WEBVTT - The Girlfriends S3/E5: Is He Dead Yet?

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<v Speaker 1>Hey, girlfriends, it's me Anna here to let you know

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<v Speaker 1>what's coming up. This episode covers Kelly's trial, so as

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<v Speaker 1>you'd expect, we'll be speaking about the night of the

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<v Speaker 1>murder in great detail, but we also dive deeper into

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<v Speaker 1>the case for the prosecution and the defense, and at

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<v Speaker 1>the end you can make up your own mind about

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<v Speaker 1>whether the right verdict was reached. If you feel impacted

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<v Speaker 1>by some of the themes in this show, you can

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<v Speaker 1>reach out to No More. There are domestic violence charity

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<v Speaker 1>with a lot of great resources to help you or

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<v Speaker 1>your loved ones. You can search No More dot org

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<v Speaker 1>and we've also put a link to their website in

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<v Speaker 1>the episode description. Oh and by the way, there's going

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<v Speaker 1>to be some swear words. When Tommy Donovan is first

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<v Speaker 1>arrested back in July of twenty ten, he immediately tries

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<v Speaker 1>to shift the majority of the blame for Angel Vargas's

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<v Speaker 1>death onto Kelly, and that he choked Angel to the

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<v Speaker 1>point of unconsciousness, but implying that it was Kelly who

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<v Speaker 1>really killed him. He then takes a deal where in

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<v Speaker 1>return for giving evidence against Kelly, his charge is reduced

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<v Speaker 1>to manslaughter. Here's an exchange from Tommy's sentencing that I

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<v Speaker 1>found in the court records.

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<v Speaker 2>I'll be playing the role of the court official, while.

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<v Speaker 1>My producer Jake will voice Tommy. By your plea of guilty,

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<v Speaker 1>you admit that on or about July seventh, twenty ten,

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<v Speaker 1>here in Queens, you, acting in concerts with another person,

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<v Speaker 1>caused the death of Reuben Angel Vargas by beating and

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<v Speaker 1>choking him.

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<v Speaker 2>Yes, the person you were acting in concert with. Who

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<v Speaker 2>was that person?

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<v Speaker 3>My girlfriend?

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<v Speaker 2>What's her name?

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<v Speaker 3>Kelly Harnett?

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<v Speaker 1>And the evidence shows both of you were involved in

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<v Speaker 1>the choking that led to mister Vargus dying. Yes, sir,

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<v Speaker 1>and that's the story. Tommy sixty until twenty thirteen.

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<v Speaker 4>Dear mister Epstein, as you already acquainted with me, I

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<v Speaker 4>will get to the point.

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<v Speaker 1>Kelly's reading from a letter sent by Tommy Donovan to

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<v Speaker 1>her lawyer David Epstein, and.

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<v Speaker 4>The night of July seven, twenty ten, I murdered Angel

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<v Speaker 4>Argus by strangulation. I committed this murder in full presence

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<v Speaker 4>of Kelly, though at no time was there any collusion

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<v Speaker 4>between her and I. Though my initial written confession differs

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<v Speaker 4>from this account. At the time I was exhausted, in

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<v Speaker 4>opiate withdrawal, and angry with Kelly. I don't know why.

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<v Speaker 4>Perhaps I was jealous of her going free without me

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<v Speaker 4>and concocted a version of events. I do not regret

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<v Speaker 4>much in life, but I do regret drag and Kelly

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<v Speaker 4>into this. I am here to tell you, and if necessary,

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<v Speaker 4>the court, that I myself intentionally cause the death of

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<v Speaker 4>decedent Vargas.

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<v Speaker 1>Holy shit, this has got to be as close to

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<v Speaker 1>a get out of jail free card as you can get. Right,

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<v Speaker 1>the kind of thing that gets a case thrown out,

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<v Speaker 1>charge is dismissed, except we already know that's not how

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<v Speaker 1>it goes down for Kelly. It's June twenty thirteen. Kelly's

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<v Speaker 1>in a pre trial hearing. This is where the defense

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<v Speaker 1>and prosecution can discuss any issues or questions surrounding the

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<v Speaker 1>upcoming trial, what charges the prosecution will move forward with,

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<v Speaker 1>what evidence will or won't be allowed in front of

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<v Speaker 1>the jury. That kind of thing presiding over everything is

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<v Speaker 1>the Honorable Judge Laysack.

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<v Speaker 2>But that's not what Kelly and some of her fellow

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<v Speaker 2>inmates know him.

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<v Speaker 4>As they called Judge Laysac mister murder.

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<v Speaker 5>They call him mister murder for two reasons.

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<v Speaker 4>He tries only murder cases, and he puts everyone away,

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<v Speaker 4>so in essence, he murders them.

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<v Speaker 1>All the while, Kelly's been in court listening to the

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<v Speaker 1>lawyer and the prosecutor go back and forth. She's been

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<v Speaker 1>chomping at the bit for her chance to chip in

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<v Speaker 1>and ask.

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<v Speaker 5>Your honor, can I ever mission you addressed the corpses.

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<v Speaker 1>Now, defendants don't normally address the court unless ask the question,

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<v Speaker 1>but Kelly is not like other defendants.

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<v Speaker 4>Judge Laysack says, talk to your lawyer. I said, your

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<v Speaker 4>honor is actually about my lawyer.

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<v Speaker 1>To say Kelly's k for the jury to hear Tommy's

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<v Speaker 1>new confession is a colossal understatement. But her lawyer, David Epstein, well,

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<v Speaker 1>as far as Kelly's concerned, that's another story.

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<v Speaker 5>He just didn't care.

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<v Speaker 1>Kelly says, he doesn't want to bring up the letter

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<v Speaker 1>at all, So now here she is taking matters into

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<v Speaker 1>her own hands.

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<v Speaker 2>The judge nods at her to say her.

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<v Speaker 6>Peace, Your honor, I am in possession of an exculpatory

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<v Speaker 6>letter from mister Donovan stating that mister Donovan acted alone

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<v Speaker 6>and I in fact took no part in this whatsoever.

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<v Speaker 1>Kelly wants to call Tommy as a witness so he

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<v Speaker 1>can tell his new story from the.

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<v Speaker 4>Dock without calling mister Donovan to my trial. This is

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<v Speaker 4>violating my right to a fair trial.

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<v Speaker 1>The judge looks down at kelly poker face, revealing nothing.

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<v Speaker 2>He ponders for a few moments while.

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<v Speaker 1>Kelly crosses her fingers, hoping she's done enough to convince him.

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<v Speaker 1>After an excruciating pause, the judge leans forward.

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<v Speaker 5>And he's like, miss Horn there, I don't know who.

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<v Speaker 4>You're talking to in a jail house, but he's saying

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<v Speaker 4>it's not admissible.

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<v Speaker 5>I was like girls he talking about hearsay.

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<v Speaker 1>Hearsay in a legal sense, means telling the court what

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<v Speaker 1>someone else told you, either in person or in this case,

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<v Speaker 1>by letter.

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<v Speaker 2>It's not allowed.

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<v Speaker 1>You can only talk about what you know, did, or

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<v Speaker 1>experienced firsthand.

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<v Speaker 5>That letter or whatever it is you have is her

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<v Speaker 5>say there you start again, your honor.

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<v Speaker 4>At no point in time did I request the letter

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<v Speaker 4>to be submitted into evidence.

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<v Speaker 5>I'm stating that I am in possession.

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<v Speaker 6>Of an exculpatory letter, which is leading to my request.

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<v Speaker 7>You have been called to testify on my behalf at

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<v Speaker 7>my trial. However, mister Epstein is refusing to call him.

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<v Speaker 7>Then mister Epstein, my attorney, deides with the judge and says,

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<v Speaker 7>she seems to think here'say is admissible.

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<v Speaker 5>After what I just said, Like, what the hell is everybody.

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<v Speaker 4>Listening to.

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<v Speaker 1>Kelly can't understand why her own lawyer wouldn't be fighting

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<v Speaker 1>tooth and nail to bring Tommy in unless he's working

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<v Speaker 1>against her deliberately.

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<v Speaker 5>I don't know what to think.

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<v Speaker 6>But when you have something as earth shattering as high

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<v Speaker 6>I'm the killer, your client is innocent, and you don't

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<v Speaker 6>use it, you have to assess it and attest to

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<v Speaker 6>the fact that he might have thrown this case. I

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<v Speaker 6>don't know how far does the rabbit hole, though.

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<v Speaker 1>I have to say I've not seen any evidence presented

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<v Speaker 1>in court or otherwise that Kelly's lawyer was trying to

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<v Speaker 1>lose the case on purpose, And unfortunately I'll never get

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<v Speaker 1>the chance to ask him because he died in twenty seventeen.

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<v Speaker 1>I can see it from Kelly's perspective. She's handing her

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<v Speaker 1>lawyer what she thinks is a smoking gun, and he

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<v Speaker 1>doesn't seem to want to know. With even her own

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<v Speaker 1>lawyer seemingly against her. It doesn't take very long for

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<v Speaker 1>Judge Laysac to shut down Kelly's request about the letter.

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<v Speaker 1>So for now, Tommy's original statement stand the ones that

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<v Speaker 1>say Kelly was a willing participant in the murder.

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<v Speaker 6>It was awful and the trial I feel that I

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<v Speaker 6>lasted before it began.

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<v Speaker 1>I'm Anisinfield and from the tea at novel and iHeart podcasts.

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<v Speaker 2>This is the Girlfriend's Gelhouse Lawyer.

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<v Speaker 8>Is Episode five.

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<v Speaker 2>Is He Dead Yet?

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<v Speaker 1>It's September fourth, twenty thirteen, the first day of Kelly

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<v Speaker 1>Harnett's trial for the murder of Reuben Angel Vargas. Like

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<v Speaker 1>a lot of trials, this one will turn out to

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<v Speaker 1>be pretty long and more than a little messy. Before

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<v Speaker 1>things even really get going, one of the original twelve

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<v Speaker 1>jurors has to be let go, which then leads to

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<v Speaker 1>a mistrial and the selection of a brand new jury,

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<v Speaker 1>so the whole thing has to start all over again. Eventually,

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<v Speaker 1>things do get moving and everyone's ready to play their part.

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<v Speaker 1>Taking on the role of prosecutor is Assistant District Attorney

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<v Speaker 1>Sean Clark. And the first thing you should know about

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<v Speaker 1>Sean is he's kind of a.

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<v Speaker 4>Dream boat when two minutes Clark ken he has dark hair,

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<v Speaker 4>handsome with glasses. Right, that's exactly what Sean looks like.

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<v Speaker 1>But unfortunately for Kelly, Sean isn't here to rescue her.

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<v Speaker 1>He's here to send her down, and he is very,

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<v Speaker 1>very good at his job. Kelly is facing two charges.

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<v Speaker 1>The most serious is murder in the second degree, which

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<v Speaker 1>essentially means murder that wasn't premeditated. The other charge is

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<v Speaker 1>criminal possession of a weapon in this case that the shoelace.

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<v Speaker 1>Kelly actually had more charges before the trial began, another

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<v Speaker 1>murder charge and three more for robbery, but they were

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<v Speaker 1>all dismissed. Despite this, Seawan Clark leans into the robbery

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<v Speaker 1>angle in his story of the crime.

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<v Speaker 2>It's the primary motive. Cool, Okay, should we do this?

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<v Speaker 8>Yeah?

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<v Speaker 3>Yeah, let's do it.

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<v Speaker 1>I looped in my producer Jake again, this time to

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<v Speaker 1>be the voice of Superman Ekay Seawan Clark. This next

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<v Speaker 1>section is taken directly from official court transcripts.

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<v Speaker 3>What does make sense? The likely reason why they got

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<v Speaker 3>into an altercation with mister Vargas was to rob him.

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<v Speaker 3>That's the likely explanation here. Did I pull that out

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<v Speaker 3>of the air, No I pulled that out of the evidence.

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<v Speaker 1>In at least one of Tommy Donovan's statements, the oral

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<v Speaker 1>one typed up by police, it says that Ken robbed

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<v Speaker 1>Angel's wallet after the murder. Tommy says he then took

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<v Speaker 1>the cash out before throwing the wallet on the ground.

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<v Speaker 1>From police documents, we know that Angel Vargas's wallet was

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<v Speaker 1>found roughly near his body.

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<v Speaker 3>In that wallet identification credit cards to City Bank cards,

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<v Speaker 3>but no money. What's on Tommy Donovan when the police

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<v Speaker 3>stop him in his sock is sixty dollars three twenty

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<v Speaker 3>dollars bills. That's the likely motive for what happened.

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<v Speaker 1>One of the wildest parts of Tommy's multiple statements is

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<v Speaker 1>that he says Kelly didn't just hand over the shoelace.

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<v Speaker 1>She actually physically put it around Angel's neck and pulled

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<v Speaker 1>it before handing it over to Tommy. Tommy then claims

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<v Speaker 1>that after the attack, he walked away and looked back

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<v Speaker 1>to see Kelly on top of Angel choking him again

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<v Speaker 1>with the string. But Sean Clark in the prosecut they're

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<v Speaker 1>only going as far as to argue that Kelly kicked

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<v Speaker 1>Angel and then handed over the shoelace, which is interesting

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<v Speaker 1>because if you're trying to convict someone for murder, surely

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<v Speaker 1>you'd want to tell a story that makes them seem.

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<v Speaker 2>As culpable as possible.

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<v Speaker 1>Kelly, of course, argues that Tommy took the shoelace from

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<v Speaker 1>her foot, and when Tommy himself pulled it around Angel's snack,

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<v Speaker 1>it snapped.

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<v Speaker 4>It snapped so fist and I remember thinking about that.

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<v Speaker 4>When I saw a snap, I got scared. I said,

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<v Speaker 4>he's going to come back over to me.

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<v Speaker 1>Now there is physical evidence to support this. A broken

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<v Speaker 1>white shoelace was found near the crime scene. Kelly then

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<v Speaker 1>says that Tommy finished strangling Angel with his belt, a

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<v Speaker 1>theory that she says is also partially supported by physical evidence.

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<v Speaker 4>When you read the doctor's testimony, it clearly states that

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<v Speaker 4>there was an indentation in the form of a rectangle

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<v Speaker 4>that was unidentified right there.

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<v Speaker 2>Kelly's pointing to her neck.

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<v Speaker 4>I said, I can identify it. It's a belt buckle.

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<v Speaker 4>So if you take away the allegation of handing a

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<v Speaker 4>shoelace and put in the fact that he used his belt,

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<v Speaker 4>the entire charge does not meet any element of the crime.

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<v Speaker 1>For me, In addition to Kelly's lawyer David Epstein not

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<v Speaker 1>fighting to call Tommy as a witness, Kelly says he

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<v Speaker 1>also doesn't want her taking the stand in her own defense. This,

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<v Speaker 1>honestly isn't all that unusual. A lot of attorneys don't

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<v Speaker 1>want to risk putting their client on the stand if

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<v Speaker 1>they get up there and get flustered or say the

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<v Speaker 1>wrong thing. That's blood in the water for the prosecution.

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<v Speaker 1>But Kelly's worried they're missing an opportunity to make the

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<v Speaker 1>jury really see what she went through as a victim

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<v Speaker 1>of Tommy's abuse, something only she can truly explain.

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<v Speaker 5>If you don't mean to pictureize to that it was scared.

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<v Speaker 6>They need to hear more of it, Like maybe they

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<v Speaker 6>need to hear from me, and many told me don't estify.

0:15:14.360 --> 0:15:16.600
<v Speaker 1>So if Epstein doesn't want the courts to hear from

0:15:16.720 --> 0:15:20.200
<v Speaker 1>Kelly or Tommy, what is his case about.

0:15:20.480 --> 0:15:21.800
<v Speaker 2>Here's one angle he took.

0:15:26.600 --> 0:15:29.320
<v Speaker 1>Research shows that you can feel the effects of booze

0:15:29.320 --> 0:15:30.640
<v Speaker 1>at about zero point.

0:15:30.600 --> 0:15:32.680
<v Speaker 2>Zero two percent blood alcohol level.

0:15:33.520 --> 0:15:36.320
<v Speaker 1>On the night of the murder, Angel's bloods came out

0:15:36.360 --> 0:15:40.880
<v Speaker 1>at zero point thirty six. His liver was also found

0:15:40.960 --> 0:15:45.040
<v Speaker 1>to be enlarged and fatty, which is something commonly associated

0:15:45.120 --> 0:15:50.840
<v Speaker 1>with chronic alcoholism. In the trial, it's argued that Angel's

0:15:50.880 --> 0:15:53.680
<v Speaker 1>drunken state could have led to the bruising found on

0:15:53.720 --> 0:15:58.040
<v Speaker 1>his body by falling off his bike, for example. But

0:15:58.200 --> 0:16:01.920
<v Speaker 1>still it seems like there's no mention of Kelly's experience

0:16:02.000 --> 0:16:05.720
<v Speaker 1>as a victim of domestic violence already, any context from

0:16:05.720 --> 0:16:13.840
<v Speaker 1>her complicated life. The prosecution has painted this really vivid

0:16:13.880 --> 0:16:17.720
<v Speaker 1>picture of Kelly as a villain, but the defense doesn't

0:16:17.800 --> 0:16:22.120
<v Speaker 1>really present an alternative story. In fact, if you ask Kelly,

0:16:22.440 --> 0:16:26.560
<v Speaker 1>she says, Epstein's approach basically amounts to Kelly's not guilty,

0:16:27.080 --> 0:16:27.760
<v Speaker 1>and that's it.

0:16:28.600 --> 0:16:31.280
<v Speaker 6>I think it was more of a selfish reason than anything,

0:16:31.880 --> 0:16:37.040
<v Speaker 6>because I think that he knew he was unprepared, and

0:16:37.520 --> 0:16:40.280
<v Speaker 6>I think that he wanted to just play it seef.

0:16:41.520 --> 0:16:44.200
<v Speaker 1>But playing it safe is not going to cut it here,

0:16:44.920 --> 0:16:48.160
<v Speaker 1>because the prosecution is about to unleash the biggest tool

0:16:48.400 --> 0:16:54.640
<v Speaker 1>in their arsenal. There's a witness who says he saw

0:16:54.920 --> 0:16:59.840
<v Speaker 1>the whole thing, and the story he's got to tell

0:17:00.520 --> 0:17:28.359
<v Speaker 1>looks really really bad for Kelly. One late night in

0:17:28.440 --> 0:17:34.840
<v Speaker 1>July twenty ten, Amando Perez is out jogging. It's about

0:17:34.840 --> 0:17:38.639
<v Speaker 1>two am on a balmy summer's night. The sky up

0:17:38.680 --> 0:17:42.880
<v Speaker 1>above is black. The lights of Manhattan are flickering off

0:17:43.000 --> 0:17:47.120
<v Speaker 1>in the distance. Amando is out late because he's training

0:17:47.119 --> 0:17:49.560
<v Speaker 1>for his football team or soccer.

0:17:49.320 --> 0:17:49.920
<v Speaker 2>If you must.

0:17:50.880 --> 0:17:53.879
<v Speaker 1>He's weaving through a story a park on his second

0:17:53.960 --> 0:17:57.240
<v Speaker 1>lap when he says he hears something that brings him

0:17:57.320 --> 0:18:06.359
<v Speaker 1>to a stop. Someone screaming. Amando ducks and hides behind

0:18:06.400 --> 0:18:09.600
<v Speaker 1>a tree. He says, he peers out into the darkness

0:18:10.040 --> 0:18:13.639
<v Speaker 1>looking for where the scream came from. His eyes land

0:18:13.680 --> 0:18:16.119
<v Speaker 1>on a shadowy figure who's got a man in a

0:18:16.200 --> 0:18:19.800
<v Speaker 1>chokehold on the ground. The figure shouts at a woman

0:18:19.880 --> 0:18:24.080
<v Speaker 1>standing nearby to kick the man he's holding down, which

0:18:24.119 --> 0:18:34.280
<v Speaker 1>she does. It's Tommy, Kelly, and Angel. Amando says he

0:18:34.280 --> 0:18:37.800
<v Speaker 1>hears Tommy ask Kelly to find a shoelace. He watches

0:18:37.800 --> 0:18:40.879
<v Speaker 1>as Kelly walks off, kicking at bags and a bicycle

0:18:41.320 --> 0:18:46.200
<v Speaker 1>before returning with something and handing it to Tommy. At

0:18:46.200 --> 0:18:51.040
<v Speaker 1>this point, it dawns on him he's watching a murder.

0:18:55.920 --> 0:18:59.920
<v Speaker 1>Amando sprints off to get help. Over the next hour,

0:19:00.240 --> 0:19:03.760
<v Speaker 1>he runs into several people. Firstly, he tells some cops

0:19:03.800 --> 0:19:06.359
<v Speaker 1>in a nearby patrol car, but he says they just

0:19:06.440 --> 0:19:11.399
<v Speaker 1>drive off. Next, he tries flagging down some teenagers, but

0:19:11.480 --> 0:19:16.040
<v Speaker 1>they just laugh at him. In between these unsuccessful attempts

0:19:16.119 --> 0:19:19.640
<v Speaker 1>to raise the alarm, Amando keeps heading back to near

0:19:19.640 --> 0:19:22.320
<v Speaker 1>where Tommy and Kelly are. He doesn't want to lose

0:19:22.359 --> 0:19:23.640
<v Speaker 1>track of them.

0:19:24.080 --> 0:19:25.879
<v Speaker 2>He says. He hears Kelly ask.

0:19:27.560 --> 0:19:35.639
<v Speaker 1>Is he dead yet. Tommy replies that Angel is dead.

0:19:36.000 --> 0:19:39.960
<v Speaker 1>He's touched the body to be certain. Then Amando sees

0:19:40.040 --> 0:19:43.320
<v Speaker 1>him and Kelly hiding things in the woodchips on the ground.

0:19:44.520 --> 0:19:46.879
<v Speaker 2>Amando keeps leaving, trying to find help.

0:19:47.520 --> 0:19:51.000
<v Speaker 1>Eventually he comes across a group of four teenagers and

0:19:51.040 --> 0:19:54.560
<v Speaker 1>one of them calls the police. Once the police arrive,

0:19:55.000 --> 0:19:58.000
<v Speaker 1>Amando walks them over to near where Angel's body is.

0:19:58.720 --> 0:20:01.560
<v Speaker 1>The police point out Tommy and Kelly and ask Commando

0:20:01.600 --> 0:20:06.840
<v Speaker 1>if he's sure it was them. Amanda replies, of course,

0:20:06.880 --> 0:20:09.240
<v Speaker 1>I'm sure. I've been watching them for over an hour.

0:20:10.880 --> 0:20:19.800
<v Speaker 1>Then Kelly and Tommy are taken away. Amando is the

0:20:20.240 --> 0:20:25.200
<v Speaker 1>key witness, essentially the core of the prosecution's case against Kelly.

0:20:26.359 --> 0:20:29.840
<v Speaker 1>With Tommy's statements, any defense lawyer worth their soult can

0:20:29.960 --> 0:20:32.920
<v Speaker 1>argue he has a clear motivation to try and shift

0:20:32.920 --> 0:20:37.240
<v Speaker 1>the blame onto Kelly. But Amando, well, he has no

0:20:37.359 --> 0:20:41.320
<v Speaker 1>obvious reason to lie. Prosecutor Sean Clark described him as

0:20:41.400 --> 0:20:46.760
<v Speaker 1>a completely independent eyewitness who doesn't know Kelly Harnett, has

0:20:46.840 --> 0:20:50.000
<v Speaker 1>never met Kelly Harnett, has no reason to come in

0:20:50.040 --> 0:20:55.159
<v Speaker 1>here and say negative things about Kelly Harnett. Amando is

0:20:55.640 --> 0:20:59.240
<v Speaker 1>a neutral party who can testify that he saw Kelly

0:20:59.400 --> 0:21:03.760
<v Speaker 1>hand over the shoelace. He doesn't actually ever mention anything

0:21:03.840 --> 0:21:07.359
<v Speaker 1>about seeing Kelly strangle Angel, which is probably why the

0:21:07.400 --> 0:21:10.640
<v Speaker 1>prosecution have decided to ignore that part of Tommy's statement.

0:21:11.680 --> 0:21:16.040
<v Speaker 1>But crucially, Amando also says that he saw Kelly kick Angel.

0:21:16.680 --> 0:21:19.480
<v Speaker 1>In his earlier police statements, he doesn't specify where on

0:21:19.520 --> 0:21:22.280
<v Speaker 1>the body Angel was kicked, but by the time Kelly's

0:21:22.320 --> 0:21:25.320
<v Speaker 1>trial rolls around, Amando says it was quote from the

0:21:25.400 --> 0:21:29.879
<v Speaker 1>stomach to the chest. He also says that Angel was

0:21:29.960 --> 0:21:33.160
<v Speaker 1>lying face down, which is something Kelly takes issue with.

0:21:34.200 --> 0:21:38.160
<v Speaker 5>The person was face down. That's an impossibility.

0:21:38.560 --> 0:21:42.359
<v Speaker 4>You cannot kick someone from the stomach to the chest

0:21:42.520 --> 0:21:44.800
<v Speaker 4>if they are face down.

0:21:45.960 --> 0:21:49.400
<v Speaker 1>I interpret this a little bit differently to Kelly. Amando

0:21:49.560 --> 0:21:52.919
<v Speaker 1>could just be describing general areas of the body. I

0:21:52.960 --> 0:21:55.520
<v Speaker 1>think I'd say the same thing even if someone was

0:21:55.560 --> 0:21:56.760
<v Speaker 1>being kicked from the side on.

0:21:57.440 --> 0:21:58.399
<v Speaker 2>But I'm no lawyer.

0:22:00.119 --> 0:22:04.159
<v Speaker 1>Instead, it's up to Kelly's defense attorney, David Epstein to

0:22:04.200 --> 0:22:07.320
<v Speaker 1>cross examine the hell out of this witness, to keep

0:22:07.359 --> 0:22:10.600
<v Speaker 1>poking holes in Amando's story until it's left in tatters

0:22:10.640 --> 0:22:14.920
<v Speaker 1>on the courtroom floor. So come on, David, dig deep,

0:22:15.600 --> 0:22:16.600
<v Speaker 1>it's time to strike.

0:22:20.600 --> 0:22:21.200
<v Speaker 4>I surenest.

0:22:21.520 --> 0:22:28.800
<v Speaker 5>David Epstein stood up. He dropped all the peoplework everywhere.

0:22:29.400 --> 0:22:35.840
<v Speaker 4>I said, Oh Jesus Christ, if this is foreshadowing, I'm screwed.

0:22:39.440 --> 0:22:44.840
<v Speaker 1>Amando's testimony makes for a compelling story, but especially according

0:22:44.840 --> 0:22:47.960
<v Speaker 1>to Kelly, there are some holes in it if you

0:22:48.000 --> 0:22:52.160
<v Speaker 1>look hard enough, and planted in those holes are some

0:22:52.280 --> 0:22:58.560
<v Speaker 1>striking red flags. The first has to do with language barriers.

0:22:59.200 --> 0:23:02.800
<v Speaker 1>Kelly claims that Amando can't really speak English, and police

0:23:02.840 --> 0:23:05.640
<v Speaker 1>documents do show that his statement was transcribed for him

0:23:05.640 --> 0:23:08.879
<v Speaker 1>by a cop. I've looked at this written statement and

0:23:08.920 --> 0:23:11.520
<v Speaker 1>there are phrases in it like where the scene was,

0:23:12.000 --> 0:23:14.560
<v Speaker 1>which honestly does sound like something a cop would say.

0:23:15.359 --> 0:23:18.879
<v Speaker 1>I think we have to interrogate how much Amando understood

0:23:18.920 --> 0:23:21.959
<v Speaker 1>his own statement or how his words could have been

0:23:22.000 --> 0:23:24.440
<v Speaker 1>interpreted into helpful.

0:23:24.040 --> 0:23:25.640
<v Speaker 2>Shorthand by the police.

0:23:26.240 --> 0:23:30.040
<v Speaker 1>And obviously, if Amando can't fully understand English, it does

0:23:30.160 --> 0:23:33.080
<v Speaker 1>call into question whether he could fully understand the things

0:23:33.080 --> 0:23:39.000
<v Speaker 1>he claims he heard Tommy and Kelly say. Another issue

0:23:39.119 --> 0:23:44.000
<v Speaker 1>is that Amando really struggles with judging distances. He claims

0:23:44.040 --> 0:23:46.399
<v Speaker 1>at one point in the trial that he was maybe

0:23:46.640 --> 0:23:49.960
<v Speaker 1>eight feet away from Tommy, Kelly an angel. Then at

0:23:50.000 --> 0:23:52.480
<v Speaker 1>another point he says he was about twenty feet away.

0:23:53.400 --> 0:23:55.800
<v Speaker 1>To me, both of these options seem like they would

0:23:55.800 --> 0:23:58.919
<v Speaker 1>bring him way too physically close to Tommy and Kelly

0:23:59.200 --> 0:24:02.080
<v Speaker 1>without being noticed, so I can't see.

0:24:01.880 --> 0:24:05.000
<v Speaker 2>How either could possibly be true.

0:24:05.240 --> 0:24:07.960
<v Speaker 1>Then in the courtroom, he's asked to judge a distance

0:24:08.000 --> 0:24:09.440
<v Speaker 1>of about three feet.

0:24:09.560 --> 0:24:10.520
<v Speaker 2>But he's not able to.

0:24:12.040 --> 0:24:14.879
<v Speaker 1>And when Amando is asked to mark everyone's locations on

0:24:14.920 --> 0:24:17.880
<v Speaker 1>the night of the murder on a map, Kelly spots

0:24:17.920 --> 0:24:18.639
<v Speaker 1>more issues.

0:24:19.600 --> 0:24:23.080
<v Speaker 4>He tells the witness to put an X where the

0:24:23.119 --> 0:24:25.520
<v Speaker 4>body was, an F where the female was in, an

0:24:25.720 --> 0:24:29.000
<v Speaker 4>M where the male was. Then he said put an

0:24:29.040 --> 0:24:34.800
<v Speaker 4>ap Amanda Perez for his initials. Now this, I just

0:24:34.800 --> 0:24:38.560
<v Speaker 4>want to let everyone know those initials are taken on

0:24:38.680 --> 0:24:41.560
<v Speaker 4>a bridge that you cannot.

0:24:41.160 --> 0:24:44.080
<v Speaker 5>Even get up on. There's no way in God's green

0:24:44.080 --> 0:24:45.560
<v Speaker 5>eerd that he was standing there.

0:24:46.359 --> 0:24:49.040
<v Speaker 1>But there appears to be some confusion, and at some

0:24:49.160 --> 0:24:52.119
<v Speaker 1>point Amando seems to claim that the ex actually marks

0:24:52.160 --> 0:24:57.040
<v Speaker 1>where he was standing, and this confusion about who was where.

0:24:57.760 --> 0:25:00.280
<v Speaker 2>It doesn't end here.

0:25:00.280 --> 0:25:03.000
<v Speaker 1>In the trial, the prosecution alludes to the fact that

0:25:03.160 --> 0:25:07.040
<v Speaker 1>Kelly and Tommy moved Angel's body around eighty feet away

0:25:07.080 --> 0:25:08.080
<v Speaker 1>from the actual.

0:25:07.720 --> 0:25:08.640
<v Speaker 2>Scene of the murder.

0:25:09.200 --> 0:25:12.040
<v Speaker 1>Prosecutor Sean Clark tries to make sense of it by

0:25:12.080 --> 0:25:14.480
<v Speaker 1>saying that because the murder happened near a lit path,

0:25:14.920 --> 0:25:16.639
<v Speaker 1>Angel's body could have been discovered.

0:25:17.320 --> 0:25:19.160
<v Speaker 2>He then says, if.

0:25:18.960 --> 0:25:21.840
<v Speaker 3>You drag him into the middle of the park, you

0:25:21.960 --> 0:25:25.160
<v Speaker 3>drag him in the middle where there's no lights, He's

0:25:25.200 --> 0:25:27.320
<v Speaker 3>not going to be found until morning.

0:25:29.240 --> 0:25:32.840
<v Speaker 1>But here's the thing, Amando never explicitly said he saw

0:25:32.920 --> 0:25:36.560
<v Speaker 1>Angel's body being dragged. None of his police statements reference

0:25:36.640 --> 0:25:39.919
<v Speaker 1>the body being moved at all. The police themselves also

0:25:40.040 --> 0:25:43.520
<v Speaker 1>deny moving the body when questioned on this too. This

0:25:43.600 --> 0:25:46.080
<v Speaker 1>whole thing with the body being moved seems to be

0:25:46.119 --> 0:25:49.119
<v Speaker 1>a tactic the prosecution lands on in order to explain

0:25:49.160 --> 0:25:53.359
<v Speaker 1>away Amando's confusion over who and what was where. The

0:25:53.400 --> 0:25:56.280
<v Speaker 1>prosecution claims that all the dirt and grass on Angel's

0:25:56.280 --> 0:25:59.720
<v Speaker 1>face and clothes show his body was dragged, But I

0:25:59.720 --> 0:26:02.760
<v Speaker 1>don't by that those could easily have come from Angel

0:26:02.840 --> 0:26:05.280
<v Speaker 1>trying to fight off Tommy while they were wrestling on

0:26:05.320 --> 0:26:08.760
<v Speaker 1>the ground. The theory that the body was moved also

0:26:08.880 --> 0:26:12.680
<v Speaker 1>goes against physical evidence. A shoelace was found right by

0:26:12.760 --> 0:26:16.280
<v Speaker 1>Angel's body. If he'd been moved eighty feet after he

0:26:16.400 --> 0:26:20.440
<v Speaker 1>was killed, wouldn't the shoelace that the prosecution claim was

0:26:20.520 --> 0:26:25.000
<v Speaker 1>used to kill him be much further away? But next

0:26:25.080 --> 0:26:28.480
<v Speaker 1>up is the biggest and reddest flag.

0:26:28.200 --> 0:26:28.640
<v Speaker 2>Of them all.

0:26:32.359 --> 0:26:35.199
<v Speaker 1>At one point in the trial, the prosecution decides to

0:26:35.200 --> 0:26:39.320
<v Speaker 1>secure an easy win using a tried and tested tactic.

0:26:40.520 --> 0:26:42.879
<v Speaker 1>While Amando is on the stand, they ask him to

0:26:42.880 --> 0:26:46.639
<v Speaker 1>point out the girl he saw kicking Angel Vargas, the

0:26:46.720 --> 0:26:51.160
<v Speaker 1>girl he claims willingly handed over her shoelace moments before

0:26:51.200 --> 0:26:58.840
<v Speaker 1>Angel was strangled to death. Amando scans the courtroom and then.

0:27:01.520 --> 0:27:02.680
<v Speaker 5>He says, she's not here.

0:27:04.520 --> 0:27:05.200
<v Speaker 2>What the fuck?

0:27:17.119 --> 0:27:22.080
<v Speaker 1>After Amando's frankly unbelievable answer to the seemingly easy question,

0:27:22.359 --> 0:27:25.760
<v Speaker 1>of is the woman you're testifying against here, the court

0:27:25.840 --> 0:27:29.480
<v Speaker 1>goes into recess. When everyone comes back into the courtroom,

0:27:29.760 --> 0:27:32.880
<v Speaker 1>the prosecution try to ask Armando again, but it still

0:27:32.880 --> 0:27:36.640
<v Speaker 1>doesn't go great. He says, I'm not sure because it's

0:27:36.640 --> 0:27:44.280
<v Speaker 1>been three years. Some star witness for the record, I

0:27:44.320 --> 0:27:47.720
<v Speaker 1>find the fact that this happened incredible, like a finale

0:27:47.760 --> 0:27:50.800
<v Speaker 1>scene out of A Good Wife or something. Amando doesn't

0:27:50.800 --> 0:27:55.080
<v Speaker 1>even attempt an educate a guess. Kelly is literally standing

0:27:55.160 --> 0:27:58.680
<v Speaker 1>a few feet away from him at this point. Of course,

0:27:58.720 --> 0:28:01.320
<v Speaker 1>we do know that Kelly was in the park that night.

0:28:01.800 --> 0:28:05.160
<v Speaker 1>That's not up for debate even by her. Maybe Amanda

0:28:05.280 --> 0:28:07.480
<v Speaker 1>was just too far away to recognize her in court,

0:28:07.840 --> 0:28:11.199
<v Speaker 1>especially all these years later. But if he was so

0:28:11.440 --> 0:28:14.480
<v Speaker 1>far away to the point that he's unable to identify

0:28:14.600 --> 0:28:17.879
<v Speaker 1>Kelly when she's right there in front of him, doesn't

0:28:17.920 --> 0:28:20.840
<v Speaker 1>Kelly have a point about this guy? How much stock

0:28:20.880 --> 0:28:23.200
<v Speaker 1>can we put into his testimony about what he could

0:28:23.240 --> 0:28:26.720
<v Speaker 1>apparently see and hear from really far away in the

0:28:26.720 --> 0:28:31.560
<v Speaker 1>middle of the night. Given he's the prosecution star and

0:28:31.840 --> 0:28:34.919
<v Speaker 1>only witness of the events of the murder, this has

0:28:34.960 --> 0:28:35.280
<v Speaker 1>got to.

0:28:35.280 --> 0:28:36.480
<v Speaker 2>Put a dent in their case.

0:28:37.160 --> 0:28:40.600
<v Speaker 1>Kelly's lawyer, David Epstein certainly seems to think so.

0:28:40.720 --> 0:28:43.920
<v Speaker 6>He did state to me, well, being at the sory

0:28:44.040 --> 0:28:47.840
<v Speaker 6>witness didn't even point you out. I think that they

0:28:47.840 --> 0:28:50.240
<v Speaker 6>are the ones that are on the weak side right now.

0:28:55.800 --> 0:28:57.960
<v Speaker 1>So I've told you about how things went down in

0:28:58.000 --> 0:29:01.240
<v Speaker 1>the courtroom, some of what the prosecution argued and how

0:29:01.240 --> 0:29:04.760
<v Speaker 1>the defense tried to fight back. But there's another side

0:29:04.760 --> 0:29:12.479
<v Speaker 1>we should hear from Angel's family. I know that so

0:29:12.560 --> 0:29:14.800
<v Speaker 1>far in this show, I haven't told you very much

0:29:14.800 --> 0:29:18.680
<v Speaker 1>about who Reuben Angel Vargas was. I'm also well aware

0:29:18.680 --> 0:29:21.720
<v Speaker 1>that in many true crime series, too many the person

0:29:21.760 --> 0:29:24.360
<v Speaker 1>who actually lost their life becomes something like a background

0:29:24.400 --> 0:29:27.680
<v Speaker 1>character in their own story. Their voice gets drowned out

0:29:27.680 --> 0:29:31.040
<v Speaker 1>by everyone else's, including of course podcast host like me.

0:29:33.040 --> 0:29:36.840
<v Speaker 1>Part of the reason I haven't told you much is practical. Unfortunately,

0:29:36.840 --> 0:29:39.800
<v Speaker 1>we just don't know that much about Angel. I tried

0:29:39.840 --> 0:29:42.640
<v Speaker 1>and I failed to track down his family. So I've

0:29:42.680 --> 0:29:46.320
<v Speaker 1>pieced together snippets from articles and court documents, trying to

0:29:46.320 --> 0:29:50.480
<v Speaker 1>patchwork together an impression of who this man was. We

0:29:50.600 --> 0:29:53.560
<v Speaker 1>know that Angel was likely an alcoholic, both from the

0:29:53.600 --> 0:29:56.959
<v Speaker 1>evidence provided by the medical expert and also from Kelly,

0:29:57.280 --> 0:29:59.760
<v Speaker 1>who says Angel had an AA chip on him.

0:30:00.440 --> 0:30:01.320
<v Speaker 2>We also know.

0:30:01.440 --> 0:30:04.720
<v Speaker 1>That Kelly claimed Angel sexually assaulted her on the night

0:30:04.760 --> 0:30:08.280
<v Speaker 1>of the murder, which is objectively a horrific.

0:30:07.800 --> 0:30:08.360
<v Speaker 2>Thing to do.

0:30:09.560 --> 0:30:12.920
<v Speaker 1>But as Kelly has said herself, Angel didn't deserve to

0:30:13.000 --> 0:30:16.480
<v Speaker 1>die that night. I think it's only fair to take

0:30:16.480 --> 0:30:19.640
<v Speaker 1>a moment to get to know him, to remember that

0:30:19.800 --> 0:30:26.080
<v Speaker 1>he was someone's son, someone's uncle, in someone's brother. So

0:30:26.240 --> 0:30:28.400
<v Speaker 1>I'd like to read you a section from his sister's

0:30:28.520 --> 0:30:34.840
<v Speaker 1>victim impact statement. My name is Olga Vargas and the

0:30:34.920 --> 0:30:38.880
<v Speaker 1>sister of Reuben Vargas. In a few words, I'm going

0:30:38.920 --> 0:30:43.320
<v Speaker 1>to tell you what he was like in person. He

0:30:43.480 --> 0:30:48.200
<v Speaker 1>was a good son, who was an excellent brother, who

0:30:48.280 --> 0:30:51.880
<v Speaker 1>was a warm uncle and a very great friend. He

0:30:51.920 --> 0:30:55.400
<v Speaker 1>worked with everybody, He helped everybody. We were a great,

0:30:55.400 --> 0:30:59.520
<v Speaker 1>big family. The last day that we were together was

0:30:59.560 --> 0:31:05.120
<v Speaker 1>on July fourth. We laughed, we played. Nothing changed until

0:31:05.160 --> 0:31:07.840
<v Speaker 1>July seventh, where we were given the sad news that

0:31:07.880 --> 0:31:12.240
<v Speaker 1>had been unknown to us until that moment. This changed

0:31:12.280 --> 0:31:15.680
<v Speaker 1>life for all of us, for all those who knew him,

0:31:16.280 --> 0:31:17.280
<v Speaker 1>especially our family.

0:31:20.760 --> 0:31:25.600
<v Speaker 2>I feel destroyed. How can they feel, my parents that

0:31:25.680 --> 0:31:26.640
<v Speaker 2>it's to lose the sun.

0:31:28.120 --> 0:31:31.360
<v Speaker 1>It's not easy to accept, to know the terrible way

0:31:31.400 --> 0:31:32.720
<v Speaker 1>in which his life was taken.

0:31:33.360 --> 0:31:36.240
<v Speaker 2>My brother's life, my brother.

0:31:36.040 --> 0:31:39.760
<v Speaker 1>Is another victim who dies unjustly, and it's for him

0:31:40.240 --> 0:31:41.200
<v Speaker 1>and all my family.

0:31:41.960 --> 0:31:45.600
<v Speaker 2>They asked for justice.

0:31:47.880 --> 0:31:52.720
<v Speaker 1>For Olga an Angel's family, justice means Tommy and Kelly

0:31:52.920 --> 0:31:57.640
<v Speaker 1>going behind bars. In another statement, Olga talks about their

0:31:57.720 --> 0:32:01.680
<v Speaker 1>blows and their actions which caused her brother to suffer

0:32:01.680 --> 0:32:06.040
<v Speaker 1>the death he did. But for Kelly, justice means something

0:32:06.120 --> 0:32:10.760
<v Speaker 1>very different. Justice would been recognizing her as another victim

0:32:10.800 --> 0:32:15.360
<v Speaker 1>of Tommy's violence. For Kelly, justice would mean an acknowledgment

0:32:15.440 --> 0:32:18.440
<v Speaker 1>that she was scared for her life too. Justice would

0:32:18.440 --> 0:32:21.400
<v Speaker 1>mean leaving the courtroom and going back to her mother

0:32:22.160 --> 0:32:23.360
<v Speaker 1>and her brother Ronnie.

0:32:27.960 --> 0:32:29.400
<v Speaker 2>The trial draws to a close.

0:32:30.880 --> 0:32:34.480
<v Speaker 1>Now Kelly's fate is in the hands of twelve strangers.

0:32:35.760 --> 0:32:38.200
<v Speaker 2>The jury is ushered out to start their deliberation.

0:32:40.000 --> 0:32:43.800
<v Speaker 1>For Kelly, each minute that passes with no news feels

0:32:43.840 --> 0:32:47.560
<v Speaker 1>like an hour, and each hour feels like a year.

0:32:48.640 --> 0:32:52.520
<v Speaker 5>I got scared. I already didn't feel good about any

0:32:52.560 --> 0:32:53.040
<v Speaker 5>of the trial.

0:32:54.680 --> 0:32:58.520
<v Speaker 1>Scenes from her own personal courtroom drama start running through

0:32:58.600 --> 0:32:59.280
<v Speaker 1>Kelly's head.

0:33:03.040 --> 0:33:06.400
<v Speaker 5>Miss Horn, You're saying it's not admissible.

0:33:06.520 --> 0:33:12.200
<v Speaker 3>They got into an altercation with mister Vargas to rob him. Fine,

0:33:12.320 --> 0:33:14.800
<v Speaker 3>they drag him into the middle of the park. He's

0:33:14.880 --> 0:33:16.760
<v Speaker 3>not going to be found until morning.

0:33:16.920 --> 0:33:19.120
<v Speaker 5>Amanda Perez, he says, she's not here.

0:33:19.320 --> 0:33:22.000
<v Speaker 3>Did I pull that out of the air? No, I

0:33:22.120 --> 0:33:23.640
<v Speaker 3>pulled that out of the evidence.

0:33:27.440 --> 0:33:30.800
<v Speaker 1>And then the update everyone has been waiting for comes.

0:33:31.720 --> 0:33:33.480
<v Speaker 2>The jury has a verdict.

0:33:34.320 --> 0:33:40.320
<v Speaker 4>The heartbeat that you feel, I've never felt anything you

0:33:40.880 --> 0:33:45.480
<v Speaker 4>close to that in my life.

0:33:46.120 --> 0:33:48.640
<v Speaker 1>As the twelve members of the jury fall back into

0:33:48.640 --> 0:33:55.160
<v Speaker 1>the Queen's courtroom, a hushed silence falls. Kelly holds her

0:33:55.240 --> 0:33:58.520
<v Speaker 1>breath as Judge Lasac asks for their verdict.

0:33:59.440 --> 0:34:06.280
<v Speaker 6>They came back with the unanimous decision, and the verdict was.

0:34:08.200 --> 0:34:14.520
<v Speaker 5>Guilty.

0:34:15.320 --> 0:34:18.759
<v Speaker 6>I couldn't believe it because I was like, oh my god,

0:34:18.960 --> 0:34:20.640
<v Speaker 6>what trial were they watching?

0:34:21.800 --> 0:34:23.520
<v Speaker 5>Because it was not mine.

0:34:25.160 --> 0:34:29.400
<v Speaker 1>Kelly turns around and finds her brother, Ronnie's eyes. He's

0:34:29.480 --> 0:34:33.040
<v Speaker 1>begged her over and over to plead guilty before trial,

0:34:33.480 --> 0:34:36.000
<v Speaker 1>to take a deal in exchange for a shorter sentence.

0:34:37.760 --> 0:34:39.200
<v Speaker 5>He was in tears.

0:34:39.520 --> 0:34:45.399
<v Speaker 9>Oh my god, I'll never forget. I'll never forget that, say,

0:34:46.160 --> 0:34:52.520
<v Speaker 9>not seeing Ronnie in tears.

0:34:53.239 --> 0:34:57.520
<v Speaker 1>Kelly turns her gaze to the prosecutor, Sean Clark.

0:35:00.080 --> 0:35:04.080
<v Speaker 5>It was a stare down. I was like, you, you

0:35:04.239 --> 0:35:05.000
<v Speaker 5>son of a bitch.

0:35:06.360 --> 0:35:12.200
<v Speaker 6>You are never ever going to forget this moment.

0:35:13.880 --> 0:35:15.480
<v Speaker 5>I'm taking you down.

0:35:19.120 --> 0:35:21.560
<v Speaker 1>It would have been so easy for Kelly to give

0:35:21.680 --> 0:35:26.160
<v Speaker 1>up and accept defeat in this moment. But next time

0:35:26.360 --> 0:35:30.160
<v Speaker 1>on The Girlfriend's Gailhouse Lawyer, Kelly goes to war with

0:35:30.280 --> 0:35:35.360
<v Speaker 1>Sean Clark, Judge Laisac and everyone else she sees standing

0:35:35.400 --> 0:35:38.200
<v Speaker 1>in her way.

0:35:38.320 --> 0:35:39.240
<v Speaker 4>I was found guilty.

0:35:39.440 --> 0:35:42.480
<v Speaker 5>I said, what do you want me to do? She goes, ah, guilty, Shmelty.

0:35:42.840 --> 0:35:45.680
<v Speaker 4>I want to take your butt Todella Library and figure

0:35:45.719 --> 0:35:49.319
<v Speaker 4>something out. And this was the beginning of a seventeen

0:35:49.400 --> 0:35:50.880
<v Speaker 4>month war of attrition.

0:35:51.600 --> 0:35:54.440
<v Speaker 2>You're a very unique person, Kelly.

0:35:55.440 --> 0:35:55.839
<v Speaker 4>Thank you.

0:35:56.719 --> 0:35:59.239
<v Speaker 2>I take that as a compliment. It's a compliment. It

0:35:59.280 --> 0:36:00.640
<v Speaker 2>is a compliment for sure.

0:36:11.760 --> 0:36:16.200
<v Speaker 1>The Girlfriend's Gelhouse Lawyer is produced by Novel for iHeart Podcasts.

0:36:16.600 --> 0:36:20.680
<v Speaker 1>For more from Novel, visit novel dot Audio. The show

0:36:20.800 --> 0:36:24.040
<v Speaker 1>is hosted by me Annasinfield and is written and produced

0:36:24.080 --> 0:36:27.840
<v Speaker 1>by me and Lee Meyer, with additional production from Jako

0:36:27.960 --> 0:36:32.240
<v Speaker 1>Taivich and Michael Jinno. Our assistant producer is Madeline Park.

0:36:32.640 --> 0:36:37.200
<v Speaker 1>The editors are Georgia Moody and me Annasinfield. Production management

0:36:37.400 --> 0:36:40.719
<v Speaker 1>from Shari Houston, Joe Savage and Charlotte Wolfe.

0:36:41.120 --> 0:36:43.560
<v Speaker 2>Our fact checker is Daniel Suleiman.

0:36:44.080 --> 0:36:48.319
<v Speaker 1>Sound design, mixing and scoring by Daniel Kempson and Nicholas Alexander.

0:36:48.840 --> 0:36:53.319
<v Speaker 1>Music supervision by me alis Infield, Lee Meyer and Nicholas Alexander.

0:36:53.760 --> 0:36:59.200
<v Speaker 1>Original music composed by Nicholas Alexander, Daniel Kempson and Louisa Gerstein.

0:37:00.040 --> 0:37:04.240
<v Speaker 1>Orry development by Nell Gray Andrews and Willard Foxton. Creative

0:37:04.280 --> 0:37:08.400
<v Speaker 1>director of Novel, Max O'Brien and Craig Strachan are executive

0:37:08.400 --> 0:37:12.080
<v Speaker 1>producers for Novel, and Katrina Norvell and Niki Eator are

0:37:12.120 --> 0:37:14.560
<v Speaker 1>the executive producers for iHeart Podcasts.

0:37:14.760 --> 0:37:16.960
<v Speaker 2>And the marketing lead is Alison Cantor.

0:37:17.360 --> 0:37:20.279
<v Speaker 1>Thanks also to Carry Lieberman and the whole team at

0:37:20.480 --> 0:37:21.040
<v Speaker 1>WME