we have. No.

2182
01:45:25,320 --> 01:45:28,360
Speaker 4: We were saying that, well, the ideal was that we

2183
01:45:28,400 --> 01:45:30,840
Speaker 4: would have this and then go like to some sort

2184
01:45:30,880 --> 01:45:33,599
Speaker 4: of celebration where there was imbibement. And now you're saying

2185
01:45:33,600 --> 01:45:36,040
Speaker 4: that could potentially happen because you're getting dinner with them

2186
01:45:36,080 --> 01:45:38,519
Speaker 4: when in an hour and a half, Really, okay, maybe

2187
01:45:38,560 --> 01:45:40,280
Speaker 4: my meeting will be quick and I'll we'll come meet

2188
01:45:40,360 --> 01:45:42,040
Speaker 4: up and then because we're going to link up anyway

2189
01:45:42,080 --> 01:45:42,839
Speaker 4: before moona.

2190
01:45:42,640 --> 01:45:45,439
Speaker 1: Tonight, Yes, going all the way to GfK, going to

2191
01:45:45,479 --> 01:45:45,960
Speaker 1: Germinal five.

2192
01:45:46,040 --> 01:45:48,439
Speaker 4: Yeah, all the way to Terminal five, which is not

2193
01:45:48,760 --> 01:45:51,639
Speaker 4: not as great a venue as LaGuardia, but still there.

2194
01:45:52,080 --> 01:45:53,479
Speaker 1: It doesn't have what did you say?

2195
01:45:53,560 --> 01:45:55,959
Speaker 2: I would perform my debut album.

2196
01:45:55,760 --> 01:45:59,400
Speaker 1: At ye wait. I can't wait wait, speaking of I

2197
01:45:59,479 --> 01:46:03,120
Speaker 1: just want to just quickly just drop into months ago

2198
01:46:03,439 --> 01:46:08,200
Speaker 1: seeing your Christmas show live and how fucking incredible it was.

2199
01:46:09,400 --> 01:46:09,640
Speaker 4: It is.

2200
01:46:10,120 --> 01:46:11,880
Speaker 1: It was just such a good night. I went with

2201
01:46:11,960 --> 01:46:15,160
Speaker 1: my dear sister Miranda. We had so much fun. You

2202
01:46:15,200 --> 01:46:19,280
Speaker 1: were such a fucking star. Abominable talent. What does that

2203
01:46:19,360 --> 01:46:21,760
Speaker 1: mean that that's the opposite of talent. I think it

2204
01:46:21,920 --> 01:46:27,200
Speaker 1: means and also say the word for me abominable, and

2205
01:46:27,280 --> 01:46:29,160
Speaker 1: that means snowman. I think that when we.

2206
01:46:29,280 --> 01:46:31,880
Speaker 4: Think contract the word abominable, we think of the snowman.

2207
01:46:31,960 --> 01:46:34,160
Speaker 4: Here's the thing I think that does mean in this

2208
01:46:34,439 --> 01:46:36,360
Speaker 4: in this case, that bad, but also like.

2209
01:46:36,960 --> 01:46:44,200
Speaker 1: I mean, like you know you, I think indomitable, indomitable.

2210
01:46:44,400 --> 01:46:46,920
Speaker 4: If if a reviewer had come to my show and

2211
01:46:47,000 --> 01:46:49,200
Speaker 4: said abominable, I would have pulled it and put it

2212
01:46:49,320 --> 01:46:51,760
Speaker 4: on the Abominable New.

2213
01:46:51,720 --> 01:46:54,800
Speaker 1: York And it was. It was, It was so good.

2214
01:46:55,280 --> 01:46:59,720
Speaker 1: I just love. I'm so blessed in my life to

2215
01:47:00,120 --> 01:47:03,360
Speaker 1: have friends that are literal geniuses and I get to

2216
01:47:03,520 --> 01:47:05,800
Speaker 1: watch their genius on display, and I'm pointing at both

2217
01:47:05,840 --> 01:47:08,840
Speaker 1: of you. It's such a It's truly, it's one of

2218
01:47:08,880 --> 01:47:10,760
Speaker 1: the best parts of my life that I don't get

2219
01:47:10,800 --> 01:47:13,760
Speaker 1: to just watch great art or whatever. I get to

2220
01:47:13,840 --> 01:47:16,960
Speaker 1: be friends with the people that are It blows my mind. Actually,

2221
01:47:17,000 --> 01:47:19,439
Speaker 1: it's the best gift of my entire life.

2222
01:47:19,800 --> 01:47:22,000
Speaker 4: That is so kind and obviously it is the same,

2223
01:47:22,520 --> 01:47:25,800
Speaker 4: just returned immensely and immeasurably. I mean, and like I

2224
01:47:26,680 --> 01:47:34,480
Speaker 4: immediately can't you are abominable, thank you, And that's my review, abominable.

2225
01:47:35,160 --> 01:47:38,160
Speaker 4: But please understand, I am meaning that it's great and

2226
01:47:38,280 --> 01:47:42,200
Speaker 4: everyone should go check it out. It runs until eleven,

2227
01:47:42,360 --> 01:47:45,240
Speaker 4: so there feels like there's a solid month plus to

2228
01:47:45,320 --> 01:47:45,800
Speaker 4: go see this.

2229
01:47:46,680 --> 01:47:52,840
Speaker 1: Get your and today ticks dot com connection, so absolutely,

2230
01:47:52,880 --> 01:47:55,400
Speaker 1: because that's your that's your your commercial. We do do

2231
01:47:55,680 --> 01:47:57,720
Speaker 1: we do have a deal with Today's Okay, I have

2232
01:47:57,760 --> 01:48:02,040
Speaker 1: a question. What's up with sometimes commercial and sometimes just

2233
01:48:02,200 --> 01:48:04,200
Speaker 1: the sound and then right back into the show. I

2234
01:48:04,280 --> 01:48:05,720
Speaker 1: don't know. I don't think.

2235
01:48:06,040 --> 01:48:09,240
Speaker 4: Well, that's way above my page. Yeah, that's where we

2236
01:48:09,280 --> 01:48:11,400
Speaker 4: start to get into the engineering aspect of it all.

2237
01:48:12,000 --> 01:48:12,719
Speaker 1: So strange.

2238
01:48:12,800 --> 01:48:16,080
Speaker 4: I just let these masters and these I feel like

2239
01:48:16,120 --> 01:48:18,640
Speaker 4: when like Nicole Kidman is talking about the crew, I

2240
01:48:18,880 --> 01:48:23,360
Speaker 4: just I just I just let them do it, you

2241
01:48:23,439 --> 01:48:26,080
Speaker 4: know what I mean, Like Patty Lapone in a big show,

2242
01:48:26,640 --> 01:48:29,679
Speaker 4: like what doesn't get talked about is the craft behind

2243
01:48:30,040 --> 01:48:32,200
Speaker 4: the people that put the ads in the episodes.

2244
01:48:32,320 --> 01:48:34,200
Speaker 1: Do you know that I think Patty Lapone has my

2245
01:48:34,280 --> 01:48:37,599
Speaker 1: favorite singing voice of all time. Oh yeah, that makes sense.

2246
01:48:38,000 --> 01:48:40,000
Speaker 4: Should we all sing a song in the style of

2247
01:48:40,120 --> 01:48:43,160
Speaker 4: her in order to end the podcast? Okay, what's a

2248
01:48:43,240 --> 01:48:47,439
Speaker 4: great song that that that deserves its moment? On Lost

2249
01:48:47,479 --> 01:48:49,760
Speaker 4: Caulteresa sung in the style of Patty lapon What.

2250
01:48:49,920 --> 01:49:09,880
Speaker 1: Was what was on this playlist? Green light in her look?

2251
01:49:11,880 --> 01:49:14,759
Speaker 1: And then then you go, hey, tag off your phone.

2252
01:49:16,640 --> 01:49:16,880
Speaker 3: Yeah,