WEBVTT - Somebody’s Daughter

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<v Speaker 1>Family Secrets is a production of I Heart Radio. This

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<v Speaker 1>episode contains descriptions of sexual assault. Listener discretion is advised.

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<v Speaker 1>The easiest way for a child to lose their seat

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<v Speaker 1>at the adult table is to speak. If no one

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<v Speaker 1>hears your voice for long enough, they forget you're there.

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<v Speaker 1>They let things slip, They say things they wouldn't normally

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<v Speaker 1>say in front of a child. Even the adults who

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<v Speaker 1>noticed and remember your presence will simply point a finger

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<v Speaker 1>in your direction and make direct eye contact. You better

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<v Speaker 1>not repeat any of this you hear. That's Ashley Seaford,

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<v Speaker 1>author of the memoir Somebody's Daughter. Ashley's is a story

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<v Speaker 1>of generational trauma and the ways our lives can be

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<v Speaker 1>shaped by what we do not yet know. It's also

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<v Speaker 1>a story of tremendous rise lands and the capacity to

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<v Speaker 1>turn what is most difficult into art. I'm Danny Shapiro,

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<v Speaker 1>and this is family Secrets. The secrets that are kept

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<v Speaker 1>from us, the secrets we keep from others, and the

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<v Speaker 1>secrets we keep from ourselves. The landscape of my childhood

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<v Speaker 1>is sort of as deceptively flat as Indiana. Indiana is

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<v Speaker 1>thought of as a very flat state, and I get

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<v Speaker 1>at I mean, whenever I take a road trip anywhere,

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<v Speaker 1>I can tell I'm somewhere else when it starts to

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<v Speaker 1>be visibly hilly or mountainous. But it's also a deception

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<v Speaker 1>because as there's a lot going on on the ground

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<v Speaker 1>in Indiana, and so no place is actually very flat,

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<v Speaker 1>things are growing in the places that other people would

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<v Speaker 1>call flat. And I think that my childhood was similarly

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<v Speaker 1>that way. I think it looked like I was having

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<v Speaker 1>a very normal experience and I was having within myself

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<v Speaker 1>something a lot more mountainous. Mm hmm. I love the

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<v Speaker 1>way you put that, So let's talk a little bit

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<v Speaker 1>about that inner mountainous terrain. Describe your mother for me.

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<v Speaker 1>The mother of your childhood, the mother of my childhood

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<v Speaker 1>is beautiful. She's my whole world in a lot of respects,

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<v Speaker 1>as most people's mothers are. She is both loving and volatile.

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<v Speaker 1>She is as charming in the world as she can

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<v Speaker 1>be full of rage in the home. She is young,

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<v Speaker 1>younger than I think it's possible to realize as a

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<v Speaker 1>child when she had you. How old was she one?

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<v Speaker 1>I cannot imagine. I cannot imagine being a parent at

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<v Speaker 1>a married parent at one, and then very quickly becoming,

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<v Speaker 1>you know, a single mom of two at Ashley's mom

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<v Speaker 1>became a single parent at Ashley and her younger brother

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<v Speaker 1>r C. Because her father was imprisoned. A few years later,

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<v Speaker 1>when Ashley is four, her mother is in a new

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<v Speaker 1>relationship and Ashley is starting to experience and be on

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<v Speaker 1>the receiving end of her mom's rage. Soon, Ashley is

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<v Speaker 1>sent to Missouri to live with their grandmother. What was

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<v Speaker 1>the landscape of that, like, you know, your grandmother's place. Oh,

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<v Speaker 1>it was it was a different life. I really took

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<v Speaker 1>to the country really quickly. It was you know, the

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<v Speaker 1>gravel driveways and the long grass that just grew everywhere,

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<v Speaker 1>the forest, you were surrounded by trees. There was just

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<v Speaker 1>something about being outside and sort of being expected to

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<v Speaker 1>be outside a lot that felt right to me and

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<v Speaker 1>felt good and natural to my body. And we lived

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<v Speaker 1>my grandmother and I. We lived in her stepfather. We

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<v Speaker 1>didn't live in the upstairs of the house with him.

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<v Speaker 1>We lived in the basement area, and we had a

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<v Speaker 1>staircase that went directly from the basement out into the backyard.

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<v Speaker 1>And there were always lizards and things like that in

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<v Speaker 1>that little stairway on our way out of the basement,

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<v Speaker 1>and I just there was something about living in that

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<v Speaker 1>place and being in that place where I was the

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<v Speaker 1>most comfortable my body has really ever felt. You wrote,

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<v Speaker 1>I was not always so afraid of the world or

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<v Speaker 1>nervous about the other people in it or what they

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<v Speaker 1>might do to me. So it seems that in your

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<v Speaker 1>early childhood the danger, if you felt danger, had to

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<v Speaker 1>do with your mother's rage and her sort of unpredictability. Yeah,

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<v Speaker 1>I was a very intense kid. I saw something on

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<v Speaker 1>TV that said cigarettes kill, and I was like, what,

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<v Speaker 1>my mom must not know this because she smoked cigarettes.

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<v Speaker 1>Like that was my whole thought process, and so I

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<v Speaker 1>took the cigarettes out of her bag and I just

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<v Speaker 1>threw them in the trash. I didn't even think about obviously,

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<v Speaker 1>Like I'm very young at this point, around four years old.

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<v Speaker 1>I'm not thinking about the consequences of my actions because

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<v Speaker 1>I my child, because my brain is not formed in

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<v Speaker 1>that way yet. And my mother's reaction to that, to

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<v Speaker 1>finding out that I had thrown away her cigarettes, was

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<v Speaker 1>to wook me, for it to hit me over and

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<v Speaker 1>over and over, and I remember that it hurt, and

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<v Speaker 1>I remember that I blamed myself. I didn't feel like

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<v Speaker 1>something had happened to me that I didn't deserve. I

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<v Speaker 1>felt like, yeah, I deserved to hurt. I deserved to

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<v Speaker 1>get hit for what I did, even though I didn't

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<v Speaker 1>know what I was doing, and I knew that I

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<v Speaker 1>didn't do it with mal intent. I wasn't trying to

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<v Speaker 1>hurt me. I wasn't trying to upset anybody, but I

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<v Speaker 1>was treated like it was intentional. When you go live

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<v Speaker 1>with your grandma, it's in the wake of this that

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<v Speaker 1>you were more comfortable and more in your body, more

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<v Speaker 1>at home in yourself. Yeah. Soon though, Ashley is sent

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<v Speaker 1>back to Indiana to be with her mom, it's a

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<v Speaker 1>surprise to her that she has a new baby sister

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<v Speaker 1>waiting at home too. I didn't know it was coming,

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<v Speaker 1>but there' she was um, and you know, thank God,

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<v Speaker 1>because she's the best. But I definitely wasn't expecting to

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<v Speaker 1>come back to a different kind of family formation. Tell

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<v Speaker 1>me about what you knew of or what you remembered

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<v Speaker 1>of your father as when you were a child. At first,

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<v Speaker 1>almost nothing. He was more of an idea. I guess,

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<v Speaker 1>like I knew I had a dad out there in

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<v Speaker 1>some respect, but I knew nothing about him. I didn't

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<v Speaker 1>know what he looked like. Um, I didn't know who

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<v Speaker 1>he was in any respect. And it wasn't until I

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<v Speaker 1>found a picture of him in my grandmother's closet and

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<v Speaker 1>she explained to me who he was that I suddenly

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<v Speaker 1>felt that it was important to try to remember who

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<v Speaker 1>he was, and that that was information I should have

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<v Speaker 1>and I should hold on to. And then, you know,

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<v Speaker 1>I don't remember visiting my dad until I was around

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<v Speaker 1>seven years old that I saw him in person. I mean,

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<v Speaker 1>after hugging him and forming that memory of him as

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<v Speaker 1>a person, as a full human being, it was different.

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<v Speaker 1>He occupied a much bigger space in my mind. Yeah,

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<v Speaker 1>that makes so much sense. And there's a lot that

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<v Speaker 1>you write about about making memories, which I found really

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<v Speaker 1>interesting because, of course, you know, in many ways we're

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<v Speaker 1>not in control of our memories, and our memories change

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<v Speaker 1>in the retelling um again and again. You know, this

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<v Speaker 1>kind of sense of in a way spiraling back but

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<v Speaker 1>always coming to a new understanding or a new thought,

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<v Speaker 1>a new memory. But the idea of making memory is

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<v Speaker 1>like I want to freeze this in time in some way,

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<v Speaker 1>or I want to hold onto this and I can

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<v Speaker 1>imagine what it must have felt like to be a

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<v Speaker 1>seven year old really meeting your father for the first time. Yeah,

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<v Speaker 1>but some years before Ashley meets her father, there is

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<v Speaker 1>another male presence in her life, her baby sister's father.

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<v Speaker 1>His name is Alan. Alan was probably six ft tall.

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<v Speaker 1>He was just, like, you know, a regular dude. I guess.

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<v Speaker 1>He was usually wearing his blue uniform. He was a

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<v Speaker 1>Santa Haitian worker, and he just wore that uniform all

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<v Speaker 1>the time. And he had a brown hat that he

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<v Speaker 1>wore all the time. He was kind of like the

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<v Speaker 1>cartoon character Doug from Nickelodeon who always had on the

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<v Speaker 1>same clothes, staying clothes over and over and over. Unless

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<v Speaker 1>it was a holiday or a special day, he might

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<v Speaker 1>have on regular clothes. But I really owned, like I

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<v Speaker 1>would say, at the time I saw him in his uniform,

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<v Speaker 1>when my sister was around a year. Somewhere between a

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<v Speaker 1>year and two years old is when he started to

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<v Speaker 1>consistently be Around the time that I remember them getting together,

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<v Speaker 1>I'm about oh, six or seven years old, and they

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<v Speaker 1>did not break up until my freshman year of college.

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<v Speaker 1>And in all of that time, as much as he

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<v Speaker 1>was around, he never spent the night in our home.

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<v Speaker 1>M I can't say that I know why, but I

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<v Speaker 1>know that the entire time it was a point of

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<v Speaker 1>contention and and hurtful to my mother, and that it

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<v Speaker 1>was something that he would bring up, you know, as

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<v Speaker 1>like when he was upset with her, as like you know,

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<v Speaker 1>almost like the punishment, like and this is why I

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<v Speaker 1>don't spend the night, And how did he treat you

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<v Speaker 1>like a nuisance? And unless he could use me to

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<v Speaker 1>get under my mom's skin, um, which probably happened twice

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<v Speaker 1>before I realized that that's what was happening and just

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<v Speaker 1>refused to be part of that anymore. But yeah, he

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<v Speaker 1>was very dismissive. He was sarcastic. He was highly critical

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<v Speaker 1>of not just my mother, you know, as we got older,

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<v Speaker 1>he would make fun of us. He would say things

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<v Speaker 1>about our bodies, and it was pretty gross and it

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<v Speaker 1>was disturbing, and it was like if a forty year

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<v Speaker 1>old man was hanging around and he had retained the

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<v Speaker 1>sense of humor of a twelve year old boy. That

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<v Speaker 1>says at all. By this time, Allen and Ashley's mother

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<v Speaker 1>have had another child, Jorian. The familiar atmosphere is fraught

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<v Speaker 1>Ashley and her siblings grow up with a sense that

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<v Speaker 1>danger is everywhere, at school, at church, and even at home.

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<v Speaker 1>She writes, protecting my body became my number one goal.

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<v Speaker 1>They're the familial expectations that you will do whatever you

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<v Speaker 1>can to mitigate any unwanted attention from men or boys.

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<v Speaker 1>And then there's the spiritual side of it, where you

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<v Speaker 1>know when you grow up in a town where there's

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<v Speaker 1>a church on every corner, and you know you don't

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<v Speaker 1>necessarily just ask people what school they go to, you

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<v Speaker 1>also ask what church they go to, because everybody goes

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<v Speaker 1>to church. You get the message over and over and

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<v Speaker 1>over as a young girl from the church that it

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<v Speaker 1>is your responsibility and your responsibility at all alone to

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<v Speaker 1>protect what is essentially your value and what your value

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<v Speaker 1>will be to any man or partner or man who

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<v Speaker 1>you would want to be with, because anybody would who

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<v Speaker 1>would have you after you had been damaged or violated

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<v Speaker 1>in some way was a lesser man in the eyes

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<v Speaker 1>of God. So you know it's coming at you from

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<v Speaker 1>all sides. It's coming at you at school. You go

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<v Speaker 1>to school and there are rules about your body, and

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<v Speaker 1>you see who rules pertained to and who the rules

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<v Speaker 1>don't pertain to, and you think it's you. You think

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<v Speaker 1>that it must be you because everybody else has decided

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<v Speaker 1>that it's already. Tell me a little bit more about

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<v Speaker 1>who the rules pertained to and who the rules don't

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<v Speaker 1>pertain to. Well, I was a person um, a girl

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<v Speaker 1>whose body matured before adults were comfortable talking about a

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<v Speaker 1>girl's body maturing. I had breast when I was in

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<v Speaker 1>the third grade, I got my first minstreul cycle. Between

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<v Speaker 1>fourth and fifth grade, I developed, and the reaction of

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<v Speaker 1>the adults around me to my developing body was close considered.

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<v Speaker 1>Like if I wore the same shirt as my best

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<v Speaker 1>friend at the time, who had not hit puberty yet

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<v Speaker 1>and who still very much looked the way people would

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<v Speaker 1>expect girls our age to look, we would have on

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<v Speaker 1>almost the exact same outfit, and I would get sent

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<v Speaker 1>to the principle's office every time it gets to a

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<v Speaker 1>point where it feels like harassment. This was a consistent

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<v Speaker 1>thing for me in school, having the fact of my

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<v Speaker 1>body constantly policed by the adults who were in charge

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<v Speaker 1>of me, constantly being told that the way I looked,

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<v Speaker 1>the way I was shaped, just the shape of my

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<v Speaker 1>body was inappropriate, and I'm still dealing with the shame

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<v Speaker 1>that came with believing that and having to adhered policies

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<v Speaker 1>that forced me to believe it. One New Year's Eve,

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<v Speaker 1>when Ashley is a young girl, she's faced with an

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<v Speaker 1>other terribly inappropriate response to her body. A family friend,

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<v Speaker 1>an older man, kisses her at midnight. I knew it was.

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<v Speaker 1>It immediately felt wrong, and I also realized almost immediately

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<v Speaker 1>that I had to wagh whether or not that moment

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<v Speaker 1>was worth possibly destroying a person, possibly destroying a gathering,

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<v Speaker 1>a family, essentially really a family. I thought, if I

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<v Speaker 1>say something, it could destroy my family, and uh, yeah,

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<v Speaker 1>that was really really sad and unfortunate. So that becomes

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<v Speaker 1>a secret, something that you know, you bury somewhere within

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<v Speaker 1>your body, within your psyche. And the sense that you

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<v Speaker 1>had and that you write about that scene was danger

0:17:01.720 --> 0:17:05.639
<v Speaker 1>was everywhere. So in a way it's corroborated. You know,

0:17:05.840 --> 0:17:09.200
<v Speaker 1>your mother tells you she wants you to see danger everywhere,

0:17:09.240 --> 0:17:12.520
<v Speaker 1>and then lo and behold, there's danger right in the

0:17:12.560 --> 0:17:31.960
<v Speaker 1>same room as her. We'll be right back in all

0:17:32.000 --> 0:17:35.520
<v Speaker 1>these years growing up with danger ever present, her father

0:17:36.040 --> 0:17:40.159
<v Speaker 1>is ever absent. This absence is a defining quality in

0:17:40.200 --> 0:17:43.720
<v Speaker 1>her life, and when finally she gets to know him,

0:17:43.760 --> 0:17:49.480
<v Speaker 1>she gets to know herself too. When my dad was arrested,

0:17:49.600 --> 0:17:53.080
<v Speaker 1>I was about eight months old. The first time that

0:17:53.160 --> 0:17:57.280
<v Speaker 1>you really remember going to visit him and you know,

0:17:57.359 --> 0:18:00.640
<v Speaker 1>you want to make a memory and you start feeling

0:18:01.440 --> 0:18:04.760
<v Speaker 1>the significance of the fact that he's your father in

0:18:04.800 --> 0:18:09.800
<v Speaker 1>your life is when you're seven. Yes, I think anybody

0:18:09.920 --> 0:18:12.960
<v Speaker 1>who knows what it's like to see and talk to

0:18:13.000 --> 0:18:18.480
<v Speaker 1>another person and feel like a piece of the puzzle

0:18:19.600 --> 0:18:23.960
<v Speaker 1>has just locked into place. You know, whether that's like

0:18:24.640 --> 0:18:29.160
<v Speaker 1>lost sibling, a lover, who you need, who you can

0:18:29.200 --> 0:18:32.479
<v Speaker 1>tell is going to be important in your story and

0:18:32.560 --> 0:18:37.560
<v Speaker 1>you feel that thing lock into place. That's kind of

0:18:37.600 --> 0:18:41.560
<v Speaker 1>what it was like to have that moment and to

0:18:41.680 --> 0:18:45.840
<v Speaker 1>see my dad and to really be cognizant of him

0:18:46.160 --> 0:18:51.480
<v Speaker 1>and and cognizant of wanting to remember this moment with him.

0:18:51.600 --> 0:18:55.160
<v Speaker 1>You know, nobody had ever looked at me like that before,

0:18:56.200 --> 0:19:02.720
<v Speaker 1>Nobody had ever looked at me and their whole face

0:19:03.640 --> 0:19:07.439
<v Speaker 1>lit up like I was the best thing in the

0:19:07.440 --> 0:19:11.600
<v Speaker 1>world that it never happened to me before. And not

0:19:11.720 --> 0:19:16.679
<v Speaker 1>only was that happening in that moment, but the person

0:19:16.680 --> 0:19:19.760
<v Speaker 1>who had that look on their face was my dad.

0:19:20.760 --> 0:19:23.440
<v Speaker 1>And it's not like I didn't know people who were

0:19:23.560 --> 0:19:26.640
<v Speaker 1>dads or people who had dads. I never saw their

0:19:26.720 --> 0:19:29.920
<v Speaker 1>dad's look at them like that. But look at how

0:19:30.040 --> 0:19:35.600
<v Speaker 1>my dad looked at me. And I think that I

0:19:35.680 --> 0:19:39.199
<v Speaker 1>had had all this reason before then to suspect that

0:19:39.240 --> 0:19:43.080
<v Speaker 1>I was kind of bad, But in that moment, just

0:19:43.160 --> 0:19:45.879
<v Speaker 1>because of the way my dad looked at me, I

0:19:45.920 --> 0:19:49.520
<v Speaker 1>started to suspect that maybe I could be like especially

0:19:49.640 --> 0:19:54.440
<v Speaker 1>good in some way. Maybe the badness wasn't a special

0:19:54.480 --> 0:19:59.919
<v Speaker 1>thing about me. You know, it's amazing how in our

0:20:00.080 --> 0:20:07.399
<v Speaker 1>childhood's if there's one person, maybe it's a parent, maybe

0:20:07.400 --> 0:20:10.960
<v Speaker 1>it's a teacher, maybe it's a grandparent, and maybe it's

0:20:11.000 --> 0:20:14.320
<v Speaker 1>not often maybe it's a moment or an experience like

0:20:14.400 --> 0:20:19.680
<v Speaker 1>that where we have that feeling of being seen and

0:20:20.040 --> 0:20:24.000
<v Speaker 1>loved and held that can really go such a long

0:20:24.080 --> 0:20:29.960
<v Speaker 1>way to saving us. Absolutely, you know. Tony Morrison wrote

0:20:29.960 --> 0:20:34.720
<v Speaker 1>about this, talking about how when her children walked into

0:20:34.800 --> 0:20:38.439
<v Speaker 1>the room, she made sure that her face lit up

0:20:39.520 --> 0:20:42.719
<v Speaker 1>whenever they walked into a room. Whatever she was doing,

0:20:43.080 --> 0:20:46.360
<v Speaker 1>she always tried to make sure that the first thing

0:20:46.640 --> 0:20:49.040
<v Speaker 1>she did when they walk into a room was light up,

0:20:49.960 --> 0:20:54.040
<v Speaker 1>and I remember reading that and thinking that, oh, my god,

0:20:54.240 --> 0:20:58.360
<v Speaker 1>like that might be it, like that might be the secret,

0:20:58.480 --> 0:21:04.240
<v Speaker 1>because I knew how that moment had, you know, altered

0:21:04.359 --> 0:21:09.080
<v Speaker 1>my perception of myself as a child. It isn't until

0:21:09.119 --> 0:21:12.840
<v Speaker 1>actually is twelve that she asks an uncle why exactly

0:21:12.880 --> 0:21:17.000
<v Speaker 1>her father is in jail? Why do you think you

0:21:17.119 --> 0:21:23.679
<v Speaker 1>hadn't asked before? I think I specifically hadn't asked my

0:21:23.880 --> 0:21:34.200
<v Speaker 1>uncle Clarence before, because I genuinely worried that he didn't know.

0:21:35.440 --> 0:21:37.879
<v Speaker 1>At that point, I didn't realize that, oh, it's just

0:21:38.119 --> 0:21:42.359
<v Speaker 1>me and my brother who don't know. I thought maybe

0:21:42.720 --> 0:21:46.719
<v Speaker 1>it was that a lot of our family doesn't know,

0:21:47.560 --> 0:21:50.439
<v Speaker 1>and I asked him, you know, do you know? Like

0:21:50.560 --> 0:21:53.280
<v Speaker 1>that was my first question to him, was do you

0:21:53.400 --> 0:21:56.640
<v Speaker 1>know why my dad is in present? I wasn't sure

0:21:56.680 --> 0:21:59.639
<v Speaker 1>that he knew, and my mind wasn't sophisticated enough I

0:21:59.680 --> 0:22:03.199
<v Speaker 1>guess to assume that he would, but you know, he

0:22:03.320 --> 0:22:08.600
<v Speaker 1>reacted by saying that he didn't think it was his

0:22:08.720 --> 0:22:13.560
<v Speaker 1>place to tell us, right, And it's it's so interesting

0:22:13.600 --> 0:22:15.679
<v Speaker 1>because it sounds like you were actually being kind of

0:22:15.720 --> 0:22:18.600
<v Speaker 1>protective of him when you're twelve and you ask him that,

0:22:19.640 --> 0:22:21.600
<v Speaker 1>And so this is really the first time that you

0:22:22.000 --> 0:22:25.040
<v Speaker 1>understand that there are people in your family who know

0:22:25.240 --> 0:22:32.000
<v Speaker 1>things that you don't know about this. Yes, the world

0:22:32.040 --> 0:22:36.199
<v Speaker 1>around Ashley confirms once again that danger is everywhere. In

0:22:36.280 --> 0:22:39.879
<v Speaker 1>high school, she has a boyfriend, Bradley, who violently assaults her.

0:22:40.600 --> 0:22:44.560
<v Speaker 1>Both during and in the aftermath of that assault, Ashley dissociates.

0:22:45.080 --> 0:22:48.240
<v Speaker 1>She essentially floats away from her body, and she doesn't

0:22:48.280 --> 0:22:54.439
<v Speaker 1>tell anyone. Most notably, she doesn't tell her mother. What

0:22:54.560 --> 0:22:58.040
<v Speaker 1>I've realized as an adult is that a good part

0:22:58.040 --> 0:23:02.119
<v Speaker 1>of the reason why I didn't tell anybody was because

0:23:02.160 --> 0:23:05.520
<v Speaker 1>I genuinely did not believe that anybody would be on

0:23:05.560 --> 0:23:14.080
<v Speaker 1>my side. I did not believe that I would be

0:23:14.160 --> 0:23:19.159
<v Speaker 1>treated like something had happened to me. I thought that

0:23:19.240 --> 0:23:24.040
<v Speaker 1>I would be treated like I had allowed something to

0:23:24.119 --> 0:23:28.280
<v Speaker 1>happen to me. And so not only was I ashamed

0:23:28.280 --> 0:23:33.600
<v Speaker 1>of it, I was afraid of what it meant about

0:23:33.680 --> 0:23:38.560
<v Speaker 1>me and who I was and what I wanted versus

0:23:38.600 --> 0:23:42.679
<v Speaker 1>I guess what my words and my body told people

0:23:42.760 --> 0:23:46.920
<v Speaker 1>I wanted. Was there at difference? Yeah? It was not good.

0:23:46.960 --> 0:23:52.760
<v Speaker 1>It was terrible. And so you hold this secret again,

0:23:53.000 --> 0:23:56.639
<v Speaker 1>you know it lodges somewhere inside of you, which is

0:23:56.680 --> 0:23:59.639
<v Speaker 1>what secret to do. They never go away, so you

0:23:59.680 --> 0:24:03.320
<v Speaker 1>don't how anyone in your family. I guess one of

0:24:03.359 --> 0:24:05.880
<v Speaker 1>the things I was wondering about was who is your

0:24:05.920 --> 0:24:10.440
<v Speaker 1>father to you? During those years when you think of him,

0:24:10.480 --> 0:24:15.280
<v Speaker 1>you know, we're making memories of him and his adoration

0:24:15.400 --> 0:24:18.280
<v Speaker 1>of you, and his pride in you and his belief

0:24:18.359 --> 0:24:22.560
<v Speaker 1>in your goodness? Did that in any way help to

0:24:22.680 --> 0:24:25.720
<v Speaker 1>kind of sustain you during that time? Did you ever

0:24:25.720 --> 0:24:29.200
<v Speaker 1>think about talking to him about it? It's actually when

0:24:29.240 --> 0:24:35.600
<v Speaker 1>things sort of shifted, um, and my idea of my

0:24:35.760 --> 0:24:42.280
<v Speaker 1>father lived more in a fantasy place than in reality,

0:24:43.040 --> 0:24:47.520
<v Speaker 1>because the reality, in reality, this thing had happened to me.

0:24:48.280 --> 0:24:52.439
<v Speaker 1>And I didn't want my idea of my father to

0:24:52.560 --> 0:24:57.199
<v Speaker 1>be anywhere near this thing that had happened to me.

0:24:57.400 --> 0:25:00.920
<v Speaker 1>I wanted them to be separate, you know. And this

0:25:00.960 --> 0:25:03.119
<v Speaker 1>is sort of the start of like issues. I started

0:25:03.160 --> 0:25:05.879
<v Speaker 1>to have the dissociation, though I wouldn't have known to

0:25:06.000 --> 0:25:11.280
<v Speaker 1>call it that then, but yeah, because in that dissociated place,

0:25:11.800 --> 0:25:16.720
<v Speaker 1>I was still twelve, and I was still the girl

0:25:17.000 --> 0:25:21.200
<v Speaker 1>that my dad saw the last time I saw him,

0:25:22.000 --> 0:25:25.760
<v Speaker 1>and I was still worthy of all of the letters

0:25:25.800 --> 0:25:29.000
<v Speaker 1>I had from him, and all of the kind things

0:25:29.080 --> 0:25:31.440
<v Speaker 1>he had said to me, and all of the belief

0:25:31.480 --> 0:25:35.640
<v Speaker 1>I had in myself and in my goodness through those moments,

0:25:35.680 --> 0:25:38.560
<v Speaker 1>you know, in my mind, in that fantasy place, I

0:25:38.600 --> 0:25:41.199
<v Speaker 1>was still worth those things. And whenever I had to

0:25:41.200 --> 0:25:45.560
<v Speaker 1>be back in my body and reality, I was, in

0:25:45.760 --> 0:25:48.639
<v Speaker 1>one way or another forced to face the fact that

0:25:48.760 --> 0:25:52.560
<v Speaker 1>I wasn't that growing, that what had happened to me

0:25:52.640 --> 0:25:57.360
<v Speaker 1>had changed me, that my body was changing, that my

0:25:57.680 --> 0:26:03.960
<v Speaker 1>perspectives were changing, and the person who I was becoming

0:26:04.080 --> 0:26:08.840
<v Speaker 1>felt so much third year than the person my dad loved.

0:26:11.440 --> 0:26:15.000
<v Speaker 1>My father wrote to me, I would say three or

0:26:15.080 --> 0:26:19.119
<v Speaker 1>four times a year, which doesn't sound like a whole

0:26:19.160 --> 0:26:22.879
<v Speaker 1>lot until kind of have the factor in that, like

0:26:23.080 --> 0:26:25.359
<v Speaker 1>inmates have to be or at least at that time,

0:26:25.720 --> 0:26:29.680
<v Speaker 1>they had to be able to afford envelopes and paper

0:26:30.320 --> 0:26:33.840
<v Speaker 1>and stamps like they have to buy them. And the

0:26:33.880 --> 0:26:36.720
<v Speaker 1>only way to get those things and also money to

0:26:36.760 --> 0:26:39.160
<v Speaker 1>make phone calls and all that stuff is by having

0:26:39.200 --> 0:26:43.320
<v Speaker 1>an institutional job. And you know, even now, like in

0:26:45.240 --> 0:26:48.399
<v Speaker 1>if you have an institutional job, you could get paid,

0:26:48.480 --> 0:26:51.520
<v Speaker 1>like around in Indiana, it's about fourteen cents an hour

0:26:52.200 --> 0:26:55.800
<v Speaker 1>and then all the prices on everything are hyked up

0:26:56.200 --> 0:27:00.680
<v Speaker 1>in there. So you gotta think about how long somebody

0:27:00.760 --> 0:27:06.120
<v Speaker 1>has to work in order to be able to afford soap,

0:27:06.960 --> 0:27:13.240
<v Speaker 1>any toiletries. They might need, phone calls, plus any media,

0:27:13.640 --> 0:27:18.120
<v Speaker 1>any form of entertainment whatsoever. It's like three or four

0:27:18.119 --> 0:27:20.919
<v Speaker 1>times a year. There's a lot of money to write

0:27:20.960 --> 0:27:24.840
<v Speaker 1>both of your children individual letters that I mean, it

0:27:24.960 --> 0:27:27.200
<v Speaker 1>was just you know, you're my favorite girl. I hope

0:27:27.200 --> 0:27:30.640
<v Speaker 1>you smile today. I hope you think about me, you smile.

0:27:31.520 --> 0:27:36.240
<v Speaker 1>I can't wait to hug you someday. I can't wait

0:27:36.320 --> 0:27:39.160
<v Speaker 1>for the day where we can see each other every day.

0:27:39.400 --> 0:27:41.320
<v Speaker 1>You know, we can see each other all the time,

0:27:41.520 --> 0:27:43.800
<v Speaker 1>and you know, and I would think, man, I can't

0:27:43.800 --> 0:27:49.040
<v Speaker 1>wait for that day either. My dad's letters were really

0:27:49.119 --> 0:27:54.159
<v Speaker 1>full of dreams for the kind of life maybe we

0:27:54.240 --> 0:27:59.240
<v Speaker 1>would have if he were here, if he hadn't done

0:27:59.240 --> 0:28:02.440
<v Speaker 1>what he'd done, and if you hadn't gone to prison,

0:28:02.800 --> 0:28:06.080
<v Speaker 1>you know, And I really liked to dream with her.

0:28:09.960 --> 0:28:13.400
<v Speaker 1>When Ashley is fourteen, she finally learns why her father

0:28:13.480 --> 0:28:19.399
<v Speaker 1>is in prison. Her grandmother tells her, my grandmother, God rest,

0:28:19.440 --> 0:28:26.040
<v Speaker 1>her soul, tact and appropriateness was never really her her forte.

0:28:27.200 --> 0:28:31.000
<v Speaker 1>So she was just kind of upset with me because

0:28:31.960 --> 0:28:34.640
<v Speaker 1>my mother and I had gotten into an argument before

0:28:35.000 --> 0:28:37.840
<v Speaker 1>my grandma and I caught the bus to go to

0:28:37.880 --> 0:28:40.960
<v Speaker 1>the mall, and my mom told me not to talk

0:28:40.960 --> 0:28:45.160
<v Speaker 1>to my grandma about our argument because they had this

0:28:45.240 --> 0:28:49.880
<v Speaker 1>whole thing between them where, you know, even though they

0:28:49.880 --> 0:28:52.800
<v Speaker 1>were super close and always in each other's business, they

0:28:52.800 --> 0:28:54.840
<v Speaker 1>were always trying to keep the other one out of

0:28:54.880 --> 0:29:00.720
<v Speaker 1>their business and it was a ship show, um. And

0:29:00.920 --> 0:29:03.080
<v Speaker 1>my grandma wanted me to talk about why I was

0:29:03.200 --> 0:29:06.080
<v Speaker 1>upset or why I was upset when she had gotten

0:29:06.080 --> 0:29:08.200
<v Speaker 1>there from the argument with my mom, and I didn't

0:29:08.200 --> 0:29:10.400
<v Speaker 1>want to talk about it because I didn't want it

0:29:10.440 --> 0:29:15.720
<v Speaker 1>to become a thing. And she started telling me when

0:29:15.760 --> 0:29:18.160
<v Speaker 1>we were walking around the mall that I needed to

0:29:18.200 --> 0:29:21.880
<v Speaker 1>be nicer to my mom because I didn't know what

0:29:21.920 --> 0:29:24.560
<v Speaker 1>my mom had been through, and that I didn't even

0:29:24.560 --> 0:29:28.680
<v Speaker 1>know why my father was in prison, and I just,

0:29:28.840 --> 0:29:33.160
<v Speaker 1>for some reason, I got kind of bold about, you know,

0:29:34.160 --> 0:29:36.160
<v Speaker 1>why is he a prison? You know, I wanted to know,

0:29:37.120 --> 0:29:39.680
<v Speaker 1>and my grandma did this thing where she would act

0:29:39.720 --> 0:29:42.760
<v Speaker 1>like she wasn't gonna tell me because if she told

0:29:42.800 --> 0:29:45.120
<v Speaker 1>me that I'd tell my mom, and she told me,

0:29:45.160 --> 0:29:47.920
<v Speaker 1>and I was like, no, I won't, you know. And

0:29:48.600 --> 0:29:52.840
<v Speaker 1>we were sitting in the food court and eating really

0:29:52.880 --> 0:29:58.320
<v Speaker 1>bad americanized chat eas food, and she just told me,

0:29:59.120 --> 0:30:02.640
<v Speaker 1>she told me, your dad's in prison because he raped

0:30:02.680 --> 0:30:07.480
<v Speaker 1>two women, and then she just looked at me. She

0:30:07.640 --> 0:30:10.680
<v Speaker 1>kept looking at me, and I knew that she was

0:30:10.840 --> 0:30:16.640
<v Speaker 1>looking at me to watch my reaction and make sure

0:30:16.760 --> 0:30:21.320
<v Speaker 1>that I didn't get what she would consider hysterical, which

0:30:21.360 --> 0:30:26.080
<v Speaker 1>would be showing any emotion at all. So I raised

0:30:26.120 --> 0:30:30.600
<v Speaker 1>my eyebrows enough to be like, huh, you know, and

0:30:30.640 --> 0:30:35.440
<v Speaker 1>then I just went back to eating my food because

0:30:36.240 --> 0:30:40.320
<v Speaker 1>it was the only way that I could not look

0:30:40.320 --> 0:30:44.520
<v Speaker 1>at her looking at me and think my thoughts and

0:30:44.760 --> 0:30:49.960
<v Speaker 1>have the moment to process. And then we took the

0:30:50.000 --> 0:30:53.040
<v Speaker 1>bus home, and I, you know, I had to sort

0:30:53.080 --> 0:30:55.280
<v Speaker 1>of spend the rest of the time acting as normal

0:30:55.320 --> 0:30:58.240
<v Speaker 1>as possible, because if I had been even a little

0:30:58.240 --> 0:31:02.120
<v Speaker 1>bit off, it would have been problem. And then when

0:31:02.160 --> 0:31:07.360
<v Speaker 1>I got home, I called my best friend at the time.

0:31:07.440 --> 0:31:10.600
<v Speaker 1>Brent had told him that I was going to come over,

0:31:11.040 --> 0:31:13.800
<v Speaker 1>and I did, and I told him what I had

0:31:13.840 --> 0:31:17.480
<v Speaker 1>just learned about my dad, and he just helped me,

0:31:18.240 --> 0:31:20.760
<v Speaker 1>and I just cried and cried and cried because I

0:31:20.800 --> 0:31:29.240
<v Speaker 1>was devastated. I was so devastated. Have you had in

0:31:29.240 --> 0:31:32.840
<v Speaker 1>your earlier years fantasy is about what he might be

0:31:32.880 --> 0:31:36.000
<v Speaker 1>in prison for or did you really just kind of

0:31:36.600 --> 0:31:39.040
<v Speaker 1>shut that down for yourself when you were a kid.

0:31:39.760 --> 0:31:43.320
<v Speaker 1>I mean, I had all kinds of ideas about why

0:31:43.400 --> 0:31:48.080
<v Speaker 1>he might need it there, you know, and reasons and

0:31:48.160 --> 0:31:51.360
<v Speaker 1>excuses for why he may have done those things and

0:31:51.560 --> 0:31:57.240
<v Speaker 1>why he may have gotten wrongfully accused or anything. And

0:31:58.440 --> 0:32:00.480
<v Speaker 1>the one thing I didn't want it to be this

0:32:00.720 --> 0:32:05.080
<v Speaker 1>is this. Almost anything else, I felt like I could

0:32:05.120 --> 0:32:08.880
<v Speaker 1>find some way to rationalize it, Like my brain could

0:32:08.920 --> 0:32:13.200
<v Speaker 1>find some way to think that maybe it's this, maybe

0:32:13.200 --> 0:32:16.320
<v Speaker 1>it's this specific way that this could happen where it's

0:32:16.360 --> 0:32:20.160
<v Speaker 1>not really his fault. But there's no way. There's no

0:32:20.240 --> 0:32:24.960
<v Speaker 1>way that could happen with me. There's just no way.

0:32:25.560 --> 0:32:32.960
<v Speaker 1>And it forever altered, you know, my perception of my dad,

0:32:33.280 --> 0:32:36.480
<v Speaker 1>you know, forever altered my perception of him. He had to,

0:32:37.240 --> 0:32:40.320
<v Speaker 1>it was always going to, but that was the moment

0:32:40.440 --> 0:32:43.640
<v Speaker 1>that it happened for me. Yeah, there's a passage in

0:32:43.680 --> 0:32:46.840
<v Speaker 1>your book where right after you know your grandmother's told

0:32:46.840 --> 0:32:49.240
<v Speaker 1>you this, and you go over to Brett's house and

0:32:49.360 --> 0:32:52.720
<v Speaker 1>you write, my father's crimes repulsed me, and I felt

0:32:52.760 --> 0:32:55.000
<v Speaker 1>for some reason that I should have known better. I

0:32:55.040 --> 0:32:59.320
<v Speaker 1>convinced myself something about his letters, his drawings, or the

0:32:59.360 --> 0:33:01.800
<v Speaker 1>tone of his voice should have revealed to me what

0:33:01.880 --> 0:33:04.240
<v Speaker 1>he had done, but I hadn't noticed, because I hadn't

0:33:04.280 --> 0:33:08.600
<v Speaker 1>wanted to. And then you write, my naivete shamed me,

0:33:08.680 --> 0:33:11.480
<v Speaker 1>and I accepted that shame as my own. In the

0:33:11.600 --> 0:33:14.920
<v Speaker 1>dark at night, the saddest parts of me assumed my

0:33:15.000 --> 0:33:19.800
<v Speaker 1>father's crimes were the source of the crime committed upon me. Now,

0:33:19.840 --> 0:33:25.280
<v Speaker 1>that is just so complex and layered and sort of

0:33:25.320 --> 0:33:28.680
<v Speaker 1>boomerangs all the way back to it's a bad world.

0:33:28.720 --> 0:33:32.800
<v Speaker 1>It's a dangerous world. Your body causes danger, women's bodies

0:33:32.840 --> 0:33:37.520
<v Speaker 1>caused danger. When you think about it now and you've

0:33:37.520 --> 0:33:40.560
<v Speaker 1>processed so much and you've done so much work, do

0:33:40.640 --> 0:33:47.640
<v Speaker 1>you feel that that lurking secret of the reason why

0:33:47.760 --> 0:33:53.040
<v Speaker 1>your father was convicted and sent to prison, that that

0:33:53.360 --> 0:33:56.840
<v Speaker 1>was kind of like the noxious gas in the air,

0:33:57.400 --> 0:34:00.840
<v Speaker 1>where the whole idea of men are danger us and

0:34:01.160 --> 0:34:06.880
<v Speaker 1>you're internalizing things so much as being bad or good,

0:34:06.960 --> 0:34:10.719
<v Speaker 1>yourself as bad you know, the fault being yours. It

0:34:10.800 --> 0:34:13.960
<v Speaker 1>just feels very knotted up in what wasn't being said

0:34:14.160 --> 0:34:18.359
<v Speaker 1>for all those years. Mm hmm. I think it's a

0:34:18.400 --> 0:34:24.880
<v Speaker 1>lot of it. But I also have to consider the

0:34:24.920 --> 0:34:29.960
<v Speaker 1>fact that my grandmother had five girls. You know, I

0:34:30.040 --> 0:34:34.200
<v Speaker 1>have four aunts. We all lived in the same neighborhood,

0:34:34.280 --> 0:34:37.920
<v Speaker 1>were like all there together, and they all have daughters. Nobody,

0:34:37.920 --> 0:34:41.000
<v Speaker 1>you know, except for except for one aunt, only has sons,

0:34:41.040 --> 0:34:43.600
<v Speaker 1>but everybody else has daughters. There's a lot of women,

0:34:44.520 --> 0:34:50.680
<v Speaker 1>and my family has a history of women who have

0:34:50.920 --> 0:34:56.840
<v Speaker 1>been violated, who have been assaulted, who have been beaten,

0:34:57.480 --> 0:35:02.400
<v Speaker 1>who have been cut, who have been the victims of

0:35:02.560 --> 0:35:07.759
<v Speaker 1>people in and outside of their own family. So that

0:35:07.960 --> 0:35:14.520
<v Speaker 1>legacy of pain and of expected pain from men, the

0:35:14.560 --> 0:35:19.920
<v Speaker 1>foundation for that had been laid long before anything happened,

0:35:20.200 --> 0:35:25.640
<v Speaker 1>you know, with my dad. But I think that for

0:35:25.760 --> 0:35:31.200
<v Speaker 1>me personally, it's not necessarily that it affirmed their fears

0:35:31.920 --> 0:35:35.760
<v Speaker 1>about men in general, are about the world in general.

0:35:37.040 --> 0:35:41.440
<v Speaker 1>For me, it affirmed my fears about me, that something

0:35:41.880 --> 0:35:47.360
<v Speaker 1>really was wrong with me, that I was bad, because

0:35:47.480 --> 0:35:50.600
<v Speaker 1>the only person who had ever looked at me like

0:35:50.760 --> 0:36:00.319
<v Speaker 1>I was good had done such a terrible thing. M Yeah,

0:36:03.200 --> 0:36:05.720
<v Speaker 1>we'll be back in a moment with more family secrets.

0:36:16.960 --> 0:36:20.840
<v Speaker 1>In the years that followed this shattering, discovery actually focuses

0:36:20.840 --> 0:36:25.080
<v Speaker 1>on healing, on having healthy relationships with men, but perhaps

0:36:25.360 --> 0:36:31.400
<v Speaker 1>more importantly, a healthy relationship with herself. I gave myself

0:36:31.480 --> 0:36:36.640
<v Speaker 1>therapy as an eighteenth birthday president. Even before that, you know,

0:36:36.920 --> 0:36:40.800
<v Speaker 1>I was lucky to have a couple of adults around

0:36:40.880 --> 0:36:44.000
<v Speaker 1>me who were not counselors or anything like that, but

0:36:44.120 --> 0:36:48.160
<v Speaker 1>who listened to me, you know, who just listened to

0:36:48.200 --> 0:36:52.359
<v Speaker 1>me when I was hurting, when I was scared. I

0:36:52.440 --> 0:36:55.200
<v Speaker 1>had a couple of people who I could count on

0:36:55.800 --> 0:36:59.200
<v Speaker 1>and who would listen to me, who were adults. And

0:36:59.480 --> 0:37:02.000
<v Speaker 1>I got therapy as soon as I could, and I

0:37:02.120 --> 0:37:06.080
<v Speaker 1>stayed in therapy for as long as I could, and

0:37:06.280 --> 0:37:10.880
<v Speaker 1>I just never stopped doing that. I think something in me,

0:37:11.520 --> 0:37:17.880
<v Speaker 1>some part of me, realized that I didn't necessarily need

0:37:18.080 --> 0:37:21.880
<v Speaker 1>my goodness to be affirmed by somebody else. I needed

0:37:21.920 --> 0:37:26.600
<v Speaker 1>to trust myself enough to see it in myself, to

0:37:26.719 --> 0:37:31.480
<v Speaker 1>find it in myself and believe it. And that wasn't

0:37:31.480 --> 0:37:35.120
<v Speaker 1>going to happen without a lot of work. And I

0:37:35.120 --> 0:37:37.879
<v Speaker 1>don't know if it's because I'm an oldest daughter, or

0:37:37.920 --> 0:37:41.560
<v Speaker 1>a Capricorn or what it is. But work has never

0:37:41.640 --> 0:37:45.080
<v Speaker 1>been the scariest thing to me. You know. The scariest

0:37:45.120 --> 0:37:49.480
<v Speaker 1>thing to me has been giving in or or giving up,

0:37:50.440 --> 0:37:57.640
<v Speaker 1>or deciding that I'm not worthy, not battling that thought

0:37:57.680 --> 0:38:02.319
<v Speaker 1>that I already have, you know, getting into it. A

0:38:02.360 --> 0:38:04.320
<v Speaker 1>lot of time when I was growing up, I felt

0:38:04.320 --> 0:38:07.960
<v Speaker 1>like my mom was giving in to other people, to

0:38:08.080 --> 0:38:12.520
<v Speaker 1>what they thought, to what they wanted. You know, I

0:38:12.640 --> 0:38:15.759
<v Speaker 1>felt like my mom traded herself in a lot and

0:38:15.840 --> 0:38:20.400
<v Speaker 1>didn't get a lot back. And if I didn't know

0:38:20.560 --> 0:38:23.759
<v Speaker 1>exactly what I wanted to do, I knew that I

0:38:23.840 --> 0:38:27.960
<v Speaker 1>didn't want to do that. When we talk about identity

0:38:28.000 --> 0:38:31.879
<v Speaker 1>and sort of how we become ourselves, you know, sometimes

0:38:32.360 --> 0:38:36.920
<v Speaker 1>if we're lucky, we're partly formed by positive role models

0:38:37.000 --> 0:38:40.880
<v Speaker 1>and modeling other people's behavior sometimes, and I don't I

0:38:40.920 --> 0:38:44.400
<v Speaker 1>think it doesn't get talked about enough. We form ourselves

0:38:45.600 --> 0:38:48.759
<v Speaker 1>kind of in opposition to well, I don't know what

0:38:48.800 --> 0:38:50.719
<v Speaker 1>I do want it to look like, but I do

0:38:50.840 --> 0:38:54.480
<v Speaker 1>know what I don't want it to look like. Yeah, absolutely,

0:38:55.400 --> 0:38:58.279
<v Speaker 1>you know. When I was growing up, one of the

0:38:58.360 --> 0:39:04.680
<v Speaker 1>things that was really really common were movies where adults

0:39:04.760 --> 0:39:07.080
<v Speaker 1>forgot what it was like to be kids and their

0:39:07.120 --> 0:39:12.120
<v Speaker 1>lives fell apart. M hm. I guess I just watched

0:39:12.440 --> 0:39:16.719
<v Speaker 1>the adults around me at the time do things that

0:39:16.760 --> 0:39:20.160
<v Speaker 1>I thought, like, you know, you've forgotten what it was

0:39:20.200 --> 0:39:23.520
<v Speaker 1>like to be a kid. You wouldn't do that if

0:39:23.520 --> 0:39:25.640
<v Speaker 1>you remembered what it was like to be a kid.

0:39:25.719 --> 0:39:28.920
<v Speaker 1>You wouldn't say that. You wouldn't behave that way if

0:39:28.960 --> 0:39:31.240
<v Speaker 1>you remembered what it was like to be a kid. Now,

0:39:31.640 --> 0:39:34.239
<v Speaker 1>as an adult, I have a more sophisticated view of that,

0:39:34.440 --> 0:39:37.960
<v Speaker 1>which is more so like, you wouldn't say that if

0:39:38.040 --> 0:39:42.319
<v Speaker 1>you didn't kind of hate your child self, if you

0:39:42.360 --> 0:39:47.239
<v Speaker 1>didn't kind of think your child self was weak and

0:39:47.280 --> 0:39:50.359
<v Speaker 1>think that they deserved to be hurt or harmed. That's

0:39:50.400 --> 0:39:53.279
<v Speaker 1>why you think it's okay to hurt hard kids. It's

0:39:53.239 --> 0:39:56.880
<v Speaker 1>because you think you deserved it. When you work, I

0:39:57.040 --> 0:40:00.200
<v Speaker 1>knew I was watching a lot of things happen that

0:40:00.280 --> 0:40:03.160
<v Speaker 1>I did not want to repeat. It's not like I

0:40:03.239 --> 0:40:06.240
<v Speaker 1>was a perfect kid. It's you know, it's not like

0:40:06.680 --> 0:40:11.439
<v Speaker 1>I was a specifically delightful and well behaved kid. Like

0:40:11.560 --> 0:40:14.160
<v Speaker 1>you know, I was a kid, and there were things

0:40:14.280 --> 0:40:18.360
<v Speaker 1>I did when I was in middle school. I kept

0:40:18.400 --> 0:40:22.000
<v Speaker 1>a box of note cards where every time my mom

0:40:22.080 --> 0:40:25.960
<v Speaker 1>did something that I thought was a bad parent moment,

0:40:26.239 --> 0:40:28.919
<v Speaker 1>I wrote it down. And I was going to keep

0:40:28.960 --> 0:40:32.000
<v Speaker 1>that box until I was a parent, so that I

0:40:32.040 --> 0:40:35.920
<v Speaker 1>could go through it and remember all of the things

0:40:35.960 --> 0:40:38.200
<v Speaker 1>that I did not want to do to my kids.

0:40:39.320 --> 0:40:45.200
<v Speaker 1>And one day, after keeping this box for months, almost

0:40:45.200 --> 0:40:48.440
<v Speaker 1>a year, one day it suddenly occurred to me that

0:40:48.520 --> 0:40:52.880
<v Speaker 1>if my mom ever found this box, it would, I thought,

0:40:53.400 --> 0:40:58.160
<v Speaker 1>destroy her emotionally, and so I threw it away. I

0:40:58.200 --> 0:41:00.880
<v Speaker 1>threw away the whole box of car that I have

0:41:00.960 --> 0:41:04.400
<v Speaker 1>been keeping because I didn't want to do that. I

0:41:04.480 --> 0:41:07.360
<v Speaker 1>also didn't want to hurt her. And like, that is

0:41:07.440 --> 0:41:10.440
<v Speaker 1>kind of the struggle of the book and even like

0:41:10.640 --> 0:41:13.719
<v Speaker 1>of my life, which is that you know, I'm already

0:41:13.800 --> 0:41:17.920
<v Speaker 1>making notes about what I don't want to do, and

0:41:18.280 --> 0:41:23.440
<v Speaker 1>all in that list is hurt my mother. And those

0:41:23.480 --> 0:41:28.359
<v Speaker 1>two desires can exist in the same place, but the

0:41:28.440 --> 0:41:34.520
<v Speaker 1>outcome can't always exist in the same place. Yeah, that's

0:41:34.520 --> 0:41:43.520
<v Speaker 1>really that's really beautifully put. Ashley does not visit her

0:41:43.520 --> 0:41:45.600
<v Speaker 1>father from the time she learns of the reason for

0:41:45.680 --> 0:41:49.719
<v Speaker 1>his imprisonment at the age of fourteen until she's twenty five.

0:41:50.640 --> 0:41:53.719
<v Speaker 1>Her mother is sick, and she becomes painfully aware that

0:41:53.800 --> 0:41:57.719
<v Speaker 1>she may soon be without any parent at all. She

0:41:57.840 --> 0:42:00.959
<v Speaker 1>asks her friend Trent to drive her to prison, which

0:42:01.000 --> 0:42:05.040
<v Speaker 1>is three hours from where she lives. The visit lasts

0:42:05.239 --> 0:42:08.960
<v Speaker 1>two hours and forty seven minutes. Ashley is her father's

0:42:08.960 --> 0:42:12.399
<v Speaker 1>first visitor in five years, and in that visit, which

0:42:12.440 --> 0:42:15.640
<v Speaker 1>is filled with mutual kindness and affection and a lot

0:42:15.680 --> 0:42:19.680
<v Speaker 1>of catching up, it becomes clear that it is possible

0:42:19.719 --> 0:42:23.600
<v Speaker 1>that someone you love can do heinous and completely unacceptable things,

0:42:24.320 --> 0:42:27.840
<v Speaker 1>things that have impacted your life tremendously, but still be

0:42:27.960 --> 0:42:34.760
<v Speaker 1>someone you love. It was just so much information at once,

0:42:35.360 --> 0:42:38.440
<v Speaker 1>and then you know, to get into the room, to

0:42:38.560 --> 0:42:41.359
<v Speaker 1>see him, to have him stand up because he sees me,

0:42:42.320 --> 0:42:46.960
<v Speaker 1>and to be able to hug him, but then not

0:42:47.080 --> 0:42:50.400
<v Speaker 1>be able to touch him, you know, like anymore, like

0:42:50.600 --> 0:42:53.160
<v Speaker 1>not be able to touch his hand or anything like

0:42:53.239 --> 0:42:56.920
<v Speaker 1>that's against the rules. And it was just trying to

0:42:57.040 --> 0:43:00.080
<v Speaker 1>talk to each other, just trying to figure out the

0:43:00.160 --> 0:43:07.319
<v Speaker 1>language of that kind of anticipation for a conversation, for

0:43:07.440 --> 0:43:13.200
<v Speaker 1>a connection with another person. It is a wild, wild

0:43:13.360 --> 0:43:17.520
<v Speaker 1>feeling that in some ways will is are indescribable even

0:43:17.560 --> 0:43:20.839
<v Speaker 1>to myself, but It was a good visit. You know.

0:43:21.040 --> 0:43:25.480
<v Speaker 1>I got to talk to my dad about my friends

0:43:25.800 --> 0:43:29.239
<v Speaker 1>and what I like to read and what I like

0:43:29.360 --> 0:43:33.720
<v Speaker 1>to listen, to the fact that I fancied myself a writer,

0:43:34.040 --> 0:43:37.600
<v Speaker 1>and that I was writing about me and writing about

0:43:37.719 --> 0:43:42.560
<v Speaker 1>him and writing about the world around me, and having

0:43:42.640 --> 0:43:45.720
<v Speaker 1>him just want more, more and more, to just want

0:43:45.800 --> 0:43:48.239
<v Speaker 1>me to say more and more and more about who

0:43:48.360 --> 0:43:51.440
<v Speaker 1>I am and what I'm up to and all of that.

0:43:51.560 --> 0:43:55.239
<v Speaker 1>It was hetty, It was wild in terms of your

0:43:55.280 --> 0:43:58.960
<v Speaker 1>writing about him. What were you hoping for from him?

0:43:59.000 --> 0:44:01.960
<v Speaker 1>You know, I was hoping for him to sort of

0:44:02.000 --> 0:44:05.200
<v Speaker 1>give me his blessing, to give me his permission to

0:44:05.239 --> 0:44:08.880
<v Speaker 1>write about those things. I don't know that if I

0:44:08.960 --> 0:44:12.760
<v Speaker 1>hadn't gotten it, that that means I wouldn't have kept

0:44:12.800 --> 0:44:16.560
<v Speaker 1>writing about it, you know, because I know how I am. Um,

0:44:16.600 --> 0:44:21.160
<v Speaker 1>I don't think that would have happened. But I think

0:44:21.160 --> 0:44:23.920
<v Speaker 1>what I was looking for in that moment was sort

0:44:23.960 --> 0:44:27.200
<v Speaker 1>of just the affirmation of my right to do it,

0:44:28.400 --> 0:44:32.960
<v Speaker 1>of my right to talk about what I saw, what

0:44:33.120 --> 0:44:37.400
<v Speaker 1>I heard, what happened. Um what I know, what I

0:44:37.480 --> 0:44:42.080
<v Speaker 1>don't know, what my life had been up until that point.

0:44:42.440 --> 0:44:45.800
<v Speaker 1>I wanted him to affirm that, like, yeah, that that's

0:44:45.840 --> 0:44:49.680
<v Speaker 1>yours and you get to do what you want with that.

0:44:50.960 --> 0:44:54.560
<v Speaker 1>And that's what I got. That is such an extension

0:44:54.680 --> 0:44:57.920
<v Speaker 1>of the way that you described the way that he

0:44:58.600 --> 0:45:01.800
<v Speaker 1>looked at you, you know, when when you were seven

0:45:01.840 --> 0:45:08.720
<v Speaker 1>years old, kind of a different version of that. After

0:45:08.719 --> 0:45:11.879
<v Speaker 1>this visit, Ashley is empowered as a writer, and she's

0:45:11.920 --> 0:45:13.880
<v Speaker 1>carving out her own life in New York City with

0:45:13.920 --> 0:45:18.040
<v Speaker 1>her partner Kelly. The city embraces her in that magical

0:45:18.080 --> 0:45:20.280
<v Speaker 1>way that can happen when you're right where you're supposed

0:45:20.320 --> 0:45:23.000
<v Speaker 1>to be, when the world and the people in it

0:45:23.320 --> 0:45:26.120
<v Speaker 1>are the opposite of danger, when they find you and

0:45:26.160 --> 0:45:29.480
<v Speaker 1>guide you and mentor you. She's with someone she loves,

0:45:29.960 --> 0:45:33.560
<v Speaker 1>and she's existing in both worlds, loving and honoring the

0:45:33.600 --> 0:45:37.520
<v Speaker 1>complexities of her family and her past, but also creating

0:45:37.520 --> 0:45:41.320
<v Speaker 1>distance and living in her new present, carving out her future.

0:45:42.480 --> 0:45:46.719
<v Speaker 1>She writes, I could exist in both as me fully me.

0:45:48.560 --> 0:45:52.080
<v Speaker 1>I think at a certain point what I did really

0:45:52.160 --> 0:45:57.719
<v Speaker 1>was just accept reality. I accepted what the reality was,

0:45:57.760 --> 0:46:01.360
<v Speaker 1>and the reality was that I'm a bad pretend and

0:46:01.719 --> 0:46:04.280
<v Speaker 1>I'm a bad liar, and I don't like to pretend,

0:46:04.400 --> 0:46:07.520
<v Speaker 1>and I don't like to lie. And I didn't want

0:46:07.560 --> 0:46:13.919
<v Speaker 1>to be around my family as a palatable version of

0:46:13.960 --> 0:46:17.600
<v Speaker 1>me and have to lie to them about who I

0:46:17.800 --> 0:46:22.760
<v Speaker 1>was and how I felt and what I thought. And

0:46:23.040 --> 0:46:25.040
<v Speaker 1>you know, for a long time, I just thought my

0:46:25.080 --> 0:46:29.319
<v Speaker 1>family couldn't handle that. I thought they wouldn't allow it.

0:46:29.520 --> 0:46:32.760
<v Speaker 1>I thought that it couldn't be because it had never

0:46:32.840 --> 0:46:37.200
<v Speaker 1>really been before. And I had to have a bigger

0:46:37.200 --> 0:46:41.760
<v Speaker 1>imagination about what they could handle, what I could handle,

0:46:42.320 --> 0:46:45.239
<v Speaker 1>and the kind of boundaries that would allow us to

0:46:45.360 --> 0:46:49.000
<v Speaker 1>remain in each other's lives. And when I expanded my

0:46:49.080 --> 0:46:54.600
<v Speaker 1>imagination about those possibilities and allowed for some of those experience,

0:46:55.400 --> 0:46:58.440
<v Speaker 1>it worked out. It really worked out. We had a

0:46:58.480 --> 0:47:00.959
<v Speaker 1>family reunion a month after in my book came out.

0:47:01.640 --> 0:47:06.239
<v Speaker 1>I went, it was great. We had a great time.

0:47:06.320 --> 0:47:11.920
<v Speaker 1>Everybody was great. They were proud of me. What a

0:47:11.920 --> 0:47:16.960
<v Speaker 1>beautiful idea, the idea of expanding the imagination. Sometimes we're

0:47:17.000 --> 0:47:20.560
<v Speaker 1>limited by what we can imagine. Yet other times, in

0:47:20.560 --> 0:47:24.839
<v Speaker 1>the most unlikely ways, even the hardest things can work out.

0:47:26.320 --> 0:47:29.279
<v Speaker 1>Here's Ashley reading the words her father spoke to her

0:47:29.320 --> 0:47:32.399
<v Speaker 1>that day of her visit in prison, words that gave

0:47:32.400 --> 0:47:38.320
<v Speaker 1>her permission. So, look, I don't know what all you're writing,

0:47:38.360 --> 0:47:40.400
<v Speaker 1>And maybe it don't make me sound too good, but

0:47:40.560 --> 0:47:44.400
<v Speaker 1>that's not your fault. That's on me. This is something

0:47:44.480 --> 0:47:47.120
<v Speaker 1>I can give you if you need it. You need

0:47:47.120 --> 0:47:51.920
<v Speaker 1>my permission, you got it. Do me a favor, actually,

0:47:52.680 --> 0:47:56.000
<v Speaker 1>and you write about you and me. Just tell the truth,

0:47:56.760 --> 0:48:00.759
<v Speaker 1>your truth. Don't worry about nobody's feelings, especially really not mine.

0:48:01.680 --> 0:48:03.839
<v Speaker 1>You've gotta be tough to tell your truth. But it's

0:48:03.880 --> 0:48:09.759
<v Speaker 1>the only thing we're doing next to Loving some money.

0:48:27.600 --> 0:48:31.000
<v Speaker 1>Family Secrets is a production of I Heart Radio. Molly

0:48:31.120 --> 0:48:33.640
<v Speaker 1>z a Core is the story editor and Dylan Fagan

0:48:33.760 --> 0:48:37.320
<v Speaker 1>is the executive producer. If you have a family secret

0:48:37.400 --> 0:48:39.880
<v Speaker 1>you'd like to share, please leave us a voicemail and

0:48:39.920 --> 0:48:43.280
<v Speaker 1>your story could appear on an upcoming episode. Our number

0:48:43.440 --> 0:48:48.120
<v Speaker 1>is one eight Secret zero. That's the number zero. You

0:48:48.160 --> 0:48:52.759
<v Speaker 1>can also find me on Instagram at Danny writer. And

0:48:53.200 --> 0:48:54.759
<v Speaker 1>if you'd like to know more about the story that

0:48:54.840 --> 0:49:19.759
<v Speaker 1>inspired this podcast, check out my memoir Inheritance. For more

0:49:19.800 --> 0:49:22.640
<v Speaker 1>podcasts for my Heart Radio, visit the I heart Radio app,

0:49:22.719 --> 0:49:25.720
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.