1 00:00:00,080 --> 00:00:07,440 Speaker 1: Yeah, Thirteen Days of Halloween, Devil's Night, a production of 2 00:00:07,440 --> 00:00:10,719 Speaker 1: I Heart three D audio, Blumhouse Television and Grimm and 3 00:00:10,800 --> 00:00:44,920 Speaker 1: Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Zero 4 00:00:52,040 --> 00:01:10,880 Speaker 1: errow errow vertical m errow errow, come here boy errow 5 00:01:22,800 --> 00:01:41,120 Speaker 1: huh hello, leeve me in line med W B R G. 6 00:01:41,280 --> 00:01:43,840 Speaker 1: And the good people are Bradberry will take on every 7 00:01:43,920 --> 00:01:47,160 Speaker 1: encouragement to compel you, to plead with and bent to 8 00:01:47,360 --> 00:01:50,920 Speaker 1: pray for you. It need be to keep yourselves, your families, 9 00:01:50,960 --> 00:01:54,760 Speaker 1: and especially your little ones indoors tonight, off the streets 10 00:01:54,920 --> 00:01:58,320 Speaker 1: and away from the darks. The sheriff has instituted a 11 00:01:58,400 --> 00:02:02,200 Speaker 1: mandatory curfew and need children out after dark or subject 12 00:02:02,280 --> 00:02:05,200 Speaker 1: to apprehension. Police are out on the town working over 13 00:02:05,240 --> 00:02:08,079 Speaker 1: time at full capacity, but that may not be enough. 14 00:02:08,560 --> 00:02:11,240 Speaker 1: In the meantime, do not need your house. Do not 15 00:02:11,400 --> 00:02:13,679 Speaker 1: answer the door. If you hear a bump in the knight, 16 00:02:14,080 --> 00:02:22,480 Speaker 1: do not go invest again. Okay, boys said sits time 17 00:02:22,560 --> 00:02:25,680 Speaker 1: to head back to town. Whatever you got bagged up, 18 00:02:25,760 --> 00:02:29,440 Speaker 1: line up and let's have a look. Terry, you got 19 00:02:29,440 --> 00:02:35,440 Speaker 1: my ladder, throw it in first. What have you got? Nice? 20 00:02:36,320 --> 00:02:41,320 Speaker 1: Good and fool we'll call it five pounds. That's fifty cents. 21 00:02:44,240 --> 00:02:48,720 Speaker 1: You I don't remember seeing you before. You right here 22 00:02:48,760 --> 00:02:53,200 Speaker 1: with us. What's your name? Boy, Tony? You gotta speak 23 00:02:53,280 --> 00:02:58,320 Speaker 1: up now. I'm a little HoTT Yeah, you're a little light. 24 00:02:58,440 --> 00:03:02,040 Speaker 1: That's ten pounds easy. We're gonna call it a quarter. 25 00:03:02,200 --> 00:03:05,080 Speaker 1: A quarter. Almost broke my arm looking that mess around, 26 00:03:05,160 --> 00:03:08,160 Speaker 1: generous boy, Either take the money and getting a truck, 27 00:03:08,280 --> 00:03:12,799 Speaker 1: or you're going home empty handed as your boy sheeps 28 00:03:12,840 --> 00:03:22,400 Speaker 1: keeping and you? Who are you? Tony to Tony's oh brother? Okay, 29 00:03:22,480 --> 00:03:25,000 Speaker 1: let's keep moving here. Hopefully you did a little better 30 00:03:25,000 --> 00:03:33,360 Speaker 1: in your partner knees. What were you two doing out there? Uh? Nothing, 31 00:03:33,800 --> 00:03:38,320 Speaker 1: just picking apples off the ground. Half of these are rotten. 32 00:03:38,880 --> 00:03:41,400 Speaker 1: It's not my fault. Your trees are ship. You're getting 33 00:03:41,520 --> 00:03:45,360 Speaker 1: a dime. That's not fair loose talk from either of you. 34 00:03:45,360 --> 00:03:52,640 Speaker 1: Can keep your rotting apples and walk them home. Uh man, 35 00:03:54,000 --> 00:03:59,520 Speaker 1: you got your bag of apples? Actually, I too, too 36 00:03:59,520 --> 00:04:06,840 Speaker 1: bad Swell that's the entrepreneurial spirit. Yeah, it's a good 37 00:04:06,920 --> 00:04:10,400 Speaker 1: haul on any day. But son, I heard about your family. 38 00:04:10,720 --> 00:04:14,720 Speaker 1: No shame in it. Good hard working folks all over 39 00:04:14,840 --> 00:04:20,440 Speaker 1: town are facing the same eviction. Greedy damn banks is 40 00:04:20,520 --> 00:04:25,000 Speaker 1: all criminal if you ask me, now, I understand why 41 00:04:25,120 --> 00:04:30,400 Speaker 1: you've been out here every day this month. And well, anyhow, 42 00:04:30,440 --> 00:04:37,440 Speaker 1: here's a little extra for your trouths. Wow, really are 43 00:04:37,440 --> 00:04:41,760 Speaker 1: you sure? Of course? So maybe that'll be enough to 44 00:04:41,839 --> 00:04:46,719 Speaker 1: keep those bloodsuckers at bay for now? Anyway? Keep that 45 00:04:46,880 --> 00:04:56,200 Speaker 1: safe now, kiddo, and look after that dog. Come on arrow, okay, opie, 46 00:04:56,279 --> 00:05:01,040 Speaker 1: what do you got for? Not? Fucking guy must be 47 00:05:01,080 --> 00:05:09,520 Speaker 1: going seen on him? Hey, give me a cigarette? Would 48 00:05:09,600 --> 00:05:14,360 Speaker 1: you make? Oh? You know about the same as you? 49 00:05:15,040 --> 00:05:18,320 Speaker 1: About the same? How's that supposed to mean? He's full 50 00:05:18,320 --> 00:05:21,040 Speaker 1: of it? I saw the old man slip him a sawbuck. 51 00:05:22,920 --> 00:05:29,920 Speaker 1: You hold it out on us? Alright? So where's our cut? What? Yeah? 52 00:05:29,920 --> 00:05:34,360 Speaker 1: How's about a little red dishes? What do you call it? Oh? 53 00:05:34,360 --> 00:05:39,839 Speaker 1: Maybe a little redistribution of wealth? That's the one. Why 54 00:05:39,839 --> 00:05:44,040 Speaker 1: would I do that? Why you get this guy Tony 55 00:05:44,360 --> 00:05:50,480 Speaker 1: asking us? Why? Why? Why? Why? Why? Indeed? Well, how's 56 00:05:50,480 --> 00:05:53,039 Speaker 1: about because there's a bit of unfair treatment going around 57 00:05:53,040 --> 00:05:57,360 Speaker 1: this operation that right now. I don't want to point fingers, 58 00:05:57,400 --> 00:06:00,599 Speaker 1: but maybe certain people, maybe those the man has a 59 00:06:00,640 --> 00:06:05,080 Speaker 1: certain fondness for, are getting sent to better patches. This 60 00:06:05,160 --> 00:06:09,920 Speaker 1: shitty old orchard. Oh that's just terrible. That's not true. 61 00:06:10,320 --> 00:06:13,920 Speaker 1: The orchard's fine. I work here every day after school, 62 00:06:14,240 --> 00:06:18,159 Speaker 1: and I've been here since this morning. Fine e stick 63 00:06:18,200 --> 00:06:20,240 Speaker 1: this in your mouth. Tell me what you think. Of course, 64 00:06:20,240 --> 00:06:23,320 Speaker 1: they're rotten. I saw you picking them off the ground. 65 00:06:23,640 --> 00:06:25,599 Speaker 1: You have to get up in the trees or under 66 00:06:25,640 --> 00:06:30,320 Speaker 1: the ladder. Look, kid, we're giving you options. Option one, 67 00:06:30,640 --> 00:06:33,360 Speaker 1: share a little bit with your fellow laborers whose work 68 00:06:33,480 --> 00:06:36,440 Speaker 1: is not being called into question here. That would be 69 00:06:36,480 --> 00:06:41,520 Speaker 1: the easiest and the most ethical option too. You can 70 00:06:41,560 --> 00:06:44,159 Speaker 1: go over there and address this gross pay disparity with 71 00:06:44,200 --> 00:06:47,960 Speaker 1: your buddy the farmer. Let him know we've been mischaracterized. 72 00:06:49,360 --> 00:06:53,039 Speaker 1: He'll never do that. And option three, you and your 73 00:06:53,080 --> 00:06:55,200 Speaker 1: dirty muck get back out there and pick us some 74 00:06:55,279 --> 00:06:59,600 Speaker 1: fresh apples. Get your ladder, get under your tree and 75 00:06:59,640 --> 00:07:03,880 Speaker 1: make the thing right. Are you hitting me? You know 76 00:07:04,000 --> 00:07:07,760 Speaker 1: what night it is? Did you hear the radio? It'll 77 00:07:07,760 --> 00:07:10,400 Speaker 1: be dorky in an hour. I need to get home. 78 00:07:13,400 --> 00:07:18,080 Speaker 1: What are you scared? He is? He's so scared. That 79 00:07:18,240 --> 00:07:20,960 Speaker 1: is the boogeyman gonna get you? Is a which gonna 80 00:07:21,000 --> 00:07:25,960 Speaker 1: come along and scoop you up? A ghost? What a baby, 81 00:07:26,280 --> 00:07:30,840 Speaker 1: What a little bitch? Listen kidding? Have you ever heard 82 00:07:30,840 --> 00:07:38,119 Speaker 1: of the man in the mask? No? What? Really? Sure 83 00:07:38,200 --> 00:07:42,840 Speaker 1: you have? Really, he's not a man, but he looks 84 00:07:42,880 --> 00:07:47,800 Speaker 1: like one. A tall man wanders the street every Halloween, 85 00:07:47,920 --> 00:07:53,840 Speaker 1: searching for someone small and defenseless, someone alone. He'll try 86 00:07:53,840 --> 00:07:56,800 Speaker 1: to convince you that he's harmless. I'll tell you that 87 00:07:56,840 --> 00:08:00,800 Speaker 1: he's your friend. But if you look right at him, 88 00:08:00,840 --> 00:08:07,240 Speaker 1: you'll notice that there's something off about something missing. What 89 00:08:09,040 --> 00:08:13,600 Speaker 1: his face? He has no face, and so he hides 90 00:08:13,640 --> 00:08:18,520 Speaker 1: behind a mask. And I'm not saying you are, but 91 00:08:18,600 --> 00:08:21,240 Speaker 1: if you were smart, you know that the moment you 92 00:08:21,320 --> 00:08:26,000 Speaker 1: see this man you should run. The thing is, it'll 93 00:08:26,040 --> 00:08:29,840 Speaker 1: already be too late. If you see him once, you're 94 00:08:29,920 --> 00:08:36,200 Speaker 1: guaranteed to see him again and again and again in 95 00:08:36,280 --> 00:08:40,960 Speaker 1: places you never expected, hiding in plain sight. Figure on 96 00:08:41,000 --> 00:08:45,319 Speaker 1: the street, a new kidding class, a face on your screen, 97 00:08:46,080 --> 00:08:50,280 Speaker 1: a shadow in your closet. You'll try to convince your friends, 98 00:08:50,640 --> 00:08:52,920 Speaker 1: your family that this person is not who he says 99 00:08:52,920 --> 00:08:57,000 Speaker 1: he is, that he's out to dbt you, fellow, laugh 100 00:08:57,040 --> 00:09:01,920 Speaker 1: it off, say you're crazy. And then one day you 101 00:09:02,080 --> 00:09:05,680 Speaker 1: look in the mirror and see that mask staring back 102 00:09:05,720 --> 00:09:11,720 Speaker 1: at you then and only then you'll know he's not 103 00:09:11,760 --> 00:09:17,520 Speaker 1: following you anymore, because now you are the man in 104 00:09:17,559 --> 00:09:25,920 Speaker 1: the mask. That's that's not real. Maybe maybe not, but 105 00:09:26,040 --> 00:09:30,520 Speaker 1: I bet you watch your back. Hey, hey, kid, calm down, 106 00:09:31,080 --> 00:09:36,160 Speaker 1: ye don't cry. You don't have to be afraid of him, 107 00:09:36,160 --> 00:09:39,880 Speaker 1: because I guarantee you that the scariest thing you'll see 108 00:09:39,920 --> 00:09:42,960 Speaker 1: all night is standing in the back of this truck 109 00:09:43,000 --> 00:09:47,240 Speaker 1: with you. Right now, it's time to do what's right. 110 00:09:47,920 --> 00:09:51,080 Speaker 1: Let's see what's in your pocket there? All right? Shuttle 111 00:09:51,160 --> 00:09:55,520 Speaker 1: down back there, we're off. Hold on because we're already late, 112 00:09:55,559 --> 00:09:57,680 Speaker 1: and I gotta get your kids home before this god 113 00:09:57,800 --> 00:10:03,640 Speaker 1: forsaken place goes preserved. What what is it? Boy? Dog 114 00:10:04,360 --> 00:10:11,920 Speaker 1: throwing heat? Arrow? I would run away, bitch. Where is that? Arrow? Act? 115 00:10:12,640 --> 00:10:14,840 Speaker 1: What are you doing? Get back in the truck. My 116 00:10:14,960 --> 00:10:17,760 Speaker 1: dog I called it by my dog. Oh my god, 117 00:10:17,800 --> 00:10:20,240 Speaker 1: he's gonna get left beyond. He's gonna spend the night 118 00:10:20,240 --> 00:10:22,560 Speaker 1: out here here. Get back in the truck. It's not 119 00:10:22,760 --> 00:10:27,120 Speaker 1: safe out here. Arrow. Where'd you go at? Arrow? Act? 120 00:10:27,280 --> 00:10:32,200 Speaker 1: What an idiot? By the dog, And get back to 121 00:10:32,280 --> 00:11:01,640 Speaker 1: the road. Arrow Arrow here, Roy, come here, errow arrow? Arrow? 122 00:11:02,080 --> 00:11:07,240 Speaker 1: Come on, boy, errow. It's okay, boy, you know you're 123 00:11:07,240 --> 00:11:12,560 Speaker 1: out there. Come back now, Rome on back and we 124 00:11:12,679 --> 00:11:17,640 Speaker 1: maybe can still make it home before which waste the road. 125 00:11:25,600 --> 00:11:51,840 Speaker 1: Zero arrow errow vertical errow errow. Come here, boy errow, 126 00:11:59,760 --> 00:12:11,120 Speaker 1: hm m hm huh Hello, Hello, I see you there, 127 00:12:14,600 --> 00:12:22,040 Speaker 1: erro Come mr. He's friendly. I swear you probably just 128 00:12:22,040 --> 00:12:28,120 Speaker 1: spooked him. In fact, you spooked to spool errow errol 129 00:12:28,360 --> 00:12:35,600 Speaker 1: saw get over here. I'm sorry about that, sir, Um 130 00:12:35,600 --> 00:12:40,160 Speaker 1: real sorry. I didn't expect to see anyone out here 131 00:12:40,240 --> 00:12:48,080 Speaker 1: this late, especially tonight. But um, you wouldn't happen to 132 00:12:48,120 --> 00:12:55,240 Speaker 1: know the way back to the road, would you, sir? 133 00:12:58,440 --> 00:13:11,200 Speaker 1: Sir mhm row. It's just a scarecrow. Oh harrow, this 134 00:13:11,280 --> 00:13:15,320 Speaker 1: wee you chased all the way out here. Look boy, 135 00:13:15,720 --> 00:13:21,440 Speaker 1: it's nothing. These clothes are full of straw. It doesn't 136 00:13:21,440 --> 00:13:26,160 Speaker 1: even have lads. It's just resting on a post in 137 00:13:26,360 --> 00:13:38,080 Speaker 1: this it's just a mask. Well well well look what 138 00:13:38,200 --> 00:13:42,679 Speaker 1: we have here. Look who it is. Isn't that a coincidence? 139 00:13:43,480 --> 00:13:49,439 Speaker 1: You find your little doggie and we find you. I oh, 140 00:13:50,120 --> 00:13:56,160 Speaker 1: did we scare you? The scarecrow? Oh the grow scared 141 00:13:56,240 --> 00:14:02,400 Speaker 1: you poor little guy? What a baby? It it? Moved 142 00:14:05,880 --> 00:14:09,480 Speaker 1: this fucking thing. You know what. Let us take care 143 00:14:09,480 --> 00:14:23,160 Speaker 1: of that for you. Oh but now you realize yaw's double, yeah, double, 144 00:14:24,000 --> 00:14:29,120 Speaker 1: and it's time to pay up. I don't know you anything. 145 00:14:30,360 --> 00:14:42,480 Speaker 1: That's it. Get him Arrow, We've asked nicely, grab him. 146 00:14:42,480 --> 00:14:45,680 Speaker 1: This could have been so easy, kid, so easy. You 147 00:14:45,720 --> 00:14:47,760 Speaker 1: could have just paid back the money you owe. Toe said. 148 00:14:47,760 --> 00:14:53,080 Speaker 1: It would have been all over like that. I I 149 00:14:53,200 --> 00:14:59,640 Speaker 1: need it, my family needs it. Funds do tomorrow. I 150 00:14:59,720 --> 00:15:05,160 Speaker 1: think gonna victis If we can't pay please, Well, isn't 151 00:15:05,240 --> 00:15:11,840 Speaker 1: that sweet like candy? It's hard all over kids. Besides, 152 00:15:12,960 --> 00:15:15,760 Speaker 1: it is never really yours in the first place. Hell 153 00:15:15,880 --> 00:15:34,479 Speaker 1: hold him still, Hell, hell not? I your be afraid. 154 00:15:56,200 --> 00:16:01,200 Speaker 1: Thirteen Days of Halloween Devil's Night, starring Order Rockwood and 155 00:16:01,280 --> 00:16:06,440 Speaker 1: Clancy Brown. Episode one, The Orchard, written by Alexander Williams, 156 00:16:06,720 --> 00:16:10,480 Speaker 1: featuring the voices of Joseph Whipp, Travis Burnett, and Genta 157 00:16:10,600 --> 00:16:16,680 Speaker 1: Zombi Lasak, directed by Alexander Williams, Script supervision by Nicholas Takoski, 158 00:16:17,080 --> 00:16:20,200 Speaker 1: Casting by Sunday Bowling c s A and Meg Mormon 159 00:16:20,320 --> 00:16:25,280 Speaker 1: c s A. Production coordinator, Wayna Calderon. Production assistants Zoe 160 00:16:25,320 --> 00:16:29,960 Speaker 1: Shay and Amber Ferris. Animal recording by Ben James, closing 161 00:16:30,040 --> 00:16:35,400 Speaker 1: theme by Rose Azerti Loyalty Freak Music dot Com. Recorded 162 00:16:35,480 --> 00:16:39,640 Speaker 1: at d G Entertainment in Los Angeles, California. Engineered by 163 00:16:39,640 --> 00:16:45,320 Speaker 1: Gary Forbes and Jody Abbott. Executive producers Aaron Manky, Noah Finberg, 164 00:16:45,600 --> 00:16:51,120 Speaker 1: Chris Dicky, Matt Frederick and Alexander Williams. Supervising producers Trevor 165 00:16:51,160 --> 00:16:55,760 Speaker 1: Young and Josh Thaine. Producers Jesse Funk and rima Il Kali. 166 00:16:57,240 --> 00:17:00,640 Speaker 1: Thirteen Days of Halloween was created by Matt Frederick Alexander 167 00:17:00,720 --> 00:17:03,800 Speaker 1: Williams and is a production of iHeart three D Audio, 168 00:17:03,960 --> 00:17:07,960 Speaker 1: Blumhouse Television and Grim and Mild from Aaron Mackey. Learn 169 00:17:08,000 --> 00:17:10,719 Speaker 1: more about the show at Grimm and Mild dot com 170 00:17:10,760 --> 00:17:14,040 Speaker 1: slash thirteen Days and find more podcasts from I heart 171 00:17:14,080 --> 00:17:17,280 Speaker 1: Radio by visiting the i heart Radio app, Apple Podcasts, 172 00:17:17,400 --> 00:17:19,399 Speaker 1: or wherever you listen to your favorite shows.