1 00:00:18,239 --> 00:00:22,120 Speaker 1: I did get an email today from one Barbie Block 2 00:00:22,520 --> 00:00:25,360 Speaker 1: who what did miss Block say? Hello, Barbie, thank you 3 00:00:25,400 --> 00:00:28,840 Speaker 1: for listening. She had recently listened to our Daniel Harrison 4 00:00:28,960 --> 00:00:33,159 Speaker 1: interview and she wanted to bring up the topic we 5 00:00:33,280 --> 00:00:36,640 Speaker 1: discussed about emancipation, and she said that a lot of 6 00:00:36,640 --> 00:00:41,320 Speaker 1: people use the term emancipation to mean legally eighteen. 7 00:00:41,560 --> 00:00:42,280 Speaker 2: That there are. 8 00:00:42,320 --> 00:00:47,200 Speaker 1: Two different versions of that. One is true emancipation, which 9 00:00:47,240 --> 00:00:50,440 Speaker 1: means you are divorced from your parents. You are a 10 00:00:50,680 --> 00:00:54,880 Speaker 1: full entire adult, and you can make all decisions for yourself. 11 00:00:55,440 --> 00:00:58,600 Speaker 1: And then there is legal eighteen, which is a contract 12 00:00:58,640 --> 00:01:01,440 Speaker 1: that your parents have to sign that says you can 13 00:01:01,480 --> 00:01:04,880 Speaker 1: work adult hours, but you are still a minor. It 14 00:01:05,000 --> 00:01:07,600 Speaker 1: just removes your parents from having to be on set 15 00:01:07,760 --> 00:01:10,200 Speaker 1: and you can work adult hours. But they she said, 16 00:01:10,240 --> 00:01:14,800 Speaker 1: most people, especially now, very few people actually get emancipated, 17 00:01:15,000 --> 00:01:18,360 Speaker 1: but there are a majority of people who are legally eighteen. 18 00:01:19,400 --> 00:01:21,560 Speaker 3: Wow, I got that must make see what? I Yeah? 19 00:01:21,600 --> 00:01:24,199 Speaker 4: I think I must have been legally eighteen then, because 20 00:01:24,200 --> 00:01:26,640 Speaker 4: I never got emancipated, but my parents weren't on the 21 00:01:26,640 --> 00:01:27,480 Speaker 4: set I was sixteen. 22 00:01:27,520 --> 00:01:30,880 Speaker 3: We started to show emancipated will No, you had to 23 00:01:30,920 --> 00:01:31,760 Speaker 3: have been because. 24 00:01:31,600 --> 00:01:35,039 Speaker 4: Your teens have been legally eighteen or. 25 00:01:37,680 --> 00:01:38,920 Speaker 3: Oh yeah, no, I never I had to go in 26 00:01:38,920 --> 00:01:41,280 Speaker 3: front of a judge, but you know, with my parents. 27 00:01:41,400 --> 00:01:43,399 Speaker 3: But yeah, you know, I had to say, like, I'm 28 00:01:44,080 --> 00:01:46,960 Speaker 3: I'm a working adult at sixteen, and I want to 29 00:01:47,000 --> 00:01:48,720 Speaker 3: be in charge of my own money and my own 30 00:01:48,760 --> 00:01:50,480 Speaker 3: life and be able to do I had to do 31 00:01:50,520 --> 00:01:50,840 Speaker 3: all that. 32 00:01:51,080 --> 00:01:52,480 Speaker 2: Explain that process a little bit. 33 00:01:52,520 --> 00:01:54,960 Speaker 3: How did you. I don't quite remember it all. I 34 00:01:55,000 --> 00:01:57,720 Speaker 3: just know that I was moving at sixteen once I 35 00:01:57,760 --> 00:02:00,160 Speaker 3: got my driver's license. I wanted my own apartment. You 36 00:02:00,160 --> 00:02:02,720 Speaker 3: were going into, I guess at that point the fourth 37 00:02:02,800 --> 00:02:06,200 Speaker 3: season of the show, and I wanted my own apartment, 38 00:02:06,320 --> 00:02:08,240 Speaker 3: and you know, it was like it was a source 39 00:02:08,240 --> 00:02:09,960 Speaker 3: of conflict with my mom a little bit because she 40 00:02:10,000 --> 00:02:11,360 Speaker 3: was like, okay, and so at first it was like, 41 00:02:11,440 --> 00:02:13,040 Speaker 3: you can have your own apartment, but I'm still gonna 42 00:02:13,080 --> 00:02:15,880 Speaker 3: come to LA every other week and stay with you 43 00:02:15,960 --> 00:02:18,640 Speaker 3: to check in. That only lasted like two times, and 44 00:02:18,639 --> 00:02:20,800 Speaker 3: then she was like, all right, you're fine, you know, 45 00:02:20,800 --> 00:02:22,560 Speaker 3: because I was working all the time, Like we didn't 46 00:02:22,600 --> 00:02:24,320 Speaker 3: have that much free time. Like when I was in 47 00:02:24,440 --> 00:02:27,079 Speaker 3: LA at my apartment, I was going to boy Me's 48 00:02:27,120 --> 00:02:30,080 Speaker 3: World every day. But but yeah, but legally it was 49 00:02:30,200 --> 00:02:32,840 Speaker 3: it was going to be better for me to be emancipated. 50 00:02:33,160 --> 00:02:35,680 Speaker 3: So I don't know, my dad filed whatever paperwork and 51 00:02:35,680 --> 00:02:36,920 Speaker 3: we had to go to in front of a judge 52 00:02:36,919 --> 00:02:39,839 Speaker 3: in Sonoma County where I grew up and like make 53 00:02:39,880 --> 00:02:41,800 Speaker 3: the case, and I don't know, it's like, I think 54 00:02:41,840 --> 00:02:44,079 Speaker 3: it's the only time besides traffic school, that I've ever 55 00:02:44,120 --> 00:02:46,960 Speaker 3: been in a court room, right, like, you know, standing 56 00:02:46,960 --> 00:02:48,560 Speaker 3: in front of a judgement, and it was easy. It 57 00:02:48,600 --> 00:02:50,280 Speaker 3: was just like oh, and the judges asked me a 58 00:02:50,320 --> 00:02:52,960 Speaker 3: couple of questions about like you know, basically that you 59 00:02:53,080 --> 00:02:55,799 Speaker 3: want this that, and my parents are there because I 60 00:02:55,840 --> 00:02:57,760 Speaker 3: think in a lot of cases, people get emancipated in 61 00:02:57,840 --> 00:03:00,800 Speaker 3: order to get away from that situation. 62 00:03:00,880 --> 00:03:03,639 Speaker 1: Right, And that's when legal emancipation would make sense, when 63 00:03:03,639 --> 00:03:07,520 Speaker 1: you're truly looking to be on your own and be 64 00:03:07,600 --> 00:03:09,119 Speaker 1: treated as an adult. And I think we had talked 65 00:03:09,120 --> 00:03:11,960 Speaker 1: about that a little bit also with Danielle Harris, about 66 00:03:11,960 --> 00:03:14,520 Speaker 1: where she was like then when the tax board came 67 00:03:14,560 --> 00:03:16,600 Speaker 1: after her, when the IRS came after her, and she 68 00:03:16,760 --> 00:03:19,200 Speaker 1: was like, they treat as I was an adult, even 69 00:03:19,240 --> 00:03:20,920 Speaker 1: though at the time I was seventeen but she had 70 00:03:20,919 --> 00:03:25,239 Speaker 1: been legally emancipated. Yeah, so I did just want Barbie 71 00:03:25,280 --> 00:03:28,000 Speaker 1: wanted to bring that up because I do know. I 72 00:03:28,040 --> 00:03:30,040 Speaker 1: did remember that. We didn't discuss it too much, and 73 00:03:30,040 --> 00:03:33,200 Speaker 1: I think Danielle was emancipated. Writer, I believe you were emancipated. 74 00:03:34,120 --> 00:03:36,360 Speaker 1: But there is another version you can do, which is 75 00:03:36,520 --> 00:03:39,680 Speaker 1: you're still a minor and your parents are still responsible 76 00:03:39,720 --> 00:03:41,520 Speaker 1: for you. It's just that they don't have to be 77 00:03:41,560 --> 00:03:43,680 Speaker 1: on set with you, and you are allowed to work 78 00:03:44,040 --> 00:03:46,880 Speaker 1: the adult hours of an adult. 79 00:03:47,000 --> 00:03:48,680 Speaker 4: That must have been what I got, because again, I 80 00:03:48,720 --> 00:03:50,480 Speaker 4: had a legal guardian when I lived in LA I 81 00:03:50,520 --> 00:03:52,960 Speaker 4: had Spencer that I lived with, but he never came 82 00:03:53,000 --> 00:03:54,920 Speaker 4: to the set and he was there and I was 83 00:03:54,960 --> 00:03:55,800 Speaker 4: working regular hours. 84 00:03:55,840 --> 00:03:57,240 Speaker 3: I still have to go to school and everything. But 85 00:03:57,800 --> 00:03:59,800 Speaker 3: so it must have been some version of that that 86 00:03:59,840 --> 00:04:01,800 Speaker 3: I had. Yeah, but I never have to go in 87 00:04:01,800 --> 00:04:03,400 Speaker 3: front of a judge or do any of that kind 88 00:04:03,400 --> 00:04:05,120 Speaker 3: of stuff. Are you sure your parents just didn't do 89 00:04:05,160 --> 00:04:10,920 Speaker 3: it as your attorneys without me? 90 00:04:10,960 --> 00:04:11,040 Speaker 4: Know? 91 00:04:11,120 --> 00:04:12,920 Speaker 3: Who knows? Maybe I know? 92 00:04:13,880 --> 00:04:16,440 Speaker 1: Maybe, Well, I'm thinking about letting Adler do it. He 93 00:04:16,480 --> 00:04:18,160 Speaker 1: really wants to move to the beach, and I. 94 00:04:18,760 --> 00:04:21,480 Speaker 3: That's a good idea. Can you reverse the process. Can 95 00:04:21,520 --> 00:04:22,960 Speaker 3: I go back and live with my parents? Would be 96 00:04:22,960 --> 00:04:27,120 Speaker 3: imedially a child? Again? Is that a thing? Is there? Demacication? 97 00:04:27,360 --> 00:04:28,679 Speaker 2: I think you've done it with Sue. 98 00:04:28,880 --> 00:04:35,839 Speaker 4: It's all marriage, marriage exactly, Yes, I said before a judge. 99 00:04:35,839 --> 00:04:38,320 Speaker 3: I got married. There you go. I remember just being 100 00:04:38,600 --> 00:04:41,680 Speaker 3: so convinced that I was fine at sixteen to be 101 00:04:41,760 --> 00:04:44,440 Speaker 3: on my own. And I remember my parents asking, like 102 00:04:44,640 --> 00:04:47,040 Speaker 3: fellow parents around them, like is this okay? 103 00:04:47,080 --> 00:04:47,240 Speaker 1: You know? 104 00:04:47,920 --> 00:04:49,599 Speaker 3: And now I think about it, I'm like, yeah, that 105 00:04:49,760 --> 00:04:52,200 Speaker 3: is crazy talk. You're gonna let your be like even 106 00:04:52,240 --> 00:04:54,280 Speaker 3: listening to your story, will I'm like, they let you 107 00:04:54,320 --> 00:04:56,680 Speaker 3: move all the way across the and I mean, yes, 108 00:04:56,760 --> 00:04:59,640 Speaker 3: you you'd like to think that. Well, we in our case, 109 00:04:59,680 --> 00:05:02,880 Speaker 3: we were very mature and we were fined. But you're 110 00:05:02,920 --> 00:05:07,120 Speaker 3: still sixteen, dude, going back crazy just thinking about the 111 00:05:07,160 --> 00:05:09,280 Speaker 3: stuff that they that my parents allowed me to do, 112 00:05:09,400 --> 00:05:11,240 Speaker 3: getting on the bus and going to New York City 113 00:05:11,320 --> 00:05:12,840 Speaker 3: and you know, I was twelve when I started to 114 00:05:12,880 --> 00:05:14,400 Speaker 3: feed that stuff. It's crazy. 115 00:05:14,480 --> 00:05:17,279 Speaker 4: I mean, it's it's thank god they did, because it does. 116 00:05:17,920 --> 00:05:19,560 Speaker 4: It got me where I am, and it made me 117 00:05:19,600 --> 00:05:21,680 Speaker 4: the person that I am. And it's certainly coming from 118 00:05:21,800 --> 00:05:24,400 Speaker 4: a small town in Connecticut and spending time even as 119 00:05:24,440 --> 00:05:27,360 Speaker 4: a child in New York City sometimes by myself. What 120 00:05:27,560 --> 00:05:30,359 Speaker 4: I learned more real world in the four hours I 121 00:05:30,440 --> 00:05:32,960 Speaker 4: was there than anywhere else. So in certain ways it 122 00:05:33,080 --> 00:05:37,279 Speaker 4: made me a much better, more well rounded, empathetic human being. 123 00:05:37,560 --> 00:05:40,520 Speaker 3: In other ways, I'm like, damn on screen. Well, I 124 00:05:40,520 --> 00:05:42,719 Speaker 3: mean this is like the whole thing about parenting now 125 00:05:42,880 --> 00:05:45,320 Speaker 3: versus parenting in like the seventies or eighties, or when 126 00:05:45,400 --> 00:05:47,880 Speaker 3: you name your previous generation, where kids were just like 127 00:05:48,520 --> 00:05:51,280 Speaker 3: Linda's hitchhike, they just roamed. They just do whatever they 128 00:05:51,279 --> 00:05:52,239 Speaker 3: need to do to get around. 129 00:05:52,600 --> 00:05:56,000 Speaker 1: And Jensen Carr, husband of this podcast, used to go 130 00:05:56,000 --> 00:05:59,040 Speaker 1: on vacation to Vegas with his parents and they liked 131 00:05:59,080 --> 00:06:02,640 Speaker 1: to gamble. Would just give him twenty dollars and he would. 132 00:06:02,360 --> 00:06:03,360 Speaker 2: Just roam the strip. 133 00:06:03,800 --> 00:06:06,719 Speaker 1: He was eleven, Yeah, and he just right, he'd find 134 00:06:06,720 --> 00:06:07,520 Speaker 1: an arcade. 135 00:06:07,839 --> 00:06:10,000 Speaker 3: I was giving knives and told to you know, hang out, 136 00:06:11,240 --> 00:06:13,159 Speaker 3: what's exactly we had guns and knives in the wood. 137 00:06:13,200 --> 00:06:15,360 Speaker 1: I mean, yeah, I wasn't allowed to watch nine O 138 00:06:15,440 --> 00:06:17,680 Speaker 1: two one. Oh, so we're all the same here, We're 139 00:06:17,760 --> 00:06:21,520 Speaker 1: all the same. I wasn't allowed to do absolutely. I 140 00:06:21,560 --> 00:06:23,080 Speaker 1: was allowed to do absolutely nothing. 141 00:06:23,279 --> 00:06:26,200 Speaker 3: And but here's the thing. But here, here's here's the 142 00:06:26,200 --> 00:06:27,960 Speaker 3: thing that you know that interests me as a parent 143 00:06:28,040 --> 00:06:31,479 Speaker 3: raising my kid because like obviously, like you know, because 144 00:06:31,720 --> 00:06:34,360 Speaker 3: my wife, my wife never had child seats. She didn't 145 00:06:34,360 --> 00:06:38,800 Speaker 3: even wear they didn't even wear like no, but she 146 00:06:38,880 --> 00:06:41,040 Speaker 3: remembers like her mom got into an accident and they 147 00:06:41,120 --> 00:06:43,920 Speaker 3: slid under the seat, like because none of the kids 148 00:06:43,920 --> 00:06:45,720 Speaker 3: were wearing you know, it's like a giant station, right, 149 00:06:45,839 --> 00:06:48,800 Speaker 3: it was the seventies, Like that's what you did. And 150 00:06:48,920 --> 00:06:51,440 Speaker 3: so you think, like, okay, so we mitigate risk by 151 00:06:51,680 --> 00:06:54,719 Speaker 3: you know, child seats, not letting our kids roam in 152 00:06:54,880 --> 00:06:58,640 Speaker 3: cities or whatever. But then all of our children are 153 00:06:58,640 --> 00:07:02,360 Speaker 3: more anxious out, they're scared, they don't grow up as fast. 154 00:07:02,440 --> 00:07:05,200 Speaker 3: And it's like, okay, at what point do you say 155 00:07:05,640 --> 00:07:07,760 Speaker 3: the trade off is it you take the risk you 156 00:07:07,800 --> 00:07:10,800 Speaker 3: allow your kids to go somewhere where that you know, yes, 157 00:07:10,840 --> 00:07:13,760 Speaker 3: they might get card if in the one in a 158 00:07:13,840 --> 00:07:16,600 Speaker 3: million two million chants that there's a serial killer out 159 00:07:16,680 --> 00:07:19,600 Speaker 3: kidnapping children right now in your neighbor. You know, but 160 00:07:19,720 --> 00:07:24,720 Speaker 3: like that's really but the risk is if if the 161 00:07:24,760 --> 00:07:28,280 Speaker 3: bad thing happens, it's awful, right, But of course, but 162 00:07:28,560 --> 00:07:30,840 Speaker 3: the chances of the bad thing happen really are not 163 00:07:31,000 --> 00:07:31,600 Speaker 3: that high. 164 00:07:31,960 --> 00:07:35,280 Speaker 4: So it's also with anxieties, like you mentioned anxiety, kids 165 00:07:35,280 --> 00:07:37,760 Speaker 4: being more anxious. The perfect example is we we have 166 00:07:37,800 --> 00:07:40,560 Speaker 4: reversed what it should be. As somebody who deals with anxiety, 167 00:07:40,880 --> 00:07:42,720 Speaker 4: one of the ways you deal with anxiety is by 168 00:07:42,760 --> 00:07:45,960 Speaker 4: confronting the fear. Right, you don't make the world safer 169 00:07:46,320 --> 00:07:48,280 Speaker 4: and put yourself in the middle of the danger. 170 00:07:48,720 --> 00:07:50,280 Speaker 2: And how do you learn that you're capable. 171 00:07:50,480 --> 00:07:53,160 Speaker 1: You find yourself in situations where you have to prove 172 00:07:53,200 --> 00:07:55,880 Speaker 1: that you're capable, and then you go, oh, I actually 173 00:07:56,200 --> 00:07:56,760 Speaker 1: can do this. 174 00:07:57,040 --> 00:08:00,280 Speaker 4: I don't like flying, so flying makes me nervous, so 175 00:08:00,440 --> 00:08:02,520 Speaker 4: I fly for a living. Now, well what was I 176 00:08:02,520 --> 00:08:04,200 Speaker 4: going to do? Go no, sorry, I can't do any 177 00:08:04,200 --> 00:08:04,600 Speaker 4: of this work. 178 00:08:04,640 --> 00:08:05,200 Speaker 3: I had to fly. 179 00:08:05,800 --> 00:08:08,720 Speaker 4: So I just kept flying, and now I'm okay with lying. 180 00:08:09,080 --> 00:08:11,280 Speaker 4: There's a certain thing, you know, people who are gorophobic. 181 00:08:12,000 --> 00:08:14,160 Speaker 4: It's not that people, well, well, now we can get 182 00:08:14,160 --> 00:08:15,160 Speaker 4: everything delivered to the house. 183 00:08:15,240 --> 00:08:18,520 Speaker 3: That's not good going out to the grocery store. Shopping 184 00:08:18,600 --> 00:08:19,760 Speaker 3: is what you need to do. 185 00:08:20,280 --> 00:08:23,640 Speaker 4: So it's you know, the the you know, everybody wants 186 00:08:23,640 --> 00:08:25,720 Speaker 4: the world wrapped in bubble wrapped now, and that's exactly 187 00:08:25,800 --> 00:08:27,840 Speaker 4: the opposite. To help with anxiety, you need to be 188 00:08:27,880 --> 00:08:29,520 Speaker 4: out with the sharp knives and everything. 189 00:08:29,560 --> 00:08:33,320 Speaker 3: That's all just anxiety, just like right, you want it 190 00:08:33,400 --> 00:08:35,680 Speaker 3: just makes you a better person to be exposed to 191 00:08:35,960 --> 00:08:39,200 Speaker 3: different types of people, different you know, Like that's what 192 00:08:39,440 --> 00:08:41,800 Speaker 3: you know. You guys have given a crap before in 193 00:08:41,920 --> 00:08:45,400 Speaker 3: conversations about me being like, you know, anti one big 194 00:08:45,440 --> 00:08:48,960 Speaker 3: box store shopping or like malls, because I believe that 195 00:08:49,040 --> 00:08:51,040 Speaker 3: the friction of like going to a market, having to 196 00:08:51,040 --> 00:08:53,240 Speaker 3: go to different stores, having to meet different people, or 197 00:08:53,360 --> 00:08:55,560 Speaker 3: you know, those challenges are good for us, and we 198 00:08:55,600 --> 00:08:58,400 Speaker 3: have to secure so many of them. But costcos hot 199 00:08:58,440 --> 00:09:02,000 Speaker 3: dogs are amazed. Look, I mean I just order everything 200 00:09:02,040 --> 00:09:04,560 Speaker 3: on Amazon, which is the worst of the world exactly. 201 00:09:04,880 --> 00:09:08,360 Speaker 3: You lack of human contact or experience, and it's so bad. 202 00:09:08,440 --> 00:09:10,480 Speaker 4: I don't have children, so I I you know, I 203 00:09:10,520 --> 00:09:12,960 Speaker 4: know that I'm the person without kids that gives opinions 204 00:09:12,960 --> 00:09:15,680 Speaker 4: like these, But it seems to me that kids today 205 00:09:15,840 --> 00:09:16,400 Speaker 4: don't know. 206 00:09:16,320 --> 00:09:17,840 Speaker 3: How to lose at anything. 207 00:09:18,320 --> 00:09:21,040 Speaker 4: Yeah, everything has to be perfect and when the smallest 208 00:09:21,040 --> 00:09:23,840 Speaker 4: little thing happens, they melt down. And back in the day, 209 00:09:23,840 --> 00:09:26,839 Speaker 4: you're talking about the seventies. If we played a soccer 210 00:09:26,880 --> 00:09:28,839 Speaker 4: game a baseball game and we lost, you didn't get 211 00:09:28,840 --> 00:09:30,719 Speaker 4: a trophy. Somebody came up to you and went, we're 212 00:09:30,720 --> 00:09:32,839 Speaker 4: gonna work harder and next year we're going to try 213 00:09:32,840 --> 00:09:33,320 Speaker 4: to do better. 214 00:09:33,360 --> 00:09:34,120 Speaker 3: That's how you did it. 215 00:09:34,240 --> 00:09:36,600 Speaker 4: Learning how to lose was so much more important than 216 00:09:36,640 --> 00:09:39,079 Speaker 4: learning how to win. And if you're still going, hey man, 217 00:09:39,160 --> 00:09:41,280 Speaker 4: great job, here's a medal. You struck out and ran 218 00:09:41,360 --> 00:09:43,520 Speaker 4: to third, well, then you're never going to know how 219 00:09:43,559 --> 00:09:46,600 Speaker 4: to actually play baseball. So it's you know, there's there's 220 00:09:46,640 --> 00:09:48,560 Speaker 4: a balance to all this stuff. But again, the easiest 221 00:09:48,559 --> 00:09:48,920 Speaker 4: way for me. 222 00:09:49,000 --> 00:09:51,480 Speaker 1: Was just going to We lost writer with the sports ball, so. 223 00:09:51,679 --> 00:09:52,200 Speaker 3: Oh we did. 224 00:09:52,240 --> 00:09:54,680 Speaker 4: Sorry, what you're talking about, we'll get into it because 225 00:09:54,720 --> 00:09:56,560 Speaker 4: in this in one of the episodes, he's got a 226 00:09:56,559 --> 00:09:59,240 Speaker 4: great sports ball reference, and I'll guarantee he has no idea. 227 00:09:59,080 --> 00:09:59,560 Speaker 5: What he's says. 228 00:09:59,600 --> 00:10:02,280 Speaker 1: Not a cl not a few was talking about Welcome 229 00:10:02,320 --> 00:10:03,120 Speaker 1: to Pod Meets World. 230 00:10:03,160 --> 00:10:06,000 Speaker 2: I'm Daniel Fischel, I'm Rider Strong, and I'm Wilfredell. 231 00:10:11,040 --> 00:10:15,320 Speaker 1: Pod Meets World is coming to Philadelphia. Did you really 232 00:10:15,320 --> 00:10:18,800 Speaker 1: think we wouldn't visit the home of the Matthews. This 233 00:10:18,840 --> 00:10:22,360 Speaker 1: one is going to be very special. It is our 234 00:10:22,559 --> 00:10:27,240 Speaker 1: thirtieth anniversary Spectacular on September thirtieth at the Met with 235 00:10:27,400 --> 00:10:28,280 Speaker 1: special guests. 236 00:10:28,600 --> 00:10:29,000 Speaker 2: Today. 237 00:10:29,120 --> 00:10:32,560 Speaker 1: Pre sale starts August third at ten am Eastern with 238 00:10:32,679 --> 00:10:36,280 Speaker 1: code Philly that's p h I L L Y, and 239 00:10:36,320 --> 00:10:39,520 Speaker 1: then general public sales start Friday, August fourth at ten 240 00:10:39,559 --> 00:10:42,920 Speaker 1: am Eastern. You can also go to Podmeetsworldshow dot com 241 00:10:42,920 --> 00:10:52,400 Speaker 1: to get tickets and see more information. So Today's episode, 242 00:10:52,440 --> 00:10:56,080 Speaker 1: Season three, episode four, He Said, She Said? Air date 243 00:10:56,160 --> 00:11:00,440 Speaker 1: October twentieth, nineteen ninety five. The synopsis Sean is forced 244 00:11:00,480 --> 00:11:03,600 Speaker 1: to visit with a guidance counselor after continually skipping class 245 00:11:03,640 --> 00:11:06,800 Speaker 1: and misinterprets her advice and decides to drop out, catch 246 00:11:06,800 --> 00:11:10,040 Speaker 1: a bus, and set out to find himself. Also, we 247 00:11:10,240 --> 00:11:13,400 Speaker 1: have a bully standoff. I feel like the title of 248 00:11:13,440 --> 00:11:15,480 Speaker 1: this show is very misleading. 249 00:11:15,080 --> 00:11:17,280 Speaker 3: Made no sense. When I started, I was like, wait, 250 00:11:17,320 --> 00:11:19,160 Speaker 3: didn't I already watch this one because we had done 251 00:11:19,720 --> 00:11:21,880 Speaker 3: Corey saying I Love you and her and Topenga not 252 00:11:21,920 --> 00:11:24,240 Speaker 3: saying it back. I was like, that's the title. No, no, no, 253 00:11:24,280 --> 00:11:26,240 Speaker 3: he's totally different. Yeah, So who is it? 254 00:11:26,280 --> 00:11:30,360 Speaker 2: In reference to the guidance counselor is it so? 255 00:11:30,559 --> 00:11:33,080 Speaker 3: She said, I went to Europe, and. 256 00:11:32,880 --> 00:11:34,240 Speaker 2: I went to Europe and. 257 00:11:34,520 --> 00:11:37,000 Speaker 4: Tony is it supposed to be? Tony said one thing, 258 00:11:37,040 --> 00:11:39,439 Speaker 4: and she said something else. He said, she said, is. 259 00:11:39,400 --> 00:11:40,360 Speaker 5: That supposed to be? 260 00:11:40,520 --> 00:11:41,800 Speaker 1: To be honest, I don't know. 261 00:11:42,080 --> 00:11:44,120 Speaker 3: I don't either. Did you like the episode? 262 00:11:44,520 --> 00:11:46,520 Speaker 2: There were so many storylines. 263 00:11:47,120 --> 00:11:48,760 Speaker 3: This is a weird episode. To me, it was a 264 00:11:48,800 --> 00:11:49,640 Speaker 3: weird episode. 265 00:11:49,679 --> 00:11:51,880 Speaker 2: There was no conclusion to one of the storylines. 266 00:11:52,280 --> 00:11:53,360 Speaker 5: It happens to you. 267 00:11:54,000 --> 00:11:56,800 Speaker 4: One of the weirdest endings we've ever had too in 268 00:11:56,840 --> 00:11:57,360 Speaker 4: the show. 269 00:11:57,880 --> 00:11:59,080 Speaker 2: We let's talk about it. 270 00:11:59,120 --> 00:12:01,680 Speaker 1: I'm not sure, I'm I'm truly I haven't really settled 271 00:12:01,720 --> 00:12:03,880 Speaker 1: in with how I feel about the episode. 272 00:12:05,640 --> 00:12:06,520 Speaker 2: It's just odd. 273 00:12:06,600 --> 00:12:09,440 Speaker 3: It just felt agreed, agree. 274 00:12:09,240 --> 00:12:11,360 Speaker 1: Feel like there was a lot going on and maybe 275 00:12:11,360 --> 00:12:15,400 Speaker 1: this needed to be really more yeah, rewritten and maybe 276 00:12:15,440 --> 00:12:19,560 Speaker 1: some of the Wow. Producer Jensen Carr, husband of this podcast, 277 00:12:19,600 --> 00:12:22,400 Speaker 1: just wrote one of my favorites for the record, weird. 278 00:12:22,640 --> 00:12:24,400 Speaker 3: I think, I mean, I think I think this was 279 00:12:24,440 --> 00:12:27,559 Speaker 3: a lot of like ideas kind of crammed into one. 280 00:12:27,600 --> 00:12:30,040 Speaker 3: So like I especially like the bully storyline. It just 281 00:12:30,040 --> 00:12:32,640 Speaker 3: felt like a different show, totally, a different episode. Does 282 00:12:32,640 --> 00:12:34,840 Speaker 3: anybody really care about this anymore? Do you know? But 283 00:12:34,920 --> 00:12:37,160 Speaker 3: our writers did, We obviously did, and I think in 284 00:12:37,200 --> 00:12:39,800 Speaker 3: the long term maybe the fans do too. Yes, but 285 00:12:39,840 --> 00:12:42,679 Speaker 3: it feels a little long winded together, felt. 286 00:12:42,400 --> 00:12:44,960 Speaker 1: Like that should have been the B storyline of a 287 00:12:45,000 --> 00:12:48,680 Speaker 1: different episode, and instead it was maybe the B or 288 00:12:48,840 --> 00:12:50,480 Speaker 1: C storyline of this episode. 289 00:12:50,520 --> 00:12:51,719 Speaker 2: There were there were a couple. 290 00:12:51,600 --> 00:12:53,400 Speaker 3: So I'll tell you what. I think. The problem is 291 00:12:53,440 --> 00:12:56,760 Speaker 3: just a lack of Corey. It just doesn't around maybe 292 00:12:57,240 --> 00:13:00,520 Speaker 3: maybe storyline and that's weeded, like Ben is so lost 293 00:13:00,520 --> 00:13:03,920 Speaker 3: in this episode, and it doesn't feel you know, it's 294 00:13:04,000 --> 00:13:06,800 Speaker 3: it's it's it's sort of like a reiteration of the 295 00:13:06,880 --> 00:13:10,720 Speaker 3: Sean stuff, which we've kind of already covered pretty extensively. 296 00:13:11,960 --> 00:13:14,439 Speaker 3: So I think that that having the Shawn storyline is 297 00:13:14,480 --> 00:13:16,360 Speaker 3: the A storyline. It's just a little old at this 298 00:13:16,400 --> 00:13:18,720 Speaker 3: point already. I've run away so many times. 299 00:13:19,120 --> 00:13:21,360 Speaker 4: It is getting a little repetitive at this point. Now 300 00:13:21,400 --> 00:13:24,680 Speaker 4: you're just running away with more expensive sets. Yeah, where 301 00:13:24,720 --> 00:13:27,320 Speaker 4: it's like okay, that's like yeah, now now he's running 302 00:13:27,320 --> 00:13:30,559 Speaker 4: to a place we've never seen before and Seawann's leaving again. Okay. 303 00:13:30,760 --> 00:13:33,320 Speaker 1: It does get a little much So this episode was 304 00:13:33,320 --> 00:13:35,640 Speaker 1: directed by Jeff McCracken. It was written by Jeff Manel 305 00:13:35,880 --> 00:13:39,120 Speaker 1: guest starring Alex d. Sairah as Eli Williams. The return 306 00:13:39,240 --> 00:13:42,360 Speaker 1: of Danny McNulty is Harvey Harley Kiner, this is his 307 00:13:42,640 --> 00:13:46,880 Speaker 1: last ever episode of Boy Meets World. Blake Soaper as 308 00:13:47,000 --> 00:13:50,520 Speaker 1: Joseph Joey the Rat Epstein, Ethan Sipple is Frankie Stacchino, 309 00:13:50,880 --> 00:13:55,080 Speaker 1: another return, and the final episode of Adam Scott as 310 00:13:55,120 --> 00:13:56,960 Speaker 1: it is Griff Hawkins. 311 00:13:57,040 --> 00:13:59,000 Speaker 4: It is it is his last one. I thought so, 312 00:13:59,240 --> 00:14:00,480 Speaker 4: I thought so yep. 313 00:14:00,320 --> 00:14:02,360 Speaker 3: So this was just the end of the Leader of 314 00:14:02,400 --> 00:14:03,520 Speaker 3: the Bullies, right. 315 00:14:03,679 --> 00:14:05,880 Speaker 1: They basically were like, we're going to keep having Frankie 316 00:14:05,920 --> 00:14:08,440 Speaker 1: and Joey back, but we need to acknowledge that they. 317 00:14:08,360 --> 00:14:09,720 Speaker 2: Are no longer going to have a leader. 318 00:14:10,640 --> 00:14:11,199 Speaker 3: Interesting. 319 00:14:11,600 --> 00:14:13,600 Speaker 2: So that's what I think the real importance. 320 00:14:13,240 --> 00:14:16,720 Speaker 3: Was, because Griff is a great character, he's a great kill. 321 00:14:16,760 --> 00:14:19,320 Speaker 1: He may have been working, he may have, you know, 322 00:14:19,360 --> 00:14:21,120 Speaker 1: he may have already started doing other stuff, and. 323 00:14:21,360 --> 00:14:22,680 Speaker 3: Just numbers came. They're just adding. 324 00:14:23,960 --> 00:14:25,600 Speaker 4: Just keep in mind we also have alex Is on 325 00:14:25,640 --> 00:14:28,320 Speaker 4: the show as as you know, semi regular now, and 326 00:14:28,400 --> 00:14:29,640 Speaker 4: I think they're they're swapping. 327 00:14:29,720 --> 00:14:31,440 Speaker 3: So really the whole point of this episode is to 328 00:14:31,600 --> 00:14:35,280 Speaker 3: trim characters correct, to pull back from where we went 329 00:14:35,280 --> 00:14:37,520 Speaker 3: in the second season, and to trim it back to 330 00:14:37,640 --> 00:14:39,960 Speaker 3: you know, some of scal elaments that's interesting. 331 00:14:39,560 --> 00:14:41,840 Speaker 4: Which is so strange that they want to bring Danny 332 00:14:41,880 --> 00:14:44,160 Speaker 4: back to kind of wrap up his character story when 333 00:14:44,200 --> 00:14:46,000 Speaker 4: they just replaced him with a different actor. 334 00:14:46,280 --> 00:14:51,400 Speaker 1: I think that was probably an extension, like their way. 335 00:14:51,520 --> 00:14:53,080 Speaker 1: He had probably gotten out of the hospital. He was 336 00:14:53,080 --> 00:14:54,840 Speaker 1: obviously out of the hospital at this point, and they 337 00:14:54,880 --> 00:14:57,720 Speaker 1: looked at it as being maybe, yes, as a you know, 338 00:14:57,840 --> 00:15:00,000 Speaker 1: a out of respect to Danny who had to leave 339 00:15:00,080 --> 00:15:02,000 Speaker 1: in the middle of an episode, let's bring him back 340 00:15:02,040 --> 00:15:04,920 Speaker 1: and tie up this storyline. And you know, I feel 341 00:15:05,120 --> 00:15:07,400 Speaker 1: they probably did feel like the last one, just replacing 342 00:15:07,440 --> 00:15:09,320 Speaker 1: him felt disrespectful and they didn't want to end on 343 00:15:09,320 --> 00:15:09,680 Speaker 1: that note. 344 00:15:10,200 --> 00:15:12,440 Speaker 4: By the way, I had lunch with David Kendall yesterday 345 00:15:12,520 --> 00:15:16,000 Speaker 4: and we specifically talked about the you know, replacing Danny 346 00:15:16,040 --> 00:15:18,720 Speaker 4: and Danny at the table read and how he didn't 347 00:15:18,760 --> 00:15:20,480 Speaker 4: remember it and what he was looking back at his 348 00:15:20,520 --> 00:15:23,000 Speaker 4: notes and what he thinks happened is he was sent 349 00:15:23,080 --> 00:15:26,880 Speaker 4: to Lake Placid early for the Nancy Carrigan stuff and 350 00:15:27,080 --> 00:15:28,160 Speaker 4: wasn't actually there. 351 00:15:28,200 --> 00:15:28,960 Speaker 3: He wasn't there for. 352 00:15:28,920 --> 00:15:30,960 Speaker 5: The table read right, Yeah, that makes sense. 353 00:15:31,800 --> 00:15:34,600 Speaker 1: And then we have Amy Leland as Devin Collins and 354 00:15:34,920 --> 00:15:36,680 Speaker 1: Carmen Philpy. 355 00:15:36,520 --> 00:15:38,960 Speaker 2: As quote unquote bum. 356 00:15:39,360 --> 00:15:42,720 Speaker 1: He is a legendary character actor who and you will 357 00:15:42,800 --> 00:15:46,520 Speaker 1: know when you see him. He mostly played bums or 358 00:15:46,680 --> 00:15:49,920 Speaker 1: drunk or old guy. He has one hundred and six 359 00:15:50,000 --> 00:15:53,320 Speaker 1: credits on IMDb before his passing in two thousand and three. 360 00:15:53,600 --> 00:15:56,640 Speaker 1: I know this is more detail than we usually give 361 00:15:56,760 --> 00:15:59,760 Speaker 1: four guest stars, but please indulge me here with some 362 00:15:59,800 --> 00:16:01,200 Speaker 1: of the King's highlights. 363 00:16:01,280 --> 00:16:03,479 Speaker 2: Okay, he played a drunk. 364 00:16:03,160 --> 00:16:06,600 Speaker 1: On Rohda, a bum on Barney Miller, bum in Escape 365 00:16:06,600 --> 00:16:10,120 Speaker 1: from New York, bum on Silver Spoons, bus station, bum 366 00:16:10,280 --> 00:16:13,680 Speaker 1: on The Sure Thing, panhandler on Cagney and Lacy Street, 367 00:16:13,720 --> 00:16:16,520 Speaker 1: bum number one in Who's That Girl Now. The role 368 00:16:16,560 --> 00:16:19,880 Speaker 1: he is most famous for, which is the roadkill postal 369 00:16:19,960 --> 00:16:24,520 Speaker 1: messenger in Beetlejuice, a famous Halloween costume even He was 370 00:16:24,880 --> 00:16:28,320 Speaker 1: old Man Withers in Wayne's World, Whino in Parker Lewis 371 00:16:28,360 --> 00:16:31,600 Speaker 1: Can't Lose, and the same role Whino in Sister Sister. 372 00:16:32,080 --> 00:16:34,800 Speaker 1: He was old man in bar in wedding singer, old 373 00:16:34,840 --> 00:16:38,560 Speaker 1: Guy in Sabrina the Teenage Witch, and he voiced homeless 374 00:16:38,600 --> 00:16:43,360 Speaker 1: Guy in Eight Crazy Nights. He is a total legend. 375 00:16:43,440 --> 00:16:47,200 Speaker 3: What an amazing thing to be. No, like, you just 376 00:16:47,680 --> 00:16:50,360 Speaker 3: you give good bum so Jim, So we're just gonna 377 00:16:50,400 --> 00:16:54,119 Speaker 3: make you a home our go to a alcoholic homeless 378 00:16:54,120 --> 00:16:57,280 Speaker 3: guy in everything, And once you get known for that 379 00:16:57,440 --> 00:16:59,000 Speaker 3: and you're good at it, that's all you do. 380 00:16:59,360 --> 00:17:00,840 Speaker 2: And by the way, what a career. 381 00:17:01,200 --> 00:17:03,920 Speaker 3: Oh my god, he was on everything. He's on everything. 382 00:17:04,359 --> 00:17:07,520 Speaker 2: Yeah, so you know, I mean, it's just yeah, he's 383 00:17:07,520 --> 00:17:07,960 Speaker 2: a legend. 384 00:17:08,240 --> 00:17:09,600 Speaker 3: Do you know. We talked about like how you have 385 00:17:09,640 --> 00:17:11,879 Speaker 3: to like find your zero as an actor, you know, 386 00:17:11,960 --> 00:17:15,280 Speaker 3: like what does your presence just say about the world. 387 00:17:15,359 --> 00:17:17,800 Speaker 2: He got up on stage and everyone yelled bum at him. 388 00:17:18,080 --> 00:17:21,080 Speaker 3: Yea exactly. You just look at him and you're like, okay, yeah, 389 00:17:21,200 --> 00:17:21,520 Speaker 3: he's a b. 390 00:17:21,720 --> 00:17:23,240 Speaker 4: This is a man who cannot drink a cup of 391 00:17:23,240 --> 00:17:26,440 Speaker 4: coffee without somebody walking by and dropping change into it. 392 00:17:26,440 --> 00:17:29,480 Speaker 3: It's like, dude, give me zero zero. 393 00:17:29,720 --> 00:17:32,119 Speaker 4: But again, he is one of those actors that has 394 00:17:32,160 --> 00:17:35,879 Speaker 4: been around forever, has been on every legendary show, and 395 00:17:36,119 --> 00:17:38,280 Speaker 4: almost no one knows his name. He's one of those 396 00:17:38,280 --> 00:17:40,360 Speaker 4: things exactly. It's incredible unsung heroes. 397 00:17:40,560 --> 00:17:43,080 Speaker 1: If you check his IMDb you'll see it many a times. 398 00:17:43,440 --> 00:17:47,080 Speaker 1: So to jump into our recap school hallway, mister Feoene 399 00:17:47,160 --> 00:17:49,639 Speaker 1: walks in holding two large gift baskets and he hands 400 00:17:49,640 --> 00:17:52,600 Speaker 1: one to Eli at school now known as mister Williams. 401 00:17:52,920 --> 00:17:53,920 Speaker 2: Mister Williams things. 402 00:17:53,920 --> 00:17:56,520 Speaker 1: Phoene is giving him the gift basket, but Phoene says 403 00:17:56,560 --> 00:17:59,600 Speaker 1: they're just from seniors who are trying to get college recommendations. 404 00:18:00,040 --> 00:18:02,320 Speaker 1: Phoenie is just having Eli take them to his car. 405 00:18:02,680 --> 00:18:04,800 Speaker 1: Eli says it's good to be you, isn't it, But 406 00:18:04,840 --> 00:18:07,159 Speaker 1: Phoene says he gives it to the homeless shelters, and 407 00:18:07,160 --> 00:18:10,680 Speaker 1: then Eli says right and walks off. And then mister 408 00:18:10,680 --> 00:18:14,439 Speaker 1: Phoenie yells drop that mango man. And it reminded me 409 00:18:14,480 --> 00:18:17,440 Speaker 1: of when Alex said that that was one of Bill's 410 00:18:17,880 --> 00:18:20,040 Speaker 1: that he says that to himself sometimes, like to get 411 00:18:20,040 --> 00:18:20,760 Speaker 1: into character. 412 00:18:21,440 --> 00:18:23,200 Speaker 3: The second I heard, I was like, yes, that's right, 413 00:18:23,560 --> 00:18:26,040 Speaker 3: that's so funny. 414 00:18:26,080 --> 00:18:28,560 Speaker 2: It's funny because I didn't hear it as I didn't. 415 00:18:28,320 --> 00:18:31,400 Speaker 3: Hear that's right. 416 00:18:31,760 --> 00:18:32,960 Speaker 2: Only he has one. 417 00:18:32,880 --> 00:18:36,280 Speaker 1: Later that to me is a more much more memorable, 418 00:18:36,920 --> 00:18:40,879 Speaker 1: so you'll talk about huh. Yeah, the delivery of the 419 00:18:40,920 --> 00:18:43,000 Speaker 1: other one, the one that we have in the future, 420 00:18:43,240 --> 00:18:44,600 Speaker 1: to me was so much more. 421 00:18:45,080 --> 00:18:48,600 Speaker 2: I don't know, I just it felt more Bill, it 422 00:18:48,640 --> 00:18:49,520 Speaker 2: felt more special. 423 00:18:49,600 --> 00:18:51,520 Speaker 1: This kind of felt to me like just a pretty 424 00:18:51,520 --> 00:18:54,119 Speaker 1: basic line reading, but obviously to everyone else it really 425 00:18:54,160 --> 00:18:57,000 Speaker 1: was very memorable. So Eric walks up, saying, boy, what 426 00:18:57,119 --> 00:18:59,080 Speaker 1: some kids will go to to get into college. Huh. 427 00:18:59,160 --> 00:19:00,560 Speaker 2: Phoene tells him to save his money. 428 00:19:00,560 --> 00:19:02,720 Speaker 1: There is no fruit basket big enough to sway him, 429 00:19:02,960 --> 00:19:05,080 Speaker 1: and Eric says that's the furthest thing from his mind. 430 00:19:05,080 --> 00:19:07,560 Speaker 1: And Phoene says, right there next to your school work 431 00:19:08,160 --> 00:19:10,440 Speaker 1: in a great, great sweater. 432 00:19:10,880 --> 00:19:11,920 Speaker 3: At the bottom of it. 433 00:19:12,160 --> 00:19:14,199 Speaker 4: Yeah, it was like the it's like Charlie Brown, but 434 00:19:14,240 --> 00:19:17,520 Speaker 4: they moved this the Charlie Brown asked, Yet. 435 00:19:17,440 --> 00:19:18,120 Speaker 5: It's pretty cool. 436 00:19:18,520 --> 00:19:20,840 Speaker 1: Then we're in Turner's classroom. Phoene walks in and sees 437 00:19:20,840 --> 00:19:23,600 Speaker 1: that Corey is holding a giant papaya. Phoene asks him 438 00:19:23,640 --> 00:19:26,480 Speaker 1: where he got the papaya, and Corey, confused, says from home, 439 00:19:26,560 --> 00:19:28,480 Speaker 1: but Phoene says he has his eye on him. 440 00:19:29,080 --> 00:19:30,159 Speaker 2: Phoene tells Turner that she. 441 00:19:30,400 --> 00:19:32,760 Speaker 3: Missed secret or a little scene, did you guy toll? 442 00:19:32,920 --> 00:19:35,159 Speaker 3: So the point is that Phoene assumes he stole it 443 00:19:35,200 --> 00:19:37,760 Speaker 3: from the basket gift basket, got it from a gift basket. 444 00:19:37,880 --> 00:19:40,840 Speaker 4: Yeah, And also if he is bringing it from home, 445 00:19:41,640 --> 00:19:42,879 Speaker 4: a papaya's work. 446 00:19:43,800 --> 00:19:45,680 Speaker 3: This is not an apple. You just don't bite into 447 00:19:45,720 --> 00:19:47,439 Speaker 3: a papaya. It's it takes some prep. 448 00:19:47,640 --> 00:19:49,400 Speaker 5: I know it, it doesn't. 449 00:19:49,640 --> 00:19:51,919 Speaker 2: It's yeah, it's a reach to bring a papaya anywhere. 450 00:19:52,000 --> 00:19:52,560 Speaker 2: I'm not really. 451 00:19:52,520 --> 00:19:55,280 Speaker 4: Especially in Philadelphia. There's not a lot of kids in Philadelphia. 452 00:19:55,280 --> 00:19:57,520 Speaker 4: I think walking to school with a full papaya. 453 00:19:57,840 --> 00:19:59,679 Speaker 2: Yeah, I'm not sure. I'm not sure what's happening. 454 00:19:59,720 --> 00:20:01,760 Speaker 3: I think it's the word papaya they like hearing over 455 00:20:01,800 --> 00:20:02,440 Speaker 3: and over again. 456 00:20:02,680 --> 00:20:03,120 Speaker 2: Yeah. 457 00:20:03,240 --> 00:20:05,760 Speaker 1: So Phoene tells Turner that Sean missed his history test 458 00:20:05,800 --> 00:20:07,800 Speaker 1: this morning. Corey tries to cover for him by saying 459 00:20:07,800 --> 00:20:10,520 Speaker 1: Sean has a severe case of and he can't finish 460 00:20:10,520 --> 00:20:13,280 Speaker 1: his sentence and he asks Feoene for help, and Phoene 461 00:20:13,320 --> 00:20:17,359 Speaker 1: just says sloth, and Corey says, yes, Hong Kong sloth. 462 00:20:17,440 --> 00:20:19,479 Speaker 1: But Turner is frustrated and he walks out to go 463 00:20:19,520 --> 00:20:22,919 Speaker 1: find Sean and Phoene says not your best work to Corey. 464 00:20:23,520 --> 00:20:25,959 Speaker 1: Then we are in Turner's apartment. Turner goes back to 465 00:20:25,960 --> 00:20:28,760 Speaker 1: his apartment. He apparently just leaves school in the middle 466 00:20:28,800 --> 00:20:29,280 Speaker 1: of the day. 467 00:20:29,560 --> 00:20:30,240 Speaker 3: Is it the middle? 468 00:20:30,359 --> 00:20:32,320 Speaker 4: So this is I thought the same thing because the 469 00:20:32,640 --> 00:20:34,920 Speaker 4: way they cut it together or wrote it is very odd. 470 00:20:34,960 --> 00:20:37,880 Speaker 4: Because Turner walks out, He's like, yes, okay, I can't 471 00:20:37,880 --> 00:20:39,960 Speaker 4: believe he did that, and then it cuts his apartment. 472 00:20:40,040 --> 00:20:42,680 Speaker 4: So either he waited till the end of the day 473 00:20:42,680 --> 00:20:44,280 Speaker 4: in school's over and he's like, you didn't go to 474 00:20:44,280 --> 00:20:47,680 Speaker 4: school at all today, or he did just bail mid day. 475 00:20:48,480 --> 00:20:50,800 Speaker 2: I think the implication is that he leaves right. 476 00:20:50,640 --> 00:20:52,440 Speaker 3: Then and there, Yeah, he went to go. 477 00:20:52,840 --> 00:20:54,800 Speaker 1: He went to go, so but like Corey was in 478 00:20:54,840 --> 00:20:57,520 Speaker 1: the seat, so was hurry waiting for class. 479 00:20:58,520 --> 00:20:58,879 Speaker 4: I think he. 480 00:20:58,880 --> 00:21:03,000 Speaker 3: Probably taught his class. And then Sarah looks at rather 481 00:21:03,000 --> 00:21:06,320 Speaker 3: than going to the calf, he runs home. Can we 482 00:21:06,359 --> 00:21:09,640 Speaker 3: talk about I believe that Sean is now influencing mister 483 00:21:09,680 --> 00:21:13,560 Speaker 3: Turner's fashion choices because of this lovely vest that I 484 00:21:13,560 --> 00:21:15,600 Speaker 3: don't think Tony has worn a vest yet. 485 00:21:15,840 --> 00:21:19,439 Speaker 2: I don't think so either, so now, and I'm. 486 00:21:19,000 --> 00:21:20,880 Speaker 3: Kind of joking, but I also think that that's something 487 00:21:20,880 --> 00:21:22,080 Speaker 3: that Sarah Markowitz would. 488 00:21:21,880 --> 00:21:24,000 Speaker 2: Is I totally agree with you, Like, now. 489 00:21:23,840 --> 00:21:26,800 Speaker 3: Other characters are going to start to resemble one another, yes, 490 00:21:26,960 --> 00:21:30,000 Speaker 3: and we're depose and closet, and we're just going to 491 00:21:30,040 --> 00:21:32,000 Speaker 3: give Turner a little bit of a nod like he 492 00:21:32,080 --> 00:21:33,960 Speaker 3: and Sean are are similar types. 493 00:21:33,880 --> 00:21:37,080 Speaker 1: Because also the ties are calming down. They're still there, 494 00:21:37,280 --> 00:21:42,199 Speaker 1: but they're not white as mold. Yeah, yeah, so you know, 495 00:21:42,359 --> 00:21:44,199 Speaker 1: I think you're right. I think I think that that 496 00:21:44,240 --> 00:21:46,960 Speaker 1: may have been a Sarah Markowitz thought that, like who 497 00:21:47,119 --> 00:21:49,840 Speaker 1: influences who in this relationship? Right? 498 00:21:49,880 --> 00:21:51,480 Speaker 3: But then when he goes at the apartment, he's wearing 499 00:21:51,480 --> 00:21:55,359 Speaker 3: a leather jacket, right, which is gonna you know, it 500 00:21:55,800 --> 00:21:58,400 Speaker 3: brings up the leather jacket, which shows up again on 501 00:21:58,440 --> 00:22:01,680 Speaker 3: Hardly What is going on? Everyone's got it. 502 00:22:01,920 --> 00:22:04,520 Speaker 1: Turner goes back to his apartment to find Sean sitting 503 00:22:04,520 --> 00:22:06,720 Speaker 1: on the couch ordering Forrest Gump on pay per view. 504 00:22:07,000 --> 00:22:09,480 Speaker 1: Turner says, you missed another day of school. Oh, you 505 00:22:09,480 --> 00:22:11,919 Speaker 1: miss another day of school? You are Forrest Gump. Sean 506 00:22:11,960 --> 00:22:14,840 Speaker 1: says he seems to be doing well for himself, and 507 00:22:14,880 --> 00:22:17,440 Speaker 1: then when Turner tells Sean he missed his history test, 508 00:22:17,480 --> 00:22:20,280 Speaker 1: Sean says, oh, that worked out, which, as I thought, 509 00:22:20,320 --> 00:22:21,919 Speaker 1: was cute. You didn't skip school because you knew there 510 00:22:21,920 --> 00:22:26,000 Speaker 1: was a history tested just conveniently. Turner says he is 511 00:22:26,040 --> 00:22:28,160 Speaker 1: too much going on to try and figure Sean out, 512 00:22:28,200 --> 00:22:30,280 Speaker 1: so he's going to send him to see the guidance 513 00:22:30,320 --> 00:22:34,119 Speaker 1: counselor tomorrow. Sean says his people are celebrating a very 514 00:22:34,160 --> 00:22:37,040 Speaker 1: important holiday tomorrow, and when Turner asks what people he's 515 00:22:37,080 --> 00:22:39,399 Speaker 1: referring to, Sean says, they're staying. 516 00:22:39,119 --> 00:22:40,560 Speaker 5: Home tomorrow to come up with a name. 517 00:22:40,720 --> 00:22:41,239 Speaker 3: Good her name. 518 00:22:42,080 --> 00:22:44,879 Speaker 2: Do you remember this robe, writer, because I remember this roe. 519 00:22:46,359 --> 00:22:47,920 Speaker 3: No, I mean I remember it because I've already worn 520 00:22:48,000 --> 00:22:49,120 Speaker 3: it in a previous episode. 521 00:22:49,240 --> 00:22:51,199 Speaker 1: Yeah, it's the episode when you stumble out of the 522 00:22:51,240 --> 00:22:54,120 Speaker 1: Turner's apartment wearing the robe to school and I remember 523 00:22:54,119 --> 00:22:56,159 Speaker 1: the robe though. I think this robe sticks with you 524 00:22:56,600 --> 00:22:57,600 Speaker 1: for the rest of the show. 525 00:22:57,760 --> 00:22:59,480 Speaker 4: I think it does too, because. 526 00:23:00,920 --> 00:23:04,360 Speaker 2: Sean is it's so great. I want it now. 527 00:23:04,560 --> 00:23:05,439 Speaker 3: It's a great rope. 528 00:23:05,800 --> 00:23:07,760 Speaker 2: So then we're in the school hallway Corey and Sean, 529 00:23:07,760 --> 00:23:11,120 Speaker 2: who is back in your Heart Atlas shirt but now 530 00:23:11,160 --> 00:23:13,520 Speaker 2: also in camo pants and a cool button up. I 531 00:23:13,640 --> 00:23:15,560 Speaker 2: like this fit. It's a little match, but I like it. 532 00:23:15,800 --> 00:23:18,040 Speaker 2: Camera pans are off. Yeah, cameo bans are aful, but 533 00:23:18,040 --> 00:23:18,600 Speaker 2: you pull it off. 534 00:23:18,640 --> 00:23:20,960 Speaker 1: I actually like, if you're gonna wear camo pants, I 535 00:23:21,119 --> 00:23:26,560 Speaker 1: like wearing camo pants with a totally totally weird like 536 00:23:26,600 --> 00:23:28,719 Speaker 1: button up that doesn't go with it. I like, I like, 537 00:23:28,720 --> 00:23:30,720 Speaker 1: at least making it kind of weird and funky like that. 538 00:23:31,600 --> 00:23:34,359 Speaker 1: So they are discussing Corey telling Feenie and Turner he 539 00:23:34,400 --> 00:23:37,639 Speaker 1: had Hong Kong sloth. Sean is disappointed in that. Sean says, no, 540 00:23:37,640 --> 00:23:40,200 Speaker 1: matter what, with this guidance counselor, he will not waste 541 00:23:40,240 --> 00:23:42,560 Speaker 1: an hour of his life listening to a bald headed, 542 00:23:42,560 --> 00:23:45,679 Speaker 1: long winded leisure suit wearing up set up. 543 00:23:47,320 --> 00:23:51,360 Speaker 3: I had no recollection of this recollection of this actress 544 00:23:51,560 --> 00:23:54,600 Speaker 3: of this episode. I actually, once I got to the 545 00:23:54,640 --> 00:23:57,600 Speaker 3: bus station, I was like, oh, right, I remember that 546 00:23:57,600 --> 00:24:00,280 Speaker 3: Sean had tried to run away at one point. I remembered, like, yeah, 547 00:24:00,280 --> 00:24:01,720 Speaker 3: I think that's right, that I ended up at a 548 00:24:01,720 --> 00:24:04,000 Speaker 3: bus station. But no recollection of working with this woman 549 00:24:04,040 --> 00:24:09,000 Speaker 3: who's lovely and this whole county. Sure, but I don't don't. Yeah, 550 00:24:09,040 --> 00:24:12,560 Speaker 3: So this feels Yeah, this episode felt rushed to me 551 00:24:12,640 --> 00:24:13,200 Speaker 3: for some reason. 552 00:24:13,520 --> 00:24:15,040 Speaker 2: Well, because there's so many things going on. 553 00:24:15,440 --> 00:24:18,040 Speaker 3: Yeahah yeah, so uh. 554 00:24:18,119 --> 00:24:21,600 Speaker 1: Then Devin Collins, the beautiful new guidance counselor who looks 555 00:24:21,640 --> 00:24:24,399 Speaker 1: nothing like what Shawn described, walks over, excited to have 556 00:24:24,440 --> 00:24:25,399 Speaker 1: her name on a door. 557 00:24:25,720 --> 00:24:29,320 Speaker 2: Guess what her office is? The bathroom slash feene office 558 00:24:29,400 --> 00:24:32,240 Speaker 2: rotating door. We have yet another thing for this door 559 00:24:32,280 --> 00:24:32,480 Speaker 2: to be. 560 00:24:33,080 --> 00:24:38,440 Speaker 4: Actually, it's not what And later in the episode they 561 00:24:38,520 --> 00:24:38,959 Speaker 4: prove it. 562 00:24:39,240 --> 00:24:42,439 Speaker 2: Oh because they go out of a different hallway. Well 563 00:24:42,760 --> 00:24:44,760 Speaker 2: kind of, no, they aren't. They're in the same hallway. 564 00:24:44,960 --> 00:24:45,920 Speaker 3: They're in the same hallway. 565 00:24:46,280 --> 00:24:48,560 Speaker 4: But I can now the way they set it up, 566 00:24:48,680 --> 00:24:52,120 Speaker 4: they definitely make it so that this is a different floor. 567 00:24:52,720 --> 00:24:53,120 Speaker 5: Wow. 568 00:24:53,880 --> 00:24:56,480 Speaker 4: Really yes, and we can talk about it now. We 569 00:24:56,480 --> 00:24:58,040 Speaker 4: can talk about it then, because it was a big thing. 570 00:24:58,080 --> 00:24:59,800 Speaker 4: I was like, oh, they just solved it right there. 571 00:25:00,119 --> 00:25:02,800 Speaker 1: Okay, good, let's see. Let's let's wait till we get 572 00:25:02,800 --> 00:25:04,720 Speaker 1: there and then you can explain to us how this is. 573 00:25:04,720 --> 00:25:05,520 Speaker 2: Actually a tower. 574 00:25:05,800 --> 00:25:06,639 Speaker 3: Yep, okay. 575 00:25:08,359 --> 00:25:11,400 Speaker 1: So Corey and Sean are shocked. She's the new guidance counselor. 576 00:25:11,440 --> 00:25:14,520 Speaker 1: Sean introduces himself and says, guide me. She looks like 577 00:25:14,600 --> 00:25:17,360 Speaker 1: she's Eric's age. By the way, It's like, I love 578 00:25:17,440 --> 00:25:21,480 Speaker 1: how mister Williams wasn't quite young enough. We're just gonna 579 00:25:21,520 --> 00:25:24,199 Speaker 1: bring in yet another young teacher until eventually we have 580 00:25:24,280 --> 00:25:26,600 Speaker 1: boss baby in here and that. 581 00:25:27,080 --> 00:25:31,760 Speaker 3: Becomes exactly This was clearly a note that they're still 582 00:25:31,800 --> 00:25:34,840 Speaker 3: responding to of like making more twenty something friendly, give 583 00:25:35,119 --> 00:25:38,399 Speaker 3: meets world that like friends style edge because she's she 584 00:25:38,480 --> 00:25:40,560 Speaker 3: never came back though, did she know? I think so? 585 00:25:40,720 --> 00:25:43,680 Speaker 3: But they're clearly testing out the waters of like because 586 00:25:43,680 --> 00:25:45,200 Speaker 3: I mean it's true we don't have I mean, and 587 00:25:45,320 --> 00:25:47,520 Speaker 3: now that miss Tompkins has gone from season two, we 588 00:25:47,600 --> 00:25:50,760 Speaker 3: don't have a female teacher presence, like you know, we 589 00:25:51,080 --> 00:25:54,960 Speaker 3: like we've got Feenie, mister Williams, mister Turner, and I 590 00:25:55,000 --> 00:25:57,560 Speaker 3: think that they were probably like, oh, we should probably 591 00:25:57,560 --> 00:25:59,680 Speaker 3: have a female you know, teacher. They put her in 592 00:25:59,720 --> 00:26:01,720 Speaker 3: the here, and I don't think it quite you. 593 00:26:01,680 --> 00:26:04,600 Speaker 4: Know, Betsy, Betsy's normally the only woman on the show, 594 00:26:04,640 --> 00:26:06,560 Speaker 4: and then occasionally they bring Daniell in. I mean, that 595 00:26:06,680 --> 00:26:08,920 Speaker 4: was like, that's what the first season or two were about. 596 00:26:09,320 --> 00:26:11,960 Speaker 4: So yeah, they need more women. So yeah, well. 597 00:26:11,880 --> 00:26:14,760 Speaker 1: Eric gives Griff, who looks much older. I thought Adam, 598 00:26:14,760 --> 00:26:15,240 Speaker 1: he's got. 599 00:26:16,680 --> 00:26:19,200 Speaker 3: Y. Yeah, it happens, but it. 600 00:26:19,119 --> 00:26:21,160 Speaker 4: Was it was Yeah, he looked now started to look 601 00:26:21,240 --> 00:26:22,280 Speaker 4: like he was in his mid twenties. 602 00:26:22,320 --> 00:26:24,760 Speaker 1: Always yea, he looked a little older, and Frankie money 603 00:26:24,760 --> 00:26:27,639 Speaker 1: for Feeney's stationary to write his own recommendation letter on. 604 00:26:27,960 --> 00:26:30,840 Speaker 1: Frankie keeps asking griff and if he can pat Eric down. 605 00:26:31,320 --> 00:26:34,440 Speaker 1: Eric asks how they got the stationary and Frankie say says, 606 00:26:34,560 --> 00:26:37,560 Speaker 1: let's just say it fell off a truck. Eric then 607 00:26:37,640 --> 00:26:41,680 Speaker 1: asks for a foene envelope and Frankie Frankie slyly looks 608 00:26:41,720 --> 00:26:43,159 Speaker 1: at a mini notebook. 609 00:26:42,800 --> 00:26:45,640 Speaker 5: And says Tuesday, Tuesday, Tuesday. 610 00:26:46,560 --> 00:26:49,040 Speaker 1: Joey appears and acts startled to see Griff, who says 611 00:26:49,040 --> 00:26:51,760 Speaker 1: that whenever he sees Joey he thinks of small doses. 612 00:26:53,200 --> 00:26:55,480 Speaker 1: Joey runs over to tell Frankie he was surfing the 613 00:26:55,480 --> 00:26:58,120 Speaker 1: internet verbally pounding on people when he got a message 614 00:26:58,119 --> 00:27:00,679 Speaker 1: from Harley on the net. He's known Carl Kind and 615 00:27:00,680 --> 00:27:02,960 Speaker 1: he told Joey he's getting out of reform school. He 616 00:27:03,040 --> 00:27:04,080 Speaker 1: thinks he's graduating. 617 00:27:04,480 --> 00:27:07,840 Speaker 4: Joe question, Yeah, is this the first ever boy meets 618 00:27:07,880 --> 00:27:09,080 Speaker 4: world internet joke? 619 00:27:09,280 --> 00:27:12,040 Speaker 2: I think it is, and Joe five. 620 00:27:12,280 --> 00:27:14,679 Speaker 4: Yeah, so it's nineteen ninety five. This is like, I 621 00:27:14,720 --> 00:27:17,160 Speaker 4: think the first Internet joke for us. 622 00:27:17,359 --> 00:27:21,160 Speaker 3: Yeah, really is? I mean I can't remember another one. Yeah, 623 00:27:21,520 --> 00:27:23,560 Speaker 3: I guess so. And he's talked about it Internet for 624 00:27:23,680 --> 00:27:26,080 Speaker 3: handling that was that was just on a computer. 625 00:27:26,160 --> 00:27:28,200 Speaker 2: It was just on the computer. Yeah, it's just the newspaper. 626 00:27:28,600 --> 00:27:31,159 Speaker 3: Yeah. So I never made a residence like email or 627 00:27:31,480 --> 00:27:33,320 Speaker 3: I don't think so. I think this is it. This 628 00:27:33,440 --> 00:27:36,520 Speaker 3: is the Did you guys have an email addresses by then? 629 00:27:36,600 --> 00:27:38,360 Speaker 2: I don't think in ninety five I did. I think 630 00:27:38,359 --> 00:27:39,040 Speaker 2: it wasn't. 631 00:27:39,160 --> 00:27:40,240 Speaker 5: Well, maybe I did. 632 00:27:40,320 --> 00:27:43,960 Speaker 3: I might have. Still I had remember that this was 633 00:27:44,000 --> 00:27:46,719 Speaker 3: like the era of like there was the World Wide Web, 634 00:27:47,040 --> 00:27:49,240 Speaker 3: but then there were like the Internet services that you 635 00:27:49,280 --> 00:27:52,560 Speaker 3: would pay for like Prodigy aol oh yeah, and then 636 00:27:52,600 --> 00:27:56,359 Speaker 3: I my family had Genie, which was like General Electrics 637 00:27:56,760 --> 00:27:59,120 Speaker 3: messageboard or whatever, right, And so there would be those 638 00:27:59,119 --> 00:28:04,159 Speaker 3: subcommunities like chatrooms and message boards on those servers, and 639 00:28:04,200 --> 00:28:06,880 Speaker 3: then like maybe you could send emails to like other 640 00:28:06,960 --> 00:28:09,040 Speaker 3: people who were in other services, but it would you 641 00:28:09,040 --> 00:28:12,080 Speaker 3: would have to like write certain codes on the top 642 00:28:12,119 --> 00:28:13,760 Speaker 3: of your email in order for it to go from 643 00:28:13,760 --> 00:28:15,920 Speaker 3: one server to another. It was like a big deal. Yeah. 644 00:28:15,960 --> 00:28:18,040 Speaker 1: I mean I was a part of Celebrity Sightings at 645 00:28:18,040 --> 00:28:22,320 Speaker 1: the time, and so we had email addresses through that as. 646 00:28:22,080 --> 00:28:23,240 Speaker 3: Celebrity side Celebrity. 647 00:28:23,240 --> 00:28:27,320 Speaker 1: Celebrity Sidings was like truly it was way before its time, 648 00:28:27,440 --> 00:28:33,800 Speaker 1: but it was a celebrity based website where nineties kid stars. 649 00:28:33,880 --> 00:28:35,760 Speaker 1: So Candice Cameron was a part of it. I was 650 00:28:35,800 --> 00:28:37,320 Speaker 1: a part of it. Jody was a part of it. 651 00:28:37,640 --> 00:28:39,760 Speaker 1: Tian Tamara were part of it. Jonathan Taylor Thomas was 652 00:28:39,800 --> 00:28:43,480 Speaker 1: a part of it. Where you are, there's chat rooms 653 00:28:43,680 --> 00:28:46,960 Speaker 1: and we were all assigned chat room names that had 654 00:28:47,040 --> 00:28:49,280 Speaker 1: the equivalent of a blue check mark next to them, 655 00:28:49,920 --> 00:28:52,960 Speaker 1: and then people paid to be a part of that 656 00:28:53,120 --> 00:28:56,280 Speaker 1: service where we had like office hours where we would 657 00:28:56,280 --> 00:28:57,520 Speaker 1: go in and chat with. 658 00:28:57,400 --> 00:29:01,040 Speaker 2: People and based on facing access fan access. 659 00:29:01,520 --> 00:29:04,640 Speaker 1: Yeah, it was like the very girl, I don't even 660 00:29:04,680 --> 00:29:07,080 Speaker 1: remember it doesn't I don't feel like I did. 661 00:29:07,400 --> 00:29:09,520 Speaker 3: I don't feel like I did like nowadays. Yeah, but 662 00:29:09,560 --> 00:29:11,360 Speaker 3: back then, it was the idea that would just be 663 00:29:11,400 --> 00:29:12,640 Speaker 3: good publicity. 664 00:29:12,120 --> 00:29:14,960 Speaker 1: For you, for you, and then they did dup like 665 00:29:15,040 --> 00:29:17,240 Speaker 1: promotional stuff for you. They paid for your photo shoots 666 00:29:17,240 --> 00:29:19,280 Speaker 1: and so you got like, I'm pretty sure they had 667 00:29:19,320 --> 00:29:21,400 Speaker 1: something to do with my calendar that I did, and 668 00:29:21,480 --> 00:29:23,239 Speaker 1: like you know, they there was there was that kind 669 00:29:23,280 --> 00:29:26,040 Speaker 1: of stuff, but I was it was way before its time. 670 00:29:26,080 --> 00:29:28,240 Speaker 1: But I was a part of celebrity sightings and I 671 00:29:28,240 --> 00:29:32,600 Speaker 1: talked about it and like interviews and there are truth. 672 00:29:33,080 --> 00:29:37,240 Speaker 1: This is so crazy. I still talk to somebody I 673 00:29:37,320 --> 00:29:41,160 Speaker 1: met on series. Yes, really he wasn't. 674 00:29:41,200 --> 00:29:41,960 Speaker 5: He was a troll. 675 00:29:42,480 --> 00:29:44,720 Speaker 2: His name, his username was herk Jason. 676 00:29:45,320 --> 00:29:48,360 Speaker 1: He's gonna die when hears me talking about him, and 677 00:29:48,440 --> 00:29:50,440 Speaker 1: he was kind of like he was trying to dox 678 00:29:50,520 --> 00:29:52,960 Speaker 1: me back in the day. Back he was like able. 679 00:29:53,040 --> 00:29:54,560 Speaker 1: He was like, I know, I'm going to find out 680 00:29:54,600 --> 00:29:57,520 Speaker 1: your address. And my mom ended up my mom was 681 00:29:57,520 --> 00:29:59,160 Speaker 1: a part of it too, and she had a user 682 00:29:59,240 --> 00:30:01,040 Speaker 1: name where everyone knew it was really my mom, and 683 00:30:01,080 --> 00:30:03,240 Speaker 1: my mom ended up starting this conversation with him that 684 00:30:03,320 --> 00:30:05,600 Speaker 1: was like, why are you doing this? This is actually 685 00:30:05,680 --> 00:30:08,240 Speaker 1: a dangerous thing and if you're looking for attention, this 686 00:30:08,360 --> 00:30:10,760 Speaker 1: isn't the way to get attention. And he ended up 687 00:30:10,800 --> 00:30:14,480 Speaker 1: basically feeling very bad and apologizing And still to this day, 688 00:30:14,520 --> 00:30:17,320 Speaker 1: we are in communication with Jason and I had him 689 00:30:17,360 --> 00:30:19,440 Speaker 1: in real life. No, I've never I've never met him 690 00:30:19,440 --> 00:30:22,360 Speaker 1: face to face but I've we've seen pictures of each other, 691 00:30:22,360 --> 00:30:24,760 Speaker 1: obviously seen pictures of me. He's uh, I've seen pictures 692 00:30:24,800 --> 00:30:26,560 Speaker 1: of him on the internet, and he sends pictures of 693 00:30:26,600 --> 00:30:28,360 Speaker 1: his family to my mom. He's actually closer with my 694 00:30:28,400 --> 00:30:33,040 Speaker 1: mom than he is with me. And yeah, it's so anyway, 695 00:30:33,080 --> 00:30:33,840 Speaker 1: pretty I. 696 00:30:33,800 --> 00:30:37,320 Speaker 3: Have never in my life been in a chat room. 697 00:30:37,920 --> 00:30:41,880 Speaker 4: Wow, not one single time have I seen land experience 698 00:30:41,880 --> 00:30:42,440 Speaker 4: back then. 699 00:30:42,360 --> 00:30:44,320 Speaker 3: So I used to go on to movie chat rooms 700 00:30:44,440 --> 00:30:46,280 Speaker 3: all the time. Back then that was like that, this 701 00:30:46,440 --> 00:30:49,160 Speaker 3: was like sounds going. I'd go on to like you know, 702 00:30:49,440 --> 00:30:52,240 Speaker 3: and I remember getting into like big debates about like 703 00:30:52,320 --> 00:30:55,080 Speaker 3: what movies were getting nominated for Academy Award and and 704 00:30:55,080 --> 00:30:58,840 Speaker 3: then somebody realizing that I was only thirteen fourteen, and 705 00:30:59,040 --> 00:31:01,160 Speaker 3: you were just like discounting, condescending and being you know, 706 00:31:01,160 --> 00:31:03,040 Speaker 3: because it was probably some forty year old dude that 707 00:31:03,080 --> 00:31:05,000 Speaker 3: I was debating with and he was like, wait, your 708 00:31:05,040 --> 00:31:07,880 Speaker 3: opinion doesn't count. I remember being so angry. That's probably 709 00:31:07,880 --> 00:31:09,840 Speaker 3: the last time I was in a chat room because 710 00:31:09,840 --> 00:31:11,960 Speaker 3: I remember just being like, this doesn't make any sense. 711 00:31:12,040 --> 00:31:13,240 Speaker 3: And then and then. 712 00:31:13,520 --> 00:31:17,200 Speaker 2: I used to do aol oh yeah, a messenger, Remember 713 00:31:17,200 --> 00:31:17,720 Speaker 2: you were away? 714 00:31:18,040 --> 00:31:19,840 Speaker 1: Oh my gosh, I was so into aim. You had 715 00:31:20,040 --> 00:31:22,000 Speaker 1: away message BRB and. 716 00:31:22,200 --> 00:31:25,560 Speaker 3: Wown't know any of where people would post things about, 717 00:31:25,560 --> 00:31:28,360 Speaker 3: like you know, your communities, community boards like message boards, 718 00:31:28,440 --> 00:31:31,560 Speaker 3: and then I would do interviews or like ask basically 719 00:31:31,560 --> 00:31:35,320 Speaker 3: the equivalent of like ask me anythings on AOL, Like 720 00:31:35,360 --> 00:31:37,120 Speaker 3: they would schedule a thing and I would go on 721 00:31:37,280 --> 00:31:40,560 Speaker 3: and fans would log in. Yeah, which is totally a 722 00:31:40,560 --> 00:31:43,280 Speaker 3: reddit asked me anything. But back in the day, but yeah, 723 00:31:43,280 --> 00:31:45,240 Speaker 3: well will you never had computers at all, Like I 724 00:31:45,280 --> 00:31:47,120 Speaker 3: had a laptop, do you guys? Remember I had a laptop. 725 00:31:47,200 --> 00:31:50,440 Speaker 4: You had Remember you were like your laptop thousands more 726 00:31:50,520 --> 00:31:52,880 Speaker 4: than that seven I thought. 727 00:31:52,920 --> 00:31:55,040 Speaker 3: I thought you spent seven grand on your lab. On 728 00:31:55,120 --> 00:31:58,240 Speaker 3: your lab, it was an IBM think Pad, which was 729 00:31:58,280 --> 00:32:02,440 Speaker 3: like a revolutionary Apple revolutionary computer at the time because 730 00:32:02,440 --> 00:32:04,920 Speaker 3: it was just the most powerful laptop you could get 731 00:32:04,960 --> 00:32:07,960 Speaker 3: in nineteen ninety four, I guess. And it had this 732 00:32:08,040 --> 00:32:10,240 Speaker 3: like mouse. The whole the revolution was that had this 733 00:32:10,280 --> 00:32:14,360 Speaker 3: little like eracer tip mouse in the middle of the yesive, 734 00:32:14,440 --> 00:32:17,800 Speaker 3: oh my god, you introduced me to Wolfenstein, and you 735 00:32:17,960 --> 00:32:22,960 Speaker 3: introduced me to Civilization. Civilization three the greatest I remember that. Yes, 736 00:32:23,080 --> 00:32:26,280 Speaker 3: those were five dollars computer. 737 00:32:26,560 --> 00:32:29,520 Speaker 1: Well, we learned from Adam Scott that he used to 738 00:32:29,520 --> 00:32:32,080 Speaker 1: go visit all of the chatrooms that talked about him, 739 00:32:32,160 --> 00:32:36,720 Speaker 1: so yes, those were those were good times, guys, good time. 740 00:32:46,800 --> 00:32:49,160 Speaker 1: So Joey says he's sneaking out in a shipment of 741 00:32:49,200 --> 00:32:51,360 Speaker 1: laundry next week, and he is worried, but Frankie says 742 00:32:51,400 --> 00:32:53,160 Speaker 1: Griff and Harley are going to meet, and then they will, 743 00:32:53,360 --> 00:32:56,320 Speaker 1: and then he eventually realizes though, this is actually going 744 00:32:56,360 --> 00:32:58,280 Speaker 1: to be bad and there will probably be an issue 745 00:32:58,280 --> 00:33:00,760 Speaker 1: between Harley and Griff. And then we're in the guidance 746 00:33:00,800 --> 00:33:03,560 Speaker 1: counselor's office and Miss Collins asks Sean about what his 747 00:33:03,680 --> 00:33:06,360 Speaker 1: previous guidance counselor had said, but Sean says this is 748 00:33:06,360 --> 00:33:09,200 Speaker 1: his first time. Miss Collins says, really mine too, and 749 00:33:09,240 --> 00:33:11,680 Speaker 1: then realizes she probably shouldn't have said that out loud. 750 00:33:12,200 --> 00:33:14,960 Speaker 1: Miss Collins opens Shawn's file and says wow. But Sean 751 00:33:15,000 --> 00:33:16,880 Speaker 1: says he'll savor the time and they can skip to 752 00:33:16,880 --> 00:33:19,080 Speaker 1: the part where she tells him education is the key 753 00:33:19,080 --> 00:33:22,000 Speaker 1: to a happy and successful life. She asks if that's 754 00:33:22,040 --> 00:33:23,959 Speaker 1: what she's supposed to say, and Sean says, well, that's 755 00:33:24,000 --> 00:33:26,479 Speaker 1: what everyone else says, but Miss Collins says that growing up, 756 00:33:26,520 --> 00:33:29,320 Speaker 1: her parents always talked about the three m's, money. 757 00:33:29,000 --> 00:33:30,000 Speaker 2: Marriage, and mortgage. 758 00:33:30,440 --> 00:33:33,840 Speaker 1: Sean says his dad always talked about the three babes, Babes, 759 00:33:34,000 --> 00:33:37,600 Speaker 1: Bucks and Bruce Keys Babe. 760 00:33:37,760 --> 00:33:41,640 Speaker 4: It was always so fun to do an impression of Blake. 761 00:33:41,680 --> 00:33:43,800 Speaker 4: We would always do that. Hey like all that. 762 00:33:43,800 --> 00:33:44,320 Speaker 3: That was great. 763 00:33:45,520 --> 00:33:46,080 Speaker 2: Sean says. 764 00:33:46,160 --> 00:33:48,400 Speaker 1: Chet was the philosopher of the trailer park and would 765 00:33:48,400 --> 00:33:51,400 Speaker 1: always say one man's septic tank is another man's oasis, 766 00:33:51,440 --> 00:33:54,160 Speaker 1: but he never understood what that meant. Miss Collins tries 767 00:33:54,200 --> 00:33:56,120 Speaker 1: to take a guess and says, maybe Chet was trying 768 00:33:56,160 --> 00:33:58,920 Speaker 1: to say what's good for one person doesn't hold for everyone. 769 00:33:59,240 --> 00:34:01,200 Speaker 1: Sean says he all always knew high school wasn't for 770 00:34:01,240 --> 00:34:03,920 Speaker 1: everyone because not everyone will end up in college, and 771 00:34:03,960 --> 00:34:06,200 Speaker 1: Miss Collins says she felt the same way and hated 772 00:34:06,240 --> 00:34:08,040 Speaker 1: the idea of college, so she took a year and 773 00:34:08,120 --> 00:34:10,759 Speaker 1: traveled around Europe. She did end up in college, but 774 00:34:10,800 --> 00:34:14,080 Speaker 1: she needed to learn about herself first. And then she 775 00:34:14,160 --> 00:34:15,840 Speaker 1: sits on the desk in front of him like a 776 00:34:15,880 --> 00:34:16,480 Speaker 1: real weirdo. 777 00:34:16,960 --> 00:34:20,520 Speaker 3: I don't disagree. It was so the whole thing was 778 00:34:20,880 --> 00:34:25,120 Speaker 3: vaguely sexual, it's not vaguely it's like we're flirting. I mean, 779 00:34:25,640 --> 00:34:29,239 Speaker 3: I think that's the point of this storyline, or the 780 00:34:29,239 --> 00:34:32,120 Speaker 3: intention of the storyline, is that she is young and 781 00:34:32,160 --> 00:34:36,560 Speaker 3: inexperienced and doesn't realize that she the power essentially or 782 00:34:36,600 --> 00:34:41,200 Speaker 3: for stepping her bounds. Yeah, you know, but I kind 783 00:34:41,200 --> 00:34:45,520 Speaker 3: of wish it went there more fully. Like the storyline 784 00:34:45,520 --> 00:34:49,319 Speaker 3: that we did where the tutor flirted with you will 785 00:34:50,800 --> 00:34:52,880 Speaker 3: that made it like a real It kind of was 786 00:34:52,960 --> 00:34:55,520 Speaker 3: the same storyline, right, it was like she was overstepping 787 00:34:55,520 --> 00:34:58,000 Speaker 3: her bounds because she was attracted to you, and and 788 00:34:58,080 --> 00:35:00,279 Speaker 3: like this is kind of the same thing, but it 789 00:35:00,280 --> 00:35:03,120 Speaker 3: doesn't quite go there enough to me, Like she doesn't 790 00:35:03,160 --> 00:35:06,440 Speaker 3: she doesn't ever realize like, oh, I shouldn't have Like 791 00:35:06,640 --> 00:35:08,319 Speaker 3: it becomes this whole thing like, oh, she shouldn't have 792 00:35:08,320 --> 00:35:10,080 Speaker 3: said the thing about Europe. But the reality is she 793 00:35:10,080 --> 00:35:13,080 Speaker 3: shouldn't have probably like admitted that she was her first time, 794 00:35:13,440 --> 00:35:16,120 Speaker 3: and she shouldn't have kind of flirted with Sean. Did 795 00:35:16,160 --> 00:35:17,800 Speaker 3: you think that she was flirting? 796 00:35:17,960 --> 00:35:21,320 Speaker 2: No, it's not clear enough flirting exactly. 797 00:35:21,440 --> 00:35:24,399 Speaker 1: I don't think the writers intended for this to have 798 00:35:24,560 --> 00:35:27,000 Speaker 1: a sexual current, but it does. 799 00:35:27,960 --> 00:35:29,920 Speaker 2: And I feel like writer you're you're right. 800 00:35:30,000 --> 00:35:32,879 Speaker 1: It should have been more on either side, whether they 801 00:35:32,880 --> 00:35:35,360 Speaker 1: wanted it to be more sexual than they could have 802 00:35:35,360 --> 00:35:37,239 Speaker 1: pushed it that way, or if they really did not 803 00:35:37,360 --> 00:35:39,080 Speaker 1: want it to be. It should have been more like 804 00:35:39,840 --> 00:35:42,600 Speaker 1: if she kind of preoccupies herself with something else and 805 00:35:42,640 --> 00:35:44,279 Speaker 1: goes off on a tangent about her own life and 806 00:35:44,280 --> 00:35:45,719 Speaker 1: then goes sarry, but this isn't about me, this is 807 00:35:45,760 --> 00:35:48,439 Speaker 1: about you, and she doesn't realize that by talking about 808 00:35:48,480 --> 00:35:51,239 Speaker 1: her own experience, she's made Sean think maybe that's the 809 00:35:51,280 --> 00:35:52,239 Speaker 1: experience I need. 810 00:35:52,320 --> 00:35:54,160 Speaker 6: It should have been a little bit more clear. I 811 00:35:54,160 --> 00:35:57,440 Speaker 6: think the idea is that she's too inexperiencing young, so 812 00:35:58,080 --> 00:36:01,399 Speaker 6: she makes a mistake and and as more like on 813 00:36:01,440 --> 00:36:05,160 Speaker 6: Shawn's level than on Turners or you know, like horror penies. 814 00:36:05,480 --> 00:36:07,600 Speaker 6: And I think that that's a cool storyline. It just 815 00:36:07,680 --> 00:36:10,520 Speaker 6: needed a little bit more development, like yeah, she you know, 816 00:36:10,600 --> 00:36:13,120 Speaker 6: she like Actually what should have happened is that Sean 817 00:36:13,480 --> 00:36:16,120 Speaker 6: interprets it as flirting even though it's not, you know, 818 00:36:16,160 --> 00:36:18,560 Speaker 6: like she doesn't need and he reads it because he does. 819 00:36:18,600 --> 00:36:20,600 Speaker 3: In the beginning, he's like, oh, she's she's hot, Like 820 00:36:20,760 --> 00:36:23,319 Speaker 3: we established it, like she's attracted to her, and then 821 00:36:23,360 --> 00:36:26,279 Speaker 3: in this scene she's kind of you know, and yet 822 00:36:26,280 --> 00:36:29,120 Speaker 3: Seawan doesn't react like Seawn isn't really like, oh, the 823 00:36:29,280 --> 00:36:32,640 Speaker 3: Austin guidance counselor told me to go show us to 824 00:36:32,680 --> 00:36:33,120 Speaker 3: be there. 825 00:36:33,280 --> 00:36:35,480 Speaker 4: I don't either, And this is it shows the power 826 00:36:35,600 --> 00:36:39,719 Speaker 4: of blocking because she gets it changed. She gets up 827 00:36:39,719 --> 00:36:41,759 Speaker 4: from behind the desk and sits in front of him 828 00:36:41,800 --> 00:36:46,000 Speaker 4: and crosses her legs and it changes totally. Just keep 829 00:36:46,040 --> 00:36:49,319 Speaker 4: her behind the desk and it's a whole different scene. Yes, 830 00:36:49,480 --> 00:36:51,759 Speaker 4: keep It has the power of blocking, it really is. 831 00:36:51,880 --> 00:36:54,560 Speaker 3: But that's all intentional, man, I mean that, Like, clearly 832 00:36:54,600 --> 00:36:57,480 Speaker 3: they watched run throughs where this happened, and when that's 833 00:36:57,520 --> 00:36:59,600 Speaker 3: the ride we want, we want her to be like 834 00:36:59,640 --> 00:37:02,759 Speaker 3: basic overstepping bounds. But then to not reference it within 835 00:37:02,760 --> 00:37:05,719 Speaker 3: the writing or the actual storyline, to me is a 836 00:37:05,800 --> 00:37:09,000 Speaker 3: huge mistake because it just ends up being this ambiguously 837 00:37:09,600 --> 00:37:14,480 Speaker 3: weird moment that it's not the last. This entire show ends. 838 00:37:14,320 --> 00:37:17,000 Speaker 4: On a really weird moment with her, which Will agreed 839 00:37:17,080 --> 00:37:18,799 Speaker 4: we will talk about that as well, I know. 840 00:37:19,560 --> 00:37:22,000 Speaker 1: So then we're in the school hallway, mister Williams asks 841 00:37:22,000 --> 00:37:24,359 Speaker 1: Foene for a favor. He wants Phoene's help for a 842 00:37:24,360 --> 00:37:27,960 Speaker 1: practice public service announcement in his TV production class. Phoenie 843 00:37:28,000 --> 00:37:30,239 Speaker 1: says he's busy, but Eli boughters him up by saying 844 00:37:30,239 --> 00:37:32,880 Speaker 1: the students think he would make the perfect narrator. Phoene 845 00:37:32,880 --> 00:37:35,200 Speaker 1: rethinks his answer and says he doesn't want to disappoint 846 00:37:35,200 --> 00:37:38,160 Speaker 1: the students. Eli hands him the script and Phoenie rolls 847 00:37:38,160 --> 00:37:40,160 Speaker 1: his eyes and asks if Eli is married to any 848 00:37:40,200 --> 00:37:42,160 Speaker 1: of this, before pulling out a pen to make changes 849 00:37:42,160 --> 00:37:44,280 Speaker 1: to the script, which I think is a very funny 850 00:37:44,280 --> 00:37:44,960 Speaker 1: Fioene thing to do. 851 00:37:45,360 --> 00:37:49,040 Speaker 3: Every tiny little choice Bill makes. 852 00:37:48,840 --> 00:37:53,279 Speaker 4: I know, son, it's so good, and he whatever you 853 00:37:53,400 --> 00:37:55,279 Speaker 4: give him, he's awesome at it. 854 00:37:55,320 --> 00:37:59,440 Speaker 3: And you just he's on such another level than everybody 855 00:37:59,440 --> 00:38:02,960 Speaker 3: else that you're watching, just these little things that he's doing, 856 00:38:02,960 --> 00:38:05,040 Speaker 3: when you're like, well, that was perfect, well, that was perfect. 857 00:38:05,080 --> 00:38:05,800 Speaker 3: Well that happens. 858 00:38:06,040 --> 00:38:09,520 Speaker 1: Is also such a great partner for him, because Alex's 859 00:38:09,520 --> 00:38:12,880 Speaker 1: confidence up against him is so wonderful. 860 00:38:13,040 --> 00:38:15,359 Speaker 4: It's great, and the two of them together are are 861 00:38:15,520 --> 00:38:17,160 Speaker 4: really awesome on tape. 862 00:38:17,200 --> 00:38:20,359 Speaker 3: But man Bill's choices are just perfect perfect. 863 00:38:20,760 --> 00:38:23,080 Speaker 1: So Joey and Frankie are trying to plan Harley's return 864 00:38:23,120 --> 00:38:25,400 Speaker 1: and then Harley shows up behind them. A week early, 865 00:38:25,800 --> 00:38:29,880 Speaker 1: Harley and his lackeys are together again and Danny looks great. 866 00:38:30,360 --> 00:38:32,919 Speaker 1: He does it was nice to see you see him again. 867 00:38:33,280 --> 00:38:34,239 Speaker 1: He didn't skip a beat. 868 00:38:34,280 --> 00:38:37,040 Speaker 4: He looks great, commanded the scene once again, wearing my 869 00:38:37,400 --> 00:38:38,040 Speaker 4: leather jacket. 870 00:38:38,640 --> 00:38:41,720 Speaker 3: Wear your wearing my leather jacket. 871 00:38:41,840 --> 00:38:42,040 Speaker 4: Yes. 872 00:38:43,400 --> 00:38:46,479 Speaker 1: Corey comes out of class gossiping with other students, saying 873 00:38:46,480 --> 00:38:48,400 Speaker 1: Harley coming back as a rumor and there is a 874 00:38:48,440 --> 00:38:51,320 Speaker 1: better chance of Corey running into the loch Ness Monster. 875 00:38:52,239 --> 00:38:53,880 Speaker 3: You glad you said. I have an underline. 876 00:38:53,920 --> 00:38:57,719 Speaker 4: It wasn't the best monster, it was the mess monster. 877 00:38:59,040 --> 00:39:01,120 Speaker 3: My note was Ben is in the show. 878 00:39:01,400 --> 00:39:04,320 Speaker 2: Oh there's a boy named Ben Savage on this show. 879 00:39:05,680 --> 00:39:06,319 Speaker 3: Lock ns. 880 00:39:06,719 --> 00:39:08,799 Speaker 4: So this time they're doing it differently though, where the 881 00:39:08,840 --> 00:39:10,319 Speaker 4: person is behind him and. 882 00:39:10,280 --> 00:39:12,480 Speaker 2: He doesn't he backs up exactly. 883 00:39:12,480 --> 00:39:16,280 Speaker 4: It's a new thing they're doing into him, Yes, comedy. 884 00:39:16,560 --> 00:39:18,400 Speaker 1: Yeah, it's a whole new thing where he doesn't know 885 00:39:18,520 --> 00:39:20,799 Speaker 1: he's there, and he's talking bad about him and he 886 00:39:20,880 --> 00:39:24,359 Speaker 1: calls him a grease ball. Then Harley grabs him by 887 00:39:24,360 --> 00:39:27,759 Speaker 1: the neck, shocking to shocking to Corey that Harley is 888 00:39:27,800 --> 00:39:31,600 Speaker 1: really there. Harley smirks and asks babboon if he got 889 00:39:31,640 --> 00:39:34,440 Speaker 1: the threatening letters he sent, and I when he said baboon, 890 00:39:34,560 --> 00:39:36,000 Speaker 1: I got all warm and fuzzy inside. 891 00:39:36,160 --> 00:39:40,160 Speaker 4: Yeah, Ben's Ben's reading of his line too is pretty hysterical. 892 00:39:40,200 --> 00:39:45,160 Speaker 1: And now I'm in scott exactly so funny. Corey thanks 893 00:39:45,200 --> 00:39:48,040 Speaker 1: him for the letters, apologizes for not responding, hands Harley 894 00:39:48,040 --> 00:39:51,480 Speaker 1: his wallet and he leaves, and then Joey's pager is beeping. 895 00:39:51,560 --> 00:39:53,600 Speaker 1: He pretends not to hear it, and Frankie says Griff 896 00:39:53,640 --> 00:39:56,400 Speaker 1: is paging them. When Harley asks who Griff is, Joey 897 00:39:56,400 --> 00:39:59,160 Speaker 1: plays dumb, but Harley insists on knowing who Griff is. 898 00:39:59,440 --> 00:40:01,760 Speaker 1: Joey explain he's a leader. They met on the rebound 899 00:40:01,800 --> 00:40:05,840 Speaker 1: and it's nothing serious. Frankie says he should meet Griff, 900 00:40:05,880 --> 00:40:08,200 Speaker 1: and Harley says he'll meet him tomorrow at noon in 901 00:40:08,239 --> 00:40:10,760 Speaker 1: the hallway and maybe he'll find out his blood type. 902 00:40:10,920 --> 00:40:16,640 Speaker 3: Blood blood I am meeting to fight in the middle 903 00:40:16,719 --> 00:40:18,200 Speaker 3: of the hallway, in. 904 00:40:18,040 --> 00:40:20,759 Speaker 2: The middle of the day. 905 00:40:20,080 --> 00:40:21,400 Speaker 3: I listen. 906 00:40:21,480 --> 00:40:24,480 Speaker 1: I just hope he's the universal blood type, which we 907 00:40:24,520 --> 00:40:25,520 Speaker 1: all know what that is. 908 00:40:25,560 --> 00:40:27,200 Speaker 2: Of course, exactly. 909 00:40:28,400 --> 00:40:28,839 Speaker 5: Who knows. 910 00:40:29,200 --> 00:40:32,960 Speaker 1: Frankie lovingly pushes Joey and says, and you were worried 911 00:40:33,160 --> 00:40:35,520 Speaker 1: not picking up that this will indeed be a problem. 912 00:40:35,800 --> 00:40:41,879 Speaker 1: And then we're in Chubbies weird five am. Why are 913 00:40:41,920 --> 00:40:44,200 Speaker 1: you guys allowed in there? It's not open yet. There's 914 00:40:44,239 --> 00:40:46,760 Speaker 1: a man cleaning behind you. Why didn't this Why didn't 915 00:40:46,760 --> 00:40:49,919 Speaker 1: this scene take place in the in the backyard where 916 00:40:50,400 --> 00:40:50,920 Speaker 1: has to meet you? 917 00:40:50,960 --> 00:40:51,560 Speaker 2: Downstairs? 918 00:40:51,760 --> 00:40:53,359 Speaker 1: Why didn't you climb up the tree and go into 919 00:40:53,440 --> 00:40:55,040 Speaker 1: Corey's bedroom? Why is this happening here? 920 00:40:55,120 --> 00:40:58,600 Speaker 3: I have no idea since meeting outside of the bus station. 921 00:40:58,960 --> 00:41:01,560 Speaker 3: It's like, if I'm asking Worry to come meet me somewhere, 922 00:41:01,920 --> 00:41:04,840 Speaker 3: I'm going to the bus station like and it doesn't 923 00:41:04,840 --> 00:41:07,040 Speaker 3: make any sense and done, and then I'm waking him up. 924 00:41:07,840 --> 00:41:10,319 Speaker 3: I the way that I can think is, here's what 925 00:41:10,360 --> 00:41:13,960 Speaker 3: probably happened. This scene should take place in the boys 926 00:41:13,960 --> 00:41:17,120 Speaker 3: bedroom where I come in, I sneak into the window 927 00:41:17,160 --> 00:41:19,720 Speaker 3: and I wake Cory up. And I think what happened 928 00:41:19,760 --> 00:41:22,399 Speaker 3: is because we had the bus station swing set they 929 00:41:22,400 --> 00:41:25,480 Speaker 3: had to use, they took the space that was the 930 00:41:25,480 --> 00:41:28,400 Speaker 3: boy's bedroom. So the boy's bedroom got taken away for 931 00:41:28,440 --> 00:41:30,520 Speaker 3: the week. And then they were like, oh wait, but 932 00:41:30,560 --> 00:41:32,319 Speaker 3: we had to have him waking Cory up for the 933 00:41:32,320 --> 00:41:34,560 Speaker 3: no clown no joke, which they loved and we repeated 934 00:41:34,600 --> 00:41:36,719 Speaker 3: a bunch throughout the years. So like they just got 935 00:41:36,760 --> 00:41:39,200 Speaker 3: married to a scene that they couldn't adjust, and we 936 00:41:39,280 --> 00:41:40,759 Speaker 3: still have the chubby Center're like, we'll just put him 937 00:41:40,760 --> 00:41:41,240 Speaker 3: in Chubbies. 938 00:41:41,960 --> 00:41:44,239 Speaker 2: But you're because why not just meet at the train station? 939 00:41:44,640 --> 00:41:46,200 Speaker 3: Might not meeting because then you'd have to have an 940 00:41:46,200 --> 00:41:48,840 Speaker 3: exterior train station or have me inside the train station 941 00:41:48,880 --> 00:41:51,920 Speaker 3: in the same the next I don't know, it doesn't 942 00:41:51,920 --> 00:41:52,880 Speaker 3: make any sense because. 943 00:41:54,160 --> 00:41:57,160 Speaker 1: Right that is the that is the only thing that 944 00:41:57,239 --> 00:42:00,160 Speaker 1: makes sense is that this swing set took up the 945 00:42:00,200 --> 00:42:02,200 Speaker 1: space of where the boy's bedroom was, and. 946 00:42:02,480 --> 00:42:04,680 Speaker 3: This whole scene should be me sneaking into the window 947 00:42:04,719 --> 00:42:06,719 Speaker 3: waking Corey up to say I'm running away. I'll see 948 00:42:06,719 --> 00:42:08,799 Speaker 3: you later. Because in the next scene is him going 949 00:42:08,840 --> 00:42:11,439 Speaker 3: into the kitchen. It's like it doesn't Yeah, it would 950 00:42:11,440 --> 00:42:13,920 Speaker 3: have been doesn't normal, but we didn't have that set. 951 00:42:14,160 --> 00:42:16,400 Speaker 4: It would have been really interesting though, to have it 952 00:42:16,520 --> 00:42:20,560 Speaker 4: in like the treehouse, Yeah, sure, because it's the juxtaposition 953 00:42:20,600 --> 00:42:22,680 Speaker 4: of I'm an adult but you're in a kid's treehouse 954 00:42:22,719 --> 00:42:24,640 Speaker 4: at four o'clock in the mark something there that would 955 00:42:24,640 --> 00:42:25,400 Speaker 4: have been great. 956 00:42:25,080 --> 00:42:29,000 Speaker 3: We never utilized the Treehouse enough and then never comes 957 00:42:29,040 --> 00:42:29,960 Speaker 3: back to it. It's a plummer. 958 00:42:30,239 --> 00:42:31,800 Speaker 1: No, you see it more than just in the pilot. 959 00:42:31,840 --> 00:42:33,799 Speaker 1: You see it a couple of times, but I think 960 00:42:33,840 --> 00:42:35,520 Speaker 1: only two times. Yeah, it's not a lot, and I 961 00:42:35,560 --> 00:42:37,320 Speaker 1: do love I love the I love the Treehouse. 962 00:42:37,360 --> 00:42:37,520 Speaker 3: Left. 963 00:42:38,320 --> 00:42:40,200 Speaker 1: So, Corey is sleeping in a booth at Chubby's where 964 00:42:40,200 --> 00:42:42,680 Speaker 1: he agreed to meet Sean at five am. Don't know 965 00:42:42,680 --> 00:42:44,720 Speaker 1: why you guys are allowed in there, It's so weird. 966 00:42:44,760 --> 00:42:46,879 Speaker 1: But so he wakes up Corey and Corey is yelling 967 00:42:46,880 --> 00:42:49,400 Speaker 1: no clown, no, Sean joke. 968 00:42:49,280 --> 00:42:50,839 Speaker 3: Back so many times. 969 00:42:51,040 --> 00:42:51,600 Speaker 4: I like that. 970 00:42:51,760 --> 00:42:53,759 Speaker 3: I think we bring it back in like season six 971 00:42:53,800 --> 00:42:55,839 Speaker 3: and so yeah, no, I think it's an running thing. 972 00:42:55,880 --> 00:42:56,319 Speaker 3: Yeah right. 973 00:42:57,120 --> 00:42:59,000 Speaker 1: So Sean tells Corey he wanted to meet early to 974 00:42:59,040 --> 00:43:01,160 Speaker 1: say bye before he left. Cory says bye and puts 975 00:43:01,160 --> 00:43:03,279 Speaker 1: his head back down to go back to sleep, but 976 00:43:03,280 --> 00:43:05,680 Speaker 1: Sean is serious he's leaving town. Cory says he knows 977 00:43:05,680 --> 00:43:08,160 Speaker 1: what this is. Today is Miss Burnbaum's test, and considering 978 00:43:08,200 --> 00:43:11,359 Speaker 1: Sean has never met Miss Burnbomb, he's ditching school. Sean 979 00:43:11,400 --> 00:43:13,080 Speaker 1: says it has nothing to do with school. He's going 980 00:43:13,080 --> 00:43:14,879 Speaker 1: to travel to get to know himself. Because he can't 981 00:43:14,880 --> 00:43:17,200 Speaker 1: be happy in school if he's not happy with himself. 982 00:43:17,400 --> 00:43:19,520 Speaker 1: He says a idea from his guy character the. 983 00:43:19,600 --> 00:43:22,560 Speaker 3: Jacket here, I do like hunting jacket. 984 00:43:22,719 --> 00:43:24,319 Speaker 2: Yeah, well the thing across the back. 985 00:43:24,400 --> 00:43:27,800 Speaker 3: He's fantastic, fantastic. And this is, you know, obviously because 986 00:43:28,360 --> 00:43:32,400 Speaker 3: Harley is back and took my jacket jackets. But in retrospect, 987 00:43:32,480 --> 00:43:33,799 Speaker 3: this I would have liked to. 988 00:43:34,040 --> 00:43:36,000 Speaker 2: I agree, this is more of a. 989 00:43:36,000 --> 00:43:39,040 Speaker 3: Rider jacket than a Sean jacket, right, I would totally 990 00:43:39,040 --> 00:43:39,880 Speaker 3: wear this jacket. 991 00:43:39,920 --> 00:43:41,120 Speaker 2: This jacket is amazing. 992 00:43:41,360 --> 00:43:44,040 Speaker 3: I like the jacket more of the time. In another episode, 993 00:43:44,080 --> 00:43:46,480 Speaker 3: I remember commenting on it and I in the living room. 994 00:43:46,480 --> 00:43:49,600 Speaker 3: I was wearing it for something, probably because again Harley 995 00:43:49,640 --> 00:43:52,160 Speaker 3: had the leather jacket that episode. But yeah, I don't 996 00:43:52,160 --> 00:43:53,440 Speaker 3: think we ever see this jacket again. 997 00:43:53,760 --> 00:43:55,960 Speaker 4: So I like the jacket more than I like the storyline, 998 00:43:56,040 --> 00:43:58,399 Speaker 4: because again it's like, oh, Sewn's running away again, Like, okay, 999 00:43:58,480 --> 00:44:01,120 Speaker 4: we're seeing and kind of putting Corey on the spot again. Hey, 1000 00:44:01,120 --> 00:44:03,560 Speaker 4: I'm using our friendship for me, please cover for me. 1001 00:44:03,600 --> 00:44:05,080 Speaker 4: And I'm kind of like I'm starting not to like 1002 00:44:05,120 --> 00:44:07,759 Speaker 4: I'm a little bit with that kind of storyline stuff 1003 00:44:07,800 --> 00:44:09,400 Speaker 4: where it's like, how many times can we do the 1004 00:44:09,400 --> 00:44:11,120 Speaker 4: same thing? He's running away and he's putting Corey on 1005 00:44:11,160 --> 00:44:12,640 Speaker 4: the spot to do it. It's like, okay, let's can 1006 00:44:12,680 --> 00:44:14,719 Speaker 4: we can we move on from this already? So yeah, 1007 00:44:14,719 --> 00:44:16,080 Speaker 4: that one that kind of threw me a bit. 1008 00:44:16,000 --> 00:44:19,520 Speaker 3: And it's also a little bizarre to offload, like the 1009 00:44:19,520 --> 00:44:22,799 Speaker 3: reason that Shawn is making this choice is because of 1010 00:44:22,840 --> 00:44:26,400 Speaker 3: a guidance counselor character we've never established before this episode. 1011 00:44:26,480 --> 00:44:28,399 Speaker 3: Like it would have been great to me, It would 1012 00:44:28,400 --> 00:44:31,160 Speaker 3: have made perfect sense for like Turner to have made 1013 00:44:31,239 --> 00:44:35,000 Speaker 3: a comment child or like yeah, or mister Williams, somebody 1014 00:44:35,000 --> 00:44:37,520 Speaker 3: who we've already established, who's like part of their community, 1015 00:44:37,840 --> 00:44:40,720 Speaker 3: who then gives this miss you know, this bad advice 1016 00:44:40,840 --> 00:44:43,040 Speaker 3: or this advice that they think is good that then 1017 00:44:43,080 --> 00:44:47,319 Speaker 3: Sean misinterprets, because then it feels like the culpability for 1018 00:44:47,719 --> 00:44:51,759 Speaker 3: leading a kid astray is the community's responsibility, as it is, 1019 00:44:51,880 --> 00:44:54,279 Speaker 3: we just have to purge this bad guidance counselor woman. 1020 00:44:54,400 --> 00:44:56,520 Speaker 3: Yeah right, you know, And it's like, oh, she just 1021 00:44:56,560 --> 00:44:59,000 Speaker 3: gave crappy advice, and it's like that there's no consequences 1022 00:44:59,000 --> 00:45:02,520 Speaker 3: of that that matter to our viewers. You imagine with 1023 00:45:02,640 --> 00:45:03,400 Speaker 3: him and Alex. 1024 00:45:03,600 --> 00:45:05,759 Speaker 4: I was just gonna say me and Alex, Raffeni kind 1025 00:45:05,760 --> 00:45:08,280 Speaker 4: of says to Alex, you have to understand the power 1026 00:45:08,280 --> 00:45:09,080 Speaker 4: of being a teacher. 1027 00:45:09,280 --> 00:45:12,840 Speaker 3: Yes, like the power that you hold is would be 1028 00:45:13,239 --> 00:45:15,320 Speaker 3: They were just like if we need a more females, 1029 00:45:15,440 --> 00:45:17,040 Speaker 3: you know that. We just think they probably were just 1030 00:45:17,080 --> 00:45:19,120 Speaker 3: like getting network notes, like you can't just have the 1031 00:45:19,120 --> 00:45:22,200 Speaker 3: same characters. Let's shake it up, but bye bye. But 1032 00:45:22,280 --> 00:45:27,840 Speaker 3: by exporting that that sort of storyline to ann quantity 1033 00:45:27,880 --> 00:45:30,360 Speaker 3: an unknown character, it really takes away the value of it. 1034 00:45:30,440 --> 00:45:32,799 Speaker 3: This episode becomes like a romp, like a one off, 1035 00:45:33,120 --> 00:45:35,719 Speaker 3: as opposed to an essential, you know, development of the 1036 00:45:36,160 --> 00:45:37,520 Speaker 3: the main Cares characters. 1037 00:45:37,680 --> 00:45:41,399 Speaker 1: Yeah, Turner doesn't know, and Sean wants Corey to cover 1038 00:45:41,480 --> 00:45:41,719 Speaker 1: for him. 1039 00:45:41,719 --> 00:45:41,959 Speaker 6: Again. 1040 00:45:42,000 --> 00:45:44,760 Speaker 1: He tells Corey he's never been this excited or ready 1041 00:45:44,840 --> 00:45:47,400 Speaker 1: for anything in his whole life, and then he asks 1042 00:45:47,440 --> 00:45:50,120 Speaker 1: Cory for a few bucks, which I thought is a 1043 00:45:50,280 --> 00:45:54,360 Speaker 1: very cute, such a kid thing, Mom, I'm really capable 1044 00:45:54,400 --> 00:45:54,640 Speaker 1: of this. 1045 00:45:55,520 --> 00:45:56,600 Speaker 2: Can I have ten dollars? 1046 00:45:56,760 --> 00:45:57,480 Speaker 3: Yeah exactly. 1047 00:45:58,040 --> 00:46:00,000 Speaker 1: Corey tries to stop him, but Sean says, if you 1048 00:46:00,000 --> 00:46:01,480 Speaker 1: he's really his friend, he'll let him go. 1049 00:46:01,960 --> 00:46:04,719 Speaker 5: And then again I just wrote. 1050 00:46:04,480 --> 00:46:05,960 Speaker 2: Why did the stan have to take place here? 1051 00:46:06,000 --> 00:46:06,239 Speaker 3: Again? 1052 00:46:06,320 --> 00:46:08,920 Speaker 1: I'm just confused by all of that. Okay, then we 1053 00:46:09,000 --> 00:46:11,319 Speaker 1: are back in the Matthew's kitchen. Eric is forging a 1054 00:46:11,360 --> 00:46:14,239 Speaker 1: letter of recommendation for college on a typewriter. Eric is 1055 00:46:14,320 --> 00:46:17,040 Speaker 1: really really really smart and really really really nice and 1056 00:46:17,120 --> 00:46:18,960 Speaker 1: a really really really good for your school. 1057 00:46:20,040 --> 00:46:23,480 Speaker 4: I love it. It's funny. But again, why not do 1058 00:46:23,560 --> 00:46:26,880 Speaker 4: this bedroom's gone? Because why not? 1059 00:46:27,000 --> 00:46:31,480 Speaker 3: Why would be in it like in some sort of 1060 00:46:31,520 --> 00:46:33,160 Speaker 3: private instead of you know. 1061 00:46:33,160 --> 00:46:37,120 Speaker 2: You're absolutely right on the bedroom mount. 1062 00:46:37,200 --> 00:46:39,319 Speaker 4: The bedroom's gone. That's got to be what it is, right, 1063 00:46:39,480 --> 00:46:40,920 Speaker 4: You're right, writer, it's got to. 1064 00:46:40,920 --> 00:46:41,719 Speaker 3: Be that because it's men. 1065 00:46:42,239 --> 00:46:45,200 Speaker 1: He signs this really really really good letter from George 1066 00:46:45,400 --> 00:46:49,880 Speaker 1: Millhouse Millhouse. He doesn't know how to spell principle, so 1067 00:46:49,960 --> 00:46:52,400 Speaker 1: he signs it off as head guy, head. 1068 00:46:52,200 --> 00:46:54,239 Speaker 3: Guy to the men. All that we know of do 1069 00:46:54,280 --> 00:46:57,040 Speaker 3: we ever learn? Feeni, I don't know. 1070 00:46:57,280 --> 00:47:02,359 Speaker 1: Send your emails to Daniel Fisher. I don't know, writer. 1071 00:47:03,160 --> 00:47:06,360 Speaker 1: We will find out for right now, it's Millhouse. 1072 00:47:06,640 --> 00:47:06,960 Speaker 5: Okay. 1073 00:47:09,760 --> 00:47:12,239 Speaker 1: Alan comes down to see Eric working early, asking why 1074 00:47:12,280 --> 00:47:14,680 Speaker 1: he's not using a computer. Eric says, it's a paper 1075 00:47:14,719 --> 00:47:16,640 Speaker 1: on the all mission. It just seemed wrong to use 1076 00:47:16,680 --> 00:47:19,520 Speaker 1: a computer, and Amy comes in and sees him working 1077 00:47:19,520 --> 00:47:21,719 Speaker 1: on the typewriter and asks if he put a waffle 1078 00:47:21,760 --> 00:47:26,040 Speaker 1: in the computer. Again, So I didn't. 1079 00:47:25,840 --> 00:47:28,200 Speaker 3: Remember this storyline at all. We're now officially into that. 1080 00:47:28,239 --> 00:47:31,400 Speaker 2: I have no idea there's a reason why you don't remember. 1081 00:47:31,840 --> 00:47:34,920 Speaker 3: This episode in particular is completely lack of memory for 1082 00:47:34,960 --> 00:47:36,800 Speaker 3: me too. I think it was. I think this was 1083 00:47:36,840 --> 00:47:39,400 Speaker 3: a desperate week of rewriting. I think we were like, 1084 00:47:39,440 --> 00:47:42,440 Speaker 3: oh sound. It was like stuff was happening all over 1085 00:47:42,480 --> 00:47:44,920 Speaker 3: the place. Something was weird about this episode in our 1086 00:47:44,960 --> 00:47:47,720 Speaker 3: real life. I don't remember what, but for some reason, 1087 00:47:47,760 --> 00:47:50,719 Speaker 3: it completely did not lodge in my brain either. Yeah, 1088 00:47:50,760 --> 00:47:52,919 Speaker 3: me neither Danielle and you weren't even there. 1089 00:47:53,080 --> 00:47:54,920 Speaker 1: Yeah, and I wasn't even there, So it's no wonder 1090 00:47:54,960 --> 00:47:57,319 Speaker 1: I don't I don't remember it. Corey comes home saying 1091 00:47:57,320 --> 00:47:59,080 Speaker 1: I can't believe he does this to me over and 1092 00:47:59,120 --> 00:48:01,480 Speaker 1: over again. Amy and Alan ask Corey what's wrong, but 1093 00:48:01,520 --> 00:48:03,480 Speaker 1: Corey says he doesn't want to talk about it. Eventually, 1094 00:48:03,520 --> 00:48:05,400 Speaker 1: Corey tells them it's been a rough morning. It started 1095 00:48:05,440 --> 00:48:07,920 Speaker 1: with a scary dream. Amy asks if it was the clowns, 1096 00:48:07,920 --> 00:48:11,480 Speaker 1: and then Corey says, yes, same dream, then just explains 1097 00:48:11,480 --> 00:48:12,000 Speaker 1: what's going on. 1098 00:48:12,120 --> 00:48:14,160 Speaker 3: Yeah, But again Corey comes in. 1099 00:48:14,200 --> 00:48:17,920 Speaker 4: It's probably seven o'clock in the morning, and the parents says, 1100 00:48:17,920 --> 00:48:20,400 Speaker 4: where were you? No, Hey, why are you coming in 1101 00:48:20,440 --> 00:48:23,240 Speaker 4: fully dressed when we're all coming down where he originally. 1102 00:48:22,800 --> 00:48:25,319 Speaker 3: Came down the stairs? And then they just changed it. 1103 00:48:25,560 --> 00:48:29,400 Speaker 4: Maybe because he's Yeah, he just walks in early morning. 1104 00:48:29,480 --> 00:48:31,680 Speaker 3: Nobody says anything. It might as well be this kid's birthday. 1105 00:48:32,080 --> 00:48:37,440 Speaker 1: Yeah. Then Corey starts to explain what's going on with Sean, 1106 00:48:37,480 --> 00:48:39,279 Speaker 1: but he walks over to the phone, saying, who am 1107 00:48:39,320 --> 00:48:41,240 Speaker 1: I kidding? I know what I have to do. Corey 1108 00:48:41,239 --> 00:48:43,200 Speaker 1: says he's doing the right thing, and it's all Amy 1109 00:48:43,200 --> 00:48:45,600 Speaker 1: and Allan's fault because they raised him right. Corey tries 1110 00:48:45,680 --> 00:48:47,719 Speaker 1: calling Turner, but it's going to his machine, and now 1111 00:48:47,760 --> 00:48:49,920 Speaker 1: he has to listen to three minutes of Kat Stevens. 1112 00:48:50,120 --> 00:48:53,680 Speaker 3: Love this whole bit. I love Corey being mad at 1113 00:48:53,680 --> 00:48:55,719 Speaker 3: his parents for being a good person. I think that's 1114 00:48:55,760 --> 00:48:58,680 Speaker 3: a great dynamic star we haven't quite seen like you know, 1115 00:48:58,719 --> 00:49:01,759 Speaker 3: and I love playing into that. And it's and then yeah, 1116 00:49:01,800 --> 00:49:03,880 Speaker 3: the Cat Stevens three bites of Cat Steven's on the 1117 00:49:03,920 --> 00:49:05,160 Speaker 3: answer machine is great. 1118 00:49:05,320 --> 00:49:06,160 Speaker 2: I'm not quite funny. 1119 00:49:06,160 --> 00:49:08,440 Speaker 3: It's like not super mister Turner. But now I'm like, oh, 1120 00:49:08,440 --> 00:49:10,640 Speaker 3: this describes I guess it does. 1121 00:49:11,960 --> 00:49:15,200 Speaker 1: Get Yeah, So then Corey just decides to tell to 1122 00:49:15,239 --> 00:49:17,480 Speaker 1: tell mister Turner in person. And I really think that 1123 00:49:17,560 --> 00:49:20,760 Speaker 1: these little these jokes are really good, like character development jokes. 1124 00:49:20,760 --> 00:49:23,120 Speaker 1: The fact that we learn that Corey has a recurring 1125 00:49:23,160 --> 00:49:24,160 Speaker 1: dream about clowns. 1126 00:49:24,160 --> 00:49:25,440 Speaker 2: And then also it tells. 1127 00:49:25,160 --> 00:49:27,080 Speaker 1: You so much that like, he has this recurring dream 1128 00:49:27,120 --> 00:49:28,920 Speaker 1: about clowns and his parents are fully aware of it 1129 00:49:28,920 --> 00:49:30,840 Speaker 1: because he talks about it with his family, like I 1130 00:49:30,880 --> 00:49:33,279 Speaker 1: have this recurring dream about these clowns. They're in on it. 1131 00:49:33,280 --> 00:49:35,920 Speaker 1: It's like a whole family topic topic. And then he 1132 00:49:36,040 --> 00:49:39,320 Speaker 1: also he uh, he keeps saying, oh, who am I kidding? 1133 00:49:39,320 --> 00:49:41,239 Speaker 1: There's like this big who am I kidding? Thing? 1134 00:49:41,560 --> 00:49:44,839 Speaker 4: Uh huh. And then the cat Stevens we just got 1135 00:49:44,840 --> 00:49:48,439 Speaker 4: from producer Tara. According to the Internet, Poene's middle name 1136 00:49:48,760 --> 00:49:49,520 Speaker 4: is Hamilton. 1137 00:49:50,400 --> 00:49:52,520 Speaker 1: Please do not send your emails to writers. 1138 00:49:52,239 --> 00:49:55,480 Speaker 3: Strong Hamilton, George Hamiltons. 1139 00:49:55,680 --> 00:49:59,040 Speaker 1: Phoee, Okay, did you guys ever have a song on 1140 00:49:59,080 --> 00:50:02,799 Speaker 1: your answering machine? Heck, yes, I did, remember I don't 1141 00:50:02,800 --> 00:50:04,520 Speaker 1: remember what it was. But heck, yes, I used to 1142 00:50:04,560 --> 00:50:05,640 Speaker 1: have that outgoing song. 1143 00:50:06,280 --> 00:50:07,439 Speaker 3: You don't remember what it was though? 1144 00:50:07,719 --> 00:50:07,799 Speaker 4: No? 1145 00:50:08,200 --> 00:50:09,680 Speaker 3: Was it doing a song? 1146 00:50:11,000 --> 00:50:12,760 Speaker 1: Can You used to be able to wall your phone 1147 00:50:12,760 --> 00:50:14,959 Speaker 1: instead of ringing, people could listen to a song? 1148 00:50:15,800 --> 00:50:16,560 Speaker 3: Oh really? 1149 00:50:16,640 --> 00:50:20,280 Speaker 1: But also different, that's that's when we had cell phones 1150 00:50:20,680 --> 00:50:23,520 Speaker 1: back in the answering machine days. Instead of leaving a message, 1151 00:50:23,560 --> 00:50:26,759 Speaker 1: you could play like a minute of a song and. 1152 00:50:26,719 --> 00:50:28,719 Speaker 5: It would just tell everyone what they need to. 1153 00:50:28,800 --> 00:50:29,719 Speaker 3: I don't think I don't think that. 1154 00:50:29,920 --> 00:50:34,080 Speaker 4: In my family, my father took leaving the message very seriously, 1155 00:50:34,640 --> 00:50:37,040 Speaker 4: and he sounded like a robot. To this day, if 1156 00:50:37,120 --> 00:50:41,200 Speaker 4: you call him, he goes, hello, you have reached attorney 1157 00:50:41,280 --> 00:50:46,120 Speaker 4: for Dell. Please leave a number. It's like, we'll are 1158 00:50:46,120 --> 00:50:46,680 Speaker 4: you talking to you? 1159 00:50:47,040 --> 00:50:49,520 Speaker 3: Still? To this day? What do you call your cell phone? 1160 00:50:49,520 --> 00:50:51,400 Speaker 3: Will you say? We're not home right now? I'm like, 1161 00:50:51,400 --> 00:50:54,440 Speaker 3: who's I'm calling you on a cell phone? It's just you, 1162 00:50:54,480 --> 00:50:56,560 Speaker 3: it's not But you see that a sense of like 1163 00:50:56,600 --> 00:51:01,080 Speaker 3: a communal It's like you've called the my parents. My 1164 00:51:01,120 --> 00:51:04,120 Speaker 3: parents still have an answering machine. But like will you 1165 00:51:04,200 --> 00:51:05,959 Speaker 3: must have been one of those who did like joke 1166 00:51:06,080 --> 00:51:09,279 Speaker 3: answering machine Like remember with some of the things. Some 1167 00:51:09,520 --> 00:51:14,839 Speaker 3: were like, hello, you got those a lot. 1168 00:51:15,120 --> 00:51:17,880 Speaker 1: Do you guys remember impersonation tapes you could buy for 1169 00:51:17,960 --> 00:51:18,760 Speaker 1: your answering machine? 1170 00:51:18,840 --> 00:51:21,080 Speaker 4: You have those, I do remember, And they were big 1171 00:51:21,080 --> 00:51:24,200 Speaker 4: around the jerky boys time boys. 1172 00:51:24,280 --> 00:51:27,520 Speaker 3: Yeah, you could put something on. Then it was like, hey, 1173 00:51:27,560 --> 00:51:30,000 Speaker 3: I'm not here right now, jerky like stuff like that. 1174 00:51:30,080 --> 00:51:32,720 Speaker 3: It was like, oh man, okay, I bought a voice 1175 00:51:32,800 --> 00:51:36,799 Speaker 3: changing telephone from Sharper Image they used to sell remember, 1176 00:51:37,360 --> 00:51:41,120 Speaker 3: of course they have a phone, and like, I somehow 1177 00:51:41,200 --> 00:51:43,799 Speaker 3: convinced my parents to let me buy this, Like as 1178 00:51:43,840 --> 00:51:50,680 Speaker 3: if the whole point wasn't prank calling all right? Well, 1179 00:51:50,760 --> 00:51:52,920 Speaker 3: I mean Sharper Image was just heaven on Earth when 1180 00:51:52,920 --> 00:51:55,760 Speaker 3: I was ten or whatever. Yeah, I somehow I remember 1181 00:51:55,800 --> 00:51:58,680 Speaker 3: I bought a voice changing telephone. That's all I would 1182 00:51:58,680 --> 00:52:02,239 Speaker 3: do is prank call people. So funs thought it was 1183 00:52:02,280 --> 00:52:07,120 Speaker 3: anything other than that, Like I missed radio shack. 1184 00:52:07,840 --> 00:52:08,319 Speaker 5: Oh yeah. 1185 00:52:08,320 --> 00:52:09,759 Speaker 4: When you're like you need to buy batteries and like 1186 00:52:09,760 --> 00:52:12,799 Speaker 4: what's your phone number? Like wait, what, why why do 1187 00:52:12,840 --> 00:52:13,279 Speaker 4: you need that? 1188 00:52:14,520 --> 00:52:14,759 Speaker 3: Well? 1189 00:52:14,840 --> 00:52:17,439 Speaker 1: Amy sees the recommendation letter from Phoenie, but as Alan 1190 00:52:17,520 --> 00:52:20,279 Speaker 1: starts reading it, they realize Feenie didn't actually write it 1191 00:52:20,320 --> 00:52:23,080 Speaker 1: and Alan rips up the letter, and I'm not sure 1192 00:52:23,200 --> 00:52:26,920 Speaker 1: exactly when Amy realized this letter wasn't written by Phoene 1193 00:52:27,000 --> 00:52:28,839 Speaker 1: if she knew from the very moment she picked it up, 1194 00:52:29,040 --> 00:52:31,440 Speaker 1: But her face never gives off the thing of like 1195 00:52:31,520 --> 00:52:32,279 Speaker 1: a realization. 1196 00:52:32,520 --> 00:52:34,359 Speaker 2: It's a very weird bit. 1197 00:52:35,080 --> 00:52:38,880 Speaker 1: It feels like they never believed Feenie would have possibly 1198 00:52:38,880 --> 00:52:41,880 Speaker 1: written him a recommendation letter, like just from the beginning 1199 00:52:42,080 --> 00:52:45,200 Speaker 1: at Eric, they think Eric is just a total idiot. 1200 00:52:45,640 --> 00:52:49,200 Speaker 2: And then by the way, this is the end of 1201 00:52:49,280 --> 00:52:50,080 Speaker 2: this storyline. 1202 00:52:50,120 --> 00:52:52,719 Speaker 3: Yeah, no, it's done. It's done. I had to say. 1203 00:52:52,800 --> 00:52:55,200 Speaker 3: It's like the way that will just goes all, Like 1204 00:52:55,239 --> 00:52:57,360 Speaker 3: when he rips up the letter, I'm like, Kiah, but 1205 00:52:58,360 --> 00:52:59,680 Speaker 3: what are you going to do? 1206 00:52:59,040 --> 00:53:01,200 Speaker 2: Are? 1207 00:53:02,600 --> 00:53:05,640 Speaker 3: Yeah, it seems like and it seems very non boy 1208 00:53:05,680 --> 00:53:08,360 Speaker 3: meets World, right, because Boys World is the show where 1209 00:53:08,840 --> 00:53:11,239 Speaker 3: Rusty gives the good advice or Amy says that they 1210 00:53:11,360 --> 00:53:14,479 Speaker 3: like you have the moment where you're like okay and 1211 00:53:14,719 --> 00:53:17,400 Speaker 3: Eric comes around and changes his behavior. 1212 00:53:17,480 --> 00:53:19,960 Speaker 1: But no, this is the moment where I was like, 1213 00:53:20,800 --> 00:53:25,319 Speaker 1: these parents who have been stellar A plus parents up 1214 00:53:25,320 --> 00:53:29,040 Speaker 1: to this point, these parents are failing this child. 1215 00:53:29,320 --> 00:53:32,760 Speaker 3: Yeah, thank you, thank you. So I fail though, they're. 1216 00:53:32,560 --> 00:53:35,960 Speaker 1: Not failing Corey, but they sure are failing Eric Matthews. 1217 00:53:36,080 --> 00:53:41,720 Speaker 4: And nobody has said, hey dad, where's Morgan? No, forget, 1218 00:53:41,760 --> 00:53:42,480 Speaker 4: they have three. 1219 00:53:42,360 --> 00:53:45,479 Speaker 2: Children failing a kid. They got rid of a trial. 1220 00:53:45,640 --> 00:53:47,280 Speaker 3: They got rid of a kid, for God's sakes. 1221 00:53:48,120 --> 00:53:49,760 Speaker 2: So then we are in the school hallway. 1222 00:53:50,360 --> 00:53:50,840 Speaker 3: Uh. 1223 00:53:51,000 --> 00:53:53,160 Speaker 1: Phoene runs after Eli to say he had the best 1224 00:53:53,200 --> 00:53:55,320 Speaker 1: time recording his voice for the school project and he 1225 00:53:55,360 --> 00:53:57,640 Speaker 1: can't wait to get a copy. Eli says, the students 1226 00:53:57,680 --> 00:53:59,920 Speaker 1: cut him out and decided to go with Eli instead. 1227 00:54:00,360 --> 00:54:02,680 Speaker 1: As Eli tries to say there will be other projects, 1228 00:54:02,680 --> 00:54:06,160 Speaker 1: Phoene tells, you like keep your pity man, And that's 1229 00:54:06,239 --> 00:54:07,719 Speaker 1: the that's the one I love. 1230 00:54:08,120 --> 00:54:09,759 Speaker 2: Okay, that's the one I love. 1231 00:54:10,000 --> 00:54:13,360 Speaker 1: That's the one I think has a great interesting choice 1232 00:54:13,360 --> 00:54:15,120 Speaker 1: of a read. That's the one that I'm like, I 1233 00:54:15,160 --> 00:54:17,360 Speaker 1: wonder if Alex meant to remember that one. 1234 00:54:20,040 --> 00:54:26,520 Speaker 3: They're talking about mangoes like mango. I remember saying. 1235 00:54:26,239 --> 00:54:28,400 Speaker 2: That, But is that the way he says it? 1236 00:54:28,480 --> 00:54:28,799 Speaker 5: Because it. 1237 00:54:31,640 --> 00:54:36,800 Speaker 3: Went on it because it's just we're doing an impression 1238 00:54:36,800 --> 00:54:40,040 Speaker 3: of somebody doing a bad impression of Daniels. That's pretty true, 1239 00:54:40,080 --> 00:54:42,880 Speaker 3: all right, I get it, Okay, And this is the this, 1240 00:54:42,880 --> 00:54:46,799 Speaker 3: This whole scene is why this episode is because it's 1241 00:54:46,840 --> 00:54:49,320 Speaker 3: so long. They want this face off with the bullies 1242 00:54:49,360 --> 00:54:52,080 Speaker 3: and it just it doesn't have anything to do with 1243 00:54:52,120 --> 00:54:55,279 Speaker 3: any of the other characters. But it doesn't. It's just 1244 00:54:55,320 --> 00:54:57,120 Speaker 3: like a fan service. 1245 00:54:56,880 --> 00:55:02,160 Speaker 1: Story, guidance counselor storyline. There's a fe Eli storyline, there's 1246 00:55:02,200 --> 00:55:05,160 Speaker 1: an Eric forging a letter storyline, and then there is 1247 00:55:05,239 --> 00:55:09,920 Speaker 1: a bully storyline. How many stories are in this episode. 1248 00:55:09,320 --> 00:55:12,280 Speaker 4: And none are really wrapped up in any way that matters. 1249 00:55:12,480 --> 00:55:15,360 Speaker 4: Nobody really learns much that Mattery. 1250 00:55:14,960 --> 00:55:18,200 Speaker 1: Can't fit an AB, A, C, and a D storyline 1251 00:55:18,280 --> 00:55:19,320 Speaker 1: into twenty two minutes. 1252 00:55:19,560 --> 00:55:22,080 Speaker 4: It's weird. It's the whole thing is weird. But this 1253 00:55:22,200 --> 00:55:26,839 Speaker 4: is the isn't this where this is where Tony comes out? 1254 00:55:26,920 --> 00:55:27,120 Speaker 3: Right? 1255 00:55:27,719 --> 00:55:28,000 Speaker 2: Yes? 1256 00:55:28,200 --> 00:55:30,880 Speaker 1: Corey runs into Turner's classroom, saying Sean took off and 1257 00:55:30,880 --> 00:55:32,760 Speaker 1: he had to tell him. Corey tells him he doesn't 1258 00:55:32,800 --> 00:55:34,000 Speaker 1: know where he went, but he had a meeting with 1259 00:55:34,040 --> 00:55:36,759 Speaker 1: the guidance counselor and then split. Turner walks out to 1260 00:55:36,800 --> 00:55:38,960 Speaker 1: talk to the guidance counselor to see what happened. She 1261 00:55:39,040 --> 00:55:42,080 Speaker 1: explains they talked about family, college and finding yourself and 1262 00:55:42,120 --> 00:55:44,640 Speaker 1: then says, uh oh when she realizes she mentioned her 1263 00:55:44,680 --> 00:55:45,680 Speaker 1: year off in Europe. 1264 00:55:45,840 --> 00:55:48,760 Speaker 3: This is how you know it's a different floor. Okay, 1265 00:55:48,840 --> 00:55:49,520 Speaker 3: So he doesn't. 1266 00:55:49,560 --> 00:55:53,279 Speaker 4: He walks out of the hallway and then comes from 1267 00:55:53,480 --> 00:55:57,000 Speaker 4: upstage and turns and walks this way. So he comes 1268 00:55:57,040 --> 00:56:00,600 Speaker 4: from the top of the hallway up there, walk out 1269 00:56:00,600 --> 00:56:02,880 Speaker 4: of his room and walk over to the door. 1270 00:56:03,160 --> 00:56:04,120 Speaker 3: He walks out of his. 1271 00:56:04,160 --> 00:56:07,360 Speaker 4: Room and then comes from upstage. There is no telephone, 1272 00:56:07,880 --> 00:56:10,800 Speaker 4: there is nothing. There is a posters on the side, 1273 00:56:11,040 --> 00:56:13,320 Speaker 4: so they set it up that it is actually another 1274 00:56:13,360 --> 00:56:13,919 Speaker 4: floor that. 1275 00:56:13,800 --> 00:56:16,799 Speaker 1: He goes, I love it. Yes, okay, that makes sense. 1276 00:56:16,840 --> 00:56:18,680 Speaker 1: I did not notice that. Normally I noticed that we 1277 00:56:18,680 --> 00:56:20,279 Speaker 1: were blocking stuff, but I did not notice that. I 1278 00:56:20,320 --> 00:56:32,759 Speaker 1: must have had my head down in my notes. So 1279 00:56:32,920 --> 00:56:35,239 Speaker 1: Turner asks what kind of advice she's giving, and Miss 1280 00:56:35,320 --> 00:56:38,000 Speaker 1: Collins tells Turner to back up because she only talked 1281 00:56:38,000 --> 00:56:39,920 Speaker 1: to Sean for thirty minutes, but he's been living with 1282 00:56:39,960 --> 00:56:41,000 Speaker 1: Turner for four months. 1283 00:56:41,200 --> 00:56:42,680 Speaker 2: And then she says, ooh, that was good. 1284 00:56:42,960 --> 00:56:46,120 Speaker 3: It is it is, yeah, I mean this is I 1285 00:56:46,160 --> 00:56:48,760 Speaker 3: think this is just cramming so much into this episode 1286 00:56:48,800 --> 00:56:51,200 Speaker 3: that we don't get the counselors like this doesn't write, 1287 00:56:51,640 --> 00:56:53,399 Speaker 3: because this is a nice peat to turn it back 1288 00:56:53,440 --> 00:56:58,040 Speaker 3: onto Turner. Yes, but you and but you haven't seen 1289 00:56:58,080 --> 00:57:01,439 Speaker 3: Turner give him advice that is back the Shawn's missed, 1290 00:57:01,800 --> 00:57:03,960 Speaker 3: like taken the wrong way, So I just don't this. 1291 00:57:04,360 --> 00:57:06,200 Speaker 4: And again, this also would have worked if it was 1292 00:57:06,320 --> 00:57:08,400 Speaker 4: I know that you're saying we needed another female character, 1293 00:57:08,440 --> 00:57:10,200 Speaker 4: and that we did, and she obviously came in and 1294 00:57:10,200 --> 00:57:12,239 Speaker 4: did a great job. But had this been a scene 1295 00:57:12,280 --> 00:57:13,960 Speaker 4: between even if you don't want to make it Feenie, 1296 00:57:14,000 --> 00:57:14,719 Speaker 4: you want to make it. 1297 00:57:14,680 --> 00:57:17,920 Speaker 3: Turner and Eli going hey, wait a minute, Jonathan, he's 1298 00:57:17,960 --> 00:57:20,320 Speaker 3: lived with you for however long he's lived with you. 1299 00:57:20,400 --> 00:57:22,520 Speaker 3: I talked to the kid one time, this my second 1300 00:57:22,600 --> 00:57:24,800 Speaker 3: day as a teacher. You could have done anything there. 1301 00:57:25,080 --> 00:57:27,560 Speaker 1: Going back to if we were keeping it with this 1302 00:57:27,600 --> 00:57:30,240 Speaker 1: guidance counselor and developing more of the idea that she's 1303 00:57:30,360 --> 00:57:32,080 Speaker 1: just inexperienced. 1304 00:57:32,360 --> 00:57:34,160 Speaker 2: I like the idea of her being like, oh, I 1305 00:57:34,200 --> 00:57:34,960 Speaker 2: got to remember that. 1306 00:57:34,960 --> 00:57:35,479 Speaker 3: That's good. 1307 00:57:35,520 --> 00:57:35,840 Speaker 1: You know it. 1308 00:57:36,160 --> 00:57:38,120 Speaker 2: You read writing some notes. Yeah, it was a good read. 1309 00:57:38,160 --> 00:57:40,080 Speaker 1: And I like the idea of her thinking about like 1310 00:57:40,840 --> 00:57:42,760 Speaker 1: keeping notes for things to do in the future, and 1311 00:57:42,800 --> 00:57:44,880 Speaker 1: I'm learning here, you know, Like I like all that, but. 1312 00:57:44,800 --> 00:57:46,920 Speaker 3: It but also like, if you're going to have a 1313 00:57:47,000 --> 00:57:50,400 Speaker 3: character like this, then she she should there should be consequences, 1314 00:57:50,400 --> 00:57:52,560 Speaker 3: there should be development. She should be going to the 1315 00:57:52,560 --> 00:57:56,480 Speaker 3: bus station with Turner apologize to Sean, or maybe afterwards 1316 00:57:56,520 --> 00:57:58,400 Speaker 3: the tag could be a scene between her and Seawan 1317 00:57:58,480 --> 00:58:01,200 Speaker 3: being like I've now learned my lesson as a guidance 1318 00:58:01,240 --> 00:58:04,040 Speaker 3: counselor I've grown, you've grown as a kid. And but 1319 00:58:04,080 --> 00:58:07,160 Speaker 3: instead this is it. She's just dropped off. It's like, oh, 1320 00:58:07,360 --> 00:58:10,760 Speaker 3: she was ditzy and pretty and made a mistake and 1321 00:58:10,800 --> 00:58:13,320 Speaker 3: then she's gone, and it's like that's a bummer, Like 1322 00:58:13,360 --> 00:58:15,440 Speaker 3: this is actually a cool idea for somebody to have 1323 00:58:15,480 --> 00:58:17,560 Speaker 3: given advice that they think is good, and it is 1324 00:58:17,600 --> 00:58:20,120 Speaker 3: good advice, go to Europe, explore the world, like that 1325 00:58:20,240 --> 00:58:22,520 Speaker 3: is good advice, but then she just misappropriating it to 1326 00:58:22,560 --> 00:58:22,959 Speaker 3: a child. 1327 00:58:23,320 --> 00:58:24,560 Speaker 2: It really would have been great. 1328 00:58:24,680 --> 00:58:27,320 Speaker 1: I mean they obviously Eli was obviously busy with the 1329 00:58:27,360 --> 00:58:30,760 Speaker 1: Sphoenee storyline. It could have been Alan who who casually 1330 00:58:30,800 --> 00:58:32,920 Speaker 1: mentions to Sean that he took a year off or 1331 00:58:33,000 --> 00:58:33,800 Speaker 1: he did something. 1332 00:58:33,960 --> 00:58:35,360 Speaker 2: You know, wouldn't that have been great. 1333 00:58:35,320 --> 00:58:41,640 Speaker 3: Amy Amy, because then you still have a female character again, Amy. 1334 00:58:40,800 --> 00:58:43,240 Speaker 1: Could very easily say, well, you know, I took me 1335 00:58:43,280 --> 00:58:45,240 Speaker 1: a while to figure out what I wanted to do. Also, 1336 00:58:45,400 --> 00:58:47,400 Speaker 1: even still as an adult, it would have been nice 1337 00:58:47,400 --> 00:58:49,080 Speaker 1: for her to say, listen, even as an adult my. 1338 00:58:49,080 --> 00:58:53,040 Speaker 3: Teens, I tried to do real estate a gallery. 1339 00:58:52,920 --> 00:58:55,760 Speaker 1: Like you know, and in order to find myself I 1340 00:58:55,800 --> 00:59:00,120 Speaker 1: had to you know, it could have so okay, and 1341 00:59:00,160 --> 00:59:02,200 Speaker 1: we're still in the school hallway, Joey and Frankie are 1342 00:59:02,200 --> 00:59:05,120 Speaker 1: looking at the clock. There's ominous music playing, waiting for 1343 00:59:05,160 --> 00:59:06,520 Speaker 1: Harley and Griff to show up. 1344 00:59:06,640 --> 00:59:11,120 Speaker 4: Do you remember this? Okay, so this was okay, So 1345 00:59:11,280 --> 00:59:13,240 Speaker 4: this was I remember this. So this is the only 1346 00:59:13,280 --> 00:59:16,160 Speaker 4: thing I remember of this episode is that this was 1347 00:59:16,280 --> 00:59:18,360 Speaker 4: ad libbed at the table read. 1348 00:59:19,040 --> 00:59:21,120 Speaker 3: So at the table read that we're. 1349 00:59:21,000 --> 00:59:22,880 Speaker 4: Sitting there and you know how you would you would 1350 00:59:22,880 --> 00:59:24,760 Speaker 4: sit there and do a table read is you're reading 1351 00:59:24,800 --> 00:59:27,960 Speaker 4: your dialogue, and in between doing your dialogue, the director 1352 00:59:28,320 --> 00:59:31,080 Speaker 4: is reading out the stage directions that are in between. 1353 00:59:31,160 --> 00:59:33,560 Speaker 4: So Corey walks down the hallway and opens his locker 1354 00:59:33,600 --> 00:59:35,360 Speaker 4: like they would actually read that out physically at the 1355 00:59:35,400 --> 00:59:39,040 Speaker 4: table read. So the a locker squeaking and a paper 1356 00:59:39,040 --> 00:59:44,400 Speaker 4: flying by was actually the His line was only this 1357 00:59:44,440 --> 00:59:47,560 Speaker 4: doesn't feel right, Frankie, I'm I'm getting nervous. But right 1358 00:59:47,640 --> 00:59:51,080 Speaker 4: before the stage direction was they're in the hallway, ominous 1359 00:59:51,160 --> 00:59:54,400 Speaker 4: music plays a locker squeaking paper blows by, and then 1360 00:59:54,440 --> 00:59:57,520 Speaker 4: it cut and then Blake went a locker squeaking paper 1361 00:59:57,520 --> 00:59:59,280 Speaker 4: blowing by. I don't know what's going So he just 1362 00:59:59,400 --> 01:00:01,200 Speaker 4: added that in to his dialogue and it got a 1363 01:00:01,360 --> 01:00:04,680 Speaker 4: huge laugh at the table, so they added it into 1364 01:00:04,720 --> 01:00:07,000 Speaker 4: the script. So that was all him, just ad libbing 1365 01:00:07,040 --> 01:00:08,640 Speaker 4: from what the stage direction was. 1366 01:00:08,720 --> 01:00:11,840 Speaker 3: None of that was actual dialogue. 1367 01:00:11,040 --> 01:00:12,840 Speaker 4: But it was soy to get that and a paper 1368 01:00:12,840 --> 01:00:15,160 Speaker 4: blowing by and everybody lost it at the table. So 1369 01:00:15,200 --> 01:00:17,840 Speaker 4: that's like, that's all I remember. This entire week was like, 1370 01:00:17,840 --> 01:00:20,040 Speaker 4: oh my god, I remember this. Yeah, he made that 1371 01:00:20,160 --> 01:00:20,760 Speaker 4: up on the spot. 1372 01:00:20,920 --> 01:00:22,800 Speaker 1: It starts with them looking at the clock waiting for 1373 01:00:22,840 --> 01:00:24,680 Speaker 1: them to show up, and Frankie says, Griff and Harley 1374 01:00:24,680 --> 01:00:26,840 Speaker 1: fighting just doesn't make sense, and Joey says, maybe they 1375 01:00:26,880 --> 01:00:28,720 Speaker 1: won't fight. Maybe they had one of those moments where 1376 01:00:28,760 --> 01:00:31,960 Speaker 1: just everything makes sense. Frankie suggests that's an epiphany and 1377 01:00:32,040 --> 01:00:34,520 Speaker 1: Joey shakes his head no, like Frankie is the dumb one. 1378 01:00:34,920 --> 01:00:37,680 Speaker 1: And then the clock strikes twelve, and no one is 1379 01:00:37,720 --> 01:00:40,000 Speaker 1: there but Joey and Frankie with an eery calm and 1380 01:00:40,040 --> 01:00:43,280 Speaker 1: a Western gunfight theme music is playing. The nearby locker 1381 01:00:43,360 --> 01:00:45,880 Speaker 1: squeaks with the wind like a saloon bar door, and 1382 01:00:45,920 --> 01:00:48,880 Speaker 1: some trash drifts by their feet like a tumbleweed. This 1383 01:00:49,000 --> 01:00:50,040 Speaker 1: is really fun, But. 1384 01:00:51,160 --> 01:00:53,160 Speaker 3: Dey takes up so much in that episode. 1385 01:00:53,440 --> 01:00:55,240 Speaker 1: Did we need that opening part of them looking at 1386 01:00:55,280 --> 01:00:57,160 Speaker 1: the clock in the first two minutes? Couldn't it have 1387 01:00:57,240 --> 01:00:59,400 Speaker 1: just started with them standing in the middle of the 1388 01:00:59,400 --> 01:01:02,840 Speaker 1: hallway for noon and the squeaky door and the trash can. 1389 01:01:02,760 --> 01:01:05,400 Speaker 3: Of course, I swear what happened is there was an 1390 01:01:05,400 --> 01:01:12,240 Speaker 3: existing script with a guidance counselor, and the writers realized 1391 01:01:12,240 --> 01:01:15,640 Speaker 3: that Danny was better and they were like, let's resolve this, 1392 01:01:15,880 --> 01:01:19,600 Speaker 3: and they crammed this entire storyline into this episode, and 1393 01:01:19,800 --> 01:01:22,360 Speaker 3: it takes up a lot of time. It's just a 1394 01:01:22,400 --> 01:01:26,000 Speaker 3: time consuming storyline that doesn't involve any of the regular casts. 1395 01:01:26,520 --> 01:01:28,800 Speaker 3: And you know, they and I think it's it's very 1396 01:01:28,840 --> 01:01:33,720 Speaker 3: noble right. They wanted to satisfy the Griff Harley stuff 1397 01:01:33,880 --> 01:01:39,160 Speaker 3: and like I, I, but bring Danny. It's all in 1398 01:01:39,200 --> 01:01:41,120 Speaker 3: the sake of but it just makes for an awkward 1399 01:01:41,120 --> 01:01:43,160 Speaker 3: episode because it's shit warned in and it takes up 1400 01:01:43,400 --> 01:01:44,240 Speaker 3: all the oxygen. 1401 01:01:44,360 --> 01:01:47,920 Speaker 2: And by the way, I find it very funny. It's 1402 01:01:48,000 --> 01:01:48,880 Speaker 2: just crammed in. 1403 01:01:49,080 --> 01:01:51,000 Speaker 1: If they had been if they had made it a 1404 01:01:51,040 --> 01:01:54,360 Speaker 1: full bee storyline instead of it being a. 1405 01:01:55,160 --> 01:01:57,880 Speaker 2: Story that takes over a lot, it doesn't have enough time. 1406 01:01:57,920 --> 01:02:00,840 Speaker 1: If they dedicated a B storyline to it, it's very funny. 1407 01:02:00,880 --> 01:02:02,560 Speaker 1: And this stuff with the saloon door and the trash 1408 01:02:02,560 --> 01:02:03,960 Speaker 1: going by is great. 1409 01:02:04,560 --> 01:02:05,640 Speaker 3: Precory into it. 1410 01:02:05,800 --> 01:02:06,080 Speaker 4: I know. 1411 01:02:06,360 --> 01:02:09,480 Speaker 3: Why isn't that a part of this storyline? Hey, Franky 1412 01:02:09,480 --> 01:02:12,400 Speaker 3: and Joey helping them with could a million ways to 1413 01:02:12,440 --> 01:02:14,880 Speaker 3: make this feel more like a part of the rest 1414 01:02:14,920 --> 01:02:17,200 Speaker 3: of the episode. Frankly, what they should have done, and 1415 01:02:17,240 --> 01:02:18,080 Speaker 3: they did this other times. 1416 01:02:18,080 --> 01:02:20,040 Speaker 4: I don't know why they didn't hear is they should 1417 01:02:20,040 --> 01:02:22,160 Speaker 4: have cut the Eric storyline. I should have had a 1418 01:02:22,160 --> 01:02:26,480 Speaker 4: week off this week, and that you gued with the 1419 01:02:26,520 --> 01:02:29,560 Speaker 4: buying the paper. It's just to bring them into But 1420 01:02:29,720 --> 01:02:32,840 Speaker 4: it's just my storyline. It didn't matter. It didn't matter 1421 01:02:33,040 --> 01:02:33,360 Speaker 4: at all. 1422 01:02:33,440 --> 01:02:36,440 Speaker 1: Why do we need the eli Phoene storyline through this? 1423 01:02:36,560 --> 01:02:40,320 Speaker 1: Why isn't it a storyline between you and Phoene because too, 1424 01:02:40,600 --> 01:02:43,480 Speaker 1: I'm bringing you many things. Basically, I think what happened, 1425 01:02:43,640 --> 01:02:45,120 Speaker 1: like Ryder said, I think this was a week where 1426 01:02:45,160 --> 01:02:46,480 Speaker 1: there was a lot of stuff going on and some 1427 01:02:46,520 --> 01:02:49,080 Speaker 1: things got you horned in. But also I think in 1428 01:02:49,120 --> 01:02:52,080 Speaker 1: this episode, we're finding out that it feels like we 1429 01:02:52,120 --> 01:02:54,439 Speaker 1: have too many characters, and they had a hard time 1430 01:02:54,480 --> 01:02:57,760 Speaker 1: deciding which characters they were going to service, and they 1431 01:02:57,880 --> 01:02:59,920 Speaker 1: ended up trying to service too many of them. And 1432 01:03:00,120 --> 01:03:03,960 Speaker 1: I was still not in the episode. So Joey starts 1433 01:03:04,000 --> 01:03:05,840 Speaker 1: to panic and wants to leave, but Frankie says his 1434 01:03:05,880 --> 01:03:08,120 Speaker 1: mom isn't picking them up until three thirty, and Joey says, 1435 01:03:08,160 --> 01:03:12,440 Speaker 1: you in your carpool, grin, And then Harley shows up first. 1436 01:03:12,520 --> 01:03:14,840 Speaker 1: Then Griff walks in. Griff says he heard Harley wants 1437 01:03:14,880 --> 01:03:17,760 Speaker 1: to pound him. Harley is doing a very scary punching 1438 01:03:17,800 --> 01:03:20,240 Speaker 1: motion with his hands, and Griff asks what he's waiting 1439 01:03:20,240 --> 01:03:23,040 Speaker 1: for the sooner. Feenie finds out the sooner Harley will 1440 01:03:23,040 --> 01:03:26,080 Speaker 1: be back in reform school. Joey jumps in to say, okay, 1441 01:03:26,120 --> 01:03:28,440 Speaker 1: I guess the fight's over. Who's up for a little Chinese? 1442 01:03:28,680 --> 01:03:31,360 Speaker 1: But Harley starts to walk off and signals that Frankie 1443 01:03:31,400 --> 01:03:34,240 Speaker 1: needs to beat up Griff instead. Harley says he's waiting, 1444 01:03:34,280 --> 01:03:36,920 Speaker 1: but Frankie decides to quit being a lackey and tells 1445 01:03:37,000 --> 01:03:39,960 Speaker 1: Joey he should do the same. Joey also quits and 1446 01:03:39,960 --> 01:03:42,280 Speaker 1: wants to be his own man. Griff says, it looks 1447 01:03:42,280 --> 01:03:44,400 Speaker 1: like they have nothing to argue about anymore since Frankie 1448 01:03:44,400 --> 01:03:46,760 Speaker 1: and Joey quit, and he wishes Harley good luck with 1449 01:03:46,840 --> 01:03:48,880 Speaker 1: the whole retro look, and he walks off. 1450 01:03:49,240 --> 01:03:50,560 Speaker 3: I did too. This is like the. 1451 01:03:50,480 --> 01:03:53,520 Speaker 1: First time that anyone acknowledges that Harley's got a whole 1452 01:03:53,560 --> 01:03:56,919 Speaker 1: fifties thing going, just like he's in the fifties. Harley says, 1453 01:03:56,960 --> 01:03:59,640 Speaker 1: Frankie and Joey are showing spine self esteem and they 1454 01:03:59,640 --> 01:04:02,360 Speaker 1: have real hutzba and it'll be real hard. 1455 01:04:02,160 --> 01:04:03,040 Speaker 2: Beating it out of them. 1456 01:04:03,280 --> 01:04:06,800 Speaker 1: And then Corey comes out of class talking to totally 1457 01:04:07,000 --> 01:04:09,560 Speaker 1: different kids about how he pulled a fast one on 1458 01:04:09,680 --> 01:04:12,520 Speaker 1: Chris go ahead Harley by giving him a fake wallet 1459 01:04:12,600 --> 01:04:14,640 Speaker 1: with fake money, and he would have loved to have 1460 01:04:14,680 --> 01:04:16,480 Speaker 1: seen the look on his face when he found out. 1461 01:04:16,520 --> 01:04:21,280 Speaker 2: And then he bombs into hall In again. 1462 01:04:21,680 --> 01:04:25,200 Speaker 1: And oh, Harley says, it'll look a lot like this, 1463 01:04:25,400 --> 01:04:30,040 Speaker 1: but perturbed. And then we're in the bus station and 1464 01:04:30,120 --> 01:04:34,400 Speaker 1: there's Carmen Philpy sitting next to Sean playing bum going 1465 01:04:34,440 --> 01:04:37,080 Speaker 1: through a gift basket donated to the homeless shelter, and 1466 01:04:37,120 --> 01:04:40,320 Speaker 1: he offers Sean a mango. Sean thanks him, but he says, no, 1467 01:04:40,400 --> 01:04:43,960 Speaker 1: don't thank me, thank George Feeney because it's written on 1468 01:04:44,000 --> 01:04:46,640 Speaker 1: the card. And there are also teeth in the basket, 1469 01:04:46,680 --> 01:04:49,280 Speaker 1: but he says, oh wait, they're mine. Those are mine, 1470 01:04:49,680 --> 01:04:52,760 Speaker 1: and then he walks off. Turner runs in and finds 1471 01:04:52,800 --> 01:04:54,560 Speaker 1: Sean and says that when he heard Sean was going 1472 01:04:54,560 --> 01:04:58,040 Speaker 1: to Europe, he immediately thought bus station, which I thought 1473 01:04:58,080 --> 01:05:01,040 Speaker 1: was a funny joke that he just knows immediately he 1474 01:05:01,040 --> 01:05:02,960 Speaker 1: won't be at the airport, he'll be at the bus station. 1475 01:05:03,240 --> 01:05:03,840 Speaker 3: This is not a. 1476 01:05:03,960 --> 01:05:09,000 Speaker 6: Huge set, by the way, form and used and not utilized. 1477 01:05:09,040 --> 01:05:12,240 Speaker 3: That all there's like back rooms I know is there 1478 01:05:12,240 --> 01:05:14,680 Speaker 3: probably was multiple scenes in this in the original script, 1479 01:05:14,800 --> 01:05:17,800 Speaker 3: but uh, instead we lost the boys bedroom for this. 1480 01:05:18,280 --> 01:05:19,520 Speaker 5: Yeah, so funny. 1481 01:05:20,120 --> 01:05:22,240 Speaker 1: Sean is trying to go to Paris, France, but he 1482 01:05:22,280 --> 01:05:24,800 Speaker 1: has a bus ticket to Paris, Texas. He thought the 1483 01:05:24,880 --> 01:05:28,280 Speaker 1: TX meant Tex Turner says he doesn't know what Miss 1484 01:05:28,320 --> 01:05:30,919 Speaker 1: Collins said, but running away is not the answer. Sean 1485 01:05:30,960 --> 01:05:33,520 Speaker 1: says he's not running away. He's going somewhere and doing 1486 01:05:33,560 --> 01:05:36,000 Speaker 1: something with his life. He wants to ski the Alps 1487 01:05:36,080 --> 01:05:38,760 Speaker 1: or go to Spain and chase the bulls. When Turner 1488 01:05:38,760 --> 01:05:41,080 Speaker 1: tells him that the bulls chase him, he says he 1489 01:05:41,080 --> 01:05:43,840 Speaker 1: doesn't need Spain, and Europe's a big town and there's 1490 01:05:43,920 --> 01:05:44,920 Speaker 1: tons of stuff. 1491 01:05:44,600 --> 01:05:45,160 Speaker 5: For him to do. 1492 01:05:45,640 --> 01:05:48,640 Speaker 2: Great line, Yep to Europe is a big town is great. 1493 01:05:49,080 --> 01:05:51,200 Speaker 1: Turner asks why Sean didn't come talk to him, and 1494 01:05:51,200 --> 01:05:52,800 Speaker 1: he says because he's busy and he has his own 1495 01:05:52,800 --> 01:05:54,760 Speaker 1: stuff going on, but that doesn't mean he doesn't care 1496 01:05:54,840 --> 01:05:57,560 Speaker 1: what's going on in Shawn's life. Turner says he's more 1497 01:05:57,600 --> 01:06:00,600 Speaker 1: than his buddy. He's responsible for him, but says he's 1498 01:06:00,640 --> 01:06:02,640 Speaker 1: not his dad. He's used to being on his own. 1499 01:06:02,720 --> 01:06:04,960 Speaker 1: It's made him realize he has to look out for himself. 1500 01:06:05,480 --> 01:06:07,560 Speaker 1: As Sean starts to walk away and thanks him for 1501 01:06:07,600 --> 01:06:10,560 Speaker 1: the roof, Turner yells after Sean and says he's not 1502 01:06:10,720 --> 01:06:14,360 Speaker 1: going anywhere. Sean says he's going to Europe, but Turner 1503 01:06:14,360 --> 01:06:17,360 Speaker 1: corrects him that he's actually going to Texas again. Turner says, 1504 01:06:17,480 --> 01:06:20,200 Speaker 1: Sean has no idea what he's getting himself into. So 1505 01:06:20,240 --> 01:06:22,760 Speaker 1: Sean is going back home with him where he belongs, 1506 01:06:22,960 --> 01:06:24,840 Speaker 1: and if he wants to go to Europe, they'll go 1507 01:06:24,880 --> 01:06:27,640 Speaker 1: together next summer, but only if he starts going to 1508 01:06:27,680 --> 01:06:29,280 Speaker 1: class and he gets his grades up. 1509 01:06:29,440 --> 01:06:33,120 Speaker 3: And this is all lovely, lovely stuff, but great, it 1510 01:06:33,160 --> 01:06:35,720 Speaker 3: just doesn't feel earned by the episode now at all 1511 01:06:35,760 --> 01:06:39,280 Speaker 3: because it's not about our relationship until this scene, so 1512 01:06:39,320 --> 01:06:40,920 Speaker 3: we haven't really I. 1513 01:06:40,880 --> 01:06:45,520 Speaker 4: Don't know as it's a great could have been such 1514 01:06:45,520 --> 01:06:49,240 Speaker 4: an amazing storyline for Sean because for the first time 1515 01:06:49,680 --> 01:06:53,680 Speaker 4: he's running towards something as opposed to from something. Yes, 1516 01:06:53,760 --> 01:06:56,640 Speaker 4: which is a huge bit of character development, or could 1517 01:06:56,640 --> 01:06:59,160 Speaker 4: be if it's done right. You're actually going towards something 1518 01:06:59,360 --> 01:07:01,520 Speaker 4: and you're looking forward as opposed to just getting away 1519 01:07:01,560 --> 01:07:04,480 Speaker 4: from what's behind you. That's huge for a character. And 1520 01:07:04,520 --> 01:07:07,360 Speaker 4: they didn't do any and it's like, Okay, it was 1521 01:07:07,480 --> 01:07:08,160 Speaker 4: really weird. 1522 01:07:08,440 --> 01:07:11,680 Speaker 3: I had an interesting thought, which is this summer before 1523 01:07:12,760 --> 01:07:16,360 Speaker 3: this episode, I went to Europe with David Colmes, my teach. 1524 01:07:16,520 --> 01:07:19,200 Speaker 3: That's when you went the show. So I wonder if 1525 01:07:19,240 --> 01:07:22,440 Speaker 3: the idea teacher offering to take a student to Europe? 1526 01:07:23,080 --> 01:07:25,440 Speaker 3: What came from real life? Think if the writers on 1527 01:07:25,480 --> 01:07:27,920 Speaker 3: our show knew that I had gone to they did 1528 01:07:28,800 --> 01:07:31,959 Speaker 3: with David, that they incorporated that into this, which is great. 1529 01:07:32,000 --> 01:07:34,480 Speaker 3: It's kind of like a yeah, that's cool. 1530 01:07:34,520 --> 01:07:36,840 Speaker 1: I bet you, I bet I bet they did. David 1531 01:07:36,880 --> 01:07:41,240 Speaker 1: Colms influencing the storylines of Boy Meets World. The man 1532 01:07:41,280 --> 01:07:43,640 Speaker 1: with the gift basket tells Sean to listen to his dad, 1533 01:07:43,680 --> 01:07:46,280 Speaker 1: and Sean says he thinks he will, and he hands 1534 01:07:46,320 --> 01:07:49,760 Speaker 1: the man his bus ticket. The man yells, all right, 1535 01:07:49,880 --> 01:07:54,560 Speaker 1: I'm going to Europe. And then we're in the guidance 1536 01:07:54,600 --> 01:07:57,320 Speaker 1: Counselor's office. Corey is laying down on the couch, venting 1537 01:07:57,320 --> 01:07:59,720 Speaker 1: to Miss Collins about losing Sean and there was really 1538 01:07:59,720 --> 01:08:02,160 Speaker 1: no for him. Plus Harley is back and he's running 1539 01:08:02,160 --> 01:08:04,360 Speaker 1: out of wallets, and then there are those clown dreams. 1540 01:08:04,520 --> 01:08:06,600 Speaker 1: I love this, this Runner of the Clown thing. I 1541 01:08:06,600 --> 01:08:09,520 Speaker 1: really do enjoy it. Miss Collins interrupts Corey's rambling to 1542 01:08:09,520 --> 01:08:11,439 Speaker 1: say this is not the kind of counseling she does, 1543 01:08:11,560 --> 01:08:14,280 Speaker 1: and then Turner and Sean walk in. Miss Collins asked 1544 01:08:14,320 --> 01:08:16,200 Speaker 1: Jean the next time they talk if he can explain 1545 01:08:16,280 --> 01:08:19,360 Speaker 1: what he thought she meant. Sean doesn't understand, and Turner 1546 01:08:19,400 --> 01:08:22,280 Speaker 1: says he can just talk to him. Corey steps out 1547 01:08:22,280 --> 01:08:28,640 Speaker 1: with Sean and we get a really odd reaction shots 1548 01:08:28,800 --> 01:08:32,960 Speaker 1: Miss Collins who's slowly walking toward mister Turner, who gives 1549 01:08:33,000 --> 01:08:37,160 Speaker 1: a side smile, and it looks like, boun. 1550 01:08:40,960 --> 01:08:43,200 Speaker 3: Go ahead on the desk right now. 1551 01:08:43,439 --> 01:08:47,240 Speaker 2: Don't understand miss what to do with this character? 1552 01:08:47,360 --> 01:08:49,280 Speaker 3: So they were like, what do we I mean? The 1553 01:08:50,320 --> 01:08:52,600 Speaker 3: is the is the point that the guidance counselor is 1554 01:08:52,680 --> 01:08:55,080 Speaker 3: too attractive to be a guidance counselor and she's just 1555 01:08:55,520 --> 01:08:58,160 Speaker 3: flirting with Sean and now Turner or like. 1556 01:08:58,360 --> 01:09:00,639 Speaker 1: What a message that you cannot be a young woman 1557 01:09:00,680 --> 01:09:01,760 Speaker 1: in any place. 1558 01:09:01,479 --> 01:09:03,439 Speaker 3: Of business because no one will take you sea, no 1559 01:09:03,439 --> 01:09:03,920 Speaker 3: one will. 1560 01:09:03,760 --> 01:09:06,360 Speaker 2: Take you seriously, and everyone will sleep with you. I don't. 1561 01:09:06,920 --> 01:09:08,639 Speaker 2: I don't understand what's happening here. 1562 01:09:08,760 --> 01:09:11,479 Speaker 3: I don't either. It was so exciting, exactly the same, 1563 01:09:11,479 --> 01:09:12,960 Speaker 3: and I was like the look between Turner and the 1564 01:09:12,960 --> 01:09:15,400 Speaker 3: counsel question, Mark Lake, what is is this something that 1565 01:09:15,520 --> 01:09:16,200 Speaker 3: was out? 1566 01:09:16,640 --> 01:09:19,759 Speaker 1: And then when when Corey and Sean go outside, there's 1567 01:09:19,800 --> 01:09:22,240 Speaker 1: like a pause and then you hear the door close, 1568 01:09:22,600 --> 01:09:26,800 Speaker 1: which normally when you you hear the office door close 1569 01:09:26,840 --> 01:09:28,920 Speaker 1: behind them, but it's not like immediate. It doesn't the 1570 01:09:28,960 --> 01:09:31,200 Speaker 1: door doesn't you know, Normally when you are doing a scene, 1571 01:09:31,280 --> 01:09:32,760 Speaker 1: you want the door to close first, and then you 1572 01:09:32,800 --> 01:09:35,519 Speaker 1: start your dialogue. You try not to close the lot 1573 01:09:35,600 --> 01:09:37,760 Speaker 1: the door on a line, and they don't close it 1574 01:09:37,800 --> 01:09:38,160 Speaker 1: on a line. 1575 01:09:38,200 --> 01:09:39,320 Speaker 2: They close it in between a line. 1576 01:09:39,320 --> 01:09:41,040 Speaker 1: But also like you could have just left the door 1577 01:09:41,040 --> 01:09:43,000 Speaker 1: cracked and I wouldn't have wondered why I didn't hear 1578 01:09:43,000 --> 01:09:44,160 Speaker 1: the door closed, but you do. 1579 01:09:44,240 --> 01:09:47,479 Speaker 2: It's extra weird. So outside the door. 1580 01:09:47,520 --> 01:09:49,680 Speaker 1: Sean says he's not mad, and Corey says he's not 1581 01:09:49,720 --> 01:09:53,320 Speaker 1: apologizing and he's no longer responsible for Sean's actions. Sean 1582 01:09:53,320 --> 01:09:55,280 Speaker 1: says it's no problem, and he guess he missed his 1583 01:09:55,280 --> 01:09:58,240 Speaker 1: biology exam this morning. Corey says, don't worry. I took 1584 01:09:58,320 --> 01:10:02,960 Speaker 1: the exam for Sean. Two things I can't believe. We 1585 01:10:03,000 --> 01:10:06,080 Speaker 1: never addressed what happened to the end of Eric's storyline. 1586 01:10:06,400 --> 01:10:09,639 Speaker 1: Just nothing, just that, not even with FENI, not even 1587 01:10:09,680 --> 01:10:13,280 Speaker 1: with Feenie. Phoenia doesn't even know as far as we know, No, Okay, 1588 01:10:14,280 --> 01:10:14,519 Speaker 1: what is? 1589 01:10:14,600 --> 01:10:14,800 Speaker 5: What is? 1590 01:10:14,800 --> 01:10:16,280 Speaker 1: They're going to do for college. There needs to be 1591 01:10:16,320 --> 01:10:17,960 Speaker 1: a discussion. What are you going to do? You don't 1592 01:10:18,000 --> 01:10:19,000 Speaker 1: have a letter of recommendation? 1593 01:10:19,040 --> 01:10:21,720 Speaker 3: You get there? Were we do episodes I know that 1594 01:10:21,760 --> 01:10:23,839 Speaker 3: are about that. We get there. We spent three episodes 1595 01:10:23,880 --> 01:10:27,840 Speaker 3: in the SATs. Right now we're in college letter of recommendations. 1596 01:10:28,040 --> 01:10:31,200 Speaker 3: So weird. Well we'll cover it. But it's a weird. Yeah, 1597 01:10:31,560 --> 01:10:35,120 Speaker 3: this whole episode was just and everybody was good. It 1598 01:10:35,280 --> 01:10:39,280 Speaker 3: was just bizarre. It was like, yeah, I don't dislike it, 1599 01:10:39,320 --> 01:10:41,400 Speaker 3: but I don't like it. It was just weird. 1600 01:10:41,840 --> 01:10:47,920 Speaker 1: Second thing, Okay, where the am I? Why am I 1601 01:10:47,960 --> 01:10:49,720 Speaker 1: a part of this podcast? Do you guys want me 1602 01:10:49,760 --> 01:10:50,840 Speaker 1: to get somebody else in the seat? 1603 01:10:51,120 --> 01:10:53,880 Speaker 3: To Panka is not a big part of the show 1604 01:10:54,000 --> 01:10:57,000 Speaker 3: until I mean because of the lore, because you are 1605 01:10:57,120 --> 01:10:59,679 Speaker 3: part of the this is the thing. It's like boy 1606 01:10:59,680 --> 01:11:03,479 Speaker 3: Mean's world has like two levels. It has the levels 1607 01:11:03,520 --> 01:11:08,519 Speaker 3: that are expositionally told to the viewer. This is this 1608 01:11:08,600 --> 01:11:11,080 Speaker 3: is the storyline. Sean is this type of person. Corey 1609 01:11:11,080 --> 01:11:15,120 Speaker 3: into Panga are always there's all this expositional talk and 1610 01:11:15,160 --> 01:11:18,400 Speaker 3: then there's actual storylines and actual like what you're watching, 1611 01:11:18,760 --> 01:11:22,400 Speaker 3: and sometimes they're not equal to each other. So like 1612 01:11:22,560 --> 01:11:24,519 Speaker 3: there's a lot of like, for instance, there's a lot 1613 01:11:24,560 --> 01:11:28,559 Speaker 3: of exponential stuff about Eric being ridiculous and being dumb, 1614 01:11:28,640 --> 01:11:30,720 Speaker 3: which is fun and it takes up a lot of 1615 01:11:30,760 --> 01:11:33,400 Speaker 3: the actual screen time. But then there's a lot of 1616 01:11:33,640 --> 01:11:37,479 Speaker 3: expositional talk about Corey into Panga and how they've always 1617 01:11:37,479 --> 01:11:39,160 Speaker 3: loved each other and they're meant to be together when 1618 01:11:39,160 --> 01:11:42,439 Speaker 3: in reality you're barely on screen until like season four 1619 01:11:42,560 --> 01:11:46,080 Speaker 3: or five. I really believe that, Like it's crazy. Yeah, 1620 01:11:46,439 --> 01:11:48,360 Speaker 3: it's a weird show in that way, Like there's two 1621 01:11:48,439 --> 01:11:49,600 Speaker 3: levels to it constantly. 1622 01:11:50,560 --> 01:11:51,840 Speaker 4: So is it like that what do they call that 1623 01:11:51,840 --> 01:11:54,000 Speaker 4: with the Berenstein Bears and all that stuff where people 1624 01:11:54,000 --> 01:11:56,760 Speaker 4: are remembering and I remembered it. 1625 01:11:56,680 --> 01:11:58,840 Speaker 3: The Mendela effect. Yeah, so it is. That's what it 1626 01:11:58,880 --> 01:12:02,839 Speaker 3: is on this shows you to remember things that never happened. 1627 01:12:03,120 --> 01:12:05,320 Speaker 3: Our show was like, we always do this, this is 1628 01:12:05,360 --> 01:12:09,559 Speaker 3: what we always do, and it's right right right little squirrels. 1629 01:12:09,920 --> 01:12:10,000 Speaker 4: Ye. 1630 01:12:12,720 --> 01:12:16,120 Speaker 1: Well, anyway, thanks for listening to this episode of Pod 1631 01:12:16,120 --> 01:12:18,599 Speaker 1: Meets World. You can follow us on Instagram pod meets 1632 01:12:18,600 --> 01:12:20,679 Speaker 1: World Show. You can send us your emails pod meets 1633 01:12:20,680 --> 01:12:23,840 Speaker 1: World Show at gmail dot com, and we have merch. 1634 01:12:26,640 --> 01:12:29,439 Speaker 4: I didn't say anything I was to panging it on 1635 01:12:29,520 --> 01:12:32,080 Speaker 4: the first few at first few seasons of Pod Meets World. 1636 01:12:32,160 --> 01:12:32,599 Speaker 3: Is that wrong? 1637 01:12:33,120 --> 01:12:35,240 Speaker 2: Just invisible march. 1638 01:12:35,479 --> 01:12:35,880 Speaker 3: There you go. 1639 01:12:37,720 --> 01:12:40,840 Speaker 1: Pod Meets Worldshow dot com will send us out. 1640 01:12:41,240 --> 01:12:43,000 Speaker 3: We love you all, pod dismissed. 1641 01:12:45,040 --> 01:12:47,719 Speaker 4: Pod Meets World is an iHeart podcast produced and hosted 1642 01:12:47,760 --> 01:12:51,559 Speaker 4: by Daniel Fischel, Wilfredell and Ryder Strong executive producers, Jensen 1643 01:12:51,600 --> 01:12:54,920 Speaker 4: Carp and Amy Sugarman Executive in charge of production, Daniel Romo, 1644 01:12:55,000 --> 01:12:58,920 Speaker 4: producer and editor, Taras Sudbach, producer, Jackie Rodriguez, engineer and 1645 01:12:58,960 --> 01:13:01,479 Speaker 4: Boy Meets World super fan Easton Allen. Our theme song 1646 01:13:01,560 --> 01:13:03,719 Speaker 4: is by Kyle Morton of Typhoon and you can follow 1647 01:13:03,800 --> 01:13:07,000 Speaker 4: us on Instagram at podmeets World Show or email us 1648 01:13:07,000 --> 01:13:09,400 Speaker 4: at Podmeets worldshowat gmail dot com.