WEBVTT - Glenn Lowry

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<v Speaker 1>He's going to read his day. Hello, you're recording from

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<v Speaker 1>the Naisi, okay, So I'll just read this little thing

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<v Speaker 1>and then we can't talk. Today. I've come to New

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<v Speaker 1>York and I'm in one of my favorite places in

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<v Speaker 1>the world, the Museum of Modern Art, a place that

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<v Speaker 1>I have treasured since a young child from upstate New York.

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<v Speaker 1>Beautiful spaces that are welcoming and exciting are crucial. That

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<v Speaker 1>is what we do in our own small way at

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<v Speaker 1>the River Cafe. And what Glenn Lowry has done here

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<v Speaker 1>in a big way over the past thirty years. Is

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<v Speaker 1>that right? Thirty years eight? Okay? I say, over almost

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<v Speaker 1>thirty years as director, he's transformed the collection, broaden the collection,

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<v Speaker 1>and turn the museum into a space where people cannot

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<v Speaker 1>only look at beautiful art, but meet sit in the

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<v Speaker 1>garden and eat delicious food. Glenn and I like to

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<v Speaker 1>bring the world of art and food together. At the

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<v Speaker 1>River Cafe. We're doing projects with Ed Ruschet and Damien Hurst,

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<v Speaker 1>and one of my favorite drawings is a self portrait.

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<v Speaker 1>Ellsworth Kelly drew the River Cafe bathroom and a message

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<v Speaker 1>so I twombly left me on a menu after a

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<v Speaker 1>long lunch. If we have brought art to food, Glenn

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<v Speaker 1>has brought food to art with a fabulous restaurant, the

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<v Speaker 1>modern and small cafes throughout the building. Glenn is a

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<v Speaker 1>close friend of the River Cafe and a close friend

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<v Speaker 1>of Richard and mine. Today we're going to discuss food

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<v Speaker 1>and art, Art and food, our love for both and

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<v Speaker 1>our love for each other.

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<v Speaker 2>So great to be here.

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<v Speaker 1>Thank you. I said I was coming to the museum

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<v Speaker 1>and we'd be doing this interview surrounded by the greatest

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<v Speaker 1>start in the world, and I'm looking at four black

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<v Speaker 1>wolves two stories down.

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<v Speaker 2>We'll have to do something about studio.

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<v Speaker 3>They can know.

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<v Speaker 1>That's great. Actually, do you spend a lot of time

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<v Speaker 1>down here?

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<v Speaker 2>Do you record exodically? We were, you know, we we

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<v Speaker 2>we used to do a lot of audio guides in house,

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<v Speaker 2>and so we needed a recording studio for that. Now

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<v Speaker 2>they're produced all over the place, and so it's a

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<v Speaker 2>little bit different.

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<v Speaker 1>Do you have a podcast as museum have a podcast?

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<v Speaker 2>We have a thing called Post which is online. It's

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<v Speaker 2>not really a podcast, but we do a number of conversations.

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<v Speaker 2>Is probably a better way of putting it in podcasts.

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<v Speaker 1>Yeah, I actually did a little audio one for the

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<v Speaker 1>Custin Show. They came and asked me to talk about

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<v Speaker 1>because my father was a great friend of Philip Gustin.

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<v Speaker 2>I didn't know that.

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<v Speaker 1>You didn't know that. Oh yeah, I grew up in

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<v Speaker 1>Woodstock and so Philip was in our house all the time. Actually,

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<v Speaker 1>they liked the food my mother was cooked, you know,

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<v Speaker 1>And I think music. His wife was a poet and

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<v Speaker 1>fill up the painter. What about artists and food.

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<v Speaker 2>Oh, I think they go together. I can't tell you

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<v Speaker 2>the number of artists that I know who are either

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<v Speaker 2>fanatic about the food they cook or just love to

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<v Speaker 2>go out side Twombly. I mean, yeah, you know, lunch

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<v Speaker 2>was side Twombly or dinner with side Twombly was always

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<v Speaker 2>a feast.

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<v Speaker 1>And what was it like? What are your memories?

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<v Speaker 4>Oh?

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<v Speaker 2>My memories were being out you know above Geita with

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<v Speaker 2>Sigh and some small hilltop town where Nicola had found

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<v Speaker 2>a fabulous restaurant and you know, lunches that would go

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<v Speaker 2>on for two or two and a half hours. But

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<v Speaker 2>the food would be absolutely spectacular. Of course, one of

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<v Speaker 2>the great things about Italy is the tiniest place can

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<v Speaker 2>produce the most delicious meal.

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<v Speaker 1>When you see a three star Mischlin in Italy. I

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<v Speaker 1>always sort of avoid it. You want to go to

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<v Speaker 1>those small Oh yes.

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<v Speaker 2>The magic for me of traveling around Europe in general,

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<v Speaker 2>but particularly Italy is the serendipitous encounter with a place

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<v Speaker 2>that you'd never even heard of that creates a meal

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<v Speaker 2>that you'll never forget.

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<v Speaker 1>Okay, So did you ever live in Italy as talking

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<v Speaker 1>about it?

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<v Speaker 2>No, Alas, I mean I spent a lot of time

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<v Speaker 2>in France. You know, I am, in fact French. So

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<v Speaker 2>now is well you have to go back to Livingstein.

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<v Speaker 2>And my father was German, my mother was French. They

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<v Speaker 2>met during the Second World War. But I regained my

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<v Speaker 2>French citizenship a year ago.

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<v Speaker 1>Okay. So you were born in France, so is that

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<v Speaker 1>why or is it through your mother?

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<v Speaker 2>Through my mother? I was born in New York.

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<v Speaker 1>Because I have a son who was born in Paris,

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<v Speaker 1>and I ever think, great, he's going to be you know,

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<v Speaker 1>can have French citizenship, but you have to live in

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<v Speaker 1>France between the ages of eighteen and twenty two. I e.

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<v Speaker 1>Go to the army, right, you know, but I don't

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<v Speaker 1>know if that's changed. But that's cool that you've got

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<v Speaker 1>French citizens.

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<v Speaker 2>Yeah, Well, I've always felt French.

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<v Speaker 5>You know.

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<v Speaker 2>It's a strange thing that because my mother spoke to

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<v Speaker 2>me in French from the moment I could speak, and

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<v Speaker 2>because we spent every summer there, and I have lots

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<v Speaker 2>of friends. I went to the Universitated cornob when I

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<v Speaker 2>was younger. It's in the blood, yeah, but and I

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<v Speaker 2>think what's in the blood is a lot for food, love,

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<v Speaker 2>for all those things that were in the soul of France.

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<v Speaker 1>Did she cook?

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<v Speaker 2>My mother is a great cook. Is a great cook.

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<v Speaker 1>She is, okay, tell me about her cooking.

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<v Speaker 2>So she was a self taught cook. She was not

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<v Speaker 2>somebody who grew up cooking. But when she came to

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<v Speaker 2>the United States and subsequently married my father and then

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<v Speaker 2>had children, she had to learn to cook. And she

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<v Speaker 2>started by just following cookbooks. And in her words, it's

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<v Speaker 2>not actually that difficult. You just follow the recipe precisely until.

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<v Speaker 1>You unless it's River Cafe cookbook rug, but.

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<v Speaker 2>Until you get confident enough to play right. And she

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<v Speaker 2>she we grew up in a house where food was everything.

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<v Speaker 1>Let's go to the very beginning. So where were you born.

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<v Speaker 2>I was born in New York City, but I grew

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<v Speaker 2>up in Williamstown, Massachusetts.

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<v Speaker 1>Is your father involved with Williams No.

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<v Speaker 2>My parents met because they loved to ski, and so

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<v Speaker 2>I was born in New York. My sister was born

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<v Speaker 2>three years after me, and shortly thereafter they decamped to Williamstown,

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<v Speaker 2>which is in the Berkshire northwest corner of Massachusetts, because

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<v Speaker 2>it was in ski country, so they just moved on

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<v Speaker 2>a whim and so that's where I grew up. What

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<v Speaker 2>was his job, I follow was an engineer, so the

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<v Speaker 2>weekends were for skiing, and as a child we grew

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<v Speaker 2>up skiing every weekend and eventually became a racer and

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<v Speaker 2>it was part of my life in France for all

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<v Speaker 2>over I was on the ski team of the university

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<v Speaker 2>and I was also racing on sort of the lower

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<v Speaker 2>level of the FIS circuit. So it's all good. I

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<v Speaker 2>still ski, but not nearly as much or the way

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<v Speaker 2>I would like to. I mean, it's pure pleasure, but

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<v Speaker 2>it's difficult when you live in New York City and

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<v Speaker 2>you have.

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<v Speaker 1>A day job whisky. As a family, it's always been

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<v Speaker 1>our thing of our holiday. Where do you school holidays? Well,

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<v Speaker 1>we've gone back over and over again to Courchevell to

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<v Speaker 1>the to Valet, you know, because you can go from

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<v Speaker 1>Corshevell over mary Belle to you know, Valtorol and that's

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<v Speaker 1>a very very good skier and has children. So it's

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<v Speaker 1>kind of been our family sailing and skiing, but you know,

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<v Speaker 1>our part is much more the skiing. And I was

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<v Speaker 1>I have skied in this in vil and in Aspen

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<v Speaker 1>and recently in Tellyride, and we could go back to

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<v Speaker 1>food in that case, because there's no comparison, dare I

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<v Speaker 1>say between the food that you get on the mountains

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<v Speaker 1>in France. You know, that was a real awakening. This

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<v Speaker 1>was someplace they don't let you drink on the slopes, right, No,

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<v Speaker 1>it's terrible.

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<v Speaker 2>I mean, you know, for all of the great restaurants

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<v Speaker 2>this country has today, and it does state the fact

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<v Speaker 2>that ski culture here hasn't generated the kind of ambience

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<v Speaker 2>that you have in Europe. We had for years and

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<v Speaker 2>years and years an apartment in majev so that's where

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<v Speaker 2>we would ski, and before that in Valdize when my

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<v Speaker 2>parents were younger, and you know, you'd spend the morning

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<v Speaker 2>skiing hard and then you'd find a little place to

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<v Speaker 2>have lunch and it would be a spectacularly delicious lunch,

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<v Speaker 2>simple but delicious. And then you go, you know, throughout

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<v Speaker 2>New Hampshire, for instance, and you go to these ski

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<v Speaker 2>resorts and you see these signs that say fine food

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<v Speaker 2>served here, and the only thing that was certain is

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<v Speaker 2>that the food wasn't fine. It's just a different it's different.

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<v Speaker 1>We used to say, we used to fit a bit

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<v Speaker 1>of skiing in between, you know, good food.

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<v Speaker 4>Richard was absolutely passionate about the food and the because

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<v Speaker 4>he's loved ski.

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<v Speaker 1>Till he was about eighty six. A friend of mine

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<v Speaker 1>who makes wine in Tuscany, mister Bonnicassi, he's called, He said,

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<v Speaker 1>is Richard skiing? I said, well, you know, he's finding

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<v Speaker 1>it a bit difficult now that he's sort of in

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<v Speaker 1>his early eighties. He said, oh, tell him to continue,

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<v Speaker 1>because I went through that in my early eighties and

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<v Speaker 1>then it came right back in my late eighties.

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<v Speaker 2>Just requires patience. My mother's skied till she was ninety,

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<v Speaker 2>and every year from about eighty four or eighty five

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<v Speaker 2>till she stopped, she would buy new skis in a

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<v Speaker 2>new outfit and you'd say, Mom, but you only take

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<v Speaker 2>one run a year. That the great run like it

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<v Speaker 2>matters to me.

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<v Speaker 1>So back to the food your mother was cooking when

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<v Speaker 1>you were saying about cookbooks, because I learned to cook

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<v Speaker 1>through Julia Child, which is probably later, but I always

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<v Speaker 1>say reading Julia Child was it was like a science cookbook.

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<v Speaker 4>You know.

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<v Speaker 1>It gave you exactly the measurements, exactly the size of

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<v Speaker 1>the bowl, the spoon, the amount. It was so precise

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<v Speaker 1>and almost you couldn't make a mistake, and that gave

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<v Speaker 1>you the freedom to then experiment on your own. Do

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<v Speaker 1>you know what your mother used Julia Child.

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<v Speaker 2>She did lots of other cookbooks, but I mean I

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<v Speaker 2>ended up getting one of her copies of Julia Child.

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<v Speaker 2>She had several that you know, it was tattered, actually

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<v Speaker 2>in pieces. But I think that's what you learn about cooking,

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<v Speaker 2>that it becomes fun when you have the confidence to

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<v Speaker 2>an away go off piece to start experimenting and inventing,

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<v Speaker 2>as well as following the directions. And also that you

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<v Speaker 2>can't really make a terrible mistake. Yeah, people worry that

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<v Speaker 2>it won't taste exactly the way they want it to,

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<v Speaker 2>but every time you do something, you learn a little

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<v Speaker 2>bit about what you've done that lets you do something else.

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<v Speaker 1>Did you participate with her in cooking.

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<v Speaker 2>No, I didn't actually start cooking, strangely, until I met Susan,

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<v Speaker 2>my wife, and her father was an extremely good cook,

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<v Speaker 2>as well as her mother, of course, and he became

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<v Speaker 2>a kind of role model for me because on the

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<v Speaker 2>weekends he would do the cooking. He liked to cook

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<v Speaker 2>Chinese food because he had represented Chinatown in Montreal as

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<v Speaker 2>a Federal parliamentarian, and watching him cook and learning from

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<v Speaker 2>him just stayed with me. And I met him when

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<v Speaker 2>I was seventeen seventeen.

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<v Speaker 1>Would meals be a very important part of your life

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<v Speaker 1>sitting down to dinner at night? Did you all sit,

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<v Speaker 1>you and your sister and your parents sit down meal

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<v Speaker 1>cooked by your mother?

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<v Speaker 2>Absolutely. We lived initially in a very small house and

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<v Speaker 2>then eventually my parents moved to a larger house. But

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<v Speaker 2>the meal was the key point in the day. And

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<v Speaker 2>my mother what time would it be?

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<v Speaker 1>Would it be would she'd go on French terms and

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<v Speaker 1>have dinner at eight or would it be earlier school?

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<v Speaker 2>It was earlier, you know, seven ish. I like to

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<v Speaker 2>eat late. Now. I don't remember what I like to

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<v Speaker 2>do when I was a child. I just ate when

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<v Speaker 2>when the opportunity was there. But my mother, you know

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<v Speaker 2>up until I was in seventh or eighth grade, maybe beyond,

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<v Speaker 2>which would bring me lunch at school because she just

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<v Speaker 2>didn't think the school would produce a good enough lunch.

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<v Speaker 2>So as a child, you were both teased because.

0:11:35.360 --> 0:11:36.240
<v Speaker 1>It was that embarrassing.

0:11:36.280 --> 0:11:38.640
<v Speaker 2>It was horribly embarrassing. But on the other hand, I

0:11:38.640 --> 0:11:39.520
<v Speaker 2>had a very good lunch.

0:11:39.679 --> 0:11:42.640
<v Speaker 1>Yeah, she'd actually bring it to you, or she'd give

0:11:42.640 --> 0:11:43.199
<v Speaker 1>it to you to take.

0:11:43.320 --> 0:11:45.400
<v Speaker 2>Sometimes she gave it to me. Sometimes she would.

0:11:45.240 --> 0:11:47.319
<v Speaker 1>Be really embarrassing to have your mother come with a

0:11:47.360 --> 0:11:49.040
<v Speaker 1>plate of but nice, so nice.

0:11:49.240 --> 0:11:49.400
<v Speaker 5>You know.

0:11:50.400 --> 0:11:52.400
<v Speaker 2>My mother was is a fantastic mother.

0:11:52.920 --> 0:11:54.160
<v Speaker 1>So she sounds great.

0:11:54.679 --> 0:11:56.760
<v Speaker 2>And she believes that, you know, if you don't have

0:11:56.800 --> 0:11:58.400
<v Speaker 2>a good meal, you're not going to have a good day.

0:11:58.520 --> 0:12:01.240
<v Speaker 2>That's kind of where she's started that. Yeah, I do.

0:12:01.360 --> 0:12:03.880
<v Speaker 2>Yeah puts you know, let's put it this way. A

0:12:03.880 --> 0:12:05.240
<v Speaker 2>bad meal puts you in a bad meal.

0:12:05.400 --> 0:12:07.480
<v Speaker 1>Yeah. And so you grew up in this house. Did

0:12:07.520 --> 0:12:08.520
<v Speaker 1>you say your father cooked.

0:12:08.720 --> 0:12:12.440
<v Speaker 2>No, My father once a year would make potato lotkis,

0:12:12.440 --> 0:12:13.880
<v Speaker 2>which was the one thing he could make.

0:12:14.160 --> 0:12:14.959
<v Speaker 1>Where did he learn that?

0:12:15.280 --> 0:12:18.040
<v Speaker 2>I guess from his mother or his grandmother in Germany.

0:12:18.280 --> 0:12:21.920
<v Speaker 2>But the kitchen was a disaster after that, So my

0:12:22.000 --> 0:12:24.360
<v Speaker 2>mother was never that keen to have to do it

0:12:24.360 --> 0:12:27.920
<v Speaker 2>because my father and cleaning up weren't actually synonymous. So

0:12:29.480 --> 0:12:32.280
<v Speaker 2>latkis were delicious, but they were a treat to be

0:12:32.320 --> 0:12:33.079
<v Speaker 2>had once a year.

0:12:33.200 --> 0:12:36.199
<v Speaker 1>And so you grew up in this household of primarily French.

0:12:35.960 --> 0:12:40.560
<v Speaker 2>Food, almost always Bogigno. My mother would cook a fabulous lamb,

0:12:40.840 --> 0:12:42.720
<v Speaker 2>you know. Every once in a while she'd do, you know,

0:12:42.760 --> 0:12:46.040
<v Speaker 2>a spaghetti of some sort, mostly spaghetti with meat balls.

0:12:46.160 --> 0:12:48.760
<v Speaker 2>Very it was not her favorite thing to cook for

0:12:48.800 --> 0:12:51.960
<v Speaker 2>some reason, but and my father loved meat, so we had,

0:12:52.320 --> 0:12:54.240
<v Speaker 2>you know, probably the worst diet in the world. We

0:12:54.280 --> 0:12:58.240
<v Speaker 2>had a lot of pork, beef, lamb, but always cooked,

0:12:58.360 --> 0:13:00.360
<v Speaker 2>you know, even when it was a very simple my

0:13:00.360 --> 0:13:03.840
<v Speaker 2>mother had a way of cooking it perfectly. I remember

0:13:04.160 --> 0:13:06.200
<v Speaker 2>at some point a friend of hers told her about

0:13:06.880 --> 0:13:09.160
<v Speaker 2>kind of salmon. It was not quite a smoke salmon,

0:13:09.160 --> 0:13:11.520
<v Speaker 2>it was a cured salmon. So she started curing salmon

0:13:11.840 --> 0:13:14.760
<v Speaker 2>that was spectacularly good. I mean everything she touched, yeah,

0:13:14.880 --> 0:13:15.920
<v Speaker 2>turned out really well.

0:13:16.559 --> 0:13:18.520
<v Speaker 1>I wonder if she could find the ingredients she wanted

0:13:18.600 --> 0:13:20.160
<v Speaker 1>in Williamstown.

0:13:21.559 --> 0:13:26.360
<v Speaker 2>You know, there was a store half hour forty minutes

0:13:26.400 --> 0:13:29.480
<v Speaker 2>away that she would go to. And you know, it's

0:13:29.480 --> 0:13:32.160
<v Speaker 2>gotten better over time, and now when I go there

0:13:32.200 --> 0:13:34.840
<v Speaker 2>to visit her, you can get pretty much anything you want.

0:13:34.960 --> 0:13:36.920
<v Speaker 2>But that certainly wasn't the case growing up.

0:13:37.080 --> 0:13:39.800
<v Speaker 1>What we did our first book, Random House had a

0:13:39.840 --> 0:13:43.679
<v Speaker 1>policy that whatever recipe you did had to be available

0:13:43.720 --> 0:13:47.160
<v Speaker 1>to their cookbook editor who lived in Maine, that within

0:13:47.320 --> 0:13:50.760
<v Speaker 1>fifty miles that she could get the ingredient. And now,

0:13:50.840 --> 0:13:53.600
<v Speaker 1>of course with the Internet, it's all changed anyway. Everybody

0:13:53.640 --> 0:13:57.079
<v Speaker 1>can get everything. Yeah, did you go to France in

0:13:57.120 --> 0:13:59.839
<v Speaker 1>the summer? Did you go visit Where were your grandparents?

0:14:00.280 --> 0:14:04.920
<v Speaker 2>So my grandmother lived in Paris, and my cousins, who

0:14:05.480 --> 0:14:09.319
<v Speaker 2>also lived in Paris, spent the summers in Cannes, in

0:14:10.120 --> 0:14:12.840
<v Speaker 2>the south of France, so we'd go and visit them.

0:14:13.000 --> 0:14:17.640
<v Speaker 2>And then when I was eleven, was sent off to

0:14:17.760 --> 0:14:20.600
<v Speaker 2>live in the summer with some friends of my parents

0:14:20.600 --> 0:14:24.360
<v Speaker 2>in ex Leba in the Saboas, and I would go

0:14:24.400 --> 0:14:26.400
<v Speaker 2>and live with them for a couple of weeks, and

0:14:26.400 --> 0:14:27.960
<v Speaker 2>then I would go to ski camp for a couple

0:14:28.000 --> 0:14:29.360
<v Speaker 2>of weeks, and then I would come back and live

0:14:29.400 --> 0:14:33.040
<v Speaker 2>with them. So I had this kind of idyllic childhood.

0:14:32.800 --> 0:14:35.000
<v Speaker 1>It's such a regional cooking, isn't it The food that

0:14:35.040 --> 0:14:37.280
<v Speaker 1>you would eat in Paris or Normandy, It wo'd be

0:14:37.280 --> 0:14:40.720
<v Speaker 1>different from Brittany and from excell and France, from the

0:14:40.800 --> 0:14:42.720
<v Speaker 1>south of France, and it was very different.

0:14:43.120 --> 0:14:47.400
<v Speaker 2>Yes, that's that whole idea of teoir, that everything has

0:14:47.440 --> 0:14:50.080
<v Speaker 2>some kind of deeply rooted local dimension to it that

0:14:50.160 --> 0:14:54.960
<v Speaker 2>you can almost smell sometimes. Right, it's in the earth

0:14:55.000 --> 0:14:57.200
<v Speaker 2>and in the way things are made. So you can

0:14:57.240 --> 0:15:01.240
<v Speaker 2>have a chicken from Bresse in the savoir and it

0:15:01.280 --> 0:15:02.120
<v Speaker 2>won't taste the same.

0:15:02.280 --> 0:15:04.760
<v Speaker 1>Yeah, just to have curiosity as a chef. Did she

0:15:04.880 --> 0:15:07.640
<v Speaker 1>cook a lot with butter? I mean, I love butter.

0:15:08.200 --> 0:15:10.360
<v Speaker 1>It's very interesting because we have an Italian restaurant where

0:15:10.360 --> 0:15:12.720
<v Speaker 1>everybody's meant to love olive oil, and we all do.

0:15:13.160 --> 0:15:15.120
<v Speaker 1>But when you get chefs around the table and we

0:15:15.160 --> 0:15:18.000
<v Speaker 1>talk about cooking with butter, you know it's so delicious,

0:15:18.040 --> 0:15:18.280
<v Speaker 1>isn't it?

0:15:18.400 --> 0:15:21.960
<v Speaker 2>Creasy Messo never entered the house ever. Maybe why my

0:15:22.040 --> 0:15:23.520
<v Speaker 2>father had a heart attack at sixty.

0:15:23.800 --> 0:15:23.960
<v Speaker 1>Yeah.

0:15:24.120 --> 0:15:28.120
<v Speaker 2>Did he survived in many good years after that. But no,

0:15:28.240 --> 0:15:34.080
<v Speaker 2>my mother cooked very traditional French food all the way through,

0:15:34.240 --> 0:15:38.880
<v Speaker 2>so her Bogignon was a very rich red land sauce,

0:15:38.960 --> 0:15:40.880
<v Speaker 2>and in the same way that she'd make a rule with,

0:15:41.640 --> 0:15:43.760
<v Speaker 2>you know, the best butter she could find.

0:15:43.920 --> 0:15:47.040
<v Speaker 1>Yeah, growing up with this food, the French culture, going

0:15:47.080 --> 0:15:51.160
<v Speaker 1>to Paris, you know, extremely elegant way of eating, going

0:15:51.200 --> 0:15:54.280
<v Speaker 1>to the savoir. How did this affect you? I mean,

0:15:54.280 --> 0:15:57.000
<v Speaker 1>did you have a standard of eating, of going out,

0:15:57.360 --> 0:15:58.640
<v Speaker 1>going to restaurants.

0:15:58.960 --> 0:16:02.560
<v Speaker 2>So it's interesting. I wasn't that conscious of it as

0:16:02.600 --> 0:16:05.120
<v Speaker 2>a child, because in fact, it just seemed normal. But

0:16:05.200 --> 0:16:07.760
<v Speaker 2>I realized by the time I was seventeen or eighteen

0:16:07.840 --> 0:16:10.840
<v Speaker 2>or even twenty, that one I loved going to restaurants.

0:16:11.680 --> 0:16:13.480
<v Speaker 2>Two I loved to eat. That there was a certain

0:16:13.560 --> 0:16:16.200
<v Speaker 2>kind of pleasure that came with a meal that you

0:16:16.240 --> 0:16:18.880
<v Speaker 2>couldn't find otherwise in it. And a meal that had

0:16:18.880 --> 0:16:22.240
<v Speaker 2>been thoughtfully put together was even more interesting than something

0:16:22.320 --> 0:16:27.400
<v Speaker 2>quickly assembled. And when I met Susan and we met

0:16:27.480 --> 0:16:30.400
<v Speaker 2>when I was seventeen, what did you meet? We met

0:16:30.400 --> 0:16:33.280
<v Speaker 2>in Grenod. I was there to race and she was

0:16:33.280 --> 0:16:36.600
<v Speaker 2>there to study, and so somehow we got together. And

0:16:36.640 --> 0:16:38.720
<v Speaker 2>our favorite restaurant when we lived in Gronold was a

0:16:38.720 --> 0:16:42.080
<v Speaker 2>little Vietnamese place called the Poda La. I still remember

0:16:42.120 --> 0:16:45.120
<v Speaker 2>it vividly. This is like fifty years ago, but it

0:16:45.240 --> 0:16:48.960
<v Speaker 2>was exquisite Vietnamese food, and you learned quickly. And I

0:16:49.000 --> 0:16:52.440
<v Speaker 2>hadn't really had Vietnamese food before it had some Chinese food.

0:16:53.080 --> 0:16:55.080
<v Speaker 2>You learned very quickly, at least I learned very I

0:16:55.080 --> 0:16:57.120
<v Speaker 2>have eclectic taste. I love Indian food and I love

0:16:57.240 --> 0:17:00.640
<v Speaker 2>Vietnamese food. I love new tastes that are unfamiliar. And

0:17:00.680 --> 0:17:03.400
<v Speaker 2>then you try to understand how how did that taste

0:17:03.440 --> 0:17:07.000
<v Speaker 2>come about? What had to happen to make chicken with

0:17:07.119 --> 0:17:10.080
<v Speaker 2>lemon grass taste the way it does. And sometimes these

0:17:10.080 --> 0:17:11.919
<v Speaker 2>things just sit in your mind, like I can remember

0:17:11.960 --> 0:17:15.800
<v Speaker 2>that restaurant as if it were literally yesterday. I actually

0:17:15.880 --> 0:17:17.080
<v Speaker 2>remember most meals I've had.

0:17:17.280 --> 0:17:20.119
<v Speaker 1>I think people, that's what we enjoy about doing this,

0:17:20.280 --> 0:17:23.480
<v Speaker 1>is that food triggers. It's like a piece of music.

0:17:23.560 --> 0:17:23.880
<v Speaker 2>You know.

0:17:24.160 --> 0:17:26.399
<v Speaker 1>I can hear a song and remember where I was

0:17:26.440 --> 0:17:28.679
<v Speaker 1>standing when I heard that piece of music. And I

0:17:28.720 --> 0:17:31.480
<v Speaker 1>think food for many of us, maybe not is a

0:17:31.520 --> 0:17:34.000
<v Speaker 1>trigger for memory, isn't it Absolutely?

0:17:34.040 --> 0:17:37.879
<v Speaker 2>Because it's olafactory, right, It's got smell to it, it

0:17:37.920 --> 0:17:41.440
<v Speaker 2>has taste to it, it has texture to it has location. Yeah, right,

0:17:42.119 --> 0:17:44.399
<v Speaker 2>you know, having the river cafe, which I have to

0:17:44.440 --> 0:17:46.560
<v Speaker 2>say this is not an advertisement. I'm just going to

0:17:46.600 --> 0:17:49.639
<v Speaker 2>say it's my favorite restaurant in London.

0:17:49.800 --> 0:17:50.600
<v Speaker 1>It should come now.

0:17:50.680 --> 0:17:52.320
<v Speaker 2>You know, I was supposed to be in London, but

0:17:52.320 --> 0:17:55.760
<v Speaker 2>I had a back operation that threw my schedule off,

0:17:56.240 --> 0:17:57.400
<v Speaker 2>so I'll be there in the New York.

0:17:57.400 --> 0:17:59.560
<v Speaker 1>Oh, it's a great season, and that's maybe now we

0:17:59.560 --> 0:18:01.560
<v Speaker 1>should be the recipe because I thought it was really

0:18:01.600 --> 0:18:03.520
<v Speaker 1>interesting that, you know, when you think about all the

0:18:03.520 --> 0:18:06.680
<v Speaker 1>seasons of food, we love when something goes and something

0:18:06.720 --> 0:18:09.600
<v Speaker 1>you know, when the fennel goes and then you have peas,

0:18:09.800 --> 0:18:12.320
<v Speaker 1>or you know, the melons go and you can't bear it,

0:18:12.359 --> 0:18:15.040
<v Speaker 1>but then you have peaches. But for me as a cook,

0:18:15.240 --> 0:18:17.439
<v Speaker 1>I really look forward to the autumn. I think the

0:18:17.520 --> 0:18:20.000
<v Speaker 1>autumn is almost a cook's time when you have the

0:18:20.080 --> 0:18:23.680
<v Speaker 1>dark pumpkins. In England we have grouse, we have partridge

0:18:23.840 --> 0:18:27.960
<v Speaker 1>and now at last the porcini are really good and

0:18:28.119 --> 0:18:31.640
<v Speaker 1>we just yesterday gout white truffles are amazing. So it's

0:18:31.680 --> 0:18:34.960
<v Speaker 1>a very good season right now. So AS really pleased

0:18:35.000 --> 0:18:37.760
<v Speaker 1>that you chose a recipe which I love, which is

0:18:37.800 --> 0:18:41.840
<v Speaker 1>I think from the first book pasta with tomato and

0:18:42.119 --> 0:18:44.000
<v Speaker 1>a dried porcini mushroom.

0:18:44.320 --> 0:18:48.280
<v Speaker 2>So you start with seventy five grams of dried porcini mushrooms.

0:18:48.280 --> 0:18:53.000
<v Speaker 2>I'm already salivating because I love porcini, four tablespoons botlive oil,

0:18:53.640 --> 0:18:58.520
<v Speaker 2>three garlic coves, peeled and sliced, one tablespoon of fresh

0:18:58.720 --> 0:19:04.119
<v Speaker 2>time leaves, two tablespoons of parsley finely chopped, one dried

0:19:04.200 --> 0:19:09.639
<v Speaker 2>chili crumbled, eight hundred gram tin of peeled plum, tomatoes

0:19:09.800 --> 0:19:13.359
<v Speaker 2>drained of their juices. One hundred twenty milli liters of

0:19:13.400 --> 0:19:16.000
<v Speaker 2>double cream. Can there ever be too much double cream?

0:19:16.040 --> 0:19:17.520
<v Speaker 2>I'm just asking, Is that possible?

0:19:17.560 --> 0:19:17.600
<v Speaker 3>No?

0:19:17.720 --> 0:19:18.520
<v Speaker 2>I don't think so.

0:19:18.520 --> 0:19:19.600
<v Speaker 1>So we could add more to it.

0:19:20.000 --> 0:19:23.560
<v Speaker 2>One hundred and twenty grams of parmesan, freshly grated, two

0:19:23.680 --> 0:19:27.320
<v Speaker 2>hundred and fifty grams of conchili, pasta sea salt and

0:19:27.400 --> 0:19:32.560
<v Speaker 2>freshly ground black pepper, and extravergin olive oil. So you

0:19:32.640 --> 0:19:35.880
<v Speaker 2>start by soaking the mushrooms in hot water for twenty minutes.

0:19:37.000 --> 0:19:39.520
<v Speaker 2>Heat the olive oil in a pan and fry the

0:19:39.560 --> 0:19:44.919
<v Speaker 2>garlic gently with thyme, parsley, and chili. Add the porcini

0:19:45.000 --> 0:19:49.600
<v Speaker 2>and cook to combine the flavors. Add the tomatoes. Cook

0:19:49.640 --> 0:19:53.200
<v Speaker 2>together gently until the tomatoes have thickened. Add the cream,

0:19:53.680 --> 0:19:57.200
<v Speaker 2>season then remove from the heat and stir in half

0:19:57.200 --> 0:20:01.040
<v Speaker 2>of the parmesan. Cook the pasta and oiling salted water,

0:20:01.640 --> 0:20:05.679
<v Speaker 2>then drain thoroughly. Add to the sauce with the remaining parmesan,

0:20:06.119 --> 0:20:11.440
<v Speaker 2>stir well, add more parmeasan and extra virgin olive oil,

0:20:11.640 --> 0:20:13.160
<v Speaker 2>and delight in the taste.

0:20:14.320 --> 0:20:17.240
<v Speaker 1>Do you make a lot of pasta? I do, so

0:20:17.320 --> 0:20:19.760
<v Speaker 1>what is some of the what are you cooking now? So?

0:20:19.960 --> 0:20:22.479
<v Speaker 2>Last night I made a pasta that I sort of

0:20:22.680 --> 0:20:25.680
<v Speaker 2>add libed on that we like, which is broccoli rob

0:20:25.960 --> 0:20:30.040
<v Speaker 2>and spicy sausage. Is very simple pasta pasta.

0:20:30.080 --> 0:20:30.880
<v Speaker 1>Did you use with it?

0:20:30.960 --> 0:20:35.879
<v Speaker 2>I just use linguini, something that just pulls the sauce

0:20:35.920 --> 0:20:39.920
<v Speaker 2>a little bit, and it's just like super simple. Broccoli

0:20:40.040 --> 0:20:43.560
<v Speaker 2>rob gives a little bitter taste, but it's super easy.

0:20:43.720 --> 0:20:45.720
<v Speaker 1>Do you buy the sausage meat out of the sausage

0:20:45.800 --> 0:20:47.840
<v Speaker 1>or do you cook the sausage and then crumple it.

0:20:48.280 --> 0:20:52.119
<v Speaker 2>I take the wrapping off the sausage and cook it

0:20:52.160 --> 0:20:55.560
<v Speaker 2>that way so it crumbles up. And I always put

0:20:55.560 --> 0:20:57.800
<v Speaker 2>a little bit of wine in and you know, some

0:20:57.960 --> 0:20:58.399
<v Speaker 2>cheese and.

0:21:00.080 --> 0:21:02.399
<v Speaker 1>That just for the two of you do you entertain?

0:21:02.840 --> 0:21:03.200
<v Speaker 2>We do?

0:21:03.440 --> 0:21:05.719
<v Speaker 1>Yeah, what's your If I come to dinner at the

0:21:05.920 --> 0:21:07.320
<v Speaker 1>Lowery House, what would it be like?

0:21:08.560 --> 0:21:10.480
<v Speaker 2>Nine times out of ten it's going to be some

0:21:10.680 --> 0:21:13.600
<v Speaker 2>form of lamb. We have a great producer of lamb

0:21:13.640 --> 0:21:16.920
<v Speaker 2>where we live in Canada. I mean just really epically

0:21:16.960 --> 0:21:21.520
<v Speaker 2>good lamb. And so we'll either grill it roasted cubit

0:21:21.640 --> 0:21:25.280
<v Speaker 2>and make shish kebabs, but mostly I like to do

0:21:25.320 --> 0:21:28.840
<v Speaker 2>a spit turned wood fired leg. This pretty hard to beat.

0:21:29.119 --> 0:21:30.600
<v Speaker 1>And how many people do you invite?

0:21:30.680 --> 0:21:34.240
<v Speaker 2>There are five of us with my children. Then when

0:21:34.240 --> 0:21:38.320
<v Speaker 2>we're up in Canada, Susan's brothers and sisters and cousins

0:21:38.359 --> 0:21:41.200
<v Speaker 2>are there, so we're usually at the get go between

0:21:41.200 --> 0:21:44.040
<v Speaker 2>twelve and fifteen. Then if we invite some friends over

0:21:44.560 --> 0:21:46.960
<v Speaker 2>pick we get to fifteen or twenty, so it can be.

0:21:46.920 --> 0:21:54.160
<v Speaker 1>A be a big Are you in the kitchen well yourself? Yeah?

0:21:54.280 --> 0:21:56.840
<v Speaker 1>Did you know? The River Cafe has a shop. It's

0:21:56.840 --> 0:22:00.000
<v Speaker 1>full of our favorite foods and designs. We have cookbook,

0:22:00.000 --> 0:22:04.080
<v Speaker 1>bos Linnen Napkins, kitchen were toad bags with our signatures,

0:22:04.080 --> 0:22:07.719
<v Speaker 1>glasses from Venice, chocolates from Durin. You can find us

0:22:07.800 --> 0:22:10.520
<v Speaker 1>right next door to the River Cafe in London or

0:22:10.600 --> 0:22:32.600
<v Speaker 1>online at Shopthrivercafe dot co dot uk. Let's talk about

0:22:32.640 --> 0:22:35.160
<v Speaker 1>the museum Monarch, because I started out by saying that

0:22:35.600 --> 0:22:38.040
<v Speaker 1>food and art and art and food, and I have

0:22:38.080 --> 0:22:42.200
<v Speaker 1>to say I was saying to Zad before that. I'm

0:22:42.200 --> 0:22:44.360
<v Speaker 1>often ask in these question as you know, what's your

0:22:44.440 --> 0:22:47.399
<v Speaker 1>greatest luxury or you know what is your luxury? And

0:22:47.480 --> 0:22:51.000
<v Speaker 1>I always say, you know, you can keep your cavea,

0:22:51.040 --> 0:22:54.800
<v Speaker 1>or you can keep your champagne, maybe even a white truffle.

0:22:55.119 --> 0:22:57.520
<v Speaker 1>But for me, going to a museum when it's closed

0:22:58.080 --> 0:23:00.800
<v Speaker 1>is the greatest luxury. And I've had that luxury and

0:23:00.840 --> 0:23:02.919
<v Speaker 1>it really is to see art. But I have to

0:23:02.960 --> 0:23:05.919
<v Speaker 1>say that two weeks ago I was here and my

0:23:06.000 --> 0:23:09.600
<v Speaker 1>kids were here, and we all came here and it

0:23:09.880 --> 0:23:13.919
<v Speaker 1>was packed. It was full of people. There were babies

0:23:13.960 --> 0:23:17.040
<v Speaker 1>and children and people lining up, and actually I found

0:23:17.080 --> 0:23:20.400
<v Speaker 1>it so beautiful, so exhilarating to walk in. I think

0:23:20.480 --> 0:23:22.359
<v Speaker 1>all these people want to do is come to the

0:23:22.440 --> 0:23:25.120
<v Speaker 1>Museum Modern Art. They could have gone to Central Park.

0:23:25.160 --> 0:23:26.800
<v Speaker 1>It was a beautiful day. They could have gone a

0:23:26.800 --> 0:23:28.480
<v Speaker 1>boat down the river. They could have gone to a

0:23:28.520 --> 0:23:31.320
<v Speaker 1>football game. And I've been fine, But they were here,

0:23:31.840 --> 0:23:34.560
<v Speaker 1>and I love that, you know, I love that so

0:23:34.680 --> 0:23:39.760
<v Speaker 1>many people were here, and you know, congratulations, because I've

0:23:39.760 --> 0:23:41.440
<v Speaker 1>been to museums that are packed and you want to

0:23:41.520 --> 0:23:44.320
<v Speaker 1>run out the door. But it felt really good, and

0:23:44.359 --> 0:23:46.760
<v Speaker 1>I'm not just flattering you. It really did feel a

0:23:46.840 --> 0:23:47.760
<v Speaker 1>special to be here.

0:23:48.000 --> 0:23:50.439
<v Speaker 2>Well, I love it. I mean, the reason that I

0:23:50.560 --> 0:23:53.280
<v Speaker 2>enjoy working in the museum is because I love the

0:23:53.320 --> 0:23:56.160
<v Speaker 2>engagement between art and people. Right. I love to think

0:23:56.200 --> 0:23:58.359
<v Speaker 2>about art, to talk to artists, to look at art,

0:23:58.800 --> 0:24:02.760
<v Speaker 2>to write about art, to just meditate around art. But

0:24:02.880 --> 0:24:07.600
<v Speaker 2>I also feel that when you work with objects in

0:24:07.760 --> 0:24:11.000
<v Speaker 2>space with people, they come alive in a different way

0:24:11.200 --> 0:24:15.960
<v Speaker 2>and there's an incredible thrill and exhilaration really that comes

0:24:15.960 --> 0:24:19.600
<v Speaker 2>when you see people enjoying an exhibition or an installation,

0:24:19.920 --> 0:24:22.679
<v Speaker 2>or encountering a work of art they weren't expected to

0:24:22.680 --> 0:24:27.879
<v Speaker 2>see or not even knowing that it existed. And you'll

0:24:27.920 --> 0:24:31.040
<v Speaker 2>notice as you move around our museum that we've played

0:24:31.040 --> 0:24:34.240
<v Speaker 2>a lot with where we locate benches. Originally, when I started,

0:24:34.800 --> 0:24:36.720
<v Speaker 2>benches were always put in the middle of a room

0:24:36.760 --> 0:24:40.399
<v Speaker 2>because you assumed that circulation was the most important thing

0:24:40.440 --> 0:24:43.560
<v Speaker 2>and you didn't want to interrupt people's ability to move around,

0:24:44.080 --> 0:24:46.560
<v Speaker 2>and a brilliant art historian that we were working with

0:24:46.760 --> 0:24:49.040
<v Speaker 2>just before our last expansion said, you know, if you

0:24:49.080 --> 0:24:51.480
<v Speaker 2>want people to look at art, put the bench in

0:24:51.560 --> 0:24:54.800
<v Speaker 2>front of the object and they'll actually sit there and

0:24:54.840 --> 0:24:57.359
<v Speaker 2>look at what's on the wall, as opposed to sitting

0:24:57.400 --> 0:25:00.320
<v Speaker 2>on a bench and looking at their cell phone. So

0:25:00.359 --> 0:25:02.880
<v Speaker 2>we tried. We didn't actually believe her, but we tried

0:25:02.920 --> 0:25:06.360
<v Speaker 2>a few little experiments. She was completely right. So now

0:25:06.640 --> 0:25:08.919
<v Speaker 2>when I walk through the museum, what I love is

0:25:08.920 --> 0:25:11.200
<v Speaker 2>that you'll actually see two or three or four people

0:25:11.280 --> 0:25:14.760
<v Speaker 2>seated together, strangers looking at a work of art and

0:25:14.800 --> 0:25:17.560
<v Speaker 2>talking to each other about it. And it's that sense

0:25:17.600 --> 0:25:20.439
<v Speaker 2>of community that gets created in the space of a

0:25:20.520 --> 0:25:23.439
<v Speaker 2>museum that makes it so rewarding to be here. So

0:25:23.440 --> 0:25:26.320
<v Speaker 2>I'm so glad you enjoyed it, because I get turned

0:25:26.359 --> 0:25:28.440
<v Speaker 2>on to a museum and see people.

0:25:28.520 --> 0:25:28.720
<v Speaker 3>Yeah.

0:25:28.840 --> 0:25:31.760
<v Speaker 1>No, it was really exciting to see that. But I

0:25:31.800 --> 0:25:36.080
<v Speaker 1>also think that Richard did the Pompatouo with Renzo piano.

0:25:35.880 --> 0:25:38.840
<v Speaker 2>Brilliant and broke and broke the old mold and created

0:25:38.840 --> 0:25:39.440
<v Speaker 2>the new mold.

0:25:39.560 --> 0:25:42.120
<v Speaker 1>Well, he did that music well. The very early, very

0:25:42.160 --> 0:25:45.399
<v Speaker 1>first idea of the escalator on the outside was that

0:25:45.440 --> 0:25:48.000
<v Speaker 1>you could come to a museum and not go look

0:25:48.000 --> 0:25:49.600
<v Speaker 1>at the art, you know, they could just take a

0:25:49.680 --> 0:25:51.680
<v Speaker 1>ride up the escalator, have a good time and then

0:25:51.720 --> 0:25:54.439
<v Speaker 1>maybe one person would say, oh, I'd like to go in,

0:25:54.560 --> 0:25:57.560
<v Speaker 1>or maybe everybody would want to go in. But there

0:25:57.680 --> 0:26:01.159
<v Speaker 1>was a restaurant always, you know, George is quite a

0:26:01.240 --> 0:26:05.520
<v Speaker 1>well known restaurant. Renzo Piano in Chicago has a restaurant

0:26:05.600 --> 0:26:09.600
<v Speaker 1>named after him, of course, called Tertzo Piano. So it's

0:26:09.640 --> 0:26:12.359
<v Speaker 1>a player on the word piano, Piano, the third Floor

0:26:12.640 --> 0:26:16.600
<v Speaker 1>and Renzo Piano. And here you have the Modern with

0:26:16.720 --> 0:26:19.040
<v Speaker 1>Danny Meyer. What it was your idea of putting a

0:26:19.119 --> 0:26:21.080
<v Speaker 1>really important restaurant in a museum.

0:26:21.560 --> 0:26:24.439
<v Speaker 2>So it goes back to this very simple equation that

0:26:24.880 --> 0:26:28.800
<v Speaker 2>looking at art is an incredibly pleasurable exercise and eating

0:26:28.920 --> 0:26:31.280
<v Speaker 2>at a museum should be equally pleasurable, and that there

0:26:31.359 --> 0:26:35.840
<v Speaker 2>was no excuse not to have an outstanding restaurant at

0:26:35.840 --> 0:26:39.399
<v Speaker 2>the museum, even though until we did The Modern, I

0:26:39.440 --> 0:26:42.920
<v Speaker 2>can't think of another museum that had a really great

0:26:43.000 --> 0:26:46.160
<v Speaker 2>restaurant and restaurants that were adequate, but not a place

0:26:46.160 --> 0:26:49.200
<v Speaker 2>that in and of itself was a draw. So working

0:26:49.200 --> 0:26:53.320
<v Speaker 2>with Danny and we interviewed dozens of restaurant tours. I mean,

0:26:53.359 --> 0:26:54.800
<v Speaker 2>actually it was quite a lot of fun because we

0:26:54.880 --> 0:26:57.840
<v Speaker 2>spent six months trying out restaurants all over town.

0:26:57.880 --> 0:26:58.800
<v Speaker 1>And then what year was it?

0:26:59.000 --> 0:27:02.080
<v Speaker 2>This goes back to two thousand and three when we

0:27:02.440 --> 0:27:05.320
<v Speaker 2>started to really put this all together, and then when

0:27:05.359 --> 0:27:08.240
<v Speaker 2>we met Danny and understood first of all that Danny

0:27:08.280 --> 0:27:10.720
<v Speaker 2>loves art. He comes from a family of collectors, he

0:27:10.760 --> 0:27:14.160
<v Speaker 2>grew up around museums, so he's totally comfortable with the

0:27:14.160 --> 0:27:19.359
<v Speaker 2>culture of museums. He's also an incredibly generous individual, but

0:27:19.440 --> 0:27:23.880
<v Speaker 2>he also loves hospitality and fine food, and so the

0:27:24.040 --> 0:27:27.080
<v Speaker 2>combination was perfect. And we actually set out with Danny

0:27:27.119 --> 0:27:31.960
<v Speaker 2>to say, can we actually build the best restaurant imaginable

0:27:32.080 --> 0:27:36.320
<v Speaker 2>for anyone, forget whether or not it's a museum. And

0:27:36.359 --> 0:27:40.320
<v Speaker 2>to his credit, he has really done a spectacular job.

0:27:40.359 --> 0:27:42.080
<v Speaker 2>As you know, it has a casual side to it

0:27:42.080 --> 0:27:45.720
<v Speaker 2>and a more formal side, but the food has always

0:27:45.760 --> 0:27:49.160
<v Speaker 2>been fabulous. And now we have a young chef, Tom

0:27:49.200 --> 0:27:51.160
<v Speaker 2>who is just knocking it out of the park.

0:27:51.320 --> 0:27:52.600
<v Speaker 1>And what is your involvement?

0:27:53.240 --> 0:27:55.920
<v Speaker 2>Our involvement is really quite passive. I mean, obviously, if

0:27:55.920 --> 0:27:58.879
<v Speaker 2>we see things that are troublesome. We talked to Danny,

0:27:58.920 --> 0:28:01.919
<v Speaker 2>but it is really a Danni Meyer restaurant. He and

0:28:02.000 --> 0:28:06.199
<v Speaker 2>his food group Union Square Hospitality Group are responsible for

0:28:06.320 --> 0:28:10.320
<v Speaker 2>operating it, managing it, and we have been consulted when

0:28:10.400 --> 0:28:12.800
<v Speaker 2>there have been changes in chefs, which is very nice

0:28:13.080 --> 0:28:17.920
<v Speaker 2>of Danny. But it's really a Danni Meyer restaurant at MoMA,

0:28:18.320 --> 0:28:19.280
<v Speaker 2>as are the cafes.

0:28:19.600 --> 0:28:21.879
<v Speaker 1>Tell me about the cafes, So the cafes.

0:28:21.480 --> 0:28:23.800
<v Speaker 2>Are really designed to be first of all, a completely

0:28:23.840 --> 0:28:28.320
<v Speaker 2>different kind of price point, so that more affordable, much quicker, faster,

0:28:28.920 --> 0:28:31.560
<v Speaker 2>less extensively prepared food so you can get in and

0:28:31.560 --> 0:28:34.600
<v Speaker 2>out relatively quickly, but still a place where you can

0:28:34.600 --> 0:28:37.919
<v Speaker 2>get a great panini or a great rigatoni al pomodoro

0:28:38.800 --> 0:28:40.640
<v Speaker 2>that's memorable that you can actually say, well, that was

0:28:40.680 --> 0:28:43.240
<v Speaker 2>the best panini I've had in a long time. And

0:28:43.280 --> 0:28:45.320
<v Speaker 2>they've worked very well. I have to say that the

0:28:45.400 --> 0:28:48.240
<v Speaker 2>menus are quite on the sixth floor. It's a very

0:28:48.240 --> 0:28:53.640
<v Speaker 2>small menus or super simple, a few appetizers, fehumanes and

0:28:53.760 --> 0:28:57.680
<v Speaker 2>a couple of desserts. Cafe two, which is the larger

0:28:57.760 --> 0:29:01.000
<v Speaker 2>of our cafes, has a much broader menu, and then

0:29:01.040 --> 0:29:04.120
<v Speaker 2>of course the Barroom and the Modern are full scale operations,

0:29:04.120 --> 0:29:07.320
<v Speaker 2>but I can honestly say I've never had a bad

0:29:07.360 --> 0:29:09.040
<v Speaker 2>meal at any of those places. And it's not just

0:29:09.040 --> 0:29:11.920
<v Speaker 2>because they know who I am. It's because Danny really

0:29:12.240 --> 0:29:13.920
<v Speaker 2>pays attention to the quality of the food.

0:29:14.040 --> 0:29:17.560
<v Speaker 4>Constant question that's interested in the way you describe the

0:29:17.680 --> 0:29:21.200
<v Speaker 4>restaurants and the cafes and the Edibyshire show is obviously

0:29:21.400 --> 0:29:23.800
<v Speaker 4>on the moment, which is just fantastic and everything. I

0:29:23.840 --> 0:29:27.480
<v Speaker 4>would like enough to interview him. Last year in Los Angeles,

0:29:27.560 --> 0:29:29.560
<v Speaker 4>I had his image of him in his studio in

0:29:29.560 --> 0:29:33.560
<v Speaker 4>the desert, very contemplative by himself creating his artwork. What

0:29:33.560 --> 0:29:34.840
<v Speaker 4>do you think it's like for him to come here

0:29:34.880 --> 0:29:39.080
<v Speaker 4>and see it viewed in these very very busy spaces

0:29:39.120 --> 0:29:41.600
<v Speaker 4>and the restaurants and the cafes. Do they like that

0:29:41.720 --> 0:29:44.000
<v Speaker 4>or do they think it should be more sort of

0:29:44.080 --> 0:29:46.200
<v Speaker 4>spiritual in the way all contemplative?

0:29:46.240 --> 0:29:46.320
<v Speaker 5>No.

0:29:46.440 --> 0:29:49.920
<v Speaker 2>I think most artists, and certainly artists of Ed's stature,

0:29:50.000 --> 0:29:54.400
<v Speaker 2>who enjoyed long and very successful careers. You know, you

0:29:54.480 --> 0:29:57.440
<v Speaker 2>make art to share it with people, and I think

0:29:57.480 --> 0:29:59.959
<v Speaker 2>one of the pleasures of working with the curator is

0:30:00.560 --> 0:30:04.280
<v Speaker 2>you have an interlocutor who can help you see your

0:30:04.320 --> 0:30:06.520
<v Speaker 2>own art, perhaps in new and different ways, but who

0:30:06.560 --> 0:30:09.000
<v Speaker 2>can also tell a story with it for a public

0:30:09.080 --> 0:30:12.240
<v Speaker 2>perhaps that you're unfamiliar with. And I think Ed was

0:30:12.280 --> 0:30:14.400
<v Speaker 2>a little doe eyed. You know, he's a very love

0:30:14.480 --> 0:30:18.480
<v Speaker 2>he's such a such an unassuming man. I mean, it's

0:30:18.480 --> 0:30:20.440
<v Speaker 2>not that he's without ego, it's that he's just a

0:30:20.560 --> 0:30:24.320
<v Speaker 2>gentle person who doesn't assert himself in space. And yet

0:30:24.360 --> 0:30:27.320
<v Speaker 2>of course he's incredibly successful. And I think he was

0:30:27.360 --> 0:30:30.200
<v Speaker 2>a little doe eyed when people came for the opening

0:30:30.200 --> 0:30:31.720
<v Speaker 2>and it wasn't one or two people, but it was

0:30:31.840 --> 0:30:35.240
<v Speaker 2>hundreds and then thousands of people, all of them absolutely

0:30:35.280 --> 0:30:36.960
<v Speaker 2>goggle eyed at what he had achieved.

0:30:36.960 --> 0:30:39.880
<v Speaker 4>And I think he was like, Wow, I can't tell

0:30:39.880 --> 0:30:41.600
<v Speaker 4>you how people are talking about the chocolate Room.

0:30:41.880 --> 0:30:43.640
<v Speaker 2>You know, that's a great cutorial device.

0:30:43.680 --> 0:30:45.520
<v Speaker 4>It's sort of just absolutely can bring.

0:30:45.400 --> 0:30:48.719
<v Speaker 1>It to chocolate room. What was it like for the

0:30:49.000 --> 0:30:50.040
<v Speaker 1>museum to have that?

0:30:50.400 --> 0:30:53.000
<v Speaker 2>Well, first of all, it was incredibly complicated to experiment

0:30:53.040 --> 0:30:55.320
<v Speaker 2>with how to do it. The chocolate room is a room.

0:30:55.360 --> 0:30:57.560
<v Speaker 2>It was a kind of conceptual piece that Ed did,

0:30:57.560 --> 0:31:00.000
<v Speaker 2>I think first in nineteen seventy two or seventy four,

0:31:00.600 --> 0:31:03.680
<v Speaker 2>and it consists of hundreds of sheets of paper that

0:31:03.720 --> 0:31:06.360
<v Speaker 2>have been coated in chocolate. So the room has a

0:31:06.400 --> 0:31:11.800
<v Speaker 2>certain tonality shades of brown. But more importantly, it has smell,

0:31:12.040 --> 0:31:15.720
<v Speaker 2>and a deep, rich chocolate e smell that over time

0:31:16.080 --> 0:31:18.800
<v Speaker 2>tempers a little bit, so it doesn't smell today exactly

0:31:18.840 --> 0:31:20.920
<v Speaker 2>the way it did a month ago. But you begin

0:31:21.000 --> 0:31:22.960
<v Speaker 2>to smell it before you can see it, which is

0:31:23.000 --> 0:31:25.960
<v Speaker 2>what I like. So you're kind of pulled along by

0:31:26.000 --> 0:31:29.880
<v Speaker 2>this associative smell of chocolate that doesn't feel like it

0:31:29.920 --> 0:31:32.520
<v Speaker 2>should be in an exhibition. And then you see this

0:31:32.600 --> 0:31:36.280
<v Speaker 2>room and you marvel at the fact that actually it's chocolate,

0:31:36.280 --> 0:31:38.680
<v Speaker 2>but it's not chocolate you can eat. You're never going

0:31:38.720 --> 0:31:41.320
<v Speaker 2>to take one of those pieces of paper and chew it.

0:31:41.400 --> 0:31:43.720
<v Speaker 2>And there was a lot of experimentation of what kind

0:31:43.720 --> 0:31:46.000
<v Speaker 2>of chocolate would produce the right kind of tint, and

0:31:46.400 --> 0:31:48.000
<v Speaker 2>how would it sit on the paper, and how did

0:31:48.000 --> 0:31:49.960
<v Speaker 2>the paper have to be treated so that the chocolate

0:31:49.960 --> 0:31:54.720
<v Speaker 2>would remain because the chocolate retains a kind of monochromatic

0:31:55.000 --> 0:31:58.680
<v Speaker 2>flatness to it, but if it started to show pooling

0:31:58.720 --> 0:32:02.480
<v Speaker 2>of oil and modeling, it would be very different that

0:32:02.480 --> 0:32:04.600
<v Speaker 2>that kind of flatness would begin to discision.

0:32:04.680 --> 0:32:06.320
<v Speaker 4>I thought it was like being in some monks sell

0:32:06.320 --> 0:32:08.440
<v Speaker 4>Actually it's very strange experience. You have that richness of

0:32:08.440 --> 0:32:10.720
<v Speaker 4>the chocolate, but also that austerity of the space.

0:32:10.600 --> 0:32:14.200
<v Speaker 2>Right, and and those sheets they're pinned right, so the

0:32:14.200 --> 0:32:16.760
<v Speaker 2>sheets have a three dimensional quality to them. They're not

0:32:17.040 --> 0:32:20.400
<v Speaker 2>glued to the wall. They flutter a little bit.

0:32:24.360 --> 0:32:27.640
<v Speaker 1>If you like listening to Ruthie's Table four, would you

0:32:27.760 --> 0:32:31.760
<v Speaker 1>please make sure to rate and review the podcast on

0:32:31.840 --> 0:32:36.840
<v Speaker 1>the iHeartRadio app, Apple Podcasts, Spotify, o, wherever you get

0:32:36.840 --> 0:32:37.640
<v Speaker 1>your podcasts.

0:32:38.440 --> 0:32:55.320
<v Speaker 3>Thank you.

0:32:55.320 --> 0:32:58.840
<v Speaker 1>You talked about your mother and father and your grandmother

0:32:59.040 --> 0:33:00.440
<v Speaker 1>and Susan food.

0:33:00.880 --> 0:33:05.680
<v Speaker 2>What about your children so interesting? My eldest son is

0:33:05.720 --> 0:33:08.400
<v Speaker 2>a non eater. I mean he eats only because his

0:33:08.440 --> 0:33:12.640
<v Speaker 2>body needs it. Our daughter is an art historian, a curator.

0:33:12.720 --> 0:33:15.600
<v Speaker 2>She just opened a beautiful show of an artist, a

0:33:15.600 --> 0:33:19.880
<v Speaker 2>Columbian artist, Delsi Morello. She loves to cook. She loves

0:33:19.880 --> 0:33:22.720
<v Speaker 2>to cook, and she learned from her both of her grandmothers,

0:33:22.960 --> 0:33:25.440
<v Speaker 2>from her mother, from her father. She's a fantastic cook.

0:33:25.800 --> 0:33:28.080
<v Speaker 2>And it turns out our youngest son, the one who

0:33:28.160 --> 0:33:32.520
<v Speaker 2>is now a journalist and working in Jerusalem, also loves

0:33:32.560 --> 0:33:36.720
<v Speaker 2>to cook, and so Susan is constantly sending them recipes,

0:33:36.760 --> 0:33:37.760
<v Speaker 2>reminding them what to do.

0:33:37.880 --> 0:33:40.360
<v Speaker 1>You have your mother's recipes.

0:33:39.960 --> 0:33:41.800
<v Speaker 2>So long ago, my mother made one of the great

0:33:41.840 --> 0:33:46.720
<v Speaker 2>Kishas in the world. I mean truly a show stoppingly delicious,

0:33:46.720 --> 0:33:49.520
<v Speaker 2>simple quiche laur and it still makes, you know, a

0:33:49.720 --> 0:33:52.560
<v Speaker 2>cheesecake that I've never tasted better, but it is as

0:33:52.640 --> 0:33:55.600
<v Speaker 2>light as a soux fle And she has shared the

0:33:55.640 --> 0:33:59.040
<v Speaker 2>recipes with us on many occasions as we asked for them.

0:33:59.360 --> 0:34:01.840
<v Speaker 2>But what I've learned for my mother is, and this

0:34:01.920 --> 0:34:04.560
<v Speaker 2>happened with the Keish verses, she gave us the recipe

0:34:05.320 --> 0:34:08.680
<v Speaker 2>and then let's say three months four months later, I said, Mom,

0:34:08.719 --> 0:34:10.160
<v Speaker 2>you know, I think I lost her recipe. Can you

0:34:10.200 --> 0:34:12.239
<v Speaker 2>give it to me again? And she gave it to me,

0:34:12.280 --> 0:34:14.239
<v Speaker 2>and it was like, but I don't remember you telling

0:34:14.320 --> 0:34:17.480
<v Speaker 2>me about the tablespoon of flour. And what I learned

0:34:17.520 --> 0:34:20.480
<v Speaker 2>is that my mother will divulge a recipe, but never

0:34:20.520 --> 0:34:24.960
<v Speaker 2>one hundred percent of the recipe, so it's just little trick. Like, yes,

0:34:25.040 --> 0:34:28.120
<v Speaker 2>it's her little trick. Then you got to write each

0:34:28.160 --> 0:34:30.799
<v Speaker 2>one of them down and merge them together until you

0:34:30.840 --> 0:34:31.800
<v Speaker 2>get the whole recipe.

0:34:31.920 --> 0:34:34.280
<v Speaker 1>One of you should do it because it's a treasure.

0:34:34.360 --> 0:34:37.000
<v Speaker 1>You know, when you meet people who they say, oh, well,

0:34:37.040 --> 0:34:39.640
<v Speaker 1>my mother left me you know, a little book of

0:34:39.640 --> 0:34:42.080
<v Speaker 1>her recipes, and my grandmother left me a book, it

0:34:42.120 --> 0:34:42.640
<v Speaker 1>means a lot.

0:34:42.760 --> 0:34:45.800
<v Speaker 2>Oh yes, and then there you know, I think as children,

0:34:45.880 --> 0:34:48.080
<v Speaker 2>you grew up with those tastes, right, those tastes means

0:34:48.080 --> 0:34:50.839
<v Speaker 2>something to you, and then your children memory have those

0:34:50.880 --> 0:34:54.120
<v Speaker 2>memories of their grandparents because of the taste of eating

0:34:54.160 --> 0:34:57.480
<v Speaker 2>the cheesecake at your grandmother's that she cooked just for you. Right,

0:34:57.520 --> 0:34:58.520
<v Speaker 2>those things are special.

0:34:59.040 --> 0:35:02.000
<v Speaker 1>So here we are New York, which has incredible amount

0:35:02.040 --> 0:35:05.680
<v Speaker 1>of restaurants. I'm actually rather ignorant of New York restaurants

0:35:05.760 --> 0:35:08.319
<v Speaker 1>because either when I come it's a hurry, or I

0:35:08.400 --> 0:35:11.799
<v Speaker 1>eat with my family or friends in their houses. What

0:35:11.920 --> 0:35:13.960
<v Speaker 1>do you look for in a restaurant and what restaurants

0:35:14.000 --> 0:35:15.200
<v Speaker 1>do you particularly enjoy?

0:35:15.760 --> 0:35:19.560
<v Speaker 2>So I look for places that are casual. I'm not

0:35:19.719 --> 0:35:23.720
<v Speaker 2>necessarily that interested in a formal meal, though on occasion

0:35:23.800 --> 0:35:27.800
<v Speaker 2>that's that's nice. That are casual with outstandingly good food,

0:35:28.360 --> 0:35:32.280
<v Speaker 2>Places that really care about the quality of the food,

0:35:32.600 --> 0:35:36.120
<v Speaker 2>how it's prepared, how it's presented, and that make you

0:35:36.239 --> 0:35:39.600
<v Speaker 2>feel welcome even if you've never been there before, and

0:35:39.640 --> 0:35:43.759
<v Speaker 2>you know it's a trick, right. You can have a

0:35:43.800 --> 0:35:46.560
<v Speaker 2>really good meal and you're treated miserably and you probably.

0:35:46.360 --> 0:35:47.600
<v Speaker 1>Won't go back again.

0:35:47.719 --> 0:35:49.680
<v Speaker 2>You can have a mediocre meal where you've been treated

0:35:49.719 --> 0:35:51.960
<v Speaker 2>extremely well when you might go back. So when you

0:35:52.000 --> 0:35:54.640
<v Speaker 2>have a place that treats you really well, that understands

0:35:54.880 --> 0:35:58.040
<v Speaker 2>what the welcome should feel like, and the food is

0:35:58.120 --> 0:36:01.360
<v Speaker 2>exceptionally good, then you remember, right, it just gets seered

0:36:01.360 --> 0:36:02.640
<v Speaker 2>into your mind. You say, well, that's one of my

0:36:02.680 --> 0:36:04.719
<v Speaker 2>favorite places. Of course I'm going to go there.

0:36:05.040 --> 0:36:07.640
<v Speaker 1>And in New York where coming name names yeah becomes

0:36:07.640 --> 0:36:08.520
<v Speaker 1>are nice.

0:36:09.120 --> 0:36:11.920
<v Speaker 2>There's a restaurant that used to be seen down on

0:36:12.000 --> 0:36:14.240
<v Speaker 2>Chambers Street and then it closed and as a result

0:36:14.320 --> 0:36:17.839
<v Speaker 2>of the pandemic, but it reconstituted itself as Chambers. It's

0:36:17.880 --> 0:36:21.920
<v Speaker 2>an outstanding restaurant. The food is just always incredibly well prepared,

0:36:22.320 --> 0:36:25.439
<v Speaker 2>and it's small and cozy. People treat you really well.

0:36:25.760 --> 0:36:28.439
<v Speaker 2>It's one of my favorite restaurants in the city.

0:36:28.680 --> 0:36:32.080
<v Speaker 1>Glen the question that we ask, and I'm sorry this

0:36:32.120 --> 0:36:34.000
<v Speaker 1>is coming to an end, and we could do part two.

0:36:34.040 --> 0:36:36.080
<v Speaker 1>When you come to the River Cafe, you could show

0:36:36.120 --> 0:36:39.080
<v Speaker 1>us how to cook lamb and if food alleviates hunger,

0:36:39.160 --> 0:36:40.799
<v Speaker 1>or as you say, if you're an athlete and you're

0:36:40.800 --> 0:36:42.840
<v Speaker 1>going to ski down a mountain or ride a bicycle

0:36:42.880 --> 0:36:45.560
<v Speaker 1>up a hell, or if you're going to feed your

0:36:45.640 --> 0:36:48.720
<v Speaker 1>children or you're in the country, it is a pleasure

0:36:48.760 --> 0:36:51.560
<v Speaker 1>to share. It's something that is healthy, it's something that

0:36:51.640 --> 0:36:54.400
<v Speaker 1>makes you work better and think better. But it also

0:36:54.520 --> 0:36:57.480
<v Speaker 1>is comfort. And there is a time in all our

0:36:57.480 --> 0:37:01.560
<v Speaker 1>lives when we need to turn to food for comfort.

0:37:01.600 --> 0:37:04.480
<v Speaker 1>And I was wondering, that's my last question to you

0:37:04.680 --> 0:37:07.000
<v Speaker 1>today in New York is if you're going to food

0:37:07.040 --> 0:37:09.040
<v Speaker 1>for comfort, what would that be.

0:37:09.600 --> 0:37:12.800
<v Speaker 2>There's nothing for me like a good slice of pizza.

0:37:13.400 --> 0:37:15.440
<v Speaker 2>I just take this and I like to make pizzas.

0:37:15.880 --> 0:37:18.600
<v Speaker 2>There's so much fun to cook and just you know,

0:37:18.680 --> 0:37:22.000
<v Speaker 2>a simple pizza, a little bit of tomato sauce, you know,

0:37:22.160 --> 0:37:25.399
<v Speaker 2>maybe some mozzarella, a leaf or two of basil, keep

0:37:25.440 --> 0:37:29.279
<v Speaker 2>it simple. I could eat that non stop all day long.

0:37:29.600 --> 0:37:31.040
<v Speaker 1>Okay, Well, let's have pizza.

0:37:31.360 --> 0:37:34.120
<v Speaker 2>Question and wait, do you have a good pizza for you? Well,

0:37:34.160 --> 0:37:36.560
<v Speaker 2>this is one of the things New York does, so

0:37:36.719 --> 0:37:39.640
<v Speaker 2>you know, the people in New York get really bulshy

0:37:39.640 --> 0:37:43.400
<v Speaker 2>about pizza. So Roberta's is, you know, buying large considered

0:37:43.520 --> 0:37:48.239
<v Speaker 2>yeah in Brooklyn, sort of the gold standard. And I

0:37:48.320 --> 0:37:51.920
<v Speaker 2>like cooking my own pizzas. Honestly, there's something actually almost

0:37:51.960 --> 0:37:54.319
<v Speaker 2>alchemical about a pizza, right because of the heat of

0:37:54.320 --> 0:37:56.400
<v Speaker 2>the oven and the way both heats from below and

0:37:56.520 --> 0:38:00.279
<v Speaker 2>the convection above. And once you once you free out

0:38:00.320 --> 0:38:02.560
<v Speaker 2>how to get the taste you want, then you can

0:38:02.600 --> 0:38:04.440
<v Speaker 2>replicate it. But if I need to, if I have

0:38:04.520 --> 0:38:07.320
<v Speaker 2>this urge, this kind of when I have that deep

0:38:07.800 --> 0:38:10.920
<v Speaker 2>urge for a slice of pizza, honestly, almost any slice

0:38:10.920 --> 0:38:13.720
<v Speaker 2>will do. Around here. There's a place called Angelo's. It's

0:38:13.760 --> 0:38:16.239
<v Speaker 2>not anything you wouldn't necessarily travel across the country for,

0:38:16.360 --> 0:38:17.920
<v Speaker 2>but when you really need a good slice of pizza,

0:38:18.160 --> 0:38:18.600
<v Speaker 2>it works.

0:38:18.640 --> 0:38:21.239
<v Speaker 1>Thank you. And you know, if food is art and

0:38:21.360 --> 0:38:25.200
<v Speaker 1>art is food, and museums or restaurants and restaurants or museums.

0:38:24.920 --> 0:38:25.880
<v Speaker 2>And chefs are artists.

0:38:25.920 --> 0:38:27.920
<v Speaker 1>And thank you, thank you.

0:38:28.160 --> 0:38:37.239
<v Speaker 5>Thanks So it's great, well and love we have time

0:38:37.280 --> 0:38:40.520
<v Speaker 5>to go and see the modern before leaving the museum.

0:38:41.120 --> 0:38:43.480
<v Speaker 2>Thanks, look at me.

0:38:43.880 --> 0:38:48.200
<v Speaker 1>And so we're just doing a podcast play And then

0:38:48.200 --> 0:38:49.680
<v Speaker 1>I just wanted to say a few.

0:38:49.480 --> 0:38:49.880
<v Speaker 2>Words that.

0:38:51.360 --> 0:38:55.640
<v Speaker 1>You should if you're working here.

0:38:56.400 --> 0:38:58.880
<v Speaker 4>Ruthie's Table for is produced by Atimi Studios.

0:38:58.880 --> 0:39:02.840
<v Speaker 2>For iHeartRadio is hosted by Ruthie Rogers. It's produced by

0:39:02.880 --> 0:39:03.680
<v Speaker 2>William Lensky.

0:39:04.280 --> 0:39:07.000
<v Speaker 4>Our executive producers are Zad Rogers and Fay Stewart.

0:39:07.520 --> 0:39:09.440
<v Speaker 3>Our production manager is Caitlin Paramore.

0:39:09.680 --> 0:39:13.320
<v Speaker 4>Our production coordinator is Bella Selini. Special thanks to everyone

0:39:13.320 --> 0:39:15.440
<v Speaker 4>at The River Cafe.