WEBVTT - Christopher WIlliams 

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<v Speaker 1>R and money than take Valentini.

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<v Speaker 2>We are the authorities.

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<v Speaker 3>R and.

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<v Speaker 2>Ladies and gentlemen, money, mistake Valentine. And this is the

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<v Speaker 2>Yarvey Money Podcast, the authority on all things R and B.

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<v Speaker 4>All right, dammit, ore c n B.

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<v Speaker 2>You understand what I'm saying. You do you understand what

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<v Speaker 2>I'm saying. The level of excitement in my face, you

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<v Speaker 2>see it.

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<v Speaker 1>I ain't dreaming this. She is not free.

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<v Speaker 4>This man here, his lesson here, talk about it.

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<v Speaker 2>Huh yeah, My big cousins and they talked about this

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<v Speaker 2>man like he had came back as Jesus, like like

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<v Speaker 2>he was the gorgeous Jesus man.

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<v Speaker 4>They wanted to be saved by him.

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<v Speaker 2>He's just talking to themself. Listen, may he's still here

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<v Speaker 2>doing this thing.

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<v Speaker 1>Man. This is this is man.

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<v Speaker 2>This is this is him, ladies and gentlemen, without further ado,

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<v Speaker 2>the Christopher Williams.

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<v Speaker 1>Yeah, in the right ahead. What's up? Brother? Come on, man,

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<v Speaker 1>good to be here. My cousin, And I know she's

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<v Speaker 1>gonna be watching this.

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<v Speaker 4>You're gonna shout, You're gonna say her name and everything.

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<v Speaker 2>You gotta say her name because you weren't. You weren't

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<v Speaker 2>Christopher Williams. You were Christopher fine Williams every time, every time,

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<v Speaker 2>and and and I think you you might be.

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<v Speaker 1>I don't know. Let's let's let's let's let's let's really map.

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<v Speaker 2>This out this because you life skin, indeed, but you

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<v Speaker 2>dog skin.

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<v Speaker 1>Yeah. Yeah. If you don't know, don't try to find out.

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<v Speaker 1>Leave him alone.

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<v Speaker 4>If you got that bag, got.

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<v Speaker 1>See this sing alone. He's the head.

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<v Speaker 4>He might be fresh off a motorcycle too.

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<v Speaker 1>Like, man, you.

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<v Speaker 2>Know, I got to forget. I gotta tell my story.

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<v Speaker 2>Was it R and B live?

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<v Speaker 4>R and B live?

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<v Speaker 1>School?

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<v Speaker 2>Wims is coming to perform. We're excited, coming to do

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<v Speaker 2>his thing. He walks in motorcycle, jacket, helmet bag. I'm like, okay,

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<v Speaker 2>you can set your stuff off to the side while

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<v Speaker 2>you perform. You know what I'm saying, Put it over here. No, no,

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<v Speaker 2>I'm good. Goes to the microphone. Hundreds of people in

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<v Speaker 2>the places, just performing, and he sets the bag right

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<v Speaker 2>next to himself and the microphone. Someone gets the bright idea,

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<v Speaker 2>he says, let me help Christopher Williams out and go

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<v Speaker 2>grab the bag and put it somewhere safe. Christopher Williams

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<v Speaker 2>looks at the nigga says, hey, don't touch my motherfucking

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<v Speaker 2>bag back to singing. I said, please don't touch that

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<v Speaker 2>because whatever's in that mother, I don't want to find out.

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<v Speaker 2>And he proceeded to perform and whoop on and be

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<v Speaker 2>live with the Bagay, man, what.

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<v Speaker 1>Christopher Williams? What's up? How you feeling?

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<v Speaker 2>Man?

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<v Speaker 1>Jay? It's gone here man, it's yeah time. Yeah, you know,

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<v Speaker 1>there's my guy. I'm always in mind you man, you're

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<v Speaker 1>just super dope, super talented, and you know what it is. Yes,

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<v Speaker 1>you're a real man's man. Just appreciate that talent and

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<v Speaker 1>just what you've poured into you know, music and continue

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<v Speaker 1>to and you know, just sitting the having to conversate

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<v Speaker 1>you with you about your growth and I never even

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<v Speaker 1>knew that you were on a stand up tip. But

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<v Speaker 1>then it made sense because you know, when I watched

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<v Speaker 1>R and B live, I was like, this is actually

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<v Speaker 1>more entertaining than just the normal battle of the music

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<v Speaker 1>or whatever, because you know, like some of those joints

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<v Speaker 1>you see it. You know, I thought Bobby and Keith

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<v Speaker 1>were going to go to severs. Yeah, yeah, you and

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<v Speaker 1>Tank's joint was super dope, super entertaining, and your jokes

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<v Speaker 1>roasted them. It was really good. No disrespect Toyr. We

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<v Speaker 1>love you too. But yeah, yeah, that's what I do

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<v Speaker 1>for a living man. It's Dean Martin and Jerry Lewis show. Great.

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<v Speaker 2>You know when you when you got Jamie Fox, you know,

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<v Speaker 2>talking about your outfit for a hour.

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<v Speaker 1>You got to figure out. You got to figure out

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<v Speaker 1>some comebacks.

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<v Speaker 2>You have some killers, thank you, brother, Yeah, brother, Christopher Williams.

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<v Speaker 2>What we love to do on this show is we

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<v Speaker 2>love to go back to the beginning. Okay, back to

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<v Speaker 2>the Bronx, to the beginning, Like where did music take

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<v Speaker 2>shape for you? Like the first time somebody pointed at

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<v Speaker 2>you or heard something you were doing, it was like, oh, nigga,

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<v Speaker 2>that little fella right there, I got something more or

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<v Speaker 2>you recognize it yourself.

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<v Speaker 1>I liked it, but I recognized it. But I think

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<v Speaker 1>wanting to be an athlete. When I was younger, I

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<v Speaker 1>was really into baseball and I played a little basketball too, Jay.

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<v Speaker 1>You know, I used to mess around, but I wasn't

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<v Speaker 1>ever a basketball player because I was I was a

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<v Speaker 1>four and a point guard's body, and so just with

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<v Speaker 1>that I would always be I kind of masked the

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<v Speaker 1>music and then one day in school, they had a

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<v Speaker 1>talent show and I got up and I felt that

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<v Speaker 1>energy that we get that act, that appreciation on stage,

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<v Speaker 1>and I was like, okay, maybe. Then the thing that

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<v Speaker 1>sealed it was that I went down to see my

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<v Speaker 1>aunt perform Happy related birthday to my aunt elephantz Joel yesterday. Wow,

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<v Speaker 1>she would have been one hundred and nine. I went

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<v Speaker 1>to see her with Tony Bennett, Count Based. Yep, that's

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<v Speaker 1>my blood on That is crazy. So I went to

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<v Speaker 1>see at the Euresa's Theater and the way that Frank

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<v Speaker 1>Sinatra and Count Basie was so normal, but they were

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<v Speaker 1>bigger than life, obviously, because I thought my aunt was

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<v Speaker 1>bigger than life. I don't think I really spoke to

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<v Speaker 1>my aunt till I was about seven years old, and

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<v Speaker 1>then ironically, our conversation was always like she hated the Yankees,

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<v Speaker 1>I hated the Brooklyn Dodgers, who are now the LA

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<v Speaker 1>Dodgers and who are beating us again. But I just

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<v Speaker 1>remember how they embrace me and I felt comfortable. My

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<v Speaker 1>sister was nervous, but then I felt comfortable. And that's

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<v Speaker 1>the day I said. I even told my doctor parents.

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<v Speaker 1>I said, you know what, but if I get an

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<v Speaker 1>opportunity to do that if I don't make it in baseball.

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<v Speaker 1>And then by fourteen, I knew I didn't want to

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<v Speaker 1>play baseball anymore, even though I played in high school.

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<v Speaker 1>At that point, my life had started shifting from my

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<v Speaker 1>circumstances in the Bronx and life, you know, life, just

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<v Speaker 1>some of my choices had taken me away from school

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<v Speaker 1>and sports and stuff like that, and I was more

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<v Speaker 1>survival mode. And then watching a lot of my friends

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<v Speaker 1>and you know, obviously my OG's, my brothers, you know,

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<v Speaker 1>they loved you too. And I started seeing a lot

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<v Speaker 1>of different people doing a lot of fed time. And

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<v Speaker 1>you know, my best friend got murdered on one hundred

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<v Speaker 1>and seventy fer College Avenue, and because I wasn't there

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<v Speaker 1>to watch over them, so that was like, okay, enough

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<v Speaker 1>of this, I gotta go do me. And I met

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<v Speaker 1>a chick who enticed me to do it, named Stacy dash.

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<v Speaker 1>So Stacy was auditionated and had just done like The

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<v Speaker 1>Cosby Show and all this stuff, and because we were dating,

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<v Speaker 1>she was like, you know, she's very dramatic. She was

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<v Speaker 1>like crying, like if you don't leave and go to California,

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<v Speaker 1>that was the shift. So at nineteen, you know, I

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<v Speaker 1>basically left everything I had in New York, including you know,

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<v Speaker 1>the entrepreneurship that I was, you know, involved in at

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<v Speaker 1>the time, and I bet on me. I just you know,

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<v Speaker 1>I went to a guy named Timmy Allen and Fritz Cadet,

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<v Speaker 1>who had worked with who eventually worked with Chris Brown,

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<v Speaker 1>but they had worked with many people back in the day,

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<v Speaker 1>including Luther. They were the Change Band, and we made

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<v Speaker 1>these demos. And what's weird is I was in a club,

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<v Speaker 1>I think Danceyteryrian, New York, and I was with Stacy

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<v Speaker 1>and a lot of her friends from the Cosby Show.

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<v Speaker 1>I want to say Lisa might have even been there

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<v Speaker 1>this time, but maybe not because it was many years ago.

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<v Speaker 1>But I met Michael Rosenblack. So I me at the

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<v Speaker 1>bar buying drinks for everybody, got a bunch of pretty

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<v Speaker 1>girls with me, and this white kid walks up to

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<v Speaker 1>me and he's like, Hey, who are you and who

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<v Speaker 1>were you? He was like, I signed Madonna, and I

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<v Speaker 1>was like, and I'm Elvis Presley. And the fact is,

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<v Speaker 1>because I was so raw in the business. You know

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<v Speaker 1>how when you first get in you start learning all

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<v Speaker 1>the play its like, you know, Wednesday's Radio Day, R

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<v Speaker 1>and R Billboard, and you start really and then you

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<v Speaker 1>become consumed with it. And Michael was that first thing

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<v Speaker 1>for me. And unlike most people, I wound up getting

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<v Speaker 1>a deal that next month with Geffing Records. Off those demos.

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<v Speaker 1>Off those demos, it flew out to California, and that

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<v Speaker 1>really changed my life a lot. So I was really

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<v Speaker 1>grateful for that. But then I had to go through,

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<v Speaker 1>you know, learning the business, and then it was a

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<v Speaker 1>different term. But from the beginning of the Bronx that's

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<v Speaker 1>how I got out the Bronx again. I started seeing

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<v Speaker 1>a lot of my my OG's and my friends either

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<v Speaker 1>dying or going to jail. And it was a you know,

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<v Speaker 1>it was a crack academic so it was like I

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<v Speaker 1>saw a lot of strong dudes that I admired folding

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<v Speaker 1>to the to that, to the crack and the whole

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<v Speaker 1>epidemic that it was. It was causing good and bad.

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<v Speaker 1>So I was like, I'm out, I'm going to I'm

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<v Speaker 1>going to try to make it as a singer and

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<v Speaker 1>an actor, and I left and I was like, no

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<v Speaker 1>more Plan B. And from that time I left all

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<v Speaker 1>that other stuff alone, even though there were times because

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<v Speaker 1>of the business of music, I had to I had

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<v Speaker 1>to find a way to take care of myself in

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<v Speaker 1>a way that I wouldn't be one of those stories

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<v Speaker 1>of like down and out and whatever. But I had

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<v Speaker 1>made some choices in music, honestly, with people that I

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<v Speaker 1>even loved that you know, disappointed me. But we you know,

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<v Speaker 1>we made up. We still love each other. Andre and

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<v Speaker 1>Russell and I had to accept that, you know, this

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<v Speaker 1>is a business in your corporation, there's a certain way

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<v Speaker 1>you have to act, and mentally, it's a chess game,

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<v Speaker 1>it's not checkers. And I lost my temper, and you know,

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<v Speaker 1>it became like now he's got the plague, and like

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<v Speaker 1>it became and it went, you know, like you said,

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<v Speaker 1>is he in your office with a bag? Or and

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<v Speaker 1>then I think it's worse because it's funny. One day,

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<v Speaker 1>my ex wife was at a convention with because a

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<v Speaker 1>lot of the people we grew up with, like Terry Haskins,

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<v Speaker 1>they were marketing for bad Boy. They really were the

0:11:05.920 --> 0:11:10.079
<v Speaker 1>people who were you know, Francesca Spiro. They were people

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<v Speaker 1>with spearheaded behind the scenes and doing great work. And

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<v Speaker 1>I'll never forget that I was like trying to figure Outkay,

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<v Speaker 1>who am I as an artist? What am I going

0:11:22.320 --> 0:11:24.720
<v Speaker 1>to do as an artist? And I would always pick

0:11:24.760 --> 0:11:26.880
<v Speaker 1>Andre and Russell's brain. So when I finally got a

0:11:26.960 --> 0:11:29.120
<v Speaker 1>chance to leave Geffen after the album, I went with them,

0:11:29.720 --> 0:11:34.720
<v Speaker 1>and then all the calamity broke loose. So I made

0:11:34.760 --> 0:11:36.959
<v Speaker 1>some decisions, and then I kind of got blackball for

0:11:37.080 --> 0:11:39.520
<v Speaker 1>making those decisions. And I don't know if you can

0:11:39.600 --> 0:11:42.440
<v Speaker 1>really say blackball, and I don't even I'm a person

0:11:42.440 --> 0:11:47.040
<v Speaker 1>who doesn't blame anybody else because I'm an old fashioned man.

0:11:48.320 --> 0:11:50.080
<v Speaker 1>I put my pants on the same way whether I

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<v Speaker 1>got a dollar in my pocket or a couple of

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<v Speaker 1>million in my pocket. And you know, coming from where

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<v Speaker 1>I'm from, nothing it's any worse than a lot of

0:11:58.320 --> 0:12:00.160
<v Speaker 1>the places that all of us share. We all, I'll

0:12:00.200 --> 0:12:02.800
<v Speaker 1>have an urban story all and even if you haven't

0:12:02.840 --> 0:12:05.240
<v Speaker 1>even indulged in that life, I think all of us

0:12:05.320 --> 0:12:07.800
<v Speaker 1>have a cousin or uncle law a situation where we

0:12:07.840 --> 0:12:09.840
<v Speaker 1>could have went down that road, but you're like, you

0:12:09.880 --> 0:12:13.079
<v Speaker 1>know what, I'm gonna go down this road. So you know,

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<v Speaker 1>for me, I sat back after that happened, and I

0:12:16.200 --> 0:12:19.040
<v Speaker 1>became a fan again of music. And it was even

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<v Speaker 1>a point, honestly, Jay, where I was like, I'm cool

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<v Speaker 1>with never making music again because I was able to steal,

0:12:25.600 --> 0:12:28.760
<v Speaker 1>like I have a vegan restaurant coffee shop. After I

0:12:28.760 --> 0:12:31.640
<v Speaker 1>was spot in Brooklyn, I still through real estate in

0:12:31.679 --> 0:12:34.960
<v Speaker 1>Saint Louis and Oklahoma, and I was like, Okay, I'm

0:12:34.960 --> 0:12:39.480
<v Speaker 1>sustaining cool. I'm cool, my kids are cool. But I

0:12:39.520 --> 0:12:43.120
<v Speaker 1>got sick and I woke up out of a coma

0:12:43.120 --> 0:12:45.840
<v Speaker 1>one hundred and thirty pounds after twenty four days, and

0:12:45.960 --> 0:12:48.520
<v Speaker 1>all I can remember that I wanted to do every

0:12:48.600 --> 0:12:51.160
<v Speaker 1>day was like the beginning. I just wanted to sing again.

0:12:51.960 --> 0:12:54.280
<v Speaker 1>I started putting ideas down and I just was like,

0:12:54.400 --> 0:12:56.680
<v Speaker 1>I just want to do this shit again. And while

0:12:56.720 --> 0:12:59.200
<v Speaker 1>I was paralyzed, I wrote the book of Acba. I

0:12:59.200 --> 0:13:01.600
<v Speaker 1>wrote a movie about my aunt Ella, and I wrote

0:13:01.600 --> 0:13:03.960
<v Speaker 1>a joint calls life is a song We're singing because

0:13:04.000 --> 0:13:08.920
<v Speaker 1>Teddy's my musical father. I wrote a sort of bioptic

0:13:09.040 --> 0:13:13.000
<v Speaker 1>thing with a live black orchestra about Kenny and Teddy's

0:13:13.240 --> 0:13:16.199
<v Speaker 1>musical journey, that Philly sound that affected me so much

0:13:16.240 --> 0:13:19.560
<v Speaker 1>as a kid. So I know I jumped all the

0:13:19.559 --> 0:13:21.360
<v Speaker 1>way past the beginning and how it kind of led

0:13:21.400 --> 0:13:24.040
<v Speaker 1>to now, but it does still go back to the beginning,

0:13:24.080 --> 0:13:26.480
<v Speaker 1>because I think the beginning over for me was waking

0:13:26.559 --> 0:13:28.960
<v Speaker 1>up out of that coma and being the first time

0:13:28.960 --> 0:13:30.840
<v Speaker 1>I was ever sick. And you know I used to

0:13:31.120 --> 0:13:34.480
<v Speaker 1>again like you know, alpha males, we deal with our

0:13:34.520 --> 0:13:40.000
<v Speaker 1>physical powers. So imagine how I felt waking up. Nothing's working.

0:13:42.200 --> 0:13:47.520
<v Speaker 1>Nothing's working, Johnson, Nothing everything it star hairs falling out.

0:13:48.040 --> 0:13:52.760
<v Speaker 1>I got the Willie Elmo. I'm looking at myself like death.

0:13:52.880 --> 0:13:55.880
<v Speaker 1>And it's funny when I first thank God for the

0:13:55.920 --> 0:13:58.320
<v Speaker 1>angels who are in the hospital at the time, because

0:13:58.360 --> 0:14:01.240
<v Speaker 1>I wouldn't take the vacs. So all the years I've

0:14:01.240 --> 0:14:04.439
<v Speaker 1>been paying into health insurance, I was supposed to go

0:14:04.520 --> 0:14:06.719
<v Speaker 1>to Santa Monica Hospital, you know the one out right

0:14:06.760 --> 0:14:09.719
<v Speaker 1>there on Pacific where it's looking over the ocean. They

0:14:09.760 --> 0:14:13.520
<v Speaker 1>sent me to Inglewood, to the Dirty Dirty Sniff. So

0:14:13.720 --> 0:14:15.880
<v Speaker 1>some of the things that happened while I was paralyzed

0:14:15.880 --> 0:14:18.280
<v Speaker 1>in the Dirty Sniff as a car, a gang banger

0:14:18.360 --> 0:14:22.280
<v Speaker 1>drove into the hospital. We had one murder, to shootouts

0:14:23.320 --> 0:14:27.280
<v Speaker 1>in the hospital. In the hospital and inside the hospital.

0:14:27.760 --> 0:14:31.240
<v Speaker 1>The Thaie women ran the facility, but they would go

0:14:31.320 --> 0:14:33.840
<v Speaker 1>to war with the night African shift, so we had

0:14:33.880 --> 0:14:37.120
<v Speaker 1>the African nurses at night, and one night they put

0:14:37.160 --> 0:14:39.800
<v Speaker 1>the whole facility on lockdown and I was like, Yo,

0:14:39.960 --> 0:14:42.560
<v Speaker 1>I'm in jail. I literally felt like I was in

0:14:42.640 --> 0:14:45.000
<v Speaker 1>C seventy six again. I was like, Yo, this is

0:14:45.080 --> 0:14:51.520
<v Speaker 1>crazy in the hospital and this place is still in Inglewood.

0:14:52.080 --> 0:14:54.000
<v Speaker 1>You know, It's funny. I blocked the name out because

0:14:54.800 --> 0:14:57.440
<v Speaker 1>when I walked out of it, I walked out shaken.

0:14:58.280 --> 0:15:01.560
<v Speaker 1>But my whole goal was to reach those twenty five steps.

0:15:02.000 --> 0:15:04.600
<v Speaker 1>I was like, I don't care if I die. I'm

0:15:04.640 --> 0:15:07.080
<v Speaker 1>getting out of here. And I think that's been the

0:15:07.160 --> 0:15:10.920
<v Speaker 1>thing my whole life is coming from the circumstances that

0:15:10.960 --> 0:15:14.560
<v Speaker 1>I've been is that I realized young that no one

0:15:15.120 --> 0:15:18.680
<v Speaker 1>really cares. And that's not a bad thing, because the

0:15:18.760 --> 0:15:21.040
<v Speaker 1>thing is, I think most of us are trying to

0:15:21.040 --> 0:15:24.160
<v Speaker 1>get an understanding of what life is instead of getting

0:15:24.160 --> 0:15:26.960
<v Speaker 1>an innerstanding of what your purpose in your life is.

0:15:27.840 --> 0:15:30.920
<v Speaker 1>And when I got out the hospital, if that revelation

0:15:31.040 --> 0:15:34.480
<v Speaker 1>hit me, and Creative just started giving me stuff and

0:15:34.520 --> 0:15:38.720
<v Speaker 1>then it was funny. A lot of weird occurrences, And

0:15:38.760 --> 0:15:40.920
<v Speaker 1>I had put a guy in the business named Vincent

0:15:40.960 --> 0:15:42.920
<v Speaker 1>Herbert when he was fourteen. Vince would come to my

0:15:42.960 --> 0:15:45.320
<v Speaker 1>apartment in Jersey all the time and get like two

0:15:45.360 --> 0:15:48.440
<v Speaker 1>three thousand dollars a week in the going bedroom studios.

0:15:49.040 --> 0:15:51.160
<v Speaker 1>So me and Vincent had gotten back together, as people

0:15:51.200 --> 0:15:55.720
<v Speaker 1>saw in the breakfast club, and you know, we started

0:15:55.760 --> 0:15:57.520
<v Speaker 1>talking about the good old days and it was good

0:15:57.560 --> 0:16:00.920
<v Speaker 1>to see him, and truthfully, I love Vincent, but unfortunately

0:16:01.000 --> 0:16:03.040
<v Speaker 1>weren't able to work out. He has a different way

0:16:03.040 --> 0:16:06.200
<v Speaker 1>of doing business. I like to do straight up clean business.

0:16:06.280 --> 0:16:08.520
<v Speaker 1>I'm not one of the things, as you guys know,

0:16:08.640 --> 0:16:10.600
<v Speaker 1>is an artist. We've been through so much where people

0:16:10.640 --> 0:16:14.240
<v Speaker 1>are trying to take advantage and possess you, you know

0:16:14.280 --> 0:16:16.960
<v Speaker 1>what I mean, because they see what's in you, and

0:16:17.080 --> 0:16:20.440
<v Speaker 1>especially you know when you start reaching heights like yourself,

0:16:20.480 --> 0:16:24.160
<v Speaker 1>because you've you've had a long run and your catalog

0:16:24.320 --> 0:16:28.520
<v Speaker 1>is rich and you still have the same energy for

0:16:29.080 --> 0:16:32.520
<v Speaker 1>newness and creating new stuff and being involved in new ventures,

0:16:32.880 --> 0:16:36.000
<v Speaker 1>and that's something that people try to possess instead of saying, hey,

0:16:36.120 --> 0:16:39.200
<v Speaker 1>I'd like to just do clean business with you. So

0:16:39.280 --> 0:16:40.640
<v Speaker 1>I had to learn all of that in so many

0:16:40.680 --> 0:16:43.560
<v Speaker 1>different facets, and for a long time, I can say

0:16:43.560 --> 0:16:46.760
<v Speaker 1>that I was clearly a little bitter, but I knew

0:16:46.760 --> 0:16:49.640
<v Speaker 1>that I wasn't ready to address it because in my life,

0:16:51.160 --> 0:16:57.000
<v Speaker 1>in adverse situations, I had reacted violently instead of reacting

0:16:57.080 --> 0:17:00.920
<v Speaker 1>like a smart, mature man, and that those were things

0:17:00.960 --> 0:17:02.760
<v Speaker 1>that I need to change, not just even for me,

0:17:02.880 --> 0:17:05.680
<v Speaker 1>because now I had daughters looking at me, my two

0:17:05.800 --> 0:17:10.040
<v Speaker 1>sons looking at me, and eventually my grandson and granddaughter's

0:17:10.080 --> 0:17:12.560
<v Speaker 1>looking at me. So I'm at a place now, Tank,

0:17:12.600 --> 0:17:14.840
<v Speaker 1>honestly where I'm like man. So we started talking to

0:17:14.880 --> 0:17:17.440
<v Speaker 1>me and Vince. We put this record out good enough.

0:17:17.720 --> 0:17:21.720
<v Speaker 1>Twenty nine years later, I'm thinking everything's great, and I've

0:17:21.760 --> 0:17:24.800
<v Speaker 1>got these new ip that are good, and I'm working

0:17:24.840 --> 0:17:27.840
<v Speaker 1>with a great new artist named Shakira, and these are

0:17:27.880 --> 0:17:30.200
<v Speaker 1>the things I'm focused on. Let's see if I can

0:17:30.440 --> 0:17:33.280
<v Speaker 1>do a miracle again. Can I get out the projects

0:17:34.119 --> 0:17:36.320
<v Speaker 1>and change my life around? And one day I'm in

0:17:36.400 --> 0:17:40.040
<v Speaker 1>New jack City, and then I got the same epiphany

0:17:40.080 --> 0:17:42.080
<v Speaker 1>coming out the hospital. I was like, can I own

0:17:42.240 --> 0:17:45.760
<v Speaker 1>my label? I've done good. Now I'm gonna put my

0:17:45.760 --> 0:17:47.520
<v Speaker 1>I'm a bet on me like, I don't need your

0:17:47.520 --> 0:17:50.880
<v Speaker 1>two hundred thousand dollars. I'm a market myself. I'm gonna

0:17:50.920 --> 0:17:53.840
<v Speaker 1>hire my own publichers. I'm gonna hire my radio people.

0:17:54.119 --> 0:17:56.760
<v Speaker 1>I'm gonna go after I'm gonna understand the difference between

0:17:57.320 --> 0:18:00.159
<v Speaker 1>terrestrial radio on satellite radio, how it pays out. I

0:18:00.200 --> 0:18:04.080
<v Speaker 1>wanted directly, but again for five seconds, I took my

0:18:04.160 --> 0:18:05.800
<v Speaker 1>hand off the wheel and I said, I'm going to

0:18:05.880 --> 0:18:11.359
<v Speaker 1>trust somebody to be the anchor in that h worst

0:18:11.440 --> 0:18:14.240
<v Speaker 1>thing I did. So over the last six months, we've

0:18:14.240 --> 0:18:19.119
<v Speaker 1>had to rekindle from people forging my signature and different

0:18:19.119 --> 0:18:23.040
<v Speaker 1>things like that, but bye bye, Grace. Everything's good. Now

0:18:23.520 --> 0:18:26.000
<v Speaker 1>we're moving on with a different distributor and we're looking

0:18:26.000 --> 0:18:27.320
<v Speaker 1>forward to just everything new.

0:18:27.359 --> 0:18:27.520
<v Speaker 2>Man.

0:18:27.600 --> 0:18:31.119
<v Speaker 1>I think good Enough proved that we dropped a single

0:18:31.400 --> 0:18:35.240
<v Speaker 1>in November seventh, which is a bad time obviously gonna

0:18:35.280 --> 0:18:37.840
<v Speaker 1>drop a single because Christmas is coming. But it proved

0:18:37.840 --> 0:18:40.160
<v Speaker 1>through all of it that it stood fast. It got

0:18:40.200 --> 0:18:43.560
<v Speaker 1>me in a position to be number one on satellite

0:18:43.680 --> 0:18:45.840
<v Speaker 1>radio at heart, so not number one ter rest you

0:18:46.080 --> 0:18:52.440
<v Speaker 1>like the big dog, but one and after twenty nine years, man,

0:18:52.480 --> 0:18:55.800
<v Speaker 1>and I remember, it just made me think of Charlie Wilson,

0:18:55.840 --> 0:18:58.719
<v Speaker 1>and I just said, you know what, it's possible, Yeah,

0:18:58.760 --> 0:19:01.240
<v Speaker 1>it's possible when you love it. And I'll never forget

0:19:01.240 --> 0:19:04.120
<v Speaker 1>when the last conversation I had with Olie Woodson from

0:19:04.119 --> 0:19:08.280
<v Speaker 1>the Temptations, he said, hey boy, he said, I'm gonna

0:19:08.280 --> 0:19:09.800
<v Speaker 1>tell you something. If I get on out of here,

0:19:10.920 --> 0:19:13.280
<v Speaker 1>keep that song in your heart. And I didn't know

0:19:13.320 --> 0:19:15.040
<v Speaker 1>what he meant when he was saying it, but you know,

0:19:15.119 --> 0:19:17.359
<v Speaker 1>I'm because that's big bro. I'm like, I treat him

0:19:17.400 --> 0:19:17.840
<v Speaker 1>like a lady.

0:19:17.840 --> 0:19:21.040
<v Speaker 2>Whatever you say, whatever you say.

0:19:21.240 --> 0:19:26.440
<v Speaker 1>Yeah, but I remember how crazy that resonated. And I

0:19:26.480 --> 0:19:28.560
<v Speaker 1>always he used to always teach me lessons when we

0:19:28.560 --> 0:19:30.480
<v Speaker 1>were on the road. So I got a chance to

0:19:30.480 --> 0:19:32.119
<v Speaker 1>do a lot of different things in my career and

0:19:32.119 --> 0:19:34.960
<v Speaker 1>it led right back to after twenty nine years, people

0:19:35.000 --> 0:19:37.800
<v Speaker 1>still accepting music from Christopher Williams at this phase of

0:19:37.840 --> 0:19:44.040
<v Speaker 1>my life, so humble, grateful, and the boxtail. There's a

0:19:44.080 --> 0:19:45.280
<v Speaker 1>lot to this broxtail.

0:19:45.520 --> 0:19:56.160
<v Speaker 5>Yeah, So let's let's get to.

0:19:58.000 --> 0:20:00.080
<v Speaker 4>Like you said, to the music right where.

0:20:01.400 --> 0:20:03.919
<v Speaker 6>You go to la you get a deal within a

0:20:03.960 --> 0:20:07.840
<v Speaker 6>month of pretty much being there, which is unheard of.

0:20:09.119 --> 0:20:13.480
<v Speaker 6>And do you immediately start recording like I mean, obviously

0:20:13.520 --> 0:20:15.680
<v Speaker 6>you had your demo, but I'm talking about now you're

0:20:15.680 --> 0:20:18.680
<v Speaker 6>life fully immersed into Megan Now.

0:20:20.520 --> 0:20:23.159
<v Speaker 1>It was that was that was fun, and you know,

0:20:23.240 --> 0:20:26.680
<v Speaker 1>being a different Records was different too, because again coming

0:20:26.680 --> 0:20:30.080
<v Speaker 1>from the inner city, I'm in parties smoking weed with

0:20:30.160 --> 0:20:34.159
<v Speaker 1>guns n' roses and Joni Mitchell, Dedie Burkel, Peter gabriel

0:20:35.280 --> 0:20:38.960
<v Speaker 1>A's office, Like this is Don Henley. Fuck this guy,

0:20:39.359 --> 0:20:43.520
<v Speaker 1>you know, Like that's the nigga who made Hotel California. Yeah,

0:20:43.840 --> 0:20:47.240
<v Speaker 1>so definite epiphany for me. But I had I had

0:20:47.280 --> 0:20:50.720
<v Speaker 1>again an upper hand because I've always had this dual

0:20:50.880 --> 0:20:54.400
<v Speaker 1>Audi in my life, it seems because on one end,

0:20:54.640 --> 0:20:56.000
<v Speaker 1>I grew up in the project. I grew up in

0:20:56.160 --> 0:20:58.560
<v Speaker 1>Edenwall Projects in the Bronx. Then on the other end,

0:20:58.960 --> 0:21:01.920
<v Speaker 1>my family was fortunate enough to be able to ship

0:21:01.960 --> 0:21:04.120
<v Speaker 1>me to California or some of my aunt would send

0:21:04.160 --> 0:21:06.480
<v Speaker 1>for me and my sister. So I got a chance

0:21:06.520 --> 0:21:10.600
<v Speaker 1>to see Ella's life and that was obviously That's why

0:21:10.680 --> 0:21:12.920
<v Speaker 1>when I say what changed it, it really had a

0:21:13.000 --> 0:21:15.520
<v Speaker 1>lot to do with my aunt because her allowing me

0:21:15.600 --> 0:21:18.359
<v Speaker 1>to be around her the way she did and just

0:21:18.400 --> 0:21:22.800
<v Speaker 1>in a normal, non non entertainment way, Aunt nephew, it

0:21:22.840 --> 0:21:25.479
<v Speaker 1>really made me feel like I could touch it. Yeah,

0:21:25.520 --> 0:21:27.679
<v Speaker 1>you know, and I'm sure all of us know what

0:21:27.720 --> 0:21:30.520
<v Speaker 1>that is because a lot of times, younger people come

0:21:30.560 --> 0:21:32.960
<v Speaker 1>to you and they feel like, man, if this dude

0:21:33.000 --> 0:21:36.480
<v Speaker 1>will talk to me and just share his wisdom and

0:21:36.640 --> 0:21:39.560
<v Speaker 1>just give me something that it's like jet fuel, You're like,

0:21:39.640 --> 0:21:41.840
<v Speaker 1>I can go out and do the rest now. So

0:21:41.920 --> 0:21:45.679
<v Speaker 1>I started recording, started learning about the big studio, started

0:21:45.720 --> 0:21:47.879
<v Speaker 1>learning about big studio bills.

0:21:47.600 --> 0:21:47.679
<v Speaker 7>And.

0:21:51.640 --> 0:21:54.920
<v Speaker 1>Made a good record my first album. Unfortunately I wasn't

0:21:54.920 --> 0:21:58.440
<v Speaker 1>the executive producer of so I wasn't really to have folk.

0:21:58.600 --> 0:22:02.960
<v Speaker 1>I didn't have folk control, but learned a lot. Geffen

0:22:03.119 --> 0:22:08.040
<v Speaker 1>was a great record label. They just didn't really label rock.

0:22:08.119 --> 0:22:11.080
<v Speaker 1>They didn't understand black music. They treated me Ray Parker Junior,

0:22:11.200 --> 0:22:15.520
<v Speaker 1>Jennifer Holiday, and David Peterson from the Apollo that was

0:22:15.560 --> 0:22:18.240
<v Speaker 1>the only artist they had. But they treated us great.

0:22:18.359 --> 0:22:22.240
<v Speaker 1>But unfortunately Geffen sold for a lot of money and

0:22:22.280 --> 0:22:24.840
<v Speaker 1>he was They never really had a black department and

0:22:24.960 --> 0:22:27.639
<v Speaker 1>understand what to do with us. Because even with my

0:22:27.720 --> 0:22:30.960
<v Speaker 1>first record, everything Bobby Brown was so he was such

0:22:31.000 --> 0:22:36.359
<v Speaker 1>the king that my record was done and they were like,

0:22:36.440 --> 0:22:40.440
<v Speaker 1>we need my prerogative. So I said, listen, I want

0:22:40.440 --> 0:22:42.560
<v Speaker 1>to give this guy out a guy a shot to

0:22:42.640 --> 0:22:45.880
<v Speaker 1>do a record. Timm got and that's when I met Jay.

0:22:45.640 --> 0:22:49.600
<v Speaker 6>Yeah, and he got woke and all of us together

0:22:49.600 --> 0:22:52.159
<v Speaker 6>at the same time, and Woki comes in the studio.

0:22:52.600 --> 0:22:55.520
<v Speaker 4>I talked, I talked, I talked.

0:22:55.200 --> 0:23:00.919
<v Speaker 1>To myself and I hated that record. Man, I was

0:23:00.960 --> 0:23:06.359
<v Speaker 1>ready to get my bag. He hated that record and

0:23:06.440 --> 0:23:08.359
<v Speaker 1>it was such a distant bum because I was like,

0:23:08.480 --> 0:23:10.520
<v Speaker 1>I was just becoming friendly with Bob and I was

0:23:10.560 --> 0:23:12.800
<v Speaker 1>like him and Tommy are gonna hate me when this

0:23:14.240 --> 0:23:16.560
<v Speaker 1>because they're gonna be like and the record was a

0:23:16.760 --> 0:23:20.680
<v Speaker 1>watered down, whack version of my character. But the crazy

0:23:20.760 --> 0:23:23.800
<v Speaker 1>thing is we caught a breaker and that opened up

0:23:23.840 --> 0:23:27.760
<v Speaker 1>the door for promises, right, and then I started gaining

0:23:28.000 --> 0:23:30.199
<v Speaker 1>more momentum until I got to New jak City. Then

0:23:30.240 --> 0:23:31.000
<v Speaker 1>it got crazy.

0:23:32.359 --> 0:23:38.760
<v Speaker 6>So how is how man? How is a young Christopher

0:23:38.800 --> 0:23:46.080
<v Speaker 6>Williams with multiple hit records? How is that feeling when

0:23:46.119 --> 0:23:48.479
<v Speaker 6>it first happened, Like you get your hit record?

0:23:48.840 --> 0:23:55.080
<v Speaker 2>Crazy because it's a different like, yeah, man, the street

0:23:55.160 --> 0:23:58.879
<v Speaker 2>fandom and celebration and money is one thing. Yeah, but

0:23:58.960 --> 0:24:01.840
<v Speaker 2>now you got that. I ain't got to look over

0:24:01.920 --> 0:24:06.320
<v Speaker 2>my shoulder money. And you are in your global Now

0:24:06.359 --> 0:24:08.240
<v Speaker 2>you're a star everywhere, not.

0:24:08.359 --> 0:24:13.320
<v Speaker 1>Just in your hood. And you're happy about it I've resed.

0:24:14.880 --> 0:24:16.160
<v Speaker 4>I'm sure they're making you happy.

0:24:17.640 --> 0:24:20.880
<v Speaker 1>What and it's a different you know, it's a different

0:24:21.160 --> 0:24:25.320
<v Speaker 1>it's a different everything everything goes on steroids. So I

0:24:25.400 --> 0:24:29.439
<v Speaker 1>was feeling great, honestly, even with learning that, you know,

0:24:29.520 --> 0:24:32.240
<v Speaker 1>the changes with geffing and trying to navigate my way

0:24:32.280 --> 0:24:36.600
<v Speaker 1>into the next situation. It was amazing, man. And you know,

0:24:36.720 --> 0:24:38.760
<v Speaker 1>I had a lot of fun. I had a lot

0:24:38.800 --> 0:24:41.040
<v Speaker 1>of fun. Thank god we didn't have Instagram or any

0:24:41.040 --> 0:24:41.600
<v Speaker 1>of that stuff.

0:24:41.680 --> 0:24:50.960
<v Speaker 6>But what was the first extravagant purchase that you would

0:24:50.960 --> 0:24:54.520
<v Speaker 6>consider that, like, I can't believe I'm about to buy

0:24:54.520 --> 0:24:54.840
<v Speaker 6>this ship.

0:24:56.800 --> 0:25:00.560
<v Speaker 1>I bought an Autemar PJ watch that was about sixty

0:25:00.600 --> 0:25:06.840
<v Speaker 1>five thousand back back then, yep, for sixty five Yeah.

0:25:06.840 --> 0:25:08.880
<v Speaker 1>And the reason why I said that was the most

0:25:08.880 --> 0:25:10.840
<v Speaker 1>because I had gotten like a range Rover and I

0:25:10.960 --> 0:25:12.800
<v Speaker 1>used to have a you know, I had a convertible

0:25:12.880 --> 0:25:18.200
<v Speaker 1>Porchi four and all of that. But it never you know, again, now,

0:25:18.200 --> 0:25:21.320
<v Speaker 1>I had been around a lot of dudes that we know, Yeah,

0:25:21.600 --> 0:25:24.400
<v Speaker 1>I just was never that ostentatious, especially in the hood,

0:25:24.440 --> 0:25:26.800
<v Speaker 1>because there was a part of me that was like, listen,

0:25:28.480 --> 0:25:30.439
<v Speaker 1>I'm not going to walk around every day with a

0:25:30.440 --> 0:25:33.120
<v Speaker 1>bunch of dudes because I don't want to draw that attention.

0:25:33.240 --> 0:25:36.600
<v Speaker 1>And then a bunch of us, you know, the boys,

0:25:37.040 --> 0:25:39.680
<v Speaker 1>the people, Brooklyn niggas, you know, all that kind of stuff.

0:25:39.720 --> 0:25:41.040
<v Speaker 1>It's like, you know, I don't want to draw any

0:25:41.080 --> 0:25:45.359
<v Speaker 1>more attention than needed. But I never thought in my

0:25:45.440 --> 0:25:48.320
<v Speaker 1>mind at all that I would spend sixty five thousand

0:25:48.320 --> 0:25:52.359
<v Speaker 1>dollars on a watch now today, No, that's still a

0:25:52.400 --> 0:25:52.960
<v Speaker 1>lot of money.

0:25:53.240 --> 0:25:55.600
<v Speaker 6>It's still a lot of money. But what's that sixty

0:25:55.640 --> 0:25:57.760
<v Speaker 6>five is today? Is even crazy and crazy?

0:25:57.960 --> 0:26:01.240
<v Speaker 1>Yeah? Yeah. And my father, God rest his soul, my

0:26:01.240 --> 0:26:03.800
<v Speaker 1>adopted father. He was like, you better go buy ira,

0:26:04.920 --> 0:26:07.560
<v Speaker 1>he was like, And I did buy one for my son,

0:26:07.600 --> 0:26:10.440
<v Speaker 1>thank god. So those are the best first two major purchases.

0:26:10.920 --> 0:26:13.359
<v Speaker 1>I had gotten my son of twenty five thousand dollar ira,

0:26:13.840 --> 0:26:16.840
<v Speaker 1>but I got a sixty five thousand Alawai. And I

0:26:16.880 --> 0:26:19.080
<v Speaker 1>bought a couple of cars. But that was the first thing.

0:26:19.119 --> 0:26:21.919
<v Speaker 1>And then I moved to Woodland Hills, and I was

0:26:22.359 --> 0:26:24.800
<v Speaker 1>I started playing ball and shoot park with you know,

0:26:24.920 --> 0:26:26.679
<v Speaker 1>Bob and Mike Bivins and all of them, and I

0:26:26.680 --> 0:26:30.040
<v Speaker 1>started getting to learn all the cool you know, cool

0:26:30.040 --> 0:26:32.399
<v Speaker 1>place to hang out in La and everybody was cool,

0:26:32.920 --> 0:26:35.680
<v Speaker 1>like we would have basketball games at the oak Wood

0:26:35.720 --> 0:26:38.000
<v Speaker 1>and all that contat. So it was a lot of fun.

0:26:38.119 --> 0:26:40.160
<v Speaker 1>And then I started seeing my friends come out from

0:26:40.200 --> 0:26:45.000
<v Speaker 1>New York. Eric leasal ving Rains, Wesley put me in college.

0:26:45.760 --> 0:26:47.440
<v Speaker 1>Wesley was like, you got to get your ass out

0:26:47.480 --> 0:26:49.800
<v Speaker 1>the street. He was best friends with a neighbor of mine,

0:26:49.840 --> 0:26:52.399
<v Speaker 1>Tharren Cotton. He was like, Bro, you too talented to

0:26:52.480 --> 0:26:55.160
<v Speaker 1>keep going and doing this. He was like, you have

0:26:55.280 --> 0:26:58.240
<v Speaker 1>to get out the streets. Just come and you're smart.

0:26:58.280 --> 0:27:00.439
<v Speaker 1>I know you could pass your GD so did. I

0:27:00.440 --> 0:27:02.560
<v Speaker 1>got my grandfather, who was a pastor, to get me

0:27:02.600 --> 0:27:06.040
<v Speaker 1>a baptism on paper so I could get take my tests,

0:27:06.040 --> 0:27:08.399
<v Speaker 1>a past test with flying colors, and then wound up

0:27:08.400 --> 0:27:11.359
<v Speaker 1>going to Sonny Purchase and that's where I went. I

0:27:11.440 --> 0:27:14.960
<v Speaker 1>met Wes, and that's how that's what spawned New Jack

0:27:15.040 --> 0:27:17.520
<v Speaker 1>City because when West, we would always see each other

0:27:17.560 --> 0:27:21.040
<v Speaker 1>and big each other up because we're all Leos, ving Raims,

0:27:21.280 --> 0:27:24.159
<v Speaker 1>Eric Lasall, Wesley, Me, Alan Payne, all of us. Are

0:27:25.560 --> 0:27:28.399
<v Speaker 1>you know my brother? It was really like my brother

0:27:28.440 --> 0:27:33.199
<v Speaker 1>from another mother and big shot the papasito. Hope everything

0:27:33.280 --> 0:27:37.800
<v Speaker 1>is cool with y'all. But it was just crazy that Kadeen,

0:27:38.119 --> 0:27:40.760
<v Speaker 1>all of us were coming to California and everybody's starting

0:27:40.760 --> 0:27:43.320
<v Speaker 1>to make their mark. So it was just a beautiful time.

0:27:44.040 --> 0:27:46.520
<v Speaker 1>And we graduated from living in the oak Wood and

0:27:46.520 --> 0:27:49.000
<v Speaker 1>then people start getting houses. I get my house in

0:27:49.000 --> 0:27:51.719
<v Speaker 1>Woodland Hills, Kadeen gets his up into peg A Canyon.

0:27:52.200 --> 0:27:54.320
<v Speaker 1>Different world is rocking. So it was a great time,

0:27:54.880 --> 0:27:58.280
<v Speaker 1>and you know, the women of the nineties helped it

0:27:58.320 --> 0:28:01.600
<v Speaker 1>be a beautiful time. On it was just a different

0:28:01.640 --> 0:28:03.480
<v Speaker 1>kind of fine. Come on, young fellow.

0:28:03.600 --> 0:28:07.280
<v Speaker 2>Yeah, yeah, it was a different kind of fun. And

0:28:07.320 --> 0:28:13.320
<v Speaker 2>it was okay, okay, it was okay.

0:28:13.520 --> 0:28:13.760
<v Speaker 1>Man.

0:28:14.800 --> 0:28:18.919
<v Speaker 4>You were christ and you were because that is a

0:28:18.920 --> 0:28:19.960
<v Speaker 4>whole other thing.

0:28:20.280 --> 0:28:25.280
<v Speaker 1>Said Christopher. Mother said Christopher. Fine, well, nig I told

0:28:25.320 --> 0:28:31.320
<v Speaker 1>you at this age, I will take it having your way.

0:28:31.480 --> 0:28:34.480
<v Speaker 1>And it was a lot of fun. And then I

0:28:34.520 --> 0:28:37.040
<v Speaker 1>got to learn from great tutors. I toured with Frankie,

0:28:37.040 --> 0:28:40.480
<v Speaker 1>Beverly and Stephaniel. Stephanie was really the one big shot,

0:28:40.560 --> 0:28:42.920
<v Speaker 1>the big sister. She was the one who really gave

0:28:42.960 --> 0:28:45.800
<v Speaker 1>me that opportunity to go out on a major tour.

0:28:46.400 --> 0:28:49.160
<v Speaker 1>I learned a lot from her, a tremendous.

0:28:48.640 --> 0:28:50.120
<v Speaker 4>Amount, and you could sing love.

0:28:50.440 --> 0:28:55.080
<v Speaker 1>Yeah. I learned that that with Stephanie you will there

0:28:55.120 --> 0:28:58.280
<v Speaker 1>will be no other way. Yeah. Yeah.

0:28:58.440 --> 0:29:00.920
<v Speaker 6>So so I'm saying that's just that that was also

0:29:00.960 --> 0:29:05.200
<v Speaker 6>putting you in a different category. Yes, right, because there

0:29:05.200 --> 0:29:06.800
<v Speaker 6>were a lot of artists and a lot of people

0:29:06.800 --> 0:29:07.640
<v Speaker 6>were doing really well.

0:29:08.200 --> 0:29:12.480
<v Speaker 4>Everybody couldn't sing just is what it is, you know

0:29:12.520 --> 0:29:12.960
<v Speaker 4>what I'm saying.

0:29:13.040 --> 0:29:16.160
<v Speaker 6>So there were just certain things that when your name

0:29:16.280 --> 0:29:19.280
<v Speaker 6>was mentioned, you were just checking off boxes of like

0:29:19.360 --> 0:29:23.520
<v Speaker 6>oh yeah yeah and yeah, yeah yeah, and we need

0:29:23.520 --> 0:29:26.240
<v Speaker 6>to put him in a movie because this guy needs

0:29:26.240 --> 0:29:28.160
<v Speaker 6>to be on the big screen, you know what I mean.

0:29:28.680 --> 0:29:30.680
<v Speaker 4>So how does that come about for you?

0:29:31.400 --> 0:29:33.959
<v Speaker 1>Like I said, I was actually I saw West one

0:29:34.240 --> 0:29:36.080
<v Speaker 1>twenty fifth Street and he was telling me he was

0:29:36.120 --> 0:29:39.000
<v Speaker 1>shooting More Better Blues at the time, and I got

0:29:39.000 --> 0:29:42.520
<v Speaker 1>to hang out with him in Denzel Nice. So that

0:29:42.640 --> 0:29:43.360
<v Speaker 1>was an experience.

0:29:43.400 --> 0:29:57.400
<v Speaker 8>It's random to menzel blade Blade, That's funny, and you know,

0:29:57.560 --> 0:29:58.760
<v Speaker 8>just soaking up all this stuff.

0:29:58.800 --> 0:30:00.840
<v Speaker 1>It's like it was just a moment time and all

0:30:00.920 --> 0:30:05.120
<v Speaker 1>that stuff embodied, like just the atmosphere, Like I even

0:30:05.160 --> 0:30:07.880
<v Speaker 1>remember spots like MK's and Neil's and I'm not really

0:30:07.880 --> 0:30:09.840
<v Speaker 1>a party goer, but you know when it's like your

0:30:09.880 --> 0:30:13.360
<v Speaker 1>friends are there, it's gonna be a nice event. So

0:30:14.040 --> 0:30:16.080
<v Speaker 1>all of those things I see Donald Trump and news

0:30:17.240 --> 0:30:18.680
<v Speaker 1>Donald Trump used to hang around.

0:30:19.000 --> 0:30:20.560
<v Speaker 4>I think it was one of us at way, he

0:30:20.720 --> 0:30:21.280
<v Speaker 4>was one of us.

0:30:21.320 --> 0:30:24.760
<v Speaker 1>He was with Andre and Russell. They were chasing me

0:30:24.880 --> 0:30:29.080
<v Speaker 1>Campbell and the rest of the supermodels in New York

0:30:29.120 --> 0:30:32.160
<v Speaker 1>at the time. But I think just the journey man,

0:30:32.200 --> 0:30:35.360
<v Speaker 1>and I think I think that's where I've learned too,

0:30:35.680 --> 0:30:40.560
<v Speaker 1>Just like so Wesley introduces me to uh Pat Golden

0:30:40.720 --> 0:30:43.040
<v Speaker 1>And at the time, my manager was Cassandra Mills, and

0:30:43.080 --> 0:30:45.160
<v Speaker 1>Cassandra calls me and says, I'm gonna get you in

0:30:45.200 --> 0:30:48.160
<v Speaker 1>this movie. I got this record for you. Come meet

0:30:48.200 --> 0:30:52.640
<v Speaker 1>me and Hiram Hicks, and we jumped in Cassandra's Porsche.

0:30:53.080 --> 0:30:55.440
<v Speaker 1>She dropped the top, Hiram jumped in the back and

0:30:55.480 --> 0:30:58.120
<v Speaker 1>they played me Don't Wake Me I'm Dreaming by Stanley Brown.

0:30:59.800 --> 0:31:01.080
<v Speaker 4>YEA three deep in the porch.

0:31:01.320 --> 0:31:04.680
<v Speaker 1>Yeah, she had a commit I wasn't getting in the back.

0:31:07.760 --> 0:31:10.320
<v Speaker 1>I was like you, he said. We dropped the top

0:31:12.280 --> 0:31:15.000
<v Speaker 1>because hiroom wasn't getting in the back without the top truck.

0:31:15.840 --> 0:31:18.480
<v Speaker 1>And then we wound up meeting Stanley and we cut

0:31:18.560 --> 0:31:21.520
<v Speaker 1>Dreaming and then she played Dreaming for George and Doug.

0:31:21.640 --> 0:31:26.360
<v Speaker 1>And initially Warner Brothers wanted After Seven to sing Dreaming hmmm,

0:31:26.800 --> 0:31:29.000
<v Speaker 1>which was cool because I love After seven big chefs

0:31:29.120 --> 0:31:32.920
<v Speaker 1>k Von, but it wasn't a song four K it

0:31:32.960 --> 0:31:35.480
<v Speaker 1>was for me. So we wound up putting it out,

0:31:35.600 --> 0:31:39.840
<v Speaker 1>and then Wesley pushed the issue a little bit to say, YO,

0:31:40.480 --> 0:31:42.840
<v Speaker 1>let my man audition because he went to school and

0:31:42.880 --> 0:31:44.760
<v Speaker 1>I know he could get. I know he can act.

0:31:45.120 --> 0:31:47.280
<v Speaker 1>He's not gonna say he can't, but I know he can.

0:31:48.000 --> 0:31:50.720
<v Speaker 1>So I got the audition. And originally I was G money,

0:31:51.000 --> 0:31:53.480
<v Speaker 1>but I was I had just got my first Budwiser

0:31:53.520 --> 0:31:58.000
<v Speaker 1>Superfest and there was no telling how payment this is.

0:31:58.200 --> 0:32:01.360
<v Speaker 1>This is when Big West Sugar was like the Peon

0:32:01.480 --> 0:32:06.240
<v Speaker 1>bodyguard and Big West was the main you know, security

0:32:06.240 --> 0:32:09.280
<v Speaker 1>for Alan West was always really great to me, God

0:32:09.360 --> 0:32:13.800
<v Speaker 1>rest his soul. But so I wound up having to

0:32:14.000 --> 0:32:17.040
<v Speaker 1>uh not take the G money roll, which I'm glad

0:32:17.080 --> 0:32:19.840
<v Speaker 1>because that's how I met my brother, you know, Alan

0:32:19.920 --> 0:32:23.200
<v Speaker 1>Pennan being G money and we met and he'll tell

0:32:23.240 --> 0:32:25.360
<v Speaker 1>you the truth. We were driving in his porch. He

0:32:25.440 --> 0:32:28.200
<v Speaker 1>had a Red nine forty four. We in the village

0:32:28.200 --> 0:32:30.440
<v Speaker 1>in New York. Police pull us over. I get out

0:32:30.440 --> 0:32:34.760
<v Speaker 1>and my toast falls on the floor. That's correct, right

0:32:34.800 --> 0:32:35.680
<v Speaker 1>in front of the police.

0:32:36.560 --> 0:32:37.480
<v Speaker 4>You didn't have your bag.

0:32:37.960 --> 0:32:40.680
<v Speaker 1>I didn't have my bags. I was coming from set,

0:32:40.960 --> 0:32:44.360
<v Speaker 1>so I didn't have my bag and my joint drop.

0:32:44.480 --> 0:32:47.480
<v Speaker 1>And again, even though I had it, I had a license.

0:32:47.480 --> 0:32:52.040
<v Speaker 1>For this particular three point fifty seven, I had to go.

0:32:52.440 --> 0:32:54.120
<v Speaker 1>I had to go to jail. And the funny thing

0:32:54.240 --> 0:32:56.640
<v Speaker 1>is my mom is a highly religious woman. She comes

0:32:56.640 --> 0:32:59.600
<v Speaker 1>to court and she's literally telling the judge, not my baby,

0:33:00.560 --> 0:33:02.960
<v Speaker 1>and the judges are like, ma'am here about to be

0:33:03.000 --> 0:33:06.800
<v Speaker 1>in contempt at court, and I'm like, ma please. So

0:33:07.080 --> 0:33:09.240
<v Speaker 1>I you know, I got in a little trouble for that.

0:33:09.320 --> 0:33:11.240
<v Speaker 1>I had to pay my way out of it. And

0:33:11.320 --> 0:33:15.240
<v Speaker 1>that's how me and Alan met, and he saw that

0:33:15.320 --> 0:33:17.360
<v Speaker 1>there was no fold in me and that we were

0:33:17.360 --> 0:33:20.080
<v Speaker 1>cut from the We were cut from the same cloth,

0:33:20.240 --> 0:33:23.880
<v Speaker 1>and we just became brothers. We shot the movie, had

0:33:23.880 --> 0:33:26.640
<v Speaker 1>a lot of fun shooting the movie. And Al will

0:33:26.680 --> 0:33:33.800
<v Speaker 1>tell you, like he experienced the pandemonium that started breaking

0:33:33.840 --> 0:33:36.200
<v Speaker 1>in my career. He kind of went through everything. I

0:33:36.200 --> 0:33:38.120
<v Speaker 1>remember one night meet him and Wesley at a party,

0:33:38.120 --> 0:33:41.400
<v Speaker 1>and even during the shooting, Denzel would come to town.

0:33:41.480 --> 0:33:43.160
<v Speaker 1>We would go to MK's and it would be like

0:33:43.200 --> 0:33:45.120
<v Speaker 1>a moment like I'll be like, yo, we in the

0:33:45.160 --> 0:33:48.120
<v Speaker 1>spot with Denzel. Y'all got a picture of that somewhere

0:33:48.480 --> 0:33:50.640
<v Speaker 1>we do? I got one. I do have one with

0:33:50.760 --> 0:33:55.120
<v Speaker 1>me Al Wesley and Denzel, and I wondered one day,

0:33:55.320 --> 0:33:58.360
<v Speaker 1>it's always really cool when somebody who reaches that kind

0:33:58.360 --> 0:34:01.600
<v Speaker 1>of level. So fast forward, I'm getting ready to do

0:34:01.640 --> 0:34:05.560
<v Speaker 1>something for BLS in the summer. The thing was me, Eric, Benney,

0:34:05.960 --> 0:34:11.319
<v Speaker 1>Salt and Pepper, and it was somebody else. But the

0:34:11.360 --> 0:34:15.840
<v Speaker 1>bottom line is Denzel has an apartment on Central Park West,

0:34:16.200 --> 0:34:19.400
<v Speaker 1>right across from Central Park, So you know, obviously he

0:34:19.440 --> 0:34:22.239
<v Speaker 1>walks in the park like d does, like very on

0:34:22.360 --> 0:34:25.080
<v Speaker 1>the saw me that on it and everyone goes like

0:34:25.560 --> 0:34:28.360
<v Speaker 1>they spotted him, and it felt like an earthquake in

0:34:28.440 --> 0:34:31.359
<v Speaker 1>the park. So we all come out to dress room

0:34:31.400 --> 0:34:33.759
<v Speaker 1>like what's going on, what's going on? Everybody's like, Denzel's here.

0:34:34.120 --> 0:34:35.480
<v Speaker 1>You know, I didn't even say his last name, and

0:34:35.480 --> 0:34:39.319
<v Speaker 1>it's just like now this is now, He's now Denzel Washington. Yea.

0:34:40.080 --> 0:34:42.440
<v Speaker 1>You know, because even back when we were shooting New

0:34:42.520 --> 0:34:46.400
<v Speaker 1>Jerk City. He was Denzel, but now he had become

0:34:47.040 --> 0:34:48.880
<v Speaker 1>and don't you know this dude walked up. They was

0:34:48.920 --> 0:34:50.960
<v Speaker 1>like listen, because you know everybody's lobbying to get him

0:34:51.000 --> 0:34:52.640
<v Speaker 1>to do something. He said, I'll tell you what I'll do.

0:34:52.760 --> 0:34:59.400
<v Speaker 1>I'll introduce Christopher and truer life. Everybody was mad. Joseoh

0:34:59.480 --> 0:35:02.160
<v Speaker 1>went up, so Oh CAVALII and he was like, listen, everybody,

0:35:02.160 --> 0:35:07.960
<v Speaker 1>this is my man, Christopher, come on out here, and

0:35:08.000 --> 0:35:11.959
<v Speaker 1>the crowd goes nuts. So I think more than any

0:35:12.080 --> 0:35:13.840
<v Speaker 1>like Jay to just kind of like read back to

0:35:13.880 --> 0:35:17.040
<v Speaker 1>what you were saying. This journey is so beautiful, man,

0:35:17.239 --> 0:35:19.560
<v Speaker 1>even through the ups and the downs, I can always

0:35:19.680 --> 0:35:23.400
<v Speaker 1>I've always, I've always had the ability to be grateful

0:35:23.440 --> 0:35:26.160
<v Speaker 1>and thankful of all the experiences that I've had and

0:35:26.200 --> 0:35:28.880
<v Speaker 1>the things that I've triumphed in. And like you were

0:35:28.920 --> 0:35:33.120
<v Speaker 1>saying earlier, athletes like loss sometimes because it motivates you

0:35:33.200 --> 0:35:35.799
<v Speaker 1>to say. And I almost had to lose everything, bro,

0:35:36.160 --> 0:35:40.359
<v Speaker 1>Like I had lost sight of not life, but who

0:35:40.400 --> 0:35:44.400
<v Speaker 1>I was as a creator. And I almost let people

0:35:44.480 --> 0:35:47.520
<v Speaker 1>say okay, because you can't own it, can't dictate it.

0:35:47.560 --> 0:35:51.279
<v Speaker 1>And then director consumer came and this error came and

0:35:51.320 --> 0:35:53.400
<v Speaker 1>I was like, Okay, how can I mess this back together?

0:35:53.400 --> 0:35:55.520
<v Speaker 1>And when I got out the hospital, that was all

0:35:55.560 --> 0:35:58.319
<v Speaker 1>I wanted to do. So I started connecting again, made

0:35:58.320 --> 0:36:01.680
<v Speaker 1>a record called warrem P. He's with Troy Taylor and

0:36:01.800 --> 0:36:05.400
<v Speaker 1>my boy Blew and we're just excited about it.

0:36:05.440 --> 0:36:05.560
<v Speaker 2>Man.

0:36:05.640 --> 0:36:08.600
<v Speaker 1>Good enough came out and they're like, we're still messing

0:36:08.640 --> 0:36:13.360
<v Speaker 1>with you. So again, just grateful, man, it's grateful. I

0:36:13.400 --> 0:36:18.160
<v Speaker 1>think that's dope. I mean, I think having been connected

0:36:18.200 --> 0:36:24.040
<v Speaker 1>to timeless things, I mean, ultimately makes you timeless. It's true, you.

0:36:23.960 --> 0:36:28.080
<v Speaker 2>Know what I mean, Like, no matter what, people will

0:36:28.120 --> 0:36:33.200
<v Speaker 2>always accept and and listen.

0:36:33.960 --> 0:36:37.440
<v Speaker 1>And you done great things because again I remember meeting

0:36:37.520 --> 0:36:41.440
<v Speaker 1>Jamie and I remember meeting you and then like overnight

0:36:41.560 --> 0:36:45.200
<v Speaker 1>to watch you guys just keep ascending and I'm not

0:36:45.239 --> 0:36:47.839
<v Speaker 1>gonna lie. When I saw Jamie du Ray Charles, I

0:36:47.920 --> 0:36:52.240
<v Speaker 1>was like, what Jesus, what kind of nickro is this? Jesus?

0:36:52.280 --> 0:36:57.279
<v Speaker 1>Like he's inn e g us mm hmm, you dig

0:36:57.360 --> 0:37:00.480
<v Speaker 1>what I'm saying. Like they have this thing called spelling

0:37:00.520 --> 0:37:03.759
<v Speaker 1>that they do. This word they make spelling because it's

0:37:03.800 --> 0:37:06.839
<v Speaker 1>a spell because innately a lot of the things that

0:37:06.880 --> 0:37:11.600
<v Speaker 1>we do organically to each other they're ancestral. That's y'all,

0:37:11.719 --> 0:37:14.319
<v Speaker 1>that's my nigga. But they have a way of spelling it.

0:37:14.920 --> 0:37:17.319
<v Speaker 1>But when you really truly look up any gus, it's

0:37:17.360 --> 0:37:23.560
<v Speaker 1>like we're empress and empresses not guys, but we are empress.

0:37:23.600 --> 0:37:25.759
<v Speaker 1>And the thing is, if we could see ourselves like

0:37:25.800 --> 0:37:29.240
<v Speaker 1>that and learn, like we were talking earlier, just compete

0:37:29.239 --> 0:37:32.160
<v Speaker 1>with you. You can't be the left field of the

0:37:32.200 --> 0:37:34.000
<v Speaker 1>center field of the right field, or the back catch

0:37:34.040 --> 0:37:36.120
<v Speaker 1>of the picture of the shortstop, the second basement, the

0:37:36.120 --> 0:37:40.200
<v Speaker 1>first basement. Yeah, you need your team, you need your brother,

0:37:40.320 --> 0:37:42.560
<v Speaker 1>you need your sister to be like, yo, I got

0:37:42.600 --> 0:37:46.120
<v Speaker 1>your brat. I remember when Rihanna made Umbrella. I was like,

0:37:46.160 --> 0:37:48.040
<v Speaker 1>I thought that was the most clever records. I was like,

0:37:48.120 --> 0:37:52.400
<v Speaker 1>imagine having somebody who watches you like an umbrella, Like

0:37:52.560 --> 0:37:56.439
<v Speaker 1>I see all around you, the stuff you can't see

0:37:56.440 --> 0:37:58.319
<v Speaker 1>in the back of your head. I see all around you.

0:37:58.400 --> 0:38:00.879
<v Speaker 1>And those kind of people in your life are rare,

0:38:01.120 --> 0:38:04.120
<v Speaker 1>And even when their cavalier things like what I just

0:38:04.160 --> 0:38:07.440
<v Speaker 1>explained with Denzel, it's so gratifying to be like, damn,

0:38:08.040 --> 0:38:12.040
<v Speaker 1>eighteen seventeen years later, I'm not the hot person anymore,

0:38:13.360 --> 0:38:15.959
<v Speaker 1>but he remembered and came and was like, Yo, that's

0:38:16.000 --> 0:38:20.120
<v Speaker 1>my guy. Had nothing to do with That's still my guy. No,

0:38:20.239 --> 0:38:23.720
<v Speaker 1>he's not Norm Nixon or Sam Jackson or Brad Johnson

0:38:23.719 --> 0:38:26.240
<v Speaker 1>one of my best friends, but one of his best friends.

0:38:26.320 --> 0:38:28.880
<v Speaker 1>Just funny story about Brad Johnson. There used to be

0:38:28.920 --> 0:38:31.360
<v Speaker 1>a spot in New York called the Seller, and you

0:38:31.440 --> 0:38:33.279
<v Speaker 1>had to be a baller to going there. You know,

0:38:33.360 --> 0:38:35.760
<v Speaker 1>this is one of the zip and Bill Underwood and

0:38:35.960 --> 0:38:38.040
<v Speaker 1>all of these type cats would come to sell and

0:38:38.080 --> 0:38:40.359
<v Speaker 1>Bill would always leve. I was like fifteen, hanging out

0:38:40.360 --> 0:38:42.840
<v Speaker 1>in the cellar. I saw a chok of Khan performing

0:38:42.880 --> 0:38:45.640
<v Speaker 1>the cellar and the top came off. I lost my mind.

0:38:45.800 --> 0:38:49.040
<v Speaker 1>I wanted to be He rode after it and I

0:38:49.200 --> 0:38:50.720
<v Speaker 1>was like, I don't carry nothing.

0:38:51.280 --> 0:38:54.200
<v Speaker 4>I was like, but I'll call you whatever you have,

0:38:56.680 --> 0:38:57.399
<v Speaker 4>whatever you need.

0:38:58.160 --> 0:39:00.400
<v Speaker 1>I was like, that's shot console again, all of this

0:39:00.520 --> 0:39:02.920
<v Speaker 1>journey man and and I'm going back and forth and

0:39:03.640 --> 0:39:06.680
<v Speaker 1>maybe the people saying that because again I've been doing

0:39:06.719 --> 0:39:09.720
<v Speaker 1>this now. I got my first deal in eighty nine.

0:39:11.320 --> 0:39:14.640
<v Speaker 1>I'm of eighty eight released in eighty nine, so I've

0:39:14.840 --> 0:39:19.000
<v Speaker 1>it's almost forty years for me and to still feel

0:39:19.080 --> 0:39:21.239
<v Speaker 1>new about this and coming back and again, even the

0:39:21.280 --> 0:39:24.000
<v Speaker 1>fact that my little brother calls me and says, yo,

0:39:25.040 --> 0:39:26.680
<v Speaker 1>you know talk to the homie you want to have

0:39:26.760 --> 0:39:29.239
<v Speaker 1>you come on, And I'm like, thank no, you know

0:39:29.440 --> 0:39:31.719
<v Speaker 1>it again, bro, I know we're sitting here talking as men,

0:39:32.320 --> 0:39:36.840
<v Speaker 1>but still as brothers. I'm always congratulating. I'm always proud

0:39:36.880 --> 0:39:39.640
<v Speaker 1>of my people, you know what saying. So again for

0:39:39.760 --> 0:39:41.759
<v Speaker 1>reciprocity to say, I can be like, yo, we got

0:39:41.760 --> 0:39:44.000
<v Speaker 1>a place for you to sit down and discuss your

0:39:44.040 --> 0:39:47.960
<v Speaker 1>story and we're interested in it. It's humbling. It's humbling.

0:39:48.040 --> 0:39:50.319
<v Speaker 1>I'm a little kid from the Bronx and eden Wall

0:39:50.400 --> 0:39:53.400
<v Speaker 1>projects to this day, the projects I grew in is

0:39:53.520 --> 0:39:56.760
<v Speaker 1>this close to the precinct and this barbed wire around

0:39:56.760 --> 0:40:00.000
<v Speaker 1>the project because you go in that south Side drive

0:40:00.080 --> 0:40:04.120
<v Speaker 1>other night, somebody's gonna get stabbed. And it's unfortunate. I'm

0:40:04.120 --> 0:40:08.640
<v Speaker 1>not boasting about it. I'm saying that you can change

0:40:08.640 --> 0:40:12.359
<v Speaker 1>your circumstances the power of what you believe, and when

0:40:12.400 --> 0:40:15.200
<v Speaker 1>you find an inner standing instead of trying to fit

0:40:15.320 --> 0:40:19.000
<v Speaker 1>into this understanding, you learn to stay away from silly things.

0:40:19.000 --> 0:40:20.960
<v Speaker 1>And I wish I had got that in my twenties,

0:40:21.480 --> 0:40:24.680
<v Speaker 1>but I didn't. So I'm glad that now I've been

0:40:24.719 --> 0:40:27.840
<v Speaker 1>able to endure all this stuff, all these wonderful stories

0:40:27.840 --> 0:40:30.719
<v Speaker 1>and things, and now I get to kind of tell

0:40:30.760 --> 0:40:35.680
<v Speaker 1>them from me and hopefully, you know, find partnerships or

0:40:37.120 --> 0:40:39.640
<v Speaker 1>things where I can own these stories and tell them

0:40:39.640 --> 0:40:42.200
<v Speaker 1>and it's doable. They're going to happen. Yeah, you know,

0:40:42.400 --> 0:40:44.480
<v Speaker 1>I have to happen. I know, no record companies, Like

0:40:44.520 --> 0:40:46.239
<v Speaker 1>he's going to be the owner of a restaurant and

0:40:46.520 --> 0:40:48.719
<v Speaker 1>they're going to try and make a plan to turn

0:40:48.760 --> 0:40:51.160
<v Speaker 1>into a Sweet Greens. You know, sometimes it's not about

0:40:51.160 --> 0:40:53.600
<v Speaker 1>being the smartest. Sometimes it's like watching people who win

0:40:54.040 --> 0:40:56.319
<v Speaker 1>and you're like, Okay, how can I take it and

0:40:56.360 --> 0:40:58.880
<v Speaker 1>make this fit for me? Right? Yeah?

0:40:59.000 --> 0:41:01.920
<v Speaker 6>Now, I think I think for me, man, and I'm

0:41:02.040 --> 0:41:04.200
<v Speaker 6>I'm you know, I'm ecstatic that you're here.

0:41:04.280 --> 0:41:04.440
<v Speaker 1>Man.

0:41:04.480 --> 0:41:07.719
<v Speaker 6>This is just amazing for me because you know, the

0:41:08.160 --> 0:41:11.120
<v Speaker 6>audience doesn't know, but I've known you pretty much my

0:41:11.320 --> 0:41:11.759
<v Speaker 6>entire life.

0:41:12.280 --> 0:41:14.520
<v Speaker 1>Yep, And you know I told you when I first

0:41:14.520 --> 0:41:17.160
<v Speaker 1>met your famils like these are these are young stars.

0:41:17.480 --> 0:41:21.399
<v Speaker 1>I appreciate that man fly young, real little man. Him

0:41:21.400 --> 0:41:23.200
<v Speaker 1>and his brother something bad as a little bit.

0:41:25.960 --> 0:41:29.520
<v Speaker 6>But I think that was that was the kindred spirit

0:41:29.560 --> 0:41:32.799
<v Speaker 6>and in all of us. Right that we and I

0:41:32.840 --> 0:41:35.360
<v Speaker 6>mean I despite the first time, but we saw ourselves

0:41:35.360 --> 0:41:36.560
<v Speaker 6>and you you know.

0:41:36.560 --> 0:41:40.160
<v Speaker 4>What I mean, we because we were very familiar with.

0:41:41.440 --> 0:41:44.400
<v Speaker 6>Obviously that lifestyle, because we were coming from it and

0:41:44.400 --> 0:41:45.040
<v Speaker 6>our father.

0:41:44.960 --> 0:41:45.799
<v Speaker 4>Was deeply in it.

0:41:45.920 --> 0:41:51.040
<v Speaker 6>Yes, and but we saw like, okay, we can still

0:41:51.080 --> 0:41:55.399
<v Speaker 6>be ourselves because I think what happens obviously it's maybe

0:41:55.400 --> 0:41:59.359
<v Speaker 6>it's a little different now, yeah, but before there used

0:41:59.360 --> 0:42:01.640
<v Speaker 6>to be a certain thing within this industry of like

0:42:02.000 --> 0:42:04.880
<v Speaker 6>if you look like this, you gotta act like this,

0:42:05.520 --> 0:42:07.760
<v Speaker 6>and this you got to sound you got to sound

0:42:07.840 --> 0:42:10.920
<v Speaker 6>like this, and we can't really tweak it when we

0:42:11.400 --> 0:42:13.880
<v Speaker 6>have to tweak it, and you can't be yourself.

0:42:13.880 --> 0:42:16.040
<v Speaker 4>We can't just be a little bad ass, a little niggas.

0:42:16.040 --> 0:42:18.400
<v Speaker 2>That we was right, But then we was like, oh,

0:42:19.600 --> 0:42:25.520
<v Speaker 2>Chris Williams, it's a wild nigga, but they still love

0:42:25.560 --> 0:42:30.920
<v Speaker 2>him and he's successful and he's taking it too different levels, and.

0:42:33.200 --> 0:42:35.560
<v Speaker 4>It was everything that we thought it could be.

0:42:37.440 --> 0:42:39.239
<v Speaker 6>You were a part of that for us, that it

0:42:39.360 --> 0:42:43.920
<v Speaker 6>was real and part of our argument at times, well,

0:42:44.400 --> 0:42:45.920
<v Speaker 6>oh you know, y'all got to be like such and

0:42:45.960 --> 0:42:48.320
<v Speaker 6>such a and you know, there y'all.

0:42:48.200 --> 0:42:49.759
<v Speaker 4>Might need to go to etiquette class y'all.

0:42:49.800 --> 0:42:51.040
<v Speaker 2>Might you know what I mean? Like, no, they was

0:42:51.080 --> 0:43:01.279
<v Speaker 2>giving us all. Yeah, you know what I mean.

0:43:01.880 --> 0:43:03.200
<v Speaker 4>We want to be for other groups.

0:43:03.200 --> 0:43:06.799
<v Speaker 1>We had the little ones because you ain't gonna be Look,

0:43:06.920 --> 0:43:08.040
<v Speaker 1>you ain't gonna see him.

0:43:08.400 --> 0:43:09.319
<v Speaker 4>You got to go at the kneed.

0:43:09.560 --> 0:43:12.359
<v Speaker 1>See you gonna let his big bros go first. Then

0:43:12.400 --> 0:43:13.479
<v Speaker 1>he going in hard. Yeah.

0:43:13.480 --> 0:43:16.320
<v Speaker 2>But the way the way that that you all embraced

0:43:16.320 --> 0:43:20.200
<v Speaker 2>the stuff from Bobby Brown hard and soul to you

0:43:20.760 --> 0:43:23.239
<v Speaker 2>to you know what I mean, Like for us, this

0:43:23.400 --> 0:43:25.320
<v Speaker 2>it was, oh, this is really possible.

0:43:25.640 --> 0:43:26.720
<v Speaker 4>It was really possible.

0:43:26.760 --> 0:43:29.680
<v Speaker 6>Obviously you know, our careers got derailed as a group

0:43:29.760 --> 0:43:34.640
<v Speaker 6>with my brother passing, but it was y'all was laying

0:43:34.640 --> 0:43:38.399
<v Speaker 6>down the foundation for us completely, you know what I mean,

0:43:38.520 --> 0:43:41.560
<v Speaker 6>like and and doing it in a way like you

0:43:41.600 --> 0:43:46.560
<v Speaker 6>said before, like even when you speak of Tank as men, yep, yep,

0:43:47.600 --> 0:43:48.040
<v Speaker 6>as men.

0:43:48.440 --> 0:43:50.200
<v Speaker 1>And that's why again I love when he talks to us.

0:43:50.239 --> 0:43:51.840
<v Speaker 1>It's like, man, you can hate all you want, but

0:43:51.840 --> 0:43:54.800
<v Speaker 1>I'm gonna be me. This is what I do. It

0:43:54.880 --> 0:43:58.200
<v Speaker 1>ain't got nothing to do with you. And likel like

0:43:58.239 --> 0:44:01.319
<v Speaker 1>it or not, that's just you know again, really what

0:44:01.360 --> 0:44:05.360
<v Speaker 1>it is so again, I'm always like humble, man, this

0:44:05.360 --> 0:44:09.439
<v Speaker 1>this new go round again after twenty nine years, even

0:44:09.440 --> 0:44:11.560
<v Speaker 1>being asked to go on stuff like The Breakfast, I'm

0:44:11.600 --> 0:44:14.239
<v Speaker 1>not hip hop. I'm not even well, I don't want.

0:44:14.160 --> 0:44:16.800
<v Speaker 4>To say you like I'm not you definitely hip hop.

0:44:16.880 --> 0:44:21.520
<v Speaker 1>But you know, again, just tremendous stories and it's like, man,

0:44:21.800 --> 0:44:25.600
<v Speaker 1>I'm Uptown unplugged. If they had to film the beasts,

0:44:25.800 --> 0:44:29.120
<v Speaker 1>the backstage stuff.

0:44:29.080 --> 0:44:31.959
<v Speaker 4>Crazy, Oh my god, how long were you on Uptown.

0:44:33.000 --> 0:44:36.319
<v Speaker 1>Until I pulled the bag out?

0:44:36.480 --> 0:44:43.720
<v Speaker 3>Three years? Like two or three years. But I didn't

0:44:43.719 --> 0:44:46.600
<v Speaker 3>know Andre's deal. We could talk a bit about because

0:44:46.840 --> 0:44:50.960
<v Speaker 3>I love love Dre Man. You know, we missed Drey honestly.

0:44:51.080 --> 0:44:52.840
<v Speaker 3>He was one of the most charros. Man me and

0:44:52.960 --> 0:44:56.239
<v Speaker 3>Kenny Burns. We was just talking about this the other day, Like, man,

0:44:56.360 --> 0:44:58.279
<v Speaker 3>what he was like p T.

0:44:58.480 --> 0:45:03.560
<v Speaker 1>Barnum? For sure, he was the T. Barnum of R

0:45:03.600 --> 0:45:07.400
<v Speaker 1>and B lifestyle, and he gave that energy. He loved

0:45:07.400 --> 0:45:09.920
<v Speaker 1>talent so much. He would just take his time to

0:45:10.040 --> 0:45:13.320
<v Speaker 1>give you that energy. Like you said, he'd be like, yo, money,

0:45:13.960 --> 0:45:17.040
<v Speaker 1>this shit has to be like Barry's a champagne and

0:45:17.080 --> 0:45:19.520
<v Speaker 1>you would be like sitting there like this dude, really,

0:45:19.560 --> 0:45:22.560
<v Speaker 1>you got a passion. He has zeal for this and

0:45:22.600 --> 0:45:24.400
<v Speaker 1>it would transfer to you. They would make you, it

0:45:24.400 --> 0:45:29.080
<v Speaker 1>would challenge you as an artist because you were like, Okay,

0:45:28.480 --> 0:45:30.879
<v Speaker 1>these are the guys at the top of the food

0:45:30.960 --> 0:45:33.719
<v Speaker 1>chain as far as businessmen, So I have to make

0:45:33.719 --> 0:45:37.120
<v Speaker 1>sure that when I bring my stuff in there's no talk.

0:45:37.360 --> 0:45:40.240
<v Speaker 1>They're just like, what do you want to do? And

0:45:40.440 --> 0:45:44.680
<v Speaker 1>that became my Changes record, and unfortunately, what I felt

0:45:44.719 --> 0:45:46.640
<v Speaker 1>was like one of the best projects I ever done,

0:45:46.680 --> 0:45:48.960
<v Speaker 1>and I executive produced it and I got a chance

0:45:49.000 --> 0:45:52.240
<v Speaker 1>to work with a lot of young talented black guys,

0:45:52.360 --> 0:45:56.640
<v Speaker 1>including Puff that I gave their first producing check to,

0:45:56.640 --> 0:46:02.640
<v Speaker 1>Tony Dofat, Puff, Vincent, Herbert Kayama, Griffin, Ike Lee. My

0:46:02.760 --> 0:46:07.239
<v Speaker 1>whole Changes work on that. Avante, my whole Changes Reckond. Now,

0:46:07.320 --> 0:46:09.880
<v Speaker 1>Davante had done Jo Tosy obviously, but he had not

0:46:10.000 --> 0:46:13.520
<v Speaker 1>started producing other people. Yeah, he would, you know, how

0:46:13.600 --> 0:46:17.200
<v Speaker 1>did because he has to want, you know, Davonte do

0:46:17.400 --> 0:46:20.840
<v Speaker 1>He's like from him to put his fingers on them keys.

0:46:20.960 --> 0:46:23.640
<v Speaker 1>He has to want to do it. And we went in.

0:46:23.960 --> 0:46:26.319
<v Speaker 1>He sent me a track, please Please Please, and he

0:46:26.400 --> 0:46:28.000
<v Speaker 1>was like, I want you to write because he was

0:46:28.040 --> 0:46:29.600
<v Speaker 1>like one of the things that you got to do

0:46:29.680 --> 0:46:32.080
<v Speaker 1>is I want you to write. So I wound up

0:46:32.080 --> 0:46:36.200
<v Speaker 1>writing please Please Please, and we co wrote all I See.

0:46:36.200 --> 0:46:38.680
<v Speaker 1>And I got to meet another talented young brother named

0:46:38.680 --> 0:46:42.160
<v Speaker 1>Horace Brown, and he was so dope that I was like,

0:46:42.239 --> 0:46:45.560
<v Speaker 1>don't take his background off, just add God.

0:46:45.760 --> 0:46:47.719
<v Speaker 2>I was like, I'm riding in the day and I'm

0:46:47.760 --> 0:46:50.719
<v Speaker 2>listening to it. I'm like, why do I know that

0:46:50.920 --> 0:46:55.040
<v Speaker 2>voice on the back? I didn't realize that was Horse Brown.

0:46:55.120 --> 0:46:57.520
<v Speaker 1>Flonte was trying to be like, yo, I'm a little bro.

0:46:57.640 --> 0:47:01.120
<v Speaker 1>Whatever you like, like like your background, I said, are

0:47:01.160 --> 0:47:05.120
<v Speaker 1>you crazy? Leave Horrors right where it's at. You could

0:47:05.120 --> 0:47:08.800
<v Speaker 1>add a root not in for the blend, but don't

0:47:09.000 --> 0:47:10.160
<v Speaker 1>touch those backgrounds.

0:47:10.200 --> 0:47:11.040
<v Speaker 4>Bro, I'm cool.

0:47:11.160 --> 0:47:12.719
<v Speaker 1>Because he was like, you sure you're going to be

0:47:12.719 --> 0:47:14.880
<v Speaker 1>comfortable with that? I was like, I love horror, Are

0:47:14.880 --> 0:47:20.240
<v Speaker 1>you crazy? So again, all of these different journey stops,

0:47:20.239 --> 0:47:23.239
<v Speaker 1>of all these amazing times that the creator would have

0:47:23.320 --> 0:47:27.080
<v Speaker 1>me have on my journey, like you can't make this up,

0:47:27.600 --> 0:47:31.360
<v Speaker 1>and it just has been at a blessed ride. And

0:47:31.800 --> 0:47:34.880
<v Speaker 1>I'll take all the naysayers and all the negative things

0:47:35.239 --> 0:47:38.719
<v Speaker 1>times one hundred and it don't even phaze me. I

0:47:38.760 --> 0:47:39.400
<v Speaker 1>was built for this.

0:47:39.719 --> 0:47:53.120
<v Speaker 6>Yeah, what were you doing when you like, once you

0:47:53.160 --> 0:47:55.080
<v Speaker 6>decided you were going to leave the industry for.

0:47:55.000 --> 0:47:58.839
<v Speaker 1>A minute, I started growing up as a man and

0:47:58.880 --> 0:48:01.440
<v Speaker 1>I realized that I'd have to learn to play chess

0:48:02.560 --> 0:48:05.120
<v Speaker 1>and not checkers because a lot of people were baiting

0:48:05.239 --> 0:48:10.120
<v Speaker 1>me and it was only hurting me, and I, like

0:48:10.160 --> 0:48:14.399
<v Speaker 1>you said, it isn't that serious. And you know what

0:48:14.400 --> 0:48:16.480
<v Speaker 1>people got to realize is when you come from these

0:48:16.480 --> 0:48:19.879
<v Speaker 1>different circumstances in life and you don't It's like when

0:48:19.920 --> 0:48:24.080
<v Speaker 1>you're hurt over anything, you carrying around two big hefty

0:48:24.120 --> 0:48:27.520
<v Speaker 1>bags of trash and you walking around saying you want

0:48:27.600 --> 0:48:30.520
<v Speaker 1>a blessing, but you got to put the trash first.

0:48:31.080 --> 0:48:32.959
<v Speaker 1>And that's one of the things that they were trying

0:48:32.960 --> 0:48:35.920
<v Speaker 1>to say. It wasn't etiquette school. There's a different approach

0:48:35.960 --> 0:48:38.359
<v Speaker 1>of communication that we need to do as men with

0:48:38.440 --> 0:48:41.840
<v Speaker 1>each other and really get down to the nitty gritty

0:48:41.840 --> 0:48:44.799
<v Speaker 1>of Yo, why do you feel vulnerable? What's making you

0:48:44.920 --> 0:48:47.759
<v Speaker 1>act out? Like? What is the goal? What's the end

0:48:47.800 --> 0:48:51.040
<v Speaker 1>goal that you're trying to get to? I wanted equity ownership.

0:48:52.280 --> 0:48:54.719
<v Speaker 1>As you start to understand how your store wars, like

0:48:54.760 --> 0:48:57.000
<v Speaker 1>when you first get sent to FedEx. You're like, Okay,

0:48:57.040 --> 0:48:59.359
<v Speaker 1>take the package and give them seventeen dollars, and you're

0:48:59.400 --> 0:49:01.959
<v Speaker 1>saying it'll get there in two days or tomorrow, based

0:49:02.040 --> 0:49:04.680
<v Speaker 1>upon a price. I've always been a person who wants

0:49:04.680 --> 0:49:09.360
<v Speaker 1>to know how the FedEx package actually gets there, every detail,

0:49:09.480 --> 0:49:11.680
<v Speaker 1>And I think that happens with every artist, especially when

0:49:11.719 --> 0:49:15.040
<v Speaker 1>you start to become successful, because you're like, Okay, this

0:49:15.160 --> 0:49:18.080
<v Speaker 1>song that I wrote is generating this amount of money.

0:49:18.520 --> 0:49:22.320
<v Speaker 1>Why aren't I seeing it? What's wrong with this picture?

0:49:22.760 --> 0:49:25.560
<v Speaker 1>And my natural instinct as a kid was to go

0:49:25.600 --> 0:49:29.320
<v Speaker 1>get the bag, and that was the wrong instinct because

0:49:29.360 --> 0:49:32.920
<v Speaker 1>this is business. It's not the streets for sure, for sure,

0:49:32.960 --> 0:49:33.440
<v Speaker 1>and life.

0:49:33.360 --> 0:49:34.920
<v Speaker 4>Is supposed to get us out of the streets.

0:49:35.000 --> 0:49:38.160
<v Speaker 1>Yeah, this and life isn't the streets. And that's why

0:49:38.320 --> 0:49:41.319
<v Speaker 1>right now the stories are writ like the Book of

0:49:41.360 --> 0:49:45.040
<v Speaker 1>Acbar is literally a story about Kareem Mockbar doing twenty

0:49:45.080 --> 0:49:50.000
<v Speaker 1>eight years in federal prison and metamorphosizing his whole thought pattern.

0:49:51.000 --> 0:49:53.160
<v Speaker 1>The Book of Akbar is a spin on Newjack that

0:49:53.239 --> 0:49:56.759
<v Speaker 1>becomes a comedic modern story about us seeing each other

0:49:56.760 --> 0:50:01.240
<v Speaker 1>as we were on chemick in modern times, everybody flowing,

0:50:01.440 --> 0:50:07.320
<v Speaker 1>everybody rich, a different truth, breaking these spells down about

0:50:07.320 --> 0:50:11.640
<v Speaker 1>each other and even touching upon some things about my

0:50:11.760 --> 0:50:18.080
<v Speaker 1>own personal belief through studying history about politics and what

0:50:18.160 --> 0:50:22.160
<v Speaker 1>they do, religion and how it separates but spirit unites.

0:50:22.920 --> 0:50:25.600
<v Speaker 1>And these are subjects that hurt people because again, there

0:50:25.680 --> 0:50:28.800
<v Speaker 1>is a high level of indoctrination that has been given.

0:50:29.400 --> 0:50:33.680
<v Speaker 1>And people are like, well, that's like, you know, going

0:50:33.719 --> 0:50:36.160
<v Speaker 1>down the rabbit hole. No, that's getting to the truth,

0:50:37.480 --> 0:50:39.480
<v Speaker 1>and that's the thing that's going to get us to

0:50:39.560 --> 0:50:42.440
<v Speaker 1>see each other better, see each other, you know again,

0:50:42.600 --> 0:50:44.400
<v Speaker 1>like one of the things growing up part of the

0:50:44.480 --> 0:50:47.640
<v Speaker 1>the economies, like yo, as many women as you can have. Okay, again,

0:50:47.719 --> 0:50:50.600
<v Speaker 1>all of us love beautiful women. But when you really

0:50:50.640 --> 0:50:53.239
<v Speaker 1>become a man, you want to take care of your

0:50:53.280 --> 0:50:56.000
<v Speaker 1>one woman, or if you have an ancient comedic, if

0:50:56.040 --> 0:50:58.640
<v Speaker 1>you can take care of eight wives and you can

0:50:58.680 --> 0:51:02.960
<v Speaker 1>live someplace where that's not even equal, that's where you

0:51:03.040 --> 0:51:06.400
<v Speaker 1>need to be. Where I had the place I had

0:51:06.440 --> 0:51:07.000
<v Speaker 1>to learn.

0:51:06.840 --> 0:51:09.080
<v Speaker 4>That sneaks tuck about where is this place?

0:51:14.160 --> 0:51:14.480
<v Speaker 1>Live there?

0:51:17.280 --> 0:51:29.080
<v Speaker 2>I guess I guess at here, right, huge send your

0:51:29.120 --> 0:51:38.400
<v Speaker 2>submissions money back. I'm so into what he was saying.

0:51:40.560 --> 0:51:43.279
<v Speaker 1>Man, again, we grew up with these that we grew

0:51:43.360 --> 0:51:47.600
<v Speaker 1>up with these lessons. I mean, like they say words

0:51:47.640 --> 0:51:54.080
<v Speaker 1>like multiplication, civilization. Who's seen something civil in our lifetime? Hm?

0:51:55.880 --> 0:52:00.359
<v Speaker 1>And multiplication is good. I even think relationships related math,

0:52:00.440 --> 0:52:03.240
<v Speaker 1>because there are people multiplying your life, there's people adding

0:52:03.280 --> 0:52:06.880
<v Speaker 1>your life, there's those who always come trying to subtract something,

0:52:06.920 --> 0:52:10.919
<v Speaker 1>and then there's the worst, the dividers. And I think

0:52:10.960 --> 0:52:13.920
<v Speaker 1>that we've been given all these different things that don't

0:52:13.960 --> 0:52:17.839
<v Speaker 1>really tell us ancestrally who we really are. They take

0:52:17.960 --> 0:52:21.120
<v Speaker 1>sound away sound healing. All these things is so that

0:52:21.160 --> 0:52:23.200
<v Speaker 1>we can get to medicine and not get to healing,

0:52:23.239 --> 0:52:27.360
<v Speaker 1>of course, and these are the things that have to

0:52:27.400 --> 0:52:30.720
<v Speaker 1>be broken in society so that people can one flow better.

0:52:31.360 --> 0:52:36.239
<v Speaker 1>The harmony and this rhythm of life is better, and

0:52:36.400 --> 0:52:38.319
<v Speaker 1>people aren't suffering. There's a lot of people out here

0:52:38.360 --> 0:52:40.640
<v Speaker 1>right now hurting. And the funny thing is that we've

0:52:40.680 --> 0:52:43.680
<v Speaker 1>been given all of us the gift to heal. Your

0:52:43.760 --> 0:52:47.120
<v Speaker 1>music gives people something to look forward to. It's an

0:52:47.280 --> 0:52:50.200
<v Speaker 1>escape for an hour while they're on stage watching you

0:52:50.280 --> 0:52:54.440
<v Speaker 1>do your thing, and then we go back to this

0:52:55.360 --> 0:52:59.600
<v Speaker 1>society we're living in where you can do everything. They say,

0:53:00.080 --> 0:53:03.880
<v Speaker 1>have two great careers and you're barely making it. So

0:53:04.000 --> 0:53:07.720
<v Speaker 1>these are things again, All these things in life obviously

0:53:07.719 --> 0:53:11.000
<v Speaker 1>bring out music. I'm thinking and challenge times. Some of

0:53:11.040 --> 0:53:14.680
<v Speaker 1>the greatest music has been written for sure, for sure

0:53:14.880 --> 0:53:17.240
<v Speaker 1>because there is music for fun, and then there's music

0:53:17.800 --> 0:53:20.800
<v Speaker 1>that goes along with the fun. I mean your albums,

0:53:20.960 --> 0:53:24.719
<v Speaker 1>you don't always every record isn't about one set thing

0:53:24.760 --> 0:53:27.040
<v Speaker 1>of You have a theme or whatever, and it's about

0:53:27.080 --> 0:53:30.160
<v Speaker 1>love or romance or creating an atmosphere. But then there

0:53:30.200 --> 0:53:31.800
<v Speaker 1>can be a time when you say, you know what

0:53:31.920 --> 0:53:34.480
<v Speaker 1>I want to make something like Marvin Gay went from

0:53:34.520 --> 0:53:36.919
<v Speaker 1>you show love the balls or what's going on? Yeah,

0:53:37.960 --> 0:53:41.920
<v Speaker 1>and it's the same sound. It didn't make him different

0:53:41.960 --> 0:53:44.359
<v Speaker 1>even when he performed all that stuff on stage. Same

0:53:44.400 --> 0:53:46.839
<v Speaker 1>thing with Teddy Wake Up everybody that he get right

0:53:46.880 --> 0:53:49.840
<v Speaker 1>to turn off the lights. It's a whole different energy.

0:53:50.000 --> 0:53:51.600
<v Speaker 1>It's like when you take your shirt off and you

0:53:51.640 --> 0:53:59.480
<v Speaker 1>start that win week. You know what, the whole change shift.

0:54:00.920 --> 0:54:03.080
<v Speaker 1>You know if you because I think I saw you

0:54:03.160 --> 0:54:05.600
<v Speaker 1>Joy Jamie singing alcohol a long time ago, I'm not

0:54:05.760 --> 0:54:08.000
<v Speaker 1>I think you did, but I was like, okay, again,

0:54:08.560 --> 0:54:11.359
<v Speaker 1>that's a sign of talent. These guys can get up

0:54:11.360 --> 0:54:15.840
<v Speaker 1>and make the party, jump, have fun, yeah, no faking

0:54:16.040 --> 0:54:22.280
<v Speaker 1>real singing, and then you can change the atmosphere with sound.

0:54:21.960 --> 0:54:25.120
<v Speaker 1>You can change the atmosphere with sounds. So I've always

0:54:25.200 --> 0:54:28.480
<v Speaker 1>found that fascinating and that I'm a part of that fraternity,

0:54:28.600 --> 0:54:32.000
<v Speaker 1>like you said, forever. It doesn't matter, like if I'm

0:54:32.040 --> 0:54:34.920
<v Speaker 1>top seventy five or top two hundred, I'm just happy

0:54:34.960 --> 0:54:38.560
<v Speaker 1>to be in the fraternity. Yeah, you know what I mean?

0:54:40.200 --> 0:54:46.000
<v Speaker 2>Extremely aware? Yeah, like has that always been Christopher william.

0:54:45.680 --> 0:54:47.400
<v Speaker 1>Yeah, And I think that's part of what got me

0:54:47.400 --> 0:54:50.880
<v Speaker 1>in trouble, because again I needed to decide which Christopher

0:54:50.880 --> 0:54:53.520
<v Speaker 1>Williams you gonna be? Can't You can't keep going to

0:54:53.560 --> 0:54:55.560
<v Speaker 1>get the bag because again the bag is hurting you.

0:54:56.400 --> 0:54:59.319
<v Speaker 1>And a lot of these people talk about playing with

0:54:59.400 --> 0:55:02.040
<v Speaker 1>the bag, but then they play with nine one one,

0:55:03.200 --> 0:55:07.360
<v Speaker 1>So again you're like, this is not the man I am,

0:55:07.719 --> 0:55:09.400
<v Speaker 1>This is not the human being on This is a

0:55:09.400 --> 0:55:14.000
<v Speaker 1>defense mechanism against what my circumstances were. So once I decide,

0:55:14.000 --> 0:55:16.200
<v Speaker 1>I mean, you guys, see how Mike is Mike me

0:55:16.239 --> 0:55:17.839
<v Speaker 1>and I'll be sureing Mike used to hang out all

0:55:17.840 --> 0:55:21.160
<v Speaker 1>the time. One of the illess historians I'd ever met

0:55:21.160 --> 0:55:23.640
<v Speaker 1>in my life. Mike is one of the smartest historians,

0:55:23.680 --> 0:55:28.600
<v Speaker 1>especially boxing history. His wisdom is phenomenal, and we would

0:55:28.640 --> 0:55:31.400
<v Speaker 1>always have really deep conversations and he would roll up

0:55:31.400 --> 0:55:35.120
<v Speaker 1>a pound on my weed or something like joint by joint,

0:55:35.680 --> 0:55:38.920
<v Speaker 1>And again, these are all these crazy experiences that I

0:55:38.960 --> 0:55:43.480
<v Speaker 1>had with all these amazing individuals. Me and Al's relationships

0:55:43.520 --> 0:55:46.320
<v Speaker 1>starting off, he was you know, Al came out and

0:55:46.440 --> 0:55:49.200
<v Speaker 1>night and day set the world on fire. And he

0:55:49.360 --> 0:55:54.000
<v Speaker 1>allowed me, as an older brother to be around him

0:55:54.000 --> 0:55:56.279
<v Speaker 1>because he felt comfortable that I would take care of

0:55:56.320 --> 0:55:58.160
<v Speaker 1>him and he knew that with me, he could go

0:55:58.200 --> 0:56:02.200
<v Speaker 1>in spaces where Vaughn Zip was two D from Mount Vernon.

0:56:02.280 --> 0:56:03.839
<v Speaker 1>He's like, how you know two D had a QT

0:56:04.000 --> 0:56:08.359
<v Speaker 1>that was dope. I'm like, that's my man from Third

0:56:08.440 --> 0:56:13.840
<v Speaker 1>Street Park him and Butter. So we started forming a relationship.

0:56:13.880 --> 0:56:16.520
<v Speaker 1>Then through Al, I met Bob and all of these

0:56:16.560 --> 0:56:19.359
<v Speaker 1>things just so like breadcrumbs, and I talk about these

0:56:19.400 --> 0:56:21.760
<v Speaker 1>things in life. It's the journey.

0:56:23.160 --> 0:56:28.560
<v Speaker 6>How was that camaraderie amongst the other artists at that time,

0:56:28.880 --> 0:56:31.439
<v Speaker 6>because I feel like it's a little more separated. Now

0:56:32.280 --> 0:56:34.480
<v Speaker 6>you got a couple guys that really rock with each other.

0:56:34.520 --> 0:56:37.360
<v Speaker 6>And then obviously Tank and I have been trying to

0:56:37.400 --> 0:56:39.879
<v Speaker 6>bridge the gap as much as we can with all

0:56:39.920 --> 0:56:42.360
<v Speaker 6>of them, right, because I would I would say that

0:56:42.719 --> 0:56:44.520
<v Speaker 6>him and I have no issues with any of them.

0:56:44.600 --> 0:56:44.759
<v Speaker 1>Right.

0:56:44.760 --> 0:56:48.680
<v Speaker 6>We approach everything as men. It's like, Okay, we fuck

0:56:48.719 --> 0:56:51.320
<v Speaker 6>with you, and if we don't, this is why, right,

0:56:51.440 --> 0:56:53.080
<v Speaker 6>and let's try to fix it, you know what I mean.

0:56:53.560 --> 0:56:59.200
<v Speaker 6>But it doesn't seem as together as it was in

0:56:59.760 --> 0:57:00.600
<v Speaker 6>y'all era.

0:57:01.560 --> 0:57:03.480
<v Speaker 1>I'm not gonna lie. It was fun again. We when

0:57:03.520 --> 0:57:06.120
<v Speaker 1>we talk about after seven and a lot of the

0:57:06.160 --> 0:57:09.160
<v Speaker 1>guys for me, you know, especially a younger. I wrote

0:57:09.239 --> 0:57:13.160
<v Speaker 1>Silk's first single, happy Days. I had no idea never

0:57:13.239 --> 0:57:15.880
<v Speaker 1>really talk because I don't talk about anything. And I

0:57:15.920 --> 0:57:18.120
<v Speaker 1>think that's I've gotten to an age now where people

0:57:18.120 --> 0:57:22.760
<v Speaker 1>are like, bro, will you talk? Talk And I got

0:57:22.800 --> 0:57:24.760
<v Speaker 1>to meet little Gen and the rest of the guys

0:57:24.880 --> 0:57:28.720
<v Speaker 1>and we're we're just again, lifelong friends and every time

0:57:28.720 --> 0:57:30.480
<v Speaker 1>we do a show, will get together or see them

0:57:30.520 --> 0:57:34.200
<v Speaker 1>doing their thing. It fuels me because I'm like, we're

0:57:34.280 --> 0:57:38.440
<v Speaker 1>still again in all different facets and phases of this career.

0:57:38.520 --> 0:57:43.760
<v Speaker 1>We're still here. And I've seen actually I got out

0:57:43.800 --> 0:57:46.880
<v Speaker 1>the hospital another thing. R L calls me on the phone.

0:57:46.880 --> 0:57:50.480
<v Speaker 1>I don't even know. R L remembered me from next

0:57:50.880 --> 0:57:52.960
<v Speaker 1>He's like, big bro, what's up? I want you to

0:57:52.960 --> 0:57:56.000
<v Speaker 1>hear something. Of course he done wrote a joint for

0:57:56.120 --> 0:57:59.400
<v Speaker 1>me with my name in it and everything. Wow. I

0:57:59.480 --> 0:58:01.640
<v Speaker 1>played for short tail or Choice like let's cut it.

0:58:02.120 --> 0:58:05.400
<v Speaker 1>And I was like, damn that shit. Damn near broke

0:58:05.440 --> 0:58:07.960
<v Speaker 1>me down a little bit. I was like, yeah, here

0:58:08.000 --> 0:58:10.160
<v Speaker 1>it is. This man is a g he got his

0:58:10.320 --> 0:58:12.680
<v Speaker 1>own life. He's in the prom. You know what I'm saying.

0:58:12.720 --> 0:58:15.520
<v Speaker 1>He's in his he's still in this young man man.

0:58:15.840 --> 0:58:18.400
<v Speaker 1>And he's like, Yo, I heard what you went through

0:58:18.440 --> 0:58:20.040
<v Speaker 1>and I got something for you. And the first thing

0:58:20.080 --> 0:58:24.880
<v Speaker 1>I hear is Yo, what's up? It's Christopher, I'm back

0:58:25.040 --> 0:58:30.360
<v Speaker 1>you miss me? Wow? Man in love. I was like,

0:58:30.480 --> 0:58:36.360
<v Speaker 1>oh so again, just humble that again, like I'm not.

0:58:36.640 --> 0:58:41.160
<v Speaker 1>I've never been anybody's BFF because I think my cautiousness.

0:58:41.840 --> 0:58:43.880
<v Speaker 1>But I've come out of that. You know, you know

0:58:44.000 --> 0:58:46.040
<v Speaker 1>I used to be jail. I'll do anything for anybody,

0:58:46.080 --> 0:58:51.080
<v Speaker 1>but there was always a batmanaged distance that if I

0:58:51.160 --> 0:58:54.600
<v Speaker 1>have to go back to my back cave, I can

0:58:54.680 --> 0:58:56.720
<v Speaker 1>be by myself in the bat cave. Now, if you

0:58:56.840 --> 0:59:00.320
<v Speaker 1>come to the bat cave. Then it's all up. Yeah,

0:59:00.320 --> 0:59:07.680
<v Speaker 1>there might be bats there, but I just more than

0:59:07.720 --> 0:59:11.000
<v Speaker 1>anything man, just gratitude, and this thing is like a

0:59:11.000 --> 0:59:14.240
<v Speaker 1>body man. Like again, when I see you guys get together,

0:59:14.280 --> 0:59:19.280
<v Speaker 1>it's TGT. I love genuine, but that's my dog is

0:59:19.320 --> 0:59:24.720
<v Speaker 1>my dogs. So again to see three super forces come together.

0:59:24.840 --> 0:59:27.360
<v Speaker 1>And even though you guys have that funny candon, because

0:59:27.400 --> 0:59:31.040
<v Speaker 1>you're funny and you're always tearing, you always have a

0:59:31.040 --> 0:59:35.040
<v Speaker 1>certain way you put it out there. And again just

0:59:35.160 --> 0:59:38.320
<v Speaker 1>dope because again it doesn't take away from who Tire is,

0:59:38.480 --> 0:59:40.400
<v Speaker 1>Tank is a g is. But when you come together,

0:59:40.400 --> 0:59:43.600
<v Speaker 1>it's a whole nother building you build together, and that's

0:59:43.880 --> 0:59:46.920
<v Speaker 1>always been beautiful. That's been the key to new addition.

0:59:48.600 --> 0:59:51.120
<v Speaker 1>And when I was laying on my deathbed, I'll never forget.

0:59:51.160 --> 0:59:53.600
<v Speaker 1>God said to me, you think your superpowers are a

0:59:53.680 --> 0:59:57.240
<v Speaker 1>hand or the bag or a gun the toes, and

0:59:57.280 --> 1:00:02.200
<v Speaker 1>he was like, your superpowers are forgiveness, love and innerstanding.

1:00:02.960 --> 1:00:06.000
<v Speaker 1>Once you live for that, I will grant everything that

1:00:06.160 --> 1:00:09.760
<v Speaker 1>was for you. Wow. But I can't. I can't let

1:00:09.800 --> 1:00:13.760
<v Speaker 1>you get out there unyielded, because then it won't represent

1:00:13.880 --> 1:00:16.920
<v Speaker 1>who you are and who you are for me, and

1:00:17.000 --> 1:00:19.880
<v Speaker 1>I'm not a really religious person, but literally it was

1:00:19.960 --> 1:00:25.240
<v Speaker 1>like I had six months to sit there, paralyzed, nothing.

1:00:24.960 --> 1:00:27.600
<v Speaker 4>Working your paralyzed for six months.

1:00:27.640 --> 1:00:29.880
<v Speaker 1>Six months, I was one hundred and thirty one pounds.

1:00:30.040 --> 1:00:33.640
<v Speaker 1>Jesus to the point where Jay when I started, when

1:00:33.640 --> 1:00:35.560
<v Speaker 1>I realized I wanted to fight, they were calling me

1:00:35.640 --> 1:00:38.080
<v Speaker 1>pancake because all I can do is flip. So I

1:00:40.520 --> 1:00:49.600
<v Speaker 1>done learned how to flip. Then he's gonna have jokes

1:00:49.600 --> 1:00:56.320
<v Speaker 1>for that. Oh my God. Literally take the Jamaica girl

1:00:56.400 --> 1:00:59.840
<v Speaker 1>used to come in the morning, Well, mister William, I'll

1:00:59.880 --> 1:01:06.640
<v Speaker 1>be in there. Oh in Lord Jesus, pancake stays. And

1:01:06.680 --> 1:01:09.959
<v Speaker 1>then I have a best friend called Michelle, who worked

1:01:09.960 --> 1:01:14.000
<v Speaker 1>for Franking Beverly for you. Michelle is Jamaican. I call

1:01:14.040 --> 1:01:17.120
<v Speaker 1>her one night crying like a baby because I'm literally

1:01:18.600 --> 1:01:21.520
<v Speaker 1>two o'clock in the morning, having revelation of African nurses

1:01:21.560 --> 1:01:26.080
<v Speaker 1>and ready to stab the Thai nurses. It's war in Inglewood.

1:01:26.520 --> 1:01:29.840
<v Speaker 1>I'm trying to flip. I'm trying to shake up out

1:01:29.880 --> 1:01:35.800
<v Speaker 1>of the stole. A spoon stops. I'm sitting there shaking up.

1:01:36.320 --> 1:01:40.840
<v Speaker 1>I'm like, this is Motherfuck's coming here. Pancake got some funny.

1:01:43.480 --> 1:01:46.240
<v Speaker 2>You know, when these niggas don't pull dragged me out

1:01:46.280 --> 1:01:49.760
<v Speaker 2>of the man ain't no way.

1:01:50.360 --> 1:01:53.520
<v Speaker 1>And then revelation hit and more important things started, and

1:01:53.560 --> 1:01:55.560
<v Speaker 1>I was like, okay, there's a there's a reason why

1:01:55.640 --> 1:01:57.960
<v Speaker 1>I'm here. So they moved me in this room with

1:01:58.000 --> 1:02:02.280
<v Speaker 1>this ninety year old man from Omahona College, professor and

1:02:02.360 --> 1:02:06.040
<v Speaker 1>he had never really been around black folks, and every

1:02:06.120 --> 1:02:09.320
<v Speaker 1>day he would suck his teeth and I'd be like, like,

1:02:10.320 --> 1:02:12.160
<v Speaker 1>And the funny thing is, at first he thought I

1:02:12.200 --> 1:02:15.640
<v Speaker 1>was Puerto Rican. Of course he didn't. He was like,

1:02:16.440 --> 1:02:18.600
<v Speaker 1>you know, and I'd be like, yo, what's wrong with

1:02:18.680 --> 1:02:21.520
<v Speaker 1>this dude? And the lady, the Jamaican girl, came and said, listen,

1:02:22.120 --> 1:02:24.800
<v Speaker 1>he's been in this room alone for a long time

1:02:24.840 --> 1:02:27.520
<v Speaker 1>and he has no family. So I said, what is

1:02:27.560 --> 1:02:31.000
<v Speaker 1>he like? So again, like you just said, how can

1:02:31.040 --> 1:02:33.920
<v Speaker 1>we find a solution of peace? Because I don't want

1:02:33.920 --> 1:02:36.840
<v Speaker 1>to be in I'm dude, I'm paralyzed, I don't have

1:02:36.880 --> 1:02:38.600
<v Speaker 1>no beef, I got a shank, but I don't want

1:02:38.640 --> 1:02:44.080
<v Speaker 1>no problems. So I'm sitting there and she was like,

1:02:44.280 --> 1:02:49.560
<v Speaker 1>he loves the New York Daily News. I'm from New York. Yeah,

1:02:49.600 --> 1:02:53.240
<v Speaker 1>and he likes Vanilla, Swiss, Almond, Hollying Dies ice cream.

1:02:53.360 --> 1:02:55.440
<v Speaker 1>I was like, that's my favorite ice cream when I

1:02:55.520 --> 1:02:58.080
<v Speaker 1>used to really eat ice cream. So I bought him

1:02:58.120 --> 1:03:00.240
<v Speaker 1>ice cream and I got him the PA. But it

1:03:00.320 --> 1:03:03.600
<v Speaker 1>come to him every day. This dude was so hardcourt

1:03:03.720 --> 1:03:06.160
<v Speaker 1>took him like two weeks. One day they put his

1:03:06.240 --> 1:03:10.880
<v Speaker 1>curtain back. He looked up me and said, but I

1:03:10.920 --> 1:03:14.160
<v Speaker 1>knew I got him there because before he literally would

1:03:14.200 --> 1:03:17.640
<v Speaker 1>just like I was a disease.

1:03:17.880 --> 1:03:20.320
<v Speaker 4>Yeah, I can't believe he's in the room with me.

1:03:20.600 --> 1:03:24.000
<v Speaker 1>Now. Two weeks later, couldn't stop him from talking. I

1:03:24.040 --> 1:03:26.960
<v Speaker 1>was like, oh my god, what did I do? Now?

1:03:27.000 --> 1:03:30.280
<v Speaker 1>We got to discuss everything in the newspaper every day.

1:03:30.640 --> 1:03:33.520
<v Speaker 1>But he died while I was in the hospital because

1:03:33.560 --> 1:03:36.000
<v Speaker 1>I saw he had diabetes and they were giving him

1:03:36.040 --> 1:03:39.920
<v Speaker 1>high frutose corn syrup and he wound up dying, and

1:03:39.960 --> 1:03:43.400
<v Speaker 1>the guy right across from he died. And once that happened,

1:03:44.200 --> 1:03:47.720
<v Speaker 1>everything from my childhood flashback, all the violence and death

1:03:47.720 --> 1:03:52.240
<v Speaker 1>that I had experienced flashback. But what it had done

1:03:52.320 --> 1:03:54.920
<v Speaker 1>to me as a kid, it did to me as

1:03:54.920 --> 1:03:56.919
<v Speaker 1>an adult, and I was like, I'm going to fight.

1:03:58.240 --> 1:04:00.840
<v Speaker 1>And that's when I called Michelle when I was really

1:04:01.080 --> 1:04:03.479
<v Speaker 1>I was in tears. I was like, sure, I'm gonna

1:04:03.480 --> 1:04:05.920
<v Speaker 1>be honest, like I just need somebody to talk to

1:04:06.120 --> 1:04:08.240
<v Speaker 1>for real, for real, like I'm trying to put on

1:04:08.280 --> 1:04:10.520
<v Speaker 1>a good face for my family and my kids, but

1:04:11.240 --> 1:04:13.880
<v Speaker 1>I don't know if I'm gonna make it. Michelle, I

1:04:13.920 --> 1:04:17.160
<v Speaker 1>was like, this is really tough, Like I look like death.

1:04:17.800 --> 1:04:20.040
<v Speaker 1>I got the Willie Elmo. I ain't got no hair

1:04:20.120 --> 1:04:23.560
<v Speaker 1>no more. I'm clean cut. Don't wake me up because

1:04:23.600 --> 1:04:27.800
<v Speaker 1>clean cut's dreaming. I'm like, yo, I ain't got no nothing.

1:04:28.520 --> 1:04:32.360
<v Speaker 1>And she was like, let me ask you something, Nati,

1:04:32.480 --> 1:04:36.280
<v Speaker 1>because they call me Nati Chris. She said, what a baby?

1:04:36.280 --> 1:04:43.320
<v Speaker 1>Do befall him? Walk Michelle, I'm fucked up right now, don't.

1:04:43.400 --> 1:04:47.000
<v Speaker 1>I don't want to hear this shit. I don't have

1:04:47.000 --> 1:04:51.160
<v Speaker 1>the energy, she said him, cry, get down and cray.

1:04:51.880 --> 1:04:56.360
<v Speaker 1>Stop being a pom pom. She called me a pom poom.

1:04:56.760 --> 1:05:09.800
<v Speaker 1>I said, okay, I'll get back to you. I'll never

1:05:09.840 --> 1:05:12.920
<v Speaker 1>forget that night I put on Gene Moore Recover All Now,

1:05:12.920 --> 1:05:15.680
<v Speaker 1>I'm gonna tell you how the Creator works. I didn't

1:05:15.720 --> 1:05:19.880
<v Speaker 1>know Jane at the time. Two years later, Jane had

1:05:19.960 --> 1:05:23.160
<v Speaker 1>come him and Brian Courtney. Wilson had started sending the

1:05:23.240 --> 1:05:28.280
<v Speaker 1>treats through Zell and again nothing great, fifty sixty dollars

1:05:28.320 --> 1:05:31.479
<v Speaker 1>and they would put comments, this is for some snacks og.

1:05:33.360 --> 1:05:36.760
<v Speaker 1>And then he was performing with India Iri and I said, listen,

1:05:36.760 --> 1:05:39.480
<v Speaker 1>I got off the hospital, I did my twenty five steps.

1:05:40.040 --> 1:05:42.919
<v Speaker 1>I'm now in Calabasas that the resident's in out there

1:05:43.000 --> 1:05:46.680
<v Speaker 1>because my apartment uptas down says I live in Burbank still,

1:05:46.720 --> 1:05:48.680
<v Speaker 1>but I couldn't get up and down in my apartment.

1:05:49.960 --> 1:05:51.960
<v Speaker 1>So I rented a big residence and I was like,

1:05:52.040 --> 1:05:54.480
<v Speaker 1>I'm going to recover here. And then I had doctor

1:05:54.520 --> 1:05:59.600
<v Speaker 1>Allan Payne, you know the that's like Benjamin Buttons, Yeah,

1:06:00.280 --> 1:06:03.840
<v Speaker 1>the vegant king. Yeah. So he's starting ordering up all

1:06:03.920 --> 1:06:07.440
<v Speaker 1>the nutrients and the immune stuff and help and this and

1:06:07.480 --> 1:06:10.080
<v Speaker 1>that and this, and the thing is I put him

1:06:10.080 --> 1:06:11.600
<v Speaker 1>on it, but then he take it to he took

1:06:11.640 --> 1:06:15.440
<v Speaker 1>it to a whole other level. And again because you

1:06:15.440 --> 1:06:17.960
<v Speaker 1>don't get mad, because you realize this is who this

1:06:18.040 --> 1:06:20.160
<v Speaker 1>guy is. It ain't got nothing to do with me.

1:06:21.040 --> 1:06:26.880
<v Speaker 1>So I started healing. And Jane says, yo, I'm in

1:06:26.960 --> 1:06:29.760
<v Speaker 1>Long Beach. I just finished the show. He said, where

1:06:29.760 --> 1:06:32.120
<v Speaker 1>are you at? I said, Calabasas. This dude drove to

1:06:32.160 --> 1:06:35.520
<v Speaker 1>my room from Long Beach, from Long Beach, and he

1:06:35.600 --> 1:06:37.680
<v Speaker 1>had this song. I may have fallen, but I'm not

1:06:37.760 --> 1:06:42.000
<v Speaker 1>a failure, made bad choices, but he's still faithful. And

1:06:42.040 --> 1:06:46.440
<v Speaker 1>when I cry thought hope had died, he convinced my

1:06:46.520 --> 1:06:50.080
<v Speaker 1>heart to give it one more try. I will recover all,

1:06:50.640 --> 1:06:53.600
<v Speaker 1>not just thirty sixty one hundred, I will recover all.

1:06:54.280 --> 1:07:00.440
<v Speaker 1>And once I heard that, pancakes sat up, and then

1:07:00.480 --> 1:07:03.960
<v Speaker 1>I started throwing stuff on like comfort Zone by Marvin Sap.

1:07:04.120 --> 1:07:07.680
<v Speaker 1>I ain't coming out of my comfort zone. I'm being

1:07:07.760 --> 1:07:12.280
<v Speaker 1>stretched because I was. You know again, we asked why sometimes,

1:07:12.880 --> 1:07:16.920
<v Speaker 1>but he was like why not? I named you Christopher

1:07:16.960 --> 1:07:19.040
<v Speaker 1>the crossbarl. What do you think You're going to bear

1:07:19.080 --> 1:07:23.720
<v Speaker 1>a bucket? You're gonna bear a cross and that, and

1:07:23.760 --> 1:07:25.720
<v Speaker 1>then I just accepted it, and I said, this is

1:07:25.760 --> 1:07:27.320
<v Speaker 1>how I'm going to have to live and adjust for

1:07:27.360 --> 1:07:30.000
<v Speaker 1>the rest of my life, because my life no longer

1:07:30.040 --> 1:07:33.120
<v Speaker 1>had become about me. It was about what he had

1:07:33.160 --> 1:07:35.240
<v Speaker 1>given me and what I would be able to do.

1:07:35.320 --> 1:07:38.120
<v Speaker 1>And what's funny is, even in all this stuff, reflecting back,

1:07:38.480 --> 1:07:41.120
<v Speaker 1>I had a company called Promised Land. For thirty years

1:07:41.160 --> 1:07:44.360
<v Speaker 1>that was inactive. My email had been like I was

1:07:44.400 --> 1:07:49.840
<v Speaker 1>having crazy epiphanies. My email had been CLW Christopher Lawrence Williams,

1:07:49.840 --> 1:07:52.600
<v Speaker 1>the Lion of Judah. And this had been for decades

1:07:52.640 --> 1:07:55.600
<v Speaker 1>and I never knew why. So then I started again.

1:07:55.720 --> 1:07:57.080
<v Speaker 1>I had a lot of time on my hands. I

1:07:57.080 --> 1:07:59.800
<v Speaker 1>started soul searching. I started being like, okay, I got

1:07:59.880 --> 1:08:04.440
<v Speaker 1>to adopted by a family who lives in Farmville, Virginia, Virginia,

1:08:04.560 --> 1:08:08.760
<v Speaker 1>the birthplace of America, the first capital, Richmond. I started

1:08:08.760 --> 1:08:12.200
<v Speaker 1>doing studies of indigenousness, and then I just I just

1:08:12.280 --> 1:08:14.920
<v Speaker 1>went on a crazy journey. Was like I know who

1:08:14.960 --> 1:08:17.800
<v Speaker 1>I am. Now, I know exactly who I am. I

1:08:17.800 --> 1:08:19.479
<v Speaker 1>don't talk about it a lot, but I know who

1:08:19.520 --> 1:08:21.559
<v Speaker 1>I am. You know, I've talked about it to people

1:08:21.840 --> 1:08:23.840
<v Speaker 1>that you know I'm around all the time. And that

1:08:24.640 --> 1:08:27.960
<v Speaker 1>I started, and the creator just started sending me the

1:08:28.000 --> 1:08:32.320
<v Speaker 1>greatest team of people that were like, I get your vision, yea.

1:08:32.560 --> 1:08:37.160
<v Speaker 1>And even with Vincent though, you know, I pray for

1:08:37.280 --> 1:08:40.080
<v Speaker 1>Vince because again I think that he's stuck in like

1:08:40.160 --> 1:08:45.800
<v Speaker 1>this hot bubble time machine and narcissism and feliciousness is

1:08:45.840 --> 1:08:50.840
<v Speaker 1>not it's not manly, you know what I mean. But

1:08:51.000 --> 1:08:54.759
<v Speaker 1>I'm no longer the person. I've learned to pray about

1:08:54.760 --> 1:08:59.479
<v Speaker 1>a situation or be hopeful meditated on a situation rather

1:08:59.560 --> 1:09:03.840
<v Speaker 1>than to react to react. Yeah, and so I you know, though,

1:09:03.880 --> 1:09:07.160
<v Speaker 1>we you know, we did accomplish one thing together, and

1:09:07.200 --> 1:09:08.840
<v Speaker 1>that was like what we set out was to say that.

1:09:08.880 --> 1:09:10.760
<v Speaker 1>He was, you know, like I said, Man, I can

1:09:10.760 --> 1:09:12.920
<v Speaker 1>come back after twenty nine years. I don't know to

1:09:12.960 --> 1:09:15.680
<v Speaker 1>what level, you know, but I was like, you know,

1:09:15.720 --> 1:09:17.559
<v Speaker 1>obviously you have reference points. And I was like, man,

1:09:17.600 --> 1:09:21.040
<v Speaker 1>if I could just get halfway to where Uncle Charlie is, yeah,

1:09:22.040 --> 1:09:22.960
<v Speaker 1>then we be all right.

1:09:23.120 --> 1:09:24.439
<v Speaker 4>Are you back doing shows now?

1:09:24.720 --> 1:09:26.479
<v Speaker 1>Yeah? A lot of them, A lot of them. Going

1:09:26.520 --> 1:09:29.479
<v Speaker 1>to Africa in October. Wow, for the first time in

1:09:29.479 --> 1:09:29.960
<v Speaker 1>my career.

1:09:30.240 --> 1:09:31.599
<v Speaker 4>You've never been over there, never.

1:09:31.439 --> 1:09:35.200
<v Speaker 1>Been, so I'm looking forward to that. I started out

1:09:35.320 --> 1:09:39.360
<v Speaker 1>at the hospital doing I Open after seven at the

1:09:39.360 --> 1:09:41.600
<v Speaker 1>city winery. I'm now selling out two and three of

1:09:41.600 --> 1:09:45.120
<v Speaker 1>them in every city and congratulates you know, gets that.

1:09:45.280 --> 1:09:47.280
<v Speaker 1>And just getting back in shape, man, you know, like

1:09:47.320 --> 1:09:50.320
<v Speaker 1>you talk about you gotta you gotta train and even

1:09:50.360 --> 1:09:53.360
<v Speaker 1>now like I got to Atlanta last time, I got

1:09:53.400 --> 1:09:57.479
<v Speaker 1>with this trainer of Pilate's trainer, I have to give

1:09:57.800 --> 1:10:02.680
<v Speaker 1>people who rock oh man a lot of She's a

1:10:02.680 --> 1:10:04.400
<v Speaker 1>pretty little girl, and I was like, well, this is

1:10:04.439 --> 1:10:11.400
<v Speaker 1>gonna be fun. I'm so scared of her whooping whooping

1:10:11.479 --> 1:10:16.080
<v Speaker 1>me and beautifully. Yeah. So I'm trying to, you know,

1:10:16.320 --> 1:10:18.920
<v Speaker 1>build my body back up. But I needed to build

1:10:18.960 --> 1:10:24.160
<v Speaker 1>my spirit first and then my mind and now my

1:10:24.240 --> 1:10:27.160
<v Speaker 1>body again. So I'm looking forward to this. And I

1:10:27.200 --> 1:10:29.240
<v Speaker 1>don't even say like final chapter. I don't really feel

1:10:29.240 --> 1:10:31.280
<v Speaker 1>like I'm in the fourth quarter, but I'm in. I'm

1:10:31.320 --> 1:10:33.120
<v Speaker 1>in a due season that I'm supposed to be in,

1:10:33.479 --> 1:10:38.320
<v Speaker 1>and I'm just looking forward to all of these new adventures.

1:10:38.400 --> 1:10:40.559
<v Speaker 1>And it's fun now like when I get to run

1:10:40.640 --> 1:10:43.639
<v Speaker 1>a the young artists or people that I would think

1:10:43.680 --> 1:10:45.760
<v Speaker 1>don't know me, and they some of them don't know me,

1:10:45.880 --> 1:10:48.960
<v Speaker 1>but they know a song or they know that movie. Yeah,

1:10:49.160 --> 1:10:52.360
<v Speaker 1>and then there's a correlation. So, like I said, man,

1:10:52.479 --> 1:10:55.240
<v Speaker 1>I'm grateful, and it's been super super super cool.

1:10:55.520 --> 1:11:00.400
<v Speaker 4>No, man, listen, we're glad you're back. Many seriously, ain't.

1:11:00.200 --> 1:11:01.120
<v Speaker 1>Gonna do the top five.

1:11:01.360 --> 1:11:03.960
<v Speaker 4>We're doing, We're gonna do, we do all of that.

1:11:04.920 --> 1:11:07.680
<v Speaker 1>That's the only thing I studied. I want to be

1:11:06.960 --> 1:11:10.639
<v Speaker 1>all ready. I want to do the best I can.

1:11:11.479 --> 1:11:15.439
<v Speaker 2>I want to before I started giving you the business,

1:11:15.880 --> 1:11:21.120
<v Speaker 2>Oh no, you know, going going through my health thing,

1:11:22.120 --> 1:11:24.800
<v Speaker 2>it was like, you know, and hearing you talk about

1:11:24.800 --> 1:11:28.559
<v Speaker 2>yours coming out on the other side of that different.

1:11:29.760 --> 1:11:31.960
<v Speaker 2>But you know, for me, it was just like, hey,

1:11:32.600 --> 1:11:35.479
<v Speaker 2>the house still has to get built with whatever tools

1:11:35.479 --> 1:11:40.120
<v Speaker 2>I have left. And it feels to me like you

1:11:40.280 --> 1:11:44.439
<v Speaker 2>have this new fire and going through whatever what what

1:11:44.479 --> 1:11:49.720
<v Speaker 2>you went through just gave you a different perspective on

1:11:49.840 --> 1:11:53.599
<v Speaker 2>how to go about getting it done at this point,

1:11:53.640 --> 1:11:56.640
<v Speaker 2>Like somebody asked me, somebody was asking me just about it,

1:11:56.720 --> 1:11:59.080
<v Speaker 2>and you know how it was.

1:11:59.120 --> 1:12:01.920
<v Speaker 1>I was like it was I didn't recognize.

1:12:01.479 --> 1:12:05.160
<v Speaker 2>Me when I was going through it, but I said,

1:12:05.200 --> 1:12:10.120
<v Speaker 2>you know, if it ain't killed me, they fucked up. Yeah,

1:12:10.520 --> 1:12:14.760
<v Speaker 2>because now now I'm really at it right and that's

1:12:14.760 --> 1:12:17.120
<v Speaker 2>what you gotta do, and that's what you gotta do. Yeah,

1:12:17.280 --> 1:12:20.720
<v Speaker 2>And so you know, I'm I'm I'm grateful for you,

1:12:20.800 --> 1:12:22.200
<v Speaker 2>and I'm encouraging you as well.

1:12:22.439 --> 1:12:28.760
<v Speaker 1>Thank you. I can't none to stop you now. Yeah,

1:12:29.040 --> 1:12:32.280
<v Speaker 1>I'm gonna go ahead and agree with that one. Maybe

1:12:32.520 --> 1:12:37.960
<v Speaker 1>maybe the at least she ain't got nothing to do

1:12:38.000 --> 1:12:42.080
<v Speaker 1>with music what I'm supposed to be doing with my life.

1:12:42.200 --> 1:12:45.720
<v Speaker 2>Yeah, I just love the energy, brother, I love I

1:12:45.760 --> 1:12:46.680
<v Speaker 2>love the conversation.

1:12:46.840 --> 1:12:49.960
<v Speaker 1>I love the knowledge. I love the knowledge.

1:12:49.960 --> 1:12:50.120
<v Speaker 5>Man.

1:12:50.479 --> 1:12:54.080
<v Speaker 2>I think you know, brothers, we need to have these conversations.

1:12:54.120 --> 1:12:56.400
<v Speaker 2>These these are the conversations that should be highlighted. This

1:12:56.479 --> 1:12:59.880
<v Speaker 2>kind of information that's kind of pouring into and so

1:13:00.040 --> 1:13:03.200
<v Speaker 2>lebration at the same time, like this is this is

1:13:03.240 --> 1:13:04.679
<v Speaker 2>the goal, This is why we.

1:13:05.320 --> 1:13:09.040
<v Speaker 1>Do this, do it? You know? This is the authorities? Yeah,

1:13:09.120 --> 1:13:09.720
<v Speaker 1>on all things.

1:13:11.080 --> 1:13:13.160
<v Speaker 2>Yeah yeah, because when you talk about that rhythm and

1:13:13.200 --> 1:13:17.320
<v Speaker 2>that blues, they can't play with it. Everything and everything

1:13:18.120 --> 1:13:20.519
<v Speaker 2>it comes along with that. People don't know what comes

1:13:20.560 --> 1:13:24.479
<v Speaker 2>along with that. They can't play with it. Yeah yeah,

1:13:24.600 --> 1:13:28.920
<v Speaker 2>try try. They know they know where.

1:13:28.720 --> 1:13:32.400
<v Speaker 1>The fruits and berries come from, and the juices and

1:13:32.439 --> 1:13:35.439
<v Speaker 1>berries the juices come on now. Yeah, yeah, you're back

1:13:36.400 --> 1:13:42.000
<v Speaker 1>doing over there. Jesus test this young man.

1:13:42.120 --> 1:13:47.879
<v Speaker 2>Hey, you got phone chief she got.

1:13:52.200 --> 1:13:54.240
<v Speaker 1>This almost feels like Superman music, right.

1:13:54.439 --> 1:13:57.040
<v Speaker 8>And it almost looks like the smallest little piano evert

1:13:57.439 --> 1:13:59.400
<v Speaker 8>that they got you in Atlanta where I can make

1:13:59.439 --> 1:13:59.760
<v Speaker 8>it work.

1:14:03.600 --> 1:14:15.240
<v Speaker 7>Brother Christopher Williams, you are related Yeah to.

1:14:15.320 --> 1:14:18.320
<v Speaker 1>Some amazing musical entities.

1:14:18.439 --> 1:14:23.160
<v Speaker 2>You, my friend, yourself have done legendary things in this

1:14:23.280 --> 1:14:23.960
<v Speaker 2>music game.

1:14:25.120 --> 1:14:27.519
<v Speaker 1>But now we want to know what we want to know.

1:14:29.479 --> 1:14:32.760
<v Speaker 2>With all that you've seen, heard, all that you've been

1:14:32.800 --> 1:14:34.280
<v Speaker 2>inspired by.

1:14:34.640 --> 1:14:35.400
<v Speaker 1>What's your.

1:14:39.520 --> 1:14:40.880
<v Speaker 8>Top five?

1:14:44.040 --> 1:14:45.160
<v Speaker 1>Your top five?

1:14:48.040 --> 1:14:49.519
<v Speaker 5>Top five?

1:14:52.840 --> 1:15:00.160
<v Speaker 1>Your top five? Welling me saying guys all me song we.

1:15:02.600 --> 1:15:07.280
<v Speaker 7>Got too now before you go get wrong this show.

1:15:07.800 --> 1:15:09.720
<v Speaker 4>Everybody wants to know me.

1:15:13.479 --> 1:15:26.800
<v Speaker 1>Yes, your top you to.

1:15:33.360 --> 1:15:47.840
<v Speaker 9>Well the church said, yeah, I feel like you had

1:15:47.880 --> 1:15:49.639
<v Speaker 9>a more chests.

1:15:49.920 --> 1:15:50.720
<v Speaker 1>Definitely worked there.

1:15:51.520 --> 1:15:53.200
<v Speaker 4>Yeah, yeah, you added more chest.

1:15:53.800 --> 1:15:57.800
<v Speaker 2>Okay, all right, all right, even even the verse talking guy.

1:15:58.120 --> 1:16:00.519
<v Speaker 1>Yeah, that.

1:16:02.560 --> 1:16:08.120
<v Speaker 2>Mike Jackson aggressive Williams is an aggressive singing asked me up.

1:16:13.240 --> 1:16:17.599
<v Speaker 1>That's a hard drink. I was. I was curious sitting

1:16:17.640 --> 1:16:19.559
<v Speaker 1>there laughing because she tours with me all the time.

1:16:19.680 --> 1:16:22.000
<v Speaker 1>She kis dropping next year and she's I know, She's like,

1:16:22.160 --> 1:16:25.000
<v Speaker 1>that's hilarious because I always tell the story that I

1:16:25.000 --> 1:16:27.080
<v Speaker 1>went in. They didn't know I was a baritone. Yeah,

1:16:27.120 --> 1:16:30.120
<v Speaker 1>because I'm like, because a light skinned I sing more

1:16:30.240 --> 1:16:35.000
<v Speaker 1>like Ella malor Bobby the bar one of the greats.

1:16:35.040 --> 1:16:38.280
<v Speaker 1>And I was like, so he was like, well, can

1:16:38.320 --> 1:16:41.760
<v Speaker 1>you do Michael Jackson. So I went in and I

1:16:41.800 --> 1:16:43.320
<v Speaker 1>was like, I can't.

1:16:43.160 --> 1:16:45.880
<v Speaker 4>Get it over the fact that I'm with you.

1:16:47.400 --> 1:16:51.439
<v Speaker 1>And that's how the record came about. Wow, that's where

1:16:51.439 --> 1:16:54.639
<v Speaker 1>they're aggressive, because I was, I was doing that don't knock,

1:16:55.600 --> 1:16:57.200
<v Speaker 1>I was, I was trying to do Mike. I can't

1:16:57.200 --> 1:16:59.120
<v Speaker 1>do Mike. But I was like, Okay, this is going

1:16:59.200 --> 1:17:03.639
<v Speaker 1>to be the baritone version of Michael Jackson. And that's

1:17:03.640 --> 1:17:05.280
<v Speaker 1>how exactly what it is.

1:17:05.400 --> 1:17:09.639
<v Speaker 2>But that style made the song, and Stanley was genius

1:17:09.640 --> 1:17:10.240
<v Speaker 2>for doing it.

1:17:10.360 --> 1:17:13.280
<v Speaker 1>I just didn't know where we would get it from

1:17:13.520 --> 1:17:16.240
<v Speaker 1>because again, in my mind, even attacking it like that,

1:17:16.360 --> 1:17:18.840
<v Speaker 1>I was like, I ain't never really you know. At

1:17:18.840 --> 1:17:20.639
<v Speaker 1>that point I was Freddie and Luther were so hot.

1:17:20.680 --> 1:17:22.160
<v Speaker 1>I was like, I'll need one of them. You o

1:17:22.400 --> 1:17:27.880
<v Speaker 1>my later? Yeah yeah, yeah, yeah, yeah, yeah, like I

1:17:27.920 --> 1:17:32.280
<v Speaker 1>need one of those. Stanley was like, relax, I got you.

1:17:32.960 --> 1:17:34.599
<v Speaker 1>I said, So you want me to go in there

1:17:34.760 --> 1:17:39.280
<v Speaker 1>and emulate Michael Jackson. So I was like it don't

1:17:39.360 --> 1:17:42.200
<v Speaker 1>look at don't and don't got it, don't know, And

1:17:42.240 --> 1:17:43.160
<v Speaker 1>that's how it came out.

1:17:44.160 --> 1:17:47.080
<v Speaker 2>But it's it's it's right though, it was it's you.

1:17:47.280 --> 1:17:49.360
<v Speaker 2>He was genius.

1:17:49.439 --> 1:17:54.559
<v Speaker 1>It's you. Represents you. And Davante said that to him,

1:17:54.560 --> 1:17:55.960
<v Speaker 1>all I say. He was like, no, I don't. I

1:17:55.960 --> 1:17:58.080
<v Speaker 1>don't want a pretty bitch. I don't want the bridge pretty.

1:17:58.479 --> 1:18:01.120
<v Speaker 1>He said, I want you to put your church guts

1:18:01.479 --> 1:18:04.679
<v Speaker 1>in the in the bridge. And that's how we got

1:18:04.720 --> 1:18:09.080
<v Speaker 1>all I see. So I've had great guides. It's always cool,

1:18:09.240 --> 1:18:13.400
<v Speaker 1>like you know, that's talents and see what this you

1:18:13.439 --> 1:18:18.400
<v Speaker 1>know putting oil and vinegar or tarragon and basil together

1:18:18.479 --> 1:18:20.160
<v Speaker 1>and what that comes out to be. So I've been

1:18:20.240 --> 1:18:25.559
<v Speaker 1>fortunate to have those kind of experiences. I could tell

1:18:25.600 --> 1:18:31.679
<v Speaker 1>you my top five, top five, tell your top five. Wow,

1:18:31.800 --> 1:18:35.519
<v Speaker 1>this is tough, R and B. Toughest question ever. Top

1:18:35.600 --> 1:18:37.439
<v Speaker 1>five R and B singers.

1:18:37.600 --> 1:18:38.760
<v Speaker 4>Let's start the singers.

1:18:39.080 --> 1:18:42.000
<v Speaker 1>It got to be. And even though I've never been

1:18:42.040 --> 1:18:47.920
<v Speaker 1>able to really do his style because that I've never

1:18:48.400 --> 1:18:52.599
<v Speaker 1>I've probably never studied that kung fu style. But Stevie

1:18:52.640 --> 1:19:04.200
<v Speaker 1>Wonders definitely my top singer. I'm sorry, I'm so sorry.

1:19:06.040 --> 1:19:12.560
<v Speaker 1>My musical father, Teddy Pendergram mm hmmm, pavar Razzi, Luther vandrews.

1:19:17.920 --> 1:19:18.240
<v Speaker 5>Man.

1:19:18.479 --> 1:19:20.719
<v Speaker 1>This is hard because you know what it really should

1:19:20.760 --> 1:19:23.519
<v Speaker 1>be errors, but I know I can't. But because I'm

1:19:23.520 --> 1:19:27.280
<v Speaker 1>a little older. I'm gonna say Aretha Franklin. And then

1:19:27.880 --> 1:19:30.960
<v Speaker 1>my list is kind of obvious Whitney Houston. But there

1:19:31.000 --> 1:19:37.360
<v Speaker 1>are substitute teachers. Okay, what you got because generations of it,

1:19:37.600 --> 1:19:43.040
<v Speaker 1>I've got, I've got d Trained, Jeffrey Osmon, James Ingram,

1:19:43.120 --> 1:19:45.439
<v Speaker 1>and then the girls, some of it, I'm not gonna lie.

1:19:45.760 --> 1:19:50.000
<v Speaker 1>Some of the new girls like Jasmine Sullivan, fire is

1:19:50.200 --> 1:19:54.920
<v Speaker 1>really a problem, has any error. And this is a

1:19:54.960 --> 1:19:59.360
<v Speaker 1>real hard question for me because I honestly like a

1:19:59.560 --> 1:20:05.280
<v Speaker 1>hundred at least one hundred vocalists. There's so much talent now,

1:20:05.920 --> 1:20:12.080
<v Speaker 1>I mean, whether it's you, todde Bruno, Chris Breezy Mario,

1:20:13.040 --> 1:20:17.160
<v Speaker 1>it's it's so many beautiful rainbows in this thing that

1:20:18.720 --> 1:20:32.120
<v Speaker 1>but okay, I'm mess all right. And then you got

1:20:32.160 --> 1:20:34.920
<v Speaker 1>your eclectic sounds like how do I leave Shade out?

1:20:35.080 --> 1:20:39.800
<v Speaker 1>It's one of my top singers. So it feels this

1:20:39.840 --> 1:20:42.280
<v Speaker 1>is you guys are beating people up with this question. Yeah,

1:20:42.400 --> 1:20:47.080
<v Speaker 1>it's a great time. It's top five R and B songs.

1:20:48.000 --> 1:21:12.000
<v Speaker 1>That's impossible. You can do it. Superstar their superstar man,

1:21:12.280 --> 1:21:13.760
<v Speaker 1>I don't even see. This is why I knew I

1:21:13.760 --> 1:21:17.479
<v Speaker 1>would get stuck, top found arm Bi songs. I gotta

1:21:17.520 --> 1:21:25.639
<v Speaker 1>pick a Lauryn Hill song, nothing even mad It's hand

1:21:25.680 --> 1:21:30.040
<v Speaker 1>the Edge look very good, very good record, Fine China,

1:21:30.720 --> 1:21:32.880
<v Speaker 1>mm hmm, my light skinned Musical Sun.

1:21:33.439 --> 1:21:33.639
<v Speaker 5>Yeah.

1:21:34.560 --> 1:21:39.880
<v Speaker 1>I'd love to put me in a thing where it

1:21:39.920 --> 1:21:43.080
<v Speaker 1>was like, you know again, how could you not? Who

1:21:43.080 --> 1:21:46.960
<v Speaker 1>can say that Michael Jackson has not touched them? None

1:21:46.960 --> 1:21:50.240
<v Speaker 1>of us? So again, even if that's not, you know,

1:21:50.680 --> 1:21:55.080
<v Speaker 1>like we're flat footed, you know, especially, you know, like

1:21:55.120 --> 1:21:56.760
<v Speaker 1>I don't want to bust a move. I mean, I'm

1:21:56.800 --> 1:21:59.480
<v Speaker 1>busting one or two if I have to, but I'd

1:21:59.560 --> 1:22:02.479
<v Speaker 1>rather stay in there and just sing. But who can

1:22:02.520 --> 1:22:05.240
<v Speaker 1>say that they have not been touched by Michael Jackson?

1:22:06.520 --> 1:22:09.320
<v Speaker 1>And then all those Stevie Wonder songs is like the

1:22:09.360 --> 1:22:12.280
<v Speaker 1>man wrote a song called these three Words and every line,

1:22:12.360 --> 1:22:17.920
<v Speaker 1>every sentence had three words. It's silly. That's not like

1:22:18.040 --> 1:22:20.320
<v Speaker 1>when you can write songs like these things hurt like

1:22:20.400 --> 1:22:24.720
<v Speaker 1>brand new shoes. You know again, we we have so

1:22:24.840 --> 1:22:28.320
<v Speaker 1>much talent. I mean, I'm gonna be honest, my mama's

1:22:28.360 --> 1:22:30.320
<v Speaker 1>gonna get math me saying but when We Fuck is

1:22:30.320 --> 1:22:35.000
<v Speaker 1>one of my favorite records ever because it puts you

1:22:35.200 --> 1:22:38.040
<v Speaker 1>in a real, like I want to put on my

1:22:38.120 --> 1:22:41.960
<v Speaker 1>double Timberlands and come out the shower. I want to

1:22:42.000 --> 1:22:48.880
<v Speaker 1>put on the Chocolate Timblans, the Super Till everybody don't

1:22:48.880 --> 1:22:51.599
<v Speaker 1>know if I only need nothing else but to shave.

1:22:51.680 --> 1:22:57.280
<v Speaker 1>But in the Super Tims mother, and I'm looking at

1:22:57.320 --> 1:23:03.519
<v Speaker 1>Angles already in the room like okay, yeah, but that

1:23:03.680 --> 1:23:09.200
<v Speaker 1>record and body is in such a clever melody. So again, honestly,

1:23:09.280 --> 1:23:13.560
<v Speaker 1>my little brother Carl Thomas, that some arrange you ah yeah,

1:23:13.600 --> 1:23:17.639
<v Speaker 1>and you know we again, Johnny Gills my my album,

1:23:17.800 --> 1:23:20.439
<v Speaker 1>even though me and Keith clown each other and we've

1:23:20.640 --> 1:23:23.320
<v Speaker 1>we've you know, that's my man. But I guess you

1:23:23.400 --> 1:23:25.120
<v Speaker 1>know you're from New York and you know I forgot

1:23:25.160 --> 1:23:28.040
<v Speaker 1>that New York. Yeah, Keith is like, ah, that's my neighga.

1:23:28.160 --> 1:23:31.840
<v Speaker 1>Fuck me. But that first record him and Teddy made,

1:23:31.920 --> 1:23:34.200
<v Speaker 1>Not that Keith doesn't have other hits, but that first

1:23:34.320 --> 1:23:39.479
<v Speaker 1>record was special, the record with Jackie McGee. So this

1:23:39.600 --> 1:23:41.680
<v Speaker 1>has just been again. I guess I'm too old for

1:23:41.760 --> 1:23:46.600
<v Speaker 1>this question, man, because again I can go on. I

1:23:46.640 --> 1:23:49.880
<v Speaker 1>can go in every genre of music. Joasy Diary of

1:23:49.960 --> 1:23:52.840
<v Speaker 1>a Mad Black Man. I'm dying of a mad band.

1:23:53.479 --> 1:23:55.439
<v Speaker 4>That's about to say, you turned to a Tyler Perry movie.

1:23:57.479 --> 1:24:02.559
<v Speaker 1>I don't like none of Tyler and I like his

1:24:02.680 --> 1:24:04.640
<v Speaker 1>movies and his TV show, but I don't think he

1:24:04.680 --> 1:24:06.720
<v Speaker 1>ever made a hit record I like, but he's good

1:24:06.720 --> 1:24:10.439
<v Speaker 1>at picking out music and just proud of the fact

1:24:10.439 --> 1:24:14.680
<v Speaker 1>that again we get to witness like somebody like him,

1:24:15.000 --> 1:24:18.479
<v Speaker 1>that every door was shut, every door. But his belief

1:24:18.760 --> 1:24:21.920
<v Speaker 1>was that I'm going to create this, like you said,

1:24:22.000 --> 1:24:24.680
<v Speaker 1>with the tools that I possess. I'm not going to

1:24:24.760 --> 1:24:28.000
<v Speaker 1>compete with him and him. I have nothing against the

1:24:28.080 --> 1:24:30.799
<v Speaker 1>Hughes brothers or this person and these people make films,

1:24:31.080 --> 1:24:35.800
<v Speaker 1>but I'm going to create Tyler Perry and I'm going

1:24:35.880 --> 1:24:38.479
<v Speaker 1>to own it period. I'm going to be able to

1:24:38.479 --> 1:24:41.280
<v Speaker 1>give Fox seventeen million back if you don't let me

1:24:41.320 --> 1:24:46.000
<v Speaker 1>say Jesus and feel no way, I'm going to do

1:24:46.080 --> 1:24:48.360
<v Speaker 1>all these things so I can set a precedent for

1:24:48.479 --> 1:24:51.000
<v Speaker 1>young people, for younger people or people who are even

1:24:51.040 --> 1:24:53.000
<v Speaker 1>his age, who are like trying to still figure out.

1:24:53.800 --> 1:24:56.639
<v Speaker 1>There's a lot of benchmarks and creativity for us now,

1:24:56.680 --> 1:24:59.400
<v Speaker 1>and it's beautiful. So I know I veered off the

1:24:59.400 --> 1:25:02.080
<v Speaker 1>top five actually because I'm nervous of the question. Now

1:25:02.200 --> 1:25:04.920
<v Speaker 1>he gave us five Yeah, because I probably gave you

1:25:04.960 --> 1:25:05.920
<v Speaker 1>like five times.

1:25:06.400 --> 1:25:17.519
<v Speaker 2>Go action, go act. Let's make a bowl trying. Okay,

1:25:17.760 --> 1:25:20.559
<v Speaker 2>you're a super R and B artist where you're gonna

1:25:20.560 --> 1:25:24.200
<v Speaker 2>get the vocal from performance style, styling of the artist,

1:25:24.840 --> 1:25:28.800
<v Speaker 2>passion of the artists. Until she started writing songs. You

1:25:28.840 --> 1:25:31.639
<v Speaker 2>know you're a writer. Who's who's gonna write for this artist?

1:25:31.920 --> 1:25:36.200
<v Speaker 2>Let's start with one vocal for one you you want

1:25:36.200 --> 1:25:38.519
<v Speaker 2>to build your super R and B artist, What vocal.

1:25:38.280 --> 1:25:50.040
<v Speaker 1>Would you use it? Oh? Michael Jackson, yep, Michael hot today,

1:25:50.680 --> 1:25:55.320
<v Speaker 1>he's selling out today, they made two Michaels don't got

1:25:55.320 --> 1:25:57.160
<v Speaker 1>to even play no more. Jordan, don't play.

1:25:57.280 --> 1:26:05.240
<v Speaker 2>He still right, that's a great vocal performance style, stage

1:26:05.960 --> 1:26:09.240
<v Speaker 2>breezy Jesus mm hm.

1:26:09.240 --> 1:26:10.479
<v Speaker 1>Three hours of just.

1:26:11.880 --> 1:26:18.760
<v Speaker 2>Go go, go, go, all go, styling, the uniform of

1:26:18.800 --> 1:26:19.639
<v Speaker 2>the artists, the drip.

1:26:24.920 --> 1:26:27.120
<v Speaker 1>I'm gonna throw you in there. That's why I be

1:26:27.120 --> 1:26:31.200
<v Speaker 1>trying to tell people. I like the fact that you come.

1:26:31.600 --> 1:26:34.320
<v Speaker 1>You remind me of a prize fighter. You seem to

1:26:34.400 --> 1:26:37.200
<v Speaker 1>attack your thing, like, Okay, I know I gotta have

1:26:37.240 --> 1:26:39.800
<v Speaker 1>my music right, I know I gotta have my vocals right,

1:26:41.040 --> 1:26:44.120
<v Speaker 1>But you come ready to fight. And I like that.

1:26:44.280 --> 1:26:46.800
<v Speaker 1>I admire that, all of it. I like that, So

1:26:46.880 --> 1:26:50.200
<v Speaker 1>I would say styling, I would throw tanking there. There's

1:26:50.200 --> 1:26:52.599
<v Speaker 1>a couple other brothers that I like too, but I'm

1:26:52.600 --> 1:26:54.720
<v Speaker 1>gonna throw I want you to be in there. That's

1:26:54.760 --> 1:26:56.280
<v Speaker 1>what I'm talking about. See, it's a good thing. You

1:26:56.360 --> 1:26:59.200
<v Speaker 1>made me burn all that other stuff I had. He

1:26:59.280 --> 1:27:04.200
<v Speaker 1>had to burn it over? Would you be flying down?

1:27:04.320 --> 1:27:07.920
<v Speaker 4>So I can't stop him now, I'm like, you paid

1:27:07.920 --> 1:27:10.680
<v Speaker 4>what for the I'm not going with you.

1:27:11.960 --> 1:27:15.559
<v Speaker 2>He literally walked in my closet and said, yeah, like

1:27:15.760 --> 1:27:23.160
<v Speaker 2>everything from here on down, Let's burn it. He's like,

1:27:23.200 --> 1:27:28.960
<v Speaker 2>trust me, but I'm performing that never again.

1:27:32.040 --> 1:27:37.559
<v Speaker 1>Clothes. Okay, you got it right, I'm back. I'm back.

1:27:37.880 --> 1:27:41.680
<v Speaker 2>The passion of the artists, part of the artists.

1:27:41.720 --> 1:27:48.200
<v Speaker 1>Stevie d yeah, Steve yeah, yeah. And his he's an enigma.

1:27:48.520 --> 1:27:55.920
<v Speaker 1>He can go anywhere in any direction. His passion is unmatched, unmatched.

1:27:56.680 --> 1:28:02.639
<v Speaker 1>Like it's a different kind of passion when you say

1:28:02.680 --> 1:28:04.599
<v Speaker 1>there's a ribbon in the sky and you can't really

1:28:04.640 --> 1:28:09.559
<v Speaker 1>see it. No, everybody think everybody's questioning that now.

1:28:09.479 --> 1:28:12.560
<v Speaker 4>To right, That's what he's leading to because.

1:28:12.360 --> 1:28:19.000
<v Speaker 10>He calls, oh g Stevie gonna whoop his ass one

1:28:19.680 --> 1:28:22.599
<v Speaker 10>And I've been telling him this because he's he's keeping

1:28:23.439 --> 1:28:26.200
<v Speaker 10>going about Stevie conceit a little.

1:28:26.280 --> 1:28:28.800
<v Speaker 2>What does he say to you? What did he say

1:28:28.920 --> 1:28:31.679
<v Speaker 2>you personally? Like we're supposed to do a song together.

1:28:32.200 --> 1:28:33.600
<v Speaker 2>I think he's waiting to get me, Like in a

1:28:33.600 --> 1:28:35.920
<v Speaker 2>smaller room, he's.

1:28:35.800 --> 1:28:37.040
<v Speaker 1>Gonna be like, turn the lights out.

1:28:42.320 --> 1:28:44.639
<v Speaker 4>Told you you told me about Stevie's hands.

1:28:45.800 --> 1:28:50.520
<v Speaker 2>It's a detroit of possession in a really small room

1:28:49.160 --> 1:28:58.519
<v Speaker 2>and work. And who's gonna write for this artist? You

1:28:58.560 --> 1:28:59.920
<v Speaker 2>know what I'm gonna throw Kenny?

1:29:00.520 --> 1:29:06.160
<v Speaker 1>Yeah, not, let's put baby fis not go business. That's

1:29:06.160 --> 1:29:09.719
<v Speaker 1>the hell of an artist. Go been artists. They gonna

1:29:09.720 --> 1:29:13.599
<v Speaker 1>come and shape, doing flips, flying in the air, doing

1:29:13.640 --> 1:29:18.519
<v Speaker 1>three sixties pins, going from it. Don't till she's out

1:29:18.600 --> 1:29:22.759
<v Speaker 1>of my life to heal the world with Stevie's passion

1:29:23.920 --> 1:29:27.120
<v Speaker 1>and Kenny's pen Jesus, I just went to see Kenny.

1:29:27.320 --> 1:29:31.360
<v Speaker 1>This dude sing an hour of number one record. Yeah, yeah,

1:29:31.520 --> 1:29:35.360
<v Speaker 1>I'm not talking about number ones, not even the other songs.

1:29:35.400 --> 1:29:39.160
<v Speaker 2>Listen, there are number ones like their hits, and then

1:29:39.200 --> 1:29:43.640
<v Speaker 2>there are smashes. Yeah, he sings an hour and some

1:29:43.920 --> 1:29:47.920
<v Speaker 2>change of smash he really does, and not all of them.

1:29:48.080 --> 1:29:50.920
<v Speaker 4>Yeah, that's different, and that's different.

1:29:51.439 --> 1:29:54.439
<v Speaker 1>In different genres too. Yeah, when he did the Eric

1:29:54.439 --> 1:29:56.920
<v Speaker 1>Clapton song, I was like, see this is what I mean.

1:29:57.000 --> 1:30:03.519
<v Speaker 1>What's the song we did the rock band? Uh, the

1:30:03.560 --> 1:30:05.040
<v Speaker 1>fall Up Boy? Who's that?

1:30:06.400 --> 1:30:08.479
<v Speaker 4>I forgot which one it was, but you definitely did.

1:30:08.479 --> 1:30:09.240
<v Speaker 1>We rehearsed it.

1:30:09.600 --> 1:30:12.080
<v Speaker 2>We were in rehearsal when we were doing tiny desk

1:30:12.120 --> 1:30:17.160
<v Speaker 2>form and and they said you learned this. I was like, why,

1:30:17.800 --> 1:30:20.000
<v Speaker 2>said I wrote that one? I said, you wrote what

1:30:20.479 --> 1:30:22.840
<v Speaker 2>it's a rage?

1:30:24.400 --> 1:30:27.080
<v Speaker 1>It's that's Kenny Rock, That's Kenny.

1:30:27.720 --> 1:30:31.439
<v Speaker 2>I said you wrote that, I said learning And we

1:30:31.600 --> 1:30:33.840
<v Speaker 2>ended up not performing it, but he was that that

1:30:33.840 --> 1:30:34.759
<v Speaker 2>blew my mind.

1:30:34.680 --> 1:30:36.840
<v Speaker 1>And it was really hard not to listen to occasions.

1:30:36.840 --> 1:30:39.080
<v Speaker 1>So one of his records is one of the songs.

1:30:39.080 --> 1:30:42.479
<v Speaker 1>Really hard because I've always been a Kenny fan. I

1:30:42.560 --> 1:30:44.439
<v Speaker 1>used to go to the racetrack with Richard pry and

1:30:44.520 --> 1:30:47.599
<v Speaker 1>Dick Griffy's just throwing it out there.

1:30:47.800 --> 1:30:55.520
<v Speaker 4>First was just that on Wednesday.

1:30:53.120 --> 1:30:56.400
<v Speaker 1>What so Stacey was shooting moving with Richard Pryor and

1:30:56.600 --> 1:31:00.559
<v Speaker 1>I started training with Richard's bodyguard, Rashan And that's the

1:31:00.560 --> 1:31:02.960
<v Speaker 1>first time I ever had gone to a chicken house

1:31:03.200 --> 1:31:07.839
<v Speaker 1>and saw somebody kill and pluck and eat his own chicken,

1:31:09.240 --> 1:31:13.120
<v Speaker 1>and I was like, this is a wonderful life. I

1:31:13.240 --> 1:31:15.960
<v Speaker 1>was like, Yo, this dude is wow. So I get

1:31:16.000 --> 1:31:19.200
<v Speaker 1>back to the movie the next day and him and

1:31:19.360 --> 1:31:22.400
<v Speaker 1>Richard starts embracing me in a different way, because I

1:31:22.439 --> 1:31:25.760
<v Speaker 1>think rich was trying to smash Stacy at first, but

1:31:25.800 --> 1:31:28.639
<v Speaker 1>then you know, he was like, you know what, I'm

1:31:28.640 --> 1:31:32.600
<v Speaker 1>gonna keep her in the daughter perspective because he was

1:31:32.600 --> 1:31:35.240
<v Speaker 1>trying to pass Beverly Todd off, not like in a

1:31:35.280 --> 1:31:37.800
<v Speaker 1>disrespectful way, but I was wondering, like they were playing

1:31:37.800 --> 1:31:39.360
<v Speaker 1>a husband and wife and you know, I'm still knew

1:31:39.360 --> 1:31:43.280
<v Speaker 1>to the game and virtually knew and but yeah, they

1:31:43.320 --> 1:31:45.880
<v Speaker 1>invited me to the race track and I'm at Dick

1:31:45.920 --> 1:31:49.600
<v Speaker 1>Griffy and he became a mentor, and that's where I

1:31:49.600 --> 1:31:53.439
<v Speaker 1>really started learning the real nuts and bolts of the

1:31:53.479 --> 1:31:58.800
<v Speaker 1>business room. And because Andre I loved Drake, but Dre

1:31:58.920 --> 1:32:02.439
<v Speaker 1>wasn't gonna teach you that. He'll gash you up and

1:32:02.520 --> 1:32:04.840
<v Speaker 1>have you ready to make the most incredible music in

1:32:04.880 --> 1:32:07.840
<v Speaker 1>the world. But one of the things that again we

1:32:08.520 --> 1:32:11.240
<v Speaker 1>I think it's a vulnerableness that we're scared of because

1:32:11.479 --> 1:32:15.080
<v Speaker 1>our titles mean more than who we are to some

1:32:15.160 --> 1:32:18.840
<v Speaker 1>of us. And one of the things that hurts me

1:32:18.840 --> 1:32:22.400
<v Speaker 1>about Dre's life is that the things that he endured

1:32:22.520 --> 1:32:26.479
<v Speaker 1>with all that except with that success wasn't fair. It

1:32:26.560 --> 1:32:30.080
<v Speaker 1>wasn't business fair. You know, when you become Andre Herrel

1:32:30.360 --> 1:32:32.479
<v Speaker 1>and you open up the seal of your one of

1:32:32.520 --> 1:32:36.200
<v Speaker 1>your you know, mentor's deals and everything he has is

1:32:36.240 --> 1:32:42.599
<v Speaker 1>cross collateralized, so you you people, So they start saying, well,

1:32:42.720 --> 1:32:44.320
<v Speaker 1>he didn't do right by Mary, he didn't do right

1:32:44.400 --> 1:32:47.040
<v Speaker 1>by half. No, y'all didn't do right by him. He

1:32:47.120 --> 1:32:50.639
<v Speaker 1>was delivering these monster artists and you guys are still

1:32:50.640 --> 1:32:53.840
<v Speaker 1>giving him these deals that you know he can't win it.

1:32:54.040 --> 1:32:56.920
<v Speaker 6>Yeah, he'll never get he'll get Well.

1:32:56.840 --> 1:33:01.120
<v Speaker 1>You can't even keep your book straight because they don't

1:33:01.120 --> 1:33:05.160
<v Speaker 1>know whether that half a million got spent on Mary, Jodasy, Heavy,

1:33:05.280 --> 1:33:08.880
<v Speaker 1>Chris Father them See or somebody else. And at that time,

1:33:09.720 --> 1:33:13.679
<v Speaker 1>Anthony Hamilton was dating Terry Robinson, who wrote Candy Coded

1:33:13.760 --> 1:33:18.280
<v Speaker 1>rain Drops for sol for Real Cold. They didn't think

1:33:18.320 --> 1:33:21.760
<v Speaker 1>Anthony was gonna be They didn't. They were treating and

1:33:21.800 --> 1:33:24.200
<v Speaker 1>again it wasn't that they didn't think he was talented.

1:33:25.120 --> 1:33:28.200
<v Speaker 1>It was hard then that if we weren't a big mac,

1:33:28.880 --> 1:33:31.040
<v Speaker 1>the kind of big mac you're a custom to eating,

1:33:31.600 --> 1:33:36.439
<v Speaker 1>they couldn't see somebody being uniquely them. And that's the

1:33:36.520 --> 1:33:40.120
<v Speaker 1>thing that I mean about us having this inner standing

1:33:40.240 --> 1:33:42.680
<v Speaker 1>and being able to love yourself so that you can

1:33:42.760 --> 1:33:46.240
<v Speaker 1>be like that with the next person. The only competition

1:33:46.360 --> 1:33:48.800
<v Speaker 1>you're looking in the mirror, you're looking at your competition.

1:33:49.600 --> 1:33:52.160
<v Speaker 1>You spend all that time worrying about what this person doing.

1:33:52.520 --> 1:33:58.080
<v Speaker 1>You can't reach your apex. It's wasting energy. So those

1:33:58.080 --> 1:34:01.760
<v Speaker 1>are the things that when I did come out of

1:34:01.800 --> 1:34:03.639
<v Speaker 1>the hospital, I said, you know what, if I could

1:34:03.680 --> 1:34:06.880
<v Speaker 1>be in a position, even if just to educate by example,

1:34:07.320 --> 1:34:09.160
<v Speaker 1>the look at this old dude who came back. He

1:34:09.240 --> 1:34:13.360
<v Speaker 1>owns his masters. Now he's able to put out records.

1:34:13.360 --> 1:34:16.200
<v Speaker 1>He knows how to hire, whether it's a Ken Wilson

1:34:16.280 --> 1:34:20.240
<v Speaker 1>or Greg Johnson or Aj Savage or Lamont Hayes, or

1:34:20.400 --> 1:34:23.160
<v Speaker 1>even regional radio people. You get the right publicists, whether

1:34:23.200 --> 1:34:26.719
<v Speaker 1>it's Simone Smalls or this person or that person, Rafael Blanco.

1:34:27.200 --> 1:34:30.120
<v Speaker 1>The thing is you're like, Okay, I know what it

1:34:30.200 --> 1:34:34.320
<v Speaker 1>is now to run my own infrastructure. We realize now

1:34:34.320 --> 1:34:37.360
<v Speaker 1>that analytics play a part in it. But people still

1:34:37.400 --> 1:34:39.800
<v Speaker 1>love the life. They want to be able to touch you.

1:34:40.040 --> 1:34:42.680
<v Speaker 1>This is one of the beautiful things right here. You

1:34:42.760 --> 1:34:46.200
<v Speaker 1>have the same people pay whatever to see you in concert.

1:34:46.320 --> 1:34:48.280
<v Speaker 1>Watch you do this every day because they want to

1:34:48.320 --> 1:34:51.559
<v Speaker 1>know more about you other than the guy who sings.

1:34:52.400 --> 1:34:54.840
<v Speaker 1>And once you start talking and they start learning more

1:34:54.880 --> 1:35:00.160
<v Speaker 1>about you, they're like, I f with him for with

1:35:00.240 --> 1:35:02.560
<v Speaker 1>him for life, and you know, and then there's a

1:35:02.600 --> 1:35:05.080
<v Speaker 1>business person. It's always cool to be liked, but you'd

1:35:05.160 --> 1:35:11.920
<v Speaker 1>rather be swiped hm hmm, because you you know, somebody swipes. Yeah,

1:35:12.280 --> 1:35:13.280
<v Speaker 1>think come out to steal that.

1:35:18.360 --> 1:35:25.680
<v Speaker 2>Bars swipe mean, I don't like meaning swipe white man,

1:35:28.560 --> 1:35:31.840
<v Speaker 2>that is gone right now, every outlet I show up

1:35:31.840 --> 1:35:37.160
<v Speaker 2>on don't like swipe men. Hold on, we got one

1:35:37.160 --> 1:35:44.720
<v Speaker 2>more section for your brother cool. I'm really heavy into

1:35:44.760 --> 1:35:48.040
<v Speaker 2>my Christopher Williams right now. Like my tone and how

1:35:48.120 --> 1:35:51.320
<v Speaker 2>hard I'm singing this ship this. He understands me. You

1:35:51.360 --> 1:35:54.599
<v Speaker 2>see what I'm saying. I ain't saying no nick, saying

1:35:54.680 --> 1:35:58.200
<v Speaker 2>no names. Ain't saying no names. I ain't saying no name.

1:35:58.880 --> 1:36:00.759
<v Speaker 5>Was he was whitch?

1:36:01.320 --> 1:36:08.519
<v Speaker 1>What you did? Don't say she like saying no name.

1:36:18.760 --> 1:36:22.800
<v Speaker 6>So man, we had a very important part of the show.

1:36:23.960 --> 1:36:28.200
<v Speaker 6>Will you tell us a story funny or fucked up? Yeah,

1:36:28.320 --> 1:36:31.880
<v Speaker 6>we hear, we hear, Big bro are funny and fucked up.

1:36:32.760 --> 1:36:38.439
<v Speaker 6>The only rule to the gang. It's Christopher Williams, the

1:36:38.479 --> 1:36:45.640
<v Speaker 6>pretty nigga from the bank, the genius, the.

1:36:45.640 --> 1:36:50.760
<v Speaker 2>Head man maning.

1:36:48.840 --> 1:36:53.639
<v Speaker 4>Be the nigga that's bigger than me. No Brown, it's

1:36:53.720 --> 1:36:59.120
<v Speaker 4>just bigger than me, No Brown. I can't say no names,

1:37:00.400 --> 1:37:02.880
<v Speaker 4>can't say no names.

1:37:05.600 --> 1:37:09.840
<v Speaker 1>I once was part of a record label with a

1:37:09.920 --> 1:37:16.080
<v Speaker 1>famous rapper. We were supposed to open up an eastern

1:37:16.160 --> 1:37:20.679
<v Speaker 1>division of a really famous record label and one day

1:37:21.120 --> 1:37:27.280
<v Speaker 1>we were malleable and I saw about twenty thousand dollars

1:37:27.280 --> 1:37:31.559
<v Speaker 1>worth of Cuban cigars get split open and they rolled

1:37:31.600 --> 1:37:38.519
<v Speaker 1>blunts with them. That's the funny part. The fuck the

1:37:38.720 --> 1:37:45.880
<v Speaker 1>part is that I've watched a black empire discombobulate and

1:37:46.160 --> 1:37:49.040
<v Speaker 1>crumble to the ground and it didn't have to hurt

1:37:49.040 --> 1:37:53.240
<v Speaker 1>my feelings. That's my best story. And I can't say

1:37:53.240 --> 1:37:57.800
<v Speaker 1>no names. No did it crumble because of the cigars?

1:37:58.280 --> 1:37:58.439
<v Speaker 2>No?

1:37:58.760 --> 1:38:01.720
<v Speaker 1>The cigars was the funny part, because again I was

1:38:01.800 --> 1:38:05.760
<v Speaker 1>like yo, only only we do stuff like that. Yeah,

1:38:06.439 --> 1:38:11.200
<v Speaker 1>only we do stuff like that in Malibude is probably

1:38:12.400 --> 1:38:15.599
<v Speaker 1>fifteen you know, maybe fifteen million in cars sitting outside

1:38:17.000 --> 1:38:20.040
<v Speaker 1>one of the greatest producers ever, one of the greatest

1:38:20.120 --> 1:38:25.760
<v Speaker 1>West Coast labels ever. But the intent behind it, the

1:38:25.800 --> 1:38:30.040
<v Speaker 1>spirit of the label, got lost, their greed and who's

1:38:30.120 --> 1:38:33.080
<v Speaker 1>the boss and who's the chief? And we never wound

1:38:33.160 --> 1:38:36.960
<v Speaker 1>up opening up the division. But even in that I

1:38:37.040 --> 1:38:41.599
<v Speaker 1>learned a lot. But you know, again, so the other

1:38:41.640 --> 1:38:44.080
<v Speaker 1>funny part is it's good to see that now that

1:38:44.200 --> 1:38:49.120
<v Speaker 1>label has a great spirit and it's been revived by

1:38:49.120 --> 1:38:52.760
<v Speaker 1>one of the integral parts of it. And it's been

1:38:52.920 --> 1:38:56.920
<v Speaker 1>so great that it even has a young artist will too,

1:38:57.280 --> 1:39:00.519
<v Speaker 1>but one that people are really embracing as the new

1:39:00.560 --> 1:39:01.200
<v Speaker 1>Marvin Gay.

1:39:03.439 --> 1:39:06.040
<v Speaker 4>You said some names, and I'm sure people are going.

1:39:06.040 --> 1:39:08.600
<v Speaker 1>So I think everyone can connect the story if you

1:39:08.640 --> 1:39:14.559
<v Speaker 1>think who right now is the new considered Marvin Gay. Yeah,

1:39:15.320 --> 1:39:23.559
<v Speaker 1>and then you'll connect the other dots. And again you smoked.

1:39:23.840 --> 1:39:25.719
<v Speaker 1>And the funny thing is that none of the stars

1:39:25.760 --> 1:39:30.400
<v Speaker 1>were opening up the cigars. It was it was the crew.

1:39:32.240 --> 1:39:35.760
<v Speaker 1>It was the it was the overwhelming crew that was

1:39:35.840 --> 1:39:40.360
<v Speaker 1>around this label. It wasn't like the you know, the produce,

1:39:40.439 --> 1:39:44.840
<v Speaker 1>the main producer, the Superstar rappers on this label. They

1:39:45.439 --> 1:39:48.120
<v Speaker 1>were all just chilling, kind of hanging out. But you

1:39:48.200 --> 1:39:51.880
<v Speaker 1>see this kind of energy and that's the part that's funny,

1:39:51.920 --> 1:39:56.040
<v Speaker 1>but at the same time leads to being sucked up

1:39:56.080 --> 1:39:59.679
<v Speaker 1>being fun And I'm so proud that, you know, again

1:40:01.240 --> 1:40:07.720
<v Speaker 1>this situation now has new breath, new water, and it's

1:40:07.760 --> 1:40:11.320
<v Speaker 1>good to see that again. These things, these ebbs and flows,

1:40:11.360 --> 1:40:13.400
<v Speaker 1>can turn the good once you get your mind set

1:40:13.439 --> 1:40:17.240
<v Speaker 1>on the right stuff. So I'm definitely was proud to

1:40:17.280 --> 1:40:19.360
<v Speaker 1>be a part of that. I was scrutinized when I

1:40:19.400 --> 1:40:23.400
<v Speaker 1>was going through it, but that was a funny And

1:40:23.439 --> 1:40:26.680
<v Speaker 1>without naming names, I think some of the people at

1:40:26.760 --> 1:40:28.479
<v Speaker 1>least that you know, went through it with me.

1:40:28.840 --> 1:40:35.160
<v Speaker 2>Yeah, my brother, Christopher Williams. We are grateful, brother. Thank

1:40:35.200 --> 1:40:39.959
<v Speaker 2>You're grateful to We appreciate you, brother. Time is everything

1:40:40.640 --> 1:40:44.040
<v Speaker 2>and and we value you're giving us some of yours.

1:40:44.080 --> 1:40:47.120
<v Speaker 1>Man, like really really dope, man. And this has been

1:40:47.200 --> 1:40:48.360
<v Speaker 1>years in the making. Man.

1:40:48.760 --> 1:40:51.400
<v Speaker 2>You know, sure we were no strangers. We didn't slap

1:40:51.439 --> 1:40:55.280
<v Speaker 2>many of five, but like we love to do, we

1:40:55.320 --> 1:40:57.880
<v Speaker 2>always want to give these flowers. Man, They're always want

1:40:57.880 --> 1:41:01.040
<v Speaker 2>to celebrate, celebrate. Oh geez, thank you man, you sell

1:41:01.160 --> 1:41:07.040
<v Speaker 2>walk my flowers to h Yeah, you know, celebrate the

1:41:07.040 --> 1:41:10.479
<v Speaker 2>guys that got us here for sure, and they put

1:41:10.520 --> 1:41:14.000
<v Speaker 2>us in the conversation standing on the backs of yes

1:41:14.040 --> 1:41:15.080
<v Speaker 2>we are, Yes we are.

1:41:15.560 --> 1:41:18.120
<v Speaker 1>You are one of those giants, brother, Thank you. I

1:41:18.240 --> 1:41:20.400
<v Speaker 1>got word to do, but I appreciate this. Listen.

1:41:20.439 --> 1:41:23.479
<v Speaker 2>We're gonna keep working. That's what we do. But in

1:41:23.560 --> 1:41:28.680
<v Speaker 2>terms of what you've done, just know that we are offspring.

1:41:29.840 --> 1:41:32.559
<v Speaker 2>For sure, we are the results. It feels good to

1:41:32.560 --> 1:41:38.320
<v Speaker 2>be part of the turnam man that ladies and gentlemen,

1:41:38.360 --> 1:41:41.200
<v Speaker 2>my name is Tank. I'm Jay Valentine and this is

1:41:41.240 --> 1:41:44.840
<v Speaker 2>the r VY Money Podcast, the authority on all things

1:41:45.680 --> 1:41:50.559
<v Speaker 2>R and B. As my cousin Michelle will say, this

1:41:50.640 --> 1:41:53.920
<v Speaker 2>has been Christopher fine.

1:41:57.000 --> 1:42:02.479
<v Speaker 1>Thanks so Cheving. Thanks who are