1 00:00:08,800 --> 00:00:10,520 Speaker 1: All right, what's up. This is Michael rapport You are 2 00:00:10,520 --> 00:00:13,880 Speaker 1: now listening to a brand new I Am rapp Reports 3 00:00:13,920 --> 00:00:18,439 Speaker 1: tereo podcast. Johnny manziel A k a. Johnny Cluckhead has 4 00:00:18,480 --> 00:00:22,560 Speaker 1: been banned from the Canadian Football League. I got a 5 00:00:22,600 --> 00:00:26,319 Speaker 1: brand new nickname for him. Arianna Grande is in some 6 00:00:26,400 --> 00:00:29,880 Speaker 1: deep water with the l g B t Q community. 7 00:00:29,920 --> 00:00:32,920 Speaker 1: I told you, Ariana Grande, it wasn't personal. I got 8 00:00:32,920 --> 00:00:37,920 Speaker 1: your back on this one. Plus plus d J. Maco 9 00:00:38,120 --> 00:00:41,440 Speaker 1: from Day Las Soul, may c O from the iconic 10 00:00:41,760 --> 00:00:44,479 Speaker 1: group Day Last Soul is with me on the I 11 00:00:44,560 --> 00:00:49,000 Speaker 1: Am Rappaport Stereo podcast, breaking down what's good, what's recent, 12 00:00:49,240 --> 00:00:52,440 Speaker 1: what's new with Day Last Soul, and so much more. 13 00:00:52,680 --> 00:00:55,720 Speaker 1: This is a big body banging I Am rapp Reports 14 00:00:55,720 --> 00:00:59,760 Speaker 1: stereo podcast that's coming up next. Miuse Jordan's let me 15 00:00:59,800 --> 00:01:03,200 Speaker 1: get I'm real nice, something real proper, but most importantly, 16 00:01:03,200 --> 00:01:06,279 Speaker 1: oh yes, you know what the funk it is, something 17 00:01:06,319 --> 00:01:19,280 Speaker 1: real funky. Let's let's go all right, have no fear 18 00:01:19,280 --> 00:01:22,360 Speaker 1: of the I Am Rapports Stereo podcast is here. Have 19 00:01:22,520 --> 00:01:28,919 Speaker 1: no fear the I Am Rappaport Stereo podcast is here. 20 00:01:29,920 --> 00:01:32,360 Speaker 1: My name is Michael rapport A k a The j 21 00:01:32,480 --> 00:01:35,600 Speaker 1: Cuilmanta of podcasting a K. The Greno Man Dingle a k. 22 00:01:35,760 --> 00:01:39,720 Speaker 1: The White Chocolate Tito. This is the I Am Rappaport 23 00:01:39,760 --> 00:01:48,000 Speaker 1: Stereo Podcast Championship Podcasting fifth teen rounds of podcasts and 24 00:01:48,040 --> 00:01:52,200 Speaker 1: we're going into the deep, deep deep waters today, per 25 00:01:52,280 --> 00:01:56,480 Speaker 1: the usual. I mean, do we ever do six rounds? 26 00:01:56,680 --> 00:01:59,480 Speaker 1: Four rounds? Maybe an emergency podcast, but even then it 27 00:01:59,600 --> 00:02:07,240 Speaker 1: feels like you've went fifth team rounds. Ah, Man, what 28 00:02:07,400 --> 00:02:11,320 Speaker 1: a fucking week it's been every every time we get 29 00:02:11,360 --> 00:02:14,480 Speaker 1: to this podcast, the last podcast of the week, it's 30 00:02:14,480 --> 00:02:16,920 Speaker 1: always like, oh my god, what a week. It's every 31 00:02:16,919 --> 00:02:20,079 Speaker 1: week in two thousand nine, team, Like Jesus Christ, we 32 00:02:20,200 --> 00:02:27,720 Speaker 1: made it. Fucking Mike Cohen Dick staining Donald Trump and 33 00:02:27,720 --> 00:02:31,800 Speaker 1: and Vietnam and that hearing. I mean it was, what 34 00:02:32,000 --> 00:02:36,880 Speaker 1: the funk? Man, What the funk? It's just it's just NonStop, 35 00:02:38,440 --> 00:02:43,760 Speaker 1: it never ends. Um we're not I mean, listen, I'm 36 00:02:43,760 --> 00:02:46,080 Speaker 1: sure everybody is. Michael Cohen out. We saw it. We 37 00:02:46,120 --> 00:02:50,000 Speaker 1: saw what the funk it was. He's a fucking pussy 38 00:02:50,080 --> 00:02:53,200 Speaker 1: who was working for a bigger pussy um and the 39 00:02:53,200 --> 00:02:55,800 Speaker 1: bigger pussy ate the little pussy. So now the little 40 00:02:55,840 --> 00:02:59,120 Speaker 1: pussy is trying to get out of the the the 41 00:02:59,160 --> 00:03:03,240 Speaker 1: grasps of the hands, the the the womb of the 42 00:03:03,240 --> 00:03:05,960 Speaker 1: big pussy, the big pussy being dick staining. Donald Trump, 43 00:03:06,480 --> 00:03:10,359 Speaker 1: I get it, uh. And he's a convicted liar, who 44 00:03:10,400 --> 00:03:16,960 Speaker 1: amongst us hasn't lied big, small, or in between, like 45 00:03:17,040 --> 00:03:21,320 Speaker 1: these congressmen, these senators, they're all all of them, all 46 00:03:21,400 --> 00:03:27,120 Speaker 1: of us, me, me, my wife, my mom, my dad, 47 00:03:27,280 --> 00:03:31,560 Speaker 1: your mom, your dad, your wife, your husband, your kids. 48 00:03:31,600 --> 00:03:33,919 Speaker 1: We've all lied. We're all full of ship. Now we're 49 00:03:33,919 --> 00:03:36,280 Speaker 1: not all full of ship like Michael Cohen, that fucking 50 00:03:38,520 --> 00:03:45,360 Speaker 1: fucking weasel nose, whiny mouth. He's just set the Jewish. 51 00:03:45,480 --> 00:03:48,760 Speaker 1: He set the tough jew back fifty years. Let me 52 00:03:48,840 --> 00:03:52,400 Speaker 1: just say that. Let me just say that, Michael Cohen, 53 00:03:53,600 --> 00:03:57,520 Speaker 1: you set the jew back fifty years with your ca 54 00:03:57,680 --> 00:04:02,160 Speaker 1: fetching and your whiny and you fucking blow your nose, 55 00:04:02,240 --> 00:04:06,920 Speaker 1: you nasal nose. Fuck. Take some muse in next and 56 00:04:07,000 --> 00:04:09,760 Speaker 1: next time you have to testify in front of Congress, 57 00:04:09,800 --> 00:04:13,680 Speaker 1: in front of the whole world, get yourself a little 58 00:04:13,720 --> 00:04:20,200 Speaker 1: inhaler nasal spray, sailine solution something. He sounded like a 59 00:04:20,320 --> 00:04:23,480 Speaker 1: sad woody allen. He sounded like an impression, is doing 60 00:04:23,520 --> 00:04:27,960 Speaker 1: a bad Woody Allen impression. I'm so tired of the 61 00:04:28,080 --> 00:04:33,000 Speaker 1: Jews being put up there like punks, little fucking little 62 00:04:33,040 --> 00:04:39,880 Speaker 1: schmckl Dick Fox. Sick of it, such a Stereotypecause Michael going, look, 63 00:04:39,960 --> 00:04:42,719 Speaker 1: I worked for a very bad man. You don't know 64 00:04:42,760 --> 00:04:45,240 Speaker 1: what it's like to sit by him. I said, but 65 00:04:45,320 --> 00:04:48,919 Speaker 1: I'm not even doing I just just I I can't 66 00:04:48,920 --> 00:04:55,799 Speaker 1: stand it. I can't fucking stand it. Never ends, never ends. Somebody, 67 00:04:55,920 --> 00:04:58,400 Speaker 1: please just I don't know. I don't know what the 68 00:04:58,400 --> 00:05:00,160 Speaker 1: answer is. We had Eli Lake on the on the 69 00:05:00,240 --> 00:05:03,640 Speaker 1: Last Night in rapp Wars Stereo podcast. I don't know 70 00:05:03,680 --> 00:05:06,839 Speaker 1: what the answer is. As I said in the opening, 71 00:05:08,240 --> 00:05:12,680 Speaker 1: we have Day Last Souls DJ, the heart and soul 72 00:05:12,720 --> 00:05:16,520 Speaker 1: of day La Soul. Maceio is rocking with me. Later 73 00:05:16,520 --> 00:05:20,360 Speaker 1: on in the podcast, Day Last Soul is celebrating the 74 00:05:20,560 --> 00:05:25,400 Speaker 1: thirtieth anniversary of three Ft High and Rising. Everybody knows 75 00:05:25,440 --> 00:05:30,520 Speaker 1: that record. Talk about a classic record, influential record. Three 76 00:05:30,960 --> 00:05:37,800 Speaker 1: Feet High and Rising dropped thirty years ago. Man, I 77 00:05:37,920 --> 00:05:47,040 Speaker 1: was nineteen. What the fuck? Uh? That's that's insane. Um 78 00:05:47,120 --> 00:05:50,719 Speaker 1: Jesus Christ. Uh, there their first bunch of Records came 79 00:05:50,760 --> 00:05:55,000 Speaker 1: out on Tommy Boy Records, Dylas Soul Is Dead, UM, 80 00:05:55,240 --> 00:05:59,560 Speaker 1: three Feet Iron Rising, and a few more came out 81 00:05:59,600 --> 00:06:03,480 Speaker 1: on the infamous Dayla Tommy Boy Records. Stets A Sonic 82 00:06:03,560 --> 00:06:06,040 Speaker 1: was on Tommy Boy, Queen Latifa was on Tommy Boy. 83 00:06:06,279 --> 00:06:08,960 Speaker 1: Naughty by Nature was on Tommy Boy. UM. It's been 84 00:06:09,000 --> 00:06:13,320 Speaker 1: well documented that Day Last Souls had sample problems UM 85 00:06:13,360 --> 00:06:17,400 Speaker 1: from that record, UM and and some of the other records. UM, 86 00:06:18,440 --> 00:06:21,200 Speaker 1: Tommy Boy Records fuck Day Last Soul when they were young. 87 00:06:21,320 --> 00:06:24,000 Speaker 1: But that's what happens when you're just getting into the 88 00:06:24,040 --> 00:06:26,840 Speaker 1: music game. There's there's probably not anybody. Well now now 89 00:06:26,880 --> 00:06:31,320 Speaker 1: people are so um educated about it that they're probably 90 00:06:31,320 --> 00:06:35,520 Speaker 1: not getting fucked as much. But usually your your first deal, 91 00:06:35,520 --> 00:06:38,440 Speaker 1: whether it's a rookie contract in baseball, rookie contract in 92 00:06:38,480 --> 00:06:41,760 Speaker 1: the NBA, UH, your first movie, you're You're You're not 93 00:06:41,760 --> 00:06:44,240 Speaker 1: gonna get a good deal. It's thirty years later and 94 00:06:44,279 --> 00:06:49,120 Speaker 1: Tommy Boy Records is still fucking over Day Last Soul. Uh. 95 00:06:49,160 --> 00:06:54,680 Speaker 1: So my friend Maceio from the group that needs No introduction, 96 00:06:54,720 --> 00:06:57,080 Speaker 1: that will be in the Rock and Roll Hall of Fame. Uh, 97 00:06:57,160 --> 00:07:00,320 Speaker 1: Day Last Soul is coming to explain why a lot 98 00:07:00,320 --> 00:07:03,120 Speaker 1: has been in the news lately. Uh is the Pete 99 00:07:03,160 --> 00:07:06,839 Speaker 1: Rock and DJ premier produced Day Las Soul record reel 100 00:07:07,480 --> 00:07:09,159 Speaker 1: UH and a few other things. It's not the full 101 00:07:09,240 --> 00:07:11,880 Speaker 1: Day Last Soul, Iron Wrap Ports stereo podcast. It's not 102 00:07:11,920 --> 00:07:16,640 Speaker 1: the full Maco from Day Law Souls Uh Iron Wrappers 103 00:07:16,680 --> 00:07:20,600 Speaker 1: Stereo podcasts. But it's dope shit UH. That's later on, UM, 104 00:07:20,680 --> 00:07:23,560 Speaker 1: and let's just get into it where we are right now. 105 00:07:23,680 --> 00:07:30,559 Speaker 1: Johnny Cluckhead, you fuck you, Johnny Manzel. We we tried 106 00:07:30,600 --> 00:07:33,679 Speaker 1: to tell you, fucking guy. I tried to fucking tell you. 107 00:07:33,680 --> 00:07:37,320 Speaker 1: You tried to come at me, the gringo man Dingo. 108 00:07:37,400 --> 00:07:39,360 Speaker 1: You tried to talk out of the side of your 109 00:07:39,360 --> 00:07:46,400 Speaker 1: motherfucking mouth. Okay, when the unmentionable, when the unmentionables started 110 00:07:46,520 --> 00:07:49,840 Speaker 1: trying to come at the dingo, you tried to jump 111 00:07:49,920 --> 00:07:53,520 Speaker 1: on the fucking pile. So you got what, Yes, you 112 00:07:53,640 --> 00:07:56,280 Speaker 1: got the curse of the Gringo man Dingo. Only a 113 00:07:56,320 --> 00:07:59,880 Speaker 1: few people have ever actually gotten the Curse of the 114 00:08:00,040 --> 00:08:03,280 Speaker 1: Ringo man Dingle. But I said here on this podcast, 115 00:08:03,600 --> 00:08:08,480 Speaker 1: I believe, in Willie hutch fashion, that you were cursed. 116 00:08:09,640 --> 00:08:13,080 Speaker 1: There is no team for you in the NFL. So 117 00:08:13,120 --> 00:08:17,560 Speaker 1: you took your talents to Canada. Last year you were unimpressive. 118 00:08:17,840 --> 00:08:22,480 Speaker 1: You're not a high level professional football player. Your best 119 00:08:22,560 --> 00:08:29,480 Speaker 1: year was your heisman year in college. That's no small feat. Congratulations, 120 00:08:29,520 --> 00:08:34,320 Speaker 1: but you can't get it together, can you. Johnny clark Head, 121 00:08:34,760 --> 00:08:40,200 Speaker 1: Johnny clark Head has been released, kicked out of the 122 00:08:40,240 --> 00:08:47,560 Speaker 1: Canadian Football League. Done no more. Now it has not 123 00:08:47,720 --> 00:08:54,520 Speaker 1: been uh it hasn't been uh documented why he was 124 00:08:54,640 --> 00:08:58,679 Speaker 1: kicked out of the Canadian Football League. I believe it's 125 00:08:58,720 --> 00:09:02,960 Speaker 1: called the CFL. But it don't take a fucking rocket 126 00:09:03,000 --> 00:09:09,360 Speaker 1: scientist to figure this out. Johnny Cluckhead has had many, many, 127 00:09:09,360 --> 00:09:13,040 Speaker 1: many issues with that ye yo, with that booger sugar. 128 00:09:15,200 --> 00:09:20,400 Speaker 1: All roads lead back to booger sugar road when it 129 00:09:20,440 --> 00:09:24,760 Speaker 1: comes to Johnny fucking Cluckhead. You ain't Johnny football. You 130 00:09:24,880 --> 00:09:28,360 Speaker 1: had one year as Johnny Football. It was a maglamation. 131 00:09:28,840 --> 00:09:31,760 Speaker 1: I don't know if that's a right word. Okay, you 132 00:09:31,840 --> 00:09:34,360 Speaker 1: played for the Cleveland Browns. You almost got your fucking 133 00:09:34,400 --> 00:09:37,840 Speaker 1: head knocked off. You couldn't cut it there. You couldn't 134 00:09:37,840 --> 00:09:41,520 Speaker 1: stay off the booger sugar, the yeyo, the nose candy. 135 00:09:43,760 --> 00:09:46,760 Speaker 1: They released you. No one else picked you up. You've 136 00:09:46,760 --> 00:09:49,600 Speaker 1: gotten more trouble. You came after the Dingo, You got 137 00:09:49,640 --> 00:09:52,199 Speaker 1: the curse of the Gringo man Dingo boom. You went 138 00:09:52,240 --> 00:09:57,960 Speaker 1: to Canada, and now you're out of football. There's nowhere 139 00:09:58,120 --> 00:10:05,760 Speaker 1: arena football. Come on, Duke, that new bullshit league they got, yo, Yo, Duke, 140 00:10:06,200 --> 00:10:07,680 Speaker 1: let me let me, let me tell you. I'm gonna 141 00:10:07,679 --> 00:10:10,160 Speaker 1: give you. I'm gonna give you one last piece of advice. 142 00:10:10,280 --> 00:10:16,040 Speaker 1: Be go away, Go to Bali, go to Thailand. Go 143 00:10:16,120 --> 00:10:20,600 Speaker 1: get yourself clean and sober. Okay, come back, prove that 144 00:10:20,640 --> 00:10:22,640 Speaker 1: you're clean and sober. This is a two year plan 145 00:10:22,760 --> 00:10:25,679 Speaker 1: for you. Do. Go go away for a year, clean 146 00:10:25,720 --> 00:10:31,840 Speaker 1: and sober. Study yoga, hot yoga okay. Let yourself clean out, 147 00:10:33,000 --> 00:10:37,120 Speaker 1: get off the Book of Sugar okay. And then after 148 00:10:37,160 --> 00:10:42,000 Speaker 1: a year or that, move somewhere under the radar, get 149 00:10:42,040 --> 00:10:45,880 Speaker 1: yourself a little degree, and maybe you can come back 150 00:10:46,080 --> 00:10:50,440 Speaker 1: being a college football commentator. That's the best. Yo. And 151 00:10:50,480 --> 00:10:54,640 Speaker 1: you're done with football, and you're not even twenty five yet, Duke, listen, 152 00:10:54,679 --> 00:10:56,920 Speaker 1: I told you I tried to stick up for Johnny 153 00:10:56,960 --> 00:10:58,880 Speaker 1: Manzel when he was playing football. I wanted to see 154 00:10:58,960 --> 00:11:01,040 Speaker 1: him do good. But then you try to come from me, 155 00:11:01,120 --> 00:11:06,640 Speaker 1: the gringo man, motherfucking dingo, out of pocket, out of pocket, 156 00:11:06,679 --> 00:11:10,400 Speaker 1: out of line, and here we are today. And some 157 00:11:10,440 --> 00:11:15,319 Speaker 1: people said, Willie hutch this motherfucker matter of fact, Mills 158 00:11:15,360 --> 00:11:31,920 Speaker 1: turned the fucking Willie hutch on, Turn on, turn it on. Johnny, cluckhead, cluckhead, 159 00:11:32,000 --> 00:11:36,160 Speaker 1: John you ain't about that football Like, nobody's ever gonna 160 00:11:36,200 --> 00:11:39,720 Speaker 1: call you Johnny motherfucking football again. They might call you 161 00:11:39,800 --> 00:11:46,160 Speaker 1: Johnny eight ball, Johnny eight ball. You was talking out 162 00:11:46,200 --> 00:11:51,640 Speaker 1: of pocket to the motherfucking gringo man Dingo, tweeting all 163 00:11:51,760 --> 00:11:54,040 Speaker 1: kinds of ship out the side of your motherfucking mouth. 164 00:11:54,160 --> 00:11:57,120 Speaker 1: We had to put you and your man on the 165 00:11:57,120 --> 00:12:00,000 Speaker 1: shame game. You went to Canada and it was two 166 00:12:00,200 --> 00:12:03,800 Speaker 1: cold for you. You couldn't deal with a little snow. 167 00:12:04,120 --> 00:12:07,560 Speaker 1: You would slow up in Canada. When you play Canadian 168 00:12:07,600 --> 00:12:10,760 Speaker 1: football and you can't run around and show your ass 169 00:12:10,760 --> 00:12:13,800 Speaker 1: and show the people that you are better, way better 170 00:12:13,840 --> 00:12:17,079 Speaker 1: than everybody else, then you know the NFL is never 171 00:12:17,320 --> 00:12:25,880 Speaker 1: happening again. That's probably why you dipped back into the dark, 172 00:12:26,280 --> 00:12:29,920 Speaker 1: dark world of that good old book of sugar. I 173 00:12:30,000 --> 00:12:34,520 Speaker 1: warned you, I fucking told you, I asked you on Twitter. 174 00:12:34,600 --> 00:12:37,880 Speaker 1: What the fuck is you doing? Dude? You didn't listen, 175 00:12:38,320 --> 00:12:43,680 Speaker 1: you kept going, You added me, Michael Rappaport, you at 176 00:12:43,679 --> 00:12:47,679 Speaker 1: a football beat, Go to Bali, you go to Argentina, 177 00:12:47,880 --> 00:12:52,319 Speaker 1: go to Africa, help some kids. Cleanse yourself. Those dark 178 00:12:52,440 --> 00:12:57,040 Speaker 1: skies took you over, real nice and real, proper Johnny 179 00:12:57,120 --> 00:13:01,840 Speaker 1: Clarkhead a k A. Johnny April, you came for the 180 00:13:01,920 --> 00:13:06,360 Speaker 1: wrong one, and now you got that sweet sweet Willie 181 00:13:06,400 --> 00:13:15,079 Speaker 1: Hudge cut that Willie hud got a bad professional football 182 00:13:15,160 --> 00:13:19,120 Speaker 1: player tries to talk shipped to a high level professional 183 00:13:19,160 --> 00:13:23,000 Speaker 1: ship talker. Come on, man, somebody should have told you 184 00:13:23,200 --> 00:13:25,400 Speaker 1: that means you don't have good people around your Cluckhead 185 00:13:25,920 --> 00:13:38,199 Speaker 1: April podcast, Oh my goodness, gracious. Moving on, um So 186 00:13:38,440 --> 00:13:45,160 Speaker 1: Chloe Kardashian. It was rumored that Chloe Kardashian was gonna 187 00:13:45,160 --> 00:13:49,560 Speaker 1: be on the Bachelorette, and Kim Kardashian and Chris Jenner 188 00:13:49,640 --> 00:13:52,320 Speaker 1: took the social media and they were like, why would 189 00:13:52,360 --> 00:13:55,359 Speaker 1: we do that? That's so beneath us. I'm I'm paraphrasing. 190 00:13:55,400 --> 00:13:57,160 Speaker 1: I don't fact check, and I'm certainly not going through 191 00:13:57,200 --> 00:14:00,520 Speaker 1: their Twitter or social media feeds to fire not exactly 192 00:14:00,559 --> 00:14:03,520 Speaker 1: what they said, but they basically were shipping on the 193 00:14:03,559 --> 00:14:06,880 Speaker 1: idea and it was so beneath them, as if being 194 00:14:06,920 --> 00:14:12,880 Speaker 1: on reality television is beneath the Kardashians, as if putting 195 00:14:12,880 --> 00:14:18,200 Speaker 1: out a no no and profiting off it is beneath 196 00:14:18,520 --> 00:14:21,320 Speaker 1: this family. Chloe, if you're listening, First of all, the 197 00:14:21,320 --> 00:14:24,640 Speaker 1: Batchelorrette is a great show. I am deep, deep in 198 00:14:24,680 --> 00:14:27,080 Speaker 1: this season of the Bachelor. I love it. And as 199 00:14:27,080 --> 00:14:30,000 Speaker 1: you know, I'm Real Housewives of Atlanta, Real Housewives of 200 00:14:30,000 --> 00:14:33,320 Speaker 1: New Jersey, Real Housewives of Beverly Hills, Real Housewives of 201 00:14:33,400 --> 00:14:36,720 Speaker 1: New York, which I believe starts March six with those 202 00:14:36,720 --> 00:14:41,480 Speaker 1: shows hard Body Karate. But Chloe, you don't know how 203 00:14:41,680 --> 00:14:46,480 Speaker 1: to pick a fucking man. Okay, I know you try 204 00:14:46,560 --> 00:14:50,160 Speaker 1: to present yourself as this sex kitten and this sex doll. 205 00:14:50,520 --> 00:14:55,720 Speaker 1: You not you are not. You guys are frumpy little 206 00:14:55,880 --> 00:15:00,200 Speaker 1: Armenian chicks from Pasadena, from Beverly Hills, where where the 207 00:15:00,280 --> 00:15:03,720 Speaker 1: fuck you from? You're not all that. You got fake asses, 208 00:15:03,920 --> 00:15:08,320 Speaker 1: fake lips, fake care, fake everything. It's a full fake presentation. 209 00:15:08,560 --> 00:15:13,640 Speaker 1: And after these guys catch onto what's really gucci with you? Guys, 210 00:15:13,880 --> 00:15:17,000 Speaker 1: they go fuck it. Tristan fucked his way out of 211 00:15:17,000 --> 00:15:20,880 Speaker 1: the relationship. Lamar Odom fucked his way out of the relationship. Now, 212 00:15:20,960 --> 00:15:22,880 Speaker 1: I'm not saying that's the best way to get out 213 00:15:22,880 --> 00:15:26,280 Speaker 1: of a relationship, but that's essentially what my guy Lamar did. 214 00:15:26,440 --> 00:15:28,960 Speaker 1: He went to a brothel and fucked his way out 215 00:15:29,000 --> 00:15:32,240 Speaker 1: of the relationship. Tristan Thompson fucked his way out of 216 00:15:32,280 --> 00:15:37,600 Speaker 1: that relationship. And you think you being on the Bachelorette 217 00:15:37,760 --> 00:15:42,280 Speaker 1: where ABC will hand pick some good, nice guys, no 218 00:15:42,480 --> 00:15:48,160 Speaker 1: NBA players, no NFL players, and hopefully you will walk 219 00:15:48,200 --> 00:15:52,000 Speaker 1: away with just a nice, decent guy is beneath you, 220 00:15:52,240 --> 00:15:57,640 Speaker 1: Chloe Yo. Has anybody looked at some Kardashian pictures from 221 00:15:57,680 --> 00:16:02,760 Speaker 1: ten years ago, the young ones before they really altered 222 00:16:02,800 --> 00:16:05,920 Speaker 1: their faces and their bodies, that's who they really are. 223 00:16:07,640 --> 00:16:11,000 Speaker 1: These girls try to present themselves as like sex kittens 224 00:16:11,040 --> 00:16:15,160 Speaker 1: and all that peop them peep them before ship was 225 00:16:15,200 --> 00:16:19,200 Speaker 1: popping off, when the lips weren't popping off. And the 226 00:16:19,280 --> 00:16:23,080 Speaker 1: young one who's with Travis Scott who at the recording 227 00:16:23,080 --> 00:16:26,480 Speaker 1: of this iron wrapper stereo pockets. Apparently there's another cheating 228 00:16:26,520 --> 00:16:30,920 Speaker 1: scandal between Travis Scott and that one a camera was 229 00:16:31,720 --> 00:16:35,560 Speaker 1: Kylie who's almost a billionaire. You're a billionaire. You can't 230 00:16:35,600 --> 00:16:39,560 Speaker 1: keep your man. Listen, why why? Why? What makes you 231 00:16:39,600 --> 00:16:43,440 Speaker 1: guys think that you're gonna get twenty something year old 232 00:16:43,640 --> 00:16:48,080 Speaker 1: stars and they're not gonna freak off behind your back? 233 00:16:48,240 --> 00:16:51,920 Speaker 1: Are you that dumb? Now, if my wife is listening 234 00:16:51,960 --> 00:16:55,280 Speaker 1: to this, she's probably what the fund are you talking about? 235 00:16:55,320 --> 00:17:00,560 Speaker 1: What are you saying? Listen, twenty something? You're old men, 236 00:17:01,120 --> 00:17:07,359 Speaker 1: especially ones that have all access to all kinds of women, 237 00:17:07,760 --> 00:17:11,280 Speaker 1: they are going to do what they do. That is 238 00:17:11,320 --> 00:17:14,280 Speaker 1: just a fact. And unless you're some Mormon or some 239 00:17:14,760 --> 00:17:17,440 Speaker 1: you know, there's always a couple of people. But in general, 240 00:17:17,480 --> 00:17:19,760 Speaker 1: like if you're a betting man, you say, yo, the 241 00:17:19,760 --> 00:17:22,520 Speaker 1: biggest rapper in the world, Travis Scott. Is he gonna 242 00:17:22,520 --> 00:17:26,359 Speaker 1: freak off behind this chick's back. Yes, that doesn't even 243 00:17:26,440 --> 00:17:28,480 Speaker 1: mean he doesn't love you, but he's going to skate 244 00:17:28,920 --> 00:17:31,879 Speaker 1: on something else. You're not even bad. Your whole body, 245 00:17:31,920 --> 00:17:37,520 Speaker 1: your whole grillas fake. Look at some pictures of Kylie 246 00:17:37,600 --> 00:17:42,800 Speaker 1: Jenner when she was sixteen. It's like a completely different person, 247 00:17:44,720 --> 00:17:47,560 Speaker 1: and you're wondering why these dudes are out there freaking off. 248 00:17:47,680 --> 00:17:51,520 Speaker 1: Tristan Thompson, He couldn't just end the relationship like a 249 00:17:51,600 --> 00:17:54,360 Speaker 1: normal I don't even say normal. He couldn't do that. 250 00:17:55,600 --> 00:17:58,760 Speaker 1: I fucked my way out of relationships when I was young. 251 00:17:59,240 --> 00:18:01,919 Speaker 1: That's usually men do at that age day, fuck their 252 00:18:01,960 --> 00:18:07,080 Speaker 1: way right out of a relationship. And you think you're 253 00:18:07,119 --> 00:18:10,120 Speaker 1: too good to be on the Bachelorette, Chloe, it would 254 00:18:10,200 --> 00:18:13,680 Speaker 1: be beneficial to you to go on that show. Let 255 00:18:13,760 --> 00:18:16,600 Speaker 1: these guys get vetted. You'll have thirty five, I'm sure, 256 00:18:16,640 --> 00:18:19,960 Speaker 1: great looking guys with nice personality. You'll have some car salesman, 257 00:18:20,400 --> 00:18:24,480 Speaker 1: you'll have computer technicians, all sorts of regular guys to 258 00:18:24,640 --> 00:18:27,800 Speaker 1: be happy to meet you. You sift through them one 259 00:18:27,800 --> 00:18:33,680 Speaker 1: by one by one, and hopefully you walk away engaged 260 00:18:33,800 --> 00:18:35,800 Speaker 1: at the end of the show. You ain't too good 261 00:18:35,840 --> 00:18:41,840 Speaker 1: to be on the Bachelorette, Chloe. Hold your fucking head. Now, 262 00:18:41,880 --> 00:18:45,879 Speaker 1: we know that I got into a major beef with 263 00:18:46,160 --> 00:18:49,760 Speaker 1: the Ariana Grande fans. Okay, And I said while that 264 00:18:49,880 --> 00:18:54,240 Speaker 1: was going on that it was not fucking personal. I 265 00:18:54,320 --> 00:18:57,200 Speaker 1: just made a comment and backfire. Her fans are crazy, 266 00:18:58,600 --> 00:19:00,840 Speaker 1: her fans are nuts. There's still coming at me in 267 00:19:00,920 --> 00:19:05,520 Speaker 1: my d MS, calling me all kinds of names. Old this, this, that, 268 00:19:05,640 --> 00:19:08,840 Speaker 1: all sorts of ship. Well, Ariana Grande, I got your 269 00:19:08,880 --> 00:19:11,119 Speaker 1: back on this ship. First of all, let's not forget 270 00:19:11,160 --> 00:19:14,720 Speaker 1: that Ariana Grande was doing a concert in Manchester, England 271 00:19:15,600 --> 00:19:21,320 Speaker 1: that got shot up, a tragedy which I'm sure she 272 00:19:21,320 --> 00:19:24,280 Speaker 1: she'll never recover from, and how frightening and scary in 273 00:19:24,320 --> 00:19:27,840 Speaker 1: the images and the lives lost while she's giving a concert. 274 00:19:28,160 --> 00:19:31,439 Speaker 1: Remember that again. I had nothing against Arianna ground. I 275 00:19:31,480 --> 00:19:35,560 Speaker 1: was just talking ship. Literally could give a fuck. So 276 00:19:36,000 --> 00:19:39,320 Speaker 1: Ariana Grande is going back to Manchester. I don't know 277 00:19:39,359 --> 00:19:42,360 Speaker 1: if it's the same place or that the same arena 278 00:19:42,720 --> 00:19:48,560 Speaker 1: that that terrible incident happened. And she tweeted out innocently 279 00:19:48,720 --> 00:19:52,560 Speaker 1: Manchester Babes, I'm so thrilled to be headlining Pride Gay 280 00:19:52,600 --> 00:19:57,080 Speaker 1: Pride my heart. I can't wait to see you and 281 00:19:57,119 --> 00:20:02,440 Speaker 1: I love you so much. Well, just just because everybody 282 00:20:02,640 --> 00:20:06,280 Speaker 1: has in a fucking opinion, and just because every single 283 00:20:06,440 --> 00:20:10,320 Speaker 1: fucking person wants to find something wrong with every single 284 00:20:10,480 --> 00:20:13,040 Speaker 1: fucking thing, there's nothing wrong with that tweet. I'll read 285 00:20:13,040 --> 00:20:15,440 Speaker 1: it again, Manchester Baby's I'm so thrilled to be headlining 286 00:20:15,480 --> 00:20:18,199 Speaker 1: Pride my heart. I can't wait to see you and 287 00:20:18,280 --> 00:20:21,879 Speaker 1: love you so much. She's basically saying I'm headlining Pride, 288 00:20:22,000 --> 00:20:26,040 Speaker 1: Pride show LGBTQ community and and the l g b 289 00:20:26,280 --> 00:20:31,159 Speaker 1: t Q community on Twitter when at Ariana Grande, Arianna 290 00:20:31,240 --> 00:20:34,679 Speaker 1: headlining Pride when she's straight, as we all are aware, 291 00:20:35,440 --> 00:20:37,760 Speaker 1: and doubling the price the tickets kind of smells like 292 00:20:37,840 --> 00:20:43,800 Speaker 1: exploitation of the lgbt Q community. Fuck you. First of all, 293 00:20:43,880 --> 00:20:46,760 Speaker 1: she's an l g b t Q icon, just like 294 00:20:46,840 --> 00:20:50,600 Speaker 1: j low is, just like Madonna's, just like Share is 295 00:20:50,840 --> 00:20:53,040 Speaker 1: and Elton John is, And as far as I know, 296 00:20:53,200 --> 00:20:55,399 Speaker 1: Ellen John is the only gay person that I mentioned 297 00:20:55,400 --> 00:20:57,200 Speaker 1: off that list, and I don't even there's so many 298 00:20:57,200 --> 00:21:00,800 Speaker 1: other people that you can mean. Of course, she's an 299 00:21:00,960 --> 00:21:03,159 Speaker 1: icon in that community. Of course, the l g b 300 00:21:03,359 --> 00:21:07,080 Speaker 1: t Q community is gonna gravitate towards Arianna Grinding, just 301 00:21:07,160 --> 00:21:10,320 Speaker 1: like the boatloads of straight fans. And you want to 302 00:21:10,359 --> 00:21:14,920 Speaker 1: try to shame her, shut the funk up. All these 303 00:21:14,920 --> 00:21:17,440 Speaker 1: people were coming at her saying, you know, she shouldn't 304 00:21:17,440 --> 00:21:23,320 Speaker 1: be doing this, and she's exploiting the shut up. Thank you. Next, 305 00:21:23,480 --> 00:21:26,040 Speaker 1: I got your back, Arianna Grinding. Don't be nice to 306 00:21:26,080 --> 00:21:28,240 Speaker 1: these people. Tell them the funk off. Say you know what, 307 00:21:28,359 --> 00:21:32,119 Speaker 1: asshole you don't like it. You somehow offended them, somehow exploiting. 308 00:21:32,160 --> 00:21:36,360 Speaker 1: How about you somehow don't come to the show. Motherfucker's 309 00:21:36,359 --> 00:21:40,560 Speaker 1: want to find something to talk shit about to anybody 310 00:21:40,600 --> 00:21:45,760 Speaker 1: and everybody, about every and any single thing. It's it's ships. 311 00:21:45,880 --> 00:21:48,520 Speaker 1: You're offended by that. Somehow, Get the funk outta here. 312 00:21:50,600 --> 00:21:55,880 Speaker 1: Fucking craziness, man, we were living in crazy, crazy, crazy times. 313 00:21:57,000 --> 00:22:03,560 Speaker 1: Oh my voice sounds uh actual, your harsh. I did 314 00:22:04,600 --> 00:22:08,960 Speaker 1: Mike Tyson show. Mike Tyson has a podcast, Hot Boxing 315 00:22:09,520 --> 00:22:12,639 Speaker 1: with Mike Tyson, and it's exactly what it sounds like. 316 00:22:12,680 --> 00:22:14,919 Speaker 1: You're It's you're in there smoking weed with Mike Tyson 317 00:22:14,960 --> 00:22:17,200 Speaker 1: and it was a great podcast being on the show 318 00:22:17,240 --> 00:22:21,639 Speaker 1: talking a lot of ship And to double back Iron 319 00:22:21,760 --> 00:22:25,640 Speaker 1: Mike Tyson, Ike Tideyson from Brownsville, Brooklyn will be on 320 00:22:25,800 --> 00:22:30,560 Speaker 1: the I Am rapp Reports Stereo podcast next week. Um, 321 00:22:31,000 --> 00:22:32,840 Speaker 1: and we we tore it up on his ship, and 322 00:22:32,880 --> 00:22:34,960 Speaker 1: I know we're gonna tear it up on the Iron 323 00:22:35,040 --> 00:22:38,040 Speaker 1: Rapports stereo podcasts. Mike is such a good fucking dude, 324 00:22:38,640 --> 00:22:41,800 Speaker 1: but we were talking a lot of ship and my 325 00:22:41,960 --> 00:22:46,160 Speaker 1: throat it's struggling a little bit. Giving a shout out 326 00:22:46,280 --> 00:22:52,280 Speaker 1: to John Taturo, one of my favorite actors for brother 327 00:22:52,400 --> 00:22:55,639 Speaker 1: of Nick Tturo. John was on the Iron Rapport stereo 328 00:22:55,680 --> 00:22:59,840 Speaker 1: podcast once the Now classic. It's it's certified classic, uh 329 00:22:59,840 --> 00:23:04,399 Speaker 1: the Raging Bull podcast. But John is one of my 330 00:23:04,480 --> 00:23:08,800 Speaker 1: favorite actors. From Do the Right Thing to Four Corners, 331 00:23:08,800 --> 00:23:10,800 Speaker 1: which is a dope indie A lot of people may 332 00:23:10,800 --> 00:23:13,800 Speaker 1: not have seen called four Corners check it out, very 333 00:23:13,840 --> 00:23:17,080 Speaker 1: New York film. Uh, to all the Coen Brothers movies, 334 00:23:17,119 --> 00:23:21,400 Speaker 1: Barton Fink, the Big Lebowski. He was the Jesus too. 335 00:23:21,560 --> 00:23:24,399 Speaker 1: I mean, you know, do the Right Thing, and I 336 00:23:24,440 --> 00:23:29,000 Speaker 1: mean John Taturo is He's my guy. I love him, 337 00:23:29,119 --> 00:23:30,960 Speaker 1: um and I've gotten to know him over the years. 338 00:23:31,280 --> 00:23:34,680 Speaker 1: Uh it's his birthday. So given love to the great 339 00:23:34,760 --> 00:23:37,560 Speaker 1: John Taturo, brother of Nick t Turo, who I believe 340 00:23:37,680 --> 00:23:43,640 Speaker 1: is starting a podcast himself come baseball season. Nobody loves baseball, 341 00:23:43,760 --> 00:23:48,080 Speaker 1: particularly uh A New York baseball more than uh my 342 00:23:48,160 --> 00:23:51,080 Speaker 1: guy Nick to Turo. Uh So I can't wait to 343 00:23:51,119 --> 00:23:54,360 Speaker 1: see uh what he's dropping when he's dropping dropping. He's 344 00:23:54,359 --> 00:23:57,159 Speaker 1: also one of the funniest people, uh I know he 345 00:23:57,280 --> 00:23:59,200 Speaker 1: I was just had lunch with him and his son 346 00:23:59,440 --> 00:24:04,399 Speaker 1: Nick Nick and he literally had me cramping from laughing. 347 00:24:04,480 --> 00:24:07,960 Speaker 1: He had me doubled over in my Robin Ramen noodles, 348 00:24:08,600 --> 00:24:12,400 Speaker 1: laughing my ass off, Nick Dete. So I really hope 349 00:24:12,640 --> 00:24:16,480 Speaker 1: he drops a banger. All right, let's get into this, Miles, 350 00:24:16,720 --> 00:24:19,840 Speaker 1: let me get the sick funck of the Week theme song. Yes, 351 00:24:23,480 --> 00:24:26,199 Speaker 1: this is an award that is earned, not given, earned, 352 00:24:26,600 --> 00:24:30,639 Speaker 1: not given. It's called the sickly the fun of the sick. 353 00:24:31,119 --> 00:24:34,480 Speaker 1: She's really fucking sick, man, she just fucking whack line. 354 00:24:35,040 --> 00:24:38,160 Speaker 1: Make him you smell like a sick fuck. You look 355 00:24:38,240 --> 00:24:41,080 Speaker 1: like a six supposed to be on a plane. You sick? 356 00:24:41,160 --> 00:24:43,560 Speaker 1: You are you doing? Hey man? Leave that chicken alone? 357 00:24:43,840 --> 00:24:46,359 Speaker 1: Leave the chicken alone? What are you doing to the 358 00:24:46,520 --> 00:24:54,920 Speaker 1: chicken that doesn't belong in a chicken? Oh? Yes, yes, yes, yes, 359 00:24:55,000 --> 00:24:58,480 Speaker 1: this is the sick fuck of the Week theme song. 360 00:24:58,640 --> 00:25:01,359 Speaker 1: So many sick funks, so little time, So many sick funs, 361 00:25:01,840 --> 00:25:05,200 Speaker 1: so little time. The sick Funk of the Week is 362 00:25:05,200 --> 00:25:07,159 Speaker 1: an award that has earned, not given. It is an 363 00:25:07,200 --> 00:25:10,080 Speaker 1: award that has earned, not given. It goes out to 364 00:25:10,160 --> 00:25:15,159 Speaker 1: a certain kind of sick funk with a charisma, a 365 00:25:15,160 --> 00:25:18,000 Speaker 1: certain kind of a Genese koa let's jump right into it. 366 00:25:18,040 --> 00:25:24,240 Speaker 1: In Columbia, South Carolina, South Cacalaca, a man who is 367 00:25:24,320 --> 00:25:30,000 Speaker 1: already serving fifty years for murder. Fifty years for murder, 368 00:25:30,119 --> 00:25:32,560 Speaker 1: and if you look at him on paper, he doesn't 369 00:25:32,560 --> 00:25:34,719 Speaker 1: look like a real sick funk. His name is Michael 370 00:25:34,760 --> 00:25:38,240 Speaker 1: Young from Columbia, South Carolina. This sick funck is serving 371 00:25:38,280 --> 00:25:42,439 Speaker 1: fifty years for murder. Well, he hasn't learned his lesson. 372 00:25:43,280 --> 00:25:47,919 Speaker 1: He just got another four decades in federal prison for 373 00:25:48,040 --> 00:25:51,880 Speaker 1: trying to order a bomb to kill his ex wife 374 00:25:52,359 --> 00:25:55,520 Speaker 1: in Florida. I don't know what kind of lifestyle these 375 00:25:55,560 --> 00:25:57,719 Speaker 1: people were mixed up in, but I don't want anything 376 00:25:57,760 --> 00:26:03,639 Speaker 1: to do with it. Mike Young in Columbia, South Carolina. Congratulations, 377 00:26:03,920 --> 00:26:07,159 Speaker 1: you just made it to the sick fuck of the 378 00:26:07,200 --> 00:26:12,840 Speaker 1: Week list. Two thousand nineteen. This is a crazy, crazy 379 00:26:13,000 --> 00:26:15,520 Speaker 1: story that you're like, I can't believe this is real. Okay, 380 00:26:15,520 --> 00:26:19,600 Speaker 1: So this happened in London, Okay. A woman got into 381 00:26:19,640 --> 00:26:23,359 Speaker 1: a car accident okay, um, and and she was she 382 00:26:23,440 --> 00:26:30,320 Speaker 1: was definitely hurt. Um. Paramedics showed up. Paramedics thought that 383 00:26:30,359 --> 00:26:35,200 Speaker 1: she was pregnant, Okay, and they were looking to save 384 00:26:35,240 --> 00:26:40,000 Speaker 1: the baby. This obviously this one was obviously sincere severely hurt. Um. 385 00:26:40,040 --> 00:26:43,800 Speaker 1: They performed a C section on the woman to try 386 00:26:43,840 --> 00:26:48,600 Speaker 1: to save the baby, but the woman was in fact 387 00:26:49,000 --> 00:26:53,159 Speaker 1: not pregnant. What kind of fucking doctors are these? The 388 00:26:53,200 --> 00:26:56,880 Speaker 1: woman actually wound up dying. This is a sad story. 389 00:26:57,359 --> 00:27:00,080 Speaker 1: There was all sorts of uh, what do they do 390 00:27:00,160 --> 00:27:03,120 Speaker 1: after you passed? There was what do they do? Um? God, 391 00:27:03,160 --> 00:27:08,120 Speaker 1: what the funk? There was autopsy? Okay, there was an autopsy. Uh, 392 00:27:08,160 --> 00:27:12,000 Speaker 1: they found that. The paramedics they didn't do anything wrong. 393 00:27:12,440 --> 00:27:15,679 Speaker 1: It wasn't on purpose, except for somehow, some way they 394 00:27:15,720 --> 00:27:18,720 Speaker 1: assumed or thought, I don't know why or or how 395 00:27:20,280 --> 00:27:24,960 Speaker 1: that this woman was pregnant. Performing the c sections caused 396 00:27:24,960 --> 00:27:28,000 Speaker 1: more injuries, caused the woman to go into cardiac arrest 397 00:27:28,160 --> 00:27:34,040 Speaker 1: and unfortunately passed away. The family isn't pursuing any more 398 00:27:34,080 --> 00:27:37,720 Speaker 1: action because they really feel like nothing was done intentionally. 399 00:27:37,920 --> 00:27:42,840 Speaker 1: But you got somebody's gotta be fired at least, somebody 400 00:27:42,920 --> 00:27:46,359 Speaker 1: at least has to be fired for some crazy ship 401 00:27:46,520 --> 00:27:48,920 Speaker 1: like that. What made you think this woman was pregnant 402 00:27:49,040 --> 00:27:52,040 Speaker 1: when she actually was not pregnant? How how bad at 403 00:27:52,080 --> 00:27:59,480 Speaker 1: your job are you? In Pennsylvania? Shana decree and dominic 404 00:27:59,640 --> 00:28:03,320 Speaker 1: dec who do in fact look yeah they don't look Yeah, 405 00:28:03,359 --> 00:28:06,640 Speaker 1: they look like sick fox. Uh they're not your your 406 00:28:06,680 --> 00:28:08,520 Speaker 1: most obvious sick fox, but you can see in the 407 00:28:08,520 --> 00:28:11,399 Speaker 1: eyes they're whacked out of their tree. Um they killed. 408 00:28:13,240 --> 00:28:18,520 Speaker 1: They are a mother and daughter. They killed five relatives 409 00:28:19,400 --> 00:28:23,640 Speaker 1: in their pencil Vania apartment. They are saying this they started. 410 00:28:23,720 --> 00:28:28,480 Speaker 1: Uh this is some cult crime. They killed five relatives 411 00:28:29,640 --> 00:28:32,760 Speaker 1: and uh they wanted to die in some sort of 412 00:28:32,800 --> 00:28:37,320 Speaker 1: twisted and disturbing mass suicide plot. Except for the mother 413 00:28:37,359 --> 00:28:42,240 Speaker 1: and daughter. Uh, they didn't commit suicide. They've been arrested, 414 00:28:42,320 --> 00:28:44,800 Speaker 1: and they made it to the sick fuck of the 415 00:28:44,880 --> 00:28:47,880 Speaker 1: Week list. This story feels like it's going to be 416 00:28:47,920 --> 00:28:52,000 Speaker 1: some sort of documentary uh soon. Uh, there's there's many 417 00:28:52,080 --> 00:28:55,920 Speaker 1: victims of different ages. It's sad, it's tragic. Um, it's 418 00:28:55,960 --> 00:29:00,680 Speaker 1: some sort of sick sick plot that went very very 419 00:29:00,840 --> 00:29:04,960 Speaker 1: very wrong. On next, I have some sick fuck on 420 00:29:05,640 --> 00:29:10,760 Speaker 1: sick fuck crime. This is how you listen. I I 421 00:29:10,840 --> 00:29:13,080 Speaker 1: hate to say it, but this is how you This 422 00:29:13,120 --> 00:29:16,080 Speaker 1: is what this is called the wonderbread Bag treatment gone wrong. 423 00:29:17,560 --> 00:29:21,400 Speaker 1: But this is sick funck on sick fuck crime. Now 424 00:29:21,720 --> 00:29:28,600 Speaker 1: an Oklahoma prison inmate. Okay, to two inmates in an 425 00:29:28,600 --> 00:29:33,720 Speaker 1: Oklahoma prison, we're, you know, living their life in these 426 00:29:33,720 --> 00:29:36,880 Speaker 1: small places. Well, one of the prison, one of the inmates, 427 00:29:37,640 --> 00:29:43,080 Speaker 1: I believe it was Anthony Palma, is a child killer. Well, 428 00:29:44,240 --> 00:29:49,120 Speaker 1: Raymond Pelotto, his sick fuck inmate, beat and strangled the 429 00:29:49,200 --> 00:29:54,240 Speaker 1: convicted child killer to death inside their cell. They shared 430 00:29:54,600 --> 00:29:59,480 Speaker 1: a cell. This cocksucker, Anthony Palma, who was convicted of 431 00:29:59,560 --> 00:30:05,760 Speaker 1: killing a kid. He was beaten, strange, old, hopefully fucked 432 00:30:07,160 --> 00:30:11,360 Speaker 1: and killed by a guy who Listen, you're never getting 433 00:30:11,360 --> 00:30:15,200 Speaker 1: at a jail, Raymond Pilotto. But maybe, maybe, just maybe 434 00:30:15,200 --> 00:30:18,800 Speaker 1: somebody sends you a snickers because you're not a good person, Okay, 435 00:30:18,800 --> 00:30:21,239 Speaker 1: because you were already in jail for murder yourself and 436 00:30:21,280 --> 00:30:25,440 Speaker 1: then you killed this child or murderer who's already I mean, 437 00:30:25,480 --> 00:30:27,560 Speaker 1: we're we're we're we're in the deep talking about the 438 00:30:27,600 --> 00:30:33,280 Speaker 1: deep deep waters. We're in the deep, dark, murky bottom 439 00:30:33,560 --> 00:30:38,280 Speaker 1: bottom cold waters of sick fox here. But this is 440 00:30:38,320 --> 00:30:43,920 Speaker 1: a true story. And you know, child killers, rapists, people 441 00:30:43,960 --> 00:30:47,720 Speaker 1: at abuse women, this is what it's all about. I 442 00:30:48,080 --> 00:30:50,040 Speaker 1: gotta be honest. I don't feel bad for this guy. 443 00:30:50,040 --> 00:30:54,400 Speaker 1: Anthony Palmer I don't feel bad from This is essentially 444 00:30:54,440 --> 00:30:58,000 Speaker 1: the wonderbread bad treatment gone wrong. There has been no 445 00:30:58,160 --> 00:31:02,520 Speaker 1: confirmation or denial whether or not Raymond Polato hit Anthony 446 00:31:02,600 --> 00:31:06,320 Speaker 1: Palma with the wonder bread bag and olive oil treatment. 447 00:31:06,640 --> 00:31:10,240 Speaker 1: But but I will be continuing to follow this case. 448 00:31:11,400 --> 00:31:17,080 Speaker 1: This is another follow up about probably the sexiest sick 449 00:31:17,160 --> 00:31:19,480 Speaker 1: fuck uh that we've ever had on the sick Funk 450 00:31:19,520 --> 00:31:23,640 Speaker 1: of the Week UH segment. This this woman's she's she's 451 00:31:23,680 --> 00:31:27,200 Speaker 1: good looking. I'm not gonna front Brittany Zamora. We talked 452 00:31:27,200 --> 00:31:31,680 Speaker 1: about her before. She's a former Arizona sixth grade teacher. 453 00:31:31,760 --> 00:31:33,720 Speaker 1: She's blond. If she was on a dating app, you 454 00:31:35,280 --> 00:31:36,960 Speaker 1: point nine percent of the people would be like, yeah, 455 00:31:36,960 --> 00:31:40,480 Speaker 1: I want to see what's good with this? Okay. I'm 456 00:31:40,520 --> 00:31:43,280 Speaker 1: just explaining that because most sick Funks of the Week 457 00:31:43,560 --> 00:31:46,720 Speaker 1: look like six Funks of the Week on paper in 458 00:31:46,720 --> 00:31:48,640 Speaker 1: in photo, she doesn't look like a sick funk of 459 00:31:48,640 --> 00:31:51,920 Speaker 1: the week. She looks like somebody you'd swipe up for um. So, 460 00:31:52,080 --> 00:31:55,240 Speaker 1: she had been uh convicted of having sex with a 461 00:31:55,320 --> 00:31:59,960 Speaker 1: sixth grader, a sixth thirteen year old boy. At twin 462 00:32:00,040 --> 00:32:02,160 Speaker 1: the eight year old woman was having sex with a 463 00:32:02,240 --> 00:32:04,760 Speaker 1: thirteen year old boy. You now nuts you gotta be, 464 00:32:06,320 --> 00:32:08,400 Speaker 1: you know, much like that's you know, how much of 465 00:32:08,560 --> 00:32:10,800 Speaker 1: a pig you gotta be, and how whacked out of 466 00:32:10,840 --> 00:32:13,640 Speaker 1: your fucking tree you gotta be. Well, it turns out, 467 00:32:14,600 --> 00:32:17,400 Speaker 1: because there has been texts she's like sex thing this 468 00:32:17,520 --> 00:32:21,800 Speaker 1: thirteen year old boy. She also had sex while the 469 00:32:21,800 --> 00:32:27,480 Speaker 1: thirteen year old boys thirteen year old friend watched. You know, 470 00:32:27,560 --> 00:32:32,080 Speaker 1: this chick is she's bucked wild. She was touching the guys. 471 00:32:32,640 --> 00:32:34,280 Speaker 1: I'm not gonna make fun of because it's a thirteen 472 00:32:34,320 --> 00:32:36,640 Speaker 1: year old boy, but she was. She was, you know, 473 00:32:36,720 --> 00:32:39,840 Speaker 1: feeling him up in class and just doing all sending 474 00:32:39,880 --> 00:32:43,120 Speaker 1: him like messages and while they're in class, sending you're sexy. 475 00:32:43,200 --> 00:32:45,360 Speaker 1: This is a teacher with a thirteen year old boy, 476 00:32:45,400 --> 00:32:48,480 Speaker 1: a six a sixth grade kid. Well, she's gonna be 477 00:32:48,480 --> 00:32:50,680 Speaker 1: locked the funk up for a long time. I don't 478 00:32:50,680 --> 00:32:53,000 Speaker 1: know what you do with h to be honest, A sexy, 479 00:32:53,080 --> 00:32:55,200 Speaker 1: sick funk like this, but she needs to go away 480 00:32:55,240 --> 00:32:57,320 Speaker 1: for twenty five years because if the shoe was on 481 00:32:57,320 --> 00:32:59,760 Speaker 1: the other foot and it was twenty eight year old 482 00:32:59,760 --> 00:33:01,680 Speaker 1: guy teacher doing it with a thirteen year old boy, 483 00:33:01,960 --> 00:33:05,320 Speaker 1: we'd be we'd be offended and upset by it. We'd 484 00:33:05,320 --> 00:33:08,760 Speaker 1: be saying, wonderbread bag and olive old treatment. Well, women 485 00:33:08,960 --> 00:33:12,640 Speaker 1: one equal rights. Well she's got to get the same thing. Sorry, 486 00:33:12,760 --> 00:33:14,480 Speaker 1: that's the way it works. You gotta get the same thing. 487 00:33:15,960 --> 00:33:21,600 Speaker 1: I could totally relate to this Amazon. Okay, Amazon, there 488 00:33:21,680 --> 00:33:25,160 Speaker 1: is an employee there who is suing Amazon. The employee 489 00:33:25,160 --> 00:33:30,720 Speaker 1: has Crohn's disease. I have alterative colitis. Ultrative colitis is 490 00:33:30,760 --> 00:33:34,280 Speaker 1: the cousin of Crone's disease. Amongst all the other things 491 00:33:34,360 --> 00:33:37,320 Speaker 1: that you deal with when you have crones or ultrative colitis, 492 00:33:37,440 --> 00:33:40,000 Speaker 1: is you have to go to the bathroom. When you 493 00:33:40,040 --> 00:33:43,640 Speaker 1: have to go to the bathroom, meaning you have to ship, 494 00:33:43,760 --> 00:33:46,960 Speaker 1: you have to ship, meaning sometimes you might have to 495 00:33:46,960 --> 00:33:50,760 Speaker 1: shift in public. I've broken down my three point positioning 496 00:33:52,080 --> 00:34:00,400 Speaker 1: patented premium three point position shifting program. Okay, this guy 497 00:34:00,400 --> 00:34:04,320 Speaker 1: who worked at Amazon was fired because the company said, uh, 498 00:34:04,320 --> 00:34:06,320 Speaker 1: he was going to the bathroom too much. I know 499 00:34:06,360 --> 00:34:10,120 Speaker 1: what this is. They saying he was taking excessive bathroom 500 00:34:10,160 --> 00:34:13,439 Speaker 1: breaks and he had Cron's disease. Sue these pieces of ship. 501 00:34:14,960 --> 00:34:17,640 Speaker 1: Sue him because when you have crones ease and you 502 00:34:17,640 --> 00:34:19,560 Speaker 1: have to go to the bathroom, you will literally shoot you. 503 00:34:19,880 --> 00:34:22,240 Speaker 1: He should have just shot his pants at at his 504 00:34:22,239 --> 00:34:27,160 Speaker 1: his Michigan Shelby Township, Michigan desk and said I'm sorry 505 00:34:27,840 --> 00:34:31,560 Speaker 1: and proved it to them. Uh so, I'm I'm cheering 506 00:34:31,560 --> 00:34:34,120 Speaker 1: for this guy. H R. Wars involved that he was 507 00:34:34,160 --> 00:34:36,120 Speaker 1: going to the bathroom, spending too much time in the bathroom. 508 00:34:36,200 --> 00:34:40,120 Speaker 1: They knew about his cron's disease. He's seeking three million 509 00:34:40,200 --> 00:34:44,799 Speaker 1: damages for lost wages and a significant amp amplification of 510 00:34:44,840 --> 00:34:49,520 Speaker 1: the symptoms. And that's true because stress will will um 511 00:34:49,800 --> 00:34:54,319 Speaker 1: accentuate crone's disease. I am on this guy's side. As 512 00:34:54,320 --> 00:34:57,240 Speaker 1: I said, I deal with ultra of clydisfortunately. My colaidis 513 00:34:57,320 --> 00:35:00,600 Speaker 1: is in remission. Okay, but when I gotta go, I 514 00:35:00,600 --> 00:35:05,360 Speaker 1: gotta go. Which brings me to the ex New Jersey superintendent. 515 00:35:05,360 --> 00:35:10,360 Speaker 1: Remember the ex New Jersey superintendent who was finally caught 516 00:35:10,440 --> 00:35:14,600 Speaker 1: and outed as the mystery pooper. Remember this guy he 517 00:35:14,640 --> 00:35:18,920 Speaker 1: was He was shifting under the bleachers outside of public 518 00:35:18,960 --> 00:35:24,120 Speaker 1: school in Jersey. Okay, but he was apparently doing it 519 00:35:24,200 --> 00:35:28,879 Speaker 1: for fun, for ships and giggles, no pun intended. Well, 520 00:35:28,920 --> 00:35:32,759 Speaker 1: now he's complaining because he was, he was shamed and 521 00:35:32,840 --> 00:35:39,120 Speaker 1: all this that his life has been ruined. Listen, Duke, Duke, 522 00:35:39,200 --> 00:35:41,120 Speaker 1: I I don't know what to tell you. When I 523 00:35:41,200 --> 00:35:45,680 Speaker 1: go outside in public, it's not for fun. Okay, I 524 00:35:45,760 --> 00:35:48,560 Speaker 1: go out in public. I have I'm I'm a season vet. 525 00:35:49,239 --> 00:35:51,440 Speaker 1: I'm good at it. I've never been caught, knock on what, 526 00:35:51,560 --> 00:35:54,200 Speaker 1: I've never been caught on surveillance video crapping in public. 527 00:35:54,480 --> 00:35:57,880 Speaker 1: But but I do it. I'm not proud of it, 528 00:35:58,480 --> 00:36:00,480 Speaker 1: but I'm not ashamed of it. That's the thing. I'm 529 00:36:00,520 --> 00:36:03,439 Speaker 1: not proud of it. But I'm not ashamed of you, Duke. 530 00:36:03,640 --> 00:36:07,160 Speaker 1: We're doing this as some weirdo. Okay, now, I don't 531 00:36:07,160 --> 00:36:09,239 Speaker 1: think your life should be ruined, but get yourself. Some 532 00:36:09,280 --> 00:36:11,080 Speaker 1: man diapers get to go to therapy. Why are you 533 00:36:11,080 --> 00:36:16,160 Speaker 1: shipping under the bleachers, Duke? Why are you shitting under 534 00:36:16,200 --> 00:36:21,840 Speaker 1: the bleachers? Duke. Finally, in Tennessee, a man was locked 535 00:36:21,880 --> 00:36:26,800 Speaker 1: up and arrested after it was caught on video dipping 536 00:36:26,920 --> 00:36:32,640 Speaker 1: his testicles into a container of salsa that a customer 537 00:36:33,080 --> 00:36:38,160 Speaker 1: ordered on line. Apparently the last time he delivered to 538 00:36:38,200 --> 00:36:42,600 Speaker 1: this guy. The guy gave him an eighty nine cents 539 00:36:42,960 --> 00:36:46,880 Speaker 1: tip and had to drive thirty minutes while the sick 540 00:36:46,960 --> 00:36:51,319 Speaker 1: fuck Howard Matthew, who looks like a sick fuck he 541 00:36:51,400 --> 00:36:53,880 Speaker 1: put it on video posted the clip this is what 542 00:36:54,000 --> 00:36:56,520 Speaker 1: you get when you give an eighty nine cent tip 543 00:36:56,600 --> 00:37:00,000 Speaker 1: for an almost thirty minute drive. You get your soul 544 00:37:00,000 --> 00:37:04,480 Speaker 1: also t bagged. Well, this is what you get when 545 00:37:04,520 --> 00:37:07,800 Speaker 1: you post things like that on video. You dumb fuck 546 00:37:07,840 --> 00:37:12,040 Speaker 1: you Tennessee, dumb fuck you. I always tip people good. 547 00:37:12,520 --> 00:37:14,800 Speaker 1: I don't do it because I'm afraid of getting uh 548 00:37:14,840 --> 00:37:18,080 Speaker 1: my sushi or my pizza or whatever dipped. I do 549 00:37:18,160 --> 00:37:20,840 Speaker 1: it because I just think it's good to tip people, 550 00:37:20,920 --> 00:37:24,560 Speaker 1: especially young people, um that are working hard. I always 551 00:37:24,560 --> 00:37:27,000 Speaker 1: always over tipped, uh and I think if you could 552 00:37:27,040 --> 00:37:30,680 Speaker 1: afford to do that, sometimes at least do that. Um. 553 00:37:31,480 --> 00:37:36,160 Speaker 1: But my man, you're stupid. You're dipping your testicles in 554 00:37:36,200 --> 00:37:39,120 Speaker 1: the sauce so like shit is sweet. Sh It ain't sweet. 555 00:37:39,280 --> 00:37:44,000 Speaker 1: You're sick fuck of the week. Sorry, all right, let's 556 00:37:44,040 --> 00:37:47,280 Speaker 1: get to it. Um. I met my man Maceio throughout 557 00:37:47,360 --> 00:37:50,640 Speaker 1: the years as a fan of day Lass Soul. We 558 00:37:50,680 --> 00:37:54,640 Speaker 1: became friends when we were uh doing the tripical Quest documentary. 559 00:37:55,080 --> 00:37:57,080 Speaker 1: If you've never seen Beat Tribes in life, the travels 560 00:37:57,080 --> 00:38:00,000 Speaker 1: of a tripical quest. I'm very proud of that film. Uh. 561 00:38:00,080 --> 00:38:02,239 Speaker 1: May Seo is all up in it. Uh. Day Last 562 00:38:02,280 --> 00:38:04,959 Speaker 1: Soul is one of my favorite groups UH made great 563 00:38:05,040 --> 00:38:10,600 Speaker 1: music for since eighty nine. It is the thirtieth anniversary 564 00:38:10,719 --> 00:38:16,440 Speaker 1: of their classic debut three ft High and Rising, great record, 565 00:38:17,239 --> 00:38:21,680 Speaker 1: iconic record, game changing records, so influential. UM and the 566 00:38:21,719 --> 00:38:24,160 Speaker 1: group put that record out on Tommy Boy and he's 567 00:38:24,200 --> 00:38:26,759 Speaker 1: getting sucked over by Tommy Boy. So my man may 568 00:38:26,800 --> 00:38:29,680 Speaker 1: Seal from Day Last Soul is going to breakdown what's 569 00:38:29,719 --> 00:38:33,000 Speaker 1: going on with Daylight now? What they're up to is 570 00:38:33,040 --> 00:38:36,839 Speaker 1: the peat Rock DJ premier Day Last Soul album Real 571 00:38:37,239 --> 00:38:40,200 Speaker 1: is it happening? And so much more? Maco, what goes on? 572 00:38:40,320 --> 00:38:47,840 Speaker 1: May Ceo? What goes on? Day Last Soul? Coming up next? Alight, 573 00:38:48,320 --> 00:38:52,520 Speaker 1: ma Ceo? What goes on? May Ceo? What goes on? 574 00:38:54,640 --> 00:39:02,040 Speaker 1: Ma Seo? My man, day Las Soul Legends friend, good dude, 575 00:39:03,160 --> 00:39:06,400 Speaker 1: I mean ship, He'd be hard pressed to find somebody 576 00:39:06,440 --> 00:39:10,480 Speaker 1: after thirty plus years in hip hop, who's got anything 577 00:39:10,640 --> 00:39:14,520 Speaker 1: bad to say about? Motherfucking Maceo from Day Lost Soul, 578 00:39:14,640 --> 00:39:17,839 Speaker 1: Let alone, Day Last Soul in general, like you guys 579 00:39:17,840 --> 00:39:23,560 Speaker 1: are loved, respected and just your icons and all this ship. 580 00:39:23,680 --> 00:39:25,279 Speaker 1: But you know we're not gonna do the full day 581 00:39:25,360 --> 00:39:28,759 Speaker 1: Last Old Full ma Seo podcast. I want to hear 582 00:39:28,800 --> 00:39:31,560 Speaker 1: from you, what's going on with day Law? What's going 583 00:39:31,600 --> 00:39:34,880 Speaker 1: on with these motherfucker's from Tommy Boy. It's been a 584 00:39:34,880 --> 00:39:37,000 Speaker 1: lot of stuff in the Internet and stuff like that. 585 00:39:37,680 --> 00:39:40,319 Speaker 1: Can can you give like the bullet points the very 586 00:39:40,680 --> 00:39:44,800 Speaker 1: spoon fed reason why there's so much talk about Daylight 587 00:39:44,920 --> 00:39:48,560 Speaker 1: Tommy Boy in the thirty year anniversary of um Me, 588 00:39:48,680 --> 00:39:53,160 Speaker 1: Myself and I and what's the deal Maze, Well, Mike, 589 00:39:53,719 --> 00:39:58,759 Speaker 1: just as where we are, um We're at the anniversary 590 00:39:58,840 --> 00:40:02,160 Speaker 1: of three set High and ees in. It's a bittersweet 591 00:40:02,200 --> 00:40:08,080 Speaker 1: celebration due to the fact that Tommy Boy has acquired 592 00:40:08,080 --> 00:40:13,040 Speaker 1: the catalog back from Warner Brothers when they due to 593 00:40:13,080 --> 00:40:15,360 Speaker 1: the fact that they lost it in two thousand four 594 00:40:16,520 --> 00:40:19,120 Speaker 1: behind the debt that they owed. And that's it's not 595 00:40:19,239 --> 00:40:24,760 Speaker 1: just the Daylock catalog, the overall time Tommy Boy catalog 596 00:40:26,120 --> 00:40:29,560 Speaker 1: and throughout that time the man people, who else is 597 00:40:29,600 --> 00:40:31,440 Speaker 1: on Tommy Boy? Who who are the some of the 598 00:40:31,440 --> 00:40:34,839 Speaker 1: big acts some Tommy Boy oh oh, to go down 599 00:40:34,880 --> 00:40:40,960 Speaker 1: the lists, Let's say Queen Latifa, naughty Boy, Nature, Digital Underground, 600 00:40:41,760 --> 00:40:48,719 Speaker 1: House of Pain, Slash, Whitey Ford, Um, uh Coolio um 601 00:40:49,680 --> 00:40:55,239 Speaker 1: t k A Information Society. Um. The list goes on. H. 602 00:40:55,600 --> 00:40:58,759 Speaker 1: I mean it's the home of Planet Rock Africa, bad 603 00:40:58,800 --> 00:41:04,880 Speaker 1: bid um Uh Funky for excuse me, jassee five M C. 604 00:41:05,200 --> 00:41:13,040 Speaker 1: Jassey Sensation, Uh foursome these Um there excuse me my 605 00:41:13,320 --> 00:41:15,520 Speaker 1: one of my favorite groups of all time m My 606 00:41:15,760 --> 00:41:20,160 Speaker 1: My Mentor starts the sonica. Alright, so go on it 607 00:41:20,239 --> 00:41:23,480 Speaker 1: and break it down with in regard to day Law. Okay, 608 00:41:23,560 --> 00:41:28,200 Speaker 1: Oh yeah, let's also say uh uh component norieger and 609 00:41:28,440 --> 00:41:33,880 Speaker 1: and Nori's first I Believe first and second album, yeah um, 610 00:41:34,680 --> 00:41:38,360 Speaker 1: which was on Penalty Records, which was a subsidiary of 611 00:41:38,480 --> 00:41:42,440 Speaker 1: Tommy Boy. Um. But yeah, bring it up to speed, 612 00:41:42,560 --> 00:41:46,239 Speaker 1: bring it up to date. Tommy Boy has reacquired the 613 00:41:46,360 --> 00:41:50,759 Speaker 1: catalog back from Water Brothers, and uh look to now 614 00:41:51,280 --> 00:41:56,960 Speaker 1: meet the digital medium that we actually missed throughout We 615 00:41:57,040 --> 00:42:02,440 Speaker 1: actually missed the downlow era throughout the early mid two thousand's. 616 00:42:02,800 --> 00:42:04,959 Speaker 1: When you say missed, you mean what like you guys, 617 00:42:05,280 --> 00:42:07,759 Speaker 1: A lot of day last soul music hasn't been able 618 00:42:07,800 --> 00:42:11,759 Speaker 1: to be downloaded where you're getting profits from it. Correct. No, 619 00:42:12,000 --> 00:42:16,200 Speaker 1: the music has not been up on like everything from 620 00:42:16,360 --> 00:42:20,200 Speaker 1: three feet high and rising to artificial intelligence. Bionics have 621 00:42:20,400 --> 00:42:25,880 Speaker 1: not been on any digital mediums because there were no 622 00:42:26,080 --> 00:42:32,960 Speaker 1: language in the contracts for digital medium. UM. Not on 623 00:42:33,080 --> 00:42:35,640 Speaker 1: our part. Tommy Boys could do with all the artists. 624 00:42:35,680 --> 00:42:38,359 Speaker 1: They could do whatever with the catalog that they want, 625 00:42:38,640 --> 00:42:42,640 Speaker 1: but it was the infractions of the people we sampled 626 00:42:42,719 --> 00:42:47,080 Speaker 1: from UM where they have to now go back and 627 00:42:47,200 --> 00:42:51,440 Speaker 1: recut deals with everybody that we are so basically re 628 00:42:51,560 --> 00:42:56,040 Speaker 1: clearing the album to put it out on that medium. UM, 629 00:42:57,840 --> 00:43:01,560 Speaker 1: some of the infractions are still aren't cleared, so they're 630 00:43:01,600 --> 00:43:07,040 Speaker 1: looking to go streaming it without any proper clearance now. 631 00:43:07,120 --> 00:43:10,400 Speaker 1: At the same time, at the same time, UH, they 632 00:43:10,560 --> 00:43:15,560 Speaker 1: offered us, they offered us a deal based on the 633 00:43:15,680 --> 00:43:21,600 Speaker 1: digital medium, and they made a blatant offer saying, um, 634 00:43:22,239 --> 00:43:25,880 Speaker 1: and I'll be frank. They made a seventy thirty offer 635 00:43:26,680 --> 00:43:30,880 Speaker 1: with a deficit that exists of two million dollars that 636 00:43:31,040 --> 00:43:34,960 Speaker 1: still needs to be recouped UH, which is a blanket 637 00:43:35,040 --> 00:43:38,359 Speaker 1: deficit because it's it falls under the umbrella of all 638 00:43:38,480 --> 00:43:43,879 Speaker 1: the catalog, not just day Lick UM. And they want 639 00:43:45,080 --> 00:43:51,160 Speaker 1: of thet to go back towards recouping the debt um, 640 00:43:51,600 --> 00:43:56,000 Speaker 1: so that leaves us pretty much with ten percent to 641 00:43:56,120 --> 00:44:02,480 Speaker 1: split after after the two million. Yeah, based on I mean, 642 00:44:02,600 --> 00:44:05,120 Speaker 1: you probably had a lawyer figured this out, or accountants 643 00:44:05,160 --> 00:44:07,240 Speaker 1: or something like this, or you know, you know, different 644 00:44:07,320 --> 00:44:09,800 Speaker 1: people that you guys have been talking to, especially recently 645 00:44:09,840 --> 00:44:13,120 Speaker 1: in the music business, and you guys know real quick, 646 00:44:13,200 --> 00:44:17,839 Speaker 1: real quick, real quick. Um, if we don't accept this deal, 647 00:44:18,800 --> 00:44:26,320 Speaker 1: it will result back to contracts eight nine, so on 648 00:44:26,400 --> 00:44:31,279 Speaker 1: and so forth. What if we didn't respond, let me 649 00:44:31,400 --> 00:44:35,480 Speaker 1: not say except but if we didn't respond to the offer, 650 00:44:36,480 --> 00:44:39,359 Speaker 1: so we end up we end up responding. So at 651 00:44:39,440 --> 00:44:42,960 Speaker 1: this very moment, we're just still in limbo because everything 652 00:44:43,120 --> 00:44:47,160 Speaker 1: he's offering is not acceptable. And when you say he, 653 00:44:47,800 --> 00:44:50,960 Speaker 1: you mean the actual Tommy from actual Tommy Boy Records. 654 00:44:50,960 --> 00:44:53,680 Speaker 1: There's an actual person named Tommy from Tommy Boy Records. 655 00:44:54,080 --> 00:44:59,360 Speaker 1: His name was Tom Silverman, Tom fucking Silverman, Yes, fucking 656 00:44:59,440 --> 00:45:03,239 Speaker 1: Tim Still and this motherfucker are or other artists from 657 00:45:03,320 --> 00:45:08,120 Speaker 1: Tommy Boy also dealing with bullshit from Tommy Boy Records. Yeah, 658 00:45:08,640 --> 00:45:10,920 Speaker 1: I mean they have a lot of a lot of them. 659 00:45:11,000 --> 00:45:15,680 Speaker 1: Have they grasps about this situation? Um, some really didn't 660 00:45:15,719 --> 00:45:20,040 Speaker 1: give a funk. Some some didn't care, you know, like 661 00:45:20,239 --> 00:45:24,280 Speaker 1: like for instance, Latifa didn't really care because she hasn't 662 00:45:24,800 --> 00:45:28,759 Speaker 1: she doesn't have a large catalog with Tommy Boy. Her 663 00:45:28,960 --> 00:45:32,879 Speaker 1: focus is not music, you know, her real money ain't 664 00:45:32,920 --> 00:45:38,680 Speaker 1: even music, you know. Um, although she made really three 665 00:45:38,760 --> 00:45:42,440 Speaker 1: great albums and her best album in my opinion, is 666 00:45:42,520 --> 00:45:45,600 Speaker 1: with Motown. You know, when she decided to even move 667 00:45:45,719 --> 00:45:49,759 Speaker 1: further on into her her acting career, you know, how 668 00:45:49,880 --> 00:45:52,520 Speaker 1: much money? Do you know? How much money because of 669 00:45:52,640 --> 00:45:55,600 Speaker 1: this limbo and because of missing out on the digital 670 00:45:55,719 --> 00:45:59,640 Speaker 1: age and the downloading, and I would imagine it even 671 00:45:59,719 --> 00:46:02,840 Speaker 1: goes into uh like the the music being able to 672 00:46:02,880 --> 00:46:05,239 Speaker 1: be cleared for movies and commercials and all this ship. 673 00:46:05,280 --> 00:46:07,399 Speaker 1: Do you have any idea, how like estimate how much 674 00:46:07,440 --> 00:46:12,600 Speaker 1: money day lass Sole has lost out on. I don't 675 00:46:12,800 --> 00:46:18,280 Speaker 1: quite know that number. Um, But what I when I reflect, 676 00:46:18,800 --> 00:46:22,600 Speaker 1: but what I reflect on people like my comrades let alone, 677 00:46:22,800 --> 00:46:26,360 Speaker 1: you know, and here it is, you know, I consider 678 00:46:26,400 --> 00:46:31,360 Speaker 1: her a comrade. Although I came before her, um, Mr Elliott. 679 00:46:32,080 --> 00:46:37,000 Speaker 1: She had a moment when uh work it was maybe 680 00:46:37,120 --> 00:46:39,640 Speaker 1: like I don't know, it had to been like already 681 00:46:39,800 --> 00:46:42,120 Speaker 1: fifteen years in the market. But when she actually did 682 00:46:42,160 --> 00:46:47,160 Speaker 1: a performance I believe it was for the uh halftime 683 00:46:47,239 --> 00:46:51,319 Speaker 1: and on a super Bowl or something like that. Uh 684 00:46:52,040 --> 00:46:57,360 Speaker 1: Mrs Donalod Cells went through the roof for working and 685 00:46:57,480 --> 00:47:00,520 Speaker 1: then fast forward to the performance we had at the 686 00:47:00,600 --> 00:47:05,960 Speaker 1: White House. I I was reflecting on how well our 687 00:47:06,040 --> 00:47:08,360 Speaker 1: music could have done based on the performance we did 688 00:47:08,440 --> 00:47:12,320 Speaker 1: o b et regarding Obama. You know, you you you 689 00:47:12,840 --> 00:47:16,879 Speaker 1: you look at these templates of of your people who 690 00:47:16,920 --> 00:47:21,239 Speaker 1: are doing certain things in conjunction to what you do 691 00:47:22,160 --> 00:47:26,000 Speaker 1: and what you should be doing, and you begin to reflect, like, damn, 692 00:47:26,719 --> 00:47:29,359 Speaker 1: We'll just imagine how much I would have made if 693 00:47:29,440 --> 00:47:32,600 Speaker 1: me and myself and I, you know, behind me, myself 694 00:47:32,640 --> 00:47:35,640 Speaker 1: and I after the performance with the Roots or at 695 00:47:35,680 --> 00:47:39,080 Speaker 1: the White House, you know, you know, and it's been 696 00:47:39,239 --> 00:47:43,919 Speaker 1: all other moments like that. Look look how much Look 697 00:47:43,960 --> 00:47:47,359 Speaker 1: how much I would have made based on my stint 698 00:47:47,480 --> 00:47:52,920 Speaker 1: with the Gorillas all this time? Right, So I missed 699 00:47:52,960 --> 00:47:56,200 Speaker 1: a whole new audience that actually had the opportunity to 700 00:47:56,320 --> 00:47:59,719 Speaker 1: get my music, you know, based on the mediums they 701 00:48:00,000 --> 00:48:03,640 Speaker 1: all of them. And yeah, that's a lot of pain 702 00:48:03,719 --> 00:48:07,160 Speaker 1: and suffering, that's a lot of you know, and you know, 703 00:48:07,360 --> 00:48:09,520 Speaker 1: like I said earlier, you know, like I consider you 704 00:48:09,600 --> 00:48:11,719 Speaker 1: a friend and you you know, like you'd be hard 705 00:48:11,760 --> 00:48:14,440 Speaker 1: pressed to find anybody that got any anything bad to 706 00:48:14,480 --> 00:48:18,520 Speaker 1: say about uh you, Dave or pause like you guys 707 00:48:18,560 --> 00:48:22,160 Speaker 1: have loved, your respected your good dudes. You've been you 708 00:48:22,239 --> 00:48:26,440 Speaker 1: know what you've accomplished. It speaks for itself. But but 709 00:48:26,760 --> 00:48:29,520 Speaker 1: and also you're one of the only groups in hip 710 00:48:29,560 --> 00:48:33,799 Speaker 1: hop that never stopped rocking. You did ship with Gorillas. 711 00:48:34,160 --> 00:48:36,319 Speaker 1: You know, everybody is dip, but day lass Ole never 712 00:48:36,600 --> 00:48:39,239 Speaker 1: never broke up. I mean, you know, you need no 713 00:48:39,560 --> 00:48:42,960 Speaker 1: fucking introduction, and and it's it's disappointing and it's frustrating 714 00:48:43,000 --> 00:48:45,680 Speaker 1: because you guys are such good guys and such, and 715 00:48:45,800 --> 00:48:47,840 Speaker 1: you make these deals when you're young, and you do 716 00:48:48,040 --> 00:48:50,080 Speaker 1: this stuff when you were fucking hell old you sixteen, 717 00:48:50,160 --> 00:48:54,080 Speaker 1: seventeen years old, Mike. I was seventeen when I got 718 00:48:54,120 --> 00:48:59,160 Speaker 1: my first contract pretty much, um eighteen on nineteen going 719 00:48:59,239 --> 00:49:04,360 Speaker 1: into the workings of three feet high horizon. Um. You know, 720 00:49:04,600 --> 00:49:08,280 Speaker 1: even at that time, we we we we had our lawyer. 721 00:49:08,600 --> 00:49:11,440 Speaker 1: You know here it is even in this day and age, 722 00:49:11,640 --> 00:49:15,280 Speaker 1: you know, we could read the contracts back and forth 723 00:49:15,360 --> 00:49:17,680 Speaker 1: back to front all day. But at the end of 724 00:49:17,719 --> 00:49:20,040 Speaker 1: the day, I'm still no lawyer. When I'm out of 725 00:49:20,239 --> 00:49:23,480 Speaker 1: when I'm out of stunt, stumbling block of legal jargon 726 00:49:23,640 --> 00:49:26,840 Speaker 1: that I don't quite understand. I need to lean on 727 00:49:26,960 --> 00:49:29,920 Speaker 1: this person that's supposed to be on my team, that 728 00:49:30,080 --> 00:49:34,000 Speaker 1: I pay hourly, you know, to to look after my 729 00:49:34,160 --> 00:49:38,239 Speaker 1: best interests, you know. And then when you begin to 730 00:49:38,400 --> 00:49:45,040 Speaker 1: find out that the music business, like the NFL is 731 00:49:45,239 --> 00:49:49,839 Speaker 1: almost it's like the good old boys club. Every everybody's 732 00:49:49,880 --> 00:49:56,080 Speaker 1: down with each other, you know. And my first my 733 00:49:56,239 --> 00:49:59,640 Speaker 1: first attorney wasn't quite on my team, and I didn't 734 00:49:59,719 --> 00:50:03,520 Speaker 1: learn until a little later. I didn't learn that untune, 735 00:50:03,719 --> 00:50:06,920 Speaker 1: you know, I had got some new representation far as 736 00:50:07,920 --> 00:50:12,120 Speaker 1: business management, who was at the time was Burt Fidell. 737 00:50:12,600 --> 00:50:17,200 Speaker 1: You know, May he rest in peace. Um. But learning 738 00:50:17,320 --> 00:50:23,160 Speaker 1: my learning my attorney's position going into my second album 739 00:50:23,960 --> 00:50:28,960 Speaker 1: and then having to uh reiterate couldn't quite really dissolve 740 00:50:29,040 --> 00:50:33,640 Speaker 1: the relationship right away, had to just reiterate the business 741 00:50:33,680 --> 00:50:38,120 Speaker 1: structure in our relationship. But then also learning that very 742 00:50:38,239 --> 00:50:42,919 Speaker 1: same attorney had been in a relationship with Tommy Boy 743 00:50:43,000 --> 00:50:47,359 Speaker 1: for some time. I got you, I got you. That's 744 00:50:47,400 --> 00:50:51,160 Speaker 1: some fucking bullshit, man, And that that attorney had that 745 00:50:51,320 --> 00:50:55,200 Speaker 1: attorney had represented us, you know, not just us, but 746 00:50:55,360 --> 00:50:58,520 Speaker 1: represented BDP at one time, represented Steps of Sonic at 747 00:50:58,560 --> 00:51:01,719 Speaker 1: one time, Prince Paul all directly at one time. You 748 00:51:01,840 --> 00:51:04,719 Speaker 1: know here it is. You can never really put your 749 00:51:04,760 --> 00:51:09,959 Speaker 1: finger on it, but it's quite obvious that cocksuckers double 750 00:51:10,040 --> 00:51:14,280 Speaker 1: dipping whom I wanted to say, double dipping, but definitely 751 00:51:14,360 --> 00:51:17,520 Speaker 1: making it more favorable to the label to convince us 752 00:51:17,560 --> 00:51:20,560 Speaker 1: to sign something that's not good for us, right, not 753 00:51:20,719 --> 00:51:23,799 Speaker 1: looking out for day Lass, not looking at at our 754 00:51:23,880 --> 00:51:27,160 Speaker 1: best interest. So me, since it's me, myself and I 755 00:51:27,400 --> 00:51:30,400 Speaker 1: thirtieth anniversary, which is crazy to believe that it's thirty 756 00:51:30,840 --> 00:51:33,160 Speaker 1: years ago. I'm sure it bugs you the fuck out. 757 00:51:34,600 --> 00:51:36,960 Speaker 1: What are you guys doing to celebrate? What are you 758 00:51:37,040 --> 00:51:39,680 Speaker 1: guys doing for the fans? What are you guys doing 759 00:51:39,800 --> 00:51:42,399 Speaker 1: for the group that is thirty years And I've heard 760 00:51:42,520 --> 00:51:48,399 Speaker 1: rumors about Pete Rock Premier day Lass Soul record. Well 761 00:51:48,480 --> 00:51:51,640 Speaker 1: do you have it? We um we got this record 762 00:51:51,719 --> 00:51:54,879 Speaker 1: coming with Pete and Primo. That's gonna be really great, 763 00:51:55,080 --> 00:51:58,560 Speaker 1: great for the culture, you know, great, I think, just 764 00:51:58,719 --> 00:52:01,440 Speaker 1: great for us in general. And then we also have 765 00:52:02,040 --> 00:52:06,719 Speaker 1: uh Artificial Intelligence Part three. The fans have been looking 766 00:52:06,800 --> 00:52:10,359 Speaker 1: for that and we've figured out a way to make 767 00:52:10,440 --> 00:52:13,520 Speaker 1: the record possible because it's a it is a record 768 00:52:13,600 --> 00:52:16,400 Speaker 1: that is deemed to be highly sampled based, you know, 769 00:52:17,320 --> 00:52:21,879 Speaker 1: So we we figured that solution out to be able 770 00:52:21,920 --> 00:52:25,920 Speaker 1: to put that record out and fulfill the commitment of 771 00:52:26,000 --> 00:52:29,680 Speaker 1: the trilogy. But yo, we we still love making music, 772 00:52:29,880 --> 00:52:33,200 Speaker 1: so and not and nothing change. I mean, obviously we're 773 00:52:33,200 --> 00:52:36,880 Speaker 1: go on tour and and celebrate with the fans, you know, 774 00:52:37,040 --> 00:52:40,000 Speaker 1: because here it is. When it was the twentieth anniversary, 775 00:52:40,120 --> 00:52:42,360 Speaker 1: we went out and celebrated and we had nothing on 776 00:52:42,480 --> 00:52:46,560 Speaker 1: the digital medium at all, but we did God on 777 00:52:46,640 --> 00:52:49,000 Speaker 1: a huge tour, so we looked to do the same thing. 778 00:52:49,520 --> 00:52:52,160 Speaker 1: We got a tour coming up with UM call the 779 00:52:52,239 --> 00:52:55,960 Speaker 1: God's a Rat, which we're celebrating with Wu Tang that 780 00:52:56,120 --> 00:53:00,320 Speaker 1: their twenty anniversary of thirty six Chambers public and these 781 00:53:00,640 --> 00:53:04,640 Speaker 1: um celebration of Uh. It takes a nation of million 782 00:53:04,960 --> 00:53:09,160 Speaker 1: to hold us back. Uh. I think that that's their 783 00:53:09,280 --> 00:53:13,040 Speaker 1: thirty anniversary and then our thirty of anniversary, so we're 784 00:53:13,080 --> 00:53:16,759 Speaker 1: celebrating it together. Um. It started with three shows that 785 00:53:16,880 --> 00:53:21,359 Speaker 1: now it's up to about eleven shows and and still 786 00:53:22,320 --> 00:53:25,960 Speaker 1: in counting, like right now we're starting overseas and then 787 00:53:25,960 --> 00:53:28,680 Speaker 1: we're working our way over to the US and we 788 00:53:29,400 --> 00:53:34,040 Speaker 1: got some dates on the West coast and and Eric Eric, 789 00:53:34,160 --> 00:53:36,520 Speaker 1: me and rock Chairman from US not I was supposed 790 00:53:36,520 --> 00:53:38,200 Speaker 1: to be upont a couple of these dates, A couple 791 00:53:38,280 --> 00:53:44,080 Speaker 1: of these dates, dope and what about what can fans do? Support? 792 00:53:44,120 --> 00:53:47,600 Speaker 1: As a day Lass sol to try to help with 793 00:53:47,760 --> 00:53:50,520 Speaker 1: this Tommy Boys situation, like what what can I do? 794 00:53:50,680 --> 00:53:53,400 Speaker 1: Who can I talk to? Who can the fans talk to? 795 00:53:53,640 --> 00:53:57,839 Speaker 1: Who's the hashtag? What can what can we do? At 796 00:53:57,920 --> 00:54:01,160 Speaker 1: this moment in time? All I can say is, yo, 797 00:54:02,840 --> 00:54:07,040 Speaker 1: don't nobody press play on the digital don't go to 798 00:54:07,160 --> 00:54:11,120 Speaker 1: the streaming site, and don't press play if the music 799 00:54:11,280 --> 00:54:17,560 Speaker 1: is up there, don't press play. If you did you 800 00:54:17,640 --> 00:54:20,800 Speaker 1: press play. The minute you press play is the minute 801 00:54:20,840 --> 00:54:23,520 Speaker 1: the second they get paid, not even the minute. The 802 00:54:23,600 --> 00:54:27,080 Speaker 1: second the second you press play is the second they 803 00:54:27,120 --> 00:54:31,879 Speaker 1: get paid. And you know the deal is completely unfavorable. 804 00:54:32,280 --> 00:54:36,960 Speaker 1: It's unfair. You know, we've been doing business. Tommy Boy folded. 805 00:54:37,520 --> 00:54:40,800 Speaker 1: Let's let me let me be clear. Tommy Boy folded 806 00:54:41,600 --> 00:54:46,720 Speaker 1: in two thousand three, and we were in the middle 807 00:54:46,800 --> 00:54:51,640 Speaker 1: of bionics when that happened. He didn't have the decency 808 00:54:51,719 --> 00:54:54,239 Speaker 1: to even come sit down with us to tell us 809 00:54:54,320 --> 00:54:57,879 Speaker 1: things were over. There was no succession plan in place 810 00:54:58,000 --> 00:55:01,680 Speaker 1: for day Line the and he was over, I could 811 00:55:01,719 --> 00:55:04,719 Speaker 1: have deemed my career being over. So I had to 812 00:55:04,960 --> 00:55:09,560 Speaker 1: figure it out along with my two brothers and sustained 813 00:55:10,360 --> 00:55:13,239 Speaker 1: what we've been able to sustain thus far for it 814 00:55:13,360 --> 00:55:19,840 Speaker 1: to even be a thirtieth anniversary celebration, so and and 815 00:55:20,040 --> 00:55:22,880 Speaker 1: and and in lieu of business, in lieu of business 816 00:55:24,160 --> 00:55:28,239 Speaker 1: ever since, Tommy boy, I've done nothing less than a 817 00:55:28,360 --> 00:55:34,360 Speaker 1: fifty fifty partnership or better. And that's real talk. I 818 00:55:34,440 --> 00:55:38,359 Speaker 1: can show you those documentations. Why would I go back 819 00:55:38,520 --> 00:55:43,279 Speaker 1: in a relationship less than what I'm worth today? And 820 00:55:43,440 --> 00:55:46,840 Speaker 1: based and based on the infraction that exists that it 821 00:55:46,920 --> 00:55:49,279 Speaker 1: had to come to this, that it had to come 822 00:55:49,320 --> 00:55:52,439 Speaker 1: to this at this point. Now, yeah, he could take 823 00:55:52,840 --> 00:55:55,520 Speaker 1: the offer on the table and shove it up his 824 00:55:55,719 --> 00:55:58,919 Speaker 1: ass and really come to the table and let's talk 825 00:55:59,080 --> 00:56:02,839 Speaker 1: partnership and ownership now, because that's the real end game. 826 00:56:03,040 --> 00:56:06,000 Speaker 1: And listen, Tommy, you, you fuck you. You've made enough 827 00:56:06,080 --> 00:56:09,120 Speaker 1: money off day Lass Sol, you cock sucker, you you 828 00:56:09,280 --> 00:56:11,400 Speaker 1: fuck them when they were kids. Now you still like 829 00:56:11,680 --> 00:56:13,919 Speaker 1: you want to keep trying to fucking when you're grown ups. 830 00:56:14,120 --> 00:56:17,799 Speaker 1: It's not fucking happening. Nobody's downloading the fucking music if 831 00:56:17,840 --> 00:56:20,400 Speaker 1: you want to listen to fucking Day Loss Sol fucking 832 00:56:20,480 --> 00:56:23,600 Speaker 1: bootleg the ship, or go to the store and buy 833 00:56:23,680 --> 00:56:26,200 Speaker 1: the CD the old fashioned way. Or we just wait 834 00:56:26,320 --> 00:56:28,359 Speaker 1: till he gets figured out. We fucking wait him out. 835 00:56:28,719 --> 00:56:32,319 Speaker 1: Smoke them the funk out, yo. Man, He's totally disrespected 836 00:56:32,360 --> 00:56:36,920 Speaker 1: our legacy. He's totally disrespected as as people you know, 837 00:56:38,080 --> 00:56:41,640 Speaker 1: and and and let alone the people that actually made 838 00:56:41,719 --> 00:56:44,799 Speaker 1: him a lot of money. I didn't I didn't mess 839 00:56:44,880 --> 00:56:48,480 Speaker 1: up this catalog. He did. He chose not to clear 840 00:56:48,560 --> 00:56:52,320 Speaker 1: samples in the past, and he's actually choosing not to 841 00:56:52,400 --> 00:56:57,920 Speaker 1: clear him this time around. You know, he truly has said, uh, 842 00:56:58,480 --> 00:57:00,600 Speaker 1: he'll deal with the sample and choose the way he 843 00:57:00,680 --> 00:57:02,920 Speaker 1: has dealt with him in the past, which is if 844 00:57:03,000 --> 00:57:06,000 Speaker 1: somebody come out the woodworks, we would have to settle. 845 00:57:06,600 --> 00:57:11,440 Speaker 1: That's that should not be my problem from here on out. 846 00:57:12,200 --> 00:57:15,920 Speaker 1: That phantom deficit should not be my problem. When I 847 00:57:16,040 --> 00:57:19,240 Speaker 1: had the opportunity to recoup, we should have had the 848 00:57:19,280 --> 00:57:23,640 Speaker 1: opportunity to recoup, but due to him losing the catalog, 849 00:57:23,800 --> 00:57:28,160 Speaker 1: we didn't it's fucking thirty years ago, and and it's 850 00:57:28,200 --> 00:57:32,800 Speaker 1: an unknown debt because it's grouped in with everybody's catalog, 851 00:57:33,160 --> 00:57:34,720 Speaker 1: So you don't know, I don't really know what I 852 00:57:34,800 --> 00:57:39,000 Speaker 1: really owe? Right, what makes yo? When you get to 853 00:57:39,160 --> 00:57:41,760 Speaker 1: l A, let me know, uh what's up? We could 854 00:57:41,760 --> 00:57:45,040 Speaker 1: get food and uh, you know you have my support 855 00:57:45,120 --> 00:57:48,040 Speaker 1: top to bottom. I'm encourage everybody that listens to me, listen, 856 00:57:48,760 --> 00:57:52,200 Speaker 1: don't trush, play, don't place they don't trust, prate to 857 00:57:52,320 --> 00:57:54,480 Speaker 1: this thing that is resolved. Y'all want to pick up 858 00:57:54,560 --> 00:57:57,560 Speaker 1: you always man for you know, letting it be known. 859 00:57:58,080 --> 00:58:01,640 Speaker 1: You know, the foul ship that just goes on, man, 860 00:58:02,240 --> 00:58:05,160 Speaker 1: you know, on everybody's front. You know what I'm saying, 861 00:58:05,320 --> 00:58:08,080 Speaker 1: no doubt I'm talking Silverman to Donald Trump. You know 862 00:58:08,080 --> 00:58:12,840 Speaker 1: what I'm saying, them both they probably they're probably friends, 863 00:58:13,840 --> 00:58:16,680 Speaker 1: you know. Um at the end of the day, you know, 864 00:58:16,840 --> 00:58:20,120 Speaker 1: big up to hip hop culture because this is our thing. Mike. 865 00:58:21,040 --> 00:58:24,760 Speaker 1: You know what I'm saying, You're You're a pillar this ship, Yo, 866 00:58:24,920 --> 00:58:28,440 Speaker 1: But I'm saying, this is our thing, including you, including you, 867 00:58:29,280 --> 00:58:34,280 Speaker 1: you know, and these people, these so these voters they 868 00:58:34,360 --> 00:58:38,760 Speaker 1: gotta go now, they gotta go either either they gotta 869 00:58:38,800 --> 00:58:42,000 Speaker 1: pay the true respect and homage or they got to go. 870 00:58:42,920 --> 00:58:46,400 Speaker 1: They gotta go. And you know, he's gotten lucky his 871 00:58:46,480 --> 00:58:49,200 Speaker 1: whole career because he's been able to stand next to 872 00:58:49,320 --> 00:58:53,040 Speaker 1: people like Van Boa and even then still be unfair. 873 00:58:53,320 --> 00:58:57,040 Speaker 1: That's some bullshit, man, that's crazy. Times have change. We 874 00:58:57,160 --> 00:59:00,080 Speaker 1: need to make change. Hopefully like at some point this 875 00:59:00,160 --> 00:59:03,080 Speaker 1: can go to legislation and change it from you know, 876 00:59:03,560 --> 00:59:05,880 Speaker 1: like Dave said, we don't mind being a litmus test 877 00:59:05,960 --> 00:59:09,840 Speaker 1: for what what the change needs to be? Good? Good, 878 00:59:10,680 --> 00:59:14,080 Speaker 1: whatever I could do, Mason support, I'm down fresh playing 879 00:59:14,320 --> 00:59:17,400 Speaker 1: and let everybody else don't. Don't press play until further notice, 880 00:59:17,800 --> 00:59:20,960 Speaker 1: all right, macee yo, let me know when you're coming 881 00:59:21,000 --> 00:59:22,760 Speaker 1: to l A and and stay in touch with me, 882 00:59:22,840 --> 00:59:24,520 Speaker 1: my bro, and tell the family. I said, what's up, 883 00:59:26,160 --> 00:59:28,320 Speaker 1: Macy o, my man, I'll talk to you later, my bro. 884 00:59:29,080 --> 00:59:33,240 Speaker 1: Love you, broth love you all right. There you have it. 885 00:59:33,400 --> 00:59:39,160 Speaker 1: Do not press play. Do not download on iTunes, Spotify, 886 00:59:39,720 --> 00:59:44,480 Speaker 1: title wherever you stream music legally. Do not download Day 887 00:59:44,560 --> 00:59:48,240 Speaker 1: Lost Soul music until this is cleared up. Fund the 888 00:59:48,320 --> 00:59:52,080 Speaker 1: record label. Fuck Tommy boy, Tommy Ain't our fucking boy. 889 00:59:52,840 --> 00:59:56,320 Speaker 1: Macio from Day Loss Soul Love this guy, good dude, 890 00:59:56,600 --> 01:00:01,840 Speaker 1: good family, good father, iconic DJ rate musician. Do not 891 01:00:02,120 --> 01:00:06,800 Speaker 1: press play on official streaming of of any day last 892 01:00:06,840 --> 01:00:09,880 Speaker 1: soul music fuck until this gets worked out. That's it. 893 01:00:10,000 --> 01:00:14,120 Speaker 1: I'm done. So I am Rapports Stereo Podcast. Okay, uh, 894 01:00:14,520 --> 01:00:17,160 Speaker 1: you know where to find me at Michael Rappaport at 895 01:00:17,280 --> 01:00:20,480 Speaker 1: I Am Rappaport, Miles Jordan, take us out of here 896 01:00:20,480 --> 01:00:23,160 Speaker 1: with something real nice, some real proper, but most importantly, 897 01:00:23,320 --> 01:00:27,000 Speaker 1: oh yes, you know, yes, something real funky. I'm done.