WEBVTT - Flea

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<v Speaker 1>The Quest Left Show is a production of iHeartRadio. Welcome

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<v Speaker 1>to the Quest Left Show. I'm your host Quest Love.

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<v Speaker 1>As of late on this platform we have shown love

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<v Speaker 1>to the low end, of course, with so many awesome

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<v Speaker 1>bass players, and today is no exception. However, you know

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<v Speaker 1>that we here at this show cannot pass up a

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<v Speaker 1>good pivot story and we are pleased to welcome a

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<v Speaker 1>newcomer to the game, a trumpet player from Los Angeles

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<v Speaker 1>by the way of Melbourne, Australia. His debut album, Hanora

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<v Speaker 1>is a journey into the world of instrumental interpretations both

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<v Speaker 1>the jazz, pop, rock, soul ilk covering all spectrums of music. Incidentally,

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<v Speaker 1>our newcomer is also a Rock and Roll Hall of

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<v Speaker 1>Fame member, shows you how far as journeys come. We

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<v Speaker 1>like to welcome for the first time mister Michael Peter Balzari,

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<v Speaker 1>also professionally known as Flea. That's me, that's your name. Okay,

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<v Speaker 1>nice to meet you, Flee.

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<v Speaker 2>Nice to meet you.

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<v Speaker 1>All right, So what is your morning routine the first

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<v Speaker 1>thirty minutes when you wake up? Do you have a

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<v Speaker 1>morning routine?

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<v Speaker 2>Oh yeah, very ritualized morning routine, night routine. I'm a

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<v Speaker 2>man of many rituals.

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<v Speaker 1>Actually, I'm glad you said that. Yeah, what's the last

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<v Speaker 1>because I'm very strict on on night routines. What does

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<v Speaker 1>the last hour of your day look like when you

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<v Speaker 1>know you're going to go to.

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<v Speaker 2>Bed I'm winding down. Yeah, I'm pretty strict about it.

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<v Speaker 2>First as the the well, whatever music I'm gonna listen

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<v Speaker 2>to you before bed, which is lately he loved Him

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<v Speaker 2>Madly by Miles Davis every night, but always something like that.

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<v Speaker 2>It was revel before that, you know, but I picked

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<v Speaker 2>the music, brush, teeth, wash face, you know, a little

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<v Speaker 2>cream or whatever as I get older and trying to

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<v Speaker 2>like keep things supple. Yes, and then prayers. I'm a

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<v Speaker 2>praying man, so I pray every morning and every night.

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<v Speaker 2>And then I read. I always read before bed. I've

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<v Speaker 2>been you know, since some little boy. I love to read,

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<v Speaker 2>so I read every day. And that's pretty much it.

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<v Speaker 1>What is your morning routine?

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<v Speaker 2>Morning routine is? But once I like I wait, depending

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<v Speaker 2>on if I have to get up or I have

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<v Speaker 2>you know, flexible time. But no matter what the things are,

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<v Speaker 2>I do exercises in bed before I get out of

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<v Speaker 2>bed every morning, like stretched basically stretches and stuff because

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<v Speaker 2>my back has gotten damaged before. So I have like

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<v Speaker 2>things to do because it can settle in a weird

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<v Speaker 2>way when you're sleeping and you get up all of

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<v Speaker 2>a sudden, you're like, oh, you know, I'm old. So

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<v Speaker 2>I have like a stretching routine and then you know,

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<v Speaker 2>ablutions and then prayers and then exercise.

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<v Speaker 1>Wait, I gotta, I gotta Yeah, I think I told

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<v Speaker 1>you the story once before.

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<v Speaker 2>But oh wait, wait there's one crucial other thing too,

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<v Speaker 2>which is a big rule. Is no phone in the bedroom.

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<v Speaker 1>No phone in the bedroom, No phone in the.

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<v Speaker 2>Bedroom, Like what especially when I wake up in the morning,

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<v Speaker 2>Like those are the magic times, Like you're in that

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<v Speaker 2>twilight in between sleep and way, that's when good stuff comes.

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<v Speaker 1>All right, Yeah, good to know where the same person. Yeah,

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<v Speaker 1>I will probably say that you're the first person to

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<v Speaker 1>seed plant in me the idea of giving gratitude. I'm

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<v Speaker 1>gonna show you how you guys changed and subsequently save

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<v Speaker 1>the roots without even knowing it. All right, I talked

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<v Speaker 1>about this story in my first book. So this is

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<v Speaker 1>two thousand and five. You guys are touring your and

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<v Speaker 1>your arena status now soccer stadium status. You know, you're

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<v Speaker 1>familiar with how stadium life is. That basically means you

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<v Speaker 1>guys are playing anyway between. Some places are seventy thousand,

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<v Speaker 1>some places are one hundred and twenty thousand, and we

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<v Speaker 1>are opening for you guys. So even for us, we

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<v Speaker 1>just arrived at our tipping point of not just being

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<v Speaker 1>an underground band and you know, your band's favorite band

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<v Speaker 1>or your singer's favorite singer, Like, we're actually reaching a

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<v Speaker 1>new level as well. We're doing about a week with

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<v Speaker 1>you guys. So Night one, I watch you guys, and

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<v Speaker 1>you do something interesting. You do this magic circle thing

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<v Speaker 1>where you guys sort of get in the football huddle, right,

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<v Speaker 1>and then you go to play the music. Night two

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<v Speaker 1>you do the same thing. Now the different and says

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<v Speaker 1>I have a set list, and I'm like, and I'm

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<v Speaker 1>trying to get out of my comfort zone. Like one

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<v Speaker 1>of someone suggests, what.

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<v Speaker 2>Do you mean you have a set list? Like you're

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<v Speaker 2>making your set list.

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<v Speaker 1>No, no, I'm looking at your set list. I'm standing by

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<v Speaker 1>the mindset list, right. And so the thing is is

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<v Speaker 1>that by this point, various people are trying to talk

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<v Speaker 1>me out of the safety zone. I come from the

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<v Speaker 1>school of Prince where George Clinton wants joke that Prince

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<v Speaker 1>is a master at rehearsing his spontaneity. And so, you know,

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<v Speaker 1>there's the point where people are like, you guys are musicians, Like,

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<v Speaker 1>how come you don't jam more? How come you don't

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<v Speaker 1>you know? I was like hyper sensitive about not becoming

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<v Speaker 1>a jam band because I was like, oh, critics will

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<v Speaker 1>use alive if we're you know. But I was learning

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<v Speaker 1>to loosen up and hey, guys, do do another sixteen

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<v Speaker 1>bars or whatever, like something off the grid of just

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<v Speaker 1>not something that we do. Right, So you do this

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<v Speaker 1>magic circle thing and I'm like, oh, they're going to

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<v Speaker 1>call an audible another song. And then I'm like, oh,

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<v Speaker 1>there's still on the set list. Okay, Night three, you

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<v Speaker 1>do the same thing. I'm like, why do they keep

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<v Speaker 1>having these huddles and circles?

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<v Speaker 2>It was before the show though, right, No, during the show,

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<v Speaker 2>you would do three songs, all right, see me, I

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<v Speaker 2>have to I segue a song on like a jay.

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<v Speaker 1>You would stop a song And then we're talking at

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<v Speaker 1>twenty thousand people, right, I.

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<v Speaker 2>Thought you were talking about before the show where we

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<v Speaker 2>like hold hands in the circle. I got you.

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<v Speaker 1>No, You're just you're talking about something and I'm like, oh,

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<v Speaker 1>they're gonna switch songs or something. And then you go

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<v Speaker 1>back and you still stick to the script. So I

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<v Speaker 1>hit you up and I'm like, Yo, what are y'all

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<v Speaker 1>talking about when y'all in that circle, you know, because

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<v Speaker 1>you're still sticking to the script, so you're not saying like,

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<v Speaker 1>let's switch orders or whatever. And you gave me my answer.

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<v Speaker 1>So I go on the Roots tour bus. You know,

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<v Speaker 1>we're young and dumb whatever, So I get on. I'm like, yo, man,

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<v Speaker 1>because I was talking about it, and you know, my

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<v Speaker 1>manager's on there and maybe like two other members of

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<v Speaker 1>the band, and I said, yo, man. I asked a flea,

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<v Speaker 1>like what are those guys doing? And he was like,

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<v Speaker 1>you know, he gave me some like hippie dippy shit, like,

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<v Speaker 1>oh man, we just you know, we I had a

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<v Speaker 1>great once this morning, and you know, I went to

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<v Speaker 1>the museum and da da da dah. And then I

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<v Speaker 1>went to Anni. I'm like, what are y'all really talking about?

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<v Speaker 1>He's like, oh man, it's like, you know, we're just

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<v Speaker 1>just kids from La man. We're just like just taking

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<v Speaker 1>in the moment.

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<v Speaker 2>I was like, he's just.

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<v Speaker 1>Talking about a hippie, dippy shit man, real dismissive of me,

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<v Speaker 1>and I'm going back to play my my xbox and

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<v Speaker 1>my manager says, yeah, it makes sense. You know, I

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<v Speaker 1>can see it. They actually like each other. I was like,

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<v Speaker 1>so I go back to the thing I'm playing and

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<v Speaker 1>I'm like, forty seconds later, pause, I go back to

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<v Speaker 1>the front of the bus. I'm like, what do you

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<v Speaker 1>mean they actually like each other. He's like, and it's

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<v Speaker 1>almost about to become the good Fellas. You think I'm

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<v Speaker 1>a funny moment. He's like, uh, yeah, they actually fuck

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<v Speaker 1>with each other. They like each other. And I'm like,

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<v Speaker 1>as opposed to what? And he looks at me like,

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<v Speaker 1>come on, dog, I'm like, what you're talking about? Because

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<v Speaker 1>in my mind, I'm like, yo, like we were buskers

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<v Speaker 1>on a street corner not even ten years ago, and

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<v Speaker 1>literally day by day like we're here, Like what are

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<v Speaker 1>you talking about? And he's like, well, if you want

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<v Speaker 1>to call it that, yeah, I mean technically, he says, Look,

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<v Speaker 1>my job here is to keep the train running no

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<v Speaker 1>matter what. But what you guys think is your friends,

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<v Speaker 1>like you used to be in high school, y'all don't

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<v Speaker 1>even talk with each other. You're the one that has

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<v Speaker 1>a griffin door bust and a slithering bust and y'all

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<v Speaker 1>might show up the sound check, he said, I said,

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<v Speaker 1>you say we're phoning it in. He's like, well, you

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<v Speaker 1>guys are still good, but y'all ain't friends, like you're

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<v Speaker 1>just going through the motions. Like He's like, dude, the

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<v Speaker 1>Beatles broke up after seven years like this, this is

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<v Speaker 1>year fourteen for y'all. So y'all lasted twice as long

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<v Speaker 1>as the Beatles, And that really messed with me. Man.

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<v Speaker 1>Once he made me aware of the fact that damn,

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<v Speaker 1>like when is the last time me and Tarik just

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<v Speaker 1>like went out to dinner or went to the movies

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<v Speaker 1>like we were like brothers. Yeah, and then when it

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<v Speaker 1>became a business, I think in my head, I said, okay,

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<v Speaker 1>for the sake of the business, like let's separate and

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<v Speaker 1>just keep the business running and you know, and not

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<v Speaker 1>just figure like most people would have killed each other

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<v Speaker 1>by now. I mean, yeah, because we were also like.

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<v Speaker 2>Just in a I get it, man, I get it,

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<v Speaker 2>But in a way, it's like, because there's times I've

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<v Speaker 2>wanted to do that when it's become so difficult, you know,

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<v Speaker 2>because you grow apart. You have different world views, you

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<v Speaker 2>offend each other, you hurt each other's feelings. You're in

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<v Speaker 2>this no matter what, even if someone's a leader and

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<v Speaker 2>the marching orders. You're clear, you're always making yourself vulnerable

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<v Speaker 2>in the creative communal, creative situation, and you hurt each

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<v Speaker 2>other's feelings, it's easier to keep it organized clean. Look,

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<v Speaker 2>this is what we're gonna do. Let's get it done.

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<v Speaker 2>We're professionals. Just do the job. But when we're in

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<v Speaker 2>those little circles, it's not always hippy dippy fun support.

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<v Speaker 2>You know what I mean. I love you like sometimes

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<v Speaker 2>I mean oftentimes it's like I can't hear shit, I

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<v Speaker 2>don't know what to do. The monitors all fucked up.

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<v Speaker 2>You know, there's that a lot too, Like I just

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<v Speaker 2>can't fucking hear it. You're too loud, you know what

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<v Speaker 2>I mean? Which loud. Sometimes it's complaining, it's all that

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<v Speaker 2>you know, and trying to be respectful of one another.

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<v Speaker 2>But sometimes it is just like like this is beautiful,

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<v Speaker 2>Like we're doing this right here, right now, and you know,

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<v Speaker 2>our band, we've been through all different you know, emotional states,

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<v Speaker 2>but like you're talking about you and tyre. Like me

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<v Speaker 2>and Anthony we met when we were fifteen. We're about

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<v Speaker 2>like we're street kids. We're running around like we had nothing.

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<v Speaker 2>We're like like, how we're gonna eat, How we gonna

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<v Speaker 2>you know, get anything we you know, I came from

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<v Speaker 2>a very difficult household. There was a lot of violence,

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<v Speaker 2>There was a lot of chaos. There was a lot

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<v Speaker 2>of like I'm not it was not like a sanctuary

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<v Speaker 2>home to go into. So I kind of searched for

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<v Speaker 2>my family with my friends. And when I met Anthony,

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<v Speaker 2>I really found that, you know, and there's something no

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<v Speaker 2>matter what, no matter what the professional obligations are, no

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<v Speaker 2>matter when we piss each other off, there's always and

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<v Speaker 2>no matter and we hurt each other too, but there's

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<v Speaker 2>always like brothers, you know, but there's always this striving

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<v Speaker 2>to try to make it right, to try to harmonize it,

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<v Speaker 2>to try to get it into a good place.

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<v Speaker 1>Have you guys ever had a like a I mean,

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<v Speaker 1>right now, we're in the beginning stages of what I

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<v Speaker 1>call the some kind of monster Metallica thing. There's a therapist, okay,

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<v Speaker 1>and we're okay. So my feelings were hurt when you

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<v Speaker 1>told me that the bridge wasn't good, And yeah, have

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<v Speaker 1>you guys ever had to have like, no, who's the

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<v Speaker 1>person that will? I think we have to have a

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<v Speaker 1>band meeting?

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<v Speaker 2>And yeah, I think we could use it sometimes, but

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<v Speaker 2>I don't know if we could all get on this

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<v Speaker 2>same page about it. But there's been many many heart

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<v Speaker 2>to hearts, gotcha, like not that long ago, you know,

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<v Speaker 2>just cut towards the end of our last tour, like

0:12:11.800 --> 0:12:15.040
<v Speaker 2>there was a blow up that was really difficult for me. Difficult,

0:12:15.040 --> 0:12:17.560
<v Speaker 2>like I was in a fury, you know what I mean,

0:12:17.600 --> 0:12:22.760
<v Speaker 2>Like I left in a absolute fury, and it took

0:12:22.880 --> 0:12:25.480
<v Speaker 2>like a week to like let me just settle down,

0:12:25.559 --> 0:12:27.400
<v Speaker 2>try to have some perspective and then go, hey, you know,

0:12:27.480 --> 0:12:29.560
<v Speaker 2>let's let's talk about this. Let's talk about what happened,

0:12:30.040 --> 0:12:33.160
<v Speaker 2>because you know what I mean, like you feel that

0:12:33.240 --> 0:12:36.520
<v Speaker 2>someone was dismissive of you, or you know, you feel

0:12:36.600 --> 0:12:39.440
<v Speaker 2>must understood in a way that touches you to your core,

0:12:39.679 --> 0:12:43.560
<v Speaker 2>you know, and you know, but we managed to have

0:12:43.600 --> 0:12:45.600
<v Speaker 2>the talks and to get through it, you know, to

0:12:45.720 --> 0:12:49.120
<v Speaker 2>varying degrees of success too. And professional help probably could

0:12:49.120 --> 0:12:50.040
<v Speaker 2>help because being in a.

0:12:50.000 --> 0:12:52.199
<v Speaker 1>Band is is a marriage.

0:12:52.280 --> 0:12:55.080
<v Speaker 2>It's a marriage and it's an intense marriage, and you know,

0:12:55.679 --> 0:12:58.320
<v Speaker 2>and all of us, you know, and everyone like Chad,

0:12:58.320 --> 0:13:01.160
<v Speaker 2>he's pretty mellow, he's the easy one. But me, John

0:13:01.200 --> 0:13:04.760
<v Speaker 2>and Anthony, like we're all, you know, intense people. We

0:13:04.840 --> 0:13:08.000
<v Speaker 2>have our feelings. We're very passionate about what we think,

0:13:08.400 --> 0:13:09.800
<v Speaker 2>you know, and it doesn't always align.

0:13:10.200 --> 0:13:14.800
<v Speaker 1>All right. Even if my version was the idea, it

0:13:14.840 --> 0:13:20.640
<v Speaker 1>was enough to scare me enough to literally, i'll say,

0:13:20.679 --> 0:13:25.960
<v Speaker 1>four years later, once the Tonight show came. Yeah, we

0:13:26.080 --> 0:13:30.319
<v Speaker 1>somehow morphed into the idea of what my manager was

0:13:30.360 --> 0:13:34.000
<v Speaker 1>talking about on like suddenly I love playing with these guys,

0:13:34.120 --> 0:13:36.360
<v Speaker 1>like we never laughed so many times, and even the

0:13:36.400 --> 0:13:40.679
<v Speaker 1>fact like when you face each other in play, like

0:13:40.760 --> 0:13:45.320
<v Speaker 1>that's such an intimate act that I think it's hard

0:13:45.360 --> 0:13:49.720
<v Speaker 1>for people to like, I see that, and we use

0:13:49.760 --> 0:13:52.400
<v Speaker 1>you guys almost as are the idea of what I

0:13:52.440 --> 0:13:54.880
<v Speaker 1>think I see is our GPS.

0:13:54.920 --> 0:13:57.120
<v Speaker 2>So yeah, no, that's I never told you that. I

0:13:57.160 --> 0:14:01.000
<v Speaker 2>really appreciate that. And you know, I think as a

0:14:01.080 --> 0:14:05.600
<v Speaker 2>musician and we all know this, it's like you're always

0:14:05.640 --> 0:14:08.400
<v Speaker 2>striving to get to that place beyond thought, like beyond

0:14:08.440 --> 0:14:10.400
<v Speaker 2>calculation and beyond you know what I mean, like getting

0:14:10.400 --> 0:14:13.079
<v Speaker 2>to that place where you're just playing and channeling to gods,

0:14:13.120 --> 0:14:17.000
<v Speaker 2>whatever they your gods may be. And like, as you know,

0:14:17.000 --> 0:14:19.200
<v Speaker 2>when we're looking at each other and playing, it's like

0:14:19.320 --> 0:14:21.480
<v Speaker 2>always that yearning to get to that place where we're

0:14:21.520 --> 0:14:25.440
<v Speaker 2>just like one throbbing thing together, you know, beyond thought,

0:14:25.520 --> 0:14:29.880
<v Speaker 2>like just surrendering to the moment. And sometimes we succeed

0:14:30.200 --> 0:14:33.360
<v Speaker 2>and we're really connecting in a beautiful intimate way, and

0:14:33.440 --> 0:14:38.120
<v Speaker 2>sometimes you know not, but it's always that trying, you know.

0:14:38.520 --> 0:14:41.480
<v Speaker 2>Like I think, like if you idealize, like the things

0:14:41.520 --> 0:14:43.280
<v Speaker 2>that you said that are very kind, thank you, Like

0:14:43.320 --> 0:14:45.880
<v Speaker 2>I'm glad to be of service. But when if you

0:14:47.000 --> 0:14:50.120
<v Speaker 2>idealize them at their best, we're always yearning for that.

0:14:50.240 --> 0:14:52.360
<v Speaker 2>You don't always and I think like with any artists,

0:14:52.360 --> 0:14:53.440
<v Speaker 2>like you know, you always try.

0:14:53.520 --> 0:15:08.760
<v Speaker 1>And Ma, what is the first concert you ever went to?

0:15:10.480 --> 0:15:13.640
<v Speaker 2>Well, definitely my stepdad, you know, playing, but I don't

0:15:13.640 --> 0:15:15.360
<v Speaker 2>know if that counts like he's playing it. I don't

0:15:15.400 --> 0:15:18.600
<v Speaker 2>count Hotel Wax Station, right, you know, he didn't even

0:15:18.640 --> 0:15:21.160
<v Speaker 2>play like, you know whatever, like jazz gigs, you know,

0:15:21.240 --> 0:15:23.600
<v Speaker 2>little jazz gigs in the middle of nowhere. Pizza place

0:15:23.680 --> 0:15:26.320
<v Speaker 2>on Librea actually played a pizza place Lbrea with Philly

0:15:26.400 --> 0:15:29.920
<v Speaker 2>Joe one time. So it's pretty awesome really. Yeah.

0:15:30.400 --> 0:15:34.480
<v Speaker 1>One time I was randomly eating in a damn it's

0:15:34.480 --> 0:15:37.680
<v Speaker 1>a it's a noodle spot in LA and I was like,

0:15:37.720 --> 0:15:40.880
<v Speaker 1>oh my god, that guy looks like James Gatson. Suddenly,

0:15:40.960 --> 0:15:44.920
<v Speaker 1>like all these LA cats were like it's like is

0:15:44.920 --> 0:15:47.240
<v Speaker 1>this normal? And then the manager was watching me like yeah,

0:15:47.240 --> 0:15:49.120
<v Speaker 1>I wanted to surprise you. Lets you know, I got

0:15:49.200 --> 0:15:52.840
<v Speaker 1>James Gatson and like all these like yeah, my entire

0:15:53.000 --> 0:15:54.920
<v Speaker 1>childhood record collections.

0:15:54.480 --> 0:15:57.960
<v Speaker 2>Just like purposely like got in there because yeah, no, no.

0:15:57.640 --> 0:16:03.440
<v Speaker 1>No, they were like this this spot was crustaceans from

0:16:03.480 --> 0:16:06.760
<v Speaker 1>all places like Crustaceans just happened to have like one

0:16:06.800 --> 0:16:09.600
<v Speaker 1>of the top session musicians as so yeah, on the

0:16:09.600 --> 0:16:12.040
<v Speaker 1>weekends we have a band's player. And I was like, oh,

0:16:12.360 --> 0:16:13.160
<v Speaker 1>that's really cool.

0:16:13.520 --> 0:16:17.320
<v Speaker 2>Yeah Gotson you know Gotsam. Yeah yeah, maybe he's such

0:16:17.360 --> 0:16:20.400
<v Speaker 2>an awesome dude. You know, I've never been a religious man,

0:16:20.720 --> 0:16:22.480
<v Speaker 2>but I was talking to him and he invited me

0:16:22.520 --> 0:16:24.360
<v Speaker 2>to come to his church play in the band. And

0:16:24.360 --> 0:16:25.920
<v Speaker 2>I was like, he plays in the band. He plays

0:16:25.920 --> 0:16:28.440
<v Speaker 2>in the band church, And I was like, man, this

0:16:28.600 --> 0:16:32.120
<v Speaker 2>is gonna be banging, and I got there and it

0:16:32.160 --> 0:16:33.920
<v Speaker 2>was like James Goatson kind of playing in this kind

0:16:33.920 --> 0:16:36.160
<v Speaker 2>of square band, you know, And I was like, I

0:16:36.200 --> 0:16:38.160
<v Speaker 2>was like, damn, but he got me to.

0:16:38.160 --> 0:16:41.000
<v Speaker 1>Church, you know where during the pandemic.

0:16:41.280 --> 0:16:41.760
<v Speaker 2>Yeah.

0:16:42.160 --> 0:16:46.720
<v Speaker 1>Once I figured out that he was much more than

0:16:46.960 --> 0:16:50.600
<v Speaker 1>I knew him strictly as Bill Withers drummer, I didn't

0:16:50.640 --> 0:16:53.720
<v Speaker 1>realize all of his motown work more importantly, like his

0:16:53.880 --> 0:17:00.280
<v Speaker 1>high hat is like I will survive love hanging over

0:17:01.520 --> 0:17:05.800
<v Speaker 1>such a very distinctive sound of his. And I think

0:17:05.840 --> 0:17:08.640
<v Speaker 1>he was doing a session for Beck or something. Someone

0:17:08.680 --> 0:17:10.840
<v Speaker 1>broke in his crib and stole those high hats. It's

0:17:10.880 --> 0:17:14.480
<v Speaker 1>like the most legendary. Like whenever I hear those high hats,

0:17:14.480 --> 0:17:17.639
<v Speaker 1>I instantly know that scats and playing drums, which is

0:17:17.920 --> 0:17:20.240
<v Speaker 1>normally I can identify a drummer on their stare drum,

0:17:20.640 --> 0:17:23.000
<v Speaker 1>you know. But for me to identify you on the

0:17:23.080 --> 0:17:26.320
<v Speaker 1>quality of your high hat, it's such a travesty.

0:17:26.480 --> 0:17:30.760
<v Speaker 2>I want you man, you know, dude.

0:17:30.440 --> 0:17:33.600
<v Speaker 1>Well, is there a food you hate it as a

0:17:33.800 --> 0:17:35.520
<v Speaker 1>kid that you love now?

0:17:36.320 --> 0:17:41.240
<v Speaker 2>Damn? Not? Really? No, I know what is? I think everything?

0:17:42.320 --> 0:17:45.000
<v Speaker 2>I mean that probably is No, I don't know. I

0:17:45.040 --> 0:17:48.000
<v Speaker 2>was always a good eater. I always just put it down.

0:17:48.400 --> 0:17:51.960
<v Speaker 1>You're forever a teenager to me, like, what is your lifestyle?

0:17:52.000 --> 0:17:53.439
<v Speaker 1>Are you vegan? Are you no?

0:17:53.480 --> 0:17:56.240
<v Speaker 2>I mean you know, I'm pretty strict about stuff. I

0:17:56.280 --> 0:17:59.160
<v Speaker 2>don't eat sugar, I don't eat gluten, I don't eat dairy.

0:18:00.160 --> 0:18:03.119
<v Speaker 2>Is that yeah? And I tried to eat organic, clean food.

0:18:03.480 --> 0:18:05.720
<v Speaker 1>Okay, but yeah, I eat animals, gotcha.

0:18:05.960 --> 0:18:06.120
<v Speaker 2>Yeah.

0:18:06.560 --> 0:18:10.040
<v Speaker 1>Did you ever have a recurring nightmare as a kid

0:18:10.200 --> 0:18:13.040
<v Speaker 1>or do you dream about the same thing over and over?

0:18:13.400 --> 0:18:13.879
<v Speaker 1>I used to.

0:18:13.920 --> 0:18:15.960
<v Speaker 2>It was funny because I did that bed wedding joke

0:18:16.359 --> 0:18:20.159
<v Speaker 2>yesterday I found but it's true, Okay. Yeah, And when

0:18:20.200 --> 0:18:21.919
<v Speaker 2>I was a kid, I was thinking about it yesterday

0:18:21.920 --> 0:18:24.560
<v Speaker 2>because I was like, you know, doing that joke, and

0:18:24.600 --> 0:18:26.800
<v Speaker 2>I was like, when I was a kid, I would

0:18:26.880 --> 0:18:30.280
<v Speaker 2>always dream that I was getting up and going to

0:18:30.320 --> 0:18:32.480
<v Speaker 2>the bathroom and I just had something where I just

0:18:32.520 --> 0:18:34.800
<v Speaker 2>didn't wake up, and in my dream, I'm getting up

0:18:34.800 --> 0:18:37.399
<v Speaker 2>and I'm really proud of myself. It's like a great dream.

0:18:37.680 --> 0:18:40.160
<v Speaker 2>I'm like, I finally beat this bed wedding thing. I'm

0:18:40.160 --> 0:18:42.119
<v Speaker 2>going to the bathroom. I can do it. And then

0:18:42.119 --> 0:18:43.960
<v Speaker 2>i'd wake up and no, you weren't going to that

0:18:44.160 --> 0:18:45.520
<v Speaker 2>you weren't walking down into the bathroom.

0:18:45.560 --> 0:18:47.640
<v Speaker 1>Used to do that a lot, like imagine I'm going

0:18:47.640 --> 0:18:51.320
<v Speaker 1>to the bathroom, but never feel that relief of yeah

0:18:51.359 --> 0:18:54.200
<v Speaker 1>and realize right right, yeah that had happened.

0:18:54.240 --> 0:18:57.199
<v Speaker 2>But I know I had like nightmares. It was always

0:18:57.240 --> 0:18:59.960
<v Speaker 2>kind of like like it's report card day at school,

0:19:00.640 --> 0:19:04.440
<v Speaker 2>you too, Yeah, yeah, and it's coming and it's bad,

0:19:05.119 --> 0:19:07.040
<v Speaker 2>and like I'm gonna have to pay the piper for

0:19:07.080 --> 0:19:09.960
<v Speaker 2>all my misdeeds, which was what often happened. Like there

0:19:10.040 --> 0:19:11.680
<v Speaker 2>was a couple of years where I like really tried

0:19:11.680 --> 0:19:13.840
<v Speaker 2>and did good, but mostly I was a disaster.

0:19:14.119 --> 0:19:16.760
<v Speaker 1>You know, Well this always occur even after you.

0:19:16.600 --> 0:19:18.520
<v Speaker 2>Yeah, yeah, it would just come out with that feeling,

0:19:18.640 --> 0:19:20.679
<v Speaker 2>you know what I mean, like oh, you get it,

0:19:20.720 --> 0:19:23.320
<v Speaker 2>and you're just like you know what I mean, like

0:19:23.440 --> 0:19:27.560
<v Speaker 2>hiding it from your parents and stuff that. And I

0:19:27.560 --> 0:19:29.440
<v Speaker 2>haven't had it in a while that I can remember.

0:19:30.080 --> 0:19:36.199
<v Speaker 2>But flying dreams that really beautiful, like really beautiful but

0:19:36.359 --> 0:19:39.080
<v Speaker 2>also scary. Like I would have this dream where I

0:19:39.080 --> 0:19:43.200
<v Speaker 2>would fly, but it wasn't like Superman like flying up high.

0:19:43.240 --> 0:19:45.479
<v Speaker 2>I would just kind of like by power of myself

0:19:45.560 --> 0:19:47.960
<v Speaker 2>kind of float above the ground, levitate up i'd be

0:19:48.000 --> 0:19:49.960
<v Speaker 2>like ten feet up, fifteen feet up, and I still

0:19:50.000 --> 0:19:51.720
<v Speaker 2>do have the dream now I'm thinking of it. I

0:19:51.760 --> 0:19:53.720
<v Speaker 2>have it, and I'm just kind of like I kind

0:19:53.720 --> 0:19:55.680
<v Speaker 2>of get this energy. It's like bigger than me, and

0:19:55.720 --> 0:19:58.400
<v Speaker 2>I'm like floating. But in my dream, I'm always liked

0:19:58.400 --> 0:20:01.320
<v Speaker 2>everybody like I'm up pero, like can you can you see?

0:20:01.400 --> 0:20:03.600
<v Speaker 2>Can y'all see? And but in my dream no one

0:20:03.600 --> 0:20:06.879
<v Speaker 2>ever notices. So it's like but it's like I'm like,

0:20:07.119 --> 0:20:10.399
<v Speaker 2>I'm like, no, I'm finally like really tapping the source.

0:20:10.480 --> 0:20:13.440
<v Speaker 2>I'm using this energy. I'm floating, but no one can see.

0:20:13.560 --> 0:20:15.480
<v Speaker 2>I can never get my props, you know what I mean.

0:20:15.520 --> 0:20:17.480
<v Speaker 2>And the dream, and that's it's kind of a weird

0:20:17.520 --> 0:20:19.800
<v Speaker 2>a cross between a dream and like this feeling of

0:20:20.080 --> 0:20:20.800
<v Speaker 2>not being seen.

0:20:21.160 --> 0:20:24.760
<v Speaker 1>Entree three thousand gave the same answer. Really, the thing

0:20:24.880 --> 0:20:29.280
<v Speaker 1>is I when I tell you, okay, so if you

0:20:29.359 --> 0:20:32.520
<v Speaker 1>know about like how the brain works, your brain doesn't

0:20:32.520 --> 0:20:37.119
<v Speaker 1>know the difference between reality and a fantasy. So if

0:20:37.160 --> 0:20:40.080
<v Speaker 1>I were to tell you about like a horring car

0:20:40.160 --> 0:20:43.120
<v Speaker 1>crash I had or whatever, like I'm taking you through

0:20:43.160 --> 0:20:45.360
<v Speaker 1>the journey, like your brain wouldn't know. If you watch

0:20:45.400 --> 0:20:48.920
<v Speaker 1>a movie your brain will process a bad guy chasing

0:20:48.960 --> 0:20:51.919
<v Speaker 1>you the same way as if it happened in real life,

0:20:52.040 --> 0:20:55.040
<v Speaker 1>so your body sort of goes through that. And I

0:20:55.080 --> 0:20:58.040
<v Speaker 1>told him because he also said, like, I dream of flying.

0:20:58.680 --> 0:21:02.080
<v Speaker 1>And when I finished that interview, I live pretty high

0:21:02.160 --> 0:21:05.560
<v Speaker 1>up in my apartment in New York, and you know,

0:21:05.560 --> 0:21:07.640
<v Speaker 1>people always ask like, aren't you free to heights or whatever?

0:21:08.400 --> 0:21:15.720
<v Speaker 1>And I cannot dream of flying without the feeling of

0:21:16.680 --> 0:21:19.280
<v Speaker 1>me crashing. Like even though if I were to close

0:21:19.320 --> 0:21:21.040
<v Speaker 1>my eyes right now and say, okay, I'm here, I

0:21:21.040 --> 0:21:24.399
<v Speaker 1>want you to imagine your own eighty stories up and

0:21:24.520 --> 0:21:29.320
<v Speaker 1>jumping off a ledge, like fly to that building over there,

0:21:29.400 --> 0:21:34.840
<v Speaker 1>I can't. It's such a fear of even dreaming of that.

0:21:35.119 --> 0:21:36.800
<v Speaker 1>And I don't know if that's metaphorical.

0:21:37.560 --> 0:21:40.159
<v Speaker 2>It's definitely metaphors.

0:21:40.400 --> 0:21:42.840
<v Speaker 1>So you can fly, and I'm not like.

0:21:42.840 --> 0:21:45.800
<v Speaker 2>Hi, it's not like scary, it's not like I mean,

0:21:45.840 --> 0:21:47.639
<v Speaker 2>there is the thing like, oh what I fall? But no,

0:21:47.840 --> 0:21:52.159
<v Speaker 2>the feeling is that like did I have this power

0:21:52.200 --> 0:21:54.919
<v Speaker 2>within me to do it? And that it is like

0:21:54.960 --> 0:21:56.360
<v Speaker 2>we all have our own you know what I mean?

0:21:56.359 --> 0:21:58.359
<v Speaker 2>We have our energy that we know is only ours

0:21:58.440 --> 0:22:01.399
<v Speaker 2>and like it our job in life to nurture it

0:22:01.440 --> 0:22:04.200
<v Speaker 2>and protect it and take care of it. But it's

0:22:04.200 --> 0:22:08.280
<v Speaker 2>this thing that like, yes, it's there, but nobody cares.

0:22:08.520 --> 0:22:10.359
<v Speaker 2>I think that's kind of the fear, Like that's the

0:22:10.359 --> 0:22:12.600
<v Speaker 2>fear that I grew up with that like it's not

0:22:12.800 --> 0:22:13.440
<v Speaker 2>no one cares.

0:22:13.680 --> 0:22:16.440
<v Speaker 1>Do you feel like you're the brilliant tree that fell

0:22:16.480 --> 0:22:17.880
<v Speaker 1>in the farest that no one knows?

0:22:18.640 --> 0:22:20.160
<v Speaker 2>I don't feel like out of my day to day life.

0:22:20.160 --> 0:22:23.160
<v Speaker 2>I mean feel really fortunate to be able to have,

0:22:23.920 --> 0:22:26.560
<v Speaker 2>you know, expressed myself how I can with what I've got,

0:22:26.720 --> 0:22:29.520
<v Speaker 2>and to be you know, being able to touch hearts

0:22:29.560 --> 0:22:33.639
<v Speaker 2>with it. But yeah, I don't know if I I

0:22:33.640 --> 0:22:35.639
<v Speaker 2>think it's childhood shit you know too?

0:22:36.080 --> 0:22:41.720
<v Speaker 1>Yeah, name me five records in your childhood household collection?

0:22:42.160 --> 0:22:46.439
<v Speaker 2>Mm hmm. Cannonball, utterly God, wish he were he just

0:22:46.480 --> 0:22:47.000
<v Speaker 2>a preacher.

0:22:47.800 --> 0:22:50.520
<v Speaker 1>It's live a country preacher. Yeah, why my treat is

0:22:50.560 --> 0:22:50.840
<v Speaker 1>so bad?

0:22:50.880 --> 0:22:52.720
<v Speaker 2>I think the country preacher is not the name of it.

0:22:52.720 --> 0:22:54.880
<v Speaker 2>I can't remember, but country preacher. So as a kid

0:22:54.920 --> 0:22:57.720
<v Speaker 2>and when I when I was really little, it was different.

0:22:57.720 --> 0:22:59.600
<v Speaker 2>But my stepdad who came to my life when I

0:22:59.720 --> 0:23:04.240
<v Speaker 2>was seven, okay, six or seven, he was a jazz

0:23:04.240 --> 0:23:05.879
<v Speaker 2>guy and had a great record collection. But I remember

0:23:05.880 --> 0:23:08.840
<v Speaker 2>hearing that and like thinking, whoa, you know what I mean?

0:23:08.880 --> 0:23:13.160
<v Speaker 2>It really blew my Okay that the Beatles the White album.

0:23:13.359 --> 0:23:16.080
<v Speaker 1>Okay, is that your favorite of the of the Beatles.

0:23:17.800 --> 0:23:21.119
<v Speaker 2>It might be, but it's been it shifts, got it shifts,

0:23:21.119 --> 0:23:23.000
<v Speaker 2>But yeah, it might be might be my favorite. It

0:23:23.080 --> 0:23:24.240
<v Speaker 2>might be my favorite. But now that I have a

0:23:24.240 --> 0:23:28.000
<v Speaker 2>little boy, like and I play stuff songs that he loves,

0:23:28.040 --> 0:23:30.520
<v Speaker 2>like he loves the Abbey Road stuff, so kind of

0:23:30.520 --> 0:23:34.959
<v Speaker 2>into that little Kid records. I had a Louis Armstrong record.

0:23:35.160 --> 0:23:40.560
<v Speaker 2>Uh satch plays Fats All singing Fat Swaller songs. Okay, Yeah,

0:23:40.560 --> 0:23:44.800
<v Speaker 2>and I really love that Clifford Brown Max Roach that

0:23:44.880 --> 0:23:47.320
<v Speaker 2>Quintet I you know, that was a record as I

0:23:47.320 --> 0:23:50.960
<v Speaker 2>was starting to play trumpet, and you know what I mean, It's.

0:23:50.520 --> 0:23:53.440
<v Speaker 1>Just it's what you said to Clifford Brown.

0:23:53.680 --> 0:23:57.480
<v Speaker 2>That wasn't good enough to shedd it. No. I just

0:23:57.560 --> 0:24:00.200
<v Speaker 2>listened to it and knew it was possible. Okay, Yeah,

0:24:00.560 --> 0:24:04.520
<v Speaker 2>still like that, you know, then your last album, what's that?

0:24:04.840 --> 0:24:06.359
<v Speaker 1>Your last album?

0:24:06.760 --> 0:24:09.480
<v Speaker 2>Yeah? Four? Just trying to think of little Kid records

0:24:09.880 --> 0:24:12.400
<v Speaker 2>and I don't want to go too far like Sympathy

0:24:12.480 --> 0:24:16.680
<v Speaker 2>for the Devil the Rolling Stones. Yeah that song?

0:24:17.800 --> 0:24:21.000
<v Speaker 1>And when was that on The Woman with the Bathroom?

0:24:21.400 --> 0:24:21.560
<v Speaker 2>Uh?

0:24:22.680 --> 0:24:23.520
<v Speaker 1>Yes, oh, I beg his.

0:24:23.960 --> 0:24:26.159
<v Speaker 2>I have a very distinct I have this distinct memory

0:24:26.160 --> 0:24:29.480
<v Speaker 2>of my step dad. He frowned on rock music, but

0:24:29.520 --> 0:24:31.960
<v Speaker 2>for some reason he had that eight track and we

0:24:32.080 --> 0:24:34.280
<v Speaker 2>put it in and it would play and he would go,

0:24:34.480 --> 0:24:36.159
<v Speaker 2>pleased to meet you, won't you guess my name? You

0:24:36.160 --> 0:24:39.119
<v Speaker 2>know he's doing these verses. I've been around civilizations ancient

0:24:39.920 --> 0:24:42.080
<v Speaker 2>and he was like, who's he talking about? Like who's

0:24:42.080 --> 0:24:43.639
<v Speaker 2>he talking about? I was like, I don't know, Like

0:24:43.640 --> 0:24:45.760
<v Speaker 2>I'm okay, like trying to think, like who's he singing about?

0:24:45.760 --> 0:24:46.800
<v Speaker 2>Like who's pleased to meet?

0:24:46.880 --> 0:24:47.160
<v Speaker 1>Who?

0:24:47.560 --> 0:24:49.000
<v Speaker 2>Who's he taught me? And I remember him like, look

0:24:49.000 --> 0:24:50.040
<v Speaker 2>at me going to the devil.

0:24:51.840 --> 0:24:52.840
<v Speaker 1>That's how you met the devil?

0:24:53.720 --> 0:24:54.240
<v Speaker 2>Yeah?

0:24:55.080 --> 0:24:59.640
<v Speaker 1>Yeah, all right. What was your first job? Well?

0:25:00.720 --> 0:25:02.960
<v Speaker 2>I had many jobs as a kid. I was always,

0:25:03.000 --> 0:25:04.880
<v Speaker 2>you know, knocking on people's doors. I'll mow your lawn,

0:25:04.920 --> 0:25:06.520
<v Speaker 2>I'll take your garbage out. I used to stand in

0:25:06.560 --> 0:25:09.800
<v Speaker 2>the supermarket parking lot asking people to carry their groceries

0:25:09.840 --> 0:25:12.080
<v Speaker 2>to their car, like hoping for a tip. But my

0:25:12.200 --> 0:25:17.480
<v Speaker 2>first actual paying job was a liquor store delivery boy.

0:25:17.600 --> 0:25:20.760
<v Speaker 1>Okay, you were allowed to delivered liquors.

0:25:20.480 --> 0:25:24.040
<v Speaker 2>Sixteen in La Yeah yeah yeah, no I could drive, yeah,

0:25:24.280 --> 0:25:26.800
<v Speaker 2>delivered liquor. So you were the original and drank plenty

0:25:26.800 --> 0:25:27.040
<v Speaker 2>of it.

0:25:27.320 --> 0:25:32.680
<v Speaker 1>Yeah, the original uber eats Okay yeah yeah, uh huh okay.

0:25:32.720 --> 0:25:36.320
<v Speaker 1>So sort of expansion of the question before what album

0:25:36.560 --> 0:25:39.879
<v Speaker 1>single handedly changed your life?

0:25:39.960 --> 0:25:40.800
<v Speaker 2>It has to be one.

0:25:41.640 --> 0:25:44.040
<v Speaker 1>This can also be your album whatever. But like, if

0:25:44.040 --> 0:25:50.920
<v Speaker 1>there's an album that literally changed the trajectory of your life.

0:25:50.320 --> 0:25:54.480
<v Speaker 2>I have to say, it's the record Gi by the Germs.

0:25:55.280 --> 0:25:56.160
<v Speaker 1>What was it about it?

0:25:56.160 --> 0:26:01.280
<v Speaker 2>It's a well, it's a very like wild punk rock album.

0:26:01.400 --> 0:26:04.040
<v Speaker 2>Singing on it just goes wow, you know what I mean?

0:26:04.119 --> 0:26:07.080
<v Speaker 2>Like he But what it was about it is so

0:26:07.160 --> 0:26:12.160
<v Speaker 2>I grew up loving Miles Davis, loving my Vish New Orchestra.

0:26:12.800 --> 0:26:14.920
<v Speaker 2>When I got into rock music, it was all about

0:26:15.000 --> 0:26:17.800
<v Speaker 2>Jimmy Hendrix. It was all about the great, great players.

0:26:18.240 --> 0:26:20.639
<v Speaker 2>You know, this is a music that was everything to me.

0:26:20.920 --> 0:26:25.919
<v Speaker 2>And I looked at music as like your ability to

0:26:26.520 --> 0:26:31.320
<v Speaker 2>play masterfully and and groove too, of course, you know

0:26:31.359 --> 0:26:34.240
<v Speaker 2>what I mean, Like I understood the importance of you know,

0:26:34.359 --> 0:26:38.600
<v Speaker 2>p funk and groove. But when I heard the germs,

0:26:38.680 --> 0:26:41.879
<v Speaker 2>it was the first time what hit home to me,

0:26:41.920 --> 0:26:45.760
<v Speaker 2>and it was huge. It was, here's this music, Like

0:26:46.480 --> 0:26:50.639
<v Speaker 2>the musician ship is very few tools, you know what

0:26:50.640 --> 0:26:52.920
<v Speaker 2>I mean. It's relative. You know, the songs are really good,

0:26:52.960 --> 0:26:56.600
<v Speaker 2>and I think the playing is great harmonically melodically, it's

0:26:56.840 --> 0:27:02.480
<v Speaker 2>relatively remedial and simple and destroyed it and a mess

0:27:02.520 --> 0:27:05.120
<v Speaker 2>and all this stuff. But I remember, like laying back

0:27:05.160 --> 0:27:08.159
<v Speaker 2>listening to headphones, just like being taken away by it,

0:27:08.240 --> 0:27:12.639
<v Speaker 2>like into this real beautiful, cosmic place, and I just

0:27:12.680 --> 0:27:16.080
<v Speaker 2>remember thinking, like, it doesn't matter how good you play.

0:27:16.200 --> 0:27:22.520
<v Speaker 2>It was like everything is motivation and intent, and you

0:27:22.560 --> 0:27:24.760
<v Speaker 2>come from all people come from all different cultures, they

0:27:24.760 --> 0:27:27.919
<v Speaker 2>have all different you know what I mean. Abilities, But

0:27:28.359 --> 0:27:30.840
<v Speaker 2>if you have the right of motivation, the intent, and

0:27:30.880 --> 0:27:34.520
<v Speaker 2>the passion to express your story with what you've got

0:27:34.640 --> 0:27:37.360
<v Speaker 2>and what you know, it is the most valuable thing

0:27:37.400 --> 0:27:40.879
<v Speaker 2>in the world. And it just awakened in me a

0:27:40.920 --> 0:27:43.359
<v Speaker 2>thing beyond music as a way to approach music, you know,

0:27:43.720 --> 0:27:47.359
<v Speaker 2>like storytelling and just how important it is for us

0:27:47.400 --> 0:27:50.080
<v Speaker 2>to tell our stories. And I think we're thinking of

0:27:50.119 --> 0:27:54.679
<v Speaker 2>that about that a lot lately now, too, Like people

0:27:54.720 --> 0:27:57.960
<v Speaker 2>are angry, you know, they're angry about oppression in the

0:27:58.000 --> 0:28:00.720
<v Speaker 2>world and hypocrisy and cruelty and all this stuff. And

0:28:00.800 --> 0:28:03.000
<v Speaker 2>I get it, you know, I'm angry too, Like there's

0:28:03.040 --> 0:28:06.600
<v Speaker 2>all this shit going on, But how important it is

0:28:06.640 --> 0:28:09.639
<v Speaker 2>to just let go of our anger and invest in

0:28:09.680 --> 0:28:12.280
<v Speaker 2>beautiful things of Like like I was at the Vanguard

0:28:12.320 --> 0:28:14.880
<v Speaker 2>the other night seeing Marquis Hill playing with Junius Paul

0:28:14.920 --> 0:28:17.920
<v Speaker 2>Mchaya mccraven, like these guys throwing down in a way

0:28:18.160 --> 0:28:20.520
<v Speaker 2>and playing the Vanguard. Little place, beautiful place, you know,

0:28:20.600 --> 0:28:25.600
<v Speaker 2>historical place. But like, how more than ever, as you know,

0:28:25.600 --> 0:28:29.560
<v Speaker 2>whatever protests or you know, big picture things that are

0:28:29.560 --> 0:28:32.000
<v Speaker 2>really important to just invest our time and energy and

0:28:32.080 --> 0:28:34.880
<v Speaker 2>people making beautiful things and put our energy into that,

0:28:35.440 --> 0:28:37.439
<v Speaker 2>to support that, to be a part of it, to

0:28:37.480 --> 0:28:39.200
<v Speaker 2>do what we can, to tell our stories in whichever

0:28:39.280 --> 0:28:41.720
<v Speaker 2>way we have to tell them and anyway. So that

0:28:41.760 --> 0:28:44.560
<v Speaker 2>record really awakened in me. That And at the same time,

0:28:45.240 --> 0:28:48.720
<v Speaker 2>I was reading a biography of Bob Marley and I

0:28:48.760 --> 0:28:50.440
<v Speaker 2>can't remember who wrote it was, you know, this is

0:28:50.480 --> 0:28:56.720
<v Speaker 2>in the early eighties, and he talked about that about

0:28:56.760 --> 0:28:59.719
<v Speaker 2>like motivation, what motivates you in the purity of your

0:28:59.760 --> 0:29:02.920
<v Speaker 2>intent being everything. You know, He's like, I don't care

0:29:02.920 --> 0:29:05.000
<v Speaker 2>about a reggae. It's my where I'm from, it's what

0:29:05.040 --> 0:29:08.760
<v Speaker 2>I do, but everything is where my heart is at.

0:29:08.960 --> 0:29:11.000
<v Speaker 2>And as well as like and this is something as

0:29:11.080 --> 0:29:14.520
<v Speaker 2>you know, I'm always learning from like Coltrane. Recently I

0:29:14.520 --> 0:29:17.360
<v Speaker 2>read a quote by him talking about like your music

0:29:17.640 --> 0:29:19.680
<v Speaker 2>can only be as good as you are as a person,

0:29:20.320 --> 0:29:24.480
<v Speaker 2>you know, and that really hit home to me, like yeah, yeah,

0:29:24.600 --> 0:29:27.760
<v Speaker 2>like yeah, yeah, period, you know what I mean, And

0:29:27.800 --> 0:29:29.560
<v Speaker 2>it maybe just want to be like all the like

0:29:29.600 --> 0:29:31.600
<v Speaker 2>the ways that I can fuck up, you know what

0:29:31.680 --> 0:29:34.480
<v Speaker 2>I mean, and be dishonest or manipulative or not a

0:29:34.480 --> 0:29:36.360
<v Speaker 2>good husband or not a good father or not a

0:29:36.480 --> 0:29:38.440
<v Speaker 2>you know what I mean. Like the more that you

0:29:38.440 --> 0:29:40.720
<v Speaker 2>can walk with your truth and your honesty and your

0:29:41.560 --> 0:29:44.720
<v Speaker 2>you know, your clarity and be at ease with yourself

0:29:44.760 --> 0:29:47.280
<v Speaker 2>as being the best person that you can be, the

0:29:47.320 --> 0:29:48.840
<v Speaker 2>better you can be as a player, you know what

0:29:48.840 --> 0:29:51.360
<v Speaker 2>I mean. And now like take for me, like trying

0:29:51.360 --> 0:29:54.680
<v Speaker 2>to take on these you know, fill a new place musically,

0:29:54.720 --> 0:29:57.120
<v Speaker 2>really working on my horn playing and you know, doing

0:29:57.160 --> 0:29:59.840
<v Speaker 2>your stuff and just more than ever, like man, there's

0:29:59.840 --> 0:30:02.520
<v Speaker 2>no heiden, there's no you know what I mean, Like,

0:30:02.560 --> 0:30:03.760
<v Speaker 2>all we got is what we got.

0:30:03.960 --> 0:30:09.840
<v Speaker 1>So yeah, wow, damn I gotta question my entire life

0:30:09.840 --> 0:30:11.000
<v Speaker 1>after that too.

0:30:11.600 --> 0:30:13.520
<v Speaker 2>I'm with you, you know what I mean, Like that

0:30:13.600 --> 0:30:15.840
<v Speaker 2>culturing thing was just like damn.

0:30:27.520 --> 0:30:32.080
<v Speaker 1>You're of age and you are a result kind of

0:30:32.080 --> 0:30:36.080
<v Speaker 1>a byproduct of the first wave of the punk movement.

0:30:36.120 --> 0:30:39.400
<v Speaker 1>You were fifteen years old nineteen seventy seven, So I

0:30:39.480 --> 0:30:44.840
<v Speaker 1>know the effect of the events that happened in New

0:30:44.920 --> 0:30:49.480
<v Speaker 1>York in nineteen seventy seven, the punk movement, underground disco,

0:30:50.040 --> 0:30:54.520
<v Speaker 1>even the sort of elitist studio fifty four atmosphere, the

0:30:54.600 --> 0:30:58.960
<v Speaker 1>Blackout happening, thus giving birth to hip hop culture based

0:30:59.000 --> 0:31:03.280
<v Speaker 1>on all the Turntaine acquired doing that those two nights.

0:31:03.720 --> 0:31:07.960
<v Speaker 1>What was happening in LA in nineteen seventy seven. I

0:31:08.160 --> 0:31:10.400
<v Speaker 1>know there's you know, and I often hear bands like

0:31:10.640 --> 0:31:15.160
<v Speaker 1>X or whatever. But like, in nineteen seventy seven, was

0:31:15.760 --> 0:31:19.520
<v Speaker 1>punk's movement immediate as it was in New York or

0:31:19.640 --> 0:31:21.880
<v Speaker 1>was it sort of like hip hop where it took

0:31:21.920 --> 0:31:24.200
<v Speaker 1>maybe like a year and a half to really like

0:31:24.320 --> 0:31:26.800
<v Speaker 1>migrate to California for you guys to get enlightened.

0:31:26.960 --> 0:31:30.480
<v Speaker 2>Yeah, LA had its own scene okay, And I confess

0:31:30.600 --> 0:31:32.320
<v Speaker 2>that I'm l I was on a late fraight, like

0:31:32.360 --> 0:31:35.080
<v Speaker 2>I didn't really get into punk, and like when I

0:31:35.080 --> 0:31:36.960
<v Speaker 2>was got in my germs, I joined Fear, like the

0:31:37.280 --> 0:31:40.880
<v Speaker 2>band like that was like eighty two eighty one, and

0:31:40.920 --> 0:31:43.000
<v Speaker 2>before that, like I was, I was in the Hendrix,

0:31:43.040 --> 0:31:46.640
<v Speaker 2>you know. But I got to know, you know, shortly

0:31:46.680 --> 0:31:49.760
<v Speaker 2>after the birth of it, all the luminaries of the

0:31:49.840 --> 0:31:52.800
<v Speaker 2>LA punk scene, and we had really great bands, like

0:31:53.080 --> 0:31:56.880
<v Speaker 2>the Weirdos were incredible, the Weirdos, the screamers who are

0:31:56.920 --> 0:32:00.520
<v Speaker 2>experimenting with like synse and electro sounds in punk. There

0:32:00.600 --> 0:32:02.240
<v Speaker 2>was just ever and I would go out and see

0:32:02.280 --> 0:32:05.760
<v Speaker 2>all kinds of weird bands like and I think probably

0:32:05.800 --> 0:32:09.480
<v Speaker 2>like New York in a way where and it's something

0:32:09.520 --> 0:32:12.280
<v Speaker 2>that I really miss and I'm so grateful to have

0:32:12.320 --> 0:32:16.160
<v Speaker 2>had the opportunities that like from like when I met Anthony,

0:32:16.200 --> 0:32:18.760
<v Speaker 2>we're like fifteen. It was like every single night we're

0:32:18.800 --> 0:32:20.720
<v Speaker 2>trying to get into a club to see a band,

0:32:20.760 --> 0:32:23.200
<v Speaker 2>and we didn't whatever it was, you know what I mean.

0:32:23.520 --> 0:32:25.720
<v Speaker 2>And we see some weird heavy metal band, some like

0:32:25.800 --> 0:32:29.400
<v Speaker 2>Sunset Strip hair metal band, some you know, dirty punk band,

0:32:29.480 --> 0:32:33.040
<v Speaker 2>some arty band, some like African influence bands, some electro band.

0:32:33.680 --> 0:32:36.520
<v Speaker 2>It was just relentless, Like every night there were clubs

0:32:36.640 --> 0:32:38.959
<v Speaker 2>all over the city full of music. You could get

0:32:38.960 --> 0:32:41.600
<v Speaker 2>down to the Parisian Room and see Freddie Hubbard, and

0:32:41.640 --> 0:32:45.120
<v Speaker 2>then you could go to the Starwood and see you know,

0:32:45.520 --> 0:32:48.040
<v Speaker 2>the suburban lawns, you know what I mean. Like there

0:32:48.080 --> 0:32:52.520
<v Speaker 2>was just so much already weird underground music happening.

0:32:52.720 --> 0:32:55.920
<v Speaker 1>You know. Was it typical to have that expanse of

0:32:56.440 --> 0:33:00.880
<v Speaker 1>a vocabulary as you did, Like, Hey, I'm just as

0:33:00.920 --> 0:33:04.719
<v Speaker 1>excited to see p Funk and those guys as I

0:33:04.760 --> 0:33:09.160
<v Speaker 1>am to see you know whatever other things happening. Like you,

0:33:09.400 --> 0:33:11.760
<v Speaker 1>you seem to have a wide open palate, which to

0:33:11.800 --> 0:33:12.760
<v Speaker 1>me is very hip hop.

0:33:13.320 --> 0:33:15.560
<v Speaker 2>Yeah. No, for me, take everything, It's always been like

0:33:15.600 --> 0:33:18.400
<v Speaker 2>that for me, Like anything I'd love was never to

0:33:18.480 --> 0:33:21.800
<v Speaker 2>the exclusion of anything else. Right, And no, it was

0:33:21.840 --> 0:33:24.120
<v Speaker 2>not common at all, Like people I knew from each

0:33:24.200 --> 0:33:27.640
<v Speaker 2>thing always did mostly didn't like the other thing. But

0:33:27.720 --> 0:33:29.200
<v Speaker 2>for me, and it's kind of like what I spoke

0:33:29.240 --> 0:33:31.560
<v Speaker 2>to earlier when I was a kid, Like when I

0:33:31.600 --> 0:33:34.480
<v Speaker 2>saw my stepdad playing jazz and I got into his

0:33:34.640 --> 0:33:37.760
<v Speaker 2>jazz records and I was mind blown by this level

0:33:37.760 --> 0:33:41.000
<v Speaker 2>of musicianship. I still love the Beatles, and it was

0:33:41.000 --> 0:33:43.360
<v Speaker 2>the same to me, like when if I listened to

0:33:43.440 --> 0:33:45.280
<v Speaker 2>Charlie Parker and I listened to the Beatles, it was

0:33:45.320 --> 0:33:48.160
<v Speaker 2>just music. Like I didn't. I never separated it out,

0:33:48.200 --> 0:33:51.720
<v Speaker 2>and I feel so lucky for that and was always

0:33:52.040 --> 0:33:54.800
<v Speaker 2>grateful for all of it. But I confess that it

0:33:54.880 --> 0:33:57.120
<v Speaker 2>wasn't That's why I mentioned that Germs record. It wasn't

0:33:57.160 --> 0:33:59.840
<v Speaker 2>really until right around then when I opened my mind

0:34:00.040 --> 0:34:02.480
<v Speaker 2>enough to really see the beauty in that, you know

0:34:02.520 --> 0:34:04.200
<v Speaker 2>what I mean. I knew there was something about it,

0:34:04.200 --> 0:34:06.520
<v Speaker 2>like I'd go out to punk shows, but it was scary.

0:34:06.520 --> 0:34:09.280
<v Speaker 2>It was violent, man. It was like ambulances out front,

0:34:09.560 --> 0:34:11.760
<v Speaker 2>people getting beat up, the cops waiting with night sticks

0:34:11.760 --> 0:34:14.240
<v Speaker 2>out in front of the show, come out bam, slamming

0:34:14.280 --> 0:34:16.400
<v Speaker 2>on people. I remember being a forty five Grave show

0:34:16.680 --> 0:34:20.600
<v Speaker 2>to Anti Club on Melrose. Literally walked out boom, cops

0:34:20.640 --> 0:34:23.160
<v Speaker 2>on here with night sticks like run it, you know

0:34:23.200 --> 0:34:25.279
<v Speaker 2>what I mean. Like it was just happened, like it

0:34:25.440 --> 0:34:27.440
<v Speaker 2>became a threat. It was like there's gonna be riots,

0:34:27.440 --> 0:34:29.240
<v Speaker 2>there's gonna be a problem. The cops were just outside

0:34:29.239 --> 0:34:32.640
<v Speaker 2>the show waiting and uh. And also I'm within it too,

0:34:32.760 --> 0:34:35.760
<v Speaker 2>like you had the wrong haircut, you ten guys stumping

0:34:35.800 --> 0:34:38.160
<v Speaker 2>the shit out of somebody, like terrifying.

0:34:38.239 --> 0:34:40.839
<v Speaker 1>See you only thought, okay, so for New York, that

0:34:40.920 --> 0:34:42.360
<v Speaker 1>club would have been the Latin Quarter.

0:34:42.680 --> 0:34:43.160
<v Speaker 2>Yeah.

0:34:43.400 --> 0:34:46.799
<v Speaker 1>And during this period, like, yeah, that is such a

0:34:46.800 --> 0:34:50.520
<v Speaker 1>renaissance happening with one night you're hearing Boogie Down Productions,

0:34:50.560 --> 0:34:53.840
<v Speaker 1>next night's Ault Magnetic next night. It's it's like literally

0:34:53.920 --> 0:34:56.400
<v Speaker 1>your life is being changed week after week with a

0:34:56.480 --> 0:34:58.960
<v Speaker 1>classic records, like you're hearing Rebel without a pause for

0:34:59.000 --> 0:34:59.480
<v Speaker 1>the first time.

0:34:59.600 --> 0:34:59.880
<v Speaker 2>Yeah.

0:35:00.080 --> 0:35:02.920
<v Speaker 1>But it's also like you might die tonight. Yeah, And

0:35:02.960 --> 0:35:05.120
<v Speaker 1>I keep asking people to come on and still like

0:35:05.840 --> 0:35:09.440
<v Speaker 1>so you knowing that you're risking your life just to

0:35:09.480 --> 0:35:12.040
<v Speaker 1>get your mind blown by a four minute song and

0:35:12.200 --> 0:35:13.719
<v Speaker 1>you might not sit. And they were like it was

0:35:13.760 --> 0:35:17.400
<v Speaker 1>so worth it that dying wasn't even an option, Like

0:35:17.440 --> 0:35:18.920
<v Speaker 1>you just felt so for you, it was.

0:35:19.000 --> 0:35:21.680
<v Speaker 2>Just like had to go. I wanted to be where

0:35:21.680 --> 0:35:26.359
<v Speaker 2>it was. You know, one of my favorite writers, Yukio Mishima,

0:35:26.880 --> 0:35:31.480
<v Speaker 2>great great writer, and he you know, at this crazy

0:35:31.600 --> 0:35:34.440
<v Speaker 2>ending in his life where he he was like revered

0:35:34.440 --> 0:35:37.200
<v Speaker 2>as like the Shakespeare of Japan, like this great writer

0:35:37.960 --> 0:35:41.960
<v Speaker 2>then it became like the severe hardcore right wing nationalist

0:35:42.040 --> 0:35:45.160
<v Speaker 2>dude who like kind of gathered his own army together

0:35:45.200 --> 0:35:46.839
<v Speaker 2>and they would march around, you know what I mean,

0:35:46.920 --> 0:35:49.719
<v Speaker 2>like doing this thing. There's a great Schrader movie about him.

0:35:49.719 --> 0:35:51.440
<v Speaker 2>I don't know if you ever saw it, called Michie

0:35:51.440 --> 0:35:54.759
<v Speaker 2>mats Great. But at the end of his life he

0:35:54.800 --> 0:35:57.960
<v Speaker 2>went and like took the head of the Japanese military hostage.

0:35:58.520 --> 0:36:01.160
<v Speaker 2>It made him assemble the troops where he gave this

0:36:01.200 --> 0:36:03.520
<v Speaker 2>big speech like Japan has to come back to you know,

0:36:03.560 --> 0:36:07.520
<v Speaker 2>it's nationalist values. And then boom, Harry carried himself. It

0:36:07.560 --> 0:36:10.520
<v Speaker 2>was on the news like it happened, and I think

0:36:10.520 --> 0:36:12.720
<v Speaker 2>he killed the general guy, like they took the sword

0:36:12.719 --> 0:36:16.319
<v Speaker 2>to him as followers like this crazy guy. I mean

0:36:16.320 --> 0:36:19.320
<v Speaker 2>he really you know. But something he said, and it

0:36:19.400 --> 0:36:21.120
<v Speaker 2>kind of speaks to the way he went out, is

0:36:21.160 --> 0:36:25.000
<v Speaker 2>that there are very rare times in life when art

0:36:25.040 --> 0:36:28.280
<v Speaker 2>and action come together, and when those things come together,

0:36:28.760 --> 0:36:31.560
<v Speaker 2>it's everything. And I didn't know that at the time,

0:36:31.680 --> 0:36:33.560
<v Speaker 2>but it was that feeling you're talking about, like you're

0:36:33.560 --> 0:36:36.360
<v Speaker 2>going out to the music. There's physical danger, you know

0:36:36.400 --> 0:36:39.799
<v Speaker 2>what I mean, for whatever the reason is, and you're

0:36:39.800 --> 0:36:41.920
<v Speaker 2>alive man in that moment, you know, and it's when

0:36:42.120 --> 0:36:44.560
<v Speaker 2>art and action it's like these two things for you.

0:36:45.000 --> 0:36:49.520
<v Speaker 1>Is danger a necessary element?

0:36:50.960 --> 0:36:55.239
<v Speaker 2>I don't know, Like in most situations, I think like

0:36:55.280 --> 0:36:57.760
<v Speaker 2>that kind of danger where it's like people having fun.

0:36:58.440 --> 0:36:59.960
<v Speaker 2>I was at a punk rock show a couple of

0:37:00.040 --> 0:37:02.000
<v Speaker 2>weeks ago, like a kid I knew since he was

0:37:02.000 --> 0:37:04.120
<v Speaker 2>born as a punk band. The mainliners went to see

0:37:04.200 --> 0:37:08.160
<v Speaker 2>him play. You know, they're slamming, moshing like crazy troubadoor

0:37:08.600 --> 0:37:11.400
<v Speaker 2>all a fight breaks out, like you got really at

0:37:11.400 --> 0:37:14.560
<v Speaker 2>the Troubador at the troubadoor a punk show. Yeah, punk show,

0:37:14.600 --> 0:37:15.439
<v Speaker 2>full on punk show.

0:37:15.480 --> 0:37:16.759
<v Speaker 1>Goddamn, Okay, yeah they do it.

0:37:16.840 --> 0:37:20.320
<v Speaker 2>They do it and fight breaks out and like it.

0:37:20.920 --> 0:37:24.160
<v Speaker 2>And I'm like in the balcony above, like right right,

0:37:24.239 --> 0:37:26.319
<v Speaker 2>they're like punching the fuck out of each other and

0:37:26.400 --> 0:37:28.720
<v Speaker 2>like you feel like you see a few different groups

0:37:28.800 --> 0:37:30.880
<v Speaker 2>kind of square off and like, oh, it could become

0:37:31.640 --> 0:37:34.440
<v Speaker 2>way bigger and it didn't, but you know, security ran in.

0:37:34.480 --> 0:37:39.800
<v Speaker 2>But but that feeling, I don't know. I mean usually

0:37:39.840 --> 0:37:41.360
<v Speaker 2>for me, like when I was at the punk shows,

0:37:41.360 --> 0:37:43.640
<v Speaker 2>like and I would to see Black Flag or Circle

0:37:43.719 --> 0:37:47.000
<v Speaker 2>Jerks or different hardcore shows, and it would be really violent.

0:37:47.080 --> 0:37:49.920
<v Speaker 2>Like there was this club in the star Wood in Hollywood.

0:37:49.960 --> 0:37:52.279
<v Speaker 2>I live right down the corner from it, and I'd

0:37:52.400 --> 0:37:53.920
<v Speaker 2>always try to get in. It was the whole thing.

0:37:53.960 --> 0:37:55.640
<v Speaker 2>You either just like go to hang out in the

0:37:55.640 --> 0:37:58.640
<v Speaker 2>parking lot or get in if you can, you know,

0:37:59.320 --> 0:38:02.000
<v Speaker 2>and it would be so fun. But to me, honestly,

0:38:02.120 --> 0:38:06.279
<v Speaker 2>like it felt ugly, like it didn't really feel like

0:38:06.360 --> 0:38:08.239
<v Speaker 2>I was like because there was a lot of times

0:38:08.280 --> 0:38:10.560
<v Speaker 2>there's like these jock kids, you know what I mean,

0:38:10.719 --> 0:38:13.120
<v Speaker 2>Like they don't even you don't love this music. You

0:38:13.120 --> 0:38:15.760
<v Speaker 2>don't like you're wearing your anarchy button? What is anarchy?

0:38:15.800 --> 0:38:17.839
<v Speaker 2>What does that mean? You know what I mean? Like

0:38:18.360 --> 0:38:21.480
<v Speaker 2>it's just another pissed off kid, Like you're a bully

0:38:21.480 --> 0:38:23.200
<v Speaker 2>in school and now you're trying to do this bullshit

0:38:23.280 --> 0:38:25.200
<v Speaker 2>here right, like you know what I mean. Like to me,

0:38:25.360 --> 0:38:28.520
<v Speaker 2>like the music was all it's like, it's beautiful, Like

0:38:28.760 --> 0:38:31.319
<v Speaker 2>I get the cop thing when that happened, that was

0:38:31.400 --> 0:38:34.719
<v Speaker 2>really scary because I was like, you know that was

0:38:34.840 --> 0:38:36.600
<v Speaker 2>riot police on horse with sticks.

0:38:36.840 --> 0:38:40.279
<v Speaker 1>You know, what do you consider the bracket like if

0:38:40.280 --> 0:38:41.680
<v Speaker 1>it started in seventy seven?

0:38:42.200 --> 0:38:43.319
<v Speaker 2>Yeah, I mean, how was it.

0:38:43.360 --> 0:38:43.919
<v Speaker 1>Safe to see?

0:38:44.120 --> 0:38:46.080
<v Speaker 2>I feel like then in seventy seven it was it

0:38:46.120 --> 0:38:48.560
<v Speaker 2>was way more safe like that was there was super

0:38:48.680 --> 0:38:52.759
<v Speaker 2>arty and underground before. Yeah, this is after, like I'm

0:38:52.800 --> 0:38:55.560
<v Speaker 2>saying because I'm late, right, I'm going like in nineteen eighty,

0:38:55.800 --> 0:38:58.360
<v Speaker 2>nineteen eighty one, you know what I mean, And seventy

0:38:58.360 --> 0:39:00.440
<v Speaker 2>seven it was like all these bands like I mentioned,

0:39:00.440 --> 0:39:03.640
<v Speaker 2>like Weirdo, screamers, germs. There was like underground and it

0:39:03.680 --> 0:39:06.800
<v Speaker 2>was people in the know, and it was really about

0:39:06.880 --> 0:39:09.680
<v Speaker 2>like they're making their own clothes and they love Captain

0:39:09.760 --> 0:39:13.040
<v Speaker 2>Beefheart and they love you know what I mean, Phyroh Sanders,

0:39:13.040 --> 0:39:15.600
<v Speaker 2>they love all kinds of weird shit and they're just

0:39:15.640 --> 0:39:17.480
<v Speaker 2>being weird, you know what I mean. Making like it

0:39:17.520 --> 0:39:19.600
<v Speaker 2>was to them was like Artie and and yeah it

0:39:19.640 --> 0:39:21.800
<v Speaker 2>was angry and I had that rhythm and the dancing

0:39:21.920 --> 0:39:24.840
<v Speaker 2>was crazy and all that shit, But it wasn't like

0:39:25.719 --> 0:39:28.839
<v Speaker 2>there wasn't that meanness to it. It was like later on,

0:39:28.960 --> 0:39:31.120
<v Speaker 2>like around Black Flag time, it was like this the

0:39:31.280 --> 0:39:36.560
<v Speaker 2>South Bay La this very it just got ugly and territorial.

0:39:36.640 --> 0:39:39.239
<v Speaker 2>They were like there was gangs involved, you know, and

0:39:39.280 --> 0:39:43.680
<v Speaker 2>like suicidal guys and stuff like suicidal tendencies. There was

0:39:43.800 --> 0:39:48.080
<v Speaker 2>like you know, it was violent brass knuckles, and you know,

0:39:48.239 --> 0:39:50.120
<v Speaker 2>I just like, like, not for.

0:39:50.160 --> 0:39:52.120
<v Speaker 1>Me going there with the intent of stopping someone.

0:39:52.320 --> 0:39:55.080
<v Speaker 2>Yeah, and that just I didn't like it. I think

0:39:55.160 --> 0:39:58.320
<v Speaker 2>the element of what you're talking about, like that's fun

0:39:58.440 --> 0:40:00.759
<v Speaker 2>and passion getting out of hand, gotcha, you know what

0:40:00.760 --> 0:40:02.920
<v Speaker 2>I mean? Like, and I'm that I love but when

0:40:02.960 --> 0:40:06.680
<v Speaker 2>it got like it just fell small and diminishing of

0:40:07.120 --> 0:40:07.799
<v Speaker 2>the beauty of it.

0:40:07.960 --> 0:40:13.560
<v Speaker 1>For artistic value, which band of that entire period would

0:40:13.560 --> 0:40:18.800
<v Speaker 1>you just say the ultimate like there will never be.

0:40:19.000 --> 0:40:21.920
<v Speaker 2>Like a punk rock the whole time from because it shifts?

0:40:22.680 --> 0:40:26.400
<v Speaker 1>All right? Give me three just bands that like just

0:40:26.560 --> 0:40:30.479
<v Speaker 1>you when they're in amazement you learned something or you

0:40:31.920 --> 0:40:34.160
<v Speaker 1>so many? Were you going there for artistic value?

0:40:34.280 --> 0:40:36.719
<v Speaker 2>Yes, far i'saw all I cared about. I wanted to

0:40:36.760 --> 0:40:40.400
<v Speaker 2>hear like weird rhythms and different ideas and be excited.

0:40:40.800 --> 0:40:42.720
<v Speaker 1>You know, who's the most intricate band?

0:40:43.200 --> 0:40:46.360
<v Speaker 2>Fugazi? Okay, kind of later, but Fugazi?

0:40:46.640 --> 0:40:49.560
<v Speaker 1>Who was the best like leader, like the front man.

0:40:53.239 --> 0:40:55.359
<v Speaker 2>It's like I'm trying to really know what's really good

0:40:55.440 --> 0:40:59.000
<v Speaker 2>questions like like like Black Flag was so great. I

0:40:59.000 --> 0:41:01.920
<v Speaker 2>think of Greg ginn as being the leader, you know,

0:41:01.960 --> 0:41:04.200
<v Speaker 2>what I mean. I think it was always he was

0:41:04.239 --> 0:41:06.520
<v Speaker 2>the hub of this thing that everyone went around, you know,

0:41:06.560 --> 0:41:09.360
<v Speaker 2>the guitar player, right man, I you know I loved

0:41:09.400 --> 0:41:15.000
<v Speaker 2>the weirdos, love the weirdos, excitement, so many great songs. Yeah,

0:41:15.080 --> 0:41:17.080
<v Speaker 2>the answer is it's very difficult for me to answer.

0:41:17.080 --> 0:41:18.160
<v Speaker 2>I feel like I'm not doing well.

0:41:18.239 --> 0:41:22.040
<v Speaker 1>All right, one more? Okay, what band should have made it?

0:41:22.120 --> 0:41:25.160
<v Speaker 1>And I trust me as an artist, I know self

0:41:25.200 --> 0:41:28.080
<v Speaker 1>sabotage and all that stuff. It's not just like oh

0:41:28.160 --> 0:41:31.279
<v Speaker 1>we had a hit or or the right manager or whatever.

0:41:31.560 --> 0:41:34.240
<v Speaker 2>But what band out of the puncture?

0:41:34.719 --> 0:41:37.000
<v Speaker 1>Yeah, if there were justice in this world, like who

0:41:37.000 --> 0:41:40.640
<v Speaker 1>would have been like primed for you bragged about him

0:41:40.640 --> 0:41:41.600
<v Speaker 1>and they just couldn't.

0:41:42.320 --> 0:41:47.239
<v Speaker 2>Yeah, just stay with the weirdos. So many I just

0:41:47.239 --> 0:41:49.719
<v Speaker 2>don't think they got it right on tape, you know

0:41:49.719 --> 0:41:51.480
<v Speaker 2>what I mean. They didn't get it right on tape.

0:41:51.520 --> 0:41:55.880
<v Speaker 2>They had like everything like they were like you know,

0:41:56.000 --> 0:41:58.960
<v Speaker 2>Blondie opened up for them, like it was like they

0:41:58.960 --> 0:42:02.160
<v Speaker 2>were just they were so good and so entertaining and

0:42:02.280 --> 0:42:05.120
<v Speaker 2>so original and so many good songs.

0:42:06.080 --> 0:42:12.200
<v Speaker 1>Yeah, okay, the trumpet, yes, sir? What was the straw

0:42:12.280 --> 0:42:16.080
<v Speaker 1>that broke the Camel's back? That stopped you from stalling.

0:42:16.120 --> 0:42:17.959
<v Speaker 1>Because the thing was when I was watching you play

0:42:18.040 --> 0:42:21.319
<v Speaker 1>last night, yeah, I was like, wait, you know, I've

0:42:21.320 --> 0:42:23.920
<v Speaker 1>read the book and I was like, well he has chops,

0:42:24.280 --> 0:42:26.319
<v Speaker 1>Like this could have been a thing.

0:42:26.880 --> 0:42:29.359
<v Speaker 2>Yeah, kind of wanted it to be a thing when

0:42:29.400 --> 0:42:30.040
<v Speaker 2>I was a kid.

0:42:30.520 --> 0:42:33.440
<v Speaker 1>As long as it's hiatus, isn't the time in between records?

0:42:33.440 --> 0:42:35.400
<v Speaker 1>I know it's touring for two three years or whatever.

0:42:36.000 --> 0:42:40.560
<v Speaker 1>But what were the steps that finally made you complete

0:42:40.560 --> 0:42:42.120
<v Speaker 1>that circle? Yeah?

0:42:42.160 --> 0:42:46.200
<v Speaker 2>Well I'm still working on a circle. But a big

0:42:46.239 --> 0:42:48.799
<v Speaker 2>thing was I mean, it was just the dream had

0:42:48.880 --> 0:42:51.360
<v Speaker 2>always been alive in me since I was a little boy,

0:42:52.480 --> 0:42:55.920
<v Speaker 2>and I fell in love and to a point of

0:42:56.000 --> 0:42:58.680
<v Speaker 2>not just in music, but like romanticizing my heroes. You know,

0:42:58.719 --> 0:43:02.520
<v Speaker 2>Miles and Clifford Brown and Morgan's common law wife shot

0:43:02.600 --> 0:43:05.719
<v Speaker 2>him on stage, like all these stories. Clifford Brown like

0:43:06.200 --> 0:43:09.080
<v Speaker 2>getting in a car accident and dying when he's twenty three.

0:43:09.200 --> 0:43:12.160
<v Speaker 2>I think, you know, these guys that were such heroes

0:43:12.200 --> 0:43:14.560
<v Speaker 2>to me. And then you know, I start playing bass

0:43:14.880 --> 0:43:17.120
<v Speaker 2>Chili Peppers ended up doing what they did and all

0:43:17.160 --> 0:43:19.600
<v Speaker 2>this stuff, and occasionally I'd pick it up and play

0:43:19.600 --> 0:43:22.040
<v Speaker 2>it a little bit, but I think it was just

0:43:22.239 --> 0:43:24.600
<v Speaker 2>always something like once in a while, I'd kind of

0:43:24.600 --> 0:43:27.080
<v Speaker 2>start with the intent of doing what I'm working on

0:43:27.120 --> 0:43:30.399
<v Speaker 2>doing now, and I'd either get busy or I'd get

0:43:30.760 --> 0:43:33.000
<v Speaker 2>I'd just stop whatever. I'd get frustrated, I didn't know

0:43:33.040 --> 0:43:35.000
<v Speaker 2>how to go about it right. I would mess up

0:43:35.000 --> 0:43:38.080
<v Speaker 2>my lip. And I think it's about a thing that

0:43:38.280 --> 0:43:42.920
<v Speaker 2>really awakened it in me again was when Camasi put

0:43:42.960 --> 0:43:46.960
<v Speaker 2>out his record to Epic, And for a long time

0:43:47.280 --> 0:43:50.120
<v Speaker 2>I had been feeling jazz music. And I know that

0:43:50.280 --> 0:43:52.000
<v Speaker 2>I'm wrong. I know I just didn't hear the right shit,

0:43:52.600 --> 0:43:55.160
<v Speaker 2>but I had the stuff I had been hearing. It

0:43:55.160 --> 0:43:58.280
<v Speaker 2>would be impressive, but it was kind of leaving me cold.

0:43:59.000 --> 0:44:02.160
<v Speaker 2>You know. I wasn't filling the spirit of the records

0:44:02.160 --> 0:44:04.880
<v Speaker 2>that I love from the fifties, sixties, even the early seventies,

0:44:04.920 --> 0:44:09.120
<v Speaker 2>you know. And when I heard Kamasi's record, I was like,

0:44:09.480 --> 0:44:14.320
<v Speaker 2>that's that feeling of the street, that revolutionary spirit, that spirituality,

0:44:14.360 --> 0:44:17.080
<v Speaker 2>that togetherness that I want, you know, and it was

0:44:17.120 --> 0:44:21.440
<v Speaker 2>really inspiring to me. And you know, Thundercat too, and

0:44:22.239 --> 0:44:24.840
<v Speaker 2>I just I was like, man, I really you know,

0:44:24.880 --> 0:44:27.160
<v Speaker 2>when I was a kid and my stepdad would have

0:44:27.200 --> 0:44:29.360
<v Speaker 2>these guys over and they'd play standards and play bebop

0:44:29.880 --> 0:44:32.439
<v Speaker 2>and throw down. It was always like, in my head,

0:44:32.440 --> 0:44:34.880
<v Speaker 2>that's like the high point, and like my dream is

0:44:34.880 --> 0:44:36.600
<v Speaker 2>to be able to sit in with any jazz dudes

0:44:36.640 --> 0:44:38.960
<v Speaker 2>and just throw down on the horn, you know. And

0:44:40.200 --> 0:44:42.960
<v Speaker 2>and when I started seeing these guys play and also

0:44:43.080 --> 0:44:45.279
<v Speaker 2>in a way that wasn't elitist, like I think one

0:44:45.320 --> 0:44:46.920
<v Speaker 2>of the things that I really relate to them about

0:44:47.120 --> 0:44:49.919
<v Speaker 2>is they're embracing all of music. Like the jazz guys

0:44:49.960 --> 0:44:51.719
<v Speaker 2>that I grew up with, they really look down on rock,

0:44:51.840 --> 0:44:54.399
<v Speaker 2>they look down on pop music. You know. They were

0:44:54.440 --> 0:44:56.200
<v Speaker 2>just like this, like they can't play this is about

0:44:56.200 --> 0:44:58.799
<v Speaker 2>like haircuts and fashion, like they don't know the shit,

0:44:58.840 --> 0:45:01.319
<v Speaker 2>they can't blow changes, you know. And then seeing this

0:45:01.400 --> 0:45:04.120
<v Speaker 2>new generation that you can tell they embrace hip hop,

0:45:04.440 --> 0:45:07.839
<v Speaker 2>they embrace youth culture. They it's all RELI it's all

0:45:07.840 --> 0:45:11.120
<v Speaker 2>beautiful to them, yes, you know, And and there just

0:45:11.200 --> 0:45:13.000
<v Speaker 2>really inspired me and it made me I was like,

0:45:13.200 --> 0:45:15.719
<v Speaker 2>if I'm ever gonna do live that dream that I

0:45:15.719 --> 0:45:17.840
<v Speaker 2>wanted to live, I gotta do it now. Like you

0:45:17.920 --> 0:45:21.160
<v Speaker 2>know what I mean, I'm getting older and so I

0:45:21.280 --> 0:45:23.880
<v Speaker 2>just you know, I'm pretty good at making commitments to

0:45:23.960 --> 0:45:27.840
<v Speaker 2>myself and sticking at them. And I made a commitment

0:45:27.960 --> 0:45:30.680
<v Speaker 2>like I'm going to play trumpet every day no matter

0:45:30.719 --> 0:45:33.120
<v Speaker 2>what for two years. At the end of two years,

0:45:33.120 --> 0:45:34.719
<v Speaker 2>I'm gonna to make a record plan trumpet.

0:45:34.800 --> 0:45:37.240
<v Speaker 1>How many hours do you practice as much.

0:45:37.080 --> 0:45:39.040
<v Speaker 2>As I can till my lift gives out? Like two?

0:45:39.480 --> 0:45:43.040
<v Speaker 1>Okay, yeah you mentioned it. So like, what is the

0:45:43.120 --> 0:45:49.840
<v Speaker 1>typical atmosphere at a Walter Urban junior living room? Jam sessions?

0:45:49.920 --> 0:45:53.680
<v Speaker 2>Yeah, it's you know, so this is New York and

0:45:53.960 --> 0:45:58.720
<v Speaker 2>like nineteen seventy okay, sixty nine seventy.

0:45:58.680 --> 0:45:59.480
<v Speaker 1>In an apartment.

0:46:00.120 --> 0:46:01.719
<v Speaker 2>No, no, house in Larchmont.

0:46:02.200 --> 0:46:04.960
<v Speaker 1>Okay, I was going to say, like my first question

0:46:05.080 --> 0:46:07.319
<v Speaker 1>was like, what are your neighbors saying? It was a

0:46:07.400 --> 0:46:08.400
<v Speaker 1>nightmare on my neighbors.

0:46:08.480 --> 0:46:13.480
<v Speaker 2>Okay, So house in Larchmont, New York, and people come over,

0:46:15.040 --> 0:46:19.359
<v Speaker 2>my mom's made food, barbecue, going, food happening, were over,

0:46:19.400 --> 0:46:24.960
<v Speaker 2>They're drinking, smoking weed, setting up, and then they just

0:46:25.080 --> 0:46:28.480
<v Speaker 2>you know, Cherokee, let's go. You know that's fast. You know.

0:46:28.600 --> 0:46:34.400
<v Speaker 2>I was going to says, yeah, no, they're serious. I mean,

0:46:34.920 --> 0:46:36.880
<v Speaker 2>you know, as a little kid, you know what I mean, Like,

0:46:36.960 --> 0:46:38.759
<v Speaker 2>I don't like if I saw them. Now, I don't

0:46:38.840 --> 0:46:40.400
<v Speaker 2>really know, but as a little kid, they were the

0:46:40.480 --> 0:46:44.760
<v Speaker 2>greatest musicians I ever saw in my life, and I

0:46:44.760 --> 0:46:46.759
<v Speaker 2>I couldn't believe it, you know what I mean. It

0:46:46.880 --> 0:46:48.880
<v Speaker 2>was just like the house filled up with music, and

0:46:49.480 --> 0:46:51.359
<v Speaker 2>you know, you have those moments when you're a kid

0:46:51.400 --> 0:46:55.440
<v Speaker 2>and it's like people can do that. And I, you know,

0:46:55.440 --> 0:46:57.279
<v Speaker 2>I'd yet to play anything yet, and I was seeing

0:46:57.360 --> 0:47:01.880
<v Speaker 2>them play this music and it was so wild, and

0:47:01.960 --> 0:47:05.520
<v Speaker 2>it just seemed magical to me, like literally like magic,

0:47:05.640 --> 0:47:08.759
<v Speaker 2>like Harry Potter's style, you know what I mean, I'm

0:47:08.760 --> 0:47:11.680
<v Speaker 2>gonna make an owl appear, and you know what I mean,

0:47:11.719 --> 0:47:15.040
<v Speaker 2>It was like that feeling. And I just remember everyone

0:47:15.880 --> 0:47:17.239
<v Speaker 2>and it was open for me in a lot of

0:47:17.239 --> 0:47:20.800
<v Speaker 2>ways too, like racially, you know what I mean. Like

0:47:20.840 --> 0:47:22.920
<v Speaker 2>I hadn't really hung out with black people before, right

0:47:23.000 --> 0:47:25.080
<v Speaker 2>and all. Now I'm a little kid and my stepdad's

0:47:25.120 --> 0:47:27.239
<v Speaker 2>friends are mostly black, and all these guys are coming

0:47:27.280 --> 0:47:30.120
<v Speaker 2>over and they're playing and I didn't like, adults were

0:47:30.160 --> 0:47:32.120
<v Speaker 2>just weird to me, flat out, you know what I mean.

0:47:32.880 --> 0:47:34.879
<v Speaker 2>And all of a sudden, there's these people and they're

0:47:35.080 --> 0:47:38.120
<v Speaker 2>hanging with me, they're joking with me, they're talking to me.

0:47:38.160 --> 0:47:39.960
<v Speaker 2>They're asked me, like, do you play an instrument? Do

0:47:39.960 --> 0:47:42.520
<v Speaker 2>you want to play an instrument? Like they're like I existed,

0:47:42.560 --> 0:47:45.440
<v Speaker 2>I was being seen and it was you know, all

0:47:45.480 --> 0:47:48.439
<v Speaker 2>of it, Like it was just it was good, man.

0:47:48.840 --> 0:47:50.920
<v Speaker 2>They were so healthy, so grateful for that.

0:48:04.200 --> 0:48:07.680
<v Speaker 1>What non musical talent do you also possess?

0:48:08.640 --> 0:48:11.560
<v Speaker 2>I had a pretty good jump shot. I have a

0:48:11.560 --> 0:48:15.520
<v Speaker 2>pretty good jump. I'll a basketball, man, Yeah, I love it.

0:48:15.600 --> 0:48:19.040
<v Speaker 2>I've always played, but I was never very good. I

0:48:19.120 --> 0:48:21.160
<v Speaker 2>never really learned properly. Like I was like, you know,

0:48:21.239 --> 0:48:24.879
<v Speaker 2>street ball growing up every day. But during the pandemic,

0:48:25.080 --> 0:48:31.479
<v Speaker 2>I got a shooting coach, the lethal shooter. Yeah, yeah, man, yeah,

0:48:31.480 --> 0:48:33.520
<v Speaker 2>and he came over and he was like, we're gonna

0:48:33.560 --> 0:48:39.120
<v Speaker 2>get you right, and every day, every day shooting shooting, shooting.

0:48:39.200 --> 0:48:42.920
<v Speaker 2>I learned proper form for the first time, and I'm

0:48:42.960 --> 0:48:46.319
<v Speaker 2>always nurturing it, working on it and other skills. I

0:48:46.320 --> 0:48:48.280
<v Speaker 2>don't know, I'm I mean, like you, I like writing

0:48:48.320 --> 0:48:51.799
<v Speaker 2>a lot, you know what I mean, and sitting down

0:48:51.800 --> 0:48:55.759
<v Speaker 2>and taking pen to paper and just the whole literature

0:48:55.840 --> 0:48:57.640
<v Speaker 2>world for me is a huge part of my life.

0:48:58.200 --> 0:49:01.600
<v Speaker 2>Like I said, I read every day, always studying writers

0:49:01.680 --> 0:49:06.080
<v Speaker 2>and being transported by that, and so I don't I

0:49:06.120 --> 0:49:08.360
<v Speaker 2>can't really speak of it as I guess it's a skill.

0:49:09.040 --> 0:49:10.520
<v Speaker 2>But I just think of the things that I'm always

0:49:10.600 --> 0:49:13.160
<v Speaker 2>working on, that I always care about, you know.

0:49:14.120 --> 0:49:18.799
<v Speaker 1>I was going to say, especially with musicians and basketball

0:49:19.400 --> 0:49:23.640
<v Speaker 1>and having toured with the Beastie Boys for good two

0:49:23.719 --> 0:49:27.480
<v Speaker 1>years and whatnot, I see like games or whatever like

0:49:27.560 --> 0:49:32.520
<v Speaker 1>then versus other at your most extreme physical state, would

0:49:32.560 --> 0:49:35.719
<v Speaker 1>you often do pick up games with other artists. I'm

0:49:35.760 --> 0:49:39.040
<v Speaker 1>only asking this because I finally after hearing all the

0:49:39.080 --> 0:49:42.200
<v Speaker 1>folklore of Prince as a basketball player, like I've seen

0:49:42.360 --> 0:49:46.720
<v Speaker 1>actual footage he can really playing. He was amazing. Wow,

0:49:47.040 --> 0:49:50.520
<v Speaker 1>Like it has one of is the just the determination

0:49:50.719 --> 0:49:56.080
<v Speaker 1>to he knows you're underestimating him. But literally just on

0:49:56.120 --> 0:49:59.480
<v Speaker 1>some iverson like it will just come to a crowd

0:49:59.480 --> 0:50:00.960
<v Speaker 1>of whatever, it'll go in.

0:50:01.200 --> 0:50:02.240
<v Speaker 2>Yeah yeah, yeah, wow.

0:50:02.520 --> 0:50:03.600
<v Speaker 1>How serious were you?

0:50:03.960 --> 0:50:07.600
<v Speaker 2>Like, I mean, I don't know, you have like a

0:50:08.800 --> 0:50:11.279
<v Speaker 2>much No oh no, never, I mean on tour it's

0:50:11.680 --> 0:50:14.360
<v Speaker 2>for me, it's like just touring itself take so much energy.

0:50:15.040 --> 0:50:18.359
<v Speaker 2>But now I do you know, Like now I bring

0:50:18.360 --> 0:50:20.920
<v Speaker 2>a ball everywhere I go and any day off, for

0:50:20.960 --> 0:50:22.760
<v Speaker 2>any time, I just go to a park and shoot around.

0:50:22.800 --> 0:50:25.080
<v Speaker 2>I just kind of get my head right, got yeah.

0:50:25.120 --> 0:50:28.839
<v Speaker 2>But my highlight of my basketball career is they used

0:50:28.840 --> 0:50:31.920
<v Speaker 2>to have that MTV Rocking Jock Rocket. I was on

0:50:32.040 --> 0:50:33.920
<v Speaker 2>Rock and Jacket and I hit the shot to win

0:50:33.960 --> 0:50:36.640
<v Speaker 2>the game with an assist from Mitch Richmond, and then

0:50:36.680 --> 0:50:38.560
<v Speaker 2>I won the three point shoot off. I hit like

0:50:38.600 --> 0:50:42.000
<v Speaker 2>eleven in a row or some ship, and that was

0:50:42.040 --> 0:50:45.160
<v Speaker 2>my moment of glory. I've watched those yeh yeah, that

0:50:45.280 --> 0:50:47.239
<v Speaker 2>was my moment of glory. But I'm better now since

0:50:47.239 --> 0:50:47.960
<v Speaker 2>the lethal Shooter.

0:50:48.560 --> 0:50:51.000
<v Speaker 1>Yeah yeah, all right, yeah, got you tell me the

0:50:51.040 --> 0:50:55.040
<v Speaker 1>process of bringing your band together for this specific project.

0:50:55.480 --> 0:50:59.520
<v Speaker 2>Well, initially, when I was getting ready to make the record, I.

0:50:58.680 --> 0:51:01.720
<v Speaker 1>And Ricky Washington Is Yeah, Ricky, yeah, Ricky.

0:51:02.000 --> 0:51:05.120
<v Speaker 2>I was studying with Ricky. Ricky is Camassi's father who

0:51:05.200 --> 0:51:09.680
<v Speaker 2>taught Kamasi and Thundercat Taris Martin. You know, yeah, yeah,

0:51:09.719 --> 0:51:11.799
<v Speaker 2>that whole crew. Yeah yeah, yeah, that crew. Well, he

0:51:11.840 --> 0:51:13.800
<v Speaker 2>and this guy Reggie Andrews.

0:51:13.320 --> 0:51:15.640
<v Speaker 1>Too, Ressie Andrews from the Dazz band.

0:51:15.960 --> 0:51:18.359
<v Speaker 2>Yeah, yes, yeah yeah, and he was at the music

0:51:18.360 --> 0:51:21.480
<v Speaker 2>teacher at Locke High School. Okay, and you know it's

0:51:21.520 --> 0:51:25.560
<v Speaker 2>a renowned you know teacher But anyways, I was making

0:51:25.600 --> 0:51:27.400
<v Speaker 2>demos at home and I have an eight to oh

0:51:27.480 --> 0:51:33.440
<v Speaker 2>eight some sinse you know, baking beats playing bass keyboys

0:51:33.440 --> 0:51:36.560
<v Speaker 2>played trumpet melody over it, and it was sounding kind

0:51:36.600 --> 0:51:38.839
<v Speaker 2>of cool and you know, real raw, but it had

0:51:39.040 --> 0:51:40.920
<v Speaker 2>had a thing to it, and I was kind of thinking,

0:51:40.920 --> 0:51:42.920
<v Speaker 2>I'll just do that. And I was kind of on

0:51:43.000 --> 0:51:45.319
<v Speaker 2>the fence, like do I get musicians or not? And

0:51:45.360 --> 0:51:47.920
<v Speaker 2>I was listening a lot to I met Jeff Parker

0:51:48.000 --> 0:51:50.440
<v Speaker 2>because our kids were going to school together, the guitarist

0:51:50.480 --> 0:51:54.000
<v Speaker 2>Jeff Parker, and uh, he put out a record called

0:51:54.000 --> 0:51:56.239
<v Speaker 2>The Way Out of Easy with with that with this

0:51:56.440 --> 0:51:59.680
<v Speaker 2>band with Anna Butter's and Jay Bellerose and Josh Johnson,

0:52:00.320 --> 0:52:05.040
<v Speaker 2>and I really loved, like I'd love that record. And

0:52:05.120 --> 0:52:08.360
<v Speaker 2>at the same time, kind of coincidentally, I was listening

0:52:08.360 --> 0:52:12.000
<v Speaker 2>to Michelle and Digiocello the Omnichord Real Book. It's a

0:52:12.040 --> 0:52:14.720
<v Speaker 2>great fucking album. Yeah, it's a great album.

0:52:15.200 --> 0:52:15.359
<v Speaker 1>Man.

0:52:15.520 --> 0:52:17.759
<v Speaker 2>You know you said that's a great album, right, And

0:52:17.840 --> 0:52:19.920
<v Speaker 2>so I'm listening to that album and I really like

0:52:20.000 --> 0:52:23.080
<v Speaker 2>Deantony's playing on that de Antony parks yes. And then

0:52:23.160 --> 0:52:25.520
<v Speaker 2>and I'd met Josh Johnson before because I'm a last

0:52:25.600 --> 0:52:28.560
<v Speaker 2>Chili Pepper record. We wanted to put some horns on

0:52:28.600 --> 0:52:33.440
<v Speaker 2>a tune and my friend Nate Walcott knew him Josh

0:52:33.680 --> 0:52:36.879
<v Speaker 2>trump bumperal named Victim. Nate played trumpet and we all

0:52:36.920 --> 0:52:38.879
<v Speaker 2>came and I played. I was just starting to kind

0:52:38.880 --> 0:52:40.920
<v Speaker 2>of it was one of those times I got the

0:52:40.960 --> 0:52:42.719
<v Speaker 2>trumpe together for like a few weeks before I put

0:52:42.719 --> 0:52:45.120
<v Speaker 2>it down again, and we all played together on the record,

0:52:45.520 --> 0:52:48.239
<v Speaker 2>and I was really blown away by Josh, like his

0:52:48.520 --> 0:52:50.319
<v Speaker 2>he blew a couple of solos for us that were

0:52:50.360 --> 0:52:53.480
<v Speaker 2>so musical, like you know, someone just starts playing and

0:52:53.520 --> 0:52:56.440
<v Speaker 2>you just like pay attention, Like it's that he was

0:52:56.520 --> 0:52:59.040
<v Speaker 2>so good the way he worked with time and melody.

0:52:59.640 --> 0:53:01.680
<v Speaker 2>And and then I was listening to Omnichord Real Book

0:53:01.680 --> 0:53:03.319
<v Speaker 2>for like the tenth time, and I finally I saw

0:53:03.440 --> 0:53:06.200
<v Speaker 2>produced by Josh Johnson, and I was like, oh damn,

0:53:06.200 --> 0:53:09.520
<v Speaker 2>and that record is like well made. It's really holistically

0:53:09.520 --> 0:53:12.600
<v Speaker 2>a good record. And so then I just like got

0:53:12.600 --> 0:53:14.680
<v Speaker 2>to inklaying, Oh, I'm gonna play with other musicians. I'm

0:53:14.680 --> 0:53:17.920
<v Speaker 2>gonna ask Josh to produce it. He knows these other musicians.

0:53:17.960 --> 0:53:19.680
<v Speaker 2>I'm going to ask Like I had the people of mine.

0:53:19.680 --> 0:53:21.960
<v Speaker 2>I'm like, I want de'antony, I want Jeff, I want Anna,

0:53:22.600 --> 0:53:25.399
<v Speaker 2>and he came over and heard my stuff. I said,

0:53:25.440 --> 0:53:27.319
<v Speaker 2>you think you know they would do it? And he

0:53:27.400 --> 0:53:30.160
<v Speaker 2>asked them all they all said yes, and that was

0:53:30.239 --> 0:53:33.960
<v Speaker 2>kind of it, you know, and I couldn't be more grateful,

0:53:34.200 --> 0:53:36.520
<v Speaker 2>you know, Like when we showed up in the studio,

0:53:37.440 --> 0:53:40.080
<v Speaker 2>I was definitely, you know, some hesitance on my part,

0:53:40.560 --> 0:53:42.560
<v Speaker 2>just like, wow, they're such good jazz musicians and I

0:53:42.600 --> 0:53:45.040
<v Speaker 2>don't know shit. You know, I'm working on it, but

0:53:45.320 --> 0:53:47.600
<v Speaker 2>you know, they know how to try to touch hearts.

0:53:48.680 --> 0:53:50.400
<v Speaker 2>And I had my structures and the shit that I

0:53:50.480 --> 0:53:52.319
<v Speaker 2>had written, and we got together on the first day.

0:53:52.320 --> 0:53:54.960
<v Speaker 2>I'd never played with anyone before, and from from the

0:53:54.960 --> 0:53:58.279
<v Speaker 2>first downbeat, it just felt beautiful, like they're just all

0:53:58.440 --> 0:54:03.560
<v Speaker 2>so sensitiven't connected, and we just you know, just improvising, playing,

0:54:03.600 --> 0:54:05.799
<v Speaker 2>you know, playing like I had, like I'd played the

0:54:05.840 --> 0:54:07.600
<v Speaker 2>demo and I was like, this is the vibe. If

0:54:07.640 --> 0:54:09.640
<v Speaker 2>there's you know, certain chord changes or a melody, but

0:54:09.719 --> 0:54:10.759
<v Speaker 2>mostly improvisation.

0:54:11.360 --> 0:54:13.839
<v Speaker 1>How many takes of each song would you go through

0:54:14.360 --> 0:54:15.760
<v Speaker 1>before you decided.

0:54:16.080 --> 0:54:20.640
<v Speaker 2>Depended somewhere first take, somewhere like.

0:54:20.560 --> 0:54:22.000
<v Speaker 1>Two or three, gotcha.

0:54:22.120 --> 0:54:24.000
<v Speaker 2>Yeah, there might have been the I think where I

0:54:24.000 --> 0:54:26.160
<v Speaker 2>struggled the most. Sometimes there are a couple of tunes

0:54:26.200 --> 0:54:27.759
<v Speaker 2>and I don't think any of them actually on this

0:54:27.840 --> 0:54:30.440
<v Speaker 2>record I made. I recorded a lot where I struggled

0:54:30.440 --> 0:54:31.759
<v Speaker 2>with the trumpet a little bit, like I blow a

0:54:31.760 --> 0:54:33.239
<v Speaker 2>solo and I'd be like, no, do it again. But

0:54:33.360 --> 0:54:35.120
<v Speaker 2>you know what I mean, Like I kept, you know,

0:54:35.160 --> 0:54:37.520
<v Speaker 2>being insecure about my trumpet playing and maybe overthinking it.

0:54:37.880 --> 0:54:39.480
<v Speaker 1>Were you allowed to punch in or.

0:54:39.760 --> 0:54:42.800
<v Speaker 2>Well, you know, I played bass show, I'd overdubbed my trumpet.

0:54:43.080 --> 0:54:43.640
<v Speaker 1>Okay. Yeah.

0:54:43.719 --> 0:54:44.279
<v Speaker 2>Yeah.

0:54:44.400 --> 0:54:48.600
<v Speaker 1>Another collaborative of yours that's on this album is Tom Yorke. Yeah,

0:54:48.640 --> 0:54:51.880
<v Speaker 1>I've seen you guys do shows together. Now, talk about

0:54:51.920 --> 0:54:54.640
<v Speaker 1>how that relationship started, like how did you.

0:54:55.600 --> 0:55:01.400
<v Speaker 2>We just became friends, going to each other's show and meeting,

0:55:02.120 --> 0:55:02.440
<v Speaker 2>and he.

0:55:02.440 --> 0:55:03.439
<v Speaker 1>Would come to Chili Beverer.

0:55:03.880 --> 0:55:06.839
<v Speaker 2>Yeah, yeah, I know, believe it or not, New York.

0:55:06.920 --> 0:55:07.919
<v Speaker 1>He's just like us.

0:55:08.120 --> 0:55:10.319
<v Speaker 2>Yeah. No, he was into it. You know, he was

0:55:10.360 --> 0:55:13.800
<v Speaker 2>into it, and he would come and hang out and talk,

0:55:13.880 --> 0:55:16.399
<v Speaker 2>and you know, I think there was something about it that,

0:55:17.200 --> 0:55:19.640
<v Speaker 2>as he going into all different kinds of music, he

0:55:19.880 --> 0:55:23.319
<v Speaker 2>saw that he thought was beautiful and then he made

0:55:23.320 --> 0:55:27.120
<v Speaker 2>that record, The Eraser, and I love that album. It's

0:55:27.160 --> 0:55:30.839
<v Speaker 2>a great album, and I told him so. And then

0:55:31.200 --> 0:55:32.719
<v Speaker 2>he was getting ready to do a tour for it,

0:55:32.760 --> 0:55:33.680
<v Speaker 2>and he called me and asked me to.

0:55:33.880 --> 0:55:37.160
<v Speaker 1>Play, you know, and so that's how it came to be.

0:55:37.239 --> 0:55:38.759
<v Speaker 2>Yeah, so that's how it came to be. And then

0:55:38.760 --> 0:55:41.720
<v Speaker 2>we ended up making you know that album after and touring,

0:55:42.200 --> 0:55:45.320
<v Speaker 2>doing like two different tours through the States and Europe,

0:55:45.320 --> 0:55:48.239
<v Speaker 2>and yeah, just built a friends, two of those.

0:55:48.640 --> 0:55:49.560
<v Speaker 1>I want to see more of that.

0:55:49.960 --> 0:55:50.960
<v Speaker 2>Yeah, super fun.

0:55:51.360 --> 0:55:55.360
<v Speaker 1>Which person in your life keeps you in check?

0:55:56.440 --> 0:55:58.239
<v Speaker 2>My wife of course? Time?

0:55:59.000 --> 0:56:02.239
<v Speaker 1>Wait exactly, I mean I totally forgot that I know her.

0:56:02.560 --> 0:56:05.279
<v Speaker 2>I'm like, I mean, you know Mel before I know Mal.

0:56:05.719 --> 0:56:07.000
<v Speaker 2>I know a part of Mel that I don't even

0:56:07.040 --> 0:56:09.480
<v Speaker 2>know because I just know with me Mal, dude, like

0:56:09.560 --> 0:56:10.760
<v Speaker 2>you know Mal from before.

0:56:10.840 --> 0:56:14.360
<v Speaker 1>I couldnot be happier that more that two people have

0:56:14.440 --> 0:56:18.160
<v Speaker 1>found each other, and especially with her, like you know,

0:56:18.160 --> 0:56:20.799
<v Speaker 1>because a lot of us tend to reach the end

0:56:20.800 --> 0:56:24.360
<v Speaker 1>of our rope and give up on you know, like

0:56:25.960 --> 0:56:28.319
<v Speaker 1>she was almost at that place. And when she she

0:56:28.480 --> 0:56:29.919
<v Speaker 1>kept you secret for like a year.

0:56:31.520 --> 0:56:33.400
<v Speaker 2>You know, It's funny. Well I met her and I

0:56:33.480 --> 0:56:35.239
<v Speaker 2>was at the end of my rope. Like I was like,

0:56:35.520 --> 0:56:38.399
<v Speaker 2>I'm gonna suffer and have pain. That's it, ruin it

0:56:38.800 --> 0:56:41.040
<v Speaker 2>and I'm not worthy and I'm you know what I

0:56:41.080 --> 0:56:43.759
<v Speaker 2>mean and anything. And I was just like and I

0:56:43.800 --> 0:56:47.000
<v Speaker 2>make this woman and she's just, you know, this glowing thing.

0:56:48.080 --> 0:56:51.200
<v Speaker 2>But when I first met her, you know, we got

0:56:51.239 --> 0:56:56.359
<v Speaker 2>together and romance ensued and I was just head over

0:56:56.440 --> 0:57:00.319
<v Speaker 2>heels and above and you know, and early on, like

0:57:00.360 --> 0:57:03.480
<v Speaker 2>right after met her, I got her. There's a Melina

0:57:03.560 --> 0:57:08.840
<v Speaker 2>Matsukus director and Lena Wait, the writer and actor. Milina's

0:57:08.880 --> 0:57:11.960
<v Speaker 2>making this movie and Lena making this movie called Queen Slim.

0:57:12.000 --> 0:57:14.400
<v Speaker 2>I got the script in the mail, and you know,

0:57:14.560 --> 0:57:16.280
<v Speaker 2>my agent, these people are interested in you acting in

0:57:16.320 --> 0:57:18.160
<v Speaker 2>this film. I readscript. I'm like, wow, this is an

0:57:18.160 --> 0:57:19.960
<v Speaker 2>important movie. I would love to be a part of this.

0:57:20.760 --> 0:57:23.720
<v Speaker 2>And you know, just right when I first started seeing mail,

0:57:24.040 --> 0:57:25.560
<v Speaker 2>and she comes over and I'm like, talking to you,

0:57:25.600 --> 0:57:27.280
<v Speaker 2>I got the script in the mail. Looks really cool

0:57:27.280 --> 0:57:29.919
<v Speaker 2>and she's like, oh, oh shit, when are you meeting

0:57:29.960 --> 0:57:32.000
<v Speaker 2>with them? And I was like tomorrow and she's like,

0:57:32.160 --> 0:57:35.200
<v Speaker 2>do not, Like that's my best friend, Like it's her people,

0:57:35.240 --> 0:57:37.440
<v Speaker 2>you know, what I mean, her best friends, and she's like,

0:57:37.520 --> 0:57:40.640
<v Speaker 2>do not mention Malina. Can't you know what I mean,

0:57:40.680 --> 0:57:42.560
<v Speaker 2>She's gonna tell everybody. I don't want anyone to know.

0:57:42.640 --> 0:57:44.960
<v Speaker 2>Don't tell anyone, Like, we gotta keep this, We got

0:57:44.960 --> 0:57:47.400
<v Speaker 2>to protect this and keep it quiet, you know. So

0:57:47.480 --> 0:57:49.280
<v Speaker 2>I went like, you know, I sitting there with Molina

0:57:49.320 --> 0:57:50.520
<v Speaker 2>and like you know when you go to a movie

0:57:50.560 --> 0:57:53.120
<v Speaker 2>audition all if you've ever done it, it's like it's

0:57:53.200 --> 0:57:55.640
<v Speaker 2>nerve wracking. It's like the only time, like music, you

0:57:55.640 --> 0:57:57.240
<v Speaker 2>don't only do that, Like you walk into the room,

0:57:57.280 --> 0:57:59.440
<v Speaker 2>You're like, am I good enough? Like do I look right? Am?

0:57:59.480 --> 0:58:02.600
<v Speaker 2>I am? I? Do I have a witty repartee? You

0:58:02.640 --> 0:58:05.120
<v Speaker 2>know what I mean? Like I got tons up every time? Right?

0:58:05.480 --> 0:58:08.000
<v Speaker 2>And this is how I'm thinking. I'm like, you know,

0:58:08.040 --> 0:58:10.000
<v Speaker 2>I'm sleeping with your best friend. Like in my head,

0:58:11.520 --> 0:58:14.840
<v Speaker 2>it was so so funny. Yeah, So, just in terms

0:58:14.840 --> 0:58:17.320
<v Speaker 2>of her not telling anybody, if.

0:58:16.760 --> 0:58:22.040
<v Speaker 1>Mel possesses this gift, when she laughs, Mel has for

0:58:22.280 --> 0:58:25.840
<v Speaker 1>and I think it's for me only. Yeah, Mel has

0:58:26.280 --> 0:58:30.280
<v Speaker 1>a laugh similar to Nelson on The Simpsons.

0:58:32.440 --> 0:58:34.200
<v Speaker 2>And I never together.

0:58:34.440 --> 0:58:37.960
<v Speaker 1>It triggers me. Now you're doing it. Wait? Wait, so

0:58:38.000 --> 0:58:38.360
<v Speaker 1>when I.

0:58:38.320 --> 0:58:39.360
<v Speaker 2>Hear you picturing her.

0:58:39.400 --> 0:58:40.000
<v Speaker 1>It's so true.

0:58:40.040 --> 0:58:40.880
<v Speaker 2>I never clocked it.

0:58:41.080 --> 0:58:46.080
<v Speaker 1>When I hear that laugh, it instantly takes me to

0:58:46.200 --> 0:58:49.480
<v Speaker 1>second grade, when, like I think in second grade was

0:58:49.480 --> 0:58:51.440
<v Speaker 1>the one year in which I was the only boy

0:58:51.560 --> 0:58:54.400
<v Speaker 1>in a school with seventeen girls. Yeah, so if anything

0:58:54.440 --> 0:58:58.680
<v Speaker 1>I would trip or something whenever like that, like it

0:58:58.680 --> 0:59:01.680
<v Speaker 1>would just trigger me. And I asked the asked her once.

0:59:01.720 --> 0:59:03.960
<v Speaker 1>I was like, is that your natural laugh? Or like

0:59:05.000 --> 0:59:07.680
<v Speaker 1>do you have another laugh you could do? And you

0:59:07.680 --> 0:59:10.080
<v Speaker 1>could do for me because and then once I let

0:59:10.120 --> 0:59:12.720
<v Speaker 1>the cat out of the bag that you laughed just

0:59:12.760 --> 0:59:16.080
<v Speaker 1>like the girls in second grade? Yeah, And I was like,

0:59:16.160 --> 0:59:19.200
<v Speaker 1>I know that's and then she really let her on.

0:59:19.320 --> 0:59:21.160
<v Speaker 1>So when she comes to game nights or whatever, it's

0:59:21.240 --> 0:59:26.480
<v Speaker 1>like I was like, stop that, okay, fine. I also

0:59:26.480 --> 0:59:31.400
<v Speaker 1>want to talk about plea because here's the thing. We

0:59:31.480 --> 0:59:35.000
<v Speaker 1>live in a time in which I know it's expected

0:59:35.720 --> 0:59:41.960
<v Speaker 1>for artists to art, you know, and whatnot, and oftentimes,

0:59:42.040 --> 0:59:45.520
<v Speaker 1>like I could tell who's like, all right, I'm gonna

0:59:45.560 --> 0:59:47.680
<v Speaker 1>come up with the anthem, Like everyone dreams of that

0:59:47.720 --> 0:59:50.160
<v Speaker 1>whole Like I want to teach, and then an anthem

0:59:50.200 --> 0:59:52.600
<v Speaker 1>gets chosen that you don't like, no one saw Kendrick

0:59:52.680 --> 0:59:57.320
<v Speaker 1>Lamar's alright, as like, okay, this is our official anthem

0:59:57.440 --> 1:00:00.520
<v Speaker 1>because everyone else had the stand up at fight or

1:00:00.600 --> 1:00:03.720
<v Speaker 1>like they had their anthems slogan right, and the thing

1:00:04.360 --> 1:00:07.400
<v Speaker 1>A plea kind of snuck on me and I love

1:00:07.440 --> 1:00:09.680
<v Speaker 1>the energy that it gives. So, like cand you talk

1:00:09.720 --> 1:00:14.000
<v Speaker 1>about just the process and the decision to really kind

1:00:14.040 --> 1:00:17.240
<v Speaker 1>of capture the angst that some of us feel.

1:00:17.520 --> 1:00:21.320
<v Speaker 2>Yeah, I can't really say that I had a decision

1:00:21.640 --> 1:00:25.040
<v Speaker 2>in that way. I was just saying how I felt, right.

1:00:25.160 --> 1:00:26.720
<v Speaker 1>No, No, it felt very organic.

1:00:26.840 --> 1:00:29.360
<v Speaker 2>Yeah, it's just organic. I thought it was just and

1:00:29.440 --> 1:00:32.160
<v Speaker 2>I think you know, it started off like kind of

1:00:32.480 --> 1:00:34.680
<v Speaker 2>every song it has vocal on my record. I had

1:00:34.720 --> 1:00:37.000
<v Speaker 2>never intended for there to be a vocal, okay, And

1:00:37.040 --> 1:00:39.920
<v Speaker 2>it started off there's this and you know the Fool

1:00:40.000 --> 1:00:43.600
<v Speaker 2>Sanders record Black Unity. Yes, so I wanted to do

1:00:43.640 --> 1:00:46.680
<v Speaker 2>something like that, Okay, Like I was very inspired by

1:00:46.680 --> 1:00:49.840
<v Speaker 2>that sign of Cecil McBee and Stanley Clark double bass

1:00:49.960 --> 1:00:52.880
<v Speaker 2>like throwing down. And but then when we got in

1:00:52.960 --> 1:00:56.160
<v Speaker 2>started playing, it just felt more kind of more organized

1:00:56.640 --> 1:01:01.000
<v Speaker 2>than the Faro Sanders tune and we're playing I did it,

1:01:01.040 --> 1:01:03.400
<v Speaker 2>and then I just like had this. I just had

1:01:03.440 --> 1:01:08.400
<v Speaker 2>this idea of having different sections that shifted from like

1:01:08.480 --> 1:01:10.919
<v Speaker 2>an anger and a resolution, you know what I mean,

1:01:11.120 --> 1:01:13.240
<v Speaker 2>or you know, the tension and release that we always

1:01:13.240 --> 1:01:16.760
<v Speaker 2>want on the arc of a story. And I started

1:01:16.800 --> 1:01:19.880
<v Speaker 2>thinking about, like, you know, the worst case in the

1:01:19.920 --> 1:01:23.520
<v Speaker 2>scenario and everything that's happening is like civil war, right,

1:01:23.560 --> 1:01:25.840
<v Speaker 2>Like that's like the worst case scenario of the divisiveness

1:01:25.840 --> 1:01:29.000
<v Speaker 2>that's happening. And I started and I started thinking about,

1:01:29.000 --> 1:01:33.600
<v Speaker 2>like what is this and what's the best outcome? You

1:01:33.680 --> 1:01:35.200
<v Speaker 2>know what I mean? Is the thing like we're all

1:01:35.240 --> 1:01:38.760
<v Speaker 2>all striving for is peace and harmony and togetherness, you know.

1:01:39.600 --> 1:01:44.600
<v Speaker 2>So I and at the same time feeling you know,

1:01:44.760 --> 1:01:48.800
<v Speaker 2>you go on online on Instagram or whatever, and it's

1:01:48.800 --> 1:01:52.200
<v Speaker 2>just constant, like someone makes a political stand about something,

1:01:52.760 --> 1:01:54.120
<v Speaker 2>you know, and it might be a right, something I

1:01:54.160 --> 1:01:57.040
<v Speaker 2>agree with someone's I don't view whatever it is, but

1:01:57.120 --> 1:02:01.440
<v Speaker 2>it's always you're preaching to the converted or you're saying

1:02:01.480 --> 1:02:03.800
<v Speaker 2>fuck the converted, you know what I mean, And it's

1:02:03.840 --> 1:02:06.760
<v Speaker 2>just back and forth. It goes nowhere. And even though

1:02:06.760 --> 1:02:09.320
<v Speaker 2>the people I agree with, you know, on occasion, can

1:02:09.360 --> 1:02:13.040
<v Speaker 2>be heartwarming, you know, But when I say, like on

1:02:13.080 --> 1:02:14.760
<v Speaker 2>the songs like I don't care about your politics. I

1:02:14.800 --> 1:02:17.240
<v Speaker 2>don't want to hear about your fucking politics. It's not

1:02:17.320 --> 1:02:19.840
<v Speaker 2>like like I care deeply about the issues, you know

1:02:19.880 --> 1:02:22.480
<v Speaker 2>what I mean, It's issues that mean everything to me.

1:02:23.240 --> 1:02:26.600
<v Speaker 2>But I just like the way that the forum has

1:02:26.640 --> 1:02:30.840
<v Speaker 2>evolved is just into this bickering thing that feels like

1:02:30.920 --> 1:02:37.240
<v Speaker 2>to me only enhances divisiveness. And I just I don't know.

1:02:37.320 --> 1:02:40.600
<v Speaker 2>It was just everything about it was so you know,

1:02:40.680 --> 1:02:42.440
<v Speaker 2>wanting to do it in like, you know, kind of

1:02:42.480 --> 1:02:45.320
<v Speaker 2>different sections, but just like just sprawled it out and

1:02:45.360 --> 1:02:47.240
<v Speaker 2>did it, you know, just wanting to be organic to

1:02:47.280 --> 1:02:50.240
<v Speaker 2>how I feel to express myself. I didn't there was

1:02:50.280 --> 1:02:52.680
<v Speaker 2>nothing beyond that.

1:02:53.800 --> 1:03:07.480
<v Speaker 1>I would be remiss if I don't ask this question

1:03:07.680 --> 1:03:10.520
<v Speaker 1>for bass heads out there. Yeah, what are your three

1:03:10.680 --> 1:03:14.520
<v Speaker 1>most treasured bases? How many bases do you own? You know,

1:03:14.560 --> 1:03:16.040
<v Speaker 1>I'm trying to get rid of them because they're too

1:03:16.080 --> 1:03:17.560
<v Speaker 1>many stories Union time.

1:03:17.720 --> 1:03:20.440
<v Speaker 2>Yeah, they're in the house, but it's like it's dumb,

1:03:20.640 --> 1:03:22.880
<v Speaker 2>you know what I mean, Like twenty basses or something.

1:03:23.840 --> 1:03:26.960
<v Speaker 2>It's still it's a lot. And yeah, but it's I

1:03:27.000 --> 1:03:29.480
<v Speaker 2>need one, you know what I mean. I don't play

1:03:29.520 --> 1:03:32.880
<v Speaker 2>a five string. I play a regular four string bass.

1:03:33.160 --> 1:03:36.000
<v Speaker 2>I mean my main, my real baby, my main one

1:03:36.400 --> 1:03:39.760
<v Speaker 2>is a sixty one Fender Jazz based beautiful place like

1:03:39.800 --> 1:03:43.320
<v Speaker 2>Butter played it yesterday, And then I have another.

1:03:43.640 --> 1:03:45.080
<v Speaker 1>Is that what you've always used on?

1:03:45.520 --> 1:03:47.560
<v Speaker 2>I get I'm using it since like twenty years ago.

1:03:47.720 --> 1:03:49.800
<v Speaker 2>Someone gave it to me in a Tower Records parking lot,

1:03:50.000 --> 1:03:52.640
<v Speaker 2>just gave it to me. Yeah, And it's a beautiful

1:03:52.680 --> 1:03:56.920
<v Speaker 2>fucking base. And what's a butler the money to really? Yeah? Yeah, No,

1:03:57.000 --> 1:03:59.200
<v Speaker 2>it's like early days of Twitter, and I got on

1:03:59.280 --> 1:04:01.400
<v Speaker 2>there and I'll like high question love you know.

1:04:01.600 --> 1:04:01.800
<v Speaker 1>Yeah.

1:04:01.880 --> 1:04:04.760
<v Speaker 2>But I had kind of finally figured out that I

1:04:04.880 --> 1:04:06.840
<v Speaker 2>liked old Fender bases, like I always just kind of

1:04:06.840 --> 1:04:10.360
<v Speaker 2>played whatever like new bases, and always had this attitude

1:04:10.360 --> 1:04:13.960
<v Speaker 2>about instruments that the instrument means nothing. It's all in

1:04:14.000 --> 1:04:16.360
<v Speaker 2>the fingers in your mind, like that you know your motivation,

1:04:16.440 --> 1:04:18.720
<v Speaker 2>your intent, that thing I was talking about. And then

1:04:18.760 --> 1:04:20.760
<v Speaker 2>but it kind of dawned on me like the longer

1:04:20.800 --> 1:04:23.800
<v Speaker 2>a thing hasn't been a tree and it's been a base,

1:04:23.880 --> 1:04:27.560
<v Speaker 2>it really takes on a feeling of its own. And

1:04:27.920 --> 1:04:30.080
<v Speaker 2>I started playing some old Fender bases that were beautiful,

1:04:30.080 --> 1:04:31.800
<v Speaker 2>and I just wanted to get one, didn't have one,

1:04:32.320 --> 1:04:33.800
<v Speaker 2>and I wrote on Twitter, I want to get one.

1:04:33.840 --> 1:04:35.720
<v Speaker 2>Some guy wrote me, you know, meet me at the

1:04:35.720 --> 1:04:38.120
<v Speaker 2>Tower Records parking lot on Wednesday at two o'clock.

1:04:39.320 --> 1:04:41.200
<v Speaker 1>I could have sworn you were a Fender guy.

1:04:41.360 --> 1:04:43.880
<v Speaker 2>No, it was because you're twenty years ago.

1:04:44.160 --> 1:04:46.040
<v Speaker 1>Okay, so yeah, I know you know if you're a

1:04:46.080 --> 1:04:49.560
<v Speaker 1>slab method but also like you you you're Jamison game.

1:04:49.480 --> 1:04:51.240
<v Speaker 2>Is one point one into it.

1:04:51.280 --> 1:04:53.160
<v Speaker 1>Man, I always thought you were a Fender guy on.

1:04:53.160 --> 1:04:55.440
<v Speaker 2>An occasion, but I was kind of like whatever, whatever

1:04:55.440 --> 1:04:58.360
<v Speaker 2>I had, you know, got but that one. And then

1:04:58.920 --> 1:05:02.760
<v Speaker 2>one time Damien Hurst said to me, what's the best

1:05:02.800 --> 1:05:05.320
<v Speaker 2>bass ever made? You know whatever? Just in conversation. I

1:05:05.320 --> 1:05:07.439
<v Speaker 2>was like, sixty one jazz like this, that's not a question.

1:05:07.480 --> 1:05:09.520
<v Speaker 2>It's the greatest electric bass ever made. And he was like,

1:05:09.560 --> 1:05:12.520
<v Speaker 2>oh wow, that's cost interesting. And like a year later

1:05:13.000 --> 1:05:15.320
<v Speaker 2>I'm playing in London, He's like, flee, I got something

1:05:15.320 --> 1:05:17.040
<v Speaker 2>for you. Come over. I don't know if that and

1:05:17.040 --> 1:05:19.280
<v Speaker 2>you know he makes those butterfly paintings. Yeah, he made

1:05:19.280 --> 1:05:23.560
<v Speaker 2>me a butterfly bass, a Fender sixty one covered in

1:05:23.600 --> 1:05:27.720
<v Speaker 2>the most beautiful butterflies, Like it's this gorgeous thing man

1:05:27.760 --> 1:05:29.600
<v Speaker 2>a mirror. It's so beautiful and he gave that to me,

1:05:29.600 --> 1:05:32.840
<v Speaker 2>a gifted debt to me, and yeah, super nice. So

1:05:32.880 --> 1:05:33.400
<v Speaker 2>both of my.

1:05:33.560 --> 1:05:38.280
<v Speaker 1>Are there artifacts based that you collected like blah blah

1:05:38.320 --> 1:05:39.560
<v Speaker 1>blah played this bass on?

1:05:40.400 --> 1:05:43.400
<v Speaker 2>No, No, I don't really have like historically important basis,

1:05:43.760 --> 1:05:45.840
<v Speaker 2>but those two which are both the same kind of bass.

1:05:46.440 --> 1:05:50.280
<v Speaker 2>And then you know my son in law, Wileie Gelber,

1:05:50.320 --> 1:05:55.480
<v Speaker 2>he makes instruments and has gifted me two basses that

1:05:55.560 --> 1:05:58.320
<v Speaker 2>he made by hand, and it's just I have a

1:05:58.360 --> 1:06:00.000
<v Speaker 2>lot of love in him and I really love those

1:06:00.080 --> 1:06:00.640
<v Speaker 2>basis too.

1:06:00.840 --> 1:06:03.240
<v Speaker 1>You sid sun in law, And instantly I was like

1:06:03.320 --> 1:06:05.840
<v Speaker 1>going into my head and I was like, in my mind,

1:06:06.080 --> 1:06:08.400
<v Speaker 1>your daughter is still the three year old that you

1:06:08.920 --> 1:06:10.560
<v Speaker 1>think the MTV Awards.

1:06:11.120 --> 1:06:12.000
<v Speaker 2>She's thirty seven.

1:06:12.120 --> 1:06:14.439
<v Speaker 1>Yeah, it was also like it was like thirty years ago.

1:06:14.560 --> 1:06:16.240
<v Speaker 2>Yeah, and she if she saw the video for a

1:06:16.280 --> 1:06:18.080
<v Speaker 2>place she directed that did that whole thing.

1:06:18.360 --> 1:06:18.680
<v Speaker 1>Nice.

1:06:18.800 --> 1:06:22.280
<v Speaker 2>Yeah, she's a great kick. Thirty seven.

1:06:22.720 --> 1:06:28.920
<v Speaker 1>What regular chores household domestic chores? What one chore do

1:06:29.000 --> 1:06:30.240
<v Speaker 1>you loathe doing?

1:06:31.000 --> 1:06:37.919
<v Speaker 2>Cleaning up dog shit? You have dogs when they.

1:06:38.120 --> 1:06:45.160
<v Speaker 1>Just recently became a dog dead and uh yeah, it's territorial,

1:06:45.520 --> 1:06:47.000
<v Speaker 1>literally territorial.

1:06:46.720 --> 1:06:49.840
<v Speaker 2>Finding really good. Actually switched to food and it stopped happening.

1:06:50.320 --> 1:06:51.840
<v Speaker 2>But it's just like when you wake up in the

1:06:51.880 --> 1:06:54.360
<v Speaker 2>morning and like you somewhere and it's like pissing ship

1:06:54.440 --> 1:06:57.280
<v Speaker 2>on the floor and a nice rug and you're just like, dude,

1:06:57.920 --> 1:07:00.360
<v Speaker 2>the fucking you down on hands and knees. I've been

1:07:00.400 --> 1:07:00.919
<v Speaker 2>trying to get.

1:07:00.800 --> 1:07:01.800
<v Speaker 1>The smell ouloon.

1:07:02.200 --> 1:07:05.080
<v Speaker 2>The rug is fucked, you know. And also it's like

1:07:05.640 --> 1:07:08.280
<v Speaker 2>with mel like she was never a dog person before me,

1:07:08.960 --> 1:07:11.400
<v Speaker 2>you know, she never ever and I'm like, before she

1:07:11.440 --> 1:07:13.120
<v Speaker 2>got the ee of dogs in the bed, you know,

1:07:13.360 --> 1:07:15.280
<v Speaker 2>dogs in the room, and she is just like uh.

1:07:15.320 --> 1:07:17.520
<v Speaker 1>Uh, like no way, I'm meiling this situation.

1:07:17.600 --> 1:07:20.000
<v Speaker 2>Yeah, so she's like, yeah, I wake up, I get

1:07:20.080 --> 1:07:21.360
<v Speaker 2>up in the morn and she just be sitting there

1:07:21.640 --> 1:07:24.200
<v Speaker 2>like the dog's pooked enough rug and like and just

1:07:24.200 --> 1:07:25.840
<v Speaker 2>looking at me like deal with it.

1:07:26.800 --> 1:07:30.040
<v Speaker 1>I mean like I'm meiling this situation. Yeah yeah, okay, okay,

1:07:30.080 --> 1:07:34.320
<v Speaker 1>maybe I'm asking for my own benefit. How did you

1:07:34.360 --> 1:07:37.720
<v Speaker 1>guys And it's not like I will say that he

1:07:37.800 --> 1:07:40.400
<v Speaker 1>had the keys of the kingdom because you guys were

1:07:40.400 --> 1:07:44.120
<v Speaker 1>headed there even during the mother's milk period. How did

1:07:44.160 --> 1:07:48.680
<v Speaker 1>you guys manage to let Rick Rubin get you out

1:07:48.680 --> 1:07:51.760
<v Speaker 1>of your own way to get to the place where

1:07:51.800 --> 1:07:56.360
<v Speaker 1>you needed to get Because again, there's so many powerful

1:07:56.400 --> 1:08:02.560
<v Speaker 1>bands that when that moment happens, they'll sabotage it and

1:08:02.640 --> 1:08:03.560
<v Speaker 1>won't go there.

1:08:04.160 --> 1:08:06.760
<v Speaker 2>How did you and I know musicians I don't want

1:08:06.760 --> 1:08:09.920
<v Speaker 2>to say names, but we'll sabotage that every time out

1:08:09.960 --> 1:08:11.040
<v Speaker 2>of some kind of insecurity.

1:08:11.640 --> 1:08:14.320
<v Speaker 1>This is probably the first record, our seventeenth record I

1:08:14.400 --> 1:08:19.559
<v Speaker 1>will consider our first real album because I'm the amount

1:08:19.560 --> 1:08:22.960
<v Speaker 1>of times where I've X needed something because it might work,

1:08:23.479 --> 1:08:26.160
<v Speaker 1>or they'll think we're sellout or are you thinking about

1:08:26.439 --> 1:08:29.559
<v Speaker 1>someone judging you or something like, you'll sabotage it. How

1:08:29.600 --> 1:08:30.920
<v Speaker 1>did you guys manage.

1:08:30.600 --> 1:08:33.519
<v Speaker 2>To You know, we had been humbled many times by

1:08:33.600 --> 1:08:36.519
<v Speaker 2>things not coming out the way we wanted them, and

1:08:36.640 --> 1:08:42.479
<v Speaker 2>we had actually met with Rick before we made not

1:08:42.479 --> 1:08:45.240
<v Speaker 2>Freaky Styd. But I think our third record, Uplift Mophole

1:08:45.320 --> 1:08:47.720
<v Speaker 2>Party Plan right, we met with Rick and we were

1:08:47.760 --> 1:08:50.280
<v Speaker 2>in a rehearsal studio. He showed up with the Beastie

1:08:50.320 --> 1:08:52.840
<v Speaker 2>Boys came in and they were all like picking up

1:08:52.840 --> 1:08:55.200
<v Speaker 2>our shit and playing it and We're like and everyone

1:08:55.240 --> 1:08:57.200
<v Speaker 2>just thought, oh no, these guys like they're arrogant, they

1:08:57.240 --> 1:08:59.200
<v Speaker 2>think they know everything, you know, Rick, and no one

1:08:59.200 --> 1:09:01.400
<v Speaker 2>wanted to work with them. But he also like there

1:09:01.400 --> 1:09:03.000
<v Speaker 2>was a lot of heroin going on in our band

1:09:03.040 --> 1:09:05.960
<v Speaker 2>at the time, in fighting all this shit. We were

1:09:06.000 --> 1:09:10.760
<v Speaker 2>not in a good energetic place. It wasn't long you

1:09:10.760 --> 1:09:13.639
<v Speaker 2>know before HELLEL died got but anyway, so he came

1:09:13.680 --> 1:09:16.400
<v Speaker 2>in and it didn't work out, like he was just

1:09:16.439 --> 1:09:18.800
<v Speaker 2>like he said it was like later on he told me, man,

1:09:18.800 --> 1:09:20.599
<v Speaker 2>the vibe was so bad, Like I didn't even realize

1:09:20.600 --> 1:09:22.160
<v Speaker 2>how bad it was, but he was like, it felt

1:09:22.200 --> 1:09:22.960
<v Speaker 2>like death.

1:09:22.760 --> 1:09:23.320
<v Speaker 1>In that room.

1:09:23.680 --> 1:09:25.920
<v Speaker 2>And I was like, okay, you know, damn you know

1:09:25.960 --> 1:09:28.479
<v Speaker 2>what I mean, Like didn't even really clock it myself.

1:09:28.479 --> 1:09:30.280
<v Speaker 2>I was just trying to make it through and do something.

1:09:31.200 --> 1:09:35.519
<v Speaker 2>But by the time he came around again, you know,

1:09:35.520 --> 1:09:37.519
<v Speaker 2>we had done our first tour with John. We made

1:09:37.560 --> 1:09:41.960
<v Speaker 2>Mother's Milk and things were very optimistic. We were playing

1:09:41.960 --> 1:09:45.880
<v Speaker 2>our asses off like things had gotten difficult before that.

1:09:46.040 --> 1:09:48.479
<v Speaker 2>You know. Helll was kind of in and out of

1:09:49.240 --> 1:09:53.360
<v Speaker 2>drug problems, and he left, came back. We hired Blackbird

1:09:53.439 --> 1:09:56.519
<v Speaker 2>McKnight for a while. Didn't work out Hellell came back,

1:09:56.680 --> 1:10:00.280
<v Speaker 2>he died, and then we get John. We get this kid,

1:10:00.320 --> 1:10:03.200
<v Speaker 2>this hot shot kid, and who's just like, we'll do

1:10:03.360 --> 1:10:06.960
<v Speaker 2>anything to be a good musician, like a most driven

1:10:07.040 --> 1:10:08.639
<v Speaker 2>musician I've ever met in my little life.

1:10:09.400 --> 1:10:12.000
<v Speaker 1>And how is word getting out that you like? Was

1:10:12.040 --> 1:10:14.479
<v Speaker 1>this the days of you read I met backstage or

1:10:14.600 --> 1:10:15.800
<v Speaker 1>you put an add out or something.

1:10:15.880 --> 1:10:18.840
<v Speaker 2>No. I met John through Dh Poligro, who was the

1:10:18.920 --> 1:10:21.639
<v Speaker 2>drummer in the Dead Kennedy's, who was a very close

1:10:21.680 --> 1:10:24.640
<v Speaker 2>friend of mine. We passed away Rip a couple of

1:10:24.720 --> 1:10:28.479
<v Speaker 2>years ago, and Dh said, I know this kid, he's

1:10:28.520 --> 1:10:31.479
<v Speaker 2>just awesomelest jam got together and jammed, and I remember

1:10:31.520 --> 1:10:33.400
<v Speaker 2>in that jam, it was the first time I ever went.

1:10:33.720 --> 1:10:37.720
<v Speaker 2>I started going doing good, God doing Good, the higher

1:10:37.760 --> 1:10:39.519
<v Speaker 2>ground thing I just as part of a jam, and

1:10:39.720 --> 1:10:43.200
<v Speaker 2>oh wow, that'd be a good cover. But met John

1:10:43.439 --> 1:10:46.559
<v Speaker 2>and then I can't but I think, you know, we

1:10:46.640 --> 1:10:49.080
<v Speaker 2>hired BlackBerry and it just wasn't the chemistry wasn't working out.

1:10:49.640 --> 1:10:52.360
<v Speaker 2>And then I had this thing I'd recorded at home

1:10:52.400 --> 1:10:54.800
<v Speaker 2>on my FoST text four track. I was like, let

1:10:54.840 --> 1:10:56.600
<v Speaker 2>me just see what this kid would do. And he

1:10:56.720 --> 1:11:00.400
<v Speaker 2>came over and you know, sat with me started and

1:11:00.439 --> 1:11:02.360
<v Speaker 2>it was like damn, you know what I mean, like

1:11:02.760 --> 1:11:05.639
<v Speaker 2>right in the pocket, like good everything I could have wanted.

1:11:06.160 --> 1:11:10.040
<v Speaker 2>I remember calling Anthony, who was in Michigan drying out,

1:11:10.200 --> 1:11:12.200
<v Speaker 2>you know he was before he got sober. He was

1:11:12.240 --> 1:11:13.960
<v Speaker 2>like on a dry out, you know, to get it together.

1:11:13.960 --> 1:11:16.240
<v Speaker 2>I was like, I just played with this kid. The

1:11:16.320 --> 1:11:19.320
<v Speaker 2>kid is you know, it's serious. I think he's our guy.

1:11:19.760 --> 1:11:21.519
<v Speaker 2>And he came back some John was playing in his

1:11:21.560 --> 1:11:24.760
<v Speaker 2>Bancelonia spons to our friends. Anyways, we get John, We're

1:11:24.800 --> 1:11:26.800
<v Speaker 2>doing really good. We did Made Mother's Milk. We go

1:11:26.840 --> 1:11:29.360
<v Speaker 2>on tour and we really reached a peak like playing

1:11:29.880 --> 1:11:31.320
<v Speaker 2>we did, Like right at the end of the tour,

1:11:31.360 --> 1:11:34.880
<v Speaker 2>we played in La the Greek Theater. Rick came saw

1:11:34.920 --> 1:11:38.280
<v Speaker 2>the show and it was just chemistry was just right,

1:11:38.360 --> 1:11:40.120
<v Speaker 2>like we were at our peak. He was blown away.

1:11:40.120 --> 1:11:42.720
<v Speaker 2>Our energy was real good and he was like, let's

1:11:42.760 --> 1:11:46.080
<v Speaker 2>make a record together, and we got together. There was

1:11:46.120 --> 1:11:48.519
<v Speaker 2>never anything that he said it was like changing us

1:11:48.560 --> 1:11:51.639
<v Speaker 2>in a way that felt uncomfortable. He was like, every

1:11:51.640 --> 1:11:53.200
<v Speaker 2>time you guys make a record, you get in a

1:11:53.240 --> 1:11:55.880
<v Speaker 2>studio and you change what you do. It's not like

1:11:55.880 --> 1:11:58.080
<v Speaker 2>what I hear in this room, you know, what I mean.

1:11:58.120 --> 1:12:02.439
<v Speaker 2>It always becomes like this sounds triggering others sounds and

1:12:02.600 --> 1:12:06.200
<v Speaker 2>too much compression, overthinking, like over and he was like,

1:12:06.280 --> 1:12:08.240
<v Speaker 2>I just want to like the way you guys sound

1:12:08.240 --> 1:12:10.880
<v Speaker 2>when you jam free in the room, the warmth of it,

1:12:10.920 --> 1:12:14.000
<v Speaker 2>and the invention and all the stuff, like the funkiness.

1:12:14.120 --> 1:12:16.439
<v Speaker 2>He's like, all we got to do is like get

1:12:16.520 --> 1:12:18.800
<v Speaker 2>in a room, get sounds, put up mics, and do it.

1:12:19.200 --> 1:12:21.960
<v Speaker 2>And then he started having really good ideas about arrangements

1:12:22.000 --> 1:12:24.680
<v Speaker 2>and stuff, like we'd play songs and he would be like,

1:12:24.840 --> 1:12:26.880
<v Speaker 2>you know, cut the outro. Can you do it in

1:12:26.880 --> 1:12:29.160
<v Speaker 2>a key lower? You know, it'd be better for Anthony's

1:12:29.240 --> 1:12:32.439
<v Speaker 2>voice or whatever it was. And he was like, all

1:12:32.479 --> 1:12:34.240
<v Speaker 2>I ask of you is that you at least try

1:12:34.280 --> 1:12:36.000
<v Speaker 2>every idea I have. We don't have to do it,

1:12:36.240 --> 1:12:37.920
<v Speaker 2>but try it with an open mind. And we just

1:12:37.960 --> 1:12:40.360
<v Speaker 2>took to it and did it and it was working,

1:12:40.560 --> 1:12:42.360
<v Speaker 2>you know what I mean. It just felt like magic.

1:12:42.560 --> 1:12:44.519
<v Speaker 2>Every day we rehearsed for that record. We played for

1:12:44.560 --> 1:12:46.200
<v Speaker 2>like a year before we went in the studio, right,

1:12:46.280 --> 1:12:49.080
<v Speaker 2>played like five days a week. Every day. I remember

1:12:49.120 --> 1:12:51.639
<v Speaker 2>going home thinking like, got something good new happened today.

1:12:51.760 --> 1:12:53.479
<v Speaker 2>It was like be like a bridge, like the bridge

1:12:53.479 --> 1:12:56.080
<v Speaker 2>for the song Blood Sugar or something like always someone

1:12:56.200 --> 1:12:58.639
<v Speaker 2>was coming with some little idea. And also we spent

1:12:58.800 --> 1:13:01.680
<v Speaker 2>more than half the time just jamming. Like there's one

1:13:01.720 --> 1:13:04.439
<v Speaker 2>point like we were just we'd come in, just set

1:13:04.520 --> 1:13:07.479
<v Speaker 2>up and just jam free for at least an hour

1:13:08.160 --> 1:13:10.400
<v Speaker 2>before we even worked on a song. And it was

1:13:10.479 --> 1:13:12.840
<v Speaker 2>just like and great all the time, ideas off the

1:13:12.880 --> 1:13:16.120
<v Speaker 2>time just disappearing into me that well we did that,

1:13:17.040 --> 1:13:19.400
<v Speaker 2>we did that, And so we were so in a

1:13:19.520 --> 1:13:23.040
<v Speaker 2>place of playing together. And also I think like when

1:13:23.120 --> 1:13:26.040
<v Speaker 2>John first joined us on Mother's Milk, he was trying

1:13:26.080 --> 1:13:27.720
<v Speaker 2>to fit in, you know what I mean. And he

1:13:27.840 --> 1:13:32.559
<v Speaker 2>was clearly like a you know, stunning talent, but he

1:13:32.600 --> 1:13:35.080
<v Speaker 2>hadn't really, i think, trusted himself yet to just go

1:13:35.160 --> 1:13:36.960
<v Speaker 2>be himself and be free, you know what I mean.

1:13:37.200 --> 1:13:38.760
<v Speaker 2>He was still wanting to fit into what we had

1:13:38.800 --> 1:13:41.280
<v Speaker 2>gone and then when he started, like by Blood Sugar,

1:13:41.320 --> 1:13:43.120
<v Speaker 2>trying to be himself, he was bringing us shit that

1:13:43.200 --> 1:13:44.200
<v Speaker 2>we never had before.

1:13:44.640 --> 1:13:47.720
<v Speaker 1>Okay, So, as the director of the S and L

1:13:47.840 --> 1:13:51.559
<v Speaker 1>Music Dot, yeah, I couldn't get you for the interview,

1:13:51.560 --> 1:13:53.000
<v Speaker 1>and you know that I wanted to talk to you

1:13:53.040 --> 1:13:56.800
<v Speaker 1>about fear and all that other stuff, but the one

1:13:56.880 --> 1:14:00.479
<v Speaker 1>thing that people like wanted meet it. I was just

1:14:00.520 --> 1:14:03.839
<v Speaker 1>asking the most simple way possible. Yeah. Yeah, ten minutes

1:14:05.000 --> 1:14:09.519
<v Speaker 1>after one minute after your performance of under the Bridge,

1:14:10.200 --> 1:14:15.480
<v Speaker 1>which is legendarily talked about, so fucked up? What happened backstage?

1:14:16.080 --> 1:14:20.960
<v Speaker 2>I can't remember what happened backstage. I remember the state

1:14:21.040 --> 1:14:24.360
<v Speaker 2>of the band. I'm sure it wasn't pleasant. The state

1:14:24.360 --> 1:14:27.120
<v Speaker 2>of the band going into it was not good. It

1:14:27.240 --> 1:14:30.880
<v Speaker 2>was right, you know, before John quit, right he you know,

1:14:30.920 --> 1:14:34.160
<v Speaker 2>we had had this huge success, like our first really huge, like.

1:14:34.600 --> 1:14:36.320
<v Speaker 1>Yeah, this is this is the moment up on the

1:14:36.360 --> 1:14:40.240
<v Speaker 1>top pop charts. Yes, you've blown thegyes is this is

1:14:40.280 --> 1:14:40.679
<v Speaker 1>the time.

1:14:41.520 --> 1:14:44.120
<v Speaker 2>And I think we were just a mess. You know,

1:14:44.160 --> 1:14:48.040
<v Speaker 2>we were all going in different directions. John was like

1:14:48.280 --> 1:14:51.240
<v Speaker 2>anti rock star. He's like, I do not like being famous.

1:14:51.280 --> 1:14:53.400
<v Speaker 2>I do not like being in a famous rock band,

1:14:53.640 --> 1:14:56.120
<v Speaker 2>and I do not like you, you know what I mean.

1:14:56.960 --> 1:14:59.120
<v Speaker 2>He was not happy with me, He was not happy

1:14:59.120 --> 1:15:04.439
<v Speaker 2>with Anthony. And the song itself was a song, you know,

1:15:04.520 --> 1:15:06.439
<v Speaker 2>it was very new for Anthony to be singing a

1:15:06.479 --> 1:15:10.840
<v Speaker 2>ballad like that, and he was like, I think he

1:15:10.920 --> 1:15:13.280
<v Speaker 2>asked John before we did the song to you know,

1:15:13.600 --> 1:15:15.400
<v Speaker 2>give me the tone, you know what I mean before

1:15:15.439 --> 1:15:17.040
<v Speaker 2>so I could just have it in my head and

1:15:17.080 --> 1:15:19.559
<v Speaker 2>I think John didn't do it. And then when it

1:15:19.600 --> 1:15:24.080
<v Speaker 2>came time to sing the background vocals, he just you know, yeah.

1:15:23.920 --> 1:15:26.599
<v Speaker 1>He went rogue. Yeah, he went for people that don't

1:15:27.000 --> 1:15:29.960
<v Speaker 1>basically you know, the the end of the song where

1:15:29.960 --> 1:15:35.600
<v Speaker 1>you're supposed to sing the background, he just rages and screams.

1:15:35.840 --> 1:15:38.559
<v Speaker 2>Yeah. He wasn't gonna. He just was like anti.

1:15:39.080 --> 1:15:41.320
<v Speaker 1>I didn't know the history behind it. Yeah, so watch

1:15:41.360 --> 1:15:42.880
<v Speaker 1>him for the first time. I was like, oh, he's

1:15:43.000 --> 1:15:44.160
<v Speaker 1>this intense version of it.

1:15:44.280 --> 1:15:46.320
<v Speaker 2>Yeah. So no, Well he quit right after that, and

1:15:46.360 --> 1:15:48.960
<v Speaker 2>he was just we had made this record, and when

1:15:48.960 --> 1:15:53.040
<v Speaker 2>we got on a tour he for a variety of reasons,

1:15:53.080 --> 1:15:54.719
<v Speaker 2>which I don't you know what I mean. I can't

1:15:54.720 --> 1:15:58.600
<v Speaker 2>speak for him, but he was, without doubt, very disillusioned

1:15:58.640 --> 1:16:02.200
<v Speaker 2>with everything about it and had really kind of separated himself.

1:16:03.000 --> 1:16:04.920
<v Speaker 2>And I was also like, I was going through a

1:16:04.920 --> 1:16:09.520
<v Speaker 2>period I don't know what of extreme anxiety and unhappiness

1:16:09.520 --> 1:16:13.280
<v Speaker 2>and sleeplessness, gotten divorced. I just wasn't doing good, man.

1:16:13.320 --> 1:16:15.000
<v Speaker 2>I remember like I felt so bad in sleep. I

1:16:15.000 --> 1:16:16.680
<v Speaker 2>was like, I look like shit. I remember, like I

1:16:16.720 --> 1:16:18.880
<v Speaker 2>had like this, like you know, you put a face

1:16:18.920 --> 1:16:21.040
<v Speaker 2>mask on and I was like hiding. I covered my

1:16:21.120 --> 1:16:23.600
<v Speaker 2>face in a face mask, I think, and like you

1:16:23.600 --> 1:16:25.880
<v Speaker 2>know what I mean, Like it was just this we

1:16:25.880 --> 1:16:29.920
<v Speaker 2>were just a mess everyone. I think Anthony was like,

1:16:30.960 --> 1:16:33.880
<v Speaker 2>you know, so excited that we were doing so well.

1:16:33.920 --> 1:16:35.800
<v Speaker 2>We got Sad Night Live, we having a record, and

1:16:35.840 --> 1:16:37.400
<v Speaker 2>he was like, what the fuck is the matter with

1:16:37.479 --> 1:16:40.760
<v Speaker 2>you guys? Like we got everything we ever wanted, and

1:16:40.800 --> 1:16:43.559
<v Speaker 2>he sees me like crawling into my shell. He sees

1:16:43.600 --> 1:16:46.800
<v Speaker 2>John being completely anti and he was just you know

1:16:46.840 --> 1:16:49.760
<v Speaker 2>what I mean. And I can't remember afterwards, but there

1:16:49.800 --> 1:16:53.760
<v Speaker 2>was probably some screaming and yelling and unhappiness and yeah,

1:16:53.840 --> 1:16:58.360
<v Speaker 2>it was like, you know, man as our band, like

1:16:58.439 --> 1:17:01.280
<v Speaker 2>as times if we've had like complete light and riding

1:17:01.320 --> 1:17:05.360
<v Speaker 2>this wave of like love and togetherness, we've gone the

1:17:05.400 --> 1:17:07.639
<v Speaker 2>other way too, you know what I mean. And it's

1:17:07.680 --> 1:17:10.040
<v Speaker 2>like you were talking earlier about us huddling together, like

1:17:10.120 --> 1:17:14.800
<v Speaker 2>it's not always you know, it's always close, but it's

1:17:14.880 --> 1:17:19.120
<v Speaker 2>not always like we're not always expressing or your human fondness. Yeah,

1:17:19.160 --> 1:17:21.240
<v Speaker 2>but I'm not. I think, like the one when you

1:17:21.280 --> 1:17:23.080
<v Speaker 2>asked me whatever I said, I probably in that moment

1:17:23.160 --> 1:17:25.599
<v Speaker 2>we were actually being like, whoa, this is beautiful, Like.

1:17:25.560 --> 1:17:27.680
<v Speaker 1>Oh, you have enough to convince me, and.

1:17:27.720 --> 1:17:30.200
<v Speaker 2>Yeah, no, I wouldn't lie. I wouldn't lie about it,

1:17:30.600 --> 1:17:32.280
<v Speaker 2>you know what I mean. But there's many times where

1:17:32.280 --> 1:17:35.640
<v Speaker 2>it's just like someone expressing, you know, displeasure.

1:17:35.960 --> 1:17:38.599
<v Speaker 1>All right, my last three questions. Jeez, if you could

1:17:38.640 --> 1:17:41.200
<v Speaker 1>go back to the age of ten in nineteen seventy

1:17:41.200 --> 1:17:45.280
<v Speaker 1>two for one hour with a brain and monology you have, now,

1:17:45.760 --> 1:17:46.360
<v Speaker 1>what would you do?

1:17:47.080 --> 1:17:49.080
<v Speaker 2>Go back and I can speak to myself or go

1:17:49.160 --> 1:17:49.679
<v Speaker 2>back and.

1:17:49.680 --> 1:17:51.519
<v Speaker 1>Yeah, I'll allow you to speak to yourself.

1:17:51.600 --> 1:17:56.759
<v Speaker 2>Yes, yeah, I just like one, believe in yourself, trust

1:17:56.800 --> 1:18:01.320
<v Speaker 2>your instinct, trust your love, focus on that music, do

1:18:01.439 --> 1:18:05.439
<v Speaker 2>the work, don't you know? Stay off the pipe?

1:18:05.880 --> 1:18:07.160
<v Speaker 1>Okay, yes, okay.

1:18:07.880 --> 1:18:10.000
<v Speaker 2>I was with Chris Rock. We were at a Laker

1:18:10.040 --> 1:18:12.760
<v Speaker 2>game and Chris go is like, your kids run up

1:18:12.760 --> 1:18:14.839
<v Speaker 2>to him photographs and stuff. It's like in the nineties,

1:18:15.439 --> 1:18:18.000
<v Speaker 2>and he was like, give a kid. It's like sweet, look,

1:18:18.160 --> 1:18:23.919
<v Speaker 2>give audio. Stay off the pipe. That's very very funny.

1:18:24.160 --> 1:18:30.719
<v Speaker 1>All right, what song do you absolutely love that everyone

1:18:31.400 --> 1:18:37.320
<v Speaker 1>is indifferent about our hates or what's the embarrassing I.

1:18:37.240 --> 1:18:40.240
<v Speaker 2>Mean, I'm not embarrassed about.

1:18:39.800 --> 1:18:43.200
<v Speaker 1>Any of it still away or like.

1:18:45.000 --> 1:18:46.920
<v Speaker 2>I can't only think of anything because there's always someone

1:18:46.920 --> 1:18:48.640
<v Speaker 2>that loves it. But there's one thing that, like, my

1:18:48.680 --> 1:18:51.519
<v Speaker 2>friends used to really give me ship for loving hit me,

1:18:51.920 --> 1:18:53.519
<v Speaker 2>which was and I wish I remember the name of

1:18:53.520 --> 1:18:55.840
<v Speaker 2>a song. It was Hoody and the Blowfish and it

1:18:55.920 --> 1:18:58.240
<v Speaker 2>might have been their first big hit. And I can't even.

1:18:58.080 --> 1:19:00.559
<v Speaker 1>Think I want to be with you or hold my hand.

1:19:00.720 --> 1:19:03.400
<v Speaker 2>I think it was I only want to be with you, okay, Yeah,

1:19:03.400 --> 1:19:04.800
<v Speaker 2>And I loved it. I was just like it made

1:19:04.800 --> 1:19:07.479
<v Speaker 2>me feel good, and everyone was just like, what the

1:19:07.520 --> 1:19:09.440
<v Speaker 2>fuck does the matter with you?

1:19:09.439 --> 1:19:09.640
<v Speaker 1>You know?

1:19:10.160 --> 1:19:12.360
<v Speaker 2>And Culture Club? I used to like Culture Club, but

1:19:12.400 --> 1:19:14.200
<v Speaker 2>I remember people are making fun of me for that too.

1:19:14.520 --> 1:19:16.960
<v Speaker 2>Oh yeah yeah in my world, man, it wasn't cool.

1:19:17.240 --> 1:19:18.320
<v Speaker 2>I was like, it's good.

1:19:18.760 --> 1:19:21.080
<v Speaker 1>Yeah, those are great songs. We gotta get boy Georgia

1:19:21.120 --> 1:19:21.599
<v Speaker 1>on the show.

1:19:21.960 --> 1:19:23.160
<v Speaker 2>Yeah, boy George get him.

1:19:23.240 --> 1:19:26.200
<v Speaker 1>Yeah, all right. My last question, what is the most

1:19:26.240 --> 1:19:30.800
<v Speaker 1>difficult part of your job that no one ever gets

1:19:30.840 --> 1:19:31.160
<v Speaker 1>to see?

1:19:32.840 --> 1:19:41.960
<v Speaker 2>Managing time and work, being relentlessly diligent about doing the

1:19:42.040 --> 1:19:45.320
<v Speaker 2>work to the sacrifice of other parts of my life.

1:19:46.080 --> 1:19:49.479
<v Speaker 2>Being on tour, like people have this ridiculous fantasy that

1:19:49.560 --> 1:19:53.000
<v Speaker 2>it's just like this glamour, it's like rockstar glamour, and

1:19:53.040 --> 1:19:55.240
<v Speaker 2>it's like, you know, sitting alone in a hotel room,

1:19:55.760 --> 1:19:59.800
<v Speaker 2>my ears ringing, thinking, Okay, nurture myself, be ready for

1:19:59.840 --> 1:20:04.760
<v Speaker 2>the next show. Like that's the hard part, you know, Yeah, all.

1:20:04.720 --> 1:20:07.080
<v Speaker 1>Right, it's actually one point five because the thing is

1:20:07.120 --> 1:20:10.320
<v Speaker 1>you're also an athlete on stage, and there's this expectation.

1:20:10.640 --> 1:20:13.120
<v Speaker 1>Oh yeah, you're going to be flexible. That's all part of.

1:20:13.040 --> 1:20:15.720
<v Speaker 2>It, you know what I mean, Like nearly, like do.

1:20:15.680 --> 1:20:18.320
<v Speaker 1>You rue the day? Like right now, Bootsy Collins is

1:20:18.360 --> 1:20:21.320
<v Speaker 1>not picking up a base because it's beck just can't

1:20:21.360 --> 1:20:22.040
<v Speaker 1>take it anymore.

1:20:22.040 --> 1:20:24.120
<v Speaker 2>Well, I do everything I can to take care of

1:20:24.160 --> 1:20:27.840
<v Speaker 2>myself physically, and I you know, pretty much every Chili

1:20:27.840 --> 1:20:32.200
<v Speaker 2>Pepper show, I push myself to abject exhaustion to like

1:20:32.400 --> 1:20:34.760
<v Speaker 2>I'm just done. I got nothing left at the end.

1:20:35.280 --> 1:20:38.080
<v Speaker 2>But you know, I want to give it to the people,

1:20:38.200 --> 1:20:40.920
<v Speaker 2>Like I just feel like this is my job, Like

1:20:40.960 --> 1:20:43.000
<v Speaker 2>if I'm going to do it, it's always been all

1:20:43.080 --> 1:20:45.519
<v Speaker 2>or nothing for me. It's like give it everything you got,

1:20:45.960 --> 1:20:48.560
<v Speaker 2>or you know, be in miss the middle of the

1:20:48.640 --> 1:20:49.960
<v Speaker 2>road player fucked.

1:20:49.720 --> 1:20:52.920
<v Speaker 1>Up as a new artist. Yeah, I think you're going

1:20:53.000 --> 1:20:53.360
<v Speaker 1>to make it.

1:20:54.680 --> 1:20:56.599
<v Speaker 2>I got a piece so bad and I appreciate it.

1:20:56.640 --> 1:20:58.160
<v Speaker 1>This is it, I get it.

1:20:59.520 --> 1:21:01.280
<v Speaker 2>Thank you. I'll you read that all right.

1:21:01.680 --> 1:21:11.639
<v Speaker 1>It's Quest Love Show evers Flee Thank You. Quest Love

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