WEBVTT - BILLY RAY CYRUS & FIREROSE

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<v Speaker 1>You know, over the years, I've taken thousands upon thousands

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<v Speaker 1>upon thousands of phone calls and listen to so many

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<v Speaker 1>of my listeners. Stories. They've been. Stories of celebration, stories

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<v Speaker 1>of joy, stories of surprise babies, bonfires, job promotions, stories

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<v Speaker 1>of graduations or adoptions, of new home purchases, stories of

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<v Speaker 1>four legged fur babies and gardens and glory and kitchen conquest.

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<v Speaker 1>Stories of love, stories of lost, stories of broken hearts.

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<v Speaker 1>Lots and lots and lots of broken hearts. Achy Breaky Hearts.

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<v Speaker 1>But nobody, no body, I mean nobody knows about Achy

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<v Speaker 1>Breaky Hearts better than one of today's guests on Love

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<v Speaker 1>some One. Throughout his three decade career, Billy Ray Cyrus,

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<v Speaker 1>King of the Akey Breaky Heart, has achieved global success

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<v Speaker 1>as a singer, a songwriter, and actor, of producer of philanthropist.

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<v Speaker 1>He's established himself as a household name across multiple areas

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<v Speaker 1>of the entertainment landscape, including music, television, theater, and more,

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<v Speaker 1>winning Grammys and multiple awards from Billboard Magazine, Hip Hop,

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<v Speaker 1>the Country Music Association, American Music, Canadian Music, and more.

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<v Speaker 1>While Achy Breaky Heart went multi platinum, Billy Ray followed

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<v Speaker 1>up with back to back hits like it could Have

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<v Speaker 1>been Me, She's Not Crying Anymore and the anthem Some

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<v Speaker 1>Gave All. He's never stopped creating new music, bending genres

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<v Speaker 1>and stealing hearts in the process. Last year he had

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<v Speaker 1>the huge worldwide bash Old Town Road, and most recently

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<v Speaker 1>with new on the scene Fire Rose and their single

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<v Speaker 1>New Day. It's sort of a dreamy, ethereal song of hope,

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<v Speaker 1>a song of perseverance, perfect for the times we're living in.

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<v Speaker 1>The duo wrote and recorded it together, apart they were

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<v Speaker 1>not actually in the same room together, not even in

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<v Speaker 1>the same state together when it was released this past summer.

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<v Speaker 1>Now Fire Rose as a young woman born and raised

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<v Speaker 1>in Australia. She moved from Sydney to Los Angeles when

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<v Speaker 1>she was nineteen. Since then, she has performed regularly, gaining

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<v Speaker 1>a loyal following of passionate fans, as well as respect

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<v Speaker 1>and recognition within the music industry. Fire Rose is a storyteller,

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<v Speaker 1>and she infuses her soulful vocals with unforgettable melodies and

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<v Speaker 1>fiercely personal lyrics. We're going to catch up without legendary

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<v Speaker 1>Billy Ray Cyrus and the Lovely talented fire Rose just

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<v Speaker 1>as soon as I've paid a little tribute to one

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<v Speaker 1>of my superstar sponsors that makes this podcast possible. This

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<v Speaker 1>podcast is sponsored by Better Help, a company set up

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<v Speaker 1>to help people. It's not a crisis line or self

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<v Speaker 1>Over one million people have taken charge of their mental

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<v Speaker 1>health with Better Help. Billy Ray fire Rose, Welcome aboard.

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<v Speaker 1>I am so glad that you are here with us.

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<v Speaker 1>You amazing human being. Honestly, you are great, great, great humanitarian.

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<v Speaker 1>You have been such a light in this world. And

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<v Speaker 1>it's an auto. If you heard me screeching at my

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<v Speaker 1>kids five minutes ago, you wouldn't be saying those nice things.

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<v Speaker 1>Billy Ray, Oh my gosh. This is the summer that never,

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<v Speaker 1>and it just goes on and on. My friend, I have,

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<v Speaker 1>I'm so blessed. I have, of um, a lot of kids,

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<v Speaker 1>and a lot of those kids are older than you.

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<v Speaker 1>Fire Rose, and I have a lot of kids. So

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<v Speaker 1>between my husband and I we have twenty children and

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<v Speaker 1>twenty three grandchildren. No, and with you know, the shutdowns

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<v Speaker 1>and all the craziness going on in the world and

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<v Speaker 1>people working from home and people transitioning. Um, it became

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<v Speaker 1>Grandma Camp. This summer. I went to Grandma I love

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<v Speaker 1>Grandma Camp. Wow, and it was full. It's it's the

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<v Speaker 1>summer that never. And you know what I did a

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<v Speaker 1>few months ago, I went and bought myself a twenty

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<v Speaker 1>eight year old motor home. We have a big, big

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<v Speaker 1>land yacht motor home. It's like twenty old and I

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<v Speaker 1>call it my husband's man cave because that's where he

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<v Speaker 1>retreats to. When the grandkids are driving him nuts, he

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<v Speaker 1>just goes into the motor home. Um, but I can't

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<v Speaker 1>drive the thing. I mean, it's it's it's long. Um,

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<v Speaker 1>I don't know how to drive the thing. So I

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<v Speaker 1>found this little classy It's basically a truck with a

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<v Speaker 1>little motor home built on the back of it. And

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<v Speaker 1>it says it sleeps six. But I've managed to get

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<v Speaker 1>eight grandkids in the thing. And so we we just

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<v Speaker 1>we just, you know, throw a watermelon in in the

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<v Speaker 1>motor home. It's stocked with really nutritious, nutritious lee Dnse

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<v Speaker 1>stuff like pop ramen and crackers, animal crackers, and we

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<v Speaker 1>go and after I finished this interview with you all today,

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<v Speaker 1>that's what I'm doing. Yeah, you can come, fires please come. Yeah. Right,

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<v Speaker 1>So let's talk about how did Billy ray Cyrus? How

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<v Speaker 1>did you meet Fire Rosen? How did New Day come about? Well,

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<v Speaker 1>I'll start with how did I meet this young lady?

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<v Speaker 1>And um, it was ten years ago on the set

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<v Speaker 1>A Hand of Montana, and I had this German shepherd

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<v Speaker 1>named Text and he was with me on every episode,

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<v Speaker 1>every movie, everything Hannah Montana. He was with me from

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<v Speaker 1>the beginning, So was he your own personal dog or

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<v Speaker 1>was he a part of like the show and then

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<v Speaker 1>you hung out with him while you were there, and

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<v Speaker 1>then not I was his own personal human. I was

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<v Speaker 1>his human. I actually got him for therapy for me,

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<v Speaker 1>but quite frankly, I he kind of needed me and

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<v Speaker 1>I needed him, and we were really just partners. And

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<v Speaker 1>he went with me everywhere, whether I was tour and

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<v Speaker 1>playing music or doing show, and he just lay in

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<v Speaker 1>my dressing room and he was kind of he was

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<v Speaker 1>a special little guy, and we had a ritual like

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<v Speaker 1>usually about three or four o'clock in the evening when

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<v Speaker 1>they take a break. Um, there was one tree on

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<v Speaker 1>the whole lot. It's the old lot where they you know,

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<v Speaker 1>where they film My Love Lucy Gallant. Is it called

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<v Speaker 1>Gallon Studios by Rose the name of that st Yeah, yeah,

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<v Speaker 1>where kt l A is now and they used to

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<v Speaker 1>film Lucy there, and um, so in the front was

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<v Speaker 1>pretty nostalgic sunset boulevard kind of it really felt like Hollywood.

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<v Speaker 1>But there was one tree, like a pine tree, one tree.

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<v Speaker 1>The rest were palm trees, but this pine tree had

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<v Speaker 1>a coolness to it and there was grass underneath it.

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<v Speaker 1>So tex and I would go out there and we'd

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<v Speaker 1>pretend we were in Tennessee for a moment, and I'd

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<v Speaker 1>sit and watch people and look at things, and he'd

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<v Speaker 1>take care business. And then we just sat there and

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<v Speaker 1>we were there. It was like the last season of

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<v Speaker 1>Hannah Montana and um Fire Rose came out. I guess

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<v Speaker 1>up an audition. Maybe you pick it up from there.

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<v Speaker 1>She came out and had done an audition for a

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<v Speaker 1>different show, and she just had a glow about like

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<v Speaker 1>you know when you see a person that got a

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<v Speaker 1>light coming off, like a positivity of She just represented

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<v Speaker 1>a light like she had a It's almost like the

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<v Speaker 1>sun coming out of some positive like some purpose that

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<v Speaker 1>she had it. Sometimes they say, well, don't you know

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<v Speaker 1>that person had it and no one can ever define

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<v Speaker 1>what it is, but she had it, and she came out.

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<v Speaker 1>I thought that girl has to be a star. And

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<v Speaker 1>oddly enough, she came out of there and came over

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<v Speaker 1>and asked if she could pet text. And that's you

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<v Speaker 1>take it from there. But that's kind of how we

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<v Speaker 1>ended up here. But first, like the people I was

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<v Speaker 1>coming out of the audition from did not I feel

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<v Speaker 1>that I had So Billy was smart enough to recognize

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<v Speaker 1>that you had it, but they weren't. You didn't get

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<v Speaker 1>the part. Oh no, I was a cranive rejection. Thomas

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<v Speaker 1>Attison said the most important ingredient for success is failure.

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<v Speaker 1>Every time you fail, you eliminate one way that won't work,

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<v Speaker 1>therefore being one way closer to the one way that well.

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<v Speaker 1>I like, honestly, I just got so used to being

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<v Speaker 1>rejected that when any type of anything sembling success started,

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<v Speaker 1>I was just in complete disbelief because I was like, no,

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<v Speaker 1>this isn't that how it works. I mean, I didn't

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<v Speaker 1>stop doing my thing. I didn't stopped writing music because

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<v Speaker 1>I couldn't physically not it's just my soul. But I

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<v Speaker 1>stopped having any idea that there was kind of a

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<v Speaker 1>you know, a day like today or the last few

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<v Speaker 1>months of anything anything close to that. I mean, we um,

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<v Speaker 1>we get really used to sort of especially after years

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<v Speaker 1>and us of the same thing, and so Cirus amazingly

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<v Speaker 1>kind of talks about how the sister and I was.

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<v Speaker 1>But I guess I still did my art, but I

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<v Speaker 1>never I guess I gave up some idea that it

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<v Speaker 1>was ever going to amount to anything. Where's tex By

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<v Speaker 1>the way, has God called text across the bridge, or

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<v Speaker 1>as texts in the other room. He went to the

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<v Speaker 1>other side and God bless me, and uh he came

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<v Speaker 1>back to another Gruman shepherd and we lived the next

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<v Speaker 1>ten years with a dog named Mate. And unfortunately Mate

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<v Speaker 1>passed away. You know, for every reaction, there's an opposite,

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<v Speaker 1>n equal reaction. And for as great as twenty nineteen was,

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<v Speaker 1>and Old Town Road being the number one song and

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<v Speaker 1>just you know, I mean, it was just unbelievable. Of

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<v Speaker 1>every reason I bought a guitar and started the band

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<v Speaker 1>was to move people through the music. Unfortunately, Mate got

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<v Speaker 1>sick and he chose that moment too. He left me.

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<v Speaker 1>It was in the middle of the height of everything.

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<v Speaker 1>I look back and think that he chose that moment

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<v Speaker 1>because he knew I was so busy that I wouldn't

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<v Speaker 1>just hang my head and sat somewhere in a corner

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<v Speaker 1>and grieve. And I became quite an actor. During the

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<v Speaker 1>height of Otown Road, I take the stage and have

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<v Speaker 1>everybody dancing and rocking out while in your heart you

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<v Speaker 1>just you just went through a massive loss. Yeah, and

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<v Speaker 1>I come back to that bus. He always stayed with

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<v Speaker 1>me on the bus. He had his own bump beside

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<v Speaker 1>me and I come back to the bus and he

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<v Speaker 1>wasn't there, and uh so it was it was again

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<v Speaker 1>like for everything good, there's something bad, and for everything

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<v Speaker 1>peak of a mountain, there's a valley somewhere and I

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<v Speaker 1>just had to deal with it. And here I am

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<v Speaker 1>low mold. Unless you've been through it, you can't describe

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<v Speaker 1>that loss. It's it's you know, and people are like,

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<v Speaker 1>come on, get over it. It's a dog. I'm like

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<v Speaker 1>you clear Lee, I've never belonged to a dog, because

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<v Speaker 1>when when you are a dog's person and you belong

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<v Speaker 1>to them and they're your heart. H So yeah, I

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<v Speaker 1>get it. So now I got a little fella out

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<v Speaker 1>in my truck right now as we speak. I'm his

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<v Speaker 1>person now. His name is Tommy Jack. And in the

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<v Speaker 1>midst of my broken heart and all this, I kept saying, Okay,

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<v Speaker 1>text mate, you gotta come back to me, You gotta

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<v Speaker 1>come back. And I just came in from a show

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<v Speaker 1>and the news came on and they had one little

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<v Speaker 1>dog that had three days before he was going to expire.

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<v Speaker 1>He was on the news and I'm like, oh, my

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<v Speaker 1>goodne three days what who? Like, who does that who

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<v Speaker 1>says that who? And I'm he was rescued from abandoned

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<v Speaker 1>shack in Louisiana. They had had a flood, and so

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<v Speaker 1>is he a German shepherd found him in an attic.

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<v Speaker 1>He's about ten different braids. He's he's a but he's

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<v Speaker 1>such a special Guy's name is Tommy Jack and he's

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<v Speaker 1>just a little special. He's actually a genius, but somewhat

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<v Speaker 1>like myself. We both have issues and we have kind

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<v Speaker 1>of found some common denominator and taking care of each

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<v Speaker 1>other and dealing with our own issues. And I take

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<v Speaker 1>him with me everywhere now too. And you thought you

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<v Speaker 1>were going to go rescue this dog who had you know,

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<v Speaker 1>three days left, and and looking at your face even

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<v Speaker 1>when you say his name, that dog has rescued you.

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<v Speaker 1>I think, I think so. I think you're right, You're

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<v Speaker 1>exactly right. And now you've got a new song. It's

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<v Speaker 1>a new day. Are you guys going to perform it

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<v Speaker 1>for me here? You understand this is now only the

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<v Speaker 1>fifth time we've ever played this song together. Under Now,

0:14:49.920 --> 0:14:53.600
<v Speaker 1>when you guys recorded it, you recorded it separately, right, Yeah,

0:14:53.760 --> 0:14:56.840
<v Speaker 1>she was in California, I was in Tennessee. Zoom Pro

0:14:56.960 --> 0:15:01.760
<v Speaker 1>tools every I'm a their primitive. I used this thing

0:15:01.800 --> 0:15:07.120
<v Speaker 1>called a br which was probably invented, like I'm sure

0:15:07.320 --> 0:15:10.640
<v Speaker 1>Carl Perkins and Chuck Barry both had one like this.

0:15:10.640 --> 0:15:13.160
<v Speaker 1>This was a pretty primitive piece of gear that I've

0:15:13.200 --> 0:15:15.120
<v Speaker 1>had for a long time and kind of like my

0:15:15.160 --> 0:15:19.400
<v Speaker 1>motor hold school I kind of would maybe it might

0:15:19.440 --> 0:15:23.560
<v Speaker 1>have been he's really under selling it. It was the

0:15:23.600 --> 0:15:27.880
<v Speaker 1>foundation of nee day and how it got produced and

0:15:27.880 --> 0:15:30.720
<v Speaker 1>and creative because he'd send me a little clips and

0:15:30.880 --> 0:15:32.800
<v Speaker 1>I put it in my reg in l A and

0:15:32.840 --> 0:15:36.480
<v Speaker 1>we paced together the soul of the song through this.

0:15:37.000 --> 0:15:41.280
<v Speaker 1>I would do my primitive Fred flint Stone recordings and

0:15:41.360 --> 0:15:43.400
<v Speaker 1>do my thing and kind of and then she would

0:15:43.400 --> 0:15:47.320
<v Speaker 1>take it. She's actually really broke, you know, as a musician,

0:15:47.440 --> 0:15:50.280
<v Speaker 1>as a producer, as a songwriter. She wrote the most

0:15:50.320 --> 0:15:53.280
<v Speaker 1>of this song and had the song finished. I just

0:15:53.680 --> 0:15:56.160
<v Speaker 1>I just loved the song and was a fan. I've

0:15:56.200 --> 0:15:58.640
<v Speaker 1>been a believer for a long time and and I

0:15:58.760 --> 0:16:01.960
<v Speaker 1>respected the fact that she persisted she wouldn't give up

0:16:01.960 --> 0:16:04.000
<v Speaker 1>on her dream. And here it was like ten years

0:16:04.080 --> 0:16:07.200
<v Speaker 1>later and she was still believing and still doing it

0:16:07.240 --> 0:16:10.520
<v Speaker 1>for the love of the music, not you know, not

0:16:10.640 --> 0:16:14.240
<v Speaker 1>for any other reason than she's just a natural born talent,

0:16:14.880 --> 0:16:18.040
<v Speaker 1>and she produced the record. She would take my little

0:16:18.040 --> 0:16:21.840
<v Speaker 1>scratches of stuff and take them to the studio and

0:16:21.880 --> 0:16:25.440
<v Speaker 1>they come back sounding like all crisp and shiny and

0:16:25.520 --> 0:16:28.880
<v Speaker 1>like they've been to some kind of reborn factory, and

0:16:30.040 --> 0:16:32.760
<v Speaker 1>like she's really she's she's really a talent. You were

0:16:32.800 --> 0:16:36.280
<v Speaker 1>handing me like diamonds that just needed a tiny bit

0:16:36.320 --> 0:16:38.720
<v Speaker 1>of dusting, and then they were diamonds and I just

0:16:38.840 --> 0:16:40.640
<v Speaker 1>slid them into the track and I was like, this

0:16:40.680 --> 0:16:44.080
<v Speaker 1>is amazing, Like keep on coming, keeping can you do

0:16:44.120 --> 0:16:46.280
<v Speaker 1>this bit? Like can you add a little bit of

0:16:46.480 --> 0:16:49.240
<v Speaker 1>electric guitar? And then you know, and yeah, it was.

0:16:49.360 --> 0:16:51.040
<v Speaker 1>It was from the other side of the country, but

0:16:51.080 --> 0:16:54.040
<v Speaker 1>it worked, and it was it really was like a

0:16:54.080 --> 0:16:57.800
<v Speaker 1>message of the song that we were we were kind

0:16:57.840 --> 0:17:00.880
<v Speaker 1>of praying for this new day we all are right

0:17:00.920 --> 0:17:05.720
<v Speaker 1>now and we all are the mid Yeah, we thought

0:17:05.720 --> 0:17:10.159
<v Speaker 1>it was. It was the early spring and summer and

0:17:10.160 --> 0:17:12.439
<v Speaker 1>we're like writing the song and it's new days just

0:17:12.520 --> 0:17:15.919
<v Speaker 1>around the corner. So we all need the song. We

0:17:15.960 --> 0:17:19.320
<v Speaker 1>all need a new day, and let's let's share it

0:17:19.359 --> 0:17:32.600
<v Speaker 1>with the world. Okay, it's a new day, it's a

0:17:32.680 --> 0:17:43.320
<v Speaker 1>new day. It's a new day, in between, in in between,

0:17:44.320 --> 0:17:59.880
<v Speaker 1>going so in July. But what it's well green, oh

0:18:00.000 --> 0:18:06.200
<v Speaker 1>along to take it. It's see when I saw your face,

0:18:07.400 --> 0:18:14.080
<v Speaker 1>the lorda different cha. It took me too, just just

0:18:14.320 --> 0:18:26.560
<v Speaker 1>stop and it's been killing them pas moving again. I'm breathing,

0:18:26.760 --> 0:18:33.520
<v Speaker 1>knock again, and it's you every day and it's any day.

0:18:35.359 --> 0:18:46.480
<v Speaker 1>It's any day, it's any day. This is way become

0:18:46.640 --> 0:18:55.600
<v Speaker 1>under son so typely, oh so low. For long it

0:18:55.960 --> 0:19:06.120
<v Speaker 1>was always it's not a question, little lesson and apprehension.

0:19:06.359 --> 0:19:11.080
<v Speaker 1>When I saw your face, the hold on differnt change,

0:19:12.400 --> 0:19:17.240
<v Speaker 1>she took me to my hot She inspired my fat

0:19:18.640 --> 0:19:29.359
<v Speaker 1>and it's been killing that move no breathing, no again.

0:19:30.880 --> 0:19:37.280
<v Speaker 1>It's a neat day, and it's a neat day. It's

0:19:37.320 --> 0:19:44.000
<v Speaker 1>a new day. It's a new day. Where I saw

0:19:44.160 --> 0:19:50.879
<v Speaker 1>your face, hold on diffront change took me to my heart.

0:19:52.160 --> 0:20:01.440
<v Speaker 1>She didn't spied my fing and it's been calling. I'm

0:20:04.640 --> 0:20:17.160
<v Speaker 1>reading and it's a day. It's a day's day. It's

0:20:17.200 --> 0:20:29.960
<v Speaker 1>a day a surrender. I remember all all that you

0:20:30.280 --> 0:20:37.600
<v Speaker 1>have given for this love I've taken. In between getting

0:20:38.960 --> 0:20:48.240
<v Speaker 1>in between, going by, beautiful, beautiful, thank you. I think

0:20:48.320 --> 0:20:53.240
<v Speaker 1>everybody who listens probably has a different emotional connection or

0:20:53.280 --> 0:20:57.840
<v Speaker 1>emotional takeaway. When when you wrote it, when you sing it,

0:20:59.600 --> 0:21:04.320
<v Speaker 1>what what comes to your heart? That's such a good question.

0:21:04.560 --> 0:21:10.720
<v Speaker 1>She wrote the most of it. So the truth is,

0:21:10.800 --> 0:21:14.639
<v Speaker 1>when I originally wrote the demo, which I wrote on

0:21:14.800 --> 0:21:18.560
<v Speaker 1>my phone, UM, about five years ago, it came to

0:21:18.680 --> 0:21:22.600
<v Speaker 1>me in a moment of the deepest darkness that I've

0:21:23.240 --> 0:21:25.920
<v Speaker 1>ever been. I was in a really bad place in

0:21:26.000 --> 0:21:31.960
<v Speaker 1>my in my life and struggling actually to survive. I

0:21:32.080 --> 0:21:37.080
<v Speaker 1>was dealing with some heavy issues and it was like

0:21:37.320 --> 0:21:40.840
<v Speaker 1>a prayer of light that kind of came to me, um,

0:21:41.720 --> 0:21:47.800
<v Speaker 1>and somehow the melody in those words and uh the way,

0:21:49.280 --> 0:21:51.280
<v Speaker 1>I don't know where music comes from, but if i'm

0:21:51.640 --> 0:21:53.560
<v Speaker 1>if I'm fortunate enough to grab it when it comes

0:21:53.600 --> 0:21:55.359
<v Speaker 1>in the air and through my brain and get it

0:21:55.440 --> 0:21:58.159
<v Speaker 1>into something that I can then UM have with me.

0:21:58.560 --> 0:22:01.399
<v Speaker 1>And I grabbed it, and I kept listening to it

0:22:01.520 --> 0:22:04.000
<v Speaker 1>over and over again, and I guess just brought me

0:22:04.240 --> 0:22:07.640
<v Speaker 1>some semblance of hope that there was a new day

0:22:07.720 --> 0:22:10.440
<v Speaker 1>on the horizon, and thank god there was for me,

0:22:10.600 --> 0:22:13.399
<v Speaker 1>and I'm phenomenally grateful for that. But it was looking

0:22:13.520 --> 0:22:17.639
<v Speaker 1>pretty bleak for a few years, so I was in

0:22:17.760 --> 0:22:21.639
<v Speaker 1>such a different place. But the world, um, we all

0:22:21.720 --> 0:22:24.560
<v Speaker 1>collectively were in a kind of this dark place together

0:22:24.600 --> 0:22:26.960
<v Speaker 1>where we couldn't reach out and touch her loved ones

0:22:27.160 --> 0:22:31.399
<v Speaker 1>or even you know, be around people, which is just

0:22:32.000 --> 0:22:33.880
<v Speaker 1>selling out. I don't think any of us could have fathomed.

0:22:33.920 --> 0:22:37.000
<v Speaker 1>And as soon as it happened, it was like, oh, well,

0:22:37.920 --> 0:22:40.240
<v Speaker 1>if I had needed a new day, I can only

0:22:40.280 --> 0:22:43.240
<v Speaker 1>imagine the world needs a new day. And that's sort

0:22:43.280 --> 0:22:47.440
<v Speaker 1>of what I feel when I'm thinking it. We definitely

0:22:47.560 --> 0:22:53.840
<v Speaker 1>need a new day. So, Billy, where where where was

0:22:54.000 --> 0:22:56.800
<v Speaker 1>your heart your head when you listened? And what did

0:22:56.840 --> 0:23:00.159
<v Speaker 1>it speak to you? And what do you want? I mean,

0:23:00.200 --> 0:23:03.240
<v Speaker 1>I know everybody wants whoever is listening to a song,

0:23:03.400 --> 0:23:05.840
<v Speaker 1>at least most artists, to take from what they need.

0:23:06.440 --> 0:23:08.560
<v Speaker 1>You know, take what you need and and let that

0:23:08.680 --> 0:23:12.920
<v Speaker 1>resonate in you. But was there something in particular that

0:23:13.119 --> 0:23:16.240
<v Speaker 1>you felt or connected to, like like for me, it's

0:23:16.320 --> 0:23:20.040
<v Speaker 1>my baby's faces and my grand babies faces, and and

0:23:20.119 --> 0:23:23.640
<v Speaker 1>that that the line about when I saw your face. Yeah,

0:23:24.320 --> 0:23:27.119
<v Speaker 1>I feel like I should make up some really deep story,

0:23:27.200 --> 0:23:30.080
<v Speaker 1>but I think I'm just gonna tell you the um

0:23:33.040 --> 0:23:37.440
<v Speaker 1>we had, Uh, we lost contact for years and she

0:23:37.520 --> 0:23:39.640
<v Speaker 1>went on her journey of life. I went on mine,

0:23:40.440 --> 0:23:45.720
<v Speaker 1>and but one thing stayed consistent was I never changed

0:23:45.760 --> 0:23:50.399
<v Speaker 1>to my email address. My email was fat faced. My

0:23:50.600 --> 0:23:52.800
<v Speaker 1>face is the first thing it usually gets bad on me.

0:23:52.920 --> 0:23:55.800
<v Speaker 1>And I named my first email I ever had fat faced,

0:23:56.400 --> 0:24:02.280
<v Speaker 1>and never changed and long behold, I I get this email,

0:24:02.400 --> 0:24:06.280
<v Speaker 1>like towards the end of twenty nineteen, No one's then.

0:24:06.440 --> 0:24:08.960
<v Speaker 1>I'm just I'm celebrating. It's been a great year. And

0:24:09.040 --> 0:24:14.359
<v Speaker 1>everybody that old country road, the old tam road, Yeah, boy,

0:24:15.280 --> 0:24:19.280
<v Speaker 1>and yeah. And looking forward, I was nominated for some

0:24:19.400 --> 0:24:22.639
<v Speaker 1>Grammys and looking forward to January was the Grammys in

0:24:22.840 --> 0:24:25.080
<v Speaker 1>l A. And that's the thing. And she sent me

0:24:25.520 --> 0:24:28.640
<v Speaker 1>a song, a different song, and I thought, wow, man,

0:24:29.680 --> 0:24:33.159
<v Speaker 1>she still had it. She's. She persisted, she didn't give up,

0:24:33.160 --> 0:24:37.600
<v Speaker 1>and actually, like listen her recordings, she evolved. She's. You know,

0:24:37.760 --> 0:24:42.200
<v Speaker 1>success is the progressive realization of worthy ideas or goals,

0:24:42.320 --> 0:24:46.480
<v Speaker 1>not necessarily the attainment of them. And I said, man, she's.

0:24:47.040 --> 0:24:48.280
<v Speaker 1>And so I wrote it back and I said, I

0:24:48.400 --> 0:24:50.680
<v Speaker 1>love this song. She made a little video, a little

0:24:50.880 --> 0:24:53.920
<v Speaker 1>cartoon are all running, And I said, that kind of

0:24:54.040 --> 0:24:56.359
<v Speaker 1>reminds me of the girl that I'm at. It's running

0:24:56.400 --> 0:24:59.240
<v Speaker 1>girl and this little I'm looking at it. I said, hey,

0:24:59.320 --> 0:25:01.679
<v Speaker 1>you know what I was this is really good. Um,

0:25:02.680 --> 0:25:05.680
<v Speaker 1>I said, have you ever thought I sometimes I just

0:25:05.760 --> 0:25:07.760
<v Speaker 1>get feelings about things. I don't have a whole lot

0:25:07.800 --> 0:25:13.280
<v Speaker 1>of talent. I just go on those would no, no, no,

0:25:13.840 --> 0:25:16.639
<v Speaker 1>I just go on emotions and feelings. I get feelings

0:25:16.720 --> 0:25:22.639
<v Speaker 1>about things. And I heard this voice inside telling myself

0:25:22.720 --> 0:25:25.000
<v Speaker 1>to tell her, said have you ever heard of a

0:25:25.080 --> 0:25:28.440
<v Speaker 1>song called Delta Don? And she wrote back and said,

0:25:28.560 --> 0:25:31.080
<v Speaker 1>I'm looking it up right and now, so she checks

0:25:31.080 --> 0:25:33.080
<v Speaker 1>out the song. She goes, I love this song. I

0:25:33.160 --> 0:25:34.679
<v Speaker 1>love it. What would you do to it? I said, well,

0:25:34.720 --> 0:25:37.280
<v Speaker 1>I just make it you, you know, introduce it to

0:25:37.320 --> 0:25:40.639
<v Speaker 1>a whole new generation. And and and that's the one thing.

0:25:40.720 --> 0:25:43.040
<v Speaker 1>I added A little place for a guitar solo. It

0:25:43.160 --> 0:25:46.600
<v Speaker 1>never really had a solo. And I said, just get

0:25:46.720 --> 0:25:48.480
<v Speaker 1>one of your rock and roll friends out there to

0:25:48.640 --> 0:25:52.680
<v Speaker 1>blister an eighties rock guitar solo in the middle of

0:25:52.840 --> 0:25:59.560
<v Speaker 1>this and theymic storyline country song of Delta Don. Well,

0:26:00.240 --> 0:26:02.760
<v Speaker 1>not only did she say I'm gonna do it, she

0:26:02.960 --> 0:26:06.440
<v Speaker 1>did it, and she executed it to perfection. And like

0:26:06.720 --> 0:26:09.240
<v Speaker 1>three weeks later, she sent me this track that just

0:26:09.440 --> 0:26:13.080
<v Speaker 1>totally just kick my ass, and I was like, holy crap.

0:26:13.320 --> 0:26:15.960
<v Speaker 1>And it's impressive. A lot of people say they're going

0:26:16.040 --> 0:26:19.240
<v Speaker 1>to do something and they never do it, but it's

0:26:19.280 --> 0:26:22.399
<v Speaker 1>impressive when somebody says, hey, that's a good idea, I'm

0:26:22.400 --> 0:26:25.120
<v Speaker 1>gonna do it, and then they do it and I go, wow,

0:26:25.280 --> 0:26:28.720
<v Speaker 1>she killed it. So I'm coming out to the Grammys

0:26:29.280 --> 0:26:32.600
<v Speaker 1>in l A on January. I'm in Tennessee at the time. Okay,

0:26:32.640 --> 0:26:36.280
<v Speaker 1>I'm coming out. I'll come sing Delta don because before

0:26:36.320 --> 0:26:37.959
<v Speaker 1>she cut it, she said, if you'll cut it, if

0:26:38.000 --> 0:26:39.480
<v Speaker 1>you'll sing out it, I'm gonna go cut it. And

0:26:39.560 --> 0:26:43.040
<v Speaker 1>she killed it. So I'm going to l A. I'm

0:26:43.040 --> 0:26:45.760
<v Speaker 1>gonna be there. I'll come in and sing. And I

0:26:45.920 --> 0:26:48.480
<v Speaker 1>loved what she did. And I get out there long behold,

0:26:49.480 --> 0:26:52.400
<v Speaker 1>Grammy's happened. Blah blah blah. Here it comes to pandemic.

0:26:52.520 --> 0:26:55.440
<v Speaker 1>I leave the Grammys and pretty much they shut the

0:26:55.520 --> 0:27:00.600
<v Speaker 1>lights off and locked the door and everything was shut down.

0:27:00.680 --> 0:27:03.040
<v Speaker 1>I did one more show. I did one show with

0:27:03.160 --> 0:27:06.840
<v Speaker 1>Neil Diamond in Las Vegas and the next day I

0:27:06.920 --> 0:27:09.680
<v Speaker 1>barely met I flew out and that day they closed

0:27:10.480 --> 0:27:14.639
<v Speaker 1>everything and that was the last show I did. And

0:27:16.359 --> 0:27:18.080
<v Speaker 1>then so I didn't want to think I was just

0:27:18.200 --> 0:27:21.440
<v Speaker 1>flaking out, and I didn't. So I wrote it and said, I,

0:27:21.640 --> 0:27:24.560
<v Speaker 1>you know, obviously I didn't make it, and the pandemic

0:27:24.640 --> 0:27:29.760
<v Speaker 1>set in and it's locked down, and her being the

0:27:29.920 --> 0:27:32.520
<v Speaker 1>never give up or that she is, goes up well,

0:27:33.160 --> 0:27:35.359
<v Speaker 1>and I guess we'll just have to do it a

0:27:35.440 --> 0:27:39.399
<v Speaker 1>different way. And through um, we've all learned, you know,

0:27:39.560 --> 0:27:43.679
<v Speaker 1>that necessity is the mother of skill, or we've actually

0:27:43.760 --> 0:27:47.720
<v Speaker 1>learned repetition is the mother of skill. But through the pandemic,

0:27:48.119 --> 0:27:50.360
<v Speaker 1>I kind of rewrote that a little bit, at least

0:27:50.400 --> 0:27:53.840
<v Speaker 1>for me, as to necessity as the mother of skill,

0:27:54.560 --> 0:27:57.040
<v Speaker 1>and when you need to do something, then you will

0:27:57.280 --> 0:28:01.280
<v Speaker 1>go through the repetition of learning in it. And I

0:28:01.440 --> 0:28:03.280
<v Speaker 1>kind of had to learn a whole new way of

0:28:04.280 --> 0:28:09.040
<v Speaker 1>stepping up my game of pro tools and everything that

0:28:09.119 --> 0:28:11.560
<v Speaker 1>I've learned. I'm old school, you know, I'm like, wait,

0:28:11.600 --> 0:28:14.720
<v Speaker 1>I mean, we can make a record from across the

0:28:14.800 --> 0:28:17.760
<v Speaker 1>country and do it like this, and she kind of

0:28:17.800 --> 0:28:19.760
<v Speaker 1>taught me this way, and I'm always you know, we

0:28:19.880 --> 0:28:24.840
<v Speaker 1>started doing it. Song starts bobbing, and a year and

0:28:24.960 --> 0:28:27.760
<v Speaker 1>a half later, here we are and the song is out,

0:28:28.160 --> 0:28:30.880
<v Speaker 1>and it's just kind of crazy again. I think she's

0:28:30.920 --> 0:28:36.080
<v Speaker 1>a remarkable example of persistence. So now I'm dying to

0:28:36.240 --> 0:28:41.720
<v Speaker 1>hear your version of Delta. Don Okay, she's want and

0:28:41.880 --> 0:28:46.800
<v Speaker 1>a dad is still because of baby Baby. All the

0:28:46.960 --> 0:28:52.040
<v Speaker 1>folks around Browns will say she's crazy, crazy because she

0:28:52.160 --> 0:28:58.480
<v Speaker 1>walks down town like this in case in looking for

0:28:59.320 --> 0:29:06.200
<v Speaker 1>serious dark and you go with us deal, don't what's

0:29:06.280 --> 0:29:28.680
<v Speaker 1>that flower you got on Men in the Dead? I

0:29:29.040 --> 0:29:33.480
<v Speaker 1>love that? Al right, guys are awesome. That's crazy, No,

0:29:33.680 --> 0:29:39.440
<v Speaker 1>thank you. I just did this um uh animation that

0:29:39.560 --> 0:29:42.480
<v Speaker 1>Harry Connick Jr. Wrote and he wrote me in as

0:29:42.520 --> 0:29:45.520
<v Speaker 1>the possum, and I played the possum. I am a

0:29:45.640 --> 0:29:49.560
<v Speaker 1>possum in his if the show gets picked up, and

0:29:49.680 --> 0:29:53.360
<v Speaker 1>so I'm Harry Knick Junior, but no one knows and

0:29:53.480 --> 0:29:59.680
<v Speaker 1>probably never will. It was fun because George Jones was

0:29:59.760 --> 0:30:02.880
<v Speaker 1>one of my best friends. You know, George Johns, he

0:30:03.000 --> 0:30:06.120
<v Speaker 1>stopped love and heard he became one of my best friends.

0:30:06.240 --> 0:30:09.400
<v Speaker 1>And he actually introduced me to Johnny Cash. He drove

0:30:09.480 --> 0:30:14.640
<v Speaker 1>me there and meet Johnny Cash. Uh. George Johns struve

0:30:14.720 --> 0:30:18.120
<v Speaker 1>me to meet Johnny Cash, and so I told Harry

0:30:18.160 --> 0:30:20.600
<v Speaker 1>Connick Jr. That I wanted this role no matter what

0:30:20.760 --> 0:30:23.080
<v Speaker 1>it said, no matter what it did, because this was

0:30:23.200 --> 0:30:26.880
<v Speaker 1>my tribute to the possum. And so there you go.

0:30:27.840 --> 0:30:30.080
<v Speaker 1>And he killed it and he rest in peace. George

0:30:30.120 --> 0:30:33.400
<v Speaker 1>and Johnny Man, great man. God, I loved him so much.

0:30:36.040 --> 0:30:39.400
<v Speaker 1>You just you just mentioned two of the biggest names

0:30:39.480 --> 0:30:42.960
<v Speaker 1>of my childhood. My dad was everybody in my world

0:30:43.120 --> 0:30:46.280
<v Speaker 1>is musical except for me. Um. My dad was in

0:30:46.360 --> 0:30:49.440
<v Speaker 1>a country western band. They started a country Western band

0:30:49.480 --> 0:30:52.520
<v Speaker 1>called Country Velvet, and so they would play at weddings,

0:30:52.640 --> 0:30:55.200
<v Speaker 1>and they would you know, play at the old folks home,

0:30:55.280 --> 0:30:57.440
<v Speaker 1>and they would always play at the Elks or the Eagles.

0:30:57.560 --> 0:30:59.360
<v Speaker 1>Every weekend they'd get a gig at the Elks of

0:30:59.400 --> 0:31:03.360
<v Speaker 1>the Eagles, and you know it was it was George Jones,

0:31:03.440 --> 0:31:06.480
<v Speaker 1>it was Johnny Cash, it was buck O's and the Buckaroos.

0:31:06.560 --> 0:31:10.320
<v Speaker 1>You know, that was that was what I grew up

0:31:10.440 --> 0:31:15.360
<v Speaker 1>listening to every night. You know when when they were

0:31:15.440 --> 0:31:18.200
<v Speaker 1>jamming in the living room and we lived in this

0:31:18.360 --> 0:31:22.120
<v Speaker 1>tiny little our house was feet you can't not hear

0:31:22.960 --> 0:31:29.320
<v Speaker 1>them jam all night long. And and uh, that's that's

0:31:29.400 --> 0:31:32.160
<v Speaker 1>my heart. That's where I go home to that's the music.

0:31:32.240 --> 0:31:36.320
<v Speaker 1>I go home to. Yeah, good stuff there, and you

0:31:36.440 --> 0:31:40.120
<v Speaker 1>got to meet them. I just want to kiss your

0:31:40.160 --> 0:31:50.360
<v Speaker 1>face for that reason. That's possibility. Uh, that's fantastic. It

0:31:51.600 --> 0:31:54.640
<v Speaker 1>has been great spending time with Billy Ray, Cyrus and

0:31:54.680 --> 0:31:57.680
<v Speaker 1>the beautiful fire Rose. Billy Ray has been keeping us

0:31:57.800 --> 0:32:01.080
<v Speaker 1>entertained for decades, and I've no doubt he'll continue to

0:32:01.200 --> 0:32:04.240
<v Speaker 1>do so for years to come. I'm looking forward to

0:32:04.400 --> 0:32:08.960
<v Speaker 1>more from fire Rose as well. She's a talented lady

0:32:09.040 --> 0:32:12.160
<v Speaker 1>with a lovely heart. But before we wrap up today's episode,

0:32:12.480 --> 0:32:14.080
<v Speaker 1>I want to shine a light on one of my

0:32:14.240 --> 0:32:18.000
<v Speaker 1>exceptional podcast sponsors that make it possible for me to

0:32:18.120 --> 0:32:22.360
<v Speaker 1>share all these great conversations with you all. Annie's Kit

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0:33:19.800 --> 0:33:23.920
<v Speaker 1>for se off. I love it. Yeah, you know, I'll

0:33:24.000 --> 0:33:27.160
<v Speaker 1>leave you with this because you said you like Johnny Cash. Um.

0:33:27.240 --> 0:33:29.920
<v Speaker 1>The reason George Jones drove me to meet Johnny Cash

0:33:30.000 --> 0:33:32.520
<v Speaker 1>with Jones was in my house and he saw a

0:33:32.640 --> 0:33:35.200
<v Speaker 1>letter hanging on the wall that Johnny Cash had written

0:33:35.240 --> 0:33:39.080
<v Speaker 1>me in. And you probably don't know this about me,

0:33:39.200 --> 0:33:46.440
<v Speaker 1>but I lived in my car and uh, I've had

0:33:46.520 --> 0:33:50.800
<v Speaker 1>ten years of failure of being a singer, songwriter, entertainer.

0:33:50.960 --> 0:33:53.040
<v Speaker 1>I was supposed to be a baseball player. I was

0:33:53.080 --> 0:33:56.480
<v Speaker 1>going to be a catcher for the Cincinnati Reds. And

0:33:56.520 --> 0:33:58.480
<v Speaker 1>I heard this voice telling me about a guitar and

0:33:58.560 --> 0:34:00.760
<v Speaker 1>start a band and I'd find my purpose in life.

0:34:00.760 --> 0:34:03.480
<v Speaker 1>And I kind of went crazy and listened to the voice.

0:34:03.520 --> 0:34:05.640
<v Speaker 1>And after ten years of failure, I was about to

0:34:05.680 --> 0:34:09.040
<v Speaker 1>give up, and but finally someone said, yes, I've written

0:34:09.040 --> 0:34:11.480
<v Speaker 1>a song about a Vietnam Better and called some Gay Ball.

0:34:12.320 --> 0:34:14.920
<v Speaker 1>And after ten years of being told no, I played

0:34:14.960 --> 0:34:17.040
<v Speaker 1>that song for a man and he said yes, and

0:34:18.280 --> 0:34:20.480
<v Speaker 1>it was with Mercury Records, and we made the album

0:34:20.600 --> 0:34:23.719
<v Speaker 1>Some Gave Hall, which included ak Breaky Heart written by

0:34:23.840 --> 0:34:27.600
<v Speaker 1>Vietnam Better and Lo and Behold. So a year later,

0:34:28.200 --> 0:34:31.759
<v Speaker 1>I wasn't living in my car anymore. It's so. In June,

0:34:32.960 --> 0:34:35.719
<v Speaker 1>Johnny Cash wrote me a handwritten letter and in the

0:34:35.840 --> 0:34:39.520
<v Speaker 1>letter he said, it's good to be reminded where all

0:34:39.600 --> 0:34:45.480
<v Speaker 1>things that are good come from, Almighty God. And when

0:34:45.600 --> 0:34:47.920
<v Speaker 1>Jones read this letter, he said, have you ever met

0:34:48.040 --> 0:34:51.160
<v Speaker 1>Johnny Cash? And I said no, And he goes, well,

0:34:51.360 --> 0:34:53.719
<v Speaker 1>he's down in Franklin tonight. You want to go meet him.

0:34:53.760 --> 0:34:55.800
<v Speaker 1>I said I'd love to, and he put me in

0:34:55.920 --> 0:34:58.400
<v Speaker 1>his car and drove me to meet Johnny Cash so

0:34:58.520 --> 0:35:01.440
<v Speaker 1>that I could thank him for rutting me later. And

0:35:01.560 --> 0:35:05.000
<v Speaker 1>that's kinda so I do, and to this day, you

0:35:05.080 --> 0:35:08.520
<v Speaker 1>know I do. I do good. Thanks for all thanks good,

0:35:08.600 --> 0:35:13.880
<v Speaker 1>and all good and perfect things come from the Father. Yeah, oh,

0:35:14.040 --> 0:35:16.320
<v Speaker 1>that is a sweet story. Thank you for sharing that.

0:35:16.520 --> 0:35:19.719
<v Speaker 1>Thank you guys for Sharon today. Thank you for having us.

0:35:20.280 --> 0:35:22.319
<v Speaker 1>It's an honor to meet you, I hope, but see

0:35:22.360 --> 0:35:26.360
<v Speaker 1>you in persons, man, I hope. So you and your

0:35:26.440 --> 0:35:28.920
<v Speaker 1>husband taken me for a ride in your Is it

0:35:29.000 --> 0:35:33.560
<v Speaker 1>a Winni bagel? That's my husband's motor home. Um, mine

0:35:34.000 --> 0:35:39.120
<v Speaker 1>is not quite as fancy, just between us, I paid

0:35:39.200 --> 0:35:42.840
<v Speaker 1>all twelve tho dollars for it. But I can Mama

0:35:42.880 --> 0:35:51.680
<v Speaker 1>can drive it. I'm not. Yeah, I don't. I've never

0:35:51.800 --> 0:35:56.080
<v Speaker 1>been fancy schmancy. Um. You know, I like. I like

0:35:56.360 --> 0:36:00.799
<v Speaker 1>thrift stores, and I like things that have been loved on. Uh.

0:36:01.719 --> 0:36:05.200
<v Speaker 1>And and it's perfect because I don't have to say,

0:36:05.239 --> 0:36:07.719
<v Speaker 1>don't get that dirty, don't come in there with sand

0:36:07.800 --> 0:36:10.560
<v Speaker 1>on your feet, you know, because that's the whole purpose

0:36:10.640 --> 0:36:13.320
<v Speaker 1>of it is is it's it's the little it's the

0:36:13.400 --> 0:36:15.960
<v Speaker 1>camper for the grandkids. And I still have four kids

0:36:16.000 --> 0:36:19.480
<v Speaker 1>at home. So my my oldest is in her forties,

0:36:19.560 --> 0:36:23.920
<v Speaker 1>my youngest is five. So I'll be I'll be a thousand.

0:36:24.960 --> 0:36:28.680
<v Speaker 1>I'll be a thousand when I'm done um raising kids.

0:36:28.840 --> 0:36:33.160
<v Speaker 1>But you know it's so Yeah, you can come and

0:36:33.320 --> 0:36:36.200
<v Speaker 1>you can hop in my motor home or I have

0:36:36.440 --> 0:36:39.359
<v Speaker 1>a gator you can ride on here at the farm. Um,

0:36:40.239 --> 0:36:41.879
<v Speaker 1>I'm a gator ride in the sound of a gun.

0:36:41.960 --> 0:36:44.160
<v Speaker 1>I'll tell you that right now. I got I got

0:36:44.320 --> 0:36:46.400
<v Speaker 1>four wheels, I got quads. We could go up on

0:36:46.440 --> 0:36:50.200
<v Speaker 1>the mountain and you can sing to me. I'll come

0:36:50.239 --> 0:36:55.040
<v Speaker 1>from Come on. Billy Ray Cyrus something of a chameleon

0:36:55.320 --> 0:36:59.759
<v Speaker 1>after thirty years in the limelight. He's still handsome, talented,

0:37:00.040 --> 0:37:04.879
<v Speaker 1>still writing, still recording, and totally game for whatever each

0:37:05.120 --> 0:37:09.680
<v Speaker 1>new day brings his way. His new single, this collaboration

0:37:09.800 --> 0:37:13.719
<v Speaker 1>with newcomer and indie pop artist Fire Rose, is available

0:37:14.200 --> 0:37:17.080
<v Speaker 1>right now. Catch up with Billy Ray on his website

0:37:17.200 --> 0:37:20.840
<v Speaker 1>Billy Ray Cyrus dot com, and check in with fire

0:37:20.960 --> 0:37:25.959
<v Speaker 1>Rose on her website fire Rose music dot com. You'll

0:37:26.000 --> 0:37:28.359
<v Speaker 1>be able to find all the fun stuff on their

0:37:28.440 --> 0:37:33.000
<v Speaker 1>social media pages at Facebook, Instagram, Twitter, and TikTok, and

0:37:33.080 --> 0:37:36.240
<v Speaker 1>you can of course catch me here on Love Someone.

0:37:36.840 --> 0:37:39.839
<v Speaker 1>You can find me on my website Delilah dot com,

0:37:40.120 --> 0:37:44.360
<v Speaker 1>on Facebook, on Instagram, and of course nightly on my

0:37:44.560 --> 0:37:48.080
<v Speaker 1>radio program, where I hope to help smooth off the

0:37:48.280 --> 0:37:53.440
<v Speaker 1>rough edges of each new day and soothe a few akey,

0:37:53.520 --> 0:38:03.920
<v Speaker 1>breaky arts as well. Did I Know