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Speaker 1: Look at you know you're in. Yeah, you're in your outfit.

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Speaker 1: It looks just like the one you had.

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Speaker 2: I cannot believe the stitches are still here.

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Speaker 1: Guys, it's the real one. This isn't this is from?

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Speaker 2: Like when did we film this movie?

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Speaker 1: I don't know.

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Speaker 2: I was right two thousand and eight. I mean, in like,

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Speaker 2: how many years is it going to be twenty years old?

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Speaker 1: Yeah, it's almost twenty years old. Don't even get me started.

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Speaker 2: I can't handle it. Oh my gosh. But yeah, so

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Speaker 2: I actually this was my little jumpsuit. I've always loved

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Speaker 2: like sets of little cute little jumpsuit outfits and the

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Speaker 2: thought and we're looking for one like it with the

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Speaker 2: bright colors and all of that, and couldn't find anything.

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Speaker 2: So I just brought this to India and we were

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Speaker 2: but they did have to put, you know, cover the

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Speaker 2: logo and things like that, which now over the years

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Speaker 2: you can still see where the scene was. I probably

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Speaker 2: just kept it on.

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Speaker 1: You should have kept it on there, I know.

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Speaker 2: So yes, I will say this was working with Mona

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Speaker 2: may Are costume designer. Like everything that was coming out,

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Speaker 2: there's only one outfit that I just like cringe over

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Speaker 2: and of course it's the one I'm in, so but

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Speaker 2: like just the dream of working with her. She's just

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Speaker 2: so incredible, and it was this movie was different for me.

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Speaker 2: I mean, I was scared. So we've done three. I

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Speaker 2: was scared on the first one because I just knew

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Speaker 2: how not as big of like production value and all

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Speaker 2: that kind of stuff with the first one, and like,

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Speaker 2: you know, the storyline and just like kind of going

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Speaker 2: like this was like our first thing.

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Speaker 1: You know, sure you had no idea what it was

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Speaker 1: going to be at this point.

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Speaker 2: The second one is just filled with so many incredible

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Speaker 2: memories and it was like the height of the cheatings.

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Speaker 2: And then this one, I sort of got a little

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Speaker 2: emotional as I was watching it because this was sort

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Speaker 2: of the last like big memories that I have. You know,

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Speaker 2: it was our last movie, and it was wasn't known

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Speaker 2: whether or not it would be our last movie at

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Speaker 2: that time, but those are like my memories of us

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Speaker 2: being so excited and loving it and having so much

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Speaker 2: happening during this time and all of our lives. I

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Speaker 2: had just done Dancing with the Stars, you know, we

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Speaker 2: had so much going on. We had just released our

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Speaker 2: own album that wasn't a soundtrack. It was a Cheetah

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Speaker 2: Girls album from us as like a girl group, but

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Speaker 2: then at the same time knowing like these were kind

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Speaker 2: of the last of our like really cool adventures, you know,

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Speaker 2: and we went on tour after this, but this was

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Speaker 2: kind of the start of the last. So I got

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Speaker 2: a little emotional here and there, like not to mention,

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Speaker 2: there's a ton of ballads in here. Why are we

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Speaker 2: so sad? The whole movie?

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Speaker 1: You're sad the whole movie. You're walking quite a bit.

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Speaker 1: We'll get into that. You walk quite a lot, you

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Speaker 1: all trying to get your steps in as you're doing it.

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Speaker 1: And also the whole movie through me because I, frankly

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Speaker 1: for years thought you've been telling me that you shot

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Speaker 1: in Indiana. So that is completely different than what I

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Speaker 1: was expecting. That was shocking. But we might as well

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Speaker 1: welcome everybody back first, So welcome back to Magical rewind

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Speaker 1: Happy New Year's everybody. This is the show that makes

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Speaker 1: you want to grab your friends, your pjs, and your

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Speaker 1: popcorn and go back to a time when all the

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Speaker 1: houses are smart, the.

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Speaker 3: Waves, tsunamis, and the high School's musical.

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Speaker 1: I'm Wilford Dell and I'm Sabrina Bryan And yes, like

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Speaker 1: I said, it is a new year, but it's not

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Speaker 1: a new franchise. It's one that we love here at

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Speaker 1: Magical Rewine and we're wrapping it up. It's time to

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Speaker 1: cheat a chatter. Our way to a three quel. Still

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Speaker 1: sounds weird in my ears when I say that, because

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Speaker 1: once again we're looking at Sabrina's iconic character, Dorinda, but

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Speaker 1: now in India, So maybe Dorindia is the name. From

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Speaker 1: now on, Let's party with the two thousand and eight

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Speaker 1: musical coming of age drama that Cheetah Girls colon One World.

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Speaker 3: Love it, Sabrina.

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Speaker 1: I know you have been jonesing to eventually get to

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Speaker 1: One World, but please remind everyone where does number three

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Speaker 1: sit when you're putting your favorite Cheetah Girls movies in order.

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Speaker 2: I don't really have a one, two three. I have

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Speaker 2: a favorite, which is the second one in Barcelona, hands down,

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Speaker 2: but I don't have I think it's a tie between

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Speaker 2: the first and the third. I love them for different reasons.

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Speaker 2: The first one really was the start. It was my

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Speaker 2: biggest thing I had ever booked, so that's just like

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Speaker 2: a milestone for me personally, and then of course for

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Speaker 2: the Cheetah you know, Cheetah Nation. It was the beginning

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Speaker 2: of something that was bigger than we could have ever

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Speaker 2: ever dreamed it being.

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Speaker 1: Right.

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Speaker 2: And then now you're we're on the third movie. And

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Speaker 2: by this time the Cheetah Girls had done so much.

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Speaker 2: We had a great second movie. We went on a

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Speaker 2: giant tour. We circled back around throughout the States three times.

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Speaker 2: We extended our tour three or four times because we

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Speaker 2: just kept selling out and the numbers were just insane.

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Speaker 2: At this point, we had done we had sold out

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Speaker 2: the Houston Rodeo in three minutes. I mean, we'd be

102
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Speaker 2: Elvis's record, We'd be the Rolling Stones merch record. I mean,

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Speaker 2: we were just like it was just huge. And one

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Speaker 2: of our biggest accomplishments was doing an album outside of

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Speaker 2: the movies. So it wasn't a soundtrack, it didn't have

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Speaker 2: a storyline. It was music that we were in the

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Speaker 2: you know, like a regular girl group going on.

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Speaker 3: At this point.

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Speaker 2: Yeah, and we were writing and we were helping produce,

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Speaker 2: and we were just doing so much. We with our

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Speaker 2: tours we were given This is what I'm just so

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Speaker 2: grateful with the Channel four, Like the ability to have

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Speaker 2: like artistic directing of a tour of a giant tour.

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Speaker 2: It was like, now on our resumes.

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Speaker 1: Oh, you didn't ask me, but I'm going to answer

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Speaker 1: the Okay. Direct answer to me is okay, the second

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Speaker 1: one is the best. Okay, this last one because you're

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Speaker 1: my friend and essentially you kind of I even texted you,

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Speaker 1: you kind of took over like the lead role of

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Speaker 1: the movie. I thought, how has he seen that? Because

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Speaker 1: I just thought you were like, they gave you so

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Speaker 1: much more to do kind of the heart and soul

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Speaker 1: of the film.

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Speaker 3: So I big fan of that obviously because you're my friend.

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Speaker 1: So that so the last one and then number one

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Speaker 1: would be the third one in my opinion, and they're

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Speaker 1: all good.

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Speaker 2: Yeah, I definitely see the difference in production and you just.

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Speaker 1: See, well, how did you feel when you first heard

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Speaker 1: that you were going to India?

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Speaker 3: So okay, I.

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Speaker 2: Want to be really honest. This movie came out the

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Speaker 2: same year that Slumdog Millionaire came out.

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Speaker 3: Before very different images of India.

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Speaker 2: This was like, come visit India, right, and the slum

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Speaker 2: Dog was kind of more so the reality of what

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Speaker 2: we kind of saw a little bit more hands on.

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Speaker 2: But before that I knew a tiny bit of Bollywood stuff.

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Speaker 2: Other than that, I really didn't know a whole lot

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Speaker 2: of what it would be like to live in India,

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Speaker 2: what it would be like to go visit. I've always

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Speaker 2: heard from people that have gone say it's like this gorgeous,

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Speaker 2: most magical place, which I think is different if you

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Speaker 2: go visit somethingwhere like that for like five to seven

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Speaker 2: days and working there. But I was excited that we

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Speaker 2: again it felt like the movies because we worked so

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Speaker 2: hard on tours and albums and that all the other stuff.

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Speaker 2: The movies always felt like the prize, like and here

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Speaker 2: you go, we're gonna have you guys, go have fun

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Speaker 2: and do a movie.

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Speaker 1: Right, but three months that's a long shoot.

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Speaker 2: Yeah, but like that's what it felt like, like, Oh,

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Speaker 2: we worked so hard and we did our last tour

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Speaker 2: was so went so well that this was like our prize,

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Speaker 2: Like you guys get to go shoot a movie in

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Speaker 2: India and we're like cool, Like yes, if it's anything

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Speaker 2: like Barcelona, I'm so dumb.

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Speaker 3: So pronounce these for me then, because you filmed in

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Speaker 3: is it dpur.

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Speaker 1: Udaipur and Mumbai right by, Yes, Udaipur, I take it

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Speaker 1: is where the water was in the nice uh castle

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Speaker 1: kind of setting was right, yeah, so you know.

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Speaker 2: What, I was trying to figure it out. So we

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Speaker 2: mainly were in moon By there what there was one

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Speaker 2: other thing and I don't remember what it was called,

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Speaker 2: And I'm sure Kiley Will would hit me with the

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Speaker 2: answer so fast. She was so knowledgeable. Her character is

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Speaker 2: very much like Aqua. She's like a bookworm, and like

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Speaker 2: when we were in India, she had all the like

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Speaker 2: knowledge of oh, you know this, that, this, you know whatever.

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Speaker 2: And there was a village that we went out to

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Speaker 2: and we shot there for like six or seven and

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Speaker 2: I feel like the when we did that, that's when

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Speaker 2: we went to Holly in the movie. Right, that was

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Speaker 2: like a separate location. Okay, would I pour maybe worth

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Speaker 2: more the water, but we that water like where we

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Speaker 2: were that was being shot from the water with the

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Speaker 2: amazing like castle in the back. That was a water

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Speaker 2: taxi we could get on from like our hotel, like right, boy.

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Speaker 3: From oh okay, oh cool?

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Speaker 1: Oh man, Okay, well, well I got we got to

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Speaker 1: get into it because it's gonna be fun. So here

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Speaker 1: we go. Everybody, that's right, it is Cheata Girls Colon

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Speaker 1: one World.

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Speaker 3: I won't say colon every time, just it's just there,

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Speaker 3: so it's hard not.

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Speaker 1: To say it. It was released on August twenty second,

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Speaker 1: two thousand and eight. To One World is the third

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Speaker 1: and final movie of the Cheetah Girls trilogy, and it

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Speaker 1: reportedly cost a whopping twenty five million dollars to make.

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Speaker 3: People. Yes, did you obviously said it felt more expensive? Right? Oh?

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Speaker 1: Yeah? Yeah? Oh yo, oh yeah. When's the last time

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Speaker 1: you watched it before the podcast?

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Speaker 4: Oh?

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Speaker 2: I think the only thing I've watched since probably, let's

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Speaker 2: call it, like a year or two after it premiered,

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Speaker 2: was watching Like Dance Me If you Can, which is

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Speaker 2: one of my favorite musicals that we did.

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Speaker 3: I'm not even gonna tell you, Okay, we'll get into it, okay.

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Speaker 2: And then and then also the finale one World. Those

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Speaker 2: are things that I've shown Monroe, my daughter, because she

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Speaker 2: like really got into ele elephants for a minute, and

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Speaker 2: so I was like, mommy got to ride one. And

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Speaker 2: then there's a little YouTube video that I did of

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Speaker 2: me meeting the elephant, which is super embarrassing but sort

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Speaker 2: of freak out.

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Speaker 1: But yeah, well, yeah, you're also the only one holding

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Speaker 1: on for Dear Life from the top of the thing.

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Speaker 1: Everybody else is like waving like this. You got like

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Speaker 1: one one grip on this thing.

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Speaker 2: You got like the Shane I've like hooked to my ankle,

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Speaker 2: holding on.

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Speaker 3: For dear life.

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Speaker 2: Yes, so yeah, so really not the movie. It's not

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Speaker 2: the movie itself for I mean, at least, like I said,

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Speaker 2: two or three years out of the premiere.

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Speaker 1: Okay, Well, back when it did premiere on the Disney Channel,

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Speaker 1: it was of course a massive hit, reaching seven million

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Speaker 1: viewers and topping all the charts for the night. You

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Speaker 1: can't obviously talk about the Cheeahirls movie without getting into

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Speaker 1: the soundtrack, which we were just talking about. It was

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Speaker 1: released in conjunction love that word with the premiere and

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Speaker 1: has a great mix of the poppy expect now with

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Speaker 1: some kind of Bollywood influence. We also have two solo

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Speaker 1: tracks from Adrian, one from Keighley and one from our

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Speaker 1: solo girl here Sabrina Bryan called Crazy on the dance Floor.

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Speaker 1: The soundtrack reached number thirteen on the US Billboard Top

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Speaker 1: two hundred, which is crazy, number two for US kid

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Speaker 1: albums and number three for US Top soundtracks. Pretty damn good.

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Speaker 1: Did you like having your own song? Finally I did.

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Speaker 2: I mean to me, I'm such a like I love

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Speaker 2: the aspect of a team. I don't think I necessarily

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Speaker 2: needed it. And that's something I really want to like

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Speaker 2: call and talk to Keeley about because I'm like, why

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Speaker 2: did they have us do that? Because I know they're

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Speaker 2: very much into that? Was that to like, I don't

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Speaker 2: remember where that came from, like you know, and I

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Speaker 2: love that they.

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Speaker 1: Maybe they're seeing if a song hits and then it's like,

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Speaker 1: if it does, let's take that one solo. I mean,

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Speaker 1: I have no idea.

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Speaker 2: I don't know what the reasoning of it was, except

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Speaker 2: for I know that like if they were gonna maybe

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Speaker 2: it was that they wanted Adrian to have one and

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Speaker 2: then they but they still wanted us to have the

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Speaker 2: opportunity to do it too, which is really sweet. I

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Speaker 2: just can't remember. Well, I should know.

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Speaker 1: I'll tell you all about your movie because we've done

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Speaker 1: the reasons okay, and by we I mean our producers.

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Speaker 3: I haven't even watched it.

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Speaker 1: Oh great, I'm kidding. Well, just like it's two predecessors,

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Speaker 1: Cheetah Girls three, One World is available to stream right

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Speaker 1: now and Disney Plus. You can watch it now or later,

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Speaker 1: that's up to you. But either way, you're making Sabrina

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Speaker 1: somewhere around a tenth of a cent. So thank you

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Speaker 1: from the bottom of our hearts. All right, So everybody

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Speaker 1: go out there, find your Ganess statue and tie a

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Speaker 1: string around a tree. Wishes are coming true with our

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Speaker 1: synopsis Chanelle, Aqua and Derinda, but she's my friend, so

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Speaker 1: I just call her. Dough travel to India for their

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Speaker 1: last summer before college, only to find they must compete

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Speaker 1: against each other for the single lead role in a

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Speaker 1: Bollywood movie. As the girls juggle stardom, romance, and culture clashes,

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Speaker 1: their friendship and bonds are tested like never before. Well

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Speaker 1: I'm gonna give my opinion too. But now watching it

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Speaker 1: over fifteen years later, what did you think, Sabrina? Did

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Speaker 1: you like it?

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Speaker 2: I thought we looked great. I love Nay in the

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Speaker 2: sense of Mona May's style that she had throughout the movie,

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Speaker 2: and I love how we eventually get so much of

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Speaker 2: that balywould influence even with the fashion. But I felt

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Speaker 2: like everything in this movie. But I feel this way

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Speaker 2: about the second movie, not so much on that first one.

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Speaker 2: It shot so beautifully. Drop is like it say.

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Speaker 3: Yeah, it's beautiful to watch.

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Speaker 2: Certainly it was so gorgeous and that you know, uh I,

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Speaker 2: I know, I've talked to Paul Howan so many times,

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Speaker 2: but he was just like, it was like going into

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Speaker 2: like just a portrait studio of the most gorgeous like

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Speaker 2: backdrops to ever be able to film in front of.

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Speaker 2: So I mean, I that was really what I forgot

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Speaker 2: how gorgeous it was. And then it was like, oh

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Speaker 2: my gosh, that wasn't made up at all. This is

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Speaker 2: really what I was living in for like over months.

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Speaker 3: That's an incredible way to not answer the question.

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Speaker 2: Oh what did I think of the movie? So here's

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Speaker 2: the thing. It was a totally different vibe for me

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Speaker 2: watching it, since it doesn't feel like that long ago

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Speaker 2: that we watched the second movie. Sure, you know, I

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Speaker 2: thought I thought it was good. I liked it. It

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Speaker 2: really was a good representation of kind of where we were.

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Speaker 2: But I can't lie. I miss Ravens crazy out of

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Speaker 2: this world humor in it. There was an aspect of

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Speaker 2: her comedy that she brings this to the to the

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Speaker 2: screen is just so vibrant and so good that I

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Speaker 2: was like, it just it's hard to go gosh, I

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Speaker 2: wonder what it would have been if it was the

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Speaker 2: four of us, which is what I think anything that

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Speaker 2: happens with the Cheated Girls should be. It's the four

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Speaker 2: of us that that dynamic on screen is just something

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Speaker 2: you just can't deny.

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Speaker 1: I don't disagree. I miss her two. I liked that

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Speaker 1: you had more to do. I thought that was great,

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Speaker 1: and you're right, it's gorgeous to look at. So we

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Speaker 1: have a new director, our third name in the three movies,

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Speaker 1: which is pretty crazy.

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Speaker 3: We haven't seen that in any of the other franchises.

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Speaker 1: This time Disney called in the Big Guns the dcom

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Speaker 1: daddy himself, one of our good magical rewind pals, Paul

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Speaker 1: Howen Or has I loved to call him bad to

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Speaker 1: the Hoen I don't, but it's great. He is, of

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Speaker 1: course a Disney master and maybe the most prolific director

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Speaker 1: in the channel's history with decoms like just mouth along

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Speaker 1: with us people, because we've said it so many times.

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Speaker 1: Eddie's million dollar cookoff, the Luck of the Irish jump

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Speaker 1: in Let it Shine, True Confessions, and he's currently the

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Speaker 1: creative force behind a modern day cash cow, the Zombies franchise.

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Speaker 1: He is to d coms what the Dodgers are to

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Speaker 1: superstar Japanese players, and we see three of the four

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Speaker 1: Cheetah Girls return. Let's kick it off with Adrian Bylan aka.

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Speaker 3: Channel I'm kidding Chanelle.

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Speaker 1: Adrian It is an original member of the R and

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Speaker 1: B Group three LW and appears in another dcom we

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Speaker 1: recapped Buffalo Dreams, which was like being on acid. She'd

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Speaker 1: go on to have her own solo musical career and

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Speaker 1: appear on That's So Raven, The Sweet Life of Zach

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Speaker 1: and Cody, and in the movie Coach Carter. Great movie.

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Speaker 1: But our favorite Cheetah Girl is my friend and yours.

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Speaker 1: Sabrina Bryan who returns is Derinda, the Orange County native

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Speaker 1: toward the world as part of the record breaking group,

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Speaker 1: then took her skills to the ballroom to become one

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Speaker 1: of the most beloved and unfairly eliminated Dancing with the

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Speaker 1: Stars contestants of all time. And now she hosts some

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Speaker 1: podcasts whatever, And of course Kihlee Williams is Aqua, another

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Speaker 1: member of the R and B Group three l W.

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Speaker 1: She also appears in the movies The House Bunny, Sisterhood

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Speaker 1: of the Traveling Pants, and Stomp The yard too. I

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Speaker 1: know you guys are still very close. Do you talk

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Speaker 1: a lot? I dial?

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Speaker 2: I do?

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Speaker 1: Is she gonna come back and join us at some point?

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Speaker 2: I think she's gonna.

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Speaker 1: Okay, good, okay, good, because I've got many many questions.

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Speaker 2: Oh yes, I'm sure and joining the cast.

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Speaker 1: As Uncle Kamal. With the surroundings of India. We have

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Speaker 1: Rashawn Seth, a British actor out of New Delhi who

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Speaker 1: had a prolific career in theater and then was asked

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Speaker 1: by Richard Attenborough to play Pandit Nharu in nineteen eighty

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Speaker 1: two's Gandhi. He would also appear in Indiana Jones and

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Speaker 1: The Temple of Doom Where is Awesome, and then play

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Speaker 1: Dollisom in the nineteen ninety four cinematic version of Street Fighter.

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Speaker 1: Not a good movie, but he was great. Oh man,

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Speaker 1: anytime you get I'm not gonna get into it. You

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Speaker 1: get Jean Claude Van Dam as a video game character.

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Speaker 1: It's not always a recipe for a great film. He'd

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Speaker 1: also most recently show up in Tim Burton's retelling of

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Speaker 1: Dumbo and Michael Steeger plays Victim or vic. He was

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Speaker 1: part of the Disney Channel Universe, appearing on Hannah Montana

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Speaker 1: and Corey in the House, and would later play a

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Speaker 1: lead in the two thousands reboot of nine O two

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Speaker 1: and zero and guest star on Grey's Anatomy, where he

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Speaker 1: played the anatomy.

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Speaker 3: And uh that's not true.

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Speaker 1: I've never seen that show once, but I assume somebody

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Speaker 1: else plays the anatomy. And so many local actors appear

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Speaker 1: in the film. Shooting in India made for some amazing

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Speaker 1: opportunity for actors and dancers there. What was it like

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Speaker 1: working with the local talent? I mean, were they like, Wow,

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Speaker 1: this is the coolest thing we get to be in

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Speaker 1: an American Disney Channel movie or were they or were

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Speaker 1: they like we do this all the time.

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Speaker 3: Just pay attention and we'll show you what to do.

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Speaker 2: Uh No, they were so sweet. I'm gonna say I

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Speaker 2: have to take a moment to talk about the entire

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Speaker 2: crew and how incredible they were, and it's just so

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Speaker 2: happy to be there. And it was always like our

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Speaker 2: filming areas wherever we were filming was packed. What like

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Speaker 2: here in America, for one person to have a job

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Speaker 2: would be like three or four of them that were

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Speaker 2: covering it. I mean it was you know, the sun's

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Speaker 2: very bright and very harsh, so I had someone there

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Speaker 2: just holding an umbrella. And anytime, anytime I'd be like, hey,

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Speaker 2: you know, let me give you a break. I can

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Speaker 2: hold my umbrella. They're like no, no, no, no, no.

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Speaker 2: And then, you know, like I said, there was just

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Speaker 2: so many people. Like a lighting rig you know, that

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Speaker 2: was getting put up, where there would be maybe three

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Speaker 2: or four guys, there was ten, and there was just

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Speaker 2: so our sets were just so packed with people, and

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Speaker 2: that it came with it was fun. It was like,

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Speaker 2: I mean we were walking around with a crew, like

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Speaker 2: a crew, you know, and when we were at rehearsals,

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Speaker 2: I mean, these dancers were ready to be there from

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Speaker 2: the second the sun glistened in the sky till the

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Speaker 2: very end of night, you know, one to two am,

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Speaker 2: if that's what was gonna take. They worked so hard

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Speaker 2: and made our jobs so easy because when we'd get

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Speaker 2: put into certain things, they'd been rehearsing so much that

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Speaker 2: it was like a breeze, you know. And they were

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Speaker 2: just always so sweet and it was so much fun.

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Speaker 2: And then of course working with you know some of

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Speaker 2: the like local like the ones you know, the actresses

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Speaker 2: and the actors. They were so excited for this opportunity

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Speaker 2: to be on the channel. They they just felt like

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Speaker 2: this was going to be something really big, and I,

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Speaker 2: you know, I really do hope that it ended up

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Speaker 2: being just everything that they wanted, because they.

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Speaker 1: Don't yeah, because they shoot so many movies there that

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Speaker 1: it's probably they're like this is old hat to them.

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Speaker 1: But I love it. Well.

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Speaker 2: I remember the very first night we were driving on

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Speaker 2: one of the like ads or someone one of the

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Speaker 2: crew was in the car and was like, you were

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Speaker 2: on Dancing with the Stars is what they called in

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Speaker 2: the States, right, And I said yeah, And they're like,

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Speaker 2: see that Hummer and they're like he just won the

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Speaker 2: Dancing with the Stars here in India. That that guy.

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Speaker 1: Oh cool.

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Speaker 2: And it was like and his car was all lit up.

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Speaker 2: There was like like and it was just really cool

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Speaker 2: that they like that instantly, within the first couple of days,

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Speaker 2: there was like a connection. That's all very cool.

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Speaker 1: Yeah, now you have to listen just because our Sabrina

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Speaker 1: is in this movie. When it comes to run time,

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Speaker 1: we're not gonna let anything slide. So we have to

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Speaker 1: hold her to the same standards we do for all

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Speaker 1: of our d coms. We are journalists, after all. If

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Speaker 1: it's over ninety minutes, we're forced to ridicule the film

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Speaker 1: and disowner as a friend, and so Cheetah Girls. One

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Speaker 1: World is eighty eight minutes log people too, off target,

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Speaker 1: but on the perfect side of history, two minutes short,

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Speaker 1: and so we go into the recap with open hearts

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Speaker 1: and an understanding that Paul Hohen and everyone involved our

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Speaker 1: heroes Sabrina nice job. When it comes to writers, we

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Speaker 1: have four credits and we start with a name we

436
00:21:37,600 --> 00:21:40,240
Speaker 1: often mentioned here in the podcast, and that is Dan Berenson.

437
00:21:40,359 --> 00:21:42,399
Speaker 1: He is a dcom regular who got his start on

438
00:21:42,440 --> 00:21:45,119
Speaker 1: Sabrina the Teenage Witch, then would collaborate with Disney on

439
00:21:45,200 --> 00:21:48,040
Speaker 1: his first d com, Up, Up and Away with Robert Townsend.

440
00:21:48,680 --> 00:21:50,960
Speaker 1: From there, he'd become a go to name with the

441
00:21:51,000 --> 00:21:54,320
Speaker 1: Scream Team, Eddie's Million Dollar Cookoff, Stuck in the Suburbs,

442
00:21:54,359 --> 00:21:57,240
Speaker 1: Pop Brocks, Halloween Town High, Twitches and Falling Asleep in

443
00:21:57,280 --> 00:21:59,520
Speaker 1: the middle of this list because it's so long, Twitches too,

444
00:22:00,000 --> 00:22:02,080
Speaker 1: and Montana the movie The Wizards of Waverley placed the

445
00:22:02,080 --> 00:22:06,240
Speaker 1: movie Camp Rock to teen teen Beach. Very impressive. My god,

446
00:22:06,280 --> 00:22:09,040
Speaker 1: this man has written everything. Then we have Deborah Gregory,

447
00:22:09,040 --> 00:22:11,560
Speaker 1: the author who wrote the Cheaty Girls series of books originally,

448
00:22:11,600 --> 00:22:13,520
Speaker 1: so she gets it created by credit. And then we

449
00:22:13,560 --> 00:22:16,680
Speaker 1: have two new names, Nisha Ganatra, a Golden Globe winning

450
00:22:16,680 --> 00:22:19,720
Speaker 1: writer and season TV director who won for her work

451
00:22:19,720 --> 00:22:22,960
Speaker 1: on Transparent and also recently directed the Mini Kaling movie

452
00:22:23,040 --> 00:22:26,320
Speaker 1: Late Night and the twenty twenty five dcom Freaky or Friday.

453
00:22:26,680 --> 00:22:29,000
Speaker 1: And finally we have Jen Small. This is her only

454
00:22:29,040 --> 00:22:31,600
Speaker 1: writing credit. It is not a real dcom unless there's

455
00:22:31,600 --> 00:22:34,000
Speaker 1: one writer with no other credits that we've never heard of. Again,

456
00:22:34,960 --> 00:22:38,080
Speaker 1: and so it's so true. Let's dig a little deeper

457
00:22:38,400 --> 00:22:41,000
Speaker 1: and stand up to fly away. What if I'm the

458
00:22:41,000 --> 00:22:44,040
Speaker 1: one and get crazy on the dance floor, Well, then

459
00:22:44,080 --> 00:22:46,639
Speaker 1: we've got that cheetah love. Let's get into one world

460
00:22:46,720 --> 00:22:49,159
Speaker 1: right now. Even watching the movie, I didn't understand half

461
00:22:49,160 --> 00:22:51,639
Speaker 1: of what I just said. We open in what is

462
00:22:51,640 --> 00:22:54,639
Speaker 1: clearly not India. It's New York City sirens and taxi horns,

463
00:22:54,640 --> 00:22:56,560
Speaker 1: Times Square and Radio City Music Hall. We see the

464
00:22:56,600 --> 00:22:59,440
Speaker 1: Chetah girls doing their makeup at their vanity mirrors. And

465
00:22:59,480 --> 00:23:01,840
Speaker 1: this is where I was worried already, because they showed

466
00:23:01,840 --> 00:23:05,600
Speaker 1: two of the cheetahirls not you on the little sticky notes,

467
00:23:05,600 --> 00:23:07,520
Speaker 1: and I was like, well that pissed me off. And

468
00:23:07,680 --> 00:23:10,320
Speaker 1: it's all to the newest song, Cheatah Love. They sing

469
00:23:10,359 --> 00:23:13,200
Speaker 1: all about the Cheetah Girl unity, sticking together through even

470
00:23:13,200 --> 00:23:15,480
Speaker 1: the hardest of times, and knowing they will always be

471
00:23:15,520 --> 00:23:18,200
Speaker 1: there for each other. The girls continue to perform, now

472
00:23:18,240 --> 00:23:20,399
Speaker 1: to a live audience that has sold out concert a

473
00:23:20,480 --> 00:23:23,600
Speaker 1: lot of wind machines. Here, did your lips get chapped?

474
00:23:23,600 --> 00:23:25,680
Speaker 3: They dry out your eyes because as.

475
00:23:25,560 --> 00:23:28,760
Speaker 2: We're dry, you've had a sore throat from just trying

476
00:23:28,800 --> 00:23:29,240
Speaker 2: to sing.

477
00:23:29,520 --> 00:23:35,120
Speaker 1: It was a stata, so it was a okay even

478
00:23:35,119 --> 00:23:37,080
Speaker 1: though it was an F four on the Fujita scale

479
00:23:37,160 --> 00:23:38,119
Speaker 1: of wind.

480
00:23:38,880 --> 00:23:40,120
Speaker 3: You were absolutely vine.

481
00:23:40,320 --> 00:23:42,199
Speaker 1: The song ends in the crowd goes wild, but we

482
00:23:42,200 --> 00:23:45,639
Speaker 1: transition onto a much different stage. Chanelle is still rocking

483
00:23:45,680 --> 00:23:47,800
Speaker 1: out like it's a high budget MTV music video, but

484
00:23:47,840 --> 00:23:50,000
Speaker 1: now they're just in an empty room. She appears to

485
00:23:50,080 --> 00:23:52,639
Speaker 1: be having some sort of a psychotic episode because she

486
00:23:52,720 --> 00:23:54,720
Speaker 1: really believes she was performing in front of thousands of

487
00:23:54,760 --> 00:23:57,320
Speaker 1: fans and maybe we should just get her into therapy immediately.

488
00:23:58,040 --> 00:24:00,480
Speaker 1: She should try better help, which is wonderful, but the

489
00:24:00,520 --> 00:24:02,560
Speaker 1: girls snapper out of it. They've actually been performing for

490
00:24:02,720 --> 00:24:05,600
Speaker 1: just one man in a dimly lit auditorium, an agent

491
00:24:05,640 --> 00:24:08,800
Speaker 1: who looks exactly like the comic book villain Kingpin. He

492
00:24:09,000 --> 00:24:11,679
Speaker 1: is not impressed. The girls say they're working out the kinks.

493
00:24:11,680 --> 00:24:14,040
Speaker 1: They used to be a foursome, but Galeria got into

494
00:24:14,080 --> 00:24:16,520
Speaker 1: Cambridge and left the band. Okay, one way to do it.

495
00:24:16,560 --> 00:24:19,560
Speaker 1: They just did it with one sentence. As you know,

496
00:24:19,600 --> 00:24:21,320
Speaker 1: the Beatles used to have another member, but he went

497
00:24:21,359 --> 00:24:24,680
Speaker 1: to summer school and never came back. Kingpinn says that's

498
00:24:24,680 --> 00:24:27,480
Speaker 1: not true. By the way, Sabriena, you know that, I know,

499
00:24:27,800 --> 00:24:30,919
Speaker 1: I know. It was John, Paul, George Ringo and Steve,

500
00:24:31,200 --> 00:24:36,800
Speaker 1: but Steve got into ky. Katepin says to call him

501
00:24:36,800 --> 00:24:38,919
Speaker 1: when they get their act together and leaves the Cheetahs

502
00:24:38,920 --> 00:24:42,760
Speaker 1: feel Cheatah hopeless. Doe notices that Aqua's laptop is a mess,

503
00:24:42,800 --> 00:24:45,920
Speaker 1: just so she can flirt with a tech guy named Kevin. Also,

504
00:24:45,920 --> 00:24:48,240
Speaker 1: we find out that Derinda and her hot Spanish boyfriend

505
00:24:48,280 --> 00:24:51,240
Speaker 1: Joaquin have broken up. He broke up with her because

506
00:24:51,280 --> 00:24:53,480
Speaker 1: of the time difference in phone bills, but she's cool

507
00:24:53,520 --> 00:24:57,480
Speaker 1: with it. She's also hungry for the record. I do

508
00:24:57,560 --> 00:24:59,439
Speaker 1: they really say he broke up with you, don't they

509
00:24:59,440 --> 00:25:01,439
Speaker 1: say that you're just broken up. I don't think they

510
00:25:01,480 --> 00:25:02,639
Speaker 1: actually pointed.

511
00:25:02,359 --> 00:25:05,119
Speaker 2: Out, Oh no, it was just kind of like, you know, yeah,

512
00:25:05,200 --> 00:25:07,960
Speaker 2: she's tried to explain, and she just said it's because

513
00:25:08,040 --> 00:25:10,400
Speaker 2: you know, it's trying difference. They couldn't. They basically, you're

514
00:25:10,400 --> 00:25:13,520
Speaker 2: communicate different really young, like.

515
00:25:13,520 --> 00:25:15,840
Speaker 3: Yeah, yeah, you're twenty two and live in different They.

516
00:25:15,760 --> 00:25:17,840
Speaker 2: Were gonna get married, my goodness.

517
00:25:17,720 --> 00:25:21,440
Speaker 1: Too old for Disney Channel, too young for marriage. They

518
00:25:21,520 --> 00:25:23,919
Speaker 1: pick Indian food, and Derinda is spooked by a nearby

519
00:25:23,920 --> 00:25:27,440
Speaker 1: statue of Ganesh, the Elephant, the remover of obstacles. They

520
00:25:27,440 --> 00:25:29,760
Speaker 1: tell their waitress that they need Ganesh because they've only

521
00:25:29,800 --> 00:25:32,640
Speaker 1: been running into obstacles these days. No agent, no work,

522
00:25:32,680 --> 00:25:35,280
Speaker 1: and no singing career. The waitress praise to Ganesh for

523
00:25:35,320 --> 00:25:38,040
Speaker 1: them and says they just need some faith. The girls

524
00:25:38,040 --> 00:25:40,439
Speaker 1: realize they have two months until college and that will

525
00:25:40,480 --> 00:25:43,159
Speaker 1: make rehearsing even harder. It's now or never. With college

526
00:25:43,160 --> 00:25:45,320
Speaker 1: prep classes and dance camp this summer, it feels like

527
00:25:45,359 --> 00:25:47,560
Speaker 1: they're being forced to give up their Cheetah dreams. And

528
00:25:47,600 --> 00:25:50,000
Speaker 1: then Chanelle's phone rings. The Cheetah Girls are being asked

529
00:25:50,040 --> 00:25:54,399
Speaker 1: to audition for a huge Hollywood musical. So help me

530
00:25:54,440 --> 00:25:59,240
Speaker 1: out here in the lexicon of the Cheetah Girls, where

531
00:25:59,280 --> 00:26:02,280
Speaker 1: are they? Wise? They're still in high school about to graduate,

532
00:26:02,320 --> 00:26:05,239
Speaker 1: but there are they releasing music? Do they have a

533
00:26:05,280 --> 00:26:08,480
Speaker 1: record deal? Where are where are they now? After the

534
00:26:08,600 --> 00:26:09,360
Speaker 1: second one?

535
00:26:09,960 --> 00:26:12,640
Speaker 2: So they're basically and that's what it's saying, like we've

536
00:26:12,680 --> 00:26:16,080
Speaker 2: been on so many auditions. They're trying to get hired

537
00:26:16,359 --> 00:26:21,840
Speaker 2: for gigs, whether it's their own show, you know, like

538
00:26:21,960 --> 00:26:24,240
Speaker 2: their spot on you know, like it's like a small

539
00:26:24,320 --> 00:26:27,159
Speaker 2: gig thing like what I would assume we were reaching for,

540
00:26:27,320 --> 00:26:29,919
Speaker 2: Like you know what the Jonas brothers got to do

541
00:26:29,960 --> 00:26:33,760
Speaker 2: a lot before they got like their real big gotcha opportunity.

542
00:26:33,840 --> 00:26:35,400
Speaker 3: So do you want the twelve of you in a van?

543
00:26:35,600 --> 00:26:37,080
Speaker 1: Are the the three of you in a van with

544
00:26:37,080 --> 00:26:39,800
Speaker 1: with your family going from together?

545
00:26:40,040 --> 00:26:42,320
Speaker 2: I feel like they're just auditioning for gigs like that

546
00:26:42,680 --> 00:26:46,080
Speaker 2: places to just be able to perform and all that stuff.

547
00:26:46,080 --> 00:26:47,480
Speaker 1: I couldn't remember how the second.

548
00:26:47,760 --> 00:26:51,639
Speaker 2: Well, remember they like no one won the festival.

549
00:26:51,359 --> 00:26:54,760
Speaker 1: Right, it was congratulations nobody wins.

550
00:26:55,920 --> 00:26:59,280
Speaker 2: Yeah, So I think it's just their home they're still in.

551
00:27:00,040 --> 00:27:02,280
Speaker 2: They haven't gone off to college. Yet they're still in

552
00:27:02,359 --> 00:27:02,879
Speaker 2: high school.

553
00:27:02,880 --> 00:27:04,159
Speaker 3: And then they're still trying to make it work.

554
00:27:04,160 --> 00:27:07,000
Speaker 2: They're still grounding to yeah, wanting to try to make

555
00:27:07,160 --> 00:27:08,320
Speaker 2: something of the Cheetah grin.

556
00:27:08,400 --> 00:27:11,200
Speaker 1: Okay, Well, they're very excited about the possibility of being

557
00:27:11,240 --> 00:27:13,280
Speaker 1: cast in a movie, but Chanelle doesn't even remember what

558
00:27:13,280 --> 00:27:15,400
Speaker 1: it's about. But who cares. They're gonna be in a movie.

559
00:27:15,520 --> 00:27:17,320
Speaker 1: And then we get our next song right there in

560
00:27:17,320 --> 00:27:19,680
Speaker 1: the Indian restaurant. It's Dig a Little Deeper, and the

561
00:27:19,760 --> 00:27:22,840
Speaker 1: Cheetahs dance around table to table. The paying customers seem

562
00:27:22,880 --> 00:27:24,480
Speaker 1: to love the track, even dancing along.

563
00:27:24,800 --> 00:27:26,600
Speaker 3: Where does this one sit for you? Did you like

564
00:27:26,880 --> 00:27:27,720
Speaker 3: Dig a Little Deeper?

565
00:27:27,960 --> 00:27:32,000
Speaker 2: I did like the song. It was a little funky

566
00:27:33,000 --> 00:27:36,479
Speaker 2: dancing in that restaurant for some reason. But also and

567
00:27:36,520 --> 00:27:39,439
Speaker 2: they didn't show it at least went from watching Disney.

568
00:27:39,440 --> 00:27:45,040
Speaker 2: Plus we during that time barely got through those lines

569
00:27:45,280 --> 00:27:49,480
Speaker 2: and that entire scene, like there's like a whole laughing yes,

570
00:27:49,680 --> 00:27:52,679
Speaker 2: we were in I don't know if it was a

571
00:27:52,800 --> 00:27:55,600
Speaker 2: night shoot or what, but we were so giddy and

572
00:27:55,680 --> 00:27:58,560
Speaker 2: Paul was just like, oh my god, girls like get

573
00:27:58,560 --> 00:28:01,600
Speaker 2: it together, Like couldn't get through those scenes. It took

574
00:28:01,680 --> 00:28:05,200
Speaker 2: us so long to get through those speaking scenes, and

575
00:28:05,440 --> 00:28:07,679
Speaker 2: I think then we did the dancing like part portion

576
00:28:07,800 --> 00:28:10,040
Speaker 2: either after or the next day, so it was kind

577
00:28:10,040 --> 00:28:17,680
Speaker 2: of like our fault. We're we were so timed and

578
00:28:17,760 --> 00:28:19,639
Speaker 2: I just read. So it's funny because it was like

579
00:28:19,920 --> 00:28:22,639
Speaker 2: pop not my favorite of all of the music on

580
00:28:22,680 --> 00:28:25,520
Speaker 2: this third movie, but had the best time doing it

581
00:28:25,560 --> 00:28:27,840
Speaker 2: because we were cracking up the majority of the time

582
00:28:27,880 --> 00:28:28,080
Speaker 2: we were.

583
00:28:28,240 --> 00:28:30,480
Speaker 1: Well, let me ask you a question with as a dancer,

584
00:28:30,680 --> 00:28:32,960
Speaker 1: if I were to put on the song right now,

585
00:28:33,640 --> 00:28:35,720
Speaker 1: just cold, could you remember the dance.

586
00:28:37,800 --> 00:28:40,280
Speaker 2: Uh parts of it? Yeah?

587
00:28:40,400 --> 00:28:41,720
Speaker 1: Okay, God, so funny.

588
00:28:41,800 --> 00:28:44,520
Speaker 2: Well, we're gonna have to see that when I get

589
00:28:44,600 --> 00:28:46,480
Speaker 2: up when we do the chairs that come out of

590
00:28:46,480 --> 00:28:48,560
Speaker 2: nowhere that are just perfectly lined up for the three

591
00:28:48,560 --> 00:28:50,600
Speaker 2: of course go on right, which I know is probably

592
00:28:50,640 --> 00:28:53,120
Speaker 2: your favorite aspect of it's a musical.

593
00:28:53,320 --> 00:28:54,960
Speaker 1: You just gotta love musical, Sabrina.

594
00:28:55,520 --> 00:28:59,480
Speaker 2: I remember because Fatima Robson's she's incredible, she's black eyed

595
00:28:59,480 --> 00:29:05,720
Speaker 2: peas and her she's incredible choreographer. But I remember her.

596
00:29:06,080 --> 00:29:08,560
Speaker 2: We got up and did this like quick, quick, like

597
00:29:08,560 --> 00:29:10,560
Speaker 2: it was like step up, a quick click down, and

598
00:29:10,600 --> 00:29:14,960
Speaker 2: I just like running a marathon.

599
00:29:15,080 --> 00:29:18,720
Speaker 1: I don't know so tired. I'm so tired.

600
00:29:19,000 --> 00:29:19,760
Speaker 3: Yeah, that would be me.

601
00:29:20,080 --> 00:29:22,520
Speaker 2: There's just fun, fun stuff with that, with that whole

602
00:29:22,560 --> 00:29:25,560
Speaker 2: and again, we were really close, Like if you watch it,

603
00:29:25,680 --> 00:29:27,760
Speaker 2: there's not a lot of space in between any of the.

604
00:29:27,680 --> 00:29:29,120
Speaker 3: Places proximity wise.

605
00:29:29,160 --> 00:29:33,040
Speaker 2: You were close to like everyone that we're dancing around.

606
00:29:33,120 --> 00:29:36,400
Speaker 2: So I love it. But yeah, I just remember cracking

607
00:29:36,480 --> 00:29:38,760
Speaker 2: up that I want to see I feel like would

608
00:29:38,880 --> 00:29:40,959
Speaker 2: like if I had to do lines with you, I

609
00:29:41,120 --> 00:29:42,360
Speaker 2: just feel like it wouldn't be.

610
00:29:42,480 --> 00:29:43,040
Speaker 3: It'd be great.

611
00:29:43,080 --> 00:29:44,880
Speaker 1: Well, we gotta we gotta send me that DVD because

612
00:29:44,880 --> 00:29:47,239
Speaker 1: I want to see those boopers. Okay, But to end

613
00:29:47,280 --> 00:29:49,240
Speaker 1: the songs, the girls find themselves back on a smaller

614
00:29:49,280 --> 00:29:52,280
Speaker 1: stage performing for now two dudes in a dimly little auditorium.

615
00:29:52,400 --> 00:29:54,480
Speaker 1: The guys clap as they wind down, and the girls

616
00:29:54,480 --> 00:29:56,680
Speaker 1: are now huddled up excited at the prospect of going

617
00:29:56,720 --> 00:29:59,680
Speaker 1: to California for this movie. And now the decision has

618
00:29:59,680 --> 00:30:02,240
Speaker 1: been made. We meet Vic short for Vicram. He's the

619
00:30:02,240 --> 00:30:06,600
Speaker 1: director and dreamy. He immediately exchanged flirting glances with Chanell.

620
00:30:06,680 --> 00:30:09,520
Speaker 1: This feels wildly unprofessional and a real issue for human

621
00:30:09,560 --> 00:30:12,080
Speaker 1: resources to deal with. Vic says he has a flight

622
00:30:12,120 --> 00:30:13,960
Speaker 1: to catch but tells the girls he'd love all of

623
00:30:14,000 --> 00:30:16,960
Speaker 1: them to star in his first Bollywood movie. Everyone is

624
00:30:16,960 --> 00:30:20,200
Speaker 1: excited by the news, and Vic then explains that without them,

625
00:30:20,240 --> 00:30:21,480
Speaker 1: he'd be packing his bag.

626
00:30:21,320 --> 00:30:22,240
Speaker 3: For dental school.

627
00:30:22,480 --> 00:30:24,160
Speaker 1: It seems his parents don't think the arts are a

628
00:30:24,240 --> 00:30:26,680
Speaker 1: real profession, so now he faces the age old dilemma

629
00:30:26,760 --> 00:30:28,320
Speaker 1: Bollywood director or dentist.

630
00:30:28,440 --> 00:30:29,200
Speaker 3: We've all been there.

631
00:30:29,680 --> 00:30:32,560
Speaker 1: Things apparently move fast in Bollywood because their flight is tomorrow.

632
00:30:32,640 --> 00:30:34,840
Speaker 1: But then they realize they aren't going to California at all.

633
00:30:34,880 --> 00:30:39,320
Speaker 1: They're going to India. Chanelle heard Hollywood, he said Bollywood,

634
00:30:39,720 --> 00:30:41,680
Speaker 1: but in India like the other side of the world.

635
00:30:41,800 --> 00:30:45,000
Speaker 1: It's yeah, it's India. But aquendo, they aren't feeling it.

636
00:30:45,040 --> 00:30:47,720
Speaker 1: They already have summer plans. But Shanelle is gung ho ready,

637
00:30:47,760 --> 00:30:50,880
Speaker 1: probably because of Dreamy mcdreamerson. It's their chance to be

638
00:30:51,000 --> 00:30:54,160
Speaker 1: international movie stars, and she thinks the director is mad cute.

639
00:30:54,640 --> 00:30:57,200
Speaker 1: She convinces her Cheetah sisters to take the leap and

640
00:30:57,240 --> 00:31:00,200
Speaker 1: go to the quote movie making capital of the world unquote,

641
00:31:00,200 --> 00:31:03,480
Speaker 1: which is Mumbai. She also promises no talk about cute boys,

642
00:31:03,480 --> 00:31:05,760
Speaker 1: which ironically becomes the only thing the movie is about.

643
00:31:06,040 --> 00:31:09,880
Speaker 1: But either way, they are going to India, but of

644
00:31:09,920 --> 00:31:12,920
Speaker 1: course there's one problem. While the girls are celebrating, Vic's

645
00:31:12,920 --> 00:31:15,360
Speaker 1: assistant reminds the director he was supposed to cast only

646
00:31:15,520 --> 00:31:18,000
Speaker 1: one girl for his uncle, the rich producer behind the film,

647
00:31:18,040 --> 00:31:20,600
Speaker 1: which also doesn't make any sense, because why would his

648
00:31:20,600 --> 00:31:23,640
Speaker 1: family think that being a director wasn't a legitimate thing

649
00:31:23,760 --> 00:31:27,040
Speaker 1: if his uncle is a super well known and famous

650
00:31:27,080 --> 00:31:31,120
Speaker 1: movie producer. I let it go because dancing and colorful,

651
00:31:32,160 --> 00:31:34,880
Speaker 1: so yes. But anyway, Vicvliez wants his uncle meets the

652
00:31:34,880 --> 00:31:37,120
Speaker 1: three girls, he realizes they'll all have to be in

653
00:31:37,120 --> 00:31:39,480
Speaker 1: the movie, but the assistant isn't so sure. But hey,

654
00:31:39,720 --> 00:31:41,840
Speaker 1: no need to stress over that. The plane takes off

655
00:31:41,840 --> 00:31:43,680
Speaker 1: for India. The girls are happy to avoid the New

656
00:31:43,760 --> 00:31:46,080
Speaker 1: York heat and traffic, but then we get a patented

657
00:31:46,120 --> 00:31:49,080
Speaker 1: pod meets world's signature optical flip, and then we arrive

658
00:31:49,200 --> 00:31:52,120
Speaker 1: in India. It is hotter and more congested than even

659
00:31:52,160 --> 00:31:54,520
Speaker 1: Times Square. We see the crowded, moved by streets and

660
00:31:54,680 --> 00:31:56,240
Speaker 1: utter chaos of daily life there.

661
00:31:56,560 --> 00:31:58,600
Speaker 3: How did India treat you while you were there?

662
00:31:58,840 --> 00:32:02,840
Speaker 2: Oh? So good, so good? It was awesome. I mean,

663
00:32:03,440 --> 00:32:06,320
Speaker 2: it was a different experience in the sense that when

664
00:32:06,320 --> 00:32:10,600
Speaker 2: we were in Barcelona, we had the freedom. I think

665
00:32:10,600 --> 00:32:13,440
Speaker 2: I've mentioned it to you, Like we were out after

666
00:32:13,520 --> 00:32:15,400
Speaker 2: if we weren't on set, we had the freedom to

667
00:32:15,440 --> 00:32:17,680
Speaker 2: go do whatever we wanted. We would just leave our

668
00:32:17,720 --> 00:32:20,720
Speaker 2: hotel room walk you know, Barcelona is such an awesome city,

669
00:32:21,040 --> 00:32:25,480
Speaker 2: walk around, go out for two hour dinners, three hour dinners,

670
00:32:25,520 --> 00:32:29,080
Speaker 2: you know. Like really had so much freedom. In India,

671
00:32:29,360 --> 00:32:34,400
Speaker 2: we each had a driver and an assistant that would

672
00:32:34,400 --> 00:32:36,520
Speaker 2: come meet us. We weren't allowed to leave our resort

673
00:32:36,600 --> 00:32:41,360
Speaker 2: by ourselves unless we were because it was dangerous. Just

674
00:32:41,440 --> 00:32:46,000
Speaker 2: the level of Disney just really wanting to make sure

675
00:32:46,040 --> 00:32:50,800
Speaker 2: that we were safe and not like we didn't walk

676
00:32:50,960 --> 00:32:53,720
Speaker 2: anywhere anywhere. We got dropped off like at the front

677
00:32:53,760 --> 00:32:57,800
Speaker 2: door of everything we went and had drivers literally take

678
00:32:57,880 --> 00:32:59,880
Speaker 2: us everywhere. It was just a totally different experience. But

679
00:33:00,480 --> 00:33:05,240
Speaker 2: truly that scene cracked me up because that was really

680
00:33:05,280 --> 00:33:07,640
Speaker 2: how it felt when we were driving in India, Like

681
00:33:07,880 --> 00:33:09,800
Speaker 2: I mean, getting your head bang if you were like

682
00:33:09,840 --> 00:33:12,320
Speaker 2: I had to like always have my arm here on

683
00:33:12,360 --> 00:33:16,280
Speaker 2: the rest because nobody there's lines in the street and

684
00:33:16,320 --> 00:33:18,880
Speaker 2: I just don't know why, because nobody abides by them

685
00:33:18,880 --> 00:33:22,480
Speaker 2: in any sense, and there's all those rickshaw cars, which

686
00:33:22,480 --> 00:33:24,920
Speaker 2: is what we are filming in that are so tiny

687
00:33:25,320 --> 00:33:27,600
Speaker 2: that just bob and weave, and then you look over

688
00:33:27,640 --> 00:33:31,440
Speaker 2: and there's a big bus, like a transit bus, and

689
00:33:31,480 --> 00:33:35,000
Speaker 2: there's twenty people sitting on top of the bus and

690
00:33:35,080 --> 00:33:38,920
Speaker 2: ten people somehow holding onto the bus, just riding it

691
00:33:39,040 --> 00:33:39,920
Speaker 2: outside of it.

692
00:33:40,000 --> 00:33:44,320
Speaker 1: Like I think those rickshaws, I think they're called tiktooks, tooktooks. Yeah,

693
00:33:44,320 --> 00:33:46,800
Speaker 1: I don't know there as well, but I know that

694
00:33:46,840 --> 00:33:48,040
Speaker 1: in Asia the same kind of thing.

695
00:33:48,040 --> 00:33:49,320
Speaker 3: I think it's called the tiktooks, So I.

696
00:33:49,280 --> 00:33:53,560
Speaker 2: Think, okay, they're like, k yeah, yeah, there are tooktooks

697
00:33:54,680 --> 00:33:58,240
Speaker 2: just so dangerous, yeah, super dangerous exactly. You know, we

698
00:33:58,240 --> 00:34:01,040
Speaker 2: didn't want to walk anywhere. We're like, gosh, pedestrians have

699
00:34:01,080 --> 00:34:02,880
Speaker 2: to get just hit left and right around here. I mean,

700
00:34:02,920 --> 00:34:05,360
Speaker 2: people are going up on curbs and it just was

701
00:34:05,720 --> 00:34:09,279
Speaker 2: pretty crazy. But they did take care of us like

702
00:34:09,360 --> 00:34:11,520
Speaker 2: they you know, we didn't have the freedom that we

703
00:34:11,600 --> 00:34:14,000
Speaker 2: had in Barcelona, but in all honesty, it didn't take

704
00:34:14,040 --> 00:34:16,440
Speaker 2: us very long to not want that freedom. We were like, please, yes,

705
00:34:16,520 --> 00:34:18,640
Speaker 2: somebody be with that the other that's great.

706
00:34:19,440 --> 00:34:21,719
Speaker 1: Well, the girls, as you're telling us, are now in

707
00:34:21,719 --> 00:34:23,719
Speaker 1: the backseat of a cab, and though it's a lot,

708
00:34:23,760 --> 00:34:25,719
Speaker 1: they still think India is cheat delicious.

709
00:34:26,000 --> 00:34:27,680
Speaker 3: Doe looks out the window and sees an elephant.

710
00:34:27,680 --> 00:34:29,600
Speaker 1: She almost has a spiritual moment with the animal, our

711
00:34:29,680 --> 00:34:30,800
Speaker 1: second possible sign.

712
00:34:30,600 --> 00:34:31,680
Speaker 3: Of psychosis in the film.

713
00:34:32,320 --> 00:34:35,040
Speaker 1: Then her phone rings. It's her ex jo Quin in Spain.

714
00:34:35,120 --> 00:34:38,080
Speaker 1: She decides to ignore it. She has elephant's eyes to

715
00:34:38,080 --> 00:34:41,360
Speaker 1: stare into. The girls eventually arrive at the Lovely Hotel

716
00:34:41,360 --> 00:34:43,440
Speaker 1: and are stunned by its beauty and luxury. Dough is

717
00:34:43,520 --> 00:34:45,560
Speaker 1: quick to go shopping at a nearby street market and

718
00:34:45,640 --> 00:34:47,960
Speaker 1: is called over by one of the vendors, Swami. He

719
00:34:48,040 --> 00:34:49,640
Speaker 1: hands her a string and tells her to tie it

720
00:34:49,640 --> 00:34:52,000
Speaker 1: to a tree for a wish. Her fellow Cheetahs arrive

721
00:34:52,080 --> 00:34:54,239
Speaker 1: and join in on the wish making. Swami explains that

722
00:34:54,239 --> 00:34:57,200
Speaker 1: when the wish comes true, you return Untie the string

723
00:34:57,280 --> 00:34:59,720
Speaker 1: and say thank you to the tree. Though it sounds crazy,

724
00:35:00,000 --> 00:35:02,719
Speaker 1: girls all decide to participate. The Next day, Doe is

725
00:35:02,719 --> 00:35:04,360
Speaker 1: looking at old pictures of the group that include the

726
00:35:04,360 --> 00:35:06,759
Speaker 1: fourth member, Galleria, of whom we do not speak, when

727
00:35:06,800 --> 00:35:10,400
Speaker 1: Aqua appears and wonders if she should call tech support Kevin.

728
00:35:10,960 --> 00:35:14,360
Speaker 1: Doe is obviously the real bummer in this movie, dooming

729
00:35:14,360 --> 00:35:16,879
Speaker 1: the long distance relationship before it even starts. And by

730
00:35:16,880 --> 00:35:18,319
Speaker 1: the way, all the talk of boys has gone off

731
00:35:18,360 --> 00:35:19,759
Speaker 1: the window because that's all they've been talking about the

732
00:35:19,880 --> 00:35:21,600
Speaker 1: entire time. They said they weren't going to talk about boys,

733
00:35:22,040 --> 00:35:25,160
Speaker 1: and they start to talk about her recent breakup. Chanelle

734
00:35:25,160 --> 00:35:26,879
Speaker 1: pops in with the rehearsal schedule and if they don't

735
00:35:26,920 --> 00:35:28,760
Speaker 1: get moving now, they'll be late. And this was weird

736
00:35:28,800 --> 00:35:30,719
Speaker 1: because it was like, I thought it was night You're

737
00:35:30,760 --> 00:35:33,680
Speaker 1: all in pajamas. It seemed like it was nighttime and

738
00:35:33,840 --> 00:35:35,200
Speaker 1: like time to go to work. I was like, wait,

739
00:35:35,239 --> 00:35:35,839
Speaker 1: what what time?

740
00:35:36,000 --> 00:35:39,320
Speaker 2: I know it definitely that timing didn't make sense.

741
00:35:39,160 --> 00:35:40,680
Speaker 1: Because the timing weird.

742
00:35:40,920 --> 00:35:46,000
Speaker 2: Yes, we were, yeah, I felt like we were just

743
00:35:46,280 --> 00:35:46,680
Speaker 2: going to.

744
00:35:47,360 --> 00:35:49,560
Speaker 1: After a launde for the day in pajamas. It was

745
00:35:49,600 --> 00:35:50,920
Speaker 1: a long day and it's like time to go to work.

746
00:35:51,000 --> 00:35:53,520
Speaker 1: Was like, oh, I guess I was wrong. These Bollywood

747
00:35:53,520 --> 00:35:56,480
Speaker 1: productions sure do make everything last minute. Aqua and Derinda

748
00:35:56,520 --> 00:35:58,719
Speaker 1: thanks Chanel for making them come to India. After all,

749
00:35:58,800 --> 00:36:01,040
Speaker 1: it's going to be great. And then the Cheetah girls

750
00:36:01,080 --> 00:36:04,200
Speaker 1: arrive at India Pictures. The large appropriately named studio lot

751
00:36:04,200 --> 00:36:06,080
Speaker 1: where the movies are going to be shot. They meet

752
00:36:06,120 --> 00:36:08,240
Speaker 1: up with Vic, who still seems more interested in flirting

753
00:36:08,239 --> 00:36:10,440
Speaker 1: with Chanelle than making a movie. He says he wants

754
00:36:10,480 --> 00:36:13,640
Speaker 1: to make a remake of a classic Indian film, but

755
00:36:13,719 --> 00:36:16,120
Speaker 1: his uncle wants to make it more contemporary, so now

756
00:36:16,120 --> 00:36:18,720
Speaker 1: it's a love story with classic Bollywood singing and dancing.

757
00:36:19,040 --> 00:36:21,680
Speaker 1: They meet Raheem, their honky co star, who pulls up

758
00:36:21,680 --> 00:36:24,960
Speaker 1: on a bad boy motorcycle. He is a famous Bollywood

759
00:36:25,040 --> 00:36:27,640
Speaker 1: Nepo baby, and the girls find him so dreamy that

760
00:36:27,719 --> 00:36:37,239
Speaker 1: they're all speechless. Now they're way to set, they are

761
00:36:37,239 --> 00:36:40,560
Speaker 1: accosted by Geta, the movie's choreographer, complaining that the American

762
00:36:40,600 --> 00:36:44,200
Speaker 1: actresses are already late. But then even when she sees Raheem,

763
00:36:44,280 --> 00:36:46,480
Speaker 1: she's at a loss for words and trips falling to

764
00:36:46,520 --> 00:36:49,080
Speaker 1: the floor. But it looks like these two have mutual crushes,

765
00:36:49,080 --> 00:36:51,239
Speaker 1: which is very cute because her presence makes the big

766
00:36:51,280 --> 00:36:54,880
Speaker 1: movie star nervously snort. The girls then leave with Geta

767
00:36:54,960 --> 00:36:57,000
Speaker 1: to meet the movies dancers, a large group of locals

768
00:36:57,040 --> 00:36:59,640
Speaker 1: and colorful costumes. Kay, I'm going to be totally honest

769
00:36:59,640 --> 00:37:01,600
Speaker 1: to you. At this point in the movie, I was like,

770
00:37:01,920 --> 00:37:03,160
Speaker 1: I don't know how I feel.

771
00:37:02,920 --> 00:37:03,640
Speaker 3: About this movie.

772
00:37:03,680 --> 00:37:06,080
Speaker 1: This movie is kind of weird. I don't know what's

773
00:37:06,120 --> 00:37:09,560
Speaker 1: going on. This is really kind of strange. So I'm

774
00:37:09,600 --> 00:37:11,279
Speaker 1: just letting you know that. The girls then leave with

775
00:37:11,320 --> 00:37:13,640
Speaker 1: Gita to meet the movie's dancers, a large group of

776
00:37:13,680 --> 00:37:17,240
Speaker 1: locals and colorful costumes. Rehearsal quickly begins, and Geeta speeds

777
00:37:17,239 --> 00:37:18,040
Speaker 1: through a routine.

778
00:37:18,120 --> 00:37:19,080
Speaker 3: The girls would have to.

779
00:37:19,000 --> 00:37:22,040
Speaker 1: Be superhuman to follow along, so when they do try

780
00:37:22,040 --> 00:37:24,480
Speaker 1: to dance, they stumble into each other, creating some tension

781
00:37:24,480 --> 00:37:29,960
Speaker 1: with Guita. Dirinda Yes, even gets a little confrontational. It

782
00:37:30,040 --> 00:37:34,280
Speaker 1: turns out Dough is a beat takes off that exact

783
00:37:34,320 --> 00:37:37,360
Speaker 1: thing she's wearing now, like, don't tell me I can't dance.

784
00:37:37,840 --> 00:37:39,360
Speaker 2: Nobody tells me I can't.

785
00:37:39,600 --> 00:37:42,799
Speaker 1: It's awesome. Geta promises it's her job to make this work,

786
00:37:42,840 --> 00:37:45,960
Speaker 1: even if she's forced to slow it down for the Americans.

787
00:37:46,480 --> 00:37:49,359
Speaker 1: This does not come Drinda down, who lunch is at

788
00:37:49,400 --> 00:37:52,719
Speaker 1: her but is held back by her friends.

789
00:37:53,280 --> 00:37:56,040
Speaker 2: Nobody talks to her like that if this really happened,

790
00:37:56,040 --> 00:37:59,480
Speaker 2: there is no chance at hell. Kiley's whippy. I'm with

791
00:37:59,600 --> 00:38:01,879
Speaker 2: a pull back from this chick. I would have been

792
00:38:02,000 --> 00:38:05,160
Speaker 2: fighting Will I would have been fighting.

793
00:38:05,520 --> 00:38:09,520
Speaker 1: It was awesome, So now don't want to see Noah's moves.

794
00:38:09,600 --> 00:38:11,120
Speaker 1: I loved it. This is where I was like, and

795
00:38:11,200 --> 00:38:14,160
Speaker 1: I literally texted Jensen, I'm like, I'm at the dance off.

796
00:38:14,200 --> 00:38:15,200
Speaker 3: I mean one hundred percent.

797
00:38:16,160 --> 00:38:18,640
Speaker 1: So yeah, don't wants to see Gita's moves. That turns

798
00:38:18,640 --> 00:38:21,440
Speaker 1: into a real dance battle between Geta and the Cheetah Girls,

799
00:38:21,440 --> 00:38:24,000
Speaker 1: fully led by Dough. It is our newest song, dance

800
00:38:24,080 --> 00:38:26,960
Speaker 1: me if you can by Geta and Derinda. We even

801
00:38:27,000 --> 00:38:30,160
Speaker 1: have some rapping. This is a big number for you, Sabrina.

802
00:38:30,200 --> 00:38:32,640
Speaker 1: What are your memories of this one? Because this is

803
00:38:32,640 --> 00:38:36,080
Speaker 1: when I was like, I love this film. So what

804
00:38:36,160 --> 00:38:38,760
Speaker 1: was it like doing this one? I?

805
00:38:38,840 --> 00:38:42,040
Speaker 2: Well, first, okay, so the hard part with when you

806
00:38:42,160 --> 00:38:45,280
Speaker 2: film these movies how you have like scenes going into

807
00:38:45,560 --> 00:38:48,040
Speaker 2: the dance stuff too, and you're doing them all the

808
00:38:48,120 --> 00:38:52,040
Speaker 2: same day, right or if it maybe is cut into

809
00:38:52,080 --> 00:38:54,719
Speaker 2: two days. So you go from when she's kind of

810
00:38:54,719 --> 00:38:58,040
Speaker 2: giving us crap to where I'm like, can't even because

811
00:38:58,080 --> 00:39:00,799
Speaker 2: my hair I'm getting so wind blow and my hair

812
00:39:00,920 --> 00:39:04,279
Speaker 2: is like start straight and I'm just like Chryina and

813
00:39:04,320 --> 00:39:06,719
Speaker 2: it's like whipping into my eye and like we're all

814
00:39:06,760 --> 00:39:09,840
Speaker 2: just for women. It shows Geeta who's like, the wind's

815
00:39:09,840 --> 00:39:15,640
Speaker 2: not touching her, it's just us. So we go from

816
00:39:15,680 --> 00:39:18,359
Speaker 2: that to then having to like step up and man,

817
00:39:18,400 --> 00:39:19,920
Speaker 2: I hit like one hundred and fifty.

818
00:39:20,040 --> 00:39:25,799
Speaker 1: So you went from zero to piste instantaneously.

819
00:39:25,880 --> 00:39:29,280
Speaker 3: It was awesome. I was like, oh wow, here's the switch.

820
00:39:32,040 --> 00:39:36,759
Speaker 2: Oh my gosh. So but I will say this I

821
00:39:36,880 --> 00:39:39,600
Speaker 2: have My parents were actually able to come to India

822
00:39:39,680 --> 00:39:42,319
Speaker 2: during the time schooling there, so Fred and Kathy were

823
00:39:42,320 --> 00:39:45,440
Speaker 2: there with me taking so many pictures. I have some

824
00:39:45,480 --> 00:39:48,520
Speaker 2: of the greatest pictures of this up on that hill.

825
00:39:49,520 --> 00:39:54,640
Speaker 2: And you know, we went from you know, the rehearsal

826
00:39:54,719 --> 00:39:59,080
Speaker 2: studio and in Barcelona. Our rehearsal studios was really big.

827
00:40:00,040 --> 00:40:01,600
Speaker 2: In La when we were doing it for the first one,

828
00:40:01,640 --> 00:40:03,520
Speaker 2: it was like a big dance studio. This was like

829
00:40:03,600 --> 00:40:07,479
Speaker 2: a tiny little room that all of our dancers would

830
00:40:07,480 --> 00:40:09,400
Speaker 2: be in at one time. It was crowded, but it

831
00:40:09,440 --> 00:40:12,080
Speaker 2: was perfect. It was like our India rehearsal room. It

832
00:40:12,120 --> 00:40:14,360
Speaker 2: was awesome. But then we get put out on this

833
00:40:14,480 --> 00:40:18,640
Speaker 2: set and the set You're just going, oh my gosh.

834
00:40:18,680 --> 00:40:20,799
Speaker 2: At this point, this was the biggest set that we

835
00:40:20,920 --> 00:40:25,560
Speaker 2: had really filmed on and it was just incredible. And

836
00:40:25,640 --> 00:40:28,919
Speaker 2: the rigs and the dancers that like were those were

837
00:40:29,040 --> 00:40:31,920
Speaker 2: right on the edge of a mountain, like a mountain,

838
00:40:32,719 --> 00:40:36,080
Speaker 2: and they don't look super sturdy to me. I mean

839
00:40:36,120 --> 00:40:38,960
Speaker 2: I walked on the lower version one of it and

840
00:40:39,120 --> 00:40:40,640
Speaker 2: was like, Paul, I want to go up there, and

841
00:40:40,680 --> 00:40:44,920
Speaker 2: he's like, do you do you really? And I was like, no,

842
00:40:45,600 --> 00:40:48,719
Speaker 2: maybe not may down here fall and I mean but

843
00:40:48,880 --> 00:40:50,799
Speaker 2: like they were fearless, they were just I mean, when

844
00:40:50,800 --> 00:40:52,680
Speaker 2: you watch it, they climb up of it. I mean,

845
00:40:53,200 --> 00:40:58,000
Speaker 2: the dancers in this movie gave so much energy and

846
00:40:58,880 --> 00:41:01,520
Speaker 2: they poured all of their talent into it, and it

847
00:41:01,600 --> 00:41:03,720
Speaker 2: was just this was so epic.

848
00:41:03,840 --> 00:41:04,200
Speaker 1: This was.

849
00:41:06,040 --> 00:41:09,200
Speaker 2: Life the sweetest, like to the point she was so

850
00:41:10,520 --> 00:41:13,479
Speaker 2: Watching her do these scenes was always so funny because

851
00:41:13,520 --> 00:41:16,799
Speaker 2: she's so timid and so just very delicate and such

852
00:41:16,800 --> 00:41:20,960
Speaker 2: a sweet, sweet woman and you know, I mean a

853
00:41:21,040 --> 00:41:23,640
Speaker 2: girl then I guess, but like just the sweetest. And

854
00:41:23,680 --> 00:41:25,600
Speaker 2: then she like got all so it was easy for

855
00:41:25,680 --> 00:41:27,759
Speaker 2: us to get back into each other's face because we

856
00:41:27,760 --> 00:41:31,040
Speaker 2: were really going off of it. But yeah, I loved this.

857
00:41:31,040 --> 00:41:34,279
Speaker 2: This one turned in the studio, you didn't really see

858
00:41:34,320 --> 00:41:35,680
Speaker 2: how it was going to turn out. You just saw

859
00:41:35,680 --> 00:41:38,520
Speaker 2: the choreography, and the choreography was great, you know, loved it.

860
00:41:38,840 --> 00:41:41,400
Speaker 2: But then as it played out into this space, it

861
00:41:41,600 --> 00:41:44,560
Speaker 2: just went up like seven notches. Loved it, and you

862
00:41:44,640 --> 00:41:47,319
Speaker 2: know we both this is where our we love each

863
00:41:47,320 --> 00:41:51,360
Speaker 2: other so much. I love a dance battle. This was me,

864
00:41:51,520 --> 00:41:52,120
Speaker 2: This was it.

865
00:41:52,360 --> 00:41:55,680
Speaker 1: I think every conflict in the world, including wars, should

866
00:41:55,680 --> 00:41:56,719
Speaker 1: be settled with dance.

867
00:41:56,760 --> 00:41:58,600
Speaker 3: With dance, That's how I think it should be.

868
00:41:59,440 --> 00:42:01,680
Speaker 1: In the end, the battle concludes with hugs all around,

869
00:42:01,680 --> 00:42:05,080
Speaker 1: even with GETA. This collaboration might work after all. But

870
00:42:05,200 --> 00:42:07,440
Speaker 1: just when things are coming together, we meet Uncle Kamal,

871
00:42:07,560 --> 00:42:10,439
Speaker 1: the movie's financing producer. He wants to know who these

872
00:42:10,480 --> 00:42:12,640
Speaker 1: three girls are and screams for Vic, who is of

873
00:42:12,640 --> 00:42:15,200
Speaker 1: course hiding. Uncle Kamal is budgeted for a movie with

874
00:42:15,360 --> 00:42:19,160
Speaker 1: one star, so this movie will have one star. The

875
00:42:19,200 --> 00:42:21,279
Speaker 1: Cheetah girls don't get it, but Vic promises he made

876
00:42:21,360 --> 00:42:23,520
Speaker 1: some great changes and just wants his uncle to see

877
00:42:23,520 --> 00:42:26,880
Speaker 1: them all perform. Uncle Kamal agrees he will see them perform,

878
00:42:26,920 --> 00:42:31,839
Speaker 1: and whoever is the best will become the one star. Oh,

879
00:42:32,440 --> 00:42:35,279
Speaker 1: the other two will go home. He's paying, so his

880
00:42:35,360 --> 00:42:38,520
Speaker 1: word is final unless Vic wants to end up a dentist.

881
00:42:38,520 --> 00:42:40,920
Speaker 1: And they really make it seem like being a dentist

882
00:42:41,000 --> 00:42:43,400
Speaker 1: is the worst possible thing you could do in the world.

883
00:42:43,560 --> 00:42:45,920
Speaker 3: My neighbor's a dentist. His house is like nine times

884
00:42:46,000 --> 00:42:46,719
Speaker 3: the size of mine.

885
00:42:47,200 --> 00:42:50,440
Speaker 1: So seriously, I think being a dentist maybe not the

886
00:42:50,480 --> 00:42:51,359
Speaker 1: worst plan ever.

887
00:42:52,360 --> 00:42:57,560
Speaker 2: And this guy, he was so funny. Uncle Kamal was

888
00:42:57,680 --> 00:42:58,320
Speaker 2: just he's great.

889
00:42:58,360 --> 00:43:02,160
Speaker 1: Well, he's a hilarious I mean, this guy's been in everything.

890
00:43:02,520 --> 00:43:05,320
Speaker 1: Yes on him.

891
00:43:05,560 --> 00:43:09,560
Speaker 2: Yes, he was royalty on set for sure, everyone was

892
00:43:09,680 --> 00:43:13,280
Speaker 2: really taking care of fam But when he was on screen,

893
00:43:13,560 --> 00:43:16,359
Speaker 2: I mean we were always fighting back giggles because he

894
00:43:16,480 --> 00:43:19,120
Speaker 2: was just so funny and the cutest man.

895
00:43:19,320 --> 00:43:19,839
Speaker 3: He was great.

896
00:43:20,000 --> 00:43:20,520
Speaker 2: He was great.

897
00:43:20,800 --> 00:43:23,279
Speaker 1: Well, the girls obviously can't believe it. You can't just

898
00:43:23,360 --> 00:43:25,920
Speaker 1: cast one cheetah girl. That would be like one of

899
00:43:25,960 --> 00:43:28,439
Speaker 1: them leaving and leaving only three. You have to hire

900
00:43:28,440 --> 00:43:31,359
Speaker 1: them all and with that they quit.

901
00:43:32,880 --> 00:43:35,920
Speaker 3: I actually did that one myself. I did.

902
00:43:37,400 --> 00:43:40,360
Speaker 1: He put in one. I'm gonna add five others. Yes,

903
00:43:40,400 --> 00:43:42,120
Speaker 1: I actually let me take one of those away because

904
00:43:42,160 --> 00:43:44,280
Speaker 1: one of them didn't show up. I'm gonna add four others.

905
00:43:44,600 --> 00:43:45,839
Speaker 3: Okay, see what I just did.

906
00:43:46,320 --> 00:43:50,240
Speaker 1: Now leaving the studio, the girls are furious. Durinda miss

907
00:43:50,320 --> 00:43:53,440
Speaker 1: dance camp and Awkward ditch summer school for this, and

908
00:43:53,440 --> 00:43:56,239
Speaker 1: now it's got them wondering are the Cheetah Girls over?

909
00:43:56,800 --> 00:43:59,000
Speaker 1: And this tense moment leads us to our next number

910
00:43:59,160 --> 00:44:02,320
Speaker 1: fly away with the three girls doing what they do best,

911
00:44:02,640 --> 00:44:06,799
Speaker 1: walking somewhere, just walking. This time it's through India at night,

912
00:44:06,840 --> 00:44:09,279
Speaker 1: dodging what seems to be a marching band and parade,

913
00:44:09,840 --> 00:44:11,600
Speaker 1: and while they're trying to figure out what their next

914
00:44:11,600 --> 00:44:14,120
Speaker 1: step as a group will be. Nobody knows will this

915
00:44:14,200 --> 00:44:16,600
Speaker 1: be their demise, but they're all getting their steps in

916
00:44:16,920 --> 00:44:19,240
Speaker 1: the next day, the girls are shopping at another street market,

917
00:44:19,280 --> 00:44:23,080
Speaker 1: talking out the whole audition situation. Sanell apologizes she got

918
00:44:23,120 --> 00:44:25,440
Speaker 1: them into this position, and they all think that a

919
00:44:25,440 --> 00:44:27,520
Speaker 1: different Cheetah girl is better for the gig.

920
00:44:28,000 --> 00:44:30,520
Speaker 3: They decide they'll all audition fair and square.

921
00:44:30,760 --> 00:44:33,239
Speaker 1: Aqua then gets a call from tech support Kevin, or

922
00:44:33,280 --> 00:44:35,840
Speaker 1: as she calls him, Kevin three forty seven. He's following

923
00:44:35,880 --> 00:44:38,399
Speaker 1: up on the computer issue, and they quickly realize they're

924
00:44:38,400 --> 00:44:41,359
Speaker 1: in the same time zone. Then they figure out they're

925
00:44:41,400 --> 00:44:43,560
Speaker 1: looking at the same temple and in one of the

926
00:44:43,640 --> 00:44:47,760
Speaker 1: most coincidental moments in not only dcom history, but possibly

927
00:44:47,800 --> 00:44:51,280
Speaker 1: movie history or any history in the history of history.

928
00:44:51,800 --> 00:44:54,960
Speaker 1: They're right next to each other, despite the fact that

929
00:44:55,000 --> 00:44:57,160
Speaker 1: she didn't tell him she was coming to India and

930
00:44:57,200 --> 00:45:00,200
Speaker 1: she didn't know that he lived there. One thing you

931
00:45:00,200 --> 00:45:01,960
Speaker 1: can't say about India. There's not a lot of people,

932
00:45:02,000 --> 00:45:03,960
Speaker 1: so it's easy to run into people that you know.

933
00:45:04,760 --> 00:45:07,759
Speaker 1: Right And of course he doesn't have an accent because

934
00:45:07,760 --> 00:45:09,799
Speaker 1: he watches a lot of American television, but his real

935
00:45:09,880 --> 00:45:13,320
Speaker 1: name is Amar, another cutie. He uses Kevin for work,

936
00:45:13,880 --> 00:45:17,000
Speaker 1: which also doesn't make sense to me down the line,

937
00:45:17,000 --> 00:45:19,960
Speaker 1: but we'll get into that. And even though they hit

938
00:45:20,040 --> 00:45:22,399
Speaker 1: it off, Doe stays the real hater that she is.

939
00:45:22,680 --> 00:45:25,600
Speaker 1: She swears long distance doesn't work and wants to interfere.

940
00:45:25,960 --> 00:45:29,040
Speaker 1: Sheelle stops her, and then Do sees another elephant. She

941
00:45:29,200 --> 00:45:31,960
Speaker 1: thinks every elephant is looking into her soul like they

942
00:45:32,000 --> 00:45:34,160
Speaker 1: want to tell her something. Just then Vic calls to

943
00:45:34,239 --> 00:45:37,799
Speaker 1: check in and the Cheetahs officially accept the separate auditions.

944
00:45:38,440 --> 00:45:40,800
Speaker 1: Doe is now alone and once again bumps into Swami,

945
00:45:40,800 --> 00:45:42,680
Speaker 1: the street market vendor with the string in the trees.

946
00:45:42,920 --> 00:45:44,920
Speaker 1: He wonders if she's having doubts, and she admits that

947
00:45:44,960 --> 00:45:47,080
Speaker 1: times have been rough. He tells her not to be

948
00:45:47,120 --> 00:45:50,120
Speaker 1: too anxious for the future. He compares her to a tree.

949
00:45:50,160 --> 00:45:52,640
Speaker 1: The branches grow, but the trunk remains the same. But

950
00:45:52,840 --> 00:45:56,080
Speaker 1: Doe hates change. She's reminded it'll happen if she likes

951
00:45:56,120 --> 00:45:58,439
Speaker 1: it or not. The wise man then says when things

952
00:45:58,480 --> 00:46:00,480
Speaker 1: are bad, they don't stay that way, and then he

953
00:46:00,520 --> 00:46:03,800
Speaker 1: hands her a small goodness statue, but she isn't satisfied.

954
00:46:03,840 --> 00:46:06,160
Speaker 1: She wants something else, and so he asked her to

955
00:46:06,200 --> 00:46:08,480
Speaker 1: close her eyes for a surprise. Then he hits her

956
00:46:08,480 --> 00:46:11,080
Speaker 1: in the head with a palm. A startled Doe wants

957
00:46:11,120 --> 00:46:13,320
Speaker 1: to know what that was for, and he says, clarity.

958
00:46:13,480 --> 00:46:15,120
Speaker 3: I'll be honest, at that point, I wanted to hit

959
00:46:15,120 --> 00:46:15,759
Speaker 3: you in the head too.

960
00:46:16,960 --> 00:46:20,680
Speaker 1: Meanwhile, Aqua and amar aka Kevin from Tech Support are

961
00:46:20,719 --> 00:46:23,760
Speaker 1: out on a date, trying spicy street food and walking.

962
00:46:24,360 --> 00:46:26,759
Speaker 1: This movie has so much walking in it. Did you

963
00:46:26,760 --> 00:46:29,760
Speaker 1: ever realize until you watch it again how much walking

964
00:46:29,800 --> 00:46:30,880
Speaker 1: is actually in this movie?

965
00:46:31,680 --> 00:46:34,799
Speaker 2: So much and if you know, much walking? But I

966
00:46:34,880 --> 00:46:39,560
Speaker 2: also was paying attention. We're wearing besides Keey Keeley chose

967
00:46:39,920 --> 00:46:42,520
Speaker 2: like ballet flats all the time, smart as you're in and

968
00:46:42,600 --> 00:46:46,040
Speaker 2: I are wearing like full blown, like four to five

969
00:46:46,080 --> 00:46:51,280
Speaker 2: inch stiletto heels so much of this movie without realizing

970
00:46:51,320 --> 00:46:54,640
Speaker 2: the amount of like cobblestony, well not necessarily cobblestone, but.

971
00:46:54,640 --> 00:46:59,800
Speaker 1: Just unpaven It's.

972
00:46:58,120 --> 00:47:01,480
Speaker 2: Like, oh my gosh, I no, we walk so much.

973
00:47:01,480 --> 00:47:03,200
Speaker 2: I didn't notice that until I rewatched it.

974
00:47:03,400 --> 00:47:05,560
Speaker 1: A crazy amount of walking it really we are again

975
00:47:05,800 --> 00:47:09,320
Speaker 1: yeap walking everywhere. But Aqua and Kevin from Tech Supporter

976
00:47:09,400 --> 00:47:11,919
Speaker 1: getting along very well, even talking about an eventual visit

977
00:47:11,960 --> 00:47:14,040
Speaker 1: to New York. But his whole life has been planned

978
00:47:14,040 --> 00:47:16,120
Speaker 1: out by his dad and he can't really speak up

979
00:47:16,120 --> 00:47:19,000
Speaker 1: to him. He has no way out of Indian School

980
00:47:19,080 --> 00:47:21,839
Speaker 1: of Business in the Fall. The next day, on set,

981
00:47:21,840 --> 00:47:24,759
Speaker 1: Geeta is having trouble with Raheem's clumsiness. Every time he's

982
00:47:24,800 --> 00:47:27,800
Speaker 1: around the choreographer. He can't even rehearse because he's acting

983
00:47:27,880 --> 00:47:30,720
Speaker 1: so dorky. He knows he needs help getting over his nerves.

984
00:47:30,880 --> 00:47:32,840
Speaker 1: Even though he's a big movie star. He's never felt

985
00:47:32,840 --> 00:47:35,760
Speaker 1: this way before, and he's never even kissed a girl

986
00:47:35,880 --> 00:47:38,879
Speaker 1: outside of a movie. And despite the fact that Doe

987
00:47:38,920 --> 00:47:41,200
Speaker 1: barely believes in love anymore and is a big downer

988
00:47:41,239 --> 00:47:44,360
Speaker 1: this whole movie. She agrees to help him win over Gita,

989
00:47:44,440 --> 00:47:46,920
Speaker 1: and in return, har'll help her with her movie audition

990
00:47:47,200 --> 00:47:51,600
Speaker 1: and hopefully walking all over the place. Also a Vic

991
00:47:51,760 --> 00:47:55,839
Speaker 1: is with Aqua and you won't believe what they're doing together. Yep,

992
00:47:55,880 --> 00:48:01,040
Speaker 1: they're walking. Vic is rewriting the script like his uncle wants.

993
00:48:01,520 --> 00:48:03,799
Speaker 1: Even if he must make compromises to achieve his dream,

994
00:48:03,880 --> 00:48:05,600
Speaker 1: he can't spend the rest of his life wondering if

995
00:48:05,640 --> 00:48:08,280
Speaker 1: he could have made it. And this speaks directly to Chanel.

996
00:48:08,719 --> 00:48:10,680
Speaker 1: It leads us to our next song, what If, a

997
00:48:10,760 --> 00:48:13,080
Speaker 1: solo from Chanelle all about the stress of the audition

998
00:48:13,160 --> 00:48:16,239
Speaker 1: and competing against her besties. All while singing, she gets

999
00:48:16,280 --> 00:48:19,040
Speaker 1: an even more walking. She's at thirty two thousand steps

1000
00:48:19,040 --> 00:48:21,960
Speaker 1: for the day and it's nine am. She eventually checks

1001
00:48:22,000 --> 00:48:24,120
Speaker 1: out a street chalk artist and then runs into Vic

1002
00:48:24,760 --> 00:48:27,680
Speaker 1: at a night market. Now Gita and Do are Yeah,

1003
00:48:27,680 --> 00:48:30,160
Speaker 1: they're walking and talking about the dynamics.

1004
00:48:30,160 --> 00:48:34,200
Speaker 2: So thats come on like you do walk in lots

1005
00:48:34,239 --> 00:48:35,200
Speaker 2: of scenes at play.

1006
00:48:36,160 --> 00:48:40,839
Speaker 1: It's every single thing. It's so like it's it's tons

1007
00:48:41,120 --> 00:48:44,080
Speaker 1: and tons of walking. At one point, it's just like,

1008
00:48:44,320 --> 00:48:45,839
Speaker 1: can you sit him down on the table, just sit

1009
00:48:45,880 --> 00:48:46,319
Speaker 1: him down at.

1010
00:48:46,200 --> 00:48:47,200
Speaker 3: The table table?

1011
00:48:47,280 --> 00:48:48,719
Speaker 2: Can we get a couch a couch?

1012
00:48:48,800 --> 00:48:50,319
Speaker 1: But you know one of the reasons, you know, one

1013
00:48:50,320 --> 00:48:53,160
Speaker 1: of the reasons truly is because when your backgrounds are

1014
00:48:53,239 --> 00:48:55,960
Speaker 1: that pretty, I guess you want to show as much

1015
00:48:55,960 --> 00:48:58,040
Speaker 1: of them as possible. So you're walking through markets, you're

1016
00:48:58,040 --> 00:48:59,799
Speaker 1: walking through streets, you're walking by the water.

1017
00:48:59,880 --> 00:49:02,200
Speaker 3: But it is a lot walking.

1018
00:49:02,320 --> 00:49:05,000
Speaker 1: It is it can be yes, So they're walking and

1019
00:49:05,040 --> 00:49:08,000
Speaker 1: talking about the dynamics of the cheetah girls. Does convinced

1020
00:49:08,000 --> 00:49:10,319
Speaker 1: this competition will not break their bond, but Gita just

1021
00:49:10,400 --> 00:49:12,920
Speaker 1: isn't sold. She wanted to be a star herself, but

1022
00:49:13,000 --> 00:49:15,640
Speaker 1: now is happy just dancing behind the scenes. She notices

1023
00:49:15,680 --> 00:49:18,200
Speaker 1: a cardboard cutout of Raheem nearby and thinks it's really him,

1024
00:49:18,200 --> 00:49:20,920
Speaker 1: and nervous, she runs off to hide. It's obvious how

1025
00:49:21,000 --> 00:49:22,920
Speaker 1: much she likes him too, but she thinks he'd never

1026
00:49:23,080 --> 00:49:25,720
Speaker 1: like her because she's not a movie star. Doe convinces

1027
00:49:25,760 --> 00:49:27,720
Speaker 1: her she doesn't need to be a movie star, especially

1028
00:49:27,800 --> 00:49:31,080
Speaker 1: because she's a star on the dance floor. Did anybody

1029
00:49:31,120 --> 00:49:35,600
Speaker 1: else notice the giant Jonas Brothers poster in the background.

1030
00:49:35,600 --> 00:49:39,120
Speaker 1: Of course I did love the synergy. Yes. Next day,

1031
00:49:39,239 --> 00:49:41,799
Speaker 1: at India Pictures, Vic checks out what's supposed to be

1032
00:49:41,800 --> 00:49:44,800
Speaker 1: his big wedding set and it's a major disappointment. Everything

1033
00:49:44,800 --> 00:49:47,440
Speaker 1: he's asking for is missing and it's literally breaking apart.

1034
00:49:47,680 --> 00:49:50,160
Speaker 1: His uncle says this is quote all they can afford unquote,

1035
00:49:50,200 --> 00:49:52,720
Speaker 1: So Vic begs him for more time, but Uncle Kamal

1036
00:49:52,800 --> 00:49:55,800
Speaker 1: says they're already over budget and his fancy NYU film

1037
00:49:55,840 --> 00:49:58,400
Speaker 1: degree can't help with that. If Vic doesn't start shooting

1038
00:49:58,440 --> 00:50:00,520
Speaker 1: next week, he's pulling the plug in the movie. If

1039
00:50:00,600 --> 00:50:02,480
Speaker 1: Vic can find a free location to replace at the

1040
00:50:02,480 --> 00:50:05,160
Speaker 1: wedding palace, he can use that, but no more money

1041
00:50:05,160 --> 00:50:08,080
Speaker 1: can be spent. Now regroup with the Cheetah girls, geta

1042
00:50:08,200 --> 00:50:11,239
Speaker 1: Rahim and Kevin Vic knows he can't find a free

1043
00:50:11,280 --> 00:50:12,120
Speaker 1: location in a week.

1044
00:50:12,400 --> 00:50:14,880
Speaker 3: His movie is doomed and the girls think they're going home.

1045
00:50:14,880 --> 00:50:17,920
Speaker 1: But Kevin can't imagine them leaving without seeing Holly, the

1046
00:50:17,960 --> 00:50:20,759
Speaker 1: most colorful holiday in the world. Vic says he's too

1047
00:50:20,800 --> 00:50:24,480
Speaker 1: stressed to celebrate Holly, but Kevin insists that Rajasthan, his hometown,

1048
00:50:24,680 --> 00:50:27,279
Speaker 1: is the best place to find this location. He may

1049
00:50:27,320 --> 00:50:30,399
Speaker 1: even have the perfect palace at his disposal. It's time

1050
00:50:30,440 --> 00:50:32,600
Speaker 1: for a Cheetah road trip, and just when they think

1051
00:50:32,640 --> 00:50:35,440
Speaker 1: it's gonna be fun, Uncle Kamal invites himself to the

1052
00:50:35,480 --> 00:50:38,040
Speaker 1: locations count. On their way out of the hotel, the

1053
00:50:38,040 --> 00:50:41,080
Speaker 1: street vendor Swami reminds the girls to untie their strings

1054
00:50:41,080 --> 00:50:43,359
Speaker 1: from the tree, but their wishes haven't come true yet.

1055
00:50:43,560 --> 00:50:45,840
Speaker 1: Swami swears it'll take time, and he has just a

1056
00:50:45,880 --> 00:50:46,279
Speaker 1: thing to.

1057
00:50:46,200 --> 00:50:47,280
Speaker 3: Make them see more clearly.

1058
00:50:47,560 --> 00:50:49,480
Speaker 1: He picks up the pod and slapped him in the face,

1059
00:50:49,680 --> 00:50:52,320
Speaker 1: but Doe isn't having it. They run off, but Aqua

1060
00:50:52,360 --> 00:50:54,959
Speaker 1: slyly removes her string from the tree and secretly ties

1061
00:50:55,000 --> 00:50:58,160
Speaker 1: it to her wrist. Oh. Now on the road and

1062
00:50:58,200 --> 00:51:00,000
Speaker 1: all packed into a small car, we get a small

1063
00:51:00,040 --> 00:51:01,640
Speaker 1: stippit of a new song stand Up.

1064
00:51:01,719 --> 00:51:04,360
Speaker 3: So this is also a cheatahirl song, right stand Up?

1065
00:51:04,440 --> 00:51:06,800
Speaker 1: Yeah? So this is where it threw me because sometimes

1066
00:51:06,840 --> 00:51:09,280
Speaker 1: there was songs in the background that you guys weren't

1067
00:51:09,320 --> 00:51:10,000
Speaker 1: singing along to.

1068
00:51:10,400 --> 00:51:14,480
Speaker 2: I think stand Up was either Adrian's movie, there was.

1069
00:51:14,440 --> 00:51:15,439
Speaker 1: Mine Adrian song.

1070
00:51:15,680 --> 00:51:16,600
Speaker 3: Okay, yeah, my.

1071
00:51:16,680 --> 00:51:19,640
Speaker 2: Song came while like while we were in that rickshaw

1072
00:51:19,680 --> 00:51:22,759
Speaker 2: the car that scene. That was when my song came up.

1073
00:51:22,760 --> 00:51:26,640
Speaker 2: I think this is Adrian's and then Keeles comes later.

1074
00:51:27,160 --> 00:51:30,120
Speaker 1: But these are Cheetah Girls songs, so you're not all

1075
00:51:30,200 --> 00:51:30,880
Speaker 1: singing together.

1076
00:51:31,000 --> 00:51:32,880
Speaker 2: These are your on the soundtrack.

1077
00:51:33,520 --> 00:51:35,440
Speaker 3: Now it makes sense. Yes, I could. I didn't know

1078
00:51:35,480 --> 00:51:35,840
Speaker 3: what was going on.

1079
00:51:36,040 --> 00:51:38,360
Speaker 1: You weren't walking, right, yuess.

1080
00:51:38,239 --> 00:51:43,319
Speaker 2: Because we were actually not walking. We're standing completely silent, So.

1081
00:51:43,280 --> 00:51:45,600
Speaker 1: That makes sense. Okay, So all the songs you weren't

1082
00:51:45,640 --> 00:51:47,960
Speaker 1: singing along to were not Cheatah Girl songs. These were

1083
00:51:48,080 --> 00:51:52,000
Speaker 1: individual songs. Individual That makes so much more sense.

1084
00:51:52,000 --> 00:51:52,520
Speaker 3: Got it, got it?

1085
00:51:52,520 --> 00:51:52,799
Speaker 2: Got it?

1086
00:51:53,239 --> 00:51:56,080
Speaker 1: Okay? So uh, this is stand up and Vic explains

1087
00:51:56,120 --> 00:51:58,640
Speaker 1: to Chanelle why he wants to make movies. He explains

1088
00:51:58,680 --> 00:52:02,240
Speaker 1: that he loves telling stories and imagining the visual loves

1089
00:52:02,239 --> 00:52:05,480
Speaker 1: telling stories and imagining the visuals, which is literally the

1090
00:52:05,520 --> 00:52:08,280
Speaker 1: most generic answer to why you want to make movies possible.

1091
00:52:08,320 --> 00:52:11,480
Speaker 1: I like telling stories and seeing things. So good luck

1092
00:52:11,480 --> 00:52:14,120
Speaker 1: to him with his career. Yeah, but the flirting between

1093
00:52:14,200 --> 00:52:17,120
Speaker 1: him and Chanelle is certainly intensifying, which still feels like

1094
00:52:17,160 --> 00:52:19,760
Speaker 1: a conflict of interest considering he's going to be picking

1095
00:52:19,760 --> 00:52:29,200
Speaker 1: the movie star. When they arrive at Holly Again, Doe

1096
00:52:29,239 --> 00:52:31,080
Speaker 1: believes elephants are staring at her, and it makes you

1097
00:52:31,080 --> 00:52:34,920
Speaker 1: wonder if anyone is contemplating having your institutionalize, But Gita

1098
00:52:34,960 --> 00:52:37,480
Speaker 1: promises her it's a site of good luck, just as

1099
00:52:37,520 --> 00:52:41,200
Speaker 1: she's drenched with water by a nearby elephant. Okay, how

1100
00:52:41,200 --> 00:52:43,120
Speaker 1: many takes did you have to do? Was it just

1101
00:52:43,160 --> 00:52:45,640
Speaker 1: somebody splashing you? Did you actually ever have an elephant

1102
00:52:45,680 --> 00:52:46,360
Speaker 1: spraying you? Go?

1103
00:52:47,600 --> 00:52:48,920
Speaker 2: Paul Howan splashed me.

1104
00:52:49,760 --> 00:52:51,520
Speaker 3: Ah, nice, And I.

1105
00:52:51,280 --> 00:52:54,239
Speaker 2: Believe he just loved it. I don't think he was like,

1106
00:52:54,360 --> 00:52:59,680
Speaker 2: I'm sorry about this. And because we weren't this was

1107
00:52:59,719 --> 00:53:02,400
Speaker 2: what when we were out at this village, there wasn't

1108
00:53:02,600 --> 00:53:04,839
Speaker 2: like a lot, like we had to prep kind of

1109
00:53:04,920 --> 00:53:09,080
Speaker 2: farther off from this actual uh venue that we are

1110
00:53:09,160 --> 00:53:12,319
Speaker 2: location that we were were filming at. So I think

1111
00:53:12,360 --> 00:53:14,640
Speaker 2: it was just one takes. I remember there wasn't going

1112
00:53:14,719 --> 00:53:17,160
Speaker 2: to be anywhere for me to like dry my hair

1113
00:53:17,320 --> 00:53:21,279
Speaker 2: to do it to get another one. So yeah, it

1114
00:53:21,360 --> 00:53:24,880
Speaker 2: was it was just one or a few takes.

1115
00:53:24,920 --> 00:53:26,120
Speaker 1: There wasn't a lot, and and.

1116
00:53:27,880 --> 00:53:31,560
Speaker 2: Yeah, Paul loved it. And then also we were very

1117
00:53:31,640 --> 00:53:35,480
Speaker 2: concerned about that stuff that is what you throw around

1118
00:53:36,800 --> 00:53:40,480
Speaker 2: is really concentrated, and they were worried about especially my

1119
00:53:40,560 --> 00:53:43,680
Speaker 2: hair that like I put so much hair stuff in

1120
00:53:43,719 --> 00:53:47,360
Speaker 2: and bleach it out, Keeley's hair, Adrian's hair. Everyone was

1121
00:53:47,400 --> 00:53:49,720
Speaker 2: like really worried about, like us getting that the color

1122
00:53:49,760 --> 00:53:51,439
Speaker 2: stuff in the.

1123
00:53:50,880 --> 00:53:53,040
Speaker 1: Thing and your eyes and your mouth and everything else.

1124
00:53:53,040 --> 00:53:55,280
Speaker 1: I always wondered about it.

1125
00:53:55,239 --> 00:53:59,000
Speaker 2: So beautiful, like they were really actually celebrating it during

1126
00:53:59,040 --> 00:54:03,399
Speaker 2: this time one of it, and it was so cool.

1127
00:54:03,680 --> 00:54:05,319
Speaker 1: It does. It's one of those things that's a that's

1128
00:54:05,320 --> 00:54:07,320
Speaker 1: a bucket listing for me. That's something I'd like to experience.

1129
00:54:07,400 --> 00:54:09,239
Speaker 1: It looks really really cool.

1130
00:54:09,360 --> 00:54:09,880
Speaker 2: Very cool.

1131
00:54:10,560 --> 00:54:13,240
Speaker 1: And now we get, like Sabrino is saying, some beautiful

1132
00:54:13,280 --> 00:54:16,279
Speaker 1: shots of a holly celebration with traditional Indian music and customs.

1133
00:54:16,840 --> 00:54:18,520
Speaker 3: You've already said it was awesome to shoot.

1134
00:54:18,520 --> 00:54:20,920
Speaker 1: Then our group of characters takes a boat ride to

1135
00:54:21,160 --> 00:54:24,560
Speaker 1: Amar's house, which is Kevin and it is a massive palace.

1136
00:54:24,880 --> 00:54:27,440
Speaker 1: It could even be its own city. Even Uncle Muddy

1137
00:54:27,480 --> 00:54:30,080
Speaker 1: Bags is impressed on a tour of the grounds. Aqua

1138
00:54:30,160 --> 00:54:33,800
Speaker 1: can't believe he never mentioned he's royalty, but he swears

1139
00:54:33,800 --> 00:54:36,799
Speaker 1: he's not a maharaja well and not until his uncle dies,

1140
00:54:36,840 --> 00:54:40,000
Speaker 1: so he's a future maharaja, but he's a Kevin on

1141
00:54:40,120 --> 00:54:44,360
Speaker 1: tech support. This is what I didn't get this, he

1142
00:54:44,400 --> 00:54:46,319
Speaker 1: just spends his day as Kevin on tech support. But

1143
00:54:46,360 --> 00:54:50,799
Speaker 1: he's a maharaja. What yeah, okay, Well, he apologizes and

1144
00:54:50,800 --> 00:54:53,480
Speaker 1: swears it makes his life more difficult. He envies Aqua

1145
00:54:53,480 --> 00:54:55,359
Speaker 1: and the fact that her future is wide open, which

1146
00:54:55,400 --> 00:54:57,600
Speaker 1: apparently his is too. If he's going to be super

1147
00:54:57,600 --> 00:55:00,960
Speaker 1: wealthy but can also just work tech support. She can

1148
00:55:01,000 --> 00:55:02,839
Speaker 1: make her own decisions and pivot. But that's not how

1149
00:55:02,880 --> 00:55:05,080
Speaker 1: life works for him. And now it's time for dinner.

1150
00:55:05,960 --> 00:55:08,080
Speaker 1: It's a huge feast, which looked so good to me,

1151
00:55:08,120 --> 00:55:10,680
Speaker 1: and we'll get into that later. And Amar's dad is

1152
00:55:10,719 --> 00:55:13,319
Speaker 1: away on business. His mom is a gracious host and

1153
00:55:13,360 --> 00:55:15,319
Speaker 1: honored to have a movie star and big producer at

1154
00:55:15,320 --> 00:55:17,400
Speaker 1: the house. She even seems to dig the idea of

1155
00:55:17,400 --> 00:55:20,640
Speaker 1: her son dating Aqua, even if they aren't officially dating yet.

1156
00:55:20,640 --> 00:55:24,040
Speaker 1: And that was a little it's like, gets so uncomfortable.

1157
00:55:24,040 --> 00:55:25,799
Speaker 1: She's like, I'll give you the recipe, and she's like, well,

1158
00:55:25,800 --> 00:55:28,920
Speaker 1: we're not actually dating it. Oh, one of those wonderfully

1159
00:55:28,960 --> 00:55:31,959
Speaker 1: uncomfortable scenes. Vic of course gets right to the point

1160
00:55:31,960 --> 00:55:34,120
Speaker 1: and asks Amar if they can shoot at the palace.

1161
00:55:34,440 --> 00:55:37,279
Speaker 3: He says yes, but he wants one thing.

1162
00:55:37,600 --> 00:55:40,799
Speaker 1: Oh. The next day, Amar explains the condition he asked

1163
00:55:40,840 --> 00:55:45,200
Speaker 1: for is for Aqua to star in the movie as

1164
00:55:45,239 --> 00:55:47,480
Speaker 1: the new location owner. He's forced Vic to cast her

1165
00:55:47,520 --> 00:55:50,400
Speaker 1: as the lead. Uncle Kamal will agree since the palace

1166
00:55:50,440 --> 00:55:53,600
Speaker 1: has saved the entire movie. Elsewhere in the castle, Dough

1167
00:55:53,640 --> 00:55:56,520
Speaker 1: stumbles on Raheem, who is creepily watching Kita dance from

1168
00:55:56,560 --> 00:55:59,600
Speaker 1: Afar when she was. She doesn't get why he won't

1169
00:55:59,640 --> 00:56:01,839
Speaker 1: just a pro if he cares about her, he has

1170
00:56:01,880 --> 00:56:04,600
Speaker 1: to take the chance. Right Then, Derinda's phone rings again.

1171
00:56:04,800 --> 00:56:07,040
Speaker 1: This guy's really trying to get in touch with her.

1172
00:56:07,400 --> 00:56:10,719
Speaker 1: It's Joaquin, the X in Spain. Well, I mean could

1173
00:56:10,719 --> 00:56:12,960
Speaker 1: have like she could be calling like you have my passport.

1174
00:56:13,600 --> 00:56:16,160
Speaker 1: She ignores the call, and it's obvious she needs to

1175
00:56:16,200 --> 00:56:19,080
Speaker 1: listen to her own advice at some point, and then

1176
00:56:19,120 --> 00:56:23,200
Speaker 1: she sees Chanelle and Vic holding hands nearby planning shots

1177
00:56:23,200 --> 00:56:25,399
Speaker 1: of the new movie. Doz obviously upset. She was never

1178
00:56:25,440 --> 00:56:27,879
Speaker 1: even told they were a couple and knows this makes

1179
00:56:27,920 --> 00:56:30,880
Speaker 1: the auditions unfair. But little does she know that Chanelle

1180
00:56:30,920 --> 00:56:33,480
Speaker 1: is actually forcing her new director love interest to keep

1181
00:56:33,480 --> 00:56:37,000
Speaker 1: it fair, no unfair advantages, and truth is there's only

1182
00:56:37,040 --> 00:56:40,920
Speaker 1: one unfair advantage going on. Vic tells Chanelle all about Amar,

1183
00:56:41,200 --> 00:56:43,840
Speaker 1: demanding Ak will be the lead if they use the location.

1184
00:56:44,239 --> 00:56:46,360
Speaker 1: He says his answer was it's not up to me

1185
00:56:46,600 --> 00:56:48,600
Speaker 1: and sent it on to his uncle. But the big

1186
00:56:48,640 --> 00:56:54,479
Speaker 1: takeaway here is the Unbreakable Cheetabond feels broken. It gets

1187
00:56:54,640 --> 00:56:57,000
Speaker 1: especially blurred. It's like there were four legs on a chair,

1188
00:56:57,000 --> 00:56:59,040
Speaker 1: but now there are only three when they started the movie,

1189
00:56:59,040 --> 00:57:02,920
Speaker 1: and now it feels like those are breaking. The Unbreakable

1190
00:57:02,960 --> 00:57:05,719
Speaker 1: Cheetah Bond feels broken. It gets especially blurry when they

1191
00:57:05,719 --> 00:57:09,200
Speaker 1: find out Raheem is helping Doe with her audition. Everyone

1192
00:57:09,200 --> 00:57:11,560
Speaker 1: seems to be out for themselves, and Chanelle feels like

1193
00:57:11,600 --> 00:57:14,880
Speaker 1: she's the only one playing fair. Now over at rehearsal,

1194
00:57:14,920 --> 00:57:17,479
Speaker 1: Dough and Raheem are dancing together and strategizing their next

1195
00:57:17,480 --> 00:57:20,800
Speaker 1: move with geta Uncle. Kamal sees them practicing and immediately

1196
00:57:20,800 --> 00:57:23,800
Speaker 1: thinks they look great, and so he's leaning toward casting Derinda.

1197
00:57:23,880 --> 00:57:25,480
Speaker 1: And I loved what they did with the three of

1198
00:57:25,520 --> 00:57:29,720
Speaker 1: you here, where it's like you're the dancer, there's a dancer,

1199
00:57:29,840 --> 00:57:32,880
Speaker 1: there's a singer, there's an actor. Now you all obviously

1200
00:57:32,920 --> 00:57:36,240
Speaker 1: can do all three, But when you're looking to cast

1201
00:57:36,280 --> 00:57:38,960
Speaker 1: a film. It was great the way they separated you

1202
00:57:39,080 --> 00:57:40,920
Speaker 1: to where it's like, we've got to cast the dancer. No,

1203
00:57:40,960 --> 00:57:42,520
Speaker 1: we've got to cast the actor. No, we've got to

1204
00:57:42,520 --> 00:57:44,400
Speaker 1: catch It was very interesting that the way they separated

1205
00:57:44,400 --> 00:57:46,080
Speaker 1: the three of you, even though you're all graded, all

1206
00:57:46,120 --> 00:57:49,600
Speaker 1: three of them, frankly, but he's leaning towards casting. Derinda

1207
00:57:49,680 --> 00:57:52,440
Speaker 1: vic tries to convince him to cast Chanel and Aqua.

1208
00:57:52,480 --> 00:57:55,480
Speaker 1: Hears all of this from afar. This has become quite

1209
00:57:55,480 --> 00:57:58,280
Speaker 1: a tale of betrayal, and now everyone is getting paranoid.

1210
00:58:00,160 --> 00:58:02,720
Speaker 1: It is they are all This alleged backstabbing leads the

1211
00:58:02,720 --> 00:58:05,520
Speaker 1: three girls back together and grumpy on a rooftop. Chanelle

1212
00:58:05,600 --> 00:58:08,320
Speaker 1: notices that Aqua is wearing her wish string and wants

1213
00:58:08,320 --> 00:58:10,800
Speaker 1: to know what that's all about. She admits her wish

1214
00:58:10,840 --> 00:58:13,520
Speaker 1: has come true, which doesn't make any sense. Chanell wished

1215
00:58:13,560 --> 00:58:15,640
Speaker 1: for the Cheetah Girls to become movie stars and Derinda

1216
00:58:15,640 --> 00:58:18,040
Speaker 1: wished for them to stay the same, so they basically

1217
00:58:18,120 --> 00:58:21,080
Speaker 1: canceled out each other's wishes. So then what did Aqua

1218
00:58:21,160 --> 00:58:24,480
Speaker 1: wish for that already came true? She reveals she wished

1219
00:58:24,520 --> 00:58:27,760
Speaker 1: to meet Kevin tech Support in person, and now all

1220
00:58:27,840 --> 00:58:30,720
Speaker 1: hell breaks loose, Chanelle asks her if her other wish

1221
00:58:30,760 --> 00:58:32,920
Speaker 1: was for her boyfriend to buy her way into the movie,

1222
00:58:33,000 --> 00:58:35,440
Speaker 1: and then Doe gets accused of hitting on Raheem for

1223
00:58:35,480 --> 00:58:37,760
Speaker 1: the big part, and Chanelle gets thrown under the bus

1224
00:58:37,760 --> 00:58:41,560
Speaker 1: for dating the director. The movie has indeed gotten in

1225
00:58:41,640 --> 00:58:44,800
Speaker 1: between the Cheetah Girls, and just when the infighting couldn't

1226
00:58:44,800 --> 00:58:48,040
Speaker 1: get any worse, it is audition time. Uncle Kamal, Raheem, Kevin,

1227
00:58:48,080 --> 00:58:50,120
Speaker 1: Tech Support and Vic take their seats and we get

1228
00:58:50,120 --> 00:58:52,920
Speaker 1: our next song. I'm the one not only featuring the

1229
00:58:52,960 --> 00:58:55,440
Speaker 1: Cheetah Girls, but all the boys who sing, each fighting

1230
00:58:55,480 --> 00:58:57,320
Speaker 1: for their personal pick to lead the film. Was it

1231
00:58:57,360 --> 00:58:58,200
Speaker 1: really the guy singing?

1232
00:58:58,760 --> 00:58:59,560
Speaker 3: No, it was.

1233
00:59:00,480 --> 00:59:04,920
Speaker 2: At first I thought it was Drew Seely, but instead

1234
00:59:04,960 --> 00:59:10,960
Speaker 2: I think it was the producer that actually produced has

1235
00:59:11,080 --> 00:59:14,880
Speaker 2: produced a ton of our stuff. Okay, and I think

1236
00:59:14,920 --> 00:59:17,320
Speaker 2: it was actually him. But it didn't even because I'm like,

1237
00:59:17,400 --> 00:59:20,160
Speaker 2: it didn't even sound like it was three or four different.

1238
00:59:21,840 --> 00:59:24,000
Speaker 2: I was like, yeah, I feel like that was a

1239
00:59:24,000 --> 00:59:24,680
Speaker 2: bit of a fumble.

1240
00:59:24,680 --> 00:59:25,360
Speaker 1: I'm not gonna lie.

1241
00:59:25,360 --> 00:59:27,640
Speaker 2: I was like, wait a minute, guys, we couldn't find

1242
00:59:27,680 --> 00:59:29,520
Speaker 2: any other demo guys to just come in.

1243
00:59:29,600 --> 00:59:33,680
Speaker 1: Somebody somebody got nineteen people on the channel, you can

1244
00:59:33,760 --> 00:59:35,640
Speaker 1: use what the hell you got forty two people on tour? Right?

1245
00:59:35,680 --> 00:59:38,000
Speaker 2: It honestly could have been Drew because he at this

1246
00:59:38,280 --> 00:59:40,960
Speaker 2: time was doing just a billion things for the Channel.

1247
00:59:41,320 --> 00:59:43,919
Speaker 2: But I feel like it was actually the I think

1248
00:59:43,920 --> 00:59:46,680
Speaker 2: it was actually the demo guy, the guy that did

1249
00:59:46,720 --> 00:59:47,479
Speaker 2: the original demo.

1250
00:59:47,560 --> 00:59:48,680
Speaker 3: Yeah, well, last Paul.

1251
00:59:49,280 --> 00:59:52,160
Speaker 1: The song ends to applause and Uncle Camal admitting he

1252
00:59:52,200 --> 00:59:54,600
Speaker 1: gets why Vic wanted to choose all three, but they

1253
00:59:54,600 --> 00:59:58,240
Speaker 1: can't afford it, so he's choosing Chanel, just as his

1254
00:59:58,320 --> 01:00:01,640
Speaker 1: nephew wanted Duranda Knockwar and not surprise and honestly pretty angry.

1255
01:00:01,920 --> 01:00:04,400
Speaker 1: Vic congratulates Chanel, but you can tell she isn't feeling

1256
01:00:04,520 --> 01:00:07,120
Speaker 1: very good about this. Now doan Awkwer are getting ready

1257
01:00:07,160 --> 01:00:09,000
Speaker 1: to go home, and she is stressing, leading us right

1258
01:00:09,040 --> 01:00:12,360
Speaker 1: into our new song, no Place Like Us, another ballad

1259
01:00:12,360 --> 01:00:14,960
Speaker 1: about friendship and how succeeding solo just won't mean as

1260
01:00:15,000 --> 01:00:16,120
Speaker 1: much as making it as a group.

1261
01:00:16,160 --> 01:00:16,920
Speaker 3: There's a lot of balad.

1262
01:00:17,320 --> 01:00:20,000
Speaker 2: I am just gonna say it. I am like ballad

1263
01:00:20,080 --> 01:00:23,160
Speaker 2: out at this point. I'm like, yeah, I don't remember

1264
01:00:23,200 --> 01:00:26,680
Speaker 2: there being so many, but this one was my one

1265
01:00:26,680 --> 01:00:31,320
Speaker 2: of my favorite songs to perform on stage in front

1266
01:00:31,320 --> 01:00:32,760
Speaker 2: of our cheetah fans.

1267
01:00:32,920 --> 01:00:33,680
Speaker 3: This was a good song.

1268
01:00:33,800 --> 01:00:36,000
Speaker 2: This was such a fun song, a good song like

1269
01:00:36,280 --> 01:00:38,920
Speaker 2: you just felt so good. We got teary eyed so much.

1270
01:00:39,080 --> 01:00:40,400
Speaker 1: One of the things that threw me a little bit

1271
01:00:40,400 --> 01:00:43,120
Speaker 1: about some of the music in this movie was its frequency,

1272
01:00:43,360 --> 01:00:46,600
Speaker 1: meaning one song would sometimes one song would end and

1273
01:00:46,600 --> 01:00:48,840
Speaker 1: there'll be five scenes and then another song. And sometimes

1274
01:00:48,840 --> 01:00:50,920
Speaker 1: one song would end and there'd be four lines and

1275
01:00:50,960 --> 01:00:54,720
Speaker 1: then another song. And it was a wow, very very

1276
01:00:55,280 --> 01:00:57,840
Speaker 1: heavy music driven this, but it was also a lot

1277
01:00:57,880 --> 01:00:59,960
Speaker 1: of times it was strange, Like I'd liked the music,

1278
01:01:00,440 --> 01:01:05,120
Speaker 1: but it was strangely uh uh set up to where again,

1279
01:01:05,240 --> 01:01:07,600
Speaker 1: sometimes we'd wait a while before a song, and sometimes

1280
01:01:07,640 --> 01:01:09,320
Speaker 1: a song would come instantly after another song.

1281
01:01:09,360 --> 01:01:11,640
Speaker 2: And this is a perfect example because I'm the one

1282
01:01:11,720 --> 01:01:15,920
Speaker 2: finishes we leave that set or that another like right

1283
01:01:16,000 --> 01:01:18,800
Speaker 2: into another song. But that's what I mean, And I

1284
01:01:18,840 --> 01:01:24,160
Speaker 2: will say this just the constant three D motion of

1285
01:01:24,200 --> 01:01:26,520
Speaker 2: this that shows you so much of just being on

1286
01:01:26,640 --> 01:01:30,440
Speaker 2: top of like a giant, amazing building that welding in

1287
01:01:30,480 --> 01:01:34,480
Speaker 2: a real actual palace, like it was gorgeous, Yeah, but

1288
01:01:35,200 --> 01:01:38,440
Speaker 2: with me rewatching it almost twenty years later, I'm like,

1289
01:01:38,560 --> 01:01:42,600
Speaker 2: holy crap, this is just another Yeah.

1290
01:01:42,400 --> 01:01:44,080
Speaker 1: It's another ballad. You got a lot of ballads, a

1291
01:01:44,120 --> 01:01:44,640
Speaker 1: lot of ballads.

1292
01:01:45,480 --> 01:01:48,600
Speaker 2: We're very emotional. This third movie very emotion.

1293
01:01:48,440 --> 01:01:51,000
Speaker 1: It should be called Cheatah Girls three colon the Ballad

1294
01:01:51,040 --> 01:01:54,080
Speaker 1: of Walking, which would have been great.

1295
01:01:54,560 --> 01:01:54,960
Speaker 2: Uh.

1296
01:01:55,000 --> 01:01:57,560
Speaker 1: The song ends with the three girls holding hands, smiling.

1297
01:01:57,840 --> 01:02:01,080
Speaker 1: Drinda knock Will apologize Chanelle does deserves the role. They

1298
01:02:01,120 --> 01:02:03,200
Speaker 1: know change is inevitable, but they will be the Cheetah

1299
01:02:03,200 --> 01:02:06,680
Speaker 1: Girls together now and forever. Then Chanelle reveals she isn't

1300
01:02:06,680 --> 01:02:08,440
Speaker 1: going to take the role. It's not worth it if

1301
01:02:08,440 --> 01:02:11,000
Speaker 1: it destroys their friendship. She breaks the news to vict

1302
01:02:11,040 --> 01:02:13,080
Speaker 1: They're all bowing out. He has no idea how he'll

1303
01:02:13,080 --> 01:02:15,600
Speaker 1: write this movie without a love interest, Chanel say. Jesse

1304
01:02:15,760 --> 01:02:18,240
Speaker 1: finally stand up to his uncle. Maybe this isn't his

1305
01:02:18,320 --> 01:02:20,560
Speaker 1: big chance, if it's not the movie he wants to make.

1306
01:02:21,040 --> 01:02:23,200
Speaker 1: Vic says, if she won't be as leading woman on screen,

1307
01:02:23,520 --> 01:02:24,200
Speaker 1: then maybe she.

1308
01:02:24,240 --> 01:02:25,680
Speaker 3: Can be in real life.

1309
01:02:26,000 --> 01:02:28,840
Speaker 1: Ooh, and then they give what is arguably one of

1310
01:02:28,880 --> 01:02:32,320
Speaker 1: the worst kisses in the history of Hollywood. It is

1311
01:02:32,360 --> 01:02:36,320
Speaker 1: a bad kiss. Come on, this is a kiss by

1312
01:02:37,560 --> 01:02:39,480
Speaker 1: I don't know which one it was or if it

1313
01:02:39,560 --> 01:02:41,400
Speaker 1: was both of them, but somebody said this is going

1314
01:02:41,440 --> 01:02:42,840
Speaker 1: to be a peck and nothing more.

1315
01:02:42,960 --> 01:02:44,640
Speaker 3: And if you even look at me too much, I'm

1316
01:02:44,640 --> 01:02:45,520
Speaker 3: gonna smack you in the face.

1317
01:02:45,960 --> 01:02:48,840
Speaker 2: Well, to be fair, Rob was probably right off camera.

1318
01:02:48,880 --> 01:02:52,000
Speaker 1: I don't give it any you are an actor. I

1319
01:02:52,120 --> 01:02:54,760
Speaker 1: don't give it this. It looked like she might as

1320
01:02:54,800 --> 01:02:59,280
Speaker 1: well have patted him on the head. I mean it

1321
01:02:59,040 --> 01:03:01,480
Speaker 1: was there was so like you're kiss with the guy

1322
01:03:01,560 --> 01:03:03,560
Speaker 1: with Joaquin last week. It was like there was some

1323
01:03:03,880 --> 01:03:05,920
Speaker 1: it was it was nice and it was chased, and

1324
01:03:05,960 --> 01:03:07,880
Speaker 1: there was that you weren't macking on each other, but

1325
01:03:07,880 --> 01:03:09,760
Speaker 1: there was no you saw there was something there. There

1326
01:03:09,760 --> 01:03:12,280
Speaker 1: was a passion there, there was a connection. This was like, hey,

1327
01:03:12,320 --> 01:03:15,440
Speaker 1: you got a little by damn, please don't touch me.

1328
01:03:16,160 --> 01:03:21,120
Speaker 3: It was so weird. It was this was a terrible,

1329
01:03:21,320 --> 01:03:21,800
Speaker 3: terrible man.

1330
01:03:23,160 --> 01:03:25,640
Speaker 2: See, it was weird for me. But I think it's

1331
01:03:25,680 --> 01:03:28,200
Speaker 2: just because I was watching Adrien kiss somebody that I

1332
01:03:28,280 --> 01:03:30,960
Speaker 2: know that was not ever like I don't know, it's.

1333
01:03:30,760 --> 01:03:35,520
Speaker 1: Like in real life they call it faking. In a movie,

1334
01:03:35,560 --> 01:03:39,280
Speaker 1: it's called acting. Okay, So this was just like this

1335
01:03:39,440 --> 01:03:41,360
Speaker 1: was just bad. So you're not going to go for it,

1336
01:03:41,400 --> 01:03:45,120
Speaker 1: then shake his hand and walk away again. You don't

1337
01:03:45,120 --> 01:03:46,720
Speaker 1: have to shove your tongue down the guy's throat, but

1338
01:03:46,720 --> 01:03:49,120
Speaker 1: at least make it look like you like them. This

1339
01:03:49,240 --> 01:03:52,960
Speaker 1: was a This was not a good watch. This was

1340
01:03:53,040 --> 01:03:53,520
Speaker 1: not a.

1341
01:03:53,480 --> 01:03:56,200
Speaker 2: Good This is another moment where I'm like, oh great,

1342
01:03:56,240 --> 01:03:59,240
Speaker 2: here here comes my like complete like lack of memory.

1343
01:03:59,280 --> 01:04:01,080
Speaker 2: I'm like, wait, just heally have a kiss of this

1344
01:04:01,200 --> 01:04:01,760
Speaker 2: movie too.

1345
01:04:02,600 --> 01:04:07,880
Speaker 1: I think she does that yet watch I know, but watch, watch,

1346
01:04:08,040 --> 01:04:08,640
Speaker 1: watch again.

1347
01:04:09,080 --> 01:04:10,200
Speaker 3: So Chanelle moves in.

1348
01:04:10,240 --> 01:04:13,480
Speaker 1: They both move like this, they pack very quickly, and

1349
01:04:13,520 --> 01:04:17,120
Speaker 1: then he's still moving in and she backs away. So

1350
01:04:17,160 --> 01:04:18,840
Speaker 1: you watch this where she's like, we're done, we're done.

1351
01:04:18,840 --> 01:04:20,480
Speaker 1: We're done, We're done, We're done. And he's like, oh,

1352
01:04:20,560 --> 01:04:23,120
Speaker 1: we did, we did, we did the kiss. The script

1353
01:04:23,160 --> 01:04:24,840
Speaker 1: says we like each other. I guess I got a

1354
01:04:24,840 --> 01:04:29,600
Speaker 1: different version. Elsewhere in the Castle Amar Slash, Kevin meets

1355
01:04:29,640 --> 01:04:32,040
Speaker 1: up with Aqua and apologizes he was just trying to

1356
01:04:32,040 --> 01:04:35,040
Speaker 1: make things happen. She says she wanted him to follow

1357
01:04:35,080 --> 01:04:38,320
Speaker 1: his dreams, not by hers good line. He wonders if

1358
01:04:38,320 --> 01:04:40,720
Speaker 1: applying to Columbia would be following his dream because he's

1359
01:04:40,760 --> 01:04:42,960
Speaker 1: convinced his parents to allow him to move to New York,

1360
01:04:43,000 --> 01:04:46,920
Speaker 1: which feels fast, but hey, Colombia is a great school,

1361
01:04:47,280 --> 01:04:50,600
Speaker 1: and finally we have Derinda and raheem encouraging him to

1362
01:04:50,640 --> 01:04:53,840
Speaker 1: finally approach Gita. She sends him off with flowers and

1363
01:04:53,880 --> 01:04:56,960
Speaker 1: now they have their first date scheduled. But with all

1364
01:04:57,000 --> 01:04:59,360
Speaker 1: this love around her, Direnda feels lonely as hell. She

1365
01:04:59,440 --> 01:05:02,040
Speaker 1: pulls out her cell phone and finally calls her Spanish

1366
01:05:02,040 --> 01:05:05,400
Speaker 1: boyfriend walking back. He's left fifty two messages. He's been

1367
01:05:05,440 --> 01:05:07,840
Speaker 1: in the hospital and she's the only person who had

1368
01:05:07,840 --> 01:05:10,360
Speaker 1: his medication or something you could have checked. She gets

1369
01:05:10,360 --> 01:05:14,120
Speaker 1: his voicemail and apologizes for avoiding him. She's been thinking

1370
01:05:14,120 --> 01:05:17,280
Speaker 1: they should be friends. She misses him. She then hangs

1371
01:05:17,400 --> 01:05:20,240
Speaker 1: up and finds the Ganness sculpture in her bag. Maybe

1372
01:05:20,240 --> 01:05:22,760
Speaker 1: it helped hermove obstacles after all. And in case you

1373
01:05:22,800 --> 01:05:24,720
Speaker 1: missed it, the obstacle was her.

1374
01:05:26,800 --> 01:05:28,360
Speaker 2: Sounds like my life.

1375
01:05:29,080 --> 01:05:32,680
Speaker 1: It's kind of amazing though, how they set up that

1376
01:05:32,680 --> 01:05:36,760
Speaker 1: that he's never had a kiss in real life and

1377
01:05:36,840 --> 01:05:39,600
Speaker 1: he doesn't kiss Gita. I mean, it was part of

1378
01:05:39,640 --> 01:05:42,040
Speaker 1: the story, is that he's never had a kiss that

1379
01:05:42,120 --> 01:05:44,840
Speaker 1: isn't on film, and he doesn't have a kiss.

1380
01:05:46,520 --> 01:05:52,560
Speaker 2: Don't they kiss in the last in the movie? Oh right, yeah,

1381
01:05:52,760 --> 01:05:53,240
Speaker 2: we're filmed.

1382
01:05:53,280 --> 01:05:56,720
Speaker 1: Yeah, so once again he hasn't even kissed a person

1383
01:05:56,720 --> 01:05:58,240
Speaker 1: in real life. I thought the whole point was that

1384
01:05:58,280 --> 01:06:01,320
Speaker 1: he's only kissed on film. So how he doesn't pull

1385
01:06:01,360 --> 01:06:03,600
Speaker 1: her aside, pull her off the film something like that

1386
01:06:03,640 --> 01:06:05,880
Speaker 1: and give her a kiss was such a missed.

1387
01:06:05,560 --> 01:06:06,160
Speaker 3: Moment to me.

1388
01:06:06,880 --> 01:06:09,560
Speaker 1: Yeah, because it's like, you we set this up. I

1389
01:06:09,600 --> 01:06:11,080
Speaker 1: was waiting for him to plant one on her, like,

1390
01:06:11,120 --> 01:06:13,040
Speaker 1: come on, this is this would be your first kiss

1391
01:06:13,080 --> 01:06:19,680
Speaker 1: in a way and kiss, yeah, several very good kisses,

1392
01:06:19,720 --> 01:06:22,720
Speaker 1: and then and then the other one. Yes. And now

1393
01:06:22,760 --> 01:06:24,360
Speaker 1: with the girls ready to go home, they start to

1394
01:06:24,400 --> 01:06:26,160
Speaker 1: feel bad for Vic, who will be the star of

1395
01:06:26,160 --> 01:06:28,520
Speaker 1: this movie now and that's when it hits them the

1396
01:06:28,560 --> 01:06:32,640
Speaker 1: new relationship between Raheem and Gita might just be the answer.

1397
01:06:33,000 --> 01:06:35,120
Speaker 1: Everyone rushes to uncle Kamal to sell him on the

1398
01:06:35,120 --> 01:06:37,520
Speaker 1: new idea. He argues that no one wants to see

1399
01:06:37,520 --> 01:06:39,919
Speaker 1: a choreographer on screen, but Vic says she's a star

1400
01:06:40,080 --> 01:06:42,400
Speaker 1: and he can prove it. He finally stands up to

1401
01:06:42,440 --> 01:06:44,600
Speaker 1: his uncle and says he's got to do what he

1402
01:06:44,640 --> 01:06:47,480
Speaker 1: believes in and with his newfound confidence. His uncle thinks

1403
01:06:47,520 --> 01:06:50,760
Speaker 1: he's finally become a director. Geita is the new lead

1404
01:06:51,120 --> 01:06:53,560
Speaker 1: and now the movie within a movie Nama Stay Bombay

1405
01:06:53,600 --> 01:06:56,360
Speaker 1: has begun filming. Gita takes her place as the main character,

1406
01:06:56,440 --> 01:06:58,600
Speaker 1: and the girls start the final song, the title track,

1407
01:06:58,680 --> 01:07:02,000
Speaker 1: one World. It's a big Bollywood finale number with everyone

1408
01:07:02,040 --> 01:07:04,160
Speaker 1: in it and tons of dancing. It also didn't make

1409
01:07:04,160 --> 01:07:05,920
Speaker 1: any sense because now all three of them are in

1410
01:07:05,960 --> 01:07:07,760
Speaker 1: the movie, which is the thing he couldn't afford in

1411
01:07:07,760 --> 01:07:12,400
Speaker 1: the first place. So imagine we've been there for a

1412
01:07:12,480 --> 01:07:15,320
Speaker 1: minute now like a bit of money for us.

1413
01:07:15,160 --> 01:07:15,760
Speaker 2: And saying.

1414
01:07:17,240 --> 01:07:20,280
Speaker 1: At this point you've already paid for everything because we're

1415
01:07:20,280 --> 01:07:24,920
Speaker 1: not paying the bills, So okay, but anyway, yes, and

1416
01:07:24,960 --> 01:07:26,800
Speaker 1: now the movie within a movie Noma ste Bumbay has

1417
01:07:26,840 --> 01:07:29,120
Speaker 1: begun filming. Geeta takes her place as the main character,

1418
01:07:29,120 --> 01:07:30,919
Speaker 1: and the girls start the final song of the title track,

1419
01:07:31,000 --> 01:07:34,240
Speaker 1: one World. It is a big Bollywood finale number with

1420
01:07:34,280 --> 01:07:36,600
Speaker 1: everyone in it and tons of dancing. It's very pretty.

1421
01:07:36,840 --> 01:07:38,440
Speaker 3: This had to take some time to shoot.

1422
01:07:38,640 --> 01:07:40,920
Speaker 1: There is a ton of moving parts, kids, Convetti and

1423
01:07:40,960 --> 01:07:45,000
Speaker 1: an elephant that Sabrina is holding on to like, oh

1424
01:07:45,040 --> 01:07:47,400
Speaker 1: my god, she's on a roller coaster and just has

1425
01:07:47,400 --> 01:07:50,040
Speaker 1: her arms wrapped around this thing. Everybody else has their

1426
01:07:50,160 --> 01:07:52,560
Speaker 1: arms up and she's just got one hand up slowly

1427
01:07:52,680 --> 01:07:55,400
Speaker 1: and it's holy down her dear life to the other one.

1428
01:07:55,760 --> 01:07:57,400
Speaker 3: What was riding the elephant life?

1429
01:07:57,440 --> 01:08:02,560
Speaker 2: Oh my gosh, it was well, first of all, I mean,

1430
01:08:02,600 --> 01:08:06,360
Speaker 2: I guess you would think. But when you're up there, you.

1431
01:08:06,280 --> 01:08:10,120
Speaker 4: Are sing down going, holy cow, we are, And there

1432
01:08:10,160 --> 01:08:14,200
Speaker 4: are no seatbelts, no buckles, no nothing except for what's

1433
01:08:14,240 --> 01:08:17,400
Speaker 4: buckled around this giant elephant.

1434
01:08:17,240 --> 01:08:20,360
Speaker 2: And a basket up top. Will like that. It was

1435
01:08:20,400 --> 01:08:28,639
Speaker 2: a basket, like a like thick oh, like a woven

1436
01:08:28,640 --> 01:08:34,599
Speaker 2: basket you loofe soever. And the the they're having the

1437
01:08:34,920 --> 01:08:40,200
Speaker 2: elephant move and we are moving with them, trying to sing.

1438
01:08:40,960 --> 01:08:44,679
Speaker 2: The crane is going. There's so much confetti in the air.

1439
01:08:44,920 --> 01:08:47,040
Speaker 2: It just is like I mean, and then it was

1440
01:08:47,080 --> 01:08:50,840
Speaker 2: like cut and then like free, set, clean up. We

1441
01:08:50,920 --> 01:08:53,200
Speaker 2: never got off the elephant once we were on it,

1442
01:08:53,280 --> 01:08:54,280
Speaker 2: until it was done.

1443
01:08:54,720 --> 01:08:56,559
Speaker 1: How do you get onto the elephant? How does one

1444
01:08:56,600 --> 01:08:59,160
Speaker 1: get on an elephant? They had done it, but I

1445
01:08:59,160 --> 01:08:59,759
Speaker 1: can't remember.

1446
01:09:00,400 --> 01:09:06,160
Speaker 2: Ours was like a very again like yanky metal ladder

1447
01:09:06,200 --> 01:09:09,400
Speaker 2: that they had hooks went up to the top of

1448
01:09:09,479 --> 01:09:14,920
Speaker 2: the woven basket and you're like climbing up and I

1449
01:09:15,000 --> 01:09:18,920
Speaker 2: had my whole like all my like garments on like that.

1450
01:09:19,240 --> 01:09:21,000
Speaker 1: Oh yeah, you're dressed to the hilt.

1451
01:09:21,320 --> 01:09:24,479
Speaker 2: It was just very scary. And I even had a

1452
01:09:24,600 --> 01:09:27,800
Speaker 2: chance to meet the elephant and get on the elephant

1453
01:09:28,520 --> 01:09:31,040
Speaker 2: long before we ever did the scene. It was like

1454
01:09:31,080 --> 01:09:36,400
Speaker 2: we were rehearsing still, and I mean, you're just like, it's.

1455
01:09:38,080 --> 01:09:40,880
Speaker 1: I love it all right. Well that's our movie.

1456
01:09:41,120 --> 01:09:47,160
Speaker 2: That's our movie.

1457
01:09:49,240 --> 01:09:51,360
Speaker 1: Now we've got real reviews. Now here's the problem is

1458
01:09:51,600 --> 01:09:54,360
Speaker 1: our producers this time, unfortunately, gave you the one star

1459
01:09:54,439 --> 01:09:57,160
Speaker 1: and the five star. So since was this this was

1460
01:09:57,200 --> 01:09:59,680
Speaker 1: your movie? Oh I'm gonna let you decide. Would you

1461
01:09:59,760 --> 01:10:01,960
Speaker 1: rather read the bad review of your movie or the

1462
01:10:02,000 --> 01:10:02,960
Speaker 1: good review of your movie?

1463
01:10:03,000 --> 01:10:03,519
Speaker 3: It's up to you.

1464
01:10:05,400 --> 01:10:06,880
Speaker 2: I guess I'll go for the one star.

1465
01:10:06,960 --> 01:10:09,040
Speaker 1: It's okay, funny, go ahead.

1466
01:10:09,080 --> 01:10:14,599
Speaker 2: All right. One star from Willy Wings. One star. The

1467
01:10:14,600 --> 01:10:19,800
Speaker 2: girls may be cute, but that doesn't help anything. They

1468
01:10:19,840 --> 01:10:24,120
Speaker 2: are all skinny and not good role models. What a shame. Also,

1469
01:10:24,280 --> 01:10:28,839
Speaker 2: the plots as so many holes. You can't step anywhere

1470
01:10:28,880 --> 01:10:31,799
Speaker 2: without falling into crap. One star.

1471
01:10:33,439 --> 01:10:36,360
Speaker 1: It's different when you're talking about your own movie, didn't it.

1472
01:10:36,439 --> 01:10:39,120
Speaker 2: It's like, I guess I'm okay with you calling me skinny.

1473
01:10:39,160 --> 01:10:41,479
Speaker 2: Thanks Willy, Thanks Willy, Thanks Willy.

1474
01:10:41,520 --> 01:10:44,360
Speaker 1: Wis. I have the five star from our old friend

1475
01:10:44,400 --> 01:10:48,160
Speaker 1: n Noaman, who is back, and this is, though far

1476
01:10:48,200 --> 01:10:51,519
Speaker 1: from my habitual taste, it's great. Some songs are interesting

1477
01:10:52,680 --> 01:10:55,800
Speaker 1: five stars and now we have what used to be

1478
01:10:55,840 --> 01:10:57,719
Speaker 1: our favorite and it is no longer our favorite section

1479
01:10:58,000 --> 01:11:01,840
Speaker 1: of the program, which is our weekly game. First of all,

1480
01:11:01,840 --> 01:11:03,080
Speaker 1: who's playing with us this week?

1481
01:11:03,840 --> 01:11:04,679
Speaker 2: You got Mikayla?

1482
01:11:04,880 --> 01:11:08,040
Speaker 1: All right, we got producer Mikayla. So, as I'm sure

1483
01:11:08,040 --> 01:11:11,320
Speaker 1: everybody is aware, I love food very much, and Indian

1484
01:11:11,360 --> 01:11:14,080
Speaker 1: food just happens to be arguably my favorite food in

1485
01:11:14,160 --> 01:11:15,519
Speaker 1: the world. I love it.

1486
01:11:15,600 --> 01:11:16,720
Speaker 3: I love it, I love it.

1487
01:11:16,800 --> 01:11:19,639
Speaker 1: So this is going to be called Middle Feast in

1488
01:11:19,680 --> 01:11:21,840
Speaker 1: honor of the location. Using the Cheeah Girls, One World,

1489
01:11:21,840 --> 01:11:24,120
Speaker 1: We're also taking our game to India, and one of

1490
01:11:24,160 --> 01:11:26,280
Speaker 1: the best things in India is the cuisine. We will

1491
01:11:26,280 --> 01:11:28,639
Speaker 1: get the ingredients from one of the country's most popular

1492
01:11:28,680 --> 01:11:30,960
Speaker 1: dishes and from a list of options, we have to

1493
01:11:30,960 --> 01:11:33,280
Speaker 1: decide what the resulting dish is called three out of

1494
01:11:33,280 --> 01:11:34,800
Speaker 1: five wins. I hope I get some of these right,

1495
01:11:34,840 --> 01:11:37,719
Speaker 1: because I could live on Indian food alone.

1496
01:11:37,760 --> 01:11:39,000
Speaker 3: I love it so much.

1497
01:11:39,080 --> 01:11:43,320
Speaker 2: I can't eat it at all because of being there. Yeah,

1498
01:11:43,400 --> 01:11:47,600
Speaker 2: I was sick the whole time. Oh we were in India,

1499
01:11:47,680 --> 01:11:50,720
Speaker 2: like the food just and I could not My body

1500
01:11:50,840 --> 01:11:54,160
Speaker 2: never got used to it. And now it like one

1501
01:11:54,200 --> 01:11:57,000
Speaker 2: time when we were on tour, someone ordered it to

1502
01:11:57,280 --> 01:11:59,880
Speaker 2: be on our tour bus. After I walked in and

1503
01:12:00,080 --> 01:12:02,639
Speaker 2: walked right off the tour bus into a bathroom and puked.

1504
01:12:03,479 --> 01:12:04,320
Speaker 1: Oh my god.

1505
01:12:06,080 --> 01:12:08,800
Speaker 2: Yeah, Like my body would just start salivating and it

1506
01:12:08,880 --> 01:12:12,599
Speaker 2: was like my stomach was ready to like go any

1507
01:12:12,760 --> 01:12:20,439
Speaker 2: marsala or there's another masala, masala and then there's.

1508
01:12:20,280 --> 01:12:22,759
Speaker 1: Another Oneala curry.

1509
01:12:22,800 --> 01:12:23,960
Speaker 3: Oh yeah, I love it so much.

1510
01:12:24,000 --> 01:12:26,000
Speaker 2: Okay, I know, and I loved it before I went there.

1511
01:12:26,040 --> 01:12:27,800
Speaker 1: But no, so we will not.

1512
01:12:27,920 --> 01:12:29,720
Speaker 3: We will not be going and hanging out for Indian food.

1513
01:12:29,720 --> 01:12:30,400
Speaker 3: That's that's a shame.

1514
01:12:30,760 --> 01:12:32,759
Speaker 2: Well, I actually would like to do it here again.

1515
01:12:32,960 --> 01:12:34,080
Speaker 3: Okay, we'll do it.

1516
01:12:34,080 --> 01:12:37,040
Speaker 1: We'll go, we'll go. Well, we'll walk there while singing.

1517
01:12:37,320 --> 01:12:40,200
Speaker 1: That should make it easy for you, all right. So

1518
01:12:40,320 --> 01:12:46,080
Speaker 1: Number one boneless chicken, yogurt, garlic garam masala, coriander, ginger, cuman, turmeric,

1519
01:12:46,200 --> 01:12:50,000
Speaker 1: chili powder, salt, lemon, and oil. Is it a chicken

1520
01:12:50,040 --> 01:12:54,120
Speaker 1: vndalo b chicken teaka masala see chicken corma or D

1521
01:12:54,560 --> 01:12:55,280
Speaker 1: butter chicken?

1522
01:12:58,600 --> 01:13:00,599
Speaker 3: I do too. I think it's be chicken masala.

1523
01:13:01,160 --> 01:13:01,759
Speaker 2: You're correct.

1524
01:13:02,120 --> 01:13:03,120
Speaker 3: Yes, I've tried to make it.

1525
01:13:03,120 --> 01:13:05,320
Speaker 1: I'm trying to get better at cooking Indian food because again,

1526
01:13:05,360 --> 01:13:08,799
Speaker 1: I just love it so much. Number two spinach, garlic, ginger,

1527
01:13:08,840 --> 01:13:13,439
Speaker 1: green chilies. Is it a sagalu, B pollock doll, C

1528
01:13:13,800 --> 01:13:16,360
Speaker 1: pollock paneer or D pollock chot.

1529
01:13:17,120 --> 01:13:18,280
Speaker 2: I'm gonna go with that one.

1530
01:13:18,600 --> 01:13:19,800
Speaker 1: I think it's C.

1531
01:13:21,320 --> 01:13:24,120
Speaker 2: I think it's actually C. Two Will is correct.

1532
01:13:27,479 --> 01:13:32,799
Speaker 1: Number three lamb onion, garlic, ginger, dried red chilies, vinegar, cuman, mustard, seeds,

1533
01:13:32,800 --> 01:13:36,680
Speaker 1: black pepper, cloves, cinnamon, turmeric, oil and salt. Is it

1534
01:13:36,760 --> 01:13:41,920
Speaker 1: a lamb vindaloo, B lamb rogan yash see lamb corma

1535
01:13:42,400 --> 01:13:50,360
Speaker 1: or d lamb biryani, onion, garlic, dried ginger, vinegar, cumin.

1536
01:13:50,800 --> 01:13:52,559
Speaker 1: I do you want to go first?

1537
01:13:52,960 --> 01:13:53,680
Speaker 2: I'm gonna go with A.

1538
01:13:54,000 --> 01:13:55,600
Speaker 3: I think it is a vindolo. I'm gonna say a

1539
01:13:55,720 --> 01:13:56,520
Speaker 3: lamb vindaloo.

1540
01:13:56,760 --> 01:13:59,280
Speaker 2: Correct you guys, Yes, Yes.

1541
01:13:59,560 --> 01:14:04,200
Speaker 1: Number one four stewing beef, onion, garlic, green chilies, tomato, curry, leaves,

1542
01:14:04,240 --> 01:14:09,679
Speaker 1: coconut milk, cumin, coriander, turmeric, black pepper, garamasala, mustard, seeds, oil,

1543
01:14:09,720 --> 01:14:13,320
Speaker 1: and salt. Is it a beef curry? Bekroala, beef fry

1544
01:14:13,600 --> 01:14:17,720
Speaker 1: see beef vndalou or d beef corma.

1545
01:14:17,840 --> 01:14:20,920
Speaker 2: This is because there was not one beef item on

1546
01:14:21,000 --> 01:14:21,920
Speaker 2: any of the restaurants.

1547
01:14:22,040 --> 01:14:23,559
Speaker 3: We ever, well, no, because I don't.

1548
01:14:24,360 --> 01:14:26,360
Speaker 1: I think in India the cow is worshiped, so you're

1549
01:14:26,400 --> 01:14:29,920
Speaker 1: not eating you're not eating beef like no options. I'm

1550
01:14:29,920 --> 01:14:31,840
Speaker 1: gonna say it's I'm gonna say it's a curry. I'm

1551
01:14:31,840 --> 01:14:35,559
Speaker 1: gonna say it's an a beef curry because there's coconut,

1552
01:14:35,640 --> 01:14:39,720
Speaker 1: milk and green chilies, which is a curry. So I'm

1553
01:14:39,760 --> 01:14:40,880
Speaker 1: gonna say it's a beef curry.

1554
01:14:40,920 --> 01:14:42,040
Speaker 2: I'm gonna do a as well.

1555
01:14:42,320 --> 01:14:49,719
Speaker 1: Correct God good. Number five whole black lentils, red kidney, beans, salt, butter, onion, garlic, ginger, tomato,

1556
01:14:49,760 --> 01:14:56,480
Speaker 1: pure chili powder, gram marsala, dried fenugreek, leaves and turmeric.

1557
01:14:57,080 --> 01:15:04,479
Speaker 1: Is it a dama khani? Chaanna Masala see beyan gang Barta,

1558
01:15:04,640 --> 01:15:08,080
Speaker 1: I'm apologize for all of these that I'm mangling or deep.

1559
01:15:07,840 --> 01:15:12,240
Speaker 2: Acora, oh b Chaana Massala.

1560
01:15:12,840 --> 01:15:14,160
Speaker 3: I'm gonna say deep Cora.

1561
01:15:15,240 --> 01:15:19,040
Speaker 1: It is a oh okay, well we still won.

1562
01:15:19,600 --> 01:15:22,320
Speaker 3: Ah, yeah you did, Thank you, producer MICHAELA.

1563
01:15:22,400 --> 01:15:24,960
Speaker 1: I was impressed. I was impressed too. And now that's

1564
01:15:24,960 --> 01:15:26,920
Speaker 1: all I want to eat. Can we please do a

1565
01:15:26,960 --> 01:15:34,760
Speaker 1: Sabrina ses Oh man, this is gonna be a good one.

1566
01:15:34,840 --> 01:15:39,120
Speaker 2: Yea, yes, Well, first, you know again, I haven't seen

1567
01:15:39,160 --> 01:15:43,960
Speaker 2: these movies, but now that we've seen all three, what

1568
01:15:44,200 --> 01:15:46,880
Speaker 2: kills me the most of every single one of our

1569
01:15:46,920 --> 01:15:52,479
Speaker 2: movies is our stock footage of New York. And it

1570
01:15:52,560 --> 01:15:58,439
Speaker 2: is all three movies. They're terrible, like they are they look,

1571
01:16:00,040 --> 01:16:01,920
Speaker 2: especially in the second and the third one, because then

1572
01:16:02,000 --> 01:16:06,920
Speaker 2: you fly into like this just gorgeous filming. The stock

1573
01:16:07,000 --> 01:16:09,519
Speaker 2: footage in our three movies, like it starts every I

1574
01:16:09,560 --> 01:16:12,519
Speaker 2: feel like, for some reason, I can't think of the

1575
01:16:12,560 --> 01:16:14,439
Speaker 2: second movie, but I know for sure in the first one,

1576
01:16:14,560 --> 01:16:16,360
Speaker 2: and definitely obviously we just saw it. In the third

1577
01:16:16,400 --> 01:16:19,200
Speaker 2: one starts right off with like the streets of New York,

1578
01:16:19,240 --> 01:16:23,000
Speaker 2: but they're like you get this stock it looks so bad.

1579
01:16:23,520 --> 01:16:27,439
Speaker 2: It's old school, old school, like it's from like the

1580
01:16:27,479 --> 01:16:31,280
Speaker 2: depths of a hallway into some closet in the very back.

1581
01:16:31,120 --> 01:16:32,000
Speaker 1: Room of it.

1582
01:16:32,640 --> 01:16:36,559
Speaker 2: Yeah. And then another thing was I remember, so we

1583
01:16:36,640 --> 01:16:42,520
Speaker 2: go straight into Cheetah Love. Those stairs were so terrifying

1584
01:16:42,600 --> 01:16:46,040
Speaker 2: to dance. It looked like they were and you can

1585
01:16:46,160 --> 01:16:49,880
Speaker 2: tell how often all three of us and all the

1586
01:16:49,960 --> 01:16:53,320
Speaker 2: dancers around us were looking down at any moment where

1587
01:16:53,360 --> 01:16:54,840
Speaker 2: it made sense for us to be able to look

1588
01:16:54,840 --> 01:16:58,000
Speaker 2: down and just make sure because those were and this

1589
01:16:58,200 --> 01:17:01,080
Speaker 2: was one of the things that happened a lot in

1590
01:17:01,080 --> 01:17:04,679
Speaker 2: India while we were filming, was stairs and things like that.

1591
01:17:05,320 --> 01:17:09,400
Speaker 2: They're not measured out the same, you know, with depth,

1592
01:17:09,800 --> 01:17:14,080
Speaker 2: like they're just you know, or there's a lot of

1593
01:17:14,160 --> 01:17:15,960
Speaker 2: them are old. So they had cracks. I mean it

1594
01:17:16,000 --> 01:17:18,519
Speaker 2: was it was kind of nerve wracking. And again you're

1595
01:17:18,560 --> 01:17:21,000
Speaker 2: in heels and we're dancing and the beat us fast

1596
01:17:21,120 --> 01:17:21,760
Speaker 2: and weird.

1597
01:17:22,280 --> 01:17:27,360
Speaker 1: Also noticed the weird change. So you're in the far shot,

1598
01:17:27,720 --> 01:17:31,760
Speaker 1: it's like you're down here, and then I think Chanelle's

1599
01:17:31,800 --> 01:17:33,720
Speaker 1: on top, and then Ak was next to you like

1600
01:17:33,760 --> 01:17:37,840
Speaker 1: a triangle, but you're definitely bottom right okay, And then

1601
01:17:37,960 --> 01:17:40,280
Speaker 1: they cut to all of you together facing the camera

1602
01:17:40,360 --> 01:17:44,759
Speaker 1: and you're now top left. Oh, like all of a sudden,

1603
01:17:44,800 --> 01:17:46,880
Speaker 1: your position has changed and you went from here to

1604
01:17:46,960 --> 01:17:48,960
Speaker 1: up there in one shot. And it was like, oh, oh,

1605
01:17:49,000 --> 01:17:50,360
Speaker 1: that's whoa.

1606
01:17:51,040 --> 01:17:54,200
Speaker 2: I didn't notice that, which is strange. That must have

1607
01:17:54,520 --> 01:17:57,599
Speaker 2: happened to happen like with just in the editing floor,

1608
01:17:57,600 --> 01:18:03,280
Speaker 2: because I'm sure the choreographer for these routines were from

1609
01:18:03,560 --> 01:18:06,720
Speaker 2: start to finish, every single one of them was a

1610
01:18:06,760 --> 01:18:12,360
Speaker 2: start to finish movement. Everything not just choreography, everything was movement,

1611
01:18:12,439 --> 01:18:17,320
Speaker 2: and so that is actually very interesting. Wow. Yeah, but

1612
01:18:17,360 --> 01:18:22,040
Speaker 2: I just remember being terrified of that that that scene

1613
01:18:22,040 --> 01:18:25,000
Speaker 2: that we did, and we did that later on. There's

1614
01:18:25,040 --> 01:18:29,120
Speaker 2: many times these the britic is kind of like our

1615
01:18:29,160 --> 01:18:31,720
Speaker 2: little harsh towards me where I'm like, do I have

1616
01:18:31,840 --> 01:18:35,360
Speaker 2: like an accent? Like where is Like I'm like, it's like,

1617
01:18:35,520 --> 01:18:39,479
Speaker 2: nobody tells me. I can't answer, I don't know it

1618
01:18:39,680 --> 01:18:41,799
Speaker 2: just you were great.

1619
01:18:41,880 --> 01:18:42,439
Speaker 1: What do you mean?

1620
01:18:43,160 --> 01:18:45,640
Speaker 2: Like I got into this accent of some sort. I

1621
01:18:45,680 --> 01:18:47,080
Speaker 2: can't even put my finger on it.

1622
01:18:47,200 --> 01:18:47,800
Speaker 3: Don't make.

1623
01:18:49,600 --> 01:18:53,320
Speaker 2: This one was a fun, funny one for me to watch. Well,

1624
01:18:53,360 --> 01:18:56,680
Speaker 2: all of them are. One of the things I will

1625
01:18:56,680 --> 01:19:02,240
Speaker 2: say Now I loved the ore. Assuming that Mona May

1626
01:19:02,400 --> 01:19:08,519
Speaker 2: who did Enchanted, She's just incredible. She like in the

1627
01:19:08,560 --> 01:19:12,439
Speaker 2: movie as the very beginning, we are at our audition

1628
01:19:12,720 --> 01:19:14,639
Speaker 2: and then we say, let's go get something to eat.

1629
01:19:14,800 --> 01:19:17,360
Speaker 2: We're in street clothes. We're not in like a cost

1630
01:19:17,439 --> 01:19:20,559
Speaker 2: like it's not like a sequence stop with rhinestones and

1631
01:19:20,640 --> 01:19:23,360
Speaker 2: like looking like we're about to do some crazy performance.

1632
01:19:23,360 --> 01:19:27,559
Speaker 2: We're in like street clothes. We change to go into

1633
01:19:27,680 --> 01:19:31,960
Speaker 2: then more street clothes to go to dinner. Why did

1634
01:19:32,040 --> 01:19:35,120
Speaker 2: we need We were just gonna go straight there, But

1635
01:19:35,200 --> 01:19:38,720
Speaker 2: that happened a lot. We were we were stacked with

1636
01:19:38,760 --> 01:19:42,000
Speaker 2: our wardrobe, like we had a lot of war.

1637
01:19:42,800 --> 01:19:44,559
Speaker 3: I imagine because it's beautiful.

1638
01:19:45,439 --> 01:19:47,080
Speaker 1: Shees it's so funny.

1639
01:19:47,240 --> 01:19:49,800
Speaker 2: I just couldn't get over how many outfits we had.

1640
01:19:49,840 --> 01:19:53,519
Speaker 2: And I remember we had so many long like wardrobe fitting.

1641
01:19:55,120 --> 01:19:57,719
Speaker 2: I was just dying because I'm like, oh, he's definitely

1642
01:19:57,800 --> 01:19:59,960
Speaker 2: gonna make say this, but I wrote it down. Anyway,

1643
01:20:00,760 --> 01:20:03,360
Speaker 2: we're in India by ourselves.

1644
01:20:03,520 --> 01:20:04,559
Speaker 3: I wasn't gonna say anything.

1645
01:20:05,520 --> 01:20:07,640
Speaker 1: Again. I was in New York by myself when I

1646
01:20:07,640 --> 01:20:11,400
Speaker 1: was eleven and twelve, So strange, stranger things happen, But yes,

1647
01:20:11,520 --> 01:20:12,280
Speaker 1: do you What.

1648
01:20:12,240 --> 01:20:14,280
Speaker 2: Do you mean you were living in New York by

1649
01:20:14,320 --> 01:20:15,679
Speaker 2: yourself at eleven or twelve?

1650
01:20:15,840 --> 01:20:17,600
Speaker 1: No, but I would take the bus in from Connecticut

1651
01:20:17,600 --> 01:20:19,640
Speaker 1: and walk to my audition and then get back on

1652
01:20:19,680 --> 01:20:21,280
Speaker 1: the bus of port authority and go home.

1653
01:20:22,080 --> 01:20:26,960
Speaker 2: This is like a fifteen This is two planes, this

1654
01:20:27,080 --> 01:20:27,760
Speaker 2: is I mean.

1655
01:20:28,800 --> 01:20:31,120
Speaker 1: But yeah, you're all you're you're all supposed to. I

1656
01:20:31,120 --> 01:20:33,559
Speaker 1: imagine you were all supposed to be at least eighteen.

1657
01:20:34,120 --> 01:20:37,440
Speaker 2: I mean, it's not specified that we've graduated high school.

1658
01:20:37,240 --> 01:20:39,519
Speaker 1: Right, but you're talking about this is this is this

1659
01:20:39,600 --> 01:20:43,200
Speaker 1: summer before college. Okay, so I imagine you're.

1660
01:20:43,080 --> 01:20:44,280
Speaker 3: Supposed to be eighteen.

1661
01:20:44,960 --> 01:20:48,080
Speaker 1: Yeah, but yes, it's there. It's a lot.

1662
01:20:48,600 --> 01:20:53,400
Speaker 2: Yes, And honestly, at this point, we meet uh Akwa's

1663
01:20:53,479 --> 01:20:57,600
Speaker 2: dad in the finale of the first movie, who was Oscott,

1664
01:20:57,640 --> 01:21:03,160
Speaker 2: our director. We met my foster mom, but that's it.

1665
01:21:03,360 --> 01:21:05,280
Speaker 2: So the only person that would have been able to

1666
01:21:05,320 --> 01:21:07,960
Speaker 2: go that we've actually met and have any kind of

1667
01:21:08,320 --> 01:21:11,320
Speaker 2: connection with would have been Chanelle's mom, I guess.

1668
01:21:11,439 --> 01:21:14,320
Speaker 3: But because the mom we knew the best was Galeria's mom.

1669
01:21:14,400 --> 01:21:17,320
Speaker 1: Galerius to do it right, Okay.

1670
01:21:17,040 --> 01:21:20,680
Speaker 2: So yeah, it just it's still is like that's a

1671
01:21:20,680 --> 01:21:22,320
Speaker 2: big Okay.

1672
01:21:22,520 --> 01:21:25,160
Speaker 1: You know, it's like this easy easily could have been

1673
01:21:25,200 --> 01:21:26,800
Speaker 1: its whole different movie if you were met by the

1674
01:21:26,840 --> 01:21:29,840
Speaker 1: same guy from taking he took the two girls off

1675
01:21:29,920 --> 01:21:32,759
Speaker 1: the plane right away, and and yeah, it's much different

1676
01:21:32,760 --> 01:21:35,120
Speaker 1: movie if you've got to call Liam Neeson halfway through.

1677
01:21:35,840 --> 01:21:39,280
Speaker 2: Right exactly. So anyway, that that was one thing that

1678
01:21:39,360 --> 01:21:42,040
Speaker 2: kind of never was really, you know, gone. And then

1679
01:21:42,040 --> 01:21:44,200
Speaker 2: I already talked about my wind blown hair and the

1680
01:21:44,240 --> 01:21:47,320
Speaker 2: woe do calm down. I don't think it's that serious yet.

1681
01:21:47,400 --> 01:21:49,160
Speaker 3: I was not going to calm down.

1682
01:21:49,600 --> 01:21:53,000
Speaker 2: And I just was cracked up with this movie. How

1683
01:21:54,040 --> 01:21:59,640
Speaker 2: adamant I was on note boys like just I was.

1684
01:22:00,320 --> 01:22:02,160
Speaker 1: And then you all talked about boys the whole time,

1685
01:22:02,320 --> 01:22:02,920
Speaker 1: and I just.

1686
01:22:03,000 --> 01:22:06,760
Speaker 2: Like a blocker, a blocker locker the whole time.

1687
01:22:07,040 --> 01:22:10,080
Speaker 1: Poor Keene, at least I believed that when you kissed him. Well,

1688
01:22:10,479 --> 01:22:13,360
Speaker 1: thank you very much. And now we come to the

1689
01:22:13,360 --> 01:22:16,880
Speaker 1: portion where we have to rate our film. I say,

1690
01:22:17,040 --> 01:22:20,799
Speaker 1: because it's your movie, we make one the worst okay,

1691
01:22:20,920 --> 01:22:24,000
Speaker 1: and ten the best perfect. And now here are options

1692
01:22:24,200 --> 01:22:28,639
Speaker 1: one to ten Kingpin Agents unprofessional movie directors in need

1693
01:22:28,640 --> 01:22:32,800
Speaker 1: of hr Psychotic Cheetah Girls one out of ten Tree

1694
01:22:32,800 --> 01:22:37,800
Speaker 1: Strings Indian marching bands, soul sucking elephants, one out of

1695
01:22:37,800 --> 01:22:42,800
Speaker 1: ten non stop walks, generic explanations of making movies, or

1696
01:22:42,840 --> 01:22:45,720
Speaker 1: one out of ten obstacled Derindas.

1697
01:22:46,160 --> 01:22:49,000
Speaker 3: It's your movie, you gotta pick, I.

1698
01:22:48,920 --> 01:22:54,240
Speaker 2: Think because I had literally never noticed it until this rewatch.

1699
01:22:54,360 --> 01:22:55,920
Speaker 2: It's the NonStop.

1700
01:22:55,640 --> 01:22:57,360
Speaker 1: Yes, that's what I would have picked too.

1701
01:22:57,640 --> 01:23:00,599
Speaker 2: With the vocal non stop walks, with the vocals.

1702
01:23:00,840 --> 01:23:01,400
Speaker 3: I love it.

1703
01:23:02,720 --> 01:23:05,760
Speaker 1: I don't remember who goes first. I think I think

1704
01:23:05,840 --> 01:23:08,679
Speaker 1: you go first. I think I did the Jonas Brothers

1705
01:23:08,720 --> 01:23:10,840
Speaker 1: movie last time, which was I went first. So you

1706
01:23:10,880 --> 01:23:15,920
Speaker 1: got to rate your movie first, wrong, what do you got?

1707
01:23:16,560 --> 01:23:19,679
Speaker 2: Gosh, this is tough, you know, reading your own movies.

1708
01:23:19,920 --> 01:23:25,920
Speaker 2: I know, so weird to do. It was a nice

1709
01:23:26,160 --> 01:23:30,040
Speaker 2: I had a good time watching it again. These movies

1710
01:23:30,120 --> 01:23:33,240
Speaker 2: for me and I love that. That's my favorite thing about,

1711
01:23:33,640 --> 01:23:36,439
Speaker 2: you know, doing the interviews that we do is talking

1712
01:23:36,479 --> 01:23:38,840
Speaker 2: to the the actors that have been a part of

1713
01:23:38,880 --> 01:23:43,360
Speaker 2: these movies because it brings back so many amazing memories

1714
01:23:43,400 --> 01:23:46,559
Speaker 2: of filming, where you were in your career at that time,

1715
01:23:46,680 --> 01:23:49,479
Speaker 2: what was going on, the changes, all that kind of stuff.

1716
01:23:50,160 --> 01:23:52,160
Speaker 2: So this was good. There was a little bit more

1717
01:23:52,200 --> 01:23:55,160
Speaker 2: of an emotional thing because you know, now, looking back,

1718
01:23:55,360 --> 01:23:58,360
Speaker 2: I now know this was like the start of the end,

1719
01:23:58,560 --> 01:24:02,439
Speaker 2: you know, of our our Cheetah life. But like I said,

1720
01:24:02,520 --> 01:24:07,879
Speaker 2: the movie was so beautiful, like remembering being there in person.

1721
01:24:08,040 --> 01:24:11,960
Speaker 2: Filming was just breath taking. There were more holes, I

1722
01:24:11,960 --> 01:24:17,760
Speaker 2: would say. I felt like there could have been some

1723
01:24:17,880 --> 01:24:24,439
Speaker 2: eliminated walking sessions. That entire lighting could have shortened it.

1724
01:24:24,479 --> 01:24:25,920
Speaker 2: I mean, we didn't need it because we were already

1725
01:24:26,000 --> 01:24:30,240
Speaker 2: under the ninety minutes. But you know, I did like

1726
01:24:30,360 --> 01:24:34,040
Speaker 2: for me Duringda's storyline, I did like it. I thought

1727
01:24:34,080 --> 01:24:37,559
Speaker 2: she had so much depth within this one, and it

1728
01:24:37,680 --> 01:24:39,960
Speaker 2: was like an honor to be able to take her

1729
01:24:40,080 --> 01:24:44,679
Speaker 2: character to a different place and care more about other

1730
01:24:44,760 --> 01:24:47,280
Speaker 2: people than like what she was going through selfish. I

1731
01:24:47,280 --> 01:24:49,160
Speaker 2: felt like The Cheetah Girls, too, was a little bit

1732
01:24:49,160 --> 01:24:53,400
Speaker 2: more selfish, but I liked it. It was fun. It

1733
01:24:53,439 --> 01:24:56,400
Speaker 2: was a good watch for me to just be nostalgic

1734
01:24:56,479 --> 01:25:00,240
Speaker 2: and just be so appreciative of everything I got through

1735
01:25:00,479 --> 01:25:05,040
Speaker 2: the Cheetah time. The movie itself didn't par up to

1736
01:25:05,120 --> 01:25:08,479
Speaker 2: the second one for me. Still things about it did,

1737
01:25:09,600 --> 01:25:13,559
Speaker 2: but more didn't. So I'm gonna go with an eight

1738
01:25:14,960 --> 01:25:18,280
Speaker 2: non stop walks. Okay, eight solid eight.

1739
01:25:18,840 --> 01:25:21,000
Speaker 1: I think that's good. I think I'm right there with you.

1740
01:25:21,200 --> 01:25:25,240
Speaker 1: I'm basically I'm a I'm a soft eight hard seventy

1741
01:25:25,360 --> 01:25:28,320
Speaker 1: five on stop walks, and I'm just starting right with

1742
01:25:28,320 --> 01:25:31,439
Speaker 1: the number because basically everything you said, it is a

1743
01:25:31,560 --> 01:25:34,880
Speaker 1: very pretty movie. Some of the story doesn't make a

1744
01:25:34,920 --> 01:25:40,240
Speaker 1: whole lot of sense. I didn't really buy the relationship

1745
01:25:40,280 --> 01:25:46,679
Speaker 1: between Chanel and the director. But no, the music was good,

1746
01:25:47,040 --> 01:25:50,360
Speaker 1: the visuals were great. India is obviously a gorgeous background.

1747
01:25:50,720 --> 01:25:52,760
Speaker 1: You were all good. I love that you had way

1748
01:25:52,800 --> 01:25:54,160
Speaker 1: more to do in this movie. I felt like the

1749
01:25:54,160 --> 01:25:59,240
Speaker 1: movie was based more around you, and it was wonderful.

1750
01:25:59,240 --> 01:26:02,679
Speaker 1: But I did you right. I did miss the kind

1751
01:26:02,680 --> 01:26:08,000
Speaker 1: of irreverence and comedy of Raven's character. Yes, there is

1752
01:26:08,280 --> 01:26:12,400
Speaker 1: they it was this. There were very few light moments

1753
01:26:12,400 --> 01:26:15,200
Speaker 1: in this movie, and then you know, the second one

1754
01:26:15,240 --> 01:26:17,479
Speaker 1: and the first one had those kind of light moments

1755
01:26:17,520 --> 01:26:19,240
Speaker 1: that I think it needed a little more.

1756
01:26:19,880 --> 01:26:20,720
Speaker 3: But it was.

1757
01:26:21,400 --> 01:26:23,720
Speaker 1: It was a totally fun watch. This was a great franchise.

1758
01:26:24,040 --> 01:26:27,960
Speaker 1: All three of them were. Again, we I can only

1759
01:26:28,000 --> 01:26:30,639
Speaker 1: watch this as a fifty year old man. That being said,

1760
01:26:31,680 --> 01:26:34,080
Speaker 1: if I was like eleven or twelve year old girl,

1761
01:26:34,080 --> 01:26:36,040
Speaker 1: when this came out, when the when the Cheetah Girls

1762
01:26:36,040 --> 01:26:37,960
Speaker 1: came out, Oh my god, this would have been the

1763
01:26:38,160 --> 01:26:41,519
Speaker 1: coolest thing in the world. And watching a group form

1764
01:26:41,600 --> 01:26:43,599
Speaker 1: and then they're going all around the world and then

1765
01:26:43,640 --> 01:26:45,400
Speaker 1: they end in India, Like, are you kidding me? This

1766
01:26:45,439 --> 01:26:48,479
Speaker 1: would have been the coolest. So uh yeah, this is

1767
01:26:48,520 --> 01:26:51,519
Speaker 1: a hard seven to five soft eight for me, just

1768
01:26:51,560 --> 01:26:54,240
Speaker 1: like what you said NonStop Walks. This was a fun

1769
01:26:54,280 --> 01:26:58,240
Speaker 1: franchise and a fun movie, So yeah, definitely, yeah, definitely

1770
01:26:58,320 --> 01:27:02,160
Speaker 1: enjoyed it. But our net since we're done with all

1771
01:27:02,200 --> 01:27:04,320
Speaker 1: of our films now we're literally finished with all of

1772
01:27:04,320 --> 01:27:06,760
Speaker 1: our films, our next movie brings us back to the

1773
01:27:06,760 --> 01:27:10,799
Speaker 1: world of sports. Yes, one of dcom's most frequently hit themes,

1774
01:27:11,040 --> 01:27:13,400
Speaker 1: and we've got a true story on our hands here, Yes, folks,

1775
01:27:13,479 --> 01:27:17,439
Speaker 1: true story Alert. It's two thousand and threes race car

1776
01:27:17,640 --> 01:27:20,799
Speaker 1: drama right on track, available to stream on Disney Plus.

1777
01:27:20,840 --> 01:27:23,160
Speaker 1: So go ahead of us and do your homework. It

1778
01:27:23,240 --> 01:27:25,840
Speaker 1: makes the podcast even more fun. Make sure you watch

1779
01:27:25,920 --> 01:27:28,799
Speaker 1: it because we're gonna plus. We have dozens and dozens

1780
01:27:28,840 --> 01:27:31,080
Speaker 1: of interviews right at your fingertips. We sit down with

1781
01:27:31,120 --> 01:27:33,200
Speaker 1: decom Royalty week after week. All you have to do

1782
01:27:33,280 --> 01:27:35,759
Speaker 1: is search for Magical Rewind wherever you get your podcasts

1783
01:27:35,760 --> 01:27:38,360
Speaker 1: and subscribe, and for more info, you can follow us

1784
01:27:38,400 --> 01:27:43,120
Speaker 1: at magical Rewind pod. On the Instagram machine, just you

1785
01:27:43,200 --> 01:27:45,559
Speaker 1: scrape the phone on like if you go back and forth.

1786
01:27:45,560 --> 01:27:48,200
Speaker 1: The friction causes Instagram to open. I think I'm pretty

1787
01:27:48,240 --> 01:27:51,639
Speaker 1: sure that's how it works. So anyway, thanks everybody. It's

1788
01:27:51,680 --> 01:27:55,800
Speaker 1: been a cheat, delicious three movies. I'm so glad we

1789
01:27:55,840 --> 01:27:57,519
Speaker 1: got to do them all by everybody. Ye