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Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I

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Speaker 1: am your host Movie Mike, joined this week by my

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Speaker 1: wife and co host Kelsey.

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Speaker 2: How are you great.

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Speaker 3: It's Friday, It's beautiful day outside. I'm about to basically

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Speaker 3: sleep for the whole weekends.

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Speaker 2: I love a good sleep in weekend.

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Speaker 3: It's also supposed to rain tomorrow. We had plans to

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Speaker 3: celebrate our anniversary a few days early. We're gonna go

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Speaker 3: on a little date night, go play some like mini golf,

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Speaker 3: got to eat And I looked at you and I

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Speaker 3: was like, it's gonna rain Saturday. What are the chances

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Speaker 3: we would like to get tay food and cancel our plans?

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Speaker 3: And you really say less.

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Speaker 1: Our favorite hobby as a couple is canceling Pland to.

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Speaker 3: Be fair, last weekend was a lot chaotically busy with

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Speaker 3: travel delays.

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Speaker 2: Oh yeah, we could talk about that later. Okay, Oh

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Speaker 2: oh that was a disaster.

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Speaker 3: It was a disaster.

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Speaker 1: There were also some disaster movies in the month of May,

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Speaker 1: which we'll get into our best and worst. I'll give

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Speaker 1: you my full thoughts on Furiosa, which came out in theaters.

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Speaker 1: It surprisingly didn't do that well and in the Trailer Park.

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Speaker 1: We have our first look at Mawana to thank you

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Speaker 1: for being here, Thank you for being subscrib Shout out

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Speaker 1: to the Monday Morning Movie crew. Now let's talk movies

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Speaker 1: in a world.

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Speaker 4: Where everyone and their mother has a podcast. One man

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Speaker 4: stands to infiltrate the ears of listeners like never before

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Speaker 4: in a movie podcast. A man with so much movie knowledge.

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Speaker 4: He's basically like a walking IMDb with glasses. From the

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Speaker 4: Nashville Podcast Network. This is Movie Mike's movie Podcast.

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Speaker 1: All right, we have a lot to get into, so

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Speaker 1: let's start off with what was the best movie you

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Speaker 1: saw in me?

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Speaker 3: That's so easy. It was Babes.

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Speaker 1: I knew it was gonna be Babes, hands down your

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Speaker 1: favorite movie.

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Speaker 3: I already want to see it again.

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Speaker 1: And as many movies as we watch, it's pretty rare

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Speaker 1: we go back and rewatch a movie. I can't remember

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Speaker 1: the last one that as soon as it hits streaming,

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Speaker 1: I wanted to go rewatch again.

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Speaker 3: Every single Spider Man.

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Speaker 1: That's probably yeah, probably no way Home was the last one.

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Speaker 1: Even as much as I love The Iron Claw, which

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Speaker 1: is now on Max, I still have not watched it.

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Speaker 3: I know, Blue Beetle, Oh yeah.

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Speaker 2: I have, well, I resaw that in theaters.

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Speaker 1: We both saw it twice in theaters because we had

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Speaker 1: to go take my mom to go see it, and

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Speaker 1: I watched it again once it hit Max. The movie

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Speaker 1: I was waiting to rewatch. I just wasn't in that

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Speaker 1: right mental state to sit down and watch The Iron Claw.

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Speaker 1: But if you haven't seen that movie yet, it is

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Speaker 1: available on Max.

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Speaker 3: Now how do rewatch that one?

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Speaker 1: You have to kind of prepare yourself because it is

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Speaker 1: inherently sad throughout the entire film.

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Speaker 2: That movie is so sad.

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Speaker 1: They had to take out sad things that actually happened

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Speaker 1: to the true story because they thought audiences couldn't take

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Speaker 1: it or wouldn't even believe it.

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Speaker 2: But it was all true.

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Speaker 3: Yeah, it just was so sad. I don't want to

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Speaker 3: give spoilers, but it just is deeply. You need a

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Speaker 3: box of tissues.

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Speaker 1: So if you want the opposite experience of that, go

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Speaker 1: see Babes in theaters.

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Speaker 3: Yes, we did a full on review, so I won't

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Speaker 3: go too much into it.

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Speaker 1: Yeah, just go back one episode, or you can always

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Speaker 1: watch full reviews individually on YouTube. Find all those links

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Speaker 1: in the podcast notes. That movie was right up there.

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Speaker 1: For me, I don't really think, well, at least in theaters.

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Speaker 1: There was a terrible movie that we watched. My Worst

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Speaker 1: is a terrible movie. But I feel like for the

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Speaker 1: most part, May was pretty solid.

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Speaker 2: It's good month, although.

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Speaker 1: I think June is gonna ramp way up and then

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Speaker 1: July is gonna be even better, which.

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Speaker 3: July is gonna We're just gonna live at the movie.

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Speaker 2: It's gonna be just a great season.

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Speaker 1: But I think looking at just box office numbers and

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Speaker 1: overall just movies that really got people excited, there were

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Speaker 1: a lot of just good movies, not super on great

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Speaker 1: movies in May, but overall a really good month. My

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Speaker 1: best had to go to The Fall Guy, and I

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Speaker 1: think the reason that is now looking back on it,

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Speaker 1: is because I feel like as big of a fan

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Speaker 1: of just movies in general i am. I think that's

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Speaker 1: why that movie spoke so much to me, because it

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Speaker 1: also shows you the movie making process.

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Speaker 3: You love a movie about a movie.

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Speaker 1: Yeah, it's pretty meta, and I didn't know how well

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Speaker 1: it was going to do with people who maybe didn't

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Speaker 1: care so much about that because.

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Speaker 3: It was so good. Though. That was my runner up

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Speaker 3: for best of the month because it just was. I

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Speaker 3: loved it everything about it.

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Speaker 1: Ryan Gosling plays a stuntman who gets hurt, retires from

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Speaker 1: stunt stunting, stunting stunting stunt manning.

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Speaker 2: And then gets pulled back in.

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Speaker 1: So while he is doing stuntman things in the fake

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Speaker 1: movie on set, he is also doing stunt like things

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Speaker 1: in the fall Guy. So it goes kind of like

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Speaker 1: two layers. He's also acting as a stuntman, but he's

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Speaker 1: also doing stunt things as the actor.

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Speaker 3: It was meta within a meta movie.

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Speaker 1: There are a lot of those moments, and I feel

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Speaker 1: like at times it almost got way too into it.

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Speaker 1: But I loved how unorthodox and different it felt than

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Speaker 1: anything I'd seen in theaters in a long time.

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Speaker 2: So that was my best of the month. What is

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Speaker 2: your worst?

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Speaker 3: A movie? I should have let you go see by yourself.

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Speaker 3: It's called I Saw the TV.

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Speaker 2: I knew you were gonna do it.

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Speaker 3: It was too artsy for me. I am not hybrow

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Speaker 3: when it comes to movies. The only thing I would

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Speaker 3: say I'm ever maybe hybrow about his books. And I'll

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Speaker 3: even read like popular books, Like I'm not a book snob,

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Speaker 3: but like I enjoy deeper books than I do deeper movies.

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Speaker 3: I was so bored. I was so freakin' bored.

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Speaker 1: I will say I didn't love I Saw the TV Glow,

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Speaker 1: but I also didn't hate it as much as you did.

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Speaker 1: I really enjoyed the vibe of I Saw the TV Glow.

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Speaker 1: So what it's about. It's this kid named Owen and

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Speaker 1: him and a friend get infatuated with this late night

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Speaker 1: show that is kind of reminiscent of what you would

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Speaker 1: see on Nickelodeon in the early nineties, kind of like

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Speaker 1: the show.

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Speaker 2: Are You Afraid of the Dark?

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Speaker 1: Is what this show is In the movie, it's called

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Speaker 1: The Pink Opaque, and it's them becoming infatuated with this

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Speaker 1: show and then not being able to tell reality from

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Speaker 1: the show.

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Speaker 2: And that is generally what the movie is about.

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Speaker 1: I will say the trailer was a little bit mislead

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Speaker 1: because I thought it was gonna have a little bit

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Speaker 1: more of a traditional story structure of here's this story

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Speaker 1: with these two characters find this weird show, and then

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Speaker 1: they have to go on some adventure.

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Speaker 2: There was really no adventure in the movie.

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Speaker 1: The storytelling was really abstract, which even for me that

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Speaker 1: I loved the vibe of it, that nineties retro vibe.

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Speaker 1: The soundtrack soundtrack is great. Oh, I've been listening to

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Speaker 1: it NonStop. Literally, it is my most plained thing for

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Speaker 1: the last week and a half because I loved it

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Speaker 1: so much and even for a movie to make me

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Speaker 1: want to go seek out its soundtrack, I feel is

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Speaker 1: really powerful.

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Speaker 3: Willy Wonka made you seek out the soundtrack Willy Wonka.

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Speaker 2: I also listened to the Asteroid City soundtrack.

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Speaker 3: We listened to Willy Wonka for quite a while.

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Speaker 2: That was maybe a week. It was probably a week.

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Speaker 2: Cashtroid City I listened to that probably for a week.

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Speaker 1: Two Last Train, Yeah, I listened to that on a

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Speaker 1: lot too, but for like for music that would actually.

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Speaker 2: Go into something I would listen to on the rag.

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Speaker 3: You also wanted to see this movie because Phoebe Purse

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Speaker 3: wasn't it for sixty seconds?

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Speaker 2: Yeah? I thought she was gonna have bigger wrong, but.

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Speaker 3: She There's a lot of things we thought about this movie.

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Speaker 1: Music was a big part of it, because at times

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Speaker 1: this movie felt like it transformed into a music video.

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Speaker 2: There were sequences that were just really beautifully shot, a

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Speaker 2: lot of cool.

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Speaker 1: Fun neon visuals with a really cool song playing over it.

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Speaker 1: And it was these moments where it didn't really feel

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Speaker 1: that attached to the movie, so I enjoyed that part

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Speaker 1: of it. I think that's why all the songs were

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Speaker 1: so cemented in my head. Even the song with Phoebe

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Speaker 1: Bridges was on screen in her band, I was like,

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Speaker 1: I need to go listen to that song, and it didn't

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Speaker 1: occur to me. Oh, it's probably a real song, a

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Speaker 1: part of the soundtrack. So I feel like all of

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Speaker 1: the parts of it were good, but when you put

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Speaker 1: them all together, the overall movie wasn't what I thought

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Speaker 1: it was going to be. It's like taking a bunch

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Speaker 1: of good ingredients and throwing them all together into a dinner,

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Speaker 1: but then the dinner not being good because it's just

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Speaker 1: a bunch of ingreedies that don't really go well together.

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Speaker 3: Which also happens to us often.

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Speaker 1: Oh, yeah, that was exactly I was speaking to me

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Speaker 1: right now. Sometimes I think I want something and then

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Speaker 1: I make exactly what I want and I think that's not

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Speaker 1: what I wanted.

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Speaker 2: It taste good.

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Speaker 3: I say that often I throw things in a bowl

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Speaker 3: and I'm like, this wasn't the vibe I was going for,

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Speaker 3: And that's what the movie gave me not the vibe

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Speaker 3: I was going for.

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Speaker 1: And I will say you, I don't want to say

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Speaker 1: you have to be a film snob to enjoy this movie.

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Speaker 1: It is an a twenty four movie, and I feel

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Speaker 1: like all the people who really loved it are people

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Speaker 1: who like going and researching and have someone explain to

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Speaker 1: them what the movie was about, because there's a lot

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Speaker 1: of subtexts and I saw the TV glow where these

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Speaker 1: little small moments happen and then you go back and say, oh, well,

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Speaker 1: it was actually saying this, and it's a commentary on this,

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Speaker 1: and I get what it was trying to do is

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Speaker 1: actually a great message behind it, but it's just not

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Speaker 1: that well executed for me.

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Speaker 2: And I wanted to love it.

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Speaker 3: Yeah, I love a twenty four movies. I love something

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Speaker 3: that's a little different, but that was It just wasn't

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Speaker 3: a movie made for me, and that's fine. I just

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Speaker 3: should have said Go by Yourself.

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Speaker 1: Was a short film, ten to fifteen minutes, it would

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Speaker 1: be perfect. But the fact that this movie was ninety

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Speaker 1: minutes and it felt really long at ninety minutes proves

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Speaker 1: to me that there was a little bit more or

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Speaker 1: not enough substance to carry on an entire follng movie.

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Speaker 1: So this is a movie that I just like going

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Speaker 1: back and looking at stills of and just little scenes

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Speaker 1: from it, but overall not one that I would recommend

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Speaker 1: or I may rewatch this eventually just to see if

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Speaker 1: there were some things I missed and take me out

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Speaker 1: of that theater and being able to kind of enjoy

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Speaker 1: it at my own pace, maybe i'd feel differently about it.

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Speaker 2: So that's your worst? Huh? What would you rate it?

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Speaker 1: Because I know what you said right after we watched it,

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Speaker 1: You're like zero out of five.

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Speaker 2: I'm out of here? Are you still at the zero?

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Speaker 2: You could be at the zero.

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Speaker 3: I'll give it a point five for the soundtrack.

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Speaker 1: Soundtrack is good, I recommend, Well, you kind of got

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Speaker 1: to be into sad indie music, which is like my

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Speaker 1: jam Phoebe Bridges on a soundtrack that's gonna be all

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Speaker 1: me all day.

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Speaker 3: Yeah, we'll give it a point five for the soundtrack.

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Speaker 2: All right, we got it to a point five. Everybody.

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Speaker 2: She was at a zero for me.

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Speaker 1: The worst movie I saw in May, hands down, is

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Speaker 1: not only the worst movie I've seen in May, but.

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Speaker 2: So far probably the worst I've seen all year.

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Speaker 3: Maybe ever.

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Speaker 1: Oh, it's up there for being one of the worst

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Speaker 1: movies of all time. It is unfrosted with Jerry Seinfeld.

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Speaker 3: How was that a real movie? I have so many

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Speaker 3: big names.

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Speaker 1: I don't know how he thought this was funny. To me,

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Speaker 1: Jerry Seinfeld hasn't been funny. I mean, I never really

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Speaker 1: found Seinfeld to be that funny. It was not my

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Speaker 1: go to show.

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Speaker 3: He also just said in an interview that he misses

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Speaker 3: toxic masculinity and the like dominant male personality. So his

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Speaker 3: really his whole terrible takes.

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Speaker 1: His whole promotional run for this movie was really weird

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Speaker 1: because he came out saying that movies were dead, They're

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Speaker 1: not relevant anymore, and he's saying this while promoting a movie.

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Speaker 1: To me, he feels like he is this authority on comedy.

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Speaker 2: I get it.

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Speaker 1: He was big in the nineties. He has a really big,

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Speaker 1: prominent state end up career. He's very influential to people.

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Speaker 1: A lot of comedians look up to him. I never

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Speaker 1: found him funny.

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Speaker 3: He did the ant movie that says a lot B movie,

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Speaker 3: B movie.

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Speaker 1: Yeah, B movie director has opinions on what movies need

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Speaker 1: to be going forward. Ants yea yeah, there was a

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Speaker 1: Bugs Life, and there was Bugs.

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Speaker 3: Life, Perfect Movie, No Notes, Untouchable, the B movie, Yes, okay,

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Speaker 3: thank you.

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Speaker 2: Ants isn't actually bad.

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Speaker 3: Ants isn't terrible. It's a B movie though.

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Speaker 2: Yeah, B movie's pretty bad.

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Speaker 1: But Seinfeld as a whole, I've never really been that

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Speaker 1: big a fan of I know, people say, oh, you

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Speaker 1: don't get his comedy. He likes pointing out the mundane,

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Speaker 1: Like I just think he's out of touch. I don't

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Speaker 1: want to hear a billionaire tell me what is funny.

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Speaker 3: The funniest person on Seinfeld was Julia Louis Dreyfus.

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Speaker 1: Yeah, that's the other thing about Seinfeld. He was not

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Speaker 1: the funniest part about that show.

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Speaker 3: He was not.

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Speaker 1: It was her and Kramer. Yeah, and I put Costanzo

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Speaker 1: at third.

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Speaker 3: It was not him.

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Speaker 2: He was the least funny thing about Seinfeld.

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Speaker 3: Hot takes from us.

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Speaker 1: I don't even think that's a hant take. That is

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Speaker 1: fact printed. Put it in a dictionary or wherever they

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Speaker 1: keep those records. I don't think they keep Encyclopedia in

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Speaker 1: an encyclopedia, in an Atlas, Rand McNally, Encyclopedia Britannica. I

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Speaker 1: used to read those we had a set. I don't

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Speaker 1: think we had all of them. I think we got

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Speaker 1: them at a garage and I would go and just

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Speaker 1: read them. I'd also read atlases because my dad was

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Speaker 1: a truck driver and he would just have some and

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Speaker 1: I'd was like, I need to know how to get

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Speaker 1: to El Paso.

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Speaker 2: That's why I'm pretty good at directions.

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Speaker 3: Now you're so good, except for when we got to

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Speaker 3: Austin at like two am, which we'll talk about more

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Speaker 3: that the directions on the GPS. You were like, think

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Speaker 3: it's telling me and I was like, I'm delirious, but

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Speaker 3: I'm historically not good at directions, so normally you don't

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Speaker 3: take mine. And you did listen to me that time,

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Speaker 3: and I was sorry, But normally you're great with directions.

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Speaker 2: We'll get to that in a second.

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Speaker 1: But wrapping up this thought, going along with some movie news,

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Speaker 1: the Netflix CEO said that if Barbie and Oppenheimer came

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Speaker 1: out on Netflix that they would have been as successful,

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Speaker 1: which I feel is the worst thing any CEO has said, probably.

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Speaker 2: Next to what the Chipotle ceo.

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Speaker 1: It's about to bring up, like, hey, our portions haven't

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Speaker 1: gotten less, haven't gotten any smaller.

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Speaker 2: You guys are crazy.

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Speaker 3: It's my favorite video. He's like, you know, if they

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Speaker 3: don't put enough, you just kind of and he gives

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Speaker 3: this like, hey, come on, like shrug.

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Speaker 1: That dude has never been to Chipotle. No, he's never

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Speaker 1: had a He's never had a burrito in his mouth

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Speaker 1: in his life. The Netflix CEO saying that if Barbie

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Speaker 1: and Oppenheimer came out on Netflix, they'd be as big

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Speaker 1: is insane. Netflix hasn't had a culturally relevant movie since

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Speaker 1: bird Box twenty eighteen. We watched together. It felt like

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Speaker 1: the entire country, the entire world watched that movie.

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Speaker 2: Director.

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Speaker 3: Yeah, I don't even gether like scary movies, and I

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Speaker 3: was like, I got to get in on this.

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Speaker 1: But that was the first and last time really that

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Speaker 1: they put out a movie that had any kind of

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Speaker 1: pop culture.

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Speaker 3: Tiger King was a TV show, TV show, Tiger King

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Speaker 3: and Cheer TV show. If it weren't for the pandemic,

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Speaker 3: would they have been popular.

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Speaker 2: Yeah, that was a big part of tier. We probably

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Speaker 2: wouldn't all been on the Tiger.

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Speaker 3: King train if it bored and locked in the house.

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Speaker 1: And we needed something bizarre in our lives to have

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Speaker 1: us escape from this thing going on.

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Speaker 3: In the world.

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Speaker 2: Tiger King was that we.

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Speaker 3: Needed something weirder than the fact that we were locked

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Speaker 3: in our houses and this man with tigers.

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Speaker 2: What was his name again, Joe Exotic?

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Speaker 3: Thank you?

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Speaker 1: But they, I mean, they have great TV shows which

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Speaker 1: they have shifted into they do wonderfully. But when it

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Speaker 1: comes to movies, they're putting out movies with j Lo

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Speaker 1: about AI that are ruining it.

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Speaker 3: Are we watching that?

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Speaker 1: By the way, I don't want to like out of

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Speaker 1: just the core inner fiber of my being, I don't

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Speaker 1: want to watch it, But I also want to see

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Speaker 1: how much of a disaster it is. I've also been

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Speaker 1: in my year of the downfallow Jennifer.

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Speaker 3: Lopez, you're really into the canceling her tour, her which

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Speaker 3: didn't sell well.

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Speaker 1: Her album Tank, her movie did terribly. The most entertaining

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Speaker 1: part of the movie was the documentary that came out

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Speaker 1: of her calling up celebs and everybody being like, I.

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Speaker 2: Don't want to be in your movie. Oh yeah, it

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Speaker 2: ham and.

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Speaker 3: Cheese on a roll back of chips and an Oran

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Speaker 3: small bag of chips, small bag of chips, and an

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Speaker 3: orange drink.

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Speaker 2: If you know you know so.

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Speaker 1: I think for that reason I would watch it also,

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Speaker 1: just so we have another worse movie to add to

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Speaker 1: the list, but I don't want to watch it. But

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Speaker 1: going back to that movie, going back to Unfrosted, I

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Speaker 1: think this is also having an effect on what people

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Speaker 1: think about movies, and that is what is upsetting to me,

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Speaker 1: is that people see a movie like the Ai Jennifer

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Speaker 1: Lopez movie come out on Netflix that same weekend, Garfield

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Speaker 1: and Furiosa all came out. To the average person, all

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Speaker 1: of those are the same thing in their mind. They're

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Speaker 1: all just content. They are all just movies. One you

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Speaker 1: can watch at home, the others you have to pay

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Speaker 1: a really big amount to go out and watch them.

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Speaker 1: So you're gonna watch the one that's the easiest to

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Speaker 1: get to, that's the cheapest, it's the Jalo movie. And

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Speaker 1: you're putting out this lower tier quality of movie on Netflix,

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Speaker 1: making people think that this is what movies are. They're terrible,

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Speaker 1: they are waste of time. Therefore, when another good movie

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Speaker 1: does come out in theaters, they don't want to go

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Speaker 1: watch it. And for the first time right now since

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Speaker 1: the pandemic, I kind of feel worried about the state

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Speaker 1: of movie theaters because Furiosa came out and only made

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Speaker 1: thirty million dollars on one hundred and sixty million dollar budget.

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Speaker 3: Okay, but that movie wasn't good. I think it was good,

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Speaker 3: but I don't feel like Mad Max is like a

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Speaker 3: huge because you can't appeal to like a younger crowd.

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Speaker 1: But it came out on Memorial Day weekend, which is

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Speaker 1: historically like the weekend to go to theaters.

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Speaker 3: If you put out a really good movie.

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Speaker 1: True and Garfield made more than Furiosa if you put

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Speaker 1: because kids are out of school now.

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Speaker 3: I think Memorial Day the only time that it makes

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Speaker 3: a big amount of money because most people associate Memorial

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Speaker 3: Day with a boat with water with hot dogs. People

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Speaker 3: were the only ones who were like startled the season.

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Speaker 1: I think it's it's a mixture of that. Ticket prices

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Speaker 1: at movie theaters are really expensive.

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Speaker 3: Get that regal.

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Speaker 1: I would highly recommend that because in two visits you're good.

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Speaker 1: I feel like it might be a little bit different

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Speaker 1: with families because you can't really get everybody a past

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Speaker 1: that gets more expensive.

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Speaker 2: Yeah, I went, but for us it worked perfectly.

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Speaker 3: I went to the movie with my family and like

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Speaker 3: tickets and snacks was It's ridiculous but my family also

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Speaker 3: loves snacks, like I got a popcorn to drink. My

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Speaker 3: brother's got a large popcorn a drink, and I see

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Speaker 3: my dad gets a popcorn water sometimes one of those

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Speaker 3: pickles in a.

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Speaker 2: Bag and never had the pickle in the bag.

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Speaker 3: I'm pretty good.

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Speaker 1: And I think combined with movies coming out onto streaming

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Speaker 1: much sooner, it's giving people less of a reason to

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Speaker 1: go see it in theaters if they know you can

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Speaker 1: get it in thirty forty five days at home for cheaper,

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Speaker 1: if not for probably free if you're already subscribed to

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Speaker 1: a service.

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Speaker 3: I mean, my family loves going to the movies, and

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Speaker 3: half the time my mom says, I'll just wait till

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Speaker 3: it's on streaming. And that's for people who even love

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Speaker 3: going to movies.

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Speaker 1: Yeah, So it's also how we kind of feel about

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Speaker 1: TV shows is there's so many new TV shows every

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Speaker 1: single week that you have to catch up on.

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Speaker 3: My brain is overloaded.

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Speaker 1: In the same way, you can't expect all these movies

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Speaker 1: to crush it at the box office when you're putting

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Speaker 1: out one every single week that needs to make a

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Speaker 1: vast amount of money to recoup that people are gonna

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Speaker 1: pick and choose the big ones to go see because

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Speaker 1: you're looking at your finances and thinking, okay, and go

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Speaker 1: to a movie for Deadpool and Wolverine. But that means

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Speaker 1: we're gonna miss all these in May and June. So

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Speaker 1: it's also you can't really expect all these to be

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Speaker 1: blockbusters when people don't really have the time or the

439
00:18:28,920 --> 00:18:31,520
Speaker 1: money to do that. Yeah, So I think I'm just

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Speaker 1: worried in the sense that there are these movies that

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Speaker 1: are still having these astronomical budgets one hundred and fifty

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Speaker 1: two hundred million dollars and making thirty million. I think

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Speaker 1: it's gonna have an impact on movie budgets, and hopefully

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Speaker 1: it could be a good thing that you have kind

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Speaker 1: of a revival of indie filmmaking. I mean, look at

446
00:18:51,080 --> 00:18:53,119
Speaker 1: a movie like Everything Everywhere, All at Once that was

447
00:18:53,160 --> 00:18:56,040
Speaker 1: made for a relatively low budget and went on to

448
00:18:56,560 --> 00:18:59,840
Speaker 1: earn a lot more have a lot of critical acclaim

449
00:19:00,280 --> 00:19:02,480
Speaker 1: and I think that is going to be the new

450
00:19:02,560 --> 00:19:06,119
Speaker 1: model of spending less but having to be more creative,

451
00:19:06,640 --> 00:19:10,440
Speaker 1: therefore giving people new things to be excited about, because

452
00:19:10,640 --> 00:19:12,960
Speaker 1: what audiences are kind of getting fatigued with is having

453
00:19:13,000 --> 00:19:15,600
Speaker 1: the same thing over and over the MCU had its run,

454
00:19:15,880 --> 00:19:17,960
Speaker 1: and at the time, in two thousand and eight.

455
00:19:17,800 --> 00:19:20,080
Speaker 2: A big superhero movie was exciting.

456
00:19:20,119 --> 00:19:22,200
Speaker 1: It was novel, it was different, It was a spec

457
00:19:22,240 --> 00:19:24,120
Speaker 1: to go to go see something like that in theaters.

458
00:19:24,320 --> 00:19:25,960
Speaker 1: And I think it's not so much that people are

459
00:19:25,960 --> 00:19:29,879
Speaker 1: fatigued with the superhero genre. They're fatigued with the formula.

460
00:19:30,040 --> 00:19:32,240
Speaker 1: Same thing over and over. Here's a new character, here's

461
00:19:32,280 --> 00:19:34,760
Speaker 1: their origin story, here's the villain. Here's them debating the

462
00:19:34,840 --> 00:19:37,200
Speaker 1: villain by being bada boom, a lot of fighting and action.

463
00:19:37,320 --> 00:19:39,480
Speaker 1: It's the same thing over and over. You have to

464
00:19:39,520 --> 00:19:42,000
Speaker 1: reinvent that to give people a reason to not just

465
00:19:42,080 --> 00:19:45,160
Speaker 1: go watch a big summer blockbuster movie, but also give

466
00:19:45,200 --> 00:19:49,240
Speaker 1: them more of a story, different characters, different emotions. So

467
00:19:49,280 --> 00:19:51,040
Speaker 1: you have to kind of go back to that indie

468
00:19:51,080 --> 00:19:55,160
Speaker 1: style of filmmaking of not depending on your big budget

469
00:19:55,240 --> 00:19:56,040
Speaker 1: to get people there.

470
00:19:56,160 --> 00:19:57,359
Speaker 3: I have something to say, But do we want to

471
00:19:57,359 --> 00:19:59,440
Speaker 3: circle back to your rating on them Frosted before.

472
00:19:59,720 --> 00:20:01,679
Speaker 1: Oh yeah, I will give it a one out of

473
00:20:01,720 --> 00:20:05,160
Speaker 1: five pop Tarts worst movie. I'd probably go point five,

474
00:20:05,200 --> 00:20:07,520
Speaker 1: actually even lower than that. I tend to not go

475
00:20:07,680 --> 00:20:09,880
Speaker 1: zero because as long as you show up, you get

476
00:20:09,920 --> 00:20:12,640
Speaker 1: a point five, so I'd give it a point five

477
00:20:12,800 --> 00:20:14,040
Speaker 1: out of five pop tarts.

478
00:20:14,200 --> 00:20:15,960
Speaker 3: I was gonna say, can we go through really quick

479
00:20:15,960 --> 00:20:18,760
Speaker 3: before we get toward disaster this weekend? Of what other

480
00:20:18,920 --> 00:20:21,480
Speaker 3: summer blockbusters we have coming up, because I've already forgotten.

481
00:20:21,520 --> 00:20:24,960
Speaker 1: We have Twisters, which is the one we've been waiting for.

482
00:20:25,240 --> 00:20:27,199
Speaker 1: As big of a fans are as we are of

483
00:20:27,200 --> 00:20:28,359
Speaker 1: the original.

484
00:20:28,080 --> 00:20:29,800
Speaker 3: I can't wait to see it. And it's a big

485
00:20:29,840 --> 00:20:31,840
Speaker 3: fan of Glenn Pal. I'm trying to set so he's

486
00:20:31,880 --> 00:20:34,399
Speaker 3: moving back to Austin. And if my friend listens to this,

487
00:20:34,440 --> 00:20:36,920
Speaker 3: she'll kill me for saying this. But her other friend

488
00:20:36,920 --> 00:20:38,879
Speaker 3: and I are like, Glenn Pal's moving back to Austin.

489
00:20:39,240 --> 00:20:40,560
Speaker 3: Hit him up, this is your chance.

490
00:20:41,040 --> 00:20:42,760
Speaker 2: So I'm gonna hit him up as my chance.

491
00:20:43,880 --> 00:20:45,720
Speaker 3: He's a big Longhorn fan. I know I could see

492
00:20:45,760 --> 00:20:48,080
Speaker 3: him at football games going to go Home for one.

493
00:20:48,240 --> 00:20:51,159
Speaker 3: Him and McConaughey, Flenny were your big fans. We have

494
00:20:51,359 --> 00:20:54,320
Speaker 3: Inside Out coming out. We have Bad Boys coming out

495
00:20:54,320 --> 00:20:57,160
Speaker 3: this week. Okay, I watched the trailer for that looks

496
00:20:57,240 --> 00:20:57,840
Speaker 3: kind of funny.

497
00:20:57,920 --> 00:20:58,760
Speaker 2: It does look funny.

498
00:20:58,920 --> 00:21:01,440
Speaker 1: I find it more funny, probably from Martin Lawrence, who

499
00:21:01,480 --> 00:21:04,399
Speaker 1: I love even at your brother's graduation, Rudy through my

500
00:21:04,480 --> 00:21:06,400
Speaker 1: brother Rudy through on Blue Streak.

501
00:21:06,320 --> 00:21:07,280
Speaker 2: Big crowd pleaser.

502
00:21:07,520 --> 00:21:10,600
Speaker 1: Yeah, everybody loves Blue Streak, so I'm more interested to

503
00:21:10,600 --> 00:21:13,960
Speaker 1: see that. For Martin Lawrence, we have Despicable Me for

504
00:21:14,440 --> 00:21:16,240
Speaker 1: that's gonna be a crusher. I think that could be

505
00:21:16,280 --> 00:21:17,800
Speaker 1: the billion dollar movie of the summer.

506
00:21:18,040 --> 00:21:19,640
Speaker 3: We will be we'll be seeing that.

507
00:21:19,720 --> 00:21:22,480
Speaker 1: We have that Austin Butler movie, The Bike Riders coming out.

508
00:21:22,640 --> 00:21:24,800
Speaker 3: Oh yeah, I don't really.

509
00:21:24,560 --> 00:21:27,119
Speaker 1: Know exactly how to feel about that movie. It kind

510
00:21:27,160 --> 00:21:29,199
Speaker 1: of looks like, why is this getting made? Are we

511
00:21:29,280 --> 00:21:31,400
Speaker 1: just trying to force Austin Butler as a movie star?

512
00:21:31,520 --> 00:21:33,760
Speaker 1: We really are, like real hard because.

513
00:21:33,520 --> 00:21:35,240
Speaker 3: He wasn't that great Masters of Area though.

514
00:21:35,320 --> 00:21:38,479
Speaker 2: He's been Elvis for the last two years.

515
00:21:38,600 --> 00:21:42,880
Speaker 3: I think that's gonna be a career blocker something else,

516
00:21:42,920 --> 00:21:44,320
Speaker 3: but I'll keep it family friendly.

517
00:21:44,480 --> 00:21:47,000
Speaker 2: June twenty First, we have Kinds of Kindness, which looks good.

518
00:21:47,240 --> 00:21:50,040
Speaker 3: Yes, the Yorgo slanthemost movie. It's almost three hours.

519
00:21:50,240 --> 00:21:52,680
Speaker 2: Yeah that's a long one. Just on paper, it looks great.

520
00:21:52,760 --> 00:21:54,399
Speaker 3: The cast is amazing, is amazing.

521
00:21:54,560 --> 00:21:57,440
Speaker 1: Org Slanting Moos is the same person who did things

522
00:21:57,640 --> 00:22:00,800
Speaker 1: or things so almost everybody from the movie now in

523
00:22:00,800 --> 00:22:01,200
Speaker 1: this one.

524
00:22:01,280 --> 00:22:03,200
Speaker 2: But it looks good. It's long, it is long.

525
00:22:03,240 --> 00:22:04,560
Speaker 3: I know we have a quiet place, but I don't

526
00:22:04,600 --> 00:22:05,080
Speaker 3: do scary.

527
00:22:05,320 --> 00:22:06,600
Speaker 2: Oh you're not gonna go see that with me?

528
00:22:06,760 --> 00:22:09,000
Speaker 3: I think so. I just don't like anything that makes

529
00:22:09,000 --> 00:22:09,800
Speaker 3: me jump.

530
00:22:10,000 --> 00:22:11,880
Speaker 1: I don't think it's a full on horror movie. It's

531
00:22:11,920 --> 00:22:16,800
Speaker 1: more suspenseful. But they are creepy monsters killing people.

532
00:22:17,080 --> 00:22:19,240
Speaker 3: This trailer doesn't look as bad as the other ones.

533
00:22:19,240 --> 00:22:21,520
Speaker 3: I don't feel like this one's sudden New York.

534
00:22:21,640 --> 00:22:21,960
Speaker 2: Yeah.

535
00:22:22,040 --> 00:22:23,960
Speaker 3: Yeah, this one doesn't look as bad as like they're

536
00:22:23,960 --> 00:22:26,159
Speaker 3: in like Cabin in the Woods being taken on.

537
00:22:26,200 --> 00:22:27,800
Speaker 2: By It's pretty cool to how it all started.

538
00:22:27,840 --> 00:22:32,800
Speaker 1: We have that Kevin Costner movie, an American saga Horizon movie.

539
00:22:32,840 --> 00:22:34,320
Speaker 2: Oh yeah, yeah, self financed.

540
00:22:34,359 --> 00:22:36,840
Speaker 3: I was thinking Kevin Bacon dif Kevin.

541
00:22:37,240 --> 00:22:39,840
Speaker 1: Kevin Costner has always felt like a very just vanilla

542
00:22:39,920 --> 00:22:42,160
Speaker 1: actor to me, like he doesn't really have it feels

543
00:22:42,280 --> 00:22:44,400
Speaker 1: like I wanted defining movie to me, really.

544
00:22:44,240 --> 00:22:47,240
Speaker 3: Leaning into like the period pieces with like yellow I know,

545
00:22:47,280 --> 00:22:49,160
Speaker 3: and Yellowstone is like a current show, but he's leaning

546
00:22:49,200 --> 00:22:51,679
Speaker 3: into like that, like Western and also the fact that

547
00:22:51,680 --> 00:22:53,680
Speaker 3: it's two parts coming out in theaters. Feels a little

548
00:22:53,680 --> 00:22:55,760
Speaker 3: bit like a cash grab. Yeah, and they're not that

549
00:22:55,800 --> 00:22:56,320
Speaker 3: far apart.

550
00:22:56,440 --> 00:22:57,760
Speaker 2: That's kind of the new trend now.

551
00:22:57,840 --> 00:22:58,680
Speaker 3: It's weird though.

552
00:22:58,800 --> 00:23:01,000
Speaker 2: It's like you make one movie that's way too long,

553
00:23:01,040 --> 00:23:01,760
Speaker 2: so you split it up in.

554
00:23:01,760 --> 00:23:03,600
Speaker 3: A two weird one that you watched on Netflix.

555
00:23:03,720 --> 00:23:07,240
Speaker 1: Yeah, the Zack Snyder movie. Yes, I can't even remember

556
00:23:07,240 --> 00:23:09,119
Speaker 1: the name. I hated the name Rose Planet.

557
00:23:09,320 --> 00:23:09,920
Speaker 3: What was the name?

558
00:23:09,960 --> 00:23:11,320
Speaker 2: It's like the ed Hardier movies.

559
00:23:12,560 --> 00:23:14,320
Speaker 3: Okay, any other standouts?

560
00:23:14,359 --> 00:23:17,160
Speaker 1: Those are the major ones and Deadpool and Deadpool which

561
00:23:17,160 --> 00:23:17,960
Speaker 1: perody have tickets for?

562
00:23:18,160 --> 00:23:18,400
Speaker 2: Yep.

563
00:23:19,280 --> 00:23:21,080
Speaker 1: I want to find that machine where you can win

564
00:23:21,119 --> 00:23:23,840
Speaker 1: the best friend's necklace. I think it's only at AMC.

565
00:23:24,160 --> 00:23:25,119
Speaker 3: Go to an AMC for that.

566
00:23:25,200 --> 00:23:26,639
Speaker 2: We have the pre order of the ticket.

567
00:23:26,760 --> 00:23:28,639
Speaker 1: You pre ordered the ticket and they give you a

568
00:23:28,720 --> 00:23:31,200
Speaker 1: coin and then you put that coin into the machine

569
00:23:31,440 --> 00:23:32,600
Speaker 1: with the chance of winning it.

570
00:23:32,760 --> 00:23:34,639
Speaker 3: There is a really nice AMC here, but it's just

571
00:23:34,680 --> 00:23:36,560
Speaker 3: like it's like fifteen minutes away and we're.

572
00:23:36,359 --> 00:23:38,240
Speaker 2: Like too far century away.

573
00:23:38,480 --> 00:23:40,200
Speaker 3: Meanwhile, when we were in Texas, we're like, you want

574
00:23:40,200 --> 00:23:42,520
Speaker 3: to drive thirty five minutes out of town for a smoothie?

575
00:23:42,640 --> 00:23:42,880
Speaker 2: Yes?

576
00:23:43,320 --> 00:23:45,119
Speaker 3: Speaking of Texas, let's talk about that.

577
00:23:45,480 --> 00:23:49,159
Speaker 1: Yeah, we went to Texas for your brother's graduation and

578
00:23:49,200 --> 00:23:50,959
Speaker 1: we tried to get there the night before.

579
00:23:51,160 --> 00:23:52,399
Speaker 2: What time were we supposed to leave.

580
00:23:52,520 --> 00:23:54,400
Speaker 3: We were supposed to take off at five forty five,

581
00:23:54,640 --> 00:23:56,520
Speaker 3: and we were about to leave the house Collin Uber

582
00:23:56,520 --> 00:23:58,600
Speaker 3: to go to the airport and it started getting delayed,

583
00:23:58,760 --> 00:24:01,520
Speaker 3: which we had a feeling because the sky started turning

584
00:24:01,880 --> 00:24:05,400
Speaker 3: really dark, real dark right before we left. So we're like, okay,

585
00:24:05,440 --> 00:24:07,320
Speaker 3: we're delayed, Like let's just hang out at home. But

586
00:24:07,320 --> 00:24:09,520
Speaker 3: then it was like kept getting delayed, and then you're

587
00:24:09,520 --> 00:24:12,159
Speaker 3: in that weird mindset of like what if they like

588
00:24:12,200 --> 00:24:13,840
Speaker 3: move it back up and it's not delayed, so you

589
00:24:13,840 --> 00:24:15,679
Speaker 3: don't want to like get too comfortable, and then you

590
00:24:15,720 --> 00:24:17,600
Speaker 3: just kind of sit there and you're like, I guess

591
00:24:17,600 --> 00:24:19,639
Speaker 3: I'm gonna make dinner. At four thirty, I was like,

592
00:24:19,640 --> 00:24:21,399
Speaker 3: I guess I'm gonna make a peanut butter and jelly

593
00:24:21,440 --> 00:24:24,280
Speaker 3: sandwich for dinner. So I'm gonna get to the airport finally,

594
00:24:24,520 --> 00:24:28,680
Speaker 3: and we bored. We're taxing and the pilot comes on.

595
00:24:28,720 --> 00:24:30,000
Speaker 2: What time are we on the plane?

596
00:24:30,440 --> 00:24:32,800
Speaker 3: Nine? And he comes on and he's like like nine

597
00:24:32,880 --> 00:24:35,639
Speaker 3: thirty because we're supposed to take off at like nine fifteen.

598
00:24:35,720 --> 00:24:38,040
Speaker 3: So we're taxing on the runway about to take off,

599
00:24:38,040 --> 00:24:41,280
Speaker 3: and he's like, folks got a mechanical light an electrical

600
00:24:41,320 --> 00:24:43,919
Speaker 3: issue that just came on, which, to be fair, it

601
00:24:43,960 --> 00:24:45,879
Speaker 3: was a Boeing, So I'm glad they turned his back around.

602
00:24:46,119 --> 00:24:47,720
Speaker 2: Probably this is something we need to check out at.

603
00:24:47,600 --> 00:24:49,560
Speaker 3: This point, and he's like, we're gonna go back to

604
00:24:49,560 --> 00:24:51,960
Speaker 3: the gate. Well, then it takes forever to get off

605
00:24:52,000 --> 00:24:55,200
Speaker 3: the runway because the runway is designed like if you're

606
00:24:55,240 --> 00:24:57,960
Speaker 3: going in one direction, you're gonna take off. So then

607
00:24:57,960 --> 00:25:01,119
Speaker 3: we had to like reorient back down the runway to

608
00:25:01,119 --> 00:25:03,280
Speaker 3: get back to a gate. Then none of the gates

609
00:25:03,280 --> 00:25:05,639
Speaker 3: were open. So we get to a gate and' like

610
00:25:05,640 --> 00:25:07,359
Speaker 3: we're gonna look at it, and then my head, I'm like,

611
00:25:07,600 --> 00:25:09,840
Speaker 3: this is gonna be like they're not gonna be able

612
00:25:09,840 --> 00:25:11,560
Speaker 3: to fix it, or like our pilot's gonna time out

613
00:25:11,640 --> 00:25:14,440
Speaker 3: or something. So like ten ten, he comes on. He's like,

614
00:25:14,480 --> 00:25:17,280
Speaker 3: great news, they fixed they fixed it. They're riding up

615
00:25:17,280 --> 00:25:21,159
Speaker 3: the report. So then we finally re taxi at like

616
00:25:21,200 --> 00:25:23,720
Speaker 3: ten thirty. We take off at like ten forty. We

617
00:25:23,840 --> 00:25:27,480
Speaker 3: land in Austin at like twelve forty five. We're deliriously tired.

618
00:25:27,600 --> 00:25:31,120
Speaker 3: We get our rental car. Everyone's in line. I don't

619
00:25:31,160 --> 00:25:33,320
Speaker 3: know what people were asking, but it took forever to

620
00:25:33,320 --> 00:25:34,879
Speaker 3: get out of Enterprise. I'm like, because no one here

621
00:25:34,880 --> 00:25:36,840
Speaker 3: rented a car before. We were so cranky. We were

622
00:25:36,880 --> 00:25:39,400
Speaker 3: at that point where everyone we're like, everyone's an idiot,

623
00:25:39,480 --> 00:25:41,639
Speaker 3: get out of here. And then it's not just that

624
00:25:41,720 --> 00:25:44,080
Speaker 3: we like have to fly in. It's that my parents

625
00:25:44,119 --> 00:25:47,600
Speaker 3: live an hour from the airport, which isn't terrible on

626
00:25:47,640 --> 00:25:51,000
Speaker 3: a normal day, like whatever, smaller Texas town, but when

627
00:25:51,040 --> 00:25:53,280
Speaker 3: you are so tired and you have an hour drive

628
00:25:53,320 --> 00:25:55,720
Speaker 3: at one fifteen in the morning, we were exhausted.

629
00:25:56,160 --> 00:25:59,400
Speaker 2: And that's where I was questioning the GPS and I was.

630
00:25:59,320 --> 00:26:01,000
Speaker 3: Like, I'm pretty sure we need to go this way,

631
00:26:01,119 --> 00:26:03,560
Speaker 3: like this used to be my route from the airport.

632
00:26:03,640 --> 00:26:06,440
Speaker 3: I was right. But anyways, we get there, so we're like, great,

633
00:26:06,480 --> 00:26:09,760
Speaker 3: we're here. We made it. You're up the next morning

634
00:26:09,800 --> 00:26:13,920
Speaker 3: at five working remotely. I didn't go to sleep like

635
00:26:13,960 --> 00:26:16,600
Speaker 3: three fifteen because my body couldn't like shut down.

636
00:26:16,800 --> 00:26:18,399
Speaker 1: I was so worried I wasn't going to wake up

637
00:26:18,440 --> 00:26:20,480
Speaker 1: that at one point I got I just kept waking

638
00:26:20,560 --> 00:26:22,439
Speaker 1: up check my phone to see what time it was,

639
00:26:22,720 --> 00:26:24,680
Speaker 1: and I haven't been drunk in a really long time,

640
00:26:24,760 --> 00:26:26,680
Speaker 1: but in that moment, I felt like I did when I.

641
00:26:26,720 --> 00:26:28,720
Speaker 2: Was drunk, and was like, what was going on?

642
00:26:28,960 --> 00:26:30,600
Speaker 1: And I looked at the phone and I couldn't really

643
00:26:30,680 --> 00:26:32,760
Speaker 1: make it out, like my eyes were blurry, like the

644
00:26:32,800 --> 00:26:34,240
Speaker 1: feeling I have when you're drunk.

645
00:26:34,359 --> 00:26:35,919
Speaker 2: That's how I felt because I was so tired.

646
00:26:36,000 --> 00:26:38,120
Speaker 3: So then the next day we're like, Okay, at least

647
00:26:38,119 --> 00:26:41,720
Speaker 3: we're here and we're taking my youngest brother to lunch,

648
00:26:42,080 --> 00:26:44,359
Speaker 3: and my mom texts and she's like, so graduation just

649
00:26:44,359 --> 00:26:47,119
Speaker 3: got canceled for tonight, and I'm like, excuse me. There

650
00:26:47,119 --> 00:26:48,919
Speaker 3: were huge storms in Texas and the place they were

651
00:26:48,920 --> 00:26:51,760
Speaker 3: supposed to have it was outdoors. They lost power the

652
00:26:51,760 --> 00:26:53,639
Speaker 3: whole like facility. They were like, we'll try to do

653
00:26:53,680 --> 00:26:55,600
Speaker 3: it tomorrow, and then they were like, we actually don't

654
00:26:55,600 --> 00:26:57,520
Speaker 3: know if we're going to do it tomorrow. So by Friday,

655
00:26:57,520 --> 00:27:00,600
Speaker 3: graduations just canceled for the weekends. We're supposed to go

656
00:27:00,600 --> 00:27:02,239
Speaker 3: home Sunday, and then all of a sudden, they're like

657
00:27:02,400 --> 00:27:04,879
Speaker 3: it's gonna be Tuesday and you had to go home.

658
00:27:05,480 --> 00:27:07,280
Speaker 3: You had work, And I was like, I can stay

659
00:27:07,359 --> 00:27:08,679
Speaker 3: and then I was like, I didn't bring my work

660
00:27:08,760 --> 00:27:10,399
Speaker 3: laptop because we were supposed to be home. We had

661
00:27:10,400 --> 00:27:12,600
Speaker 3: a friends staying at our house in Nashville while we

662
00:27:12,600 --> 00:27:14,840
Speaker 3: were gone. She flew it back to Austin with her.

663
00:27:14,920 --> 00:27:16,879
Speaker 3: We picked it up from her, and I did indeed

664
00:27:16,920 --> 00:27:19,679
Speaker 3: stay for the weekend and got to watch middle brother graduate,

665
00:27:19,680 --> 00:27:22,120
Speaker 3: which was so special, but it was one disaster after

666
00:27:22,160 --> 00:27:23,399
Speaker 3: the next for the weekend.

667
00:27:23,640 --> 00:27:26,159
Speaker 1: I was just upset because we did all that to

668
00:27:26,240 --> 00:27:26,680
Speaker 1: get there.

669
00:27:26,800 --> 00:27:28,560
Speaker 3: We jumped through so many hoops to get there in time.

670
00:27:28,640 --> 00:27:31,000
Speaker 2: And I get, you can't control what happens with the weather,

671
00:27:31,160 --> 00:27:33,320
Speaker 2: but maybe have a backup no backup plan, And I

672
00:27:33,320 --> 00:27:35,760
Speaker 2: mean Texas did get hit hard that week.

673
00:27:35,880 --> 00:27:38,040
Speaker 3: I got tornadoes and I guess pretty bad.

674
00:27:38,160 --> 00:27:40,680
Speaker 1: So in the grand scheme of things, I get it

675
00:27:40,680 --> 00:27:43,040
Speaker 1: it caused some devastation to the area, but also you

676
00:27:43,040 --> 00:27:45,000
Speaker 1: don't have a backup plan, and the fact that we

677
00:27:45,040 --> 00:27:47,359
Speaker 1: did so much just to be there on time, and

678
00:27:47,359 --> 00:27:48,680
Speaker 1: then it just felt like it was for nothing. We

679
00:27:48,720 --> 00:27:50,520
Speaker 1: still got to see family, we still got to do

680
00:27:50,560 --> 00:27:51,800
Speaker 1: the graduation party.

681
00:27:51,560 --> 00:27:53,560
Speaker 3: In Southwust game with some vouchers, but the.

682
00:27:53,560 --> 00:27:56,760
Speaker 1: Actual event that we both went for only you got

683
00:27:56,800 --> 00:27:57,480
Speaker 1: to experience.

684
00:27:57,720 --> 00:27:59,800
Speaker 3: I know it was a bummer. Yeah, it was just

685
00:27:59,840 --> 00:28:01,800
Speaker 3: a and we looked back. We planned we booked this

686
00:28:01,840 --> 00:28:04,119
Speaker 3: trip in February. Yeah, like we had it. We were like,

687
00:28:04,160 --> 00:28:07,000
Speaker 3: we're not missing this. This is a huge day. So anyways,

688
00:28:07,080 --> 00:28:10,440
Speaker 3: that was our disaster of epic proportions. But I did

689
00:28:10,440 --> 00:28:13,640
Speaker 3: get three extra days at home with my brothers and

690
00:28:13,720 --> 00:28:14,280
Speaker 3: my puppy.

691
00:28:14,600 --> 00:28:17,399
Speaker 1: We usually wrap up also with TV show and your

692
00:28:17,400 --> 00:28:20,359
Speaker 1: book recommendation. We haven't really been watching much TV. I

693
00:28:20,400 --> 00:28:24,000
Speaker 1: did finish X Men ninety seven, which is great. I

694
00:28:24,000 --> 00:28:27,880
Speaker 1: also started gen V because The Boys is returning this month.

695
00:28:28,000 --> 00:28:29,000
Speaker 3: But then you had a nightmare.

696
00:28:29,240 --> 00:28:31,280
Speaker 1: Yeah, it's not a show you need to one right

697
00:28:31,320 --> 00:28:34,000
Speaker 1: before you go to sleep because it's really violent.

698
00:28:34,359 --> 00:28:35,840
Speaker 2: And I watched it right before bed.

699
00:28:35,880 --> 00:28:37,800
Speaker 1: I watched two episodes, went to sleep, and then just

700
00:28:37,800 --> 00:28:40,520
Speaker 1: had these crazy, vivid, violent nightmares.

701
00:28:41,080 --> 00:28:43,760
Speaker 3: Oh I watched Uh was that May? I don't think

702
00:28:43,760 --> 00:28:45,480
Speaker 3: I've recommended yet The Girls on the Bus.

703
00:28:45,600 --> 00:28:48,040
Speaker 2: I haven't. No, you watched that pretty quick.

704
00:28:48,240 --> 00:28:52,760
Speaker 3: Like one and a half days on HBO Max about

705
00:28:52,800 --> 00:28:55,280
Speaker 3: like four journalists on a presidential campaign. Was really good.

706
00:28:55,520 --> 00:28:59,280
Speaker 3: And then book, hmm, whatever this month, I'm going to

707
00:28:59,640 --> 00:29:03,480
Speaker 3: go oh with one called The Unexpected Spy. It was

708
00:29:03,520 --> 00:29:05,800
Speaker 3: written by a woman who was in the CIA and

709
00:29:05,840 --> 00:29:11,000
Speaker 3: the FBI, like right after September eleventh. Very interesting. A

710
00:29:11,000 --> 00:29:13,800
Speaker 3: lot of it's redacted though, because obviously you can't give

711
00:29:13,840 --> 00:29:16,920
Speaker 3: away a lot of like CIA stuff, so she'd even now, yeah,

712
00:29:16,960 --> 00:29:19,960
Speaker 3: she'd leave it in and like just put like just

713
00:29:20,000 --> 00:29:24,080
Speaker 3: like big black blocks over it. Cool. Yeah, that was

714
00:29:24,120 --> 00:29:26,400
Speaker 3: really interesting. I felt like I learned a lot about

715
00:29:26,440 --> 00:29:29,240
Speaker 3: like world affairs that either they don't teach you or

716
00:29:29,280 --> 00:29:31,200
Speaker 3: you don't remember. And I'm just trying to read like

717
00:29:31,240 --> 00:29:33,240
Speaker 3: different genres because I have a book now that's like

718
00:29:33,320 --> 00:29:37,160
Speaker 3: investigative reporting called Sisterhood of the CIA, like about women

719
00:29:37,160 --> 00:29:38,720
Speaker 3: working in the CIA that I haven't read yet, so

720
00:29:38,760 --> 00:29:40,840
Speaker 3: I wanted to read a first hand perspective.

721
00:29:41,000 --> 00:29:44,240
Speaker 1: I'm about to get into my Furiosi review. You mentioned

722
00:29:44,600 --> 00:29:47,080
Speaker 1: you didn't like the movie before I give my rating,

723
00:29:47,240 --> 00:29:49,600
Speaker 1: just give your rating why you didn't like it.

724
00:29:50,000 --> 00:29:52,160
Speaker 3: I liked the first hour, but after the first hour,

725
00:29:52,200 --> 00:29:53,480
Speaker 3: I was like, oh my god, we haven't even seen

726
00:29:53,480 --> 00:29:55,760
Speaker 3: Ania Taylor Joy yet and we were on I wouldnt

727
00:29:55,760 --> 00:29:57,280
Speaker 3: see it with my family. You had already left. So

728
00:29:57,280 --> 00:29:58,520
Speaker 3: it was my mom and dad and I and my

729
00:29:58,520 --> 00:29:59,120
Speaker 3: younger brothers.

730
00:29:59,160 --> 00:30:01,040
Speaker 2: We saw it at the same time, but in different

731
00:30:01,040 --> 00:30:01,720
Speaker 2: states we did.

732
00:30:01,800 --> 00:30:03,520
Speaker 3: That was fun. We timed that out. My mom and

733
00:30:03,560 --> 00:30:06,320
Speaker 3: I really, how much longer do we have of this?

734
00:30:07,080 --> 00:30:09,240
Speaker 3: And then I would be like, Mike just got done,

735
00:30:09,320 --> 00:30:12,360
Speaker 3: has started fifteen minutes before, so we still have fifteen minutes.

736
00:30:13,160 --> 00:30:18,840
Speaker 3: My rating two out of five high speed vehicles. I

737
00:30:18,840 --> 00:30:19,560
Speaker 3: don't know what they.

738
00:30:19,480 --> 00:30:21,560
Speaker 2: Drove, A two basically for the first hour, but.

739
00:30:21,520 --> 00:30:24,400
Speaker 3: I love Anya Taylor Joy, so one point five for

740
00:30:24,440 --> 00:30:26,800
Speaker 3: the movie itself, in point five for Annie Taylor Joy.

741
00:30:26,840 --> 00:30:27,280
Speaker 2: There you go.

742
00:30:27,360 --> 00:30:29,000
Speaker 1: We'll come back and get my four review on that.

743
00:30:29,080 --> 00:30:30,480
Speaker 1: Then we'll talk about we wanta.

744
00:30:30,280 --> 00:30:38,200
Speaker 2: To Let's get into it now. A spoiler free movie review.

745
00:30:38,440 --> 00:30:41,160
Speaker 1: A Furiosa A Mad Max saga makes me want to

746
00:30:41,200 --> 00:30:45,280
Speaker 1: say when God and Furiosa. This is a prequel to

747
00:30:45,400 --> 00:30:47,880
Speaker 1: Mad Max Fury Road, which is a movie that blew

748
00:30:47,920 --> 00:30:50,040
Speaker 1: my mind when I went to go see it in theaters.

749
00:30:50,480 --> 00:30:53,640
Speaker 1: I was not expecting the movie going experience that I

750
00:30:53,760 --> 00:30:57,560
Speaker 1: had after watching that because wasn't the biggest fan of

751
00:30:57,600 --> 00:30:59,880
Speaker 1: the original Mad Max. I would love to say that

752
00:30:59,920 --> 00:31:04,080
Speaker 1: I'm a huge Mel Gibson Tina Turner fan, but it

753
00:31:04,240 --> 00:31:07,360
Speaker 1: was that movie that changed my perspective on the franchise

754
00:31:07,440 --> 00:31:11,360
Speaker 1: and created this excitement for me to go and watch Furiosa,

755
00:31:11,400 --> 00:31:15,440
Speaker 1: which is the prequel the origin story of Charlie Starone's

756
00:31:15,480 --> 00:31:20,080
Speaker 1: character in Fury Road. And I also love Anya Taylor Joy,

757
00:31:20,120 --> 00:31:23,960
Speaker 1: who I believe is an actor just on that upper

758
00:31:24,040 --> 00:31:27,600
Speaker 1: trajectory with every movie that she does, and also somebody

759
00:31:27,640 --> 00:31:30,480
Speaker 1: that has such a large variety of.

760
00:31:30,440 --> 00:31:32,200
Speaker 2: Work so early on in her career.

761
00:31:32,720 --> 00:31:35,400
Speaker 1: I first remember her in The Witch, which is the

762
00:31:35,480 --> 00:31:38,680
Speaker 1: great horror movie, but she's also done movies like The Menu.

763
00:31:39,280 --> 00:31:42,479
Speaker 1: She's the voice of Peach in the Super Mario Brothers movie,

764
00:31:42,720 --> 00:31:47,440
Speaker 1: and she is starring alongside another well established A list star,

765
00:31:47,560 --> 00:31:51,480
Speaker 1: Chris Hemsworth. We all still primarily know west Or, but

766
00:31:51,600 --> 00:31:54,840
Speaker 1: I would say he's trying to separate himself a little

767
00:31:54,840 --> 00:31:58,680
Speaker 1: bit from the MCU as far as showing audiences that

768
00:31:58,760 --> 00:32:01,160
Speaker 1: he can do different things. He doesn't have to just

769
00:32:01,200 --> 00:32:05,320
Speaker 1: be that ripped up muscly guy playing an agent, playing

770
00:32:05,360 --> 00:32:09,320
Speaker 1: a soldier, playing an officer, and I think in this

771
00:32:09,520 --> 00:32:13,040
Speaker 1: role he shows us that he can do other things.

772
00:32:13,280 --> 00:32:16,680
Speaker 1: There are two things that I found very two things

773
00:32:16,680 --> 00:32:19,600
Speaker 1: that I found very distracting about this movie that I'll

774
00:32:19,640 --> 00:32:22,520
Speaker 1: get into later, but he looks a little bit different.

775
00:32:22,560 --> 00:32:26,400
Speaker 1: They change his facial features, he has different color hair

776
00:32:26,480 --> 00:32:29,360
Speaker 1: throughout the movie. So it's also just giving us a

777
00:32:29,360 --> 00:32:33,320
Speaker 1: different side of him for our eyes, but also in

778
00:32:33,360 --> 00:32:36,800
Speaker 1: the cadence and the way he spoke, and just having

779
00:32:36,840 --> 00:32:39,480
Speaker 1: like this different kind of aura about him, which you

780
00:32:39,560 --> 00:32:41,520
Speaker 1: have to have with doing such a weird movie like

781
00:32:41,560 --> 00:32:45,400
Speaker 1: Furiosa living in that mad Max world. I think he

782
00:32:45,520 --> 00:32:49,240
Speaker 1: proved that to be true. Now, what this movie is

783
00:32:49,240 --> 00:32:52,800
Speaker 1: is Furiosa from a very very young age, I would

784
00:32:52,840 --> 00:32:55,360
Speaker 1: say maybe eight or nine, ten years old. At the

785
00:32:55,400 --> 00:32:59,720
Speaker 1: beginning of this movie, she is taken away from this

786
00:33:00,360 --> 00:33:03,040
Speaker 1: place that she lives in, which is kind of a utopia.

787
00:33:03,080 --> 00:33:06,480
Speaker 2: And in the Madamex world, it is out in the middle.

788
00:33:06,280 --> 00:33:10,080
Speaker 1: Of basically a desert where there are no resources, there's

789
00:33:10,120 --> 00:33:14,800
Speaker 1: no water, there's no ammo, there are very minimal things

790
00:33:15,120 --> 00:33:18,920
Speaker 1: on which people have in order to survive. But the

791
00:33:19,000 --> 00:33:21,880
Speaker 1: place she comes from is this place that has an

792
00:33:21,920 --> 00:33:25,840
Speaker 1: abundance of things, and she is trying to keep people

793
00:33:25,880 --> 00:33:29,719
Speaker 1: from discovering this place, but then encounter some bad people.

794
00:33:30,360 --> 00:33:33,560
Speaker 1: One of those bad people happens to be Chris Hemsworth's character,

795
00:33:33,840 --> 00:33:36,520
Speaker 1: who Furiosa ends up in the grips of him after

796
00:33:36,720 --> 00:33:39,720
Speaker 1: she gets captured, taken away on a bike, and Chris

797
00:33:39,760 --> 00:33:43,680
Speaker 1: hemsworth character wants to know where she comes from, but

798
00:33:43,760 --> 00:33:46,840
Speaker 1: then her mom comes and rescues her, but ends up

799
00:33:46,840 --> 00:33:49,640
Speaker 1: paying the ultimate price and sacrificing herself.

800
00:33:49,680 --> 00:33:50,520
Speaker 2: And this may sound like.

801
00:33:50,440 --> 00:33:52,760
Speaker 1: A spoiler, but it literally all happens in the first

802
00:33:52,760 --> 00:33:55,920
Speaker 1: ten minutes of this movie and really is the overall

803
00:33:56,840 --> 00:34:00,240
Speaker 1: kickstarter to the entire story of how Fury Are It

804
00:34:00,320 --> 00:34:03,600
Speaker 1: became to be the warrior that we saw in Mad

805
00:34:03,680 --> 00:34:06,960
Speaker 1: Max Fury Road, showing the impact of losing her mom

806
00:34:07,400 --> 00:34:10,040
Speaker 1: and then throughout this entire movie never really having a

807
00:34:10,080 --> 00:34:12,720
Speaker 1: home because having to go from one place to another

808
00:34:12,760 --> 00:34:15,840
Speaker 1: place to another place, and how all of those things

809
00:34:16,440 --> 00:34:17,480
Speaker 1: hardened her.

810
00:34:17,920 --> 00:34:20,359
Speaker 2: But at the core of it fueled her.

811
00:34:20,960 --> 00:34:23,439
Speaker 1: So that is really all I'll speak on as far

812
00:34:23,560 --> 00:34:26,160
Speaker 1: as what the plot is, But the overall theme of

813
00:34:26,160 --> 00:34:30,560
Speaker 1: the story is revenge. She wants to get revenge on

814
00:34:30,640 --> 00:34:34,200
Speaker 1: the people who took her mother away from her, and

815
00:34:34,239 --> 00:34:37,040
Speaker 1: the person who she wants that revenge from, who is

816
00:34:37,080 --> 00:34:40,839
Speaker 1: responsible for that is Chris Hemsworth's character, And really that

817
00:34:40,920 --> 00:34:44,200
Speaker 1: first hour of the movie is all dedicated to this

818
00:34:44,280 --> 00:34:48,280
Speaker 1: young furiosa that you don't even see Anya Taylor Joy

819
00:34:48,440 --> 00:34:51,480
Speaker 1: until that hour mark. So to me, this movie kind

820
00:34:51,480 --> 00:34:54,279
Speaker 1: of felt like two movies split into one, and if

821
00:34:54,320 --> 00:34:57,200
Speaker 1: I had to pick which one I enjoyed more, it

822
00:34:57,239 --> 00:35:00,719
Speaker 1: was actually her very early life that I found more entertaining.

823
00:35:01,360 --> 00:35:04,160
Speaker 1: All kicking off from how the movie started, where it

824
00:35:04,280 --> 00:35:07,279
Speaker 1: leaps right into the action, and I think what I

825
00:35:07,400 --> 00:35:10,200
Speaker 1: find annoying sometimes in movies like this that are either

826
00:35:10,320 --> 00:35:13,800
Speaker 1: in a world that is so far in the past

827
00:35:13,920 --> 00:35:16,279
Speaker 1: or so far in the future, where you're trying to

828
00:35:16,440 --> 00:35:20,080
Speaker 1: establish all these characters in all these worlds, I always

829
00:35:20,080 --> 00:35:23,759
Speaker 1: feel like they over explain everything, where you usually have

830
00:35:23,920 --> 00:35:28,440
Speaker 1: the scene where it's like two historical ancient figures talking

831
00:35:28,440 --> 00:35:31,720
Speaker 1: to each other, explaining all these details, saying all these names,

832
00:35:32,080 --> 00:35:35,040
Speaker 1: talking about all these places, talking about all these wars

833
00:35:35,200 --> 00:35:37,920
Speaker 1: that us as the viewers, we really just get lost.

834
00:35:37,960 --> 00:35:40,200
Speaker 1: In the first movie that comes to mind when I

835
00:35:40,239 --> 00:35:43,560
Speaker 1: think of this was Black Adam, and they go into

836
00:35:43,600 --> 00:35:47,720
Speaker 1: this entire history of the character where it came from,

837
00:35:48,600 --> 00:35:51,720
Speaker 1: and really, when you do that, nothing is really setting

838
00:35:51,760 --> 00:35:55,000
Speaker 1: in with us because you're just feeding us information and

839
00:35:55,080 --> 00:35:57,960
Speaker 1: telling us and you're not showing us you're not invoking

840
00:35:57,960 --> 00:36:01,239
Speaker 1: any emotion. What I loved about Furi Yosa it got

841
00:36:01,360 --> 00:36:05,400
Speaker 1: right into the action. It didn't need to establish these characters.

842
00:36:05,680 --> 00:36:08,680
Speaker 1: It didn't need to give you all this backstory on

843
00:36:08,800 --> 00:36:11,200
Speaker 1: why they are here, what this planet is called.

844
00:36:12,200 --> 00:36:13,279
Speaker 2: It gave you that.

845
00:36:13,480 --> 00:36:16,640
Speaker 1: Sense of action at the very beginning, made you feel something,

846
00:36:17,560 --> 00:36:20,680
Speaker 1: and then just eases you into the story. And what

847
00:36:20,760 --> 00:36:23,720
Speaker 1: I love about that is it doesn't make me feel

848
00:36:23,800 --> 00:36:26,720
Speaker 1: dumb as the viewer that I need to be told

849
00:36:26,800 --> 00:36:31,719
Speaker 1: every little detail way back. No, just show me, make

850
00:36:31,800 --> 00:36:35,399
Speaker 1: me feel something, show me something entertaining that's gonna make

851
00:36:35,440 --> 00:36:37,320
Speaker 1: me want to get to the next scene, that's gonna

852
00:36:37,320 --> 00:36:40,080
Speaker 1: make me want to ride out this entire thing and

853
00:36:40,160 --> 00:36:43,279
Speaker 1: get to that ending. I don't care about knowing the

854
00:36:43,360 --> 00:36:47,640
Speaker 1: name of the planet or all these crazy backstories. Just

855
00:36:48,000 --> 00:36:52,800
Speaker 1: show me the action, which is probably my favorite feature

856
00:36:52,880 --> 00:36:55,239
Speaker 1: of this movie. I don't want to say it's NonStop

857
00:36:55,280 --> 00:36:57,760
Speaker 1: action throughout the entire thing, but there's a fair amount.

858
00:36:57,920 --> 00:37:00,839
Speaker 1: But if I were to compare it to a Dude, which.

859
00:37:00,719 --> 00:37:04,320
Speaker 2: Is a lot more of dialogue.

860
00:37:04,000 --> 00:37:08,120
Speaker 1: And backstory, I would say between these two, Mad Max

861
00:37:08,440 --> 00:37:10,879
Speaker 1: is just the more fun and the reason I even

862
00:37:10,880 --> 00:37:12,839
Speaker 1: compare those two is because when you look at the

863
00:37:12,840 --> 00:37:16,000
Speaker 1: fabric of these movies, not only comparing it to Dune,

864
00:37:16,080 --> 00:37:19,960
Speaker 1: but even comparing it to Star Wars, which are all

865
00:37:20,080 --> 00:37:23,920
Speaker 1: kind of in that same category of being movies about

866
00:37:23,960 --> 00:37:28,960
Speaker 1: people living in environments with scarce supplies. There's deserts and

867
00:37:29,400 --> 00:37:32,160
Speaker 1: people want these supplies. These people don't want to share

868
00:37:32,200 --> 00:37:36,200
Speaker 1: these supplies, and a lot of the action, a lot

869
00:37:36,239 --> 00:37:40,239
Speaker 1: of the betrayal, a lot of the tension comes from

870
00:37:40,280 --> 00:37:42,839
Speaker 1: that scarcity a supply. So that is why I would

871
00:37:42,920 --> 00:37:46,880
Speaker 1: kind of compare Star Wars, Dune, and Mad Max. But

872
00:37:46,960 --> 00:37:50,360
Speaker 1: what makes them all different, I would say, is the tone.

873
00:37:50,480 --> 00:37:54,760
Speaker 1: Star Wars is more fun and light hearted. It's big adventure.

874
00:37:54,840 --> 00:37:59,879
Speaker 1: Dune leans more into the sophisticated sci fi and has

875
00:38:00,080 --> 00:38:03,439
Speaker 1: a much more serious tone. Mad Max has a much

876
00:38:03,480 --> 00:38:07,640
Speaker 1: more action forward approach to the story. The tone is

877
00:38:08,160 --> 00:38:11,239
Speaker 1: not really lighthearted, but a little bit more comical.

878
00:38:11,400 --> 00:38:14,160
Speaker 2: Zany, weird and bizarre.

879
00:38:14,320 --> 00:38:16,520
Speaker 1: So it really leans more into that what I would

880
00:38:16,760 --> 00:38:21,080
Speaker 1: described as the psycho factor, And for me as the viewer,

881
00:38:21,640 --> 00:38:24,720
Speaker 1: it really felt like a graphic novel coming to life

882
00:38:24,760 --> 00:38:29,360
Speaker 1: because all of these characters are so distinct, the actions

883
00:38:29,440 --> 00:38:32,680
Speaker 1: are very deliberate, and what I really love about a

884
00:38:32,680 --> 00:38:35,000
Speaker 1: Mad Max film is you can tell just by the

885
00:38:35,040 --> 00:38:38,279
Speaker 1: colors that it's a Mad Max film. George Miller just

886
00:38:38,400 --> 00:38:42,359
Speaker 1: has this vision going into these movies that's gonna make

887
00:38:42,400 --> 00:38:43,440
Speaker 1: them so distinct.

888
00:38:43,520 --> 00:38:47,359
Speaker 2: So I loved all the blues and the oranges and

889
00:38:47,400 --> 00:38:48,560
Speaker 2: the reds.

890
00:38:48,440 --> 00:38:51,480
Speaker 1: But I will say, overall, I think the cinematography and

891
00:38:51,520 --> 00:38:54,360
Speaker 1: the visuals were a lot better in Fury Road. Fury

892
00:38:54,480 --> 00:38:57,680
Speaker 1: Road was just so groundbreaking at the time, and I

893
00:38:57,680 --> 00:39:00,359
Speaker 1: feel like all the best parts of that were left

894
00:39:00,360 --> 00:39:03,040
Speaker 1: out of Furiosa. And maybe it's just me, but I

895
00:39:03,040 --> 00:39:05,719
Speaker 1: felt like some shots were a little bit sloppy, and

896
00:39:05,760 --> 00:39:08,160
Speaker 1: maybe it was a style choice because, like I was

897
00:39:08,200 --> 00:39:10,239
Speaker 1: saying that, it felt like a graphic novel come to

898
00:39:10,320 --> 00:39:11,920
Speaker 1: life at times.

899
00:39:12,040 --> 00:39:12,960
Speaker 2: That wasn't a good thing.

900
00:39:13,400 --> 00:39:15,840
Speaker 1: And while we're on just a little bit of negative,

901
00:39:16,160 --> 00:39:18,399
Speaker 1: I do want to address the two things that were

902
00:39:18,400 --> 00:39:21,600
Speaker 1: really distracting for me that took me out of the film.

903
00:39:21,840 --> 00:39:24,880
Speaker 1: Number one was Chris Hemsworth's nose. I know they were

904
00:39:24,920 --> 00:39:27,359
Speaker 1: trying to make them look different. I just found it

905
00:39:27,480 --> 00:39:32,160
Speaker 1: so distracting and a little bit off putting that it

906
00:39:32,280 --> 00:39:36,799
Speaker 1: took me out of taking his character seriously. But what

907
00:39:36,960 --> 00:39:41,040
Speaker 1: was more distracting to me was Anya Taylor Joy not

908
00:39:41,280 --> 00:39:43,759
Speaker 1: actually shaving her head, because we all know Trey least

909
00:39:43,800 --> 00:39:47,799
Speaker 1: their own infurior oat, actually shaved her head. It's such

910
00:39:47,800 --> 00:39:51,160
Speaker 1: a distinct look, it's such a commitment to your character.

911
00:39:52,239 --> 00:39:56,240
Speaker 1: To me, proves that I'm going to take every aspect

912
00:39:56,400 --> 00:39:58,960
Speaker 1: of this person on and I'm going to live in it,

913
00:40:00,000 --> 00:40:03,160
Speaker 1: and it's going to affect my real life because if

914
00:40:03,200 --> 00:40:06,319
Speaker 1: I shave my head, there's no going back. I wake

915
00:40:06,400 --> 00:40:08,839
Speaker 1: up and I am this character. I go on set,

916
00:40:08,880 --> 00:40:12,040
Speaker 1: I am this character. There is no escaping it. There

917
00:40:12,160 --> 00:40:16,120
Speaker 1: is no shortcut on your Taylor Joy said that she

918
00:40:16,520 --> 00:40:19,800
Speaker 1: wanted to shave her head, but then George Miller, the director,

919
00:40:20,000 --> 00:40:21,480
Speaker 1: said no, you don't shave your head.

920
00:40:21,520 --> 00:40:22,360
Speaker 2: You don't need to do that.

921
00:40:23,640 --> 00:40:25,680
Speaker 1: I think she needed to shave her head because it

922
00:40:25,760 --> 00:40:28,840
Speaker 1: was so distracting to me with every shot where she

923
00:40:28,960 --> 00:40:31,279
Speaker 1: came on and it was this wig. I knew it

924
00:40:31,360 --> 00:40:34,400
Speaker 1: was a wig, And to me, that is saying, you know,

925
00:40:35,239 --> 00:40:38,440
Speaker 1: I'm an actor, I have other projects I need to do,

926
00:40:38,600 --> 00:40:42,640
Speaker 1: I have appearances. I can't afford to shave my head. Therefore,

927
00:40:42,840 --> 00:40:45,719
Speaker 1: I am not committing to this role. That is what

928
00:40:45,920 --> 00:40:47,920
Speaker 1: not shaving your head in this movie says to me

929
00:40:48,160 --> 00:40:50,680
Speaker 1: and all A man, I'm probably being a little irrational there,

930
00:40:50,800 --> 00:40:53,080
Speaker 1: because you do have special effects and you can make

931
00:40:53,120 --> 00:40:54,319
Speaker 1: it look pretty good.

932
00:40:54,719 --> 00:40:57,440
Speaker 2: But that's the thing. You can only make it pretty.

933
00:40:57,080 --> 00:41:01,040
Speaker 1: Good to have a fake shaved head. It doesn't look

934
00:41:01,080 --> 00:41:04,080
Speaker 1: completely accurate to me. But for me, as I'm watching

935
00:41:04,120 --> 00:41:07,360
Speaker 1: all of those scenes with that shaved head, I don't

936
00:41:07,360 --> 00:41:11,200
Speaker 1: see Furiosa. I see Anya Taylor Joy, a person who

937
00:41:11,280 --> 00:41:14,640
Speaker 1: has all these other commitments that they can afford to

938
00:41:14,680 --> 00:41:17,600
Speaker 1: shave their head for, and that takes me out of it.

939
00:41:17,680 --> 00:41:20,560
Speaker 1: I want commitment from an actor. Maybe that's asking a

940
00:41:20,560 --> 00:41:24,480
Speaker 1: little bit too much. Maybe that approach isn't for everybody.

941
00:41:24,520 --> 00:41:27,319
Speaker 1: I'm not asking her to go full method actor, which

942
00:41:27,360 --> 00:41:30,719
Speaker 1: is such an important thing for her character. Because Furiosa

943
00:41:30,920 --> 00:41:34,040
Speaker 1: has this rage that is fueled by grief. She is

944
00:41:34,080 --> 00:41:37,080
Speaker 1: a warrior. She is supposed to be the most be

945
00:41:37,280 --> 00:41:41,680
Speaker 1: a person in this movie. And that's why I feel

946
00:41:41,760 --> 00:41:43,839
Speaker 1: like you should totally commit to it if you are

947
00:41:43,920 --> 00:41:46,520
Speaker 1: the actor portraying that character. So if I had to

948
00:41:46,520 --> 00:41:49,160
Speaker 1: boil down what this movie is and pretty much overall

949
00:41:49,280 --> 00:41:53,960
Speaker 1: what the Mad Max Saga franchise is they're desert pirates

950
00:41:54,160 --> 00:41:57,720
Speaker 1: and they get into these battles on these crazy roads,

951
00:41:57,920 --> 00:42:00,360
Speaker 1: much like pirates would get into these battles on the

952
00:42:00,440 --> 00:42:04,240
Speaker 1: high seas. They get into battles while driving different types

953
00:42:04,280 --> 00:42:09,399
Speaker 1: of vehicles and modes of transportation and buses, and they're

954
00:42:09,440 --> 00:42:12,200
Speaker 1: all just fighting for these resources. And there are some

955
00:42:12,280 --> 00:42:16,680
Speaker 1: really great action sequences. Some of these took months to film,

956
00:42:16,760 --> 00:42:19,920
Speaker 1: so there is a big dedication there. But while watching

957
00:42:19,920 --> 00:42:23,959
Speaker 1: Furiosa and I didn't have this experience while watching Fury Road,

958
00:42:24,920 --> 00:42:28,359
Speaker 1: all of these action sequences started to feel very repetitive

959
00:42:28,360 --> 00:42:31,239
Speaker 1: to me. It felt like the same thing over and

960
00:42:31,320 --> 00:42:34,640
Speaker 1: over because it kind of is the same formula of

961
00:42:34,719 --> 00:42:38,360
Speaker 1: people driving and then people coming and trying to overtake

962
00:42:38,400 --> 00:42:42,200
Speaker 1: whatever vehicle it is. All of the action sequences just

963
00:42:42,280 --> 00:42:46,080
Speaker 1: started to feel the same. And the movie is a

964
00:42:46,080 --> 00:42:48,200
Speaker 1: little bit on the long side. I know it's listed

965
00:42:48,239 --> 00:42:50,280
Speaker 1: as almost two and a half hours, but I timed

966
00:42:50,320 --> 00:42:53,719
Speaker 1: it and it's right around two seventeen. And I am

967
00:42:53,719 --> 00:42:57,040
Speaker 1: not opposed to a long movie, but you have to

968
00:42:57,160 --> 00:43:00,800
Speaker 1: earn that runtime. For me, after two hours, I wouldn't

969
00:43:00,840 --> 00:43:03,160
Speaker 1: be opposed to sitting in a movie for three hours,

970
00:43:03,200 --> 00:43:06,040
Speaker 1: three and a half hours. I watched all of Avatar

971
00:43:06,160 --> 00:43:08,719
Speaker 1: Way of the Water, enjoyed that all the way through.

972
00:43:08,800 --> 00:43:12,520
Speaker 1: I feel like that one warranted the runtime. The Batman

973
00:43:12,640 --> 00:43:15,680
Speaker 1: in twenty twenty two, almost three hours of that one

974
00:43:16,080 --> 00:43:20,879
Speaker 1: warranted that runtime. Furiosa at two seventeen, I don't think

975
00:43:20,920 --> 00:43:23,680
Speaker 1: it warranted that runtime, but I felt like the first

976
00:43:23,719 --> 00:43:25,759
Speaker 1: half was just so much stronger.

977
00:43:26,480 --> 00:43:29,280
Speaker 2: I felt more emotion in those moments.

978
00:43:28,960 --> 00:43:30,760
Speaker 1: And by the end of the movie, where I expected

979
00:43:30,800 --> 00:43:34,000
Speaker 1: to have this level of triumph, this really big payoff,

980
00:43:35,120 --> 00:43:36,839
Speaker 1: I feel like if it would have ended after that.

981
00:43:36,800 --> 00:43:38,960
Speaker 2: First hour, I would have been more satisfied.

982
00:43:39,280 --> 00:43:41,880
Speaker 1: But overall, for Furiosa, I give it four out of

983
00:43:41,920 --> 00:43:46,160
Speaker 1: five Fake shaved heads.

984
00:43:47,080 --> 00:43:50,880
Speaker 3: It's time to head down to movie Mike Traylor par.

985
00:43:52,040 --> 00:43:55,480
Speaker 1: Disney has been needing a hit, and I think they

986
00:43:55,520 --> 00:43:56,200
Speaker 1: may have found it.

987
00:43:57,480 --> 00:44:03,239
Speaker 2: Mwana two looks promising. The trailer is already breaking records.

988
00:44:04,680 --> 00:44:06,719
Speaker 1: And the whole path of this movie is a little

989
00:44:06,719 --> 00:44:10,879
Speaker 1: bit interesting because originally it was supposed to be a

990
00:44:10,960 --> 00:44:16,400
Speaker 1: Disney Plus series. That's why I was surprised when it

991
00:44:16,480 --> 00:44:19,040
Speaker 1: kind of came out of nowhere. The announcement earlier this

992
00:44:19,160 --> 00:44:22,000
Speaker 1: year that they said, ah, it's not gonna be a

993
00:44:22,080 --> 00:44:26,319
Speaker 1: series Miwana Too coming out on November twenty seventh, and

994
00:44:26,360 --> 00:44:31,360
Speaker 1: that had me excited. And Mowana is a movie that

995
00:44:31,440 --> 00:44:33,640
Speaker 1: I didn't love. The first time I went to go

996
00:44:33,680 --> 00:44:36,960
Speaker 1: see it in theaters, I didn't fully get it. I

997
00:44:37,040 --> 00:44:40,680
Speaker 1: left the theater thinking, Nah, that wasn't really good. What

998
00:44:40,840 --> 00:44:43,759
Speaker 1: is happening to Disney? And the more I thought of it,

999
00:44:43,800 --> 00:44:46,719
Speaker 1: I found myself thinking, I'll see the line of the Uh,

1000
00:44:46,760 --> 00:44:50,520
Speaker 1: I guess that's that song from Moana. Huh, that's interesting.

1001
00:44:50,719 --> 00:44:53,640
Speaker 1: May bet you go back and rewatch that movie. Rewatched

1002
00:44:53,680 --> 00:44:55,960
Speaker 1: it when it came out, and I was like, oh,

1003
00:44:56,120 --> 00:44:58,759
Speaker 1: those go kind of hard. By about the third time

1004
00:44:58,800 --> 00:45:00,960
Speaker 1: I rewatched it, I was see the line where the

1005
00:45:00,960 --> 00:45:05,279
Speaker 1: sky needs to see it calls me and no one

1006
00:45:05,520 --> 00:45:09,600
Speaker 1: knows how far eack like. I was full into it.

1007
00:45:09,640 --> 00:45:12,160
Speaker 1: I can't stop singing it. And I think it was

1008
00:45:12,200 --> 00:45:16,759
Speaker 1: also that I became more familiar and appreciative of the

1009
00:45:16,800 --> 00:45:20,320
Speaker 1: work of Lynn Manuel Miranda, who went way too hard

1010
00:45:21,000 --> 00:45:24,600
Speaker 1: on this soundtrack, probably went the hardest on a Disney

1011
00:45:24,640 --> 00:45:28,200
Speaker 1: soundtrack since Phil Collins and what he did with Tarzan.

1012
00:45:28,800 --> 00:45:32,560
Speaker 1: No reason whatsoever for that soundtrack. It goes so hard

1013
00:45:32,960 --> 00:45:35,719
Speaker 1: and the only real hesitation. Now I have going into

1014
00:45:35,760 --> 00:45:38,279
Speaker 1: this movie because after watching this trailer, I feel like

1015
00:45:38,320 --> 00:45:41,680
Speaker 1: the animation looks like an improvement. For the first one

1016
00:45:41,880 --> 00:45:44,560
Speaker 1: is the fact is that Lynn Manuel Miranda is not

1017
00:45:44,600 --> 00:45:46,760
Speaker 1: returning to do the music on this movie.

1018
00:45:47,120 --> 00:45:49,719
Speaker 2: I have a theory as to why. But in this

1019
00:45:49,800 --> 00:45:51,279
Speaker 2: trailer we see.

1020
00:45:51,239 --> 00:45:56,279
Speaker 1: Mowanna and Maui reuniting three years after the adventure from

1021
00:45:56,360 --> 00:45:59,840
Speaker 1: Mowana Part one. You have a whole new cast of

1022
00:46:00,080 --> 00:46:03,759
Speaker 1: unlikely seafares. Before we get into more about what is

1023
00:46:03,840 --> 00:46:06,400
Speaker 1: going on in this movie, why I'm excited and my

1024
00:46:06,480 --> 00:46:09,160
Speaker 1: one hesitation, here's just a little bit of the ma

1025
00:46:09,239 --> 00:46:10,200
Speaker 1: Wana II trailer.

1026
00:46:11,080 --> 00:46:15,520
Speaker 5: This is a call from the ancestors to sail to

1027
00:46:15,680 --> 00:46:25,120
Speaker 5: new skies and reconnect our people across the entire Oceano.

1028
00:46:26,800 --> 00:46:28,839
Speaker 2: Molly boats, snack.

1029
00:46:30,080 --> 00:46:33,080
Speaker 3: Boat snack upgrade bacon and eggs.

1030
00:46:33,560 --> 00:46:37,120
Speaker 2: Why didn't you bring the pig last time? So what

1031
00:46:37,360 --> 00:46:38,640
Speaker 2: this movie is about.

1032
00:46:38,760 --> 00:46:43,239
Speaker 1: After receiving an unexpected call from her ancestors, Mowanna must

1033
00:46:43,360 --> 00:46:47,200
Speaker 1: journey to this far seas of Oceana, into the dangerous

1034
00:46:47,239 --> 00:46:51,600
Speaker 1: Long Lost Waters for an adventure unlike anything she's ever faced.

1035
00:46:51,920 --> 00:46:54,839
Speaker 1: So this trailer really doesn't offer a whole lot more

1036
00:46:54,880 --> 00:46:57,319
Speaker 1: to the plot, But what it does give us is

1037
00:46:57,360 --> 00:47:00,440
Speaker 1: a lot of really great visuals, which I've fine to

1038
00:47:00,480 --> 00:47:04,560
Speaker 1: be quite exciting. We have Mowana floating in front of

1039
00:47:04,560 --> 00:47:09,120
Speaker 1: a whale, you have this really vivid water animation. To me,

1040
00:47:09,200 --> 00:47:12,759
Speaker 1: it feels a lot more photo realistic. The movements look

1041
00:47:12,840 --> 00:47:15,640
Speaker 1: more fluid. That to me tells me that this movie

1042
00:47:15,719 --> 00:47:18,359
Speaker 1: is going to have more action than the first one,

1043
00:47:19,000 --> 00:47:22,360
Speaker 1: because there seems to be a lot more articulated movements

1044
00:47:22,360 --> 00:47:25,200
Speaker 1: when it comes to this animation, which I feel is

1045
00:47:25,239 --> 00:47:28,640
Speaker 1: something Disney has really needed to step up. And if

1046
00:47:28,640 --> 00:47:31,240
Speaker 1: there's one movie that is going to be the reason

1047
00:47:31,280 --> 00:47:34,319
Speaker 1: to do that is Mowana too. And that's a good

1048
00:47:34,360 --> 00:47:37,040
Speaker 1: sign because if it was intended to be a Disney

1049
00:47:37,040 --> 00:47:40,160
Speaker 1: Plus series and not a movie first, what you could

1050
00:47:40,200 --> 00:47:42,960
Speaker 1: actually do on a Disney Plus series is spend a

1051
00:47:42,960 --> 00:47:47,759
Speaker 1: little bit less on animation because people aren't expecting cinematic

1052
00:47:47,840 --> 00:47:50,920
Speaker 1: quality from a Disney Plus show. But from what I

1053
00:47:50,960 --> 00:47:53,839
Speaker 1: see so far, it actually looking really good. That has

1054
00:47:53,920 --> 00:47:56,200
Speaker 1: me excited. So maybe at some point in the process

1055
00:47:56,320 --> 00:47:59,040
Speaker 1: they either started spending too much money or they realize

1056
00:47:59,120 --> 00:48:01,080
Speaker 1: this actually looks a lot better than we thought it

1057
00:48:01,120 --> 00:48:03,640
Speaker 1: was going to be let's just make this a movie.

1058
00:48:03,719 --> 00:48:05,959
Speaker 1: I think to me, that also says that Disney really

1059
00:48:06,000 --> 00:48:08,280
Speaker 1: believes in this. They're gonna spend the money not only

1060
00:48:08,360 --> 00:48:11,720
Speaker 1: on making this movie, but also promoting it and telling

1061
00:48:11,760 --> 00:48:14,840
Speaker 1: audiences this needs to be out on the big screen

1062
00:48:14,880 --> 00:48:18,759
Speaker 1: because I feel like some Disney and Pixar movies kind

1063
00:48:18,760 --> 00:48:21,040
Speaker 1: of got the raw end of the deal of having

1064
00:48:21,080 --> 00:48:25,239
Speaker 1: the Disney Plus only exclusive treatment, movies like Luca and

1065
00:48:25,320 --> 00:48:28,120
Speaker 1: Turning Red. I didn't want to see Mlwana have that

1066
00:48:28,280 --> 00:48:30,920
Speaker 1: same treatment for the sake of getting some more Disney

1067
00:48:30,920 --> 00:48:34,480
Speaker 1: Plus subscribers. So Dwayne the Rock Johnson as back as

1068
00:48:34,560 --> 00:48:38,480
Speaker 1: Maui Ali Lee Cravalo is back as Mwana. But the

1069
00:48:38,560 --> 00:48:41,560
Speaker 1: person who is not returning, who I feel was so

1070
00:48:41,800 --> 00:48:45,239
Speaker 1: crucial to Muwana is Lynn Manuel Miranda. And there's really

1071
00:48:45,239 --> 00:48:47,000
Speaker 1: not a reason why he is not.

1072
00:48:47,000 --> 00:48:48,240
Speaker 2: A part of it.

1073
00:48:48,239 --> 00:48:51,320
Speaker 1: It could be that he's working on another Disney project

1074
00:48:51,400 --> 00:48:54,000
Speaker 1: and is already tied up in that. It could also be,

1075
00:48:54,360 --> 00:48:56,600
Speaker 1: like I was saying that since it was going to

1076
00:48:56,600 --> 00:48:58,680
Speaker 1: be a Disney Plus show, maybe they just wanted to

1077
00:48:58,719 --> 00:49:02,080
Speaker 1: assign these other new composer to it. They couldn't afford him,

1078
00:49:02,239 --> 00:49:05,000
Speaker 1: or he couldn't really carve out the time to work

1079
00:49:05,040 --> 00:49:08,160
Speaker 1: on it in that capacity, and since it shifted to

1080
00:49:08,280 --> 00:49:11,000
Speaker 1: being a movie, he just ended up not being a

1081
00:49:11,040 --> 00:49:14,160
Speaker 1: part of it. Hopefully he is working on a new

1082
00:49:14,280 --> 00:49:17,239
Speaker 1: Disney movie or something else that is also going to

1083
00:49:17,280 --> 00:49:20,560
Speaker 1: be just as good. But I feel a lot of

1084
00:49:20,560 --> 00:49:24,640
Speaker 1: what made Mowana Part one so great were the really

1085
00:49:24,719 --> 00:49:27,640
Speaker 1: memorable songs, and the three I would pick as being

1086
00:49:27,680 --> 00:49:30,480
Speaker 1: the most standout songs from that movie were all written

1087
00:49:30,480 --> 00:49:33,120
Speaker 1: by Lynn Manuel Miranda. Of course, the when I was

1088
00:49:33,160 --> 00:49:36,520
Speaker 1: singing earlier, how Far I'll Go, hands down, is the

1089
00:49:36,800 --> 00:49:39,880
Speaker 1: song from Mijana. You also have your Welcome, which is

1090
00:49:40,000 --> 00:49:43,399
Speaker 1: right up there at number two, and that number three

1091
00:49:43,719 --> 00:49:47,440
Speaker 1: is shiny and all written by Lin Manuel Miranda. So

1092
00:49:47,640 --> 00:49:51,440
Speaker 1: I feel like the success of those movies were due

1093
00:49:51,520 --> 00:49:54,480
Speaker 1: to the fact that they had such great songs that

1094
00:49:54,520 --> 00:49:58,560
Speaker 1: were memorable that kids really grasped onto and overall just

1095
00:49:58,680 --> 00:50:01,400
Speaker 1: creates these really fun and sing along moments, which is

1096
00:50:01,480 --> 00:50:04,360
Speaker 1: probably why I didn't enjoy it the first time I

1097
00:50:04,360 --> 00:50:06,319
Speaker 1: went to go see it in theaters. Because when it

1098
00:50:06,400 --> 00:50:10,760
Speaker 1: comes to my animated movies, and I know Disney since

1099
00:50:11,080 --> 00:50:15,480
Speaker 1: its inception, has been essentially creating musicals, you have characters

1100
00:50:15,480 --> 00:50:17,799
Speaker 1: who just burst out into song, And as a kid,

1101
00:50:17,880 --> 00:50:20,160
Speaker 1: I enjoyed it Ryan King Goes Hard, But as an

1102
00:50:20,200 --> 00:50:24,040
Speaker 1: adult I lean more towards the Pixar movies because those

1103
00:50:24,160 --> 00:50:27,480
Speaker 1: don't burst out into song for no reason. Those characters

1104
00:50:27,520 --> 00:50:30,840
Speaker 1: don't really just sing. They have songs in them, but

1105
00:50:30,920 --> 00:50:35,640
Speaker 1: the thing moving those movies along are not fueled by songs.

1106
00:50:35,960 --> 00:50:39,160
Speaker 1: Mowana is So maybe that is why I didn't enjoy

1107
00:50:39,200 --> 00:50:40,880
Speaker 1: it the first time I saw it in theaters, but

1108
00:50:40,960 --> 00:50:43,560
Speaker 1: that second time, that third time, the songs really grew

1109
00:50:43,600 --> 00:50:47,240
Speaker 1: on me. But also I became a bigger linn Manuel

1110
00:50:47,280 --> 00:50:50,000
Speaker 1: Miranda fan as I got to see his other body

1111
00:50:50,000 --> 00:50:53,120
Speaker 1: of work after watching Hamilton, not going to actually see

1112
00:50:53,160 --> 00:50:55,080
Speaker 1: it in person, but whenever it came out on Disney

1113
00:50:55,080 --> 00:50:58,480
Speaker 1: Plus in twenty twenty, it allowed me to really.

1114
00:50:58,320 --> 00:51:00,000
Speaker 2: Understand his greatness.

1115
00:51:00,239 --> 00:51:03,880
Speaker 1: So I think, now, after appreciating him more, appreciating the

1116
00:51:03,960 --> 00:51:06,600
Speaker 1: original more, it's a little bit of a bummer that

1117
00:51:06,640 --> 00:51:08,720
Speaker 1: he's not going to be a part of the second one.

1118
00:51:08,800 --> 00:51:11,160
Speaker 2: And will the songs be.

1119
00:51:11,400 --> 00:51:16,279
Speaker 1: As memorable, Will that style still invoke those same emotions

1120
00:51:16,320 --> 00:51:19,200
Speaker 1: that Part one did? Is it going to try and

1121
00:51:19,280 --> 00:51:22,120
Speaker 1: become a little bit more of its own or are

1122
00:51:22,160 --> 00:51:25,719
Speaker 1: they hiring on these new composers to say, hey, kind

1123
00:51:25,719 --> 00:51:27,600
Speaker 1: of do what he did in the first one, because

1124
00:51:27,640 --> 00:51:30,920
Speaker 1: that is already the fabric of these movies, what people

1125
00:51:30,960 --> 00:51:33,320
Speaker 1: are going to expect from a Majuana movie.

1126
00:51:33,600 --> 00:51:35,040
Speaker 2: So now you are.

1127
00:51:34,920 --> 00:51:38,680
Speaker 1: Going to have to do an impression of what Linn

1128
00:51:38,719 --> 00:51:40,200
Speaker 1: Manuel Miranda.

1129
00:51:39,840 --> 00:51:42,880
Speaker 2: Did, Or will they say, hey, do what you want.

1130
00:51:42,719 --> 00:51:46,600
Speaker 1: To do and create these songs and let your vision

1131
00:51:46,640 --> 00:51:49,720
Speaker 1: come to life through these characters and through these new songs,

1132
00:51:50,040 --> 00:51:53,960
Speaker 1: Because unlike any other movie, the songs are going to

1133
00:51:54,040 --> 00:51:58,759
Speaker 1: be so crucial to the success of Mowana because the

1134
00:51:58,840 --> 00:52:01,719
Speaker 1: story was great, the core of it had some really

1135
00:52:01,760 --> 00:52:05,879
Speaker 1: great fun visuals, and overall the comedic aspects, all those

1136
00:52:05,920 --> 00:52:08,120
Speaker 1: things you come to expect from a Disney movie.

1137
00:52:08,239 --> 00:52:10,080
Speaker 2: We're all there in Molwana.

1138
00:52:09,840 --> 00:52:12,040
Speaker 1: So I don't doubt that they could recreate that with

1139
00:52:12,080 --> 00:52:15,960
Speaker 1: another fun adventure. But to really bring it home, you're

1140
00:52:16,000 --> 00:52:19,719
Speaker 1: gonna need that one big song followed by another big, fun,

1141
00:52:19,840 --> 00:52:23,439
Speaker 1: memorable song like You're Welcome, and then have just these

1142
00:52:23,520 --> 00:52:25,960
Speaker 1: other songs to carry the movie. So we'll have to

1143
00:52:26,000 --> 00:52:28,919
Speaker 1: see how that plays out, and also have to live

1144
00:52:29,040 --> 00:52:31,040
Speaker 1: up to the fact that the first one did so

1145
00:52:31,160 --> 00:52:34,040
Speaker 1: well at the box office, making six hundred and eighty

1146
00:52:34,120 --> 00:52:38,440
Speaker 1: seven million dollars. I think Disney right now is on

1147
00:52:38,640 --> 00:52:42,600
Speaker 1: the search for their next billion dollar movie. If Inside

1148
00:52:42,640 --> 00:52:45,600
Speaker 1: Out isn't the one to do it this month, then

1149
00:52:45,640 --> 00:52:48,600
Speaker 1: they're gonna wait for Milwana to to be that movie

1150
00:52:48,640 --> 00:52:51,440
Speaker 1: for them in November. I will be there and be

1151
00:52:51,480 --> 00:52:54,600
Speaker 1: the only adult singing along on November twenty seventh.

1152
00:52:55,280 --> 00:52:59,560
Speaker 4: At that was this week's edition of Movie by Tramer.

1153
00:52:59,239 --> 00:53:02,600
Speaker 1: Par and that is gonna do it for another episode

1154
00:53:02,600 --> 00:53:05,160
Speaker 1: here of the podcast. Before I go, I gotta give

1155
00:53:05,200 --> 00:53:07,480
Speaker 1: my listeners shout out of the week. We had a

1156
00:53:07,480 --> 00:53:11,200
Speaker 1: bonus episode up last week with the director and star

1157
00:53:11,400 --> 00:53:14,239
Speaker 1: of the first omen And every time I have an

1158
00:53:14,280 --> 00:53:18,040
Speaker 1: interview on the podcast, I always give a secret emoji.

1159
00:53:18,239 --> 00:53:20,480
Speaker 1: I give it at the very end of those episodes

1160
00:53:20,760 --> 00:53:24,040
Speaker 1: for you to go and comment with on my Instagram

1161
00:53:24,160 --> 00:53:28,200
Speaker 1: or my TikTok. I'm on everything at Mike Dstro. If

1162
00:53:28,200 --> 00:53:29,680
Speaker 1: you ever want to see a clip from the show,

1163
00:53:30,000 --> 00:53:32,040
Speaker 1: if you want to go watch on YouTube, it's YouTube

1164
00:53:32,040 --> 00:53:34,879
Speaker 1: dot com slash Mike Dstro. If you ever forget any

1165
00:53:34,880 --> 00:53:37,680
Speaker 1: of that, it's always in the episode notes. So this

1166
00:53:37,840 --> 00:53:41,320
Speaker 1: time around, not only did I get somebody who left

1167
00:53:41,760 --> 00:53:44,840
Speaker 1: the secret emoji on one of my posts. I decided

1168
00:53:44,840 --> 00:53:47,400
Speaker 1: to pick the very first person to hit me with

1169
00:53:47,440 --> 00:53:50,600
Speaker 1: the secret emoji, which was the screaming face, and this

1170
00:53:50,640 --> 00:53:54,400
Speaker 1: week's listener shout out is Kimberlee. Suzanne was the first

1171
00:53:54,440 --> 00:53:58,960
Speaker 1: one to comment, basically right after I posted hit on Instagram,

1172
00:53:59,000 --> 00:54:02,040
Speaker 1: commented with a screen face emojis. Thank you Kimberly for

1173
00:54:02,120 --> 00:54:05,440
Speaker 1: listening to that entire episode and also going and commenting

1174
00:54:05,480 --> 00:54:08,279
Speaker 1: with that. You are this week's listener shout out all

1175
00:54:08,400 --> 00:54:10,600
Speaker 1: the week. If you missed that interview, just go back

1176
00:54:10,680 --> 00:54:13,720
Speaker 1: one in the feed. There was also a normal episode

1177
00:54:13,760 --> 00:54:16,080
Speaker 1: on Monday, so if you missed any of those, be

1178
00:54:16,239 --> 00:54:19,120
Speaker 1: sure to check those out. And until next time, go

1179
00:54:19,200 --> 00:54:21,560
Speaker 1: out and watch good movies and I will talk to

1180
00:54:21,640 --> 00:54:22,880
Speaker 1: you later.