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Speaker 1: Look, may oh, I see you my own look over

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Speaker 1: there is that culture.

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Speaker 2: Yes, goodness, lost cult ding.

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Speaker 1: Dong lost culturistas calling bro bro. You for a second,

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Speaker 1: had a moment there where you forgot we were calling

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Speaker 1: each other bro.

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Speaker 2: I did. But today over text, I think we were

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Speaker 2: talking and sort of exasperatedly, I said, bro, Bro.

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Speaker 3: But I've been.

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Speaker 2: Saying bro, I'm down to call each other bro. But

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Speaker 2: bro bro Very Marisol and Alexia Cody?

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Speaker 1: Which is us?

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Speaker 2: Which is us?

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Speaker 1: You know, it's funny like we're saying these words like

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Speaker 1: Alexia Marisol. Our guest has no idea what we're talking about.

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Speaker 2: We just had to explain to him who Tom Girardi was,

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Speaker 2: and it was I think he learned, internalized, internalized, and

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Speaker 2: he externalized is brilliance. Oh my goodness, I am. I

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Speaker 2: can't wait to internalize into Performance Space NYC. The Venue

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Speaker 2: is a new show, Color Theory.

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Speaker 1: Color Theories, very external title very you think of colors

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Speaker 1: when you when.

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Speaker 2: You say it?

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Speaker 1: In fact, I even work sort of a color today.

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Speaker 2: You did.

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Speaker 1: For those of you are watching the podcast on our

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Speaker 1: YouTube channel, I'm wearing blue.

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Speaker 2: This is so interesting and I think I'm gonna save

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Speaker 2: this until we bring him in. But I think you

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Speaker 2: are such a specific audience to go see this show

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Speaker 2: about colors.

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Speaker 1: A color blind individual, as.

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Speaker 3: A color blind king.

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Speaker 2: Yeah, but do you.

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Speaker 1: Think I'll still like it?

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Speaker 2: I think some jokes will be like, oh, I don't

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Speaker 2: I don't know what chartreuse is. I guess that's not

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Speaker 2: for me. That's a niche humor.

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Speaker 1: Can I say what chartreuse sounds like? Sounds like some

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Speaker 1: kind of red char char is our fire.

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Speaker 2: Oh interesting? Well, yeah, they came up with the color

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Speaker 2: name after Pokemon, so that's that might be why it's blue. No,

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Speaker 2: what is it? It's like a greenish yellow like yeah, well

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Speaker 2: now I've heard everything. Now. Color Theories is playing on

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Speaker 2: a limited run twenty two performances only September third.

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Speaker 1: I wonder if there's anything to the number twenty two.

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Speaker 1: I wonder if Swift Taylor Swift, and it's all numerology.

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Speaker 1: It's not just Color Theories, it's also a numerology. What

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Speaker 1: if we found out that there's been Easter eggs for years, decades, Yeah,

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Speaker 1: that Julio has been doing Easter eggs.

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Speaker 2: Well, I want to talk to him about numbers because

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Speaker 2: I feel like he's done a lot of great material

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Speaker 2: about letters, and now about colors. I don't shape really shapes,

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Speaker 2: of course, I wonder if numbers are his next foray? Well, foura,

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Speaker 2: he's right there, he's right, let's ask well, let's ask him. Okay,

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Speaker 2: this is color theory. September third through September twenty second,

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Speaker 2: get your tickets, color dash theory. Those of the days.

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Speaker 3: I was like looking for cue cards, you know those.

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Speaker 1: Oh, we don't need the cue cards.

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Speaker 2: Oh no, who do you think we are? Seth Myers.

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Speaker 2: We don't need a produce, a segment producer running. You

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Speaker 2: don't have an earpiece or anything. You just like, look

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Speaker 2: checks have you looked in our ear holes today? Wow?

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Speaker 2: And you just need the date. I don't know the dates. Well,

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Speaker 2: September third through September twenty second, twenty two performances and

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Speaker 2: only a performance space NYC.

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Speaker 1: I'm going on September tenth, which I heard is like

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Speaker 1: one of the big nights.

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Speaker 2: That's the big nine to ten.

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Speaker 1: Yeah, well, why don't you go on nine ten with me?

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Speaker 2: I'm going opening night. I want to I want to

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Speaker 2: wear I want to I want the opening night playbill.

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Speaker 2: Oh for your collection my collections? Well, everyone, do love

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Speaker 2: framing your playbill? I don't. Actually, that would be fun.

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Speaker 2: Disparaging comment loves to disparage me, making fun of the

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Speaker 2: fact that I was an erstwhile pitizen. Now, everyone welcome

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Speaker 2: to yours. He's our great friend. He's a fresh off

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Speaker 2: a Peabody win for Rasmus problem Sta.

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Speaker 1: I actually presented our guest with his Gotham Award for

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Speaker 1: Best I Love Lead Performance in a Comedy Series with

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Speaker 1: our friend alongside his partner.

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Speaker 2: He's partnered Jimmy Scully. Now everyone welcome. For the fifth time,

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Speaker 2: perhaps on last culch our friend, our family Taurus.

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Speaker 3: Wow, Hello, Hello, Hello.

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Speaker 1: Do you think I'll enjoy the show despite being color impaired.

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Speaker 1: I enjoy you so.

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Speaker 3: Much, I do, I think so, yeah, Yeah, yeah, I can.

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Speaker 3: I can go through the You know what I'm gonna do.

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Speaker 3: I Am going to go through my outline and highlight

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Speaker 3: the parts that I think you will enjoy and give

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Speaker 3: you a percentage of how much of the show I

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Speaker 3: think you'll enjoy it less.

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Speaker 1: I think that will be helpful.

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Speaker 2: And then you have to grade each each beat, each

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Speaker 2: moment of the show on a scale of zero to

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Speaker 2: one hundred, and.

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Speaker 3: Then like the the moments that I don't think we'll

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Speaker 3: resonate with you are just an a.

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Speaker 1: And will you allow me at that point to just

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Speaker 1: sort of get up and walk around the space?

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Speaker 3: Yeah, so at that point of the show, you can

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Speaker 3: you can like schedule a meeting whatever you need.

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Speaker 1: Out of my earphones.

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Speaker 2: Hey, yes, no, yes, of course it's a good time.

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Speaker 1: Of course.

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Speaker 3: No, I'm just missing this part that he doesn't think.

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Speaker 1: No, no, he told me. He told me, he told me,

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Speaker 1: they go, I go. No, he told me.

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Speaker 3: Yeah, this part's an A. It's probably fifteen or an a. Yeah,

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Speaker 3: fifteen percent.

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Speaker 2: Wait, how many how many sections in the island are there?

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Speaker 1: Let's get into it. Let's get into that.

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Speaker 3: I want to know, I love I love. Yeah, that's

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Speaker 3: a really great way of promoting work. How many sections?

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Speaker 2: How many many sections can we expect?

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Speaker 3: We expect? I think there's broadly, there's broadly. I'm gonna

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Speaker 3: say six chunks, six chunks, six chunks.

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Speaker 1: Yes, chunk number two, So I like doing check and

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Speaker 1: be like, can we go back to chunk number three?

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Speaker 1: I want to go to the like just at the

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Speaker 1: top of chunk three, there was a moment in the

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Speaker 1: chunk that I wanted to work.

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Speaker 2: Were you ever properly theater boys, I wouldn't say.

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Speaker 3: In college, I mean like Matt did shows, I did not.

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Speaker 1: I did so I was always a writing student, but

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Speaker 1: they allowed me to do shows. There was one like

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Speaker 1: Cool Theater and Cool wanted m y U called Experimental

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Speaker 1: Theater Wing where they like didn't give a middle fingers.

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Speaker 1: It's very like, bro, you know what I mean? It

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Speaker 1: was like we were. They wouldn't take anyone that was

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Speaker 1: talented to come do shows. Otherwise you couldn't.

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Speaker 3: Okay, because I am learning a lot of like theater

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Speaker 3: lingo rules, like.

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Speaker 2: God, Mike, God Mike. I knew God Mike. You're seeing

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Speaker 2: m Yeah, they have flash cards for me. What do

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Speaker 2: you mean? Oh that's so cute? Like no, I like

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Speaker 2: things like like opening Night is not the first because

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Speaker 2: I was like, there's a mistake in the calendar, because

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Speaker 2: why is Opening night after after? And what is what?

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Speaker 2: Were we viewing this too? Right?

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Speaker 3: That is something that we preview as a trailer because

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Speaker 3: I come from film.

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Speaker 2: And you have to learn a lot.

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Speaker 3: I have to I have to unlearn. Yeah, I have

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Speaker 3: to unlearn a lot or like the concept of this

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Speaker 3: being an off Broadway show. How does that make you feel?

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Speaker 3: Like like I don't understand why bring like mentioning a

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Speaker 3: street that has nothing to do with the show, Like,

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Speaker 3: it's also not on Canal Streets, off Canal Street, it's.

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Speaker 2: Also like off Yeah, can you say on First Avenue?

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Speaker 3: Yeah, it's not an off Broadway show, it's an on First.

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Speaker 2: That's really good.

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Speaker 1: Did they ever tell you what distinguishes an on Broadway

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Speaker 1: and off Broadway show? The reasonable shock.

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Speaker 2: Is like the number of seats.

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Speaker 1: Is the most? Is the max number of seats you

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Speaker 1: can have an off product?

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Speaker 3: Okay, so question, Yeah, a wedding can be off Broadway

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Speaker 3: or it gets crazy.

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Speaker 1: Seats, it's a Broadway wedding. Depends how many friends you have.

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Speaker 1: If you're a If you have a lot of friends,

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Speaker 1: you're a big Broadway star.

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Speaker 2: Now why are you thinking in terms of weddings?

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Speaker 1: What do you pop the question?

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Speaker 2: Well, this would be a great place to into wedding plays.

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Speaker 2: You would be amazing at it.

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Speaker 3: Actually, nothing would arrive on time. Imagine if I like

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Speaker 3: actually was responsible for like the culture has to get

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Speaker 3: here at this time so that we can put it

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Speaker 3: in the free starve.

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Speaker 2: Right, It's everything that you love, but nothing about the

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Speaker 2: logistical execution stuff is ever going to be okay with you.

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Speaker 2: You're never gonna wear a hat set and tell people, Okay,

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Speaker 2: release the doves. You're never gonna do that. Release what

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Speaker 2: you just said, though, I think he would love like

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Speaker 2: I think you will always release the always released the

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Speaker 2: release the doves as soon as you know they're captured.

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Speaker 1: Did you ask some hoow they feel well?

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Speaker 2: Because if they want to be released and released them

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Speaker 2: at once, release the as soon as you find out

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Speaker 2: they're in a case. Yeah, I'm just bringing that up

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Speaker 2: as an example of there are there there's things operationally

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Speaker 2: or whatever that you have to like hit as a

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Speaker 2: wedding planner.

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Speaker 3: But releasing the doves, I'm just saying, like kicking out

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Speaker 3: the intruder.

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Speaker 2: Yeah, there's always one. They saw the movie Wedding Crashers,

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Speaker 2: very scary, very scary.

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Speaker 1: What straight men can do.

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Speaker 3: I do think that they're capable. It is surprising to me.

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Speaker 3: And wait, okay, I P I P for the two

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Speaker 3: of you.

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Speaker 2: Gay wedding planner, gay wedding crasher, a.

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Speaker 3: Wedding gaze because it is a type of gay man

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Speaker 3: who is always at a wedding.

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Speaker 2: Yeah, and I couldn't be me. I'm not really, but.

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Speaker 3: You know what I mean. Where like you look at

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Speaker 3: the pictures and it's like, how many like girls from college?

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Speaker 2: You know?

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Speaker 4: Oh for sure they're like constantly at a wedding, Yes,

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Speaker 4: and the capture is always like about last night. Yeah,

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Speaker 4: I'm taking umbrage with gay guys who are constantly at

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Speaker 4: their mother's seaside house in Hyennas where there's a kind

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Speaker 4: of gay guy like just like, Okay, I'm just saying,

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Speaker 4: like a seaside town, seaside must must be nice seaside gays.

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Speaker 2: Seaside gaze and I go, by the way, does go

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Speaker 2: back to six chunks? Because I think there's no less

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Speaker 2: compatible word for Julio Torras in the language than chunks

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Speaker 2: than chunks. Yeah, how does chunks make you feel?

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Speaker 3: It made me feel like maybe I have to have

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Speaker 3: more appreciation for what I do.

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Speaker 2: Yeah, well, I refer to it as chunk.

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Speaker 1: So you're looking at this in a positive way, And

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Speaker 1: it's good because it is the title of app so

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Speaker 1: far that in case you can, in case you can

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Speaker 1: sort of you can conjure up something better right now, it's.

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Speaker 2: That is unfortunately a really good title, but maybe you're

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Speaker 2: coming around on the words.

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Speaker 1: The picture of the three of us, like inevitably that

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Speaker 1: we take at the end of the episode, smiling and

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Speaker 1: it says.

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Speaker 2: Chunk chunks, kind of love, kind of cool, kind of cool. Wait,

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Speaker 2: what was I gonna say about a weddings seaside gays?

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Speaker 2: I'm just bringing this up as as I know what's

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Speaker 2: a problem. There's no problem, just like there's you took umbrage.

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Speaker 2: I take umbrage with gay guys. Were just like a

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Speaker 2: different place every single every single day. You did. You

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Speaker 2: just did a lot of you just had a busy itinerary.

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Speaker 2: I'm not I'm not calling you out.

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Speaker 3: I'm just speaking of gays. I take hombridge with.

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Speaker 2: Smaking. I don't like you.

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Speaker 1: You know what?

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Speaker 3: You know what. I was just in Fire Island for

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Speaker 3: doll Invasion. Yes, that was really fun.

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Speaker 2: I did not get to meet Lost's Massacre. Yeah, she

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Speaker 2: was there. That was obsessed with.

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Speaker 3: I think Lostious Massacre, if they are lucky, should be

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Speaker 3: like a like a Daily Show correspondent or or or

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Speaker 3: like uh a how to with John Wilson.

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Speaker 2: But it's like Luscious Massacre really good. It's like.

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Speaker 1: Kung Gun Earth, but luscious Masters.

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Speaker 2: On Earth, the lustrous massacre about different stores. They're drug

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Speaker 2: investigating different stores.

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Speaker 3: Yeah, that would be amazing.

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Speaker 1: Drag investigating.

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Speaker 2: I like, yeah, investigating, drug investigation. Isn't that what she

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Speaker 2: calls it? I think so, yeah, she us she drug investigates.

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Speaker 2: I think if look, you're a big mover and shaker

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Speaker 2: and the biz in the Hollywood, in Hollywood not a no,

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Speaker 2: I would say, I am soundly off Hollywood. You are

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Speaker 2: off Hollywood A twenty four off Yeah, yeah, off the

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Speaker 2: beaten path, Off the beaten path. They made that movie

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Speaker 2: civil War, they made for Civil War.

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Speaker 3: Yes, they made that movie Civil War.

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Speaker 2: Hereditary? Oh did they do hereditary?

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Speaker 3: I think they did hereditary?

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Speaker 1: Of course they did so creative.

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Speaker 2: Shout out to the the hand that fed that, the

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Speaker 2: hand we love that and we never buy. Have you

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Speaker 2: known about a little bit of not?

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Speaker 1: It's it was brilliant minds that made the film that

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Speaker 1: made a little diva ahead, come off.

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Speaker 3: Rewind.

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Speaker 2: So you mayall from the Culture Awards, which you've attended

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Speaker 2: many years, many times. You've been at most of them.

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Speaker 2: I've been at all. Three has been three, right, there's

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Speaker 2: been four even three of them? For I've been at

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Speaker 2: least three.

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Speaker 1: Yeah.

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Speaker 2: You first year you helped us introduce the macarena. Yeah, yes, yes,

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Speaker 2: was that the first year. It was the first year

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Speaker 2: it was outside in h that was really good. And

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Speaker 2: then I think you came back for Kings Theater. Yes,

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Speaker 2: you came back at theater and that was when you

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Speaker 2: you presented an award.

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Speaker 3: I know, I know that's the I know that's the

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Speaker 3: year till the one.

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Speaker 2: Yeah, maybe artist the Millennia to kill Swinton and I

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Speaker 2: don't know if that was my category, but that is

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Speaker 2: why I think we played it that We were like, okay,

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Speaker 2: till that's gonna win on some money and so cool,

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Speaker 2: we should present That's how he sold you know, ahead

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Speaker 2: of time. Yeah, well, peeling back the curtain.

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Speaker 1: There's no there's everyone is aware of the fact that

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Speaker 1: we know the winners kind of way before and we.

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Speaker 2: Don't don't be on this, be true to this, okay.

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Speaker 2: And then this year you I think in a highlight

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Speaker 2: of the show, you and Kate really tore it up

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Speaker 2: with most thrilling threat. Kate was so delicious. Well, I

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Speaker 2: think my favorite part of the show, it's it changes

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Speaker 2: every day, but my current favorite part of the show

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Speaker 2: is Kate Kate accepting the award on Yeah. Yeah, no,

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Speaker 2: one fell out and I fell out. She goes. I

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Speaker 2: just want to say, seriously, guys, thank you so much

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Speaker 2: for giving me the opportunity.

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Speaker 1: Seriously, the opportunity to perform, to perform, Matt, Matt, Matt

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Speaker 1: does it?

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Speaker 2: I think even better than Kate.

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Speaker 1: Oh no, you know what did you think? I actually

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Speaker 1: do want to know? What did you think of the movie?

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Speaker 1: Magic in that part? Yes, because there was thunderclaps, there

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Speaker 1: was did you see when you.

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Speaker 2: Smelled the rose? Yeah?

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Speaker 1: Yeah, yeah, and there was sort of a minor chord.

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Speaker 3: Yeah, it's it was How long did the edit take?

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Speaker 1: Uh? I guess, like all told, it was like a

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Speaker 1: really tight so it was like a week. Yeah yeah.

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Speaker 2: How does that make you feel? As a post production king,

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Speaker 2: a post production supervisor?

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Speaker 1: Did you like to be in the edit bay? No?

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Speaker 2: No, no, I'm not. I'm I from home. Yeah. Is

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Speaker 2: it about watching yourself or it's just about the process

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Speaker 2: of like, okay, like I know what happened, I already

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Speaker 2: know what happened. Oh, it's the novelty.

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Speaker 3: It's the novelty has worn off.

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Speaker 1: Yow. You know in theater, you won't have that you

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Speaker 1: won't have to think about that. No post production in

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Speaker 1: the number sixteen. There's no post production in theater.

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Speaker 2: You're gonna love it. But what about what about the

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Speaker 2: thought of doing it every night? What what about the

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Speaker 2: thought of doing it every night? This is why there's

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Speaker 2: only I perform? Really is that?

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Speaker 1: Because all you can is all you can handle? And

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Speaker 1: it's not numerology, right, there's no secret to the number

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Speaker 1: twenty two.

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Speaker 2: Easter is really fun. I can do, I can Yeah. Yeah,

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Speaker 2: Miss Swift and I we we have the life of

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Speaker 2: a show girl.

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Speaker 3: Life of a show girl.

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Speaker 2: Sweater in my car. I think I left the sweater

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Speaker 2: in his car.

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Speaker 1: This is good.

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Speaker 2: Yeah you like that. Yeah, you're powerful.

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Speaker 1: When Taylor she hasn't done blue sweater.

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Speaker 3: In his car, I mean he wronged me.

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Speaker 2: You you are onto something with cars? She did. The

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Speaker 2: car is a common word. Girls loves a car. Scarves, scarves,

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Speaker 2: sweater car she has, she says about sweaters. Okay, she's

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Speaker 2: she's a song called cardigan.

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Speaker 3: There you go.

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Speaker 1: What do you think of her color right now?

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Speaker 3: Being orange?

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Speaker 1: How do you relate to orange? Being the color theorist

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Speaker 1: that you are.

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Speaker 3: I think I wouldn't have linked her to orange because I.

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Speaker 2: Don't think many people would have and I think that's

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Speaker 2: almost why I.

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Speaker 3: Think I think that's why she's she. I would assume

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Speaker 3: that because orange is a very.

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Speaker 2: Intrepid, warm, uh like like nineties kind of.

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Speaker 1: You probably do orange very well color.

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Speaker 3: I don't think so. I think I'm attracted to orange,

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Speaker 3: but I don't think. I don't think I do orange.

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Speaker 1: He is attracted to orange. I think I.

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Speaker 3: Would call your hair and and you think, literally, you

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Speaker 3: need to come to the show and learn. God, this

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Speaker 3: is color theory.

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Speaker 2: This is literally okay before we get into the color theories,

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Speaker 2: and then we won't spoil the show obviously, right, I want.

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Speaker 1: I will pink wins, Oh, pink wins and yellow dyes.

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Speaker 3: Wait, sorry that before I forget, Before I forget, Okay.

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Speaker 3: I have been trying to get people to do this

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Speaker 3: with me, and I think that you you might be

364
00:18:21,960 --> 00:18:25,239
Speaker 3: the perfect people. Is just go find a straight up

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Speaker 3: beauty pageant.

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Speaker 2: And just sit through it.

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Speaker 1: Oh, I would love that, like a.

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Speaker 2: Regional beauty pageant. M hm. One year we we got

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Speaker 2: a house in the Hampton's Sorry, but this was right

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Speaker 2: after an sl and like Me's the last and eighty

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Speaker 2: and friend when we like we just kept and hiding

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Speaker 2: and we all watched Miss America from the eighties and

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Speaker 2: it was so fun. It was actually really fun to

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Speaker 2: watch a vintage beauty pageant televised beauty. Okay.

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Speaker 3: You know what I'm also obsessed with is male beauty pageants.

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Speaker 3: I'm talking about like not like not like Arnold, like

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Speaker 3: like talking like like the most gorgeous men from every

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00:19:06,800 --> 00:19:10,520
Speaker 3: nation in tuxedos.

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Speaker 1: Oh, that's probably, And was it very like?

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Speaker 3: I wonder you should host one.

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Speaker 2: I would love that beauty.

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00:19:19,040 --> 00:19:20,280
Speaker 1: You should host one.

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00:19:21,040 --> 00:19:22,040
Speaker 2: You should.

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Speaker 5: One.

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Speaker 3: It would be an amazing.

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Speaker 2: Yeah. I think that would represent America very well. Give me,

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00:19:32,240 --> 00:19:34,320
Speaker 2: give me some time in the gym. So there is

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Speaker 2: this really really cringey video of like okay, so my

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Speaker 2: favorite part of a beauty pageant is their like national outfits. Yeah,

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00:19:43,040 --> 00:19:45,320
Speaker 2: you know, I'm talking about that represent their culture, represent

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Speaker 2: the culture. And there's this really represent the culture of course.

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Speaker 3: And there's this really cringey video of like the male

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Speaker 3: beauty pageant and it's like they go one by one

394
00:19:54,200 --> 00:19:57,280
Speaker 3: and it's like Vietnam and it's like US and and

395
00:19:57,560 --> 00:19:59,240
Speaker 3: it's like, you know, the countries that are going to

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Speaker 3: flop so hard. It's like you know that like Japan

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00:20:02,560 --> 00:20:04,919
Speaker 3: is going to be gorgeous that like right, But then

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00:20:04,960 --> 00:20:07,560
Speaker 3: it's like, you know, it's like Australia. It's like, okay,

399
00:20:07,600 --> 00:20:10,280
Speaker 3: we have the khaki shorts, right, Yeah, and then they

400
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Speaker 3: get to the US.

401
00:20:12,640 --> 00:20:14,560
Speaker 1: How gun was it?

402
00:20:14,640 --> 00:20:15,000
Speaker 2: Well?

403
00:20:15,520 --> 00:20:20,479
Speaker 3: Jeans, Well, if only they had gone cowboy, right, I

404
00:20:20,560 --> 00:20:24,119
Speaker 3: loved only they had gone with Cowboy. No, it was

405
00:20:24,920 --> 00:20:27,240
Speaker 3: truly a party city Captain America.

406
00:20:27,680 --> 00:20:32,080
Speaker 2: Yeah, costume, that's really like plastic shield.

407
00:20:32,160 --> 00:20:33,080
Speaker 3: I'm speechless.

408
00:20:33,119 --> 00:20:37,080
Speaker 1: It's like saying what our culture is like superhero like

409
00:20:37,400 --> 00:20:39,160
Speaker 1: superhero fake nationalism.

410
00:20:39,400 --> 00:20:43,560
Speaker 2: Great, Yeah, that's really and this is recent I think,

411
00:20:43,600 --> 00:20:48,720
Speaker 2: so this is why they got something right back in

412
00:20:48,760 --> 00:20:50,960
Speaker 2: the day. I'm not saying like the eighties were a

413
00:20:51,000 --> 00:20:53,360
Speaker 2: better time. I'm just saying, did you say that all

414
00:20:53,359 --> 00:20:54,600
Speaker 2: the time? I do say that all the time, but

415
00:20:54,640 --> 00:20:55,560
Speaker 2: not on the records.

416
00:20:56,520 --> 00:20:59,399
Speaker 1: Off the record? Is the first on the record that

417
00:20:59,440 --> 00:21:00,240
Speaker 1: you've really.

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00:21:01,960 --> 00:21:06,200
Speaker 2: My Reagan rants are Reagan Raves. Yeah, I love Reagan Raves.

419
00:21:07,680 --> 00:21:10,720
Speaker 2: I think that it's just fun. It's just it's more

420
00:21:10,800 --> 00:21:15,080
Speaker 2: it's that's a good title. Reagan tres. I think there's

421
00:21:15,119 --> 00:21:17,840
Speaker 2: something fun and time capsule about like watching an old

422
00:21:17,880 --> 00:21:19,880
Speaker 2: beauty Patrick, I think a current one makes me think

423
00:21:19,880 --> 00:21:21,480
Speaker 2: too much about the current state of things.

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Speaker 1: Like Williams Codd. Yeah, she had to win in like

425
00:21:26,680 --> 00:21:30,560
Speaker 1: eighty five eighty six because she famously was They had

426
00:21:30,560 --> 00:21:33,000
Speaker 1: to take her title away because she had post topless

427
00:21:33,240 --> 00:21:33,840
Speaker 1: and they gave it.

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00:21:33,960 --> 00:21:37,920
Speaker 3: It's very puritanical, extremely yeah, they never would have done.

429
00:21:38,040 --> 00:21:38,240
Speaker 2: Yeah.

430
00:21:38,280 --> 00:21:41,080
Speaker 1: So, in fact, I can't really think of many people

431
00:21:41,160 --> 00:21:45,480
Speaker 1: that have won Miss America except the two black women.

432
00:21:45,200 --> 00:21:47,200
Speaker 2: Who won it early early, early on.

433
00:21:47,200 --> 00:21:49,600
Speaker 1: One was Vanessa Williams and the other was Kenya Moore

434
00:21:49,920 --> 00:21:52,880
Speaker 1: who then became like one of the most famous real

435
00:21:52,920 --> 00:21:55,680
Speaker 1: housewives of Atlanta. So she was like a real mover

436
00:21:55,800 --> 00:21:57,400
Speaker 1: in Shako and Moveo and.

437
00:21:57,359 --> 00:22:05,440
Speaker 2: Shako Ando that long island. I didn't even that. Actually,

438
00:22:08,840 --> 00:22:14,640
Speaker 2: I actually can't want that from the island. That's just impediment, okay, which.

439
00:22:14,400 --> 00:22:17,120
Speaker 1: I've never had until this moment. She was a real

440
00:22:17,160 --> 00:22:22,919
Speaker 1: move in Koe. But no, I feel that they are

441
00:22:23,000 --> 00:22:25,000
Speaker 1: the most famous Miss America's right.

442
00:22:25,440 --> 00:22:30,800
Speaker 2: Uh oh Olivia coolpo oh, Yes, I know. She She

443
00:22:31,000 --> 00:22:34,720
Speaker 2: was married to Nick Jonas. She dated Nick Jonas. She's

444
00:22:34,760 --> 00:22:37,280
Speaker 2: actually friends with Dave Mazzoni from high schools because of

445
00:22:37,320 --> 00:22:37,800
Speaker 2: Rhode Island.

446
00:22:38,000 --> 00:22:40,439
Speaker 1: She was Miss Rhode Island and then she went on

447
00:22:40,480 --> 00:22:42,560
Speaker 1: to not only become Miss America, but she also won

448
00:22:42,640 --> 00:22:46,040
Speaker 1: Miss Universe. Beautiful girl. You be shocked the universe.

449
00:22:46,200 --> 00:22:50,680
Speaker 2: Yeah, she want all the love. Miss Universe.

450
00:22:51,920 --> 00:22:55,800
Speaker 3: Is like, I'm sorry, until we discover intelligent life elsewhere

451
00:22:55,800 --> 00:22:58,719
Speaker 3: and they get to compete, you can't call it Miss Universe.

452
00:22:58,920 --> 00:22:59,919
Speaker 2: Yeah, when will that?

453
00:23:00,200 --> 00:23:00,679
Speaker 3: You can't.

454
00:23:00,720 --> 00:23:01,080
Speaker 2: You can't.

455
00:23:03,400 --> 00:23:06,159
Speaker 1: Did you see there was a breaking news report that

456
00:23:06,320 --> 00:23:17,160
Speaker 1: someone found planet. She she just missed the doll invasion

457
00:23:18,640 --> 00:23:24,400
Speaker 1: was coming for it was late, but no, they they said,

458
00:23:24,400 --> 00:23:27,399
Speaker 1: breaking news. There was a.

459
00:23:30,160 --> 00:23:32,320
Speaker 2: Breaking breaking news.

460
00:23:34,160 --> 00:23:35,960
Speaker 1: I wish I had had pulled it up, but I

461
00:23:35,960 --> 00:23:37,680
Speaker 1: didn't know we were get here. In the conversation I

462
00:23:37,680 --> 00:23:40,080
Speaker 1: should have known, though, they were just like, it's like

463
00:23:40,119 --> 00:23:42,320
Speaker 1: a clip that they keep showing of like what is

464
00:23:42,480 --> 00:23:45,840
Speaker 1: clearly like a small bird running past like a security

465
00:23:46,080 --> 00:23:48,040
Speaker 1: like and it was just this woman being like, I

466
00:23:48,080 --> 00:23:49,919
Speaker 1: don't know what it is. I don't know what it

467
00:23:49,960 --> 00:23:52,120
Speaker 1: could be. I just know that I can't stop thinking

468
00:23:52,160 --> 00:23:54,640
Speaker 1: about it. It's like it's a bird. They're like alien

469
00:23:54,720 --> 00:23:57,600
Speaker 1: life spotted. I'm like, it's a bird that it's you know,

470
00:23:57,640 --> 00:24:00,000
Speaker 1: it has that plumage in the back when they get

471
00:24:00,080 --> 00:24:02,879
Speaker 1: excited or road run around sort of like that. I

472
00:24:02,960 --> 00:24:06,240
Speaker 1: felt that so cute. So somebody to say, unless you

473
00:24:06,240 --> 00:24:08,560
Speaker 1: have any knowledge that you know, we don't know that

474
00:24:08,600 --> 00:24:11,280
Speaker 1: there's intelligent life, and I lie, Miss Saturday isn't on

475
00:24:11,280 --> 00:24:12,080
Speaker 1: her way. We don't know that.

476
00:24:12,280 --> 00:24:12,760
Speaker 3: We don't know that.

477
00:24:12,840 --> 00:24:15,320
Speaker 2: Jesus, you know what I think we should do. I

478
00:24:15,359 --> 00:24:19,879
Speaker 2: think other cities in the West do this thing. Certainly

479
00:24:19,960 --> 00:24:23,760
Speaker 2: Vancouver does it. Because I did this. I attended a

480
00:24:23,880 --> 00:24:27,240
Speaker 2: like a kind of a competitive sort of like drag

481
00:24:27,320 --> 00:24:33,359
Speaker 2: competition where different establishments and businesses along the Gay Street

482
00:24:33,400 --> 00:24:36,359
Speaker 2: in Vancouver submit a person to do like a dragon number.

483
00:24:36,359 --> 00:24:37,840
Speaker 2: I think it should be a beauty pageant of like

484
00:24:38,040 --> 00:24:41,880
Speaker 2: New York bars, a queer New York bar, like animals.

485
00:24:41,480 --> 00:24:44,280
Speaker 3: Where like like they're representing the different years.

486
00:24:44,359 --> 00:24:46,479
Speaker 2: Yes, and there should be like a beauty pageant in

487
00:24:46,520 --> 00:24:50,200
Speaker 2: that regard. Eagle, Yes, yes, don't you think that could.

488
00:24:50,000 --> 00:24:50,840
Speaker 3: Be really fun?

489
00:24:51,320 --> 00:24:55,040
Speaker 2: The eagle, animal, exulely whatever, Phoenix like they all they

490
00:24:55,119 --> 00:25:03,920
Speaker 2: all Phoenix, Miss Xley Phoeni there's there all a seventeen

491
00:25:03,960 --> 00:25:07,000
Speaker 2: year old they all qualify. Yes, it doesn't matter. We

492
00:25:07,119 --> 00:25:09,680
Speaker 2: need to see all of them. They all must compete.

493
00:25:10,280 --> 00:25:20,879
Speaker 2: I love that must it's you don't lure, that's aron event.

494
00:25:21,119 --> 00:25:25,320
Speaker 2: Oh my god, that does an event for Wait, we

495
00:25:25,440 --> 00:25:27,879
Speaker 2: have to do this, we have to I'm telling you.

496
00:25:27,960 --> 00:25:30,920
Speaker 3: The way he would smiles so politely at that idea.

497
00:25:31,440 --> 00:25:33,439
Speaker 1: I think he'd be into it, because, you know, someone

498
00:25:33,480 --> 00:25:36,359
Speaker 1: tagged me in a photo of Zorn with his arm

499
00:25:36,359 --> 00:25:39,600
Speaker 1: around someone in a little bro jersey my merch like,

500
00:25:39,800 --> 00:25:42,399
Speaker 1: and I was like, you know, and little bros get it,

501
00:25:42,520 --> 00:25:46,240
Speaker 1: the little bros get it. Get it to Anyone with

502
00:25:46,280 --> 00:25:48,840
Speaker 1: a little bro or big bro jersey, that's a voter.

503
00:25:48,920 --> 00:25:50,639
Speaker 1: And that's actually a culture number twenty.

504
00:25:50,800 --> 00:25:53,360
Speaker 2: Anyone with a little bro or big brow jersey, that's

505
00:25:53,400 --> 00:25:54,280
Speaker 2: a Zorn voter.

506
00:25:55,200 --> 00:25:58,520
Speaker 3: The little bro that's your that's your base, that's your your.

507
00:25:58,600 --> 00:26:01,159
Speaker 1: Little I speak to little bros and big bros equally.

508
00:26:01,200 --> 00:26:03,320
Speaker 1: I would say, I think that anyone can sort of

509
00:26:03,359 --> 00:26:06,600
Speaker 1: choose what their vibe is. But little bro is sort

510
00:26:06,640 --> 00:26:08,439
Speaker 1: of something when you want to be treated in a

511
00:26:08,480 --> 00:26:10,840
Speaker 1: way that would suggest maybe you want a big bro.

512
00:26:11,000 --> 00:26:14,120
Speaker 2: You want to be diminutive in the face of big bro.

513
00:26:14,359 --> 00:26:16,760
Speaker 2: Oh you're kind of big bro. You're big bro who

514
00:26:16,800 --> 00:26:22,480
Speaker 2: is very big broncho. Yes, arn shoe.

515
00:26:23,760 --> 00:26:26,919
Speaker 1: He gets up and leaves. I always hated doing this.

516
00:26:27,160 --> 00:26:35,200
Speaker 5: Ye, you keep fucking begging, your fucking little show, and

517
00:26:35,320 --> 00:26:37,240
Speaker 5: it's like, and now they have this office.

518
00:26:37,920 --> 00:26:41,159
Speaker 2: Oh my god, they keep bagging and I do it

519
00:26:41,200 --> 00:26:43,720
Speaker 2: because I feel sorry. I missed the headphones.

520
00:26:43,960 --> 00:26:48,840
Speaker 3: I miss I do feel naked headphones. But really, what

521
00:26:48,840 --> 00:26:52,480
Speaker 3: I was gonna say, Beauty patant adjacent? Is I realizing

522
00:26:52,880 --> 00:26:55,920
Speaker 3: that I am sort of making this true because I

523
00:26:55,960 --> 00:26:57,320
Speaker 3: am doing the Halloween party again.

524
00:26:57,600 --> 00:26:57,840
Speaker 2: Oh?

525
00:26:57,920 --> 00:27:01,080
Speaker 3: Yes, fine, And I want you lean in to the

526
00:27:01,119 --> 00:27:12,359
Speaker 3: costume contest. Yes you should. Okay, you our new Heidi Clue. Yes, yes, Heil,

527
00:27:13,080 --> 00:27:15,760
Speaker 3: we have a new one. Now here's a name for

528
00:27:15,880 --> 00:27:18,200
Speaker 3: the party. Okay, okay, So last year it was the

529
00:27:18,280 --> 00:27:21,240
Speaker 3: Curse Stimulant. Yes, yes, of course everyone remembers. It was

530
00:27:21,280 --> 00:27:23,760
Speaker 3: the the that was in everyone's mouth, curse Au.

531
00:27:25,400 --> 00:27:28,760
Speaker 1: I met that you are you announcing? You were you brainstorming?

532
00:27:29,240 --> 00:27:31,160
Speaker 2: I'm I'm announcing slash Work Shopping.

533
00:27:31,200 --> 00:27:31,440
Speaker 1: Okay.

534
00:27:31,640 --> 00:27:35,760
Speaker 3: Firry Taylor Swift. Firry Taylor Swift. Yeah, yeah, I love

535
00:27:35,800 --> 00:27:40,000
Speaker 3: announcing the name. Mommy's moods.

536
00:27:40,640 --> 00:27:42,240
Speaker 2: Mommy's moods.

537
00:27:43,359 --> 00:27:43,960
Speaker 3: Really good.

538
00:27:44,240 --> 00:27:46,480
Speaker 1: I love that you can get so many.

539
00:27:46,920 --> 00:27:51,240
Speaker 3: I think we're gonna have swings, swings, swings.

540
00:27:51,320 --> 00:27:54,120
Speaker 2: I love that you understand Mommy's moods.

541
00:27:54,440 --> 00:27:58,720
Speaker 3: But okay, so in and just like that font Mommy's

542
00:27:58,800 --> 00:28:01,879
Speaker 3: moods the next chapter in the Cursed Amulet story.

543
00:28:03,200 --> 00:28:05,359
Speaker 1: I really like that. There's so many ways to go.

544
00:28:05,920 --> 00:28:11,480
Speaker 2: How is the amulet connected to Mommy? Oh, I think

545
00:28:11,560 --> 00:28:16,400
Speaker 2: that the Amulet is responsible for Mommy's mood.

546
00:28:16,400 --> 00:28:18,360
Speaker 1: I was gonna say, Mommy wears the amulet and gets

547
00:28:18,359 --> 00:28:22,520
Speaker 1: in a mood. Mmm, it takes over or it's just

548
00:28:22,640 --> 00:28:23,600
Speaker 1: one person wearing.

549
00:28:23,400 --> 00:28:25,280
Speaker 2: The amulet and there was a real as a result

550
00:28:25,320 --> 00:28:27,560
Speaker 2: of being in the atmosphere of that person. Everyone gets

551
00:28:27,560 --> 00:28:28,280
Speaker 2: in a certain.

552
00:28:28,000 --> 00:28:29,320
Speaker 3: Everyone enters Mommy's mood.

553
00:28:29,480 --> 00:28:31,800
Speaker 2: Yeah, I think that's it. I think it's like Mommy's

554
00:28:31,880 --> 00:28:35,720
Speaker 2: moods is like a realm Yes, okay, I like any

555
00:28:35,840 --> 00:28:38,840
Speaker 2: time there's inside out for someone that has should be medicated.

556
00:28:39,280 --> 00:28:40,600
Speaker 1: Yeah, yep, yeah yeah.

557
00:28:40,880 --> 00:28:43,280
Speaker 2: They'll never explore that. I think that they will.

558
00:28:43,400 --> 00:28:45,520
Speaker 1: The coward, their coward.

559
00:28:45,600 --> 00:28:48,160
Speaker 3: They will never explore Mommy's moods.

560
00:28:50,280 --> 00:28:52,760
Speaker 2: Universe. They actually well, I actually think that.

561
00:28:52,920 --> 00:28:56,160
Speaker 3: Is a Disney Pixar that you would like Mommy's moods no,

562
00:28:56,360 --> 00:28:58,360
Speaker 3: inside out too, inside up too.

563
00:28:58,640 --> 00:29:00,000
Speaker 1: They went further than I thought they would.

564
00:29:00,040 --> 00:29:00,960
Speaker 3: They went, they went for it.

565
00:29:01,080 --> 00:29:03,240
Speaker 1: They really got into anxiety in a way where I

566
00:29:03,320 --> 00:29:05,480
Speaker 1: was like, huh and my therapist actually was like you

567
00:29:05,520 --> 00:29:07,200
Speaker 1: should see this, and I was like I already did,

568
00:29:07,520 --> 00:29:08,160
Speaker 1: and I loved it.

569
00:29:08,720 --> 00:29:09,920
Speaker 2: So inside out three.

570
00:29:10,600 --> 00:29:11,720
Speaker 3: Mommy mommy moods.

571
00:29:12,160 --> 00:29:15,840
Speaker 2: Okay, so there's there's this, this mood swings, there's there

572
00:29:15,880 --> 00:29:17,800
Speaker 2: should be like a I don't know what this says yet,

573
00:29:17,800 --> 00:29:19,920
Speaker 2: but like a not right now moment.

574
00:29:19,960 --> 00:29:20,440
Speaker 3: You know, it's like that.

575
00:29:20,600 --> 00:29:22,920
Speaker 2: That's like that the meme like not right now, Mommy's blank,

576
00:29:23,040 --> 00:29:25,280
Speaker 2: Mommy not right now? Yeah, yeah, you know what I mean.

577
00:29:25,480 --> 00:29:33,680
Speaker 1: Mommy's feeling mommy's feeling distant, mommy's feeling complacent, mommy's feeling insecure.

578
00:29:33,240 --> 00:29:35,680
Speaker 2: Today, or like you have to come do this right now.

579
00:29:35,960 --> 00:29:41,280
Speaker 1: Yes, mommy's feeling impatient, mommy's feeling overwhelmed.

580
00:29:41,360 --> 00:29:44,200
Speaker 3: Okay, here is the Okay, actually this this will be

581
00:29:44,320 --> 00:29:44,920
Speaker 3: very productive.

582
00:29:45,240 --> 00:29:46,360
Speaker 2: I have two options.

583
00:29:47,960 --> 00:29:52,400
Speaker 3: Wednesday the twenty ninth, Okay, Thursday the thirtieth.

584
00:29:52,760 --> 00:29:55,920
Speaker 2: Oh god, let's see, we might have to be out

585
00:29:55,960 --> 00:29:56,360
Speaker 2: of town.

586
00:29:56,560 --> 00:30:01,280
Speaker 3: Okay, wait, but you're just very sad, like what what

587
00:30:01,360 --> 00:30:04,080
Speaker 3: do you think about we're not we're in general, we're

588
00:30:04,080 --> 00:30:04,560
Speaker 3: out of town.

589
00:30:05,000 --> 00:30:08,479
Speaker 2: I like ad I like a Wednesday Halloween party has

590
00:30:08,520 --> 00:30:10,960
Speaker 2: a little bit Thursday has has a little.

591
00:30:10,720 --> 00:30:11,560
Speaker 3: Too much stakes on.

592
00:30:11,640 --> 00:30:15,080
Speaker 2: You're making faces. I feel like Thursday fine, fine, I

593
00:30:15,200 --> 00:30:20,600
Speaker 2: just I think if anyone can like really program something

594
00:30:20,640 --> 00:30:24,959
Speaker 2: on Halloween week and and it's interesting, like people need

595
00:30:25,000 --> 00:30:26,880
Speaker 2: the ten poles and you could be the Wednesday teenpole.

596
00:30:26,960 --> 00:30:30,560
Speaker 2: But also Thursday is a guaranteed success Thursday.

597
00:30:30,800 --> 00:30:32,280
Speaker 1: Here's what you get if you do it on Thursday

598
00:30:32,320 --> 00:30:36,640
Speaker 1: the thirtieth. When the clock strikes midnight, it's hollows.

599
00:30:37,360 --> 00:30:42,680
Speaker 3: And mommy's mood and mommy, you actually got midnight.

600
00:30:43,160 --> 00:30:45,080
Speaker 1: Mommy's mood turns at midnight and then like all of

601
00:30:45,120 --> 00:30:51,120
Speaker 1: a sudden, it gets like happy. All the lights. Yeah,

602
00:30:51,280 --> 00:30:52,280
Speaker 1: we start all sitting.

603
00:30:53,520 --> 00:30:59,720
Speaker 2: That's why. That's when the pizza comes. That's nice. Yeah,

604
00:31:00,040 --> 00:31:02,960
Speaker 2: at midnight, mommy's mood will turn, but you don't know

605
00:31:03,040 --> 00:31:06,400
Speaker 2: what it is and keeping and in five minutes mommy's

606
00:31:06,480 --> 00:31:10,240
Speaker 2: mood will turn. I love love, And then we announced

607
00:31:10,680 --> 00:31:13,080
Speaker 2: mommy is now happy.

608
00:31:15,280 --> 00:31:18,240
Speaker 1: No one will know Mommy just got angry, and you

609
00:31:18,360 --> 00:31:20,080
Speaker 1: get so I think what should happen is at eleven

610
00:31:20,160 --> 00:31:22,959
Speaker 1: fifty eight, you should take the stage and you've written

611
00:31:23,080 --> 00:31:25,760
Speaker 1: a two minute story and when it when the com

612
00:31:26,000 --> 00:31:30,760
Speaker 1: strikes midnight, that's when you reveal how mommy feels about

613
00:31:30,800 --> 00:31:34,480
Speaker 1: what happened, and the whole thing changes, and it's sort

614
00:31:34,480 --> 00:31:37,040
Speaker 1: of like, yeah, have to kind of like it doesn't

615
00:31:37,160 --> 00:31:39,880
Speaker 1: and everyone should have a reveal.

616
00:31:40,360 --> 00:31:44,600
Speaker 2: Yes, bring a reveal. I'm not saying bring a costume.

617
00:31:44,640 --> 00:31:46,920
Speaker 2: I'm saying, bring a costume under the other costumes.

618
00:31:48,520 --> 00:31:50,720
Speaker 1: List your head.

619
00:31:50,800 --> 00:31:52,400
Speaker 2: I want to explain this again. I don't want to

620
00:31:52,440 --> 00:31:54,440
Speaker 2: explain this again. And the reveal can't be that you're

621
00:31:54,480 --> 00:31:59,920
Speaker 2: wearing a cloak over the costume too, for sure. Yeah,

622
00:32:00,120 --> 00:32:04,600
Speaker 2: and there is a lipsyn at four am, well.

623
00:32:04,480 --> 00:32:07,280
Speaker 3: Asked the mandatory lips and at four in the morning

624
00:32:07,880 --> 00:32:13,320
Speaker 3: with the two and we're paying for everyone's uber back home. Okay, okay,

625
00:32:13,680 --> 00:32:15,920
Speaker 3: get over it. Seven hundred ubers back home.

626
00:32:18,400 --> 00:32:20,680
Speaker 2: I'm excited about that, all this. I'm very excited.

627
00:32:20,680 --> 00:32:23,320
Speaker 3: Okay, but okay, do it the thirtieth, and okay, do

628
00:32:23,440 --> 00:32:26,640
Speaker 3: the thirty okay, even though okay, we can bleep out

629
00:32:26,640 --> 00:32:31,120
Speaker 3: the venues, but the venue the twenty ninth is better

630
00:32:31,240 --> 00:32:34,320
Speaker 3: than the one, oh, okay, and can you get about venues?

631
00:32:34,320 --> 00:32:42,160
Speaker 3: What are the venues? Because you can move about with

632
00:32:42,360 --> 00:32:44,760
Speaker 3: more ease, and it's like and it's important to be

633
00:32:44,840 --> 00:32:45,440
Speaker 3: able to move.

634
00:32:45,360 --> 00:32:46,600
Speaker 2: And I'm on Halloween.

635
00:32:47,120 --> 00:32:51,200
Speaker 3: You're wearing big, big things, and the thought of like

636
00:32:51,360 --> 00:32:54,440
Speaker 3: going into like a danceloor and not being able to no,

637
00:32:54,600 --> 00:32:56,680
Speaker 3: of course escape it used bathroom.

638
00:32:56,800 --> 00:32:59,760
Speaker 2: There's the bathroom situation. It's pretty bad, I don't think

639
00:33:00,120 --> 00:33:05,080
Speaker 2: in but it's really that her thing. But everyone was

640
00:33:05,160 --> 00:33:05,920
Speaker 2: in what tank.

641
00:33:06,560 --> 00:33:07,080
Speaker 1: Right, of course.

642
00:33:07,120 --> 00:33:08,600
Speaker 3: And it was not Halloween.

643
00:33:08,920 --> 00:33:11,760
Speaker 2: Yeah, I mean last year who won the costume contest

644
00:33:11,800 --> 00:33:15,720
Speaker 2: the co roach that was honorable mention to counting Usato.

645
00:33:16,240 --> 00:33:19,000
Speaker 2: Well yeah, I mean who was the roach? We don't know.

646
00:33:19,280 --> 00:33:21,240
Speaker 2: Oh yeah, it was kind of chic, how like no

647
00:33:21,320 --> 00:33:26,720
Speaker 2: one these there are figures who just disappear, like Demon Twink,

648
00:33:26,880 --> 00:33:29,360
Speaker 2: I mean kind of maybe just got like cyberbullied off

649
00:33:29,680 --> 00:33:31,440
Speaker 2: the face of the art. It was Demon Twink, an

650
00:33:31,440 --> 00:33:34,120
Speaker 2: actual person. Yes, yeah, we were there on the boat

651
00:33:34,160 --> 00:33:34,800
Speaker 2: when that happened.

652
00:33:34,840 --> 00:33:36,840
Speaker 1: Demon Twink was going off on a boat. Can you

653
00:33:36,880 --> 00:33:39,080
Speaker 1: give the story because not everyone might know.

654
00:33:39,200 --> 00:33:43,240
Speaker 2: So Demon Twink. The words demon Twink came to be

655
00:33:44,120 --> 00:33:47,560
Speaker 2: has an origin on a Tys Thunderland boat, the Britney

656
00:33:47,600 --> 00:33:50,160
Speaker 2: boat where there was a twink at the very top

657
00:33:51,240 --> 00:33:53,120
Speaker 2: of the boat on the top rail.

658
00:33:53,200 --> 00:33:54,720
Speaker 3: What do you mean at the top of the boat.

659
00:33:54,880 --> 00:33:57,480
Speaker 2: There's different levels like on the flag not on the flag.

660
00:33:57,640 --> 00:33:57,680
Speaker 6: No.

661
00:33:57,800 --> 00:33:59,720
Speaker 2: No, he was not like mounting. He was not mounting that.

662
00:33:59,880 --> 00:34:02,920
Speaker 2: He was like he was very like Kate Winslet and Titanic,

663
00:34:03,040 --> 00:34:05,400
Speaker 2: just like on like kind of like just like perch

664
00:34:05,640 --> 00:34:09,319
Speaker 2: torched over like looking out at everybody and we could

665
00:34:09,400 --> 00:34:10,080
Speaker 2: all see.

666
00:34:09,960 --> 00:34:11,839
Speaker 3: Him, and he was it was his book.

667
00:34:11,880 --> 00:34:12,440
Speaker 1: He was going off.

668
00:34:12,480 --> 00:34:15,799
Speaker 2: He was going off basically he was a startup dancing days.

669
00:34:15,840 --> 00:34:19,480
Speaker 3: But what Mademonic, Well, he was acting Christian not Christian.

670
00:34:19,600 --> 00:34:22,759
Speaker 2: He was so fucked up that he at one point

671
00:34:22,880 --> 00:34:24,960
Speaker 2: made it to the DJ booth where ty was and

672
00:34:25,520 --> 00:34:29,360
Speaker 2: like threw his drink on the on the board, on

673
00:34:29,640 --> 00:34:32,080
Speaker 2: like the equipment and was just like acting out.

674
00:34:32,360 --> 00:34:34,680
Speaker 3: And then ty said, we don't know.

675
00:34:34,880 --> 00:34:35,560
Speaker 1: He was fucked up.

676
00:34:35,640 --> 00:34:38,279
Speaker 2: And then so then Tye tweets something along the lines

677
00:34:38,320 --> 00:34:40,960
Speaker 2: of like, oh my god, not this demon twing. So

678
00:34:41,080 --> 00:34:45,560
Speaker 2: he coined demon coined demon twing. Wow, so and that

679
00:34:45,680 --> 00:34:47,680
Speaker 2: and that is sort of like it's sort of entered

680
00:34:47,760 --> 00:34:50,480
Speaker 2: lexicon in a very seamless way. What was the outfit.

681
00:34:51,200 --> 00:34:53,240
Speaker 3: It's like a black, black tank.

682
00:34:54,080 --> 00:34:58,239
Speaker 1: And then I think some sort of suggestive bottom, which

683
00:34:58,280 --> 00:34:58,719
Speaker 1: he might have.

684
00:34:58,800 --> 00:35:01,560
Speaker 3: Been the suggestive bottom.

685
00:35:01,800 --> 00:35:04,960
Speaker 2: I think the suggestion was very clear, The diggestion was

686
00:35:05,360 --> 00:35:09,000
Speaker 2: very clear. Yeah, who wants to take this hole? Well

687
00:35:09,440 --> 00:35:11,719
Speaker 2: that person, there's there's others, say I was talking about

688
00:35:11,719 --> 00:35:15,680
Speaker 2: this with friends lately, like that person cockroach at cursed amulant.

689
00:35:15,800 --> 00:35:18,480
Speaker 2: M hmmm, Like there are people the person who was

690
00:35:18,520 --> 00:35:21,160
Speaker 2: in the mask during Wendy Williams is Halloween episode of

691
00:35:21,239 --> 00:35:25,480
Speaker 2: what was that? Yeah, Like, well you're thinking like anonymous

692
00:35:25,560 --> 00:35:29,359
Speaker 2: New York anonymous people who icons but they don't want

693
00:35:29,360 --> 00:35:30,759
Speaker 2: to make themselves known as those people.

694
00:35:30,800 --> 00:35:34,520
Speaker 3: These are these are they're right for? Like like Batman villains?

695
00:35:34,600 --> 00:35:35,839
Speaker 2: Yes, right, the fag who.

696
00:35:35,760 --> 00:35:36,960
Speaker 1: Cried shark the.

697
00:35:38,440 --> 00:35:40,680
Speaker 2: Truck mad made himself known. Fact, the fag who cried

698
00:35:40,719 --> 00:35:42,040
Speaker 2: shark didn't have to do that.

699
00:35:42,080 --> 00:35:42,239
Speaker 3: Though.

700
00:35:42,280 --> 00:35:43,840
Speaker 1: There was a fag who cried shark when we were

701
00:35:43,880 --> 00:35:46,520
Speaker 1: on Fire Island. It's a long he didn't love that

702
00:35:46,560 --> 00:35:47,040
Speaker 1: we talked.

703
00:35:46,840 --> 00:35:49,840
Speaker 2: About and you can go back to the episode the

704
00:35:49,880 --> 00:35:51,680
Speaker 2: fat who cried Shark and hear all about it. And

705
00:35:51,800 --> 00:35:55,160
Speaker 2: he's a wonderful, wonderful resident of the town, member of

706
00:35:55,200 --> 00:35:56,920
Speaker 2: the great member of the community, and we were we

707
00:35:57,239 --> 00:36:00,320
Speaker 2: did not we did not do right by him. No,

708
00:36:00,440 --> 00:36:01,960
Speaker 2: I don't. I don't think it was that big of

709
00:36:02,040 --> 00:36:04,440
Speaker 2: a deal because it's not like it's not like the

710
00:36:04,480 --> 00:36:06,959
Speaker 2: fag who cried shark was known worldwide. We talked about

711
00:36:06,960 --> 00:36:09,680
Speaker 2: it on this podcast because fifteen people saw something happen.

712
00:36:09,520 --> 00:36:09,879
Speaker 3: On the beach.

713
00:36:11,120 --> 00:36:13,560
Speaker 1: There was a there was a well first there was

714
00:36:13,560 --> 00:36:16,239
Speaker 1: a shark and he was like shark, shark, shark. Yeah,

715
00:36:16,280 --> 00:36:18,320
Speaker 1: and it was sort of like he was nude and

716
00:36:18,560 --> 00:36:21,520
Speaker 1: swanging and so it was like, okay, it was just

717
00:36:21,600 --> 00:36:24,600
Speaker 1: a funny image. It was funny, like this naked guy, dick,

718
00:36:25,600 --> 00:36:30,640
Speaker 1: massive cocks, swinging around, yelling at every screaming at everybody. Yeah,

719
00:36:30,680 --> 00:36:32,799
Speaker 1: and there was no shark to be seen. Then later

720
00:36:33,239 --> 00:36:33,880
Speaker 1: it was confirmed.

721
00:36:33,960 --> 00:36:36,520
Speaker 3: It was confirmed. So so who's offing now, No, it

722
00:36:36,600 --> 00:36:37,799
Speaker 3: goes off the boy who cried wolf.

723
00:36:37,880 --> 00:36:39,080
Speaker 2: He should be completely valid.

724
00:36:39,360 --> 00:36:40,320
Speaker 3: Yeah, I get it.

725
00:36:40,480 --> 00:36:44,920
Speaker 1: Yeah, it's like you have to believe the fat who

726
00:36:44,960 --> 00:36:45,439
Speaker 1: cried shark.

727
00:36:45,520 --> 00:36:47,840
Speaker 3: Yes, you have to have to be So it's the

728
00:36:47,960 --> 00:36:49,000
Speaker 3: unknown liar is not.

729
00:36:49,239 --> 00:36:54,560
Speaker 2: People didn't believe he was a known like truth teller.

730
00:36:54,680 --> 00:36:56,040
Speaker 1: Honestly, he's.

731
00:36:57,520 --> 00:36:59,200
Speaker 2: You you would call him a seer. I would call

732
00:36:59,280 --> 00:37:04,480
Speaker 2: him a seer who sees what I see? You know,

733
00:37:05,560 --> 00:37:15,520
Speaker 2: see here, who who sees now mommy's mood sounds wonderful.

734
00:37:15,600 --> 00:37:19,520
Speaker 2: I still, I honestly think, gosh, there's just not enough

735
00:37:19,560 --> 00:37:22,080
Speaker 2: time to plan this. But there should be a bar,

736
00:37:22,400 --> 00:37:23,680
Speaker 2: a queer bar pageant.

737
00:37:23,800 --> 00:37:24,840
Speaker 1: I think that there might be.

738
00:37:24,960 --> 00:37:26,879
Speaker 2: What do you mean, there's not enough time to plan

739
00:37:26,960 --> 00:37:29,600
Speaker 2: it until November like like just like for if it.

740
00:37:29,640 --> 00:37:37,400
Speaker 1: Is because because things do it Also, by the way,

741
00:37:37,480 --> 00:37:39,960
Speaker 1: the way, this is gonna bring community back to New York.

742
00:37:40,080 --> 00:37:42,880
Speaker 2: Hello, he did a scavenger hunt the other day. Who

743
00:37:43,200 --> 00:37:46,880
Speaker 2: did zorn? A scavenger hunt? He like, there was riddles.

744
00:37:46,920 --> 00:37:50,280
Speaker 2: He was leaving riddles on social media and packs hordes

745
00:37:50,280 --> 00:37:51,120
Speaker 2: of people would show up.

746
00:37:52,640 --> 00:37:55,000
Speaker 3: This is what I don't want to see him do. Okay,

747
00:37:55,200 --> 00:37:57,359
Speaker 3: I do not I do not want to see him

748
00:37:57,400 --> 00:37:58,239
Speaker 3: do thing.

749
00:37:58,480 --> 00:37:59,400
Speaker 2: No, that's fine.

750
00:38:00,360 --> 00:38:02,960
Speaker 3: The thing with the headphones where they're dancing on the street.

751
00:38:03,160 --> 00:38:05,759
Speaker 2: Silent rave. No, he's not gonna do please I think

752
00:38:05,800 --> 00:38:06,160
Speaker 2: he might.

753
00:38:06,440 --> 00:38:07,360
Speaker 3: Please don't do that.

754
00:38:07,440 --> 00:38:09,680
Speaker 2: Please don't do There's something about scavenger that's fun and

755
00:38:09,800 --> 00:38:11,759
Speaker 2: not bound to time. The way that a silent rave

756
00:38:11,840 --> 00:38:14,600
Speaker 2: is always gonna be like Millennial two thousand and sixteen,

757
00:38:14,719 --> 00:38:19,000
Speaker 2: Square is timeless, I think so.

758
00:38:19,280 --> 00:38:21,759
Speaker 1: Yeah, Scavengern got me in trouble in high school because

759
00:38:21,800 --> 00:38:23,880
Speaker 1: you know, it was on the list go buy condoms.

760
00:38:25,640 --> 00:38:28,040
Speaker 1: That was like the taboo thing in high school. Right

761
00:38:29,000 --> 00:38:30,960
Speaker 1: by condoms and bring it back. So then you go

762
00:38:31,040 --> 00:38:34,239
Speaker 1: into the Dwayne Read and you're like, I'm buying condom and.

763
00:38:34,280 --> 00:38:35,480
Speaker 2: Then condoms illegal.

764
00:38:35,880 --> 00:38:38,680
Speaker 1: No, it was just more like team going into a

765
00:38:38,760 --> 00:38:41,359
Speaker 1: Dwayne Read, going over to the condoms, picking one out,

766
00:38:41,560 --> 00:38:43,839
Speaker 1: giving it to the person. It's like, I still feel

767
00:38:43,880 --> 00:38:47,120
Speaker 1: like this when I'm buying, like like like a douche,

768
00:38:47,560 --> 00:38:49,800
Speaker 1: you know what I mean? What do you call it?

769
00:38:52,640 --> 00:38:53,120
Speaker 2: You know what I mean?

770
00:38:53,120 --> 00:38:56,200
Speaker 1: I'm like, oh here, I am like looking as gay

771
00:38:56,239 --> 00:38:59,480
Speaker 1: as I do buying douches, but I feel self conscious

772
00:38:59,480 --> 00:39:01,960
Speaker 1: buying themsel times in a way like when I remember

773
00:39:02,040 --> 00:39:04,040
Speaker 1: being a teen and doing a scavenger with my friends,

774
00:39:04,080 --> 00:39:06,960
Speaker 1: it was always like, go by Magnum Excels right right,

775
00:39:07,080 --> 00:39:09,279
Speaker 1: and then I one time did I can't remember if

776
00:39:09,320 --> 00:39:13,080
Speaker 1: we want our lost ultimately unimportant. My mother found those,

777
00:39:14,200 --> 00:39:17,200
Speaker 1: and I don't know what she thought about me buying Magnums,

778
00:39:18,080 --> 00:39:20,600
Speaker 1: but certainly she didn't. Her mind didn't go to, oh,

779
00:39:20,640 --> 00:39:22,719
Speaker 1: there must have been a scavenger hunt. Her mind went

780
00:39:24,080 --> 00:39:25,040
Speaker 1: been a cavender.

781
00:39:25,360 --> 00:39:29,680
Speaker 2: I know my Matt not at all.

782
00:39:29,960 --> 00:39:33,719
Speaker 1: No, it wasn't doing that.

783
00:39:33,960 --> 00:39:35,920
Speaker 2: Do your impression of MAT's mom. I bet, I bet

784
00:39:35,960 --> 00:39:37,560
Speaker 2: you wouldn't be that. Have you met her. I have

785
00:39:37,760 --> 00:39:38,080
Speaker 2: met her.

786
00:39:38,400 --> 00:39:41,960
Speaker 3: She doesn't seem like like a weathering flower at all.

787
00:39:43,200 --> 00:39:45,880
Speaker 1: What I was doing, do the impression you think my

788
00:39:45,960 --> 00:39:47,960
Speaker 1: mom is, and then I'll do a perfect impression of

789
00:39:48,040 --> 00:39:48,319
Speaker 1: my mom.

790
00:39:48,800 --> 00:39:52,359
Speaker 3: Well, okay, the the my mind went to this person

791
00:39:52,440 --> 00:39:54,680
Speaker 3: who is not your mom, which is like, there must

792
00:39:54,719 --> 00:39:58,560
Speaker 3: have been a scavenger honey, would never, he would never.

793
00:39:58,920 --> 00:40:01,800
Speaker 2: Okay, so that's not that's not her. But it's not

794
00:40:02,000 --> 00:40:03,640
Speaker 2: super far off because it's more.

795
00:40:03,640 --> 00:40:09,040
Speaker 6: Like you're gonna do it, you do it. Oh, hold on,

796
00:40:09,160 --> 00:40:14,040
Speaker 6: hold on, Oh I guess there was a scavenger hunt. Okay, listen,

797
00:40:14,160 --> 00:40:15,440
Speaker 6: this is that was closer?

798
00:40:15,560 --> 00:40:18,840
Speaker 2: This is it? Well, there must have been a scavenger

799
00:40:18,920 --> 00:40:22,719
Speaker 2: hunt or something. Well, you know, they have fun, the kids.

800
00:40:22,800 --> 00:40:25,680
Speaker 2: They do a scavenger hunt. Sometimes it gets a little silly.

801
00:40:25,680 --> 00:40:28,479
Speaker 2: It's not for me, but you know, I guess has.

802
00:40:28,400 --> 00:40:28,960
Speaker 3: A big dick.

803
00:40:29,080 --> 00:40:33,640
Speaker 2: I guess it's a big old cock. Well, you know,

804
00:40:34,360 --> 00:40:34,960
Speaker 2: it's all right.

805
00:40:35,719 --> 00:40:36,200
Speaker 3: That's my mom.

806
00:40:36,360 --> 00:40:41,239
Speaker 2: Is that generally her attitude? Yeah? All right, cheerful. So yeah,

807
00:40:41,239 --> 00:40:43,040
Speaker 2: I would say things are generally all right. And what

808
00:40:43,320 --> 00:40:45,200
Speaker 2: she does when you think something is not alright as

809
00:40:45,239 --> 00:40:47,920
Speaker 2: famously as she goes m So did you get a

810
00:40:48,200 --> 00:40:52,719
Speaker 2: h hmmm? Ariana Grande's favorite vocal tech? Because I told

811
00:40:52,760 --> 00:40:54,440
Speaker 2: her about on the set of what I told her

812
00:40:54,440 --> 00:40:56,880
Speaker 2: about this thing that Matt's mom, marsh Simpson did the

813
00:40:56,920 --> 00:40:57,759
Speaker 2: March Simpson.

814
00:40:58,960 --> 00:41:02,760
Speaker 3: What about March? Okay, Sometimes when I can't fall asleep.

815
00:41:04,239 --> 00:41:06,799
Speaker 3: Sometimes when I can't fall asleep, I close my eyes

816
00:41:07,320 --> 00:41:10,160
Speaker 3: and I rank what I believe are the most famous

817
00:41:10,280 --> 00:41:11,240
Speaker 3: dresses in history.

818
00:41:12,000 --> 00:41:13,520
Speaker 1: Is Marge's dress always up there.

819
00:41:13,760 --> 00:41:19,840
Speaker 2: I realized that Marge's dress green column, green column, green column,

820
00:41:20,040 --> 00:41:21,279
Speaker 2: because the number three?

821
00:41:21,800 --> 00:41:23,960
Speaker 1: Okay, can I get We talked about this on the show.

822
00:41:24,000 --> 00:41:26,200
Speaker 1: We said, what's the most famous dress you have? Yes,

823
00:41:26,280 --> 00:41:28,759
Speaker 1: we said it was Cinderella's cere number one.

824
00:41:28,880 --> 00:41:32,880
Speaker 3: Sorry no no okay, no no no, you probably just

825
00:41:33,000 --> 00:41:41,960
Speaker 3: had just seen like March or something. No no, no, no, no,

826
00:41:42,080 --> 00:41:47,480
Speaker 3: no okay, undeniable a number one, Marilyn Monroe's white dress.

827
00:41:47,600 --> 00:41:54,400
Speaker 2: Yeah, yes, the JFK dress above the JFK R Yeah, yeah, yes,

828
00:41:54,480 --> 00:41:56,800
Speaker 2: Or was that Jennifer Greenman one of those that's so

829
00:41:56,960 --> 00:42:00,279
Speaker 2: like b is the pink is the yea, the one

830
00:42:00,320 --> 00:42:03,640
Speaker 2: that the one that that Madonna?

831
00:42:03,760 --> 00:42:07,480
Speaker 3: Yeah, yeah, No, the white dress I think is number one,

832
00:42:07,800 --> 00:42:13,160
Speaker 3: number two and number two the dress the black and

833
00:42:13,200 --> 00:42:16,319
Speaker 3: blue ye if you if you google image the dress,

834
00:42:16,440 --> 00:42:16,920
Speaker 3: that's what comes.

835
00:42:17,760 --> 00:42:17,880
Speaker 5: Well.

836
00:42:17,920 --> 00:42:20,319
Speaker 2: No, that that was I remember I was with Matt

837
00:42:20,719 --> 00:42:22,840
Speaker 2: that night. Do you remember where you were that it

838
00:42:22,920 --> 00:42:26,960
Speaker 2: was at night? It happened to the dress came and

839
00:42:27,120 --> 00:42:30,160
Speaker 2: we came, dress came were we were right here, We

840
00:42:30,200 --> 00:42:34,680
Speaker 2: were across No, we were from Carnegie Hall, were in

841
00:42:34,719 --> 00:42:38,640
Speaker 2: Midtown and we were out of Deli across from Carnegie Hall.

842
00:42:38,920 --> 00:42:43,040
Speaker 3: When caps started honking, Dress said.

843
00:42:42,960 --> 00:42:45,239
Speaker 2: You need to remember you remember where you were. This

844
00:42:45,400 --> 00:42:48,040
Speaker 2: was a huge moment. You need to remember. You need

845
00:42:48,120 --> 00:42:51,759
Speaker 2: to remember me to we saw the now we know

846
00:42:51,880 --> 00:42:54,040
Speaker 2: we were. We didn't see this. We did not see

847
00:42:54,200 --> 00:42:55,080
Speaker 2: you saw white and gold.

848
00:42:55,640 --> 00:42:56,600
Speaker 1: No, I saw black and blue.

849
00:42:56,640 --> 00:42:58,319
Speaker 3: Okay, so I saw I always thought it was black

850
00:42:58,360 --> 00:42:58,640
Speaker 3: and blue.

851
00:42:58,680 --> 00:42:59,840
Speaker 1: It was black and blue. I think we were on

852
00:42:59,880 --> 00:43:02,520
Speaker 1: the same page. People said it was white and gold. Okay,

853
00:43:02,600 --> 00:43:05,360
Speaker 1: so we we you and I were on the United

854
00:43:05,400 --> 00:43:07,680
Speaker 1: Front and we were like, what are they all talking about?

855
00:43:08,040 --> 00:43:11,120
Speaker 1: And then everyone started being like it's white and gold

856
00:43:11,200 --> 00:43:14,120
Speaker 1: and we were like, like, it's sort of it's that's

857
00:43:14,120 --> 00:43:15,640
Speaker 1: when it became Trilight.

858
00:43:15,320 --> 00:43:16,480
Speaker 3: Zone, was it?

859
00:43:16,520 --> 00:43:19,799
Speaker 2: Do you think it's reality like split like forked at

860
00:43:19,840 --> 00:43:22,239
Speaker 2: that moment, just just just in terms of like, is

861
00:43:22,320 --> 00:43:23,640
Speaker 2: that when reality forked?

862
00:43:24,120 --> 00:43:25,720
Speaker 3: Is that when reality forked?

863
00:43:27,680 --> 00:43:30,319
Speaker 2: Well, for these reasons, this is number two and number

864
00:43:30,320 --> 00:43:32,320
Speaker 2: three is March sim and I think number three is

865
00:43:32,520 --> 00:43:36,120
Speaker 2: March Simpsonzy, do you have to say green dress? Number

866
00:43:36,160 --> 00:43:38,320
Speaker 2: fifteen is the dress is when reality?

867
00:43:38,520 --> 00:43:40,040
Speaker 3: For yes, for sure.

868
00:43:40,080 --> 00:43:41,440
Speaker 1: I just had to make sure that was known.

869
00:43:41,520 --> 00:43:46,040
Speaker 2: Of course the York Swan dress. Yeah, Jay Loversaca dress,

870
00:43:46,560 --> 00:43:48,480
Speaker 2: say that's higher than Marge's dress?

871
00:43:48,680 --> 00:43:49,440
Speaker 3: You think which one?

872
00:43:49,600 --> 00:43:53,160
Speaker 1: Jay Loversa It started to Google images.

873
00:43:53,080 --> 00:43:56,640
Speaker 2: You have it? Did? Yeah? Okay, I want to put

874
00:43:56,640 --> 00:44:01,279
Speaker 2: a dress out there. Okay, do it your caters dressed

875
00:44:01,280 --> 00:44:03,279
Speaker 2: and Titanic the one?

876
00:44:04,880 --> 00:44:04,920
Speaker 5: No?

877
00:44:05,200 --> 00:44:06,480
Speaker 3: No? You thinking?

878
00:44:06,560 --> 00:44:06,600
Speaker 5: No?

879
00:44:07,000 --> 00:44:10,279
Speaker 3: That is it's top ten. That is definitely like top four.

880
00:44:10,440 --> 00:44:15,600
Speaker 2: Hats. I'm not talking about the hat. I'm not the culture.

881
00:44:17,800 --> 00:44:21,799
Speaker 1: And so to start a conversation about hats wrong, that's

882
00:44:21,840 --> 00:44:25,640
Speaker 1: wrong Okay, we're talking about I'm sorry to be so strong.

883
00:44:26,000 --> 00:44:27,880
Speaker 3: So you think you think you're you're thinking about like

884
00:44:27,960 --> 00:44:30,920
Speaker 3: the sort of like Midnight Blue with the no, it

885
00:44:31,040 --> 00:44:33,880
Speaker 3: was like a deep red with the beating black beating.

886
00:44:34,320 --> 00:44:36,440
Speaker 3: Is that the one where she's where she where he

887
00:44:36,600 --> 00:44:40,080
Speaker 3: drowns and he's yes, she was ultimately wearing that.

888
00:44:40,920 --> 00:44:45,400
Speaker 2: Oh yeah, that's the same dress. I don't think this

889
00:44:45,480 --> 00:44:47,880
Speaker 2: is ok. I think you're thinking about the character I

890
00:44:47,920 --> 00:44:49,840
Speaker 2: think about you're thinking about the general costuming.

891
00:44:50,000 --> 00:44:51,200
Speaker 3: You're not thinking about it might.

892
00:44:51,280 --> 00:44:54,400
Speaker 1: Just be like ultra Titanic case and so it might

893
00:44:54,480 --> 00:44:55,680
Speaker 1: be far if.

894
00:44:55,560 --> 00:44:58,360
Speaker 3: You like, if, if you can you draw that dress,

895
00:44:58,480 --> 00:44:59,640
Speaker 3: I think I could really.

896
00:45:00,280 --> 00:45:02,080
Speaker 2: Oh that's a that's a criteria and you have to

897
00:45:02,160 --> 00:45:04,800
Speaker 2: draw the dress. Yeah, prove that it's so famous that

898
00:45:04,840 --> 00:45:07,640
Speaker 2: it's so engraved in your mind to draw, draw.

899
00:45:09,719 --> 00:45:11,000
Speaker 3: Mar Simpson. Anyone can do it.

900
00:45:11,719 --> 00:45:17,879
Speaker 2: It's now trying to think, are we missing anything here? Oh?

901
00:45:18,080 --> 00:45:18,439
Speaker 2: So many?

902
00:45:18,600 --> 00:45:22,880
Speaker 3: I do think the Bell, Beauty and the Beast, like

903
00:45:23,120 --> 00:45:33,760
Speaker 3: like Heinous Sierra in Yellow Yellow Lady Diana's Revenge dress.

904
00:45:34,600 --> 00:45:36,320
Speaker 1: Absolutely, who could forget?

905
00:45:36,480 --> 00:45:43,360
Speaker 2: Oh my god, Diana, Diana, she.

906
00:45:43,719 --> 00:45:46,840
Speaker 1: Was late, she was Yeah, And then I guess there's.

907
00:45:46,760 --> 00:45:52,080
Speaker 3: Like I think, I think honorable mentions to like Rihanna yellow, Yeah,

908
00:45:52,160 --> 00:45:53,120
Speaker 3: yellow Chinese.

909
00:45:54,280 --> 00:45:57,120
Speaker 1: I do think that you have to give Marilyn probably

910
00:45:57,160 --> 00:46:00,000
Speaker 1: a second one, which was the JFK Happy Birthday Dress,

911
00:46:00,080 --> 00:46:03,080
Speaker 1: because then it did appear decades later on Kim Kardashian

912
00:46:03,120 --> 00:46:06,640
Speaker 1: at the Metdala, So clearly there was a running back

913
00:46:06,760 --> 00:46:10,960
Speaker 1: valuable dress. The dress that returned and was famously tailored

914
00:46:11,320 --> 00:46:15,920
Speaker 1: came back. That's a good horror film. The dress that

915
00:46:16,080 --> 00:46:19,120
Speaker 1: came I haven't worn my wedding dress in decades.

916
00:46:19,400 --> 00:46:22,600
Speaker 2: Now my daughter is getting married. Let's go to the attic.

917
00:46:23,320 --> 00:46:26,279
Speaker 1: They get there, the dress is alive and doesn't want

918
00:46:26,320 --> 00:46:27,879
Speaker 1: to be worn by the daughter.

919
00:46:28,200 --> 00:46:33,840
Speaker 2: I think, wait, that's beautiful. That's beautiful intergenerational expectations. And

920
00:46:34,440 --> 00:46:37,160
Speaker 2: there's ultimately a film about legacy that debut filmed. But

921
00:46:37,239 --> 00:46:38,480
Speaker 2: Matt Rogers, yeah.

922
00:46:38,520 --> 00:46:41,399
Speaker 1: I think that might be really good that I would write,

923
00:46:41,440 --> 00:46:43,719
Speaker 1: and I think you would direct it. Bowens, of course

924
00:46:43,800 --> 00:46:45,320
Speaker 1: the star he plays the dress.

925
00:46:45,440 --> 00:46:46,439
Speaker 3: I'm not I want to be the dress.

926
00:46:46,760 --> 00:46:47,000
Speaker 2: Okay.

927
00:46:47,040 --> 00:46:49,239
Speaker 3: And were we talking like face super imposed in the

928
00:46:49,440 --> 00:46:51,600
Speaker 3: in the chest of the dress or just voice.

929
00:46:51,640 --> 00:46:56,120
Speaker 2: It's motion capture, motion capture, Okay, you don't find out.

930
00:46:56,160 --> 00:46:58,120
Speaker 2: They're going to put you know, they're going to push

931
00:46:58,200 --> 00:47:02,680
Speaker 2: Randy Sarkis. He has enough, I feel, but can he

932
00:47:02,719 --> 00:47:03,320
Speaker 2: play address?

933
00:47:03,680 --> 00:47:04,880
Speaker 6: I have to go.

934
00:47:05,280 --> 00:47:06,040
Speaker 2: Yeah, no, I have to go.

935
00:47:08,920 --> 00:47:10,319
Speaker 3: Hold on, I have to leave.

936
00:47:10,560 --> 00:47:12,560
Speaker 2: I have to go because he wants to go start

937
00:47:12,600 --> 00:47:16,759
Speaker 2: writing the script. It's just so good what Juli and

938
00:47:16,800 --> 00:47:18,560
Speaker 2: I hadn't had a movie idea that. Honestly, I think

939
00:47:18,600 --> 00:47:20,279
Speaker 2: Matt would be the star of what was it? What

940
00:47:20,520 --> 00:47:21,799
Speaker 2: was it? It was? Hold On, I'm going to look

941
00:47:21,800 --> 00:47:23,600
Speaker 2: it up. I'm going to look it up.

942
00:47:23,640 --> 00:47:26,960
Speaker 1: I'm looking shoulder at the notes. Dumb gay fat in

943
00:47:27,000 --> 00:47:30,240
Speaker 1: the first minute of film, It's like, it's it's about

944
00:47:30,280 --> 00:47:30,719
Speaker 1: a guy.

945
00:47:31,120 --> 00:47:31,839
Speaker 3: It's about a guy.

946
00:47:32,600 --> 00:47:37,959
Speaker 2: It's about I love this idea already. Okay, we should

947
00:47:38,000 --> 00:47:41,799
Speaker 2: write a movie about him called bla Okay he oh yeah,

948
00:47:41,880 --> 00:47:45,120
Speaker 2: he is going to the first Summit. He is at

949
00:47:45,160 --> 00:47:48,279
Speaker 2: the Out and Equal Summit at Disney, and he and

950
00:47:48,520 --> 00:47:50,399
Speaker 2: his flights keeping and counts. He just wants to get

951
00:47:50,400 --> 00:47:50,960
Speaker 2: to the summit.

952
00:47:51,440 --> 00:47:51,640
Speaker 3: Yeah.

953
00:47:51,920 --> 00:47:52,800
Speaker 1: Is he called the summit?

954
00:47:53,520 --> 00:47:54,280
Speaker 2: They can be called.

955
00:47:56,800 --> 00:47:58,080
Speaker 3: The credentials, the.

956
00:48:00,360 --> 00:48:00,840
Speaker 1: Credential.

957
00:48:01,760 --> 00:48:08,239
Speaker 2: I think Matt, Yeah good, I think Matt needs to

958
00:48:08,360 --> 00:48:11,439
Speaker 2: I think we're gonna write I'm Matt Rogers vehicle. Wonderful guys,

959
00:48:11,600 --> 00:48:15,799
Speaker 2: thank you great, wonderful just to have.

960
00:48:15,920 --> 00:48:18,800
Speaker 1: You guys just get together and create. You know what

961
00:48:18,880 --> 00:48:21,000
Speaker 1: I feel like, I'm like a like a like a

962
00:48:21,120 --> 00:48:23,520
Speaker 1: big actress that you're meeting at her production company and

963
00:48:23,600 --> 00:48:25,960
Speaker 1: he's like, yeah, I'm so excited because I just love

964
00:48:26,040 --> 00:48:27,759
Speaker 1: your mind, you know what I mean. I'm just so

965
00:48:27,880 --> 00:48:32,120
Speaker 1: excited your creativity and like, I just feel like this,

966
00:48:32,239 --> 00:48:34,600
Speaker 1: so I just never know where it's going. And that's

967
00:48:34,600 --> 00:48:36,040
Speaker 1: what I love is to be surprised.

968
00:48:36,280 --> 00:48:39,439
Speaker 2: Like I'm looking for creative voices. This is what Emma

969
00:48:39,480 --> 00:48:41,959
Speaker 2: Stone said to you when you guys first met. Oh, yeah,

970
00:48:42,800 --> 00:48:46,560
Speaker 2: the creative voices feel She said that you're looking for

971
00:48:46,760 --> 00:48:54,120
Speaker 2: creative voices. Yeah, fresh talent from fresh talent. I want

972
00:48:54,280 --> 00:48:57,360
Speaker 2: fresh creative voices. I miss talent I missed when we

973
00:48:57,440 --> 00:49:01,360
Speaker 2: took Generals. You know, now we don't at Generals anymore.

974
00:49:01,280 --> 00:49:03,680
Speaker 3: Like you mean like you mean like commuting to like

975
00:49:04,120 --> 00:49:10,640
Speaker 3: communitys CBS and hearing about mandates, hearing about mandates.

976
00:49:11,800 --> 00:49:14,720
Speaker 1: Well, our my mandate is as long as it's fresh

977
00:49:14,920 --> 00:49:16,600
Speaker 1: creative talent.

978
00:49:17,960 --> 00:49:19,320
Speaker 2: We're looking for fresh new voices.

979
00:49:19,400 --> 00:49:21,360
Speaker 1: I was so good at Generals.

980
00:49:21,600 --> 00:49:22,560
Speaker 3: I was I bet you were.

981
00:49:22,840 --> 00:49:23,799
Speaker 2: I was bet you were.

982
00:49:23,880 --> 00:49:25,680
Speaker 3: Yeah, I would, I bet you were.

983
00:49:28,400 --> 00:49:32,440
Speaker 2: It's hard to hear even though it's a compliment.

984
00:49:32,920 --> 00:49:34,080
Speaker 3: Tell you about a compliment.

985
00:49:34,280 --> 00:49:38,440
Speaker 2: It's a huge compliment. Yeah, And I was always at

986
00:49:38,480 --> 00:49:40,799
Speaker 2: them for too long. Now that's how you know what's

987
00:49:40,840 --> 00:49:43,359
Speaker 2: going well? Oh yeah, did anything come out of them?

988
00:49:44,719 --> 00:49:46,800
Speaker 1: I think maybe years later in a way that I

989
00:49:46,800 --> 00:49:49,080
Speaker 1: wouldn't remember because I did the point. I did the

990
00:49:49,200 --> 00:49:51,680
Speaker 1: thing of like I hit LA so hard when I

991
00:49:51,719 --> 00:49:55,120
Speaker 1: first got there and took every general, so I generals

992
00:49:55,239 --> 00:49:57,840
Speaker 1: didn't remember general's name like I was just like I

993
00:49:57,960 --> 00:50:03,759
Speaker 1: left name of course something had so generals for for

994
00:50:03,920 --> 00:50:07,200
Speaker 1: people who might not be in the know, it is

995
00:50:07,600 --> 00:50:11,040
Speaker 1: general meeting you would just take at every single It.

996
00:50:11,120 --> 00:50:13,520
Speaker 3: Is crazy because no other industry does this where it's

997
00:50:13,560 --> 00:50:15,840
Speaker 3: like agosy kind of it's kind of like a kind of.

998
00:50:18,360 --> 00:50:19,840
Speaker 2: You just like stop it and you're like, this is

999
00:50:19,920 --> 00:50:22,520
Speaker 2: my deal, like it's to get to know you and

1000
00:50:23,239 --> 00:50:25,960
Speaker 2: then like as you said, like the point is so

1001
00:50:26,080 --> 00:50:28,520
Speaker 2: that eight years later they can be like, you know,

1002
00:50:28,560 --> 00:50:31,000
Speaker 2: who'd be good for this is Matt right, you know?

1003
00:50:31,520 --> 00:50:33,719
Speaker 2: And it does yield fru it does it does bear?

1004
00:50:34,239 --> 00:50:36,239
Speaker 2: I think it yielded some fruit. Great.

1005
00:50:36,400 --> 00:50:36,840
Speaker 3: I love that.

1006
00:50:37,560 --> 00:50:37,840
Speaker 2: I know.

1007
00:50:44,120 --> 00:50:45,640
Speaker 3: I think we should plan the patches.

1008
00:50:45,719 --> 00:50:46,439
Speaker 1: That's all I'm saying.

1009
00:50:46,719 --> 00:50:47,800
Speaker 2: I think that I think we should.

1010
00:50:48,600 --> 00:50:50,800
Speaker 1: Yeah, I think probably.

1011
00:50:51,120 --> 00:50:55,520
Speaker 2: Miss you know, Miss Animal is coming in hot. Miss

1012
00:50:55,560 --> 00:50:56,440
Speaker 2: Animal is going to be.

1013
00:50:57,080 --> 00:50:59,600
Speaker 1: Animal is going to be too much. Animal is going

1014
00:50:59,640 --> 00:51:01,399
Speaker 1: to be doue to too much drugs beforehand and barely

1015
00:51:01,480 --> 00:51:02,920
Speaker 1: make it down the runway. And you know what I'm

1016
00:51:02,960 --> 00:51:03,520
Speaker 1: talking about.

1017
00:51:04,080 --> 00:51:07,040
Speaker 2: It's okay to say. It's okay to say is going

1018
00:51:07,080 --> 00:51:10,319
Speaker 2: to show off like the ketamine shelf in the bathroom? Yea,

1019
00:51:11,840 --> 00:51:16,480
Speaker 2: And yeah, I mean think it really does show miss

1020
00:51:16,600 --> 00:51:26,600
Speaker 2: Miss Miss MacRae Park actually really weren't sounds really nice?

1021
00:51:26,640 --> 00:51:28,799
Speaker 2: By the way. You know, last week we were.

1022
00:51:28,719 --> 00:51:31,320
Speaker 1: Talking about a potential drag name that I came up with,

1023
00:51:31,440 --> 00:51:33,600
Speaker 1: and then all the readers descended into the comments and

1024
00:51:33,640 --> 00:51:34,759
Speaker 1: they were like, you were right there.

1025
00:51:35,160 --> 00:51:41,520
Speaker 2: I thought. Polarising, Miss Paula Rising, polarizing, polarizing.

1026
00:51:42,360 --> 00:51:46,400
Speaker 3: It kind of feels like tripping a little bit, Paula, Like, it.

1027
00:51:46,440 --> 00:51:49,920
Speaker 1: Feels like tripping polarizingly.

1028
00:51:50,040 --> 00:51:50,560
Speaker 2: I don't know that.

1029
00:51:50,960 --> 00:51:56,160
Speaker 1: I don't know what's her thing polarizing, She's polarizing.

1030
00:51:56,400 --> 00:52:01,080
Speaker 2: It feels like a false start or something. My sister

1031
00:52:01,320 --> 00:52:08,040
Speaker 2: laugh left. I think I think it's laughed or left laughed, laughed,

1032
00:52:08,120 --> 00:52:09,000
Speaker 2: cut cut around that.

1033
00:52:10,120 --> 00:52:10,560
Speaker 1: It's okay.

1034
00:52:10,960 --> 00:52:12,560
Speaker 2: I don't know the word all the time.

1035
00:52:13,640 --> 00:52:17,960
Speaker 3: I have some things to miss the cock? What's that?

1036
00:52:18,160 --> 00:52:19,120
Speaker 3: Miss the cock?

1037
00:52:19,719 --> 00:52:24,480
Speaker 2: Miss the cock, missed the Eagle, Miss Miss therapy therapy.

1038
00:52:24,719 --> 00:52:29,440
Speaker 1: No that ship? Sorry, Miss industry. Miss.

1039
00:52:30,760 --> 00:52:33,160
Speaker 2: Do they still have Miss Boxers? Yeah?

1040
00:52:33,200 --> 00:52:35,440
Speaker 1: I think the miss Miss Boxers for sure. Boxers Mis

1041
00:52:35,560 --> 00:52:37,120
Speaker 1: Barracuda would have been so amazing.

1042
00:52:39,160 --> 00:52:39,600
Speaker 2: Do do.

1043
00:52:41,680 --> 00:52:44,760
Speaker 3: Is is Miss Club coming? No, because that's not a proper.

1044
00:52:44,800 --> 00:52:47,600
Speaker 1: I think miss Miss Club coming works.

1045
00:52:47,719 --> 00:52:49,319
Speaker 3: I think it's cupcoming works for sure.

1046
00:52:49,560 --> 00:52:50,600
Speaker 1: That's certainly a queer bar.

1047
00:52:50,680 --> 00:52:50,840
Speaker 5: You know.

1048
00:52:50,880 --> 00:52:55,160
Speaker 1: I went there one time and it was m I

1049
00:52:55,200 --> 00:52:57,719
Speaker 1: actually went with a guy who was a friend, but

1050
00:52:57,840 --> 00:52:58,360
Speaker 1: I guess.

1051
00:52:58,200 --> 00:53:01,399
Speaker 2: There was some messing around and went to lesbian knitting night.

1052
00:53:01,719 --> 00:53:02,240
Speaker 3: That's cute.

1053
00:53:02,440 --> 00:53:03,399
Speaker 1: It actually was cute.

1054
00:53:04,160 --> 00:53:08,520
Speaker 2: It was lesbian craft night. Oh beautiful, beautiful. Yeah. I

1055
00:53:08,680 --> 00:53:11,520
Speaker 2: think there should be I think there should be a

1056
00:53:11,600 --> 00:53:15,640
Speaker 2: Miss clubcoming. I think there should be like a Miss elsewhere. No,

1057
00:53:15,960 --> 00:53:16,799
Speaker 2: but that's just a venue.

1058
00:53:16,920 --> 00:53:18,920
Speaker 3: No, that's a venue. Okay, fine, that's a venue.

1059
00:53:20,440 --> 00:53:25,080
Speaker 1: Hard and fast. It takes place at elsewhere. How about that?

1060
00:53:26,600 --> 00:53:31,440
Speaker 2: No Javid Center, No Javid Center, Babe.

1061
00:53:31,400 --> 00:53:32,080
Speaker 1: The first time ever.

1062
00:53:32,160 --> 00:53:35,759
Speaker 3: You're like, let's go, don't get the David Center. I

1063
00:53:35,920 --> 00:53:38,399
Speaker 3: swear to god, I'm not going.

1064
00:53:38,480 --> 00:53:41,680
Speaker 2: Okay, if if anyone out there knows has a contact

1065
00:53:41,719 --> 00:53:48,520
Speaker 2: of javits, I think books, slash booking, event.

1066
00:53:51,920 --> 00:53:52,200
Speaker 1: Event.

1067
00:53:52,640 --> 00:53:57,320
Speaker 2: Yeah, it's your event. In less than fifty words, okay,

1068
00:53:57,440 --> 00:54:03,200
Speaker 2: so it's a fundraiser. They're like, no, no, and deeply

1069
00:54:03,280 --> 00:54:06,320
Speaker 2: in the Eric Adams box. Miss David's we don't know.

1070
00:54:06,480 --> 00:54:10,200
Speaker 3: That's so true. I think she might be establishment.

1071
00:54:10,640 --> 00:54:14,840
Speaker 1: Yeah, I think David Center is kind of gig convention.

1072
00:54:15,320 --> 00:54:18,360
Speaker 3: Oh sure, yeah, comic con car shows.

1073
00:54:19,760 --> 00:54:22,839
Speaker 1: Oho, this is and tell us we're wrong.

1074
00:54:23,120 --> 00:54:27,279
Speaker 2: Yeah, prove it. Host this, yeah, host this, host this.

1075
00:54:28,040 --> 00:54:29,080
Speaker 1: This is the way to get it going.

1076
00:54:29,560 --> 00:54:30,400
Speaker 2: Threats threats.

1077
00:54:30,680 --> 00:54:34,200
Speaker 3: Yeah, Skittles was in your comments a bunch. Yeah, maybe

1078
00:54:34,200 --> 00:54:35,880
Speaker 3: the Javid Sanders can be the new Skittles.

1079
00:54:36,400 --> 00:54:39,799
Speaker 2: Yes, Skittles was in our comments of it because one

1080
00:54:39,840 --> 00:54:42,120
Speaker 2: time during COVID, like we did Instagram life from the

1081
00:54:42,239 --> 00:54:45,120
Speaker 2: Bath Yeah, and then Skittles was like kind of pervy

1082
00:54:45,280 --> 00:54:50,920
Speaker 2: with us? Have you ever really kind of with us?

1083
00:54:51,320 --> 00:54:54,440
Speaker 1: Were sometimes I am a little blown away by like

1084
00:54:54,560 --> 00:54:57,440
Speaker 1: I will be talking to like whatever, there's this pizza

1085
00:54:57,560 --> 00:54:58,279
Speaker 1: chain in l A.

1086
00:54:58,760 --> 00:55:01,279
Speaker 3: But you know all these accounts are ran by gay guys.

1087
00:55:01,320 --> 00:55:03,279
Speaker 1: That's what I'm saying. It's like, I was like, where

1088
00:55:03,400 --> 00:55:06,600
Speaker 1: is this conversation going. It's a pizza chain in LA

1089
00:55:07,040 --> 00:55:09,399
Speaker 1: And I don't want to say which because it did

1090
00:55:09,520 --> 00:55:11,920
Speaker 1: get really flirting in the d MS and it was.

1091
00:55:11,960 --> 00:55:16,480
Speaker 2: Just a pizza pizza mascot with the pizza. What's the

1092
00:55:16,520 --> 00:55:20,399
Speaker 2: pizza mascot is a shot? This was, by the way,

1093
00:55:20,440 --> 00:55:21,439
Speaker 2: this was years ago.

1094
00:55:21,600 --> 00:55:24,480
Speaker 1: It was Lucifer's pizza, so it was like a little devil.

1095
00:55:25,960 --> 00:55:27,640
Speaker 2: And I was just going back and forth in the

1096
00:55:27,719 --> 00:55:29,640
Speaker 2: d MS with whoever was running the social this was

1097
00:55:29,760 --> 00:55:30,160
Speaker 2: years ago.

1098
00:55:30,280 --> 00:55:32,080
Speaker 3: Do you think they took turns flirting with you? I

1099
00:55:32,239 --> 00:55:35,840
Speaker 3: think that whoever think flirting, I think it was.

1100
00:55:36,000 --> 00:55:39,640
Speaker 2: It was one like go go ahead.

1101
00:55:39,400 --> 00:55:43,040
Speaker 1: Message from me from getting horny, and I have witnesses.

1102
00:55:43,080 --> 00:55:45,279
Speaker 1: My friend, her friend Gus Hicky was with me and

1103
00:55:45,360 --> 00:55:46,880
Speaker 1: I was like, is this getting horny? And he was

1104
00:55:46,920 --> 00:55:48,080
Speaker 1: like absolutely kicking firm.

1105
00:55:48,880 --> 00:55:51,520
Speaker 2: Wow whenever I go there. Now, did they retain did

1106
00:55:51,560 --> 00:55:55,240
Speaker 2: they retain the the company voice in their messages?

1107
00:55:55,960 --> 00:55:59,360
Speaker 1: That's what I'm saying, pizza dropped away and suddenly it

1108
00:55:59,520 --> 00:56:01,359
Speaker 1: was like it was giving winky.

1109
00:56:01,160 --> 00:56:04,440
Speaker 2: Face, and I was like, listen, Spike Jones could never.

1110
00:56:05,239 --> 00:56:07,840
Speaker 3: I love that winky face.

1111
00:56:08,280 --> 00:56:09,759
Speaker 1: Spike Jones could never.

1112
00:56:10,160 --> 00:56:11,359
Speaker 2: That's more interesting than her.

1113
00:56:11,480 --> 00:56:15,840
Speaker 1: I think I love falling in love with Can I

1114
00:56:15,920 --> 00:56:17,160
Speaker 1: say what movie? I love her?

1115
00:56:17,360 --> 00:56:20,120
Speaker 3: I do love her. That's that's an amazing that's that's

1116
00:56:20,320 --> 00:56:24,280
Speaker 3: truly one of my favorite scarlet performances. Oh, agreed, agreed,

1117
00:56:24,880 --> 00:56:28,040
Speaker 3: and and joacin you can drop out of my movie

1118
00:56:28,040 --> 00:56:28,840
Speaker 3: anytime came.

1119
00:56:31,360 --> 00:56:31,880
Speaker 2: Gay stuff?

1120
00:56:32,360 --> 00:56:32,880
Speaker 1: Is that what it was?

1121
00:56:33,480 --> 00:56:34,920
Speaker 2: No, I don't know.

1122
00:56:35,680 --> 00:56:38,880
Speaker 1: Well, have you heard about our Mara Wars Mara Wars?

1123
00:56:39,040 --> 00:56:42,520
Speaker 1: So Bowen is in the Rooney Mara Fana Cloud, but

1124
00:56:42,560 --> 00:56:43,439
Speaker 1: I'm the Kate Mara.

1125
00:56:43,880 --> 00:56:46,440
Speaker 2: Oh yes, but we love both. We love both. I'm

1126
00:56:46,520 --> 00:56:51,480
Speaker 2: just saying, are they related? Really? You didn't know. I

1127
00:56:51,600 --> 00:56:57,440
Speaker 2: didn't know. They have such different, very different vibes. Yeah, yes,

1128
00:56:57,719 --> 00:56:59,320
Speaker 2: interesting Rooney.

1129
00:56:59,719 --> 00:57:01,040
Speaker 1: Yeah, I think that cracks.

1130
00:57:01,200 --> 00:57:02,200
Speaker 3: Yeah, you're a Rooney guy.

1131
00:57:02,280 --> 00:57:04,719
Speaker 1: I'm early because I don't think people give her the

1132
00:57:04,800 --> 00:57:05,840
Speaker 1: credit because he's amazing.

1133
00:57:06,040 --> 00:57:12,520
Speaker 2: Scene and Education I've seen Education with no an Education

1134
00:57:12,760 --> 00:57:15,840
Speaker 2: is her show FX on Hulu and it was on

1135
00:57:15,960 --> 00:57:17,720
Speaker 2: an Education where it was her and love Simon, and

1136
00:57:17,760 --> 00:57:21,680
Speaker 2: she plays a teacher that gets to do a relationship Simon. Yes,

1137
00:57:22,880 --> 00:57:26,120
Speaker 2: the kid who played love Simon. But it's not called

1138
00:57:26,120 --> 00:57:30,680
Speaker 2: an education that's her and loves Simon. Waitit wait, wait

1139
00:57:30,680 --> 00:57:30,960
Speaker 2: what is it?

1140
00:57:31,040 --> 00:57:31,600
Speaker 3: What is the original?

1141
00:57:31,760 --> 00:57:32,880
Speaker 2: A teacher, A.

1142
00:57:33,040 --> 00:57:35,440
Speaker 1: Teacher, A teacher, a teacher and education.

1143
00:57:35,960 --> 00:57:40,040
Speaker 2: Teacher and education is Peter Sarsgard is a period piece,

1144
00:57:40,680 --> 00:57:44,920
Speaker 2: focus breakout role. Yeah, you know, what's a great sentence?

1145
00:57:44,920 --> 00:57:47,520
Speaker 2: I'm sorry, what's a great sent I have friends say

1146
00:57:47,560 --> 00:57:50,320
Speaker 2: this to me recently. What I'm dating a teacher?

1147
00:57:50,920 --> 00:57:54,960
Speaker 3: I'm dating It's such a lovely set em, yes, of course,

1148
00:57:55,720 --> 00:57:57,800
Speaker 3: but but it's also just lovely. It's lovely to date

1149
00:57:57,840 --> 00:58:01,240
Speaker 3: a teacher. Great as this.

1150
00:58:01,360 --> 00:58:04,880
Speaker 1: Is by by Bertie soundtrack I Am.

1151
00:58:07,080 --> 00:58:12,120
Speaker 2: English Teacher, An English Teachers.

1152
00:58:12,160 --> 00:58:15,000
Speaker 3: Why that musical is weird to me? It's so weird,

1153
00:58:15,160 --> 00:58:15,560
Speaker 3: it's weird.

1154
00:58:15,760 --> 00:58:17,960
Speaker 2: The musical is about an English teacher's white No, the

1155
00:58:18,040 --> 00:58:20,680
Speaker 2: musical is about this, Like, tell us about this story.

1156
00:58:20,800 --> 00:58:25,040
Speaker 2: I don't bye a Bertie. It's about a guy named

1157
00:58:25,120 --> 00:58:29,320
Speaker 2: Bertie Conrad Birdie, Conrad Bertie. And then there's like a

1158
00:58:29,520 --> 00:58:32,040
Speaker 2: dad who wants to like go to the Ed Sullivan Show.

1159
00:58:32,120 --> 00:58:34,600
Speaker 2: It's like a weird fight. I never really got.

1160
00:58:34,760 --> 00:58:36,960
Speaker 1: We did it in high school and I sat really

1161
00:58:37,080 --> 00:58:39,560
Speaker 1: upset in the theater because I wasn't in it because

1162
00:58:39,560 --> 00:58:41,960
Speaker 1: I was too closeted, And I said, high school was

1163
00:58:42,040 --> 00:58:44,520
Speaker 1: deprived of my Conrad Berdie because this is Conrad Berdy.

1164
00:58:44,560 --> 00:58:47,640
Speaker 1: Conrad Berdie plays like it's like an Elvis Presley type

1165
00:58:48,040 --> 00:58:50,200
Speaker 1: who they all are going crazy over.

1166
00:58:50,280 --> 00:58:51,960
Speaker 2: And then he has to join the war. He has

1167
00:58:52,040 --> 00:58:54,560
Speaker 2: to join the army. Yeah, and so it's the way

1168
00:58:54,640 --> 00:58:56,520
Speaker 2: of like it's like then then they.

1169
00:58:56,480 --> 00:58:58,760
Speaker 1: Sat like a campaign, it's like save Conrad.

1170
00:58:58,960 --> 00:58:59,600
Speaker 2: Is this what it is?

1171
00:58:59,800 --> 00:58:59,960
Speaker 5: Yeah?

1172
00:59:00,080 --> 00:59:04,200
Speaker 2: Basically, but see this is the Bye Bye Birdie plot

1173
00:59:04,280 --> 00:59:08,440
Speaker 2: explanation challenge. If you can succinctly explain the plot of

1174
00:59:08,520 --> 00:59:11,880
Speaker 2: Bye Bye Birdie ten dollars because there is a whole thing.

1175
00:59:12,360 --> 00:59:13,200
Speaker 2: There's a whole.

1176
00:59:14,600 --> 00:59:17,240
Speaker 1: There's this woman that's like she's like like she's she's,

1177
00:59:17,320 --> 00:59:19,280
Speaker 1: you know, stopping her foot at her husband because he's

1178
00:59:19,280 --> 00:59:21,600
Speaker 1: an English teacher. But that's what she wanted.

1179
00:59:24,200 --> 00:59:27,120
Speaker 2: Her name the Elvis. The Elvis type is also an

1180
00:59:27,120 --> 00:59:33,280
Speaker 2: English teacher. Two different male leads. He's coming into he's coming,

1181
00:59:33,440 --> 00:59:36,280
Speaker 2: but then there's this couple named Hugo and Kim, and

1182
00:59:36,440 --> 00:59:38,920
Speaker 2: then the opening number is actually really cute. It's called

1183
00:59:39,320 --> 00:59:46,240
Speaker 2: Margaret did it and Margaret by Did you watch mad Man?

1184
00:59:47,480 --> 00:59:49,720
Speaker 3: Yes? They did, they played that clip.

1185
00:59:50,040 --> 00:59:50,360
Speaker 2: Okay.

1186
00:59:50,440 --> 00:59:53,680
Speaker 1: Anyway, So the gay character in mad Men, Salvator Romano,

1187
00:59:53,720 --> 00:59:57,040
Speaker 1: who was like the visuals guy, was like very inspired

1188
00:59:57,160 --> 00:59:59,000
Speaker 1: by the opening of Bye Bye Bertie and was like,

1189
00:59:59,240 --> 01:00:01,920
Speaker 1: it's like going to be like and Margaret and they

1190
01:00:01,960 --> 01:00:04,400
Speaker 1: were all watching, Like the way he talks about this

1191
01:00:04,600 --> 01:00:05,360
Speaker 1: is kind of gay.

1192
01:00:05,440 --> 01:00:09,760
Speaker 2: And actually that would be his sons a Boulevard with Nicole, yes,

1193
01:00:10,120 --> 01:00:12,480
Speaker 2: like in the because that's yeah.

1194
01:00:13,200 --> 01:00:15,600
Speaker 1: And then his whole his whole problem in the episode

1195
01:00:15,720 --> 01:00:17,080
Speaker 1: was they get a girl to come in and like

1196
01:00:17,680 --> 01:00:19,920
Speaker 1: do the ad, which is like kind of like ripping

1197
01:00:20,000 --> 01:00:23,000
Speaker 1: on Anne Margaret, and he's like, she's not Anne Margaret,

1198
01:00:23,640 --> 01:00:25,400
Speaker 1: and it's like he's getting a little gay about it

1199
01:00:25,680 --> 01:00:27,960
Speaker 1: because it's like she doesn't have like the star quality ails, Like,

1200
01:00:27,960 --> 01:00:29,000
Speaker 1: what are you talking about it's great?

1201
01:00:29,120 --> 01:00:31,080
Speaker 3: He's like, no, I think this is what it is.

1202
01:00:31,320 --> 01:00:32,479
Speaker 1: Again, that could be wrong.

1203
01:00:32,880 --> 01:00:35,040
Speaker 2: So hard to explain story to people.

1204
01:00:36,120 --> 01:00:40,600
Speaker 1: What's in this simple story? To explain Titanic Titanic rich girl,

1205
01:00:40,720 --> 01:00:43,320
Speaker 1: poor guy, they fall in love. It's drama and then

1206
01:00:43,560 --> 01:00:45,280
Speaker 1: guess what they hit an iceberg and.

1207
01:00:46,480 --> 01:00:50,040
Speaker 2: Boom boom, Cinderella. You can explain very well, and this

1208
01:00:50,320 --> 01:00:54,200
Speaker 2: this I would submit to the dress Cinderella, not the not,

1209
01:00:54,400 --> 01:00:57,200
Speaker 2: not the not the pink dress, that her pink dress,

1210
01:00:57,560 --> 01:01:01,080
Speaker 2: because that was devastating eating when they tore it apart,

1211
01:01:02,320 --> 01:01:06,000
Speaker 2: like there was so much emotional tragedy. It was as

1212
01:01:06,040 --> 01:01:08,160
Speaker 2: an audience, you cared so much. You were so happy

1213
01:01:08,200 --> 01:01:09,080
Speaker 2: for her about that draft.

1214
01:01:09,720 --> 01:01:16,560
Speaker 1: That was really good. That's off broad off, that's really good.

1215
01:01:17,240 --> 01:01:18,040
Speaker 1: I presented you.

1216
01:01:18,200 --> 01:01:20,360
Speaker 2: The award for acting.

1217
01:01:22,480 --> 01:01:23,360
Speaker 3: The goal that gave me.

1218
01:01:23,960 --> 01:01:24,760
Speaker 2: Can I tell you something?

1219
01:01:25,040 --> 01:01:26,640
Speaker 1: We were actually so excited because it was me and

1220
01:01:26,760 --> 01:01:28,920
Speaker 1: James doing it. And I said to James, I was like,

1221
01:01:29,160 --> 01:01:31,880
Speaker 1: should we look And so we looked a little early

1222
01:01:32,120 --> 01:01:36,280
Speaker 1: and James saw your name and he goes and I

1223
01:01:36,400 --> 01:01:39,560
Speaker 1: was like, I was like, okay, you can say, you

1224
01:01:39,640 --> 01:01:41,440
Speaker 1: can say he has to he had to, and he

1225
01:01:41,520 --> 01:01:45,040
Speaker 1: said it. That's really beautiful that they were there for that. Wow,

1226
01:01:45,440 --> 01:01:47,800
Speaker 1: show business, My god, you can't even be sentimental for one.

1227
01:01:47,920 --> 01:01:51,960
Speaker 2: You couldn't even do that. You couldn't even you said, wow,

1228
01:01:52,160 --> 01:01:57,160
Speaker 2: show business, disdain your friends get to present you the

1229
01:01:57,240 --> 01:01:58,080
Speaker 2: big award at the.

1230
01:02:01,280 --> 01:02:05,479
Speaker 3: At the Gotham Award, the Gotham Award. It's very fun,

1231
01:02:05,680 --> 01:02:06,000
Speaker 3: very fun.

1232
01:02:06,120 --> 01:02:08,240
Speaker 2: Words. This is a room of Gotham winners.

1233
01:02:11,080 --> 01:02:15,280
Speaker 1: Everyone gets yeah, okay, this is a thing. So they

1234
01:02:15,360 --> 01:02:16,760
Speaker 1: were like trying to figure out a way to like

1235
01:02:17,240 --> 01:02:19,400
Speaker 1: bring me in James to the stage, and I was

1236
01:02:19,480 --> 01:02:22,280
Speaker 1: like with a voiceover and I was like say Gotham

1237
01:02:22,320 --> 01:02:26,160
Speaker 1: Award winners, James. And then they did and we got

1238
01:02:26,240 --> 01:02:28,760
Speaker 1: up there and I guess that one was like whispering

1239
01:02:28,800 --> 01:02:33,320
Speaker 1: to each other what did they? Who are they? Who kidding?

1240
01:02:34,120 --> 01:02:35,680
Speaker 2: But it was funny because we were just like brought

1241
01:02:35,720 --> 01:02:37,200
Speaker 2: up with all this pomp and circumstances.

1242
01:02:40,800 --> 01:02:41,200
Speaker 3: Ensemble.

1243
01:02:41,280 --> 01:02:43,800
Speaker 1: I like my Gotham Award. I remember you saying you

1244
01:02:43,920 --> 01:02:47,240
Speaker 1: liked the shape of it. Yeah, A column, A column,

1245
01:02:48,280 --> 01:02:50,080
Speaker 1: pretty good, pretty good.

1246
01:02:50,280 --> 01:02:50,480
Speaker 2: Yeah.

1247
01:02:50,520 --> 01:02:53,800
Speaker 1: It's also silver, which is you know, my favorite color.

1248
01:02:53,880 --> 01:02:56,600
Speaker 1: Going back to child, there's a video of me. You

1249
01:02:56,640 --> 01:02:58,800
Speaker 1: would be proud of me. There's a video of me

1250
01:02:58,880 --> 01:03:01,640
Speaker 1: at three years old, and they're asking you questions. I

1251
01:03:01,680 --> 01:03:03,800
Speaker 1: think it was like a childhood like neighborhood safety thing

1252
01:03:03,840 --> 01:03:05,760
Speaker 1: where they're like, what's your name, what's your mom's name?

1253
01:03:05,800 --> 01:03:07,840
Speaker 1: Where do you live what's And then they started asking

1254
01:03:07,880 --> 01:03:10,520
Speaker 1: more fun questions like what's your favorite color? And I

1255
01:03:10,640 --> 01:03:12,800
Speaker 1: took a beat and I go silver.

1256
01:03:14,880 --> 01:03:16,600
Speaker 2: Have it that's cool? Silver?

1257
01:03:16,920 --> 01:03:20,680
Speaker 3: Silver, silver, silver, polished silver.

1258
01:03:20,960 --> 01:03:23,320
Speaker 1: An answer I think I would never give again, even

1259
01:03:23,360 --> 01:03:24,080
Speaker 1: though it's true.

1260
01:03:24,200 --> 01:03:26,280
Speaker 3: But you know, your favorite color is silver? I think

1261
01:03:26,360 --> 01:03:31,760
Speaker 3: so your warm tone, which is why it's surprising that

1262
01:03:31,920 --> 01:03:34,680
Speaker 3: his favorite color is silver. Your your warm tone, you

1263
01:03:34,760 --> 01:03:38,360
Speaker 3: mean like do I I feel like you're undertone of

1264
01:03:38,520 --> 01:03:39,840
Speaker 3: your of like your coloring.

1265
01:03:40,040 --> 01:03:42,200
Speaker 2: Oh, this is this the thing where like the lady

1266
01:03:42,240 --> 01:03:45,480
Speaker 2: puts the fabric think you as part of as part

1267
01:03:45,520 --> 01:03:47,200
Speaker 2: of promotion for the show. I think you should have

1268
01:03:47,280 --> 01:03:50,000
Speaker 2: that a lady who does that? Is it one lady

1269
01:03:50,080 --> 01:03:53,120
Speaker 2: or is it multiple? There are multiple specialists and they

1270
01:03:53,160 --> 01:03:58,240
Speaker 2: are all so amazing bomb But the way, just the

1271
01:03:58,320 --> 01:04:01,680
Speaker 2: way they comment on it is just like mesmerize. But

1272
01:04:01,720 --> 01:04:05,280
Speaker 2: they're very like, see see what I'm saying? Better now right,

1273
01:04:05,640 --> 01:04:07,880
Speaker 2: see what I'm saying. Do you see the difference? You

1274
01:04:07,960 --> 01:04:09,760
Speaker 2: see how this is good? You see how this is

1275
01:04:09,840 --> 01:04:14,040
Speaker 2: good and this is bad? And oh right, yeah see right?

1276
01:04:14,160 --> 01:04:15,600
Speaker 2: You felt the Holy spirit? Right?

1277
01:04:16,760 --> 01:04:21,960
Speaker 3: This is this is this is like a driver things

1278
01:04:22,000 --> 01:04:22,720
Speaker 3: that will cut well.

1279
01:04:23,360 --> 01:04:25,360
Speaker 2: Look up, look at that, look at that. Yes, but

1280
01:04:25,520 --> 01:04:28,920
Speaker 2: don't you just want that experience anyway of just having

1281
01:04:29,000 --> 01:04:30,840
Speaker 2: someone tell you what colors look good on you?

1282
01:04:30,960 --> 01:04:36,000
Speaker 1: But it is kind of nice to hear like. It's

1283
01:04:36,040 --> 01:04:37,800
Speaker 1: probably not a good idea for you to do a

1284
01:04:37,840 --> 01:04:39,640
Speaker 1: blank like, you know, it's not a great idea for me.

1285
01:04:40,040 --> 01:04:41,000
Speaker 1: What jewel tones?

1286
01:04:41,720 --> 01:04:46,840
Speaker 3: What I disagree really hard disagree you are jewel tones.

1287
01:04:47,440 --> 01:04:49,360
Speaker 1: I think spiritually.

1288
01:04:51,400 --> 01:04:54,280
Speaker 2: Jewel tones. All your all your idols are jewel tones.

1289
01:04:54,720 --> 01:05:00,360
Speaker 2: Doesn't mean he's jewel tones. Such a tone?

1290
01:05:00,360 --> 01:05:00,960
Speaker 3: Are you kidding?

1291
01:05:01,240 --> 01:05:03,280
Speaker 1: She wore a lot of jewel tones on Dusty Housewise.

1292
01:05:03,280 --> 01:05:05,160
Speaker 1: If you remember, there was always like a really like

1293
01:05:05,600 --> 01:05:08,560
Speaker 1: like a bright royal blue. There was always like.

1294
01:05:08,640 --> 01:05:11,520
Speaker 2: Bright red emeralds she was giving.

1295
01:05:11,880 --> 01:05:14,080
Speaker 1: Oh she was. She would absolutely slay in like a

1296
01:05:14,320 --> 01:05:16,240
Speaker 1: mint love.

1297
01:05:16,760 --> 01:05:25,200
Speaker 2: Not a jewel emerald green. Is what I meant to say, Mint, I.

1298
01:05:25,280 --> 01:05:26,360
Speaker 3: Love you, I do love you.

1299
01:05:26,520 --> 01:05:29,280
Speaker 2: Has been on the podcast. I've never met her.

1300
01:05:29,560 --> 01:05:30,439
Speaker 1: That feels wrong.

1301
01:05:31,080 --> 01:05:33,440
Speaker 2: It feels wrong that she hasn't been on the podcast. No, definitely, No,

1302
01:05:33,760 --> 01:05:36,640
Speaker 2: certainly we talked about l A l A. We talked

1303
01:05:36,640 --> 01:05:38,800
Speaker 2: about her all the time. Is she aware of this?

1304
01:05:39,560 --> 01:05:40,000
Speaker 2: She must be.

1305
01:05:40,080 --> 01:05:42,439
Speaker 3: I think she might be. In fact, she's like, which

1306
01:05:42,520 --> 01:05:43,400
Speaker 3: guys are this right?

1307
01:05:43,600 --> 01:05:45,560
Speaker 2: I'm sure she's I'm sure she hasked that, like someone

1308
01:05:45,680 --> 01:05:47,440
Speaker 2: must have clued her in on on the award that

1309
01:05:47,520 --> 01:05:48,040
Speaker 2: we named.

1310
01:05:47,880 --> 01:05:53,000
Speaker 1: After her, Award Tiny Woman, Huge Impact. We wanted her

1311
01:05:53,040 --> 01:05:56,200
Speaker 1: to present the award, but the schedules did not align.

1312
01:05:56,400 --> 01:06:00,000
Speaker 1: She's directing, Yes, she is directing, And what I would

1313
01:06:00,160 --> 01:06:02,400
Speaker 1: say is in advance. I would love for her to

1314
01:06:02,480 --> 01:06:04,919
Speaker 1: come next year we get to do it again.

1315
01:06:05,080 --> 01:06:08,920
Speaker 2: Eva Longoria, if you're listening, please come next year. M

1316
01:06:09,080 --> 01:06:13,160
Speaker 2: Julia will do another bit. Mm hmmm. Honestly, well, I

1317
01:06:13,240 --> 01:06:14,280
Speaker 2: think you should.

1318
01:06:14,000 --> 01:06:15,480
Speaker 3: Win an award next year.

1319
01:06:15,480 --> 01:06:19,080
Speaker 1: It's probably about time, huh, I think you should give Well,

1320
01:06:19,200 --> 01:06:25,440
Speaker 1: let's see how color Theories is. Let's let's see performances.

1321
01:06:25,680 --> 01:06:28,360
Speaker 3: Yeah, two performances, not enough to qualify for anything, but

1322
01:06:28,520 --> 01:06:32,080
Speaker 3: maybe let's maybe definitely.

1323
01:06:32,520 --> 01:06:35,160
Speaker 2: Is it going to be filmed or is it pure theater?

1324
01:06:35,320 --> 01:06:39,320
Speaker 1: Because Taylor Swift would film it, she would she would

1325
01:06:39,400 --> 01:06:41,040
Speaker 1: film it, she would film it.

1326
01:06:41,760 --> 01:06:46,040
Speaker 2: Does that mean you wouldn't what I'll film it? Yes? Yes, yes, yes, yes,

1327
01:06:46,120 --> 01:06:47,480
Speaker 2: yes yes maybe that would.

1328
01:06:47,480 --> 01:06:48,400
Speaker 1: Maybe we weren't supposed to.

1329
01:06:48,840 --> 01:06:50,720
Speaker 3: We were't supposed to ask cut we'll cut around.

1330
01:06:51,880 --> 01:06:55,440
Speaker 2: Yeah, Olivia is about to scold us. Olivia we have

1331
01:06:55,560 --> 01:06:58,680
Speaker 2: the same manager, mm hmmm, and she is likely to

1332
01:06:58,720 --> 01:07:00,520
Speaker 2: take a meeting in the middle of the show, much

1333
01:07:00,600 --> 01:07:12,960
Speaker 2: like Matt one tho, now I think it's time the time,

1334
01:07:13,040 --> 01:07:13,360
Speaker 2: I think.

1335
01:07:13,240 --> 01:07:14,840
Speaker 1: It's time, it's time for I don't think so, honey.

1336
01:07:15,400 --> 01:07:17,720
Speaker 1: So just to refresh you whatever one at home, it's

1337
01:07:17,800 --> 01:07:21,520
Speaker 1: a one minute segment that we take tourant rail destroy

1338
01:07:22,120 --> 01:07:27,919
Speaker 1: really like I don't know, sometimes just totally obliterate something

1339
01:07:27,960 --> 01:07:30,560
Speaker 1: in colortural that's bothering us. Something has recently come to

1340
01:07:30,640 --> 01:07:33,720
Speaker 1: my attention actually as a result of the Culture Awards,

1341
01:07:34,080 --> 01:07:35,560
Speaker 1: and that's the angle I'm taking today.

1342
01:07:35,880 --> 01:07:39,160
Speaker 3: This is exciting. This is Matt Rogers's I don't think so, honey.

1343
01:07:39,200 --> 01:07:41,800
Speaker 1: As time starts now, I don't think so honey. The

1344
01:07:41,960 --> 01:07:45,640
Speaker 1: people who thought that the lyric and diet Pepsi was

1345
01:07:45,840 --> 01:07:50,040
Speaker 1: Costco chain. So a lot of people, as a result

1346
01:07:50,120 --> 01:07:54,600
Speaker 1: of Ben Platt's brilliant rendition of diet Pepsi by Addison Ray,

1347
01:07:54,840 --> 01:07:58,440
Speaker 1: have for the first time heard Cross gold Chain, and

1348
01:07:58,560 --> 01:07:59,880
Speaker 1: a lot of people are like, I thought it was

1349
01:08:00,080 --> 01:08:03,440
Speaker 1: Costco chain. I don't think so, honey. What is a

1350
01:08:03,560 --> 01:08:06,040
Speaker 1: Costco Chain. Like, I understand you can go to Costco

1351
01:08:06,080 --> 01:08:08,080
Speaker 1: and buy many things, but I don't think jewelry is

1352
01:08:08,120 --> 01:08:08,440
Speaker 1: one of them.

1353
01:08:08,480 --> 01:08:11,400
Speaker 2: Also, can I just I just feel like it's it's

1354
01:08:11,520 --> 01:08:12,200
Speaker 2: it's a reach.

1355
01:08:12,320 --> 01:08:14,640
Speaker 1: And I understand that the song was written in like

1356
01:08:14,760 --> 01:08:17,280
Speaker 1: a Lana del Rey sort of like fever dream, but

1357
01:08:18,000 --> 01:08:19,960
Speaker 1: I think we're trying to reach at like what would

1358
01:08:20,000 --> 01:08:22,280
Speaker 1: Lana say? And maybe Lana del Ray would say, I

1359
01:08:22,360 --> 01:08:24,880
Speaker 1: bought a chain at Costco, But that's not what the

1360
01:08:24,960 --> 01:08:26,680
Speaker 1: line is. And if you listen to it more than once,

1361
01:08:26,800 --> 01:08:29,280
Speaker 1: you hear that it's Cross gold Chain. I understand, like

1362
01:08:29,840 --> 01:08:33,519
Speaker 1: maybe we want something different. It's not that I don't

1363
01:08:33,520 --> 01:08:35,280
Speaker 1: think so, honey. You need to get your ears checked.

1364
01:08:35,640 --> 01:08:37,959
Speaker 1: Thank you Ben Platt for bringing this to the forefront.

1365
01:08:38,040 --> 01:08:41,760
Speaker 1: It's Cross gold Chain, not Costco Chain. I don't think so, honey.

1366
01:08:41,800 --> 01:08:47,519
Speaker 2: And that's one minute, you know, yeah, yeah, I mean yeah,

1367
01:08:47,640 --> 01:08:48,439
Speaker 2: Costco chain.

1368
01:08:48,800 --> 01:08:51,080
Speaker 1: More than ten people have said this in my comments,

1369
01:08:51,120 --> 01:08:53,240
Speaker 1: like I never really heard that it wasn't Costco chain.

1370
01:08:53,360 --> 01:08:57,639
Speaker 2: You're a comment reader. I'm actually I've actually now as

1371
01:08:57,680 --> 01:08:59,679
Speaker 2: a as a as a result of like the past

1372
01:08:59,760 --> 01:09:03,720
Speaker 2: few months, i'd say I'm thinking about disabling comments it's

1373
01:09:04,960 --> 01:09:08,040
Speaker 2: on Instagram. I'm thinking about just doing a flat out

1374
01:09:08,120 --> 01:09:09,200
Speaker 2: if I don't follow you.

1375
01:09:09,280 --> 01:09:10,479
Speaker 1: You can't comment situation.

1376
01:09:10,520 --> 01:09:12,799
Speaker 2: I've done that for quite some time. Yeah, or it's

1377
01:09:12,840 --> 01:09:15,320
Speaker 2: that if for me, it's just if you don't follow me,

1378
01:09:15,640 --> 01:09:20,519
Speaker 2: you can't comment. Yeah, that's pretty open policy. It's like, oh, yeah, no,

1379
01:09:20,600 --> 01:09:22,080
Speaker 2: I guess it's like you have to feel like you

1380
01:09:22,160 --> 01:09:24,559
Speaker 2: can't come unless you follow me, which is actually quite

1381
01:09:24,600 --> 01:09:27,320
Speaker 2: It's like, therefore it's no like random.

1382
01:09:27,040 --> 01:09:30,040
Speaker 3: People just yeah to drive by. Yeah, you know what

1383
01:09:30,040 --> 01:09:33,839
Speaker 3: I mean. Yeah, And so that might be something.

1384
01:09:33,840 --> 01:09:36,479
Speaker 2: You got to commit to following me. If you want

1385
01:09:36,520 --> 01:09:38,400
Speaker 2: to insult me, if you.

1386
01:09:38,520 --> 01:09:40,439
Speaker 1: Want to get in my head for hours, you got

1387
01:09:40,520 --> 01:09:41,360
Speaker 1: to follow me first.

1388
01:09:41,560 --> 01:09:43,640
Speaker 3: If you want to say racist or homophobic things, you

1389
01:09:43,720 --> 01:09:44,920
Speaker 3: got to hit the follow bow.

1390
01:09:45,840 --> 01:09:49,559
Speaker 2: It really is something, Huh. It's interesting how this all worked,

1391
01:09:49,880 --> 01:09:52,679
Speaker 2: this is all and how it never really was meant

1392
01:09:52,680 --> 01:09:54,040
Speaker 2: to be part of the human experience.

1393
01:09:54,520 --> 01:09:55,680
Speaker 1: Whenever you say this, I'm like.

1394
01:09:55,720 --> 01:09:59,360
Speaker 3: That is true, and it all goes to little mark,

1395
01:09:59,600 --> 01:10:03,679
Speaker 3: to a little mark, gobble gobble gobble, every little comment,

1396
01:10:04,040 --> 01:10:06,960
Speaker 3: every little piece of hate gobble gobble gobble every time.

1397
01:10:07,880 --> 01:10:11,160
Speaker 1: Yeah, touching for for the hate means to chang every

1398
01:10:11,200 --> 01:10:13,880
Speaker 1: time you say, like, it's actually not a thing where

1399
01:10:13,920 --> 01:10:15,840
Speaker 1: we're not supposed to know other people's thoughts.

1400
01:10:15,880 --> 01:10:19,800
Speaker 2: We're not supposed to read other people's thoughts right in

1401
01:10:19,960 --> 01:10:22,000
Speaker 2: that way where it's like a little bit by bit

1402
01:10:22,080 --> 01:10:25,439
Speaker 2: by bit by bit, I'm not supposed to read other

1403
01:10:25,479 --> 01:10:26,040
Speaker 2: people's thoughts.

1404
01:10:26,040 --> 01:10:28,519
Speaker 3: And it's yeah, because there's a lot of stream of

1405
01:10:28,560 --> 01:10:29,599
Speaker 3: consciousness in there.

1406
01:10:29,640 --> 01:10:32,960
Speaker 2: Of course, and you're like, there's no unifying thing here

1407
01:10:33,640 --> 01:10:39,120
Speaker 2: other than its response, like what what one particular image

1408
01:10:39,240 --> 01:10:41,200
Speaker 2: is supposed to community may like it's whatever.

1409
01:10:41,200 --> 01:10:42,080
Speaker 3: I don't have to get into.

1410
01:10:42,040 --> 01:10:42,880
Speaker 1: TBD for now.

1411
01:10:43,280 --> 01:10:44,519
Speaker 2: Let it rip in the comments.

1412
01:10:44,600 --> 01:10:49,439
Speaker 1: There's still there's just you can Are you ready, Bowen Yang,

1413
01:10:49,479 --> 01:10:52,200
Speaker 1: do you have an I don't think so, honey, I do,

1414
01:10:52,760 --> 01:10:55,240
Speaker 1: I do? Okay, this is Bowen Yang's I don't think

1415
01:10:55,280 --> 01:10:56,400
Speaker 1: so honey. It's time starts now.

1416
01:10:56,640 --> 01:10:59,960
Speaker 2: I don't think so honey. Weed in soda I don't.

1417
01:11:00,000 --> 01:11:03,320
Speaker 2: I don't think this is helping me in particular anymore.

1418
01:11:03,360 --> 01:11:05,960
Speaker 2: I enjoy it for other people. I'm not going to

1419
01:11:06,080 --> 01:11:09,840
Speaker 2: name brands, but a weed soda has recently knocked me

1420
01:11:09,960 --> 01:11:12,800
Speaker 2: on my ass, and it's made by amazing people.

1421
01:11:13,320 --> 01:11:16,080
Speaker 3: I just thin, we know that we know and we love.

1422
01:11:16,720 --> 01:11:19,479
Speaker 2: But the weed soda has been sent to me in

1423
01:11:19,720 --> 01:11:25,479
Speaker 2: yet another box full of four six packs. And you

1424
01:11:25,520 --> 01:11:27,800
Speaker 2: know what I known about myself to blame. I take

1425
01:11:27,800 --> 01:11:29,840
Speaker 2: it back. Actually, I don't blame the people. I blame

1426
01:11:29,880 --> 01:11:30,360
Speaker 2: myself for.

1427
01:11:30,720 --> 01:11:31,160
Speaker 1: What I'm saying.

1428
01:11:31,200 --> 01:11:31,799
Speaker 3: I'm bibing.

1429
01:11:32,320 --> 01:11:35,760
Speaker 2: Three weeds sodas I had, I had one. No, I

1430
01:11:35,800 --> 01:11:37,640
Speaker 2: had one. Three weeds sodas over three days, but I

1431
01:11:37,680 --> 01:11:39,599
Speaker 2: had one. I had half a weed soda last night

1432
01:11:39,640 --> 01:11:44,080
Speaker 2: that I shared with our friend Celestium, and fifteen seconds

1433
01:11:44,200 --> 01:11:47,320
Speaker 2: I woke up today groggier than ever. Oh, this is

1434
01:11:47,400 --> 01:11:49,679
Speaker 2: just a moratorium on marijuana overall.

1435
01:11:50,960 --> 01:11:51,599
Speaker 1: Five seconds.

1436
01:11:51,880 --> 01:11:54,320
Speaker 2: This is my Reagan Rave. Nancy was onto something.

1437
01:11:54,560 --> 01:11:56,200
Speaker 3: Just say no, oh God, And.

1438
01:11:56,280 --> 01:11:58,559
Speaker 1: That's one minute. Now that all that does does make

1439
01:11:58,640 --> 01:11:59,439
Speaker 1: me want it even more.

1440
01:12:00,160 --> 01:12:01,000
Speaker 2: I've never had one.

1441
01:12:01,680 --> 01:12:02,320
Speaker 1: I enjoy it.

1442
01:12:02,439 --> 01:12:03,920
Speaker 2: It sneaks up on you in a way that like

1443
01:12:04,000 --> 01:12:07,240
Speaker 2: an enable hits you out of nowhere, you know, the

1444
01:12:07,360 --> 01:12:09,320
Speaker 2: joint hits you. It kind of just hits you right away.

1445
01:12:09,400 --> 01:12:11,479
Speaker 3: But the weed, so it just just like I don't

1446
01:12:11,560 --> 01:12:13,760
Speaker 3: like feeling, I know, I know, I.

1447
01:12:13,880 --> 01:12:15,680
Speaker 1: Wonder if that's because you maybe had too many.

1448
01:12:16,720 --> 01:12:18,519
Speaker 2: I had half of one last night, and I woke

1449
01:12:18,560 --> 01:12:20,519
Speaker 2: up this morning feeling crazy.

1450
01:12:21,240 --> 01:12:24,160
Speaker 1: I'm just talking consecutively because I do think it's a thing,

1451
01:12:24,320 --> 01:12:26,640
Speaker 1: like it's cumulative. We were just in town, and so

1452
01:12:26,760 --> 01:12:30,240
Speaker 1: it was sort of like cigarette ali like when I'm

1453
01:12:30,280 --> 01:12:33,240
Speaker 1: on vacation, like I will allow myself to be corrupted

1454
01:12:33,280 --> 01:12:36,000
Speaker 1: by members of the vacation party that smoke cigarettes, and

1455
01:12:36,040 --> 01:12:37,480
Speaker 1: I just smoke.

1456
01:12:37,200 --> 01:12:38,880
Speaker 2: A lot of them, and I drink a lot and

1457
01:12:38,920 --> 01:12:40,920
Speaker 2: then I'm smoking a lot of weed and I'm just

1458
01:12:41,000 --> 01:12:44,639
Speaker 2: like afterwards, I feel bad for like four or five days.

1459
01:12:44,680 --> 01:12:45,559
Speaker 1: And I think it was just the.

1460
01:12:45,640 --> 01:12:48,240
Speaker 2: Consistency I'm on that coming down for sure. Yeah, me too.

1461
01:12:48,800 --> 01:12:50,559
Speaker 1: You're doing good now, I think.

1462
01:12:50,439 --> 01:12:52,680
Speaker 3: So now that I'm with you, guys, I actually did.

1463
01:12:52,760 --> 01:12:54,280
Speaker 1: I said, I got back to the city today and

1464
01:12:54,320 --> 01:12:57,479
Speaker 1: felt so much better good, Like I was just like

1465
01:12:57,680 --> 01:12:59,280
Speaker 1: it was just like this thing of like you know,

1466
01:12:59,320 --> 01:13:00,960
Speaker 1: the post vacation and when you're kind of just like, oh,

1467
01:13:01,000 --> 01:13:03,280
Speaker 1: now I'll sit for a while in this sitting just

1468
01:13:03,360 --> 01:13:04,080
Speaker 1: kind of like I.

1469
01:13:04,120 --> 01:13:07,400
Speaker 2: Don't have that, but I I've heard of this phenomenon.

1470
01:13:07,560 --> 01:13:10,120
Speaker 2: Why don't you have that? Of like you we're talking

1471
01:13:10,160 --> 01:13:13,519
Speaker 2: about like an emotional valley after I have acage yeah, yeah, yeah,

1472
01:13:13,760 --> 01:13:15,240
Speaker 2: this is so common. You don't have that. Yeah, I

1473
01:13:15,280 --> 01:13:16,479
Speaker 2: don't think I do. You're jealous.

1474
01:13:16,560 --> 01:13:18,120
Speaker 1: I guess is that because you're not doing a lot

1475
01:13:18,160 --> 01:13:18,799
Speaker 1: of like drugs.

1476
01:13:19,439 --> 01:13:22,479
Speaker 3: Yeah, so that's what it is. Yeah, it's good.

1477
01:13:22,600 --> 01:13:23,200
Speaker 2: It's good for you.

1478
01:13:23,479 --> 01:13:24,519
Speaker 1: Sure, innocent fun.

1479
01:13:25,760 --> 01:13:27,439
Speaker 2: I'm in rehearsal mode.

1480
01:13:27,720 --> 01:13:30,280
Speaker 3: I'm in rehearsal Broadway show.

1481
01:13:31,080 --> 01:13:32,360
Speaker 2: Okay, shall we have a little line?

1482
01:13:32,520 --> 01:13:35,840
Speaker 3: No, no, I'm in rehearsal arrest nasal arrest.

1483
01:13:36,360 --> 01:13:40,320
Speaker 2: Wait? But who I would much money? I have to

1484
01:13:40,560 --> 01:13:43,280
Speaker 2: are you making all I have to pay you to

1485
01:13:43,320 --> 01:13:45,240
Speaker 2: wear a shirt that says I can I have rehearsal.

1486
01:13:48,200 --> 01:13:51,679
Speaker 2: I would die to see you wear that. I can't

1487
01:13:51,800 --> 01:13:56,360
Speaker 2: I have rehearsal? Okay, see now maybe that's the title

1488
01:13:56,400 --> 01:13:59,720
Speaker 2: of that I can't rehearsal?

1489
01:14:00,080 --> 01:14:02,960
Speaker 3: Can't I have rehearsal? I think it would largely depend

1490
01:14:03,040 --> 01:14:05,800
Speaker 3: on the font, which would indicate whether this is an

1491
01:14:05,840 --> 01:14:10,080
Speaker 3: ironic shirt or like it can't he has rehearsal.

1492
01:14:10,000 --> 01:14:11,960
Speaker 2: And you, And in order for it to be ironic,

1493
01:14:12,000 --> 01:14:15,640
Speaker 2: it would have to be goofy, be like cursive. It

1494
01:14:15,680 --> 01:14:18,720
Speaker 2: can't be. It can't look too aesthetically please please, it

1495
01:14:19,000 --> 01:14:20,800
Speaker 2: has to look a little bit it has to be.

1496
01:14:21,040 --> 01:14:24,040
Speaker 3: It has to like if the font is anything but

1497
01:14:24,240 --> 01:14:27,880
Speaker 3: like straightforward, then it's it's an ironic T shirt.

1498
01:14:27,960 --> 01:14:29,679
Speaker 2: Yes, right, And it would have to be an ironic

1499
01:14:29,720 --> 01:14:31,120
Speaker 2: T shirt for you to wear it. No, because you

1500
01:14:31,120 --> 01:14:31,840
Speaker 2: don't wear ironic t.

1501
01:14:31,880 --> 01:14:34,120
Speaker 1: W wait, I have one big gun to your head,

1502
01:14:34,200 --> 01:14:36,680
Speaker 1: but Zuoka locked and loaded, gunna fire. You have to

1503
01:14:36,720 --> 01:14:40,919
Speaker 1: pick one T shirt says I can't I have rehearsal,

1504
01:14:41,760 --> 01:14:44,960
Speaker 1: one says I was young I needed the money, and

1505
01:14:45,080 --> 01:14:45,840
Speaker 1: the other one.

1506
01:14:45,760 --> 01:14:48,200
Speaker 2: Says not a day over fabulous?

1507
01:14:50,200 --> 01:14:53,439
Speaker 1: Which one? And you know the font it's random. I

1508
01:14:53,479 --> 01:14:54,320
Speaker 1: don't have to explain.

1509
01:14:54,439 --> 01:14:59,360
Speaker 2: Yeah, okay, the options where I can't have rehearsal not

1510
01:14:59,520 --> 01:15:02,080
Speaker 2: a day of fabulous and I was young I needed

1511
01:15:02,120 --> 01:15:02,840
Speaker 2: the money.

1512
01:15:02,880 --> 01:15:09,519
Speaker 3: And I was young I needed the money. I think

1513
01:15:09,560 --> 01:15:11,000
Speaker 3: I'm gonna go with rehearsal.

1514
01:15:11,320 --> 01:15:14,479
Speaker 2: Yeah, because that's like it's so not You're so not

1515
01:15:14,680 --> 01:15:17,640
Speaker 2: that person. Yeah, I feel like I was young I

1516
01:15:17,720 --> 01:15:21,120
Speaker 2: needed the money. People will go like, it's okay, can I.

1517
01:15:21,120 --> 01:15:21,639
Speaker 1: Tell you something.

1518
01:15:21,760 --> 01:15:24,479
Speaker 2: Yeah, it's a real sign that I have in my

1519
01:15:24,680 --> 01:15:26,800
Speaker 2: l a apartment. Which one of the three I was, Yeah,

1520
01:15:26,840 --> 01:15:29,840
Speaker 2: I needed the money and it's a sign. It's next

1521
01:15:29,920 --> 01:15:32,640
Speaker 2: to a picture of me and Bowen Yang. Wait, but

1522
01:15:32,760 --> 01:15:36,200
Speaker 2: it's a sign. It's like, I don't think it works

1523
01:15:36,280 --> 01:15:40,200
Speaker 2: if it's a if it's a knickknack apartment.

1524
01:15:40,240 --> 01:15:42,240
Speaker 1: In twenty nineteen, when I first moved to LA I

1525
01:15:42,360 --> 01:15:45,080
Speaker 1: was like, yeah, this I got it from like red

1526
01:15:45,160 --> 01:15:46,639
Speaker 1: fin or whatever the fuck whatever.

1527
01:15:46,720 --> 01:15:50,639
Speaker 2: The gay cracker barrel is no like red red, bubble red.

1528
01:15:51,920 --> 01:15:54,040
Speaker 2: What's the gay cracker barrel? I don't know, I'm the

1529
01:15:54,120 --> 01:15:55,920
Speaker 2: cracker barrel is like where you buy little signs.

1530
01:15:56,000 --> 01:15:59,640
Speaker 1: Right, you literally don't go online to find like uh

1531
01:16:00,200 --> 01:16:02,040
Speaker 1: special knickknacks and crafts.

1532
01:16:02,400 --> 01:16:05,720
Speaker 2: Way, now we should take really to cracker barrell. Oh,

1533
01:16:05,760 --> 01:16:06,320
Speaker 2: I would love that.

1534
01:16:07,320 --> 01:16:09,519
Speaker 1: Where you buy sign you can eat peanuts and just

1535
01:16:09,560 --> 01:16:10,719
Speaker 1: throw the peanuts on the ground.

1536
01:16:12,479 --> 01:16:16,400
Speaker 2: In addition to like having a delicious you know, casserole or.

1537
01:16:17,960 --> 01:16:21,120
Speaker 1: Spear, you can eat your peanuts, which instead of like

1538
01:16:21,200 --> 01:16:22,920
Speaker 1: you know, bread for the table, to peanuts to the table,

1539
01:16:23,040 --> 01:16:24,519
Speaker 1: you eat the peanuts and throw it on the ground

1540
01:16:24,520 --> 01:16:24,840
Speaker 1: and then.

1541
01:16:25,160 --> 01:16:26,880
Speaker 2: Throw it on the ground. It's like.

1542
01:16:28,560 --> 01:16:31,200
Speaker 3: Texas and this is wait, sorry, and the peanut and

1543
01:16:31,280 --> 01:16:34,200
Speaker 3: throwing the peanut shells on the ground. This this, this

1544
01:16:34,400 --> 01:16:35,080
Speaker 3: brings pleasure.

1545
01:16:35,920 --> 01:16:37,320
Speaker 2: I'm gonna say it's like part of it. I don't

1546
01:16:37,320 --> 01:16:39,439
Speaker 2: think it's like a known thing about cracker bets like

1547
01:16:39,880 --> 01:16:40,960
Speaker 2: you're thinking about mixed Sorely.

1548
01:16:42,240 --> 01:16:44,960
Speaker 1: Roadhouse is honestly what it is. It's remember when we

1549
01:16:44,960 --> 01:16:46,800
Speaker 1: would go to Austin like every year to do story

1550
01:16:46,840 --> 01:16:48,920
Speaker 1: pirates right, and we'd go to Texas Roadhouse and the

1551
01:16:48,960 --> 01:16:50,960
Speaker 1: whole thing was like you break open your nut with

1552
01:16:51,000 --> 01:16:52,320
Speaker 1: your teeth and you throw it on the ground and

1553
01:16:52,360 --> 01:16:54,040
Speaker 1: then someone has to come by and sweep it, and the.

1554
01:16:54,040 --> 01:16:54,840
Speaker 2: Whole thing of like.

1555
01:16:59,479 --> 01:17:01,719
Speaker 1: Job they know when I apply. They could have applied

1556
01:17:01,760 --> 01:17:04,479
Speaker 1: its sonic. They could have applied at outback steakhouse where

1557
01:17:04,520 --> 01:17:07,240
Speaker 1: everything gets down in the garbage. This is something different.

1558
01:17:08,360 --> 01:17:10,880
Speaker 3: Wow, I don't know.

1559
01:17:12,200 --> 01:17:14,360
Speaker 2: We're gonna take it. We're gonna take you, okay to

1560
01:17:14,479 --> 01:17:19,600
Speaker 2: wear sorry cracker barrels lash, Texas rod both have this

1561
01:17:19,800 --> 01:17:23,200
Speaker 2: thing of the nuts on the ground, Nuts on the ground,

1562
01:17:23,479 --> 01:17:24,400
Speaker 2: Nuts on the ground.

1563
01:17:24,520 --> 01:17:25,200
Speaker 1: Isn't that a song?

1564
01:17:26,720 --> 01:17:26,960
Speaker 5: It is?

1565
01:17:27,120 --> 01:17:27,280
Speaker 1: Now?

1566
01:17:27,720 --> 01:17:29,280
Speaker 3: Reality is working right.

1567
01:17:29,400 --> 01:17:32,760
Speaker 2: Reality is I don't Reality is worked in a major

1568
01:17:32,800 --> 01:17:36,000
Speaker 2: way on this episode. I think we'd expect nothing less

1569
01:17:36,760 --> 01:17:38,519
Speaker 2: and there's ye and there's yet more to come and

1570
01:17:38,720 --> 01:17:40,639
Speaker 2: one more is on the way.

1571
01:17:40,800 --> 01:17:45,200
Speaker 1: Will reality for bedroom put an actual commercial.

1572
01:17:44,880 --> 01:17:45,400
Speaker 2: Break in here.

1573
01:17:45,600 --> 01:17:46,760
Speaker 3: It should maybe we should.

1574
01:17:47,000 --> 01:17:47,320
Speaker 2: Let's put it.

1575
01:17:47,400 --> 01:17:49,800
Speaker 3: Let's put it right here now, and we're back.

1576
01:17:50,200 --> 01:17:54,200
Speaker 2: Everyone's pissed. Everyone's like that was too long. Shut up?

1577
01:17:55,680 --> 01:17:57,599
Speaker 2: So are you ready? I am ready?

1578
01:17:57,720 --> 01:18:01,320
Speaker 1: Okay, this is tours Is. I don't think so, honey,

1579
01:18:01,600 --> 01:18:02,439
Speaker 1: this time starts now.

1580
01:18:03,280 --> 01:18:06,200
Speaker 3: I don't think so, honey. Not putting shoes on the mannequins,

1581
01:18:06,800 --> 01:18:12,640
Speaker 3: oh money, honey, honey, honey. I get it that you

1582
01:18:12,800 --> 01:18:16,040
Speaker 3: don't sell shoes at this store. I understand that. But

1583
01:18:16,200 --> 01:18:20,920
Speaker 3: the mannequin has toenails. Yeah, yeah, you have to put

1584
01:18:20,960 --> 01:18:21,799
Speaker 3: shoes on the mannequin.

1585
01:18:22,040 --> 01:18:22,280
Speaker 2: You have.

1586
01:18:22,600 --> 01:18:26,640
Speaker 3: The manufacture of the mannequin has humanized this form to

1587
01:18:26,880 --> 01:18:30,160
Speaker 3: the extent they're giving it like they're giving it toenails. Yeah,

1588
01:18:30,520 --> 01:18:33,840
Speaker 3: it has been thought of. And you not so much

1589
01:18:33,880 --> 01:18:37,840
Speaker 3: as putting a sock or or or or just a

1590
01:18:37,920 --> 01:18:39,679
Speaker 3: slider flat, a slipper.

1591
01:18:40,000 --> 01:18:40,639
Speaker 2: It's wretched.

1592
01:18:41,080 --> 01:18:44,519
Speaker 3: It's wretched unless this is a bathing suit store, right,

1593
01:18:45,080 --> 01:18:49,439
Speaker 3: because even if it's lingerie, give her a pump, give.

1594
01:18:49,560 --> 01:18:52,160
Speaker 2: Her a about pajamas.

1595
01:18:58,640 --> 01:19:03,719
Speaker 3: You you don't you It is disgusting to not put

1596
01:19:03,960 --> 01:19:05,320
Speaker 3: shoes on the mannequins.

1597
01:19:05,439 --> 01:19:07,800
Speaker 1: And that's I hadn't even thought of this.

1598
01:19:08,040 --> 01:19:11,400
Speaker 2: But that's what makes you you. You really do have

1599
01:19:11,520 --> 01:19:12,880
Speaker 2: a fresh creative mode.

1600
01:19:13,120 --> 01:19:16,320
Speaker 1: Wow, that's why I'm so happy you came into I.

1601
01:19:16,360 --> 01:19:19,720
Speaker 2: Have a question. Do they have to have hair on

1602
01:19:19,840 --> 01:19:22,800
Speaker 2: the head? No? Well, then at what point you draw

1603
01:19:22,840 --> 01:19:24,360
Speaker 2: the line of the realism versus the.

1604
01:19:24,600 --> 01:19:26,920
Speaker 1: Well, like you are being very binary about it that

1605
01:19:27,000 --> 01:19:29,559
Speaker 1: a woman mannequin has to have long hair. I'm not.

1606
01:19:31,280 --> 01:19:33,600
Speaker 2: Saying you're a shoe, but like if they have to

1607
01:19:33,680 --> 01:19:37,679
Speaker 2: have a shoe because the mannequin has been the realism

1608
01:19:37,720 --> 01:19:40,120
Speaker 2: of the mannequins has gone to the point of them

1609
01:19:40,160 --> 01:19:43,960
Speaker 2: having toenails, should they have hair? I mean this is

1610
01:19:44,040 --> 01:19:47,000
Speaker 2: not to put any sort of value on like being

1611
01:19:47,120 --> 01:19:47,720
Speaker 2: bald is not?

1612
01:19:48,800 --> 01:19:50,560
Speaker 3: No, because I think no, because I think that you

1613
01:19:50,640 --> 01:19:52,080
Speaker 3: can elect not have hair.

1614
01:19:52,400 --> 01:19:54,320
Speaker 2: That's right, but you can just like you can elect

1615
01:19:54,360 --> 01:19:55,120
Speaker 2: not have shoes.

1616
01:19:55,280 --> 01:19:58,000
Speaker 3: No, because these people are presumably not in their homes.

1617
01:20:00,080 --> 01:20:01,080
Speaker 2: The world of.

1618
01:20:03,560 --> 01:20:05,400
Speaker 1: How they tell time? Shall they all have a watch?

1619
01:20:07,120 --> 01:20:08,360
Speaker 2: To assume that all of these.

1620
01:20:13,320 --> 01:20:14,360
Speaker 1: Have eyeglasses?

1621
01:20:14,520 --> 01:20:17,280
Speaker 3: Well, okay, okay, I think that that like some of

1622
01:20:17,360 --> 01:20:20,920
Speaker 3: the Okay, if it's a large store with men with

1623
01:20:21,040 --> 01:20:24,120
Speaker 3: like a hundred mannequins, says it's like Macy's. Yes, then yes,

1624
01:20:24,160 --> 01:20:28,120
Speaker 3: statistically some of them should have glasses, yeah, and and

1625
01:20:28,280 --> 01:20:29,200
Speaker 3: hair and hair.

1626
01:20:29,400 --> 01:20:29,599
Speaker 2: Yeah.

1627
01:20:30,280 --> 01:20:32,400
Speaker 1: What do you think about that errand mannequin that just

1628
01:20:32,479 --> 01:20:34,720
Speaker 1: has like both of its forearms cut off? You know

1629
01:20:34,840 --> 01:20:37,040
Speaker 1: what I'm talking about? All of a sudden, it's like

1630
01:20:37,400 --> 01:20:39,479
Speaker 1: I was like, well, what happened to her? Well, I

1631
01:20:39,600 --> 01:20:41,800
Speaker 1: think she's in a great blouse, but what happened to

1632
01:20:41,920 --> 01:20:42,840
Speaker 1: her arms? Well?

1633
01:20:42,880 --> 01:20:45,599
Speaker 3: I think that there are mannequins that do take liberties

1634
01:20:45,640 --> 01:20:46,400
Speaker 3: with the human form.

1635
01:20:46,840 --> 01:20:49,800
Speaker 2: Well, yes, but if it's going for realism, if it's

1636
01:20:49,880 --> 01:20:54,880
Speaker 2: going for realism, and it has whoenails give you, give

1637
01:20:54,920 --> 01:20:59,840
Speaker 2: it a given phone and I make it and I

1638
01:21:00,120 --> 01:21:03,200
Speaker 2: d a la boo boo a la boo boo.

1639
01:21:04,240 --> 01:21:06,400
Speaker 3: Depending on the age, I guess yeah, yeah sure.

1640
01:21:06,439 --> 01:21:09,280
Speaker 2: Well well now they're all ages now, No, it's all ages. No,

1641
01:21:09,400 --> 01:21:10,080
Speaker 2: it's all ages.

1642
01:21:10,479 --> 01:21:12,920
Speaker 1: Just final words before we let you go. H what

1643
01:21:13,000 --> 01:21:17,640
Speaker 1: do you think of La boo boo and Lafufu? Loafufu

1644
01:21:17,800 --> 01:21:20,679
Speaker 1: is the friend the fake one, the fake one? Yeah,

1645
01:21:20,840 --> 01:21:25,960
Speaker 1: Team Lau. Yeah, the people's La boo boo.

1646
01:21:26,720 --> 01:21:28,439
Speaker 3: That's true, Yeah, it's true.

1647
01:21:28,640 --> 01:21:30,719
Speaker 2: Wait, rurle culture number fifty nine.

1648
01:21:32,200 --> 01:21:34,599
Speaker 1: People, I make it in the book.

1649
01:21:34,680 --> 01:21:39,439
Speaker 3: Absolutely the book. You guys are gonna have an airline.

1650
01:21:41,800 --> 01:21:42,479
Speaker 2: Last culture.

1651
01:21:44,320 --> 01:21:47,120
Speaker 3: No, oh my god, those flight attendants the way I

1652
01:21:47,120 --> 01:21:49,360
Speaker 3: would put on sunglasses and look away.

1653
01:21:50,520 --> 01:21:54,400
Speaker 2: Jesus, those flight attendants.

1654
01:21:54,960 --> 01:21:57,960
Speaker 1: Who are you regular attendants?

1655
01:21:58,320 --> 01:22:01,880
Speaker 2: Hundreds of people, including.

1656
01:22:03,000 --> 01:22:03,120
Speaker 4: Sir.

1657
01:22:03,680 --> 01:22:07,920
Speaker 3: Sir, sir, you haven't heard the rule of culture.

1658
01:22:09,840 --> 01:22:12,479
Speaker 2: Through the culture, you go from the seatbelts, go from

1659
01:22:12,520 --> 01:22:13,759
Speaker 2: the right to your left.

1660
01:22:13,880 --> 01:22:15,080
Speaker 1: It's the conture number one.

1661
01:22:16,600 --> 01:22:21,160
Speaker 3: Wow, come on the airline. She'd have an airline. Okay,

1662
01:22:21,960 --> 01:22:23,920
Speaker 3: I'll come as far as we care.

1663
01:22:24,600 --> 01:22:27,519
Speaker 2: Yeah, I'll do it. It'll be a private jet with

1664
01:22:27,680 --> 01:22:29,240
Speaker 2: a huge carbon print.

1665
01:22:30,120 --> 01:22:33,320
Speaker 3: No, I think I think, uh, I think I think

1666
01:22:33,400 --> 01:22:35,760
Speaker 3: that culture. He says air is sort of like Wow Air.

1667
01:22:35,840 --> 01:22:36,599
Speaker 3: Remember Wow Air?

1668
01:22:36,880 --> 01:22:37,920
Speaker 2: What was Wow? Wow?

1669
01:22:38,320 --> 01:22:42,240
Speaker 3: Wow Air was an Icelandic airline that made uh they

1670
01:22:42,400 --> 01:22:44,200
Speaker 3: all had made they all had to make stops and

1671
01:22:44,240 --> 01:22:47,760
Speaker 3: rekvic mm hmm, which and they were branded and like

1672
01:22:47,920 --> 01:22:50,240
Speaker 3: it was wow and they had like spin offs.

1673
01:22:50,280 --> 01:22:56,000
Speaker 2: They had mom, dad and gay that's cool. What Yeah? Gay.

1674
01:22:56,960 --> 01:22:59,519
Speaker 1: I was like gonna say they're onto something by making

1675
01:22:59,560 --> 01:23:01,240
Speaker 1: reciv to stop because everyone should.

1676
01:23:01,479 --> 01:23:03,000
Speaker 2: There's fabulous. I have never been.

1677
01:23:03,560 --> 01:23:06,320
Speaker 1: We actually need to go, so we're planning.

1678
01:23:07,000 --> 01:23:08,120
Speaker 2: We're playing I did, I did?

1679
01:23:08,240 --> 01:23:09,960
Speaker 3: I did a shoot there? It was so fun?

1680
01:23:11,360 --> 01:23:11,519
Speaker 2: Is that?

1681
01:23:12,280 --> 01:23:15,519
Speaker 3: What were the next next to Lesculturisa's awards happened?

1682
01:23:16,560 --> 01:23:19,080
Speaker 2: I mean dream of dreams.

1683
01:23:19,200 --> 01:23:21,240
Speaker 1: Yes, but then it would just be like us and Byork,

1684
01:23:21,320 --> 01:23:23,800
Speaker 1: which really would be fine and we can figure that out.

1685
01:23:23,800 --> 01:23:27,760
Speaker 1: I think there is like a tax incentive to shoot there,

1686
01:23:28,320 --> 01:23:29,560
Speaker 1: so y'all should think about it.

1687
01:23:29,880 --> 01:23:32,200
Speaker 2: No, but the whole thing about is that it's a.

1688
01:23:33,840 --> 01:23:34,200
Speaker 3: American.

1689
01:23:36,040 --> 01:23:36,719
Speaker 1: It's very.

1690
01:23:39,000 --> 01:23:39,599
Speaker 2: I think.

1691
01:23:41,000 --> 01:23:43,719
Speaker 3: Wow air makes me think of wow chips.

1692
01:23:44,400 --> 01:23:47,479
Speaker 2: What are wild chips? Delta Work explains this very well.

1693
01:23:47,520 --> 01:23:51,600
Speaker 2: It's it's freedo lay used to have Wow chips, like

1694
01:23:51,680 --> 01:23:55,120
Speaker 2: in the nineties where it was not cooked with it

1695
01:23:55,200 --> 01:23:58,400
Speaker 2: was cooked with a different oil called olestra, and the

1696
01:23:58,680 --> 01:24:03,040
Speaker 2: oil it's kind of slip through your entire digestive system.

1697
01:24:03,840 --> 01:24:06,160
Speaker 2: Your body would not absorb the oil, and so they

1698
01:24:06,200 --> 01:24:08,240
Speaker 2: were like healthy chips. But then you.

1699
01:24:10,600 --> 01:24:13,080
Speaker 3: You take in shits, then.

1700
01:24:13,200 --> 01:24:18,120
Speaker 2: There's no absorption at all, but you would have poisonous

1701
01:24:18,160 --> 01:24:20,559
Speaker 2: ships from from all did it say in the packaging

1702
01:24:20,600 --> 01:24:23,240
Speaker 2: there's no absorption at all? They might I think they

1703
01:24:23,280 --> 01:24:25,680
Speaker 2: should have because people because now they're where are they now?

1704
01:24:26,360 --> 01:24:30,360
Speaker 2: People hated it. Oh, they hated it well because they

1705
01:24:30,479 --> 01:24:32,680
Speaker 2: didn't know they would people loved it. They would be

1706
01:24:32,720 --> 01:24:35,120
Speaker 2: around still. Can you imagine that ship that you didn't

1707
01:24:35,160 --> 01:24:35,759
Speaker 2: have to digest?

1708
01:24:36,280 --> 01:24:38,600
Speaker 1: It's a chip that every single time you digest that

1709
01:24:38,640 --> 01:24:39,799
Speaker 1: you have poisonous ships.

1710
01:24:40,040 --> 01:24:42,680
Speaker 2: So that won't work at all at all. That's the

1711
01:24:42,760 --> 01:24:46,960
Speaker 2: trade off. I mean, people hate poisonous shits more than

1712
01:24:46,960 --> 01:24:50,120
Speaker 2: they like non digestive chips.

1713
01:24:50,240 --> 01:24:52,240
Speaker 1: But coodles to them for being so good that it

1714
01:24:52,320 --> 01:24:54,920
Speaker 1: was even a conversation there for a while, because you

1715
01:24:54,960 --> 01:24:57,200
Speaker 1: wouldn't even think that there is a conversation there.

1716
01:24:57,280 --> 01:24:59,720
Speaker 3: No, that's a that's like an interesting show that has

1717
01:24:59,800 --> 01:25:02,479
Speaker 3: like one season before we let you go.

1718
01:25:03,000 --> 01:25:06,080
Speaker 1: One thing I realized is you actually and Taylor have

1719
01:25:06,200 --> 01:25:08,600
Speaker 1: another thing in common. I think you would really I

1720
01:25:09,240 --> 01:25:11,680
Speaker 1: know she really likes this word, and I think you

1721
01:25:11,760 --> 01:25:14,160
Speaker 1: would like this. What is the word variant?

1722
01:25:15,160 --> 01:25:18,240
Speaker 2: Variant? The agent variant.

1723
01:25:19,479 --> 01:25:23,240
Speaker 1: Like she puts out different variants vari yls now all

1724
01:25:23,280 --> 01:25:27,120
Speaker 1: the swifties, which is millions of people very used the

1725
01:25:27,160 --> 01:25:29,520
Speaker 1: word variant in everyday language.

1726
01:25:29,360 --> 01:25:34,880
Speaker 3: Like epidemiology terms like variant, like strain variant and is

1727
01:25:34,920 --> 01:25:40,479
Speaker 3: it like like like medical pop like like we haven't

1728
01:25:40,520 --> 01:25:42,599
Speaker 3: heard it yet, we don't know, we haven't heard.

1729
01:25:43,479 --> 01:25:46,960
Speaker 2: She calls her different vinyls variants, different colors of vinyls,

1730
01:25:47,080 --> 01:25:51,559
Speaker 2: color theories, variants, and she is we we were thinking

1731
01:25:51,560 --> 01:25:54,200
Speaker 2: about you when she announced this era. It's Showgirls.

1732
01:25:54,439 --> 01:25:58,200
Speaker 3: It is her circus era. Literally, it's her.

1733
01:25:58,640 --> 01:26:02,000
Speaker 2: She has finally got her. Be careful, don't stay there

1734
01:26:02,040 --> 01:26:02,400
Speaker 2: too long.

1735
01:26:02,760 --> 01:26:03,960
Speaker 1: No, I don't think she will.

1736
01:26:04,280 --> 01:26:07,760
Speaker 2: Okay, this is a quick little circus. But there's a

1737
01:26:07,880 --> 01:26:10,360
Speaker 2: rumor that she will be doing the super Bowl and

1738
01:26:10,439 --> 01:26:12,760
Speaker 2: then the Sphere in Vegas because it fits with the

1739
01:26:12,800 --> 01:26:16,080
Speaker 2: aesthetic of Showgirls, and so therefore, what more of a

1740
01:26:16,160 --> 01:26:19,200
Speaker 2: circus literally than the sphere? It's a circle, which is

1741
01:26:19,280 --> 01:26:20,960
Speaker 2: the Latin word for circus.

1742
01:26:21,040 --> 01:26:22,920
Speaker 1: Wait, is the super Bowl in Las Vegas this year?

1743
01:26:23,760 --> 01:26:25,360
Speaker 2: It is not in Las Vegas, but it is in

1744
01:26:25,400 --> 01:26:29,679
Speaker 2: another city where like another hint from the New Heights

1745
01:26:29,720 --> 01:26:32,720
Speaker 2: podcast was like alluding to like the location where it

1746
01:26:32,720 --> 01:26:33,720
Speaker 2: would be like New Orleans or.

1747
01:26:33,720 --> 01:26:36,000
Speaker 1: Something, because they were like, what have you been getting into, Lily,

1748
01:26:36,080 --> 01:26:38,760
Speaker 1: And she's like sour dough bread, and she kept saying,

1749
01:26:38,800 --> 01:26:40,519
Speaker 1: I'm really the sour dough bread. I would say, I

1750
01:26:40,560 --> 01:26:43,280
Speaker 1: would say it occupies sixty percent of my time when

1751
01:26:43,280 --> 01:26:45,200
Speaker 1: I believe it's the sixtieth Super Bowl?

1752
01:26:45,920 --> 01:26:50,200
Speaker 3: And sorry, what is the connection between sourdough bread as.

1753
01:26:50,200 --> 01:26:53,880
Speaker 1: Be sour dough bread super Bowl?

1754
01:26:56,280 --> 01:26:58,439
Speaker 2: And these are intentional things that she does. Perhaps they

1755
01:26:58,439 --> 01:27:03,240
Speaker 2: are we don't know yet. Okay, everything is intentional until

1756
01:27:03,280 --> 01:27:05,360
Speaker 2: they're not, until it's not until.

1757
01:27:05,280 --> 01:27:06,960
Speaker 3: Our projection loses power.

1758
01:27:07,240 --> 01:27:09,600
Speaker 2: Yeah, I mean, for all we know, she's like what

1759
01:27:10,160 --> 01:27:13,240
Speaker 2: I would actually kill to see YouTube and conversation.

1760
01:27:14,160 --> 01:27:16,519
Speaker 1: I'm not kidding. I think it would be really good.

1761
01:27:16,720 --> 01:27:20,240
Speaker 2: Two directors, two directors. She's got something at Searchlight, yeah,

1762
01:27:20,600 --> 01:27:27,439
Speaker 2: does she? Yeah? Variant variant, agent variant variant What's what's

1763
01:27:27,520 --> 01:27:29,000
Speaker 2: what's the age? How? What is agent?

1764
01:27:29,520 --> 01:27:30,439
Speaker 3: How does agent come in?

1765
01:27:30,800 --> 01:27:31,160
Speaker 1: I don't know.

1766
01:27:31,320 --> 01:27:36,040
Speaker 2: I imagine sort of like a like a bombshell ultraviolet Yeah,

1767
01:27:36,080 --> 01:27:39,599
Speaker 2: in that genre atomic blonde agent, atomic blonde agent. Yeah,

1768
01:27:39,720 --> 01:27:41,479
Speaker 2: not bombshell atomic blonde.

1769
01:27:41,720 --> 01:27:41,880
Speaker 3: Yeah.

1770
01:27:41,920 --> 01:27:46,160
Speaker 2: Agent variant, agent variant. I'm an agent orange.

1771
01:27:46,400 --> 01:27:46,839
Speaker 3: Interesting.

1772
01:27:47,720 --> 01:27:49,000
Speaker 1: Well I should think about after this.

1773
01:27:50,840 --> 01:27:54,360
Speaker 2: Color Theories is running September third, September twenty second Performance

1774
01:27:54,400 --> 01:27:56,040
Speaker 2: Space n y C twenty two.

1775
01:27:56,200 --> 01:27:58,640
Speaker 3: Chances your memory is on.

1776
01:27:59,439 --> 01:28:03,600
Speaker 2: First Ava You not off Broadway. We don't care for that.

1777
01:28:04,680 --> 01:28:06,400
Speaker 2: On First Avenue, we find it.

1778
01:28:06,520 --> 01:28:10,360
Speaker 1: To be diminishing when you say we're off Broadway.

1779
01:28:10,479 --> 01:28:13,840
Speaker 3: I don't think it's diminishing. I just think it's it's silly,

1780
01:28:13,920 --> 01:28:14,400
Speaker 3: so silly.

1781
01:28:14,560 --> 01:28:15,720
Speaker 2: It's what the things that we do.

1782
01:28:16,920 --> 01:28:19,360
Speaker 1: We end every episode with a big song.

1783
01:28:20,760 --> 01:28:21,160
Speaker 5: Oh.

1784
01:28:22,880 --> 01:28:31,240
Speaker 2: Same takes Me Away worrow by Christopher Cross Greta, used

1785
01:28:31,320 --> 01:28:36,120
Speaker 2: in as as a placeholder audio in a project We'll

1786
01:28:36,120 --> 01:28:45,240
Speaker 2: tell you about it later. Title title it takes Me Away.

1787
01:28:47,600 --> 01:28:49,320
Speaker 2: I actually don't know any of the words in episode.

1788
01:28:49,640 --> 01:28:52,680
Speaker 2: I recognize it is twenty nineteen. Master check it out.

1789
01:28:53,120 --> 01:28:55,080
Speaker 2: Last culture is This is the production by Will Ferrell's

1790
01:28:55,120 --> 01:28:56,479
Speaker 2: Big Money Players in My Heart Radio.

1791
01:28:56,320 --> 01:28:59,840
Speaker 1: Podcasts, created and hosted by Matt Rogers and Bowen Yang.

1792
01:29:00,040 --> 01:29:03,320
Speaker 1: Executive produced by Anna Hasnier and produced by Beccor Ramo,

1793
01:29:03,680 --> 01:29:06,040
Speaker 1: Edited and mixed by Doug Babe and our music is

1794
01:29:06,080 --> 01:29:07,040
Speaker 1: by Henrik Mursky