WEBVTT - Introducing Brown Enough

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<v Speaker 1>Push it. Hey, Ben, Hey, we are bringing our listeners

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<v Speaker 1>something really special today. Do you remember earlier this year

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<v Speaker 1>when we talked to Christopher vas about the real James

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<v Speaker 1>Bond named Portfideo Rubiosa. Of course I remember that was amazing,

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<v Speaker 1>What a great conversation episode. As well. Chris has his

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<v Speaker 1>own podcast called brown Enough, where he breaks down what

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<v Speaker 1>it means to be brown enough in America today. I've

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<v Speaker 1>been listening to that podcast and he discusses identity, careers

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<v Speaker 1>and being proud of who you are with other brown activists,

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<v Speaker 1>creators and change makers. We think our listeners will really

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<v Speaker 1>like it. So we're sharing right here one of our

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<v Speaker 1>favorite episodes, and it's about that question what are you? Yeah?

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<v Speaker 1>What are you? If you like? What are you? If

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<v Speaker 1>you like what you're hearing? You can listen to brown

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<v Speaker 1>Enough right now, Stitch or Apple Podcasts or wherever you

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<v Speaker 1>listen to your podcasts. I am an artist and a

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<v Speaker 1>writer and a cartoonist. This is Molica Garb. If her

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<v Speaker 1>voice sounds familiar, that's probably because you've heard her on MPR,

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<v Speaker 1>where she reports on things like the refugee crisis, gender equality,

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<v Speaker 1>and women's health. And when she's not doing that she

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<v Speaker 1>is drawing up a storm. It took me a long

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<v Speaker 1>time to admit to myself that I was an artist.

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<v Speaker 1>But I just felt like as a kind of person

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<v Speaker 1>who needed to sort things out by writing or drawing,

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<v Speaker 1>sort my emotions out. And I think that that is

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<v Speaker 1>my true calling. And after spending years carrying a diary

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<v Speaker 1>in her backpack where she wrote and doodled her feelings out,

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<v Speaker 1>she finally answered her calling to become an artist. She

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<v Speaker 1>just published a graphic memoir called It Won't Always Be

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<v Speaker 1>Like This. It's sort of a follow up story to

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<v Speaker 1>her first book, I Was There, American Dream And with

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<v Speaker 1>a title like that, you know I needed to hear more.

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<v Speaker 1>In this book, filled with red, white and blue colors,

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<v Speaker 1>Molica shares her story about growing up as a first

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<v Speaker 1>generation Filipino Egyptian American and trying to sort out her

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<v Speaker 1>identity in the pre Internet world before tweets, selfies, TikTok videos,

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<v Speaker 1>and Instagram posts were a thing. We're talking about a

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<v Speaker 1>time when teens were heavenly influenced by pop culture. I'm

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<v Speaker 1>talking about like when Sean Combs became p Diddy, or

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<v Speaker 1>when Dawson from Dawson's Creek was every girl's illusion of

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<v Speaker 1>love or when mean girls was a sort of actual

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<v Speaker 1>reflection of what clicks and high schools were like. You know,

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<v Speaker 1>the pop rockers, skaters, jocks, geeks. I wonder what new

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<v Speaker 1>clicks they have these days. Anyway, Molica and I share

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<v Speaker 1>the experience of having immigrant parents, and this graphic memoir

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<v Speaker 1>is a tribute to families like ours who came to

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<v Speaker 1>the US and tried to achieve this so called American dream.

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<v Speaker 1>Today we are talking to Molica about her journey of

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<v Speaker 1>own her artistry, navigating between three cultures and two religions,

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<v Speaker 1>and that sticky, sticky question we have all heard before,

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<v Speaker 1>what arguing I'm Christopher Reevas and this is brown enough

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<v Speaker 1>stories between black and white? Here we go. I have

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<v Speaker 1>this true admiration and love for artists, y'all. I think

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<v Speaker 1>what we contribute to society gives us a better understanding

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<v Speaker 1>of the world. And so I was surprised when I

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<v Speaker 1>heard Molika say it took her some time to own

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<v Speaker 1>that title of artists. Why did it take you so long?

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<v Speaker 1>Because in my opinion, artists are like the most valuable

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<v Speaker 1>parts of a society. You know, when a coup happens,

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<v Speaker 1>they try and killed like the doctors of the lawyers

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<v Speaker 1>in the art. So what took you so long to

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<v Speaker 1>love that? I think I tried to fit the mold

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<v Speaker 1>that my parents wanted me to sort of fit in,

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<v Speaker 1>and that was, you need to do well in school,

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<v Speaker 1>you need to graduate and do this big important thing

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<v Speaker 1>working for a big important brand. And my aunt once

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<v Speaker 1>told me about how in life everybody has a calling

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<v Speaker 1>and it's not necessarily the work that you do on

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<v Speaker 1>an everyday basis. It's about it's a thing that drives you.

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<v Speaker 1>It's your emo, it's your modus operandi. I'd always been

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<v Speaker 1>thinking about what that calling was for me, and it

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<v Speaker 1>sort of clicked one day when I realized that I

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<v Speaker 1>just kept a diary all the time, a notebook all

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<v Speaker 1>the time in my bag in my twenties, and if

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<v Speaker 1>anything that I saw that was happening to me, if

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<v Speaker 1>I was angry, if I was sad, and I remember

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<v Speaker 1>one day I drew a notebook doodle while I was

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<v Speaker 1>riding the bus that said, gosh, I can't wait to

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<v Speaker 1>write about this in my diary when I get home,

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<v Speaker 1>because I had had bad day. And I realized that

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<v Speaker 1>that's what artists do they mean they need to make

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<v Speaker 1>things in order to understand the way the world works.

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<v Speaker 1>And it was a really late realization for me. I

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<v Speaker 1>only started cartooning in the past, you know, since I

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<v Speaker 1>was thirty and I'm now thirty six, but had always

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<v Speaker 1>been sort of a casual doodler. And once I realized

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<v Speaker 1>that I was, like, it just clicked and things started

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<v Speaker 1>moving for me professionally in my creative life. Molica turned

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<v Speaker 1>her casual doodles in scribbles into cartoons with story arcs.

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<v Speaker 1>Her comics have now been featured in places like The

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<v Speaker 1>New York Times, the New Yorker, and you can also

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<v Speaker 1>find them on MPR's website, like a recent one she

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<v Speaker 1>did that I love called how to Stay Cool Without

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<v Speaker 1>an Air Conditioner. They're really quite delightful and fun no

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<v Speaker 1>matter who she's making comics for, though, Molicica is always

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<v Speaker 1>taking inspiration from her own life. When she was growing up,

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<v Speaker 1>that life was pretty unique thanks to her parents very

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<v Speaker 1>diverse backgrounds. Your dad is from Egypt, your mom's from

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<v Speaker 1>the Philippines. They both seemed very incredible in their own right.

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<v Speaker 1>My mom this is before the me too area, obviously,

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<v Speaker 1>but my mom was my dad's secretary. My dad was

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<v Speaker 1>a general manager of a hotel in downtown La Or

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<v Speaker 1>I think it was in Hollywood. My dad asked her

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<v Speaker 1>out for a date and they went to go see

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<v Speaker 1>like some Indiana Jones movie. That was it. They got

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<v Speaker 1>married after six months, and they spoke English at home, obviously,

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<v Speaker 1>because my dad is a native Arabic speaker and my

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<v Speaker 1>mom's a native Tagalog speaker. And you know, the marriage

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<v Speaker 1>didn't last. They obviously had a lot of cultural differences.

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<v Speaker 1>And you know, I'm really glad that it didn't work out,

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<v Speaker 1>because I got some really awesome siblings in their following marriages.

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<v Speaker 1>But they're still really good friends. So they come from

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<v Speaker 1>very different cultures, as you just said, and it didn't

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<v Speaker 1>work out. But what did they have in common? That's

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<v Speaker 1>a really, really good question that I've never considered before. Gosh,

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<v Speaker 1>what do they have in common? I think they both

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<v Speaker 1>really loved traveling. They had sort of set it up

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<v Speaker 1>where my mom would be working for an airline and

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<v Speaker 1>my dad worked for hotels, so for a while when

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<v Speaker 1>they were married, they would travel around everywhere for free.

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<v Speaker 1>So they both loved that. They're both very funny people.

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<v Speaker 1>My dad has a great sense of humor, and my

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<v Speaker 1>mom is hilarious. She's very sharp. They're both very smart.

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<v Speaker 1>I think that they're both news junkies in a way.

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<v Speaker 1>I think my mom corrects me on my own news knowledge,

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<v Speaker 1>especially when it comes to celebrity news, and so does

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<v Speaker 1>my dad, So they both liked to keep up on things.

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<v Speaker 1>In twenty nineteen, you came out with your first graphic novel.

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<v Speaker 1>I was their American dream. Who is they? They is

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<v Speaker 1>my parents and my family who supported me and raised

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<v Speaker 1>me as a young person and still do today. What

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<v Speaker 1>do you think their dream was. I think their dream

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<v Speaker 1>for me, like many immigrant parents of their generation who

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<v Speaker 1>came to the United States, was that they wanted a

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<v Speaker 1>child who could assimilate well into the United States, who

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<v Speaker 1>would get the best education, go to the best colleges,

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<v Speaker 1>have the best career opportunities, and sort of skip what

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<v Speaker 1>they had to struggle with trying to adapt in America.

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<v Speaker 1>Because I was naturally and perfectly American, I would just

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<v Speaker 1>slide right into perfection of the American dream of owning

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<v Speaker 1>a home and everything. And I think one of the

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<v Speaker 1>biggest things that my parents said, well, my dad said this,

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<v Speaker 1>He said, I just didn't know that you had your

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<v Speaker 1>own set of struggles being of, you know, second generation American.

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<v Speaker 1>I thought that once we came here, like things would

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<v Speaker 1>be perfect for you and great, And I was like,

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<v Speaker 1>you didn't anticipate that I would have identity issues. He

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<v Speaker 1>had always said to me, like, you have an American passport,

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<v Speaker 1>you're American, and it's like you can say that all

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<v Speaker 1>you want, but I don't really believe those words, like

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<v Speaker 1>unless you I don't know. I felt like I had

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<v Speaker 1>to do the work to actually believe those words, emotional work.

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<v Speaker 1>If you could define assimilation in like a sentence, what

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<v Speaker 1>would it be, well, I think in the olden days,

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<v Speaker 1>when I was a kid in high school, assimilating meant

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<v Speaker 1>shedding all aspects of my cultural identity, my Filipino noess

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<v Speaker 1>and Egyptian noss and sort of and sort of taking

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<v Speaker 1>on and being quote unquote white, which was what I

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<v Speaker 1>equated with American. And once I could achieve passing as white,

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<v Speaker 1>then I would be fully assimilated. And now I don't

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<v Speaker 1>think that's true at all. Obviously. I think that's a

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<v Speaker 1>very warped and horrible way of viewing what assimilation means.

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<v Speaker 1>I think it's being really comfortable in your own cultural skin,

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<v Speaker 1>like your own being really comfortable in who I am

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<v Speaker 1>as a Filipino and Egyptian, and understanding the important role

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<v Speaker 1>that my presence in America plays to this society, and

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<v Speaker 1>feeling an immense sense of belonging in my own skin.

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<v Speaker 1>And I think, in my today's definition, when I think

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<v Speaker 1>about my own parents, I think about these are twenty

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<v Speaker 1>year old kids, children with children who came from not

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<v Speaker 1>much and decided to give their children something. And I

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<v Speaker 1>believe that sometimes what we call assimilation is often just survival.

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<v Speaker 1>Trying to give my child opportunity and trying to invest

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<v Speaker 1>in the American dream, which is really just the story

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<v Speaker 1>of mobility. And whatever I have to do to receive

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<v Speaker 1>a check in order to make that happen, often from

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<v Speaker 1>white employers, is what I am going to do or

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<v Speaker 1>teach or facilitate. Yeah, that's really interesting. I mean I remember,

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<v Speaker 1>I mean, I remember I was taught that, you know,

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<v Speaker 1>from my parents and family. I mean, um, one of

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<v Speaker 1>the biggest I mean, I wrote this about this in

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<v Speaker 1>my book. I was their American Dream. But you know,

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<v Speaker 1>my uncle Titomorrow Tito means uncle Intagalog. You know, he

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<v Speaker 1>told me that I was so lucky for going to

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<v Speaker 1>a white school, like predominantly white school like Syracuse, where

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<v Speaker 1>I could really learn from the white people and I

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<v Speaker 1>would get this first this first class, you know, look

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<v Speaker 1>at an examination. I could at this first class front

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<v Speaker 1>row seat into into white people and to really observe

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<v Speaker 1>their manner of dress and how they ate with a

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<v Speaker 1>fork and a knife, and how they introduced themselves. And

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<v Speaker 1>you know, it just makes me sad thinking about it.

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<v Speaker 1>That was telling me to carry myself with the confidence

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<v Speaker 1>of a mediocre white man. Did you really say that

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<v Speaker 1>to you? Yeah? Or me knowing as a child to

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<v Speaker 1>be on the subway, like looking at the Wall Street boys,

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<v Speaker 1>because I would take the sixth down to Wall Street.

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<v Speaker 1>I had like a little job down there, and I

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<v Speaker 1>would go from the Upper East Side to Wall Street

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<v Speaker 1>and I would watch these these these men, often white men,

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<v Speaker 1>who seem to not have a worry in the world,

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<v Speaker 1>and I would study them, study that would study absolutely.

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<v Speaker 1>I would absolutely study them too. And you know what

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<v Speaker 1>I hate is that when I did graduate, you know,

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<v Speaker 1>my family was right to some extent, right, there is

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<v Speaker 1>a code, there's like some code that I didn't learn

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<v Speaker 1>from them, But I learned from observing of how to

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<v Speaker 1>be and how to act in a predominantly white space,

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<v Speaker 1>A lot of confidence when you introduced yourself. You know,

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<v Speaker 1>in Filipino culture you're very deferential and very very gentle

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<v Speaker 1>when you enter a space. You don't want to make

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<v Speaker 1>too much draw too much attention to yourself you have

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<v Speaker 1>you don't in American culture. The early bird catches the worm.

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<v Speaker 1>The loudest duck, you know, you know, makes moves, and

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<v Speaker 1>that's not how how Filipinos exert or sort of show

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<v Speaker 1>their power. So in reading your book, I was fascinated

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<v Speaker 1>by what felt like heavy diversity in your high school.

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<v Speaker 1>Can you tell me about city those, California. Yeah, it

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<v Speaker 1>was such a great place to grow up. So Cerritos

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<v Speaker 1>is south of la It was a predominantly Asian and

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<v Speaker 1>Hispanic community. A lot of Filipinos, Koreans, Chinese people, a

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<v Speaker 1>lot of Mexican people, a lot of Portuguese people, and

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<v Speaker 1>there were a few black and white people, maybe almost equal,

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<v Speaker 1>I would say. And a lot of the leadership in

0:14:05.836 --> 0:14:09.396
<v Speaker 1>Cerritos were Asian, which was pretty cool. Our mayor have

0:14:09.476 --> 0:14:12.236
<v Speaker 1>been Asian when I was growing up. People who worked

0:14:12.236 --> 0:14:14.476
<v Speaker 1>at the library, you could see that they were Asian

0:14:14.876 --> 0:14:23.076
<v Speaker 1>and Hispanic, like, it was very diverse all around. Yeah, all,

0:14:23.076 --> 0:14:26.356
<v Speaker 1>I gotta say, said, ETOs reminds me of my own hometown, Queens,

0:14:26.436 --> 0:14:29.236
<v Speaker 1>New York. I was very fortunate to grow up around

0:14:29.236 --> 0:14:33.316
<v Speaker 1>so much diversity. Queens is the melting pot, y'all. If

0:14:33.316 --> 0:14:35.796
<v Speaker 1>you take the seven train down Roosevelt Avenue, you will

0:14:35.836 --> 0:14:39.076
<v Speaker 1>get a taste of just about everything. Warm Colombian pastry,

0:14:39.116 --> 0:14:44.516
<v Speaker 1>spicy Indian curry, Mexican tacos, Italian pasta, Italian ICs. I

0:14:44.556 --> 0:14:46.716
<v Speaker 1>could go on and make a menu, but we don't

0:14:46.716 --> 0:14:49.756
<v Speaker 1>have time for that. Did you know that that was

0:14:49.796 --> 0:14:53.516
<v Speaker 1>an amazing thing then? No? I mean now, looking back, like,

0:14:53.516 --> 0:14:55.996
<v Speaker 1>I feel like it's freaking amazing. I wrote about this

0:14:56.116 --> 0:14:58.356
<v Speaker 1>in the La Times and like a comic op ed

0:14:58.636 --> 0:15:02.716
<v Speaker 1>about how I reminisced with my high school friends. Dude,

0:15:02.756 --> 0:15:05.036
<v Speaker 1>why didn't we ever talk about how amazing it was

0:15:05.076 --> 0:15:06.836
<v Speaker 1>to grow up in a place like Cerritos when we

0:15:06.836 --> 0:15:09.556
<v Speaker 1>were in high school? And we talked about how conversation

0:15:09.596 --> 0:15:13.156
<v Speaker 1>around race has changed so much in the past few decades,

0:15:13.956 --> 0:15:15.556
<v Speaker 1>and we were able to sort of reflect on that

0:15:15.596 --> 0:15:17.636
<v Speaker 1>a little bit in that piece. But one of the

0:15:17.676 --> 0:15:19.676
<v Speaker 1>things that was really cool about it was that there

0:15:19.756 --> 0:15:24.916
<v Speaker 1>was this like cultural exchange and this profound sensitivity around

0:15:24.956 --> 0:15:31.036
<v Speaker 1>other people's cultures. Now, going back to Queens again, if

0:15:31.036 --> 0:15:35.236
<v Speaker 1>you find yourself in Jackson Heights where you have Colombian, Dominican, Ecuadorian,

0:15:35.436 --> 0:15:39.756
<v Speaker 1>or Mexican communities, there's an understanding between them and respect.

0:15:40.356 --> 0:15:45.076
<v Speaker 1>The district embraces and celebrates each country with gratitude. So

0:15:45.156 --> 0:15:47.076
<v Speaker 1>I was struck when I got to her chapter about

0:15:47.116 --> 0:15:50.396
<v Speaker 1>the most important question in her high school what are you?

0:15:53.076 --> 0:15:54.916
<v Speaker 1>What did it mean to you back then in high school?

0:15:55.076 --> 0:15:58.796
<v Speaker 1>And how is it evolved? Okay, to be real, what

0:15:58.916 --> 0:16:04.156
<v Speaker 1>are you? Question really almost was like social currency, right,

0:16:04.276 --> 0:16:07.636
<v Speaker 1>Like there was a hierarchy of Asians, which I'm sure

0:16:07.676 --> 0:16:11.076
<v Speaker 1>you've heard about the hierarchy of Asians. I've heard about it,

0:16:11.116 --> 0:16:14.716
<v Speaker 1>but tell others have not, Okay, So, like the hierarchy

0:16:14.716 --> 0:16:17.796
<v Speaker 1>of Asians was this horrible thing that I'd learned in

0:16:17.876 --> 0:16:19.636
<v Speaker 1>high school. And I hope that others like, I mean,

0:16:19.676 --> 0:16:22.356
<v Speaker 1>this is awful, And I just knew that Filipinos like

0:16:22.396 --> 0:16:24.356
<v Speaker 1>myself or at the bottom of the hierarchy of Asians.

0:16:24.516 --> 0:16:27.676
<v Speaker 1>But um, so it was like all the East Asians

0:16:27.676 --> 0:16:31.436
<v Speaker 1>at the top, like the Japanese, then like Chinese and Korean,

0:16:31.636 --> 0:16:34.956
<v Speaker 1>and then like all the brown Asians, like if you

0:16:34.956 --> 0:16:39.076
<v Speaker 1>were Vietnamese or from Laos or Cambodia, you know, you

0:16:39.076 --> 0:16:40.956
<v Speaker 1>were sort of at the bottom. And I think that

0:16:40.956 --> 0:16:45.756
<v Speaker 1>that was also like some weird people could be like, oh, okay,

0:16:45.956 --> 0:16:49.236
<v Speaker 1>so you're Filipino. Okay. And it's also like a way

0:16:49.236 --> 0:16:52.196
<v Speaker 1>of like a lot of people in school was still

0:16:52.196 --> 0:16:56.116
<v Speaker 1>pretty segregated. So if you were Korean, you would be

0:16:56.156 --> 0:16:58.396
<v Speaker 1>hanging out likely with a bunch of other Korean girls.

0:16:58.596 --> 0:17:01.876
<v Speaker 1>If you were Mexican American into hot topic, like you

0:17:01.956 --> 0:17:04.716
<v Speaker 1>had your own group. If you were Chinese and love

0:17:04.796 --> 0:17:08.196
<v Speaker 1>like magic the gathering, like you were in your own subgroup.

0:17:08.636 --> 0:17:12.396
<v Speaker 1>I I think that it was a understanding what your

0:17:12.596 --> 0:17:15.196
<v Speaker 1>culture was because I think that there was a high

0:17:15.356 --> 0:17:20.436
<v Speaker 1>level of sensitivity for that, but also be understanding where okay,

0:17:20.476 --> 0:17:23.596
<v Speaker 1>so what's your social standing in the list of like

0:17:24.316 --> 0:17:27.796
<v Speaker 1>cool races, which is also horrible. So for example, like

0:17:27.876 --> 0:17:31.876
<v Speaker 1>Portuguese guys at Cerrito's high school were considered the quote

0:17:31.956 --> 0:17:35.956
<v Speaker 1>unquote whitest guys, and being like a white Portuguese guy

0:17:36.156 --> 0:17:38.756
<v Speaker 1>was like better than being like a white Hispanic guy.

0:17:38.996 --> 0:17:42.356
<v Speaker 1>This is look I'm only repeating things that are that

0:17:42.916 --> 0:17:45.196
<v Speaker 1>was from high school. Please don't crucify me for this

0:17:45.276 --> 0:17:53.196
<v Speaker 1>on Twitter. I'm just saying what we believe back then. Horrible. Seriously, y'all,

0:17:53.476 --> 0:17:57.476
<v Speaker 1>don't crucify Milico on Twitter. She's sharing her high school experience,

0:17:57.956 --> 0:18:00.796
<v Speaker 1>one that I can also relate to. I'm back home

0:18:00.796 --> 0:18:03.396
<v Speaker 1>in New York. Dominicans and Puerto Ricans were at the

0:18:03.436 --> 0:18:06.316
<v Speaker 1>top of the hierarchy, and maybe because we got the

0:18:06.316 --> 0:18:10.476
<v Speaker 1>biggest parades, we earned some extra points. All right, y'all,

0:18:10.516 --> 0:18:12.676
<v Speaker 1>We're gonna take a quick break, and when we come back,

0:18:13.036 --> 0:18:15.516
<v Speaker 1>Molica is going to tell us how that what are

0:18:15.636 --> 0:18:36.436
<v Speaker 1>you question changed when she went to college. Yo, we

0:18:36.476 --> 0:18:40.636
<v Speaker 1>are back with journalist and cartoonist Malica Gharib. When you

0:18:40.676 --> 0:18:43.196
<v Speaker 1>get to college, you realize no one's asking this question,

0:18:43.796 --> 0:18:46.596
<v Speaker 1>and you sort of miss being asked it. Correct. Yeah,

0:18:46.636 --> 0:18:49.836
<v Speaker 1>I did. I was around a lot of white people,

0:18:49.916 --> 0:18:52.956
<v Speaker 1>a lot of white students and friends, and it just

0:18:52.956 --> 0:18:56.676
<v Speaker 1>seemed like a very very awkward thing to broach. People

0:18:56.676 --> 0:19:00.676
<v Speaker 1>didn't know how to talk about it. I found it

0:19:00.956 --> 0:19:03.636
<v Speaker 1>a very crucial point for me to mention that I

0:19:03.716 --> 0:19:07.676
<v Speaker 1>was Filipino and Egyptian. It seemed very important to share

0:19:07.996 --> 0:19:10.956
<v Speaker 1>or disclose as part of If they really wanted to

0:19:10.996 --> 0:19:15.156
<v Speaker 1>know who I was, then they should also understand these

0:19:15.196 --> 0:19:17.756
<v Speaker 1>aspects of myself. But it felt like that time and

0:19:17.836 --> 0:19:22.036
<v Speaker 1>the moment never really came up, and it was always

0:19:22.076 --> 0:19:24.836
<v Speaker 1>like a little awkward because I think they just didn't

0:19:24.876 --> 0:19:26.676
<v Speaker 1>want to address it at all, because they didn't know,

0:19:27.196 --> 0:19:29.916
<v Speaker 1>they didn't want to say anything quote unquote racist. So

0:19:30.836 --> 0:19:34.476
<v Speaker 1>only after my book came out, I was their American dream.

0:19:34.516 --> 0:19:36.356
<v Speaker 1>I had a lot of college friends coming back to

0:19:36.396 --> 0:19:39.036
<v Speaker 1>me and saying like, I'm so sorry. I never like

0:19:39.156 --> 0:19:42.436
<v Speaker 1>asked you about like your culture or like things that

0:19:42.516 --> 0:19:45.196
<v Speaker 1>you like doing at home with your family, or you know.

0:19:45.396 --> 0:19:47.396
<v Speaker 1>I had a lot of like subtle racist things being

0:19:47.436 --> 0:19:50.836
<v Speaker 1>told to me by friends. Had a roommate once who

0:19:51.236 --> 0:19:54.636
<v Speaker 1>my mom shipped this plastic container of I think it

0:19:54.716 --> 0:19:58.556
<v Speaker 1>was like caldaretta, which is like some beef stew, and

0:19:58.676 --> 0:20:01.036
<v Speaker 1>she would always comment every day about how the fridge

0:20:01.036 --> 0:20:05.636
<v Speaker 1>smelled so intense and anyway, I was like, I just

0:20:05.676 --> 0:20:08.476
<v Speaker 1>wish that we could have had more open conversations about race,

0:20:08.516 --> 0:20:10.396
<v Speaker 1>but nobody know how talk about it. Then. You know,

0:20:10.436 --> 0:20:13.876
<v Speaker 1>that was like two thousand four. I mean people are

0:20:13.876 --> 0:20:16.916
<v Speaker 1>still struggling to talk about it now. Yeah, please do

0:20:16.996 --> 0:20:20.076
<v Speaker 1>some enlightening for us, because I think the world still

0:20:20.116 --> 0:20:23.036
<v Speaker 1>struggles with this. What is another less rude way to say?

0:20:23.476 --> 0:20:26.436
<v Speaker 1>What are you? Um? How do you identify? And I

0:20:26.436 --> 0:20:28.716
<v Speaker 1>think that for a lot of people that that opens

0:20:28.796 --> 0:20:32.596
<v Speaker 1>up a lot. Everyone could be asked that question. We

0:20:32.676 --> 0:20:35.636
<v Speaker 1>have to ask that now at work for a diversity

0:20:35.716 --> 0:20:39.516
<v Speaker 1>questionnaire with every source that we interview, and it's an

0:20:39.516 --> 0:20:42.356
<v Speaker 1>open ended question and people could answer it in any

0:20:42.356 --> 0:20:45.836
<v Speaker 1>way they like. It's a question for everybody. You mentioned

0:20:45.836 --> 0:20:47.916
<v Speaker 1>your uncle Tito earlier, and in the book you talk

0:20:47.956 --> 0:20:50.916
<v Speaker 1>about him a lot. He told you about the real world.

0:20:51.276 --> 0:20:53.596
<v Speaker 1>He said there will be expectations on you as a

0:20:53.636 --> 0:20:56.796
<v Speaker 1>brown woman and that you needed to learn them. Was

0:20:56.916 --> 0:21:00.836
<v Speaker 1>your uncle Tito right? Yeah he was, And that's um

0:21:00.876 --> 0:21:05.116
<v Speaker 1>tit tomorrow to you. That's right, my bad. He was

0:21:05.156 --> 0:21:09.236
<v Speaker 1>absolutely right, it was. It was shockingly accurate. I think

0:21:09.236 --> 0:21:11.756
<v Speaker 1>that one of the first places I worked was a

0:21:11.996 --> 0:21:19.116
<v Speaker 1>corporate ad agency and I highly observed, you know, how

0:21:19.156 --> 0:21:22.836
<v Speaker 1>other people dressed collared shirts. I came from like a

0:21:22.876 --> 0:21:26.916
<v Speaker 1>punk style in la where people were very casual and

0:21:26.956 --> 0:21:29.396
<v Speaker 1>laid back and had surfer style and that kind of thing,

0:21:29.876 --> 0:21:31.436
<v Speaker 1>and I just had sort of had to adapt to

0:21:31.476 --> 0:21:35.996
<v Speaker 1>that environment. I once was invited to a dinner with

0:21:36.076 --> 0:21:39.836
<v Speaker 1>like a professor and another colleague of his and some students,

0:21:39.836 --> 0:21:41.596
<v Speaker 1>and like we were eating at a fancy dinner table

0:21:41.596 --> 0:21:43.356
<v Speaker 1>with like lots of forks and knives, and I had

0:21:43.396 --> 0:21:46.716
<v Speaker 1>to like I literally had like a movie moment where

0:21:46.756 --> 0:21:50.156
<v Speaker 1>I was like, um, I'll ordered the chicken extra rare,

0:21:50.396 --> 0:21:51.756
<v Speaker 1>like you know what I mean. Like, I just like

0:21:51.796 --> 0:21:53.636
<v Speaker 1>didn't know what to do, so I just like copied

0:21:53.676 --> 0:21:58.716
<v Speaker 1>whatever my other white classmates were doing. But lots of

0:21:58.716 --> 0:22:01.356
<v Speaker 1>little moments like that, learning how to pronounce things. I

0:22:01.476 --> 0:22:05.756
<v Speaker 1>once said prove it proven instead of proven in a

0:22:05.836 --> 0:22:08.076
<v Speaker 1>meeting and got laughed at and I was like, all right,

0:22:08.076 --> 0:22:10.476
<v Speaker 1>there's like a way that I have to be, which sucks.

0:22:10.676 --> 0:22:13.596
<v Speaker 1>But I had to put on my white voice. That

0:22:13.636 --> 0:22:15.316
<v Speaker 1>was way back in the day. I just wanted to

0:22:15.316 --> 0:22:17.876
<v Speaker 1>preface it with that that was a long time ago.

0:22:18.076 --> 0:22:19.956
<v Speaker 1>I do not do that anymore. Do you have your

0:22:19.956 --> 0:22:23.556
<v Speaker 1>book on you by chance? Yeah? Can you read us

0:22:23.556 --> 0:22:30.836
<v Speaker 1>page forty seven? Yeah? Of course. I wish that I

0:22:30.836 --> 0:22:33.796
<v Speaker 1>could have smushed them all together into one faith. So

0:22:34.076 --> 0:22:37.316
<v Speaker 1>for most of my childhood I did dear God and

0:22:37.436 --> 0:22:40.516
<v Speaker 1>the Virgin Mary, but sorry, not you Jesus. Please let

0:22:40.516 --> 0:22:42.596
<v Speaker 1>me get the good grade on my quiz tomorrow, and

0:22:42.716 --> 0:22:45.276
<v Speaker 1>don't let me get in trouble at math class. Please

0:22:45.316 --> 0:22:50.036
<v Speaker 1>watch over Mom and Dad and mimminentti tomorrow and nanayantatai Amen,

0:22:50.196 --> 0:22:54.916
<v Speaker 1>I mean a mean how Muslims say? Amen? Can you

0:22:54.956 --> 0:22:59.556
<v Speaker 1>imagine being in these two worlds? Catholics have Jesus and

0:22:59.756 --> 0:23:03.836
<v Speaker 1>Adam and Eve, Muslims have Mohammed. Catholics celebrate Christmas and

0:23:03.996 --> 0:23:07.236
<v Speaker 1>Muslims do not. Catholics can eat just about everything, but

0:23:07.396 --> 0:23:11.396
<v Speaker 1>Muslims can't eat pork. As complicated as it seemed, Monica

0:23:11.476 --> 0:23:14.196
<v Speaker 1>always honored and respected what her parents taught her to

0:23:14.196 --> 0:23:20.756
<v Speaker 1>believe in. Both my mom and dad were very religious.

0:23:20.796 --> 0:23:23.876
<v Speaker 1>I mean not like fanatically religious, but they were certainly

0:23:23.956 --> 0:23:26.236
<v Speaker 1>like you know, my mom had a statue of the

0:23:26.316 --> 0:23:29.716
<v Speaker 1>Virgin Mary in her bedroom and believed in that one day,

0:23:30.116 --> 0:23:32.676
<v Speaker 1>you know, the Virgin Mary had appeared to her. And

0:23:32.756 --> 0:23:35.636
<v Speaker 1>my father did go to the mosque every Friday. So

0:23:35.716 --> 0:23:40.516
<v Speaker 1>I understood from the jump that my parents religion was

0:23:40.676 --> 0:23:43.756
<v Speaker 1>deeply important to them, and therefore I should respect that.

0:23:44.356 --> 0:23:46.716
<v Speaker 1>And by respecting that, as a young person. You sort

0:23:46.756 --> 0:23:49.676
<v Speaker 1>of are instilled with this code of conduct. And for

0:23:49.716 --> 0:23:52.796
<v Speaker 1>me that was you know, if my mom asked me

0:23:52.836 --> 0:23:54.956
<v Speaker 1>to go to church with her, I would go. If

0:23:54.956 --> 0:23:56.996
<v Speaker 1>she wanted me to go to Catholic school, I was

0:23:57.036 --> 0:24:00.396
<v Speaker 1>obedient and I said yes. I went through Confirmation and

0:24:00.476 --> 0:24:04.356
<v Speaker 1>Communion and all of it, and with my dad. My

0:24:04.436 --> 0:24:07.236
<v Speaker 1>dad really wanted me to memorize suras, which is like

0:24:07.276 --> 0:24:11.436
<v Speaker 1>the prayers from the Koran, and one how to pray,

0:24:11.556 --> 0:24:14.596
<v Speaker 1>you know, dress conservatively when I was around him, and

0:24:14.756 --> 0:24:18.156
<v Speaker 1>just in Egypt in general, and you know, not eat

0:24:18.156 --> 0:24:20.516
<v Speaker 1>pork and things like that. What are your favorite things

0:24:20.556 --> 0:24:22.956
<v Speaker 1>you learn from both religions? You know, I really like

0:24:23.116 --> 0:24:26.796
<v Speaker 1>the pomp and circumstance of Catholicism, Like I love the

0:24:26.836 --> 0:24:31.516
<v Speaker 1>big churches and cathedrals. I love the music, the choral music.

0:24:31.756 --> 0:24:34.916
<v Speaker 1>I love that everything is very somber and serious, and

0:24:35.156 --> 0:24:39.236
<v Speaker 1>you really feel a great and overpowering sense of reverence

0:24:39.396 --> 0:24:44.036
<v Speaker 1>and awe to a God above you. And I find

0:24:44.596 --> 0:24:49.356
<v Speaker 1>real comfort in knowing that there's you know, the Virgin Mary,

0:24:49.436 --> 0:24:52.676
<v Speaker 1>a woman figure is there is very maternal figure that

0:24:52.716 --> 0:24:56.476
<v Speaker 1>you don't see in many other religions but play such

0:24:56.476 --> 0:25:00.956
<v Speaker 1>an important role in Catholicism and Islam. I also love

0:25:01.036 --> 0:25:04.516
<v Speaker 1>that the text never changed, the Quran never changed. And

0:25:04.556 --> 0:25:07.596
<v Speaker 1>so when you're learning suras, when you're saying the Fatah,

0:25:07.716 --> 0:25:12.596
<v Speaker 1>you know you're really learning something that you're learning, you're

0:25:12.716 --> 0:25:16.036
<v Speaker 1>reciting something that people for hundreds and hundreds of years

0:25:16.036 --> 0:25:20.596
<v Speaker 1>have recited. And that's also very powerful for me. Do

0:25:20.636 --> 0:25:24.156
<v Speaker 1>you practice or continue to practice either of these religious

0:25:24.196 --> 0:25:28.516
<v Speaker 1>aspects or components? No, I think that I one of

0:25:28.516 --> 0:25:33.076
<v Speaker 1>the things that's been hard to understand or like put

0:25:33.156 --> 0:25:35.716
<v Speaker 1>together in my head is that like in Islam, like

0:25:36.116 --> 0:25:39.996
<v Speaker 1>Jesus is not God, but in Catholicism, Jesus as God.

0:25:40.356 --> 0:25:44.476
<v Speaker 1>So I've had to sort of in my mind be like, Okay,

0:25:44.556 --> 0:25:47.036
<v Speaker 1>I believe in God, but I don't believe in Jesus.

0:25:47.116 --> 0:25:49.956
<v Speaker 1>But I definitely love the Virgin Mary because she's cool.

0:25:50.356 --> 0:25:52.756
<v Speaker 1>So like I have some kind of like hybrid religion

0:25:52.756 --> 0:25:54.476
<v Speaker 1>in my head. I don't practice any of the elements

0:25:54.476 --> 0:25:58.516
<v Speaker 1>of both Catholicism and Islam. Like I haven't gone to

0:25:58.516 --> 0:26:01.756
<v Speaker 1>a mosque, I haven't like prayed in the Muslim sense

0:26:01.796 --> 0:26:07.796
<v Speaker 1>and ages. And I do, however, sometimes go into pop

0:26:07.836 --> 0:26:10.916
<v Speaker 1>into a Catholic church and like light a candle and

0:26:10.956 --> 0:26:12.836
<v Speaker 1>say a prayer every now and then, But I would

0:26:12.876 --> 0:26:15.996
<v Speaker 1>hardly call that being Catholic. If someone asked me how

0:26:16.036 --> 0:26:19.596
<v Speaker 1>I identify lately, you know, part of my journey is

0:26:19.676 --> 0:26:22.636
<v Speaker 1>I just say brown. You know, I'm just a brown man.

0:26:23.076 --> 0:26:26.396
<v Speaker 1>We can get into the into the nuances of being

0:26:26.436 --> 0:26:32.476
<v Speaker 1>half Dominican, half Colombian, Afro Latino, but mainly I choose brown.

0:26:32.836 --> 0:26:35.236
<v Speaker 1>Do you use brown in the book? Do you relate?

0:26:35.596 --> 0:26:39.636
<v Speaker 1>What is brownness to you? I have changed, my thought

0:26:39.676 --> 0:26:42.236
<v Speaker 1>has changed a lot over the past couple of years.

0:26:42.276 --> 0:26:45.116
<v Speaker 1>Even it's also fluids similar to you, and I think

0:26:45.116 --> 0:26:47.996
<v Speaker 1>that's really interesting and important to talk about. When I

0:26:47.996 --> 0:26:50.436
<v Speaker 1>was writing the book, I use the word brown to

0:26:50.556 --> 0:26:54.716
<v Speaker 1>express solidarity with fellow people of color who were going

0:26:54.716 --> 0:26:57.996
<v Speaker 1>through the same identity crisis that I was going through,

0:26:58.316 --> 0:27:01.916
<v Speaker 1>and who we're also on a path of understanding who

0:27:01.956 --> 0:27:07.996
<v Speaker 1>they are, understanding their cultural identities and going on there all.

0:27:08.236 --> 0:27:11.596
<v Speaker 1>I call it their like wokeness journey right like into yourself.

0:27:11.996 --> 0:27:14.236
<v Speaker 1>I don't know why I call it that, because I

0:27:14.276 --> 0:27:16.916
<v Speaker 1>felt like I had suddenly been decolonized at like age

0:27:16.956 --> 0:27:20.356
<v Speaker 1>twenty eight, and then like I radicalized quickly after that.

0:27:20.436 --> 0:27:24.916
<v Speaker 1>But one thing that I recently have thought about. Was

0:27:24.956 --> 0:27:27.476
<v Speaker 1>that saying who you are as a person, what your

0:27:27.516 --> 0:27:32.116
<v Speaker 1>cultural identity, is so freaking radical in and of itself.

0:27:32.516 --> 0:27:36.996
<v Speaker 1>Why should I have spent decades trying to hide that

0:27:37.116 --> 0:27:41.556
<v Speaker 1>I am Filipino, an Egyptian, and in favor of whiteness.

0:27:42.076 --> 0:27:45.916
<v Speaker 1>So why now should I have to hide and say

0:27:45.956 --> 0:27:49.676
<v Speaker 1>that I am not those things? This time, now, more

0:27:49.716 --> 0:27:52.636
<v Speaker 1>than ever, I want to freaking scream it from the rooftops.

0:27:53.076 --> 0:27:57.276
<v Speaker 1>This is what an Egyptian Filipino looks like with a

0:27:57.356 --> 0:28:02.476
<v Speaker 1>Muslim dad and a Catholic mom. And if that's new

0:28:02.516 --> 0:28:07.796
<v Speaker 1>for you, then that sucks. But you should wake up

0:28:07.796 --> 0:28:09.836
<v Speaker 1>and realize that a lot of people around you are

0:28:09.876 --> 0:28:17.796
<v Speaker 1>different things. Embrace who you are, folks. What is rooted

0:28:17.836 --> 0:28:20.516
<v Speaker 1>in our veins is what makes us special. And if

0:28:20.516 --> 0:28:22.876
<v Speaker 1>you are lucky enough, like Molica to be living in

0:28:22.916 --> 0:28:25.636
<v Speaker 1>these two different worlds filled with so much color and

0:28:25.796 --> 0:28:29.436
<v Speaker 1>life and more power to you. Molica just released her

0:28:29.436 --> 0:28:32.436
<v Speaker 1>second graphic novel called It Won't Always Be Like This,

0:28:32.876 --> 0:28:38.436
<v Speaker 1>So go and get your copy today. You won't be disappointed. Y'all.

0:28:38.516 --> 0:28:42.396
<v Speaker 1>We want to hear from you, so please get in touch. Specifically,

0:28:42.836 --> 0:28:45.996
<v Speaker 1>we are looking for your stories about your names. Do

0:28:46.036 --> 0:28:48.876
<v Speaker 1>you have a name that's unique, one that's hard for

0:28:48.916 --> 0:28:51.276
<v Speaker 1>others to say? Do you have a funny story in

0:28:51.396 --> 0:28:54.356
<v Speaker 1>origin story? What do you think is special or beautiful

0:28:54.396 --> 0:28:57.356
<v Speaker 1>about your name? Let us know. Send us an email

0:28:57.436 --> 0:29:01.476
<v Speaker 1>or a voice memo to brown Enough at stitcher dot com. Again,

0:29:01.516 --> 0:29:04.436
<v Speaker 1>that's brown Enough at Stitcher dot com. You could wind

0:29:04.476 --> 0:29:09.876
<v Speaker 1>up on a future episode brown And as a production

0:29:09.916 --> 0:29:13.236
<v Speaker 1>of Stitcher. It's created and hosted by me Christopher Reevas,

0:29:13.476 --> 0:29:17.356
<v Speaker 1>and I'm also an executive producer. Our team includes producer

0:29:17.676 --> 0:29:22.476
<v Speaker 1>Manolo Morales, Senior producer Abigail Keel, Technical director Casey Holford,

0:29:22.596 --> 0:29:27.396
<v Speaker 1>Production assistant Gabrielle Gladney, and executive producer Camille Stanley. Original

0:29:27.476 --> 0:29:31.596
<v Speaker 1>music by Casey Holford. Special thanks to Brendan Burns. Workhouse

0:29:31.636 --> 0:29:34.876
<v Speaker 1>Media is a contributing producer to this podcast. Carlos I

0:29:35.076 --> 0:29:38.556
<v Speaker 1>Hernandez of Ekey Guy Management is also an executive producer

0:29:38.596 --> 0:29:41.196
<v Speaker 1>of Brown Enough and don't forget to subscribe y'all or

0:29:41.236 --> 0:29:44.076
<v Speaker 1>follow brown Enough so you never miss an episode. And

0:29:44.316 --> 0:29:46.596
<v Speaker 1>if you got a minute, leave us a review a

0:29:46.716 --> 0:30:01.276
<v Speaker 1>nice one. It goes a long way. Thanks witness Stocks

0:30:01.716 --> 0:30:08.276
<v Speaker 1>from Stitcher. We hope you enjoyed that preview of Brown

0:30:08.436 --> 0:30:13.116
<v Speaker 1>Enough with Chris stepher reav Us. Listen on Stitcher, Apple Podcasts,

0:30:13.436 --> 0:30:16.596
<v Speaker 1>or wherever you listen to podcasts, and don't forget to

0:30:16.636 --> 0:30:19.276
<v Speaker 1>follow brown Enough so you don't miss an episode