1 00:00:05,800 --> 00:00:15,080 Speaker 1: So I'm at Petco getting a bath and a shampoo 2 00:00:15,120 --> 00:00:22,079 Speaker 1: and all that. And but to the people that say 3 00:00:22,120 --> 00:00:24,120 Speaker 1: that that's a bad way to get a bath, I've 4 00:00:24,160 --> 00:00:27,240 Speaker 1: seen the kind of like showers that they take these 5 00:00:27,240 --> 00:00:30,760 Speaker 1: other people where the water just falls on you. Do 6 00:00:30,840 --> 00:00:31,560 Speaker 1: you know about this? 7 00:00:33,440 --> 00:00:38,839 Speaker 2: Yeah, well yeah, again, I've seen a lot of diagrams. 8 00:00:38,960 --> 00:00:40,920 Speaker 2: I obviously can't get wet right. 9 00:00:40,840 --> 00:00:43,239 Speaker 1: Now just because of my sure, yes, yes, no, I 10 00:00:43,320 --> 00:00:45,600 Speaker 1: just know if you know about it. Have you seen 11 00:00:45,680 --> 00:00:47,680 Speaker 1: these things where people take a shower and the water 12 00:00:47,760 --> 00:00:50,479 Speaker 1: is falling on them and nobody's controlling where it goes, 13 00:00:50,560 --> 00:00:54,200 Speaker 1: and nobody can cut the knots out of their hair. 14 00:00:54,480 --> 00:00:58,640 Speaker 1: So it's a joke. These other showers are a joke. 15 00:00:59,560 --> 00:01:03,520 Speaker 2: Yeah, it's a sick joke. I'm so sorry I if 16 00:01:03,560 --> 00:01:06,880 Speaker 2: I have trouble hearing you at all. It's just I 17 00:01:06,920 --> 00:01:10,680 Speaker 2: thought that I would be surfaced by now, but we're 18 00:01:10,760 --> 00:01:13,960 Speaker 2: still on the submarine mission and we're still looking for 19 00:01:14,000 --> 00:01:14,840 Speaker 2: the Russian sub. 20 00:01:15,040 --> 00:01:17,160 Speaker 1: So, yeah, you did say that you were going to 21 00:01:17,200 --> 00:01:21,720 Speaker 1: be surfaced by now. I think you said you said 22 00:01:21,720 --> 00:01:22,399 Speaker 1: you're going to find it. 23 00:01:22,400 --> 00:01:25,160 Speaker 2: Really, he's gotten very clever, and. 24 00:01:24,680 --> 00:01:26,199 Speaker 1: You said you were going to find it really fast 25 00:01:26,200 --> 00:01:28,319 Speaker 1: in the depth. You said it was going to be 26 00:01:28,319 --> 00:01:30,759 Speaker 1: the fastest anyone ever found it. 27 00:01:32,600 --> 00:01:34,880 Speaker 2: Yeah, yeah, and I thought that it would be, and 28 00:01:34,959 --> 00:01:39,600 Speaker 2: it still could be. But it's just not as easy 29 00:01:39,640 --> 00:01:42,720 Speaker 2: to drive these things as I thought. Yeah, I thought 30 00:01:42,720 --> 00:01:44,800 Speaker 2: they were going to be like bumper cars, because they 31 00:01:44,840 --> 00:01:47,920 Speaker 2: do have the thing sticking up and hooked and that 32 00:01:48,000 --> 00:01:52,360 Speaker 2: actually is a looking thing and not a uh sort 33 00:01:52,400 --> 00:01:53,320 Speaker 2: of steering thing. 34 00:01:53,560 --> 00:01:54,960 Speaker 3: Yeah. 35 00:01:55,120 --> 00:01:55,760 Speaker 2: Do you know that? 36 00:01:56,240 --> 00:01:58,200 Speaker 1: I don't know. I believe you when you tell me 37 00:01:58,280 --> 00:01:58,760 Speaker 1: these things. 38 00:02:00,240 --> 00:02:03,320 Speaker 2: Yeah. So the driving of this has not been easy. 39 00:02:04,080 --> 00:02:06,000 Speaker 2: I mostly have made it sync. 40 00:02:07,280 --> 00:02:13,160 Speaker 1: And and it sounded like a big bubble there, hurt 41 00:02:13,960 --> 00:02:15,840 Speaker 1: you did you just run into a big bubble? It 42 00:02:15,960 --> 00:02:18,840 Speaker 1: sounded like you the submarine just ran into a huge bubble. 43 00:02:19,919 --> 00:02:23,080 Speaker 2: Yeah, it was a really big bubble. And now we 44 00:02:23,320 --> 00:02:27,240 Speaker 2: are Yeah, this is what I was afraid of. Okay, 45 00:02:27,480 --> 00:02:28,880 Speaker 2: Davy Jones is coming aboard. 46 00:02:29,440 --> 00:02:31,720 Speaker 1: Oh yeah, okay, he's going to want you to pay 47 00:02:32,760 --> 00:02:36,360 Speaker 1: the ocean tax. Can I finish my story? 48 00:02:37,200 --> 00:02:37,480 Speaker 4: Sure? 49 00:02:37,560 --> 00:02:38,240 Speaker 2: Yeah? Whatever. 50 00:02:38,440 --> 00:02:41,320 Speaker 1: So I've got a bath. Dan is there, dank whale. 51 00:02:42,200 --> 00:02:46,799 Speaker 1: He the guy, The guy who's giving me a bath 52 00:02:46,919 --> 00:02:48,880 Speaker 1: is like springing with him with the host sometimes because 53 00:02:48,880 --> 00:02:50,520 Speaker 1: he like he says he doesn't like it, but he's 54 00:02:50,560 --> 00:02:54,520 Speaker 1: like laughing, he does like it, and he does also know. 55 00:02:55,240 --> 00:02:57,079 Speaker 1: Can I just say this is something about this dank 56 00:02:57,120 --> 00:02:59,120 Speaker 1: well thing? When is he ever going to need to 57 00:02:59,160 --> 00:03:04,200 Speaker 1: know how to spell when he's being the president's friend 58 00:03:04,280 --> 00:03:05,560 Speaker 1: or whatever? You know what I mean. 59 00:03:07,800 --> 00:03:10,720 Speaker 2: Yeah, that's one of the last things I'm worried about 60 00:03:10,760 --> 00:03:14,320 Speaker 2: in terms of the government, is like, I don't need 61 00:03:14,360 --> 00:03:16,560 Speaker 2: you to be able to spell something that's already on 62 00:03:16,680 --> 00:03:17,840 Speaker 2: the menu written for you. 63 00:03:18,440 --> 00:03:19,880 Speaker 1: Yes, it's already on a menu. 64 00:03:21,120 --> 00:03:24,440 Speaker 2: Yeah, Like you don't have to write it down to 65 00:03:24,600 --> 00:03:28,000 Speaker 2: order potato. You just say it or just point even. 66 00:03:28,240 --> 00:03:35,480 Speaker 1: Yeah. So anyway, I had a lip in, yeah, because 67 00:03:35,520 --> 00:03:38,040 Speaker 1: well I'm gonna hit the bath and so he him 68 00:03:38,120 --> 00:03:45,840 Speaker 1: laughing is like kind of making me laugh and so infectious, Yes, infectious. 69 00:03:45,880 --> 00:03:47,840 Speaker 1: And so I open my mouth because I'm laughing, but 70 00:03:47,880 --> 00:03:50,040 Speaker 1: I have a lip in, and the water gets kind 71 00:03:50,080 --> 00:03:52,240 Speaker 1: of blasted in my mouth and it's kind of it 72 00:03:52,400 --> 00:03:56,320 Speaker 1: kind of shoots the dip what was it, I think 73 00:03:56,360 --> 00:04:03,600 Speaker 1: it was cope, hickory, And so it gets coming yes, okay, 74 00:04:04,280 --> 00:04:09,960 Speaker 1: and so it gets kind of blasted down my throat. 75 00:04:08,480 --> 00:04:11,840 Speaker 2: And straight out of your butt or what No. 76 00:04:12,000 --> 00:04:14,560 Speaker 1: Sort of back up through my sinuses, and so then 77 00:04:14,560 --> 00:04:17,160 Speaker 1: it's kind of like sitting in my s the wrong way, 78 00:04:17,240 --> 00:04:19,120 Speaker 1: and so I'm sort of accidental. I'm like, kind of 79 00:04:19,160 --> 00:04:21,080 Speaker 1: it's sort of sitting right under my brain. I can 80 00:04:21,120 --> 00:04:23,360 Speaker 1: sort of feel the cope fumes. 81 00:04:23,440 --> 00:04:25,680 Speaker 2: I had happened. But I got lucky, and it's just 82 00:04:26,000 --> 00:04:27,839 Speaker 2: be sure. They shut the water in my throat, but 83 00:04:27,920 --> 00:04:29,479 Speaker 2: the lip just came straight out my butt. 84 00:04:30,000 --> 00:04:32,200 Speaker 1: Oh okay, but this was when you could get wet. 85 00:04:34,640 --> 00:04:37,400 Speaker 2: Oh well, no, that's a great that's a great point. 86 00:04:37,520 --> 00:04:39,920 Speaker 2: By the way, I'm so nervous being in the submarine. 87 00:04:40,000 --> 00:04:42,760 Speaker 2: I'm just so nervous about getting out because I feel 88 00:04:42,800 --> 00:04:48,040 Speaker 2: like I'm going to get wet. But yeah, no, I 89 00:04:48,080 --> 00:04:49,800 Speaker 2: wasn't able to get wet. But that was when I 90 00:04:49,800 --> 00:04:54,960 Speaker 2: still had that suit. If you remember, I got sort 91 00:04:54,960 --> 00:04:56,920 Speaker 2: of shrink wrapped in Uh. 92 00:04:58,320 --> 00:04:59,120 Speaker 4: What are those. 93 00:05:00,839 --> 00:05:03,760 Speaker 1: Like a latex bubble when you like climb inside the 94 00:05:03,839 --> 00:05:08,240 Speaker 1: latext bubble and then they suck all the air out. 95 00:05:08,839 --> 00:05:13,240 Speaker 2: Yeah, that's exactly what I'm picturing, is what happened to me. Yeah, 96 00:05:13,279 --> 00:05:14,960 Speaker 2: and then I just put a straw out my nose. 97 00:05:15,160 --> 00:05:17,280 Speaker 1: Hey, welcome to Hollywood Handbook and Insider. This guide to 98 00:05:17,320 --> 00:05:19,320 Speaker 1: kicking button dropping names in the red carpet line back 99 00:05:19,320 --> 00:05:22,000 Speaker 1: hallways of this industry we call showbiz. We're doing ken 100 00:05:22,000 --> 00:05:23,360 Speaker 1: you get off your phone please, We're just going to 101 00:05:23,400 --> 00:05:25,760 Speaker 1: do the show up. Thanks. Thanks, you know, we're just 102 00:05:25,800 --> 00:05:26,479 Speaker 1: going to start though. 103 00:05:27,560 --> 00:05:30,040 Speaker 2: Is your brain oh, I'm sorry, Is your brain okay? Because? 104 00:05:30,160 --> 00:05:32,480 Speaker 2: Or is this? Is the lip still in there? 105 00:05:32,680 --> 00:05:35,880 Speaker 1: It is still in there, but it's good. Like now, 106 00:05:37,480 --> 00:05:40,320 Speaker 1: it's like I'm smelling and tasting the hickory all the 107 00:05:40,360 --> 00:05:42,799 Speaker 1: time without even having to have it in my lip, 108 00:05:43,480 --> 00:05:44,159 Speaker 1: you know what I mean. 109 00:05:45,279 --> 00:05:47,279 Speaker 2: Oh wow, So then a way, they did you a favor. 110 00:05:47,320 --> 00:05:49,240 Speaker 2: They saved you a lot of money on that hickory. 111 00:05:49,360 --> 00:05:50,920 Speaker 1: Yes, I never have to I don't have to spit 112 00:05:51,000 --> 00:05:53,200 Speaker 1: during the day. I just have to do like one 113 00:05:53,720 --> 00:05:55,919 Speaker 1: big spit where I sort of like tilt my head 114 00:05:56,000 --> 00:05:57,880 Speaker 1: and it all comes kind of like gushing out my 115 00:05:57,960 --> 00:06:00,599 Speaker 1: nose just at the end of the day before I 116 00:06:00,600 --> 00:06:04,440 Speaker 1: go to sleep. We have a guest today, Brandon Wardell 117 00:06:04,600 --> 00:06:08,080 Speaker 1: is here. I I'm sorry for yelling at you before, 118 00:06:09,600 --> 00:06:11,560 Speaker 1: but it's just like, and I know your whole thing 119 00:06:11,760 --> 00:06:14,000 Speaker 1: is that that you're like young and like you do 120 00:06:14,200 --> 00:06:18,719 Speaker 1: like all this stuff that to me is not impressive, right, 121 00:06:18,760 --> 00:06:22,640 Speaker 1: And I don't know if to Sean like like, because 122 00:06:22,640 --> 00:06:24,800 Speaker 1: we have young people on the show, we are basically 123 00:06:24,800 --> 00:06:29,400 Speaker 1: young also, and definitely our friends are. 124 00:06:31,480 --> 00:06:32,279 Speaker 2: I'm one of the young. 125 00:06:33,640 --> 00:06:35,760 Speaker 1: Yeah. And Shelby Pharaoh came on the show and afterwards 126 00:06:35,760 --> 00:06:39,200 Speaker 1: she was telling us like how much younger than her 127 00:06:39,240 --> 00:06:41,479 Speaker 1: we actually are. She said that after the. 128 00:06:41,480 --> 00:06:42,560 Speaker 3: Show how much younger. 129 00:06:42,640 --> 00:06:44,080 Speaker 1: She was like, you guys are actually a lot younger 130 00:06:44,120 --> 00:06:44,359 Speaker 1: than me. 131 00:06:44,400 --> 00:06:50,720 Speaker 3: She did say, oh yeah, and and I and just 132 00:06:50,760 --> 00:06:53,400 Speaker 3: in terms of our friends, I hang out with like 133 00:06:53,480 --> 00:06:56,080 Speaker 3: my daughter's friends all the time. Yea, and they are 134 00:06:56,160 --> 00:07:00,799 Speaker 3: only like ten years older than you are probably wait, 135 00:07:00,839 --> 00:07:04,520 Speaker 3: your daughter's friends, my daughter's friends, yes, okay, we like 136 00:07:05,560 --> 00:07:08,440 Speaker 3: they were originally my daughter's friends. Now they are now 137 00:07:08,480 --> 00:07:14,120 Speaker 3: they are your daughter's not there not anymore. No, we 138 00:07:14,160 --> 00:07:16,840 Speaker 3: have sort of become we have sort of cut her 139 00:07:16,880 --> 00:07:20,880 Speaker 3: out of the group because like when we're all hanging out, like, 140 00:07:20,960 --> 00:07:23,400 Speaker 3: I don't know, there's like a certain we just like 141 00:07:23,440 --> 00:07:26,040 Speaker 3: to be able to talk about whatever and just be 142 00:07:26,160 --> 00:07:29,640 Speaker 3: like so just be random and like not be random 143 00:07:29,720 --> 00:07:31,280 Speaker 3: random and awkward. 144 00:07:31,040 --> 00:07:35,480 Speaker 1: Yes, and just be awkward geach other yes, and her 145 00:07:35,560 --> 00:07:38,960 Speaker 1: being there, I don't know it was weird because she's 146 00:07:39,000 --> 00:07:43,120 Speaker 1: my daughter. I don't feel likely be as random. Yes, exactly. 147 00:07:43,800 --> 00:07:47,920 Speaker 1: Uh so now it's kind of just me and and 148 00:07:48,000 --> 00:07:48,600 Speaker 1: her friends. 149 00:07:49,440 --> 00:07:49,760 Speaker 4: We go. 150 00:07:49,880 --> 00:07:52,440 Speaker 1: We have like a little boat that we take out together. 151 00:07:54,560 --> 00:07:57,960 Speaker 4: You have a boat with the that is very young. 152 00:07:58,240 --> 00:08:01,240 Speaker 1: Yes, and Sean has Yes, this new this new friend's 153 00:08:01,240 --> 00:08:02,800 Speaker 1: sort of been hanging out with. That's a plant that 154 00:08:02,960 --> 00:08:06,880 Speaker 1: is one of the youngest plants. You can barely see it. 155 00:08:07,800 --> 00:08:12,320 Speaker 2: It's just I mean, yeah, plant is generous at this point, 156 00:08:12,360 --> 00:08:16,280 Speaker 2: it's really just sort of the beginning of a sprat. 157 00:08:16,160 --> 00:08:17,680 Speaker 1: And Sam, can you get off your phone? I guess 158 00:08:17,680 --> 00:08:21,080 Speaker 1: it's a it's I'm sorry, like I feel like I'm 159 00:08:21,080 --> 00:08:25,160 Speaker 1: in a twenty eight days later the virus and everyone's. 160 00:08:24,720 --> 00:08:28,360 Speaker 3: The phone zombie. 161 00:08:28,920 --> 00:08:32,280 Speaker 1: Yeah, what do you what do you mean because Sam? Sam? 162 00:08:34,360 --> 00:08:36,520 Speaker 2: Oh, he's looking at his phone. Oh, I wish I 163 00:08:36,600 --> 00:08:37,680 Speaker 2: saw that before that. 164 00:08:37,679 --> 00:08:43,160 Speaker 1: Joke, Sam has I'm really sorry, man, Sam's Sam has tattoos? 165 00:08:43,320 --> 00:08:43,800 Speaker 1: You see these? 166 00:08:44,000 --> 00:08:44,959 Speaker 3: Oh he's yeah? 167 00:08:46,920 --> 00:08:48,880 Speaker 1: Wait yeah, Sean go ahead. 168 00:08:50,280 --> 00:08:54,920 Speaker 2: Yeah. What do you think about this whole brand Julina thing? 169 00:08:55,000 --> 00:08:57,160 Speaker 2: With your name being so close? I feel like you 170 00:08:57,240 --> 00:08:58,400 Speaker 2: must have quite the take. 171 00:08:58,640 --> 00:09:02,880 Speaker 3: Oh yeah, I feel like I feel like close, I 172 00:09:02,920 --> 00:09:06,000 Speaker 3: feel like closest to it, Like I feel like closer. 173 00:09:07,200 --> 00:09:14,120 Speaker 3: I do feel closer to that situation than Brad you. 174 00:09:16,559 --> 00:09:17,360 Speaker 4: My take is. 175 00:09:18,800 --> 00:09:26,040 Speaker 3: I think it's a it's good. Yeah, Yeah, that's good. Yeah, 176 00:09:26,080 --> 00:09:28,000 Speaker 3: that's cool. I think it's extremely good. 177 00:09:29,360 --> 00:09:29,720 Speaker 4: Okay. 178 00:09:30,160 --> 00:09:32,520 Speaker 2: Sometimes Well, this is a joke that you guys can 179 00:09:32,640 --> 00:09:36,120 Speaker 2: use if somebody asks for your take on something, give 180 00:09:36,160 --> 00:09:36,840 Speaker 2: them the take. 181 00:09:36,760 --> 00:09:38,400 Speaker 4: Five are there? 182 00:09:38,679 --> 00:09:39,440 Speaker 3: Yeah, there we go. 183 00:09:40,080 --> 00:09:41,600 Speaker 1: Sean has like a big bag. 184 00:09:42,880 --> 00:09:43,520 Speaker 2: Do you get it? 185 00:09:44,520 --> 00:09:51,280 Speaker 1: Yeah, yes, yes, I'm starting to get it. Sam tattoos 186 00:09:52,040 --> 00:09:56,520 Speaker 1: are uh, it's a lot of anime guys. 187 00:09:57,000 --> 00:09:58,360 Speaker 3: Do you have animates hats? 188 00:09:58,480 --> 00:10:01,120 Speaker 1: Yeah, all his tattoos are like these anime guys that 189 00:10:01,200 --> 00:10:04,280 Speaker 1: are He can move his body in such a way 190 00:10:04,320 --> 00:10:06,520 Speaker 1: that they that he can actually be an anime. 191 00:10:08,040 --> 00:10:14,000 Speaker 3: Yes, is that we he's he's flexing and like, yeah, 192 00:10:14,559 --> 00:10:16,520 Speaker 3: Sailor Moon is flexing when he flexes. 193 00:10:16,640 --> 00:10:19,720 Speaker 1: Yeah, have you guys his arm is like Sailor Moon's byrap. 194 00:10:21,800 --> 00:10:23,960 Speaker 1: Have I seen Akira? Yeah, you've shown it to me 195 00:10:24,080 --> 00:10:28,800 Speaker 1: on your body. Yes, it's my favorite anime. It's a 196 00:10:28,840 --> 00:10:31,880 Speaker 1: deep cut. It's the that's not a deep cut a 197 00:10:31,960 --> 00:10:35,320 Speaker 1: kira Akira? Have you seen it? Yeah, oh, Jim surprised. 198 00:10:35,360 --> 00:10:38,640 Speaker 3: A Kia's like, uh, that's that's Kanye's favorite anime. 199 00:10:38,920 --> 00:10:39,760 Speaker 1: I don't think that's true. 200 00:10:39,800 --> 00:10:42,040 Speaker 2: That's like a secret one. Yeah, just Dam and Kanye 201 00:10:42,080 --> 00:10:42,679 Speaker 2: know about it. 202 00:10:43,000 --> 00:10:45,320 Speaker 4: Yeah. Yeah. 203 00:10:45,360 --> 00:10:48,320 Speaker 2: And then the tuxedo is on Sam as well. Isn't 204 00:10:48,360 --> 00:10:49,280 Speaker 2: that right? Sam? 205 00:10:49,360 --> 00:10:49,679 Speaker 1: Uh huh? 206 00:10:49,679 --> 00:10:52,480 Speaker 3: I have one of those tuxedo shirts as a chest piece. 207 00:10:52,520 --> 00:10:55,160 Speaker 1: But it's Jackie Chance Tuxedo, which you which you think 208 00:10:55,280 --> 00:10:58,320 Speaker 1: is an anime, which I think is I was told. 209 00:10:58,640 --> 00:11:00,960 Speaker 1: I think it's fucked up. Nobody told you that. 210 00:11:02,440 --> 00:11:03,280 Speaker 4: Have you said? 211 00:11:03,440 --> 00:11:05,400 Speaker 3: He said his favorite anime is Russia? 212 00:11:06,240 --> 00:11:08,440 Speaker 2: All your animal characters says Lemon Warning? 213 00:11:10,080 --> 00:11:14,760 Speaker 1: Wait wait, what what does it say? Lemon Warning above 214 00:11:14,840 --> 00:11:18,720 Speaker 1: all his anime characters? Yeah, well that's what I wanted. 215 00:11:18,880 --> 00:11:23,840 Speaker 1: But the tattoo artists misheard me and it says Lemon Party. Okay, 216 00:11:24,640 --> 00:11:26,880 Speaker 1: that's not the kind of memes. Those are old memes. 217 00:11:28,280 --> 00:11:30,240 Speaker 1: And we have Brandon here, who's like a meme guy. 218 00:11:30,440 --> 00:11:32,600 Speaker 1: What's the news? What's thet meme? 219 00:11:33,000 --> 00:11:33,200 Speaker 4: Right? 220 00:11:33,600 --> 00:11:34,760 Speaker 1: Lemon Party is old meme? 221 00:11:34,840 --> 00:11:35,040 Speaker 4: Right? 222 00:11:35,320 --> 00:11:39,840 Speaker 3: Yeah, it's but I think it. I think enough time 223 00:11:39,960 --> 00:11:40,480 Speaker 3: is what's in? 224 00:11:40,920 --> 00:11:42,120 Speaker 4: Aw? I? Now? Meme? 225 00:11:43,000 --> 00:11:44,920 Speaker 1: I'm sorry? What's in no memes. Did you did you 226 00:11:44,920 --> 00:11:47,920 Speaker 1: ask him a question? Yeah? Okay, I'm done with this. Kevin, 227 00:11:50,320 --> 00:11:58,240 Speaker 1: Kevin here his feet, Hi, Sam has been. It's gotten 228 00:11:58,240 --> 00:12:00,199 Speaker 1: to a point where he asked Brandon a qu uestion. 229 00:12:01,080 --> 00:12:03,320 Speaker 1: That's like a very traditional interview question, like trying to 230 00:12:03,320 --> 00:12:06,559 Speaker 1: be one of those I think because Sean isn't here. Uh. 231 00:12:06,600 --> 00:12:11,400 Speaker 1: He lied, He lied about someone telling him that the 232 00:12:11,440 --> 00:12:13,520 Speaker 1: tuxedo is an anime. 233 00:12:16,600 --> 00:12:16,960 Speaker 4: Uh. 234 00:12:17,000 --> 00:12:20,880 Speaker 1: And he used an old meme. So can you fire him? Please? 235 00:12:22,240 --> 00:12:25,600 Speaker 1: We could call Brett from Germany. No, I'm not asking 236 00:12:25,600 --> 00:12:27,160 Speaker 1: you to call Brett from Germany. I'm asking you to 237 00:12:27,240 --> 00:12:30,280 Speaker 1: fire just fire Sam. Fire Sam, and you be the engineer. 238 00:12:31,679 --> 00:12:32,520 Speaker 3: I can't do that. 239 00:12:32,440 --> 00:12:35,280 Speaker 1: And do like Donald Trump, do like Donald Trump. 240 00:12:35,440 --> 00:12:39,360 Speaker 3: Sam, you Oh my god, that's really good. 241 00:12:39,720 --> 00:12:41,880 Speaker 1: And now we don't like we don't want to like 242 00:12:43,200 --> 00:12:45,760 Speaker 1: take some like it's not that kind of show is 243 00:12:45,800 --> 00:12:47,640 Speaker 1: to do like that kind of political stuff. 244 00:12:47,400 --> 00:12:49,880 Speaker 3: Right, And so Sean, that got really got really political. 245 00:12:50,040 --> 00:12:51,760 Speaker 1: I know, I know, I know, and I and I 246 00:12:52,000 --> 00:12:53,880 Speaker 1: sometimes I feel like getting into that territory and I 247 00:12:53,920 --> 00:12:55,240 Speaker 1: want to like kind of stop it there because it's 248 00:12:55,280 --> 00:12:57,400 Speaker 1: comedy show. We just like want to be fun about 249 00:12:57,440 --> 00:13:01,400 Speaker 1: it and so Sean as an impression of Hillary Clinton 250 00:13:01,440 --> 00:13:03,200 Speaker 1: that he's gonna do just to like have it be 251 00:13:03,320 --> 00:13:06,480 Speaker 1: even Sean has to do? Is Hillary Clinton impression? 252 00:13:07,240 --> 00:13:07,640 Speaker 4: Is that fair? 253 00:13:07,679 --> 00:13:10,560 Speaker 2: Seawan, weren't that special? 254 00:13:13,040 --> 00:13:15,560 Speaker 1: That's good? Thank you. So now it's all even and 255 00:13:15,640 --> 00:13:17,439 Speaker 1: so it's not being a political show anymore. 256 00:13:17,679 --> 00:13:23,079 Speaker 2: Brandon, everybody got everybody. It's an we're equal opportunity of fenders, Brandon. 257 00:13:22,920 --> 00:13:28,280 Speaker 1: Brandon, you have a pair of shorts that you sell. Yes, 258 00:13:28,679 --> 00:13:32,280 Speaker 1: I this is like my favorite shorts of any comedian 259 00:13:32,600 --> 00:13:35,199 Speaker 1: is putting out. Your shorts are the best comedian. 260 00:13:35,280 --> 00:13:39,920 Speaker 3: It's definitely in the It's in the top five of No, no, no, 261 00:13:39,960 --> 00:13:40,760 Speaker 3: it's these. 262 00:13:41,760 --> 00:13:43,480 Speaker 1: Are the best comedian. These have to be the best 263 00:13:43,480 --> 00:13:44,439 Speaker 1: comedian shorts. 264 00:13:44,840 --> 00:13:47,680 Speaker 2: No, Joe Coy has some comedy shorts. 265 00:13:48,440 --> 00:13:51,880 Speaker 4: Yeah that are really. 266 00:13:50,880 --> 00:13:52,560 Speaker 2: Climbing up the charts. 267 00:13:52,920 --> 00:13:57,440 Speaker 4: And what are his shorts? 268 00:13:57,559 --> 00:13:59,920 Speaker 1: Yeah, I know, I. 269 00:14:01,960 --> 00:14:06,880 Speaker 2: Phone buttons over where you're like parts are okay and 270 00:14:07,040 --> 00:14:08,520 Speaker 2: uh and it just call me. 271 00:14:09,280 --> 00:14:11,439 Speaker 3: Deli has really been killing it, Crystal. 272 00:14:12,480 --> 00:14:14,240 Speaker 1: Yeah, what's what what his shorts like? 273 00:14:14,360 --> 00:14:20,920 Speaker 3: It says secute on the on the butt, as apostrophe 274 00:14:21,120 --> 00:14:26,720 Speaker 3: as apostrophe k y O T. Yeah, yeah, yeah. 275 00:14:25,680 --> 00:14:28,400 Speaker 1: Deli has good shorts, but your your shorts are like 276 00:14:29,360 --> 00:14:32,160 Speaker 1: not just for funniness. Your shorts are the funniest shorts 277 00:14:32,200 --> 00:14:34,080 Speaker 1: and the most. 278 00:14:33,520 --> 00:14:34,240 Speaker 3: Yeah, thank you. 279 00:14:35,240 --> 00:14:39,240 Speaker 4: It's and really stoned Brandon. 280 00:14:39,240 --> 00:14:39,720 Speaker 1: Do you know he. 281 00:14:41,400 --> 00:14:44,760 Speaker 3: He is completely sober, which is you know, oh. 282 00:14:46,200 --> 00:14:49,000 Speaker 1: That makes it, you know, that makes. 283 00:14:48,880 --> 00:14:52,680 Speaker 3: Up I mean, honestly, you know, it's like sometimes I'm 284 00:14:53,320 --> 00:14:54,920 Speaker 3: I see him do some of these bits and I 285 00:14:55,000 --> 00:14:58,760 Speaker 3: was like, he's he was he was smoking a little gonge, yeah, 286 00:14:58,840 --> 00:15:01,640 Speaker 3: and then some And then then I found out from 287 00:15:01,680 --> 00:15:06,360 Speaker 3: some you know, some insiders that he doesn't he doesn't partake, 288 00:15:08,080 --> 00:15:08,400 Speaker 3: you know. 289 00:15:08,520 --> 00:15:12,720 Speaker 1: He just like wow, he smells like yeah, just nat 290 00:15:12,840 --> 00:15:13,040 Speaker 1: I know. 291 00:15:13,200 --> 00:15:15,080 Speaker 3: Yeah. I was like the first time I saw him, 292 00:15:15,080 --> 00:15:18,360 Speaker 3: I was like, oh, this guy, this guy should be 293 00:15:18,400 --> 00:15:21,200 Speaker 3: called kush Dalia, you know. And then I find out 294 00:15:21,240 --> 00:15:26,080 Speaker 3: that he's never he's never even Yeah, seriously, dude, Like, 295 00:15:26,720 --> 00:15:31,440 Speaker 3: oh my god, seriously serious, honestly, literally. 296 00:15:33,880 --> 00:15:36,080 Speaker 1: Can you talk about your shorts? Describe your shorts? 297 00:15:37,280 --> 00:15:41,160 Speaker 3: Have? I made them with my friend Robesman, and it 298 00:15:41,240 --> 00:15:45,200 Speaker 3: has it has the verified check on the in the 299 00:15:45,280 --> 00:15:46,200 Speaker 3: in the center. 300 00:15:46,000 --> 00:15:51,160 Speaker 1: On the D and uh so you have the check on. 301 00:15:50,880 --> 00:15:54,680 Speaker 3: My logo on his his logo in the corner. 302 00:15:54,760 --> 00:16:00,080 Speaker 1: You know Milo Ianopolis's logo is that what you know? 303 00:15:59,600 --> 00:16:03,040 Speaker 3: My my, my, look my logo. 304 00:16:03,760 --> 00:16:05,600 Speaker 1: You have the check mark and mylos No. 305 00:16:06,240 --> 00:16:12,680 Speaker 3: No, I didn't collab with mylo. I want to and 306 00:16:12,840 --> 00:16:14,240 Speaker 3: that I want to end that narrative. 307 00:16:14,960 --> 00:16:17,600 Speaker 1: And the check mark is for like the teacher check 308 00:16:17,600 --> 00:16:18,480 Speaker 1: your homework, and so. 309 00:16:18,480 --> 00:16:21,760 Speaker 3: The the DD is your homework? 310 00:16:23,040 --> 00:16:25,080 Speaker 1: No, is that what it's saying. Is it like the 311 00:16:25,160 --> 00:16:28,800 Speaker 1: teacher so that you did know that your d D 312 00:16:28,880 --> 00:16:30,640 Speaker 1: did the homework or the deity is the homework. 313 00:16:32,840 --> 00:16:35,400 Speaker 3: It's no, it's not homework related. 314 00:16:36,320 --> 00:16:37,240 Speaker 1: Who so who? 315 00:16:37,880 --> 00:16:39,720 Speaker 3: It's just like a Twitter ch wait if. 316 00:16:39,600 --> 00:16:41,440 Speaker 2: We're saying, wait, if we don't do a homework, we're 317 00:16:41,440 --> 00:16:42,240 Speaker 2: going to get in trouble. 318 00:16:43,960 --> 00:16:46,480 Speaker 3: There's no, it's it has nothing to do with homework. 319 00:16:47,280 --> 00:16:51,560 Speaker 1: Teacher is not gonna like that in trouble teacher. God, 320 00:16:51,720 --> 00:16:53,920 Speaker 1: I don't know. I don't I don't know how teacher. 321 00:16:53,720 --> 00:16:56,720 Speaker 3: Is, how teacher is going to feel about it. 322 00:16:56,840 --> 00:16:57,440 Speaker 1: I don't think so. 323 00:16:59,280 --> 00:16:59,960 Speaker 2: No, no, no, I. 324 00:17:00,960 --> 00:17:04,160 Speaker 3: Mean yeah, these are these these are shorts that you 325 00:17:04,160 --> 00:17:05,800 Speaker 3: you don't want your you don't want your teachers seeing 326 00:17:05,840 --> 00:17:06,360 Speaker 3: these shorts. 327 00:17:06,359 --> 00:17:12,560 Speaker 2: You know, well, what am I going to do with them. 328 00:17:11,320 --> 00:17:13,800 Speaker 1: That's a good question. If teacher is not going to 329 00:17:13,880 --> 00:17:16,119 Speaker 1: see them, then what are they for? 330 00:17:16,600 --> 00:17:22,040 Speaker 3: They're for skipping school? Uh, these are some These are 331 00:17:22,080 --> 00:17:22,840 Speaker 3: some hooki shorts. 332 00:17:22,840 --> 00:17:26,199 Speaker 1: Schools skipping shorts. Yeah, when if you're not wearing an 333 00:17:26,240 --> 00:17:29,040 Speaker 1: these underneath the shorts? Can you see that outline of 334 00:17:29,080 --> 00:17:29,400 Speaker 1: the DT? 335 00:17:30,440 --> 00:17:33,720 Speaker 3: Yes, you can, Yeah, for sure, probably any I mean, 336 00:17:33,880 --> 00:17:40,439 Speaker 3: depending on anyone's not anyone's okay, but yours I don't know, 337 00:17:40,600 --> 00:17:42,399 Speaker 3: Well I haven't yeah, maybe. 338 00:17:42,400 --> 00:17:44,760 Speaker 1: Okay, that's interesting. 339 00:17:45,080 --> 00:17:48,040 Speaker 4: Yeah, let's talk about my neighbors. 340 00:17:48,359 --> 00:17:52,879 Speaker 2: My neighbors in the submarine are getting pretty loud. I 341 00:17:52,880 --> 00:17:53,800 Speaker 2: think they're fighting. 342 00:17:54,920 --> 00:17:59,680 Speaker 1: Your neighbors are fighting in the submarine. Yeah, it is 343 00:17:59,720 --> 00:18:00,720 Speaker 1: just the Davy Jones. 344 00:18:03,040 --> 00:18:07,360 Speaker 2: Oh yeah, well it's not in his girlfriend and they're 345 00:18:07,440 --> 00:18:08,320 Speaker 2: yelling at each other. 346 00:18:08,440 --> 00:18:11,320 Speaker 1: Davy Jones and his girlfriend are fighting. Okay, Well, and 347 00:18:11,440 --> 00:18:13,280 Speaker 1: is she like does she have the same kind of 348 00:18:13,760 --> 00:18:15,080 Speaker 1: fishy face that he has? 349 00:18:16,880 --> 00:18:19,400 Speaker 2: He has more of like a squid. 350 00:18:19,000 --> 00:18:22,200 Speaker 1: Face, right, squid is a kind of fish. 351 00:18:23,920 --> 00:18:27,840 Speaker 2: Uh well, oh wow, I would really like to argue 352 00:18:27,840 --> 00:18:28,720 Speaker 2: with you about that. 353 00:18:31,160 --> 00:18:34,320 Speaker 1: It's in the same it's the same the same part 354 00:18:34,320 --> 00:18:36,399 Speaker 1: of the it's in the same part of the store. 355 00:18:36,880 --> 00:18:38,520 Speaker 3: The squid fish debate. 356 00:18:38,640 --> 00:18:40,879 Speaker 1: It's in the same part of the store. If you 357 00:18:40,920 --> 00:18:43,159 Speaker 1: look at if you look at the squid and then 358 00:18:43,160 --> 00:18:45,359 Speaker 1: you look at it, Yeah, the sign says fish. 359 00:18:45,440 --> 00:18:49,600 Speaker 3: Here's the take squids, squidser fish. 360 00:18:50,160 --> 00:18:50,640 Speaker 1: See. 361 00:18:51,080 --> 00:18:52,960 Speaker 2: Oh god, what has. 362 00:18:52,880 --> 00:18:53,640 Speaker 4: He done to you? 363 00:18:54,119 --> 00:18:56,680 Speaker 2: I know this is why I should never gone a submarine. 364 00:18:56,680 --> 00:19:00,159 Speaker 2: Mister Hay gets the guests on his side, and as 365 00:19:00,160 --> 00:19:01,960 Speaker 2: I can't drive it in because it's filling with water 366 00:19:02,000 --> 00:19:05,080 Speaker 2: and I can't get wet. 367 00:19:06,680 --> 00:19:09,879 Speaker 1: And squids or fish, will you explain what happens to 368 00:19:09,920 --> 00:19:10,920 Speaker 1: Brandon if you get wet? 369 00:19:12,920 --> 00:19:17,920 Speaker 2: Oh? Sure, it's honestly not too bad. But have you 370 00:19:17,960 --> 00:19:23,520 Speaker 2: ever seen when like a a bloated tick, for instance, 371 00:19:23,600 --> 00:19:26,040 Speaker 2: gets turned inside out? 372 00:19:26,240 --> 00:19:28,199 Speaker 3: I haven't seen it, like in person. 373 00:19:29,320 --> 00:19:31,399 Speaker 2: You were finding where you found like a tick on 374 00:19:31,440 --> 00:19:33,320 Speaker 2: your dog and it's been on there for a few 375 00:19:33,359 --> 00:19:35,840 Speaker 2: days and it's gotten really big and fat like a watermelon. 376 00:19:35,880 --> 00:19:41,879 Speaker 3: Sea not necessarily No, Okay, let me tell you. 377 00:19:41,920 --> 00:19:44,440 Speaker 2: Hard to discover. I didn't know how young you were. 378 00:19:44,480 --> 00:19:46,800 Speaker 2: I mean, you've had no life experience. 379 00:19:47,400 --> 00:19:50,320 Speaker 1: Because the kind of baths that I'm taking lately, all 380 00:19:50,320 --> 00:19:52,320 Speaker 1: these other people that are running around with like huge 381 00:19:52,320 --> 00:19:55,879 Speaker 1: ticks all over them. Yeah, I like, ticks are barely 382 00:19:55,920 --> 00:19:58,480 Speaker 1: even a part of my life anymore. No, flease, no 383 00:19:58,640 --> 00:20:05,719 Speaker 1: ticks or like like I have like six please and 384 00:20:05,720 --> 00:20:06,600 Speaker 1: everyone else's. 385 00:20:06,359 --> 00:20:13,240 Speaker 2: Right, Brendon, picture this instead. Have you ever been to 386 00:20:13,320 --> 00:20:15,640 Speaker 2: a barbecue where there's a bunch of frozen watermelons? 387 00:20:17,119 --> 00:20:17,239 Speaker 3: Uh? 388 00:20:18,520 --> 00:20:18,560 Speaker 2: No? 389 00:20:20,240 --> 00:20:20,480 Speaker 1: Wow? 390 00:20:20,560 --> 00:20:23,480 Speaker 2: Okay, wow? Yeah, all right. I mean, I mean, maybe 391 00:20:23,520 --> 00:20:25,560 Speaker 2: it's easier if you tell me something you have done 392 00:20:25,600 --> 00:20:27,160 Speaker 2: and I try to somehow. 393 00:20:27,000 --> 00:20:32,960 Speaker 1: Like, uh, that would help. Yeah, Brandon, what's something you did? 394 00:20:33,280 --> 00:20:34,679 Speaker 1: And not don't say the phone? 395 00:20:35,440 --> 00:20:41,280 Speaker 3: I mean, I've bence vinca like barbecues with just regular 396 00:20:41,520 --> 00:20:44,320 Speaker 3: watermelon and nobody. 397 00:20:44,119 --> 00:20:46,280 Speaker 2: Throws it, and then nobody took a drill and started 398 00:20:46,320 --> 00:20:48,880 Speaker 2: drilling into it. And then nobody took like a big 399 00:20:48,960 --> 00:20:51,560 Speaker 2: giant straw and started sucking the frozen pizzas up. 400 00:20:51,840 --> 00:20:55,720 Speaker 1: What about? What about watermelon with the big bottle of 401 00:20:55,840 --> 00:21:00,560 Speaker 1: sky inside? Take a take the big bottle, guy, take 402 00:21:00,800 --> 00:21:02,800 Speaker 1: a handle a sky put upside down on? 403 00:21:03,760 --> 00:21:06,040 Speaker 3: That does sound pretty? That sounds pretty sick. 404 00:21:06,119 --> 00:21:11,320 Speaker 1: A lot of it's bill everywhere, but and you put 405 00:21:11,359 --> 00:21:14,280 Speaker 1: skittle inside it and it's kind of brown. 406 00:21:15,119 --> 00:21:17,280 Speaker 3: You do that with your with your daughters, with. 407 00:21:17,440 --> 00:21:19,760 Speaker 1: My daughter's friends. Yes, we will take the boat out. 408 00:21:21,480 --> 00:21:24,879 Speaker 1: It's like kind of a pontoon and I'm learning how 409 00:21:24,920 --> 00:21:27,120 Speaker 1: to do flips off the top without hitting the side. 410 00:21:28,280 --> 00:21:31,560 Speaker 1: And uh, and yes, we'll take a watermelon. I have 411 00:21:31,800 --> 00:21:35,119 Speaker 1: kind of like a special drill that can cut a 412 00:21:35,160 --> 00:21:37,600 Speaker 1: hole in it that's like big enough for the sky bottle, 413 00:21:37,680 --> 00:21:42,240 Speaker 1: so only a little bit of its spills. Oh yeah, okay, 414 00:21:42,320 --> 00:21:43,920 Speaker 1: so what so are we going to be able to 415 00:21:44,160 --> 00:21:46,920 Speaker 1: use that sean for your for your analogy. 416 00:21:48,119 --> 00:21:51,159 Speaker 2: I mean, that's your experience, that's not Brandon, well I not. 417 00:21:51,240 --> 00:21:53,680 Speaker 1: Well, now it's kind of Brandon's experience because I've told 418 00:21:53,720 --> 00:21:55,200 Speaker 1: it in a way that makes him feel like he 419 00:21:55,320 --> 00:21:55,560 Speaker 1: was there. 420 00:21:55,640 --> 00:21:57,960 Speaker 3: But he's going to take me on the pontoon. 421 00:21:58,840 --> 00:22:01,720 Speaker 2: I will talk to vivid enough for your picture. Okay, 422 00:22:01,880 --> 00:22:06,000 Speaker 2: So so you're with and his daughter's friends on the 423 00:22:06,080 --> 00:22:10,400 Speaker 2: pontoon boat and it's really it's it's just so hard 424 00:22:10,440 --> 00:22:12,600 Speaker 2: for me without a tick or a watermelon and bolss 425 00:22:12,640 --> 00:22:16,359 Speaker 2: to really get this image ready for you. 426 00:22:16,680 --> 00:22:19,240 Speaker 1: Can we do the frozen watermelon one? Would that help? 427 00:22:21,280 --> 00:22:21,600 Speaker 2: Okay? 428 00:22:21,680 --> 00:22:24,680 Speaker 3: I can envision it. I can envision it. Pay me, 429 00:22:24,840 --> 00:22:25,639 Speaker 3: pay me the picture. 430 00:22:26,960 --> 00:22:31,119 Speaker 2: Okay, So it's a frozen watermelon, but it's not shaped 431 00:22:31,240 --> 00:22:34,080 Speaker 2: like that. It's shaped more like a tick. And it's 432 00:22:34,200 --> 00:22:36,360 Speaker 2: much smaller anyway. 433 00:22:36,640 --> 00:22:39,119 Speaker 1: And it's not cold. Is it cold? 434 00:22:40,800 --> 00:22:40,840 Speaker 3: No? 435 00:22:41,320 --> 00:22:46,440 Speaker 2: No, not at all. And what happens is if you 436 00:22:46,640 --> 00:22:51,520 Speaker 2: were to get inside there with like uh spank you 437 00:22:51,600 --> 00:22:55,000 Speaker 2: lom or something, and inside out. 438 00:22:54,920 --> 00:22:56,159 Speaker 4: It uh not. 439 00:22:56,720 --> 00:22:59,240 Speaker 2: See, it's different emotions with characters who we need to 440 00:22:59,280 --> 00:23:02,040 Speaker 2: find some sort of balance with one another. Yeah, but 441 00:23:02,600 --> 00:23:05,520 Speaker 2: inside out it like reverse the outside part of it. 442 00:23:05,840 --> 00:23:10,320 Speaker 1: Remember, well, you so sad because of bing Bong? You 443 00:23:10,359 --> 00:23:14,240 Speaker 1: remember because of bing Bong? 444 00:23:14,400 --> 00:23:15,840 Speaker 3: Oh yeah, I kind about bing Bong. 445 00:23:16,600 --> 00:23:18,240 Speaker 1: I remember being so sad about him. 446 00:23:18,680 --> 00:23:20,840 Speaker 2: Well anyway, I mean, I guess the shortest version is 447 00:23:20,880 --> 00:23:23,040 Speaker 2: if I get touched by water, I'd become made of 448 00:23:23,080 --> 00:23:23,760 Speaker 2: all of blood. 449 00:23:26,720 --> 00:23:29,360 Speaker 1: Yeah. He has this sort of chemical effect where any 450 00:23:29,600 --> 00:23:32,520 Speaker 1: part of him that is touched by water becomes blood. 451 00:23:32,840 --> 00:23:35,400 Speaker 1: Oh wow, it's like one of those remember those little 452 00:23:35,480 --> 00:23:37,600 Speaker 1: pills that you would put in the water and they'd 453 00:23:37,600 --> 00:23:40,879 Speaker 1: become dinosaurs. Yeah, except for him that it just is 454 00:23:40,960 --> 00:23:42,880 Speaker 1: blood and then the water is blood as well. 455 00:23:44,920 --> 00:23:47,840 Speaker 2: It's very bad during shark weeks. Do you guys like 456 00:23:47,960 --> 00:23:48,439 Speaker 2: that stuff? 457 00:23:51,000 --> 00:23:51,160 Speaker 4: Yes? 458 00:23:51,280 --> 00:23:53,960 Speaker 1: Brandon, what do you do you? What's your take? Do 459 00:23:54,000 --> 00:23:56,880 Speaker 1: you have a Shark Week take. Shark Week, Yeah, shark 460 00:23:57,359 --> 00:23:59,080 Speaker 1: this is like a good stand up thing. I don't know. 461 00:23:59,080 --> 00:24:00,200 Speaker 1: If you do this where you say. 462 00:24:00,240 --> 00:24:05,040 Speaker 3: Like, yeah, like shark Week, yeah, I'll be like, uh hey, 463 00:24:05,119 --> 00:24:11,120 Speaker 3: permission to rant? Permission yes, I'll be like hello, permission 464 00:24:11,200 --> 00:24:14,600 Speaker 3: to rants. And then people will be like, whoa. 465 00:24:14,840 --> 00:24:18,480 Speaker 1: This is tower. You have permission to rant? Okay, And 466 00:24:18,600 --> 00:24:19,880 Speaker 1: so then you do your. 467 00:24:19,880 --> 00:24:22,040 Speaker 3: Rant and I'm like, shark Week's coming up. 468 00:24:22,840 --> 00:24:23,080 Speaker 4: Let me. 469 00:24:24,880 --> 00:24:29,280 Speaker 3: Pretty okay, Yeah, yeah, it's pretty. It's and then I 470 00:24:29,480 --> 00:24:32,080 Speaker 3: just sort of like, I don't know, it's kind of 471 00:24:32,720 --> 00:24:33,800 Speaker 3: it's kind of controversial. 472 00:24:33,960 --> 00:24:36,080 Speaker 1: Okay, what what is it? What what's the take? 473 00:24:36,359 --> 00:24:41,800 Speaker 3: I'm just like, uh like, I'm like, oh, I'm a 474 00:24:43,040 --> 00:24:45,200 Speaker 3: I watched Shark Week. I get I get spooked. I 475 00:24:45,280 --> 00:24:48,280 Speaker 3: get spooked all week. I get scared to go to 476 00:24:48,359 --> 00:24:51,520 Speaker 3: the damn pool. I go to the damn pool. I'm like, oh, 477 00:24:51,560 --> 00:24:53,919 Speaker 3: oh they're gonna oh. 478 00:24:54,400 --> 00:24:55,920 Speaker 1: You know you think there's sharks in the damp. 479 00:24:56,160 --> 00:24:59,760 Speaker 3: Yeah, yes, yeah that's what that's how shark Yeah, that's pretty. 480 00:24:59,760 --> 00:25:01,840 Speaker 3: It's it's it's a bit I've been doing for that 481 00:25:01,960 --> 00:25:06,160 Speaker 3: five years. Yeah, for how long years I've been doing 482 00:25:06,200 --> 00:25:07,679 Speaker 3: that bit? For five years. 483 00:25:09,440 --> 00:25:12,880 Speaker 2: In quick ocean question. If you're in the submarine, there's 484 00:25:12,920 --> 00:25:16,600 Speaker 2: not supposed to be a horse down here, isn't there? Well? 485 00:25:16,680 --> 00:25:18,520 Speaker 1: Here, Well, this is the question about what kind of 486 00:25:18,560 --> 00:25:19,840 Speaker 1: horse it is? Is it a seahorse? 487 00:25:20,720 --> 00:25:30,480 Speaker 2: Ruh? How big is those? I don't know? 488 00:25:31,040 --> 00:25:31,440 Speaker 1: Is it though? 489 00:25:33,200 --> 00:25:33,440 Speaker 2: Huh? 490 00:25:33,880 --> 00:25:38,680 Speaker 1: Is it a seahorse? How big is those seahorses? 491 00:25:38,720 --> 00:25:38,760 Speaker 2: Like? 492 00:25:38,800 --> 00:25:41,720 Speaker 1: Well, it depends if you're looking at it through the 493 00:25:42,600 --> 00:25:47,159 Speaker 1: top looker, you know, the like. If it's like that, 494 00:25:47,280 --> 00:25:49,840 Speaker 1: then it can be huge. If it's right up against it, 495 00:25:49,920 --> 00:25:50,840 Speaker 1: it can be so big. 496 00:25:52,080 --> 00:25:53,960 Speaker 2: Okay, that would be good news for me because this 497 00:25:54,040 --> 00:25:55,120 Speaker 2: thing is really big? 498 00:25:55,440 --> 00:25:59,800 Speaker 1: Okay? And are you looking at it? Can you? Is 499 00:25:59,840 --> 00:26:01,840 Speaker 1: it possible to figure out if you're just looking at 500 00:26:01,960 --> 00:26:06,320 Speaker 1: it because it's like right there with you, or are 501 00:26:06,400 --> 00:26:08,959 Speaker 1: you actually looking through the top looking piece right now? 502 00:26:10,520 --> 00:26:10,720 Speaker 4: Well? 503 00:26:11,200 --> 00:26:14,200 Speaker 2: One thing is as I am touching it, it is 504 00:26:14,320 --> 00:26:17,119 Speaker 2: seeming to be here with me. And it is mad. 505 00:26:17,600 --> 00:26:19,720 Speaker 1: It's mad. What what's it doing that makes you think 506 00:26:19,760 --> 00:26:20,200 Speaker 1: it's that? 507 00:26:20,840 --> 00:26:24,000 Speaker 2: How mad at this trying to kill me? 508 00:26:25,600 --> 00:26:29,240 Speaker 1: Okay? And what does it have to do that with? 509 00:26:29,480 --> 00:26:31,040 Speaker 1: I guess this would be a big thing to decide 510 00:26:31,600 --> 00:26:33,840 Speaker 1: a horse or if it's or it has a sword. Okay, 511 00:26:36,880 --> 00:26:40,120 Speaker 1: I mean why it's just becoming such a bizarre situation. 512 00:26:40,320 --> 00:26:42,280 Speaker 1: It's just sort of now it's out of my Is 513 00:26:42,359 --> 00:26:43,359 Speaker 1: it just you and the horse? 514 00:26:44,520 --> 00:26:44,680 Speaker 4: Yeah? 515 00:26:44,680 --> 00:26:45,480 Speaker 1: Where's Davy Jones? 516 00:26:46,480 --> 00:26:49,639 Speaker 2: Davy, I think broke up with his girlfriend in the 517 00:26:49,720 --> 00:26:50,960 Speaker 2: other room of my summary. 518 00:26:51,200 --> 00:26:53,040 Speaker 1: You know, it would be so funny. Did you were you? 519 00:26:53,200 --> 00:26:54,840 Speaker 1: Did you lie? Any room break up? 520 00:26:54,920 --> 00:26:57,639 Speaker 3: How many rooms are there in the sub in the submarine? 521 00:26:57,920 --> 00:27:01,600 Speaker 2: In the submarine, Yeah, it's it's pretty small. There's like fourteen. 522 00:27:01,280 --> 00:27:06,119 Speaker 1: Sixteen Okay, it's open floor plant. 523 00:27:08,720 --> 00:27:10,280 Speaker 2: Yeah, very Asian inspired. 524 00:27:11,400 --> 00:27:15,200 Speaker 3: Yeah, I we I didn't mean to blow past the 525 00:27:15,880 --> 00:27:20,080 Speaker 3: tweeting Davy Jones breakup. There's a makeup on my submarine 526 00:27:20,160 --> 00:27:20,560 Speaker 3: right now. 527 00:27:21,040 --> 00:27:23,399 Speaker 1: Oh my god, this guy Davy Jones is breaking up 528 00:27:23,400 --> 00:27:25,320 Speaker 1: with his girlfriend on my submarine right now. And then 529 00:27:25,359 --> 00:27:27,400 Speaker 1: you make up a bunch of stuff that they talked about. 530 00:27:27,720 --> 00:27:30,840 Speaker 1: You get one picture of them sort of looking like 531 00:27:30,920 --> 00:27:34,240 Speaker 1: they're mad, and then you make up like two hundred 532 00:27:34,359 --> 00:27:37,479 Speaker 1: things that they said in the conversation and then uh, 533 00:27:37,840 --> 00:27:41,240 Speaker 1: and then they write an article about you on Mike 534 00:27:41,320 --> 00:27:41,720 Speaker 1: dot com. 535 00:27:43,000 --> 00:27:43,919 Speaker 4: Oh wait, so this is. 536 00:27:45,640 --> 00:27:46,920 Speaker 2: Like Davy Jones breakup. 537 00:27:47,040 --> 00:27:49,800 Speaker 3: So yeah, well, this is Brandon, Brandon. We're just we're 538 00:27:49,840 --> 00:27:54,720 Speaker 3: doing we're doing viral strategy, right, viral strategy, yes, branding, marketing, 539 00:27:55,000 --> 00:27:58,159 Speaker 3: some consultant ship right, like and it. 540 00:27:58,240 --> 00:27:59,840 Speaker 2: Has to be Davy Jones. Can it just be some 541 00:28:00,040 --> 00:28:02,320 Speaker 2: thing that my kid said, like a joke? I wrote 542 00:28:02,400 --> 00:28:04,680 Speaker 2: that not good enough for an adult to say. But 543 00:28:04,800 --> 00:28:07,160 Speaker 2: if I say that a kid said it almost whatever. 544 00:28:07,240 --> 00:28:10,000 Speaker 1: A fake thing that your child said, yeah, like about 545 00:28:10,040 --> 00:28:12,800 Speaker 1: politics and stuff. Yeah, you could do that just like, 546 00:28:13,000 --> 00:28:14,879 Speaker 1: oh my god, like my kid is breaking up with 547 00:28:14,960 --> 00:28:18,639 Speaker 1: this girl right for me right now? And then you 548 00:28:18,720 --> 00:28:22,960 Speaker 1: make up some stuff that they said. Yeah, viral strategy 549 00:28:23,040 --> 00:28:24,639 Speaker 1: is Brandon, will you speak on that? 550 00:28:24,720 --> 00:28:27,640 Speaker 3: That's a good that's a good one. The child one, yeah, 551 00:28:27,720 --> 00:28:30,760 Speaker 3: be like sometimes like the other day, I was like, 552 00:28:32,920 --> 00:28:36,679 Speaker 3: I was like, my my baby son just said Donald 553 00:28:36,800 --> 00:28:40,440 Speaker 3: Twump is bad. Yes, And it's like and I was like, 554 00:28:40,760 --> 00:28:44,120 Speaker 3: oh wow, you know sometimes sometimes the young ones, sometimes 555 00:28:44,160 --> 00:28:48,680 Speaker 3: the babies are wiser than the adults. Yeah, and that 556 00:28:48,880 --> 00:28:51,200 Speaker 3: got that got fifty tweets. 557 00:28:52,400 --> 00:28:54,640 Speaker 2: Guys. My five year old just asked me why Donald 558 00:28:54,720 --> 00:28:56,480 Speaker 2: Trump had him head. 559 00:28:56,840 --> 00:28:58,760 Speaker 3: Oh my god, that's really good. 560 00:28:58,920 --> 00:29:00,560 Speaker 1: That's really funny. Did that only happened? 561 00:29:02,200 --> 00:29:05,400 Speaker 2: No, but I mean, imagine a five year old said that, Yeah, 562 00:29:05,960 --> 00:29:08,040 Speaker 2: like three concepts in there that he shouldn't have. 563 00:29:09,800 --> 00:29:11,800 Speaker 1: It sounded like a lot of water just came rushing 564 00:29:11,880 --> 00:29:12,560 Speaker 1: in there right now? 565 00:29:12,680 --> 00:29:12,960 Speaker 4: Did that. 566 00:29:14,600 --> 00:29:16,040 Speaker 1: Is that resolved? 567 00:29:16,160 --> 00:29:20,680 Speaker 4: Or were making me nervous? YEA had to. 568 00:29:21,080 --> 00:29:22,400 Speaker 2: I mean I've had to cut up a lot of 569 00:29:22,440 --> 00:29:24,960 Speaker 2: the galoshes and make them into kind of a tuxedo. 570 00:29:25,480 --> 00:29:29,320 Speaker 4: Okay, Sam, I know you'll like that. 571 00:29:32,480 --> 00:29:35,680 Speaker 2: True Brandon, can you tell me if this is true 572 00:29:35,720 --> 00:29:38,600 Speaker 2: that Martin Scorsese is remaking mean Streets but it's going 573 00:29:38,680 --> 00:29:40,720 Speaker 2: to be called meme Streets and it just stars you 574 00:29:40,960 --> 00:29:41,600 Speaker 2: like two and three. 575 00:29:42,840 --> 00:29:46,320 Speaker 3: That's yeah, that's I mean, that's that's a Hollywood Handbook exclusive. 576 00:29:47,000 --> 00:29:50,360 Speaker 1: Oh wow, yeah okay. And what's some of the memes 577 00:29:50,400 --> 00:29:50,720 Speaker 1: that you do? 578 00:29:52,320 --> 00:29:56,960 Speaker 3: Oh like there's there's a very controversial Pepe scene. 579 00:29:57,600 --> 00:29:58,760 Speaker 1: Yeah okay, yeah. 580 00:29:59,240 --> 00:30:01,440 Speaker 3: So what is it that you it's already it's already, 581 00:30:01,480 --> 00:30:04,040 Speaker 3: it's super super controversial. 582 00:30:04,320 --> 00:30:07,760 Speaker 1: What is it that you like about uh Pepe and 583 00:30:08,240 --> 00:30:11,600 Speaker 1: being racist? What is it about being racist that is 584 00:30:11,800 --> 00:30:13,520 Speaker 1: so irony? 585 00:30:13,920 --> 00:30:16,520 Speaker 3: I don't, I don't like No. 586 00:30:16,640 --> 00:30:17,040 Speaker 1: I don't. 587 00:30:17,120 --> 00:30:20,640 Speaker 3: I I'm not racist and talking and I don't and 588 00:30:21,320 --> 00:30:22,160 Speaker 3: I don't irony. 589 00:30:22,280 --> 00:30:25,160 Speaker 1: This is a little irony thing that he does. Ironic. 590 00:30:25,400 --> 00:30:28,480 Speaker 1: This is that people don't know irony. Irony is pushed 591 00:30:29,320 --> 00:30:32,880 Speaker 1: and irony is the irony is irony is is Actually 592 00:30:32,920 --> 00:30:36,520 Speaker 1: I've been hearing that it's cush and pretty soon it is. 593 00:30:37,480 --> 00:30:40,080 Speaker 1: I hear it's gonna be Netflix. So that's this is 594 00:30:40,160 --> 00:30:42,120 Speaker 1: like something that we're doing in new media. Now is 595 00:30:42,520 --> 00:30:44,840 Speaker 1: this new irony? And so when Brandon says that he's 596 00:30:44,880 --> 00:30:51,160 Speaker 1: not racist and that that he likes Pepe for different reasons, Uh, 597 00:30:51,400 --> 00:30:54,040 Speaker 1: it's it's like this new thing where he says something 598 00:30:54,080 --> 00:30:55,360 Speaker 1: that he doesn't believe. 599 00:30:56,040 --> 00:31:00,680 Speaker 3: Look, Pepe Pepe was an innocuous you know fig year, Yeah, 600 00:31:01,240 --> 00:31:04,719 Speaker 3: he was an innocent Uh, not racially. 601 00:31:04,960 --> 00:31:09,760 Speaker 1: So he believes that white nationalism is innocent, no, and 602 00:31:09,840 --> 00:31:12,560 Speaker 1: that it is incurus And it's just like, no, no, 603 00:31:12,880 --> 00:31:16,239 Speaker 1: if the Jewish people world, if Jewish people get their 604 00:31:16,240 --> 00:31:19,400 Speaker 1: own homeland, why is it so wrong that white people 605 00:31:19,480 --> 00:31:22,680 Speaker 1: should make America theirs? It seems like a harmony. 606 00:31:22,800 --> 00:31:26,160 Speaker 2: Interesting question. I would say the burden of explanation is 607 00:31:26,240 --> 00:31:29,160 Speaker 2: on people who don't agree with that take. It's good 608 00:31:29,200 --> 00:31:32,160 Speaker 2: for Brandon to get out in front of this. You know, 609 00:31:33,520 --> 00:31:35,120 Speaker 2: you know who I wish understood irony? 610 00:31:35,920 --> 00:31:36,760 Speaker 4: My dry cleaner? 611 00:31:41,920 --> 00:31:42,160 Speaker 1: Did that? 612 00:31:42,320 --> 00:31:42,520 Speaker 3: Really? 613 00:31:44,840 --> 00:31:46,160 Speaker 2: Is that five year old said that? 614 00:31:46,480 --> 00:31:51,720 Speaker 1: Your five year old said that? Which one? How many 615 00:31:51,800 --> 00:31:55,600 Speaker 1: five year olds he's got? Uh? How many five year old? 616 00:31:55,640 --> 00:31:57,520 Speaker 2: Do you many? Thirteen? Fourteen? 617 00:31:57,560 --> 00:31:57,800 Speaker 3: Maybe? 618 00:31:59,680 --> 00:31:59,800 Speaker 4: Oh? 619 00:31:59,840 --> 00:32:02,680 Speaker 3: It's so there's every every room of the submarine has 620 00:32:02,720 --> 00:32:04,160 Speaker 3: a fives own five year old. 621 00:32:04,480 --> 00:32:06,680 Speaker 2: You have to have their own room, I know. Yeah 622 00:32:08,840 --> 00:32:11,360 Speaker 2: kids these days everyone gets a room in a trophy. 623 00:32:12,960 --> 00:32:13,720 Speaker 3: Yeah damn. 624 00:32:14,760 --> 00:32:17,520 Speaker 1: Okay, So speak on what we're doing with some of 625 00:32:17,600 --> 00:32:20,080 Speaker 1: this irony now, like what's like what are the exciting 626 00:32:20,160 --> 00:32:21,640 Speaker 1: things happening with what. 627 00:32:21,720 --> 00:32:25,560 Speaker 3: Are the what are the new happening things in irony? 628 00:32:25,760 --> 00:32:29,120 Speaker 1: Yes, becoming like more and more mainstream where we can 629 00:32:29,160 --> 00:32:34,040 Speaker 1: do irony on the movies for example, or like like 630 00:32:34,560 --> 00:32:37,720 Speaker 1: doing it like like what like talk about some developments 631 00:32:37,720 --> 00:32:38,320 Speaker 1: in this world. 632 00:32:39,360 --> 00:32:43,160 Speaker 3: Yeah, I mean irony poisoning is a real epidemic now. 633 00:32:43,800 --> 00:32:44,040 Speaker 4: Yeah. 634 00:32:45,760 --> 00:32:48,840 Speaker 3: I think it's uh, it's really it's it's broke our brands. 635 00:32:48,960 --> 00:32:52,680 Speaker 1: Did it happen to you probably? How does that manifest 636 00:32:52,760 --> 00:32:56,360 Speaker 1: itself in your day and uh in your body? 637 00:32:56,760 --> 00:32:56,880 Speaker 4: Uh? 638 00:32:57,680 --> 00:33:02,480 Speaker 3: I think, uh, you know, you get irony poisoning and 639 00:33:02,600 --> 00:33:06,040 Speaker 3: then your your tweets are good and then your interpersonal 640 00:33:06,240 --> 00:33:07,920 Speaker 3: skills are get really bad. 641 00:33:08,200 --> 00:33:12,560 Speaker 1: Yeah, that's and it's an excuse for any kind of behavior. Yeah, 642 00:33:12,760 --> 00:33:14,400 Speaker 1: talk about some train stuff, Brandon. 643 00:33:16,560 --> 00:33:19,240 Speaker 3: I was, I was on one, was on one yesterday. 644 00:33:20,040 --> 00:33:23,720 Speaker 1: That's right. I saw I saw that. I saw that 645 00:33:23,800 --> 00:33:25,640 Speaker 1: in the Twitter news. Were you and the Mumford? 646 00:33:26,480 --> 00:33:28,280 Speaker 3: Oh there was a moment. There's a Twitter moment. 647 00:33:28,560 --> 00:33:30,600 Speaker 1: Yeah, I saw that on the Twitter news. Where did 648 00:33:30,680 --> 00:33:32,280 Speaker 1: you take the Mumford and sun scream where they go 649 00:33:32,360 --> 00:33:34,800 Speaker 1: to like Marfa, Texas on like an old train and 650 00:33:35,000 --> 00:33:38,440 Speaker 1: they like play on on top of a very slow 651 00:33:38,560 --> 00:33:39,120 Speaker 1: moving train. 652 00:33:39,640 --> 00:33:43,240 Speaker 3: Oh okay, I'm not. 653 00:33:45,440 --> 00:33:47,440 Speaker 1: So this is okay. When I when people say the train, 654 00:33:47,480 --> 00:33:50,120 Speaker 1: that's just sort of what I what I that's unless 655 00:33:50,160 --> 00:33:52,880 Speaker 1: you say so you were on the non Mumford, right, 656 00:33:53,080 --> 00:33:56,800 Speaker 1: you have to clarify. Okay, and what and and who 657 00:33:57,160 --> 00:33:58,400 Speaker 1: is the musician on that train? 658 00:33:59,120 --> 00:34:01,120 Speaker 3: No? There was there was in a it was just 659 00:34:01,200 --> 00:34:01,880 Speaker 3: like an Amtrak. 660 00:34:02,000 --> 00:34:03,040 Speaker 1: No one was doing anything. 661 00:34:03,160 --> 00:34:04,440 Speaker 3: Yeah, I know, it's weird. 662 00:34:06,160 --> 00:34:08,440 Speaker 2: You're going to really like what Davy Jones just said. 663 00:34:08,800 --> 00:34:10,279 Speaker 1: Okay, what does he say? 664 00:34:11,320 --> 00:34:13,120 Speaker 2: Well, he came out on the main deck of the 665 00:34:13,160 --> 00:34:15,719 Speaker 2: submarine out of his room and he went, I'm the 666 00:34:15,840 --> 00:34:16,440 Speaker 2: captain now. 667 00:34:18,200 --> 00:34:22,440 Speaker 1: Wow, that's I've seen him do that a lot. That 668 00:34:22,719 --> 00:34:30,000 Speaker 1: specific bit, uh it is. I guess it's close to 669 00:34:30,120 --> 00:34:31,280 Speaker 1: not being fresh anymore. 670 00:34:32,920 --> 00:34:33,840 Speaker 4: I don't really think so. 671 00:34:34,160 --> 00:34:35,680 Speaker 1: I don't and I say that I don't want it 672 00:34:35,760 --> 00:34:38,000 Speaker 1: to happen. I don't want people saying I'm the captain 673 00:34:38,040 --> 00:34:41,080 Speaker 1: now to stop being funny. But I I just worry 674 00:34:41,120 --> 00:34:43,440 Speaker 1: since he does it so much, you know what I mean. 675 00:34:44,680 --> 00:34:46,920 Speaker 2: He's been doing that and then he's been saying that. 676 00:34:47,040 --> 00:34:49,279 Speaker 2: It almost feels like we're in the upside down. 677 00:34:49,600 --> 00:34:51,600 Speaker 1: Yes, he talks about the upside down a lot. That's 678 00:34:51,600 --> 00:34:55,239 Speaker 1: still fresh at least, Thank goodness, Brandon, you know about 679 00:34:55,239 --> 00:34:59,120 Speaker 1: the upside down, the upside down? Yeah? Oh, you got 680 00:34:59,239 --> 00:35:01,400 Speaker 1: to get up on this, Brandon. Okay, so now we 681 00:35:01,480 --> 00:35:03,319 Speaker 1: have to do an episode of get up on now. 682 00:35:03,400 --> 00:35:05,000 Speaker 1: This is an episode of Get up on this? 683 00:35:05,360 --> 00:35:09,480 Speaker 4: Yes, yes, do you want to be Yeah? 684 00:35:09,520 --> 00:35:14,320 Speaker 1: Okay, I'll be Jensen. Okay, So who are you then? Brandon? 685 00:35:15,320 --> 00:35:17,200 Speaker 2: I guess I'm right now. 686 00:35:17,320 --> 00:35:19,360 Speaker 4: Oh, I'll be Brandon. This will be great for me. 687 00:35:19,520 --> 00:35:23,799 Speaker 3: Yeah, and I'm I'm Maddie okay, and Maddy's the other guy. Yeah, okay, 688 00:35:23,880 --> 00:35:28,040 Speaker 3: but who's Kanye West. Oh, he's Kanye West. 689 00:35:28,360 --> 00:35:32,880 Speaker 1: Okay, So Sam, I'm rehiring you only as Kanye West, 690 00:35:33,120 --> 00:35:37,080 Speaker 1: not as an engineer, because you remember you wired or something. 691 00:35:38,080 --> 00:35:40,120 Speaker 3: You owe this guy three hundred dollars. 692 00:35:40,320 --> 00:35:42,640 Speaker 1: Yeah, so you owe me three hundred dollars. And that's man. 693 00:35:45,719 --> 00:35:46,080 Speaker 3: This week. 694 00:35:46,200 --> 00:35:50,480 Speaker 2: Okay. So as so I'm doing Brandon, I wouldn't sorry. 695 00:35:50,920 --> 00:35:52,600 Speaker 2: It is Sam responding as Kanye. 696 00:35:52,840 --> 00:35:56,080 Speaker 3: I'm your co host, Mattie Robinson. This is your host, 697 00:35:56,239 --> 00:35:58,600 Speaker 3: Jensen cart and this is me, Jensen Carr, and this 698 00:35:58,719 --> 00:36:00,959 Speaker 3: is Kanye West and he owes to him three hundred dollars. 699 00:36:01,040 --> 00:36:04,040 Speaker 1: I forget what my rap name was, I Carl, thank you. 700 00:36:05,160 --> 00:36:07,800 Speaker 1: This week we're getting up on this on Stranger Things. 701 00:36:08,520 --> 00:36:10,800 Speaker 1: There's a monster in it and he's like Donald Trump 702 00:36:11,040 --> 00:36:16,440 Speaker 1: and and we also one of the worlds in his 703 00:36:16,640 --> 00:36:18,760 Speaker 1: upside down. And I always saw the first two episodes. 704 00:36:18,840 --> 00:36:23,600 Speaker 1: But what about Barb? Everyone remember bar like help save Barb? 705 00:36:24,480 --> 00:36:26,880 Speaker 2: My Jensen, do you know any basketball players? 706 00:36:27,560 --> 00:36:27,759 Speaker 3: Yeah? 707 00:36:27,840 --> 00:36:32,520 Speaker 1: So I did a rap song for Jamal Crawford of 708 00:36:32,600 --> 00:36:35,600 Speaker 1: the Last Angelo's Clippers, and he told me that he 709 00:36:35,680 --> 00:36:40,160 Speaker 1: really liked it, and h and Kanye West thows me 710 00:36:40,200 --> 00:36:40,920 Speaker 1: three hundred dollars. 711 00:36:42,200 --> 00:36:44,480 Speaker 2: Oh wow, and you think you've made more than three 712 00:36:44,560 --> 00:36:47,239 Speaker 2: hundred dollars just by telling the story that you met 713 00:36:47,320 --> 00:36:52,799 Speaker 2: Kanye West ones basically it's where you sold a book 714 00:36:52,840 --> 00:36:53,160 Speaker 2: about it. 715 00:36:54,040 --> 00:36:57,400 Speaker 1: It's about that. Yeah, it's I'm close to breaking that. 716 00:36:57,480 --> 00:37:02,400 Speaker 1: I'm the Kanye West thing. Yes, And so you're in 717 00:37:02,520 --> 00:37:05,319 Speaker 1: You're branded in this case. Yeah. 718 00:37:05,840 --> 00:37:09,480 Speaker 3: Yeah, Brandon, you're getting You're getting real, like, you know, 719 00:37:09,800 --> 00:37:11,600 Speaker 3: confrontational on this podcast. 720 00:37:11,840 --> 00:37:14,440 Speaker 1: Yeah, Sean, are you okay? 721 00:37:16,160 --> 00:37:16,920 Speaker 2: Yeah? I'm okay. 722 00:37:19,200 --> 00:37:21,160 Speaker 1: What's the matter? Is that something happened on the submarine? 723 00:37:22,440 --> 00:37:23,640 Speaker 2: Yeah? Nothing big? 724 00:37:24,920 --> 00:37:25,560 Speaker 1: What happened? 725 00:37:25,680 --> 00:37:30,839 Speaker 2: Okay? So I guess there's somebody. 726 00:37:30,600 --> 00:37:31,200 Speaker 4: Down here. 727 00:37:32,719 --> 00:37:36,120 Speaker 2: In like a Vietnam helicopter who's been just like flying 728 00:37:36,160 --> 00:37:37,520 Speaker 2: around in the ocean for a while. 729 00:37:38,120 --> 00:37:38,440 Speaker 1: Okay. 730 00:37:38,600 --> 00:37:42,840 Speaker 2: And so he flew under my submarine and he was 731 00:37:42,920 --> 00:37:45,759 Speaker 2: making fun of my GLOSSI suit. So I tried to 732 00:37:45,840 --> 00:37:46,359 Speaker 2: punch him. 733 00:37:48,400 --> 00:37:48,920 Speaker 1: He caught it. 734 00:37:49,120 --> 00:37:49,600 Speaker 4: He caught it. 735 00:37:50,840 --> 00:37:53,440 Speaker 2: Yeah, he was able to catch it. I mean he's 736 00:37:53,480 --> 00:37:56,280 Speaker 2: got some kind of army training or something, because pretty 737 00:37:56,360 --> 00:38:01,200 Speaker 2: much no one could catch my paunch, and he squeezed 738 00:38:01,239 --> 00:38:02,200 Speaker 2: my punch pretty hard. 739 00:38:02,320 --> 00:38:04,040 Speaker 1: Can I ask this? I don't know how to say this. 740 00:38:04,320 --> 00:38:06,000 Speaker 1: Is he like one of our guys or is he 741 00:38:06,160 --> 00:38:07,360 Speaker 1: like Charlie? 742 00:38:07,800 --> 00:38:07,840 Speaker 3: Like? 743 00:38:08,040 --> 00:38:10,040 Speaker 1: Is that I don't like, are we do? I don't 744 00:38:10,120 --> 00:38:13,000 Speaker 1: know if that's okay now because at the time I 745 00:38:13,120 --> 00:38:16,400 Speaker 1: remember we were we were all saying Charlie and it 746 00:38:16,560 --> 00:38:19,279 Speaker 1: was like, not a big deal. Is Charlie no longer something? 747 00:38:19,360 --> 00:38:23,919 Speaker 1: You can call those guys? Okay? Great? 748 00:38:27,160 --> 00:38:31,239 Speaker 3: And Charlie Haunham? Was he an undeclared No. 749 00:38:31,280 --> 00:38:32,600 Speaker 1: He's the Pacific Rim guy. 750 00:38:32,760 --> 00:38:33,920 Speaker 3: He's the Pacific Rim guy. 751 00:38:33,960 --> 00:38:35,759 Speaker 2: He's he's the guy he was supposed to be in 752 00:38:36,160 --> 00:38:38,319 Speaker 2: Shades of Gray and he's mad about it. I guess 753 00:38:38,320 --> 00:38:40,080 Speaker 2: when he got taken out of that movie, he just 754 00:38:40,200 --> 00:38:45,040 Speaker 2: starts flying this helicopter through the ocean until he found me, 755 00:38:45,680 --> 00:38:46,560 Speaker 2: kicking it out on me. 756 00:38:49,080 --> 00:38:49,279 Speaker 4: Wow. 757 00:38:49,680 --> 00:38:51,319 Speaker 1: And he was supposed to be in the Pacific Rim 758 00:38:51,440 --> 00:38:54,960 Speaker 1: with his brother, but then his brother got eaten by 759 00:38:55,000 --> 00:38:57,560 Speaker 1: one of the Kaiju. Are we allowed to call himaju now? 760 00:38:57,760 --> 00:38:59,920 Speaker 1: Is that okay? Because, like, you know, I don't know 761 00:39:00,080 --> 00:39:02,760 Speaker 1: if it's like calling them kaiju is like a cultural 762 00:39:02,840 --> 00:39:05,359 Speaker 1: appropriation or whatever. And this, you know what I mean. 763 00:39:07,000 --> 00:39:07,520 Speaker 4: Speaking on that. 764 00:39:13,200 --> 00:39:14,040 Speaker 1: Speak on the kaiju. 765 00:39:14,239 --> 00:39:15,000 Speaker 4: Are we scared of. 766 00:39:17,360 --> 00:39:18,400 Speaker 3: Kaiju appropriation? 767 00:39:18,680 --> 00:39:18,839 Speaker 4: Yeah? 768 00:39:18,920 --> 00:39:21,239 Speaker 1: Are you are we scared of the kaiju? Like what like, 769 00:39:22,320 --> 00:39:24,399 Speaker 1: are we scared of the We're going to come back? 770 00:39:25,440 --> 00:39:29,120 Speaker 3: Well, we were talking about irony. Yeah, and yes, yes, 771 00:39:29,440 --> 00:39:35,480 Speaker 3: I think uh because of irony kaiju appropriation is extremely good? 772 00:39:36,400 --> 00:39:37,479 Speaker 1: Is good ship? 773 00:39:37,560 --> 00:39:37,920 Speaker 3: That's my. 774 00:39:39,960 --> 00:39:44,360 Speaker 1: Yes, this is a move that I am learning from irony, 775 00:39:45,000 --> 00:39:47,399 Speaker 1: which is calling things that are bad extremely good ship. 776 00:39:47,840 --> 00:39:50,800 Speaker 1: I am starting to figure out how this, how this works. 777 00:39:51,480 --> 00:39:53,480 Speaker 3: It's a it's a pretty nuanced concept. 778 00:39:53,600 --> 00:39:55,480 Speaker 1: Now, Sean, you drove into the bp O spell. 779 00:39:56,640 --> 00:39:58,360 Speaker 4: Yeah, what happened? 780 00:40:01,280 --> 00:40:08,160 Speaker 2: Just a slick okay by oil, like a frigging one 781 00:40:08,200 --> 00:40:09,800 Speaker 2: of those cool ducks. 782 00:40:12,000 --> 00:40:16,239 Speaker 1: Yeah, you remember, like that campaign for Don don So 783 00:40:17,640 --> 00:40:19,239 Speaker 1: was like, if you have a duck with like a 784 00:40:19,280 --> 00:40:21,399 Speaker 1: bunch of oil on it, you could buy our soap 785 00:40:21,440 --> 00:40:22,359 Speaker 1: and we'll wash it off. 786 00:40:23,480 --> 00:40:26,040 Speaker 3: Hey, deep Water Horizon is coming out. I always buy 787 00:40:26,200 --> 00:40:28,920 Speaker 3: I buy the oil. I buy the oil and the 788 00:40:29,040 --> 00:40:31,480 Speaker 3: don at the same time, at the same time. Yes, 789 00:40:31,560 --> 00:40:35,280 Speaker 3: they have them at Costco in the same just wrapped 790 00:40:35,360 --> 00:40:37,600 Speaker 3: up in the same aisle, as same ole, as the ducks, 791 00:40:37,680 --> 00:40:40,480 Speaker 3: as the ducks. Yes, the ducks, the oil, and the Doun. 792 00:40:41,480 --> 00:40:43,360 Speaker 1: Yes, they're all wrapped up in the same package. 793 00:40:43,800 --> 00:40:46,680 Speaker 3: So I got I went on Amazon, because when you 794 00:40:46,800 --> 00:40:50,400 Speaker 3: go on when it has like the normally bought together 795 00:40:51,239 --> 00:40:54,640 Speaker 3: option and so like all three boxes are checked and 796 00:40:55,239 --> 00:40:57,759 Speaker 3: yeah oil don so yeah I got it. I so 797 00:40:57,880 --> 00:41:01,399 Speaker 3: I got a duck delivered. But the when the duck 798 00:41:01,520 --> 00:41:04,239 Speaker 3: died by the time it got to my place, even 799 00:41:04,920 --> 00:41:07,480 Speaker 3: without you putting the oil on it. Yeah, but it 800 00:41:07,600 --> 00:41:10,920 Speaker 3: still works, you can still, but still I still got 801 00:41:11,000 --> 00:41:11,759 Speaker 3: the experience. 802 00:41:12,200 --> 00:41:16,880 Speaker 1: Amazon's actually bad, now, Sean, did you read about that? 803 00:41:17,239 --> 00:41:17,479 Speaker 3: Yeah? 804 00:41:19,040 --> 00:41:23,120 Speaker 1: What, Amazon's actually bad because the way they do their 805 00:41:23,160 --> 00:41:25,520 Speaker 1: boxes or whatever is against the environment. 806 00:41:25,719 --> 00:41:30,400 Speaker 2: So oh no, Amazons. 807 00:41:30,520 --> 00:41:31,800 Speaker 3: So we're not not bezos. 808 00:41:33,600 --> 00:41:36,240 Speaker 1: We're not supposed at two bezos. Yes, we're not supposed 809 00:41:36,239 --> 00:41:37,400 Speaker 1: to be doing Amazon anymore. 810 00:41:38,840 --> 00:41:40,400 Speaker 2: Well, can I watch Bosh too? 811 00:41:41,880 --> 00:41:45,160 Speaker 1: Yes, you can watch Bosh on the computer. Only you 812 00:41:45,239 --> 00:41:47,839 Speaker 1: can't have Bosh delivered to your house unless you use 813 00:41:48,000 --> 00:41:51,800 Speaker 1: Jet use Jet dot com. Then it's because they do 814 00:41:51,920 --> 00:41:53,600 Speaker 1: their box they have clean box policy. 815 00:41:53,680 --> 00:41:57,280 Speaker 3: They're taking back all the all the transparent Emmys. 816 00:41:57,840 --> 00:41:59,600 Speaker 4: Yes they are, and the way. 817 00:41:59,480 --> 00:42:02,360 Speaker 2: They should Emmys is not environmentally fad. 818 00:42:03,320 --> 00:42:04,239 Speaker 4: No, it's not bad. 819 00:42:04,680 --> 00:42:06,120 Speaker 1: I mean, I'm sorry, it is bad. 820 00:42:06,800 --> 00:42:10,840 Speaker 3: Irony, Oh my god, irony, pa iron Boy. 821 00:42:12,000 --> 00:42:15,239 Speaker 1: Brandon, do you want to plug some future tweets you 822 00:42:15,280 --> 00:42:18,719 Speaker 1: have coming out? Oh jesus, what are some tweets that 823 00:42:18,760 --> 00:42:21,320 Speaker 1: you have in drafts that you would like to promote? 824 00:42:21,920 --> 00:42:24,440 Speaker 2: Oh, Brandon, are you going to drop any hot fire? 825 00:42:25,360 --> 00:42:26,240 Speaker 3: Yeah? I gotta. 826 00:42:27,360 --> 00:42:28,840 Speaker 1: It's open up your drafts folder. 827 00:42:29,000 --> 00:42:32,239 Speaker 3: Yeah, okay, let's see. Let's see what ah, what's going on? 828 00:42:32,680 --> 00:42:35,920 Speaker 3: What's going on in these in these drafts? I've got 829 00:42:35,960 --> 00:42:39,920 Speaker 3: this one where it's a it's a guy like, it's 830 00:42:39,920 --> 00:42:43,759 Speaker 3: a guy making a face. Okay, it's like, yeah, it's 831 00:42:43,800 --> 00:42:45,680 Speaker 3: like a guy making like a face. And then it's 832 00:42:46,480 --> 00:42:49,640 Speaker 3: I haven't figured out there. I haven't figured out the 833 00:42:49,719 --> 00:42:52,239 Speaker 3: tweets totally yet. But he's like making like a really 834 00:42:52,320 --> 00:42:54,759 Speaker 3: like funny face. Is it like as it's a ski 835 00:42:54,960 --> 00:42:59,200 Speaker 3: art It's no, no, it's like a just like a guy, 836 00:42:59,680 --> 00:43:02,960 Speaker 3: just like a guy on I took a picture of like, 837 00:43:04,560 --> 00:43:07,000 Speaker 3: could it be that this is one of those? And 838 00:43:07,080 --> 00:43:09,360 Speaker 3: then it's a way it's a win it's a win format. 839 00:43:09,760 --> 00:43:11,560 Speaker 3: It's a yeah, it's a win format. 840 00:43:12,480 --> 00:43:12,719 Speaker 2: Yeah. 841 00:43:13,320 --> 00:43:16,479 Speaker 3: No, it's not a t where no, no tf ws. 842 00:43:16,520 --> 00:43:20,200 Speaker 3: It's only it's only a we're skipping the tf and 843 00:43:20,280 --> 00:43:21,120 Speaker 3: it's only when. 844 00:43:22,600 --> 00:43:28,239 Speaker 2: Okay when okay, t W t W yeah, okay, this 845 00:43:28,440 --> 00:43:31,560 Speaker 2: for when? Yeah, and then could it be? And I'm 846 00:43:31,800 --> 00:43:34,560 Speaker 2: just this is field and this is even too crazy 847 00:43:34,600 --> 00:43:36,759 Speaker 2: even for you. But if the guy's making it a 848 00:43:36,840 --> 00:43:40,920 Speaker 2: funny face, maybe this for when he when you when. 849 00:43:41,880 --> 00:43:42,400 Speaker 3: When you not? 850 00:43:42,760 --> 00:43:45,680 Speaker 1: But she keeps sucking. Sean has a thing he's trying 851 00:43:45,719 --> 00:43:49,680 Speaker 1: to make, huh. He has sort of a competing acronym 852 00:43:49,760 --> 00:43:52,560 Speaker 1: where he says that tf W is this for when? 853 00:43:53,480 --> 00:43:56,719 Speaker 1: This for when? Yeah, like like it's like this for when, 854 00:43:56,880 --> 00:44:00,359 Speaker 1: this is when you use this or something? Yeah, yes, 855 00:44:02,040 --> 00:44:05,800 Speaker 1: it's competing with that feeling one, but it's not articulate. 856 00:44:05,880 --> 00:44:10,520 Speaker 1: So when he he thinks it's this for when whenever 857 00:44:10,600 --> 00:44:12,919 Speaker 1: he's using it, and he thinks that's how other people 858 00:44:12,960 --> 00:44:14,600 Speaker 1: are using it too. Now, But I'm not sure that 859 00:44:14,680 --> 00:44:16,799 Speaker 1: that that would actually be really helpful for him. If 860 00:44:16,840 --> 00:44:18,960 Speaker 1: when you use TFW for now and you were actually 861 00:44:19,040 --> 00:44:21,120 Speaker 1: doing it, is this for when? And I doesn't actually 862 00:44:21,200 --> 00:44:23,239 Speaker 1: have to change your tweets at all. It's just like 863 00:44:23,280 --> 00:44:24,000 Speaker 1: when people ask you. 864 00:44:24,040 --> 00:44:25,600 Speaker 3: What that stands for, you say, are you asking me 865 00:44:25,719 --> 00:44:27,480 Speaker 3: to start saying this for when? 866 00:44:27,880 --> 00:44:28,120 Speaker 4: Yes? 867 00:44:28,640 --> 00:44:32,359 Speaker 3: Yeah, yeah, like I should start using this for when 868 00:44:32,480 --> 00:44:36,640 Speaker 3: and instead of that feeling when yeah, yeah, that would 869 00:44:36,680 --> 00:44:38,919 Speaker 3: be huge. That would be really huge for that would 870 00:44:38,960 --> 00:44:42,359 Speaker 3: be that would be big for the movement. Yeah, Sean, 871 00:44:42,400 --> 00:44:43,279 Speaker 3: would that be huge for you? 872 00:44:44,920 --> 00:44:49,279 Speaker 2: Oh gosh, that would just about make my months. I 873 00:44:49,360 --> 00:44:50,879 Speaker 2: think this is not a submarine? 874 00:44:52,640 --> 00:44:52,680 Speaker 3: What? 875 00:44:53,640 --> 00:44:57,520 Speaker 1: Okay? So I have been well, no, I don't. I 876 00:44:57,640 --> 00:44:59,239 Speaker 1: have been starting to wonder if you were at the 877 00:44:59,320 --> 00:45:02,600 Speaker 1: movies because you're seeing Davy Jones and now it feels 878 00:45:02,600 --> 00:45:04,480 Speaker 1: like you are maybe watching Deep Water Horizon. 879 00:45:07,120 --> 00:45:11,400 Speaker 2: Yeah that's right, Yeah, I think the movies. 880 00:45:11,880 --> 00:45:16,600 Speaker 1: Okay, what about the horse? It seems like that it 881 00:45:16,719 --> 00:45:21,960 Speaker 1: was the war, Oh it was a dog. Okay, So 882 00:45:22,080 --> 00:45:24,240 Speaker 1: what it does feel like you could have been here today? 883 00:45:24,320 --> 00:45:27,759 Speaker 1: Then I'm not saying like, you know, like the circumstances 884 00:45:27,800 --> 00:45:28,719 Speaker 1: that brought you to this place. 885 00:45:28,719 --> 00:45:29,040 Speaker 2: I don't know. 886 00:45:29,120 --> 00:45:31,279 Speaker 1: Maybe it was like tough, but it does feel like 887 00:45:31,320 --> 00:45:32,840 Speaker 1: you could have been in the studio today. 888 00:45:34,160 --> 00:45:36,400 Speaker 2: Okay, Now you're mad just because I've been sitting in 889 00:45:36,440 --> 00:45:38,880 Speaker 2: the movie theater seat and thought I was driving the submarine. 890 00:45:38,960 --> 00:45:41,440 Speaker 1: And now you're pissed and watching a but one very 891 00:45:41,520 --> 00:45:45,759 Speaker 1: new movie and a bunch of old movies, not that old, 892 00:45:45,840 --> 00:45:48,200 Speaker 1: but movies that are definitely not in theaters anymore. 893 00:45:49,640 --> 00:45:50,160 Speaker 2: Classics? 894 00:45:51,200 --> 00:45:56,520 Speaker 1: Yeah, Brandon what Uh so the funny face guy and 895 00:45:56,719 --> 00:45:57,640 Speaker 1: no other good tweets? 896 00:45:58,280 --> 00:46:04,560 Speaker 3: Uh, it's you know it, it's it's just like putting 897 00:46:04,600 --> 00:46:07,080 Speaker 3: in You're putting me in a really vulnerable position, you know, 898 00:46:08,200 --> 00:46:11,879 Speaker 3: sharing sharing memes that haven't dropped yet. 899 00:46:12,239 --> 00:46:13,600 Speaker 1: Okay, because. 900 00:46:15,520 --> 00:46:18,200 Speaker 2: For Twitter, yeah are you? Can you hear me? 901 00:46:18,840 --> 00:46:18,880 Speaker 3: So? 902 00:46:20,719 --> 00:46:23,920 Speaker 2: What if you do something called first round draft tweets 903 00:46:24,880 --> 00:46:28,600 Speaker 2: and it's just sort of like, yeah, their draft, their 904 00:46:28,600 --> 00:46:32,920 Speaker 2: tweets with your drafts folder, So you haven't sort of Hey, 905 00:46:33,000 --> 00:46:35,399 Speaker 2: I mean obviously you craft and you edit these things 906 00:46:35,440 --> 00:46:40,239 Speaker 2: for months, but the concept of this would be, you know, 907 00:46:40,400 --> 00:46:43,120 Speaker 2: there's a day that's just like first it's draft day, 908 00:46:43,719 --> 00:46:47,080 Speaker 2: and you do your first round draft tweets and you 909 00:46:47,239 --> 00:46:51,719 Speaker 2: just don't You just let it fly, something out there 910 00:46:51,760 --> 00:46:54,719 Speaker 2: and it's not polished, and you say, hey, guys, like 911 00:46:54,880 --> 00:46:57,920 Speaker 2: this is some of the up stuff that my mind. 912 00:46:57,760 --> 00:47:01,439 Speaker 3: Comes, stuff that I'm that I'm thinking about. Yeah, I'm down. 913 00:47:02,160 --> 00:47:04,080 Speaker 1: Can we talk about vulnerability for a second. You are 914 00:47:04,160 --> 00:47:09,520 Speaker 1: sort of a confessional comedian with like you talk about 915 00:47:09,800 --> 00:47:11,759 Speaker 1: your sick grandma and like stuff. 916 00:47:11,480 --> 00:47:15,560 Speaker 3: Like that, my sick grandma. Yeah, how your Grandma's like, dope, 917 00:47:15,719 --> 00:47:17,719 Speaker 3: my grandma's fucking sick, right. 918 00:47:17,680 --> 00:47:20,120 Speaker 1: And also how she's like ill, Yeah, I don't know. 919 00:47:21,680 --> 00:47:25,480 Speaker 3: She like she died because she drank too much monster 920 00:47:25,680 --> 00:47:32,000 Speaker 3: energy and so getting vulnerable on stage really like yeah, 921 00:47:32,000 --> 00:47:34,560 Speaker 3: I have Well that's what my one man chose. But 922 00:47:35,560 --> 00:47:40,040 Speaker 3: it's Brandon wordel my sick grandma. Yeah, and how she 923 00:47:40,880 --> 00:47:45,680 Speaker 3: was so at a black box and okay, just sort 924 00:47:45,719 --> 00:47:48,040 Speaker 3: of yeah, you know, and how do you use get 925 00:47:48,080 --> 00:47:48,480 Speaker 3: into it. 926 00:47:48,640 --> 00:47:53,120 Speaker 1: The set to pretend that it's your grandma's house. 927 00:47:54,800 --> 00:47:59,480 Speaker 3: Well, I play my grandma also, right, yeah, sure, but 928 00:47:59,800 --> 00:48:03,399 Speaker 3: but it's not a problematic. It's okay, go ahead, Yeah, 929 00:48:03,560 --> 00:48:03,959 Speaker 3: this might. 930 00:48:03,920 --> 00:48:05,600 Speaker 2: Be sensitive, and you let me know if it's too 931 00:48:05,680 --> 00:48:09,880 Speaker 2: far monster energy drink that's made by a monster, or 932 00:48:09,960 --> 00:48:11,240 Speaker 2: it turns you into a monter. 933 00:48:13,800 --> 00:48:18,279 Speaker 3: Wow, I mean, who's you know, who's to say it 934 00:48:18,320 --> 00:48:18,839 Speaker 3: makes you think? 935 00:48:18,920 --> 00:48:23,160 Speaker 1: You know, this idea of like being problematic, of like 936 00:48:23,239 --> 00:48:25,759 Speaker 1: sort of taking when you play your grandma. 937 00:48:25,520 --> 00:48:28,839 Speaker 3: Well, when I play my grandma, it's kind of it's 938 00:48:28,920 --> 00:48:32,440 Speaker 3: a long one man show. So right, okay, Well I 939 00:48:32,960 --> 00:48:36,719 Speaker 3: don't even calling it a one man show is problematic 940 00:48:36,800 --> 00:48:38,480 Speaker 3: because I don't want to call it a one man 941 00:48:38,520 --> 00:48:42,839 Speaker 3: show because I'm also playing my grandma. But I go through, Uh, 942 00:48:43,880 --> 00:48:47,840 Speaker 3: I go m to f right to play my grandma. 943 00:48:48,560 --> 00:48:53,800 Speaker 3: But when you're switching, yeah right, but I hear it 944 00:48:53,880 --> 00:48:57,320 Speaker 3: comes well, yeah, like I have a doctor. I have 945 00:48:57,440 --> 00:49:01,560 Speaker 3: a doctor there at the black Box theater. Yes, and 946 00:49:02,000 --> 00:49:04,800 Speaker 3: uh it's a long it's a long show, so he is, 947 00:49:05,000 --> 00:49:05,239 Speaker 3: So I. 948 00:49:05,320 --> 00:49:07,040 Speaker 2: Go for the theater. 949 00:49:07,480 --> 00:49:07,840 Speaker 3: What's that. 950 00:49:09,320 --> 00:49:10,040 Speaker 2: Calling the theater? 951 00:49:10,160 --> 00:49:10,800 Speaker 3: That is that? Not? 952 00:49:10,920 --> 00:49:11,320 Speaker 2: Probably know? 953 00:49:11,680 --> 00:49:15,920 Speaker 3: But yeah right African American box, Yeah we should. 954 00:49:15,640 --> 00:49:18,440 Speaker 2: Probably sweet is sweet? 955 00:49:19,120 --> 00:49:21,360 Speaker 1: Yeah, Brandon is being a bit of a sweetie today. 956 00:49:21,840 --> 00:49:23,800 Speaker 4: Uh what does he look like? 957 00:49:23,960 --> 00:49:24,719 Speaker 2: I don't know him. 958 00:49:25,080 --> 00:49:27,600 Speaker 3: He's like a very like I don't know how to 959 00:49:28,360 --> 00:49:31,400 Speaker 3: really describe this. I mean, you're like a cut boy, right, 960 00:49:31,520 --> 00:49:33,239 Speaker 3: oh yeah, thank you. You're like a cutie pie and 961 00:49:33,320 --> 00:49:37,479 Speaker 3: like a sweetie and like uh identify has. 962 00:49:37,400 --> 00:49:41,520 Speaker 1: Like he has like a young Yes, I would say 963 00:49:41,560 --> 00:49:46,840 Speaker 1: he's like I'm getting young Stevo vibes for sure. His voice, 964 00:49:47,480 --> 00:49:50,720 Speaker 1: Uh does not really sound like he's been eating glass 965 00:49:50,800 --> 00:49:55,080 Speaker 1: the way Steve O does every day, But it's sort 966 00:49:55,080 --> 00:49:57,759 Speaker 1: of like a young young Stevo when he was like 967 00:49:57,960 --> 00:50:00,760 Speaker 1: running away from alligators and stuff. 968 00:50:01,640 --> 00:50:02,319 Speaker 2: Goldish thing. 969 00:50:02,560 --> 00:50:09,880 Speaker 1: Yeah okay, yes, but Yeah, cutie pie, sweet boy working 970 00:50:09,920 --> 00:50:13,960 Speaker 1: with what would you say, body wise like this? This 971 00:50:14,120 --> 00:50:15,839 Speaker 1: is we should have done this at the beginning because 972 00:50:15,880 --> 00:50:16,759 Speaker 1: this is very helpful for. 973 00:50:16,840 --> 00:50:19,239 Speaker 3: H Like what would you slim, slim, thick? 974 00:50:19,840 --> 00:50:22,400 Speaker 1: Yeah, yes, he's like slim in some places but like 975 00:50:22,560 --> 00:50:25,600 Speaker 1: thick in other places. But it works like it definitely. 976 00:50:25,880 --> 00:50:29,640 Speaker 1: It comes together to make like a nice you know, 977 00:50:29,800 --> 00:50:32,200 Speaker 1: something that's like very cute and like adorable. 978 00:50:33,480 --> 00:50:34,680 Speaker 2: Is there any rope parts? 979 00:50:35,080 --> 00:50:38,520 Speaker 1: Yeah, he's got like John Hawk's arms, you know what 980 00:50:38,600 --> 00:50:44,480 Speaker 1: I'm talking about. Yeah, the white John Hawks's arms are 981 00:50:44,560 --> 00:50:48,200 Speaker 1: like a one giant vein. Those are kind of Yes, 982 00:50:48,320 --> 00:50:52,239 Speaker 1: those are kind of the arms that he has. But 983 00:50:52,760 --> 00:50:58,560 Speaker 1: his legs are like much much thicker, much not ropey 984 00:50:59,040 --> 00:51:03,480 Speaker 1: at all. There's like a lot of bulk to the legs. Yeah, 985 00:51:03,560 --> 00:51:07,880 Speaker 1: I mean I can really see. Uh, yes, his legs 986 00:51:08,000 --> 00:51:09,479 Speaker 1: look like the michelin Man's legs. 987 00:51:09,680 --> 00:51:11,560 Speaker 2: Yes, So what I'm getting is the legs are kind 988 00:51:11,560 --> 00:51:14,640 Speaker 2: of a pile and the arms are kind of a rope. 989 00:51:15,360 --> 00:51:18,759 Speaker 1: Yes, the legs are like his body is really like 990 00:51:18,880 --> 00:51:24,880 Speaker 1: a tough mutter obstacle course. Oh okay, did you ever 991 00:51:25,000 --> 00:51:30,280 Speaker 1: do did you ever do tough mutter? Brandon it's actually 992 00:51:30,880 --> 00:51:34,120 Speaker 1: not easy, like everyone says in this tough mutter, Yeah, 993 00:51:34,920 --> 00:51:37,520 Speaker 1: I'm not. It's actually really hardcore. You have to like 994 00:51:37,960 --> 00:51:41,120 Speaker 1: crawl on the ground at some point and you have 995 00:51:41,239 --> 00:51:44,520 Speaker 1: to climb a wall. Oh right. But it also gives 996 00:51:44,560 --> 00:51:48,520 Speaker 1: you an opportunity to help to help girls. So you 997 00:51:48,600 --> 00:51:50,600 Speaker 1: can stand at the top of the wall and when 998 00:51:50,680 --> 00:51:52,400 Speaker 1: girls come you like put your arm down in me, 999 00:51:52,680 --> 00:51:54,480 Speaker 1: like here here, and it's a bunch of guys like 1000 00:51:54,560 --> 00:51:56,680 Speaker 1: competing to get girls over the wall. 1001 00:51:57,160 --> 00:51:57,800 Speaker 4: And then I'm not. 1002 00:51:59,280 --> 00:52:00,920 Speaker 1: And then after we'd you can approach a girl and 1003 00:52:01,040 --> 00:52:04,440 Speaker 1: be like, hey, you were awesome out there, and hoping 1004 00:52:04,520 --> 00:52:07,040 Speaker 1: she'd tkes you for helping her get over the wall. 1005 00:52:07,480 --> 00:52:08,560 Speaker 1: And if she doesn't, you can. 1006 00:52:08,480 --> 00:52:12,000 Speaker 2: You inspired me to keep going. I was ready to 1007 00:52:12,040 --> 00:52:13,799 Speaker 2: give up while I saw how hard you were work, 1008 00:52:13,840 --> 00:52:16,000 Speaker 2: and I was like, all right, we're finishing this thing. 1009 00:52:16,520 --> 00:52:17,560 Speaker 2: What are you doing after this? 1010 00:52:18,120 --> 00:52:21,120 Speaker 1: And if she doesn't seem very thankful or doesn't want 1011 00:52:21,160 --> 00:52:23,480 Speaker 1: to like compensate you in some way for helping her 1012 00:52:23,480 --> 00:52:26,560 Speaker 1: over the wall, you can get mad. You have permission 1013 00:52:26,600 --> 00:52:31,080 Speaker 1: to get mad, right you're in doorphins. I don't really 1014 00:52:31,239 --> 00:52:32,600 Speaker 1: like why you like it. 1015 00:52:32,800 --> 00:52:35,239 Speaker 2: I like to get it I like to get electrocuted too. 1016 00:52:38,760 --> 00:52:41,920 Speaker 1: Yeah, I mean it's weird because I'm like on my 1017 00:52:42,200 --> 00:52:47,920 Speaker 1: stomach getting electrocuted and that, Like it's impossible not to 1018 00:52:49,120 --> 00:52:51,440 Speaker 1: get boned out when you get electrics. This is like, 1019 00:52:51,520 --> 00:52:53,680 Speaker 1: I'm not saying anything new, Like when you get electrocuted, 1020 00:52:53,719 --> 00:52:56,440 Speaker 1: you get poured out, boned out, but you're yeah. 1021 00:52:56,320 --> 00:52:59,239 Speaker 2: This is not breaking news. Yeah, we're just saying the 1022 00:52:59,280 --> 00:53:01,880 Speaker 2: same thing that you said for two hundred years. You 1023 00:53:02,200 --> 00:53:03,839 Speaker 2: lets you cut it out of your stomach, you're gonna 1024 00:53:03,840 --> 00:53:05,120 Speaker 2: get you know, charged up. 1025 00:53:05,360 --> 00:53:07,640 Speaker 1: So basically what I mean, it's like a tough mutter tip. 1026 00:53:07,719 --> 00:53:11,320 Speaker 1: I guess before you crawl on your stomach under the 1027 00:53:11,320 --> 00:53:15,000 Speaker 1: electrical wires, you tuck it under your waistband, like I 1028 00:53:15,280 --> 00:53:17,160 Speaker 1: because I see a lot of people like when they 1029 00:53:17,200 --> 00:53:21,160 Speaker 1: get boned out, it's like going backward. It's like in 1030 00:53:21,280 --> 00:53:23,279 Speaker 1: this very uncomfortable position. But if you tuck it under 1031 00:53:23,280 --> 00:53:25,040 Speaker 1: your waistband, it's. 1032 00:53:25,160 --> 00:53:27,760 Speaker 3: Just like kind of it feels yeah, gentally inflating against 1033 00:53:27,760 --> 00:53:28,280 Speaker 3: your stomach. 1034 00:53:28,560 --> 00:53:29,759 Speaker 1: It's fine, it's great. 1035 00:53:30,400 --> 00:53:35,360 Speaker 3: Yeah, yeah. Accidentally, you know, when you're boned out and 1036 00:53:35,440 --> 00:53:38,319 Speaker 3: you got it, you got it against your waistband. You're 1037 00:53:38,360 --> 00:53:41,040 Speaker 3: not touching it. But you know there's some friction, Yes, 1038 00:53:41,360 --> 00:53:43,920 Speaker 3: with the waistband you ever, there's a lot of friction 1039 00:53:44,120 --> 00:53:45,960 Speaker 3: and if yeah, go ahead, Sean. 1040 00:53:46,320 --> 00:53:48,239 Speaker 2: Brandon, what are some things that you yell at? What 1041 00:53:48,360 --> 00:53:51,759 Speaker 2: are something you yell at women when they don't appreciate your. 1042 00:53:51,680 --> 00:53:55,920 Speaker 3: Help when they don't they don't appreciate my help, like 1043 00:53:56,040 --> 00:53:58,000 Speaker 3: during a during like a tough mutter. 1044 00:53:58,040 --> 00:54:03,120 Speaker 1: In a tough mutter situation, or like anything holding doors 1045 00:54:03,239 --> 00:54:06,040 Speaker 1: and stuff, or like pressing an automatic door for a woman. 1046 00:54:06,320 --> 00:54:09,040 Speaker 3: I just like, I respect the sweeties too much to 1047 00:54:09,480 --> 00:54:12,160 Speaker 3: ever to ever yell, ever yell at them. So you 1048 00:54:12,280 --> 00:54:15,879 Speaker 3: just whisper threatening no, no, no, I mean I want 1049 00:54:15,920 --> 00:54:19,279 Speaker 3: them to here. I want them to yell at me. 1050 00:54:20,239 --> 00:54:23,239 Speaker 3: Oh okay, so I respect them. That's your thing, Yeah, 1051 00:54:23,640 --> 00:54:27,799 Speaker 3: getting yelled at like I want yeah, well like yeah, 1052 00:54:28,800 --> 00:54:31,960 Speaker 3: like I want to get murdered by a woman because 1053 00:54:31,960 --> 00:54:32,680 Speaker 3: I respect them. 1054 00:54:34,000 --> 00:54:36,560 Speaker 2: I think it's I think a good technique that you're 1055 00:54:36,600 --> 00:54:39,960 Speaker 2: bringing up is you say it loud enough that they 1056 00:54:40,040 --> 00:54:42,440 Speaker 2: can hear you, so you put them in the position 1057 00:54:42,560 --> 00:54:44,640 Speaker 2: of going like, well, he's kind of doing it under 1058 00:54:44,640 --> 00:54:48,600 Speaker 2: his breast, but he's like begging me to respond, and 1059 00:54:48,719 --> 00:54:51,880 Speaker 2: that's it. And that's kind of a kind invitation to 1060 00:54:52,280 --> 00:54:55,080 Speaker 2: engage in a dialogue about whether she is the word 1061 00:54:55,120 --> 00:54:56,920 Speaker 2: that you're calling her? What do you? 1062 00:54:57,160 --> 00:55:00,960 Speaker 4: What do you say? M like, what do you? What 1063 00:55:01,040 --> 00:55:01,200 Speaker 4: do you? 1064 00:55:01,960 --> 00:55:06,800 Speaker 3: Loudly whisper well, I'm talking yeah, but no, but he 1065 00:55:06,920 --> 00:55:08,960 Speaker 3: wants to know what you sing that yeah, But I'm like, 1066 00:55:10,000 --> 00:55:11,680 Speaker 3: I want to hear your the kind of stuff that 1067 00:55:12,000 --> 00:55:13,839 Speaker 3: the stuff that you say to get murder. 1068 00:55:13,920 --> 00:55:16,120 Speaker 2: I guess in this situation, i'd be maybe be going 1069 00:55:16,200 --> 00:55:17,160 Speaker 2: I agree with Brandon. 1070 00:55:19,719 --> 00:55:21,719 Speaker 1: Can I just say, also, once you've tucked it under 1071 00:55:21,760 --> 00:55:24,440 Speaker 1: your waistband, you don't want to get in a situation 1072 00:55:24,520 --> 00:55:27,320 Speaker 1: where where you finish the race and you're like putting 1073 00:55:27,360 --> 00:55:29,239 Speaker 1: your hands up and you're like, yeah, I did it, 1074 00:55:29,680 --> 00:55:31,200 Speaker 1: but your shirt kind of comes up a little bit 1075 00:55:31,239 --> 00:55:33,480 Speaker 1: so people can see kind of the top the top 1076 00:55:33,560 --> 00:55:35,799 Speaker 1: of your d D sort of like picking up through 1077 00:55:36,120 --> 00:55:41,480 Speaker 1: the yes before you get to the wall, especially because 1078 00:55:42,120 --> 00:55:44,400 Speaker 1: once you raise your hands up to jump out of 1079 00:55:44,480 --> 00:55:47,560 Speaker 1: the wall, you're like kind of slamming your body against it, 1080 00:55:47,640 --> 00:55:51,960 Speaker 1: and sometimes the exposed tip can get a big splinter. 1081 00:55:52,719 --> 00:55:56,880 Speaker 3: So just before the wall, untoock it and get a 1082 00:55:56,920 --> 00:55:59,959 Speaker 3: big splinter. Yes you can't, you can that can't happen 1083 00:56:00,080 --> 00:56:02,280 Speaker 3: the people. Has it happened? 1084 00:56:02,360 --> 00:56:04,799 Speaker 1: I have heard I have heard of that happening where 1085 00:56:05,200 --> 00:56:07,520 Speaker 1: uh a splinter kind of because you know, there's like 1086 00:56:07,560 --> 00:56:09,279 Speaker 1: a there is a hole there is like you know, 1087 00:56:09,480 --> 00:56:11,400 Speaker 1: I'm not like we should be able to talk about this. 1088 00:56:11,520 --> 00:56:12,279 Speaker 1: There's a hole in there. 1089 00:56:12,360 --> 00:56:14,160 Speaker 2: We're not bringing news here, and. 1090 00:56:14,200 --> 00:56:17,640 Speaker 1: It's bigger than a splinter, so splinters can absolutely get 1091 00:56:17,719 --> 00:56:19,759 Speaker 1: in there. Yeah, and I've heard of that happening to 1092 00:56:20,040 --> 00:56:22,640 Speaker 1: so many people, and people are scared to talk about it. 1093 00:56:22,719 --> 00:56:24,680 Speaker 1: But you can absolutely get a splinter in there. 1094 00:56:24,719 --> 00:56:27,239 Speaker 2: And this is just men's Can we finally talk about 1095 00:56:27,320 --> 00:56:29,080 Speaker 2: that you do get splinters in there when you do 1096 00:56:29,160 --> 00:56:33,040 Speaker 2: a tough mother? Can somebody finally say that and not 1097 00:56:33,120 --> 00:56:34,840 Speaker 2: get crucified online for it? 1098 00:56:34,960 --> 00:56:37,160 Speaker 1: Yeah? Thank you. I mean these are health issues that 1099 00:56:37,239 --> 00:56:39,200 Speaker 1: we have to be I don't know that we have 1100 00:56:39,320 --> 00:56:41,799 Speaker 1: to be talking about our slash our slash. 1101 00:56:42,400 --> 00:56:45,840 Speaker 2: Being so sensitive by being so politically correct about this. 1102 00:56:46,280 --> 00:56:46,880 Speaker 1: No, it's not. 1103 00:56:47,160 --> 00:56:49,560 Speaker 2: There's a hole the size of about ten splinters and 1104 00:56:49,640 --> 00:56:51,839 Speaker 2: that's how many I know some people have gotten in then. 1105 00:56:52,760 --> 00:56:55,920 Speaker 1: Yes, I've heard of some people getting absolutely getting ten splinters. 1106 00:56:56,040 --> 00:56:57,800 Speaker 3: Yeah, boy. 1107 00:57:00,200 --> 00:57:11,560 Speaker 5: Bye, this has been an Earwolf Production, Executive produced by 1108 00:57:11,600 --> 00:57:13,240 Speaker 5: Scott Ackerman and Chris Bannon. 1109 00:57:13,480 --> 00:57:16,360 Speaker 3: For more information and content, visit earwolf dot com.