WEBVTT - Ep. 1 - Shattering The System: "A West Hollywood True Crime"

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<v Speaker 1>In this podcast, we're going to talk frankly but sensitively

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<v Speaker 1>about issues some people might find disturbing, including rape and suicide.

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<v Speaker 1>If you or someone you know is suicidal in the

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<v Speaker 1>US down nine to eighty eight, check out this podcast

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<v Speaker 1>notes page for information on LGBT plus mental health resources

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<v Speaker 1>in your community.

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<v Speaker 2>During the pandemic, I began this tradition of going on

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<v Speaker 2>long walks, and going on the walk is one of

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<v Speaker 2>the few things that will actually lower your blood pressure,

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<v Speaker 2>and I definitely need to do that and clear my

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<v Speaker 2>head and prepare for well, what we're about to do here.

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<v Speaker 2>You see, I live near the famous Sunset Strip. Actually,

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<v Speaker 2>let's walk down the strip.

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<v Speaker 3>Now.

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<v Speaker 2>If you walk rather than drive, you get a whole

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<v Speaker 2>different point of view. You see all these beautiful cars,

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<v Speaker 2>pretty people. There's palm trees, glitz, and a lot of dogs.

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<v Speaker 2>I'm walking past a bunch of billboards. Sunset Boulevard is

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<v Speaker 2>one of the most expensive places to put a billboard.

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<v Speaker 2>And actually where this mall is, there's a gym where

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<v Speaker 2>all the porn stars work out. And before it was

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<v Speaker 2>a mall, it was Schwabs where Lana Turner was discovered.

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<v Speaker 2>Now just up the street is Laurel Canyon, where Joni Mitchell,

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<v Speaker 2>Buffalo Springfield, the Mamas and the papas live their best life.

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<v Speaker 2>And I'm walking near the Chateau Marmont, which is on

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<v Speaker 2>the opposite side of the street. On this side of

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<v Speaker 2>the street, there's just a hole in the ground. It

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<v Speaker 2>used to be the Garden of Alla, where everyone from

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<v Speaker 2>f Scott Fitzgerald to Frank Sinatra got their freak on

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<v Speaker 2>the chateau, though across the street is where Lindsay Lohan

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<v Speaker 2>racked up a forty six thousand dollars tab and where

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<v Speaker 2>John Belushi and Helmet Newton died. And if you walk

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<v Speaker 2>down the hill, all things just get more ordinary. One

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<v Speaker 2>hundred year old California bungalow, it's got to love them.

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<v Speaker 2>And they are these boxy apartment buildings that they call

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<v Speaker 2>dingbats here mixed with new buildings that don't actually fit in.

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<v Speaker 2>It's all, you know, typical Los Angeles, old and new,

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<v Speaker 2>high and low. Well, I have finally reached my destination.

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<v Speaker 2>This could be any apartment building in West Hollywood. There

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<v Speaker 2>are actually fifteen thousand rent controled apartments in the city.

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<v Speaker 2>But upstairs is that one apartment this street, this building,

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<v Speaker 2>all of it unremarkable in almost every way, well unless

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<v Speaker 2>you know what happened here. I'm standing in front of

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<v Speaker 2>one two three four North Laurel Avenue. It is a

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<v Speaker 2>pretty street by West Hollywood standards, But this is Hollywood. Actually,

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<v Speaker 2>this is West Hollywood. That distinction is super important because

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<v Speaker 2>this is a city all of its own. It's actually

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<v Speaker 2>the largest gay city per capita in the US. Hollywood

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<v Speaker 2>or West Hollywood, in Tinseltown, nothing is exactly as it appears.

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<v Speaker 2>When you step behind the velvet rope and turn off

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<v Speaker 2>the cleeg lights, you'll uncover a world that is definitely

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<v Speaker 2>much darker. It was harrowing.

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<v Speaker 4>It was the most disturbing facts I can remember reading

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<v Speaker 4>in my life. I was speechless. The accounts of the

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<v Speaker 4>victims were just truly shocking. I had never seen anything

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<v Speaker 4>quite like this, and I don't think I ever will again.

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<v Speaker 2>The woman you just heard, she's a federal prosecutor, And

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<v Speaker 2>I got to tell you when a federal prosecutor shocked,

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<v Speaker 2>you know, it's a real story. Now, what happened here

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<v Speaker 2>at one two three four North Laurel Avenue, on this

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<v Speaker 2>pretty West Hollywood street is more than just the story.

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<v Speaker 2>It's as dark as you can get in a city

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<v Speaker 2>that has a pretty dark history. But if you're gay

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<v Speaker 2>and black like me, this is not a news story.

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<v Speaker 2>There's been John Wayne Gacy. There was also Jeffrey Dahmer,

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<v Speaker 2>but in West Hollywood, we've had our own version. On

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<v Speaker 2>the streets, they called him doctor Kravorkian. His real name

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<v Speaker 2>is ed Buck.

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<v Speaker 5>He seemed to have no remorse for what he was doing.

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<v Speaker 5>He was putting people's lives in danger on a regular basis,

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<v Speaker 5>and not just people, but specifically vulnerable communities, and just

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<v Speaker 5>really what he was doing was pretty horrific.

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<v Speaker 2>He would get angry, he would get nasty, he would

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<v Speaker 2>get the violin.

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<v Speaker 6>So this was a part of his personality.

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<v Speaker 4>He didn't think that those were people who would be

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<v Speaker 4>trusted and believed over him, who held himself out as

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<v Speaker 4>this political donor and this powerful person who hung photos

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<v Speaker 4>of himself with powerful people in his apartment where he

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<v Speaker 4>was victimizing these people, I mean they were political figures,

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<v Speaker 4>quite literally, lording over his victims.

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<v Speaker 2>Those are two of the prosecutors and one of the

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<v Speaker 2>reporters who covered the case. This story changed many of

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<v Speaker 2>the lives of the people involved in it, but what's crazy,

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<v Speaker 2>And to be honest, what's fucked up is just how

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<v Speaker 2>ordinary the story of ed Buck feels. Now, what's not

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<v Speaker 2>ordinary is how the community responded. What's not ordinary is

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<v Speaker 2>this podcast. I'm Sinari Glinton. I'm going to be your host,

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<v Speaker 2>me and my team of journalists, researchers and producers. We're

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<v Speaker 2>going to walk you through a story that says Hollywood

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<v Speaker 2>as Marilyn Monroe, John Belushi, Bill Cosby or the Sunset struggle,

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<v Speaker 2>you see for every young starlet or celebrity or influence

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<v Speaker 2>or a singer who comes here to make a living,

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<v Speaker 2>there is another darker, shadowy side of this city.

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<v Speaker 6>They said that Buck is quote a predator with no

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<v Speaker 6>regard for human life, who gave the victims dangerously large

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<v Speaker 6>doses of narcotics.

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<v Speaker 2>We're going to take you inside the apartment of ed Buck.

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<v Speaker 2>Some people have called it the gates of Hell, and

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<v Speaker 2>we're going to try to tell the stories of why

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<v Speaker 2>these particular black lives, the lives of Jamel Moore and

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<v Speaker 2>Timothy Ding, why they matter. And here's the key. We're

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<v Speaker 2>going to try to make sense of why it took

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<v Speaker 2>so damn long to bring ed Buck to justice. Let's

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<v Speaker 2>listen to a candlelight vigil held here on August eighteen,

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<v Speaker 2>twenty seventeen, for one of the victims, James Goodford.

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<v Speaker 7>To cover this family, it just shouldn't have happened. My

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<v Speaker 7>son found police reports, his be cried out to so

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<v Speaker 7>many people in It's crazy how the whole entire situation

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<v Speaker 7>was handled. My son's dead, and five days later the

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<v Speaker 7>case is closed. I just want justice. That's it.

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<v Speaker 4>Now.

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<v Speaker 2>The producers and I have asked ourselves a question, what

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<v Speaker 2>does justice look like? How do you tell a story

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<v Speaker 2>that needs to be told without causing more pain to

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<v Speaker 2>the victims or sensationalizing the trauma of gay black men

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<v Speaker 2>like myself. This is supposed to be a true crime podcast,

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<v Speaker 2>but to be honest, as a black man and as

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<v Speaker 2>a veteran of public radio, I hate true crime. And

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<v Speaker 2>it's important that we tell you what happened. You know facts,

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<v Speaker 2>but we're not looking to wallow and gore. And if

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<v Speaker 2>you want to hear laughing that human tragedy, well this show,

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<v Speaker 2>ain't it. I've spent a lifetime telling stories, mainly public

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<v Speaker 2>radio ones. One of our favorite course products.

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<v Speaker 1>In your Scenarios and Pierre Scenario, Glinton is in Japlin

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<v Speaker 1>in Pira. Scenari Glinton reports from the Capital, and PR

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<v Speaker 1>Scenario Clinton reports from Detroit.

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<v Speaker 2>Sabrina Fulton and Tracy Martin are the parents of Trayvon Martin.

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<v Speaker 8>Even if Scenari is the only one who's doing it

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<v Speaker 8>like that impulse of just like I'm just gonna go

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<v Speaker 8>for it. I'm going to say something that's ridiculous and

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<v Speaker 8>just see if it works. I mean, you know, in

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<v Speaker 8>the movies, that's what gets the girl in the movies,

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<v Speaker 8>that's what makes you a hero.

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<v Speaker 2>That last voice you heard was Ira Glass. He's the

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<v Speaker 2>voice everyone tried to emulate when podcasts where brand spanking new,

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<v Speaker 2>and his influence is definitely all over my work. But

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<v Speaker 2>what's happening to black folks or gay or trans people

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<v Speaker 2>in America and the globe? I really needed to do

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<v Speaker 2>journalism differently. The last thing we need in this age

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<v Speaker 2>is another polite, fucking public radio report. This is shattering

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<v Speaker 2>the system. As Oursie Lord said, the Master's tools will

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<v Speaker 2>never dismantle the Master's house. So we're going to do

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<v Speaker 2>something different. The only way that I know to shatter

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<v Speaker 2>the system is to shine a light, do the work,

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<v Speaker 2>afflict the comfortable and comfort the afflicted, give voice to

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<v Speaker 2>the voiceless. We're going to look at crimes that tell

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<v Speaker 2>a larger story, help connect the dots, give you context,

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<v Speaker 2>and maybe together we can learn how to shatter the system.

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<v Speaker 2>But first, how West Hollywood is really just like your

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<v Speaker 2>hometown but not that's after a break. One of the

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<v Speaker 2>most powerful testimonials you'll hear in this story is first

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<v Speaker 2>person from the first victim, Jamel Moore. His diary, in

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<v Speaker 2>many ways, is the reason this story could be told. Now.

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<v Speaker 2>We want to bring his words to you in an

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<v Speaker 2>audio form, so we hired an actor. Let's take a lesson.

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<v Speaker 9>Ed Buck is the one to think. He gave me

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<v Speaker 9>my first injection of crystal men. It was painful, but

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<v Speaker 9>after all the troubles, I became addicted to the pain

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<v Speaker 9>and the fantasy.

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<v Speaker 2>It's that diary and those words that launched an investigation.

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<v Speaker 2>That's what made us want to do shattering the system.

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<v Speaker 2>Jamel Moore predicted his own death at the hands of

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<v Speaker 2>a man who lived at this address one two three

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<v Speaker 2>four North Laurel. Jamel's name, though, isn't as widely known

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<v Speaker 2>as ay Avon Martin or George Floyd let's listen to

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<v Speaker 2>a visual for Jamel Moore that took place near where

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<v Speaker 2>I'm standing.

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<v Speaker 9>Allowed them to know that God and God is still

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<v Speaker 9>in control.

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<v Speaker 7>You fight for the ones you love and I will

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<v Speaker 7>not stop until I get justice. Ed Buck needs to

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<v Speaker 7>be held to accountability for all the things that he's done.

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<v Speaker 2>It would take the death of another black gay man,

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<v Speaker 2>Timothy Dean, and an unlikely group of women to get justice.

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<v Speaker 2>And as we tell that story, there's also a story

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<v Speaker 2>here about how local government works and doesn't, how the

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<v Speaker 2>sex apps have changed the nature of gay life, media representation,

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<v Speaker 2>what happens or does not happen when a black person

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<v Speaker 2>goes missing, the opioid epidemic, and so much more. Jameel

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<v Speaker 2>Moore went to ed hooks of Turban on Rural Avenue

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<v Speaker 2>and ed injected into it's been killed. It was really horrific.

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<v Speaker 10>Yeah, a young man whose friends who I've talked to

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<v Speaker 10>say there was so much more to Jamel Moore.

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<v Speaker 2>That's Hank Scott. He is a pioneer in local journalism

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<v Speaker 2>and for years he's one of the few people who

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<v Speaker 2>took West Hollywood seriously. He's one of the dozens of

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<v Speaker 2>people that we're going to interview for this series. Now,

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<v Speaker 2>if we're going to make sense of one of the

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<v Speaker 2>most bizarre stories in Hollywood history, we're going to have

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<v Speaker 2>to give you context history. So we talked to a

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<v Speaker 2>roommate of one of the victims who made us think

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<v Speaker 2>not just about life in a neighborhood, but life in

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<v Speaker 2>America itself.

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<v Speaker 11>I don't want to offend anybody, but you know, in the

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<v Speaker 11>American society it does feel there is only one god,

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<v Speaker 11>and the only god that there is money. You know,

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<v Speaker 11>everybody is so attached to money, and you know, especially

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<v Speaker 11>in la you can see a lot of behavior that

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<v Speaker 11>you know, it's like you want to hang out with

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<v Speaker 11>people that can progress your career, that can open doors

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<v Speaker 11>for you, that can get you to the right party.

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<v Speaker 2>There are so many bizarre twists and connections to making

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<v Speaker 2>the season. For example, let's listen to part of the

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<v Speaker 2>interview that I did with Ludlow b. Query. He's a

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<v Speaker 2>former NAACP intern. He's now a defense attorney for Ed

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<v Speaker 2>Buck and he's the co counsul to Christopher Darden. You

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<v Speaker 2>may remember Darden because he prosecuted O. J. Simpson for

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<v Speaker 2>the murders of Ron Goldman. And Nicole Brown Simpson. He

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<v Speaker 2>lost that case. I have to ask the question that

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<v Speaker 2>I feel like the average black Angelino might say, which

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<v Speaker 2>would probably be something like, look, Chris Darden on the

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<v Speaker 2>wrong side yet again. I mean that is that's definitely

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<v Speaker 2>tell me that I'm wrong there.

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<v Speaker 3>If you look at it outside of the criminal justice

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<v Speaker 3>sphere or the criminal justice space, then I can understand

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<v Speaker 3>why people would say that. Yes, I mean ed Buck

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<v Speaker 3>is ay he was doing horrible things that resulted in

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<v Speaker 3>the deaths of two black men. He's accused of exploiting

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<v Speaker 3>black men in particular.

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<v Speaker 2>Exploiting black men in particular queer men. The death of

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<v Speaker 2>these men so close to my demographic, so close to

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<v Speaker 2>my actual home, and this all requires something different. You know.

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<v Speaker 2>A fan wrote to me that it never occurred to

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<v Speaker 2>him that I was gay, or for that matter, black.

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<v Speaker 2>That idea has genuinely come to horrify me. It occurred

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<v Speaker 2>to me that so many gay journalists sanitize gay life.

0:14:42.960 --> 0:14:45.760
<v Speaker 2>I know I avoided doing gay stories, and part of

0:14:45.800 --> 0:14:48.400
<v Speaker 2>this season is to tell the part of the story

0:14:48.480 --> 0:14:51.480
<v Speaker 2>that we gay men leave out. I've never been into

0:14:51.600 --> 0:14:54.800
<v Speaker 2>ed Buck's apartment, but I've been in apartments that are

0:14:54.840 --> 0:14:58.040
<v Speaker 2>not too far off. Later in the season, we'll talk

0:14:58.080 --> 0:15:01.240
<v Speaker 2>to a prosecutor who is using new tools to find

0:15:01.280 --> 0:15:02.480
<v Speaker 2>the next head buck.

0:15:04.480 --> 0:15:08.920
<v Speaker 12>I think it's really important not to accidentally do any

0:15:08.920 --> 0:15:12.520
<v Speaker 12>blame shifting or even sound like we're doing any blame shifting.

0:15:13.320 --> 0:15:17.360
<v Speaker 12>It is a great thing that we've reached a place

0:15:17.840 --> 0:15:23.600
<v Speaker 12>where gay people can be crowd and can be meeting

0:15:23.800 --> 0:15:28.880
<v Speaker 12>easily and online and non in secret. That is fantastic.

0:15:29.920 --> 0:15:33.360
<v Speaker 12>The problem is that there are bad people out there

0:15:33.440 --> 0:15:34.200
<v Speaker 12>exploiting it.

0:15:35.240 --> 0:15:38.160
<v Speaker 2>The point is to expose the way that people use

0:15:38.280 --> 0:15:41.360
<v Speaker 2>or abuse the system, not to select shame or blame

0:15:41.440 --> 0:15:44.920
<v Speaker 2>the victims or turn anyone into a boogeyman. But we've

0:15:44.920 --> 0:15:47.240
<v Speaker 2>got to spill the tea and show the part of

0:15:47.280 --> 0:15:51.400
<v Speaker 2>gay life, gay black life that isn't RuPaul's drag race.

0:15:51.920 --> 0:15:55.640
<v Speaker 2>There's another side to gay life that isn't singing Padam Padam.

0:15:55.760 --> 0:15:59.920
<v Speaker 4>On the way to pilates, he would dangle a disition

0:16:00.320 --> 0:16:04.080
<v Speaker 4>payments for people to take more drugs than they were

0:16:04.200 --> 0:16:08.360
<v Speaker 4>used to, or to slam or inject drugs when they

0:16:08.400 --> 0:16:12.400
<v Speaker 4>would otherwise have chosen only to smoke them. He would

0:16:12.720 --> 0:16:17.640
<v Speaker 4>put them in underwear and have them pose with very

0:16:17.640 --> 0:16:21.040
<v Speaker 4>specific lighting that he orchestrated in the background and take

0:16:21.080 --> 0:16:25.840
<v Speaker 4>photos of them, hundreds thousands of photos of them that

0:16:25.880 --> 0:16:29.520
<v Speaker 4>we found on his hard drives. It was just very specific,

0:16:29.600 --> 0:16:32.280
<v Speaker 4>and if you heard it only from one person, it

0:16:32.320 --> 0:16:36.880
<v Speaker 4>would be almost impossible to believe. But after the number

0:16:36.920 --> 0:16:39.800
<v Speaker 4>of accounts that I heard, I could practically finish the

0:16:40.120 --> 0:16:45.320
<v Speaker 4>victim's sentences because I was so attuned to this ritual.

0:16:49.560 --> 0:16:51.440
<v Speaker 2>We tell the story of what it takes to bring

0:16:51.520 --> 0:16:54.920
<v Speaker 2>down a wealthy, gay, white political donor, and how can

0:16:55.040 --> 0:16:59.480
<v Speaker 2>black queer men find justice in Boycetown. That and a

0:16:59.480 --> 0:17:13.000
<v Speaker 2>whole lot After a break, Welcome to Shattering the System.

0:17:13.000 --> 0:17:16.320
<v Speaker 2>I'm your host, Scenari Glinton. For years, I've walked past

0:17:16.400 --> 0:17:19.960
<v Speaker 2>one two three FOURD North Laurel Avenue, our neighborhood polling

0:17:19.960 --> 0:17:25.360
<v Speaker 2>place was actually across the street from this address. Apartment seventeen, though,

0:17:25.560 --> 0:17:28.160
<v Speaker 2>was the home of Ed Buck. Actually, you know what

0:17:28.400 --> 0:17:32.320
<v Speaker 2>names tell you a lot. Edward Bernard Peter Buck Melter.

0:17:32.800 --> 0:17:36.400
<v Speaker 2>He lived here for decades, essentially from the very beginning

0:17:36.400 --> 0:17:39.639
<v Speaker 2>of West Hollywood when it became a city. So what

0:17:39.680 --> 0:17:41.240
<v Speaker 2>we're going to have to do for this show is

0:17:41.320 --> 0:17:44.480
<v Speaker 2>kind of start at the end, because in twenty twenty one,

0:17:44.680 --> 0:17:48.199
<v Speaker 2>ed Buck was convicted of two counts of distribution of

0:17:48.240 --> 0:17:52.680
<v Speaker 2>methan fetamine resulting in death, four counts of distribution of

0:17:52.760 --> 0:17:56.200
<v Speaker 2>methan fetamine, one count of maintaining a drug involved premises,

0:17:56.480 --> 0:17:59.720
<v Speaker 2>and two counts of enticement to travel in interstate commerce

0:17:59.800 --> 0:18:03.199
<v Speaker 2>for prostitution. He was sentenced to thirty years in a

0:18:03.240 --> 0:18:06.479
<v Speaker 2>federal prison. In April of twenty twenty two, he was

0:18:06.520 --> 0:18:10.440
<v Speaker 2>convicted of giving fatal doses of meth amphetamine to two

0:18:10.600 --> 0:18:13.679
<v Speaker 2>gay black men. Two gay black men died in ed

0:18:13.680 --> 0:18:18.280
<v Speaker 2>Buck's apartment after he injected them with meth That's the

0:18:18.440 --> 0:18:22.000
<v Speaker 2>end of the story. But this podcast is about uncovering

0:18:22.160 --> 0:18:33.960
<v Speaker 2>hidden systems, remembering the forgotten and the forgotten heart. And

0:18:34.000 --> 0:18:36.359
<v Speaker 2>it's often too easy for the media to run with

0:18:36.480 --> 0:18:39.719
<v Speaker 2>just one version of who a victim is, to forget

0:18:39.760 --> 0:18:44.600
<v Speaker 2>that these people were deeply complex individuals. Let's listen to Octavia.

0:18:45.000 --> 0:18:48.320
<v Speaker 2>He was Timothy Dean's roommate. Timothy died at the hands

0:18:48.359 --> 0:18:51.480
<v Speaker 2>of ed Buck, but before that terrible night, he lived

0:18:51.480 --> 0:18:52.840
<v Speaker 2>in an incredibly rich life.

0:18:54.640 --> 0:18:59.320
<v Speaker 11>You know, I want to contribute to leaving the right

0:18:59.480 --> 0:19:01.280
<v Speaker 11>memory about him, and I want to say a good

0:19:01.320 --> 0:19:04.119
<v Speaker 11>memory the right memory about him. I think that this

0:19:04.200 --> 0:19:06.840
<v Speaker 11>is the story of a fifty year old man that

0:19:07.760 --> 0:19:15.440
<v Speaker 11>went through hell, purgatory and heaven, experienced life to the fullest,

0:19:15.680 --> 0:19:19.400
<v Speaker 11>made a lot of mistakes and a lot of right choices,

0:19:20.600 --> 0:19:24.639
<v Speaker 11>but always got back on his feet and try to

0:19:24.760 --> 0:19:25.960
<v Speaker 11>change his future for the better.

0:19:34.160 --> 0:19:35.840
<v Speaker 2>Why did it take so long for ed Buck to

0:19:35.840 --> 0:19:38.320
<v Speaker 2>be arrested or tried. I'll tell you what. I'll give

0:19:38.320 --> 0:19:42.720
<v Speaker 2>you a quick answer. Black bodies, actually, black queer bodies

0:19:43.119 --> 0:19:47.480
<v Speaker 2>do not matter until they do. In the queer world.

0:19:47.560 --> 0:19:52.360
<v Speaker 2>Black bodies are curiosities, commodities, toys, objects of hate. Did

0:19:52.359 --> 0:19:56.280
<v Speaker 2>I say black bodies, I mean our bodies, my body.

0:19:56.840 --> 0:19:59.600
<v Speaker 2>I am not surprised that this wasn't what the network's

0:19:59.680 --> 0:20:04.879
<v Speaker 2>call breaking news. If these men were any other color,

0:20:04.880 --> 0:20:07.240
<v Speaker 2>I wouldn't have to make a case for the national

0:20:07.359 --> 0:20:11.439
<v Speaker 2>or international implications of these lives that were lost. But

0:20:12.480 --> 0:20:15.199
<v Speaker 2>we will, and in the process, we'll show you the

0:20:15.240 --> 0:20:18.320
<v Speaker 2>systems that fail us, all the systems that make this

0:20:18.400 --> 0:20:21.680
<v Speaker 2>tragedy possible, Systems like the one run by the former

0:20:21.800 --> 0:20:25.680
<v Speaker 2>LA County District Attorney Jackie Lacy. Now these are protesters

0:20:25.680 --> 0:20:29.080
<v Speaker 2>demanding her ouster after she failed to prosecute at Buck.

0:20:41.680 --> 0:20:44.600
<v Speaker 2>You may not have thought much about West Hollywood. After all,

0:20:44.640 --> 0:20:47.600
<v Speaker 2>it's a relatively new city, carved out of the vastness

0:20:47.680 --> 0:20:51.160
<v Speaker 2>of La County in nineteen eighty four by an unlikely

0:20:51.240 --> 0:20:56.000
<v Speaker 2>coalition of gays, Lesbians, Russian immigrants, and rent control advocates.

0:20:56.920 --> 0:20:59.960
<v Speaker 2>I've lived here for ten years. Maybe you haven't thought

0:21:00.119 --> 0:21:02.520
<v Speaker 2>about it, but West Hollywood is where if you've ever

0:21:02.560 --> 0:21:05.800
<v Speaker 2>thought about moving to Hollywood, the image you have in

0:21:05.840 --> 0:21:10.040
<v Speaker 2>your mind, that's of West Hollywood, The Sunset Strip, the

0:21:10.160 --> 0:21:14.120
<v Speaker 2>Chateau Marmont, the whiskey of Go Go. That's all considered

0:21:14.200 --> 0:21:17.919
<v Speaker 2>what we lovingly call wee hoo ed Buck, or at

0:21:18.000 --> 0:21:21.080
<v Speaker 2>least his story is widely known here in West Hollywood,

0:21:21.440 --> 0:21:23.040
<v Speaker 2>and I just want to stop and talk to a

0:21:23.040 --> 0:21:26.720
<v Speaker 2>couple of neighbors to get some impressions. Hey, do you

0:21:26.760 --> 0:21:29.000
<v Speaker 2>mind if I asked your question or two? I'm a reporter.

0:21:29.320 --> 0:21:32.240
<v Speaker 2>How long have you lived in West Hollywood? Twenty five years?

0:21:32.359 --> 0:21:35.480
<v Speaker 2>You know, how would you describe West Hollywood to someone

0:21:35.920 --> 0:21:38.080
<v Speaker 2>who has never been to Hollywood.

0:21:39.320 --> 0:21:43.120
<v Speaker 10>It's very vivid, it's a lot of different it's very diversified.

0:21:43.200 --> 0:21:47.080
<v Speaker 10>A lot of different people live here. Also, young people

0:21:47.280 --> 0:21:52.720
<v Speaker 10>that are some what some are gay, and they used

0:21:52.720 --> 0:21:57.400
<v Speaker 10>to be more gay percentage than now. Now it's very mixed.

0:21:58.640 --> 0:22:03.560
<v Speaker 10>I would say it's a quiet, safe neighborhood. It's convenient.

0:22:04.240 --> 0:22:05.600
<v Speaker 2>The walkability is what you're like.

0:22:05.680 --> 0:22:08.040
<v Speaker 10>Yeah, oh yes, everything's walking distance.

0:22:09.600 --> 0:22:12.239
<v Speaker 2>This is likely where your favorite star lived before they

0:22:12.240 --> 0:22:16.200
<v Speaker 2>were famous, or lives now, or in some cases, where

0:22:16.200 --> 0:22:22.000
<v Speaker 2>they were found dead. The difference between West Hollywood and

0:22:22.080 --> 0:22:25.399
<v Speaker 2>the idea of West Hollywood is the dream of the

0:22:25.480 --> 0:22:28.320
<v Speaker 2>thing and its reality. You know, like, literally less than

0:22:28.359 --> 0:22:31.520
<v Speaker 2>one hundred yards away from here, I saw Keanu Reeves

0:22:31.680 --> 0:22:36.000
<v Speaker 2>driving looking exactly like Keanu Reeves in his Porsche. My

0:22:36.119 --> 0:22:39.639
<v Speaker 2>favorite one is seeing Paul McCartney driving down Fountain in

0:22:39.720 --> 0:22:45.879
<v Speaker 2>an Anti Corvette, singing to himself, this is the dream

0:22:46.040 --> 0:22:55.399
<v Speaker 2>of Hollywood. Tell you what. I've never reported on Hollywood,

0:22:55.480 --> 0:22:58.640
<v Speaker 2>but I've always wondered what would happen if we say,

0:22:58.760 --> 0:23:01.800
<v Speaker 2>took the rigor that we turned on Chicago politics and

0:23:01.840 --> 0:23:06.560
<v Speaker 2>put in on Hollywood. Hollywood is this crazy thing, y'all

0:23:07.040 --> 0:23:11.399
<v Speaker 2>that distracts people. The desire to be in Hollywood is

0:23:11.480 --> 0:23:17.000
<v Speaker 2>what Hollywood is really about. For every Hollywood story, there's

0:23:17.000 --> 0:23:22.080
<v Speaker 2>often a world that is so much darker here's ed

0:23:22.119 --> 0:23:26.240
<v Speaker 2>Buck's defense attorney Ludlow query again, the La is a jungle.

0:23:27.000 --> 0:23:27.960
<v Speaker 2>You got to be careful.

0:23:28.440 --> 0:23:34.960
<v Speaker 3>You know, this city is very deceptive because it's beautiful,

0:23:35.160 --> 0:23:39.760
<v Speaker 3>the weather's beautiful, the people are beautiful. But there is

0:23:40.040 --> 0:23:43.480
<v Speaker 3>so much darkness in this city. And it's always been there.

0:23:44.440 --> 0:23:46.200
<v Speaker 3>It's always been there. You got to be careful.

0:23:47.920 --> 0:23:49.879
<v Speaker 2>That's what we're going to try to unpack here this season.

0:23:50.280 --> 0:23:53.000
<v Speaker 2>And after a career of being polite and following the

0:23:53.080 --> 0:23:56.320
<v Speaker 2>rules of journalism, we've gathered an amazing team to help

0:23:56.359 --> 0:23:59.160
<v Speaker 2>me look beyond the obvious. I've always thought the way

0:23:59.200 --> 0:24:01.720
<v Speaker 2>that Barack Obama must say he felt about Trayvon Martin,

0:24:02.240 --> 0:24:04.240
<v Speaker 2>well that's the way I feel about these men whose

0:24:04.320 --> 0:24:09.000
<v Speaker 2>lives ended in that Bucks apartment. I feel a responsibility.

0:24:09.520 --> 0:24:12.520
<v Speaker 2>And most news organizations don't want to talk about sex

0:24:12.600 --> 0:24:15.960
<v Speaker 2>or black men, or gay men, or about sex workers.

0:24:16.960 --> 0:24:20.280
<v Speaker 2>Let's listen to the former La County District Attorney Jackie Lacy.

0:24:21.080 --> 0:24:25.760
<v Speaker 6>We can't file a criminal case based on who has

0:24:25.840 --> 0:24:27.680
<v Speaker 6>the loudest voice and we.

0:24:27.640 --> 0:24:28.720
<v Speaker 2>Go out there and arrest him.

0:24:28.720 --> 0:24:31.880
<v Speaker 6>Now, the clock starts ticking, and it wouldn't be ethical

0:24:31.960 --> 0:24:35.440
<v Speaker 6>right now to arrest him until we really had the evidence.

0:24:36.320 --> 0:24:39.160
<v Speaker 5>And there were thousands of videos on his computer.

0:24:44.200 --> 0:24:48.040
<v Speaker 2>Ed Buck used the system because no one was supposed

0:24:48.080 --> 0:24:51.000
<v Speaker 2>to believe gay black men. He counted on a lack

0:24:51.040 --> 0:24:58.919
<v Speaker 2>of outrage. So what is this show? How are you

0:24:59.000 --> 0:25:02.480
<v Speaker 2>going to go about this? Well, specifically, this is a

0:25:02.520 --> 0:25:12.080
<v Speaker 2>story about homelessness, power, drugs, money, sex, race, sexual consent, HIV, stigma,

0:25:12.440 --> 0:25:14.520
<v Speaker 2>and all of those things that came to a head

0:25:14.560 --> 0:25:18.720
<v Speaker 2>in ed Buck's apartment one two three four North Laurel Avenue.

0:25:19.000 --> 0:25:22.199
<v Speaker 2>Just like there's a dark underbelly of Hollywood. This is

0:25:22.240 --> 0:25:25.280
<v Speaker 2>a story about two men who died tragically, but it's

0:25:25.320 --> 0:25:28.480
<v Speaker 2>also a story about strength and resilience, and that's why

0:25:28.480 --> 0:25:31.240
<v Speaker 2>we want to tell it. But let's be clear. The

0:25:31.280 --> 0:25:34.119
<v Speaker 2>only reason we are here today, and the only reason

0:25:34.359 --> 0:25:37.199
<v Speaker 2>ed Buck is finally in jail, is because one of

0:25:37.200 --> 0:25:40.919
<v Speaker 2>his victims predicted his own death and wrote about it.

0:25:43.760 --> 0:25:46.360
<v Speaker 2>Jamelle Moore died on a cold mattress with no one

0:25:46.359 --> 0:25:49.080
<v Speaker 2>there to comfort him, and nothing I can say in

0:25:49.160 --> 0:25:52.240
<v Speaker 2>this show will bring him back. However, he left the

0:25:52.280 --> 0:25:55.639
<v Speaker 2>diary to tell us his story. You see, Matthew Shepherd

0:25:55.760 --> 0:25:58.960
<v Speaker 2>was killed twenty five years ago this October, and the

0:25:59.040 --> 0:26:02.520
<v Speaker 2>murder of a gay white man in Wyoming was covered

0:26:02.520 --> 0:26:05.440
<v Speaker 2>wall the wall. They even did an HBO movie about

0:26:05.440 --> 0:26:07.840
<v Speaker 2>his life in this park where I've made my way

0:26:07.880 --> 0:26:11.959
<v Speaker 2>to and these bagpipes that you hear are in tribute

0:26:12.040 --> 0:26:15.720
<v Speaker 2>to his memory. In many ways, Jamel Moore's words are

0:26:15.840 --> 0:26:19.800
<v Speaker 2>his memorial. So in our next episode, we hear from

0:26:19.840 --> 0:26:24.040
<v Speaker 2>a victim in his own words, the power of Jamel

0:26:24.119 --> 0:26:51.800
<v Speaker 2>Moore's diary. That's next Week. Shattering the System is a

0:26:51.840 --> 0:26:56.399
<v Speaker 2>production of Macro Studios and iHeart Podcasts. I'm Your Host

0:26:56.600 --> 0:26:59.200
<v Speaker 2>Scenari Englinton. Follow me at s O N A R

0:26:59.280 --> 0:27:05.080
<v Speaker 2>I one on Instagram. Our series executive producers are Charles King,

0:27:05.400 --> 0:27:09.800
<v Speaker 2>Asha Corpus, Win, Royo Reccio, Jonathan Hunger, Lindsay Hoffman, and

0:27:10.520 --> 0:27:13.639
<v Speaker 2>Scenari Lynton. That's Me. Our show is co written and

0:27:13.640 --> 0:27:17.480
<v Speaker 2>produced by Ralph Cooper, The Iird and ben Corey Jones.

0:27:17.960 --> 0:27:21.760
<v Speaker 2>Erica Rodriguez is our associate producer. Dana Conway is our

0:27:21.880 --> 0:27:26.080
<v Speaker 2>archival producer, Chris Mann is our audio engineer, and Lisa

0:27:26.119 --> 0:27:30.360
<v Speaker 2>Pollock is our consulting editor. Sound design and music provided

0:27:30.359 --> 0:27:33.600
<v Speaker 2>by Chris Mann with pod Shaper Special thanks to Karen

0:27:33.600 --> 0:27:38.680
<v Speaker 2>Griggsby Bates and Porsa, Mikas Robertson clips provided by TYT Network,

0:27:38.800 --> 0:27:43.479
<v Speaker 2>The Young Turks, additional clips from Joville and Spectrum News.

0:27:43.840 --> 0:27:46.639
<v Speaker 2>We'll be back next week with they told him to

0:27:46.720 --> 0:27:49.879
<v Speaker 2>go away. That's on the next shatter in the system.

0:27:50.000 --> 0:27:51.040
<v Speaker 2>Thank you for listening.