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Speaker 1: I'm Bradley Johnson. It's one eight hundred duy away. Not

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Speaker 1: getting behind the wheel after drinking is the best choice.

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Speaker 1: But if you're pulled over, the next best choice it's

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Speaker 1: to call one eight hundred d y away. Another Jewels

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Speaker 1: on the twenties, tell me I'm moving. Hello, Hello there,

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Speaker 1: I was looking to speak with Vanessa. Vanessa, can I

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Speaker 1: help you with something? Yes, you can. I don't think

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Speaker 1: we've had the pleasure of meeting in person. My name

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Speaker 1: is Orson Lynch and I was just hired as the

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Speaker 1: director for the upcoming play at the theater. Oh yeah,

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Speaker 1: that's great. Um, it's nice to hear from you. Thank

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Speaker 1: you for calling me. Well, it's nice to speak with you.

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Speaker 1: One of my associates said that I should call you

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Speaker 1: because you had an impressive tryout during the casting call. Gosh,

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Speaker 1: I didn't know I was that good. I've been kind

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Speaker 1: of waiting on pins and needles, you know. Oh well,

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Speaker 1: and she's humble too. Well, you know, I don't want

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Speaker 1: to take anything for granted, right right, Well, listen, I

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Speaker 1: wasn't there, and since I am the final judge, I

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Speaker 1: get to make all the decisions. Of course, of course, yes,

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Speaker 1: I need to hear it, hear what your British accent?

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Speaker 1: Of course they said that you did an amazing British accent.

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Speaker 1: Oh okay, my British accent. Is that what you wanted

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Speaker 1: to hear? Yes? Anytime now where I've started, I'm sorry

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Speaker 1: you did what I've started speaking in a British accent?

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Speaker 1: Can you not hear me? Oh? Oh oh dear? You

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Speaker 1: call that a British accent? Well yeah, well, well what

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Speaker 1: would you call it? Well, I wouldn't call it a

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Speaker 1: British accent. Perhaps you should take some notes here. I'll

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Speaker 1: do an accent for you. I'm very good at these

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Speaker 1: British British British. Here we go, Hello, Governor, how's you

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Speaker 1: and my day? I'm doing today with your curios? Oh

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Speaker 1: that's your British accent. That is the British accent. I

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Speaker 1: can tell you're impressed. I've been doing this quite a while,

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Speaker 1: so don't feel bad. Oh I don't. But it's certainly

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Speaker 1: a lot different than I was expecting. I don't think

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Speaker 1: British is going to work for you. Do you do

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Speaker 1: any others? Yeah? That's you like me to say? Is

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Speaker 1: it's an Intelhue's parton to play I think book. Yeah,

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Speaker 1: oh that was you doing a German accent? Well, yes,

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Speaker 1: of course it was. What would you call that one? Oh?

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Speaker 1: Well that's not very good, is it? I think it's

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Speaker 1: quite good. I've had training and I performed in this

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Speaker 1: accent many times as a professional actor. Here let me

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Speaker 1: throw you a real German accent and so you can

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Speaker 1: hear the difference. Here we go, I've got a pull

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Speaker 1: from German. German, German. Here we go, Gutontogen, goose norfan.

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Speaker 1: Perhaps we could go see if pretzels have been tuned

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Speaker 1: up nicely today. Seriously, are you really the director? Yes,

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Speaker 1: I'm the director. Are you really an actor? Of course

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Speaker 1: I'm an actor. What kind of a director you? Is

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Speaker 1: this some kind of a joke or what? Well? I

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Speaker 1: would act like it and show a little bit of

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Speaker 1: respect if you want to part in this play. Well,

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Speaker 1: I don't know who hire you, but it doesn't sound

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Speaker 1: like you've done much directing before. Well, the theater hired me,

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Speaker 1: and I've done a lot of directing, a lot of directing,

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Speaker 1: a lot of acting, a lot of dancing, a lot

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Speaker 1: of yoga. I do a lot of things. Yoga. What's

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Speaker 1: yoga got to do with it doesn't mean anything. We're

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Speaker 1: talking about professional theatrical production. Okay, you're obviously new to

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Speaker 1: the theater, then if you don't know how yoga works

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Speaker 1: into the whole thing, So that's fine. I just need

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Speaker 1: to hear another accent. Well, you know what, any accent

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Speaker 1: I've given you, I think it's been pretty damned good.

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Speaker 1: So why would I even pry. You're not going to

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Speaker 1: give me a part. I am a harsh critic, yes,

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Speaker 1: but just try me do a Southern accent, something super

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Speaker 1: easy like that. Well, this is my Southern accent, for

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Speaker 1: which I have also been professionally coached. Is this good enough? Gun?

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Speaker 1: Oh boy? Well, you know it might be good for

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Speaker 1: some people, but not for me. Here's what a real

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Speaker 1: Southern accent would sound like. Okay, hey you all, we're

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Speaker 1: gonna get in Morodato. Oh my god, down like a

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Speaker 1: Southern runk. Well, thank you, that's what I was going for,

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Speaker 1: a Southern drunk. So it proves my point that I

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Speaker 1: know a thing or two about doing accents. Well, you

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Speaker 1: may think you know a thing or two, but I

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Speaker 1: think you know absolutely nothing. So I don't think I

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Speaker 1: could work with you. I've got a better idea reckoning

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Speaker 1: in my head, y'all that I tell you it's a

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Speaker 1: prank phone call. Mark, Yeah, I should just tell you.

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Speaker 1: How What do you mean a prank phone call? Oh?

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Speaker 1: I mean this is actually Jewel from Brook and Jewel

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Speaker 1: in the morning doing a phone tap on you. Your

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Speaker 1: husband Terry set you up. Oh my god. He said

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Speaker 1: that you tried out for a plan, haven't heard back yet,

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Speaker 1: and wanted me to audition you over the phone. I

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Speaker 1: really thought you were the director and I'm thinking, who

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Speaker 1: is this idiots that they hire? Oh no, you were thinking,

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Speaker 1: how did that guy get those amazing professionally trained accents? Yeah, okay, well,

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Speaker 1: thank you for your time. And oh, chitio, Darling, I

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Speaker 1: don't know what that is. Week up every morning with

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Speaker 1: dual phones, weekday mornings on the twenties outs eighty six

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Speaker 1: six moves on the side