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Speaker 1: Hi, Christy, Hi Will, how are you. I'm so excited.

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Speaker 1: I am too. Why are you excited today? For the

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Speaker 1: same reason e g. Daily. Yes, that is exactly the

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Speaker 1: same reason. She's coming on our show today. Yes, she

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Speaker 1: is the voice of Tommy Pickles on Regrats and also

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Speaker 1: she is Powerpuff Girls, but also most of the films

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Speaker 1: of my childhood she had something to do with. She's

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Speaker 1: such an incredible career. Yeah, she's a rock star, a

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Speaker 1: recording artist, literally a rock star. She's lived a million

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Speaker 1: lives and we're going to get into it today on

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Speaker 1: I hear voices, I hear voices voice, Hi, how are you?

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Speaker 1: And joining us. Nice to be here, y'all. We've very

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Speaker 1: much been looking forward. Legend a legend sitting behind the

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Speaker 1: microphone icon. Yeah, but I really wanted to cook with

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Speaker 1: you and we didn't. That's okay, we could still cook. Actually,

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Speaker 1: just want to hang out and cook because I'm a

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Speaker 1: terrible cook. I just like, that's my love language, and

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Speaker 1: people cook for me and then I get to eat it.

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Speaker 1: See that's very sweet. That's a wonderful love language. I

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Speaker 1: don't even know where to start. I've got to be

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Speaker 1: honest with you because we could start and see but

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Speaker 1: there you go. I mean right there, so you you

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Speaker 1: just started us because you just saying something. So we're

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Speaker 1: gonna start with your singing career. She just picks yes,

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Speaker 1: perfect because it's pretty phenomenal. I mean you've been. I'm

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Speaker 1: not I'm not even gonna get into the go go

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Speaker 1: stuff yet, which I'm freaking out about tributes. Yeah, We're

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Speaker 1: not even gonna get into that yet, but I think

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Speaker 1: we should. What No, I want to start from the start,

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Speaker 1: from the beginning. I mean, I guess a good place

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Speaker 1: to start. What is the beginning? That's well, that's what

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Speaker 1: we're gonna have to ask you. So where what what

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Speaker 1: is the beginning? How did you start in this business

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Speaker 1: of show? Well, you know, I am not from the

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Speaker 1: My family was not a Hollywood family, like my parents

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Speaker 1: are French Tunisia North Africans used who migrated here in

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Speaker 1: a trailer, and so I didn't I wasn't raised in

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Speaker 1: a family where entertainment was in our wheelhouse. My parents

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Speaker 1: just kind of tried to build up their little company.

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Speaker 1: They build fences for a living in window grills, which

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Speaker 1: we need now and and so then I didn't know

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Speaker 1: anything about like when I came around. My mother just

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Speaker 1: was like, you're the one, You're the little magic theme.

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Speaker 1: She had like an instinct. Does she be into it?

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Speaker 1: I think she just yeah, I think she saw something

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Speaker 1: in the realm of like, but allur kids really artistic.

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Speaker 1: I have there's five of us, five beds and sisters.

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Speaker 1: I was the baby. But she would just like go

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Speaker 1: to a yard sale and bring crazy instruments home or

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Speaker 1: by like just weird things and throw them in the

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Speaker 1: house and one of us or the other would pick

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Speaker 1: it up and start playing or you know, everybody learned

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Speaker 1: how to play everything. None of us were schooled at it.

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Speaker 1: And then my sister is a painter. She was the

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Speaker 1: only like real painter, went to college master degree in painting.

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Speaker 1: All the rest of us were just like farm animals.

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Speaker 1: We just picked up an old dirty guitar and we

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Speaker 1: just like we just learned how to do things. So

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Speaker 1: I think for me, I just learned art because I

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Speaker 1: didn't have like I wasn't good with school. It was

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Speaker 1: like it was original. Where did your question originated at that?

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Speaker 1: What was where did it start? Yeah? Yeah, I mean,

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Speaker 1: but that seems like where then just started them with

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Speaker 1: your family? And would you guys all jam together, just

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Speaker 1: do some kind of music. Or we had like a

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Speaker 1: little I had a band with my brother called Overman

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Speaker 1: that was like back in the eighties when I was

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Speaker 1: like wearing spandex leopard and you know, yeah, so we

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Speaker 1: just do things together. Or my one brother would play

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Speaker 1: bluegrass and the other brother would play something else. So

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Speaker 1: we just music was part of our thing. That was

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Speaker 1: like my language. To like music was easy for me.

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Speaker 1: But what happened is I developed my voice because of music,

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Speaker 1: because singing was such a big thing. Because acting, though

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Speaker 1: I had an acting agent, UM scared me because it

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Speaker 1: was very much about like how you looked and how

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Speaker 1: fake you could be sometimes and I didn't can do it,

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Speaker 1: and so I felt awkward with that. But music was

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Speaker 1: like spoke to me. I didn't have to um, I

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Speaker 1: have to be somebody else at that point. Later in

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Speaker 1: life I learned him to like being someone else. But

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Speaker 1: I like it because I like how you can tap

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Speaker 1: into different things in people by things you connect to

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Speaker 1: in yourself, and so yeah, everything just everything becomes a

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Speaker 1: lot more complex in my brain about why I do art,

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Speaker 1: but it's very deep and beautiful for me, all of it.

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Speaker 1: So then did you expect to be a musician? I mean,

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Speaker 1: was that the path originally was like, Yeah, I'm gonna

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Speaker 1: I'm gonna do music. I think I always thought I

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Speaker 1: was gonna be a huge pop star, like forever, and

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Speaker 1: even in my choir teacher back in high school was like,

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Speaker 1: when they tell you at the end of the year

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Speaker 1: what they think you're gonna be. He was like, you're

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Speaker 1: gonna be a huge pop star. And I was like,

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Speaker 1: he knows what's up. And and then but I never

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Speaker 1: would have thought like the voiceover thing was sort of

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Speaker 1: a gift from the goose that laid the golden egg.

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Speaker 1: Like that was like, I here's the magic. Okay. So

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Speaker 1: one day, out of the blue, this guy calls me,

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Speaker 1: who I knew as a producer, and he's like, do

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Speaker 1: you want to do a musical. It's called Tansy and

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Speaker 1: we've had it in on Broadway and it was being

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Speaker 1: done on Broadway by Deborah Harry and and we need

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Speaker 1: a woman who is petite, who can sing, who's also

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Speaker 1: physically fit. And it was on Broadway and they were like,

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Speaker 1: and they said it folded on Broadway after three days.

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Speaker 1: Who knows why three days? Yeah, after three days. So

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Speaker 1: that means all the ships and all the all the

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Speaker 1: sets and all the wardrobes and everything was already indentity.

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Speaker 1: And they called this producer called and goes, G do

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Speaker 1: you want to do this musical? And they're shipping the

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Speaker 1: sets to l A. And I was like all I

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Speaker 1: wanted to do was sing. I was like, it's a musical,

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Speaker 1: can I Is there a band? And they're like, yeah,

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Speaker 1: there's a full on band. I'm like, do I have

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Speaker 1: to put the band memories together? And they're like no.

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Speaker 1: And I was like do I have to pay for

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Speaker 1: the band members? And they're like no, because I didn't

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Speaker 1: have you know. I was like that was a self starter. Yeah,

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Speaker 1: and I didn't have the money and then to put

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Speaker 1: the band together and pay everybody. But I wanted to

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Speaker 1: be singing. So it was like my heart was so

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Speaker 1: connected to the music that I said, it's a musical,

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Speaker 1: I'll do it. I'll do it. That was the reason

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Speaker 1: why I said yes to the play because I just

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Speaker 1: love singing so much. It's so it connects me something

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Speaker 1: so deep. And so then I get start rehearsing and

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Speaker 1: then they tell me where you're gonna be a female

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Speaker 1: wrestler don't. I had to learn how to be a

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Speaker 1: female wrestler like headmayor, flying headmarrors, irish whips, the belly flowers,

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Speaker 1: like the whole thing in a wrestling ring. So and

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Speaker 1: now I had to learn this crap. So I had

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Speaker 1: to train with this female wrestler, first world female Champion,

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Speaker 1: Wrestler of the World, and then state champion at the time.

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Speaker 1: So then they started training me, and I was like, ah,

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Speaker 1: hell no this, I'm sorry, this stuff is gonna hurt

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Speaker 1: my back. I was like scared and I don't like

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Speaker 1: to I was like, oh my god, this is so hard.

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Speaker 1: I'm not good at this. And every day I'd be like,

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Speaker 1: I don't know if I could do this, but I

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Speaker 1: really want to sing. But I don't know if we

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Speaker 1: could do this, but I really want to sing. And

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Speaker 1: and then I pushed myself and then I was able

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Speaker 1: to do this wrestling and I learned this craft. And

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Speaker 1: then the play became like this big hit and won

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Speaker 1: all these awards and moved to the Roxy theater and

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Speaker 1: became a pay theater thing, and and out of that play,

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Speaker 1: I ended up getting a major record deal, and out

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Speaker 1: of that play, I ended up falling in love with

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Speaker 1: someone who was really amazing, and out of that play,

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Speaker 1: I just everything happened. And so the message of that

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Speaker 1: was I just kept following what I love so much,

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Speaker 1: I saying, I just want to sing. It wasn't like

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Speaker 1: I want to do the player when I act, It

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Speaker 1: was none of that. Actually was like, I just want

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Speaker 1: to sing. That was the golden nugget that led me

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Speaker 1: to the thing that broke my whole career because then

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Speaker 1: at that particular play called Tansy where I sang in it,

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Speaker 1: I got a major record deal, so I was signed

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Speaker 1: A and M Records. I got um I fell in love,

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Speaker 1: like I said, And some guy handed me a card

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Speaker 1: and said, you're really good with your voice, you know,

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Speaker 1: because in the play I had to be a different

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Speaker 1: voice each round of the wrestling match. The first round,

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Speaker 1: I was like a baby, like you know that, and

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Speaker 1: then I had to be like five five year old,

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Speaker 1: and then I had to be a ten year old,

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Speaker 1: and then I had to be sixteen year old, and

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Speaker 1: then I had to be a grown woman. So I

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Speaker 1: was like that play, I just hadn't be aging. And

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Speaker 1: he was like, you're really good at your voices, and

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Speaker 1: he handed me his card and he said you should

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Speaker 1: call me, and I was like, well, thank you. You know,

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Speaker 1: I never was like anyway thought I was going to

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Speaker 1: be a cartoon or you know. And then you're rock

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Speaker 1: star and you've got about to Kota A and M

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Speaker 1: and yeah yeah, yeah. I had a record deal and

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Speaker 1: I had a record. I total over Europe with it.

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Speaker 1: I number one, dance it all over the world called

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Speaker 1: sands it and um, you can see all these videos

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Speaker 1: are all up on I have seen yeah, yeah so

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Speaker 1: so and the story he um he sent me on

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Speaker 1: my first edition. I wouldn't to be very respectful to him,

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Speaker 1: because you never know. And I talked about that. I

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Speaker 1: talked about like those are offsheets, like somebody taps you

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Speaker 1: on the shoulder and it's like you should try this thing,

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Speaker 1: and like sometimes we're so fixed on the way we

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Speaker 1: think everything has to be or look that you're like no, no, no,

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Speaker 1: I'm going this way. Yeah I'm going especially after you

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Speaker 1: were you were so in love with the the singing

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Speaker 1: track that and you also did so much work supporting that,

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Speaker 1: like learning to wrestle and like doing these things. And

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Speaker 1: I was obviously performing live like eight shows a week,

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Speaker 1: and I was like it was my place, wasn't it was?

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Speaker 1: There was a lot of shows, but it's a lot

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Speaker 1: but doesn't even matter. What's six Like, it's a lot

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Speaker 1: of work to physically put yourself on stage like that

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Speaker 1: and with wrestling, and I'm still driving my head around.

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Speaker 1: I never saw this show because it sounds like, yeah,

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Speaker 1: I wish, I wish they'd have filmed it, but it

201
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Speaker 1: was back a long time ago, and they there were

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Speaker 1: maybe some random clips around the early eighties, mid mid

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Speaker 1: eighties by this point, yeah, it was probably Yeah, it

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Speaker 1: was probably early to mid eighties because that was when

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Speaker 1: I got to make my AM record deal and then

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Speaker 1: I had a record out with them. But the the

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Speaker 1: beautiful thing was that agent guy ended up being my

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Speaker 1: agent for my whole careers until recently in the last

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Speaker 1: few years. Then I made a shift just because you know,

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Speaker 1: things changed, but but I ended up he sent me

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Speaker 1: on my first audition. He was like, you should really

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Speaker 1: try this, and I was like, that's the offshoot I'm

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Speaker 1: talking about. It was like I could have been fixed

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Speaker 1: and said no, but I was like, sure, I'll try it.

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Speaker 1: You know, I'll try it. Open to all opportunities that

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Speaker 1: those are the little those are the little universe thing

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Speaker 1: to this, and then that thing that I said yes

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Speaker 1: to ended up turning me back all around to getting

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Speaker 1: all kinds of other career stuff. So like, you just

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Speaker 1: never know what the thing is. It's going to open

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Speaker 1: the door for your real a big, magic career. So

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Speaker 1: I went on my first audition. He's like, go on

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Speaker 1: this audition. It's for a little kid. And I was like,

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Speaker 1: my first cartoon audition. I was like, I'm having my

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Speaker 1: condo remodeled today. Can can we all get you on

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Speaker 1: the next one? And he's like, no, I think you

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Speaker 1: should go on this one. I was like, oh, but

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Speaker 1: I don't want to leave these guys in my place

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Speaker 1: because they're working and they're gonna rob for me. And

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Speaker 1: I was like, I didn't know. I was like, and

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Speaker 1: I ended up like I ended up telling the workers

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Speaker 1: like I'll be right back. I'm just going down the road. Really,

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Speaker 1: I was leaving for an hour to do. I went

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Speaker 1: to the audition. They showed me acclaimation of a little character.

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Speaker 1: I looked at it. I was kind of like, h

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Speaker 1: and I remember the voice I've been doing my whole

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Speaker 1: life since I was a little girl. Was like I'd

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Speaker 1: walk around the playground my best friend. I'd be like,

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Speaker 1: I'm not sure I like that, And so I thought,

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Speaker 1: that sounds like the voice I've been doing my whole

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Speaker 1: life for that little floppy mouth little character. I did

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Speaker 1: the voice. I mean home, the guy goes. You did

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Speaker 1: really well on that audition you book the job that

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Speaker 1: was Tommy Pickles. Oh so your very first animation audition

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Speaker 1: ever was rug Rats. Yeah wow, yeah, well that's fortuitous

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Speaker 1: talk about yeah, But the message was like I listened

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Speaker 1: to the part of me that said I want to sing,

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Speaker 1: and that I want to sing led me to a show,

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Speaker 1: and that show led me to the agent that then

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Speaker 1: led me to the career that changed my life, like

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Speaker 1: change my life. I was doing eight series a week.

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Speaker 1: I was like Jungle Cobs, but gear I was like,

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Speaker 1: can we do Louis? I was she goes for the

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Speaker 1: intellectual type, just myself, you Louis. And then I was like,

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Speaker 1: I mean people house and I was better gap she

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Speaker 1: what you'r any? You're yeah? So you know, it was

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Speaker 1: just like all these things up and up to me

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Speaker 1: because of that following my heart about what made me

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Speaker 1: really happy. So that's what I try to tell people.

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Speaker 1: So would you say that you were raised spiritual, like

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Speaker 1: or were you spiritual all this process or what was

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Speaker 1: it that spoke to you to say like, okay, like

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Speaker 1: I am going to honor this guy and go and

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Speaker 1: do this because you did it. I think it was, Um,

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Speaker 1: I didn't know that you always want to be respectful

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Speaker 1: to people, kind of respectful and he was reaching out

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Speaker 1: to me about something, and I could have been like, no,

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Speaker 1: I'm a pop singer because I was touring and yeah,

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Speaker 1: you'd a deal. But I think that part of me

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Speaker 1: that always says stay open, be teachable, always be teachable.

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Speaker 1: Where are you hearing them from? Is that like a

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Speaker 1: family thing? Did your mom or dad teaches to you? Not? Really?

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Speaker 1: I think my experience very much. I think I just

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Speaker 1: like I think when you come from a good place

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Speaker 1: and you're coming from a snobby place or um, too

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Speaker 1: cool for school place, that you're you're you're you're more

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Speaker 1: open in that respect, And I just think it came

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Speaker 1: from like he reached out to me. He was a

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Speaker 1: respectful guy. He saw something in me. I need to

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Speaker 1: be respectful and check it out. So it's really as

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Speaker 1: simple as that. But I think that I think it's

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Speaker 1: always teachable, You're you're the people that are more open

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Speaker 1: and saying yes to things are usually more successful in

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Speaker 1: life than the people that are that say know to

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Speaker 1: things because you never know where it's going to take you.

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Speaker 1: So it's yeah, I'll give it a try, like you said,

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Speaker 1: and brings you to the whole new career. We don't

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Speaker 1: always know everything like we think we do, and sometimes

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Speaker 1: we think we do. Leads you to a very limited

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Speaker 1: path like sometimes be open, check that out. And that

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Speaker 1: is the thing I really refer to a lot, Like

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Speaker 1: I did a voice over seminar and I talked part

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Speaker 1: of the teaching was be be teachable and be like

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Speaker 1: listen for the off shoots, because the offshoots are like

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Speaker 1: the universe saying to you, I'm gonna get you that

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Speaker 1: thing you love, but it's you're gonna go this way first,

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Speaker 1: and so success is not linear. It's not linear, and

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Speaker 1: like you have a destiny no matter what, so you

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Speaker 1: might as well be you know, there's all kinds of

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Speaker 1: ways you could try things and you never know right

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Speaker 1: and that particular yes, And it's like I read later

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Speaker 1: in life, I mean, I've always been a grower, like

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Speaker 1: I always want to like learn. I want to learn

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Speaker 1: how to be comfortable in my skin, because life can

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Speaker 1: be art. Life is purely uncomfortable, serious, uncomfortable and scary

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Speaker 1: and challenging. And you know, if you're not working on

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Speaker 1: your spiritual life, especially in an entertainment career, which can

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Speaker 1: bring you up and knock you down and bring you

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Speaker 1: up and knock you down, which I've had many ups

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Speaker 1: and downs. Yeah, you get it. That's my other podcast, Horrible.

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Speaker 1: It's called if You're what, it's called vulnerablenable. Yeah, so yeah,

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Speaker 1: I mean I just think if you don't really daily

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Speaker 1: and I do for my kids, like my mission is

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Speaker 1: to constantly teach my daughters who were young adults, like

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Speaker 1: keep growing. Like this breakup with his boyfriend is about

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Speaker 1: where was it making you joyful? And what was not

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Speaker 1: making you happy? And if it's not making you happy

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Speaker 1: more than it's making you happy, then it's time for

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Speaker 1: you to really check check it out, you know. And

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Speaker 1: so and sometimes people stay and not happy so long

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Speaker 1: that they start to think they're depressed, and they start

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Speaker 1: to think they're there need to do drugs, so they

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Speaker 1: need to drink liquor all the time because they're so

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Speaker 1: unhappy and really what it is is what am I

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Speaker 1: not looking at over there that's making me unhappy? I

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Speaker 1: need to shift it. And so I think, my Um,

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Speaker 1: I'm an impath. I feel everything so much, and I

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Speaker 1: feel other people's pain and it's like my own pain

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Speaker 1: I can't take sometimes, So I want to do everything

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Speaker 1: I can to constantly nurture feeling better, feeling more joyful.

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Speaker 1: You need to fill your cup to yeah, absolutely, Yeah, Well, okay,

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Speaker 1: so I want to get into something because you said

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Speaker 1: something that was very interesting to me. So I'm gonna

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Speaker 1: take it back a question, and then we're gonna get

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Speaker 1: into some some really cool stuff because then we've talked

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Speaker 1: about how there's a number of well we'll start with

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Speaker 1: your film career. There's a number of films we got

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Speaker 1: to get into. However, you said something really interesting when

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Speaker 1: it came to seeing your first kind of animatic or

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Speaker 1: claymation of what was going to happen on Ruggrass. You said, Oh,

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Speaker 1: this reminds me of the voice I used to do

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Speaker 1: when I was a kid. So were you doing voices

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Speaker 1: the whole time you were growing up? I mean as

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Speaker 1: a little kid, were you just doing multiple voices? Just

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Speaker 1: with your friends. Yes I was. I was doing like

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Speaker 1: imitating little uh little kids voices. I would like, my

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Speaker 1: daughter does that, and that that's what I say. Like

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Speaker 1: that was like the beginning seeds of like that's why

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Speaker 1: I say, like, watch your children, because they're showing you

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Speaker 1: things about who they are and what they can do,

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Speaker 1: even if it's a weird thing, like I'd always say,

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Speaker 1: like jokingly people are double joint in or they flipped there,

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Speaker 1: I lived inside out or whatever the weird trick is.

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Speaker 1: I'm like, watch what your children are doing, because that

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Speaker 1: is their gift. Like my nephew Um used to go

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Speaker 1: through the trash bins in the alleys and he would

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Speaker 1: bring home like disgusting, dirty, like weird things like meddle

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Speaker 1: weird thing with rust and worms and bugs and a

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Speaker 1: weird little tire and we would be like, Robin, you

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Speaker 1: can't put that in the house, Like you just can't.

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Speaker 1: And and you know, he ended up being like a

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Speaker 1: very rare like he builds things for music videos and

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Speaker 1: movies of like a weird goggle thing with a weird

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Speaker 1: futuristic thing. Like he ended up being like a one

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Speaker 1: of the designer. It's like a production designer. He has

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Speaker 1: a whole warehouse thing that he works in and people

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Speaker 1: hire him to do this, and it's like we take

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Speaker 1: our kids sometimes and we were like, no, you're gonna

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Speaker 1: fall family to do. I'm guilty of it. Honestly, I'm

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Speaker 1: guilty of it. My daughter does these voices too, sometimes

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Speaker 1: not all the time, but like she will do it,

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Speaker 1: and I've seen her do it, and there's been times

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Speaker 1: when I said no, that you need to pronounce it clearer,

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Speaker 1: and I'm beating musself all up, but I'm learning something.

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Speaker 1: This is a teachable moment. And also because sometimes little kids.

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Speaker 1: The reason why I booked Rugrats was because my Tommy

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Speaker 1: Pickles talks very broken and very unclear. He's like, oh, yeah,

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Speaker 1: you know my mom if she's really benful, you know,

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Speaker 1: like everything is weird and real and sometimes not clear.

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Speaker 1: And that's why they like my voice for that job.

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Speaker 1: And the beauty of kids voices is that they're not

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Speaker 1: perfect as we like, you know. So yeah, that's what

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Speaker 1: makes you that's a in a in a separate part

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Speaker 1: of the conversation too, but like that's what makes her

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Speaker 1: such a great voice over actor in my opinion. Two

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Speaker 1: is that she's so authentically a child. Oh yeah. One

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Speaker 1: of the things we constantly hit on the show, we

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Speaker 1: talk about it's our mantra. You and I talk about

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Speaker 1: this all the time is there is a very big

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Speaker 1: difference between child ish and childlike. So something very childlike

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Speaker 1: about you that is so uh you know, it's so

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Speaker 1: it's so attractive in the industry, especially when it comes

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Speaker 1: to animation, because you can put your mind in the

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Speaker 1: in the mind of a child, you can become a

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Speaker 1: child again, child ish, not good, childlike, something that should

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Speaker 1: never be lost and something that is rewarded in our

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Speaker 1: side of the industry here, especially when it comes to animation.

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Speaker 1: So I think so perfectly the embodiment of incredible, the

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Speaker 1: combination of the wisdom and childlike is pretty awesome. Well,

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Speaker 1: and so what I've what I found really interesting too,

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Speaker 1: is that you had a very adult you know, film

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Speaker 1: careers were although I guess with Peewee's playouts that oh

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Speaker 1: you just said one out loud. Okay, we're jumping right

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Speaker 1: in Big Adventure. Yes, I grew up with this movie

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Speaker 1: as well. I obsessed over how beautiful you were, and

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Speaker 1: but it was also just a great film all the

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Speaker 1: way around. Talk about childlike. Yes, there was the very

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Speaker 1: few films even now to this day can kids sit

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Speaker 1: down and watch an adult sit down and watch and

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Speaker 1: get two completely different experiences but both enjoy it immensely.

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Speaker 1: And certainly at that time there wasn't like the Nickelodeon

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Speaker 1: initiative and Disney was even doing programming, so it wasn't

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Speaker 1: like that concept of like, yeah, we need this, this

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Speaker 1: needs to happen. But he was movie. I remember watching

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Speaker 1: that family and he was he brought a whole thing

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Speaker 1: and then Tim Burton was found from that. That was

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Speaker 1: his first big feature films. You know what I mean.

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Speaker 1: It was a very iconic. Now it's like thirty something

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Speaker 1: years old, but it's still like cute. But each I

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Speaker 1: gotta think that you must know so many amazing people

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Speaker 1: in this industry. I mean, I love that you grew

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Speaker 1: up here. And see that's the thing is like I

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Speaker 1: know that I know people who I grew up in

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Speaker 1: New York, and like I'll talk to other people who

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Speaker 1: started young in the business and they're like, oh, yeah,

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Speaker 1: we started in New York and there's always a little

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00:19:41,240 --> 00:19:44,680
Speaker 1: bit of jadedness. But we were both started in Connecticut

428
00:19:44,760 --> 00:19:46,280
Speaker 1: and then in New York and we'll look at each

429
00:19:46,280 --> 00:19:51,560
Speaker 1: other and be like that we've done down in the

430
00:19:51,680 --> 00:19:53,240
Speaker 1: train and then we meet people are like I grew

431
00:19:53,280 --> 00:19:55,920
Speaker 1: up in California and it's such a different vibe. It's

432
00:19:55,920 --> 00:19:58,120
Speaker 1: a little different, yeah, a little bit, but I mean,

433
00:19:58,720 --> 00:20:01,040
Speaker 1: how did you? And in speaking of this, this this

434
00:20:01,280 --> 00:20:06,639
Speaker 1: childlike sort of magical wonder fairy like wonder us that

435
00:20:06,840 --> 00:20:09,120
Speaker 1: keeps you young, you know, it really does. It's something

436
00:20:09,160 --> 00:20:13,160
Speaker 1: that I actually appreciate about still enjoying going to Disneyland,

437
00:20:13,160 --> 00:20:14,840
Speaker 1: Like I want a couple of days ago with my kids,

438
00:20:14,880 --> 00:20:18,159
Speaker 1: and like there's there's something to the magic of of

439
00:20:18,320 --> 00:20:21,240
Speaker 1: all of it where I I don't want to push

440
00:20:21,320 --> 00:20:24,560
Speaker 1: that away from my mom. It was a there's certain things, yeah,

441
00:20:24,640 --> 00:20:27,800
Speaker 1: being that whole little you know. It's really funny because

442
00:20:27,920 --> 00:20:31,200
Speaker 1: the I never I like literally like I hang out

443
00:20:31,200 --> 00:20:34,720
Speaker 1: with my assistant. She's like she's like my daughter's age,

444
00:20:34,760 --> 00:20:37,200
Speaker 1: but like we call each other besties, you know, because

445
00:20:37,760 --> 00:20:40,840
Speaker 1: I don't know, I just think, um, you know. And

446
00:20:41,119 --> 00:20:42,600
Speaker 1: the other one, the is I did this one woman

447
00:20:42,640 --> 00:20:46,320
Speaker 1: show called Listen Closely where I actually talk to myself

448
00:20:46,560 --> 00:20:48,760
Speaker 1: and myself as an adult, So I talked to my

449
00:20:48,880 --> 00:20:52,359
Speaker 1: inner child e g and my and so half the

450
00:20:52,440 --> 00:20:55,520
Speaker 1: time it was like, we have to be really nice

451
00:20:55,560 --> 00:20:57,800
Speaker 1: to that guy X sexy. We want him to like us.

452
00:20:57,880 --> 00:20:59,440
Speaker 1: And then my inner child is like, but I don't

453
00:20:59,520 --> 00:21:03,280
Speaker 1: like it, And you know it's like to me, the

454
00:21:03,400 --> 00:21:05,480
Speaker 1: child and speaks the truth, and so you have to

455
00:21:05,560 --> 00:21:07,640
Speaker 1: stay really connected to that in her child. And that's

456
00:21:07,680 --> 00:21:10,560
Speaker 1: why that one woman show that I did was all

457
00:21:10,640 --> 00:21:13,400
Speaker 1: about my journey and how much I battled. It wasn't easy.

458
00:21:13,520 --> 00:21:16,640
Speaker 1: I battled, like the voices that were like, oh, we're

459
00:21:16,680 --> 00:21:19,280
Speaker 1: at this really cool party and everybody who's anyone is

460
00:21:19,359 --> 00:21:21,159
Speaker 1: here and we have to act really cool and we

461
00:21:21,200 --> 00:21:23,240
Speaker 1: have to my little it's like, oh, dance that ship.

462
00:21:23,359 --> 00:21:25,720
Speaker 1: I will just have fun, you know, Like you know,

463
00:21:25,800 --> 00:21:29,119
Speaker 1: it's just like it's so important to constantly stay tapped

464
00:21:29,119 --> 00:21:31,320
Speaker 1: into like where are you being real and where you

465
00:21:31,400 --> 00:21:34,080
Speaker 1: being fake? And all the best conversations come when I

466
00:21:34,320 --> 00:21:36,239
Speaker 1: when I wasn't worried about how I was looking, when

467
00:21:36,280 --> 00:21:38,440
Speaker 1: I was having a good time, and I noticed people

468
00:21:38,480 --> 00:21:40,520
Speaker 1: were really attracted to that when I was being my

469
00:21:40,680 --> 00:21:43,280
Speaker 1: most whenever I'm dressed up, like super dressed up and

470
00:21:43,320 --> 00:21:44,840
Speaker 1: I'm a makeup a mare, and you know, this is

471
00:21:44,880 --> 00:21:49,200
Speaker 1: when you get all done. I'm not comfortable. I'm not comfortable,

472
00:21:49,280 --> 00:21:52,440
Speaker 1: and soone happens is half my personality goes away. And

473
00:21:52,600 --> 00:21:55,600
Speaker 1: so you know, that's why sometimes I'll deliberately wear something

474
00:21:55,640 --> 00:21:57,240
Speaker 1: like I went to a dinner party with girlfriends and

475
00:21:57,280 --> 00:21:59,920
Speaker 1: they were all wearing fancy dresses and I yels and

476
00:22:00,040 --> 00:22:02,399
Speaker 1: I was like wearing something like this yeah and a

477
00:22:02,440 --> 00:22:05,159
Speaker 1: big bulky sweater. And I had more fun than her

478
00:22:05,280 --> 00:22:08,280
Speaker 1: because I'm not trapped in this weird like yeah, because

479
00:22:08,320 --> 00:22:10,360
Speaker 1: you're in touch with her and her child. My wife

480
00:22:10,400 --> 00:22:12,000
Speaker 1: will do something like that. My wife will will will

481
00:22:12,040 --> 00:22:13,520
Speaker 1: say we're going out to dinner, and she'll put on

482
00:22:13,600 --> 00:22:16,600
Speaker 1: her shoes and she'll go the stop watches started, and

483
00:22:16,680 --> 00:22:17,840
Speaker 1: I go, what do you mean. She's like, because you

484
00:22:17,920 --> 00:22:19,639
Speaker 1: get you have a finite amount of time in these

485
00:22:19,680 --> 00:22:22,800
Speaker 1: shoes before their are so she's like, it's started, let's go.

486
00:22:23,320 --> 00:22:27,200
Speaker 1: And it's like, all right what she does at the time,

487
00:22:27,200 --> 00:22:28,760
Speaker 1: but she's like, I want to put on high heels tonight,

488
00:22:28,800 --> 00:22:31,200
Speaker 1: and then she does looked me like the clock has begun.

489
00:22:35,560 --> 00:22:39,680
Speaker 1: And honestly, that's not to discourage women who who find themselves,

490
00:22:39,720 --> 00:22:43,359
Speaker 1: because there are young girls that grow up wanting to

491
00:22:43,440 --> 00:22:46,359
Speaker 1: wear the high heels because I have two daughters. I

492
00:22:46,480 --> 00:22:48,000
Speaker 1: have a five year old and I have one that

493
00:22:48,119 --> 00:22:51,320
Speaker 1: just turned three. The one that's turning three literally has

494
00:22:51,400 --> 00:22:53,840
Speaker 1: to be wearing a tiara on her head or she

495
00:22:54,119 --> 00:22:58,400
Speaker 1: throws a huge She is a pink girl. She's a bubbles.

496
00:22:58,480 --> 00:23:00,639
Speaker 1: She's a bubbles, and my other one is is a

497
00:23:01,640 --> 00:23:05,160
Speaker 1: it's not a bubbles. The other two they're usually opposite,

498
00:23:05,200 --> 00:23:08,479
Speaker 1: total opposite. They are. They really are opposite. And she um,

499
00:23:09,240 --> 00:23:11,479
Speaker 1: she likes science. And she asked me to buy her

500
00:23:11,520 --> 00:23:15,200
Speaker 1: on Amazon, like a human don't laugh, what a human head?

501
00:23:15,440 --> 00:23:21,840
Speaker 1: That scientific experiment from nat Geo And yeah, that's great.

502
00:23:21,880 --> 00:23:23,639
Speaker 1: And I'm like, yeah, sure, let's do it. And we

503
00:23:23,720 --> 00:23:28,800
Speaker 1: think she's she's in right, Yeah, she's gonna be She's

504
00:23:28,800 --> 00:23:31,160
Speaker 1: gonna go to science. Rou that's awesome. And that's weird

505
00:23:31,280 --> 00:23:33,080
Speaker 1: for me and my husband, who are both artists, and

506
00:23:33,119 --> 00:23:35,520
Speaker 1: were like, well, cool, she's going to be a scientist.

507
00:23:36,720 --> 00:23:38,919
Speaker 1: That's pretty great. It's like the bulb of a flower

508
00:23:38,960 --> 00:23:41,200
Speaker 1: and you go into a garden or nursery and there's

509
00:23:41,240 --> 00:23:44,320
Speaker 1: like little round balls their bulbs for flowers, and then

510
00:23:44,760 --> 00:23:46,639
Speaker 1: you pick them up and then you plant them and

511
00:23:46,720 --> 00:23:49,160
Speaker 1: you don't know what kind of flowers. Your job isn't

512
00:23:49,160 --> 00:23:51,240
Speaker 1: put it in the dirt, to water it, to give

513
00:23:51,240 --> 00:23:55,240
Speaker 1: it and then it turns into this magnificent flower. But

514
00:23:55,280 --> 00:23:57,200
Speaker 1: you can't make it be a different flower, and you

515
00:23:57,280 --> 00:23:59,200
Speaker 1: have to let it be the flower. So how much

516
00:23:59,240 --> 00:24:03,600
Speaker 1: of Tommy is your inner child? Like? What is a

517
00:24:03,720 --> 00:24:07,120
Speaker 1: lot at Tommy Pickles is a lot of I really

518
00:24:07,200 --> 00:24:09,920
Speaker 1: resonate with Tommy Pickles because to me, he has a

519
00:24:10,000 --> 00:24:13,240
Speaker 1: lot of compassion. He really cares about others. He cares

520
00:24:13,280 --> 00:24:18,160
Speaker 1: about people's feelings. Um, he wants everybody to win. He's fun,

521
00:24:18,320 --> 00:24:21,119
Speaker 1: he's adventurous, and he's a leader, but he's not a jerk.

522
00:24:21,600 --> 00:24:24,320
Speaker 1: He's a kind leader. He wants everyone to feel included

523
00:24:24,359 --> 00:24:27,440
Speaker 1: and honestly, to be honest. That's kind of me. I like,

524
00:24:27,760 --> 00:24:30,000
Speaker 1: I want everybody to win. I want everybody to feel

525
00:24:30,000 --> 00:24:31,879
Speaker 1: appreciated and love. I don't care who you are, I

526
00:24:31,920 --> 00:24:34,639
Speaker 1: don't care what you do. And I think that's Tommy Pickles.

527
00:24:34,760 --> 00:24:37,080
Speaker 1: I feel very connected to Tommy Pickles. Now, when did

528
00:24:37,119 --> 00:24:39,280
Speaker 1: we got start? When when was this that you actually

529
00:24:39,320 --> 00:24:42,159
Speaker 1: got this show? It's been that was back in the eighties,

530
00:24:42,560 --> 00:24:45,400
Speaker 1: that was third Weight, that was the way it's having

531
00:24:45,800 --> 00:24:48,359
Speaker 1: it just had his thirty year anniversary, So I'm wearing

532
00:24:48,400 --> 00:24:55,199
Speaker 1: the shirt, by the way, share that's me. Yeah, I mean,

533
00:24:55,280 --> 00:24:56,879
Speaker 1: other than the Simpsons, it's got to be one of

534
00:24:56,920 --> 00:25:01,159
Speaker 1: the longest running huge certainly a children. It's great. And

535
00:25:01,280 --> 00:25:03,160
Speaker 1: now we just started our reboot and I'm one season

536
00:25:03,200 --> 00:25:05,000
Speaker 1: two of the brand new reboots, so who knows how

537
00:25:05,040 --> 00:25:07,040
Speaker 1: many seasons we're gonna do. Where where is the reboot?

538
00:25:07,160 --> 00:25:10,399
Speaker 1: The reboot is on. Yeah, and the reboot is so

539
00:25:10,600 --> 00:25:12,840
Speaker 1: great because now it's all C G I and they're

540
00:25:12,840 --> 00:25:16,480
Speaker 1: actually they moved um, they recast some of the adult characters.

541
00:25:16,840 --> 00:25:19,280
Speaker 1: All the babies are the same characters, the same casts.

542
00:25:19,320 --> 00:25:20,960
Speaker 1: With some of the adult characters. They brought in some

543
00:25:21,080 --> 00:25:24,080
Speaker 1: celebrity talent from popular TV shows and stuff. But the

544
00:25:24,119 --> 00:25:27,840
Speaker 1: beautiful thing is they're making the millennial. The people that

545
00:25:27,920 --> 00:25:30,320
Speaker 1: were grown up on Rugrats, like the little kids, they're

546
00:25:30,359 --> 00:25:37,320
Speaker 1: now young parents. I'm not a young yeah, And so

547
00:25:37,440 --> 00:25:39,200
Speaker 1: what's happening is the young parents are now going to

548
00:25:39,280 --> 00:25:42,720
Speaker 1: watch Rugrats. But now they moved all the Rugrats elements

549
00:25:42,800 --> 00:25:46,800
Speaker 1: to like cell phones, bloggers, dating apps, so we're brought

550
00:25:46,840 --> 00:25:48,560
Speaker 1: it to today's time. So it's going to be very

551
00:25:48,600 --> 00:25:51,520
Speaker 1: relatable but they're bringing all the coziness of the Rugrats,

552
00:25:51,640 --> 00:25:53,760
Speaker 1: like the family and the familiarity and all the different

553
00:25:54,280 --> 00:25:56,600
Speaker 1: diversity of all the family members. Like it's a very

554
00:25:56,640 --> 00:25:59,200
Speaker 1: beautiful show like it embraces and Betty has now come

555
00:25:59,240 --> 00:26:02,159
Speaker 1: out at a member of the LGBTQ community, which we

556
00:26:02,880 --> 00:26:04,760
Speaker 1: how can you not love a show that is embraced.

557
00:26:04,800 --> 00:26:10,480
Speaker 1: Of course, of course there's somebody who's out on this. Okay, great,

558
00:26:10,640 --> 00:26:14,000
Speaker 1: I need to see this. Then, yeah, it's so awesome,

559
00:26:14,200 --> 00:26:17,000
Speaker 1: like everybody, that's what I mean, everybody's included. They're really

560
00:26:17,600 --> 00:26:20,480
Speaker 1: they're just really embracing everybody's different cultures. They did a

561
00:26:20,560 --> 00:26:23,119
Speaker 1: special cult Traditions for the Holidays, which was all about

562
00:26:23,560 --> 00:26:26,800
Speaker 1: how everybody celebrates Christmas and different people do different traditions,

563
00:26:26,880 --> 00:26:29,800
Speaker 1: and they kind of tapped into different people's wanting to

564
00:26:29,840 --> 00:26:32,600
Speaker 1: make sure everybody felt special on their Christmas. The way

565
00:26:32,640 --> 00:26:35,639
Speaker 1: they celebrate, whether it's Jewish or Christian or Catholic or whatever.

566
00:26:35,960 --> 00:26:39,639
Speaker 1: Is that different from the regrets that was two d

567
00:26:39,800 --> 00:26:41,879
Speaker 1: I guess you know, I mean they always kind of

568
00:26:42,000 --> 00:26:45,920
Speaker 1: did that, but now it's now they're just widening. Don't laugh,

569
00:26:47,840 --> 00:26:49,680
Speaker 1: you don't even look at it. It sounded like you

570
00:26:49,760 --> 00:26:52,960
Speaker 1: said two D to me, and then my brain needed

571
00:26:53,000 --> 00:26:59,359
Speaker 1: to translate you're saying too deep to remember. I didn't.

572
00:26:59,400 --> 00:27:01,160
Speaker 1: I was like, wait, that's a good name for a doc.

573
00:27:01,920 --> 00:27:05,320
Speaker 1: That was Facts of Life. That's a totally different Yeah. Yeah,

574
00:27:05,840 --> 00:27:09,159
Speaker 1: so yeah, it's sorry. We often we see something shiny

575
00:27:09,320 --> 00:27:13,760
Speaker 1: and get distracted, is how we do. Yeah, it's very

576
00:27:13,760 --> 00:27:19,320
Speaker 1: similar as in the in the Tutti. Yeah, it's kind

577
00:27:19,320 --> 00:27:21,600
Speaker 1: of similar in that they still they always kind of

578
00:27:21,680 --> 00:27:24,040
Speaker 1: did things special for holidays to kind of show everybody's

579
00:27:24,080 --> 00:27:27,480
Speaker 1: different cultures. But now they can do it more beautifully,

580
00:27:27,520 --> 00:27:31,480
Speaker 1: magnificently because the animation is so spectactularly, like everything looks

581
00:27:31,520 --> 00:27:33,680
Speaker 1: like when you see a giant Pixar feature, and the

582
00:27:33,800 --> 00:27:35,920
Speaker 1: carpet looks real, and the water looks real, and the

583
00:27:36,000 --> 00:27:39,760
Speaker 1: mud looks real. Everything looks so real and beautiful. So

584
00:27:39,840 --> 00:27:41,640
Speaker 1: now I have to I have to talk about something

585
00:27:41,760 --> 00:27:44,720
Speaker 1: very briefly here because my brothers and I, um, we

586
00:27:44,800 --> 00:27:46,800
Speaker 1: are We love movies, we love TV, and we grew

587
00:27:46,880 --> 00:27:50,480
Speaker 1: up speaking in quotes. I love that and one of

588
00:27:50,520 --> 00:27:52,520
Speaker 1: the things we quoted more than anything was Valley Girl.

589
00:27:53,840 --> 00:27:57,240
Speaker 1: So we won't get too much into Valley Girl, but

590
00:27:57,359 --> 00:27:59,560
Speaker 1: just letting you know, it was hugely important in the

591
00:27:59,600 --> 00:28:05,840
Speaker 1: favorite quote. Oh there's so many of them, um, one

592
00:28:05,840 --> 00:28:08,240
Speaker 1: of the ones, because the whole cadence of the speech.

593
00:28:08,280 --> 00:28:09,920
Speaker 1: So one of the things we're learning on I hear voices,

594
00:28:10,000 --> 00:28:11,560
Speaker 1: especially when you want to become a voice over actor.

595
00:28:11,600 --> 00:28:14,760
Speaker 1: We heard great advice from Miley, but she said one

596
00:28:14,800 --> 00:28:17,080
Speaker 1: of the first things she teaches people is just listen

597
00:28:17,160 --> 00:28:20,040
Speaker 1: to everybody around you. Listen to their voices, try to

598
00:28:20,119 --> 00:28:23,960
Speaker 1: understand their cadence. Get there. So the Valley dialect, which

599
00:28:24,000 --> 00:28:26,560
Speaker 1: is what it was back in the nobody probably knew about,

600
00:28:26,720 --> 00:28:32,800
Speaker 1: right if you lived in California Cutain, people talk like this,

601
00:28:33,240 --> 00:28:35,760
Speaker 1: and it's like and take off, you know. And and

602
00:28:36,160 --> 00:28:38,920
Speaker 1: one of the lines we loved was just the bad

603
00:28:39,000 --> 00:28:41,240
Speaker 1: guy in the movie just walked up to you know.

604
00:28:41,280 --> 00:28:43,280
Speaker 1: They're like, and I think you walked up to him

605
00:28:43,320 --> 00:28:45,680
Speaker 1: and said, um, you know she's going to take you back,

606
00:28:45,720 --> 00:28:47,360
Speaker 1: and he's like, of course, no other val dude can

607
00:28:47,440 --> 00:28:49,080
Speaker 1: touch me. Yeah. I love that, And it was just

608
00:28:49,160 --> 00:28:51,640
Speaker 1: one of the greatest lines ever. So my brothers and

609
00:28:51,680 --> 00:28:52,880
Speaker 1: I will be like, you know, it's like, hey, you

610
00:28:52,960 --> 00:28:54,840
Speaker 1: going out that girl and be like yeah, the Vali

611
00:28:57,480 --> 00:28:59,120
Speaker 1: and then and then there's the scene, not to get

612
00:28:59,160 --> 00:29:00,920
Speaker 1: too much into it. Then is the scene where he

613
00:29:01,000 --> 00:29:02,640
Speaker 1: goes and he hooks up with your characters, like a

614
00:29:02,680 --> 00:29:05,200
Speaker 1: revenge against his act, and then kind of walks out

615
00:29:05,280 --> 00:29:09,479
Speaker 1: on you and does this weird hand gesture. That's all

616
00:29:09,520 --> 00:29:13,320
Speaker 1: he does. He just the surfing weird with my brothers. Yeah,

617
00:29:13,400 --> 00:29:15,959
Speaker 1: the best And so it was. And it also introduced

618
00:29:16,040 --> 00:29:17,360
Speaker 1: us to the Plimp Souls, which was one of the

619
00:29:17,400 --> 00:29:19,400
Speaker 1: greatest bands of the eighties. And I just did a

620
00:29:19,520 --> 00:29:23,840
Speaker 1: live during more recently, but we did a live uh

621
00:29:24,360 --> 00:29:26,520
Speaker 1: show at the Vibra when we put together. Cameron Dy,

622
00:29:26,640 --> 00:29:29,360
Speaker 1: who plays his buddy Yeah, called me, and then this

623
00:29:29,400 --> 00:29:31,440
Speaker 1: other guy called said, would you do some Valley Girls

624
00:29:31,520 --> 00:29:33,600
Speaker 1: soundtrack songs? We're going to do a Value Girl that's

625
00:29:33,600 --> 00:29:39,600
Speaker 1: all I'm not. You don't even know what social media.

626
00:29:39,640 --> 00:29:41,520
Speaker 1: It was scary because covid was still up and people

627
00:29:41,560 --> 00:29:43,000
Speaker 1: were like, I can't believe we're gonna go play live,

628
00:29:43,080 --> 00:29:46,120
Speaker 1: but you know, wear masks. Got yeah at wear a

629
00:29:46,160 --> 00:29:47,880
Speaker 1: mask and people are going to far and down. But

630
00:29:48,400 --> 00:29:50,800
Speaker 1: we I did songs like Million Miles Away, and we

631
00:29:50,920 --> 00:29:55,440
Speaker 1: did songs like um um, just the the most classic

632
00:29:55,480 --> 00:29:57,640
Speaker 1: songs from that movie. And somewhere. I think I posted

633
00:29:57,800 --> 00:30:02,080
Speaker 1: a little of me Stop the World. The soundtrack for

634
00:30:02,200 --> 00:30:06,280
Speaker 1: Valley Girl was one of the greatest soundtracks ever, and

635
00:30:06,440 --> 00:30:09,160
Speaker 1: so that night playing all those Valuco songs, people were

636
00:30:09,520 --> 00:30:11,960
Speaker 1: losing it because the band we had two of the

637
00:30:12,000 --> 00:30:14,920
Speaker 1: original Plim souls in that band that night and Camera

638
00:30:15,000 --> 00:30:16,800
Speaker 1: Die and I. So it was really cool. You can

639
00:30:16,840 --> 00:30:18,960
Speaker 1: find that online somewhere. I posted a little clip of it,

640
00:30:19,040 --> 00:30:21,840
Speaker 1: but you can find the entire I don't know. You

641
00:30:21,880 --> 00:30:23,920
Speaker 1: can find a thing. And I'm not your What about

642
00:30:23,960 --> 00:30:25,560
Speaker 1: your one woman show, which, by the way, I saw

643
00:30:26,000 --> 00:30:28,040
Speaker 1: you post a lot about it. I think you've been

644
00:30:28,080 --> 00:30:33,280
Speaker 1: posted link. Make sure that, Yeah, please do fifteen minutes.

645
00:30:33,600 --> 00:30:36,000
Speaker 1: The woman shows called e G. Daily, No, it's called

646
00:30:36,080 --> 00:30:40,600
Speaker 1: Listen Closely. Each Daily is one woman autobiographical musical. The

647
00:30:40,680 --> 00:30:44,200
Speaker 1: reason why is because I literally wrote my whole career.

648
00:30:44,240 --> 00:30:45,600
Speaker 1: I've done a lot of albums, I've had a lot

649
00:30:45,640 --> 00:30:50,200
Speaker 1: of yeah, and I literally as I was writing these songs,

650
00:30:50,200 --> 00:30:52,720
Speaker 1: a lot of them were autobiographical. Right. So I have

651
00:30:52,840 --> 00:30:54,480
Speaker 1: this boyfriend who shot himself in the head. There was

652
00:30:54,520 --> 00:30:56,480
Speaker 1: one moment in the when I talk about that. It's

653
00:30:56,520 --> 00:30:59,040
Speaker 1: not all heavy, but there's moments that are heavy, and

654
00:30:59,080 --> 00:31:01,960
Speaker 1: there's moments that are me and light. But I pretty

655
00:31:02,040 --> 00:31:04,560
Speaker 1: much let it all out because that's how I roll

656
00:31:04,840 --> 00:31:08,000
Speaker 1: radical honesty about everything, because I like people to I

657
00:31:08,080 --> 00:31:10,000
Speaker 1: like people to get a little uncomfortable so that they

658
00:31:10,040 --> 00:31:12,000
Speaker 1: actually go, oh my god, that makes me so comfortable.

659
00:31:12,000 --> 00:31:13,360
Speaker 1: Oh my god, I can't take it. Oh my god.

660
00:31:13,400 --> 00:31:15,680
Speaker 1: I feel the same way to me. That's magic when

661
00:31:15,720 --> 00:31:18,000
Speaker 1: you can actually get someone to go I've had the

662
00:31:18,040 --> 00:31:20,520
Speaker 1: same experience. I don't talk about it, and there's a

663
00:31:20,600 --> 00:31:23,360
Speaker 1: lot of yeeling to be done. So in this show, yeah,

664
00:31:23,520 --> 00:31:26,040
Speaker 1: it's called listen Closely, and that's why I talked about

665
00:31:27,000 --> 00:31:28,760
Speaker 1: Throughout the show, I do a lot of different voices.

666
00:31:28,800 --> 00:31:30,959
Speaker 1: I play my mother, who talks like this, and then

667
00:31:31,000 --> 00:31:32,920
Speaker 1: I play she was why did you do your legs?

668
00:31:33,040 --> 00:31:35,560
Speaker 1: You know, like she's French Tennessian jew, and then I

669
00:31:35,680 --> 00:31:38,800
Speaker 1: do like my brother Ronnie, you know, I do his voice,

670
00:31:38,840 --> 00:31:40,720
Speaker 1: and I just I do all these characters and the

671
00:31:41,000 --> 00:31:43,040
Speaker 1: show I talk to myself talking to all these people

672
00:31:43,120 --> 00:31:45,240
Speaker 1: that I grew up with, and and it's very profound,

673
00:31:45,240 --> 00:31:47,320
Speaker 1: and there's moments that are very deep. There's moments that

674
00:31:47,360 --> 00:31:50,160
Speaker 1: are very sad, but literally you'll be laughing hysterically one moment,

675
00:31:50,200 --> 00:31:52,040
Speaker 1: and then you'll be crying the next moment because I

676
00:31:52,160 --> 00:31:54,880
Speaker 1: just let it all hang out. That's amazing. That is honestly,

677
00:31:55,000 --> 00:31:57,000
Speaker 1: that is a that's that's always and I'm happy make

678
00:31:57,040 --> 00:31:59,720
Speaker 1: it while I'm doing it. Well, we like that. We

679
00:32:00,080 --> 00:32:03,920
Speaker 1: that on I hear she's here's the thing about e G. Right,

680
00:32:04,000 --> 00:32:07,840
Speaker 1: so I haven't gotten nearly enough in person time with

681
00:32:07,920 --> 00:32:10,680
Speaker 1: EG in my lifetime. We've crossed paths. I actually thought

682
00:32:10,760 --> 00:32:13,040
Speaker 1: that Will had had a lot of time with her.

683
00:32:13,120 --> 00:32:15,120
Speaker 1: It turns out we crossed paths as well. We do.

684
00:32:15,280 --> 00:32:17,160
Speaker 1: You see people at conventions or we did a show

685
00:32:17,200 --> 00:32:19,080
Speaker 1: together and neither of us can remember what it was.

686
00:32:19,320 --> 00:32:21,080
Speaker 1: It was, but it was back in the day. But

687
00:32:21,200 --> 00:32:23,960
Speaker 1: the one thing that has always come about when people

688
00:32:24,000 --> 00:32:27,200
Speaker 1: have mentioned Eg's name, it's it's not even just it's like,

689
00:32:27,640 --> 00:32:32,920
Speaker 1: oh yeah, he G. It's like it's like the coolest

690
00:32:32,960 --> 00:32:35,840
Speaker 1: person on the plant. Like any time E's name is mentioned,

691
00:32:36,080 --> 00:32:41,160
Speaker 1: it's always like what, oh e G. Yeah, any time

692
00:32:41,400 --> 00:32:43,760
Speaker 1: your your name is uttered, there's this like there's this

693
00:32:43,920 --> 00:32:46,240
Speaker 1: impactful way of like, well, shoot, I need to meet

694
00:32:46,320 --> 00:32:50,680
Speaker 1: her someday, Like I've always been of my bucket list

695
00:32:51,120 --> 00:32:54,960
Speaker 1: and now you're here looking at your I mean, forget

696
00:32:55,000 --> 00:32:58,280
Speaker 1: about being a cool person. Just looking at the resume

697
00:32:58,560 --> 00:33:02,920
Speaker 1: from all the show those movies, albums, it's insane. Are

698
00:33:03,000 --> 00:33:05,480
Speaker 1: you proud of your work? Like? Are you do you

699
00:33:05,560 --> 00:33:07,280
Speaker 1: look at your resume and be like, you know who

700
00:33:07,320 --> 00:33:09,760
Speaker 1: makes me proud? You know when I forget a little

701
00:33:09,760 --> 00:33:12,280
Speaker 1: bit because it's easy sometimes when, of course we had moments,

702
00:33:12,360 --> 00:33:14,880
Speaker 1: as you know, when things are awesome and you're working,

703
00:33:14,920 --> 00:33:17,720
Speaker 1: everybody wants you and everybody's hiring you. Like I I'm

704
00:33:17,720 --> 00:33:19,880
Speaker 1: always want to do more working. Luckily Rob Zombie will

705
00:33:19,920 --> 00:33:21,440
Speaker 1: call me and have me do his movies all the time.

706
00:33:22,160 --> 00:33:25,680
Speaker 1: But to me, yea, to me, it's like what makes

707
00:33:25,720 --> 00:33:28,320
Speaker 1: me happy? And you know when I forget because sometimes

708
00:33:28,360 --> 00:33:30,440
Speaker 1: there's moments where things are slow and and you're like,

709
00:33:30,720 --> 00:33:33,200
Speaker 1: I need to get more work. And what makes me

710
00:33:33,360 --> 00:33:36,240
Speaker 1: remember is I literally go on YouTube and I have

711
00:33:36,280 --> 00:33:39,680
Speaker 1: a YouTube, so you guys, subscribe, subscribe. It's not just that,

712
00:33:40,160 --> 00:33:43,240
Speaker 1: but on my YouTube when I post videos or music,

713
00:33:43,400 --> 00:33:45,480
Speaker 1: like I did three new music videos during COVID because

714
00:33:45,480 --> 00:33:48,320
Speaker 1: I was so like stir crazy art. So I managed

715
00:33:48,320 --> 00:33:49,720
Speaker 1: to get one guy to come in with a mask

716
00:33:49,800 --> 00:33:51,760
Speaker 1: and we filmed it and I edited with him. But

717
00:33:51,880 --> 00:33:53,720
Speaker 1: when I go back, like I just did it yesterday,

718
00:33:53,960 --> 00:33:56,040
Speaker 1: and I look, I pulled it up. I look at

719
00:33:56,160 --> 00:34:00,840
Speaker 1: my YouTube comments and these people rock my world, and

720
00:34:00,960 --> 00:34:03,640
Speaker 1: you know who you are all you know who you

721
00:34:03,720 --> 00:34:06,440
Speaker 1: are because they say the most amazing things about my work.

722
00:34:06,480 --> 00:34:08,920
Speaker 1: And then I remember, like I have made an impact.

723
00:34:09,120 --> 00:34:13,520
Speaker 1: I have made an impact. But I forget. You forget

724
00:34:13,640 --> 00:34:16,200
Speaker 1: because sometimes things get slow and you get you start

725
00:34:16,280 --> 00:34:18,040
Speaker 1: to think I got a grind to get a hustle,

726
00:34:18,080 --> 00:34:20,480
Speaker 1: and it's like, no, I already did the work. Just

727
00:34:20,960 --> 00:34:23,439
Speaker 1: start to reach out, call my friends, say any more work.

728
00:34:23,480 --> 00:34:25,120
Speaker 1: I want to do some more fun movie roles. I

729
00:34:25,160 --> 00:34:27,959
Speaker 1: want to do someone that. And people think you're always working,

730
00:34:28,000 --> 00:34:30,200
Speaker 1: so they don't call you sometimes, but we're always looking

731
00:34:30,200 --> 00:34:32,759
Speaker 1: for new opportunity to work, and I just love to work.

732
00:34:32,880 --> 00:34:35,759
Speaker 1: But what I'm saying is right, Yes, that's what I mean.

733
00:34:36,320 --> 00:34:38,920
Speaker 1: But but I'll tell you what. When I read those comments,

734
00:34:39,000 --> 00:34:41,480
Speaker 1: and when I read the comments on my TikTok from fans,

735
00:34:41,520 --> 00:34:43,560
Speaker 1: and when I read the comments on did you do

736
00:34:43,680 --> 00:34:46,400
Speaker 1: one of those things too? Where you're like, yes, that's yea,

737
00:34:46,680 --> 00:34:50,560
Speaker 1: he didn't even know about it. Okay, well, okay, so

738
00:34:50,680 --> 00:34:52,879
Speaker 1: will is Will is not on social media, and that's good.

739
00:34:53,080 --> 00:34:55,359
Speaker 1: It's good for him. It's healthy for him. No social media,

740
00:34:55,440 --> 00:34:58,000
Speaker 1: no on camera, just voice over. And now I get

741
00:34:58,040 --> 00:35:00,800
Speaker 1: to talk to awesome people and I'm about and we

742
00:35:00,920 --> 00:35:03,120
Speaker 1: protect We protect him at all costs because that's what

743
00:35:03,280 --> 00:35:06,000
Speaker 1: we want for him, is the healthiest friend. That's amazing.

744
00:35:06,280 --> 00:35:08,319
Speaker 1: It's hard. You get caught it. I enjoy it now

745
00:35:08,440 --> 00:35:10,279
Speaker 1: I try to do because I like I like it.

746
00:35:10,400 --> 00:35:12,800
Speaker 1: It's fun. Well, it's so fun for people in the

747
00:35:12,920 --> 00:35:15,680
Speaker 1: millennial and younger gen z that are are you know,

748
00:35:16,640 --> 00:35:23,480
Speaker 1: because honestly, the Rugrats, the Rugrats is everywhere amongst gen Z's.

749
00:35:23,880 --> 00:35:28,320
Speaker 1: Heale's they're doing a Rugrats Heale's, Yeah, we got some.

750
00:35:28,440 --> 00:35:33,520
Speaker 1: They sent him over to really cute shoes. Puma's got

751
00:35:33,600 --> 00:35:37,320
Speaker 1: shoes out. Now they've got all this merger everywhere, so

752
00:35:37,520 --> 00:35:39,000
Speaker 1: it's really cool. It's come back in a big way.

753
00:35:39,000 --> 00:35:41,600
Speaker 1: Well because why two key fashion and Rugrats is kind

754
00:35:41,640 --> 00:35:44,640
Speaker 1: of embedded into Y two K. It's on the earlier

755
00:35:44,680 --> 00:35:47,040
Speaker 1: side of y UK. But what I find interesting in

756
00:35:47,120 --> 00:35:49,640
Speaker 1: this happened with KP as well, was that once you're

757
00:35:49,760 --> 00:35:54,520
Speaker 1: rolling for a while, your transgenerational right, so like you

758
00:35:54,760 --> 00:36:00,239
Speaker 1: have made an impact on like generations, and I of that,

759
00:36:00,400 --> 00:36:03,080
Speaker 1: and to me, I love that that. I will go

760
00:36:03,160 --> 00:36:05,239
Speaker 1: to a con as you know, and we'll all have

761
00:36:05,280 --> 00:36:07,960
Speaker 1: a table this like this big, our tables about this big,

762
00:36:08,440 --> 00:36:13,480
Speaker 1: and I will put Tommy, Pickles, butter Cup, different cartoon characters,

763
00:36:13,520 --> 00:36:16,640
Speaker 1: and then I move into like Valley Girl, he was

764
00:36:16,640 --> 00:36:19,759
Speaker 1: big adventure the pop culture. Then on the other end

765
00:36:19,800 --> 00:36:22,279
Speaker 1: of the table are like the Rob Zombie, Candy Sex

766
00:36:22,360 --> 00:36:24,800
Speaker 1: had all those characters. And then then I get a

767
00:36:24,880 --> 00:36:27,320
Speaker 1: line of people that will come to my table lots

768
00:36:28,239 --> 00:36:30,520
Speaker 1: and they come and you get the kids over here

769
00:36:30,680 --> 00:36:33,759
Speaker 1: going try big and butter Gap, and the moms too

770
00:36:33,840 --> 00:36:36,440
Speaker 1: sometimes and then you get the dads who are like,

771
00:36:36,520 --> 00:36:39,200
Speaker 1: oh my god, I wanted to marry Dottie, to marry

772
00:36:39,239 --> 00:36:41,840
Speaker 1: me of course, of course you know the drive in

773
00:36:42,200 --> 00:36:49,280
Speaker 1: with any anyway, the so then you get those people,

774
00:36:49,360 --> 00:36:51,560
Speaker 1: and then the moms that were like Valley Girl fans

775
00:36:51,600 --> 00:36:54,960
Speaker 1: in that genre of women, they were like, oh my god,

776
00:36:55,000 --> 00:36:56,960
Speaker 1: I loved your character. You were the best. And then

777
00:36:57,120 --> 00:37:00,760
Speaker 1: you get the rocker dads, and the dads are Rob Zombie,

778
00:37:00,840 --> 00:37:03,320
Speaker 1: we love your character, or some of the rocker moms.

779
00:37:03,760 --> 00:37:05,839
Speaker 1: But it's like it's so awesome to me to see

780
00:37:05,880 --> 00:37:10,560
Speaker 1: this beautiful which is whytchwork. To me, it's like I

781
00:37:11,120 --> 00:37:14,040
Speaker 1: I And that's why to me, like when it's slow

782
00:37:14,560 --> 00:37:17,000
Speaker 1: and when it's difficult, when when people are for getting

783
00:37:17,040 --> 00:37:20,360
Speaker 1: like call people think we're always I used to go

784
00:37:20,600 --> 00:37:23,080
Speaker 1: look into my agents when I was younger to used

785
00:37:23,120 --> 00:37:25,600
Speaker 1: to go like, they're looking for an Elizabeth Daily type

786
00:37:26,080 --> 00:37:29,160
Speaker 1: and they would have my face and I'd be like, yeah,

787
00:37:30,200 --> 00:37:33,000
Speaker 1: I mean, happened to that. Happened to time they were like,

788
00:37:33,040 --> 00:37:35,920
Speaker 1: we're looking for a Kim possible time I didn't get it? Well,

789
00:37:35,960 --> 00:37:38,560
Speaker 1: did you have you ever done the Have you ever

790
00:37:38,640 --> 00:37:40,320
Speaker 1: done that? Run? The run? The what is it? The

791
00:37:40,440 --> 00:37:42,360
Speaker 1: the old adage in Hollywood where they say, so you

792
00:37:42,440 --> 00:37:44,799
Speaker 1: use yourself. So you say, it starts with who's Wilford All?

793
00:37:45,120 --> 00:37:47,040
Speaker 1: Then it's get me Wilford All, Then it's get me

794
00:37:47,080 --> 00:37:50,879
Speaker 1: a younger Wilford. Yeah, then it's word So that's that's

795
00:37:51,120 --> 00:37:52,920
Speaker 1: the way it runs. But I would very quickly like

796
00:37:53,080 --> 00:37:59,160
Speaker 1: to read just some of um so, some of the

797
00:37:59,640 --> 00:38:02,719
Speaker 1: sound tracks that you've been a part of, Insane, Thief

798
00:38:02,800 --> 00:38:08,520
Speaker 1: of Heart's, Scarface, Breakfast Club, Summer School, Better Often, Will's Childhood,

799
00:38:08,560 --> 00:38:12,640
Speaker 1: Will's childhood, Will's childhood, I mean insane. It's just like

800
00:38:12,880 --> 00:38:16,360
Speaker 1: involved in all these amazing films, that's just that's just

801
00:38:17,120 --> 00:38:20,200
Speaker 1: as part of the soundtrack. That's not then the films

802
00:38:20,239 --> 00:38:22,640
Speaker 1: you were in. That's not. Then the animated series you've done.

803
00:38:22,680 --> 00:38:25,440
Speaker 1: That's not then your own personal albums. These are just

804
00:38:25,600 --> 00:38:27,920
Speaker 1: oh yeah, these multi award winning films that were so

805
00:38:28,000 --> 00:38:31,080
Speaker 1: important everybody. Yeah, it was well. I mean again, it's

806
00:38:31,080 --> 00:38:33,600
Speaker 1: a difference, I guess between working and having a career.

807
00:38:33,640 --> 00:38:35,600
Speaker 1: I mean, you've had a career. That's I love to

808
00:38:35,640 --> 00:38:38,319
Speaker 1: make art. I don't care if it's slow enacting, I'll

809
00:38:38,360 --> 00:38:40,359
Speaker 1: go to make a record. If it's slow in music,

810
00:38:40,440 --> 00:38:42,800
Speaker 1: I'll go do an animated project. If it's slow in that,

811
00:38:43,000 --> 00:38:46,800
Speaker 1: I'll produce something. If it's I do not wait. My

812
00:38:47,120 --> 00:38:50,200
Speaker 1: art dictates my joy. I have to keep doing art

813
00:38:50,239 --> 00:38:53,239
Speaker 1: because if not, I'll spiral into I'm not important. What

814
00:38:53,320 --> 00:38:55,040
Speaker 1: he cares, I'm not making as much money. It's like

815
00:38:55,120 --> 00:38:56,960
Speaker 1: all this stuff that will bring you down. I have

816
00:38:57,040 --> 00:39:01,000
Speaker 1: to remember if you sing, sing, and if you sing

817
00:39:01,080 --> 00:39:02,640
Speaker 1: in your house, and it gives you joy singing in

818
00:39:02,719 --> 00:39:05,160
Speaker 1: your house. Because every time I pick up my guitartists

819
00:39:05,160 --> 00:39:07,120
Speaker 1: starts singing that my it's funny, Ace my girl. I

820
00:39:07,239 --> 00:39:09,920
Speaker 1: love her as my sister. She'll be like, how do

821
00:39:10,000 --> 00:39:11,440
Speaker 1: I know you are you singing? You're not singing ever,

822
00:39:11,480 --> 00:39:13,800
Speaker 1: whether it's like because I go through moments where I

823
00:39:13,920 --> 00:39:15,960
Speaker 1: like sorry for me to get myself to want to sing,

824
00:39:16,000 --> 00:39:18,600
Speaker 1: because I haven't anti projects in the music realm. Now

825
00:39:18,680 --> 00:39:21,200
Speaker 1: I have to do something next week where they wanted

826
00:39:21,239 --> 00:39:24,040
Speaker 1: me to sing two songs, so that means I have

827
00:39:24,200 --> 00:39:25,680
Speaker 1: to sing. I have to pick up the guitar and

828
00:39:25,719 --> 00:39:27,680
Speaker 1: I have to practice. And then so when I'm in

829
00:39:27,719 --> 00:39:29,920
Speaker 1: the car now, I start warming up the voice and

830
00:39:30,000 --> 00:39:32,320
Speaker 1: then I remember like, oh my god, I love this,

831
00:39:32,880 --> 00:39:35,080
Speaker 1: Oh my god, this makes me so happy. You get

832
00:39:35,120 --> 00:39:36,920
Speaker 1: like a rush, you get like a just feel like

833
00:39:37,200 --> 00:39:40,759
Speaker 1: well singing. Singing does something to your chemistry too, if

834
00:39:40,800 --> 00:39:43,600
Speaker 1: you're a real singer. There's something that happens when you

835
00:39:43,680 --> 00:39:45,600
Speaker 1: really get to where you're really singing, get to the

836
00:39:45,719 --> 00:39:49,480
Speaker 1: zone you get to that. But do you well, you

837
00:39:49,520 --> 00:39:51,320
Speaker 1: know when you sing a lot and your voice almost

838
00:39:51,320 --> 00:39:53,719
Speaker 1: gets a little huskier and it starts to get really

839
00:39:53,840 --> 00:39:56,359
Speaker 1: like rich, and then your voice gets bigger and fatter

840
00:39:56,400 --> 00:39:58,920
Speaker 1: and full of the more you sing. And when I

841
00:39:59,000 --> 00:40:00,719
Speaker 1: get to that place. I've been singing a lot. You

842
00:40:00,760 --> 00:40:03,040
Speaker 1: can always tell because my speaking voice gets a little huskier.

843
00:40:04,040 --> 00:40:07,280
Speaker 1: I just feel like I'm clear, I'm plugged back into

844
00:40:07,440 --> 00:40:11,600
Speaker 1: some much bigger something and that that's that's my connection.

845
00:40:11,719 --> 00:40:13,480
Speaker 1: So the voice is my connection. About when I sing

846
00:40:13,680 --> 00:40:16,840
Speaker 1: is really my connection. So that's amazing. Now speaking of animation,

847
00:40:16,880 --> 00:40:18,640
Speaker 1: because we asked this if everybody that comes on here,

848
00:40:19,239 --> 00:40:22,560
Speaker 1: when you were growing up, were you a fan of cartoons?

849
00:40:23,719 --> 00:40:26,120
Speaker 1: I wasn't really that girl. I mean I wasn't really

850
00:40:26,640 --> 00:40:31,719
Speaker 1: doing voices, but not watching cartoons. Yeah. Yeah, I wasn't

851
00:40:31,800 --> 00:40:36,120
Speaker 1: really like anime person. I didn't really go to conventions

852
00:40:36,200 --> 00:40:39,440
Speaker 1: or cons. Did you know I was? I was a

853
00:40:39,520 --> 00:40:42,399
Speaker 1: theater kid. Okay, so for me, cons were very new

854
00:40:42,560 --> 00:40:44,719
Speaker 1: to me. Did you know about cons? Oh? Yeah, we

855
00:40:44,840 --> 00:40:46,440
Speaker 1: used to go to start your conventions when I was younger.

856
00:40:47,040 --> 00:40:53,279
Speaker 1: You did. You were absolutely a genuine nerd. Yet see

857
00:40:53,320 --> 00:40:55,800
Speaker 1: there's like there's I didn't do any of that. I

858
00:40:56,000 --> 00:40:58,560
Speaker 1: was like rocker. I was a rock star. I was

859
00:40:58,640 --> 00:41:00,799
Speaker 1: like a rock star in my own mind and then

860
00:41:00,840 --> 00:41:03,040
Speaker 1: I became more of a real one. But I I

861
00:41:03,280 --> 00:41:06,440
Speaker 1: literally was like I was playing clubs on the sunset

862
00:41:06,520 --> 00:41:09,040
Speaker 1: trip when I was sixteen and what are yours? So

863
00:41:09,160 --> 00:41:11,759
Speaker 1: I'm sorry now, were you there watching like the Go

864
00:41:11,920 --> 00:41:15,879
Speaker 1: Goes as they were exploding in l A? My mom? Yes,

865
00:41:15,880 --> 00:41:18,359
Speaker 1: because my mom owned a famous club called the Anti Club,

866
00:41:18,920 --> 00:41:22,640
Speaker 1: which was, uh, your mother owned that club, didn't you

867
00:41:22,719 --> 00:41:26,399
Speaker 1: know that? It didn't they broke like a huge number

868
00:41:26,480 --> 00:41:28,640
Speaker 1: of bands. I mean, it was so many bands, so

869
00:41:28,760 --> 00:41:32,520
Speaker 1: my mom whiskey. It was like Mattam Wong's or the

870
00:41:32,520 --> 00:41:35,239
Speaker 1: Whiskey or it was. It was an underground club, so

871
00:41:35,320 --> 00:41:37,960
Speaker 1: we had people like Chris Isaac played there. I think

872
00:41:38,080 --> 00:41:42,080
Speaker 1: the Black Flag and X Scene and anyways, so um so, yeah,

873
00:41:42,120 --> 00:41:44,160
Speaker 1: the club was really popular and we had all kinds

874
00:41:44,200 --> 00:41:47,560
Speaker 1: of bands and was also rockabilly and punk bands. Was

875
00:41:47,600 --> 00:41:49,440
Speaker 1: a punk club and I used to go there and

876
00:41:50,040 --> 00:41:52,839
Speaker 1: you know and kind of be a celebrity like hidden

877
00:41:52,880 --> 00:41:55,759
Speaker 1: away bartend, you know, for stuff. And then those are

878
00:41:55,760 --> 00:41:57,520
Speaker 1: the days when I started playing like my like you

879
00:41:57,560 --> 00:41:59,640
Speaker 1: should pick up your guitar and go play set. That

880
00:41:59,719 --> 00:42:02,200
Speaker 1: was when I started doing my I was sixteen or

881
00:42:02,680 --> 00:42:05,120
Speaker 1: but I started with your brother too, that particular one

882
00:42:05,160 --> 00:42:07,959
Speaker 1: I actually played by myself with. So I started playing

883
00:42:08,000 --> 00:42:10,359
Speaker 1: in my mom's some of the I did other ones too,

884
00:42:10,440 --> 00:42:12,919
Speaker 1: But that's where I really started. I couldn't even play

885
00:42:12,920 --> 00:42:15,000
Speaker 1: guitar that well yet, but I started to really push

886
00:42:15,040 --> 00:42:18,759
Speaker 1: myself to do live shows because it would That scared me,

887
00:42:18,960 --> 00:42:20,520
Speaker 1: but then I started to start to get better. Well,

888
00:42:20,600 --> 00:42:23,200
Speaker 1: let's very quickly talk about the punk scene in l A. Yeah, yeah, no, wait,

889
00:42:23,239 --> 00:42:26,320
Speaker 1: so he's into punk too, so he is nerdy, but

890
00:42:26,400 --> 00:42:29,600
Speaker 1: he's also very cool, So you're very You're I'm a

891
00:42:29,680 --> 00:42:32,360
Speaker 1: renaissance ner. That's what I would renaissance. I am a

892
00:42:32,400 --> 00:42:36,400
Speaker 1: renaissance ner. But you do well, we we went. I

893
00:42:36,480 --> 00:42:39,640
Speaker 1: went from kind of the older school punk scene, which

894
00:42:40,000 --> 00:42:41,840
Speaker 1: was kind of growing in the New York scene a

895
00:42:41,880 --> 00:42:44,200
Speaker 1: little bit, and and the l A scene at the time,

896
00:42:44,520 --> 00:42:46,680
Speaker 1: but then it kind of transitioned in my family to

897
00:42:46,880 --> 00:42:49,080
Speaker 1: more of kind of the CBGB scenes. So we loved

898
00:42:49,160 --> 00:42:51,640
Speaker 1: like the Ramones and television and I think they might

899
00:42:51,680 --> 00:42:53,520
Speaker 1: have played there too, which is insane. And then then

900
00:42:53,560 --> 00:42:54,960
Speaker 1: you get into the clash and kind of more of

901
00:42:54,960 --> 00:42:57,120
Speaker 1: the British stuff. But then we got more kind of

902
00:42:57,239 --> 00:43:00,360
Speaker 1: indie alternative, which was more like who Screw and the

903
00:43:00,440 --> 00:43:02,600
Speaker 1: hoodie guru bands like that that were coming out of

904
00:43:02,680 --> 00:43:04,920
Speaker 1: like Minneapolis and things like that so, but l A

905
00:43:05,040 --> 00:43:08,400
Speaker 1: at the time had one of the most amazing New

906
00:43:08,480 --> 00:43:11,520
Speaker 1: York scenes. And this was right kind of very post

907
00:43:11,920 --> 00:43:14,759
Speaker 1: the California sound when it was the Eagles, and and yeah,

908
00:43:14,840 --> 00:43:17,520
Speaker 1: right before it was like Madam Wong's cocon and Teaser

909
00:43:17,600 --> 00:43:19,799
Speaker 1: broke a lot. I had a residency there. I would

910
00:43:19,800 --> 00:43:22,960
Speaker 1: play there once a week, packed and lines around the block.

911
00:43:23,440 --> 00:43:26,400
Speaker 1: I had a metal band called Slave, So it was

912
00:43:26,760 --> 00:43:29,240
Speaker 1: a heavy metal band. You're talking right in the eighties.

913
00:43:29,320 --> 00:43:32,880
Speaker 1: Motley Crew kind of one of my neighbors. And really

914
00:43:33,000 --> 00:43:35,640
Speaker 1: I was gonna say, who's your first boyfriend? It was

915
00:43:35,680 --> 00:43:38,799
Speaker 1: about a rocker. Yeah. I had a lot of those

916
00:43:39,040 --> 00:43:43,480
Speaker 1: rockers with the skinny then their legs were this big.

917
00:43:43,880 --> 00:43:48,000
Speaker 1: I thought, girls, that was my Those were my tribes.

918
00:43:48,040 --> 00:43:50,080
Speaker 1: I mean, Molly Crew literally lived. I had a little

919
00:43:50,080 --> 00:43:52,480
Speaker 1: apartment across the street on the right the street from

920
00:43:52,520 --> 00:43:55,600
Speaker 1: Whiskey Clark Street and Motley Crewe guys were just breaking

921
00:43:55,640 --> 00:43:58,240
Speaker 1: and they had an apartment. They all lived in one apartment.

922
00:43:58,719 --> 00:44:00,840
Speaker 1: And I remember like Vince was starving and I was like,

923
00:44:00,880 --> 00:44:03,120
Speaker 1: come on over, and I opened a pichan of beans

924
00:44:03,200 --> 00:44:11,080
Speaker 1: for him, and you know, eating yeah beans iconic and

925
00:44:11,120 --> 00:44:13,920
Speaker 1: I know and Nikki back then, and you know, you've

926
00:44:13,920 --> 00:44:16,080
Speaker 1: been around for some of the coolest parts of like

927
00:44:16,200 --> 00:44:18,000
Speaker 1: really some of the coolest parts of Los Angeles. It

928
00:44:18,080 --> 00:44:20,320
Speaker 1: was a really cool time. And that was like my

929
00:44:20,480 --> 00:44:22,840
Speaker 1: I knew all the guys from like Poison, and I

930
00:44:23,000 --> 00:44:24,560
Speaker 1: met them at a party and then they were like,

931
00:44:24,600 --> 00:44:27,000
Speaker 1: come to our rehearsal and the rehearsal studio was this big,

932
00:44:27,120 --> 00:44:28,480
Speaker 1: and I was sitting on the floor because there was

933
00:44:28,560 --> 00:44:31,080
Speaker 1: no room. Just didn't he like it was a very iconic.

934
00:44:31,320 --> 00:44:35,280
Speaker 1: It was like what Poison, Cinderella, Motley Crue is different,

935
00:44:36,480 --> 00:44:38,799
Speaker 1: very okay, So to bring it back, to bring it back,

936
00:44:39,520 --> 00:44:42,520
Speaker 1: I want to Powerpuff Girls. Yes, let's go to power

937
00:44:42,560 --> 00:44:45,200
Speaker 1: puff How did you come up with your voice for

938
00:44:45,239 --> 00:44:48,200
Speaker 1: Powerpuff Girls? Let's jump right into it. When we auditioned

939
00:44:48,239 --> 00:44:50,080
Speaker 1: for a Power Buff Girls, we did it at Hannah

940
00:44:50,080 --> 00:44:53,640
Speaker 1: Barbara and they didn't know what they wanted. They didn't

941
00:44:53,680 --> 00:44:55,320
Speaker 1: know what they wanted for Buttercup. They didn't know what

942
00:44:55,320 --> 00:44:57,560
Speaker 1: they wanted for Bubbles or Blossom. So what they did

943
00:44:57,719 --> 00:45:00,680
Speaker 1: was they brought us all in and they heard the

944
00:45:00,719 --> 00:45:02,920
Speaker 1: different textures and they had the age rain. So it

945
00:45:03,000 --> 00:45:05,640
Speaker 1: was like but it kept talks like this and she's raspy,

946
00:45:05,680 --> 00:45:07,279
Speaker 1: and she's see and she talks a little fast and

947
00:45:07,640 --> 00:45:10,560
Speaker 1: she says like, you know, things like that, And so

948
00:45:11,239 --> 00:45:13,880
Speaker 1: they recorded us for the audition, and then that was

949
00:45:13,960 --> 00:45:15,680
Speaker 1: the audition. And I don't know if you know how

950
00:45:15,760 --> 00:45:19,400
Speaker 1: this works, but literally seven years later I got a

951
00:45:19,440 --> 00:45:23,520
Speaker 1: call saying, remember that thing you auditioned for? Like, like

952
00:45:23,680 --> 00:45:25,880
Speaker 1: I'm saying, like somewhere like a lot of years, like

953
00:45:26,000 --> 00:45:28,400
Speaker 1: five years could have been said, but it wasn't. The

954
00:45:28,480 --> 00:45:32,759
Speaker 1: next week, No, it was years later. So then I

955
00:45:32,800 --> 00:45:34,600
Speaker 1: get a call saying, remember that thing you auditioned for?

956
00:45:34,719 --> 00:45:37,359
Speaker 1: And that guy Craig McCracken, who's a genius who really

957
00:45:37,400 --> 00:45:39,640
Speaker 1: only looked like he was about seventeen back then, Like

958
00:45:39,760 --> 00:45:43,200
Speaker 1: we were like, he's just a kid. And and then

959
00:45:43,239 --> 00:45:45,600
Speaker 1: we they said they picked up they picked up a

960
00:45:45,640 --> 00:45:48,880
Speaker 1: series on that. So then the very beginning of that

961
00:45:49,000 --> 00:45:51,200
Speaker 1: show was like Tara Strong was like my one of

962
00:45:51,239 --> 00:45:55,120
Speaker 1: my best ties, and Kathy Cavadini or a door. They

963
00:45:55,200 --> 00:45:58,240
Speaker 1: started just to kind of like play with the differences

964
00:45:58,320 --> 00:46:01,120
Speaker 1: of our voices. My he was a little fisty and

965
00:46:01,120 --> 00:46:10,279
Speaker 1: a little you know, edgy your fist and anyways, so

966
00:46:10,760 --> 00:46:14,160
Speaker 1: Antar could do that adorable little baby voice, and and

967
00:46:14,440 --> 00:46:17,359
Speaker 1: Tar is amazing, and Cathy does that more. She's very

968
00:46:17,400 --> 00:46:19,080
Speaker 1: more practical, more of the leader, which is kind of

969
00:46:19,120 --> 00:46:23,759
Speaker 1: like our personalities anyway, kind of so they just kind of, yeah,

970
00:46:23,800 --> 00:46:25,560
Speaker 1: they just kind of put it together. Well, you know,

971
00:46:25,640 --> 00:46:27,520
Speaker 1: we had Lisa Schaefer in here, who I'm sure you've

972
00:46:27,560 --> 00:46:32,000
Speaker 1: worked with, right, and Lisa directed us primarily on Impossible.

973
00:46:32,000 --> 00:46:34,600
Speaker 1: It was like her first big thing she was talking about,

974
00:46:34,960 --> 00:46:38,200
Speaker 1: and she was saying, how really the most important thing

975
00:46:38,560 --> 00:46:41,880
Speaker 1: about voiceover actors and her casting them is that they

976
00:46:41,960 --> 00:46:46,040
Speaker 1: are an actor first, but that they can authentically play

977
00:46:46,080 --> 00:46:48,439
Speaker 1: the character. I think is what I took away from that. Yeah,

978
00:46:48,719 --> 00:46:50,319
Speaker 1: you know, in a really unique way, and that they

979
00:46:50,400 --> 00:46:53,080
Speaker 1: find their way into it. So I mean that was

980
00:46:53,160 --> 00:46:56,600
Speaker 1: I mean, she's a bit different from you know, yeah,

981
00:46:56,880 --> 00:47:00,759
Speaker 1: from Tommy. Yeah. Well, the thing is really the best

982
00:47:00,800 --> 00:47:03,879
Speaker 1: actors are the best voiceovers. I mean, the more there

983
00:47:03,920 --> 00:47:07,120
Speaker 1: are the voice actors. Voice actors are literally some of

984
00:47:07,160 --> 00:47:10,200
Speaker 1: the best actors on the planet because they can do

985
00:47:10,480 --> 00:47:12,520
Speaker 1: so much with their voice. I think they're a bit

986
00:47:12,640 --> 00:47:18,000
Speaker 1: unsung too, oh yeah, very much. Also not working like

987
00:47:18,320 --> 00:47:21,000
Speaker 1: Tara's recently doing something on on camera and I'm like, yeah,

988
00:47:21,120 --> 00:47:23,799
Speaker 1: go like get it. Kevin Conroy finally got to play

989
00:47:23,840 --> 00:47:27,160
Speaker 1: Batman on camera, played Bruce Wayne for the first time,

990
00:47:27,239 --> 00:47:30,560
Speaker 1: and he was Batman for thirty years on the DC

991
00:47:31,120 --> 00:47:35,200
Speaker 1: unit whatever they was, the Flash Batman Arrow Verse kind

992
00:47:35,239 --> 00:47:37,400
Speaker 1: of thing. Yeah, that's cool, and so Kevin it was like,

993
00:47:37,840 --> 00:47:39,359
Speaker 1: you want to play Batman and He's like, yeah, I'm

994
00:47:39,360 --> 00:47:43,480
Speaker 1: a Shakespearean trained stage actors and that's what I mean, Like,

995
00:47:43,640 --> 00:47:46,279
Speaker 1: you will never find more talent actors. So sometimes people

996
00:47:46,320 --> 00:47:47,960
Speaker 1: will say, which is why I did a voice over

997
00:47:48,040 --> 00:47:51,279
Speaker 1: seminar people, because people will say, like I have a

998
00:47:51,360 --> 00:47:54,840
Speaker 1: really good voice. Everyone says my voice is good, especially

999
00:47:56,360 --> 00:47:58,759
Speaker 1: and I'll be like, that's awesome. That is one of

1000
00:47:58,840 --> 00:48:02,279
Speaker 1: the first important things. However, you better be the best

1001
00:48:02,320 --> 00:48:04,560
Speaker 1: actor out there and you most of the time, people

1002
00:48:04,600 --> 00:48:07,799
Speaker 1: that can sing really well are great voice actors because

1003
00:48:07,880 --> 00:48:10,120
Speaker 1: you have to be a great actor and if you

1004
00:48:10,160 --> 00:48:12,600
Speaker 1: can sing, then you know how to like play with voice.

1005
00:48:12,680 --> 00:48:15,000
Speaker 1: Like when I first got rug Rats. This is trivia

1006
00:48:15,080 --> 00:48:18,120
Speaker 1: that sometimes people don't know they had already cast someone

1007
00:48:18,160 --> 00:48:21,640
Speaker 1: as Tommy Bickle. Really nobody knows. It's a weird trivia,

1008
00:48:21,760 --> 00:48:24,440
Speaker 1: but that's why they were recasting, because they wanted to

1009
00:48:24,520 --> 00:48:27,279
Speaker 1: switch the voice. They didn't. They weren't texture wasn't. They

1010
00:48:27,320 --> 00:48:31,120
Speaker 1: wanted more something different, They wanted more authentic baby sounding,

1011
00:48:32,040 --> 00:48:34,719
Speaker 1: which is kind of my thing. So basically they called

1012
00:48:34,760 --> 00:48:36,040
Speaker 1: me and they said, we want you to come in

1013
00:48:36,120 --> 00:48:37,920
Speaker 1: and do this voice. So I booked it and I

1014
00:48:37,960 --> 00:48:39,279
Speaker 1: thought I was just gonna do it, and then they said, no, no,

1015
00:48:39,440 --> 00:48:40,720
Speaker 1: know what you have to do is they had already

1016
00:48:40,719 --> 00:48:43,440
Speaker 1: done a whole season with this other girl and they

1017
00:48:43,480 --> 00:48:46,239
Speaker 1: already animated it or starting animates, so I had to

1018
00:48:46,280 --> 00:48:52,799
Speaker 1: come in and match her. That's really because I'm a singer, right,

1019
00:48:53,200 --> 00:48:55,280
Speaker 1: and I hear things as music. So if that girl,

1020
00:48:56,000 --> 00:48:58,080
Speaker 1: who was also talented, just not the voice they wanted,

1021
00:48:58,239 --> 00:49:02,120
Speaker 1: but if that person was like a baby's gotta do

1022
00:49:02,239 --> 00:49:05,000
Speaker 1: what a baby's gotta do, right, And that was the

1023
00:49:05,080 --> 00:49:07,520
Speaker 1: cadence of that line there was. I just said, send

1024
00:49:07,560 --> 00:49:10,680
Speaker 1: me all the tracks of her voice, and I learned

1025
00:49:10,719 --> 00:49:12,719
Speaker 1: it like a song. I was like, a baby's gotta

1026
00:49:12,760 --> 00:49:14,960
Speaker 1: do what a baby's gotta do, and I'd go, baby

1027
00:49:15,040 --> 00:49:17,040
Speaker 1: gotta do when a baby canna do you? I just

1028
00:49:17,160 --> 00:49:19,600
Speaker 1: put my voice with her little cadence and her did

1029
00:49:19,640 --> 00:49:22,120
Speaker 1: you guys ever end up doing ensemble records? We did

1030
00:49:22,239 --> 00:49:24,560
Speaker 1: When we first started doing Regrats, we were in a

1031
00:49:24,640 --> 00:49:26,480
Speaker 1: small little boots together. This is when they had that

1032
00:49:26,560 --> 00:49:29,040
Speaker 1: office on Highland and it was the babies. It was

1033
00:49:29,160 --> 00:49:32,919
Speaker 1: back then it was Chris Kavanaugh who bless her passed away,

1034
00:49:32,960 --> 00:49:36,319
Speaker 1: but she was the original voice of Chucky. And then

1035
00:49:36,400 --> 00:49:40,040
Speaker 1: it was cass Susie who does Um Phil and Little

1036
00:49:40,120 --> 00:49:44,879
Speaker 1: and she was doing Betty and myself and still wasn't

1037
00:49:44,920 --> 00:49:47,800
Speaker 1: born yet. From the beginning, it was just those main babies.

1038
00:49:48,040 --> 00:49:49,919
Speaker 1: With the new spin off, are you not Walt Covid,

1039
00:49:50,000 --> 00:49:53,680
Speaker 1: so you probably are recording by yourself? Well, Nickel, are

1040
00:49:53,760 --> 00:49:57,719
Speaker 1: they union? Are you guys? Oh? Yeah. So back then

1041
00:49:57,760 --> 00:49:59,760
Speaker 1: it was easier to do together because it was a beginning,

1042
00:50:00,000 --> 00:50:01,960
Speaker 1: but it also took a lot longer because it was

1043
00:50:02,000 --> 00:50:04,160
Speaker 1: all three of us. So you're waiting and you're waiting

1044
00:50:04,200 --> 00:50:06,720
Speaker 1: for them to perfect each line and you're reading together,

1045
00:50:06,840 --> 00:50:09,000
Speaker 1: but then you're having to wait to make sure they

1046
00:50:09,040 --> 00:50:10,960
Speaker 1: get that line right and that line. And so in

1047
00:50:11,000 --> 00:50:12,520
Speaker 1: the beginning it was that's how we did it. We

1048
00:50:12,600 --> 00:50:14,480
Speaker 1: sometimes we're in there for four hours or six hours,

1049
00:50:14,520 --> 00:50:16,960
Speaker 1: which is unheard of. It's a long sasion. Plus our

1050
00:50:17,040 --> 00:50:20,279
Speaker 1: director Paul Germaine was very meticulous about how the lines were,

1051
00:50:20,400 --> 00:50:22,600
Speaker 1: which is why Regrats was so good, because they were

1052
00:50:22,800 --> 00:50:25,359
Speaker 1: so they worked so hard to make it so good.

1053
00:50:25,880 --> 00:50:28,760
Speaker 1: And now it's great just because everybody knows their characters.

1054
00:50:29,120 --> 00:50:30,680
Speaker 1: We all know each other so well. We know how

1055
00:50:30,719 --> 00:50:33,239
Speaker 1: to work off each other. We know before they even

1056
00:50:33,280 --> 00:50:34,640
Speaker 1: say you're lyning, how they're gonna say. I know how

1057
00:50:34,680 --> 00:50:37,720
Speaker 1: phil or Little talks so well that now I record

1058
00:50:37,840 --> 00:50:40,960
Speaker 1: myself in my home booth. Sometimes I go to Nickelodeon

1059
00:50:41,040 --> 00:50:43,319
Speaker 1: and do it myself. But everybody's separate because of COVID.

1060
00:50:43,480 --> 00:50:46,280
Speaker 1: COVID kicked around and they were like, we were recorded,

1061
00:50:46,280 --> 00:50:49,640
Speaker 1: we started rebooting, and we did maybe I started working

1062
00:50:49,680 --> 00:50:52,200
Speaker 1: with one another character and then COVID hit and then

1063
00:50:52,239 --> 00:50:54,680
Speaker 1: they were like, oh, stopped for a while and they

1064
00:50:54,719 --> 00:50:57,279
Speaker 1: were like, how's your booth and everything was so we're

1065
00:50:57,280 --> 00:51:01,719
Speaker 1: able to do them. Yeah, so now we do it separate. Yeah,

1066
00:51:01,840 --> 00:51:03,960
Speaker 1: so okay, because we were talking about the differences between

1067
00:51:04,400 --> 00:51:07,040
Speaker 1: recording alan and then recording as an ensemble, and then

1068
00:51:07,600 --> 00:51:11,200
Speaker 1: COVID hits and recording an ensemble is obviously not even possible.

1069
00:51:11,640 --> 00:51:14,239
Speaker 1: So every now voice over rectord now doesn't have to

1070
00:51:14,280 --> 00:51:16,239
Speaker 1: wonder what it's like to record with an ensemble or alone,

1071
00:51:16,280 --> 00:51:19,880
Speaker 1: because everybody's recording alone. And and we're lucky because, like

1072
00:51:19,920 --> 00:51:22,080
Speaker 1: I said, we know each other's characters so well. I know,

1073
00:51:22,520 --> 00:51:25,640
Speaker 1: I know how how Deal is going to respond. Sure,

1074
00:51:25,960 --> 00:51:28,320
Speaker 1: I know how you know whoever whichever character I know,

1075
00:51:28,400 --> 00:51:31,680
Speaker 1: how Chuck he's going to say, you know whatever? Yeah,

1076
00:51:31,960 --> 00:51:33,600
Speaker 1: I does know, and I'll know how to respond. So

1077
00:51:33,719 --> 00:51:36,200
Speaker 1: it's fine. So I think it's time to get into

1078
00:51:36,280 --> 00:51:40,359
Speaker 1: some fun. It's been so much fun, but now we've

1079
00:51:40,360 --> 00:51:42,920
Speaker 1: got something fun that we do here on Voices. So

1080
00:51:43,280 --> 00:51:46,000
Speaker 1: we are not fully up and running and interactive yet,

1081
00:51:46,040 --> 00:51:48,120
Speaker 1: but we will be our next round. So one of

1082
00:51:48,200 --> 00:51:49,880
Speaker 1: the fun things that we're doing on I Hear Voices

1083
00:51:49,960 --> 00:51:53,400
Speaker 1: is that kids especially anybody can, but kids especially are

1084
00:51:53,440 --> 00:51:55,080
Speaker 1: going to be able to skype in and speak with

1085
00:51:55,120 --> 00:51:59,120
Speaker 1: their favorite voiceover actors and show artwork that they've created,

1086
00:51:59,320 --> 00:52:01,480
Speaker 1: and the voice over actor gets to put a voice

1087
00:52:02,239 --> 00:52:05,319
Speaker 1: to something that a kid has done. So Christie Um

1088
00:52:06,040 --> 00:52:09,920
Speaker 1: has reached out on her social media and has We've

1089
00:52:10,000 --> 00:52:13,919
Speaker 1: gotten some pictures from kids across the country, and we'd

1090
00:52:13,960 --> 00:52:16,560
Speaker 1: like if you could to pick one or two at

1091
00:52:16,719 --> 00:52:19,719
Speaker 1: random you got them already, yeah, and then put a

1092
00:52:19,840 --> 00:52:22,520
Speaker 1: voice to some of the characters that we have here,

1093
00:52:22,800 --> 00:52:24,840
Speaker 1: and they do have the names of you the artist

1094
00:52:25,080 --> 00:52:28,680
Speaker 1: or the character. It's I love art when they do

1095
00:52:29,200 --> 00:52:33,759
Speaker 1: and they're great is phenomenal. Yeah, people will do a

1096
00:52:33,880 --> 00:52:35,719
Speaker 1: drawing of They do the school drawings for me and

1097
00:52:35,760 --> 00:52:39,080
Speaker 1: I post them because I'm so proud of the world. Right, yeah, wait,

1098
00:52:39,120 --> 00:52:40,880
Speaker 1: are you picking or is you know? I was just

1099
00:52:41,120 --> 00:52:43,359
Speaker 1: I was just looking, just like I was just looking.

1100
00:52:43,400 --> 00:52:45,279
Speaker 1: I was just looking getting excited. I'm going to do

1101
00:52:45,400 --> 00:52:47,440
Speaker 1: it all. R Let's see what we want to fan

1102
00:52:47,520 --> 00:52:50,960
Speaker 1: it out properly so she can really get you can

1103
00:52:51,120 --> 00:52:56,680
Speaker 1: fan it out. She's very meticulous. Just any want, anyone

1104
00:52:56,719 --> 00:53:00,920
Speaker 1: you want pick at random. You can kind of see

1105
00:53:01,000 --> 00:53:04,640
Speaker 1: that we're kind of seeing now and there we go.

1106
00:53:04,719 --> 00:53:07,840
Speaker 1: What do we got? Oh gosh, oh cool, that's really sweet.

1107
00:53:08,880 --> 00:53:11,120
Speaker 1: The question is which one are we voicing? I know, right,

1108
00:53:11,160 --> 00:53:14,040
Speaker 1: maybe we should try both? Yes? Can you can you? Well?

1109
00:53:14,080 --> 00:53:17,200
Speaker 1: First of all, Christie is the name of let's see

1110
00:53:17,520 --> 00:53:23,240
Speaker 1: it says something. It looks like I'll do both something.

1111
00:53:24,160 --> 00:53:27,520
Speaker 1: Viewer of ours is really excited to see these. Uh

1112
00:53:27,640 --> 00:53:30,600
Speaker 1: this s painting. It's It's great, isn't it. We've gotten

1113
00:53:30,640 --> 00:53:33,960
Speaker 1: some wonderful pieces of art. Really, I could we show

1114
00:53:33,960 --> 00:53:36,400
Speaker 1: the can we show the camera too? Okay, so this camera,

1115
00:53:36,520 --> 00:53:39,839
Speaker 1: here we go. So I would say that she would say,

1116
00:53:41,200 --> 00:53:45,880
Speaker 1: I really like the way the leaves blow when it's chilled,

1117
00:53:46,560 --> 00:53:49,840
Speaker 1: but I especially like the golden sun on my cheets.

1118
00:53:50,480 --> 00:53:54,880
Speaker 1: That's how I would talk. It's perfect, You're hired. And now, curiously,

1119
00:53:55,040 --> 00:53:59,200
Speaker 1: what would the dodge would be? Like it's getting a

1120
00:53:59,320 --> 00:54:06,440
Speaker 1: little we see, maybe we should lay them or maybe

1121
00:54:06,600 --> 00:54:11,319
Speaker 1: we should have a snack in the snacks in her bag?

1122
00:54:11,600 --> 00:54:17,439
Speaker 1: Exactly what I don't because like she's beautiful, she looks

1123
00:54:17,520 --> 00:54:21,239
Speaker 1: very zin ya. It's really lovely. Oh Nia, congratulations. It

1124
00:54:21,280 --> 00:54:23,160
Speaker 1: reminds me of Avatar a little bit. It does, doesn't

1125
00:54:23,200 --> 00:54:25,440
Speaker 1: in a little bit. That's the background. So yeah, good

1126
00:54:25,520 --> 00:54:29,480
Speaker 1: jobs e G. So now, curiously, where can people find you?

1127
00:54:30,160 --> 00:54:32,080
Speaker 1: What do you want to promote? Where can they find

1128
00:54:33,239 --> 00:54:39,120
Speaker 1: already at the AA, I think we're pretty close. I'm

1129
00:54:39,120 --> 00:54:42,800
Speaker 1: not perfect. Let's do a whole another Valley Girl podcast.

1130
00:54:42,840 --> 00:54:44,520
Speaker 1: Don't even get me. Oh my god, that movie is

1131
00:54:44,520 --> 00:54:46,719
Speaker 1: so good. Uh so but also too, you have a

1132
00:54:46,760 --> 00:54:50,640
Speaker 1: single coming out? Yeah yeah, so yeah, so I did

1133
00:54:50,719 --> 00:54:51,960
Speaker 1: do uh They asked me if I want to be

1134
00:54:52,040 --> 00:54:53,719
Speaker 1: on a go Goose tribute album because they just were

1135
00:54:53,760 --> 00:54:57,600
Speaker 1: inducted into the finally into the Rocket Hall Affairwell well deserved,

1136
00:54:58,760 --> 00:55:01,680
Speaker 1: all girl band who all their own stuff, played all

1137
00:55:01,719 --> 00:55:04,000
Speaker 1: their own instruments, that had a number one album at

1138
00:55:04,040 --> 00:55:05,440
Speaker 1: the time, and we're not in the Rock and Roll

1139
00:55:05,480 --> 00:55:08,080
Speaker 1: Hall of Fame, which is ridiculous. So yeah, so that's awesome.

1140
00:55:08,120 --> 00:55:09,400
Speaker 1: So they asked me if I wanted to sing a

1141
00:55:09,440 --> 00:55:11,840
Speaker 1: song on this Go Go tribute albums, and they're actually

1142
00:55:11,880 --> 00:55:15,640
Speaker 1: printing discs, which is really cool, particular these particular guys.

1143
00:55:15,719 --> 00:55:17,319
Speaker 1: So I said I would love to, and I said,

1144
00:55:17,360 --> 00:55:18,600
Speaker 1: do I get to pick the song I want to do?

1145
00:55:18,680 --> 00:55:20,719
Speaker 1: And they're like, yeah, which one, of course I picked.

1146
00:55:20,800 --> 00:55:23,400
Speaker 1: We got the beat, of course. So I recorded that

1147
00:55:23,520 --> 00:55:26,840
Speaker 1: song with my friend Lee Miles, who's amazing, and we

1148
00:55:27,040 --> 00:55:31,080
Speaker 1: shot We did a very fun, kind of poppy, kind

1149
00:55:31,120 --> 00:55:34,400
Speaker 1: of pop culturally little music video with the cell phone.

1150
00:55:34,800 --> 00:55:37,040
Speaker 1: So it's really fun. So that'll be coming out and

1151
00:55:37,120 --> 00:55:39,000
Speaker 1: then what else. I have a movie that's also pop

1152
00:55:39,080 --> 00:55:42,160
Speaker 1: culture called The Blonde Experiment that I did that they're

1153
00:55:42,200 --> 00:55:45,080
Speaker 1: still in post production, and I play Aquarius, who is

1154
00:55:45,160 --> 00:55:49,520
Speaker 1: a UM influencer pop star, and I love that because

1155
00:55:49,520 --> 00:55:53,719
Speaker 1: that's who manifested my own and I'm telling you, I

1156
00:55:53,800 --> 00:55:56,719
Speaker 1: got to wear everything sparkly. It was a role from

1157
00:55:56,719 --> 00:55:59,719
Speaker 1: my own heart. And so that should at some point

1158
00:55:59,760 --> 00:56:01,960
Speaker 1: you be coming out. And I got to do some

1159
00:56:02,120 --> 00:56:03,840
Speaker 1: music for that too. So there's a song called so

1160
00:56:03,920 --> 00:56:07,399
Speaker 1: Pretty that they actually used throughout that. So it's really

1161
00:56:07,440 --> 00:56:09,480
Speaker 1: cool and it's also gonna be very pop culture. It's

1162
00:56:09,520 --> 00:56:11,520
Speaker 1: really fun. So I don't know when that's coming out,

1163
00:56:11,560 --> 00:56:14,480
Speaker 1: but it is in post production. So and I had

1164
00:56:14,480 --> 00:56:16,520
Speaker 1: a pilot called Beverly Hills Broke that I produced that's

1165
00:56:16,560 --> 00:56:19,120
Speaker 1: coming out that well, we're in just chopping mode. So

1166
00:56:19,200 --> 00:56:21,759
Speaker 1: there's a lot of cool stuff. And and you're on

1167
00:56:22,280 --> 00:56:26,320
Speaker 1: are you in Cameo? I am on came I'm like Cameo,

1168
00:56:26,800 --> 00:56:29,040
Speaker 1: and I'm abefullly gonna be doing something with Anderson Pack,

1169
00:56:29,040 --> 00:56:32,520
Speaker 1: who's really cool and talented. Oh he's working on something.

1170
00:56:32,719 --> 00:56:34,480
Speaker 1: Might be working on something with him in the in

1171
00:56:34,640 --> 00:56:42,920
Speaker 1: the animation realm. So the Rugrats be boot baby Cat

1172
00:56:43,120 --> 00:56:46,120
Speaker 1: do what baby Cat I do and we are so

1173
00:56:46,320 --> 00:56:50,040
Speaker 1: much fun anyway. So um yeah, so here we are

1174
00:56:50,160 --> 00:56:52,760
Speaker 1: and then you can find me at really daily on TikTok.

1175
00:56:52,800 --> 00:56:55,279
Speaker 1: As we were talking about, please give a follow really

1176
00:56:55,480 --> 00:56:58,640
Speaker 1: daily on TikTok and Instagram because we want more followers

1177
00:56:58,680 --> 00:57:01,480
Speaker 1: on Instagram because things are but mine's worth it, and

1178
00:57:01,600 --> 00:57:04,080
Speaker 1: so it's yours supposedly just as a as a sort

1179
00:57:04,080 --> 00:57:06,680
Speaker 1: of a side note, if anyone is interested in getting

1180
00:57:06,680 --> 00:57:10,480
Speaker 1: more followers to on Instagram, you you you can, and

1181
00:57:10,560 --> 00:57:12,080
Speaker 1: I can, and I can tell you, guys how to

1182
00:57:12,120 --> 00:57:14,600
Speaker 1: do this. You got to use your reels that you're

1183
00:57:14,680 --> 00:57:19,200
Speaker 1: doing on or you your videos that you're doing TikTok TikTok.

1184
00:57:19,280 --> 00:57:21,360
Speaker 1: You have to repurpose them by downloading them in a

1185
00:57:21,480 --> 00:57:26,160
Speaker 1: third party app called musical Down and then remember, yeah,

1186
00:57:26,360 --> 00:57:29,280
Speaker 1: I'll tell you. And then and basically you're gonna post

1187
00:57:29,400 --> 00:57:31,640
Speaker 1: those reels on Instagram so you don't have to redo

1188
00:57:31,720 --> 00:57:36,160
Speaker 1: them or anything. Or you can just read can you

1189
00:57:36,280 --> 00:57:38,439
Speaker 1: just save them the videos from TikTok and they're post

1190
00:57:38,480 --> 00:57:41,520
Speaker 1: but then their then their water marked. Oh I didn't know.

1191
00:57:41,800 --> 00:57:44,920
Speaker 1: But here's the interesting thing. Will I understand that you

1192
00:57:45,000 --> 00:57:48,400
Speaker 1: can read? I get it. Some of us don't want

1193
00:57:48,440 --> 00:57:50,800
Speaker 1: to read, so I just want to be entertaining. Not

1194
00:57:51,000 --> 00:57:53,760
Speaker 1: a good answer. Or we make sponsored content and then

1195
00:57:53,800 --> 00:57:57,240
Speaker 1: help supplement our income. That's funny, that's okay to yea Yeah,

1196
00:57:57,480 --> 00:58:01,760
Speaker 1: there's it is. Didn't need a balance, But listen e G.

1197
00:58:02,000 --> 00:58:04,200
Speaker 1: I think it's amazing that e G can utilize social

1198
00:58:04,240 --> 00:58:06,720
Speaker 1: media because like people are finally getting to know her

1199
00:58:06,760 --> 00:58:08,600
Speaker 1: in a whole new way, and she has so many

1200
00:58:08,640 --> 00:58:11,640
Speaker 1: stories to tell that like, her content can become super iconic,

1201
00:58:12,760 --> 00:58:15,640
Speaker 1: and her content has already been iconic for decades. Yeah,

1202
00:58:15,680 --> 00:58:18,240
Speaker 1: but these kids, they don't know it until it goes viral. Yeah,

1203
00:58:18,440 --> 00:58:20,720
Speaker 1: and someone might have gone viral. Here's one with my

1204
00:58:20,840 --> 00:58:22,960
Speaker 1: daughters that's really cute where you meet my daughters and

1205
00:58:23,000 --> 00:58:25,800
Speaker 1: they can do voices too. Yeah. That one went to

1206
00:58:25,920 --> 00:58:28,040
Speaker 1: like eight or nine million, and I don't know what.

1207
00:58:28,280 --> 00:58:29,920
Speaker 1: It just blew up and then Complex put it on

1208
00:58:29,960 --> 00:58:31,760
Speaker 1: their page. It was really fun. There's a lot of

1209
00:58:31,800 --> 00:58:33,600
Speaker 1: fun stuff. But I like because what I do on

1210
00:58:33,680 --> 00:58:36,720
Speaker 1: TikTok is some of my stuff gets the millions and

1211
00:58:36,800 --> 00:58:39,640
Speaker 1: some gets less. But sometimes I post about like animals

1212
00:58:39,680 --> 00:58:42,280
Speaker 1: that all Foster and I talked about my animal activism

1213
00:58:42,320 --> 00:58:45,000
Speaker 1: that I do. I want to make sure people know, like, yes,

1214
00:58:45,080 --> 00:58:46,720
Speaker 1: I want to promote this stuff that's fun that we

1215
00:58:46,800 --> 00:58:48,480
Speaker 1: all know and love, which is like the cartoons and

1216
00:58:48,520 --> 00:58:51,120
Speaker 1: the movies and the animation. But it's really important to

1217
00:58:51,120 --> 00:58:53,200
Speaker 1: know that I'm a human person. And I'll also post

1218
00:58:53,280 --> 00:58:55,880
Speaker 1: like I posted that, like you know, my I lost

1219
00:58:55,960 --> 00:58:58,200
Speaker 1: my Christmas one of my little tiny dogs passed away,

1220
00:58:58,240 --> 00:58:59,920
Speaker 1: and I post things that are real, like I put

1221
00:59:00,000 --> 00:59:02,040
Speaker 1: so that I was super sad, because I want people

1222
00:59:02,040 --> 00:59:04,919
Speaker 1: to know, like everybody has sadness, everybody goes through loss,

1223
00:59:05,040 --> 00:59:07,440
Speaker 1: and in the middle of like maybe having some beautiful

1224
00:59:07,480 --> 00:59:09,680
Speaker 1: things going down in my life, there's also life stuff

1225
00:59:09,680 --> 00:59:11,680
Speaker 1: that's painful, and I want everybody to know like it

1226
00:59:11,760 --> 00:59:14,200
Speaker 1: isn't always all perfect for everybody. We all suffer. And

1227
00:59:14,240 --> 00:59:15,960
Speaker 1: then the beautiful thing was when I was going through

1228
00:59:16,000 --> 00:59:18,440
Speaker 1: the loss of my dog at Christmas. It was Christmas.

1229
00:59:18,480 --> 00:59:21,440
Speaker 1: Even when I went through that, I didn't want to

1230
00:59:21,480 --> 00:59:23,120
Speaker 1: post about it till a couple of weeks alto because

1231
00:59:23,120 --> 00:59:25,080
Speaker 1: I couldn't. I couldn't deal with the sadness about it.

1232
00:59:25,640 --> 00:59:28,360
Speaker 1: I gotta tell you, the fans comments made me feel

1233
00:59:28,400 --> 00:59:32,760
Speaker 1: better better, Like they were saying the most beautiful things

1234
00:59:32,880 --> 00:59:35,360
Speaker 1: like she's following you, she's right by your feet, her

1235
00:59:35,360 --> 00:59:38,320
Speaker 1: spirit is everywhere, like things that made me feel so beautiful.

1236
00:59:38,480 --> 00:59:41,360
Speaker 1: So you feel the community, Oh, I'm all know, I mean,

1237
00:59:41,400 --> 00:59:42,920
Speaker 1: I get, it's just not For me, I get it,

1238
00:59:43,040 --> 00:59:45,600
Speaker 1: and I think there's I think you need to balance

1239
00:59:45,600 --> 00:59:48,400
Speaker 1: in life, and I think if you can balance that

1240
00:59:48,520 --> 00:59:52,040
Speaker 1: with with real interactions with real people, it's probably it's

1241
00:59:52,040 --> 00:59:54,760
Speaker 1: probably a better, more healthy for people. What do you think, Ruby,

1242
00:59:55,200 --> 01:00:00,840
Speaker 1: I think you're actually yeah, thank you and kisses and

1243
01:00:01,040 --> 01:00:03,560
Speaker 1: kisses there we go. So thank you so much for

1244
01:00:03,680 --> 01:00:07,200
Speaker 1: coming sitting with you. It reminds you ever going to

1245
01:00:07,280 --> 01:00:08,920
Speaker 1: make a TikTok, you have to make a tick that

1246
01:00:09,080 --> 01:00:10,560
Speaker 1: no sitting with you. It reminds me of a quote

1247
01:00:10,560 --> 01:00:12,960
Speaker 1: that is sitting on my fridge and I look at

1248
01:00:12,960 --> 01:00:14,440
Speaker 1: every day and it says, how old would you be

1249
01:00:14,520 --> 01:00:16,120
Speaker 1: if you didn't know how old you are? That's my

1250
01:00:16,240 --> 01:00:18,960
Speaker 1: favorite and it reminds that's e g reminds me of that.

1251
01:00:19,080 --> 01:00:21,600
Speaker 1: So you answer that question timeless? How old would I

1252
01:00:21,680 --> 01:00:24,200
Speaker 1: be if I didn't know who? I gotta be honest

1253
01:00:24,240 --> 01:00:26,000
Speaker 1: and pretty happy with my age right now. I gotta

1254
01:00:26,000 --> 01:00:28,240
Speaker 1: be honest. I really like, are you really I am?

1255
01:00:28,400 --> 01:00:30,520
Speaker 1: Because I just don't want to relive my twenties or

1256
01:00:31,360 --> 01:00:35,840
Speaker 1: child No, I'm you know again. I think in the nineties,

1257
01:00:35,920 --> 01:00:37,560
Speaker 1: with Boy Meats Roll and all the shows I was on,

1258
01:00:37,680 --> 01:00:41,400
Speaker 1: I was probably quote unquote more successful. But I'm way

1259
01:00:41,480 --> 01:00:44,520
Speaker 1: happier as a person now, way more well adjusted and

1260
01:00:45,720 --> 01:00:49,120
Speaker 1: in love and supported. And yeah, I'm just I'm a

1261
01:00:49,160 --> 01:00:51,480
Speaker 1: better human being now than I was. So yeah, I

1262
01:00:51,600 --> 01:00:56,160
Speaker 1: like that. See, I like, I still feel like I'm okay,

1263
01:00:56,360 --> 01:01:02,160
Speaker 1: but I but I love the wisdom, the learning, the

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01:01:02,280 --> 01:01:05,160
Speaker 1: life stuff, the experiences of where I'm at. But I

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01:01:05,240 --> 01:01:07,840
Speaker 1: still feel like my spirit is like, so I have

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01:01:08,000 --> 01:01:10,000
Speaker 1: all of the best of you know, I think it's

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01:01:10,040 --> 01:01:13,120
Speaker 1: all the best. It's like having that my spirit, I

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01:01:13,200 --> 01:01:15,400
Speaker 1: can be close, but I can literally she's literally like

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01:01:15,520 --> 01:01:19,080
Speaker 1: my bestie, hece my assistant, like they're My spirit is

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01:01:19,120 --> 01:01:21,600
Speaker 1: like super she's like my mom. Sometimes I'm like mom,

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01:01:21,760 --> 01:01:23,360
Speaker 1: She's like, age, You're not supposed to do that. I'm like,

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01:01:23,480 --> 01:01:26,920
Speaker 1: fix it. But I just I like I like the

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01:01:26,960 --> 01:01:29,800
Speaker 1: wisdom of the age. I love it, and I like

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01:01:29,960 --> 01:01:32,640
Speaker 1: being able to teach people. But I also just love,

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01:01:33,000 --> 01:01:35,600
Speaker 1: you know, stay enjoy your life and do what makes

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01:01:35,640 --> 01:01:37,360
Speaker 1: you happy. And they say, what's my favorite thing is

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01:01:37,400 --> 01:01:38,760
Speaker 1: It's like, find me you love and what makes you

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01:01:38,840 --> 01:01:40,800
Speaker 1: happy and go do it? Like, just what makes you

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01:01:40,920 --> 01:01:43,360
Speaker 1: happy and go do it? You know whatever. That is

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01:01:43,480 --> 01:01:45,880
Speaker 1: best advice we could get. Yeah, well, thank you so much.

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01:01:46,560 --> 01:01:49,200
Speaker 1: Thanks you guys appreciate it. Hey, they say youth is

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01:01:49,240 --> 01:01:56,200
Speaker 1: wasted on the young go proven wrong by everybody. I

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01:01:56,320 --> 01:01:58,920
Speaker 1: Hear Voices asposted by Wilfred l and Christie Garls and Romano,

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01:01:59,160 --> 01:02:01,800
Speaker 1: produced by Elizabeth Joy Windom and executive produced by Brendan

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01:02:01,880 --> 01:02:05,080
Speaker 1: Rooney and Willfordell. Our sound engineer and editor is Elizabeth

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01:02:05,120 --> 01:02:07,560
Speaker 1: Joy Windham and our video editor is at Guardo Gamba

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01:02:07,880 --> 01:02:11,280
Speaker 1: And that was my announcer voice. Some side effects of

1288
01:02:11,360 --> 01:02:14,360
Speaker 1: listening to I Hear Voices are sore abs from larity

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01:02:14,600 --> 01:02:17,160
Speaker 1: falling down the coco melon rabbit hole, sneezing due to

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01:02:17,200 --> 01:02:20,240
Speaker 1: mass nostalgia, and hugs follow I Hear Voices where Ever

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01:02:20,280 --> 01:02:22,120
Speaker 1: you listen to podcasts, you don't miss any of the

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01:02:22,200 --> 01:02:25,080
Speaker 1: amazing voices. Be sure to follow us on Instagram and

1293
01:02:25,240 --> 01:02:28,440
Speaker 1: TikTok at I Hear Voices podcast To see the video stream,

1294
01:02:28,480 --> 01:02:30,640
Speaker 1: subscribe to my YouTube channel. You can also check us

1295
01:02:30,680 --> 01:02:34,960
Speaker 1: out on my Space. O'meegl Vine, Lime Wire, am a napster. Okay,

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Speaker 1: well let's teach you about the Internet. What