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Speaker 1: Some people have me to talk about them. And like

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Speaker 1: I said, some people, do you know?

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Speaker 2: They were asking me like why you ain't saying nothing

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Speaker 2: about me or why you ain't talk about me?

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Speaker 1: And I'm like, well, you wasn't all that great.

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Speaker 2: I like to talk about people who give me something

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Speaker 2: to talk about, but I also tell them. But here's

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Speaker 2: the other power that I had, because I will also

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Speaker 2: say no, because if you born, I'm not talking about

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Speaker 2: you because I'm not gonna pull. I don't like to pull,

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Speaker 2: like try to pull something just because you try to.

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Speaker 1: Like pay me to talk about you, I'd be like,

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Speaker 1: I can't do that.

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Speaker 3: Stay tuned.

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Speaker 4: I'm having a massive conversation with Kendal Kendo right after

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Speaker 4: its quick break. Welcome to Reality with the King. It's

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Speaker 4: me Carlos King, the King of Reality TV and one

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Speaker 4: of the most sought after executive producers in reality television

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Speaker 4: with over ten years of production experience. Twice a week

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Speaker 4: on Reality with the King, we'll sit down with my

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Speaker 4: friends across the entertainment industry, recap our favorite reality shows,

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Speaker 4: and revisit unforgettable moments that we are still talking and

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Speaker 4: tweeting about. On today's podcast, I have a social media

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Speaker 4: influencer who got his start recapping some of our favorite

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Speaker 4: reality TV shows, from Love and Hip Hop franchise to

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Speaker 4: the Real Housewives franchise, and most recently, my creation BT

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Speaker 4: presents Dioncore. His name is Kendall Kendall and he is

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Speaker 4: super duper hilarious. We talk about his position in the

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Speaker 4: reality TV zeitguys as somebody who is way more influential

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Speaker 4: than even I knew. We get down and dirty about

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Speaker 4: the state of reality television in addition to how some

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Speaker 4: of your favorite reality stars pay him to talk about

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Speaker 4: them gag honey. Additionally, we also speak on the Real

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Speaker 4: Housewives of Potomac being the superior franchise and how Shannie

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Speaker 4: O'Neill needs to come back and say Basketball Wives without

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Speaker 4: further ado get into this conversation with Kendall Kendall, let's

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Speaker 4: get into the current state of reality television. So, Kendall,

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Speaker 4: as someone who used to review reality TV on your

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Speaker 4: YouTube channel, what are your thoughts on the state of

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Speaker 4: reality TV today and how has it been holding your attention?

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Speaker 2: Okay, that's crazy that you asked that, because I have

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Speaker 2: moments where I'm like, am.

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Speaker 1: I just bored? Or it's something missing, and something is missing.

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Speaker 2: I don't feel like it's as authentic as it used

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Speaker 2: to be because reality TV was just you got what

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Speaker 2: you got. Now I feel like it's very produced. Everybody.

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Speaker 2: Some of the storylines, I'm like, who told them to

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Speaker 2: do this? Like who told them to do this before?

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Speaker 2: Just take it all the way back to Jocelyn. Jocelyn

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Speaker 2: was raw, she was real, she was authentic. She just

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Speaker 2: come in, she knew what to do, she understood the assignment.

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Speaker 2: And now it is something missing. But we have some

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Speaker 2: good shows that pop out here and there. Real Housewives

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Speaker 2: of Potomac.

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Speaker 1: I like them.

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Speaker 2: I still like all my shows, but Real Housewives of

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Speaker 2: Potomac they really bring it. Your show Encore was hilarious.

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Speaker 2: Oh my god, and I had I heard it, just

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Speaker 2: like when I was doing Love and Hip Hop.

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Speaker 1: I heard it.

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Speaker 2: I was it was on.

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Speaker 1: I think I was like in the bathroom doing something

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Speaker 1: and I said, wait, where is this? Let me go

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Speaker 1: out here and.

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Speaker 2: Watch this, and from there, you know, I just went

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Speaker 2: at it because it was authentic. I feel like them

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Speaker 2: first seasons be like real and raw, and then after

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Speaker 2: they kind of like, you know, get the group of things,

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Speaker 2: they start making it up. That's how I feel.

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Speaker 1: That's my opinion and I'll sticking to it.

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Speaker 4: No, I could not agree more because listen, as someone

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Speaker 4: who produces and creates reality TV shows, the one thing

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Speaker 4: I can attest to is the fact that the first

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Speaker 4: seasons of all reality shows, it's authentic. The reason why

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Speaker 4: I'm unable to get into the Real Housewives of Dubai

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Speaker 4: and No, Shay, I do call the show the Real

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Speaker 4: Housewives of Bye Bye cause Honey, I'm not into it.

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Speaker 4: And the reason why I'm not into it is because

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Speaker 4: I feel like those ladies have studied but read sing

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Speaker 4: go housewife right. When you look at the Love and

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Speaker 4: Marriage franchise Ashley Silva from Love and Marriage to DC,

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Speaker 4: she acts like no one on reality television, and that's

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Speaker 4: a first season cast member. The same thing with Melody

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Speaker 4: Hote when she started Love and Marriage Huntsville. There was

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Speaker 4: no blueprint to these women if they did not operate

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Speaker 4: the way some of these newer reality stars are acting.

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Speaker 4: So I could not agree with you more. But let's

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Speaker 4: get into your favorite show, Love and Hip Hop that

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Speaker 4: you just referenced, and someone that you and I both love,

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Speaker 4: who is Jocelyn her Nadez what are your thoughts on

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Speaker 4: Love and Hip Hop Atlanta and the current members in

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Speaker 4: the cast in comparison.

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Speaker 3: To the days you were actively reviewing the show.

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Speaker 2: I definitely think they need to bring somebody back to

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Speaker 2: shake things up, because right now I think they're coasting.

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Speaker 1: It is what it is.

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Speaker 2: They have their little beefs, but them earlier days, Joscelyn

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Speaker 2: shook everything up, from me, me, to Tommy to Rashida.

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Speaker 1: She didn't care.

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Speaker 2: You put Johnson in the room. You already know that's

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Speaker 2: going to be a scene. You got a scene if

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Speaker 2: you were struggling with something. So jos in there, I

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Speaker 2: don't care if she wasn't nobody to the party. Throw

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Speaker 2: it there in there. You need somebody to come and

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Speaker 2: shake things up because right now there, I think it's coasting.

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Speaker 2: We'll see what happens August eighth, because it's coming back

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Speaker 2: out August eighth. We'll see what happens. They've been gone.

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Speaker 2: They've been doing like the little retreats and stuff. I

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Speaker 2: didn't watch those because I took a peek at them,

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Speaker 2: but it didn't really capture my attention like the actual season, dude.

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Speaker 2: So they've been gone, and you know, people been clowning

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Speaker 2: because they've been in the house. So now that we're outside,

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Speaker 2: maybe they're gonna give us some outside energy. So we'll see.

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Speaker 2: August eighth, I already ran into Kirka Rashida. His hair

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Speaker 2: is coming back in.

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Speaker 3: Not his hair cut.

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Speaker 2: Rashida is still pretty and gorgeous like she always say is.

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Speaker 2: You know, we're ready to see who Callie's fucking. We

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Speaker 2: don't know who Carly's fucking. She's fucking somebody every year,

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Speaker 2: so all ready to see who Carly is fucking. Yep,

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Speaker 2: she always got a new fuck.

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Speaker 3: Yeah, not sucking every year.

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Speaker 4: See, these are the spicy and unapologetic commentary we're used

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Speaker 4: to getting from you when you used to recap love

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Speaker 4: and hip hop.

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Speaker 3: Although you've moved on.

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Speaker 4: To acting, you got your start recapping reality TV and

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Speaker 4: you made such a large influence in this genre.

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Speaker 3: So I want to give your flowers for that Kendo.

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Speaker 4: But my question is this, do you now find it

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Speaker 4: difficult for you to get recaps on reality TV today,

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Speaker 4: especially since you know them and you run into them

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Speaker 4: more by you also being in front of the camera.

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Speaker 2: Yes, and that was my fear, you know, when I

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Speaker 2: was doing reality on the couch in Detroit. I was like,

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Speaker 2: oh my god, because when I started getting booked, I

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Speaker 2: started running into these people, and of course the first

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Speaker 2: thing I thought is, oh shoot, they about to get me.

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Speaker 2: But they actually was.

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Speaker 1: Like, oh my god, I love you, I love you,

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Speaker 1: I love you. And then I started getting hit up

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Speaker 1: in the DM, like why you ain't talk about me today?

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Speaker 3: I'm like, what you.

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Speaker 1: Want me to talk about?

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Speaker 2: But here's the thing. This is what they were saying

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Speaker 2: at their green screens. If Kendall don't talk about you,

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Speaker 2: you're not relevant. And I said, oh bitch got power,

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Speaker 2: Oh bitch got power. And they was like, why are

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Speaker 2: you not talking about me? And I got I think

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Speaker 2: Sukie attacked me. It was like why you don't why

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Speaker 2: you ain't talk about me?

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Speaker 1: What you you like me or something?

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Speaker 2: You don't like me?

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Speaker 1: What's going on?

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Speaker 3: You like me?

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Speaker 1: You don't like me?

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Speaker 2: And I was like, I just didn't have nothing to

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Speaker 2: talk about. It was a thing, but once I started

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Speaker 2: getting cool, it started getting in the circle, the Hollywood circle.

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Speaker 2: It was difficult, but I kind of took a small

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Speaker 2: page from Wendy Williams. I heard her say one time

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Speaker 2: that she don't like to get close with people because

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Speaker 2: she had to talk about them, but hers is different.

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Speaker 1: I just talk about what I see on TV.

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Speaker 2: I don't go and you know after and dig deep

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Speaker 2: and pull up stuff. I just talk about what you

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Speaker 2: show me on TV. That's what you did. So you're

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Speaker 2: getting mad at me. You you let it be on TV,

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Speaker 2: so you mad at me? Because why so? I'm cool

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Speaker 2: with them, but sometimes I like when they want to

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Speaker 2: tell me their story, like so this was gonna I

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Speaker 2: don't talk to me about that, no, because you're gonna

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Speaker 2: mess it up. It's not gonna be authentic. I want

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Speaker 2: to see it on TV because they try to give

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Speaker 2: me like a little you know, the little inn on it,

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Speaker 2: like so, okay, got another baby coming up? This is

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Speaker 2: not this didn't happen, guys, I'm just using this. This

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Speaker 2: didn't happen because Carlos. Y'all just see Carlos right now.

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Speaker 2: This didn't happen. I'm just using this as an example.

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Speaker 2: Got another baby? But and I'll be like, oh no,

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Speaker 2: don't tell me because now don't be expecting it. I

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Speaker 2: want to get it because it's raw, it's authentic. My reaction,

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Speaker 2: my reaction real, like it's nothing that I know. I

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Speaker 2: react off of what I see right then and there.

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Speaker 4: So hold on, hold up, wait a second, So who

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Speaker 4: was it? Because you can't drop that bomb and not

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Speaker 4: let me know who it was.

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Speaker 2: Love and Hip Hop one of the franchises, let's put

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Speaker 2: it that way. But no, no, I can say who

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Speaker 2: it was. It was shame because remember I was going

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Speaker 2: on Shae Wigs all the time. Remember Shank Wiggs was

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Speaker 2: a thing, and she was like, you heard my feeling.

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Speaker 2: She was like, I don't say, girl, what you had

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Speaker 2: these bees, nuts and stuff on and we were just

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Speaker 2: trying to figure out what was going on. We just

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Speaker 2: wanted your hair flat. We wanted you to be pretty

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Speaker 2: on TV. Baby was going on. But let me tell you.

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Speaker 2: I'm gonna tell you this, Carlost when I was going

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Speaker 2: in on the hair, I ain't gonna lie. I can't listen.

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Speaker 2: Back in my old days, that was some of my

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Speaker 2: fun times I had duing reality. But people it was

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Speaker 2: like when I got in went in on their hair,

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Speaker 2: Oh my god. The next season they came correct and

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Speaker 2: I was like, well, at least they listening. If I

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Speaker 2: went in on an outfit, Okay, well they listening. Because

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Speaker 2: at the end of the day, I'm going in on it,

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Speaker 2: not going in on it just to be funny. I

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Speaker 2: am being funny because the shit is funny. But also

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Speaker 2: fix these things because you know, and sometimes in my

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Speaker 2: commentary I give advice. Sometimes people be like, oh, he preaching,

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Speaker 2: So I'm like, I might be going in, but I'm

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Speaker 2: going to give you a message behind you.

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Speaker 4: That is such a good point because when I was

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Speaker 4: working with Felician Fallon on BT Persents Beyoncore, you know

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Speaker 4: the show where you read the girls, I used to

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Speaker 4: tell them all the time, like, look, if people are

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Speaker 4: talking about you, that's a good thing. It means you're relevant,

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Speaker 4: it means your worth talking about.

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Speaker 3: You want to be a part of the conversation.

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Speaker 4: And one thing I know about reality television is we

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Speaker 4: cast people who we feel like our conversation starters. So

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Speaker 4: if you're not starting the conversation, you're not relevant on

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Speaker 4: my show, period or any other show. You want to

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Speaker 4: be talked about, because when you do, people.

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Speaker 3: Buy into you and your products.

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Speaker 4: And that's why when it came to the Encore, the

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Speaker 4: group Blueprint, their album shot to number one on the

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Speaker 4: R and B iTunes chart. When did you realize the

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Speaker 4: power and influence of your opinion in this space of

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Speaker 4: reality TV.

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Speaker 3: Because the example I.

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Speaker 4: Want to give is Shade from Loving hip Hop and

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Speaker 4: how you influenced her getting.

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Speaker 3: A better wig. Love you Shade, no Shade, but also.

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Speaker 4: How you also made people step.

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Speaker 3: Up their game in appearing on the show.

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Speaker 4: Were you always aware of this influence that you possessed?

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Speaker 1: Yes, I knew it.

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Speaker 2: Oh, I knew it before I left Michigan. I knew

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Speaker 2: it before I left Michigan. Let me put you in

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Speaker 2: on something. Some people paid me and this was a

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Speaker 2: part of my savings that how I got to La.

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Speaker 3: Wait wait, hold up, they used to pay you.

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Speaker 1: Let me put you in on that.

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Speaker 2: Some people paid me to talk about them, but just

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Speaker 2: made sure that I tag their business or tag them,

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Speaker 2: you know what I mean.

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Speaker 1: But no, some people talk have me to to talk

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Speaker 1: about them.

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Speaker 2: And like I said, some people, you know, they were

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Speaker 2: asking me like why you ain't saying nothing about me?

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Speaker 2: Or why you ain't talking about me? And I'm like,

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Speaker 2: where you wasn't all that great? I like to talk

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Speaker 2: about people who give me something to talk about. Felicia

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Speaker 2: and Fallon was amazing when I talk and people get

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Speaker 2: so mad sometimes because they'd be like, why are you

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Speaker 2: gonna going in on these people? I want to jump

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Speaker 2: from Felicia to real Housewife. Up told me.

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Speaker 1: Candice.

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Speaker 2: I went in on candas a lot.

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Speaker 1: But when I do.

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Speaker 2: What they don't understand is when I go in on somebody,

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Speaker 2: I like them because they're giving me something to talk about.

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Speaker 2: And they think I hated Candace and she got on

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Speaker 2: my nerves with some of the stuff she did. But

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Speaker 2: Candace is TV. She's great for TV because she has it.

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Speaker 2: She just has what it takes. She keeps the poster

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Speaker 2: and that's what I said, like a josh her naddad,

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Speaker 2: you come in and you keep the poster. Cardi Cardi

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Speaker 2: came in and she stirred the pot too whenever she

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Speaker 2: was on there. So I mean, I got to age

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Speaker 2: before to talk about some people. But I also tell them.

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Speaker 2: But here's the other power that I had, because I

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Speaker 2: will also say no, because if you born, I'm not

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Speaker 2: talking about you because I'm not gonna pull. I don't

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Speaker 2: like to pull, like try to pull something just because

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Speaker 2: you tried to like pay me to talk about you.

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Speaker 2: I'd be like, I can't do that, nah, or hey,

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Speaker 2: when you do this, I don't know if you remember

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Speaker 2: I used to do the real BB Judy the miracle drops.

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Speaker 1: I will always have those drops at the TV.

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Speaker 2: You know.

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Speaker 1: I was like, oh, you need some miracle drops.

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Speaker 2: You ain't got no edges this and that. It made

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Speaker 2: sense for what I was doing and what I was

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Speaker 2: talking about at the moment. So that income when I

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Speaker 2: figured out this was a business and I filed, I said, oh,

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Speaker 2: this is a thing, okay, and my boss called.

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Speaker 1: Me in her office.

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Speaker 2: I said, oh, I'm about to get fired because she

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Speaker 2: saw me on the BT Awards. She said how long

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Speaker 2: I got?

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Speaker 1: I said hi.

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Speaker 2: She was like, don't play with me. My kids told

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Speaker 2: me you showed me you are on the BT Awards.

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Speaker 1: I was like August.

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Speaker 2: It was July at this point. She was like, give

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Speaker 2: me to September. I was like, okay, September.

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Speaker 1: That's it. Because I sober.

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Speaker 2: I'm out of here and moving to La. I got

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Speaker 2: my apartment. I got to move in on the fifteen.

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Speaker 1: She was like wait.

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Speaker 2: I was like yeah.

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Speaker 1: She was like, someone was gonna tell me. I was like, oh,

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Speaker 1: I wasn't. I was gonna give you a two weeks

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Speaker 1: like I was supposed to do. So give you two

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Speaker 1: weeks and I was gonna be out of there, but

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Speaker 1: I saved.

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Speaker 2: My money from you know, everything I I did on

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Speaker 2: social media, whether it was at the time when I

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Speaker 2: used to post promos or if I was doing promotions

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Speaker 2: within my commentary, any bookings that I had, and I

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Speaker 2: was still living off my money I was making from

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Speaker 2: my corporate job, and then all of that money that

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Speaker 2: I was making, I had saved up so much because

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Speaker 2: I know how I wanted to live in LA, where

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Speaker 2: I wanted to live in LA, and what I wanted

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Speaker 2: to do. So, yeah, you got to have a plan

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Speaker 2: because when you fail the plan, you plan to fail.

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Speaker 2: I told you I'm gonna give you. I'm gonna give you,

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Speaker 2: give you a word or two. Now I might talk

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Speaker 2: my shit, but I got some shit for you.

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Speaker 3: Boy, you are dropping gems.

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Speaker 4: But that's the beauty of this podcast is because it's

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Speaker 4: not only do we talk mess about people, but we're

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Speaker 4: also here to inspire. So you're telling me that you

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Speaker 4: quit your corporate job to further your career in entertainment.

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Speaker 4: So much so you left off your corporate job salary

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Speaker 4: and use your income from social media, the bookings and

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Speaker 4: the commentary and all that stuff, and use that money

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Speaker 4: to go.

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Speaker 3: Further in this industry.

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Speaker 1: Yep, I did.

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Speaker 2: I did. That's a PayPal account that I had. It

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Speaker 2: was just racking up, and I was just looking at it,

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Speaker 2: like I remember when I got to twenty thousand dollars,

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Speaker 2: I said, oh my god, I'm rich. Oh my god,

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Speaker 2: I am rich. What in the heck? And it kept going.

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Speaker 2: It was when it hit fifty I said, oh oh, and.

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Speaker 1: I said oh.

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Speaker 2: And then when I started making that winner. It was

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Speaker 2: that winter it was so cold, Carlos. I was traveling.

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Speaker 2: I was a nobody. I was trying for nobody Detroit,

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Speaker 2: trying to get to work. I said, this is the

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Speaker 2: last one.

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Speaker 1: I said, I'd be damned if I stayed here another winter.

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Speaker 1: It was so bad.

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Speaker 2: I got an accent. They had to get a new car.

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Speaker 2: I said, yea, I'm getting out of here. I said,

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Speaker 2: this is my hands cold, I'm freezing. No, I can't,

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Speaker 2: I can't do this.

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Speaker 1: I said, I'm out of here.

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Speaker 2: I'm leaving. And so many.

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Speaker 1: People were like, well, it's expensive out there, well this, that, But.

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Speaker 2: It was like I didn't care. And you know how,

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Speaker 2: sometimes it's easy to be influenced and be like, Okay,

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Speaker 2: I'll wait another year. Hold on, I didn't care. I

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Speaker 2: was packing and I was I wasn't even worried about

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Speaker 2: what would happen. And what got me was when I

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Speaker 2: was getting out there VH one, of course, they had

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Speaker 2: me do some Facebook lives with Love and Hip Hop

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Speaker 2: Cast and I was on Facebook Lives and then he

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Speaker 2: was booking me to come out there to do some

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Speaker 2: things and they were like, yeah, when you gonna move,

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Speaker 2: you should just move here. And I was like, I'm

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Speaker 2: actually moving October, but I'm.

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Speaker 1: A little nervous. I said, but I'm coming, and.

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Speaker 2: They said, get here, you'll be fine. And then I'm

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Speaker 2: with VH one. Get here, you'll be fine, and I'm

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Speaker 2: with some other people. They like, all you need to

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Speaker 2: do is get here. You're gonna be fine. Don't work.

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Speaker 2: That was that confirmation. I said, Oh, I got there

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Speaker 2: on Wednesday. I was booked on Friday. I said, okay,

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Speaker 2: this was one of the that was one of the

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Speaker 2: best decisions I've ever made in my life, and it

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Speaker 2: felt like I just moved across the city.

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Speaker 4: I love hearing that story because to me, it's super inspiring,

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Speaker 4: especially for my listeners, because you are proving that you

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Speaker 4: can get paid and make a lot of money just

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Speaker 4: off of giving your recaps.

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Speaker 3: Of reality shows.

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Speaker 4: And I don't think a lot of people know that,

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Speaker 4: so that's really inspiring for people to hear. So you

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Speaker 4: mentioned Real Housewives, which is a larger franchise. Do you

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Speaker 4: think with these newer cities coming out, is the Real

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Speaker 4: Housewives becoming oversaturated? And do you have a favorite of

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Speaker 4: the Real Housewives franchise oversaturated?

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Speaker 2: I'm fine with it because we always need something new, right,

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Speaker 2: How can I say this? Which one is my favorite?

390
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Speaker 2: Potomac and I know what's my favorite? But and I

391
00:19:01,880 --> 00:19:03,600
Speaker 2: don't know, people probably gonna say it's favorite to them

392
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Speaker 2: because they seen me hanging with her, and that's not it.

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Speaker 2: She just really is the cool and fu person.

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Speaker 1: To hang with.

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Speaker 2: But I want them bring any back. But I understand

396
00:19:12,040 --> 00:19:14,840
Speaker 2: it's some things that's going on that's happening that's I

397
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Speaker 2: don't know, and that's not my business. I don't want

398
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Speaker 2: to know. That's whatever. But they have to bring Ninny

399
00:19:20,960 --> 00:19:24,800
Speaker 2: Bag for Atlanta to pop off, because I didn't even

400
00:19:24,840 --> 00:19:27,840
Speaker 2: do a review for Atlanta because I couldn't. I mean,

401
00:19:27,880 --> 00:19:30,919
Speaker 2: it was okay to watch, but it wasn't really giving

402
00:19:30,960 --> 00:19:33,840
Speaker 2: me nothing I'm not your just pulled from each scene.

403
00:19:34,359 --> 00:19:36,679
Speaker 2: It's if it ain't given, it just just not given.

404
00:19:37,320 --> 00:19:41,800
Speaker 2: Potomac always get back, and I'm just you know, right now,

405
00:19:41,840 --> 00:19:45,880
Speaker 2: Potomac is my favorite. I did do by, But here's

406
00:19:45,920 --> 00:19:47,960
Speaker 2: the thing about that. I did it and it was new,

407
00:19:48,280 --> 00:19:50,199
Speaker 2: so I got to continue to do it. Because my

408
00:19:50,280 --> 00:19:53,200
Speaker 2: followers when they get something new, they don't bite right away.

409
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Speaker 1: It takes them two or three weeks if they see me.

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Speaker 2: If they see me doing like we're really four honestly

411
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Speaker 2: four weeks. They see me doing it and I'm consistent

412
00:20:01,560 --> 00:20:03,840
Speaker 2: with it, They're like, oh, maybe just something I need

413
00:20:03,920 --> 00:20:05,280
Speaker 2: to watch, and then they'll jump onto it.

414
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Speaker 1: Because I did sell Like City like that and.

415
00:20:07,320 --> 00:20:09,600
Speaker 2: They jumped on it and then I stopped and they

416
00:20:09,680 --> 00:20:13,000
Speaker 2: was like, wait, where is it? So Dubaia is good.

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Speaker 2: The girls got a little money out there. The girls

418
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Speaker 2: got some money. But what's funny about the girls with money?

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Speaker 2: They don't got no real problems or they act like

420
00:20:22,160 --> 00:20:26,480
Speaker 2: they don't. They act like them. I problemly think life

421
00:20:26,600 --> 00:20:30,840
Speaker 2: is just great and whatever. My husband to do it,

422
00:20:30,960 --> 00:20:33,680
Speaker 2: or we got this and we got that. So sometimes

423
00:20:33,720 --> 00:20:35,720
Speaker 2: I'd be like, come on, now, you came from a

424
00:20:35,720 --> 00:20:38,840
Speaker 2: struggle because it's like, what three girls two or three

425
00:20:38,880 --> 00:20:42,000
Speaker 2: girls from.

426
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Speaker 1: The US playing with me? But yeah, they got real money.

427
00:20:44,000 --> 00:20:47,080
Speaker 2: But these housewives, because I want to see who's new.

428
00:20:46,960 --> 00:20:47,680
Speaker 1: And who's next.

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Speaker 2: Here's my question to you, who you think they're gonna

430
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Speaker 2: look out of the franchise? How do you think I'm

431
00:20:52,200 --> 00:20:53,920
Speaker 2: gonna be like, you know, we're just kind of gonna

432
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Speaker 2: go ahead and like shy away from this.

433
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Speaker 4: Well, look, let's talk about the Real Housewives of Dallas, right,

434
00:21:00,320 --> 00:21:04,280
Speaker 4: So that show is currently on pause, and the reason

435
00:21:04,280 --> 00:21:07,240
Speaker 4: why it's on pause is because, look, I gotta be honest,

436
00:21:07,280 --> 00:21:10,760
Speaker 4: after season two, it just wasn't a great season. Season

437
00:21:10,760 --> 00:21:13,680
Speaker 4: three was great, don't get me wrong, but season two

438
00:21:13,800 --> 00:21:17,919
Speaker 4: was iconic, and in my opinion, you can't do a

439
00:21:17,960 --> 00:21:21,359
Speaker 4: Real Housewives of Dallas without Liann lock In. And yes,

440
00:21:21,440 --> 00:21:24,000
Speaker 4: the thing she said was problematic. I'm not here to

441
00:21:24,040 --> 00:21:28,400
Speaker 4: say it wasn't. It absolutely was. But we're talking about

442
00:21:28,720 --> 00:21:33,000
Speaker 4: the coincidence that the Real Housewives of Dallas got put

443
00:21:33,040 --> 00:21:37,480
Speaker 4: on pause the one season that Leanne Lockett wasn't on there.

444
00:21:38,080 --> 00:21:42,320
Speaker 4: That's what we call a force multiplier. But when it

445
00:21:42,359 --> 00:21:46,800
Speaker 4: comes to the Real Housewives of Atlanta, look, I think

446
00:21:46,880 --> 00:21:52,000
Speaker 4: that show is going through a transitional period with two

447
00:21:52,040 --> 00:21:57,280
Speaker 4: new housewives and a couple of our OG's leaving and

448
00:21:57,560 --> 00:22:00,280
Speaker 4: a few of the fan favors not being on. And

449
00:22:00,400 --> 00:22:06,040
Speaker 4: let's be very clear, Marlow has single handedly saved this season.

450
00:22:06,720 --> 00:22:09,119
Speaker 4: And the reason why I'm saying that is because if

451
00:22:09,160 --> 00:22:13,960
Speaker 4: you look at the most recent episodes where Marlow took

452
00:22:14,000 --> 00:22:20,840
Speaker 4: the ladies to the mountains and she wanted to, like,

453
00:22:20,920 --> 00:22:23,600
Speaker 4: you know, be the hostess with the mostest, at the

454
00:22:23,720 --> 00:22:26,840
Speaker 4: very end of that episode is when it got interesting

455
00:22:27,440 --> 00:22:33,200
Speaker 4: because you saw how Marlow versus Kenya was very interesting.

456
00:22:33,760 --> 00:22:38,440
Speaker 4: And if it wasn't for Marlowe pushing Kenya's button, nothing

457
00:22:38,680 --> 00:22:42,280
Speaker 4: would be happening. And that's why I say Marlo Hampton

458
00:22:42,760 --> 00:22:47,160
Speaker 4: has saved this current season of the Real Housewives of Atlanta.

459
00:22:47,400 --> 00:22:48,320
Speaker 1: Marlow did.

460
00:22:48,640 --> 00:22:51,720
Speaker 2: She did save this because I don't know, and I

461
00:22:51,720 --> 00:22:53,280
Speaker 2: thought it was gonna be good because you know, I

462
00:22:53,320 --> 00:22:56,120
Speaker 2: saw Candy Hear and Cynthia had a conversation. I saw

463
00:22:56,200 --> 00:22:58,400
Speaker 2: like a clip where she was like, you said it

464
00:22:58,440 --> 00:22:58,840
Speaker 2: was gone.

465
00:22:59,480 --> 00:23:00,000
Speaker 1: You didn't care.

466
00:23:00,119 --> 00:23:02,160
Speaker 2: I was gone because I'm born or something. She's like no,

467
00:23:02,560 --> 00:23:04,600
Speaker 2: She's like, but I'm gonna be honest with you. This

468
00:23:04,800 --> 00:23:08,200
Speaker 2: season is good. So I was like, Okay, okay, it's good.

469
00:23:08,280 --> 00:23:10,160
Speaker 2: Candy was like, this season good. She's like I thought.

470
00:23:10,200 --> 00:23:11,679
Speaker 2: She's like I was a little scared because we got

471
00:23:11,720 --> 00:23:14,600
Speaker 2: these new girls blah blah blah blah. And she's like,

472
00:23:14,640 --> 00:23:17,680
Speaker 2: I'm kind of like the only o G there. Porscha

473
00:23:17,840 --> 00:23:19,840
Speaker 2: was gone, and she was like, I don't know. She

474
00:23:19,920 --> 00:23:21,200
Speaker 2: was like, Cynthia is good.

475
00:23:21,240 --> 00:23:24,880
Speaker 1: So I was like, okay, Candy can sold me. It's okay.

476
00:23:25,119 --> 00:23:27,760
Speaker 2: It ain't given like you remember we used to when

477
00:23:27,760 --> 00:23:30,879
Speaker 2: they came on in November. Every November, people was ready.

478
00:23:30,880 --> 00:23:33,320
Speaker 2: People just haven't watched part these day was on Sunday.

479
00:23:33,560 --> 00:23:36,720
Speaker 2: They had they wine, they cocktails, they snacks. Friends was

480
00:23:36,720 --> 00:23:41,080
Speaker 2: coming over to watch them Housewives, don't I care. I'd

481
00:23:41,080 --> 00:23:43,760
Speaker 2: be going to I'm like, well, Sunday Sunday, I'll do

482
00:23:43,800 --> 00:23:47,080
Speaker 2: it tomorrow before. I ain't coming to Sunday Funday. Baby,

483
00:23:47,119 --> 00:23:50,479
Speaker 2: I got to do the housewived. I ain't coming I'm

484
00:23:50,520 --> 00:23:52,360
Speaker 2: doing the housewived. I'll see y'all later.

485
00:23:52,400 --> 00:23:55,000
Speaker 1: I got to work. No, I'd be like, i'll do it.

486
00:23:55,359 --> 00:23:55,439
Speaker 2: No.

487
00:23:55,920 --> 00:23:59,600
Speaker 3: Look, I've been saying that a lot lately.

488
00:24:00,080 --> 00:24:02,280
Speaker 4: But of course the girls want to read me and

489
00:24:02,320 --> 00:24:04,680
Speaker 4: call me a hater and blah blah blah blah blah.

490
00:24:04,880 --> 00:24:06,200
Speaker 3: But I tell people all.

491
00:24:06,080 --> 00:24:09,760
Speaker 4: The time that The Real House Spots of Atlanta is

492
00:24:09,920 --> 00:24:14,000
Speaker 4: no longer must see TV. It doesn't mean this season

493
00:24:14,080 --> 00:24:17,320
Speaker 4: is bad. The biggest thing for me is it's not

494
00:24:17,440 --> 00:24:22,119
Speaker 4: must see TV. People are no longer interested in staying home,

495
00:24:22,560 --> 00:24:27,800
Speaker 4: missing out on Sunday Funday, missing out on brunch, missing

496
00:24:27,880 --> 00:24:30,879
Speaker 4: out on Pea Valley, no shade to watch that show.

497
00:24:31,359 --> 00:24:33,720
Speaker 4: It's just not what it used to be anymore. Look,

498
00:24:33,880 --> 00:24:38,080
Speaker 4: I think it's okay. It's not a great season, and

499
00:24:38,119 --> 00:24:40,000
Speaker 4: it's interesting because a lot of people are like, oh

500
00:24:40,000 --> 00:24:43,320
Speaker 4: my god, it's the Redemption season is so great. I

501
00:24:43,520 --> 00:24:46,280
Speaker 4: personally would not put The Real House Spots of Atlanta

502
00:24:46,440 --> 00:24:49,320
Speaker 4: Season fourteen and great in the same sentence.

503
00:24:49,400 --> 00:24:52,199
Speaker 2: The thing is, I think they were hyping it up

504
00:24:52,240 --> 00:24:53,919
Speaker 2: to be so good because they didn't know what to

505
00:24:53,960 --> 00:24:55,760
Speaker 2: expect on what they were going to get out of it,

506
00:24:55,840 --> 00:24:59,040
Speaker 2: because so many people are Cynthia is gone. Of course

507
00:24:59,080 --> 00:25:01,000
Speaker 2: it was gone. Of course then you didn't come back.

508
00:25:01,040 --> 00:25:04,520
Speaker 2: So they probably was like, oh shoot, because they people

509
00:25:04,600 --> 00:25:06,720
Speaker 2: kept saying it's gonna be a snooze fest. Black Twitter

510
00:25:06,880 --> 00:25:09,199
Speaker 2: all snooze fests. It's gonna be a snooz fest all

511
00:25:09,240 --> 00:25:12,359
Speaker 2: these people go. And again, like we both said, it's okay,

512
00:25:13,080 --> 00:25:16,360
Speaker 2: it's okay. I'm still watching. I mean, I'm gonna give

513
00:25:16,400 --> 00:25:18,400
Speaker 2: your views. I'm still gonna support it. It's a black

514
00:25:18,400 --> 00:25:19,399
Speaker 2: show and I'm gonna watch it.

515
00:25:19,520 --> 00:25:22,960
Speaker 4: Earlier, you mentioned that The Real Housewives the Potomac is

516
00:25:22,960 --> 00:25:26,520
Speaker 4: your favorite city out of the Real Housewives franchise. Do

517
00:25:26,560 --> 00:25:31,280
Speaker 4: you think the Potomac Housewives is the top city of

518
00:25:31,320 --> 00:25:31,880
Speaker 4: all of them?

519
00:25:32,040 --> 00:25:34,840
Speaker 2: In my opinion, yes, yes, I think they're up there

520
00:25:34,840 --> 00:25:37,520
Speaker 2: because a lot of people still they like Beverly Hills

521
00:25:37,640 --> 00:25:40,040
Speaker 2: and a lot of people still going up for no

522
00:25:40,400 --> 00:25:44,679
Speaker 2: Beverly Hills. So it's neck and Nay, it's Potomacs. I

523
00:25:44,720 --> 00:25:47,400
Speaker 2: want to say Potomac almost up there with Beverly Hills,

524
00:25:47,400 --> 00:25:50,520
Speaker 2: but people are really going up for Beverly Hills. And

525
00:25:50,800 --> 00:25:53,679
Speaker 2: I haven't really tapped into them. I used to, but

526
00:25:53,680 --> 00:25:55,720
Speaker 2: I haven't tested into them. But I hear a lot

527
00:25:55,760 --> 00:25:58,800
Speaker 2: of my friends they are always like reciting lines from

528
00:25:58,840 --> 00:26:00,280
Speaker 2: Beverly Hills. I'm like, where's that from?

529
00:26:00,440 --> 00:26:01,080
Speaker 1: And they was, like.

530
00:26:01,080 --> 00:26:04,400
Speaker 2: Dree said, And nothing wouldn't be funnier than when Duree

531
00:26:04,400 --> 00:26:05,840
Speaker 2: and nothing won't be funnier than.

532
00:26:05,760 --> 00:26:08,320
Speaker 1: This person and that person. I was like, oh, okay,

533
00:26:09,320 --> 00:26:12,040
Speaker 1: who is on where's Brandy? Brandy? Is she on? O?

534
00:26:13,200 --> 00:26:15,000
Speaker 3: No, she's on Beverly Hills.

535
00:26:15,280 --> 00:26:19,000
Speaker 2: She recently hit my BM too, So she just was like,

536
00:26:19,119 --> 00:26:21,280
Speaker 2: I love you. Oh my god, you cracked me up.

537
00:26:21,920 --> 00:26:23,439
Speaker 1: And I'm like, hmmm.

538
00:26:23,600 --> 00:26:26,360
Speaker 2: And she saying that because she wants me to review

539
00:26:26,440 --> 00:26:30,280
Speaker 2: something she's on or does she really love me? But

540
00:26:30,359 --> 00:26:33,359
Speaker 2: I was excited to know that, you know, Brandy is

541
00:26:33,600 --> 00:26:36,679
Speaker 2: she She was following me and she been commenting here

542
00:26:36,720 --> 00:26:39,119
Speaker 2: and sending me to you. I like Brandy. Brandy was

543
00:26:39,119 --> 00:26:40,800
Speaker 2: one of the ones that would shake up some stuff too.

544
00:26:40,840 --> 00:26:44,200
Speaker 2: She'll say anything, do anything. And I was like, oh,

545
00:26:44,280 --> 00:26:48,320
Speaker 2: she she's that one. It's always it's always somebody every season.

546
00:26:48,440 --> 00:26:48,840
Speaker 2: Is that one?

547
00:26:48,920 --> 00:26:52,080
Speaker 1: Marlowe is that one? Candice was that one? Felicia?

548
00:26:52,200 --> 00:26:55,160
Speaker 2: Them twins, one of them was more than the one.

549
00:26:55,720 --> 00:26:58,520
Speaker 2: Which one Paling or Felicia.

550
00:26:58,920 --> 00:27:02,800
Speaker 4: I don't it's not easy to tell those two apart.

551
00:27:03,320 --> 00:27:07,639
Speaker 4: Fallon is the one who expresses herself the most. She's

552
00:27:07,720 --> 00:27:10,000
Speaker 4: the one that can read you off the top of

553
00:27:10,040 --> 00:27:12,320
Speaker 4: the dome, like Fallon doesn't give a fuck.

554
00:27:14,000 --> 00:27:15,399
Speaker 1: And then Felicia.

555
00:27:15,920 --> 00:27:18,480
Speaker 2: She had just come in and clean it up or

556
00:27:18,680 --> 00:27:22,679
Speaker 2: add a little razzle dazele. But Fallon was like, I

557
00:27:22,840 --> 00:27:25,600
Speaker 2: was like, but you got to remember when I'm doing

558
00:27:25,640 --> 00:27:28,040
Speaker 2: my commentary, I'm doing as a viewer, like how people

559
00:27:28,080 --> 00:27:31,600
Speaker 2: will watch TV now when I'm done. I laughed to myself.

560
00:27:31,680 --> 00:27:33,560
Speaker 2: As I'm getting ready for bed, I'm like, Oh, the

561
00:27:33,640 --> 00:27:34,600
Speaker 2: motherfucker's crazy.

562
00:27:34,640 --> 00:27:38,320
Speaker 1: I love him. I love him, I love them. They

563
00:27:38,359 --> 00:27:41,880
Speaker 1: be shaking the ship. I love them. They got to stay.

564
00:27:42,119 --> 00:27:43,960
Speaker 1: But you know, I might get on the on there

565
00:27:43,960 --> 00:27:44,440
Speaker 1: and be like.

566
00:27:44,359 --> 00:27:45,880
Speaker 3: Oh my god, why are they on here?

567
00:27:45,920 --> 00:27:48,000
Speaker 2: They so mean get them off the here. I'm saying

568
00:27:48,040 --> 00:27:50,560
Speaker 2: talking that, but shiit, we need to.

569
00:27:52,000 --> 00:27:56,040
Speaker 4: Ooh, I'm so glad for this conversation. I tell people

570
00:27:56,080 --> 00:28:00,280
Speaker 4: all the time when people tweet fire her, fire him, we.

571
00:28:00,240 --> 00:28:03,119
Speaker 3: Don't like him, we don't like her. That means you're interesting.

572
00:28:03,560 --> 00:28:07,440
Speaker 4: That means you have ignited something in this person. And

573
00:28:07,520 --> 00:28:10,440
Speaker 4: on the show that low key, they want to see you.

574
00:28:10,680 --> 00:28:13,640
Speaker 4: They secretly love you. So I'm so glad you said that.

575
00:28:13,880 --> 00:28:15,960
Speaker 4: But let's get into basketball wives.

576
00:28:16,160 --> 00:28:17,679
Speaker 1: I'll tell you this. I got up to.

577
00:28:18,359 --> 00:28:19,480
Speaker 2: I gotta catch up.

578
00:28:19,680 --> 00:28:22,399
Speaker 1: I got up to when they went to Vegas for

579
00:28:22,480 --> 00:28:24,520
Speaker 1: Duffy's birthday, so we can talk.

580
00:28:24,400 --> 00:28:25,800
Speaker 2: About it because I got a lot of things to

581
00:28:25,800 --> 00:28:26,600
Speaker 2: say because I.

582
00:28:26,600 --> 00:28:28,480
Speaker 1: Was that part with Duffy.

583
00:28:28,800 --> 00:28:31,439
Speaker 2: So when we started off with the show, I just

584
00:28:31,440 --> 00:28:34,199
Speaker 2: felt like it was Malaysian Brandy, Malaysia and Brandy, Malaysia

585
00:28:34,200 --> 00:28:35,480
Speaker 2: and Brandy. I was like, oh my god, it's the

586
00:28:35,520 --> 00:28:39,280
Speaker 2: season about Malaysia and Brandy. So I'll start thinking back, Oh,

587
00:28:39,520 --> 00:28:43,320
Speaker 2: they always have somebody that's into it. So Tammy and

588
00:28:43,320 --> 00:28:47,160
Speaker 2: Evelyn not here, so it's not Malaysia and Brandy. So

589
00:28:47,560 --> 00:28:49,800
Speaker 2: I was like, so it's okay, So this is the

590
00:28:49,840 --> 00:28:54,000
Speaker 2: new Tammy and Evelyn got it. They finally make up

591
00:28:54,160 --> 00:28:56,080
Speaker 2: at the house. I don't know what happened after that

592
00:28:56,280 --> 00:28:58,720
Speaker 2: because that's where I stopped at the house in Vegas.

593
00:28:59,200 --> 00:29:04,000
Speaker 2: But this beef with Duffy and the two sisters Nouria

594
00:29:04,280 --> 00:29:06,920
Speaker 2: and Nia come from. Like she told them, I don't

595
00:29:06,960 --> 00:29:08,520
Speaker 2: know that I missed something. She told them not to

596
00:29:08,560 --> 00:29:11,440
Speaker 2: come to the club, and then she texted them later

597
00:29:11,520 --> 00:29:13,440
Speaker 2: on the side and said come because she felt bad,

598
00:29:13,840 --> 00:29:16,600
Speaker 2: and then they got into it there. I'm like, just

599
00:29:16,760 --> 00:29:22,160
Speaker 2: to producers, tell Duffy just pick with them, because Duffy

600
00:29:22,280 --> 00:29:23,480
Speaker 2: don't forget that used to be.

601
00:29:23,480 --> 00:29:25,840
Speaker 1: You, So why would you do that?

602
00:29:26,200 --> 00:29:29,520
Speaker 2: Like the new girl that got picked on by Tammy

603
00:29:29,960 --> 00:29:32,720
Speaker 2: and everybody was like not really feeling a new girl,

604
00:29:33,400 --> 00:29:36,720
Speaker 2: and now you fucking with these two sisters. I was like,

605
00:29:37,960 --> 00:29:40,040
Speaker 2: did they tell her to shake some shit up with them?

606
00:29:40,200 --> 00:29:42,160
Speaker 2: Because I'm like, where's the beef coming from? I didn't

607
00:29:42,160 --> 00:29:43,160
Speaker 2: even know it was a beef.

608
00:29:43,680 --> 00:29:45,120
Speaker 3: So let me break it down for you.

609
00:29:45,360 --> 00:29:52,720
Speaker 4: The sisters Nouria and Nia. One of them posted this

610
00:29:53,360 --> 00:29:57,320
Speaker 4: post on their is the Story saying something along the

611
00:29:57,320 --> 00:30:02,440
Speaker 4: lines of going into a out of wedlock baby shower

612
00:30:02,680 --> 00:30:06,280
Speaker 4: or gender reveale or something like that, and then Brooke

613
00:30:06,720 --> 00:30:10,800
Speaker 4: showed the other girls the inst the story and then

614
00:30:11,040 --> 00:30:15,040
Speaker 4: had the audacity messy as Brooke. She showed it to

615
00:30:15,280 --> 00:30:19,160
Speaker 4: Angel Brinks, who was having the gender reveal, and then

616
00:30:19,440 --> 00:30:23,280
Speaker 4: it became like this big conversation about whether or not

617
00:30:23,360 --> 00:30:25,680
Speaker 4: those sisters were being messy.

618
00:30:26,760 --> 00:30:29,520
Speaker 2: Okay, so don't tell me because I'm gonna watch some more.

619
00:30:29,880 --> 00:30:32,200
Speaker 2: But I did see up to the point where finally

620
00:30:32,440 --> 00:30:34,320
Speaker 2: somebody threw something and Brandy got.

621
00:30:34,160 --> 00:30:35,520
Speaker 1: Hit and it said to be continued.

622
00:30:35,600 --> 00:30:38,480
Speaker 2: I was just like, what's going on?

623
00:30:39,000 --> 00:30:41,680
Speaker 1: Like duffy, because at the reveal, that.

624
00:30:41,880 --> 00:30:43,520
Speaker 2: He's like, I'm gonna go get rocks oycked.

625
00:30:43,640 --> 00:30:44,560
Speaker 1: Now what you gonna go?

626
00:30:44,600 --> 00:30:47,920
Speaker 2: Go get this messy motherfucker fall. He lives for mess

627
00:30:48,000 --> 00:30:50,520
Speaker 2: We saw him on Love and Hip Hop. He ready

628
00:30:50,800 --> 00:30:53,520
Speaker 2: for whatever, like he cool. I hadn't met him in person,

629
00:30:53,560 --> 00:30:55,320
Speaker 2: so he cool. Like you know, he was like, man,

630
00:30:55,320 --> 00:30:57,360
Speaker 2: you'd be doing that shit. That should be funny, but

631
00:30:57,520 --> 00:30:59,520
Speaker 2: we know he's you messy, man, you messy?

632
00:31:00,080 --> 00:31:00,760
Speaker 1: You know you messy?

633
00:31:01,040 --> 00:31:03,440
Speaker 2: So why are you gonna get him? She's like, I'm

634
00:31:03,480 --> 00:31:05,640
Speaker 2: not gonna be angel because this is her day. Okay,

635
00:31:05,640 --> 00:31:08,360
Speaker 2: it's his day too. It's his baby. She not just pregnant.

636
00:31:08,360 --> 00:31:09,000
Speaker 2: They're pregnant.

637
00:31:09,080 --> 00:31:10,600
Speaker 1: So why don't you just leave him out out of it?

638
00:31:10,680 --> 00:31:11,640
Speaker 1: What did you go get him for?

639
00:31:12,120 --> 00:31:12,320
Speaker 3: What?

640
00:31:12,600 --> 00:31:14,840
Speaker 2: To stir up some shit for him? To put old

641
00:31:14,840 --> 00:31:17,040
Speaker 2: girl out? I think they told Brooke and I didn't

642
00:31:17,080 --> 00:31:18,040
Speaker 2: know her kids is that girl?

643
00:31:18,440 --> 00:31:21,600
Speaker 1: Because one about to graduate from college.

644
00:31:21,640 --> 00:31:23,719
Speaker 2: I thought there was high school, but he was talking

645
00:31:23,800 --> 00:31:24,560
Speaker 2: like an adult.

646
00:31:24,600 --> 00:31:27,000
Speaker 1: Adont I was like, nah, this man about to graduate

647
00:31:27,000 --> 00:31:30,760
Speaker 1: from Morehouse or something like that. And the daughter I

648
00:31:30,760 --> 00:31:32,840
Speaker 1: don't know, and the daughter they grown. She was like,

649
00:31:32,880 --> 00:31:34,520
Speaker 1: I'm just scared to tell the kids.

650
00:31:34,600 --> 00:31:37,640
Speaker 2: Girl, girl, ain't about to have y'all about to have

651
00:31:37,720 --> 00:31:38,360
Speaker 2: kids together.

652
00:31:38,800 --> 00:31:40,960
Speaker 1: The son even said it, like I'm cool with them.

653
00:31:41,360 --> 00:31:43,200
Speaker 1: You do what you want to do. But the thing

654
00:31:43,440 --> 00:31:46,680
Speaker 1: is what you do when our kids we have kids

655
00:31:46,720 --> 00:31:48,920
Speaker 1: at the same time, who want to do that?

656
00:31:49,240 --> 00:31:51,080
Speaker 2: Like how is your mama?

657
00:31:51,280 --> 00:31:54,600
Speaker 1: Like like Tyler Ferry? But how old is the grandmother?

658
00:31:55,480 --> 00:31:56,040
Speaker 1: Thirty five?

659
00:31:56,080 --> 00:31:56,720
Speaker 2: Oh, I gotta go.

660
00:32:00,600 --> 00:32:06,760
Speaker 3: I fel okay. Joscelyn said, your grandma the baby?

661
00:32:07,960 --> 00:32:09,800
Speaker 2: You know, hey, your baby your grandma?

662
00:32:09,800 --> 00:32:11,680
Speaker 1: Are your baby? Your grandma baby? What?

663
00:32:13,400 --> 00:32:13,600
Speaker 2: Huh?

664
00:32:14,080 --> 00:32:15,360
Speaker 1: When she said good, I put the phone.

665
00:32:15,480 --> 00:32:16,920
Speaker 2: I said, oh right, let me take the dogs out

666
00:32:16,920 --> 00:32:20,240
Speaker 2: side because it's enough internet for me today.

667
00:32:20,600 --> 00:32:21,520
Speaker 1: Remember the right band?

668
00:32:21,520 --> 00:32:24,120
Speaker 2: When when she said about the ray band, Baby, she

669
00:32:24,160 --> 00:32:28,680
Speaker 2: can do that, right man, Deaneta's a taken what it was.

670
00:32:29,400 --> 00:32:31,040
Speaker 2: I'm not saying it for Vader, but she said these

671
00:32:31,080 --> 00:32:33,640
Speaker 2: are Netta to take to take them for Netta something.

672
00:32:33,720 --> 00:32:36,600
Speaker 1: She said. I said, oh, there we go again. That's enough.

673
00:32:36,680 --> 00:32:39,480
Speaker 1: That's enough that Lord, let me go make a cocktail.

674
00:32:39,760 --> 00:32:43,200
Speaker 1: Then we're gonna do some content. The is done.

675
00:32:45,400 --> 00:32:49,600
Speaker 4: Speaking of done, do you think Basketball Wives can survive

676
00:32:50,200 --> 00:32:53,520
Speaker 4: without Tammy and Evelyn? Do you think the show is

677
00:32:53,600 --> 00:32:57,680
Speaker 4: done or Can they find new women and make the

678
00:32:57,720 --> 00:32:58,640
Speaker 4: show great again?

679
00:33:00,120 --> 00:33:02,760
Speaker 2: You don't have to, because I think Tammy and Evelyn

680
00:33:03,360 --> 00:33:06,160
Speaker 2: is done. You know, like when you're done with high school,

681
00:33:06,200 --> 00:33:08,840
Speaker 2: you can't go back. You done, Like that part of

682
00:33:08,840 --> 00:33:11,800
Speaker 2: your life is over. It's time to do other things

683
00:33:11,960 --> 00:33:16,680
Speaker 2: or whatever it is. So I think Tammy is in

684
00:33:16,760 --> 00:33:19,320
Speaker 2: her bag right now. She's in her acting bag. She's

685
00:33:19,360 --> 00:33:23,479
Speaker 2: Smith's pat shown with amongst other things. I don't know.

686
00:33:23,600 --> 00:33:25,800
Speaker 2: I haven't seen Evelyn in a while. I used to

687
00:33:25,840 --> 00:33:28,520
Speaker 2: run into her around Shawnnie, So I don't know what

688
00:33:28,520 --> 00:33:31,240
Speaker 2: she's doing. But I just feel like everybody is doing

689
00:33:31,320 --> 00:33:34,120
Speaker 2: something else and that time is over.

690
00:33:35,480 --> 00:33:36,560
Speaker 1: Can it survive? Yes?

691
00:33:36,640 --> 00:33:38,960
Speaker 2: They just gotta, Like we said, you just gotta find

692
00:33:39,000 --> 00:33:44,320
Speaker 2: your Tammy's, your Evelyn's, your your Knie Knees, your New

693
00:33:44,400 --> 00:33:45,600
Speaker 2: York's Joslin.

694
00:33:45,840 --> 00:33:48,200
Speaker 1: They just have to find it. And maybe they're struggling

695
00:33:48,280 --> 00:33:48,680
Speaker 1: right now.

696
00:33:49,840 --> 00:33:51,680
Speaker 2: But sometimes you just got to give those people that

697
00:33:51,720 --> 00:33:54,800
Speaker 2: you think probably won't.

698
00:33:54,000 --> 00:33:56,880
Speaker 1: Be that person that'll be that will just pop out.

699
00:33:57,120 --> 00:33:59,760
Speaker 1: You got to give them a chance. You I think

700
00:33:59,800 --> 00:34:02,200
Speaker 1: I feel like I go through that. Sometimes some people

701
00:34:02,360 --> 00:34:03,680
Speaker 1: be like that.

702
00:34:03,800 --> 00:34:09,120
Speaker 2: Then when they see me, they're like, oh, oh shit, Okay, oh,

703
00:34:09,640 --> 00:34:14,200
Speaker 2: I got it. So you know those people are out there,

704
00:34:14,239 --> 00:34:15,879
Speaker 2: they just gotta find them. And you got to give

705
00:34:16,080 --> 00:34:18,080
Speaker 2: somebody a chance. You're giving all these other people a chance.

706
00:34:18,120 --> 00:34:21,400
Speaker 2: And we sleep, So give somebody us a chance that

707
00:34:21,440 --> 00:34:24,880
Speaker 2: can maybe wake us up. You give somebody else a

708
00:34:24,960 --> 00:34:26,920
Speaker 2: chance that can wake us up. I think basketball wi

709
00:34:26,960 --> 00:34:29,839
Speaker 2: I can. I want Shannie to come back because as

710
00:34:29,920 --> 00:34:32,320
Speaker 2: much as Shannie was quiet and she was in behind

711
00:34:32,360 --> 00:34:36,960
Speaker 2: the scenes, shany slick asses, behind the scenes, shaking things up,

712
00:34:37,520 --> 00:34:40,200
Speaker 2: she get her one on ones with somebody. It was

713
00:34:40,239 --> 00:34:43,120
Speaker 2: the one on one. I'm going to talk to Shannie

714
00:34:43,120 --> 00:34:45,640
Speaker 2: today because I was just so devastated at the.

715
00:34:45,719 --> 00:34:49,560
Speaker 1: Dinner the other day and bluffah blah blah, Shahnny be like, really,

716
00:34:50,320 --> 00:34:53,080
Speaker 1: so all this happened when I left. She throw that

717
00:34:53,200 --> 00:34:54,280
Speaker 1: hair behind her ear every.

718
00:34:54,120 --> 00:34:56,279
Speaker 2: Be like, I love it because she knows what she's doing.

719
00:34:56,640 --> 00:35:00,120
Speaker 1: Shanny's shaking it up. And then you know, they scared.

720
00:35:00,080 --> 00:35:02,799
Speaker 2: Say something because that's hey, it hot, y'all, so they

721
00:35:02,840 --> 00:35:05,320
Speaker 2: talk about it without saying Shawnee name, and you know,

722
00:35:05,400 --> 00:35:07,920
Speaker 2: ain't nobody girl, and what she say, thank you for

723
00:35:07,960 --> 00:35:11,880
Speaker 2: your services. But I need Shannie to come back. Shanny

724
00:35:11,920 --> 00:35:13,360
Speaker 2: gotta come back. She a part of it too. We

725
00:35:13,640 --> 00:35:15,160
Speaker 2: need her to shake it up with her little one

726
00:35:15,160 --> 00:35:16,759
Speaker 2: on one because she know what she'd be doing.

727
00:35:17,560 --> 00:35:18,760
Speaker 1: I love me some, Shawnee.

728
00:35:19,000 --> 00:35:22,080
Speaker 4: I could not agree more and I never thought about

729
00:35:22,120 --> 00:35:25,680
Speaker 4: it that way. So the show is actually missing Shawnee

730
00:35:26,080 --> 00:35:29,920
Speaker 4: because Shawnee is the only executive producer that's on the

731
00:35:29,960 --> 00:35:33,799
Speaker 4: show that really does some executive producing.

732
00:35:34,360 --> 00:35:36,160
Speaker 3: She's in charge of the girls.

733
00:35:36,280 --> 00:35:40,320
Speaker 4: He's the force multiplier that needs to activate these.

734
00:35:40,080 --> 00:35:41,520
Speaker 3: Girls to give good TV.

735
00:35:41,880 --> 00:35:46,359
Speaker 4: We want Shawnee back, and Shawnee, please come back and

736
00:35:46,440 --> 00:35:52,120
Speaker 4: bring some ogs with your child. But Kendo, some people

737
00:35:52,160 --> 00:35:54,560
Speaker 4: may not know that you're also an.

738
00:35:54,520 --> 00:35:55,520
Speaker 3: Actor, Darling.

739
00:35:56,120 --> 00:35:59,759
Speaker 4: You're currently starring in All Blacks new show called a

740
00:36:00,160 --> 00:36:04,680
Speaker 4: Cart where your character Rain Moore, Yes Kingdom Rain rain

741
00:36:04,760 --> 00:36:09,040
Speaker 4: More serves as the more compass of the friend group.

742
00:36:09,640 --> 00:36:14,080
Speaker 2: I am an actore. You can find me everywhere Kendle

743
00:36:14,160 --> 00:36:17,680
Speaker 2: Kendle k e n d a l l k y

744
00:36:17,840 --> 00:36:21,120
Speaker 2: n d a l L. That's on Facebook, that's on Twitter,

745
00:36:21,520 --> 00:36:27,799
Speaker 2: that's on TikTok, also Instagram, and then All Black where

746
00:36:27,800 --> 00:36:30,560
Speaker 2: All the Carts is also Social Society is on there

747
00:36:30,560 --> 00:36:33,799
Speaker 2: to which I'm on there with my other co host Regine,

748
00:36:34,360 --> 00:36:37,239
Speaker 2: Kendrick G and the Simmons. Make sure y'all check that

749
00:36:37,280 --> 00:36:40,279
Speaker 2: out because y'all can watch all fifteen episodes, But make

750
00:36:40,280 --> 00:36:42,319
Speaker 2: sure y'all tune into a La car all black. It's

751
00:36:42,400 --> 00:36:46,520
Speaker 2: very relatable. You got all different types of relationships. You

752
00:36:46,600 --> 00:36:48,359
Speaker 2: got the side chick, you got the check with her

753
00:36:48,400 --> 00:36:51,239
Speaker 2: man who he keep cheating, which we see that all day.

754
00:36:51,520 --> 00:36:53,960
Speaker 2: We got the girl who's the trisexual, and then you

755
00:36:54,040 --> 00:36:59,520
Speaker 2: got the guy who is gay. But also don't forget y'all,

756
00:36:59,560 --> 00:37:01,520
Speaker 2: everybody the gay look a certain ways.

757
00:37:02,280 --> 00:37:02,759
Speaker 1: Just watch it.

758
00:37:02,760 --> 00:37:05,319
Speaker 2: It's very masculine and a lot of people looked at

759
00:37:05,360 --> 00:37:07,840
Speaker 2: it and they was like, man like, my perspective changed,

760
00:37:08,280 --> 00:37:12,560
Speaker 2: But y'all tune in. Is very spicy, it's very sexy.

761
00:37:12,600 --> 00:37:15,239
Speaker 2: It's a lot of sex, but it's a lot of

762
00:37:15,239 --> 00:37:17,319
Speaker 2: messages in it, and y'all will love it. So make

763
00:37:17,320 --> 00:37:20,120
Speaker 2: sure y'all tune into a La carte. And yeah, it.

764
00:37:20,120 --> 00:37:21,840
Speaker 1: Might be in season two. Around the Corner.

765
00:37:25,520 --> 00:37:32,040
Speaker 4: I needed five hours to continue talking to Kendle Candle.

766
00:37:32,480 --> 00:37:34,560
Speaker 4: I can talk to him all day. He reminds me

767
00:37:34,640 --> 00:37:38,040
Speaker 4: so much of myself. We're both from Detroit, we're both

768
00:37:38,160 --> 00:37:41,920
Speaker 4: openly gay, Black men in this business and to see

769
00:37:42,160 --> 00:37:47,840
Speaker 4: how his star has risen just by being a fan

770
00:37:48,120 --> 00:37:51,919
Speaker 4: of this genre that I love so much, and how

771
00:37:51,960 --> 00:37:56,760
Speaker 4: he left Detroit, Michigan moved to la because he started

772
00:37:56,800 --> 00:38:02,799
Speaker 4: to capitalize off of recapping reality TV shows. That is

773
00:38:02,800 --> 00:38:05,879
Speaker 4: so inspiring and it goes to show you that when

774
00:38:05,880 --> 00:38:08,920
Speaker 4: it comes to this genre, you can be a fan

775
00:38:09,160 --> 00:38:11,720
Speaker 4: of it and still make money.

776
00:38:11,840 --> 00:38:13,839
Speaker 3: Off of your opinion. I love it.

777
00:38:14,960 --> 00:38:17,480
Speaker 4: Thoughts, opinions.

778
00:38:18,000 --> 00:38:20,840
Speaker 3: Read about my conversation with Kendl Kendo.

779
00:38:21,480 --> 00:38:24,480
Speaker 4: Email me at Reality with the King at stitcher dot

780
00:38:24,520 --> 00:38:27,520
Speaker 4: com or leave me a voicemail at three one oh

781
00:38:28,080 --> 00:38:31,960
Speaker 4: five ninety three eight one eight eight. Thank you for

782
00:38:32,040 --> 00:38:35,719
Speaker 4: listening to Reality with the King. New episodes drop every

783
00:38:35,760 --> 00:38:41,520
Speaker 4: Wednesday and Friday. Share, comment, follow and subscribe to Reality

784
00:38:41,560 --> 00:38:46,080
Speaker 4: with the King. Wherever you get your podcast, visit Realitywitheking

785
00:38:46,200 --> 00:38:48,840
Speaker 4: dot com and be sure to follow me at the

786
00:38:49,000 --> 00:38:52,240
Speaker 4: Carlos King Underscore on Instagram and Twitter.

787
00:38:52,800 --> 00:38:53,560
Speaker 2: Want Me.

788
00:38:54,040 --> 00:38:56,880
Speaker 4: Reality with the King is a production of More Sauce

789
00:38:56,960 --> 00:39:00,959
Speaker 4: by Stitcher. It is executive produced by Me, Carlos King,

790
00:39:01,200 --> 00:39:05,400
Speaker 4: and Jasmine Henley Brown. We are also produced by Sierra Spragley,

791
00:39:05,480 --> 00:39:14,800
Speaker 4: Rix engineering and music by Marcus Ham more sauce