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Speaker 1: Forever. Hi, everybody. Before we get into this episode, we

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Speaker 1: have a little bit of a question for you, and

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Speaker 1: that is what's standing between you and happiness, is that

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Speaker 1: you are your own feelings or read block preventing you

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Speaker 1: to talk about, depression, stress and anxiety, trauma, grief, self esteem,

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Speaker 1: and other issues that are kind of you know what

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Speaker 1: Forward slash ding dong. The promo code again is ding dong,

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Speaker 1: because if you've been wanted to talk, you gotta get

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Speaker 1: started today. So go to better help dot com slash

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Speaker 1: ding dong and simply fill out the questionnaire to help

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Speaker 1: them assess your needs and get matched with the counselor

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Speaker 1: you'll love and one that you could always change. Look, man, oh,

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Speaker 1: I see you, my white and look over there. How

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Speaker 1: is that culture? Yes, goodness, let's ding dong. Let's cultures

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Speaker 1: calling you. Blew out the mic just now, you loud,

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Speaker 1: stupid bitch. I'm excited for this day. I'm excited for

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Speaker 1: the state too. But you came in with an energy

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Speaker 1: just white hot, like a snake, like a like a

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Speaker 1: white hot snake, nake like a white snake. The band,

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Speaker 1: the hair metal, the hair exactly not hair metal. They

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Speaker 1: were hair rock. Hair rock. Yeah, it's a rule of

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Speaker 1: culture number nine, hair rock. It's well at the full

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Speaker 1: rule is white Snake Boys was rock, and I think

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Speaker 1: that reads. And the reason I came in with this

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Speaker 1: in a certain type of way today is because I

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Speaker 1: feel very proud of our guests because now he's a

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Speaker 1: prestige actress, and that's a betrayal. It's a betrayal, deep betrayal.

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Speaker 1: So we were all supposed to be in basements together forever,

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Speaker 1: and our guests went on ahead and became a prestige actress.

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Speaker 1: The moment I saw our guest perform when I was

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Speaker 1: when I was young, when I was but a zygo,

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Speaker 1: I thought he will assend a prestige actress. It's incredible

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Speaker 1: when you see someone that you used to know become

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Speaker 1: a prestige actress. And I feel that we might even

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Speaker 1: of the title of ePRESS Prestige actress absolutely because you

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Speaker 1: see them change. I don't I don't mean to mention

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Speaker 1: this right off the top, but I saw them on

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Speaker 1: set like I was like I saw them from video village,

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Speaker 1: and I was like, there's a fucking prestige actress about this,

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Speaker 1: and it's crazy, Like I don't know. I came in

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Speaker 1: today with a certain type of white had white snake hair,

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Speaker 1: rock energy, and I of course, like, you know me,

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Speaker 1: I'm out of twelves at all times. And I found

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Speaker 1: what I found when I came in this room was

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Speaker 1: YouTube prestige actresses sitting talking quietly. We had a lived

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Speaker 1: in conversation about therapy. Oh that's what that's that's what

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Speaker 1: you were coming in on. You have to be able

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Speaker 1: to accept the energy of a room before that, that existed,

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Speaker 1: that was the reality before you came into it. It's

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Speaker 1: not times to read the room pure sollop sism with you.

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Speaker 1: Your reality is the only true reality. It's unacceptable and

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Speaker 1: you have to correct. I'm pure sollipsism. Yes, I'm gonna

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Speaker 1: put that into my Twitter bio pure solip pup. I

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Speaker 1: think that would be so fun. Can you define sollip system? Yea.

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Speaker 1: So it's like this some it's not a philosophical view,

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Speaker 1: but it's this view that what I'm, what I'm experiencing

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Speaker 1: is the only true thing and everyone else is just

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Speaker 1: a fabrication of my the way that I see the world. Like.

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Speaker 1: It's like, you literally don't think other people are real people? Well,

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Speaker 1: can I say something that's not true? I think? Are

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Speaker 1: you a real person? I think? I guess a real person? Yes,

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Speaker 1: very proud. Let's go through the um. The credits are

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Speaker 1: This Prestige actress will appear in many prestigious projects going forward.

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Speaker 1: He has already appeared in many prestigures and there was,

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Speaker 1: in fact one of the Prestige Films of the Year

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Speaker 1: truly was Can You Ever Forgive Me? Starring Miss Melissa

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Speaker 1: McCarthy starting Miss Richard E Grant, Miss Richard E Grant

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Speaker 1: in a Performance and Jane Curtin and Miss Jane Curtin

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Speaker 1: Never Forget Never Actulture number twelve, Never Forget Jane Hurtin.

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Speaker 1: And I felt that Richard E Grant should win the Oscar.

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Speaker 1: I felt like, I think Richard I talked about this

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Speaker 1: in the Natalie Walker episode we were right before the Globes.

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Speaker 1: I was I hadn't seen it at the time. I

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Speaker 1: was like, he has to win something. He's so good

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Speaker 1: at it. I think he should win the Academy Award.

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Speaker 1: That last scene in Julius, you're talking about the look

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Speaker 1: in his eye of just Rat. I'm like, oh my god. Culturists,

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Speaker 1: you have to go see that. But our guest was phenomenal,

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Speaker 1: phenomenal the guests, the guests that we have today in

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Speaker 1: the room, who will speak in moments. It was so

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Speaker 1: good in the in the movie. And Schnuty and Snouty

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Speaker 1: perform Nuty and Housing Works bookshop extremely snooty and sort

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Speaker 1: of studio where I said, I don't know about that character.

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Speaker 1: I love that. You know what I mean all I

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Speaker 1: know that character, though I know you are I am

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Speaker 1: and so the more the more I think about it,

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Speaker 1: the more Our guest has even more credits that are

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Speaker 1: coming up down the pipeline. The other two. The other two,

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Speaker 1: which is a series that we are currently doing a

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Speaker 1: feature at on several weeks full um what are these called.

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Speaker 1: It's basically a little mini season. It's a micro season.

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Speaker 1: We are pushing the other too hard and because we

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Speaker 1: love it so because we love it so dear, we

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Speaker 1: need to mention that there's no like Viacom is not

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Speaker 1: paying us to do this, like we are just bet

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Speaker 1: they could if they want um. But we're just pursuing

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Speaker 1: this because we love the show. Something we've seen all time,

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Speaker 1: episodes that we've seen it fantastic. And don't forget that

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Speaker 1: if you thought that it was just all about television

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Speaker 1: comedy and dramatic film, No, there is broad, high budget,

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Speaker 1: broad high budget comedy coming down the pipeline from our

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Speaker 1: guests and film. Isn't it romantic? Our guest is truly

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Speaker 1: I think the star of the film. I think our

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Speaker 1: guests the star of the film. Our guest at the

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Speaker 1: table read because you were you are in the sam

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Speaker 1: in this film, I play our guest. I remember this,

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Speaker 1: I play our guest boyfriend at the end of the film.

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Speaker 1: Can't we hear about that um? At the table read?

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Speaker 1: He was the fucking star. Prianka Chopra was guff falling,

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Speaker 1: just staring at him, just like, who is this person?

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Speaker 1: Panka couldn't believe what she was seeing, hearing and experiencing

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Speaker 1: and fucking Liam Mr ms Hemsworth. Oh, I could talk

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Speaker 1: about him, gave him I think went in for hug

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Speaker 1: at the table rate. But wait a minute, Tree, if

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Speaker 1: she's listening. We love her so much. I can't even

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Speaker 1: describe how much I love The first time I met

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Speaker 1: Betty Gilpin sunny to many passed guest of the show,

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Speaker 1: past culturalist pass and introduced us, and I truly was like,

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Speaker 1: I fully Suddy says, never be a fan, and I

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Speaker 1: ascribed to that, but I was. She does. I couldn't resist.

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Speaker 1: I was like, I was like, you are incredible. She's amazing.

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Speaker 1: She's amazing. And that was before season two of Glow.

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Speaker 1: That was after season one and the season two Betty

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Speaker 1: scene open invitation to be on the show. I want

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Speaker 1: Betty Gilpin on culture. The wheels might the wheels might

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Speaker 1: be in motion to happen, and that will be a

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Speaker 1: moment where I will have to take a breath. I

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Speaker 1: will have to take a deep breath. But let's just

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Speaker 1: and can I say, I have taken so many deep

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Speaker 1: breaths and I have to take a deep breath. I

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Speaker 1: remember that this person is in our lives, in our life,

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Speaker 1: isn't our friend is in our little coterie like legendary

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Speaker 1: you see being near ecb comedian, someone who took a

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Speaker 1: chance on me and Sam Taggard's crazy fucking show live

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Speaker 1: on broad Day back in the day when we were

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Speaker 1: just too fucking nothing. Was the carry Bradshaw of the show.

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Speaker 1: He's carry brad Shot. He's done carry Bratch every time.

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Speaker 1: He's nailed Carry Bratch every time. For someone who hasn't

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Speaker 1: ever seen a full episode of Sex in the City,

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Speaker 1: that's fucking nailed. Carry Bradshaw. Isn't that crazy, That's so stupid.

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Speaker 1: He is carry Bradshaw. Please welcome our guest, Brandon Scott Jones.

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Speaker 1: I think he's actually saying that wasn't recording. It wasn't

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Speaker 1: We had to do it again. You stupid bitch. Wait shirt,

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Speaker 1: and that's what it is, these prestige actresses who also

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Speaker 1: have the tricks up there sleep you what do you

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Speaker 1: think you are some sort of Catherine Hand. That's not

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Speaker 1: a joke to upset people. That's not a joke. Not

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Speaker 1: a joke comed Alright, fine, sorry Jesus fucking Christ back.

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Speaker 1: And as I said off air, and you guys confirm,

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Speaker 1: I am the first time, repeating time, and you're the

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Speaker 1: first gag male guest on the show. Absolutely actually never

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Speaker 1: had one, never had one. I was like, I just

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Speaker 1: realized that. I was like, oh my god. And you

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Speaker 1: guys did it twice. And I'm gonna just to be

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Speaker 1: the representation for we need a diversity on the pot

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Speaker 1: until we got you. Anytime we talk about Tennis on

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Speaker 1: his pod, you're invoked, your name is invoked. And this

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Speaker 1: is a hot pod for ten, Hot hot for ten. Honestly,

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Speaker 1: this might be the year I get into ten. Wait

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Speaker 1: do it? What has happened in the movie in What

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Speaker 1: Isn't a Romantic UM? I don't think so. But you

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Speaker 1: are exercising in the film. I am, yeah, exercising in

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Speaker 1: the film, and that that I remember that UM outfit

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Speaker 1: that I'm in this just like the most expensive. I

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Speaker 1: couldn't believe how apparently it was like two thousand. It's

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Speaker 1: like the Kim Kardashian whatever she did works like a

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Speaker 1: designer workout. Oh that was my My favorite part about

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Speaker 1: doing that movie was where the clothes. Oh my god,

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Speaker 1: I got to wear. I mean, I'll never be indulging

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Speaker 1: a ban again. But like I was in it to

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Speaker 1: tell for most of that movie, did you did you

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Speaker 1: get to keep anything? I did? I got to keep.

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Speaker 1: They gave me one thing as when I left, they

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Speaker 1: gave me And there's this um there's a scene where

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Speaker 1: I'm riding on a motorbike with Rebel and I have

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Speaker 1: this level Wilson Rebel Wilson, and I have this leather

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Speaker 1: jacket and I put this leather jacket is like it's

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Speaker 1: a cropped leather jacket with like huge long fringe. And

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Speaker 1: they gave it to me at the end of the

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Speaker 1: at the end of the movie. It was the first

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Speaker 1: scene that I shot, which I thought was really nice,

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Speaker 1: and I just loved wearing it, even though I can

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Speaker 1: never wear it in public, Like, oh yeah, I thought

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Speaker 1: about wearing it here and I was like, this is

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Speaker 1: the only safe space that I feel like that you

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Speaker 1: could at least appreciate it. Really, it is really pretty.

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Speaker 1: You guys would both. Here's the thing. It is a

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Speaker 1: sisterhood of the traveling Jacket. Like everybody who've had it over,

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Speaker 1: when they put it on, they look really great. Let's

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Speaker 1: go right now, let's go right right now. It's the

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Speaker 1: sisterhood of the jacket that only stays in BS jays apart.

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Speaker 1: Is there in my film? Is there in the film?

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Speaker 1: And you've seen it so you can kind of spoil

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Speaker 1: this much? Is there a fabulous montage of trying on clothes? Um?

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Speaker 1: There was? There was. I have seen the film and

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Speaker 1: there it was supposed to be, But I think that

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Speaker 1: might have gotten lifted out. Now. I don't know what

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Speaker 1: version of the film that I saw. What's I don't think,

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Speaker 1: I don't think about. But I got to do them ontage.

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Speaker 1: I got to wear all the different I got to

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Speaker 1: wear all the different clothes. Oh my god, Can I

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Speaker 1: tell you what movie I saw which did not have

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Speaker 1: of montage of trying on fabulous clothes? And they literally

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Speaker 1: made you think we were going to get that? And

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Speaker 1: what second act? Second act? My favorite film, it's the

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Speaker 1: best film of the year. Yeah, I believe we have

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Speaker 1: an impacted you and study went to see Second Act.

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Speaker 1: Here's why I love you. You're swimming in irony right now.

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Speaker 1: It's the best film. Please tell us. Here's why I

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Speaker 1: think it's the best one. There's a scene where before

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Speaker 1: Leah Remedy nails a one liner, she unbuttoned the top

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Speaker 1: button of her pants, which I would like that to

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Speaker 1: be in every film. That's like Marissa Tomay body work.

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Speaker 1: She's like, undoes the tough button of her pants and

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Speaker 1: then lays into a joke and I'm like a subplot

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Speaker 1: of the film. A major subplot of the film is

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Speaker 1: that my Lovuenttimatelia has a perfect ask. It's a major

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Speaker 1: subpot of the film. Is there like a twist? Now

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Speaker 1: that so it's just a flat arc, there's no growth.

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Speaker 1: A major plot is how he has asked this perfect um?

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Speaker 1: J Lo laughs, cries she's a star and what more

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Speaker 1: could you ask from a woman? And what else? Shut up?

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Speaker 1: And then what and then what else? Um? There's two insane,

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Speaker 1: broad comedic moments that have no sense to them that

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Speaker 1: happened out of nowhere to tell us all right, So

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Speaker 1: there's one scene where she's leaving her it is not

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Speaker 1: a comedy like that's like there's not like large like

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Speaker 1: physical joke. But at one point she quits her job

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Speaker 1: at like a super market. She's like an assistant manager

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Speaker 1: at a supermarket and she quits and she turns around

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Speaker 1: the corner and trips over a fucking um like chain

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Speaker 1: like you know how they put the chains up to

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Speaker 1: like yes, like like like like a little like a

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Speaker 1: chain like they put a chain up in between like

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Speaker 1: the aisles, and she flips over it and falls on

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Speaker 1: her face and it comes out of nowhere. And then

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Speaker 1: later on when she gives this big presentation about this

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Speaker 1: new like cream that she created, at the end, they

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Speaker 1: released a bunch of doves into the air. The doves

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Speaker 1: get released in the air and they all get hit

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Speaker 1: by a huge truck. No, it comes out of nowhere,

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Speaker 1: and no one mention, no one, that is that scary

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Speaker 1: movie three level Regina Hall, like, who the fund did that?

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Speaker 1: Who was it was like that? But it was like

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Speaker 1: I said to see you what we saw. I was like,

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Speaker 1: we need one more like big stupid It doesn't happen there.

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Speaker 1: Maybe it was honestly how it was in the post

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Speaker 1: credit was in the post credit scene, like when Samuel

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Speaker 1: Jackson comes out with an I patch is like, come on, motherfucker,

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Speaker 1: and like Harry Sham Junior is in it. Harry Sham

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Speaker 1: or his own title car gets its own sagnomination SAG

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Speaker 1: nomination for appearing in the movie in the post credit.

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Speaker 1: I believe that second act was the amazing film of

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Speaker 1: two thousand eighteen, the standout film of the year. And

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Speaker 1: Vanessa Hudgens um Princess, which no, Vanessa Hudgens. And there's

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Speaker 1: a big twist with Vanessa Hudgens which I will not reveal. Really,

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Speaker 1: she's Milos, ass, She's Milos. That's the arc. That's the arc.

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Speaker 1: Second at No, I haven't wanted too, are you kidding?

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Speaker 1: That's like that's called that's called a wins. But during

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Speaker 1: the time of year, you see a lot of you

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Speaker 1: see all the Oscar films. I do. Actually, the two

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Speaker 1: that I haven't seen were the ones that one best

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Speaker 1: picture this year, the Golden Gloves. I give a funk

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Speaker 1: less about Green Book. You've already spent too much time

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Speaker 1: talking about this. We can't even discuss Bohamion I refuse. Yeah,

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Speaker 1: I mean but green Book, I also don't care about it. Yeah,

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Speaker 1: I still I'm going to probably see them. It's just

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Speaker 1: like the act of like clicking that link because it

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Speaker 1: doesn't have my fingers haven't done it yet, you know

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Speaker 1: what I mean? All you need, all you need to

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Speaker 1: do is just click an or maybe the d I

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Speaker 1: have the DVDs. I think that they sent the stream

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Speaker 1: to the to the side. You know what, this might

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Speaker 1: be my own No, this might be a man I

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Speaker 1: don't think so. Honey. Okay, okay, we'll wait. You're gonna

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Speaker 1: hold You're gonna sit on that one. I'm gonna sit

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Speaker 1: on on. What movies have you liked this year? And

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Speaker 1: you're going to say your own film? But yes I did, Yeah, No,

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Speaker 1: I did, like can you ever for give me a lot?

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Speaker 1: But I also loved the Favorite That was amazing, It

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Speaker 1: was unreal. I thought that was great and I liked, um,

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Speaker 1: here's here's a list of movies that I really enjoyed

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Speaker 1: this year Widows. I. I thought that was yeah, it's

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Speaker 1: a good one. Um. I really loved Alex Strange, Love

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Speaker 1: on Netflix. I love to all the Boys, I live

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Speaker 1: before my Prestige movies. But then, like I guess also, um,

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Speaker 1: have you seen have you seen Roma? Everyone says you

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Speaker 1: have to go to the theater, Yeah you should. I

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Speaker 1: I watched it at home and I remember being like

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Speaker 1: ending it and then being like, huh, I wish I

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Speaker 1: saw that in the theater. But it's really beautiful. And

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Speaker 1: what is it about that? Like what people haven't really

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Speaker 1: gone specific about why you need to go to Well,

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Speaker 1: it's this really like intimate story. It feels very like

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Speaker 1: an intimate story on like a big panoramic scale. But

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Speaker 1: also I could have just been regurgitating something I read

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Speaker 1: in like a review. Yes's exactly. Um, A lot of

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Speaker 1: my work I try to put on a panoramic scale

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Speaker 1: so people see a not only it's quality, but also

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Speaker 1: it's a fact on the world around me. Direct there

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Speaker 1: has to be it has to be seventy millimet Why

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Speaker 1: that screen has to be big enough to hold this?

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Speaker 1: You know what I'm saying? I yeah, exactly, I want

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Speaker 1: fifteen million frames a second. How many times have you

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Speaker 1: seen your own film? Can you ever forgive me? I

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Speaker 1: saw it. I've seen it twice, one with yeah and

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Speaker 1: then uh, yeah it was good. I like it. We're

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Speaker 1: finally referring to it as my film. It is, and

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Speaker 1: that's what I That's what I always Melissa knows that,

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Speaker 1: like from the day we met, Like when we were

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Speaker 1: like I showed up, We're in the trailer. She looked

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Speaker 1: over at me and she gave me the eyes like,

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Speaker 1: don't sunk this up for me. And I looked back

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Speaker 1: at her and I was like, don't suck this up

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Speaker 1: for me, and she understood, and she understood the stand

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Speaker 1: and then she gave me like a head nod. Did

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Speaker 1: she pick me up and threw me out? Melissa? What

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Speaker 1: was it like on set with Melissa macarth? Well, you know,

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Speaker 1: I will never forget it. So it was a cold

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Speaker 1: January morning. Look, And that's something that a lot of

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Speaker 1: times when you're watching a movie. And I don't know

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Speaker 1: if you guys know this, but a lot of movies

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Speaker 1: I will I'll tell you right now are shot in

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Speaker 1: Los Angeles and it's warm there. This was not shot

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Speaker 1: in Los Angeles. This was shot in New York City

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Speaker 1: on the location where it took place. You can and

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Speaker 1: you know it takes place there because it was based

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Speaker 1: on a book, oh baby, And that book wasn't fiction.

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Speaker 1: That book was written by leads real yes, it is

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Speaker 1: based on the book by Lydia is real about her

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Speaker 1: own situation? Is correct? Yeah about? Yeah, it's a great

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Speaker 1: it's it's honestly like the book. Um, I did not,

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Speaker 1: though somebody pointed out this is kind of this is

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Speaker 1: you know what? This made me smile? On Twitter, somebody

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Speaker 1: pointed out that, um, my character that I do play

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Speaker 1: in the movie, which is I'm very grateful that you

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Speaker 1: guys are loving it. But you know it's it's a

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Speaker 1: compact little character arc and I love this an important one.

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Speaker 1: It's an important role. You. I mean that you could

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Speaker 1: actually start a brand new movie with me running down

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Speaker 1: that street. Yes, you are the I would say you're

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Speaker 1: the seventh or eighth lead, not seventh exactly. Here's no here,

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Speaker 1: here's the lead of Jane Brandon Richard. I'm sorry, Brandon,

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Speaker 1: but you're not the fourth. And then and then it's

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Speaker 1: the actress who plays her love interest. Do you have Dolly,

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Speaker 1: Miss Dolly Wells. First of all, it's Melissa Ms Richard,

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Speaker 1: Miss Molly Wells, the guy who he picks up from

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Speaker 1: the rest from the diner. Honey, then fasons why his

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Speaker 1: books miss books, who ends up being like man, we

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Speaker 1: have a problem. That waiter, that dinner guy was cute,

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Speaker 1: Yes he was. You watch thirteen Reasons Why I did

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Speaker 1: not watch the then Miss Jane curtain. You're being you're being,

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Speaker 1: don't you're actually doing this, don't do this, then stop

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Speaker 1: And only then did we get to branded Scott Jones alight.

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Speaker 1: And every role is important. And of course my character's

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Speaker 1: name was Donovan was based on a true character. And

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Speaker 1: I guess somebody on Twitter photographed an actual passage from

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Speaker 1: the book where she talks about meeting that guy at

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Speaker 1: the bookstore and him being like a real rude and

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Speaker 1: I was like, oh, I think that's what it was.

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Speaker 1: So I has not to do any historical work. I mean,

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Speaker 1: I did a sleep in a bookstore for a prep

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Speaker 1: You went to housing works just to check I'll sleep here.

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Speaker 1: It's like I want to be first, like when people

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Speaker 1: go line for video games, Like I want to be

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Speaker 1: first in line in the morning for prep. I want

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Speaker 1: to be first Trovada. Now, let me ask you this

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Speaker 1: because I am truly terrified for the day that I

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Speaker 1: have to act over the phone. I feel like I'm

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Speaker 1: always fascinated by the timing. Is it someone like who who? Who?

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Speaker 1: Between the two recorded first. Were you acting opposite Melissa's

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Speaker 1: audio or were you acting? Were just acting into avoid

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Speaker 1: I was during the phone you know what that scene was?

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Speaker 1: Um so, like where she's on the phone outside with

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Speaker 1: Richard Grant. They that was the first thing that I

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Speaker 1: think that might have been the first thing that they

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Speaker 1: shot in the whole movie. And when I'm on the

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Speaker 1: phone talking to them, that's like to a month and

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Speaker 1: a half later, so I remember, so they had already

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Speaker 1: shot that, and I think they maybe went back and

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Speaker 1: added that side of the phone conversation. And yeah, and

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Speaker 1: here's some fun little movie magic where you also like

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Speaker 1: that that um uh in the bookstore. That's actually I

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Speaker 1: think that was shot in Lee's apartment. They just dressed

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Speaker 1: part of her apartment to look like that bookstore. I'm

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Speaker 1: on the phone. I love that movie Magic. I really,

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Speaker 1: I really do love them. I mean, like the movie

402
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Speaker 1: is so so great, and Mario Heller is just like

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Speaker 1: she's like have you've seen her do interviews? Yes, I

404
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Speaker 1: haven't seen any of her work, And and so you

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Speaker 1: caught ran it off to say that a teenage girl. No,

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Speaker 1: it's just like she's just a great just a really

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Speaker 1: great phenomenal film filmmaker. I've seen her. I've seen her

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Speaker 1: do interviews. Yes, I've seen her interviews. Nothing you can

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Speaker 1: tell me that happened her from her interviews. Emily Heller

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Speaker 1: too so funny. Yeah, oh my gosh. Yeah. Very talented family,

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Speaker 1: those Hellers, those tellers. Bit at the Emmy is her

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Speaker 1: her red carpet. Bit the clutch with Getty Images. Oh,

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Speaker 1: she had a great clutch that said Getty Images. Who

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Speaker 1: did he? Did she? Oh? And she just held it

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Speaker 1: to her waist like Getty Images. So also, we can't

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Speaker 1: even we can't deny that. The star, thank you so much.

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Speaker 1: Oh my god, Producer Andrew just got us all water.

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Speaker 1: It tastes really good. Let's take a break to take

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Speaker 1: a sip of our Poland spring water bott us. Thank

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Speaker 1: you Poland Spring in York Institution. So the great thing

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Speaker 1: about the Golden Globes is that we got the meme

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Speaker 1: of the Year, which is Fiji girl. Fiji girl, Fiji

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Speaker 1: girl appearing in and I just say she. I think

424
00:22:52,520 --> 00:22:54,840
Speaker 1: she was probably like a bit of spa con. Like

425
00:22:54,920 --> 00:22:58,359
Speaker 1: the Fiji people were like, all right, Alexis, you're going

426
00:22:58,400 --> 00:23:00,800
Speaker 1: to Photobama. All these reread carpets and like that was

427
00:23:00,880 --> 00:23:05,239
Speaker 1: like engineered. There was like okay, all right, I loved her,

428
00:23:05,359 --> 00:23:07,480
Speaker 1: but there were a bunch of Fiji girls walking around

429
00:23:07,480 --> 00:23:11,240
Speaker 1: the carpet all with trays full of Fiji, with bouquets

430
00:23:11,280 --> 00:23:13,920
Speaker 1: of Fiji, and she was the one who got to

431
00:23:14,320 --> 00:23:16,720
Speaker 1: sort of sneak into these pets. It's like with anything though,

432
00:23:16,840 --> 00:23:19,119
Speaker 1: it's rule of culture. One of you was going to

433
00:23:19,240 --> 00:23:23,840
Speaker 1: rise to the top. One of you's going to rise

434
00:23:23,920 --> 00:23:25,800
Speaker 1: to the top. That's what they probably had to all

435
00:23:25,800 --> 00:23:28,240
Speaker 1: the Fiji girls in the beginning of this, like look

436
00:23:28,440 --> 00:23:32,080
Speaker 1: you great your destiny right here, here's the deal. There's

437
00:23:32,080 --> 00:23:34,800
Speaker 1: gonna be cameras. You know, that's true. What you have

438
00:23:35,880 --> 00:23:40,240
Speaker 1: is your trays of Fiji and your opportunity. Right is

439
00:23:40,280 --> 00:23:44,920
Speaker 1: this indoor conversation happening outside early in the day. And

440
00:23:45,000 --> 00:23:47,359
Speaker 1: I think all the girls are actually very hot, like

441
00:23:47,440 --> 00:23:49,639
Speaker 1: they're all really and some of them maybe even had

442
00:23:49,680 --> 00:23:52,879
Speaker 1: to sit down. They were probably three. They were up

443
00:23:52,920 --> 00:23:57,040
Speaker 1: for a long am since three am, getting hair makeup.

444
00:23:57,359 --> 00:24:01,040
Speaker 1: And also, you know, I think you have to probably

445
00:24:01,080 --> 00:24:02,359
Speaker 1: have to do a little bit of weight training to

446
00:24:02,400 --> 00:24:04,480
Speaker 1: be able to hold all that Fiji say. I mean

447
00:24:04,560 --> 00:24:06,439
Speaker 1: this bottle, right, here and it's not a Fiji. Now

448
00:24:06,480 --> 00:24:08,160
Speaker 1: I have to give it that as they pull in spring.

449
00:24:08,640 --> 00:24:12,600
Speaker 1: But this is heavy to imagine, imagine more than one

450
00:24:12,640 --> 00:24:16,800
Speaker 1: of these. I'm gonna try to hold two. This is horrible. Yeah, indoors,

451
00:24:16,880 --> 00:24:19,119
Speaker 1: and I'm to do it. I mean, you're all you're you.

452
00:24:20,200 --> 00:24:24,879
Speaker 1: You began sweating immediately, did Yeah. I hated that. I

453
00:24:25,000 --> 00:24:27,480
Speaker 1: hated that. Imagine I'm to do that all the time.

454
00:24:28,040 --> 00:24:31,280
Speaker 1: Somebody's but you're holding a bouquet of water, someone who's

455
00:24:31,320 --> 00:24:34,800
Speaker 1: giving her giving you full faceful attitude, full star quality.

456
00:24:34,920 --> 00:24:37,119
Speaker 1: I think someone's what if one of us does that

457
00:24:37,200 --> 00:24:40,040
Speaker 1: on the red carpet someday as an actual like as talent.

458
00:24:40,640 --> 00:24:42,399
Speaker 1: But we were like, our look is we do a

459
00:24:42,480 --> 00:24:46,360
Speaker 1: tray a Fiji. That's a book. That is a good look.

460
00:24:46,680 --> 00:24:50,280
Speaker 1: Are you going to the other two premiere? I am Yeah,

461
00:24:50,400 --> 00:24:53,600
Speaker 1: you should do that. I should That's what I should do. Yeah,

462
00:24:53,640 --> 00:24:55,800
Speaker 1: that's what I'm gonna I think. Actually, I was wondering

463
00:24:55,800 --> 00:24:57,840
Speaker 1: what I was going to wear to it. You should

464
00:24:57,840 --> 00:24:59,639
Speaker 1: be Fiji girl. Yeah, I should be Fiji girl. I

465
00:24:59,680 --> 00:25:03,119
Speaker 1: should it. Well, this will come out after I believe,

466
00:25:03,440 --> 00:25:06,840
Speaker 1: right around the side, around maybe the week after. Yeah, Okay,

467
00:25:07,400 --> 00:25:10,359
Speaker 1: it'll be great, just saying like opportunity. Yeah, exactly. So

468
00:25:10,520 --> 00:25:12,840
Speaker 1: that's what she did. I know, I gotta, I gotta

469
00:25:13,160 --> 00:25:17,359
Speaker 1: what was it maximized? That is a word opportimizing, Yes, maximized,

470
00:25:17,440 --> 00:25:20,480
Speaker 1: maxim Do you remember that I said that it stuck

471
00:25:20,560 --> 00:25:22,399
Speaker 1: with me. It's stuck with me deeply. Sorry. Was this

472
00:25:22,440 --> 00:25:24,600
Speaker 1: one of your Green Point lunch You know this wasn't this.

473
00:25:24,720 --> 00:25:26,520
Speaker 1: I'll tell you where this was bo because you were there.

474
00:25:27,119 --> 00:25:28,840
Speaker 1: This is when we were watching Hair Spray Live and

475
00:25:28,920 --> 00:25:31,720
Speaker 1: Jennifer Hudson was singing and Matt was screaming over her singing, saying,

476
00:25:31,840 --> 00:25:40,399
Speaker 1: she's maximizing. She literally that song is just yes, she's

477
00:25:40,480 --> 00:25:50,240
Speaker 1: just like give me some of the pumpkin, pumpkin, She's

478
00:25:50,280 --> 00:25:53,800
Speaker 1: just like giving you, Jennifer maximized. I thought you were

479
00:25:53,840 --> 00:26:01,840
Speaker 1: talking about I know where I've been. No, it was

480
00:26:04,840 --> 00:26:08,639
Speaker 1: like she does, she does, And I'm telling you basically,

481
00:26:08,680 --> 00:26:10,800
Speaker 1: I think you've take that big breath like right before it.

482
00:26:14,080 --> 00:26:19,280
Speaker 1: So that's I think that was like beautiful. You're incredible

483
00:26:19,560 --> 00:26:21,760
Speaker 1: first and foremost a vocalist. Um wait, and I mean

484
00:26:21,840 --> 00:26:24,680
Speaker 1: that because I'm gonna I'm gonna, I won't if you

485
00:26:24,720 --> 00:26:28,520
Speaker 1: don't want to. I have to. I have to say that.

486
00:26:28,600 --> 00:26:30,840
Speaker 1: Have you heard her? Christmas was one. This is my

487
00:26:30,880 --> 00:26:32,639
Speaker 1: second year in a row seeing it. It is going

488
00:26:32,680 --> 00:26:34,720
Speaker 1: to become a family tradition for me because you will

489
00:26:34,760 --> 00:26:36,560
Speaker 1: do it for the rest of my life. I got emotional.

490
00:26:36,600 --> 00:26:39,760
Speaker 1: I was thinking this, he's created like not like nobody

491
00:26:39,840 --> 00:26:43,280
Speaker 1: in like our I just feel like there hasn't been

492
00:26:43,280 --> 00:26:46,800
Speaker 1: like a Christmas classics standard, instant standard like that in

493
00:26:46,840 --> 00:26:49,280
Speaker 1: a long time. O my gosh, it's my world feel.

494
00:26:49,359 --> 00:26:54,359
Speaker 1: It feels such a very specific, needed thing. And the show.

495
00:26:54,640 --> 00:26:57,479
Speaker 1: I saw you after the I saw you like immediately

496
00:26:57,520 --> 00:26:58,960
Speaker 1: after the show. You were kind enough and I don't

497
00:26:58,960 --> 00:27:00,760
Speaker 1: want to brag to your listeners, but I got a

498
00:27:00,880 --> 00:27:07,679
Speaker 1: comp um. I know it was incredible. I felt really

499
00:27:07,720 --> 00:27:09,320
Speaker 1: really great. I sat next to two people who were

500
00:27:09,400 --> 00:27:12,800
Speaker 1: just big fans of Matt and that was very fun. Um.

501
00:27:13,119 --> 00:27:16,159
Speaker 1: But then, uh, I saw you after and like my

502
00:27:16,680 --> 00:27:21,040
Speaker 1: heart was beating so fast because I was like, I

503
00:27:21,160 --> 00:27:25,200
Speaker 1: could not believe the talent, the talent. I couldn't believe

504
00:27:25,359 --> 00:27:28,640
Speaker 1: the talent because I knew the man. I believe the man,

505
00:27:29,560 --> 00:27:32,920
Speaker 1: I believe her, but the talent, but the talent, good Lord.

506
00:27:33,200 --> 00:27:36,440
Speaker 1: I was the Prestige Actress. I'm sitting here like that

507
00:27:36,560 --> 00:27:39,800
Speaker 1: was your introduction for me. I was bulled over by

508
00:27:40,040 --> 00:27:42,680
Speaker 1: by that, that by you being so kind about it

509
00:27:42,720 --> 00:27:44,520
Speaker 1: at the end, and like, that was a really good

510
00:27:44,560 --> 00:27:46,159
Speaker 1: special show. You missed that one. You were at the

511
00:27:46,160 --> 00:27:47,560
Speaker 1: one on the eighteen, but this is the one on

512
00:27:47,640 --> 00:27:50,680
Speaker 1: the twenty second, which is like the culmination last I

513
00:27:50,760 --> 00:27:52,480
Speaker 1: felt like the last thing I was doing in the year.

514
00:27:52,600 --> 00:27:54,720
Speaker 1: It's like when they filmed the HBO special of the concert.

515
00:27:55,080 --> 00:27:58,280
Speaker 1: Yeah you know what I'm saying, Oh my god, it was.

516
00:27:58,480 --> 00:28:02,159
Speaker 1: It was literally imagine Digital Get Down for three Digital

517
00:28:02,280 --> 00:28:05,600
Speaker 1: Get Down, your example. That was That's my favorite show

518
00:28:05,680 --> 00:28:08,040
Speaker 1: to do. And I'm so excited for what we're going

519
00:28:08,080 --> 00:28:09,520
Speaker 1: to do with it next year because I think I

520
00:28:09,600 --> 00:28:11,800
Speaker 1: think there's going to be I think I might have

521
00:28:11,960 --> 00:28:16,200
Speaker 1: some fun with venues maybe potentially, I potentially potentially, I

522
00:28:16,280 --> 00:28:18,880
Speaker 1: think I might actually um make good on my threat

523
00:28:18,920 --> 00:28:20,960
Speaker 1: to make it a real album. Thank you you have

524
00:28:21,800 --> 00:28:24,359
Speaker 1: enough material. But yeah, and also I've been playing it

525
00:28:24,480 --> 00:28:26,960
Speaker 1: on YouTube for people and like pointing the phone in

526
00:28:27,040 --> 00:28:29,280
Speaker 1: their face because I do think part of watching it

527
00:28:29,560 --> 00:28:31,960
Speaker 1: or listening to it is watching you sing it. And

528
00:28:32,119 --> 00:28:33,920
Speaker 1: I mean, I'm being serious. It is like it is,

529
00:28:34,520 --> 00:28:37,399
Speaker 1: it is wild. I was, I was really, I was

530
00:28:37,480 --> 00:28:39,560
Speaker 1: blown away. So what have you been doing? Bowen? Um,

531
00:28:39,720 --> 00:28:42,960
Speaker 1: it's truly not thank you. That means a lot to me.

532
00:28:43,360 --> 00:28:49,960
Speaker 1: It's no, of course, I genuinely mean, I genuinely mean it.

533
00:28:50,720 --> 00:28:54,760
Speaker 1: I think Matt has really I think this is his

534
00:28:54,840 --> 00:28:57,680
Speaker 1: ear and I think truly think this, this is here,

535
00:28:57,800 --> 00:29:00,320
Speaker 1: this is what we'd call last year, your year. I

536
00:29:00,360 --> 00:29:02,680
Speaker 1: would say, well, not not to say that you're not

537
00:29:02,720 --> 00:29:05,400
Speaker 1: going to continue to have many years. I was, I'm

538
00:29:05,440 --> 00:29:07,720
Speaker 1: not I'm not going to have a year like that.

539
00:29:08,560 --> 00:29:10,760
Speaker 1: You feel like, no, I don't feel you don't know

540
00:29:10,920 --> 00:29:13,400
Speaker 1: you here's the thing. You just don't know. There's just

541
00:29:13,520 --> 00:29:15,800
Speaker 1: there's no predicting. How do you feel about your because

542
00:29:16,000 --> 00:29:18,920
Speaker 1: this year was really kind of like like a limbo

543
00:29:19,000 --> 00:29:20,760
Speaker 1: year because I did a lot of stuff in when

544
00:29:20,960 --> 00:29:23,800
Speaker 1: seventeen that's that, That's when I felt like I got

545
00:29:24,120 --> 00:29:26,440
Speaker 1: I had a little bit of work. And then they

546
00:29:26,480 --> 00:29:29,000
Speaker 1: started off the year really exciting with um, I was

547
00:29:29,160 --> 00:29:32,560
Speaker 1: making that show. I had that pilot and that was great,

548
00:29:32,680 --> 00:29:37,680
Speaker 1: thanks thanks man, that sc plus, thank you. I was

549
00:29:37,800 --> 00:29:39,880
Speaker 1: very excited for it. And then it didn't go and

550
00:29:39,960 --> 00:29:42,160
Speaker 1: then it was called The Demons of Dorian Gun. I

551
00:29:42,280 --> 00:29:44,400
Speaker 1: was a pilot for Pop TV and it started The

552
00:29:44,440 --> 00:29:48,440
Speaker 1: Beautiful Challenged. Jeffrey Selth Jeffrey self, my god, is he

553
00:29:48,600 --> 00:29:51,480
Speaker 1: just the best just died listening to his episode of

554
00:29:51,520 --> 00:29:56,080
Speaker 1: the show. He was so he's he is talking just

555
00:29:56,160 --> 00:29:58,640
Speaker 1: like a unique presence of the world, a unique presence

556
00:29:58,640 --> 00:30:02,240
Speaker 1: of the world who is just like this psarmingly grounded,

557
00:30:02,400 --> 00:30:04,880
Speaker 1: which sounds like like you you wouldn't suspect anything otherwise,

558
00:30:04,920 --> 00:30:06,240
Speaker 1: but it's just like you're like taking it back by

559
00:30:06,320 --> 00:30:12,320
Speaker 1: like what person here. He's a start. And the cast

560
00:30:12,400 --> 00:30:14,520
Speaker 1: that we had too, with Chrissy fit and Latifa Holder

561
00:30:14,600 --> 00:30:17,640
Speaker 1: and and oh my god, John Benjamin, it was awesome.

562
00:30:17,720 --> 00:30:20,120
Speaker 1: It was good. It was a good jow and Catherine

563
00:30:20,160 --> 00:30:24,840
Speaker 1: Cohen and she was a drunk girl as a drunkard

564
00:30:24,880 --> 00:30:27,520
Speaker 1: like I think her official character name was Lady on Drugs.

565
00:30:30,120 --> 00:30:32,160
Speaker 1: But she was great. She was so great. The script

566
00:30:32,320 --> 00:30:35,120
Speaker 1: was really fun. Thanks, Yeah, we had a good time.

567
00:30:35,240 --> 00:30:36,520
Speaker 1: We had a good time right now. We wrote a

568
00:30:36,600 --> 00:30:39,959
Speaker 1: couple more and then they were like, nope, but that's okay.

569
00:30:40,120 --> 00:30:41,960
Speaker 1: And then so I think like this year was sort

570
00:30:41,960 --> 00:30:43,719
Speaker 1: of like after that. Then I had like I did

571
00:30:43,840 --> 00:30:47,040
Speaker 1: some fun stuff over the summer and then but then

572
00:30:47,160 --> 00:30:50,720
Speaker 1: it sort of was like a quieter year. Yeah, that

573
00:30:50,840 --> 00:30:53,520
Speaker 1: was how I'm reflecting, only thinking about that because it

574
00:30:53,640 --> 00:30:55,360
Speaker 1: is the new year right now. And then did you

575
00:30:55,480 --> 00:30:58,480
Speaker 1: do that little personal reflection? Yeah, you had a great

576
00:30:59,760 --> 00:31:01,880
Speaker 1: the year the year I think over there, I think

577
00:31:01,960 --> 00:31:04,440
Speaker 1: the like we were just talked about this, the second

578
00:31:04,480 --> 00:31:06,560
Speaker 1: half of the year for you, it was like, wow,

579
00:31:06,800 --> 00:31:08,880
Speaker 1: the second half was fun. But I'm also in this

580
00:31:08,920 --> 00:31:12,400
Speaker 1: place now where I'm like, huh, I don't have anything

581
00:31:12,440 --> 00:31:14,960
Speaker 1: that like has my name on it, just mine that

582
00:31:15,080 --> 00:31:16,800
Speaker 1: like I can put out there, but I haven't that

583
00:31:16,840 --> 00:31:18,520
Speaker 1: I've done in a while. I think that will, Like

584
00:31:18,600 --> 00:31:20,440
Speaker 1: I think I will. It's part of it, you know.

585
00:31:20,520 --> 00:31:23,600
Speaker 1: I think it's really even just like literally doing a

586
00:31:23,720 --> 00:31:27,640
Speaker 1: live show that's like me on a stage and that's

587
00:31:27,680 --> 00:31:29,240
Speaker 1: not that's not like, that's just something that like I'm

588
00:31:29,280 --> 00:31:31,880
Speaker 1: craving that I haven't put out in a while, just

589
00:31:32,080 --> 00:31:34,800
Speaker 1: and I am excited to potentially work on something. It

590
00:31:34,880 --> 00:31:39,200
Speaker 1: certainly felt good to like feel so cool just to

591
00:31:39,280 --> 00:31:41,840
Speaker 1: see you on stage, well just to feel like you

592
00:31:42,120 --> 00:31:46,520
Speaker 1: put all your energy and personality into one little thing

593
00:31:46,640 --> 00:31:49,760
Speaker 1: and be like wow, like and also like thank god

594
00:31:49,800 --> 00:31:52,120
Speaker 1: I filmed it. I almost did it, like like I

595
00:31:52,240 --> 00:31:54,080
Speaker 1: was like, I can't believe what an idiot I was. Like,

596
00:31:54,160 --> 00:31:58,200
Speaker 1: I got like, I want to think you didn't know

597
00:31:58,480 --> 00:32:01,920
Speaker 1: I would be like punching you, right, a violent man.

598
00:32:02,400 --> 00:32:04,120
Speaker 1: I felt like an idiot because I was like, wait,

599
00:32:04,240 --> 00:32:06,080
Speaker 1: I did this four times and I'm not going to

600
00:32:06,400 --> 00:32:09,760
Speaker 1: film it, like I insane And that was my mistake

601
00:32:09,880 --> 00:32:11,920
Speaker 1: last year. I think I didn't film it, and I

602
00:32:12,000 --> 00:32:14,000
Speaker 1: was that's why this year, Like I'm happy with the

603
00:32:14,000 --> 00:32:16,200
Speaker 1: way I went this year, but like I'm thinking for

604
00:32:16,440 --> 00:32:18,240
Speaker 1: I kind of want to like go around with it

605
00:32:18,360 --> 00:32:21,080
Speaker 1: and do it. Do the show around, do this show.

606
00:32:21,600 --> 00:32:23,520
Speaker 1: I feel like you could just I mean like you

607
00:32:23,560 --> 00:32:27,760
Speaker 1: could just take over radios and do it over radio Taverio.

608
00:32:28,040 --> 00:32:31,400
Speaker 1: That's fun. Cattle just take a break that night exactly.

609
00:32:31,400 --> 00:32:33,320
Speaker 1: I wish that's what Widows was about. It was just

610
00:32:35,280 --> 00:32:36,920
Speaker 1: although I hear Widows that it's I haven't seen it,

611
00:32:36,960 --> 00:32:38,480
Speaker 1: but I hear it's like that they do the heist,

612
00:32:39,200 --> 00:32:40,840
Speaker 1: like builds up to this heist and then it's like

613
00:32:41,440 --> 00:32:43,200
Speaker 1: and then you cut to like we're about to do

614
00:32:43,240 --> 00:32:45,040
Speaker 1: the heist, and it cuts and they leave and they're

615
00:32:45,040 --> 00:32:47,640
Speaker 1: like Okay, we just did the you know what, Widows

616
00:32:47,720 --> 00:32:51,360
Speaker 1: is really good. It actually like I'm saying, that's fine.

617
00:32:51,400 --> 00:32:53,680
Speaker 1: I hear it builds in a funny way, and then

618
00:32:53,680 --> 00:32:55,640
Speaker 1: it like sort of oh for the payoff, for the

619
00:32:55,680 --> 00:32:57,840
Speaker 1: payoff of it, like they like you don't even see

620
00:32:57,880 --> 00:32:59,840
Speaker 1: the heist happen, which I think is great. No you do.

621
00:33:00,800 --> 00:33:06,680
Speaker 1: Never mind, I'm working with whoever told you this? You're right,

622
00:33:08,080 --> 00:33:11,320
Speaker 1: don't be friends with them. Um wait, you know we're

623
00:33:11,400 --> 00:33:14,160
Speaker 1: really good in it. This actress who I didn't know before,

624
00:33:14,600 --> 00:33:17,920
Speaker 1: Elizabeth Debickid. Oh, she's been in style. I know she has.

625
00:33:18,080 --> 00:33:23,480
Speaker 1: I just never like this, never like this great phenomenal actress.

626
00:33:23,520 --> 00:33:26,640
Speaker 1: She has a scene with Viola which is like really good,

627
00:33:26,760 --> 00:33:30,120
Speaker 1: which is the scene where they slap each other. Viola

628
00:33:30,240 --> 00:33:33,120
Speaker 1: slaps this woman across the face because she like fucked up,

629
00:33:33,400 --> 00:33:36,280
Speaker 1: and then Elizabeth, who's like this younger woman, slaps her

630
00:33:36,360 --> 00:33:39,880
Speaker 1: right back and says, I'm done with people hurting me.

631
00:33:41,120 --> 00:33:43,640
Speaker 1: Why I'm dead letting people treat me like that. I

632
00:33:43,800 --> 00:33:45,280
Speaker 1: was like on my couch and I went like this,

633
00:33:45,640 --> 00:33:48,920
Speaker 1: you can't see it at home, but Matt described I

634
00:33:49,040 --> 00:33:55,640
Speaker 1: just went like this, Oh, so he just de craned

635
00:33:55,720 --> 00:33:58,320
Speaker 1: his neck. He he would he retreated it. He was

636
00:33:58,400 --> 00:34:06,280
Speaker 1: like it was just to say, okay, hey, a let's bohen.

637
00:34:06,320 --> 00:34:07,880
Speaker 1: I want to do a quick Q one check in

638
00:34:07,960 --> 00:34:10,880
Speaker 1: with everybody. We're all doing well with our resolutions? Do

639
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Speaker 1: we even have them? Well, if you don't, I've got

640
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Speaker 1: in QUIP. I love Quip so much. I've had one

645
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Speaker 1: tell this kind of story every single time I talk

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649
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Speaker 1: scrape off my plaque and she'd be like, Wow, this

650
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Speaker 1: is an appetizer for your dinner tonight. Ha ha. I'd

651
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652
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Speaker 1: I'm not gonna tell you her real name, but anyway,

653
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657
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666
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Speaker 1: or four. But that was a slip that I want

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Speaker 1: to keep Andrew, how producing Andrew. I'm telling how produced

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Speaker 1: G Oh baby baby, my High Genics real name is

680
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Speaker 1: Diane There, Okay, I need to tell you guys why

681
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Speaker 1: I am unique. Why there's no one else in the

682
00:36:27,760 --> 00:36:31,440
Speaker 1: world like me? And here's why at any there's no

683
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Speaker 1: one in the world right now. Who is reading Amateur

684
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Speaker 1: by Thomas Page mccabee, who is playing Kingdom Hearts three

685
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Speaker 1: on the day of release? Who? Um God? What else

686
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Speaker 1: is um really stalking up on? Or is coming off

687
00:36:49,360 --> 00:36:52,040
Speaker 1: of the Whole thirty after stalking up on a bunch

688
00:36:52,120 --> 00:36:55,239
Speaker 1: of like whole fresh foods? Um Like? I am a

689
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Speaker 1: very singular person, do you know what I mean? And

690
00:36:58,080 --> 00:37:00,719
Speaker 1: so are you? In your own way? There's nobody in

691
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696
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707
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Speaker 1: I am probably gonna pull the trigger on this very

712
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Speaker 1: soon because I'm on the on the market for a

713
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Speaker 1: new bed and I needed to fit me for when

714
00:38:13,360 --> 00:38:17,719
Speaker 1: I'm playing Tales of Visperia on my switch. You know,

715
00:38:17,960 --> 00:38:19,760
Speaker 1: like no one else is going to do that. Except

716
00:38:19,880 --> 00:38:22,040
Speaker 1: me and I need a bed that's custom made for

717
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Speaker 1: that experience. So he looks sleep dot com slash lost

718
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Speaker 1: Cultural STIs for a hundred twenty five dollars off your

719
00:38:27,600 --> 00:38:30,120
Speaker 1: mattress order one more time. That is, he looks sleep

720
00:38:30,239 --> 00:38:33,359
Speaker 1: dot com slash loss Culture east Us. UM, if you're

721
00:38:33,360 --> 00:38:36,120
Speaker 1: playing Tales of Visperia or Kingdom Hearts three, hit me up.

722
00:38:36,200 --> 00:38:39,080
Speaker 1: Let's talk some grpgs. UM. Because we talked about like

723
00:38:39,200 --> 00:38:42,560
Speaker 1: a bunch of a bunch of westernized stuff on this podcast,

724
00:38:42,640 --> 00:38:46,840
Speaker 1: I think I need a space to talk about Eastern culture.

725
00:38:46,880 --> 00:38:54,400
Speaker 1: Okay there. I've never seen Brandon like this in the

726
00:38:54,520 --> 00:38:57,480
Speaker 1: other two. Honestly, let's talk about this though the other two,

727
00:38:57,680 --> 00:39:01,880
Speaker 1: like bs J Andrew Tarver, that relationship is something that

728
00:39:02,160 --> 00:39:05,360
Speaker 1: you don't see on TV, where it's like two platonic

729
00:39:05,400 --> 00:39:08,160
Speaker 1: gay friends friends. Hey, that's really cool that you said that,

730
00:39:08,239 --> 00:39:10,520
Speaker 1: because I that is the one thing that I even

731
00:39:10,560 --> 00:39:12,520
Speaker 1: though I don't know what their intention was with that

732
00:39:12,800 --> 00:39:16,120
Speaker 1: character whatever, I remember when I was getting the opportunity

733
00:39:16,120 --> 00:39:17,800
Speaker 1: to do it, I was like, I love this. I

734
00:39:18,000 --> 00:39:22,680
Speaker 1: love playing just his friends is also gay. It's it's

735
00:39:23,000 --> 00:39:24,839
Speaker 1: you leave it at that. I also just love playing

736
00:39:24,880 --> 00:39:26,919
Speaker 1: your Tar's friend because he is. He's the best, because

737
00:39:26,960 --> 00:39:29,239
Speaker 1: he really is your friend. He really is my friend.

738
00:39:29,320 --> 00:39:35,399
Speaker 1: He I always considered him like an enemy always. Yeah,

739
00:39:35,760 --> 00:39:37,920
Speaker 1: I mean I call him a friend, but he's really en.

740
00:39:37,920 --> 00:39:39,560
Speaker 1: I mean he's not a friend of me, because it's

741
00:39:39,600 --> 00:39:43,080
Speaker 1: like no, no, no, no, we're friends. Remember that night

742
00:39:43,120 --> 00:39:46,200
Speaker 1: at the Comedy Central thing when we had that horrible

743
00:39:46,320 --> 00:39:48,160
Speaker 1: night We had no fun with the three of us,

744
00:39:48,200 --> 00:39:51,440
Speaker 1: didn't have any fun together. Just it was such a

745
00:39:51,880 --> 00:39:55,400
Speaker 1: joyless evening. We had the best time we were at

746
00:39:55,440 --> 00:39:58,080
Speaker 1: that Comedy Central. It was like, I think Tarver and

747
00:39:58,120 --> 00:40:00,160
Speaker 1: I were comics to watch and you had host at it,

748
00:40:00,719 --> 00:40:03,120
Speaker 1: and we all were there at the party and we

749
00:40:03,200 --> 00:40:05,759
Speaker 1: were just being the dumbest. There's photos of us in

750
00:40:05,800 --> 00:40:08,120
Speaker 1: the bathroom with our pants off. Yes, do you remember that.

751
00:40:08,160 --> 00:40:10,879
Speaker 1: I do remember that. There's photos of us lying down

752
00:40:11,040 --> 00:40:15,879
Speaker 1: in the middle of the party and Josh pile. Yeah,

753
00:40:15,960 --> 00:40:17,680
Speaker 1: we were like in a pile on the ground, Like

754
00:40:17,800 --> 00:40:22,160
Speaker 1: who was first of all? Who took it? Was professional photos?

755
00:40:23,080 --> 00:40:25,600
Speaker 1: Do you remember that one guy was there It was

756
00:40:25,640 --> 00:40:27,840
Speaker 1: like taking professional photos and he came into the bathroom

757
00:40:27,960 --> 00:40:30,879
Speaker 1: with right to take those photos. So at one point

758
00:40:31,000 --> 00:40:34,120
Speaker 1: during this five men went into one bathroom with a

759
00:40:34,239 --> 00:40:38,920
Speaker 1: camera and came out with a yeah, mass white gaze.

760
00:40:39,400 --> 00:40:42,920
Speaker 1: That's a porn set up with no path. There was

761
00:40:43,040 --> 00:40:45,080
Speaker 1: literally no I think. I got into a cab and

762
00:40:45,200 --> 00:40:47,239
Speaker 1: like was like went straight to like a jlal food.

763
00:40:47,600 --> 00:40:50,520
Speaker 1: So I was like, all right, I gotta go home. No,

764
00:40:50,640 --> 00:40:53,120
Speaker 1: he's truly the best so much. He's great in the show,

765
00:40:53,239 --> 00:40:55,160
Speaker 1: and he's so good in the show. And you guys

766
00:40:55,280 --> 00:40:58,839
Speaker 1: just had Helena. Helena, we're having Drew. You're having Drew.

767
00:40:59,239 --> 00:41:01,680
Speaker 1: Oh my gosh, it's gonna guys this. I mean, you

768
00:41:01,719 --> 00:41:03,359
Speaker 1: guys have already seen the episode. I got a chance

769
00:41:03,400 --> 00:41:06,359
Speaker 1: to see them too. It is such a good show

770
00:41:07,160 --> 00:41:10,040
Speaker 1: that Okay, I was like, oh wow, it's a show

771
00:41:10,120 --> 00:41:13,600
Speaker 1: that I was telling Helena that like captures like the

772
00:41:13,800 --> 00:41:16,840
Speaker 1: tone of life, of whatever tone of life, but like

773
00:41:17,040 --> 00:41:19,480
Speaker 1: the things the realities that we sort of live in

774
00:41:19,480 --> 00:41:22,480
Speaker 1: where it's like, oh my god, yeah, like that is

775
00:41:22,520 --> 00:41:24,480
Speaker 1: something that happens, Like there is this thing that happens

776
00:41:24,480 --> 00:41:26,040
Speaker 1: where like you're hanging out with a group of other

777
00:41:26,080 --> 00:41:27,719
Speaker 1: gay people and they're like, oh my god, you do

778
00:41:27,880 --> 00:41:30,600
Speaker 1: anything and they're like you're so funny. Yeah, and like

779
00:41:31,320 --> 00:41:33,080
Speaker 1: so like spoiler, that's like a bit and like one

780
00:41:33,120 --> 00:41:35,280
Speaker 1: of the episodes and like just there there are truths

781
00:41:35,360 --> 00:41:38,319
Speaker 1: that are captured that are so funny, funny and fun

782
00:41:38,400 --> 00:41:42,920
Speaker 1: to watch. Jimmy Fowley what that place was on the

783
00:41:42,960 --> 00:41:44,840
Speaker 1: show in l A. And I had always wanted to

784
00:41:44,880 --> 00:41:48,120
Speaker 1: meet Jimmy, and so I met. Now I can call

785
00:41:48,200 --> 00:41:52,040
Speaker 1: him a friend, not an enemy. He is so funny

786
00:41:52,120 --> 00:41:56,040
Speaker 1: in that part, like funny that there's that one guy

787
00:41:56,080 --> 00:41:58,719
Speaker 1: who has like that huge smile and it's, yeah, I

788
00:41:58,880 --> 00:42:02,440
Speaker 1: love that. It's very cool. The way it was cast too,

789
00:42:02,520 --> 00:42:07,400
Speaker 1: it's very like it's every episode SuDS in it. Every episode,

790
00:42:07,600 --> 00:42:10,680
Speaker 1: like there's someone that you're like. It was very exciting.

791
00:42:11,200 --> 00:42:12,959
Speaker 1: But also I think that like even if we didn't

792
00:42:13,000 --> 00:42:14,800
Speaker 1: we got, we're lucky enough to like know maybe a

793
00:42:14,840 --> 00:42:16,880
Speaker 1: lot of the people like that were in it. But

794
00:42:16,960 --> 00:42:19,319
Speaker 1: I think even if you don't, you're gonna like, well,

795
00:42:19,360 --> 00:42:22,919
Speaker 1: you're gonna wish you did, because it's just like every

796
00:42:23,000 --> 00:42:26,400
Speaker 1: character still vivid, which is another thing Helena about. I

797
00:42:26,440 --> 00:42:28,160
Speaker 1: guess that Sarah Snyder and that Chris Kelly know what

798
00:42:28,200 --> 00:42:31,840
Speaker 1: they might. I guess they might have some talent. Finally,

799
00:42:32,160 --> 00:42:33,640
Speaker 1: somebody's got to say it, and I guess it has

800
00:42:33,680 --> 00:42:37,359
Speaker 1: to be breaking news right here, breaking news. So maybe

801
00:42:37,400 --> 00:42:44,799
Speaker 1: the episode is also called breaking Key and Talented. Um, wait,

802
00:42:44,920 --> 00:42:46,879
Speaker 1: what was I just gonna say? Oh? We were talking

803
00:42:46,960 --> 00:42:49,239
Speaker 1: with Helena about how like she said the culture that

804
00:42:49,320 --> 00:42:53,120
Speaker 1: informed her was Austin Powers, and I said, like, what's

805
00:42:53,120 --> 00:42:54,759
Speaker 1: cool about the other two? And I love shows like

806
00:42:54,840 --> 00:42:57,759
Speaker 1: this where every character, every supporting character, no matter big

807
00:42:57,800 --> 00:43:03,520
Speaker 1: nor small, is just also vivid like one like a

808
00:43:03,840 --> 00:43:07,319
Speaker 1: real show. She says, she gets like the biggest lab

809
00:43:07,360 --> 00:43:09,000
Speaker 1: out of me. She just says the word, she goes

810
00:43:09,120 --> 00:43:11,520
Speaker 1: sure and the way when she says it once and

811
00:43:11,560 --> 00:43:14,680
Speaker 1: it's just it was just amazing. Oh my god, that's

812
00:43:14,719 --> 00:43:16,239
Speaker 1: not that's a weird. You can cut that part out.

813
00:43:17,440 --> 00:43:20,680
Speaker 1: We're not going to cut that out. Okay, Okay, why

814
00:43:20,960 --> 00:43:23,680
Speaker 1: because you know what, I'm a prestige actress and I

815
00:43:23,760 --> 00:43:29,239
Speaker 1: demand my edit who we respect? Who? Who are the

816
00:43:29,320 --> 00:43:33,360
Speaker 1: prestige actresses right now that are lighting your fire the hardest,

817
00:43:33,520 --> 00:43:37,680
Speaker 1: the hardest? Who are the prestige Okay, um, the genuinely

818
00:43:38,200 --> 00:43:41,680
Speaker 1: like the prestige actresses that are lighting my fire the hardest.

819
00:43:41,960 --> 00:43:45,080
Speaker 1: I like putting you on the spot with the weird.

820
00:43:45,560 --> 00:43:47,480
Speaker 1: It's fine to put people on the spot on an

821
00:43:47,520 --> 00:43:52,040
Speaker 1: interview podcast. It is okay, It's actually fine. That is

822
00:43:52,160 --> 00:43:55,040
Speaker 1: the t Honey. You're always like I feel put on

823
00:43:55,120 --> 00:44:01,240
Speaker 1: the spot. You're putting them on the spot. Culture then venom.

824
00:44:01,280 --> 00:44:04,120
Speaker 1: I'm a snake. I'm a white, hot, hot rock hair snake.

825
00:44:04,920 --> 00:44:08,120
Speaker 1: So anyway, yes, no, I should. I should remember that

826
00:44:08,200 --> 00:44:10,080
Speaker 1: I was invited to be on this podcast by a

827
00:44:10,160 --> 00:44:14,719
Speaker 1: third party, no, no direct contact with either of you

828
00:44:15,040 --> 00:44:21,239
Speaker 1: in setting this up, because I know how did I mean?

829
00:44:21,320 --> 00:44:23,359
Speaker 1: I remember when this podcast started and you guys were

830
00:44:23,400 --> 00:44:26,439
Speaker 1: what twelve episodes in and you had this old bag

831
00:44:26,520 --> 00:44:29,399
Speaker 1: of shi it on and I came in. I knew

832
00:44:29,480 --> 00:44:31,600
Speaker 1: that I don't think so Honey was coming, and I thought, God,

833
00:44:31,640 --> 00:44:34,080
Speaker 1: I really hope these boys go somewhere. And now look

834
00:44:34,120 --> 00:44:36,880
Speaker 1: at them having a third party set up their guests.

835
00:44:37,239 --> 00:44:42,120
Speaker 1: A lovely, lovely person named Sam. Yes, exactly, she's been

836
00:44:42,160 --> 00:44:45,440
Speaker 1: doing a great I'm sure, yes, no, and yes she has.

837
00:44:45,600 --> 00:44:48,480
Speaker 1: I agreed, and you know, and the fact of the

838
00:44:48,520 --> 00:44:52,680
Speaker 1: matter is you're here. Yeah, exactly. Like a question to Bicky,

839
00:44:52,840 --> 00:44:57,080
Speaker 1: I like her. I liked Becky. Um. What's her name from? Mom?

840
00:44:57,200 --> 00:45:05,319
Speaker 1: Mia too? She's Lily James, MS Lily James, MS Lily

841
00:45:05,400 --> 00:45:08,400
Speaker 1: James you. You still haven't seen Baby Driver. I haven't.

842
00:45:08,440 --> 00:45:11,640
Speaker 1: She's great. She's great and Billy Baby Driver just because

843
00:45:11,640 --> 00:45:16,080
Speaker 1: it's the way she's like baby Baby, baby Baby. She's

844
00:45:16,160 --> 00:45:22,399
Speaker 1: so funny and she just crazy American like Southern accent, like, oh,

845
00:45:22,480 --> 00:45:26,280
Speaker 1: I love that. It's basically that our old pal ancels

846
00:45:26,320 --> 00:45:30,279
Speaker 1: in it. Oh yeah, your old pal Ansel. We I

847
00:45:30,400 --> 00:45:33,640
Speaker 1: know the Ansel. And he threw the vultra hat. He

848
00:45:33,719 --> 00:45:36,640
Speaker 1: screamed at us, and he said it was bad merch right,

849
00:45:36,680 --> 00:45:38,680
Speaker 1: and it was bad. It wasn't our merge. Guess what, guys,

850
00:45:38,760 --> 00:45:40,320
Speaker 1: I'm a fan of both of you. I see the

851
00:45:40,400 --> 00:45:42,719
Speaker 1: videos you guys post. Okay, so I know what you're

852
00:45:42,760 --> 00:45:45,960
Speaker 1: talking about. You know, I'm actually the hostily Kind podcast

853
00:45:46,560 --> 00:45:52,479
Speaker 1: kind Hostily Kind. I'm doing uh Sundance for Vulture. Oh fun.

854
00:45:53,320 --> 00:45:55,759
Speaker 1: Oh my god, are you gonna be there? No? The

855
00:45:55,800 --> 00:45:57,360
Speaker 1: way you just grabbed me made me feel like no,

856
00:45:57,560 --> 00:46:01,200
Speaker 1: But Sundance is. I'm really excited. I've your been. It's

857
00:46:01,239 --> 00:46:04,440
Speaker 1: so beautiful. Well, the surrounding it was just like the

858
00:46:04,480 --> 00:46:06,160
Speaker 1: mountains where I was only there for like, I mean, yeah,

859
00:46:06,160 --> 00:46:10,600
Speaker 1: you're Provo Utah park City, Parks City, Park City, Park

860
00:46:10,640 --> 00:46:12,719
Speaker 1: City and the list of people that I got that

861
00:46:12,760 --> 00:46:15,319
Speaker 1: I'm going to meet whom you can't say. You can't say,

862
00:46:15,400 --> 00:46:18,200
Speaker 1: I mean, I think I mouth one. I will just

863
00:46:18,280 --> 00:46:22,120
Speaker 1: say one, okay, let's fine, say three letters. Okay, okay, Jay,

864
00:46:23,600 --> 00:46:26,799
Speaker 1: what what are you doing there? Apparently there's a documentary

865
00:46:26,840 --> 00:46:32,160
Speaker 1: about her, like candidacy and then successful campaign and surprise

866
00:46:32,280 --> 00:46:35,719
Speaker 1: upset and now what she's doing. Apparently they captured it.

867
00:46:35,920 --> 00:46:39,240
Speaker 1: That's beautiful. I can't knock down the house. I'm really

868
00:46:39,719 --> 00:46:42,200
Speaker 1: really excited. And you're going to talk to her. I'm

869
00:46:42,200 --> 00:46:43,719
Speaker 1: going to talk to her for ten to five and

870
00:46:43,760 --> 00:46:46,200
Speaker 1: you have to talk to about I'm going to talk

871
00:46:46,200 --> 00:46:48,920
Speaker 1: to her about Dragon. So literally, what am I going

872
00:46:48,960 --> 00:46:51,200
Speaker 1: to talk to AOC about? Because I was like, there's

873
00:46:51,320 --> 00:46:53,799
Speaker 1: so much I know, but you'll you'll know, just talk

874
00:46:53,840 --> 00:46:59,160
Speaker 1: about um Greeny deal, talk about fucking I'll just whatever.

875
00:46:59,320 --> 00:47:01,759
Speaker 1: I do. Want to get drags takes. I want to

876
00:47:01,800 --> 00:47:03,960
Speaker 1: find out what she thinks about Cuomo all of a sudden,

877
00:47:04,000 --> 00:47:06,879
Speaker 1: being like, actually the l's not shutting down. That's fun.

878
00:47:07,000 --> 00:47:09,120
Speaker 1: You have to ask her about that, And then talking

879
00:47:09,120 --> 00:47:12,040
Speaker 1: to her about drag race on Vulture is perfect. I know. Yeah.

880
00:47:12,440 --> 00:47:15,080
Speaker 1: The thing is like when we last did that like

881
00:47:15,640 --> 00:47:18,120
Speaker 1: and I just said it was we did a Tribeca

882
00:47:18,239 --> 00:47:20,320
Speaker 1: and then we did vulture Fest and it's like we

883
00:47:20,440 --> 00:47:23,600
Speaker 1: had that weird thing with Tracy Morgan. Oh sure, sure.

884
00:47:24,040 --> 00:47:25,680
Speaker 1: So I just told him like I'm just gonna be

885
00:47:25,760 --> 00:47:28,000
Speaker 1: fun the whole time and like, you know yeah, and

886
00:47:28,040 --> 00:47:29,400
Speaker 1: they're like, that's great, That's what we wanted to do.

887
00:47:29,600 --> 00:47:30,680
Speaker 1: So it's like I'm not going to come in there

888
00:47:30,719 --> 00:47:34,879
Speaker 1: with any hardsheverything. Just be fun. Yeah, exactly, make it fun.

889
00:47:35,000 --> 00:47:36,560
Speaker 1: You're not gonna like call someone, You're not gonna like

890
00:47:36,680 --> 00:47:40,600
Speaker 1: do the research, pin somebody down, figure out what actually

891
00:47:40,640 --> 00:47:43,319
Speaker 1: there for. You know, that's very funny. All Right, I'm

892
00:47:43,360 --> 00:47:45,080
Speaker 1: looking at you and I think you might be in

893
00:47:45,160 --> 00:47:52,719
Speaker 1: a movie about saving animal the swamp from the list

894
00:47:52,760 --> 00:47:55,879
Speaker 1: of people is fucking crazy, Like I'll show you later,

895
00:47:55,960 --> 00:47:58,680
Speaker 1: but them are. But I will say that AOC is

896
00:47:58,719 --> 00:48:03,239
Speaker 1: going to be there. That's so oh my gosh, because

897
00:48:03,280 --> 00:48:07,080
Speaker 1: we actually reached out. I love it when she first

898
00:48:07,400 --> 00:48:11,600
Speaker 1: love Anthony, We Anthony, We reached out to her. We

899
00:48:11,680 --> 00:48:13,640
Speaker 1: reached out to her to beyond last coats. When she

900
00:48:13,800 --> 00:48:16,279
Speaker 1: first won the primary, like idiots like like as if

901
00:48:16,360 --> 00:48:20,040
Speaker 1: her like she wasn't immediately becoming like a national superstyle.

902
00:48:20,120 --> 00:48:21,880
Speaker 1: We were like, see if she wants to come up

903
00:48:24,040 --> 00:48:27,000
Speaker 1: reached out. I think it's still possible that she's that

904
00:48:27,120 --> 00:48:28,520
Speaker 1: she doesn't. I don't think so, honey. I think it

905
00:48:28,680 --> 00:48:30,920
Speaker 1: totally is. You could get Yeah, oh my god, that

906
00:48:30,960 --> 00:48:34,640
Speaker 1: would be great fun. I would love that. I bet

907
00:48:34,680 --> 00:48:37,000
Speaker 1: she'd be really good. Oh yeah, you know what that um,

908
00:48:38,080 --> 00:48:42,239
Speaker 1: Alessandro Biaggi. Oh yeah, when I did the Nightli with

909
00:48:42,320 --> 00:48:46,439
Speaker 1: Lauren Duca. Oh that's fun. Wow. Senor states, Yes, yeah,

910
00:48:48,120 --> 00:48:51,840
Speaker 1: another one that's knocking down that. Did you vote for her? Um? I,

911
00:48:52,120 --> 00:48:55,640
Speaker 1: she wasn't she in your district. She wasn't running in

912
00:48:55,760 --> 00:48:57,839
Speaker 1: my desk. But you can you can know for sure

913
00:48:57,920 --> 00:49:02,840
Speaker 1: that I always progressive candidate. You can know you are you?

914
00:49:04,120 --> 00:49:11,480
Speaker 1: Are you guys progressive? Um? I'm republic Yes, I'm more

915
00:49:11,600 --> 00:49:14,279
Speaker 1: of a moderate Republican. I'm like, I want to say,

916
00:49:14,280 --> 00:49:17,600
Speaker 1: a moderate republic. Yeah, I'm a moderate. Okay, talk about

917
00:49:17,640 --> 00:49:20,880
Speaker 1: what makes you a Republican? Um, I'll tell you that

918
00:49:21,120 --> 00:49:23,520
Speaker 1: when it's it's fiscal and it's very physical. For me,

919
00:49:23,640 --> 00:49:27,480
Speaker 1: it's very social. Um. And I just don't think that

920
00:49:28,560 --> 00:49:32,719
Speaker 1: the concept at its core of charity. Uh just disgusts me.

921
00:49:32,800 --> 00:49:35,839
Speaker 1: And when I look at both parties and I see

922
00:49:35,880 --> 00:49:39,719
Speaker 1: the Democrats and I'm like, okay, that's charity. What when

923
00:49:39,760 --> 00:49:42,720
Speaker 1: I see Liberals, I'm like, okay, stop giving it away.

924
00:49:43,200 --> 00:49:46,680
Speaker 1: It devalues what I've earned. Okay, I have a MacBook,

925
00:49:47,120 --> 00:49:52,160
Speaker 1: I have a Casper I have that's yeah, those are

926
00:49:52,280 --> 00:49:55,560
Speaker 1: two great things. And yeah, and my parents are actually

927
00:49:55,560 --> 00:49:57,040
Speaker 1: I don't have a casper of a casper rip off.

928
00:49:57,760 --> 00:50:02,480
Speaker 1: Oh well we we love this, yeah, republican. Republican. And

929
00:50:02,640 --> 00:50:04,759
Speaker 1: for you, well, fiscally, you said, but that's because my

930
00:50:04,840 --> 00:50:10,080
Speaker 1: parents are a private prison. Yeah, so okay, um, can

931
00:50:10,120 --> 00:50:12,200
Speaker 1: we wait the other two. I just want to keep

932
00:50:12,239 --> 00:50:13,840
Speaker 1: talking about this because I feel like that I just

933
00:50:14,000 --> 00:50:16,399
Speaker 1: I do really want to talk about you and Drew

934
00:50:16,840 --> 00:50:20,399
Speaker 1: your characters being like two gay pals, because I feel

935
00:50:20,440 --> 00:50:23,719
Speaker 1: like it has been explored on TV, but I feel

936
00:50:23,760 --> 00:50:27,200
Speaker 1: like not in this like Frivolous Way was almost always

937
00:50:27,280 --> 00:50:29,799
Speaker 1: hooked up in the past. Yes, it's always a thing.

938
00:50:29,920 --> 00:50:33,440
Speaker 1: It's like even looking it's like, oh yeah, Jonathan groffin

939
00:50:33,520 --> 00:50:36,799
Speaker 1: the older guy, Um, they had hooked up. And then

940
00:50:36,840 --> 00:50:38,880
Speaker 1: I think in the movie they even talked about hooking

941
00:50:38,960 --> 00:50:42,640
Speaker 1: up again. And I was like, which I get. It's

942
00:50:42,680 --> 00:50:45,160
Speaker 1: like so many of my gay friends like that is

943
00:50:45,320 --> 00:50:47,840
Speaker 1: like you know, no secret, like Dave and I like

944
00:50:47,920 --> 00:50:49,600
Speaker 1: in the beginning of David, you know what I mean,

945
00:50:49,719 --> 00:50:54,440
Speaker 1: Like a lot I would say, like honestly, probably of

946
00:50:54,520 --> 00:50:57,279
Speaker 1: my gay friends like not. And it's like it's like

947
00:50:58,320 --> 00:51:00,520
Speaker 1: that's just kind of I guess how lot of people

948
00:51:00,640 --> 00:51:06,120
Speaker 1: figure out it's also expression to it. It's about being

949
00:51:06,160 --> 00:51:09,520
Speaker 1: an artist. It's not being an artist. It's some sort

950
00:51:09,560 --> 00:51:12,520
Speaker 1: of sucked up, well get a funked up reality, like

951
00:51:12,680 --> 00:51:15,200
Speaker 1: we just accept we have to accept it. But I

952
00:51:15,280 --> 00:51:17,400
Speaker 1: feel like it's like we have to accept it. But

953
00:51:17,560 --> 00:51:21,480
Speaker 1: I feel like, like like having platonic gay relationships has

954
00:51:21,520 --> 00:51:23,640
Speaker 1: been one of my favorite things that I've ever had

955
00:51:23,680 --> 00:51:25,640
Speaker 1: in my entire life, just like reconnected with an old

956
00:51:25,640 --> 00:51:27,239
Speaker 1: friend that I hadn't seen in a long time. Better

957
00:51:27,320 --> 00:51:29,000
Speaker 1: it was like my best one of my best friends

958
00:51:29,040 --> 00:51:31,319
Speaker 1: growing up, and we like reconnected and we're just funny.

959
00:51:31,320 --> 00:51:33,120
Speaker 1: It was just it's just been so great to have that.

960
00:51:33,400 --> 00:51:35,120
Speaker 1: And it's like we've never had any of that history

961
00:51:35,200 --> 00:51:37,279
Speaker 1: or anything like that, but it is great. I don't know,

962
00:51:37,480 --> 00:51:39,840
Speaker 1: I love that. Yeah, And they work together at a restaurant,

963
00:51:39,880 --> 00:51:43,759
Speaker 1: which is, of course, where gays become friends, become friends,

964
00:51:43,800 --> 00:51:47,480
Speaker 1: become friends, and gain their socio economic power. Yeah. I

965
00:51:47,680 --> 00:51:49,440
Speaker 1: thought for the entire time we're shooting that there was

966
00:51:49,440 --> 00:51:52,560
Speaker 1: just like a wacky show about gay waiters, and apparently

967
00:51:54,200 --> 00:51:56,680
Speaker 1: it really wasn't. Oh my god. I love the acting

968
00:51:56,760 --> 00:51:59,719
Speaker 1: class stuff where it feels like Barry for a little bit.

969
00:52:00,680 --> 00:52:04,240
Speaker 1: It's definitely very Barry. I also love that the character

970
00:52:04,360 --> 00:52:06,080
Speaker 1: is not only wait tables together. Do you think the

971
00:52:06,160 --> 00:52:08,000
Speaker 1: character's wait tables together and then they signed up for

972
00:52:08,000 --> 00:52:10,840
Speaker 1: an acting class together? You know what, Actually that's a

973
00:52:10,880 --> 00:52:14,160
Speaker 1: great question. I I here's my here's my thought process.

974
00:52:14,520 --> 00:52:16,759
Speaker 1: It was that, Um, I feel like my character has

975
00:52:16,760 --> 00:52:18,480
Speaker 1: been in this acting class for a long time but

976
00:52:19,000 --> 00:52:24,080
Speaker 1: quit acting years ago, but just does it to like

977
00:52:24,280 --> 00:52:26,479
Speaker 1: it just doesn't it, just just does it to stay

978
00:52:26,520 --> 00:52:28,480
Speaker 1: in it because sometimes he gets a good note and

979
00:52:28,520 --> 00:52:31,320
Speaker 1: that means a lot to him. And then um, I

980
00:52:31,400 --> 00:52:33,160
Speaker 1: think he was like, Carrie, you should come and do

981
00:52:33,280 --> 00:52:35,799
Speaker 1: this class, and CARRY was like, okay, I'm sure there's

982
00:52:35,840 --> 00:52:39,800
Speaker 1: actually lines that describe I got into it, and I

983
00:52:39,960 --> 00:52:43,399
Speaker 1: just didn't. I just didn't, again skip the dramaturgical work

984
00:52:43,440 --> 00:52:46,200
Speaker 1: exactly scripted. Yeah, because I see. I don't even see

985
00:52:46,200 --> 00:52:48,320
Speaker 1: a character name. I just see lines in the script.

986
00:52:48,360 --> 00:52:49,960
Speaker 1: And I was like, okay, I'll say that. And the

987
00:52:50,040 --> 00:52:51,880
Speaker 1: number of times I've auditioned for things and they've been like,

988
00:52:52,080 --> 00:52:54,000
Speaker 1: that's the other part, and I'm like, no, no, no,

989
00:52:54,680 --> 00:52:57,520
Speaker 1: the character would say that. Wait really yeah? And so

990
00:52:57,640 --> 00:52:59,239
Speaker 1: what I also I like to do here's nothing. I

991
00:52:59,280 --> 00:53:02,120
Speaker 1: also don't learn my lines. I always said this. I've

992
00:53:02,120 --> 00:53:03,919
Speaker 1: always said this. I said, don't learn your lines because

993
00:53:03,960 --> 00:53:07,759
Speaker 1: if the other if you are doing your job, you

994
00:53:07,840 --> 00:53:09,840
Speaker 1: will get the other person to say their line. You

995
00:53:09,920 --> 00:53:11,480
Speaker 1: know what I'm saying. If you want me if the

996
00:53:11,520 --> 00:53:13,680
Speaker 1: lines fuck you, I can say fuck you to anybody,

997
00:53:13,960 --> 00:53:15,759
Speaker 1: but you get me to say fuck you. And so

998
00:53:15,840 --> 00:53:17,680
Speaker 1: I'm not going to learn the line. All right. It's

999
00:53:17,719 --> 00:53:21,440
Speaker 1: like gravid water. Everything you get it. Everything should be

1000
00:53:21,440 --> 00:53:23,680
Speaker 1: grabbed water. This is yeah, because I'm going out for

1001
00:53:23,719 --> 00:53:25,880
Speaker 1: palaces and and I need this. Yeah, you're gonna be

1002
00:53:25,920 --> 00:53:27,239
Speaker 1: an all right, it's gonna be an l A. Yeah,

1003
00:53:27,280 --> 00:53:32,880
Speaker 1: I'll see either. I'll see either. Yeah, everyone, everyone, everyone

1004
00:53:32,920 --> 00:53:36,080
Speaker 1: who you'll have to stay here with your amazing jobs.

1005
00:53:36,200 --> 00:53:41,040
Speaker 1: Shut up, B s J. This is a great segue

1006
00:53:41,120 --> 00:53:45,880
Speaker 1: into isn't it romantic. BSJ loves his question titles in

1007
00:53:46,000 --> 00:53:49,720
Speaker 1: his movies. Give me Famously a question? Is it romantic?

1008
00:53:49,840 --> 00:53:56,080
Speaker 1: Famously a question? The other two b s J was

1009
00:53:56,520 --> 00:53:59,560
Speaker 1: really on top of all his being off book you

1010
00:54:00,400 --> 00:54:04,640
Speaker 1: kissed kiss This is a little bit of um. I

1011
00:54:04,640 --> 00:54:06,399
Speaker 1: don't know if this is a spoiler for that film.

1012
00:54:06,440 --> 00:54:09,080
Speaker 1: I don't think that. I don't think it's a guys

1013
00:54:09,200 --> 00:54:10,759
Speaker 1: kissed in the film. We guys, we kissed in the

1014
00:54:10,800 --> 00:54:13,879
Speaker 1: film on camera in front of many crew, in front

1015
00:54:13,880 --> 00:54:18,960
Speaker 1: of many And how many times did you kiss? Okay,

1016
00:54:18,960 --> 00:54:20,879
Speaker 1: it wasn't more than ten, it wasn't more than ten.

1017
00:54:21,000 --> 00:54:24,200
Speaker 1: We did like seven takes total. We did like, yeah,

1018
00:54:24,239 --> 00:54:26,840
Speaker 1: we did seven takes total and three of which we

1019
00:54:26,920 --> 00:54:34,960
Speaker 1: kissed twice. Four and the rebel commenting on how hot

1020
00:54:35,000 --> 00:54:37,520
Speaker 1: it was. Yeah, Well, every time we kiss she'd be like,

1021
00:54:39,800 --> 00:54:45,960
Speaker 1: oh yeah, guy, I love it. No, I am like gold.

1022
00:54:47,640 --> 00:54:51,560
Speaker 1: Are you in touch with her? You guys are friends friendly?

1023
00:54:52,120 --> 00:54:54,719
Speaker 1: She even up to now she I think everything she

1024
00:54:54,800 --> 00:54:57,560
Speaker 1: just like didn't she just like do cats the musicale

1025
00:54:58,160 --> 00:55:04,399
Speaker 1: she's in the movie. Jeff Taylor as I know as

1026
00:55:04,440 --> 00:55:09,200
Speaker 1: I know her Taylor Swift. Matt. This is how much

1027
00:55:09,280 --> 00:55:12,680
Speaker 1: Matt loves saying, Taylor Swift, he back when we were

1028
00:55:12,680 --> 00:55:17,520
Speaker 1: in a sketch group together, keep wrought sketch where the

1029
00:55:17,760 --> 00:55:25,880
Speaker 1: entire game was just his character saying I loved Taylor Swift,

1030
00:55:26,320 --> 00:55:29,239
Speaker 1: and then everyone else in this sketch straight manning and

1031
00:55:29,320 --> 00:55:32,400
Speaker 1: being like, no, mad, it's Taylor Swift. And then you

1032
00:55:32,520 --> 00:55:36,200
Speaker 1: find out that he just mispronounces everything, and then it

1033
00:55:36,320 --> 00:55:38,759
Speaker 1: was so bad. It's not even like this is good.

1034
00:55:39,040 --> 00:55:41,279
Speaker 1: It wasn't even like a hacky like it wasn't even

1035
00:55:41,320 --> 00:55:43,000
Speaker 1: a hacky out wurd. It's like, oh he has he's

1036
00:55:43,040 --> 00:55:46,200
Speaker 1: having a stroke. It was like, oh, he's just an idiot.

1037
00:55:48,800 --> 00:55:52,479
Speaker 1: I was really excited about I was really excited about

1038
00:55:52,520 --> 00:55:55,960
Speaker 1: the premise, and actually even recently I tried to do

1039
00:55:56,080 --> 00:56:01,880
Speaker 1: something with Taylor Swift, like something to me like and

1040
00:56:01,960 --> 00:56:04,160
Speaker 1: soon and I talked about this girl, so I tweeted it.

1041
00:56:04,320 --> 00:56:08,600
Speaker 1: I was like, dayle A Swift. Then it did like fine, wait,

1042
00:56:08,719 --> 00:56:11,040
Speaker 1: that wasn't something you tried. But I was like, I

1043
00:56:11,200 --> 00:56:12,920
Speaker 1: was like, I was like, what did I say? I

1044
00:56:13,000 --> 00:56:16,880
Speaker 1: said what I tweeted out On Christmas? I give a gift.

1045
00:56:17,680 --> 00:56:21,280
Speaker 1: My favorite shopping is Thriff and my singer is Taylor

1046
00:56:21,360 --> 00:56:24,400
Speaker 1: Swift and I was like, this is my first tweet

1047
00:56:24,440 --> 00:56:28,279
Speaker 1: of this month, and it did good. Oh nice, that's good.

1048
00:56:28,960 --> 00:56:30,560
Speaker 1: You know what, I think, that's good. I just think

1049
00:56:31,040 --> 00:56:34,600
Speaker 1: the most fun Imagine this, Imagine this situation. You see

1050
00:56:34,640 --> 00:56:37,040
Speaker 1: her on the red carpet and it's like Nancy O'Dell

1051
00:56:38,040 --> 00:56:41,600
Speaker 1: and she's like, today we're here, we're Taylor Swift and

1052
00:56:41,719 --> 00:56:48,760
Speaker 1: she's Taylor's just like what I love the new album.

1053
00:56:48,920 --> 00:56:53,400
Speaker 1: Tell us about this new Swift sounds. It's and Nancy

1054
00:56:53,440 --> 00:56:56,120
Speaker 1: Adele's already run afoul of Taylor on the Red Carpet

1055
00:56:56,160 --> 00:56:58,800
Speaker 1: in the past icon and so now it's just like

1056
00:56:59,239 --> 00:57:02,400
Speaker 1: Nancy can't get it right with Taylor, which is the

1057
00:57:02,440 --> 00:57:05,440
Speaker 1: title of the sketch, Nancy can't get it right with Taylor.

1058
00:57:05,880 --> 00:57:10,640
Speaker 1: You wrote a whole sketch about Taylor Swift, and I

1059
00:57:10,840 --> 00:57:14,080
Speaker 1: truly I can't believe I still think about that. So

1060
00:57:14,239 --> 00:57:15,719
Speaker 1: was there like a moment that you bring it in

1061
00:57:15,920 --> 00:57:19,400
Speaker 1: and there's like a read through, Yeah, you get didn't

1062
00:57:19,400 --> 00:57:20,800
Speaker 1: get to its feet. I think it was the first

1063
00:57:20,840 --> 00:57:23,080
Speaker 1: thing I presented that day. I was like, I'm excited

1064
00:57:23,080 --> 00:57:25,480
Speaker 1: about this one, and we were all like and then

1065
00:57:25,560 --> 00:57:27,040
Speaker 1: we all gave it notes didn't make it into this,

1066
00:57:27,320 --> 00:57:28,880
Speaker 1: and then stud and I gave notes people like okay,

1067
00:57:28,960 --> 00:57:31,840
Speaker 1: so um like this, I feel we feel like we

1068
00:57:31,920 --> 00:57:34,080
Speaker 1: can activate the heightens a little bit more. We were

1069
00:57:34,240 --> 00:57:39,400
Speaker 1: like what blah blah. One time Studio and I wrote

1070
00:57:40,080 --> 00:57:42,600
Speaker 1: we talked about this. Ever the one time Studio and

1071
00:57:42,600 --> 00:57:47,160
Speaker 1: I brought it, Oh it's good, okay, So this is

1072
00:57:47,240 --> 00:57:49,280
Speaker 1: this is a bit of a dicey story. Basically, what

1073
00:57:49,440 --> 00:57:51,840
Speaker 1: happened was someone we're going to tell it. We're gonna

1074
00:57:51,880 --> 00:57:55,120
Speaker 1: tell one someone in the sketch group was very late.

1075
00:57:55,280 --> 00:57:57,720
Speaker 1: Very This was often a thing that happened, like someone

1076
00:57:57,760 --> 00:57:59,720
Speaker 1: would be late, and it was like often the same

1077
00:58:00,480 --> 00:58:03,840
Speaker 1: or just somebody would this one person wasn't not late

1078
00:58:03,880 --> 00:58:05,880
Speaker 1: all the time, but you know it was it was

1079
00:58:05,960 --> 00:58:07,880
Speaker 1: like they were twenty five minutes later and we needed

1080
00:58:07,920 --> 00:58:10,240
Speaker 1: to rehearse. So I get a text that the person

1081
00:58:10,400 --> 00:58:12,400
Speaker 1: is downstairs having a really hard time getting into the

1082
00:58:12,440 --> 00:58:16,280
Speaker 1: building tissue, and so I go downstairs and like it's

1083
00:58:16,320 --> 00:58:18,640
Speaker 1: like a scene. It's like the guy at the security

1084
00:58:18,640 --> 00:58:20,840
Speaker 1: guard at the front is like really not letting her

1085
00:58:20,880 --> 00:58:22,720
Speaker 1: through because like she had like an out of date

1086
00:58:23,360 --> 00:58:26,240
Speaker 1: um M y u I D So I had to

1087
00:58:26,320 --> 00:58:29,520
Speaker 1: sign her in and as we're going getting in the elevator.

1088
00:58:30,040 --> 00:58:32,160
Speaker 1: She turns to me and she goes, that was the

1089
00:58:32,240 --> 00:58:38,760
Speaker 1: most reverse racist thing that was like, And then she

1090
00:58:38,880 --> 00:58:41,520
Speaker 1: repeats that line when she comes into the room, and

1091
00:58:41,560 --> 00:58:43,840
Speaker 1: Stute and I are just sitting there like, oh my god,

1092
00:58:43,960 --> 00:58:46,880
Speaker 1: I'm sorry what And she was like it was reverse racist,

1093
00:58:46,920 --> 00:58:49,560
Speaker 1: and she kept saying reverse reverse, and and like, I

1094
00:58:49,720 --> 00:58:54,640
Speaker 1: guess it's sort of forgivable. This was back in She

1095
00:58:54,760 --> 00:58:57,360
Speaker 1: Hasn't thirteen, where with that vocabulary was just starting to

1096
00:58:57,440 --> 00:59:01,160
Speaker 1: be shaped around it like whatever. But like at the time,

1097
00:59:01,360 --> 00:59:05,840
Speaker 1: Sudie and I were like, oh okay. So the way

1098
00:59:05,880 --> 00:59:10,080
Speaker 1: that they decided to like, wow, tackle this was not

1099
00:59:10,320 --> 00:59:14,280
Speaker 1: by saying in the moment, hey, this is not acceptable language.

1100
00:59:14,440 --> 00:59:19,120
Speaker 1: They brought in a musical sketch. So the next rehearsal,

1101
00:59:19,640 --> 00:59:23,520
Speaker 1: which was called reverse racism, it's not about how it's

1102
00:59:23,560 --> 00:59:25,360
Speaker 1: not real, and they were just yelling and it really

1103
00:59:25,480 --> 00:59:27,800
Speaker 1: wasn't that funny. It was kind of just like believe.

1104
00:59:28,320 --> 00:59:30,560
Speaker 1: It was kind of just like yelling at this girl

1105
00:59:31,000 --> 00:59:34,240
Speaker 1: for doing it. And so we all literally, I remember

1106
00:59:34,320 --> 00:59:35,880
Speaker 1: we all read it and then it was just like

1107
00:59:36,040 --> 00:59:37,960
Speaker 1: we were like, yeah, it's good. I remember I gave

1108
00:59:38,040 --> 00:59:39,440
Speaker 1: notes and I was like, I just think, you know,

1109
00:59:39,600 --> 00:59:41,560
Speaker 1: probably there could be more jokes. It seems like you

1110
00:59:41,640 --> 00:59:44,440
Speaker 1: guys wrote this with more of an agenda, and probably

1111
00:59:44,480 --> 00:59:46,720
Speaker 1: there could be more jokes. There's no jokes. So then

1112
00:59:46,800 --> 00:59:49,640
Speaker 1: we literally and this girl was there and she was, yeah,

1113
00:59:49,680 --> 00:59:53,560
Speaker 1: I liked it, and then like two sketches go by

1114
00:59:53,640 --> 00:59:57,560
Speaker 1: and she goes, wait, guys, I actually don't feel comfortable

1115
00:59:57,600 --> 00:59:59,600
Speaker 1: with that, And there was this silence and I looked

1116
00:59:59,640 --> 01:00:01,440
Speaker 1: at you as and I was like, I mean, I

1117
01:00:01,560 --> 01:00:04,720
Speaker 1: think you probably owe her an apology. And I remember

1118
01:00:04,760 --> 01:00:08,720
Speaker 1: study rolled her eyes so hard. I was like, I'm sorry.

1119
01:00:09,280 --> 01:00:11,440
Speaker 1: But and then we got into the conversation which we

1120
01:00:11,480 --> 01:00:15,560
Speaker 1: should have just had in the beginning to write an

1121
01:00:15,760 --> 01:00:21,040
Speaker 1: entire song and vicious, So I mean, it's the most

1122
01:00:21,680 --> 01:00:26,320
Speaker 1: it's Carly Simon level. So it's no one was right

1123
01:00:26,360 --> 01:00:28,560
Speaker 1: in that situation. There was there was There are no

1124
01:00:28,720 --> 01:00:32,440
Speaker 1: good guys like a bad decision, goat bad decisions. But

1125
01:00:32,560 --> 01:00:34,680
Speaker 1: also like once we talked about it, it was fine,

1126
01:00:34,720 --> 01:00:39,320
Speaker 1: but it was it was trump right there. But that

1127
01:00:39,440 --> 01:00:42,760
Speaker 1: was that was a moment like, oh wow, wait a minute.

1128
01:00:43,440 --> 01:00:45,600
Speaker 1: I just have to mention that the day that we

1129
01:00:45,680 --> 01:00:49,040
Speaker 1: shut our stuff um for re isn't it Romantic? Was

1130
01:00:49,200 --> 01:00:51,920
Speaker 1: the day It was right after Charlotte'sville and it was

1131
01:00:52,240 --> 01:00:54,600
Speaker 1: like the country was going insane? Do you remember this?

1132
01:00:55,120 --> 01:00:59,400
Speaker 1: It was late August. It was late late August and whatever.

1133
01:00:59,440 --> 01:01:01,800
Speaker 1: I mean, bringing down the mood so hard. But like

1134
01:01:02,040 --> 01:01:05,200
Speaker 1: that was the day of there were there were many

1135
01:01:05,280 --> 01:01:07,520
Speaker 1: people on on both sides, Like that was the day

1136
01:01:07,760 --> 01:01:11,200
Speaker 1: that I was reading all this, all these tweets and

1137
01:01:11,480 --> 01:01:14,680
Speaker 1: reading all these articles locked into a closet of a trailer,

1138
01:01:14,760 --> 01:01:18,480
Speaker 1: just being like the country's ending, like like this country

1139
01:01:18,560 --> 01:01:21,120
Speaker 1: is funny, particularly bad that But that was like a

1140
01:01:21,240 --> 01:01:23,240
Speaker 1: dark day anyway. But then I had to go. But

1141
01:01:23,280 --> 01:01:25,040
Speaker 1: then I had to go kids, Brandon had to like

1142
01:01:25,240 --> 01:01:30,760
Speaker 1: let's say, does it come out February fourteen? I think

1143
01:01:30,800 --> 01:01:36,760
Speaker 1: it's feb Valentine's Day movie? Yes, absolutely, yes, exactly. Famously,

1144
01:01:36,840 --> 01:01:39,200
Speaker 1: that spot used to be taken by fifty shades movies

1145
01:01:39,240 --> 01:01:41,640
Speaker 1: and now there's a there's a vacuum, and I think,

1146
01:01:41,720 --> 01:01:44,000
Speaker 1: isn't a romantic is going to take the Crown home?

1147
01:01:44,120 --> 01:01:46,240
Speaker 1: Can I ask if is there any sexy scenes in

1148
01:01:46,320 --> 01:01:49,280
Speaker 1: the movie with Liam? I know what we see it.

1149
01:01:49,680 --> 01:01:51,440
Speaker 1: It's a whole bit. I mean that that's like the

1150
01:01:51,520 --> 01:01:54,000
Speaker 1: whole thing. It's like it's a fun sketch and that

1151
01:01:54,080 --> 01:01:56,040
Speaker 1: like she's living in this world. She wakes up in

1152
01:01:56,080 --> 01:01:59,120
Speaker 1: a world that is that has that is governed by

1153
01:01:59,120 --> 01:02:02,320
Speaker 1: the rules of aram Um and so anytime, anytime there

1154
01:02:02,440 --> 01:02:03,920
Speaker 1: is a sexy and it's like it cuts to the

1155
01:02:04,000 --> 01:02:06,960
Speaker 1: next day. Yeah, it's it's sort of funny. That's like

1156
01:02:07,000 --> 01:02:09,080
Speaker 1: a little spoil. That's what it is. She never gets

1157
01:02:09,480 --> 01:02:13,600
Speaker 1: it in with Liam. Um. Uh, you don't want to

1158
01:02:13,600 --> 01:02:17,720
Speaker 1: have it's it's it's it's very fun. You guys just

1159
01:02:17,920 --> 01:02:22,760
Speaker 1: did a film with two actors who are now married

1160
01:02:23,000 --> 01:02:28,200
Speaker 1: to humongous pop stars and um Liam Yeah, oh right, yeah,

1161
01:02:28,480 --> 01:02:31,560
Speaker 1: I know I got Um. I sent Prianka an Applebee's

1162
01:02:31,560 --> 01:02:35,600
Speaker 1: gift card for her wedding. Did you really know you

1163
01:02:35,680 --> 01:02:39,040
Speaker 1: should have? That would have been so funny. I think

1164
01:02:39,080 --> 01:02:40,920
Speaker 1: I texted Betty Gilt and I was like, you want

1165
01:02:40,960 --> 01:02:45,520
Speaker 1: to go in on? She did respond, Um, but that

1166
01:02:45,600 --> 01:02:50,080
Speaker 1: would have been so to send her just twenty five

1167
01:02:50,160 --> 01:02:53,919
Speaker 1: bucks to Applebee's oh my god, half off apps every

1168
01:02:54,000 --> 01:02:56,880
Speaker 1: night after time, exactly after ten. Honestly get the chocolate

1169
01:02:56,920 --> 01:03:00,120
Speaker 1: molten lava cake. It is to die for and perfect do.

1170
01:03:02,640 --> 01:03:05,520
Speaker 1: Back in the day, I used to fucking kill it

1171
01:03:05,880 --> 01:03:10,960
Speaker 1: at Applebee's after ten pm. Sure, Spinish Deep Spinish Deep

1172
01:03:12,160 --> 01:03:15,120
Speaker 1: is a good little a good moment. Yeah, when you're

1173
01:03:15,120 --> 01:03:17,040
Speaker 1: att an Applebee's, are there for a reason. You're there

1174
01:03:17,080 --> 01:03:18,800
Speaker 1: for a reason. Do you have a favorite chain? I

1175
01:03:18,880 --> 01:03:21,240
Speaker 1: was gonna say, I'm a Chili's queen. Chili's is really

1176
01:03:21,280 --> 01:03:25,480
Speaker 1: good to love Chili's like classic, Yeah, I'm a t

1177
01:03:25,640 --> 01:03:28,360
Speaker 1: G A Friday's Girl. Yeah, are you really like that?

1178
01:03:28,520 --> 01:03:32,080
Speaker 1: Jack Daniels, I love. I think they have the best wings,

1179
01:03:32,160 --> 01:03:37,520
Speaker 1: And it's like, for me, it's like the wings define

1180
01:03:37,680 --> 01:03:41,520
Speaker 1: the place I want to go where the best wings are. Really,

1181
01:03:41,560 --> 01:03:43,600
Speaker 1: if the winds are good, then the quality trickles down

1182
01:03:43,880 --> 01:03:45,720
Speaker 1: and to the rest of the menu. I would because

1183
01:03:45,760 --> 01:03:48,320
Speaker 1: they took the okay, I see, they took care of

1184
01:03:48,360 --> 01:03:52,040
Speaker 1: their their keystone species right, and so everything else in

1185
01:03:52,080 --> 01:03:55,200
Speaker 1: the food chain literally makes sense. And I feel it's like, well,

1186
01:03:55,240 --> 01:03:57,200
Speaker 1: at least the wings were good, you know what I mean.

1187
01:03:57,280 --> 01:03:58,800
Speaker 1: Like if something comes out and there was like, oh

1188
01:03:58,880 --> 01:04:01,400
Speaker 1: this cheese is this I'm Monterey Jack hasn't melted all

1189
01:04:01,400 --> 01:04:03,160
Speaker 1: the way, you know what I mean, Like it's like

1190
01:04:03,240 --> 01:04:04,800
Speaker 1: you're you're still out of chain, but at least the

1191
01:04:04,840 --> 01:04:06,400
Speaker 1: wings were good. At least the wings were good as

1192
01:04:06,400 --> 01:04:08,360
Speaker 1: a good like I feel like you hear that, Like

1193
01:04:08,480 --> 01:04:10,720
Speaker 1: you're in your the car with your family driving away

1194
01:04:10,760 --> 01:04:12,440
Speaker 1: from the t g I Fridays or your friends, and

1195
01:04:12,480 --> 01:04:14,320
Speaker 1: it's silent for a little bit because maybe the car

1196
01:04:14,400 --> 01:04:16,560
Speaker 1: is still cold, and you finally like pull out of

1197
01:04:16,640 --> 01:04:19,120
Speaker 1: the out of the parking lot and then you're like

1198
01:04:19,160 --> 01:04:20,960
Speaker 1: on the road and then finally somebody breaks the silence.

1199
01:04:21,000 --> 01:04:22,600
Speaker 1: But as well, at least, I mean, list the wings.

1200
01:04:22,680 --> 01:04:24,360
Speaker 1: Wings were good. The wings were good, and then everyone

1201
01:04:24,400 --> 01:04:27,240
Speaker 1: cacophonously is like yeah, yeah, yeah, they were great. They

1202
01:04:27,280 --> 01:04:29,240
Speaker 1: were great. Oh my god, you put him that Taylor

1203
01:04:29,320 --> 01:04:35,760
Speaker 1: Swift song end game Fella Swift. When I be in

1204
01:04:35,840 --> 01:04:38,880
Speaker 1: a sting, did you guys happen to I know you

1205
01:04:39,480 --> 01:04:41,160
Speaker 1: you've seen at least a little bit of because we watched,

1206
01:04:42,240 --> 01:04:44,720
Speaker 1: but you didn't see how I've almost clicked on it,

1207
01:04:44,800 --> 01:04:50,320
Speaker 1: but then I've what we're talking about at the reputation world. Yes,

1208
01:04:50,440 --> 01:04:53,000
Speaker 1: who is it? Great? I love it? Yeah? Did you

1209
01:04:53,040 --> 01:04:55,440
Speaker 1: see it live? Did you see? My friend Rob and

1210
01:04:55,480 --> 01:04:57,720
Speaker 1: I went and it was really fun, like it was

1211
01:04:57,880 --> 01:04:59,760
Speaker 1: it was like that the moment she had like the

1212
01:04:59,760 --> 01:05:06,320
Speaker 1: guests like Camillica box and there was no guess that

1213
01:05:06,440 --> 01:05:08,680
Speaker 1: the one I was at, but Troy Savon was at

1214
01:05:08,720 --> 01:05:10,400
Speaker 1: one day would have been really cool. That would have

1215
01:05:10,440 --> 01:05:15,520
Speaker 1: been Oh man, she love him. Leland, the guy who

1216
01:05:15,960 --> 01:05:17,840
Speaker 1: co writes a lot of his songs wrote for the

1217
01:05:17,920 --> 01:05:21,520
Speaker 1: other two. I'm so funny. I'm trying to get him

1218
01:05:21,520 --> 01:05:25,520
Speaker 1: on the pot. Oh my gosh, what an awesome talent.

1219
01:05:25,600 --> 01:05:30,840
Speaker 1: Talent talent, speaking of talent, speaking of talent, Speaking of talent,

1220
01:05:31,120 --> 01:05:33,600
Speaker 1: I mean, well here, I have one more wings question

1221
01:05:33,680 --> 01:05:40,640
Speaker 1: for you guys. Okay, okay, boneless or bone? Okay, bonless

1222
01:05:40,680 --> 01:05:44,840
Speaker 1: wings or bowen yang. I know, boneless is like I know,

1223
01:05:44,960 --> 01:05:49,440
Speaker 1: boneless is like so juvenile um and if I'm in

1224
01:05:49,520 --> 01:05:54,800
Speaker 1: a wing then that's like so fun. But I feel

1225
01:05:54,840 --> 01:05:57,240
Speaker 1: like I gotta go boneless. But that makes me a child,

1226
01:05:57,400 --> 01:05:59,680
Speaker 1: I know. I don't know. I think it's like fine

1227
01:05:59,760 --> 01:06:03,080
Speaker 1: to just like to be eating all of it, you

1228
01:06:03,120 --> 01:06:04,960
Speaker 1: know what I mean. Like the thing about the wings

1229
01:06:05,120 --> 01:06:07,800
Speaker 1: is convenient to just pop it in your mouth. Yeah,

1230
01:06:08,040 --> 01:06:10,080
Speaker 1: And also you know, I feel like you can dip

1231
01:06:10,200 --> 01:06:12,680
Speaker 1: more and like the thing about wings with the bone

1232
01:06:12,880 --> 01:06:15,760
Speaker 1: is when you dip in the sauce, like oftentimes like

1233
01:06:16,320 --> 01:06:18,640
Speaker 1: the sauce will get mostly on like the bone part

1234
01:06:18,880 --> 01:06:20,520
Speaker 1: or you know what I mean. And also it really

1235
01:06:20,640 --> 01:06:22,480
Speaker 1: drives me crazy when people eat wings and they don't

1236
01:06:22,480 --> 01:06:25,280
Speaker 1: eat everything. You're dipping the bone into the sauce. No,

1237
01:06:25,680 --> 01:06:28,680
Speaker 1: I'm just saying that because the way that you hold

1238
01:06:28,880 --> 01:06:31,919
Speaker 1: the wing with your hand and you dip it into

1239
01:06:31,960 --> 01:06:34,240
Speaker 1: the part of the bone is being exposed to the sauce.

1240
01:06:34,280 --> 01:06:35,919
Speaker 1: I don't know what you're talking. Well, I'm just saying

1241
01:06:36,000 --> 01:06:38,240
Speaker 1: that oftentimes, like just the shape of the wing, like

1242
01:06:38,280 --> 01:06:40,320
Speaker 1: when you dip it into the wing sauce or whatever

1243
01:06:40,360 --> 01:06:43,680
Speaker 1: you're dipping it into, Like I feel that the blue

1244
01:06:43,760 --> 01:06:46,760
Speaker 1: cheese or the ranch gets on the top of the

1245
01:06:46,800 --> 01:06:48,560
Speaker 1: wing and that's not the edible good part. What are

1246
01:06:48,560 --> 01:06:53,400
Speaker 1: you talking about? A drumstick? Though you're talking even harder

1247
01:06:53,720 --> 01:06:56,240
Speaker 1: the flats, Yeah, the flats, the wings or whatever they are.

1248
01:06:56,400 --> 01:06:58,640
Speaker 1: I just think, you know, it's it's really a lot

1249
01:06:58,720 --> 01:07:02,280
Speaker 1: going on there is. There's really a lot. Okay, Yeah,

1250
01:07:02,280 --> 01:07:06,920
Speaker 1: I honestly boneless wings or bow and yang. Between boneless

1251
01:07:06,920 --> 01:07:12,320
Speaker 1: wings and bow and yang, I do I dip to depth.

1252
01:07:12,440 --> 01:07:15,280
Speaker 1: I'd like you have just to have just to have

1253
01:07:15,520 --> 01:07:18,280
Speaker 1: on my plate, to have to hold like hold but

1254
01:07:18,400 --> 01:07:23,280
Speaker 1: that's crazy because if we literally had a nationwide vote

1255
01:07:23,360 --> 01:07:26,080
Speaker 1: right now, wings would win. Wings would win, I think

1256
01:07:26,120 --> 01:07:29,600
Speaker 1: because most people I don't know well known, but everyone

1257
01:07:29,640 --> 01:07:31,480
Speaker 1: in the country, most people don't know you and I

1258
01:07:31,880 --> 01:07:35,160
Speaker 1: knowing the wings. So that's a really scary thought though.

1259
01:07:35,160 --> 01:07:37,280
Speaker 1: That's where we are at Trump's America. People would pick

1260
01:07:37,320 --> 01:07:39,920
Speaker 1: wings over a human being. We have to hp A.

1261
01:07:40,000 --> 01:07:42,000
Speaker 1: Can we just make a note on the day that

1262
01:07:42,080 --> 01:07:44,280
Speaker 1: this releases, text me to make sure that I do

1263
01:07:44,360 --> 01:07:48,720
Speaker 1: an Instagram story pole bow and Yang or bons. Thank you,

1264
01:07:48,880 --> 01:07:53,360
Speaker 1: thanking Andrew, and I'm really scared the results. You don't

1265
01:07:53,360 --> 01:07:56,240
Speaker 1: actually have to do that. I'm sorry you do, like

1266
01:07:56,360 --> 01:07:59,800
Speaker 1: do you? I mean, does that like upset the like

1267
01:08:00,080 --> 01:08:02,000
Speaker 1: median of what what it is like if you're like

1268
01:08:02,600 --> 01:08:05,400
Speaker 1: the if you're the person posting it and you are

1269
01:08:05,520 --> 01:08:09,480
Speaker 1: bow and you're right, So the text me, hb A,

1270
01:08:10,200 --> 01:08:12,640
Speaker 1: text me make sure that I know on the day

1271
01:08:12,680 --> 01:08:16,800
Speaker 1: of release to put up a Instagram story which is

1272
01:08:17,320 --> 01:08:21,599
Speaker 1: boneless wings or bow and Yang. Yes, yes, Wings, bow

1273
01:08:21,640 --> 01:08:24,280
Speaker 1: and Yang. Well we'll really find out who thinks you

1274
01:08:24,360 --> 01:08:33,360
Speaker 1: gets delicious. Ha ha ha ha. My name is Taylor Swift.

1275
01:08:33,439 --> 01:08:36,559
Speaker 1: Ha ha. This is my world. We're going to every

1276
01:08:36,600 --> 01:08:49,960
Speaker 1: city name Nashville, Tennessee, Columbus, Ohio, San Francisco, California, Oslo, Norway, Trinizad, Tobago, Zurich, Zurich,

1277
01:08:50,000 --> 01:08:57,479
Speaker 1: Switzerland's Sydney, Australia, Brisbane, Australia, Melbourne, Australia. And then Kyoto.

1278
01:08:58,560 --> 01:09:03,040
Speaker 1: We're going to Kyoto, the temples, the Pagoda. We'll go

1279
01:09:03,120 --> 01:09:07,120
Speaker 1: into show up with. She all of a sudden talks

1280
01:09:07,320 --> 01:09:13,799
Speaker 1: like that's what you want us to us, like Remy,

1281
01:09:14,880 --> 01:09:17,840
Speaker 1: Leah and Ja like actually they're like friends from way back,

1282
01:09:17,960 --> 01:09:21,360
Speaker 1: legit best friends. That's so crazy, like they've known each

1283
01:09:21,360 --> 01:09:24,120
Speaker 1: other for a while. You have to literally either read

1284
01:09:24,200 --> 01:09:27,360
Speaker 1: the book, which is Leah Remany Escape from Scientology, which

1285
01:09:27,439 --> 01:09:29,160
Speaker 1: is the name I make the name I make up

1286
01:09:29,640 --> 01:09:31,920
Speaker 1: it's called And yeah, I call Leo Remany escape from

1287
01:09:33,400 --> 01:09:38,240
Speaker 1: That sounds like remedy verse scientology. She's fighting it um.

1288
01:09:38,680 --> 01:09:40,680
Speaker 1: That sounds like also like a good ride at in

1289
01:09:40,720 --> 01:09:43,360
Speaker 1: the music part, honestly, And when I own a theme

1290
01:09:43,400 --> 01:09:47,280
Speaker 1: park one day, one ride will be called Pology. The

1291
01:09:47,320 --> 01:09:49,599
Speaker 1: pre show will be her being like all right, everyone,

1292
01:09:49,720 --> 01:09:53,040
Speaker 1: get in, get a screen, get in, all right, there's

1293
01:09:53,080 --> 01:09:55,240
Speaker 1: not a lot of time, Alright, me and my friend

1294
01:09:55,360 --> 01:09:58,320
Speaker 1: Chad how to drive. Who drives you down. I'm the

1295
01:09:58,400 --> 01:10:01,599
Speaker 1: kind of person who takes a whole bunch of people

1296
01:10:02,040 --> 01:10:04,720
Speaker 1: here at Matt Roger's Lands and we go down to

1297
01:10:04,760 --> 01:10:07,080
Speaker 1: the start of scientology so we can really figure out

1298
01:10:07,120 --> 01:10:09,439
Speaker 1: what's going on, because they're people after the ride go

1299
01:10:09,479 --> 01:10:10,840
Speaker 1: to the gift shop, because I'm the kind of person

1300
01:10:10,920 --> 01:10:12,160
Speaker 1: who goes to the gift because I'm the kind of

1301
01:10:12,200 --> 01:10:13,600
Speaker 1: person who after I get off the ride, I go

1302
01:10:13,640 --> 01:10:15,519
Speaker 1: to the gift shop, and I'm the kind of person

1303
01:10:15,760 --> 01:10:18,360
Speaker 1: who really keeps his arms and legs inside the ride.

1304
01:10:18,520 --> 01:10:22,760
Speaker 1: I'm the kind of person who would never touch an animatronic,

1305
01:10:23,240 --> 01:10:25,000
Speaker 1: which there will be many. And I'm the kind of

1306
01:10:25,040 --> 01:10:26,960
Speaker 1: person who's telling you right now, if you have hard

1307
01:10:27,120 --> 01:10:30,519
Speaker 1: back neck, or problems with a sensitivity to stroll lighting,

1308
01:10:31,840 --> 01:10:34,160
Speaker 1: or you're a scientologist, you can get this right. I

1309
01:10:34,240 --> 01:10:36,080
Speaker 1: have a question for you on this right. Are the

1310
01:10:36,120 --> 01:10:39,200
Speaker 1: animatronics are the actual moving animatronics or is it just

1311
01:10:39,360 --> 01:10:42,479
Speaker 1: like Frozen? Is it like a seven Dwarves where it's

1312
01:10:42,520 --> 01:10:45,320
Speaker 1: like the screen is being projected onto their face? Like

1313
01:10:45,360 --> 01:10:50,120
Speaker 1: you know what, My animatronics in my park will be

1314
01:10:50,360 --> 01:10:53,840
Speaker 1: state of the art, like West World yes, they'll be

1315
01:10:53,920 --> 01:10:56,880
Speaker 1: able to right now, right now, with that, to be

1316
01:10:56,920 --> 01:10:59,720
Speaker 1: able to fucking kill everything in my park can kill.

1317
01:11:00,160 --> 01:11:02,639
Speaker 1: But what that state of the animatronics right now means?

1318
01:11:04,200 --> 01:11:10,040
Speaker 1: That's fine? Yeah, I think, David, I think, yeah, yeah,

1319
01:11:10,040 --> 01:11:11,880
Speaker 1: I think I think Travolta might be turning a corn

1320
01:11:12,000 --> 01:11:14,320
Speaker 1: rinding a corner right now. What east of them after

1321
01:11:14,400 --> 01:11:18,280
Speaker 1: the thirty years, he's not wearing a tuthpa anymore. Really,

1322
01:11:18,320 --> 01:11:20,439
Speaker 1: did you see his Instagram? He's like fully bald and

1323
01:11:20,560 --> 01:11:24,160
Speaker 1: like has like looks like stone cold. Steve Boston looks

1324
01:11:24,240 --> 01:11:27,360
Speaker 1: kind of good. I think he might be like, he

1325
01:11:27,479 --> 01:11:31,400
Speaker 1: might be going opposite of clear. I know this is

1326
01:11:31,439 --> 01:11:34,120
Speaker 1: what cloudy, cloudy, this this, this is what he's saying.

1327
01:11:34,439 --> 01:11:37,439
Speaker 1: Cloud he's going cloudy. That's what I say you. But

1328
01:11:37,680 --> 01:11:41,439
Speaker 1: state of the art animatronics now in industry parlance, means

1329
01:11:42,280 --> 01:11:46,360
Speaker 1: like Elsa moving around, but her face is just an

1330
01:11:46,479 --> 01:11:50,000
Speaker 1: LED screen that's flashing an emotion, a digital emotion. I

1331
01:11:50,320 --> 01:11:53,080
Speaker 1: feel that we we don't necessarily have to go that

1332
01:11:53,240 --> 01:11:56,280
Speaker 1: route with my John Travolta audio on amatronics. Of course,

1333
01:11:56,320 --> 01:11:58,840
Speaker 1: there's going to be a Tom Cruise audio onomatronic, and

1334
01:11:58,920 --> 01:12:01,439
Speaker 1: of course in everything there's a Leah animatronic being like,

1335
01:12:01,600 --> 01:12:05,120
Speaker 1: come on, we gotta go this way. What the let's go?

1336
01:12:06,040 --> 01:12:09,000
Speaker 1: Jennifer is not gonna wait and you never seen Jennifer

1337
01:12:09,200 --> 01:12:12,320
Speaker 1: in in the ride, but it's understood, and she's a

1338
01:12:12,360 --> 01:12:14,920
Speaker 1: voice over who's like driving the car. What's what's Kevin

1339
01:12:15,040 --> 01:12:17,880
Speaker 1: James show? The current show? Kevin can wait? Kevin can wait?

1340
01:12:18,240 --> 01:12:20,920
Speaker 1: Come on? I got canceled, come on, Kevin can wait,

1341
01:12:21,000 --> 01:12:23,519
Speaker 1: but we can't. It's so funny that she just she

1342
01:12:23,880 --> 01:12:25,960
Speaker 1: they just kicked out the femalely and then she came

1343
01:12:26,000 --> 01:12:29,360
Speaker 1: in like that is my lea remedy obsession. It's hilarious,

1344
01:12:30,600 --> 01:12:35,040
Speaker 1: hilarious and cruel, and like Leah's cruel. Leah is fucking

1345
01:12:35,280 --> 01:12:38,400
Speaker 1: cold blooded. I don't think that Leah is not crazy.

1346
01:12:39,160 --> 01:12:42,640
Speaker 1: There you go, I mean yeah, I mean but at

1347
01:12:42,680 --> 01:12:44,479
Speaker 1: the end, but for the purposes of the ride, it's

1348
01:12:44,520 --> 01:12:46,639
Speaker 1: important that we're on her side. Yeah, no, I think

1349
01:12:46,680 --> 01:12:48,840
Speaker 1: so too, and so wait, but so, just to be

1350
01:12:48,920 --> 01:12:52,760
Speaker 1: clear about what this ride is, Leah keeps popping up

1351
01:12:52,840 --> 01:12:56,320
Speaker 1: throughout the ride. So she's running alongside the car. Yeah,

1352
01:12:58,840 --> 01:13:03,760
Speaker 1: because she has are Jaylo has the fastest cars in

1353
01:13:03,800 --> 01:13:06,519
Speaker 1: all of Hollywood. And that's the justification for why you

1354
01:13:06,600 --> 01:13:09,080
Speaker 1: get into j car? Will Leah say that? Will she

1355
01:13:09,160 --> 01:13:12,240
Speaker 1: be like, as you all know, Yeah, like you gotta

1356
01:13:12,280 --> 01:13:14,280
Speaker 1: go with my best friend's car, Jennifer Lopez. She has

1357
01:13:14,320 --> 01:13:16,639
Speaker 1: the fastest cars in all of Hollywood. I swear to God,

1358
01:13:16,800 --> 01:13:18,760
Speaker 1: all right, I'm the kind of person who's gonna hook

1359
01:13:18,800 --> 01:13:21,360
Speaker 1: you up. Put off seatbelts on her off. We can't

1360
01:13:21,400 --> 01:13:23,080
Speaker 1: even go. And then you get in. You get in

1361
01:13:23,160 --> 01:13:24,519
Speaker 1: the car, and then you turn to the corner, and

1362
01:13:24,600 --> 01:13:26,960
Speaker 1: it's like it's like very like for those of you

1363
01:13:27,080 --> 01:13:29,240
Speaker 1: that have been to theme parks, like it's very Spider Man.

1364
01:13:29,479 --> 01:13:33,200
Speaker 1: It's very Transformers where they're screens and there's like you're

1365
01:13:33,200 --> 01:13:35,680
Speaker 1: wearing three D glasses that which are to protect you

1366
01:13:36,080 --> 01:13:39,360
Speaker 1: from sparkles, No from from when when they come to

1367
01:13:39,600 --> 01:13:41,920
Speaker 1: probe you? Not what in Scientology they what do they do?

1368
01:13:42,200 --> 01:13:48,120
Speaker 1: They remove the feetings are coming in. It's the glasses

1369
01:13:48,160 --> 01:13:51,880
Speaker 1: like your anti feeting goggles. Yeah, here's what I think

1370
01:13:51,920 --> 01:13:54,080
Speaker 1: it is. It's starts in New York. It starts in

1371
01:13:54,080 --> 01:13:58,360
Speaker 1: the center in New York. Yeah, and like one line

1372
01:13:58,560 --> 01:14:02,599
Speaker 1: is literally its redesigned to look like the Scientology Center

1373
01:14:02,640 --> 01:14:04,880
Speaker 1: in New York. Then it ends, it ends it's in

1374
01:14:04,960 --> 01:14:08,080
Speaker 1: many times, square of Matt Rogers. You drive in Jailer's

1375
01:14:08,120 --> 01:14:10,280
Speaker 1: car all the way to l A and you do

1376
01:14:10,400 --> 01:14:14,280
Speaker 1: the media You do the media center that's on UM Sunset. Yeah,

1377
01:14:14,360 --> 01:14:16,519
Speaker 1: and there's a there's a drop sequence in the Media

1378
01:14:16,600 --> 01:14:19,240
Speaker 1: Center and then you go into it goes into the

1379
01:14:19,240 --> 01:14:22,160
Speaker 1: Blue Building, and then Blue Building goes into the Celebrity Center,

1380
01:14:22,160 --> 01:14:23,960
Speaker 1: and then it ends at UCB. It ends at you

1381
01:14:24,040 --> 01:14:29,519
Speaker 1: see Frank, but it never goes to clear Water. The

1382
01:14:29,640 --> 01:14:34,760
Speaker 1: gift shop has the gift shop has all like I

1383
01:14:34,880 --> 01:14:43,880
Speaker 1: don't think wow, yeah, and just see so much. Okay,

1384
01:14:43,960 --> 01:14:45,760
Speaker 1: So at some point in every last culture is this

1385
01:14:45,880 --> 01:14:48,719
Speaker 1: episode I brandished the fact that I am in therapy

1386
01:14:49,000 --> 01:14:50,680
Speaker 1: and that Matt is not. But don't worry, we'll get

1387
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Speaker 1: him there. But if you were also thinking about getting

1388
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Speaker 1: feeling the fantasy of being a domestic bitch. Yes, I

1419
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Speaker 1: am Nigella Lawson. My father was the chancellor of the

1420
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Speaker 1: ex Checker. That is the fantasy honey, and one of

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1426
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1440
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1457
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Speaker 1: father is a former Chancellor of the Exchequer, which in

1458
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Speaker 1: the UK is the equivalent of like um, like the

1459
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Speaker 1: like the economic head. Right, yeah, okay, UK people, just

1460
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1463
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Speaker 1: be honest with you, one of the lands in Matt

1464
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Speaker 1: Rogers Land the theme park is Times Square, so like

1465
01:19:07,600 --> 01:19:11,280
Speaker 1: you know that, and of course like there's just there's

1466
01:19:11,479 --> 01:19:15,640
Speaker 1: there's there's a seven minute Frozen musical where they just

1467
01:19:15,880 --> 01:19:18,880
Speaker 1: it's just else they're doing let It Go. And um,

1468
01:19:19,080 --> 01:19:22,880
Speaker 1: there's of course a sparrow um and it's like maybe

1469
01:19:22,920 --> 01:19:24,920
Speaker 1: there's like a big screen has like you can get

1470
01:19:24,920 --> 01:19:27,000
Speaker 1: your picture up on there. You can do the ride,

1471
01:19:27,120 --> 01:19:28,840
Speaker 1: you can do that, you can do the d you

1472
01:19:28,920 --> 01:19:31,599
Speaker 1: can do the actual, the actual the ride you get

1473
01:19:31,640 --> 01:19:34,160
Speaker 1: on it, you get on the d um and it

1474
01:19:34,240 --> 01:19:37,479
Speaker 1: goes on a wacky journey through through Times Square quote unquote,

1475
01:19:37,479 --> 01:19:39,439
Speaker 1: and then the other lands are I have to really

1476
01:19:39,479 --> 01:19:40,960
Speaker 1: think about this. But I think there's a big little

1477
01:19:41,000 --> 01:19:47,360
Speaker 1: Long Island. There's Long Island. It's the lands are times square,

1478
01:19:47,640 --> 01:19:54,519
Speaker 1: big little Lies Island and Disney World and we just

1479
01:19:54,640 --> 01:20:00,240
Speaker 1: have splashed out. I love that Matt Roger's the park

1480
01:20:00,280 --> 01:20:02,920
Speaker 1: and I'm like the Mickey Mouse of it. And you're

1481
01:20:03,040 --> 01:20:06,840
Speaker 1: very much like the Donald Duck fucking rude. No, it's

1482
01:20:06,880 --> 01:20:10,000
Speaker 1: not rude at all, Donald wearing pants. I do. Let's

1483
01:20:10,160 --> 01:20:13,680
Speaker 1: let's make a land for bsj Okay, how about I

1484
01:20:13,720 --> 01:20:16,120
Speaker 1: don't need to land. Just like a fun restaurant that

1485
01:20:16,200 --> 01:20:19,360
Speaker 1: people don't hat. It's tennis theme. It's a tennis name

1486
01:20:19,400 --> 01:20:21,360
Speaker 1: restaurant with a lot of I would love. Here's what

1487
01:20:21,360 --> 01:20:22,880
Speaker 1: I'm just gonna pitch some things I like. I don't

1488
01:20:22,880 --> 01:20:24,760
Speaker 1: know if this is gonna fit into your world. I

1489
01:20:25,120 --> 01:20:28,719
Speaker 1: in Brandon's, like tennis named restaurant, a lot of bread bulls,

1490
01:20:29,080 --> 01:20:33,559
Speaker 1: like it's called It's called Brandon's Tennis and bread bulls.

1491
01:20:35,640 --> 01:20:40,880
Speaker 1: And the waiters are all um, Andy Roddick. Are the

1492
01:20:40,920 --> 01:20:44,160
Speaker 1: animatronics as well? No? Well yes, and that like they

1493
01:20:44,200 --> 01:20:49,160
Speaker 1: are West Border on iPads. They come over, yeah, and

1494
01:20:50,439 --> 01:20:54,080
Speaker 1: they always say, Hey, I'm I'm a Andy Roddick. Did

1495
01:20:54,160 --> 01:20:57,320
Speaker 1: you call him for me, and then you say, no, no,

1496
01:20:57,600 --> 01:21:03,679
Speaker 1: I wanted my food. Where where am I where my bread?

1497
01:21:03,880 --> 01:21:08,080
Speaker 1: Bread breas Brandon's tennis in And of course it's like

1498
01:21:08,400 --> 01:21:11,840
Speaker 1: every screen is showing whatever tennis match. Yes, exactly, and

1499
01:21:12,640 --> 01:21:14,920
Speaker 1: actually just like maybe just like videos of me hitting tennis,

1500
01:21:15,720 --> 01:21:19,200
Speaker 1: which is just a slightly out of shape man. It's

1501
01:21:19,360 --> 01:21:23,800
Speaker 1: like just sweating way too hard. And it's of course, um,

1502
01:21:24,680 --> 01:21:27,240
Speaker 1: it's all out of tennis court. If it's all breadfast

1503
01:21:27,280 --> 01:21:29,360
Speaker 1: and it's outside and it's outside, if it's all bread balls,

1504
01:21:29,400 --> 01:21:31,880
Speaker 1: that means it's all soup. It could be a dip.

1505
01:21:32,800 --> 01:21:34,640
Speaker 1: There could be dips in the bread balls. I think so.

1506
01:21:34,880 --> 01:21:37,720
Speaker 1: And I think sometimes even like um, if you just

1507
01:21:37,880 --> 01:21:39,840
Speaker 1: want to there's maybe like a create your own where

1508
01:21:39,840 --> 01:21:43,120
Speaker 1: you can just put like a pile of cheese. Wait

1509
01:21:43,479 --> 01:21:45,760
Speaker 1: now I feel sad that I think that Bowen needs

1510
01:21:45,800 --> 01:21:49,320
Speaker 1: to have a big ride in my park. I think

1511
01:21:49,360 --> 01:21:51,720
Speaker 1: I think you actually have the biggest roller coaster there.

1512
01:21:52,400 --> 01:21:56,920
Speaker 1: I think you have it's called it's called Then it

1513
01:21:57,040 --> 01:21:59,560
Speaker 1: starts out where we just we literally it's like a

1514
01:22:00,320 --> 01:22:03,599
Speaker 1: crawl up five feet and then the plummet straight down

1515
01:22:04,360 --> 01:22:05,799
Speaker 1: and then the rest of it all of a sudden

1516
01:22:05,880 --> 01:22:09,599
Speaker 1: like it's like but then it's like launched and like, yeah,

1517
01:22:10,040 --> 01:22:13,760
Speaker 1: you know what it is? Oh yeah, this is like

1518
01:22:14,160 --> 01:22:17,240
Speaker 1: all the entire female cast of SNL dancing along the ride.

1519
01:22:17,320 --> 01:22:19,479
Speaker 1: This is this is the ride. You ready, It's like

1520
01:22:19,640 --> 01:22:24,679
Speaker 1: dueling dragons. Yes, where it's it's parallel colinear roller coaster.

1521
01:22:24,720 --> 01:22:27,320
Speaker 1: At first they're together the Getter, they split up. It's

1522
01:22:27,320 --> 01:22:31,080
Speaker 1: like a it's called culture. They split up, and then

1523
01:22:31,120 --> 01:22:34,120
Speaker 1: they end up back together because the friendship outlasts everything.

1524
01:22:35,479 --> 01:22:42,599
Speaker 1: It's called the mat and roller coaster experience culture war culture.

1525
01:22:42,640 --> 01:22:49,040
Speaker 1: That's good. And what land is this in? It's in island? Wait?

1526
01:22:49,240 --> 01:22:51,559
Speaker 1: Just why know? Is there anything else in Long Island?

1527
01:22:51,560 --> 01:22:56,479
Speaker 1: Like what else? There's fire, there's a fire island. There's

1528
01:22:56,479 --> 01:23:01,360
Speaker 1: a fire island. It's accurate. It's all the fire Island experience.

1529
01:23:01,439 --> 01:23:06,800
Speaker 1: And you go and it's people are sucking each other backs. Yes,

1530
01:23:07,479 --> 01:23:09,439
Speaker 1: And that's the weird part is like you don't know

1531
01:23:09,520 --> 01:23:12,920
Speaker 1: who's real. And it's like, is this sort of like

1532
01:23:13,000 --> 01:23:15,320
Speaker 1: the pleasure Island of And that's very West World too?

1533
01:23:15,560 --> 01:23:18,360
Speaker 1: Yeah yeah, I love that. I like that too. It's

1534
01:23:18,400 --> 01:23:21,920
Speaker 1: gonna be really cool and I'm I'm not not necessarily

1535
01:23:22,000 --> 01:23:26,719
Speaker 1: ready to announce more parks opening, but we're definitely interested

1536
01:23:26,720 --> 01:23:30,160
Speaker 1: in making this a resort. But there is there's a

1537
01:23:30,200 --> 01:23:33,080
Speaker 1: Margarite and there's a Kelly Clarkson land that's opening up.

1538
01:23:34,160 --> 01:23:36,519
Speaker 1: All I'm saying is we're in talks with Kelly about

1539
01:23:36,800 --> 01:23:40,760
Speaker 1: opening up potentially maybe theme park Kelly Clarkson related theme

1540
01:23:40,840 --> 01:23:47,360
Speaker 1: park with a um uh because of You Flume and

1541
01:23:47,880 --> 01:23:51,479
Speaker 1: you get to go behind those and there's a haunted

1542
01:23:51,520 --> 01:23:54,800
Speaker 1: house called behind those Hazel Eyes and it's really just

1543
01:23:55,000 --> 01:23:58,679
Speaker 1: like very scary rock and everything. Yeah, you have splash

1544
01:23:58,880 --> 01:24:04,360
Speaker 1: your splash Mountain and because of you flu Because because

1545
01:24:04,400 --> 01:24:07,200
Speaker 1: of You, Flume is actually really sad and deals with

1546
01:24:07,360 --> 01:24:12,240
Speaker 1: divorce and splash mountains more. You've gone through all that.

1547
01:24:12,920 --> 01:24:14,560
Speaker 1: You and Kelly have both gone through divorce. I know

1548
01:24:14,680 --> 01:24:17,479
Speaker 1: I don't need to have gone through the divorce Kelly.

1549
01:24:17,560 --> 01:24:20,000
Speaker 1: Neither does Kelly. Kelly's parents went through a divorce. Oh

1550
01:24:20,280 --> 01:24:22,519
Speaker 1: so that's what because of You was about. And me

1551
01:24:22,640 --> 01:24:24,400
Speaker 1: as a fan and the architect of the theme park,

1552
01:24:24,439 --> 01:24:26,280
Speaker 1: and you did such a good job. You felt that

1553
01:24:26,400 --> 01:24:29,519
Speaker 1: you don't need to have to experience exactly there's a

1554
01:24:29,800 --> 01:24:32,040
Speaker 1: larium look in your eyes that it is just I'm

1555
01:24:32,120 --> 01:24:35,680
Speaker 1: so excited. This is my favorite thing about I love

1556
01:24:35,800 --> 01:24:38,519
Speaker 1: this so much. I think Matt will get a theme park.

1557
01:24:38,920 --> 01:24:42,120
Speaker 1: And here's what I think can have one. I gotta

1558
01:24:42,200 --> 01:24:47,320
Speaker 1: have one. Yeah, you have to have one. Um, I

1559
01:24:47,439 --> 01:24:49,400
Speaker 1: love that. I love that too. I love that for me,

1560
01:24:49,680 --> 01:24:52,120
Speaker 1: I love that for you. I love that honestly though

1561
01:24:52,360 --> 01:24:53,920
Speaker 1: for me, you know what I mean. And I was

1562
01:24:53,920 --> 01:24:56,040
Speaker 1: a little like, what were your dream jobs when you

1563
01:24:56,080 --> 01:24:57,640
Speaker 1: were a little like what did you want to do? Like,

1564
01:24:57,880 --> 01:24:59,960
Speaker 1: but when before comedy or acting was even a thing.

1565
01:25:00,360 --> 01:25:01,840
Speaker 1: And I would imagine that for a lot of us,

1566
01:25:01,920 --> 01:25:03,960
Speaker 1: like we grew up like watching the Oscars and we've

1567
01:25:04,000 --> 01:25:06,519
Speaker 1: talked about this, but what was the job that you wanted?

1568
01:25:06,800 --> 01:25:09,360
Speaker 1: I was really into drawing as a kid. It was

1569
01:25:09,439 --> 01:25:11,760
Speaker 1: either going to be astronaut l O L just like

1570
01:25:12,120 --> 01:25:16,519
Speaker 1: mask drag. But then also, um is it No, No,

1571
01:25:16,640 --> 01:25:18,240
Speaker 1: I'm not challenging you. I've just like I've never thought

1572
01:25:18,280 --> 01:25:19,880
Speaker 1: of it though for well, for me, well like it

1573
01:25:20,040 --> 01:25:22,840
Speaker 1: felt like very a thing to fall in line and say, yeah,

1574
01:25:22,880 --> 01:25:25,519
Speaker 1: I'm going to be an astronaut. Yeah, like those things

1575
01:25:25,680 --> 01:25:28,000
Speaker 1: one of those stock answers you can take cover behind

1576
01:25:28,040 --> 01:25:31,840
Speaker 1: it as like a nerdy it's a boy answer totally.

1577
01:25:31,920 --> 01:25:33,240
Speaker 1: And then so it was that, but then it was

1578
01:25:33,280 --> 01:25:36,000
Speaker 1: also like I was drawing. I was like I was

1579
01:25:36,040 --> 01:25:38,920
Speaker 1: like drawing ship into like photo albums and like making

1580
01:25:38,960 --> 01:25:40,920
Speaker 1: these stories up. So I was like but but then

1581
01:25:40,960 --> 01:25:42,479
Speaker 1: like it's sort of translated where it was like this

1582
01:25:42,600 --> 01:25:46,559
Speaker 1: creative instinct like make something that was me I always

1583
01:25:46,600 --> 01:25:48,560
Speaker 1: weirdly wanted to be. And I don't think I understood

1584
01:25:48,680 --> 01:25:50,479
Speaker 1: what this was, but I was like, I want to

1585
01:25:50,520 --> 01:25:54,439
Speaker 1: be a psychologist, like I think I like the idea

1586
01:25:54,479 --> 01:25:57,720
Speaker 1: of like um talking to people about their problems, which

1587
01:25:57,720 --> 01:25:59,840
Speaker 1: I think just I was just like a gossip Yeah.

1588
01:26:00,040 --> 01:26:02,519
Speaker 1: But then but then our future podcast, right when I

1589
01:26:02,640 --> 01:26:05,240
Speaker 1: got really really obsessed with roller Coast Tycoon. I really

1590
01:26:05,280 --> 01:26:07,880
Speaker 1: wanted to design roller coasters. I really wanted, but I

1591
01:26:07,960 --> 01:26:09,880
Speaker 1: think what I really wanted to do was be the

1592
01:26:09,960 --> 01:26:12,360
Speaker 1: person who created the stories for the rides and did

1593
01:26:12,400 --> 01:26:14,400
Speaker 1: all the fun stuff like said, and they'll be a

1594
01:26:14,479 --> 01:26:17,320
Speaker 1: fire here, and here there should be water, and here

1595
01:26:17,400 --> 01:26:20,640
Speaker 1: there should be wind, but which which is not a thing.

1596
01:26:20,760 --> 01:26:22,920
Speaker 1: You didn't want to actually be the imagineer. You wanted

1597
01:26:22,920 --> 01:26:24,960
Speaker 1: to be the person telling them what to do. Well,

1598
01:26:24,960 --> 01:26:28,000
Speaker 1: because then I found out what the imagineers really are,

1599
01:26:28,280 --> 01:26:32,680
Speaker 1: and they're scientists and they're essentially genius engineer R j

1600
01:26:34,080 --> 01:26:37,280
Speaker 1: r j At at Epcot, there are pal have an

1601
01:26:37,280 --> 01:26:40,040
Speaker 1: imagine We have a friend were who listened to the

1602
01:26:40,080 --> 01:26:42,920
Speaker 1: part who the last time he went last year hooked

1603
01:26:42,960 --> 01:26:45,240
Speaker 1: us up with some great fast passes. Was so sweet.

1604
01:26:45,240 --> 01:26:48,559
Speaker 1: He's an imagineer. It's crazy. It's pretty cool. Yeah, they

1605
01:26:48,600 --> 01:26:51,479
Speaker 1: have a podcast where they talk about Disney and stuff

1606
01:26:51,600 --> 01:26:55,080
Speaker 1: and um, I'm coming back. I'm going to do I'm

1607
01:26:55,120 --> 01:26:58,240
Speaker 1: going to do the Walt Disney Marathon and I'm very

1608
01:26:58,280 --> 01:27:00,840
Speaker 1: excited about this. It'll be fun. That's so and it's

1609
01:27:00,920 --> 01:27:03,760
Speaker 1: through the parks. I believe that would be like such

1610
01:27:03,760 --> 01:27:06,000
Speaker 1: a missed opportunity if it wasn't. Sure. Yeah, I mean,

1611
01:27:06,040 --> 01:27:07,519
Speaker 1: I'm sure it has to be. Yeah, what about you.

1612
01:27:08,160 --> 01:27:10,439
Speaker 1: I think I wanted to own like a restaurant or something.

1613
01:27:10,760 --> 01:27:13,519
Speaker 1: I think that's it is stressful. Yeah. I think it

1614
01:27:13,640 --> 01:27:16,040
Speaker 1: was that children's book author like I wanted to do that.

1615
01:27:16,120 --> 01:27:18,439
Speaker 1: I was. I was into drawing, comic book artist, and

1616
01:27:18,520 --> 01:27:23,519
Speaker 1: then uh and then other Yeah, I guess that's what

1617
01:27:23,600 --> 01:27:26,880
Speaker 1: I was. Yeah, those were probably probably the main ones

1618
01:27:26,960 --> 01:27:29,120
Speaker 1: for me. Nothing too exciting. But the thing is, actually

1619
01:27:29,120 --> 01:27:30,600
Speaker 1: I wanted to look At one point, I wanted to

1620
01:27:30,680 --> 01:27:34,240
Speaker 1: like I just wanted to be a businessman. I had

1621
01:27:34,320 --> 01:27:36,560
Speaker 1: like my dad's briefcase and like I just used to

1622
01:27:36,600 --> 01:27:38,799
Speaker 1: walk around the house with it and put my papers

1623
01:27:38,840 --> 01:27:41,680
Speaker 1: in there, and I had papers. I don't know's that's

1624
01:27:41,760 --> 01:27:44,160
Speaker 1: that's just a cake. That's just like a that's a kink.

1625
01:27:44,280 --> 01:27:47,559
Speaker 1: What you're experiencing was you had a kink you wanted

1626
01:27:47,600 --> 01:27:51,400
Speaker 1: to that it was, and that's a kink. When you

1627
01:27:51,439 --> 01:27:56,040
Speaker 1: want to guys, that's kink. It's actually real culture number ninety.

1628
01:27:56,080 --> 01:27:58,000
Speaker 1: When you want to fun guys, that's a kink. No

1629
01:27:58,080 --> 01:27:59,680
Speaker 1: matter what gender you are, if you want to suck

1630
01:27:59,720 --> 01:28:03,320
Speaker 1: a man, you're a um. Someone did ask me this

1631
01:28:03,479 --> 01:28:05,600
Speaker 1: though last night. They were like, like, what would you

1632
01:28:05,720 --> 01:28:07,240
Speaker 1: do if comedy didn't work out? And I was like,

1633
01:28:07,320 --> 01:28:09,160
Speaker 1: and I had that leam answer where I was and

1634
01:28:09,200 --> 01:28:10,680
Speaker 1: they say they say this in masal too, where I

1635
01:28:10,800 --> 01:28:14,479
Speaker 1: was like I couldn't do anything else. Yeah, I like

1636
01:28:14,960 --> 01:28:16,479
Speaker 1: that's what it was. I was like, I don't think

1637
01:28:16,520 --> 01:28:18,679
Speaker 1: I have the skills to you literally have other skills,

1638
01:28:18,720 --> 01:28:22,080
Speaker 1: but like not not you had another career, not something

1639
01:28:22,120 --> 01:28:24,400
Speaker 1: that I could like sustain or that I could have

1640
01:28:25,360 --> 01:28:29,040
Speaker 1: the interest to invest in to sustain your unhappiness, like

1641
01:28:29,160 --> 01:28:30,920
Speaker 1: not in the fuel to kind of wake up every

1642
01:28:30,960 --> 01:28:33,960
Speaker 1: morning I feel satisfied. Like Glenn said at the Golden Globes,

1643
01:28:34,080 --> 01:28:39,559
Speaker 1: we need as women, we need to fulfill our personal goals.

1644
01:28:40,000 --> 01:28:42,880
Speaker 1: Yes they're yes, they're too nurturing. Well, she said that

1645
01:28:42,920 --> 01:28:45,280
Speaker 1: we women just are nurturing. She said, women are nurturing

1646
01:28:45,320 --> 01:28:47,320
Speaker 1: and that's what they expected of them, and like by nature,

1647
01:28:47,439 --> 01:28:50,120
Speaker 1: yes they have. Like it's when you're growing up in

1648
01:28:50,160 --> 01:28:53,120
Speaker 1: a culture that demands you to be a nurturer and

1649
01:28:53,240 --> 01:28:55,519
Speaker 1: a wife and a mother, like those are beautiful things

1650
01:28:55,600 --> 01:28:59,840
Speaker 1: to have. Um, but it's important and crucial that everyone,

1651
01:29:00,200 --> 01:29:03,919
Speaker 1: especially women who have been cultured to do the opposite,

1652
01:29:04,320 --> 01:29:07,519
Speaker 1: find their passions and are able to say this is

1653
01:29:07,640 --> 01:29:10,720
Speaker 1: my passion and I should I I can do this,

1654
01:29:10,880 --> 01:29:12,600
Speaker 1: and I should be able to do this. Which I

1655
01:29:12,640 --> 01:29:15,719
Speaker 1: thought was I love beautiful. I love fucking love that speech.

1656
01:29:16,000 --> 01:29:18,120
Speaker 1: That's great. It feels like it could have been word

1657
01:29:18,200 --> 01:29:20,439
Speaker 1: for word what you just did. I've seen it several times.

1658
01:29:20,520 --> 01:29:22,200
Speaker 1: I was going to say, there's something that you kind

1659
01:29:22,200 --> 01:29:26,400
Speaker 1: of like lost it. You went into the moment you

1660
01:29:26,520 --> 01:29:28,960
Speaker 1: didn't and you transformed. Do you want me to do

1661
01:29:29,080 --> 01:29:34,040
Speaker 1: my impression of Glenn. I'm thinking of my mother who

1662
01:29:35,000 --> 01:29:38,120
Speaker 1: she was in her eighties and she said, I feel

1663
01:29:38,160 --> 01:29:41,840
Speaker 1: I haven't accomplished anything, and I she very much sublimated

1664
01:29:41,880 --> 01:29:44,080
Speaker 1: herself to my father, and I just thought, that's so

1665
01:29:44,520 --> 01:29:48,160
Speaker 1: not right. And you know, as women, we are nurturers.

1666
01:29:48,479 --> 01:29:50,600
Speaker 1: We are that's what's expected of us. And we have

1667
01:29:50,800 --> 01:29:53,680
Speaker 1: our husbands and our children and that's beautiful, but we

1668
01:29:53,920 --> 01:29:57,680
Speaker 1: have to be able to fulfill our personal goals. We

1669
01:29:57,880 --> 01:30:00,280
Speaker 1: have to be able to say I can do do that,

1670
01:30:00,400 --> 01:30:11,599
Speaker 1: and I should be allowed to do that. How the game,

1671
01:30:13,320 --> 01:30:17,439
Speaker 1: it was a fabulous speech. Fabulous speech, and one wasn't Yes,

1672
01:30:17,600 --> 01:30:20,000
Speaker 1: watching people need to hear Yeah, watching you slip into that,

1673
01:30:20,120 --> 01:30:22,840
Speaker 1: Matt was honestly like impressive. And so when you say

1674
01:30:22,880 --> 01:30:26,800
Speaker 1: you don't have any other skills Glen Close, Glenn Close

1675
01:30:26,840 --> 01:30:30,320
Speaker 1: impersonator at my theme park, I actually go around doing

1676
01:30:30,400 --> 01:30:38,120
Speaker 1: Glen Close, escal meet and greet with quote unquote Glen Close,

1677
01:30:38,360 --> 01:30:45,360
Speaker 1: like it's just you dress doing lines that I sort

1678
01:30:45,400 --> 01:30:48,360
Speaker 1: of remember her saying, it's like and Dollywood when like

1679
01:30:48,400 --> 01:30:49,880
Speaker 1: Dolly Parton will do the parade, You'll be in a

1680
01:30:49,920 --> 01:30:52,280
Speaker 1: cartial David people, And that's set. Your thing is you're

1681
01:30:52,360 --> 01:30:57,040
Speaker 1: dressed in playing cloth called being called glend Close. And

1682
01:30:57,200 --> 01:30:59,000
Speaker 1: it's so crazy that the amount of kids that want

1683
01:30:59,000 --> 01:31:09,200
Speaker 1: to pitch a list, they all clam quote unquote Glenn close.

1684
01:31:09,439 --> 01:31:13,880
Speaker 1: The clothes. My wife and kids come here because we

1685
01:31:14,000 --> 01:31:18,639
Speaker 1: love we love the rides, but we love we went.

1686
01:31:18,760 --> 01:31:21,679
Speaker 1: We just come here in August. But you know, he said,

1687
01:31:22,000 --> 01:31:23,519
Speaker 1: for Christmas, we say, what do you want to do?

1688
01:31:23,720 --> 01:31:25,960
Speaker 1: You want a video game or whatever? The fuck? He said?

1689
01:31:26,000 --> 01:31:28,840
Speaker 1: He wanted to see Gland, So here we are. It's

1690
01:31:28,880 --> 01:31:31,840
Speaker 1: too our baby said he wants, and then want. It's

1691
01:31:31,880 --> 01:31:34,400
Speaker 1: really cheap to come. It's very cheap to come here.

1692
01:31:34,520 --> 01:31:36,519
Speaker 1: It's honestly, it's one of the most interesting things. Because

1693
01:31:36,560 --> 01:31:38,439
Speaker 1: I'll tell you one other thing real quick, is that

1694
01:31:38,520 --> 01:31:40,559
Speaker 1: you never know what Glenn's gonna say. I want her

1695
01:31:40,600 --> 01:31:43,000
Speaker 1: to do as if we never say goodbye. I know,

1696
01:31:43,400 --> 01:31:46,080
Speaker 1: I know, I know you do, but we're not yours.

1697
01:31:46,200 --> 01:31:49,400
Speaker 1: But he's what what what what? What? She is going

1698
01:31:49,479 --> 01:31:51,640
Speaker 1: to do? Her to fault in the manure like she

1699
01:31:51,680 --> 01:31:54,639
Speaker 1: didn't hundred Dalmatian And you're going to get that baby.

1700
01:31:54,720 --> 01:31:57,160
Speaker 1: We love you, okay, And if if they don't, I

1701
01:31:57,240 --> 01:32:00,679
Speaker 1: will I will write a letter, doesn't she yelled, manure something?

1702
01:32:01,479 --> 01:32:03,760
Speaker 1: Is that what she falls into? That brown chet? It's

1703
01:32:03,800 --> 01:32:06,080
Speaker 1: not somebody? Oh you know what that comes from. It's

1704
01:32:06,080 --> 01:32:09,360
Speaker 1: when Biff in Back to the Future then comes on

1705
01:32:09,479 --> 01:32:15,560
Speaker 1: and he goes, that was my biff impression. That was

1706
01:32:16,040 --> 01:32:18,519
Speaker 1: just giving us a God, you were a man of

1707
01:32:18,800 --> 01:32:21,439
Speaker 1: I think I did too much growl, but I think

1708
01:32:21,880 --> 01:32:25,200
Speaker 1: I did too much blank insert drunk. Yeah, I needed

1709
01:32:25,240 --> 01:32:28,880
Speaker 1: too much for this great I did. I did have

1710
01:32:29,000 --> 01:32:32,479
Speaker 1: my first coke experience ever. I did coke on New

1711
01:32:32,560 --> 01:32:35,880
Speaker 1: Year's Eve? Okay, how did you think? Should I not

1712
01:32:36,000 --> 01:32:40,280
Speaker 1: talk about it? You can talk about it A bit

1713
01:32:40,320 --> 01:32:42,720
Speaker 1: of coke that I will never touch it. It did

1714
01:32:42,800 --> 01:32:45,960
Speaker 1: nothing for me, really, and I wouldn't recommend anything. Think. Yeah,

1715
01:32:46,360 --> 01:32:48,439
Speaker 1: it's I don't know, it's not. I don't. I don't,

1716
01:32:48,720 --> 01:32:54,200
Speaker 1: I'm not. I don't need to know that I did coke. Okay,

1717
01:32:54,360 --> 01:32:56,760
Speaker 1: you can do. I've talked about math. Alright, Fine, don't

1718
01:32:56,760 --> 01:32:58,880
Speaker 1: cut it out. You know what I did coke? Okay,

1719
01:32:59,320 --> 01:33:03,000
Speaker 1: it was one time things. All right, it's okay. Just

1720
01:33:03,160 --> 01:33:08,000
Speaker 1: you have done coke. I know you do coke. You're right,

1721
01:33:08,120 --> 01:33:12,759
Speaker 1: stop it. I'm constantly doing cocaine. I love cocaine. Cocaine

1722
01:33:12,920 --> 01:33:17,800
Speaker 1: is my cocaine. I felt my most powerful one. I

1723
01:33:17,840 --> 01:33:21,360
Speaker 1: can't have my room. When I kicked a party I

1724
01:33:21,400 --> 01:33:23,800
Speaker 1: threw for Jokin Booster, I kicked someone out of my

1725
01:33:23,880 --> 01:33:25,760
Speaker 1: room because they locked themselves in there because they were

1726
01:33:25,760 --> 01:33:28,680
Speaker 1: doing cocaine. That's too much. And somebody was locked in

1727
01:33:28,760 --> 01:33:31,920
Speaker 1: your own bedroom doing cocaine. And I banged the door.

1728
01:33:32,320 --> 01:33:36,360
Speaker 1: Finally this person opened the door. He's like, just fucking

1729
01:33:36,520 --> 01:33:38,880
Speaker 1: dumbass face, just being like I was sorry, and I

1730
01:33:39,000 --> 01:33:40,880
Speaker 1: was like, this is my room. I was like, Hi,

1731
01:33:41,439 --> 01:33:44,280
Speaker 1: don't do that ever again. That was bad. I just

1732
01:33:44,439 --> 01:33:47,600
Speaker 1: in front of everybody. I was like yeah, but I

1733
01:33:47,680 --> 01:33:50,000
Speaker 1: was just like but like the room fell silent like that.

1734
01:33:50,080 --> 01:33:53,240
Speaker 1: Everyone heard me say, Hi, please, don't ever fucking do that.

1735
01:33:53,360 --> 01:33:56,240
Speaker 1: I remember that and I felt powerful. No, I I

1736
01:33:56,320 --> 01:33:58,920
Speaker 1: remember I remember Old he wasn't at that and booster

1737
01:33:59,000 --> 01:34:03,559
Speaker 1: birthday party, but I remembers based in that moment. Yeah,

1738
01:34:03,640 --> 01:34:07,120
Speaker 1: that's good way to advocate for yourself. That's what nineteen

1739
01:34:07,160 --> 01:34:10,120
Speaker 1: is all about, is advocating for yourself, being your own lawyer,

1740
01:34:10,200 --> 01:34:12,559
Speaker 1: being your own be your own lawyer, your own lawyer,

1741
01:34:12,680 --> 01:34:16,360
Speaker 1: represent yourself in court. Actually, really culture number one and two,

1742
01:34:16,600 --> 01:34:22,120
Speaker 1: be your own lawyer, represent yourself in court. Absolutely. With that,

1743
01:34:22,240 --> 01:34:24,439
Speaker 1: I think we move on. Is that the hardest drug

1744
01:34:24,479 --> 01:34:29,559
Speaker 1: you've done? Meth? I mean, yeah, there's the next step

1745
01:34:29,680 --> 01:34:34,000
Speaker 1: up is like heroin. I think heroin. I think they're

1746
01:34:34,040 --> 01:34:38,160
Speaker 1: on par probably Heroin. No Heroin, it's like herowin. There's

1747
01:34:38,200 --> 01:34:43,519
Speaker 1: no yeah, heroinths, there's no going back, no, no. The

1748
01:34:43,560 --> 01:34:45,240
Speaker 1: world math I did once and I was like, I

1749
01:34:45,439 --> 01:34:47,559
Speaker 1: never did I did it by accident at one time.

1750
01:34:48,439 --> 01:34:52,160
Speaker 1: This is such I'm learning. I'm a community. I'm learning

1751
01:34:52,200 --> 01:34:54,840
Speaker 1: that I was sure, but I'm learning that this is

1752
01:34:54,880 --> 01:34:57,920
Speaker 1: like a commonplace thing where people get tricked into doing

1753
01:34:57,960 --> 01:35:00,519
Speaker 1: it and that's unacceptable, not good. I didn't like it,

1754
01:35:01,000 --> 01:35:02,920
Speaker 1: I mean I loved it. I didn't work at the

1755
01:35:02,960 --> 01:35:04,880
Speaker 1: gap the next day and I was like they saw me.

1756
01:35:05,000 --> 01:35:06,640
Speaker 1: I walked in. They were like, okay, you're working in

1757
01:35:06,640 --> 01:35:10,080
Speaker 1: the dressing rooms fucking passed out with a pile of clothes.

1758
01:35:10,439 --> 01:35:14,080
Speaker 1: I was so fucking I was like, uh, you passed

1759
01:35:14,160 --> 01:35:17,160
Speaker 1: out on the pile in the back room. Mona, my

1760
01:35:17,200 --> 01:35:22,200
Speaker 1: manager came back. Mona and Rhona. I swear to gun,

1761
01:35:22,720 --> 01:35:25,679
Speaker 1: I swear to God, that's a sitcom. That is and Rona,

1762
01:35:25,880 --> 01:35:29,599
Speaker 1: my Gap managers. I loved working for that company. Man.

1763
01:35:30,160 --> 01:35:33,320
Speaker 1: My dream as a teenager was working under under that

1764
01:35:33,479 --> 01:35:37,439
Speaker 1: umbrella of either the Gap or Old Navy or Banana Republic.

1765
01:35:37,520 --> 01:35:39,280
Speaker 1: I was like, any of those will do. And that

1766
01:35:39,360 --> 01:35:41,960
Speaker 1: is a luxury of the Western world. Though to say

1767
01:35:42,080 --> 01:35:52,880
Speaker 1: that my dream as a child was to work for Gap. Okay, sorry,

1768
01:35:53,240 --> 01:35:55,639
Speaker 1: now we're gonna move on to I don't think so, honey,

1769
01:35:55,800 --> 01:35:59,280
Speaker 1: what does culture mean to me? We've already answered, do

1770
01:35:59,400 --> 01:36:05,559
Speaker 1: you Okay, then God, Jesus fucking Christ, just to get

1771
01:36:05,600 --> 01:36:09,920
Speaker 1: this over with, okay, fucking suffering through an hour. I

1772
01:36:09,920 --> 01:36:12,840
Speaker 1: don't like this. I don't like Hey, Matt, Hey, Matt,

1773
01:36:12,880 --> 01:36:15,559
Speaker 1: you brought this. Okay, you brought this fire, you brought

1774
01:36:15,600 --> 01:36:19,280
Speaker 1: this sneak like energy. Can look phones over here trying

1775
01:36:19,280 --> 01:36:22,519
Speaker 1: to be a fucking diplomat, being fucking nice. I don't

1776
01:36:22,560 --> 01:36:24,800
Speaker 1: think so, honey. Is our one minute segment that has

1777
01:36:24,840 --> 01:36:28,240
Speaker 1: taken the world by storm, and we will be touring

1778
01:36:28,840 --> 01:36:33,439
Speaker 1: this country, this great country with the show and what

1779
01:36:33,600 --> 01:36:41,920
Speaker 1: cities will be be going to Portland, Seattle, San Francisco, Vancouver, Boston, Philly,

1780
01:36:42,360 --> 01:36:47,639
Speaker 1: d C, Houston, Dallas, and Austin. From somebody who has

1781
01:36:47,960 --> 01:36:51,360
Speaker 1: uh c D. I love the clustering of those cities.

1782
01:36:51,400 --> 01:36:53,240
Speaker 1: I think that is a well thought out group. Well,

1783
01:36:53,280 --> 01:36:54,960
Speaker 1: a lot of people are angry because we're not going

1784
01:36:55,040 --> 01:36:58,519
Speaker 1: to Chicago or Atlanta or Denver, and those are just

1785
01:36:58,680 --> 01:37:00,519
Speaker 1: those are all really desperate. But we're going to make

1786
01:37:00,560 --> 01:37:02,760
Speaker 1: it work. The reason why we're going where we're going

1787
01:37:02,920 --> 01:37:06,599
Speaker 1: is because there are there were festivals that we're planned

1788
01:37:06,680 --> 01:37:08,680
Speaker 1: for that, so we just booked cities around it. But

1789
01:37:08,760 --> 01:37:12,120
Speaker 1: we're not shading Chicago. We are coming. I would imagine

1790
01:37:12,120 --> 01:37:14,800
Speaker 1: it's going to happen this year. I've said openly and publicly,

1791
01:37:15,880 --> 01:37:17,760
Speaker 1: at the risk of my own self image, that I

1792
01:37:18,000 --> 01:37:20,400
Speaker 1: love Chicago so much. Why is that the risk? I'm

1793
01:37:20,400 --> 01:37:27,000
Speaker 1: just kidding. It was just a little flavor through Chicago,

1794
01:37:27,160 --> 01:37:29,240
Speaker 1: Denver and I want to go to Atlanta and you know, bitch,

1795
01:37:29,240 --> 01:37:30,960
Speaker 1: I want to go to Orlando and do a show there.

1796
01:37:31,080 --> 01:37:35,519
Speaker 1: Come on, we gotta go on me And now it's

1797
01:37:35,640 --> 01:37:37,880
Speaker 1: time for I don't think so, honey. And should I

1798
01:37:37,960 --> 01:37:39,760
Speaker 1: go first? I can go first? To go first? I

1799
01:37:39,880 --> 01:37:43,040
Speaker 1: love that this is Bowen Yang. I didn't have one.

1800
01:37:43,360 --> 01:37:45,200
Speaker 1: This is Bowen Yang's. I don't think so, honey. And

1801
01:37:45,280 --> 01:37:47,920
Speaker 1: as time starts now I don't think so, Honey, Mary Poppins.

1802
01:37:48,080 --> 01:37:51,400
Speaker 1: I guess Disney for not sending me the actual screen

1803
01:37:51,479 --> 01:37:53,640
Speaker 1: for Mary Poppins Returns to send me a fucking for

1804
01:37:53,720 --> 01:37:57,360
Speaker 1: your consideration card. Bitch, give me the screener. Okay. I

1805
01:37:57,520 --> 01:38:00,439
Speaker 1: want the DVD to put in my PlayStation or so

1806
01:38:00,560 --> 01:38:02,200
Speaker 1: I can watch from the comfort of my own home.

1807
01:38:02,360 --> 01:38:05,240
Speaker 1: And I have to shell thirty dollars plus at an

1808
01:38:05,280 --> 01:38:08,320
Speaker 1: Alumo Drafthouse to watch Mary Poppins and to watch Limonwell

1809
01:38:08,600 --> 01:38:12,719
Speaker 1: Butcher a Cockney accent while I'm eating so so okay,

1810
01:38:12,800 --> 01:38:15,120
Speaker 1: so I love you Alumo Drafthouse. Never mind your case.

1811
01:38:15,200 --> 01:38:18,400
Speaker 1: It is actually really good because you're it's a text

1812
01:38:18,439 --> 01:38:19,680
Speaker 1: and chain and therefore they are going to get the

1813
01:38:19,720 --> 01:38:22,760
Speaker 1: case right. Mary Poppins returns, I need the screen, or

1814
01:38:22,800 --> 01:38:25,240
Speaker 1: what do you I get? I gotta screen for everything

1815
01:38:25,280 --> 01:38:27,639
Speaker 1: else except Mary Poppins returns. Why are you playing hard

1816
01:38:27,680 --> 01:38:30,800
Speaker 1: to get Disney because you're Disney. No, honey, no, bitch,

1817
01:38:31,080 --> 01:38:32,920
Speaker 1: it's not if I keep giving you money every single

1818
01:38:33,040 --> 01:38:36,280
Speaker 1: y're for going to your theme parks and for partaking

1819
01:38:36,400 --> 01:38:39,800
Speaker 1: in your pleasantries in your parks. At least give me

1820
01:38:39,880 --> 01:38:42,400
Speaker 1: a DVD that five next to nothing. To make into

1821
01:38:42,439 --> 01:38:45,000
Speaker 1: ship to me in my address. Let me be an

1822
01:38:45,000 --> 01:38:48,160
Speaker 1: informed voter, and um, you're doing me a disservice if not.

1823
01:38:48,439 --> 01:38:51,760
Speaker 1: And that's one minute. And that is obviously a call

1824
01:38:51,880 --> 01:38:55,040
Speaker 1: back to before you oppressed about your screeners. I was.

1825
01:38:55,240 --> 01:38:57,559
Speaker 1: And also check your mail though, because I did get

1826
01:38:57,640 --> 01:39:00,240
Speaker 1: that one. I did. I just got the car. I

1827
01:39:00,320 --> 01:39:02,080
Speaker 1: got it like it was a car that was in

1828
01:39:02,080 --> 01:39:05,040
Speaker 1: an omelopful of other screeners and then the wife was

1829
01:39:05,120 --> 01:39:07,160
Speaker 1: in there and you might be able to just get

1830
01:39:07,200 --> 01:39:10,960
Speaker 1: that streak. But yeah, checking look into it. Mine actually

1831
01:39:11,040 --> 01:39:13,519
Speaker 1: is very topical with that, Okay, very topical. This is

1832
01:39:13,560 --> 01:39:15,360
Speaker 1: Matt Rodgers is I don't think so, honey. As time

1833
01:39:15,439 --> 01:39:17,960
Speaker 1: starts now, I don't think so honey, Mary Poppins revenge

1834
01:39:18,040 --> 01:39:34,240
Speaker 1: because keep going, keep goings, I don't. I don't think

1835
01:39:34,280 --> 01:39:37,719
Speaker 1: so Honey, Mary Poppins returns because for being so boring

1836
01:39:37,800 --> 01:39:40,360
Speaker 1: in the middle. It was so boring in the middle.

1837
01:39:40,400 --> 01:39:42,400
Speaker 1: In fact, it was so boring that I literally was

1838
01:39:42,479 --> 01:39:46,280
Speaker 1: sitting there dehydrated with boredom. After a thrilling beginning, I

1839
01:39:46,479 --> 01:39:48,519
Speaker 1: left to go to the bathroom and it was just

1840
01:39:48,640 --> 01:39:51,360
Speaker 1: checking my phone and then I walked in and it

1841
01:39:51,520 --> 01:39:54,120
Speaker 1: was the end of the merrow Street part. I missed

1842
01:39:54,160 --> 01:39:57,840
Speaker 1: her whole part because I was so fucking bored, Like

1843
01:39:57,960 --> 01:39:59,760
Speaker 1: it's like an hour and twenty minutes, and I'm like,

1844
01:40:00,040 --> 01:40:02,760
Speaker 1: my god, I have to go. Missed the entire ten

1845
01:40:02,840 --> 01:40:05,160
Speaker 1: minutes that Meryl was in the movie. Then it gets

1846
01:40:05,320 --> 01:40:08,120
Speaker 1: really good again at the end and I cried, but like,

1847
01:40:08,960 --> 01:40:11,840
Speaker 1: holy shit, Disney. The same thing with Mowana. The whole

1848
01:40:11,920 --> 01:40:16,160
Speaker 1: Act two is crazy, boring, start great, the middle is boring,

1849
01:40:16,320 --> 01:40:18,320
Speaker 1: and then the end is thrilling, and it's like, oh,

1850
01:40:18,800 --> 01:40:25,120
Speaker 1: that's one minute. Mary Poppins Revenge, May Poppins Revenge, I

1851
01:40:25,240 --> 01:40:27,760
Speaker 1: think the next one Rogers World. That is, that's a

1852
01:40:27,800 --> 01:40:31,679
Speaker 1: Matt Rodgers World ride. Mary Poppins the Revenge. She kills

1853
01:40:31,720 --> 01:40:34,680
Speaker 1: all her relatives, she kills them all and it ends.

1854
01:40:34,720 --> 01:40:37,600
Speaker 1: It ends really sad. Yeah that fucking like little like

1855
01:40:37,840 --> 01:40:41,599
Speaker 1: a beak on that umbrella. Yeah, pecks that there skin

1856
01:40:41,760 --> 01:40:49,200
Speaker 1: Because actually what actually in Mary Poppins Revenge, the theme

1857
01:40:49,240 --> 01:40:52,120
Speaker 1: park ride that I will make, it's revealed that she

1858
01:40:52,240 --> 01:40:55,280
Speaker 1: actually is a witch, which makes a lot of sense

1859
01:40:55,360 --> 01:41:01,080
Speaker 1: because well, she she some thing happens with her that's

1860
01:41:01,120 --> 01:41:05,320
Speaker 1: not that's not explained where she actually commits to all

1861
01:41:05,360 --> 01:41:08,639
Speaker 1: of her witchy bad parts of her personality and Mary

1862
01:41:08,680 --> 01:41:12,200
Speaker 1: Poppins and she's fung hang, She's hanged. It comes back

1863
01:41:12,240 --> 01:41:15,519
Speaker 1: as as a ghoul. I think there's there's some fan

1864
01:41:15,600 --> 01:41:17,719
Speaker 1: theory out there where it's the same universe as Wizard

1865
01:41:17,760 --> 01:41:20,640
Speaker 1: of Oz, where she Mary Poppins is Glinda's She's a

1866
01:41:20,640 --> 01:41:24,400
Speaker 1: Good Way to the South. I see interesting, but she

1867
01:41:24,520 --> 01:41:27,720
Speaker 1: crosses over into she she does a reverse story. But

1868
01:41:27,800 --> 01:41:30,280
Speaker 1: that movie is boring for like an hour in the middle.

1869
01:41:31,120 --> 01:41:33,760
Speaker 1: I see, it's pretty, but you nailed it on the

1870
01:41:33,800 --> 01:41:35,640
Speaker 1: head with Mowana. That is the issue with Moan. Everyone's like,

1871
01:41:35,640 --> 01:41:36,720
Speaker 1: why do you hate mo Wan? I'm like, I don't

1872
01:41:36,760 --> 01:41:39,000
Speaker 1: hate it. I love it. I just think it's SAgs,

1873
01:41:39,200 --> 01:41:42,000
Speaker 1: like like no other movie sacks. Yeah. I mean there's

1874
01:41:43,040 --> 01:41:46,120
Speaker 1: brilliant parts to it. And like when um Henry and

1875
01:41:46,120 --> 01:41:47,800
Speaker 1: I went to go see Disney on Ice, like they

1876
01:41:47,840 --> 01:41:50,280
Speaker 1: did a Mowana part and I was like, this should

1877
01:41:50,280 --> 01:41:53,719
Speaker 1: have been the whole movie, just a twelve minute ago

1878
01:41:54,120 --> 01:41:56,640
Speaker 1: extended thing, because it's like the whole middle of the

1879
01:41:56,720 --> 01:42:02,200
Speaker 1: movie is like dehydrating lye born, this this is new,

1880
01:42:02,400 --> 01:42:05,200
Speaker 1: This is I love this New. You got dehydrated. I

1881
01:42:05,240 --> 01:42:07,320
Speaker 1: remember one time, when I was an ap in my

1882
01:42:07,600 --> 01:42:10,280
Speaker 1: amount of science, I felt so bored in class one

1883
01:42:10,320 --> 01:42:13,360
Speaker 1: day that I literally was feeling dehydrated. And so ever

1884
01:42:13,479 --> 01:42:16,280
Speaker 1: since then, to describe me at my peak of boredom,

1885
01:42:16,360 --> 01:42:19,280
Speaker 1: I'll say, I'm dehydrated with boredom. I love. That's good.

1886
01:42:19,439 --> 01:42:23,040
Speaker 1: Thank you for that. Shakespeare In turn of phrase. This

1887
01:42:23,240 --> 01:42:25,000
Speaker 1: is Brandon's cot Jones, and I don't think, so honey,

1888
01:42:25,920 --> 01:42:28,840
Speaker 1: He's got something. Yeah, I think so. I mean, yeah, okay,

1889
01:42:29,120 --> 01:42:33,080
Speaker 1: this is when people do that. Okay, tell us what

1890
01:42:33,240 --> 01:42:35,439
Speaker 1: never Brandons cut Jones. I don't think, so, honey. As

1891
01:42:35,439 --> 01:42:38,639
Speaker 1: time starts new, um, I don't think the fast passes

1892
01:42:38,680 --> 01:42:42,960
Speaker 1: at Matt Roger's World, Okay, I don't think. I don't

1893
01:42:42,960 --> 01:42:45,120
Speaker 1: think so honey. Okay, I had to wait in a

1894
01:42:45,160 --> 01:42:47,320
Speaker 1: longer line just to get those. I think you should

1895
01:42:47,360 --> 01:42:50,160
Speaker 1: put those online. What the funk are you thinking? Are

1896
01:42:50,240 --> 01:42:53,240
Speaker 1: you really fucking running this? Are you really running this park?

1897
01:42:53,320 --> 01:42:54,880
Speaker 1: Or is it just your name up there? You tell

1898
01:42:54,960 --> 01:42:57,280
Speaker 1: me right now? Is that just your name on that park?

1899
01:42:57,560 --> 01:42:59,559
Speaker 1: You're looking at me, You're looking at me, but you're

1900
01:42:59,560 --> 01:43:01,439
Speaker 1: not speaking. Why because you think it's my turn to speak?

1901
01:43:01,640 --> 01:43:03,040
Speaker 1: It is my turn to speak. But I'm giving you

1902
01:43:03,040 --> 01:43:05,080
Speaker 1: permission right now, answer me right now. What the fuck

1903
01:43:05,280 --> 01:43:07,280
Speaker 1: is happening? Why do I have to You didn't pay

1904
01:43:07,320 --> 01:43:09,320
Speaker 1: for the right pass. I didn't pay for the right

1905
01:43:09,400 --> 01:43:12,439
Speaker 1: pat and the amateur line which am which is yes,

1906
01:43:13,320 --> 01:43:15,439
Speaker 1: it is yes, away for the part to make money.

1907
01:43:15,479 --> 01:43:17,519
Speaker 1: But if if you had an advanced on the website,

1908
01:43:17,560 --> 01:43:22,320
Speaker 1: you could have got the Matt Rogers whip pass stand

1909
01:43:22,400 --> 01:43:27,200
Speaker 1: for something. Yes, why the hell I pay? Why the

1910
01:43:27,240 --> 01:43:30,840
Speaker 1: hell I pay? Why the hell I pay? And not

1911
01:43:31,040 --> 01:43:38,519
Speaker 1: get the whip pass? And that's one minute, Why the

1912
01:43:38,720 --> 01:43:44,200
Speaker 1: hell I pay? Why the hell I pay? Pass? My

1913
01:43:44,360 --> 01:43:46,759
Speaker 1: whip pass gets you to the front of the line

1914
01:43:47,120 --> 01:43:51,679
Speaker 1: um immediately. And uh you also get to talk shipped

1915
01:43:51,680 --> 01:43:56,120
Speaker 1: to the people that are in the regulars and you

1916
01:43:56,200 --> 01:44:00,680
Speaker 1: say to them, why the hell I pay? That's why

1917
01:44:00,680 --> 01:44:03,880
Speaker 1: the hell I pay? That's why why the hell I

1918
01:44:03,960 --> 01:44:05,720
Speaker 1: pay a little bit more? Because now I'm getting on

1919
01:44:05,760 --> 01:44:09,479
Speaker 1: the Leah Remedy Escape from Scientology attraction most popular right

1920
01:44:09,560 --> 01:44:11,760
Speaker 1: in this park? Why the hell I pays? The next

1921
01:44:11,880 --> 01:44:15,920
Speaker 1: question title movie that Brandon, Why the hell I pay?

1922
01:44:17,840 --> 01:44:20,599
Speaker 1: I'm Sandy Kenyon and I say, why the hell I pay?

1923
01:44:20,800 --> 01:44:24,200
Speaker 1: For this film? Brandon Scott Junes is the only bright

1924
01:44:24,280 --> 01:44:27,040
Speaker 1: spot in the movie that includes Sandra Bullick in a

1925
01:44:27,160 --> 01:44:31,439
Speaker 1: dismal performance. I hate it. I'm Sandy Kenyon. It is

1926
01:44:32,600 --> 01:44:38,280
Speaker 1: Sandy you that was less than a minute, Sandy, Sandy times.

1927
01:44:38,320 --> 01:44:41,120
Speaker 1: If you watched my reviews, I mentioned my wife out

1928
01:44:41,160 --> 01:44:43,560
Speaker 1: of nowhere. That's the real thing. Sandy Kenna will just

1929
01:44:43,600 --> 01:44:47,599
Speaker 1: be like my wife, like didn't I did it? Now

1930
01:44:47,640 --> 01:44:51,000
Speaker 1: I'm dead that movie minute. Disney is the parent company

1931
01:44:51,120 --> 01:44:55,640
Speaker 1: of ABC I work for. I love Sandy Keny. We

1932
01:44:55,760 --> 01:44:59,560
Speaker 1: love Sandy here Sandy well, oh my god, we we

1933
01:44:59,680 --> 01:45:02,639
Speaker 1: just that the true movie star. No, please, prestige at

1934
01:45:02,680 --> 01:45:06,360
Speaker 1: Prestige actress. Yeah, I gotta take this, take it, take it,

1935
01:45:06,439 --> 01:45:08,320
Speaker 1: make it, take it. I'm choking. I'm okay. Well that

1936
01:45:08,479 --> 01:45:11,280
Speaker 1: we love Brandon's countin so much. Watch the other tude

1937
01:45:11,320 --> 01:45:15,519
Speaker 1: please if you haven't seen in the first episode, yeah,

1938
01:45:15,600 --> 01:45:17,320
Speaker 1: but I'm not. And also, just to be clear, like

1939
01:45:17,400 --> 01:45:21,080
Speaker 1: I'm only I'm sprinkled, so I'm sprinkled throughout Yeah, exactly

1940
01:45:21,080 --> 01:45:23,200
Speaker 1: the three episode. Yeah, okay, there you go. And I

1941
01:45:23,280 --> 01:45:27,320
Speaker 1: love but the show is fantastic, um please please please

1942
01:45:27,320 --> 01:45:30,719
Speaker 1: go see isn't it romantic? Starring and Bow and Yang

1943
01:45:31,360 --> 01:45:36,040
Speaker 1: wear their teen um and Valentine's Day weekend and oh

1944
01:45:36,160 --> 01:45:38,519
Speaker 1: my god, and can you ever forgive me? Is in theaters. Yes,

1945
01:45:38,800 --> 01:45:41,439
Speaker 1: we love you so much. I love you guys so much,

1946
01:45:41,439 --> 01:45:43,120
Speaker 1: so much, really, Like I know it was a little

1947
01:45:43,160 --> 01:45:45,960
Speaker 1: hostile here, and I know that sometimes I got a

1948
01:45:46,000 --> 01:45:49,320
Speaker 1: little heated. Um. I drank two waters during this and

1949
01:45:49,360 --> 01:45:51,439
Speaker 1: I asked for a third, but there wasn't. I came

1950
01:45:51,520 --> 01:45:53,800
Speaker 1: here having to pay, and I drank a whole water.

1951
01:45:54,439 --> 01:45:57,519
Speaker 1: And now you have to really pit more. Okay. I

1952
01:45:57,600 --> 01:46:01,040
Speaker 1: love you both so deeply, We really do, and you

1953
01:46:01,160 --> 01:46:03,679
Speaker 1: are a treasure to us. Oh my god, I'm gonna

1954
01:46:03,680 --> 01:46:06,479
Speaker 1: start crying, And don't cry because we have a song

1955
01:46:06,600 --> 01:46:08,920
Speaker 1: to sing, which is how we take out every episode.

1956
01:46:10,040 --> 01:46:14,200
Speaker 1: It's the theme from liah Remedy, Escape from Scientology, a

1957
01:46:14,320 --> 01:46:18,439
Speaker 1: theme park attraction at Matt Roger's World. Get in the

1958
01:46:18,600 --> 01:46:31,280
Speaker 1: car Getting the Truth in the from t Talgy Liramany

1959
01:46:32,439 --> 01:46:40,679
Speaker 1: the Way and jail Dry. Get in the car getting

1960
01:46:40,960 --> 01:46:48,880
Speaker 1: the Truth. It's not a religion. It's cold. They should

1961
01:46:49,040 --> 01:47:00,439
Speaker 1: be taxed. I'm hey, little reminder that a help dot

1962
01:47:00,520 --> 01:47:03,120
Speaker 1: com forward slash ding dong. That's where you can go

1963
01:47:03,280 --> 01:47:05,839
Speaker 1: and put in a little promo code to get therapy

1964
01:47:06,120 --> 01:47:09,840
Speaker 1: online fast now. Better Help makes it easy to connect

1965
01:47:09,840 --> 01:47:13,520
Speaker 1: with licensed professional counselors who are caring professionals who specialize

1966
01:47:13,560 --> 01:47:15,519
Speaker 1: in the issues that you want to talk about. We're

1967
01:47:15,520 --> 01:47:19,120
Speaker 1: talking about depressions, stress and anxiety, trauma, grief, self esteem

1968
01:47:19,240 --> 01:47:21,760
Speaker 1: and other issues that we're all kind of dealing with that,

1969
01:47:21,920 --> 01:47:23,360
Speaker 1: you know, we want to reach out and get some

1970
01:47:23,439 --> 01:47:25,519
Speaker 1: helpful and you can connect with your counselor in a

1971
01:47:25,560 --> 01:47:30,080
Speaker 1: safe and private environment using better help dot com slash

1972
01:47:30,280 --> 01:47:33,640
Speaker 1: ding dong of course, yes, slash ding dot If you

1973
01:47:33,680 --> 01:47:36,320
Speaker 1: want to use you know, our promo code and get

1974
01:47:36,400 --> 01:47:39,840
Speaker 1: temper sent off, you would use the promo code ding dong.

1975
01:47:40,280 --> 01:47:42,040
Speaker 1: We just wanted to stop in here in the middle

1976
01:47:42,040 --> 01:47:43,960
Speaker 1: of the episode inside and just say that to schedule

1977
01:47:44,080 --> 01:47:47,479
Speaker 1: secure video and phone sessions or texture therapist, all included worldwide,

1978
01:47:47,680 --> 01:47:50,559
Speaker 1: and you can start communicating and under twenty four hours. Yeah,

1979
01:47:50,640 --> 01:47:53,559
Speaker 1: and maybe you can even marry your therapy. We've been

1980
01:47:53,640 --> 01:47:55,920
Speaker 1: through this. You can't do that. It's not appropriate, it's

1981
01:47:55,960 --> 01:48:01,040
Speaker 1: not unethical. What if they're on? Should I get another on? Yeah? Okay,

1982
01:48:01,160 --> 01:48:06,680
Speaker 1: Better help dot Com forwar last thing, forever dog. This

1983
01:48:06,880 --> 01:48:10,799
Speaker 1: has been a forever Dog Production Executive produced by Brett Boham,

1984
01:48:11,160 --> 01:48:15,920
Speaker 1: Joe Silio, and Alex Ramsey. For more original podcasts, please

1985
01:48:16,040 --> 01:48:19,760
Speaker 1: visit Forever Dog Podcasts dot com and subscribe to our

1986
01:48:19,840 --> 01:48:24,360
Speaker 1: shows on Apple Podcasts, Spotify, or wherever you get your podcasts.

1987
01:48:24,680 --> 01:48:27,479
Speaker 1: Keep up with the latest Forever Dog news by following

1988
01:48:27,600 --> 01:48:31,760
Speaker 1: us on Twitter and Instagram at Forever Dog Team, and

1989
01:48:31,960 --> 01:48:33,840
Speaker 1: liking our page on Facebook.