WEBVTT - S3/E1 | The Orchard

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<v Speaker 1>Yeah, Thirteen Days of Halloween, Devil's Night, a production of

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<v Speaker 1>I Heart three D audio, Blumhouse Television and Grimm and

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<v Speaker 1>Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Zero

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<v Speaker 1>errow errow vertical m errow errow, come here boy errow

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<v Speaker 1>huh hello, leeve me in line med W B R G.

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<v Speaker 1>And the good people are Bradberry will take on every

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<v Speaker 1>encouragement to compel you, to plead with and bent to

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<v Speaker 1>pray for you. It need be to keep yourselves, your families,

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<v Speaker 1>and especially your little ones indoors tonight, off the streets

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<v Speaker 1>and away from the darks. The sheriff has instituted a

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<v Speaker 1>mandatory curfew and need children out after dark or subject

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<v Speaker 1>to apprehension. Police are out on the town working over

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<v Speaker 1>time at full capacity, but that may not be enough.

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<v Speaker 1>In the meantime, do not need your house. Do not

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<v Speaker 1>answer the door. If you hear a bump in the knight,

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<v Speaker 1>do not go invest again. Okay, boys said sits time

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<v Speaker 1>to head back to town. Whatever you got bagged up,

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<v Speaker 1>line up and let's have a look. Terry, you got

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<v Speaker 1>my ladder, throw it in first. What have you got? Nice?

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<v Speaker 1>Good and fool we'll call it five pounds. That's fifty cents.

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<v Speaker 1>You I don't remember seeing you before. You right here

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<v Speaker 1>with us. What's your name? Boy, Tony? You gotta speak

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<v Speaker 1>up now. I'm a little HoTT Yeah, you're a little light.

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<v Speaker 1>That's ten pounds easy. We're gonna call it a quarter.

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<v Speaker 1>A quarter. Almost broke my arm looking that mess around,

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<v Speaker 1>generous boy, Either take the money and getting a truck,

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<v Speaker 1>or you're going home empty handed as your boy sheeps

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<v Speaker 1>keeping and you? Who are you? Tony to Tony's oh brother? Okay,

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<v Speaker 1>let's keep moving here. Hopefully you did a little better

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<v Speaker 1>in your partner knees. What were you two doing out there? Uh? Nothing,

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<v Speaker 1>just picking apples off the ground. Half of these are rotten.

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<v Speaker 1>It's not my fault. Your trees are ship. You're getting

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<v Speaker 1>a dime. That's not fair loose talk from either of you.

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<v Speaker 1>Can keep your rotting apples and walk them home. Uh man,

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<v Speaker 1>you got your bag of apples? Actually, I too, too

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<v Speaker 1>bad Swell that's the entrepreneurial spirit. Yeah, it's a good

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<v Speaker 1>haul on any day. But son, I heard about your family.

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<v Speaker 1>No shame in it. Good hard working folks all over

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<v Speaker 1>town are facing the same eviction. Greedy damn banks is

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<v Speaker 1>all criminal if you ask me, now, I understand why

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<v Speaker 1>you've been out here every day this month. And well, anyhow,

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<v Speaker 1>here's a little extra for your trouths. Wow, really are

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<v Speaker 1>you sure? Of course? So maybe that'll be enough to

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<v Speaker 1>keep those bloodsuckers at bay for now? Anyway? Keep that

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<v Speaker 1>safe now, kiddo, and look after that dog. Come on arrow, okay, opie,

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<v Speaker 1>what do you got for? Not? Fucking guy must be

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<v Speaker 1>going seen on him? Hey, give me a cigarette? Would

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<v Speaker 1>you make? Oh? You know about the same as you?

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<v Speaker 1>About the same? How's that supposed to mean? He's full

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<v Speaker 1>of it? I saw the old man slip him a sawbuck.

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<v Speaker 1>You hold it out on us? Alright? So where's our cut? What? Yeah?

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<v Speaker 1>How's about a little red dishes? What do you call it? Oh?

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<v Speaker 1>Maybe a little redistribution of wealth? That's the one. Why

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<v Speaker 1>would I do that? Why you get this guy Tony

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<v Speaker 1>asking us? Why? Why? Why? Why? Why? Indeed? Well, how's

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<v Speaker 1>about because there's a bit of unfair treatment going around

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<v Speaker 1>this operation that right now. I don't want to point fingers,

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<v Speaker 1>but maybe certain people, maybe those the man has a

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<v Speaker 1>certain fondness for, are getting sent to better patches. This

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<v Speaker 1>shitty old orchard. Oh that's just terrible. That's not true.

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<v Speaker 1>The orchard's fine. I work here every day after school,

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<v Speaker 1>and I've been here since this morning. Fine e stick

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<v Speaker 1>this in your mouth. Tell me what you think. Of course,

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<v Speaker 1>they're rotten. I saw you picking them off the ground.

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<v Speaker 1>You have to get up in the trees or under

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<v Speaker 1>the ladder. Look, kid, we're giving you options. Option one,

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<v Speaker 1>share a little bit with your fellow laborers whose work

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<v Speaker 1>is not being called into question here. That would be

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<v Speaker 1>the easiest and the most ethical option too. You can

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<v Speaker 1>go over there and address this gross pay disparity with

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<v Speaker 1>your buddy the farmer. Let him know we've been mischaracterized.

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<v Speaker 1>He'll never do that. And option three, you and your

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<v Speaker 1>dirty muck get back out there and pick us some

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<v Speaker 1>fresh apples. Get your ladder, get under your tree and

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<v Speaker 1>make the thing right. Are you hitting me? You know

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<v Speaker 1>what night it is? Did you hear the radio? It'll

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<v Speaker 1>be dorky in an hour. I need to get home.

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<v Speaker 1>What are you scared? He is? He's so scared. That

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<v Speaker 1>is the boogeyman gonna get you? Is a which gonna

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<v Speaker 1>come along and scoop you up? A ghost? What a baby,

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<v Speaker 1>What a little bitch? Listen kidding? Have you ever heard

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<v Speaker 1>of the man in the mask? No? What? Really? Sure

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<v Speaker 1>you have? Really, he's not a man, but he looks

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<v Speaker 1>like one. A tall man wanders the street every Halloween,

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<v Speaker 1>searching for someone small and defenseless, someone alone. He'll try

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<v Speaker 1>to convince you that he's harmless. I'll tell you that

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<v Speaker 1>he's your friend. But if you look right at him,

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<v Speaker 1>you'll notice that there's something off about something missing. What

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<v Speaker 1>his face? He has no face, and so he hides

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<v Speaker 1>behind a mask. And I'm not saying you are, but

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<v Speaker 1>if you were smart, you know that the moment you

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<v Speaker 1>see this man you should run. The thing is, it'll

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<v Speaker 1>already be too late. If you see him once, you're

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<v Speaker 1>guaranteed to see him again and again and again in

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<v Speaker 1>places you never expected, hiding in plain sight. Figure on

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<v Speaker 1>the street, a new kidding class, a face on your screen,

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<v Speaker 1>a shadow in your closet. You'll try to convince your friends,

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<v Speaker 1>your family that this person is not who he says

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<v Speaker 1>he is, that he's out to dbt you, fellow, laugh

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<v Speaker 1>it off, say you're crazy. And then one day you

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<v Speaker 1>look in the mirror and see that mask staring back

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<v Speaker 1>at you then and only then you'll know he's not

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<v Speaker 1>following you anymore, because now you are the man in

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<v Speaker 1>the mask. That's that's not real. Maybe maybe not, but

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<v Speaker 1>I bet you watch your back. Hey, hey, kid, calm down,

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<v Speaker 1>ye don't cry. You don't have to be afraid of him,

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<v Speaker 1>because I guarantee you that the scariest thing you'll see

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<v Speaker 1>all night is standing in the back of this truck

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<v Speaker 1>with you. Right now, it's time to do what's right.

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<v Speaker 1>Let's see what's in your pocket there? All right? Shuttle

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<v Speaker 1>down back there, we're off. Hold on because we're already late,

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<v Speaker 1>and I gotta get your kids home before this god

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<v Speaker 1>forsaken place goes preserved. What what is it? Boy? Dog

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<v Speaker 1>throwing heat? Arrow? I would run away, bitch. Where is that? Arrow? Act?

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<v Speaker 1>What are you doing? Get back in the truck. My

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<v Speaker 1>dog I called it by my dog. Oh my god,

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<v Speaker 1>he's gonna get left beyond. He's gonna spend the night

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<v Speaker 1>out here here. Get back in the truck. It's not

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<v Speaker 1>safe out here. Arrow. Where'd you go at? Arrow? Act?

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<v Speaker 1>What an idiot? By the dog, And get back to

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<v Speaker 1>the road. Arrow Arrow here, Roy, come here, errow arrow? Arrow?

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<v Speaker 1>Come on, boy, errow. It's okay, boy, you know you're

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<v Speaker 1>out there. Come back now, Rome on back and we

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<v Speaker 1>maybe can still make it home before which waste the road.

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<v Speaker 1>Zero arrow errow vertical errow errow. Come here, boy errow,

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<v Speaker 1>hm m hm huh Hello, Hello, I see you there,

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<v Speaker 1>erro Come mr. He's friendly. I swear you probably just

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<v Speaker 1>spooked him. In fact, you spooked to spool errow errol

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<v Speaker 1>saw get over here. I'm sorry about that, sir, Um

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<v Speaker 1>real sorry. I didn't expect to see anyone out here

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<v Speaker 1>this late, especially tonight. But um, you wouldn't happen to

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<v Speaker 1>know the way back to the road, would you, sir?

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<v Speaker 1>Sir mhm row. It's just a scarecrow. Oh harrow, this

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<v Speaker 1>wee you chased all the way out here. Look boy,

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<v Speaker 1>it's nothing. These clothes are full of straw. It doesn't

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<v Speaker 1>even have lads. It's just resting on a post in

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<v Speaker 1>this it's just a mask. Well well well look what

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<v Speaker 1>we have here. Look who it is. Isn't that a coincidence?

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<v Speaker 1>You find your little doggie and we find you. I oh,

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<v Speaker 1>did we scare you? The scarecrow? Oh the grow scared

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<v Speaker 1>you poor little guy? What a baby? It it? Moved

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<v Speaker 1>this fucking thing. You know what. Let us take care

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<v Speaker 1>of that for you. Oh but now you realize yaw's double, yeah, double,

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<v Speaker 1>and it's time to pay up. I don't know you anything.

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<v Speaker 1>That's it. Get him Arrow, We've asked nicely, grab him.

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<v Speaker 1>This could have been so easy, kid, so easy. You

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<v Speaker 1>could have just paid back the money you owe. Toe said.

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<v Speaker 1>It would have been all over like that. I I

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<v Speaker 1>need it, my family needs it. Funds do tomorrow. I

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<v Speaker 1>think gonna victis If we can't pay please, Well, isn't

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<v Speaker 1>that sweet like candy? It's hard all over kids. Besides,

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<v Speaker 1>it is never really yours in the first place. Hell

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<v Speaker 1>hold him still, Hell, hell not? I your be afraid.

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<v Speaker 1>Thirteen Days of Halloween Devil's Night, starring Order Rockwood and

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<v Speaker 1>Clancy Brown. Episode one, The Orchard, written by Alexander Williams,

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<v Speaker 1>featuring the voices of Joseph Whipp, Travis Burnett, and Genta

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<v Speaker 1>Zombi Lasak, directed by Alexander Williams, Script supervision by Nicholas Takoski,

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<v Speaker 1>Casting by Sunday Bowling c s A and Meg Mormon

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<v Speaker 1>c s A. Production coordinator, Wayna Calderon. Production assistants Zoe

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<v Speaker 1>Shay and Amber Ferris. Animal recording by Ben James, closing

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<v Speaker 1>theme by Rose Azerti Loyalty Freak Music dot Com. Recorded

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<v Speaker 1>at d G Entertainment in Los Angeles, California. Engineered by

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<v Speaker 1>Gary Forbes and Jody Abbott. Executive producers Aaron Manky, Noah Finberg,

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<v Speaker 1>Chris Dicky, Matt Frederick and Alexander Williams. Supervising producers Trevor

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<v Speaker 1>Young and Josh Thaine. Producers Jesse Funk and rima Il Kali.

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<v Speaker 1>Thirteen Days of Halloween was created by Matt Frederick Alexander

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<v Speaker 1>Williams and is a production of iHeart three D Audio,

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<v Speaker 1>Blumhouse Television and Grim and Mild from Aaron Mackey. Learn

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<v Speaker 1>more about the show at Grimm and Mild dot com

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<v Speaker 1>slash thirteen Days and find more podcasts from I heart

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<v Speaker 1>Radio by visiting the i heart Radio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.