1 00:00:00,120 --> 00:00:02,720 Speaker 1: This is Kelly Henderson and you are listening to at 2 00:00:02,759 --> 00:00:05,720 Speaker 1: Home on the Velvet Edge podcast. This week, I'm talking 3 00:00:05,720 --> 00:00:09,800 Speaker 1: to my friend and client, Brandon Lancaster from LANCO. Honestly, 4 00:00:10,000 --> 00:00:12,640 Speaker 1: Brandon and I probably could have talked forever because we 5 00:00:12,680 --> 00:00:16,080 Speaker 1: are both so deprived of friend time during this isolation period. 6 00:00:16,480 --> 00:00:19,360 Speaker 1: I loved his insight on the coronavirus pandemic and just 7 00:00:19,440 --> 00:00:21,800 Speaker 1: how he and all the guys from LANCO are focusing 8 00:00:21,800 --> 00:00:24,479 Speaker 1: on the good. He also talked about the parts of 9 00:00:24,480 --> 00:00:27,320 Speaker 1: the creative process of being a musician that he misses 10 00:00:27,400 --> 00:00:30,280 Speaker 1: most and breaks down each different aspect of why that 11 00:00:30,360 --> 00:00:34,879 Speaker 1: creativity is so fulfilling. Here's our conversation. Okay, so I 12 00:00:34,960 --> 00:00:37,239 Speaker 1: just asked you how you were, and you paused for 13 00:00:37,280 --> 00:00:42,400 Speaker 1: a very long time. What's happening? It's not a very 14 00:00:42,479 --> 00:00:48,720 Speaker 1: long time pause long enough. You know, when people ask 15 00:00:48,760 --> 00:00:51,080 Speaker 1: me how I am, I did that question curiously, So 16 00:00:51,159 --> 00:00:53,440 Speaker 1: I like, I like, you know, if people are like 17 00:00:54,200 --> 00:00:55,880 Speaker 1: I am the person that a few like, how you doing, 18 00:00:55,920 --> 00:00:58,480 Speaker 1: and it's like, awful, it's just been a bad day. 19 00:00:59,200 --> 00:01:02,480 Speaker 1: But but if you asked me how I'm doing, I 20 00:01:02,520 --> 00:01:05,319 Speaker 1: have to think about it, and I am doing good 21 00:01:06,800 --> 00:01:10,320 Speaker 1: under the current circumstances. It's like I think everything is 22 00:01:10,400 --> 00:01:12,800 Speaker 1: up for examination. So it's like it's a beautiful day 23 00:01:12,800 --> 00:01:18,200 Speaker 1: out right now, and I'm healthy and safe and so 24 00:01:18,319 --> 00:01:23,440 Speaker 1: I am good. But I'd spend every uh I spent 25 00:01:23,560 --> 00:01:25,560 Speaker 1: like if I'm on my phone, I'm really spending time 26 00:01:25,640 --> 00:01:29,080 Speaker 1: like I do, read the news a lot and just whatever. 27 00:01:29,600 --> 00:01:33,120 Speaker 1: And so literally right before I picked up your phone call, 28 00:01:33,400 --> 00:01:36,520 Speaker 1: I was on like my seventeenth article about just life 29 00:01:36,600 --> 00:01:38,840 Speaker 1: right now. So that's why you ask how I am. 30 00:01:38,880 --> 00:01:41,319 Speaker 1: I'm like, well, I just read about like pandemics going 31 00:01:41,360 --> 00:01:44,920 Speaker 1: all the way back to like Europe and like just 32 00:01:44,959 --> 00:01:48,160 Speaker 1: a weird time. So I'm good. Yeah, I'm good. How 33 00:01:48,200 --> 00:01:51,000 Speaker 1: are you well? Thank you for asking. I think that 34 00:01:51,160 --> 00:01:53,760 Speaker 1: is it's a very hard question to answer right now because, 35 00:01:53,800 --> 00:01:55,680 Speaker 1: like you said, we have a lot sweet grateful for 36 00:01:55,760 --> 00:01:58,560 Speaker 1: us still and I think in some ways this pause 37 00:01:58,640 --> 00:02:00,680 Speaker 1: has made me kind of look at of that stuff 38 00:02:00,720 --> 00:02:06,000 Speaker 1: that I miss on a day to day but weird times, right, Yeah, 39 00:02:06,000 --> 00:02:07,800 Speaker 1: it's very weird. I mean, I mean I think that 40 00:02:07,880 --> 00:02:11,000 Speaker 1: you know, it's like, uh, there's definitely a chance right now, 41 00:02:11,320 --> 00:02:12,720 Speaker 1: you know, it's kind of the eye of the beholder. 42 00:02:12,760 --> 00:02:15,520 Speaker 1: It's like, uh, you know you definitely it's like this. 43 00:02:16,440 --> 00:02:18,280 Speaker 1: Every time I think about it, I just always go 44 00:02:18,360 --> 00:02:21,760 Speaker 1: back to, like I think in life, everyone we complain 45 00:02:21,840 --> 00:02:25,320 Speaker 1: about so much in our society, I'm too busy, I'm tired, 46 00:02:25,360 --> 00:02:28,679 Speaker 1: I'm there's all these pressures that that really we put 47 00:02:28,680 --> 00:02:30,960 Speaker 1: on ourselves and we don't realize how much we actually 48 00:02:31,720 --> 00:02:34,040 Speaker 1: thrive under those pressures. But really this is a moment 49 00:02:34,040 --> 00:02:38,000 Speaker 1: where all those things have been taken away. And then 50 00:02:38,120 --> 00:02:41,280 Speaker 1: you know, it's kind of this like reset button that 51 00:02:41,400 --> 00:02:45,040 Speaker 1: you've been given where uh it's like, okay, well now 52 00:02:45,400 --> 00:02:47,840 Speaker 1: like I'm definitely not on this daily grind. It was 53 00:02:47,880 --> 00:02:50,720 Speaker 1: wearing me down for this or that, you know, just 54 00:02:50,760 --> 00:02:54,240 Speaker 1: a little weird problems. Um, And so it definitely is 55 00:02:54,360 --> 00:02:56,960 Speaker 1: you know, you can take advantage of that. Okay, what 56 00:02:57,040 --> 00:02:59,320 Speaker 1: are things that like I actually am really thankful for 57 00:02:59,440 --> 00:03:03,320 Speaker 1: that I twice about before. And then also it's like 58 00:03:03,840 --> 00:03:06,760 Speaker 1: when this is going to be over, it's all craziness 59 00:03:06,800 --> 00:03:09,200 Speaker 1: and it's like what it is, what am I going 60 00:03:09,240 --> 00:03:11,440 Speaker 1: to be thankful for? And how am I going to 61 00:03:11,480 --> 00:03:16,280 Speaker 1: take a better advantage of of time? And blah blah blah. 62 00:03:16,280 --> 00:03:18,639 Speaker 1: And so it's a definitely a weird time, but there's 63 00:03:19,440 --> 00:03:23,320 Speaker 1: you know, I try to be positive about you know, everything, 64 00:03:23,360 --> 00:03:26,360 Speaker 1: but there's you know, it's there's no way that you 65 00:03:26,440 --> 00:03:28,000 Speaker 1: can not you know. I think there's just a lot 66 00:03:28,000 --> 00:03:30,360 Speaker 1: of questions. There's a lot of confusion. That's when you 67 00:03:30,360 --> 00:03:33,000 Speaker 1: ask how I'm doing, It's like, well, I'm I'm fine, 68 00:03:33,040 --> 00:03:36,200 Speaker 1: I'm healthy, I'm good. I have this reset button on 69 00:03:36,280 --> 00:03:38,080 Speaker 1: life and trying to take advante of that. But also 70 00:03:38,160 --> 00:03:41,920 Speaker 1: there's just a lot of questions and confusion. And I 71 00:03:41,960 --> 00:03:44,920 Speaker 1: think that's you know, that's okay, and everyone's going through 72 00:03:44,920 --> 00:03:47,839 Speaker 1: that right now and one day at a time. Yeah, 73 00:03:47,960 --> 00:03:51,080 Speaker 1: it's a lot to digest. So how has your your 74 00:03:51,200 --> 00:03:54,360 Speaker 1: day to day changed? I mean what what's what has 75 00:03:54,400 --> 00:03:59,640 Speaker 1: it changed for you guys in Lanko our day to day, Well, 76 00:04:00,080 --> 00:04:03,119 Speaker 1: we don't have a day to day right now. Uh, 77 00:04:03,600 --> 00:04:08,520 Speaker 1: there is I mean just the life that um, the 78 00:04:08,640 --> 00:04:12,640 Speaker 1: life that I've known, even longer than Landcos existed, is 79 00:04:12,720 --> 00:04:16,200 Speaker 1: just you know, everything has always circled around I gotta 80 00:04:16,240 --> 00:04:17,920 Speaker 1: go to this ride, I want to get in the studio, 81 00:04:18,000 --> 00:04:20,200 Speaker 1: I want to play this show. I'm gonna go to 82 00:04:20,279 --> 00:04:24,040 Speaker 1: this show. I'm gonna go hang out with this person. Um, 83 00:04:24,080 --> 00:04:27,560 Speaker 1: it all revolves around you know, being around people and 84 00:04:27,720 --> 00:04:31,360 Speaker 1: around you know, the social aspect of music, um and 85 00:04:31,400 --> 00:04:34,120 Speaker 1: so and just touring. I mean we have been a 86 00:04:34,160 --> 00:04:38,159 Speaker 1: big touring band from from day one. I mean we 87 00:04:38,160 --> 00:04:40,360 Speaker 1: were touring before we even have music out there because 88 00:04:40,920 --> 00:04:43,839 Speaker 1: we didn't have jobs. And we're like, well that's that's 89 00:04:43,839 --> 00:04:45,479 Speaker 1: our job. Now we're gonna make money that way. And 90 00:04:45,560 --> 00:04:48,840 Speaker 1: so our day to day it's you know, we've gone 91 00:04:48,839 --> 00:04:50,960 Speaker 1: two times and not touring. But when we're not touring, 92 00:04:51,040 --> 00:04:53,440 Speaker 1: we will take a few days. But really we're writing, 93 00:04:53,440 --> 00:04:56,920 Speaker 1: we're in the studio. Um, we're doing something. And that 94 00:04:57,000 --> 00:05:00,440 Speaker 1: really is I mean you really are like on employed. 95 00:05:00,800 --> 00:05:04,000 Speaker 1: Uh you like don't have a job. Yeah, and so 96 00:05:04,120 --> 00:05:07,080 Speaker 1: it's uh, you know we've I've been writing, I've done 97 00:05:07,080 --> 00:05:12,720 Speaker 1: a few like zoom rights, um. But you know it's interesting. 98 00:05:13,160 --> 00:05:17,080 Speaker 1: Uh And luckily, you know, as a creative, it's like 99 00:05:17,200 --> 00:05:21,000 Speaker 1: I you don't need you know, you can just be. 100 00:05:21,080 --> 00:05:23,520 Speaker 1: I mean, this whole thing starts whatever age you arc 101 00:05:23,560 --> 00:05:25,880 Speaker 1: you're creative, it started because at some point you were 102 00:05:25,920 --> 00:05:30,159 Speaker 1: bored at home and decided to give your creativity an outlet, 103 00:05:30,200 --> 00:05:32,679 Speaker 1: whether it be to a canvas or an instrument or whatever. 104 00:05:32,760 --> 00:05:35,440 Speaker 1: And so I definitely know, I've been just playing guitar 105 00:05:35,480 --> 00:05:37,040 Speaker 1: and writing and doing I know all the guys have 106 00:05:37,120 --> 00:05:39,640 Speaker 1: been doing that, and I've been doing that stuff, but 107 00:05:39,720 --> 00:05:43,919 Speaker 1: really the day to day is like just it's not 108 00:05:44,080 --> 00:05:46,160 Speaker 1: really there's not a lot of land code day to day. 109 00:05:46,240 --> 00:05:49,280 Speaker 1: There's like it's really it's funny. You you know, I've 110 00:05:49,279 --> 00:05:51,360 Speaker 1: been touring. We've been touring for years, and you're like, 111 00:05:52,160 --> 00:05:55,040 Speaker 1: I don't know about other touring musicians, but most people 112 00:05:55,040 --> 00:05:57,520 Speaker 1: I talk to you don't mow your own graphs. You 113 00:05:57,600 --> 00:06:00,800 Speaker 1: literally can't like you get time to do your lawn. 114 00:06:01,320 --> 00:06:05,120 Speaker 1: And now I'm like literally pulling out my lawnmower. I'm like, okay, 115 00:06:05,160 --> 00:06:07,600 Speaker 1: I'm gonna mow the grass and being like, oh my gosh, 116 00:06:07,800 --> 00:06:10,480 Speaker 1: I've am doing like I'm not good at this. It's 117 00:06:10,520 --> 00:06:14,359 Speaker 1: like crooking and look bad. And it's like other people 118 00:06:14,400 --> 00:06:17,480 Speaker 1: have been like mastering life skills that I have not 119 00:06:17,600 --> 00:06:21,600 Speaker 1: been paying attention to for like six years, and I'm 120 00:06:21,720 --> 00:06:24,440 Speaker 1: feeling ridiculous about it. But you know, there's what it is. Well, 121 00:06:24,440 --> 00:06:30,080 Speaker 1: so you're learning some life skills. That's a positive. Um 122 00:06:30,120 --> 00:06:32,640 Speaker 1: I did. I thought this was really interesting. You know, 123 00:06:32,680 --> 00:06:34,599 Speaker 1: I wanted to talk to a bunch of the younger artists, 124 00:06:34,600 --> 00:06:38,800 Speaker 1: because you mentioned that there's so much pushing, especially at 125 00:06:38,800 --> 00:06:41,360 Speaker 1: the beginning of any sort of music career, right like, 126 00:06:41,400 --> 00:06:43,640 Speaker 1: you're hustling, you're trying to get your name out there. 127 00:06:43,880 --> 00:06:45,599 Speaker 1: You really want to make a name for yourself, and 128 00:06:45,600 --> 00:06:49,479 Speaker 1: you also have to support your crew. So I wondered, like, 129 00:06:50,040 --> 00:06:52,160 Speaker 1: you know, maybe some of the more established artists might 130 00:06:52,160 --> 00:06:54,320 Speaker 1: not have this fear as much, but have you had 131 00:06:54,400 --> 00:06:57,800 Speaker 1: any fear come up of that break and connection or 132 00:06:57,920 --> 00:07:00,480 Speaker 1: how this is going to affect to you guys a 133 00:07:00,560 --> 00:07:02,360 Speaker 1: long term and like are you going to be able 134 00:07:02,400 --> 00:07:06,479 Speaker 1: to keep things alive? Yeah? That I mean, so we UM. 135 00:07:06,520 --> 00:07:08,240 Speaker 1: You know, we spent the first half of this year, 136 00:07:08,240 --> 00:07:11,040 Speaker 1: at the beginning of the winter months really out with 137 00:07:11,080 --> 00:07:15,920 Speaker 1: Miranda Lambert and UM and we were doing that and 138 00:07:15,960 --> 00:07:17,960 Speaker 1: then we were going back and forth. We also were 139 00:07:18,000 --> 00:07:23,080 Speaker 1: doing headlining dates. And literally the weekend that this all 140 00:07:23,280 --> 00:07:26,680 Speaker 1: everything started getting canceled and postponed was like, I mean, 141 00:07:26,680 --> 00:07:29,400 Speaker 1: we had a sold out weekend in Chicago and Minneapolis 142 00:07:29,400 --> 00:07:31,920 Speaker 1: and Green Bay, and we played a show in Green 143 00:07:31,960 --> 00:07:35,440 Speaker 1: Bay and I was in the bus and was in 144 00:07:35,520 --> 00:07:37,760 Speaker 1: my bunk and I woke up and could hear our 145 00:07:37,800 --> 00:07:40,640 Speaker 1: tour managers saying, you guys want to eleven o'clock or 146 00:07:40,680 --> 00:07:43,320 Speaker 1: the one o'clock fight. And I immediately knew what that meant. 147 00:07:43,400 --> 00:07:44,960 Speaker 1: I I got on my bunk and walked out. I 148 00:07:45,000 --> 00:07:47,680 Speaker 1: was like, we're going home, aren't we? And um, you 149 00:07:47,720 --> 00:07:50,840 Speaker 1: know we had and and I'm saying that to say. 150 00:07:50,960 --> 00:07:53,760 Speaker 1: I got on plane and the second I got in Nashville, 151 00:07:54,280 --> 00:07:56,960 Speaker 1: second I landed, I was on the phone with our 152 00:07:57,000 --> 00:08:01,320 Speaker 1: management and business management saying what does this means? Because 153 00:08:01,360 --> 00:08:04,720 Speaker 1: you do have a you have an operating budget. You know, 154 00:08:05,040 --> 00:08:08,720 Speaker 1: you pay, you pay for things, You pay for your lights, 155 00:08:08,840 --> 00:08:10,720 Speaker 1: you pay for your all your sound equipment, you pay 156 00:08:10,800 --> 00:08:13,360 Speaker 1: for your busses, you pay for all that stuff, and 157 00:08:13,400 --> 00:08:16,640 Speaker 1: you lease all that stuff. And when there's no income 158 00:08:16,720 --> 00:08:19,560 Speaker 1: coming in, what does that mean? We have money in 159 00:08:19,560 --> 00:08:22,080 Speaker 1: the bank, But how much do we have to be 160 00:08:22,200 --> 00:08:27,280 Speaker 1: paying all those leases and then also paying paying your salaries, 161 00:08:27,320 --> 00:08:29,200 Speaker 1: paying the people that work for you? Like how long 162 00:08:29,320 --> 00:08:32,840 Speaker 1: till that runs out? And I think that it is 163 00:08:32,880 --> 00:08:37,640 Speaker 1: across the board. Um, I think even bigger artists, instead 164 00:08:37,679 --> 00:08:39,840 Speaker 1: of one bus lease or two bus lease, you have 165 00:08:40,280 --> 00:08:43,280 Speaker 1: fifteen bus leases. You know there's still and it's like 166 00:08:43,320 --> 00:08:45,960 Speaker 1: how much money? How much can you operate before that 167 00:08:46,040 --> 00:08:49,200 Speaker 1: starts going away and you still are paying people and 168 00:08:49,240 --> 00:08:53,360 Speaker 1: so it but um, I think that one thing that 169 00:08:53,400 --> 00:08:57,240 Speaker 1: we're still at a level where we have enough people 170 00:08:58,120 --> 00:09:01,520 Speaker 1: that and we try to keep our costs that it 171 00:09:01,679 --> 00:09:06,000 Speaker 1: seemed like we would be able to maintain for a while. Um. 172 00:09:06,000 --> 00:09:09,079 Speaker 1: But that that to answer, that was my first Literally 173 00:09:09,160 --> 00:09:11,360 Speaker 1: the day that's all happened, I was saying, what's gonna 174 00:09:11,360 --> 00:09:13,400 Speaker 1: happen to the crew, what's gonna happen? You know we 175 00:09:13,440 --> 00:09:15,600 Speaker 1: have a sound guy, a white guy, a tour manager, 176 00:09:15,800 --> 00:09:19,959 Speaker 1: a mono engineer, media guy, you know, and so um, 177 00:09:20,000 --> 00:09:22,640 Speaker 1: that definitely, I mean that was immediately the fear because 178 00:09:22,640 --> 00:09:26,040 Speaker 1: it's like you especially the way it works too. I 179 00:09:26,040 --> 00:09:29,040 Speaker 1: don't know if people know this, but it's like for 180 00:09:29,160 --> 00:09:32,199 Speaker 1: us a lot man for like artists at our level, 181 00:09:32,440 --> 00:09:35,320 Speaker 1: we can go sellout venues and we open from Mariana Lambert, 182 00:09:35,720 --> 00:09:37,800 Speaker 1: but you make a lot of your money doing these 183 00:09:37,840 --> 00:09:40,880 Speaker 1: festivals and things that are coming up right now, and 184 00:09:40,920 --> 00:09:45,200 Speaker 1: when that's taken away from you, that's your that's definitely 185 00:09:45,240 --> 00:09:48,360 Speaker 1: your fears, like, Okay, we budgeted for this. Now if 186 00:09:48,360 --> 00:09:51,800 Speaker 1: that's gone, what does it mean? But you know it's 187 00:09:51,880 --> 00:09:55,160 Speaker 1: luckily there's been a lot of um really cool you know, 188 00:09:55,200 --> 00:09:57,760 Speaker 1: a t M Music Cares and the Recording Academy and 189 00:09:57,880 --> 00:10:01,080 Speaker 1: Awfrey Trust. There's been all these music working station that 190 00:10:01,120 --> 00:10:05,480 Speaker 1: have stepped in and help people like us, um providing 191 00:10:05,520 --> 00:10:08,480 Speaker 1: grants and providing those things, and so we've been trying 192 00:10:08,520 --> 00:10:11,040 Speaker 1: to take advantage of those. And but it definitely is 193 00:10:11,120 --> 00:10:14,360 Speaker 1: you know, you're running a small business and when your 194 00:10:14,480 --> 00:10:17,959 Speaker 1: income has taken away, it definitely you're just glad that 195 00:10:18,000 --> 00:10:20,760 Speaker 1: we have really good management and business banagement that has 196 00:10:21,040 --> 00:10:24,120 Speaker 1: made sure we haven't been spending all our money on 197 00:10:24,160 --> 00:10:29,960 Speaker 1: a well, right, because that is the other thing. Is 198 00:10:29,960 --> 00:10:32,559 Speaker 1: this all happened so quickly, and like you said, the 199 00:10:32,679 --> 00:10:35,760 Speaker 1: questions remain like when is touring going to go back 200 00:10:35,800 --> 00:10:40,600 Speaker 1: to normal? When is life going to go back to normal? Yeah? Yeah, 201 00:10:40,679 --> 00:10:44,199 Speaker 1: And and you know what's weird too as a musician 202 00:10:44,600 --> 00:10:50,199 Speaker 1: is just because restaurants start opening back up, or banks 203 00:10:50,320 --> 00:10:54,800 Speaker 1: or whatever, just because life starts turning around, doesn't necessarily 204 00:10:54,880 --> 00:10:57,640 Speaker 1: mean that they're going to be putting ten thousand people 205 00:10:57,640 --> 00:11:00,640 Speaker 1: in a room. That might you know, we we just 206 00:11:00,640 --> 00:11:03,840 Speaker 1: don't know, we have this thing could really start flattening 207 00:11:03,840 --> 00:11:07,120 Speaker 1: out and it could just start to um kind of 208 00:11:07,320 --> 00:11:09,480 Speaker 1: dizzle out until there is you know, a vaccine and 209 00:11:09,520 --> 00:11:14,120 Speaker 1: more testing provided and stuff like that. Um, but everything 210 00:11:14,240 --> 00:11:17,480 Speaker 1: is every time I talk to anyone on our team, 211 00:11:17,720 --> 00:11:19,480 Speaker 1: we just kind of talking circles because at the end 212 00:11:19,480 --> 00:11:22,080 Speaker 1: of the day, it's like, well question Mark Wills and 213 00:11:22,160 --> 00:11:24,880 Speaker 1: literally every day it's like new news. It's like this 214 00:11:25,000 --> 00:11:27,480 Speaker 1: is going well, this like there's actually this you know, 215 00:11:27,559 --> 00:11:30,160 Speaker 1: it's it's the craziest, craziest thing. I mean, it really 216 00:11:30,200 --> 00:11:34,880 Speaker 1: is a historic event that we're living through. And um, 217 00:11:35,280 --> 00:11:36,959 Speaker 1: there is an aspect where it's like, you know, no 218 00:11:37,000 --> 00:11:40,840 Speaker 1: matter what the path it takes, I do know that 219 00:11:40,880 --> 00:11:45,199 Speaker 1: a year from today this will be over, um, and 220 00:11:45,440 --> 00:11:49,920 Speaker 1: we have more resources and or more equipped than times 221 00:11:49,920 --> 00:11:53,240 Speaker 1: when this has happened before in human history. And even 222 00:11:53,280 --> 00:11:56,160 Speaker 1: then within a year it is you know, so you know, okay, 223 00:11:56,240 --> 00:11:58,520 Speaker 1: years from now, maybe six months from now, you know, 224 00:11:58,600 --> 00:12:00,280 Speaker 1: you know, there is gonna be another end of it. 225 00:12:00,320 --> 00:12:03,959 Speaker 1: And so in the meantime, it's just day by day. UM, 226 00:12:04,120 --> 00:12:09,920 Speaker 1: as a business owner trying to just maintained and and 227 00:12:10,240 --> 00:12:14,000 Speaker 1: she would happened. Yeah, Well, so you are a part 228 00:12:14,040 --> 00:12:16,640 Speaker 1: of a band, obviously, I know a lot of artists 229 00:12:16,679 --> 00:12:20,640 Speaker 1: have been doing you know, the Instagram lives and just performances. 230 00:12:20,920 --> 00:12:23,520 Speaker 1: Have you guys done anything. I mean, I'm assuming y'all 231 00:12:23,559 --> 00:12:27,920 Speaker 1: are isolating separately, right yeah? Yeah? We um, I mean yeah, 232 00:12:27,960 --> 00:12:31,600 Speaker 1: even from we've been you know, isolating from each other 233 00:12:31,640 --> 00:12:34,640 Speaker 1: because it's like we're all on the road and um, 234 00:12:34,720 --> 00:12:39,720 Speaker 1: some of the wives still have work because like like 235 00:12:39,760 --> 00:12:43,760 Speaker 1: trips wives in the medical field, right and and so there. 236 00:12:44,000 --> 00:12:46,319 Speaker 1: But it's still is like okay, if your wife is 237 00:12:46,360 --> 00:12:48,360 Speaker 1: going out or if even if it's Jiffy and I 238 00:12:48,400 --> 00:12:50,240 Speaker 1: go to the grocery store and then we come back 239 00:12:50,800 --> 00:12:52,360 Speaker 1: and then we hang out with everyone in the band 240 00:12:52,400 --> 00:12:53,960 Speaker 1: and all the wives and it's like, okay, you just 241 00:12:54,000 --> 00:12:57,400 Speaker 1: went from two people to tend people, you know, exposing that. 242 00:12:57,480 --> 00:13:00,760 Speaker 1: So yeah, we've been isolating from each other even and uh, 243 00:13:00,800 --> 00:13:02,679 Speaker 1: I've been doing you know, I've done some live stream 244 00:13:02,720 --> 00:13:05,560 Speaker 1: stuff to the Whiskey Jam thing, and we're gonna keep 245 00:13:05,600 --> 00:13:08,400 Speaker 1: trying to do that. But yeah, it's it's very It's 246 00:13:09,040 --> 00:13:12,240 Speaker 1: it's tough as a band because it's like, you know what, 247 00:13:13,000 --> 00:13:15,480 Speaker 1: getting all five of us to do something that that 248 00:13:15,679 --> 00:13:21,600 Speaker 1: sounds good musically is uh is is a task for sure? 249 00:13:21,840 --> 00:13:27,360 Speaker 1: Have you missed that connection with the fans? Every weekend. Yeah, definitely, 250 00:13:27,360 --> 00:13:30,680 Speaker 1: I mean that's you know, I think that's a that's 251 00:13:30,679 --> 00:13:32,720 Speaker 1: actually been something I've been talking with people on our 252 00:13:32,760 --> 00:13:35,800 Speaker 1: team about, even guys in the band. I think that's 253 00:13:35,840 --> 00:13:40,120 Speaker 1: one thing that that's hard is you know, and I 254 00:13:40,160 --> 00:13:42,400 Speaker 1: know that everyone has different personalities about it. There's no 255 00:13:42,760 --> 00:13:46,480 Speaker 1: right or wrong, but you know, a lot of what 256 00:13:47,400 --> 00:13:50,000 Speaker 1: we do, you do it. You do it because you 257 00:13:50,040 --> 00:13:52,160 Speaker 1: love it, and you're convicting about it, you're passionate about it. 258 00:13:52,760 --> 00:13:55,360 Speaker 1: But the end game is to go out there and 259 00:13:55,400 --> 00:13:58,480 Speaker 1: connect with the other people around what you've done. You know, 260 00:13:58,840 --> 00:14:01,960 Speaker 1: It's like it whether it's social media or songs you're 261 00:14:02,000 --> 00:14:04,640 Speaker 1: writing or anything you're doing, the point is so that 262 00:14:04,679 --> 00:14:06,800 Speaker 1: you're keeping that connection a wide so that you can 263 00:14:06,840 --> 00:14:10,800 Speaker 1: go out and do the connection in person. And and 264 00:14:10,880 --> 00:14:13,840 Speaker 1: that definitely, like I said, I mean, we've started as 265 00:14:13,880 --> 00:14:16,679 Speaker 1: like a live touring band, and so that's I mean, 266 00:14:16,679 --> 00:14:18,680 Speaker 1: that's been the biggest thing is is even you know, 267 00:14:18,720 --> 00:14:21,760 Speaker 1: I posted h I posted just a clip of all 268 00:14:21,800 --> 00:14:23,160 Speaker 1: of us in the band just saying what we were 269 00:14:23,240 --> 00:14:25,080 Speaker 1: up to. And I didn't like tell the guys what 270 00:14:25,160 --> 00:14:26,360 Speaker 1: to say. I was just like, hey, this is a 271 00:14:26,400 --> 00:14:28,640 Speaker 1: good little video shout out. You just say whatever you want, 272 00:14:28,680 --> 00:14:30,960 Speaker 1: what you're up to, what you're missing. Just it's just 273 00:14:31,680 --> 00:14:33,480 Speaker 1: you don't say anything. You could just be sitting there 274 00:14:33,480 --> 00:14:35,160 Speaker 1: on st You just send me some kind of video 275 00:14:35,200 --> 00:14:37,480 Speaker 1: so I can post them all on Instagram. And every 276 00:14:37,520 --> 00:14:40,880 Speaker 1: single guy, the main thing they said was we missed 277 00:14:40,920 --> 00:14:45,080 Speaker 1: playing shows. We missed um And I think it's you 278 00:14:45,120 --> 00:14:47,400 Speaker 1: can just see do all of our individual videos, all 279 00:14:47,400 --> 00:14:50,640 Speaker 1: of our individual headspace is, man, we want to get 280 00:14:50,640 --> 00:14:53,600 Speaker 1: back out and play shows. That's like all we've known. 281 00:14:53,680 --> 00:14:57,240 Speaker 1: And another gratitude. Think it's like, man, you it really is. 282 00:14:57,840 --> 00:15:01,040 Speaker 1: You're really fortunate that you have a job. It it's 283 00:15:01,080 --> 00:15:02,640 Speaker 1: only been you know, a couple of months or a 284 00:15:02,680 --> 00:15:06,280 Speaker 1: month and a half, and you are missing your job 285 00:15:06,360 --> 00:15:10,320 Speaker 1: that badly because it's more than the job. It's that connectivity. Absolutely. 286 00:15:10,400 --> 00:15:12,440 Speaker 1: But yeah, a lot of people don't have that luxury 287 00:15:12,520 --> 00:15:14,760 Speaker 1: and just missing you know, and this might be nice 288 00:15:14,760 --> 00:15:16,160 Speaker 1: for some people do not have to go to work. 289 00:15:16,160 --> 00:15:19,840 Speaker 1: So that's an amazing luxury. You mentioned isolating at home 290 00:15:19,920 --> 00:15:23,120 Speaker 1: with the wives. I think it's so fascinating. All of 291 00:15:23,160 --> 00:15:25,720 Speaker 1: you guys are married or I guess one is engaged. 292 00:15:26,000 --> 00:15:28,360 Speaker 1: Y'all are all very young. What is this is this 293 00:15:28,480 --> 00:15:33,360 Speaker 1: like some new wave of romance and country music. I don't, 294 00:15:33,400 --> 00:15:38,920 Speaker 1: I don't know. Um, I I don't know. Yeah we yeah, 295 00:15:38,960 --> 00:15:43,000 Speaker 1: four out of five married ones engaged, and I don't know. 296 00:15:43,080 --> 00:15:45,400 Speaker 1: I mean, I think everyone's story is different. You know. 297 00:15:45,440 --> 00:15:47,760 Speaker 1: It's like Trip and Alley, they were like high school 298 00:15:47,760 --> 00:15:53,680 Speaker 1: sweethearts and the Tiftany and I met in college. Um, 299 00:15:53,840 --> 00:15:57,360 Speaker 1: like my first year, like I was like nineteen, I think, um, 300 00:15:57,400 --> 00:16:00,120 Speaker 1: and then you know the other, but you know every one, 301 00:16:01,480 --> 00:16:03,880 Speaker 1: I don't, I don't know. I I it is a 302 00:16:03,920 --> 00:16:06,120 Speaker 1: thing where it's like you're just you know, you're in 303 00:16:06,120 --> 00:16:08,200 Speaker 1: a band and you tour the world. You can do 304 00:16:08,240 --> 00:16:11,560 Speaker 1: all these cool things, but you also are a person 305 00:16:12,520 --> 00:16:16,320 Speaker 1: aside from that you're being and it's you know, I 306 00:16:16,360 --> 00:16:19,600 Speaker 1: think that we're it's you know, we fall in love. 307 00:16:19,720 --> 00:16:23,920 Speaker 1: We want uh, you know, relationship. We and when I 308 00:16:23,920 --> 00:16:26,320 Speaker 1: think when you come off the road too, it's like 309 00:16:26,640 --> 00:16:28,840 Speaker 1: all you do is hang out with people and like 310 00:16:29,200 --> 00:16:32,480 Speaker 1: drinking with your buddies. When you come home, you want 311 00:16:32,520 --> 00:16:35,160 Speaker 1: that once again, connectivity, a different kind of connectivity. You 312 00:16:35,200 --> 00:16:38,320 Speaker 1: want that relationship. You want that, you want that the 313 00:16:38,400 --> 00:16:40,840 Speaker 1: craziness that is your touring life. You want kind of 314 00:16:40,880 --> 00:16:44,880 Speaker 1: that piece at home, and so it's not that it's 315 00:16:44,920 --> 00:16:48,360 Speaker 1: not to me. If people are like, you know, getting 316 00:16:48,360 --> 00:16:51,280 Speaker 1: married up and they're like young musicians, it makes sense 317 00:16:51,320 --> 00:16:54,080 Speaker 1: to you know, obviously I did it, but I understand 318 00:16:54,080 --> 00:16:56,240 Speaker 1: it because it's like, man, it's it's a crazy world 319 00:16:56,280 --> 00:16:58,360 Speaker 1: out there, and when you come home, you absolutely kind 320 00:16:58,360 --> 00:17:01,000 Speaker 1: of want this rock to be able to know that 321 00:17:01,040 --> 00:17:03,640 Speaker 1: your foundation is on and but uh, yeah I can. 322 00:17:03,720 --> 00:17:06,160 Speaker 1: It is funny. I we've talked about that. I'm like, man, 323 00:17:06,200 --> 00:17:10,760 Speaker 1: I feel like this generation of artists, um are all 324 00:17:10,800 --> 00:17:13,000 Speaker 1: and maybe it's just more exposed than we've seen before 325 00:17:13,000 --> 00:17:15,760 Speaker 1: because of social media. But I feel like a lot 326 00:17:15,800 --> 00:17:21,360 Speaker 1: of artists are definitely like that, getting married and and 327 00:17:21,359 --> 00:17:24,800 Speaker 1: and all this stuff that you know early in their 328 00:17:24,840 --> 00:17:28,480 Speaker 1: careers and at a young age. But um, I also think, 329 00:17:28,600 --> 00:17:30,879 Speaker 1: I honestly think technology helps with that. I think that 330 00:17:31,600 --> 00:17:33,760 Speaker 1: you know, if it's just twenty thirty years ago and 331 00:17:33,800 --> 00:17:35,720 Speaker 1: your tour and then you don't see somebody and you 332 00:17:36,280 --> 00:17:37,879 Speaker 1: have to get on a path on to talk to 333 00:17:37,920 --> 00:17:39,840 Speaker 1: him once a week, I think that's harder than you know. 334 00:17:40,000 --> 00:17:42,880 Speaker 1: I can FaceTime my wife whenever we chext, we talk, 335 00:17:43,040 --> 00:17:46,240 Speaker 1: we she can jump on a plane Southwest and fly 336 00:17:46,280 --> 00:17:47,960 Speaker 1: out through a date and jump on the bus for 337 00:17:48,040 --> 00:17:52,320 Speaker 1: three days. There's just a lot of ways to stay connected. Um. 338 00:17:52,400 --> 00:17:56,600 Speaker 1: So yeah, I don't know that makes sense. It's just interesting. 339 00:17:56,640 --> 00:17:59,680 Speaker 1: I've never I think this is a new wave and um, 340 00:17:59,720 --> 00:18:01,600 Speaker 1: it's it's happening all over the place. I thought it 341 00:18:01,640 --> 00:18:03,240 Speaker 1: was so fascinating. When I first met you guys that 342 00:18:03,359 --> 00:18:07,399 Speaker 1: all were all married, I was like, okay, okay, um okay, 343 00:18:07,440 --> 00:18:09,600 Speaker 1: So the new single is what I see. So we 344 00:18:09,720 --> 00:18:11,960 Speaker 1: just worked on the video, which I loved by the 345 00:18:11,960 --> 00:18:13,440 Speaker 1: way it just came out of you guys are looking 346 00:18:13,480 --> 00:18:17,320 Speaker 1: for something to watch during your quarantining. Um, you're super 347 00:18:17,320 --> 00:18:20,720 Speaker 1: involved in all the concepts of y'all's videos, So talk 348 00:18:20,800 --> 00:18:23,479 Speaker 1: me through, Like why is this visual storytelling piece so 349 00:18:23,520 --> 00:18:31,000 Speaker 1: important to you? Yeah, you know, I think probably because 350 00:18:31,640 --> 00:18:36,040 Speaker 1: I also and involved in writing all the songs. Um. 351 00:18:36,960 --> 00:18:40,240 Speaker 1: And like, you know, going back to what I was 352 00:18:40,240 --> 00:18:44,920 Speaker 1: saying earlier, like this, you know, everything that I do 353 00:18:45,160 --> 00:18:47,359 Speaker 1: is a create it's an outlet. It's a creative outlet. 354 00:18:47,400 --> 00:18:49,440 Speaker 1: It's not just something you're doing the past time. It's 355 00:18:49,480 --> 00:18:50,920 Speaker 1: not like, oh I gotta write a song because we 356 00:18:50,960 --> 00:18:53,480 Speaker 1: got a record. You like, I like it really is 357 00:18:53,560 --> 00:18:55,560 Speaker 1: like I really believe in what we do in the 358 00:18:55,600 --> 00:18:58,200 Speaker 1: songs that I'm writing, and I can be pretty picky 359 00:18:58,240 --> 00:19:00,400 Speaker 1: about even in a right like dude, that's a really 360 00:19:00,400 --> 00:19:02,640 Speaker 1: cool line, but I would just never say that or like, oh, 361 00:19:02,680 --> 00:19:05,159 Speaker 1: that's just not an idea that I want to convey 362 00:19:05,240 --> 00:19:08,159 Speaker 1: that way. And so when you're starting with a song 363 00:19:09,160 --> 00:19:12,720 Speaker 1: and a lyric that intensely about like how you're gonna 364 00:19:13,080 --> 00:19:15,199 Speaker 1: the lyric you're gonna put out there, and then you 365 00:19:15,240 --> 00:19:17,360 Speaker 1: go in the studio and the whole band we're all 366 00:19:17,359 --> 00:19:18,960 Speaker 1: like that. Musically, it's like, all right, I need to 367 00:19:18,960 --> 00:19:22,120 Speaker 1: have this kind of energy, it needs to feel this way, 368 00:19:22,160 --> 00:19:25,080 Speaker 1: it needs to take you on this journey musically. When 369 00:19:25,119 --> 00:19:27,560 Speaker 1: you do that in the studio, see of the songs, 370 00:19:27,600 --> 00:19:30,680 Speaker 1: the lyrics, the melody, now the production and the instruments, 371 00:19:31,600 --> 00:19:35,400 Speaker 1: it's a thing where Okay, we've told this story musically 372 00:19:35,440 --> 00:19:37,760 Speaker 1: and lyrically and through a melody in all these different ways. 373 00:19:38,800 --> 00:19:41,480 Speaker 1: Then if you're gonna put a visual representation, it's like, okay, 374 00:19:41,520 --> 00:19:44,879 Speaker 1: what is the visual to the what we've been working 375 00:19:44,880 --> 00:19:47,600 Speaker 1: so hard to convey through the song. And so that's 376 00:19:47,640 --> 00:19:50,639 Speaker 1: something that I definitely and I've always loved film and 377 00:19:50,680 --> 00:19:54,480 Speaker 1: I've loved visual storytelling. Um and so I just to me, 378 00:19:54,600 --> 00:19:57,880 Speaker 1: it's just a bonus of Okay, you write the song, 379 00:19:58,000 --> 00:20:00,399 Speaker 1: you record the song, you play the song. Now we 380 00:20:00,440 --> 00:20:03,159 Speaker 1: get to actually port of visual representation to what the 381 00:20:03,200 --> 00:20:05,439 Speaker 1: song is. And it's a lot of collaborations. To you, 382 00:20:05,520 --> 00:20:07,120 Speaker 1: I mean I talked to you know. The way it works. 383 00:20:07,119 --> 00:20:08,520 Speaker 1: We get the music videos, you get a bunch of 384 00:20:08,560 --> 00:20:12,600 Speaker 1: treatments from different directors, and um, for me, you know, 385 00:20:12,680 --> 00:20:15,879 Speaker 1: it's it's uh and they're usually all really good and 386 00:20:15,960 --> 00:20:17,840 Speaker 1: cool and there's a lot of great stuff in there. 387 00:20:17,880 --> 00:20:20,880 Speaker 1: But I'll you know, talk to a director and kind 388 00:20:20,920 --> 00:20:24,399 Speaker 1: of just see creatively if we want, if if we 389 00:20:24,520 --> 00:20:27,240 Speaker 1: both are wanting to portray it the same way, or 390 00:20:27,640 --> 00:20:31,600 Speaker 1: what ideas were open to and kind of just brainstorm it. Um. 391 00:20:31,640 --> 00:20:34,160 Speaker 1: And because I mean it's I don't know that's that 392 00:20:34,160 --> 00:20:36,160 Speaker 1: that part is fun for me, you know. I I've 393 00:20:36,200 --> 00:20:38,040 Speaker 1: talked to artists that don't like that part at all. 394 00:20:38,400 --> 00:20:40,760 Speaker 1: She's like, show up to the video, get out. Um. 395 00:20:40,920 --> 00:20:43,240 Speaker 1: But I got into this whole thing because I'm a 396 00:20:43,240 --> 00:20:47,160 Speaker 1: storyteller and I love telling stories. Do whatever means possible, 397 00:20:47,160 --> 00:20:49,680 Speaker 1: and so a music video is just another way to 398 00:20:50,560 --> 00:20:53,720 Speaker 1: tell that story that you started way before when you 399 00:20:53,760 --> 00:20:57,080 Speaker 1: were writing it. You mentioned that you do a lot 400 00:20:57,080 --> 00:20:59,520 Speaker 1: of the songwriting as well, and then you're also the 401 00:20:59,560 --> 00:21:02,000 Speaker 1: lead singer to say the out of the performance is 402 00:21:02,040 --> 00:21:04,840 Speaker 1: heavy on YouTube. Is there one part of the whole 403 00:21:05,880 --> 00:21:08,920 Speaker 1: process that's your favorite, Like, could you pick a favorite 404 00:21:08,920 --> 00:21:13,879 Speaker 1: part of this process? Mhm, A favorite part of the process, 405 00:21:14,160 --> 00:21:20,760 Speaker 1: Um Man, I don't. I don't know. I I have 406 00:21:20,880 --> 00:21:23,359 Speaker 1: no I don't know if I could, because I really 407 00:21:24,480 --> 00:21:28,760 Speaker 1: it's funny because every time that there is a process 408 00:21:28,800 --> 00:21:30,760 Speaker 1: that starts with literally an acousta guitar and a lyric 409 00:21:30,880 --> 00:21:33,880 Speaker 1: or an idea, And when you ship with an acousta 410 00:21:33,880 --> 00:21:36,320 Speaker 1: guitar or a piano or whatever it is, and you 411 00:21:36,640 --> 00:21:38,680 Speaker 1: just have an idea, you thought of something that day 412 00:21:38,760 --> 00:21:41,320 Speaker 1: or someone said something funny just now, um like, even 413 00:21:41,359 --> 00:21:43,479 Speaker 1: what I see. What I see came from literally us 414 00:21:43,480 --> 00:21:46,480 Speaker 1: being at this little dive mar and we were just 415 00:21:46,520 --> 00:21:48,359 Speaker 1: thinking it was awesome and we were on the road 416 00:21:48,760 --> 00:21:51,119 Speaker 1: and my brother literally goes like, we're just bragging on 417 00:21:51,160 --> 00:21:53,200 Speaker 1: how awesome this place was. Man, we could move here. 418 00:21:53,240 --> 00:21:55,800 Speaker 1: This is just like man, like, just get away from 419 00:21:55,800 --> 00:21:58,720 Speaker 1: it all, you know, And my brother goes, man, I 420 00:21:58,760 --> 00:22:01,560 Speaker 1: wish sometimes I could see what y'all see, because we 421 00:22:01,680 --> 00:22:04,200 Speaker 1: like make the best of wherever we're at, and so 422 00:22:04,280 --> 00:22:06,320 Speaker 1: you have you're like, man, that's kind of cool how 423 00:22:06,359 --> 00:22:09,159 Speaker 1: everyone sees things differently depending on your perspective or how 424 00:22:09,200 --> 00:22:11,679 Speaker 1: you grew up or whatever it is. That was just 425 00:22:11,720 --> 00:22:14,480 Speaker 1: an idea and to sit down with a crusy guitars 426 00:22:14,520 --> 00:22:17,840 Speaker 1: and turn that into an entire journey and song. At 427 00:22:17,840 --> 00:22:20,879 Speaker 1: the end of that, you're definitely going, Okay, this is 428 00:22:20,920 --> 00:22:23,040 Speaker 1: the best thing in the world, Like, this is so cool. 429 00:22:23,119 --> 00:22:25,480 Speaker 1: But but then when you get in the studio and 430 00:22:25,560 --> 00:22:27,600 Speaker 1: you hear go from a crusy guitars and just this 431 00:22:28,160 --> 00:22:32,000 Speaker 1: song to this whole production that just you know, just 432 00:22:32,040 --> 00:22:35,520 Speaker 1: gives you chill bumps, then it's like, Okay, this is unbeatable, 433 00:22:35,600 --> 00:22:38,439 Speaker 1: Like this is the coolest thing. And then when you 434 00:22:38,520 --> 00:22:42,400 Speaker 1: get to go on a stage and hear people sing 435 00:22:42,400 --> 00:22:45,320 Speaker 1: it back and be like this work, Like people believe 436 00:22:45,359 --> 00:22:48,399 Speaker 1: in this the same that we do. And there are 437 00:22:48,440 --> 00:22:50,439 Speaker 1: you know, because that you do wonder As an artist. 438 00:22:50,520 --> 00:22:53,800 Speaker 1: I think that there's different processes, but the touring part 439 00:22:54,320 --> 00:22:57,119 Speaker 1: is always that I don't want to say validation, but 440 00:22:57,200 --> 00:22:59,879 Speaker 1: it kind of is because it's just all this stuff 441 00:22:59,880 --> 00:23:01,720 Speaker 1: is in your head. It's just in your head, like 442 00:23:01,880 --> 00:23:04,320 Speaker 1: this is a good idea, it's just and then you 443 00:23:04,359 --> 00:23:07,119 Speaker 1: record it. But when you go out live and you 444 00:23:08,040 --> 00:23:10,359 Speaker 1: say you play a festival and there's fifteen thousand people 445 00:23:10,400 --> 00:23:14,200 Speaker 1: singing along and dancing and having fun, it does make 446 00:23:14,280 --> 00:23:17,960 Speaker 1: you realize that you're not alone in this world. But 447 00:23:18,040 --> 00:23:20,000 Speaker 1: the things that you're feeling are the things that you 448 00:23:20,119 --> 00:23:23,600 Speaker 1: went through. There are literally millions of people out there 449 00:23:24,119 --> 00:23:26,240 Speaker 1: that are like you and have gone through those things, 450 00:23:26,280 --> 00:23:28,480 Speaker 1: and you are giving them a voice to your songs. 451 00:23:28,560 --> 00:23:31,159 Speaker 1: And that is a feeling that it's like, it's just 452 00:23:31,720 --> 00:23:33,840 Speaker 1: it brings a lot of unity and it just that 453 00:23:33,960 --> 00:23:37,560 Speaker 1: is a feeling that has been the most surprising feeling 454 00:23:37,800 --> 00:23:40,000 Speaker 1: because you dream of that stuff when you're a kid 455 00:23:40,080 --> 00:23:43,480 Speaker 1: and when you're pursuing music, but when it actually happens 456 00:23:43,600 --> 00:23:45,679 Speaker 1: and you realize that it's not just about being on stage, 457 00:23:45,680 --> 00:23:48,800 Speaker 1: it's not just about being famous or this or that. 458 00:23:48,920 --> 00:23:52,399 Speaker 1: It's about these people believe in you and you believe 459 00:23:52,400 --> 00:23:55,280 Speaker 1: in them, and it's a really cool exchange. Has been 460 00:23:55,760 --> 00:23:58,160 Speaker 1: at least the most surprising part of this whole process. 461 00:23:58,359 --> 00:24:03,800 Speaker 1: It's that connectivity you mentioned earlier. Yeah, well, I know 462 00:24:03,920 --> 00:24:05,720 Speaker 1: that I'm looking forward to seeing you guys back on 463 00:24:05,760 --> 00:24:08,400 Speaker 1: the road. Have y' all talked at all about what 464 00:24:08,640 --> 00:24:10,160 Speaker 1: you know? Is there anything you could tell the fans 465 00:24:10,240 --> 00:24:12,040 Speaker 1: right now that they could look forward to once all 466 00:24:12,080 --> 00:24:18,960 Speaker 1: of this stuff has passed, our isolation is over. Yeah, 467 00:24:19,200 --> 00:24:24,200 Speaker 1: I mean, I just know. I I almost like protect 468 00:24:24,280 --> 00:24:26,960 Speaker 1: myself from thinking about it, because when this is over, 469 00:24:27,760 --> 00:24:30,960 Speaker 1: when we go back on the road, I mean we've 470 00:24:31,000 --> 00:24:33,400 Speaker 1: always been you know about like let's give everything we've 471 00:24:33,400 --> 00:24:35,399 Speaker 1: got out there, like matter how tired you are, whatever 472 00:24:35,400 --> 00:24:37,560 Speaker 1: it is, like, you know, this is this is the 473 00:24:37,600 --> 00:24:39,640 Speaker 1: show of a lifetime. This could be someone's first time 474 00:24:39,680 --> 00:24:41,679 Speaker 1: seeing you, see someone's last time seen you, you you know, 475 00:24:41,720 --> 00:24:45,760 Speaker 1: like given everything you got out there. But man, those uh, 476 00:24:46,520 --> 00:24:48,199 Speaker 1: I don't think those words you've ever been empty. But 477 00:24:48,240 --> 00:24:50,239 Speaker 1: if they ever mean more than they ever did, it's 478 00:24:50,280 --> 00:24:53,560 Speaker 1: gonna be when this is all over. And I think music, 479 00:24:54,440 --> 00:24:56,000 Speaker 1: at the end of the day, the most special thing 480 00:24:56,000 --> 00:25:00,000 Speaker 1: about music above other forms of entertainment is that music 481 00:25:00,160 --> 00:25:02,919 Speaker 1: really is an outlet and it goes back that connectivity. 482 00:25:03,359 --> 00:25:06,920 Speaker 1: And I think that we all need an outlet at 483 00:25:06,920 --> 00:25:09,000 Speaker 1: when this is all over, you know, And I think 484 00:25:09,400 --> 00:25:12,680 Speaker 1: then we we just can't wait to go out there 485 00:25:12,680 --> 00:25:15,680 Speaker 1: and beat that outlet for people because once again we're 486 00:25:15,680 --> 00:25:17,720 Speaker 1: all on the same page with this that connectivity. It's 487 00:25:17,800 --> 00:25:20,080 Speaker 1: like we are we need this as bad as you do. 488 00:25:20,160 --> 00:25:22,000 Speaker 1: And so when we get back on stage and start 489 00:25:22,000 --> 00:25:25,439 Speaker 1: playing shows, um, it's gonna be awesome. And in the 490 00:25:25,440 --> 00:25:27,760 Speaker 1: meantime also, I mean, we are working on new music 491 00:25:27,800 --> 00:25:30,400 Speaker 1: and so it's definitely there's gonna be new music being 492 00:25:30,400 --> 00:25:33,960 Speaker 1: released throughout the year, and so people while they're quarantine 493 00:25:34,000 --> 00:25:36,719 Speaker 1: can be looking for that and then listen to it, 494 00:25:37,440 --> 00:25:39,119 Speaker 1: get the lyrics down, and come out and sing it 495 00:25:39,160 --> 00:25:41,480 Speaker 1: with us. So and then what are you all social 496 00:25:41,520 --> 00:25:43,520 Speaker 1: media handles just that people can keep up with what 497 00:25:43,600 --> 00:25:47,240 Speaker 1: you guys are doing in isolation. Yeah, I think everything. 498 00:25:47,480 --> 00:25:50,640 Speaker 1: It's just Landco Music, it is. And then your website 499 00:25:50,800 --> 00:25:54,520 Speaker 1: Lanco music dot com yep, so you guys go check 500 00:25:54,560 --> 00:25:57,840 Speaker 1: out Lanko Music and you can also watch the new 501 00:25:57,920 --> 00:25:59,879 Speaker 1: video that we mentioned what I see. That was a 502 00:26:00,000 --> 00:26:02,720 Speaker 1: really fun one to work one. Um, Brandon, thank you 503 00:26:02,760 --> 00:26:06,800 Speaker 1: for being here, TI hi for me, all right, thank 504 00:26:06,840 --> 00:26:09,240 Speaker 1: you for thanks for having a good chat. All right, 505 00:26:09,280 --> 00:26:12,080 Speaker 1: thank you guys for listening. H