1 00:00:00,160 --> 00:00:05,360 Speaker 1: Hey, everybody, Donald phased on, Joel Monique and DJ Daniel, 2 00:00:05,559 --> 00:00:09,160 Speaker 1: How are you exactly? How you doing? Are you? Bro? 3 00:00:09,480 --> 00:00:11,880 Speaker 1: I feel great? Listen. Our Super Bowl ad was a 4 00:00:12,000 --> 00:00:16,119 Speaker 1: huge hit. I think Donald, oh yeah, monster head. I 5 00:00:16,239 --> 00:00:19,520 Speaker 1: heard a lot of people watched it. It we um, 6 00:00:19,600 --> 00:00:22,160 Speaker 1: we feel great. Thank you everybody for watching it, and 7 00:00:22,320 --> 00:00:25,360 Speaker 1: uh listen. I think if you listen to this podcast, 8 00:00:25,440 --> 00:00:28,080 Speaker 1: you know that Donald phase On and I love musicals. 9 00:00:28,120 --> 00:00:30,880 Speaker 1: We love singing and dance, and I don't think either 10 00:00:30,920 --> 00:00:32,839 Speaker 1: one of us we were little kids ever thought we'd 11 00:00:32,880 --> 00:00:36,159 Speaker 1: get a chance to sing Greece with Travolta. So that 12 00:00:36,240 --> 00:00:39,720 Speaker 1: was little little little Zach and little Donald. We're smiling 13 00:00:39,800 --> 00:00:46,040 Speaker 1: ear to ear. Listen. I was nervous at first because 14 00:00:46,040 --> 00:00:49,800 Speaker 1: I watched the whole Super Bowl and the ad didn't 15 00:00:49,800 --> 00:00:52,440 Speaker 1: come on. You thought you thought you didn't weren't gonna 16 00:00:52,479 --> 00:00:54,840 Speaker 1: make the cut. I thought we like last year, I 17 00:00:54,880 --> 00:00:58,680 Speaker 1: was like, when is it gonna come on? And then 18 00:00:58,920 --> 00:01:03,240 Speaker 1: the two minute warning had the most insane placement. That 19 00:01:03,440 --> 00:01:06,720 Speaker 1: is amazing. I gotta tell you I don't normally watch 20 00:01:06,800 --> 00:01:10,920 Speaker 1: the game, um because I could honestly care less, but 21 00:01:11,000 --> 00:01:13,399 Speaker 1: this year I was because we had the spot and 22 00:01:13,480 --> 00:01:16,319 Speaker 1: I was. I just I actually watched the game and 23 00:01:16,360 --> 00:01:18,840 Speaker 1: it was fucking incredible, Like it made me want to 24 00:01:18,840 --> 00:01:21,440 Speaker 1: like get into football. That was such a good game. 25 00:01:21,680 --> 00:01:24,560 Speaker 1: If you want to get into football, I recommend fantasy football. 26 00:01:25,760 --> 00:01:27,920 Speaker 1: You not only would get into football, you will know 27 00:01:28,000 --> 00:01:31,480 Speaker 1: everything about football because you will have that feels like 28 00:01:31,480 --> 00:01:33,640 Speaker 1: double black diamond when I'm talking about a green circle. 29 00:01:33,800 --> 00:01:36,440 Speaker 1: Now into the right you get into the right fantasy 30 00:01:36,480 --> 00:01:38,319 Speaker 1: football thing. All you gotta do is just find a 31 00:01:38,319 --> 00:01:41,080 Speaker 1: couple of names. Everyone who's telling me that was a 32 00:01:41,120 --> 00:01:43,959 Speaker 1: particularly amazing game. Yeah, but you said if you want 33 00:01:43,959 --> 00:01:45,520 Speaker 1: to get into football, you want to watch it, right. 34 00:01:46,040 --> 00:01:49,160 Speaker 1: All I'm saying is I get it. Truly watched the 35 00:01:49,280 --> 00:01:52,600 Speaker 1: game and I was I got excited to it. It 36 00:01:52,680 --> 00:01:56,800 Speaker 1: was such a good sporting contest. And then at the 37 00:01:56,840 --> 00:02:00,280 Speaker 1: apex of the fucking thing tied at the end, just 38 00:02:00,320 --> 00:02:01,960 Speaker 1: what I was thinking, the same thing, like fucking did 39 00:02:01,960 --> 00:02:04,080 Speaker 1: they clutter and add what the fuck? And just at 40 00:02:04,080 --> 00:02:07,840 Speaker 1: the fucking apex of the ship they played our spot. Yeah, 41 00:02:07,840 --> 00:02:10,640 Speaker 1: I'm sorry, I got excited. All I heard was I 42 00:02:10,680 --> 00:02:14,320 Speaker 1: think I'm gonna get into football, and my fucking heart 43 00:02:14,400 --> 00:02:17,320 Speaker 1: skipped a beat. I could. I'm saying I could. I 44 00:02:17,360 --> 00:02:21,240 Speaker 1: think it was like this is about to level. I 45 00:02:21,280 --> 00:02:24,280 Speaker 1: like Mahomes. I'm a Kansas City fan. I think because 46 00:02:24,280 --> 00:02:27,120 Speaker 1: of Mahomes, I just like him. He's a good He's 47 00:02:27,160 --> 00:02:30,760 Speaker 1: the best football player in the National Football League. He 48 00:02:30,840 --> 00:02:34,840 Speaker 1: is the best best, He's the best football player. Yet also, again, 49 00:02:34,919 --> 00:02:36,280 Speaker 1: I have a question for you, and this is coming 50 00:02:36,280 --> 00:02:37,960 Speaker 1: from someone who knows nothing about the sport, Danil, do 51 00:02:38,000 --> 00:02:41,359 Speaker 1: you follow football? Not really, but well, do you follow football? 52 00:02:41,960 --> 00:02:44,919 Speaker 1: I'll follow Chicago football until it's clear we're not doing 53 00:02:45,000 --> 00:02:47,880 Speaker 1: anything this season, and then tap out. Okay, I know 54 00:02:48,080 --> 00:02:50,560 Speaker 1: very little, so you tapped out pretty early this year, 55 00:02:50,720 --> 00:02:53,880 Speaker 1: pretty freaking early. Donald felt to me, Donald, since you're 56 00:02:53,919 --> 00:02:56,520 Speaker 1: the football expert on the podcast, that the game was 57 00:02:56,600 --> 00:02:59,080 Speaker 1: moving so fast. My experience with football is that like 58 00:02:59,120 --> 00:03:04,119 Speaker 1: it feels slow and boring, like this just never stopped, right. 59 00:03:04,240 --> 00:03:08,520 Speaker 1: I think that's everybody's I think that's I think that's everybody's. 60 00:03:08,960 --> 00:03:11,440 Speaker 1: If you're not into football, or you did you don't 61 00:03:11,480 --> 00:03:15,840 Speaker 1: watch football, I think that's everybody's feeling of what football is. 62 00:03:15,919 --> 00:03:19,760 Speaker 1: But all you have to do is watch, like you said, 63 00:03:19,800 --> 00:03:22,600 Speaker 1: one good game like that, and you'll notice that there 64 00:03:22,600 --> 00:03:24,960 Speaker 1: are a lot of great games in football during the season, 65 00:03:25,000 --> 00:03:26,760 Speaker 1: there are a lot of games like that. It's rare 66 00:03:26,800 --> 00:03:29,040 Speaker 1: that it's the super Bowl where you get a good one, 67 00:03:29,080 --> 00:03:32,000 Speaker 1: But during the season, with all of the teams that 68 00:03:32,040 --> 00:03:34,360 Speaker 1: there are, you get games like this all the time 69 00:03:34,440 --> 00:03:38,480 Speaker 1: where it's you know, action packed. Now, my friend told me, 70 00:03:38,760 --> 00:03:41,000 Speaker 1: our friend Kerrie Brothers, who I was watching with, told 71 00:03:41,040 --> 00:03:44,480 Speaker 1: me that it's like Moneyball, the movie Moneyball, in a 72 00:03:44,480 --> 00:03:47,360 Speaker 1: sense that some of these young coaches are doing things 73 00:03:47,560 --> 00:03:50,960 Speaker 1: because of stats and numbers. That it's like going on 74 00:03:51,120 --> 00:03:53,880 Speaker 1: like going on fourth down. I don't I never again, 75 00:03:53,880 --> 00:03:55,840 Speaker 1: I don't watch much football, but I always thought no 76 00:03:55,880 --> 00:03:57,720 Speaker 1: one went on fourth down and they were on fourth 77 00:03:57,760 --> 00:04:00,760 Speaker 1: down like crazy. Now it's all analytics and like football 78 00:04:00,840 --> 00:04:02,960 Speaker 1: is a great analytical sport because you can play it 79 00:04:03,000 --> 00:04:06,040 Speaker 1: through and that's what fantasy football is. You're playing numbers, 80 00:04:06,280 --> 00:04:08,880 Speaker 1: you know what I mean, and what you think. You 81 00:04:08,880 --> 00:04:11,560 Speaker 1: know players will do based on what they've done in 82 00:04:11,600 --> 00:04:15,040 Speaker 1: the past. And that's how coaches play football too, you 83 00:04:15,040 --> 00:04:19,960 Speaker 1: know what I mean, you have you know, players play 84 00:04:20,000 --> 00:04:22,279 Speaker 1: it with their heart, blood, sweat and tears and stuff 85 00:04:22,279 --> 00:04:25,359 Speaker 1: like that. Coaches who don't play football are playing the 86 00:04:25,440 --> 00:04:28,360 Speaker 1: numbers and who they think has the best odds of 87 00:04:28,480 --> 00:04:30,920 Speaker 1: beating this and what plays have the best odd of 88 00:04:31,320 --> 00:04:33,919 Speaker 1: you know, should we be in a nickel? Should we 89 00:04:33,960 --> 00:04:36,200 Speaker 1: be in a dime? You know what I mean? You 90 00:04:36,200 --> 00:04:38,400 Speaker 1: know what I mean? Are we going to go in 91 00:04:38,440 --> 00:04:41,400 Speaker 1: a shotgun? Right? Well? I just saw that, you know, 92 00:04:42,040 --> 00:04:43,840 Speaker 1: Kerry was telling me they've done some things to make 93 00:04:43,880 --> 00:04:46,000 Speaker 1: the game move faster. They've done some things that are 94 00:04:46,320 --> 00:04:49,160 Speaker 1: changing up the sport because to make it more exciting. 95 00:04:49,240 --> 00:04:52,160 Speaker 1: I told I just saw in baseball. They My brother, 96 00:04:52,200 --> 00:04:55,400 Speaker 1: who's a baseball fanatic, told me that they've made the 97 00:04:55,440 --> 00:05:01,560 Speaker 1: basses bigger to inspire stealing, because stealing has become less 98 00:05:02,560 --> 00:05:07,279 Speaker 1: popular and they want to encourage stealing because it's exciting. Dan, Yeah, 99 00:05:07,279 --> 00:05:09,159 Speaker 1: it is exciting. I mean, I don't know about that 100 00:05:09,200 --> 00:05:10,719 Speaker 1: from like a stat standpoint, that may or may not 101 00:05:10,720 --> 00:05:12,080 Speaker 1: be true. I mean, I believe you you're telling me. 102 00:05:12,200 --> 00:05:15,680 Speaker 1: Why would they make My brother, who's like obsessed with baseball, 103 00:05:15,720 --> 00:05:17,400 Speaker 1: told me this because because I read in the news 104 00:05:17,480 --> 00:05:22,120 Speaker 1: they made basses bigger. I mean, stealing super exciting. All 105 00:05:22,160 --> 00:05:24,240 Speaker 1: I know. I know analytics plays a big role in 106 00:05:24,279 --> 00:05:26,480 Speaker 1: baseball as well. You know, to be Moneyball, that was 107 00:05:26,520 --> 00:05:28,960 Speaker 1: an amazing movie. If you haven't seen an audience Brad. 108 00:05:29,000 --> 00:05:30,800 Speaker 1: You know, you had me in Brad Pitt. But it's 109 00:05:30,839 --> 00:05:34,559 Speaker 1: also an incredible movie. I don't know if analytics plays 110 00:05:34,600 --> 00:05:37,080 Speaker 1: that big of a role in basketball, but in baseball 111 00:05:37,360 --> 00:05:44,120 Speaker 1: and in footballis nodding totally of course, absolutely drawing fouls 112 00:05:44,160 --> 00:05:46,080 Speaker 1: so you can take free throws. That's like, you know, 113 00:05:46,200 --> 00:05:48,240 Speaker 1: that's the gamesmanship of the NBA, like it used to 114 00:05:48,240 --> 00:05:49,880 Speaker 1: be if someone went up for right. But they're trying 115 00:05:49,880 --> 00:05:53,960 Speaker 1: to eliminate that though. Yeah, they're still figuring out ways 116 00:05:53,960 --> 00:05:57,040 Speaker 1: around it. I mean, but what I'm saying, somebody like 117 00:05:57,200 --> 00:05:59,520 Speaker 1: James Harden, who went to the line like twenty seven 118 00:05:59,560 --> 00:06:03,159 Speaker 1: times twenty eight times a night, is now going way 119 00:06:03,279 --> 00:06:05,320 Speaker 1: less than that. So you're right, this is a change 120 00:06:05,320 --> 00:06:07,920 Speaker 1: that's being made. But the question was our analytics applied 121 00:06:07,960 --> 00:06:10,279 Speaker 1: to things like basketball? And the answer is certainly yes. 122 00:06:11,680 --> 00:06:14,960 Speaker 1: By free through free throws, that's what you're saying, through 123 00:06:15,000 --> 00:06:17,839 Speaker 1: free throws, through defensive choices, like, there's all sorts of 124 00:06:17,839 --> 00:06:19,400 Speaker 1: things that apply it to like you know, the games 125 00:06:19,400 --> 00:06:21,920 Speaker 1: and ship that goes into being better at basketball. But 126 00:06:22,760 --> 00:06:26,080 Speaker 1: Shack Daddy always Shaq Daddy always says, you know, analytics, 127 00:06:26,080 --> 00:06:31,479 Speaker 1: shmanalytics you know what I mean, I kind of agree. 128 00:06:32,040 --> 00:06:34,920 Speaker 1: Agree When it comes from basketball, man, you can't. The 129 00:06:35,000 --> 00:06:38,200 Speaker 1: creativity that comes in basketball is way different than the 130 00:06:38,279 --> 00:06:41,359 Speaker 1: creativity and football and in base So we'll have to 131 00:06:41,400 --> 00:06:43,440 Speaker 1: have one of these coaches on in the near future 132 00:06:43,520 --> 00:06:45,720 Speaker 1: to talk about how they use analytics. I would love 133 00:06:45,800 --> 00:06:50,000 Speaker 1: to have a coach. I would love to have Popovich, Popovich, 134 00:06:50,160 --> 00:06:53,800 Speaker 1: Jason Kidd, Mark Jackson. I would love to have any 135 00:06:53,839 --> 00:06:55,440 Speaker 1: of them on this show. The only one I've a 136 00:06:55,520 --> 00:06:58,800 Speaker 1: coach I've met and I'm embarrassed and I forgot his name, 137 00:06:58,880 --> 00:07:02,719 Speaker 1: So don't judge me. Everyone but the Clippers coach? Wait, 138 00:07:02,760 --> 00:07:07,160 Speaker 1: which one they have? The doctor Doc Doc Doc. He's 139 00:07:07,200 --> 00:07:10,080 Speaker 1: not the Clippers coach anymore. He's the Philadelphia seventy six 140 00:07:10,520 --> 00:07:12,560 Speaker 1: I've met him a few times. I met him a 141 00:07:12,560 --> 00:07:14,960 Speaker 1: few times, and I have a friend who's friends with him, 142 00:07:14,960 --> 00:07:17,280 Speaker 1: so he's he's a chance we could get. Maybe I'll 143 00:07:17,320 --> 00:07:21,040 Speaker 1: be amazing legend. My uncle is a basketball coach. It's 144 00:07:21,040 --> 00:07:23,520 Speaker 1: not coaching right now, but he was. Who's your uncle. 145 00:07:23,880 --> 00:07:26,360 Speaker 1: His name is Jim O'Brien. He coached the seventy six ers. 146 00:07:26,400 --> 00:07:29,600 Speaker 1: Coach the Boss, Jim O'Brien is Jim O'Brien is your uncle. Yeah, 147 00:07:29,600 --> 00:07:39,120 Speaker 1: it's my uncle. What he knows about animals? Okay, I 148 00:07:39,120 --> 00:07:41,200 Speaker 1: don't know if our audience, I just don't know if 149 00:07:41,240 --> 00:07:43,240 Speaker 1: they down after the show, if they want to go 150 00:07:43,320 --> 00:07:45,600 Speaker 1: down on basketball wormhole right right, well, this might be 151 00:07:45,680 --> 00:07:48,520 Speaker 1: enough for I do. They might have said, Hey, guys, 152 00:07:48,560 --> 00:07:50,760 Speaker 1: thanks for the sports talk? What else you got? Right? 153 00:07:50,840 --> 00:07:54,520 Speaker 1: When thanks talk? When are you going to talk about Scrubs? 154 00:07:54,520 --> 00:07:56,400 Speaker 1: We are going to talk about Scrubs, but something else 155 00:07:56,400 --> 00:07:57,840 Speaker 1: I wanted to talk about. We're trying to think what 156 00:07:57,880 --> 00:07:59,600 Speaker 1: it was. Oh, there's so many things I want to talk, 157 00:07:59,680 --> 00:08:02,080 Speaker 1: so many things to talk about. Are you going to 158 00:08:02,120 --> 00:08:04,760 Speaker 1: talk about the Last of Us? Daniel, and And and 159 00:08:04,920 --> 00:08:07,280 Speaker 1: Joel want to watch the latest one, The Last of Us? 160 00:08:07,640 --> 00:08:10,040 Speaker 1: So you're watching the Last of Us? Now? I'm actually 161 00:08:10,280 --> 00:08:14,320 Speaker 1: going I'm obsessed with finishing the Boys because it's just 162 00:08:14,760 --> 00:08:19,800 Speaker 1: so incredible. I watched the hero Gasm episode, Yes, that was. 163 00:08:21,640 --> 00:08:23,920 Speaker 1: It's just such a fun show. The writing is so good, 164 00:08:23,960 --> 00:08:26,400 Speaker 1: the acting is so good. There's no reason. It doesn't 165 00:08:26,400 --> 00:08:30,000 Speaker 1: make any sense that those leads have not been nominated 166 00:08:30,040 --> 00:08:32,200 Speaker 1: for awards. I know they do. You know that these 167 00:08:32,760 --> 00:08:36,480 Speaker 1: I know that they Awards. People stray away from action. 168 00:08:36,600 --> 00:08:40,359 Speaker 1: But the talent on this show is is just incredible, 169 00:08:41,880 --> 00:08:45,120 Speaker 1: A great, great show. I'm really loving it. Um, that's 170 00:08:45,120 --> 00:08:47,199 Speaker 1: what I'm watching lately. I'm a little behind on the 171 00:08:47,280 --> 00:08:49,920 Speaker 1: Last of Us. It has been good. I'm not watching. 172 00:08:50,000 --> 00:08:52,600 Speaker 1: I'm not watching. I haven't watched it. You only miss 173 00:08:52,600 --> 00:08:54,400 Speaker 1: one episode if you watched episode three. Episode four is 174 00:08:54,400 --> 00:08:56,240 Speaker 1: the only other one that's out now, Donald, did you 175 00:08:56,240 --> 00:08:58,240 Speaker 1: want Are you excited? There's a marvel thing coming out 176 00:08:58,240 --> 00:08:59,520 Speaker 1: and here's something you weigh in? I don't know you're 177 00:08:59,520 --> 00:09:04,800 Speaker 1: excited for aunt Man three? Well? You know former cast 178 00:09:04,840 --> 00:09:09,000 Speaker 1: member of mine from well known movie called Clueless is 179 00:09:09,040 --> 00:09:11,720 Speaker 1: the star of aunt Yes, so he love everybody loves 180 00:09:11,720 --> 00:09:16,240 Speaker 1: Paul rod Donald. I was not invited to the premiere, 181 00:09:16,360 --> 00:09:27,480 Speaker 1: but I I appreciate from Afar how well he's done. Um, Paul, 182 00:09:28,600 --> 00:09:31,360 Speaker 1: way to go aunt Okay, everyone else, Paul, are you 183 00:09:31,360 --> 00:09:35,440 Speaker 1: excited about the movie? Doesn't look like it? Joel? I 184 00:09:35,480 --> 00:09:37,920 Speaker 1: am very I am you saw saw it good? Yeah, 185 00:09:39,280 --> 00:09:43,400 Speaker 1: you don't have to spoil anything. Give a two second review, 186 00:09:43,400 --> 00:09:45,560 Speaker 1: which I know Joel so well. After a hundred and 187 00:09:51,200 --> 00:09:53,360 Speaker 1: we've done one hundred and fifty episodes of the show 188 00:09:53,400 --> 00:09:56,760 Speaker 1: and I know, but she's gonna be so tactful. Watch 189 00:09:56,800 --> 00:09:59,760 Speaker 1: she's gonna be Look, everyone has the things they like. 190 00:10:04,520 --> 00:10:09,320 Speaker 1: The action in comedy is spectacular, truly, it's it's so funny. 191 00:10:09,320 --> 00:10:11,000 Speaker 1: It's one of the hardest I've left in an MC 192 00:10:11,280 --> 00:10:15,319 Speaker 1: movie in a minute. I just think Disney has to 193 00:10:15,360 --> 00:10:17,720 Speaker 1: find a way to bring actual fear because that is 194 00:10:17,720 --> 00:10:19,920 Speaker 1: how we empathize with characters, and it's what I think 195 00:10:20,000 --> 00:10:23,720 Speaker 1: really brings an audience into that dope. Yeah, and it's 196 00:10:23,760 --> 00:10:25,800 Speaker 1: what makes it mean. If you look at the last 197 00:10:25,960 --> 00:10:29,640 Speaker 1: to the Infinity War an end game, their fear all 198 00:10:29,720 --> 00:10:32,440 Speaker 1: we're worried about Iron Man? Is Peter going to come back? 199 00:10:32,600 --> 00:10:35,000 Speaker 1: Like there's a lot of you know, they were really 200 00:10:35,000 --> 00:10:37,640 Speaker 1: able to build in fear into those movies, and since then, 201 00:10:37,679 --> 00:10:40,080 Speaker 1: I think, all through Phase four and now as we 202 00:10:40,080 --> 00:10:43,319 Speaker 1: tiptoe into Phase five, that fear is gone. I need 203 00:10:43,360 --> 00:10:45,480 Speaker 1: to worry that someone's gonna die. I need to really 204 00:10:45,520 --> 00:10:48,520 Speaker 1: the stakes need to be beyond the world by end. 205 00:10:48,720 --> 00:10:50,800 Speaker 1: But now it might be love these movies, but now 206 00:10:50,800 --> 00:10:53,960 Speaker 1: that they've killed Iron Man and Captain America, it's so 207 00:10:54,120 --> 00:10:57,040 Speaker 1: hard to develop that who are you going to fall 208 00:10:57,080 --> 00:10:59,880 Speaker 1: in love with? Again, Peter Parker. You know that can't last. 209 00:11:00,000 --> 00:11:02,319 Speaker 1: So everybody's geared up and ready for that to happen, 210 00:11:02,400 --> 00:11:04,120 Speaker 1: you know what I mean. Yeah, but you've seen plenty 211 00:11:04,160 --> 00:11:06,720 Speaker 1: of films where the stakes are just is this person 212 00:11:06,800 --> 00:11:09,280 Speaker 1: going to say I like you back? Is right? You know? 213 00:11:09,320 --> 00:11:12,960 Speaker 1: Am I gonna earn my parents' trust or respect back? Like, 214 00:11:13,240 --> 00:11:15,000 Speaker 1: you don't have to have an end of the world 215 00:11:15,080 --> 00:11:18,480 Speaker 1: scenario in order for us to really empathize with what 216 00:11:18,520 --> 00:11:21,360 Speaker 1: a character is going through. And I wish Marvel would 217 00:11:21,360 --> 00:11:25,199 Speaker 1: make smaller, more emotionally impactful movies so that when we 218 00:11:25,280 --> 00:11:27,560 Speaker 1: get to these big events, were right along the edge 219 00:11:27,600 --> 00:11:29,640 Speaker 1: with them. Okay, let me say this, Joe. Well, it 220 00:11:29,640 --> 00:11:31,880 Speaker 1: took them ten years to get to Phase four, so 221 00:11:32,040 --> 00:11:36,839 Speaker 1: everybody was really invested in those characters, right Phase four, 222 00:11:37,360 --> 00:11:41,560 Speaker 1: Phase four and five seem like they've introduced way more 223 00:11:41,679 --> 00:11:44,520 Speaker 1: characters than they did in the first three film might 224 00:11:44,559 --> 00:11:47,880 Speaker 1: say too many, you know what I mean. So it's like, 225 00:11:47,960 --> 00:11:50,160 Speaker 1: who are we supposed to fall you know what I mean? 226 00:11:50,200 --> 00:11:52,520 Speaker 1: Who do you fall in love with? If this is 227 00:11:52,520 --> 00:11:54,240 Speaker 1: the thing they're gonna have to figure out going forward. 228 00:11:54,280 --> 00:11:55,840 Speaker 1: But I think it's why we're willfy night. It was 229 00:11:55,880 --> 00:11:59,839 Speaker 1: such a success for me anyway, It so good of 230 00:12:00,040 --> 00:12:02,079 Speaker 1: watch like they should do this. This is what I 231 00:12:02,160 --> 00:12:05,880 Speaker 1: think they should do. Blade Werewolf by Night, the dude 232 00:12:05,960 --> 00:12:09,120 Speaker 1: from Freaking the Eternals with the who was about to 233 00:12:09,120 --> 00:12:11,360 Speaker 1: pick up the sword was the name of that group 234 00:12:11,440 --> 00:12:16,440 Speaker 1: that they have ghostwriters. They need to do the freaking 235 00:12:16,920 --> 00:12:21,319 Speaker 1: supernatural version of Marvel here for it, because look, check 236 00:12:21,360 --> 00:12:23,959 Speaker 1: this out. Blade was the number one movie until all 237 00:12:23,960 --> 00:12:26,840 Speaker 1: of this stuff came around. Blade was the number one 238 00:12:27,920 --> 00:12:30,240 Speaker 1: ali doing it now so it's going to be dope. 239 00:12:30,520 --> 00:12:33,960 Speaker 1: I still think they should let Wesley have some sort 240 00:12:34,000 --> 00:12:40,520 Speaker 1: of shine and this bad boy because that sailed it has. Yeah, 241 00:12:40,559 --> 00:12:41,920 Speaker 1: he's been back, but look, let me tell you something 242 00:12:42,000 --> 00:12:44,400 Speaker 1: right now, man, he carried that franchise for a really 243 00:12:44,440 --> 00:12:49,000 Speaker 1: long time. Dude, Wesley Snipes was the what a comic 244 00:12:49,040 --> 00:12:52,280 Speaker 1: book hero was until freaking fig He took over of 245 00:12:52,320 --> 00:12:54,680 Speaker 1: all it. Fig He might even been the producer that 246 00:12:54,720 --> 00:12:56,560 Speaker 1: as a matter of fact, you know what I mean. 247 00:12:56,760 --> 00:13:00,160 Speaker 1: And Figy turned Captain American iron Man into superhero. But 248 00:13:00,240 --> 00:13:03,080 Speaker 1: before that, it was freaking Blade that was the number 249 00:13:03,080 --> 00:13:05,440 Speaker 1: one dude. It was better than all the Batman movies, 250 00:13:05,640 --> 00:13:09,480 Speaker 1: all of that shit. I'm getting loud again, I said, 251 00:13:09,480 --> 00:13:11,720 Speaker 1: I promised I wouldn't get loud. I'm sorry, Yeah, don't yell. 252 00:13:11,880 --> 00:13:14,600 Speaker 1: I know Wesley Snipes had issues with paying his taxes, 253 00:13:14,640 --> 00:13:16,839 Speaker 1: but why did he why did he disappear beyond that 254 00:13:17,400 --> 00:13:19,599 Speaker 1: because he went to jail. Bro Oh, he went to 255 00:13:19,679 --> 00:13:22,160 Speaker 1: jail for not paying his taxes. Yeah, man, oh, you 256 00:13:22,200 --> 00:13:25,160 Speaker 1: gotta pay your taxes. Eddie Murphy said that shit play. 257 00:13:25,200 --> 00:13:30,320 Speaker 1: The more you know music, you gotta pay. I'm gonna 258 00:13:30,320 --> 00:13:33,200 Speaker 1: say something right now, man, I do believe that. And 259 00:13:33,240 --> 00:13:36,600 Speaker 1: I know that he can't, he can't be Blade anymore, 260 00:13:36,840 --> 00:13:40,360 Speaker 1: but I honestly believe that you are missing an opportunity. 261 00:13:40,559 --> 00:13:45,920 Speaker 1: If Wesley Snipes isn't in some ways kicking somebody, isn't 262 00:13:46,000 --> 00:13:49,560 Speaker 1: kicking somebody's ass, and like watching Wesley kiss kick ass, 263 00:13:49,559 --> 00:13:53,920 Speaker 1: that's what you're saying, dude, Wesley didn't look If Harrison 264 00:13:54,000 --> 00:13:57,760 Speaker 1: Ford can be in the Marble Universe, Denzel should be 265 00:13:57,760 --> 00:14:00,319 Speaker 1: in the Marble Unit, like all of these cats should 266 00:14:00,320 --> 00:14:02,880 Speaker 1: be up in there, man, because what about Donald Faison. 267 00:14:03,720 --> 00:14:09,480 Speaker 1: I mean, I feel like I feel like they have 268 00:14:09,559 --> 00:14:12,400 Speaker 1: a better shot than I do. Listen, we have a 269 00:14:12,400 --> 00:14:15,600 Speaker 1: surprise for you, Daniel. Will you let Kevin Figgy into 270 00:14:15,840 --> 00:14:21,080 Speaker 1: my shot. He's here hilarious and he has something he 271 00:14:21,160 --> 00:14:27,280 Speaker 1: wants to ask you. Kevin anyway, yo, but sincerely like, 272 00:14:28,000 --> 00:14:31,240 Speaker 1: I think Denzel should be in the Marvel universe. I think, 273 00:14:31,480 --> 00:14:35,640 Speaker 1: and I also believe. I feel like, in all honesty, 274 00:14:35,760 --> 00:14:40,520 Speaker 1: I feel like, you know, um, DONALDA should have No 275 00:14:40,560 --> 00:14:42,120 Speaker 1: I'm just kidding, No, I feel like I feel like 276 00:14:42,120 --> 00:15:07,320 Speaker 1: Wesley Snipes should also be universes tirade everyone about never 277 00:15:12,200 --> 00:15:14,480 Speaker 1: my last words. I gotta tell you, Donald phase on, 278 00:15:14,560 --> 00:15:16,600 Speaker 1: I think this is one of the best Scrubs episodes 279 00:15:16,640 --> 00:15:21,720 Speaker 1: of the whole run. Yeah, I hands down. Okay, but 280 00:15:21,760 --> 00:15:23,920 Speaker 1: there's a problem. There's a problem with that. I'm just saying. 281 00:15:23,960 --> 00:15:25,480 Speaker 1: I'm just saying this is a top ten. A lot 282 00:15:25,560 --> 00:15:27,560 Speaker 1: of a lot of our actor no doubt, a lot 283 00:15:27,640 --> 00:15:31,160 Speaker 1: of actors from the show aren't in right, nobody's in it. 284 00:15:31,160 --> 00:15:35,840 Speaker 1: It's me and you. Uh. Carla has one appearance, but 285 00:15:35,880 --> 00:15:39,520 Speaker 1: no Elliott, no Cox, no Kelso, no Janitor. I'm sorry 286 00:15:39,840 --> 00:15:42,360 Speaker 1: all those people. They're in nine of the top ten. 287 00:15:42,440 --> 00:15:45,440 Speaker 1: But I think this is a top ten or I 288 00:15:45,480 --> 00:15:48,160 Speaker 1: would go as far as to say top five, top 289 00:15:48,200 --> 00:15:53,560 Speaker 1: and we owe it all everyone to the magnificent Glenn Thurman. Yeah, 290 00:15:53,840 --> 00:15:57,720 Speaker 1: who plays George. Um. I don't know if Bill got 291 00:15:57,720 --> 00:16:00,520 Speaker 1: the idea for Glenn because I had directed Glenn pilot, 292 00:16:00,560 --> 00:16:03,680 Speaker 1: a big pilot I directed and he was one of 293 00:16:03,720 --> 00:16:07,800 Speaker 1: the leads, and maybe that put him and I told 294 00:16:07,880 --> 00:16:10,440 Speaker 1: him I'm just sure they'll knew who Glenn Turman was, 295 00:16:10,480 --> 00:16:13,080 Speaker 1: but that may have put him in Bill's mind for 296 00:16:13,160 --> 00:16:17,160 Speaker 1: this role. But man, did Glenn Turman at the end 297 00:16:17,200 --> 00:16:19,080 Speaker 1: when he has those tears in his eye, like, I'm 298 00:16:19,120 --> 00:16:22,120 Speaker 1: getting goosebumps thinking about it right now. Yeah, you know, 299 00:16:23,800 --> 00:16:26,000 Speaker 1: so a little known fact Glenn told us while we 300 00:16:26,000 --> 00:16:31,040 Speaker 1: were making this episode. I remember this episode. I remember 301 00:16:31,080 --> 00:16:32,840 Speaker 1: making this episode and thing, this is gonna be a 302 00:16:32,840 --> 00:16:36,000 Speaker 1: great episode just because we got to witness what he did. Anyway, 303 00:16:36,160 --> 00:16:38,080 Speaker 1: but while making it, he was like, you know, because 304 00:16:38,200 --> 00:16:39,960 Speaker 1: he found out I was a huge Star Wars fan. 305 00:16:40,320 --> 00:16:41,800 Speaker 1: He was like, well, you know, I was supposed to 306 00:16:41,800 --> 00:16:45,960 Speaker 1: be Han solo And I was like what. He was like, yeah, 307 00:16:46,000 --> 00:16:47,880 Speaker 1: you know this, it's in the books. You can look 308 00:16:47,880 --> 00:16:50,280 Speaker 1: into books and stuff like that. It's true. He was like, 309 00:16:51,480 --> 00:16:54,440 Speaker 1: but they knew that it was gonna be a relationship 310 00:16:54,560 --> 00:16:58,360 Speaker 1: with a white woman, and at the times weren't ready 311 00:16:58,360 --> 00:17:01,400 Speaker 1: for it, and I was like, oh shit, he was 312 00:17:01,440 --> 00:17:03,880 Speaker 1: also married to Aretha Franklin. A lot of people don't 313 00:17:03,880 --> 00:17:07,200 Speaker 1: know that. I didn't know that either. You know, when 314 00:17:07,200 --> 00:17:10,560 Speaker 1: others are you off topic, well, a divergent topic is 315 00:17:10,640 --> 00:17:14,520 Speaker 1: I just learned that Pacino was offered off the off 316 00:17:14,560 --> 00:17:18,480 Speaker 1: the off the mega stardom of Godfather one. He was 317 00:17:18,520 --> 00:17:21,280 Speaker 1: offered the Han solo part, and he turned it down 318 00:17:21,320 --> 00:17:23,080 Speaker 1: and he read it and he was like, what is this. 319 00:17:23,440 --> 00:17:26,160 Speaker 1: I don't know what the house going Yeah, look at this. 320 00:17:26,440 --> 00:17:28,159 Speaker 1: I was just I just saw him at A Q 321 00:17:28,240 --> 00:17:31,520 Speaker 1: and A and he told that story and uh and 322 00:17:31,760 --> 00:17:35,120 Speaker 1: it was It was really funny hearing him tell how 323 00:17:35,160 --> 00:17:38,239 Speaker 1: he just didn't understand what Lucas was going for at all. 324 00:17:38,280 --> 00:17:41,600 Speaker 1: I just didn't get it. It's well, and you know, 325 00:17:41,680 --> 00:17:47,359 Speaker 1: Lucas and Francis Ford, Coppola or Titus can be like yeah, 326 00:17:47,400 --> 00:17:49,880 Speaker 1: and and and and this was right off that. This 327 00:17:50,000 --> 00:17:52,359 Speaker 1: was right off Godfather where he was the hottest doctum 328 00:17:52,400 --> 00:17:54,480 Speaker 1: in town. And of course, as every a lot of 329 00:17:54,480 --> 00:17:57,920 Speaker 1: people know from the lore, the studio didn't want Peccino 330 00:17:57,960 --> 00:18:00,359 Speaker 1: at all for The Godfather. They fought him in fought 331 00:18:00,680 --> 00:18:02,919 Speaker 1: Coppola over and over and over again. In fact, I 332 00:18:03,000 --> 00:18:06,400 Speaker 1: learned from this Q and A that Coppola moved up 333 00:18:06,480 --> 00:18:08,960 Speaker 1: You guys will love this story. He moved up the 334 00:18:09,320 --> 00:18:13,199 Speaker 1: infamous scene where Michael Corleone shoots the police captain and 335 00:18:13,280 --> 00:18:16,040 Speaker 1: the other mobster in the restaurant where Michael finds the 336 00:18:16,040 --> 00:18:19,439 Speaker 1: gun behind the toilet, because the studio was so intent 337 00:18:19,640 --> 00:18:22,440 Speaker 1: on firing Pacino that he said, you know, we're not 338 00:18:22,480 --> 00:18:24,560 Speaker 1: supposed to shoot that scene for a month. We're shooting 339 00:18:24,600 --> 00:18:26,520 Speaker 1: it next week because I gotta give him the scene 340 00:18:26,520 --> 00:18:27,920 Speaker 1: that's just going to blow them out of the water 341 00:18:27,960 --> 00:18:30,720 Speaker 1: and shut them up. And he did that. They shot 342 00:18:30,720 --> 00:18:34,960 Speaker 1: the scene. He never heard from him again. Nice, nice, 343 00:18:35,320 --> 00:18:38,600 Speaker 1: oh man. And he thinks Coppola has had to do 344 00:18:38,680 --> 00:18:41,960 Speaker 1: to make his movies great. Where why do people constantly 345 00:18:42,000 --> 00:18:45,760 Speaker 1: fight that thing? I know, I know, I mean think 346 00:18:45,800 --> 00:18:48,920 Speaker 1: about think about the movies he's made. Okay, that's just it. 347 00:18:49,240 --> 00:18:51,320 Speaker 1: That's the same thing with George Lucas though. Man, the 348 00:18:51,480 --> 00:18:53,640 Speaker 1: studio thought Star Wars was going to be a piece 349 00:18:53,640 --> 00:18:55,240 Speaker 1: of shit, and look at where it's at now. Can't 350 00:18:55,280 --> 00:18:56,840 Speaker 1: look at mine? Your mind makes you think of Mike 351 00:18:56,880 --> 00:18:59,080 Speaker 1: White At the funniest part of the Golden globes when 352 00:18:59,119 --> 00:19:02,080 Speaker 1: he's all drunk on talking about white loadus too, pointing 353 00:19:02,080 --> 00:19:05,800 Speaker 1: at the audience. You meaning like you all passed, your 354 00:19:05,880 --> 00:19:12,040 Speaker 1: passed and you passed. It was hilarious. All right, let's 355 00:19:12,080 --> 00:19:14,719 Speaker 1: focus on scrubs and TV shows. So it was written 356 00:19:14,840 --> 00:19:17,199 Speaker 1: by a scene botcher and directed by a young man 357 00:19:17,320 --> 00:19:23,120 Speaker 1: named Bill Lawrence, who crushed it. Bill rushed its lighting 358 00:19:23,240 --> 00:19:26,120 Speaker 1: was amazing, the look of the whole show. I mean, 359 00:19:28,000 --> 00:19:30,960 Speaker 1: you know a lot, you know, young man once told me, 360 00:19:31,200 --> 00:19:34,840 Speaker 1: he said to me, you know, regardless of what happens, 361 00:19:35,119 --> 00:19:37,959 Speaker 1: you'll you'll you have your story to tell. You have 362 00:19:38,119 --> 00:19:40,680 Speaker 1: something to say, and people are gonna want to hear 363 00:19:40,720 --> 00:19:45,080 Speaker 1: it eventually. And Bill, let me tell you something right now, 364 00:19:45,119 --> 00:19:48,320 Speaker 1: you were saying something with this episode, Bro, you really 365 00:19:48,359 --> 00:19:52,280 Speaker 1: were a man like you You, I mean, you and 366 00:19:52,400 --> 00:19:55,880 Speaker 1: a scene you both captured something. Because you know, it's 367 00:19:56,000 --> 00:19:59,920 Speaker 1: rare that I get emotional watching something that I've been 368 00:20:00,160 --> 00:20:01,840 Speaker 1: but I was very proud to be a part of 369 00:20:01,880 --> 00:20:05,239 Speaker 1: this episode and to be on camera and in the 370 00:20:05,320 --> 00:20:08,600 Speaker 1: same scenes with Glenn Turman. I'm telling you right now, 371 00:20:08,840 --> 00:20:11,679 Speaker 1: and well you too, Zach, no doubt, no, but I 372 00:20:11,720 --> 00:20:13,479 Speaker 1: agree with you. And it's just really it's you know, 373 00:20:13,560 --> 00:20:17,119 Speaker 1: it's one of those special ones, like like like like 374 00:20:17,160 --> 00:20:19,360 Speaker 1: the funeral with with where do you think we are 375 00:20:19,440 --> 00:20:23,040 Speaker 1: with with Brendan and and it's just one of those 376 00:20:23,080 --> 00:20:25,720 Speaker 1: ones that just or My Old Lady, which I think 377 00:20:25,800 --> 00:20:27,560 Speaker 1: was one oh three or something, it's just one of 378 00:20:27,600 --> 00:20:30,080 Speaker 1: those special ones. It's like, whoa, this is how this 379 00:20:30,160 --> 00:20:33,920 Speaker 1: is Scrubs at its best. It's so silly at certain times, 380 00:20:33,920 --> 00:20:35,439 Speaker 1: you know, with the whole stake, nights song and all 381 00:20:35,480 --> 00:20:37,679 Speaker 1: that stuff, which we'll go through. But then then you 382 00:20:37,760 --> 00:20:40,840 Speaker 1: go Glenn Turman dying with his tears in his eyes, 383 00:20:40,960 --> 00:20:43,040 Speaker 1: and it's just fucking hell. Like the fact that this 384 00:20:43,160 --> 00:20:45,720 Speaker 1: is done in twenty two minutes and you've experienced all 385 00:20:45,760 --> 00:20:48,320 Speaker 1: these emotions, it's just the high it's just the high 386 00:20:48,359 --> 00:20:52,600 Speaker 1: bar for for what a great team can do in 387 00:20:52,960 --> 00:20:56,000 Speaker 1: twenty two minutes of TV. And I'm I'm I felt 388 00:20:56,000 --> 00:20:58,880 Speaker 1: also very proud to be a part of it. Let's 389 00:20:58,880 --> 00:21:00,880 Speaker 1: get into it. Let's get into it. Okay, So we 390 00:21:00,960 --> 00:21:05,200 Speaker 1: start with um Jordan at the computer, Jordan at the computer, 391 00:21:05,400 --> 00:21:09,280 Speaker 1: and and and Courtney's character Doctor Maddox. Really she's she's 392 00:21:09,320 --> 00:21:12,480 Speaker 1: a mix of being able to go friendly and soulless. 393 00:21:13,000 --> 00:21:16,840 Speaker 1: She tells Jordan she looks old, which cuts right to 394 00:21:17,040 --> 00:21:19,600 Speaker 1: her heart because no one wants to hear that, right, 395 00:21:20,200 --> 00:21:22,080 Speaker 1: but this also don't And I get told we look 396 00:21:22,119 --> 00:21:23,960 Speaker 1: old all the time, which is I get. I get 397 00:21:24,000 --> 00:21:26,040 Speaker 1: I look tired a lot, which yeah, it's like, we 398 00:21:26,119 --> 00:21:28,919 Speaker 1: understand that people grew up with us looking young in 399 00:21:28,960 --> 00:21:31,040 Speaker 1: our twenties, but we don't. We don't want to hear 400 00:21:31,040 --> 00:21:33,200 Speaker 1: that we look old. We know, No, I don't want 401 00:21:33,200 --> 00:21:36,720 Speaker 1: to hear that. Shit. It doesn't feel good. Um, but 402 00:21:36,960 --> 00:21:39,440 Speaker 1: you know, I'm sure you'll continue because hater's gonna hate 403 00:21:39,440 --> 00:21:44,719 Speaker 1: write Taylor Taylor Swift flifter just gonna hate, hate hate. 404 00:21:44,760 --> 00:21:47,800 Speaker 1: Haters aren't gonna hate hate, hate hate. Um, how do 405 00:21:47,960 --> 00:21:51,520 Speaker 1: I know? Love that Miley Cyrus song Flowers? I can 406 00:21:51,640 --> 00:21:54,879 Speaker 1: buy myself Flowers? What's the Scissor song you were singing 407 00:21:54,880 --> 00:22:05,919 Speaker 1: that I like too? Oh? Freaking uh? I just killed Max. Yeah, 408 00:22:05,160 --> 00:22:16,160 Speaker 1: I just killed my ex. What a bad idea, dad too. 409 00:22:16,200 --> 00:22:20,480 Speaker 1: I was listening to a Spotify Charts top charts list. 410 00:22:20,520 --> 00:22:22,040 Speaker 1: I think it's the number two songs in the country. 411 00:22:22,119 --> 00:22:25,359 Speaker 1: Check it out. It's the melody is amazing, very hooky. Yeah, 412 00:22:25,560 --> 00:22:28,200 Speaker 1: um um okay, so then we have a fantasy where 413 00:22:28,320 --> 00:22:30,520 Speaker 1: doctor Maddox tries to kill a patient because she's just 414 00:22:30,560 --> 00:22:34,440 Speaker 1: so hardcore. She she she's worse than kelso it seems, 415 00:22:34,840 --> 00:22:37,040 Speaker 1: but she but she has a way of turning on 416 00:22:37,080 --> 00:22:39,879 Speaker 1: the super friendly because she's so beautiful and charming. But 417 00:22:39,920 --> 00:22:42,359 Speaker 1: then she's just as cut through it as Kelso that 418 00:22:42,400 --> 00:22:46,200 Speaker 1: was pretty good to seeing with her choking out the yeah, 419 00:22:46,800 --> 00:22:53,719 Speaker 1: the pillow with the pillow, this guy die, right, And 420 00:22:53,720 --> 00:22:57,320 Speaker 1: then we have um Um Joe and Ed her name 421 00:22:57,359 --> 00:22:59,120 Speaker 1: is not what's her character name, I call her name 422 00:22:59,359 --> 00:23:03,000 Speaker 1: facts of life. But Denise, right, Denise just has no 423 00:23:03,119 --> 00:23:08,080 Speaker 1: bedside manner. Stand Ed is just winning everyone over. He's 424 00:23:08,160 --> 00:23:10,680 Speaker 1: Jady kind of hates him because he's very charming and 425 00:23:10,920 --> 00:23:15,040 Speaker 1: and he's getting catchphrases going, and Jady's trying to start 426 00:23:15,119 --> 00:23:17,359 Speaker 1: rumors about him. He says the churk I heard he 427 00:23:17,440 --> 00:23:23,520 Speaker 1: smokes plants. Yeah, and Ed has the ability to start. 428 00:23:23,560 --> 00:23:27,480 Speaker 1: His superpower is he can start trends quickly, which brings 429 00:23:27,520 --> 00:23:33,760 Speaker 1: Deonte Gordon, who was my standing throughout Scrubs, back into 430 00:23:34,080 --> 00:23:37,840 Speaker 1: the episode. This is his big episode, this ses. So 431 00:23:37,880 --> 00:23:41,000 Speaker 1: we say steak night, we do our steak night, Steak 432 00:23:41,240 --> 00:23:44,000 Speaker 1: night right, right, Yes, and then and all of a 433 00:23:44,040 --> 00:23:48,480 Speaker 1: sudden Ed comes by and turns our steak night. He 434 00:23:48,520 --> 00:23:52,399 Speaker 1: goes Great Fellas, right, turns our steak night cry into 435 00:23:53,000 --> 00:23:56,920 Speaker 1: a trending topic in the hospital. Yeah, and so, but 436 00:23:57,200 --> 00:24:00,439 Speaker 1: what did he say too? It wasn't he goes. I 437 00:24:00,480 --> 00:24:03,560 Speaker 1: think he he copies it. He goes, and then he 438 00:24:03,600 --> 00:24:07,240 Speaker 1: goes Gravy Fellas. No, he says to Deonte, may your 439 00:24:07,240 --> 00:24:10,000 Speaker 1: onions always be such and such, and may your mushrooms 440 00:24:10,000 --> 00:24:13,280 Speaker 1: always be sauteed and your onions always grilled. And then 441 00:24:13,320 --> 00:24:15,520 Speaker 1: he goes, and then he goes to then he goes 442 00:24:15,560 --> 00:24:19,000 Speaker 1: to us, and he goes Gravy Fellas when he's leaving, 443 00:24:19,200 --> 00:24:21,320 Speaker 1: and then I say cream spinach yo, And you're like, 444 00:24:21,359 --> 00:24:26,080 Speaker 1: don't do that. Don't do that? You know A Z's man, 445 00:24:26,240 --> 00:24:30,359 Speaker 1: I really, I I'm not gonna lie. Man. He if he, 446 00:24:30,560 --> 00:24:33,520 Speaker 1: if he would have stayed on the show, he would 447 00:24:33,520 --> 00:24:38,720 Speaker 1: have boosted our freaking our comedy in a lot of ways. 448 00:24:38,800 --> 00:24:41,919 Speaker 1: Man Like he was. This is not stuff that was written. 449 00:24:41,960 --> 00:24:44,960 Speaker 1: This is him riffing off the top. If I remember correctly, 450 00:24:45,000 --> 00:24:49,640 Speaker 1: he was like nine was he No, he did he 451 00:24:50,040 --> 00:24:52,000 Speaker 1: he was smart, He got out he saw it he 452 00:24:52,080 --> 00:24:53,520 Speaker 1: saw the light at the end of the tunnel. No, 453 00:24:53,560 --> 00:24:55,240 Speaker 1: but why did he only do three? He must have 454 00:24:55,480 --> 00:24:57,080 Speaker 1: must have had something, because he went on to do 455 00:24:57,119 --> 00:24:59,280 Speaker 1: Parks and wreck. Yeah, you're right, parks and wreck, Parks 456 00:24:59,280 --> 00:25:02,840 Speaker 1: and wreck. Okay, but but look, if I this is 457 00:25:02,840 --> 00:25:06,000 Speaker 1: an ass bill thing. But I think he had the 458 00:25:06,080 --> 00:25:08,880 Speaker 1: choice between doing that and scrubs and he was like 459 00:25:09,200 --> 00:25:14,000 Speaker 1: this shit is almost over. Well that makes sense, and 460 00:25:14,040 --> 00:25:15,760 Speaker 1: also he would have been an original cast member and 461 00:25:16,119 --> 00:25:19,399 Speaker 1: I'm sure paid more money and all that stuff. Yeah. Um, 462 00:25:19,440 --> 00:25:23,280 Speaker 1: So then we see an administrative assistant that seemingly for 463 00:25:23,320 --> 00:25:27,520 Speaker 1: no reason, has the sexy saxophone music with the slow motion. 464 00:25:27,920 --> 00:25:35,080 Speaker 1: It's so funny that it's always bad. Man, He's always 465 00:25:35,080 --> 00:25:37,920 Speaker 1: that fucking sound, which sounds as ass like. It sounds 466 00:25:37,960 --> 00:25:40,040 Speaker 1: like it should come with my my my mixer thing 467 00:25:40,119 --> 00:25:51,159 Speaker 1: like this. Okay, I don't understand. You said the wind 468 00:25:51,200 --> 00:25:54,720 Speaker 1: blows in her hair. You didn't say anything about the 469 00:25:54,840 --> 00:25:59,400 Speaker 1: light or the boobs like in this one, she literally 470 00:25:59,480 --> 00:26:03,879 Speaker 1: pushes together. And then we come back and I'm holding 471 00:26:03,920 --> 00:26:06,920 Speaker 1: a hot dog. Yeah, there's a couple things going on here. 472 00:26:07,200 --> 00:26:09,639 Speaker 1: Most of the women who come through and do this 473 00:26:09,800 --> 00:26:13,200 Speaker 1: are our guest stars or Sarah or Christa and they're 474 00:26:13,240 --> 00:26:15,399 Speaker 1: having like a sexy interest, but none of them push 475 00:26:15,520 --> 00:26:22,520 Speaker 1: their boobs together. Um, this was a model, I assume 476 00:26:22,560 --> 00:26:24,760 Speaker 1: who was hired to be a beautiful woman. But she 477 00:26:24,840 --> 00:26:29,040 Speaker 1: actually pushes her cleavage together. She puts a little little 478 00:26:29,080 --> 00:26:34,080 Speaker 1: sauce on it, pushes it together to the right. You know, 479 00:26:35,280 --> 00:26:37,200 Speaker 1: it was nice, like it was Yeah, it was good. 480 00:26:37,680 --> 00:26:41,920 Speaker 1: It was a moment for me. Yes, so she looked beautiful. 481 00:26:41,960 --> 00:26:43,399 Speaker 1: But and I'm like, why are they We know the 482 00:26:43,440 --> 00:26:47,000 Speaker 1: audience knows this gag. Why are they doing this? And 483 00:26:47,040 --> 00:26:49,080 Speaker 1: I went, Oh, they're setting it up for the payoff 484 00:26:49,160 --> 00:26:54,960 Speaker 1: later with the senior citizen woman doing it right, that's 485 00:26:54,960 --> 00:26:57,439 Speaker 1: the only purpose. That the only reason that because the 486 00:26:57,440 --> 00:26:59,879 Speaker 1: audience knows the convention that we do in scrubs. But 487 00:27:00,119 --> 00:27:02,760 Speaker 1: they kind of I think Bill felt like, oh, we 488 00:27:02,800 --> 00:27:05,120 Speaker 1: need to remind them of this convention so we can 489 00:27:05,160 --> 00:27:07,359 Speaker 1: make a joke off of it with the old lady later. 490 00:27:10,040 --> 00:27:12,240 Speaker 1: I'm just gonna say one thing. I don't see anything 491 00:27:12,240 --> 00:27:15,119 Speaker 1: you're gonna regret. I'm not gonna say anything i'm gonna regret. 492 00:27:15,920 --> 00:27:18,520 Speaker 1: But when the old lady did it at the end, 493 00:27:19,720 --> 00:27:30,199 Speaker 1: didn't know did you get no didn't you feel But 494 00:27:30,280 --> 00:27:33,480 Speaker 1: when the old lady did it, didn't you feel like? Like? 495 00:27:34,920 --> 00:27:38,640 Speaker 1: So here's how I look at it. As I've gotten older, 496 00:27:39,840 --> 00:27:44,800 Speaker 1: my taste has gotten older. Right, So if I'm Glenn's 497 00:27:44,960 --> 00:27:48,920 Speaker 1: age in the bed, George's age in the bed, if 498 00:27:48,960 --> 00:27:53,920 Speaker 1: I am right, there was so much other as he said, 499 00:27:54,040 --> 00:27:58,400 Speaker 1: asked in the building? Right, what made him choose that? Well, 500 00:27:58,440 --> 00:28:02,040 Speaker 1: everyone has their unique taste that I think as you 501 00:28:01,320 --> 00:28:04,399 Speaker 1: get your taste goes up. I think that I perhaps, 502 00:28:04,680 --> 00:28:06,840 Speaker 1: but it doesn't matter to each their own. His. It 503 00:28:06,880 --> 00:28:09,399 Speaker 1: could have been a it could have been a male orderly, 504 00:28:09,640 --> 00:28:11,639 Speaker 1: or it could have been Jordan. It could have been anyone, 505 00:28:11,720 --> 00:28:16,480 Speaker 1: but his thing, his with God, him shifting was that 506 00:28:16,600 --> 00:28:19,280 Speaker 1: senior citizen with the gray hair in the in the 507 00:28:19,280 --> 00:28:24,320 Speaker 1: slow motion and the wind blowing, and she didn't do 508 00:28:24,400 --> 00:28:27,720 Speaker 1: the cleavage thing. No, she chose not to. I think 509 00:28:27,760 --> 00:28:32,600 Speaker 1: she was in a patient gown. So what's the hot 510 00:28:32,640 --> 00:28:34,840 Speaker 1: dog pen? You do a hot dog pen thing? So 511 00:28:34,960 --> 00:28:40,239 Speaker 1: every time uh JD goes into this, Turk tries to 512 00:28:40,280 --> 00:28:45,240 Speaker 1: take advantage right of him losing focus right, not being 513 00:28:45,280 --> 00:28:50,440 Speaker 1: present right, and he thinks he's he thinks he's caught 514 00:28:50,520 --> 00:28:53,920 Speaker 1: himself before he's gone too far. But Turk has already 515 00:28:53,960 --> 00:28:56,640 Speaker 1: got him with the hot dog pencil. So JD has 516 00:28:56,680 --> 00:29:00,240 Speaker 1: a pin or grabs a pen and it's real a 517 00:29:00,280 --> 00:29:03,400 Speaker 1: hot dog and he's trying to write with a hot dog. Yes, 518 00:29:03,440 --> 00:29:06,080 Speaker 1: and then you call me honky face, which is weird. 519 00:29:09,640 --> 00:29:12,960 Speaker 1: That's weird, man. I know, that's like out of nowhere. 520 00:29:13,320 --> 00:29:16,360 Speaker 1: I know, I think honky even though people don't use 521 00:29:16,400 --> 00:29:19,320 Speaker 1: it anymore, was still funny to us in two thousand 522 00:29:19,320 --> 00:29:23,440 Speaker 1: and eight. Yeah, but that's like out of nowhere. That's 523 00:29:23,480 --> 00:29:26,600 Speaker 1: just like out of nowhere. It just came. You probably 524 00:29:26,680 --> 00:29:29,400 Speaker 1: improv did I imagine? No. I would never call you 525 00:29:29,440 --> 00:29:34,240 Speaker 1: honky face on television. I would never just be like, 526 00:29:34,320 --> 00:29:38,080 Speaker 1: honky face, what is it? Honky face? But hearing you 527 00:29:38,120 --> 00:29:40,200 Speaker 1: say it now still makes me giggle, So I guess 528 00:29:40,200 --> 00:29:43,440 Speaker 1: it worked. So what I forgot about the famous Steak 529 00:29:43,560 --> 00:29:45,360 Speaker 1: Night dance and song, which I want you to know, 530 00:29:45,440 --> 00:29:47,360 Speaker 1: Donald and I made up on the spot, both the 531 00:29:47,400 --> 00:29:52,040 Speaker 1: melody and both the melody and the choreography we made 532 00:29:52,120 --> 00:29:53,960 Speaker 1: up on the spot. We didn't know that it would 533 00:29:54,000 --> 00:29:56,440 Speaker 1: be sung by by men and women across the globe 534 00:29:56,480 --> 00:30:00,200 Speaker 1: to this day. That pose at the end is this 535 00:30:00,200 --> 00:30:02,760 Speaker 1: This isn't the origin of steak night, is it? It is? 536 00:30:03,080 --> 00:30:05,920 Speaker 1: This is the season eight is the origin of steak night. 537 00:30:05,960 --> 00:30:08,200 Speaker 1: You guys have a steak night earlier. I want to say, 538 00:30:08,280 --> 00:30:10,480 Speaker 1: in season six. I don't believe we've ever heard that. 539 00:30:10,560 --> 00:30:13,080 Speaker 1: There's no song, the song and dance Donald. I remember 540 00:30:13,160 --> 00:30:17,160 Speaker 1: on this day Steak was like, you guys like, make 541 00:30:17,280 --> 00:30:19,200 Speaker 1: up a song and a dance about and we just 542 00:30:19,320 --> 00:30:22,800 Speaker 1: literally I'm pretty sure Bill was like, no, the song 543 00:30:22,920 --> 00:30:26,560 Speaker 1: goes we go instant. We should ask him. No, I 544 00:30:26,600 --> 00:30:29,120 Speaker 1: can tell you we made it is the world. That's me. 545 00:30:29,800 --> 00:30:35,040 Speaker 1: We made that up. We made it a steak night. 546 00:30:35,400 --> 00:30:38,400 Speaker 1: We gonna stay eat it right well, and we didn't 547 00:30:38,440 --> 00:30:41,600 Speaker 1: make that up. That's freaking uh. Eddie Murphy because your 548 00:30:41,880 --> 00:30:50,840 Speaker 1: Daddy's and alcah like, hey, alcohol want to lick sich 549 00:30:51,000 --> 00:30:57,160 Speaker 1: like because you are on the well, you can't afford it. 550 00:30:57,520 --> 00:31:01,360 Speaker 1: You can't afford it too much. That's from Eddie Murphy's 551 00:31:01,400 --> 00:31:05,360 Speaker 1: Delirious everyone. If you're looking for a reference, um, yeah, 552 00:31:05,440 --> 00:31:08,640 Speaker 1: maybe we were subconsciously inspired by that, but I mean 553 00:31:08,680 --> 00:31:11,520 Speaker 1: it's not like it's a fancy melody or anything, but 554 00:31:11,600 --> 00:31:13,760 Speaker 1: that I remember us going like, what the fuck are 555 00:31:13,760 --> 00:31:16,000 Speaker 1: we gonna do, and we came up with the sort 556 00:31:16,000 --> 00:31:18,920 Speaker 1: of dance and the hold at the end. I don't 557 00:31:18,920 --> 00:31:22,360 Speaker 1: mean that shit is so random, but it's the faces 558 00:31:22,400 --> 00:31:26,760 Speaker 1: and the commitment. Like we were just that we performed 559 00:31:26,760 --> 00:31:31,480 Speaker 1: a number for the breath out of breath. What about 560 00:31:31,480 --> 00:31:35,280 Speaker 1: the fact that, um, I've forgotten that the room has 561 00:31:35,280 --> 00:31:38,080 Speaker 1: to be clear for the dance to be performed. We 562 00:31:38,120 --> 00:31:41,840 Speaker 1: had to check both ways to make that. Poor nurse 563 00:31:41,880 --> 00:31:44,240 Speaker 1: interrupts us to actually do our jobs, and like started 564 00:31:44,240 --> 00:31:48,440 Speaker 1: an IVA on someone and we screaming, I'm doing the 565 00:31:48,560 --> 00:31:52,600 Speaker 1: state night and then and then we say and then 566 00:31:52,640 --> 00:31:54,360 Speaker 1: we say that we're going to finish it in the 567 00:31:54,440 --> 00:32:04,560 Speaker 1: bathroom of the restaurant, meaning there's another verse. All right, 568 00:32:04,600 --> 00:32:06,400 Speaker 1: We're gonna take a break and we come back. We 569 00:32:06,440 --> 00:32:11,440 Speaker 1: will talk about m j D and Turkey and George 570 00:32:11,480 --> 00:32:19,200 Speaker 1: Glenn Turnan. We will be right back for every bad 571 00:32:23,320 --> 00:32:25,600 Speaker 1: I gotta tell you, man, you said it. You said 572 00:32:25,640 --> 00:32:28,400 Speaker 1: it in the beginning. This is one of the best episodes. 573 00:32:28,440 --> 00:32:30,479 Speaker 1: I wrote that so many times in my notes, like 574 00:32:31,120 --> 00:32:34,200 Speaker 1: just even for you and I. As as far as 575 00:32:34,520 --> 00:32:36,440 Speaker 1: j D and Turk goes, this is up there with 576 00:32:36,480 --> 00:32:39,360 Speaker 1: the Jason Bateman episode. This is up there with the 577 00:32:39,960 --> 00:32:44,520 Speaker 1: with the Heather Graham episode, Like this is a great buddy, 578 00:32:45,360 --> 00:32:48,320 Speaker 1: you know, buddy episode, and we have a few of them, 579 00:32:48,360 --> 00:32:51,360 Speaker 1: but this is the first one of season eight one. 580 00:32:51,640 --> 00:32:53,520 Speaker 1: But this is a good one too, you know what 581 00:32:53,520 --> 00:32:56,000 Speaker 1: I mean. Like all I also like about it is 582 00:32:56,000 --> 00:32:57,920 Speaker 1: there's so many, so much of Scrubs as us in 583 00:32:57,960 --> 00:33:00,840 Speaker 1: a heightened state. You know, we're where you know, it's 584 00:33:00,840 --> 00:33:04,200 Speaker 1: a it's a comedy where we're being broad. The fantasies 585 00:33:04,240 --> 00:33:07,959 Speaker 1: are super broad. I always love it when Scrubs drops 586 00:33:07,960 --> 00:33:11,440 Speaker 1: in and we're just playing it completely real, and this 587 00:33:11,440 --> 00:33:13,240 Speaker 1: this episode has so much of that. You know, there's 588 00:33:13,280 --> 00:33:15,600 Speaker 1: a lot of humor. Obviously there's something as silly as 589 00:33:15,600 --> 00:33:18,960 Speaker 1: the stake night dance and all the other stuff, but 590 00:33:19,760 --> 00:33:22,680 Speaker 1: you know, you and I and and and Glenn are 591 00:33:22,720 --> 00:33:27,080 Speaker 1: playing the stakes of his death so real and it's 592 00:33:27,120 --> 00:33:30,080 Speaker 1: just felt It just felt so natural, I really think. 593 00:33:30,120 --> 00:33:33,200 Speaker 1: And obviously Bill Lawrence is directing it, so it's going 594 00:33:33,240 --> 00:33:36,320 Speaker 1: to be extra good. But but um, I don't know, 595 00:33:36,360 --> 00:33:38,360 Speaker 1: I just love the three of us just sitting there 596 00:33:38,360 --> 00:33:43,680 Speaker 1: and acting and it didn't feel scripted. It felt so natural. Yeah, 597 00:33:43,960 --> 00:33:47,960 Speaker 1: I loved I loved you know him saying he was afraid, 598 00:33:48,200 --> 00:33:51,000 Speaker 1: and us being like, I mean asking us if we 599 00:33:51,000 --> 00:33:54,440 Speaker 1: were afraid of death, and us being like the characters 600 00:33:54,440 --> 00:33:57,960 Speaker 1: Turk and JD being like, nah, man, you know, I 601 00:33:58,120 --> 00:34:00,880 Speaker 1: work at a hospital. It's kind of and it's easy 602 00:34:00,960 --> 00:34:03,520 Speaker 1: for me to think about death now because I see 603 00:34:03,560 --> 00:34:06,280 Speaker 1: it so much. You know, it comes with the territory. 604 00:34:06,600 --> 00:34:09,480 Speaker 1: I know everybody's going to die eventually. And then for 605 00:34:09,560 --> 00:34:11,600 Speaker 1: them to have that one eighty turn at the end 606 00:34:11,600 --> 00:34:13,640 Speaker 1: of the show where they're like, no, dude, I'm terrified. 607 00:34:13,680 --> 00:34:17,920 Speaker 1: I was bullshitting before. I was just bullshitting. I'm scared 608 00:34:17,960 --> 00:34:22,160 Speaker 1: of it all the time. You know. That was amazing. 609 00:34:22,160 --> 00:34:24,440 Speaker 1: And then realizing oh, we've taken it too far, and 610 00:34:24,480 --> 00:34:29,680 Speaker 1: then having to rescue him or rescue his fears with 611 00:34:29,760 --> 00:34:32,600 Speaker 1: what we think is after death. You know, there's so 612 00:34:32,640 --> 00:34:34,799 Speaker 1: many great moments. I was gonna say, it's a really 613 00:34:34,880 --> 00:34:38,040 Speaker 1: nice bookend with my old Lady, which which isn't I 614 00:34:38,040 --> 00:34:40,799 Speaker 1: think the third episode of SCUS in one where we're 615 00:34:40,880 --> 00:34:44,160 Speaker 1: losing our first patient, right and JD is literally being 616 00:34:44,200 --> 00:34:48,600 Speaker 1: comforted by the woman dying, saying she's ready to go. 617 00:34:49,120 --> 00:34:52,759 Speaker 1: And now eight years later, you see us we've experienced 618 00:34:52,800 --> 00:34:56,000 Speaker 1: a lot of death. We're so cavalier about it that 619 00:34:56,000 --> 00:34:57,440 Speaker 1: we're like, oh, it sucks. So he seems like a 620 00:34:57,520 --> 00:34:59,920 Speaker 1: nice man. Let's go to dinner. Though it isn't all 621 00:35:00,120 --> 00:35:03,920 Speaker 1: until we find out via Ted that he doesn't have 622 00:35:03,960 --> 00:35:06,680 Speaker 1: any family. He lied to us about having family to 623 00:35:06,680 --> 00:35:12,160 Speaker 1: come visit him. Um, that you see, you see, first 624 00:35:12,160 --> 00:35:14,360 Speaker 1: of all, what good men the two characters are that 625 00:35:14,360 --> 00:35:16,400 Speaker 1: they're that they that they have the empathy to go 626 00:35:16,960 --> 00:35:19,160 Speaker 1: fuck fuck state night, dude, Let's go be with this man. 627 00:35:19,200 --> 00:35:21,920 Speaker 1: It's probably his last it's most likely his last night alive. 628 00:35:22,960 --> 00:35:26,440 Speaker 1: And I don't know. It's just an interesting there's interesting 629 00:35:26,480 --> 00:35:31,319 Speaker 1: parallels back to my old lady. I think, yeah, absolutely 630 00:35:33,440 --> 00:35:36,560 Speaker 1: so he has eschemic bowel disease, which when when j 631 00:35:36,680 --> 00:35:38,480 Speaker 1: D and Turk look at the chart, they know what 632 00:35:38,520 --> 00:35:41,600 Speaker 1: that means and they can see all his vitals and 633 00:35:41,640 --> 00:35:45,120 Speaker 1: they know that he doesn't have long and um, and 634 00:35:45,120 --> 00:35:49,040 Speaker 1: then probably they know that it's probably that night they noticed, 635 00:35:49,120 --> 00:35:52,200 Speaker 1: probably gonna happen soon. Now the comic relief here is Ted, 636 00:35:52,480 --> 00:35:57,120 Speaker 1: who Um, it's very funny when when when when Glenn says, 637 00:35:57,400 --> 00:36:01,640 Speaker 1: don't worry, I have a young, handsome lawyer who's taking 638 00:36:01,640 --> 00:36:04,960 Speaker 1: care of my will and Ted goes, oh, I thought 639 00:36:04,960 --> 00:36:08,719 Speaker 1: it was me, and he rips up the document. He goes, Ted, 640 00:36:08,760 --> 00:36:10,959 Speaker 1: I think he was talking about you, and he goes, oh, man, 641 00:36:11,040 --> 00:36:13,319 Speaker 1: I tie, I wrote this on the typewriter. I'll be 642 00:36:13,360 --> 00:36:17,359 Speaker 1: back in eleven hours. And then when they show him 643 00:36:17,360 --> 00:36:19,359 Speaker 1: when the typewriter, when we're talking to him, and he's 644 00:36:19,400 --> 00:36:25,480 Speaker 1: literally one yeah button every three seconds, like his typing 645 00:36:25,520 --> 00:36:28,120 Speaker 1: in high school. I never took typing, but you know 646 00:36:28,160 --> 00:36:30,359 Speaker 1: there were people that like I could type. I wish 647 00:36:30,400 --> 00:36:32,720 Speaker 1: I had. Don't you wish you had? Oh my god. 648 00:36:32,840 --> 00:36:34,799 Speaker 1: If you got kids in high school, make sure they 649 00:36:34,840 --> 00:36:38,280 Speaker 1: take typing, because listen, they will be able to text 650 00:36:38,440 --> 00:36:40,640 Speaker 1: you so quick. I wish I took typing. Can you 651 00:36:40,640 --> 00:36:43,239 Speaker 1: guys type without looking at the screen, yes, without looking 652 00:36:43,239 --> 00:36:46,279 Speaker 1: at the keyboard. I never took that class. I wish 653 00:36:46,280 --> 00:36:48,920 Speaker 1: I took it. I'm a writer, and I'm pretty quick. 654 00:36:49,000 --> 00:36:51,200 Speaker 1: I'm pretty I'm pretty quick with mine, with my packing. 655 00:36:51,360 --> 00:36:55,640 Speaker 1: But man, I wish I took typing that beacon. Yeah yeah. 656 00:36:55,680 --> 00:36:58,200 Speaker 1: For some reason, they can't do my password regular typing. 657 00:36:58,200 --> 00:37:00,000 Speaker 1: The people like him. The second I have to remember 658 00:37:00,160 --> 00:37:04,520 Speaker 1: my password, I'm like, okay, Orange Juice three obviously I 659 00:37:04,560 --> 00:37:06,799 Speaker 1: could do it now. I should probably do it now, 660 00:37:06,840 --> 00:37:08,799 Speaker 1: but I don't know. I just I type pretty darn 661 00:37:08,880 --> 00:37:12,600 Speaker 1: fast when I'm writing my scripts and stuff. But I've 662 00:37:12,600 --> 00:37:15,640 Speaker 1: always whenever I see someone going on without looking, I'm like, 663 00:37:15,719 --> 00:37:20,680 Speaker 1: you motherfucker that Casey can do that. She can. It's 664 00:37:20,719 --> 00:37:22,759 Speaker 1: all those kids that took typing in high school. We 665 00:37:22,880 --> 00:37:26,600 Speaker 1: learned so much bullshit in high school. You remembering the proofs? 666 00:37:26,680 --> 00:37:29,120 Speaker 1: I do not need proofs. Yeah. You remember in the 667 00:37:29,200 --> 00:37:32,560 Speaker 1: Color of Money where Tom Cruise is playing pool and 668 00:37:32,640 --> 00:37:36,000 Speaker 1: he looks over his shoulder and taps the ball into 669 00:37:36,040 --> 00:37:38,439 Speaker 1: the hole without looking, the eight ball into the hole. 670 00:37:38,719 --> 00:37:42,880 Speaker 1: That's how Casey is with typing. She'll be like, typing, typing, typing. 671 00:37:42,920 --> 00:37:44,279 Speaker 1: I'll be like, Casey can ask you a question, and 672 00:37:44,320 --> 00:37:47,120 Speaker 1: she'll look up at me and you, uh huh be 673 00:37:47,239 --> 00:37:50,440 Speaker 1: typing while she's looking at me, and I'll be like, 674 00:37:50,480 --> 00:37:52,640 Speaker 1: and I'll be like, is there any can you tell 675 00:37:52,680 --> 00:37:58,279 Speaker 1: me where the uh where the sure I'm this is 676 00:37:58,320 --> 00:37:59,759 Speaker 1: gonna use this as an example. Can you tell me 677 00:37:59,800 --> 00:38:06,560 Speaker 1: where the ball? Gag is? Oh my god, that story 678 00:38:06,600 --> 00:38:10,320 Speaker 1: of you guys having sex last week was so funny. Anyway, 679 00:38:10,360 --> 00:38:13,800 Speaker 1: Danie'll play the more you know. So, parents of kids 680 00:38:13,800 --> 00:38:17,040 Speaker 1: going into high school, I'm telling you make them take 681 00:38:17,080 --> 00:38:22,040 Speaker 1: typing Daniel, the more you know, thank you. Um okay, 682 00:38:22,200 --> 00:38:25,120 Speaker 1: so oh that was also funny when we so he 683 00:38:25,480 --> 00:38:27,520 Speaker 1: wants a cigar and we're like, we can't. You can't 684 00:38:27,480 --> 00:38:29,520 Speaker 1: have a cigar. It's gonna blow up the whole ICU 685 00:38:29,640 --> 00:38:32,319 Speaker 1: because of oxygen. But we can go get your beer. 686 00:38:32,360 --> 00:38:33,920 Speaker 1: So we go get him a beer and that's when 687 00:38:33,920 --> 00:38:36,120 Speaker 1: we run a cress Ted who's trying to type again. 688 00:38:36,280 --> 00:38:38,480 Speaker 1: And it's the funniest part. Ted tells us that he 689 00:38:38,520 --> 00:38:41,799 Speaker 1: doesn't he's lying. He doesn't have any family, and but 690 00:38:41,880 --> 00:38:48,120 Speaker 1: I laughed so hard when he types and he goes, not, gee, 691 00:38:48,960 --> 00:38:51,320 Speaker 1: do you remember that? Like I remember old school typing 692 00:38:52,040 --> 00:38:55,960 Speaker 1: and there was a there was a backspace button, right, 693 00:38:56,000 --> 00:38:59,640 Speaker 1: it wouldn't it? Yeah, you could go over the like 694 00:38:59,719 --> 00:39:01,799 Speaker 1: you But did you have to use white out or where? 695 00:39:02,200 --> 00:39:04,160 Speaker 1: Or did it? No? It would have the white out 696 00:39:04,239 --> 00:39:07,080 Speaker 1: in if you had a really nice typewriter, it would 697 00:39:07,080 --> 00:39:09,640 Speaker 1: have the white out in the tape also, so you 698 00:39:09,640 --> 00:39:12,320 Speaker 1: would go back right and you could go back and 699 00:39:12,320 --> 00:39:16,240 Speaker 1: and delete one letter, yeah, or more than that. Sometimes 700 00:39:16,239 --> 00:39:18,000 Speaker 1: you could delete more than that. But you would have 701 00:39:18,040 --> 00:39:21,040 Speaker 1: to press today. I'll never know hids today will never 702 00:39:21,080 --> 00:39:23,400 Speaker 1: know white out Donald and then to bold something and 703 00:39:23,440 --> 00:39:25,560 Speaker 1: remember you'd have to go all the way back and 704 00:39:25,600 --> 00:39:29,400 Speaker 1: then type the word again, and then go back and 705 00:39:29,440 --> 00:39:32,920 Speaker 1: then type the word again to remember bold. I remember 706 00:39:32,960 --> 00:39:38,520 Speaker 1: white out man. Now, kids today they'll never know white 707 00:39:38,520 --> 00:39:46,839 Speaker 1: out Donald. Motherfucking kids barely know what pencils are. This 708 00:39:46,920 --> 00:39:53,759 Speaker 1: is true. There is no cap, no cap. Oh yeah, 709 00:39:53,920 --> 00:39:56,759 Speaker 1: I'm oh man. I remember. I remember back in the days, 710 00:39:56,800 --> 00:39:58,759 Speaker 1: like with the with the five inch floppy of it 711 00:39:58,880 --> 00:40:01,760 Speaker 1: like not working and like you lost your whole fucking 712 00:40:01,880 --> 00:40:04,560 Speaker 1: have you ever had that happen, like like by four 713 00:40:04,600 --> 00:40:08,439 Speaker 1: auto save and before everything, like old school five inch 714 00:40:08,480 --> 00:40:11,000 Speaker 1: floppy and like all of a sudden it's all gone 715 00:40:11,040 --> 00:40:13,200 Speaker 1: like ms dos, like it's all gone, and you're like, 716 00:40:13,320 --> 00:40:16,680 Speaker 1: where is it? Where is it? It's gone? No. I 717 00:40:16,719 --> 00:40:19,600 Speaker 1: remember Floppy discs. I remember that shit. I remember that. 718 00:40:19,680 --> 00:40:22,719 Speaker 1: We were the hard disks that came after Floppy that 719 00:40:22,760 --> 00:40:26,000 Speaker 1: was three and a half inch floppy right now, drive No, No, 720 00:40:26,000 --> 00:40:28,160 Speaker 1: there was there was the hard ones before that. There 721 00:40:28,200 --> 00:40:29,959 Speaker 1: was the there was like the five and a half 722 00:40:29,960 --> 00:40:33,839 Speaker 1: inch Floppy. There was actually floppy literally, oh no, I don't. 723 00:40:33,880 --> 00:40:36,840 Speaker 1: I'm literally only thinking of the the hard ones. No, no, no, 724 00:40:36,920 --> 00:40:38,720 Speaker 1: you don't even know this. What hold are you again? 725 00:40:39,400 --> 00:40:42,879 Speaker 1: Thirty three? Yeah, you're way too young to know. Look 726 00:40:42,880 --> 00:40:45,160 Speaker 1: at Google image on your computer right now. I think 727 00:40:45,160 --> 00:40:46,800 Speaker 1: it's I think it was called the five and a 728 00:40:46,840 --> 00:40:50,080 Speaker 1: half inch floppy just floppy floppy disk. I mean like 729 00:40:50,440 --> 00:40:53,000 Speaker 1: they still called they still called the hard plastic ones 730 00:40:53,000 --> 00:40:55,480 Speaker 1: floppy disc I think, yeah, they weren't say they weren't floppy. 731 00:40:55,520 --> 00:41:00,359 Speaker 1: These were actually floppy. Okay, do you see that? You 732 00:41:00,400 --> 00:41:03,520 Speaker 1: see that little tape in the middle for it, the 733 00:41:03,520 --> 00:41:06,759 Speaker 1: thing in the middle, just like original floppy discs. I 734 00:41:06,760 --> 00:41:08,560 Speaker 1: think it was like it was about this big Dane. 735 00:41:08,760 --> 00:41:11,080 Speaker 1: It's like this big and it has a circle in 736 00:41:11,120 --> 00:41:13,520 Speaker 1: the middle that has Yeah, I think I see what 737 00:41:13,520 --> 00:41:16,120 Speaker 1: you're talking about. They were actually physically floppy. Yes, you 738 00:41:16,120 --> 00:41:17,880 Speaker 1: could bend it. You could you bend it and everything. 739 00:41:17,920 --> 00:41:19,680 Speaker 1: You wouldn't want to bend it. You'd be upset if 740 00:41:19,680 --> 00:41:22,200 Speaker 1: somebody bitch your floppy disk, but you would put it 741 00:41:22,239 --> 00:41:26,600 Speaker 1: in your drive and you never seen everything. Yeah, yeah, 742 00:41:26,680 --> 00:41:29,360 Speaker 1: the big black one, the big black one. Wow. Wow, 743 00:41:30,080 --> 00:41:33,880 Speaker 1: you guys never saw this crazy blue and so and 744 00:41:33,960 --> 00:41:36,120 Speaker 1: so was and so was the one the five and 745 00:41:36,120 --> 00:41:39,279 Speaker 1: a half. That's a floppy disc too. Yeah, that's the 746 00:41:39,360 --> 00:41:42,080 Speaker 1: orange one. I'm not I don't think one was floppy. 747 00:41:42,160 --> 00:41:44,319 Speaker 1: That was floppy, I know, but Donald I never I'm 748 00:41:44,320 --> 00:41:46,719 Speaker 1: not talking about those. I'm talking about the black one. Yeah, 749 00:41:46,719 --> 00:41:48,759 Speaker 1: that's what I'm talking about too. Yeah, we'll share this 750 00:41:48,800 --> 00:41:52,600 Speaker 1: picture on Twitter. My very first um video games I 751 00:41:52,680 --> 00:41:55,160 Speaker 1: ever played on a computer were word games. So it 752 00:41:55,160 --> 00:41:57,640 Speaker 1: would be like you've entered a large room and you 753 00:41:57,640 --> 00:42:00,120 Speaker 1: would type in like move towards the window, and it 754 00:42:00,239 --> 00:42:02,799 Speaker 1: was like him in the beginning of Freaking Big where 755 00:42:02,880 --> 00:42:07,319 Speaker 1: he's playing the game with the ice, remember that, But 756 00:42:07,360 --> 00:42:10,960 Speaker 1: there's no there were no graphics telling them to take 757 00:42:11,000 --> 00:42:13,640 Speaker 1: out the trash and he's playing one a second and 758 00:42:13,680 --> 00:42:15,960 Speaker 1: he's trying to type it. Are there no graphics? It's 759 00:42:16,000 --> 00:42:19,319 Speaker 1: just words? No, there was there was graphics. Oh I'm 760 00:42:19,360 --> 00:42:22,000 Speaker 1: talking about a game where you had a physical map 761 00:42:22,080 --> 00:42:24,560 Speaker 1: that came with the game, maybe, but there was nothing 762 00:42:24,600 --> 00:42:26,680 Speaker 1: on the screen. You were just words and you'd be like, 763 00:42:26,760 --> 00:42:28,799 Speaker 1: moved closer to the window. It's like you have moved 764 00:42:28,840 --> 00:42:32,520 Speaker 1: closer to the window, like and that your fortress. I 765 00:42:32,520 --> 00:42:35,520 Speaker 1: don't know what it's called. Okay, but it ran on 766 00:42:35,760 --> 00:42:41,560 Speaker 1: MS DOS hell yeah, um, anyway, I didn't play that game, 767 00:42:42,960 --> 00:42:46,640 Speaker 1: and then I and then I graduated to um the 768 00:42:46,760 --> 00:42:52,319 Speaker 1: smaller plastic floppies, which all the Sierra games were on those. Yeah. Yeah. 769 00:42:52,640 --> 00:42:56,160 Speaker 1: Leisure Suit Larry in the Land of Lounge Lizards. Yeah, 770 00:42:56,160 --> 00:42:58,320 Speaker 1: that's one of my favorite games ever. Two when I 771 00:42:58,400 --> 00:43:00,719 Speaker 1: was a kid too. And then leisure Suit Larry go 772 00:43:00,760 --> 00:43:03,239 Speaker 1: on a cruise. The cruise one that was part two. 773 00:43:03,680 --> 00:43:06,840 Speaker 1: My parents let me get one two and three. I 774 00:43:06,840 --> 00:43:09,440 Speaker 1: don't think our parents knew what they were so we 775 00:43:09,480 --> 00:43:13,160 Speaker 1: were allowed to play it. Well, yeah they didn't. My 776 00:43:13,239 --> 00:43:16,359 Speaker 1: parents weren't clocking what leaders Suit Larry was. Yeah. No, 777 00:43:16,520 --> 00:43:20,200 Speaker 1: they weren't paying attention to that ship. Was it inappropriate? Yeah, 778 00:43:22,160 --> 00:43:26,120 Speaker 1: he's trying to have sex. Oh, not familiar. And the 779 00:43:26,200 --> 00:43:29,239 Speaker 1: land A lands in Vegas in one and in the 780 00:43:29,320 --> 00:43:32,879 Speaker 1: opening scene in the opening part, if you can make 781 00:43:32,880 --> 00:43:36,600 Speaker 1: it to the prostitute up on the next level with 782 00:43:36,640 --> 00:43:39,719 Speaker 1: the prophylactic, you had to go buy condoms like all 783 00:43:39,760 --> 00:43:42,200 Speaker 1: that shit, Like if you didn't, you died as soon 784 00:43:42,239 --> 00:43:44,960 Speaker 1: as you left, and we had sex. When you had sex, 785 00:43:45,000 --> 00:43:47,600 Speaker 1: it would it would go. It would have a black 786 00:43:47,600 --> 00:43:49,320 Speaker 1: box that said, sense, you're on it, but we would 787 00:43:49,320 --> 00:43:52,000 Speaker 1: move the black box should move like you were, like 788 00:43:52,040 --> 00:43:59,040 Speaker 1: you were. You could probably if you're listening in your 789 00:43:59,040 --> 00:44:01,279 Speaker 1: curious I'm sure you could go on YouTube and finding No, 790 00:44:01,400 --> 00:44:03,120 Speaker 1: you can find you can find a game on your phone. 791 00:44:03,160 --> 00:44:06,080 Speaker 1: I have it on my phone game. I'm just saying, 792 00:44:06,080 --> 00:44:07,719 Speaker 1: if people wanted to see who we're talking about, just 793 00:44:07,800 --> 00:44:10,399 Speaker 1: go on YouTube and look up the very first edition 794 00:44:10,400 --> 00:44:16,560 Speaker 1: of leisure Lounge Lizards called leisure Suit Larry in the 795 00:44:16,680 --> 00:44:19,440 Speaker 1: Land of Lounge Lizards. You know, it was crazy, was 796 00:44:19,480 --> 00:44:23,239 Speaker 1: trying to get past the test in the beginning, you know, 797 00:44:23,280 --> 00:44:25,520 Speaker 1: the test that they would give you a test to 798 00:44:25,600 --> 00:44:29,200 Speaker 1: prove you were over eighteen eighteen. That would be crazy. 799 00:44:29,200 --> 00:44:31,640 Speaker 1: So they would ask you questions. Remember I remember it 800 00:44:31,680 --> 00:44:33,480 Speaker 1: was hard. You had and you couldn't like google it 801 00:44:33,480 --> 00:44:35,560 Speaker 1: obviously back in right back in the day, you couldn't 802 00:44:35,560 --> 00:44:37,920 Speaker 1: google it. But they would ask you questions that theoretically 803 00:44:37,920 --> 00:44:40,680 Speaker 1: only an eighteen year old would know. And eighteen year 804 00:44:40,719 --> 00:44:45,160 Speaker 1: old or older, yeah, exactly what is the G spot? 805 00:44:45,239 --> 00:44:48,040 Speaker 1: And you'd be like like that. It was like it 806 00:44:48,120 --> 00:44:49,880 Speaker 1: was like I forgot what it was. But they were 807 00:44:50,160 --> 00:44:53,000 Speaker 1: some of the questions. Some of it was some of 808 00:44:53,000 --> 00:44:58,360 Speaker 1: it was based on how experienced you were, uh sexually 809 00:44:59,239 --> 00:45:01,960 Speaker 1: well not set as a human being though, you know 810 00:45:02,000 --> 00:45:03,960 Speaker 1: what I mean, Like, there was no way we can 811 00:45:04,040 --> 00:45:06,200 Speaker 1: answer these questions. I remember having the guests and I 812 00:45:06,239 --> 00:45:09,160 Speaker 1: would guess, and if I got it wrong, I would restart, yeah, 813 00:45:09,200 --> 00:45:11,640 Speaker 1: and then guess. There was only a certain amount of questions, 814 00:45:11,680 --> 00:45:13,600 Speaker 1: so you would just learn what the answers right, right, 815 00:45:13,640 --> 00:45:15,600 Speaker 1: And then eventually you just remember, oh, that's right, this 816 00:45:15,640 --> 00:45:24,719 Speaker 1: one is by one's Roosevelt, that one's Roosevelt. Right. Do 817 00:45:24,800 --> 00:45:27,560 Speaker 1: you even remember that? I do? I forgot it, And 818 00:45:27,600 --> 00:45:29,359 Speaker 1: then I remember I think we spoke about this. Four 819 00:45:29,440 --> 00:45:32,239 Speaker 1: There was a hotline and and because there there's no 820 00:45:32,280 --> 00:45:35,920 Speaker 1: way to like google, uh cheat codes or in, so 821 00:45:35,960 --> 00:45:37,839 Speaker 1: you would call on the phone, and god knows how 822 00:45:37,920 --> 00:45:40,560 Speaker 1: much it was a minute, right, And I would feel 823 00:45:40,560 --> 00:45:42,520 Speaker 1: so guilty because I was like, I was gonna get 824 00:45:42,520 --> 00:45:43,800 Speaker 1: in trouble. My parents are gonna be like, what the 825 00:45:43,800 --> 00:45:45,879 Speaker 1: fuck is this on the phone bill? But I would 826 00:45:45,880 --> 00:45:47,759 Speaker 1: call and you would be like, if you're stuck on 827 00:45:48,080 --> 00:45:50,759 Speaker 1: level three plus three and you press three, if you 828 00:45:50,800 --> 00:45:53,120 Speaker 1: can't figure out how to buy the condoms, press two, 829 00:45:53,160 --> 00:45:56,839 Speaker 1: and I mean just say prophylactics you had to spell 830 00:45:56,880 --> 00:45:59,759 Speaker 1: patic whatever. We couldn't say condoms you had to spell 831 00:45:59,760 --> 00:46:02,680 Speaker 1: pro was And then it was a record. No I'm 832 00:46:02,719 --> 00:46:04,279 Speaker 1: saying on the phone line. It was a recording. And 833 00:46:04,320 --> 00:46:06,760 Speaker 1: then it'd be like, you need to ask the pimp, 834 00:46:06,920 --> 00:46:08,759 Speaker 1: and I'd be like, oh, I didn't try and ask 835 00:46:08,760 --> 00:46:12,080 Speaker 1: the pimp. Hang out, and and that was the clue. 836 00:46:12,120 --> 00:46:14,160 Speaker 1: That's what you got clues. And then your parents would 837 00:46:14,160 --> 00:46:17,759 Speaker 1: get a build for like thirty dollars because you did that. Yeah, 838 00:46:18,080 --> 00:46:21,279 Speaker 1: it's too funny, all right, Yeah, anyway, j D was 839 00:46:21,320 --> 00:46:24,120 Speaker 1: a mask guy. Well, hold on, we go buy we go, 840 00:46:24,239 --> 00:46:30,480 Speaker 1: buy beer, condoms and a flare gun because because j 841 00:46:30,640 --> 00:46:33,839 Speaker 1: D felt emasculated because he only was going to buy 842 00:46:33,880 --> 00:46:36,000 Speaker 1: one beer and the guy was like, wow, big night, 843 00:46:36,440 --> 00:46:39,640 Speaker 1: and to make up for it, to puff his chest 844 00:46:39,680 --> 00:46:44,000 Speaker 1: out and feel more manly, JD chooses then to buy 845 00:46:44,120 --> 00:46:48,359 Speaker 1: six pack, condoms and a flare gun, which all come 846 00:46:48,400 --> 00:46:51,520 Speaker 1: into play at some point and m and then in 847 00:46:51,600 --> 00:46:55,279 Speaker 1: the in the elevator, well, we don't know in the elevator, Uh, 848 00:46:55,320 --> 00:46:57,200 Speaker 1: we don't know what happens in the bathroom when they 849 00:46:57,200 --> 00:47:01,319 Speaker 1: finished the State Night song. Are you implying that we 850 00:47:01,400 --> 00:47:03,120 Speaker 1: just don't know what the second half of the stake 851 00:47:03,239 --> 00:47:10,080 Speaker 1: ninth song is. We never learned. But bro, when you're 852 00:47:10,080 --> 00:47:12,520 Speaker 1: in the fucking elevator and you're and you're and you're 853 00:47:12,560 --> 00:47:14,839 Speaker 1: pretending to fire flares, and I go, you're good at 854 00:47:14,920 --> 00:47:29,400 Speaker 1: that for you, so um okay, so um. Then I 855 00:47:29,520 --> 00:47:31,560 Speaker 1: then I we tossed Glenna beer and I say I'm 856 00:47:31,600 --> 00:47:35,560 Speaker 1: allergic to barley, and um, You're like, really, is not 857 00:47:35,640 --> 00:47:37,920 Speaker 1: the truth? Yeah, Church says, tell him the truth, and 858 00:47:37,960 --> 00:47:42,880 Speaker 1: I say, I don't like beer. Um, I prefer Apple 859 00:47:42,920 --> 00:47:47,240 Speaker 1: teenys they make me feel fancy. M hmm. The guys 860 00:47:47,280 --> 00:47:52,719 Speaker 1: try to crack George George's hard persona by asking him 861 00:47:52,840 --> 00:47:56,279 Speaker 1: questions and and stuff, and he's just giving them one 862 00:47:56,320 --> 00:48:02,319 Speaker 1: word answers and uh. Then truly they get to football, 863 00:48:03,120 --> 00:48:06,440 Speaker 1: and George responds to football because he was an old 864 00:48:07,480 --> 00:48:10,400 Speaker 1: high school coach, and Turk says, you know, I played 865 00:48:10,440 --> 00:48:14,080 Speaker 1: football in high school. I was the safety. Yeah, I 866 00:48:14,080 --> 00:48:15,560 Speaker 1: had a lot of fun doing it. And then he 867 00:48:15,640 --> 00:48:19,960 Speaker 1: asks JD did you play football? And j D says no, 868 00:48:20,600 --> 00:48:25,000 Speaker 1: I was the mascot for a girls volleyball team. Yes, 869 00:48:25,880 --> 00:48:32,400 Speaker 1: and I wore a bandanna and a have shirt and 870 00:48:32,440 --> 00:48:38,080 Speaker 1: then at Away Games, I wore spurs, which doesn't make sense, 871 00:48:38,120 --> 00:48:46,640 Speaker 1: which didn't make sense because we weren't the cowboys. And 872 00:48:46,680 --> 00:48:50,160 Speaker 1: then Glen George, trying to be nice, says, you must 873 00:48:50,200 --> 00:48:53,120 Speaker 1: have felt very What did he say? You said you 874 00:48:53,160 --> 00:48:56,239 Speaker 1: must have felt very beautiful? Oh, very pretty? I said 875 00:48:56,280 --> 00:49:02,280 Speaker 1: I felt beautiful something like that. Um, what about that fantasy? 876 00:49:02,320 --> 00:49:04,400 Speaker 1: What about the fantasy of what they're gonna do with 877 00:49:04,400 --> 00:49:06,000 Speaker 1: me when I die? What you're gonna do with me 878 00:49:06,000 --> 00:49:10,040 Speaker 1: when I die? I'm not there yet. Okay, I'm not 879 00:49:10,120 --> 00:49:13,480 Speaker 1: there yet. Cougar Town is formed, guys, Yeah, cougar Town 880 00:49:13,520 --> 00:49:16,280 Speaker 1: has formed. Live on the air, they literally talk about 881 00:49:16,320 --> 00:49:20,799 Speaker 1: being Cougars and Mills. And then the very next year, 882 00:49:21,280 --> 00:49:27,120 Speaker 1: the television show cougar Town premiers on ABC. Yeah. Um, 883 00:49:27,160 --> 00:49:31,280 Speaker 1: that's true. And Bill always regretted the title. It's always 884 00:49:31,520 --> 00:49:35,480 Speaker 1: it always was a thorn in his in his finger? 885 00:49:36,600 --> 00:49:40,520 Speaker 1: Is that the expression in his side? It's on his side? 886 00:49:40,640 --> 00:49:47,080 Speaker 1: Or what's the But I think I think people, you know, 887 00:49:47,280 --> 00:49:49,560 Speaker 1: use a colloquial of like, you're a thorn in my side, 888 00:49:49,960 --> 00:49:52,799 Speaker 1: But thorn in the paw is the legend. Okay, well, 889 00:49:53,040 --> 00:49:57,080 Speaker 1: either your paw or your side. Bill always uh regretted 890 00:49:57,120 --> 00:49:59,759 Speaker 1: calling the show cougar Town. He thought that it hurts 891 00:49:59,760 --> 00:50:02,560 Speaker 1: the show. Um, because the show is better than the title. 892 00:50:02,960 --> 00:50:05,719 Speaker 1: That's what he would say if he was here. So 893 00:50:05,760 --> 00:50:10,040 Speaker 1: we cut to a fantasy of what JD. What's going 894 00:50:10,080 --> 00:50:14,040 Speaker 1: to happen when j D passes away? What the Turks 895 00:50:14,040 --> 00:50:19,439 Speaker 1: are gonna do? Yeah, and we we assume, because Turk 896 00:50:19,640 --> 00:50:24,560 Speaker 1: is holding an urn on his lead from the director 897 00:50:25,000 --> 00:50:29,800 Speaker 1: that they're gonna burn j D and sorry, they're gonna sorry, 898 00:50:29,880 --> 00:50:34,160 Speaker 1: they're gonna cream ate j D down to ashes and 899 00:50:34,200 --> 00:50:39,040 Speaker 1: put him in a urn. Right, And so they're watching 900 00:50:39,120 --> 00:50:42,160 Speaker 1: TV and Turk has the urn on his lap and 901 00:50:42,360 --> 00:50:46,560 Speaker 1: Carlos says it's creeping me out a little bit, and 902 00:50:47,120 --> 00:50:49,759 Speaker 1: you think that she's talking about the urn, but then 903 00:50:49,800 --> 00:50:52,800 Speaker 1: he goes, what that? And we cut to j D 904 00:50:53,200 --> 00:50:59,040 Speaker 1: next to rowdy, stuffed like a dog. Yeah, on all fours, 905 00:50:59,239 --> 00:51:04,399 Speaker 1: on all four, presenting, presenting very very well. I might add, 906 00:51:04,840 --> 00:51:11,399 Speaker 1: Oh my god, is that too far? No? I think 907 00:51:11,400 --> 00:51:13,319 Speaker 1: I tried to stay as still as possible, But I 908 00:51:13,320 --> 00:51:16,680 Speaker 1: think in post they really stilled me, because yeah, because 909 00:51:16,719 --> 00:51:18,840 Speaker 1: it would have been impossible to look like attacks of 910 00:51:18,920 --> 00:51:24,799 Speaker 1: dermy human But um, I don't think that's legal, but 911 00:51:24,840 --> 00:51:27,200 Speaker 1: it was funny. I don't. I don't think that's legal either. 912 00:51:28,239 --> 00:51:30,640 Speaker 1: I don't think embalming. Did you notice at the end 913 00:51:30,680 --> 00:51:33,040 Speaker 1: of the show for the first time, instead of like 914 00:51:33,080 --> 00:51:35,399 Speaker 1: an extra scene, they made it. They showed like an 915 00:51:35,400 --> 00:51:38,600 Speaker 1: outtake when you and I were just riffing on on that. 916 00:51:38,680 --> 00:51:41,239 Speaker 1: Did you see that? Yes? I did? Yes, I did, 917 00:51:41,760 --> 00:51:48,800 Speaker 1: And then Bill added, But it was funny. I like 918 00:51:48,880 --> 00:51:50,839 Speaker 1: the idea of instead of doing a little scene, let 919 00:51:50,880 --> 00:51:54,000 Speaker 1: doing bloopers. I don't know if that became Oh, I 920 00:51:54,000 --> 00:51:55,520 Speaker 1: don't know what we did this year, Like, I don't know, 921 00:51:55,520 --> 00:51:57,440 Speaker 1: but that was just funny that, Like, it's a cool idea, 922 00:51:57,520 --> 00:52:00,360 Speaker 1: like instead of doing like a quick little seeing on 923 00:52:00,560 --> 00:52:04,319 Speaker 1: the credits, do like a funny blooper. I everybody loves 924 00:52:04,360 --> 00:52:09,080 Speaker 1: a blooper. You know what everybody also loves? What's a 925 00:52:09,160 --> 00:52:13,280 Speaker 1: lesbian cloud? Oh? Yeah, so we're reintroduced to the lesbian clouder. 926 00:52:13,280 --> 00:52:17,280 Speaker 1: This is the second time that JD and Turk's version 927 00:52:17,360 --> 00:52:24,319 Speaker 1: of Heaven is discussed. It starts in a milkshakeh pool, Yes, 928 00:52:25,080 --> 00:52:27,920 Speaker 1: and then after they enjoying the milkshake pool, they go 929 00:52:27,960 --> 00:52:33,880 Speaker 1: over to a lesbian cloud where they could be smarter 930 00:52:33,960 --> 00:52:39,759 Speaker 1: if it was a bisexual female cloud, because if they're 931 00:52:39,840 --> 00:52:42,759 Speaker 1: if they're just they don't want they don't want to partake, 932 00:52:42,960 --> 00:52:46,279 Speaker 1: they just want to watch. Oh oh, I feel like 933 00:52:46,320 --> 00:52:48,040 Speaker 1: the lesbians would have a problem with that. Is that 934 00:52:48,160 --> 00:52:54,480 Speaker 1: their idea? Well, this is our heaven, you speak for 935 00:52:54,520 --> 00:52:57,600 Speaker 1: the queer community, but this is j and Turk and 936 00:52:57,680 --> 00:53:02,720 Speaker 1: Jad's version of heaven. Joell, Okay, we have sil versions 937 00:53:02,719 --> 00:53:11,439 Speaker 1: of heavens. So it's fine. The milkshake cloud is right 938 00:53:11,480 --> 00:53:15,239 Speaker 1: next to the shakedown, right, the milk shake pool is 939 00:53:15,320 --> 00:53:17,920 Speaker 1: right next to the lesbian cloud. Yeah, I get a 940 00:53:18,080 --> 00:53:24,239 Speaker 1: deal here, all right, all right? So um okay, so 941 00:53:24,440 --> 00:53:27,600 Speaker 1: Jed we find out Jad hates edge. Well. Ed has 942 00:53:27,640 --> 00:53:30,799 Speaker 1: got this whole new saying going and it is so recognize. 943 00:53:31,320 --> 00:53:33,520 Speaker 1: JD likes to think he's the most popular one at 944 00:53:33,520 --> 00:53:36,120 Speaker 1: the at the hospital, but Ed is really gaining traction 945 00:53:36,160 --> 00:53:40,120 Speaker 1: with popularity. He trends really fast. I mean what I mean? Yeah, 946 00:53:40,160 --> 00:53:43,440 Speaker 1: it's like trending now Ed whatever Ed says trends. And 947 00:53:43,480 --> 00:53:46,640 Speaker 1: he's come up with a new thing called recognize. When 948 00:53:46,719 --> 00:53:51,640 Speaker 1: you diss somebody and they burn you and they turn 949 00:53:51,760 --> 00:53:56,319 Speaker 1: your disc into a burn, Yes, you must recognize, right, 950 00:53:56,520 --> 00:53:59,240 Speaker 1: and then we see he even got ted doing it. 951 00:53:59,480 --> 00:54:11,080 Speaker 1: Record Nay, Sam Lloyd rested. Man, he did such a 952 00:54:11,080 --> 00:54:13,400 Speaker 1: wonderful job in this episode. Man, Well, I'm glad that 953 00:54:13,480 --> 00:54:18,400 Speaker 1: he lives on through his humor because I gotta I 954 00:54:18,480 --> 00:54:22,000 Speaker 1: have to say that rewatching this, that man makes me 955 00:54:22,080 --> 00:54:24,560 Speaker 1: laugh every week. Yeah, and think of all the people 956 00:54:24,600 --> 00:54:28,120 Speaker 1: that have seen this show and laughed and and and 957 00:54:28,280 --> 00:54:31,200 Speaker 1: so I'm happy that Sam has such a legacy because 958 00:54:31,280 --> 00:54:33,160 Speaker 1: he doesn't have a lot of lines in every episode, 959 00:54:33,200 --> 00:54:36,319 Speaker 1: but every single one of them makes you laugh. I 960 00:54:36,400 --> 00:54:40,040 Speaker 1: was so moved by um by by Glenn's performance when 961 00:54:40,080 --> 00:54:43,480 Speaker 1: when he has those tears in his eyes and he says, well, okay, 962 00:54:43,520 --> 00:54:46,040 Speaker 1: I'll just go I mean, that was just such beautiful 963 00:54:46,239 --> 00:54:49,399 Speaker 1: poetic acting. There's a lot that leads up to that. 964 00:54:49,520 --> 00:54:52,239 Speaker 1: First of all, I'm jumping ahead. I'm sorry, but I no, no, 965 00:54:52,239 --> 00:54:55,160 Speaker 1: no, no no, you're not jumping ahead. But let's backtrack a 966 00:54:55,160 --> 00:54:58,640 Speaker 1: little bit. We spend most of the episode in this 967 00:54:58,719 --> 00:55:03,520 Speaker 1: one room, this man, and we get to know him. 968 00:55:03,680 --> 00:55:06,160 Speaker 1: Within twenty minutes. We get to know him. We find 969 00:55:06,200 --> 00:55:08,640 Speaker 1: out things about JD and Turk that we didn't know, 970 00:55:09,040 --> 00:55:11,400 Speaker 1: you know what I mean, We get we get it 971 00:55:11,440 --> 00:55:16,319 Speaker 1: gets very intimate and by the time it gets too yeah, 972 00:55:17,040 --> 00:55:22,280 Speaker 1: long beard, stinky pants, that's when that's when the emotion 973 00:55:22,360 --> 00:55:25,680 Speaker 1: starts to kick in. But the emotions kick in with 974 00:55:25,800 --> 00:55:30,200 Speaker 1: the comedic start to a story that ends with you 975 00:55:30,239 --> 00:55:33,000 Speaker 1: know JD saying, you know he had he you know, 976 00:55:33,719 --> 00:55:36,680 Speaker 1: explaining how this dude was thought his father was such 977 00:55:36,680 --> 00:55:40,799 Speaker 1: a great person, right, and you will be remembered. So 978 00:55:40,920 --> 00:55:44,360 Speaker 1: you're not just gonna go get everybody's gonna you know, 979 00:55:44,520 --> 00:55:46,680 Speaker 1: somebody out there is gonna remember you. You will have 980 00:55:46,840 --> 00:55:53,080 Speaker 1: impacted someone somewhere, you know what I mean. And that's 981 00:55:53,200 --> 00:55:55,680 Speaker 1: when you know what I mean. So then he asks 982 00:55:55,800 --> 00:55:58,520 Speaker 1: the question, well, how's it going to happen, and then 983 00:55:58,520 --> 00:56:01,600 Speaker 1: they explain it to him, Well, this is gonna You're 984 00:56:01,600 --> 00:56:04,799 Speaker 1: probably gonna get tired, You're probably you know what I mean, 985 00:56:05,000 --> 00:56:08,600 Speaker 1: Your oregans will start to fail. And he's like, well 986 00:56:08,600 --> 00:56:10,520 Speaker 1: I feel pain, and I'm like, no, we'll manage any 987 00:56:10,520 --> 00:56:14,560 Speaker 1: pain you have come in your way, and then you'll 988 00:56:14,600 --> 00:56:20,680 Speaker 1: just go. And so when he says so I'll just go, Nah, 989 00:56:20,719 --> 00:56:23,080 Speaker 1: all of the stuff that came before that, all to 990 00:56:23,239 --> 00:56:28,319 Speaker 1: build up from that scene. Oh, it's earned, man, you 991 00:56:28,360 --> 00:56:31,080 Speaker 1: know what I mean? And he that that moment. That's 992 00:56:31,080 --> 00:56:35,440 Speaker 1: why it's so, That's why it's so powerful. All of 993 00:56:35,440 --> 00:56:37,080 Speaker 1: the stuff that we did in the beginning of this. 994 00:56:37,200 --> 00:56:38,719 Speaker 1: You know, you say, it's a it's a it's a 995 00:56:38,840 --> 00:56:40,879 Speaker 1: it's a testament to Bill's writing to do it all 996 00:56:40,880 --> 00:56:43,440 Speaker 1: in twenty two minutes. But they did it in twenty 997 00:56:43,440 --> 00:56:47,560 Speaker 1: two minutes. We've gotten to the point where I'm fucking 998 00:56:47,600 --> 00:56:52,200 Speaker 1: balling on my couch watching this scene later this many 999 00:56:52,280 --> 00:56:54,560 Speaker 1: years later. Yeah, you know what I mean. And it 1000 00:56:54,640 --> 00:56:56,880 Speaker 1: opened up so many fucking things for me, you know 1001 00:56:56,920 --> 00:56:59,040 Speaker 1: what I mean, just about life and things that I've 1002 00:56:59,080 --> 00:57:01,359 Speaker 1: gone through since then, you know what I mean. And so, 1003 00:57:02,200 --> 00:57:04,520 Speaker 1: and it all starts with long beard stinky pants. That's 1004 00:57:04,520 --> 00:57:07,440 Speaker 1: the crazy thing. Well, that's the genius of Bill's writing 1005 00:57:07,520 --> 00:57:11,440 Speaker 1: and obviously has seen Batra and the whole team. But um, 1006 00:57:11,960 --> 00:57:15,040 Speaker 1: you know with JD's even JD's ramp into everything you 1007 00:57:15,120 --> 00:57:18,960 Speaker 1: just said is a very is a story about about 1008 00:57:19,160 --> 00:57:23,360 Speaker 1: his his dad. Um. But it's but it's got silly 1009 00:57:23,720 --> 00:57:26,080 Speaker 1: stuff in it, you know what you're saying, with the 1010 00:57:26,160 --> 00:57:30,840 Speaker 1: stinky pants and everything, but it's also so moving because 1011 00:57:30,840 --> 00:57:35,000 Speaker 1: it's a story about what a good man his father was. Um. 1012 00:57:35,560 --> 00:57:38,440 Speaker 1: It's just just really great writing. And then of course, um, 1013 00:57:39,000 --> 00:57:42,400 Speaker 1: the performance. I mean, uh, I think you and I 1014 00:57:42,440 --> 00:57:47,880 Speaker 1: are good, but but Glenn is just fucking next level. Yeah, 1015 00:57:47,960 --> 00:57:52,440 Speaker 1: And it's just so it's just so um, it's so 1016 00:57:53,040 --> 00:57:56,200 Speaker 1: moving and and it's so real. You know, it's it's 1017 00:57:56,320 --> 00:57:59,440 Speaker 1: the show's a comedy, but it's really genuinely seeing a 1018 00:57:59,440 --> 00:58:04,640 Speaker 1: wonderful actor get you into the zone of facing mortality 1019 00:58:04,760 --> 00:58:07,080 Speaker 1: and how how is it going to feel when I 1020 00:58:07,160 --> 00:58:11,520 Speaker 1: take my last breath? Um? And that's when it gets 1021 00:58:11,520 --> 00:58:13,720 Speaker 1: really you know, when he's like, then they we go 1022 00:58:13,760 --> 00:58:16,880 Speaker 1: into the montage and all of that stuff and their community, 1023 00:58:17,040 --> 00:58:21,480 Speaker 1: you know, they're having great conversations and you know, laughing 1024 00:58:21,480 --> 00:58:23,600 Speaker 1: and everything like that, and then he says, I'm getting 1025 00:58:23,680 --> 00:58:26,520 Speaker 1: tired well, and they also don't forget in there. There's 1026 00:58:26,520 --> 00:58:30,000 Speaker 1: also a moment that JD says, um, I think it 1027 00:58:30,000 --> 00:58:32,960 Speaker 1: would be great if the if, the if your last 1028 00:58:33,040 --> 00:58:36,240 Speaker 1: memory is a good one, right, if the very last 1029 00:58:36,280 --> 00:58:39,320 Speaker 1: thing that you think of is is is something good? 1030 00:58:40,440 --> 00:58:44,600 Speaker 1: And he's laughing, and he's he's laughing right before he 1031 00:58:44,640 --> 00:58:47,600 Speaker 1: says to us, you know, guys, you know, I'm getting 1032 00:58:47,600 --> 00:58:50,920 Speaker 1: a little tired. And he and he asks the question, 1033 00:58:51,240 --> 00:58:55,080 Speaker 1: you know, oh, take a nap, take restaurant, man, That's 1034 00:58:55,080 --> 00:58:56,680 Speaker 1: what they say. And he's like, we will you be 1035 00:58:56,720 --> 00:59:01,120 Speaker 1: here when I wake up? And they say yes, hm, 1036 00:59:01,960 --> 00:59:04,920 Speaker 1: knowing that he's probably not going to wake up. Yeah, 1037 00:59:05,040 --> 00:59:08,280 Speaker 1: that was beautifully done. And then it cuts to the 1038 00:59:08,360 --> 00:59:11,160 Speaker 1: roof of the hospital where we're sitting in lawn chairs 1039 00:59:11,240 --> 00:59:17,680 Speaker 1: and turrets drinking a beer, and and then JD fires 1040 00:59:17,680 --> 00:59:20,960 Speaker 1: a flair and from the flare gun they bought into 1041 00:59:21,000 --> 00:59:26,320 Speaker 1: the sky in George's honor. Yeah. Really good, such a 1042 00:59:26,360 --> 00:59:29,600 Speaker 1: great episode, really really good. It's one of my favorites. 1043 00:59:32,240 --> 00:59:34,640 Speaker 1: All the fields, man, I'm getting the fields now. Yes. So, 1044 00:59:34,680 --> 00:59:38,600 Speaker 1: so here's some trivia I found on Scrubs. Wicky Neil Flynn, 1045 00:59:38,920 --> 00:59:41,360 Speaker 1: Ken Jenkins, Sarah Chalk, and John c mcginny do not 1046 00:59:41,400 --> 00:59:44,720 Speaker 1: appear in this episode. No, Elliott, Cox, Kelso or Jenks 1047 00:59:44,840 --> 00:59:46,840 Speaker 1: says this is Scrubs will get off. It's true, but 1048 00:59:46,840 --> 00:59:49,440 Speaker 1: it says an alleged sipulation for Scrubs being picked up 1049 00:59:49,480 --> 00:59:51,760 Speaker 1: for season eight on ABC was the show needed to 1050 00:59:51,800 --> 00:59:56,080 Speaker 1: cut costs, so every main actor is absent for three episodes, 1051 00:59:56,160 --> 00:59:59,920 Speaker 1: except Zach Braff and Sarah Chalk, who only missed two episodes, 1052 01:00:00,000 --> 01:00:02,840 Speaker 1: you missed three episodes. I did. I remember this? This 1053 01:00:02,920 --> 01:00:06,040 Speaker 1: was I remember when this happened. A lot of things 1054 01:00:06,080 --> 01:00:09,919 Speaker 1: happened this year. A lot of our pay went down 1055 01:00:09,920 --> 01:00:14,320 Speaker 1: and everything because of the hiatus that we had in between. 1056 01:00:14,720 --> 01:00:20,400 Speaker 1: I remember I was making way more money before we 1057 01:00:20,440 --> 01:00:25,000 Speaker 1: moved to ABC, and then when NA happened, things changed, 1058 01:00:25,080 --> 01:00:29,080 Speaker 1: and I remember, I remember that. I remember, I remember 1059 01:00:29,200 --> 01:00:33,960 Speaker 1: the show not having enough money to pay everybody for 1060 01:00:34,400 --> 01:00:37,080 Speaker 1: a certain amount of episodes. This is when catering changed. 1061 01:00:37,200 --> 01:00:40,120 Speaker 1: Remember we didn't have do you remember this. Remember we 1062 01:00:40,200 --> 01:00:41,800 Speaker 1: used to have the truck and we would eat lunch 1063 01:00:41,840 --> 01:00:43,960 Speaker 1: outside and everything like that. Then it became a walk 1064 01:00:44,000 --> 01:00:48,360 Speaker 1: away after that. I remember that. I remember that. Yeah, 1065 01:00:48,440 --> 01:00:51,200 Speaker 1: I mean this was. This was the beginning of the end. 1066 01:00:51,600 --> 01:00:53,480 Speaker 1: Even though this was even even though this is one 1067 01:00:53,480 --> 01:00:57,040 Speaker 1: of the best seasons, Yeah, so far, this was the 1068 01:00:57,080 --> 01:01:00,360 Speaker 1: beginning of the end. It says a writer received bacher 1069 01:01:00,440 --> 01:01:03,560 Speaker 1: Want a Humanitas Prize for this episode, which is a 1070 01:01:03,680 --> 01:01:09,440 Speaker 1: very um esteemed writing award. In the episode Stop Dragging 1071 01:01:09,480 --> 01:01:12,480 Speaker 1: My Heart Around of Bill Lawrence's show Cougar Town, this 1072 01:01:12,560 --> 01:01:15,320 Speaker 1: episode is running on a TV screen in the background, 1073 01:01:16,920 --> 01:01:20,200 Speaker 1: so it's clear Bill was proud of this too. Yeah, 1074 01:01:20,280 --> 01:01:26,040 Speaker 1: Carla only appears in the fantasy about Stuffed jd Um. 1075 01:01:26,160 --> 01:01:27,960 Speaker 1: Turk and j D's plans for their first day in 1076 01:01:28,000 --> 01:01:30,720 Speaker 1: heaven echoes their plans from the episode My Way Home. 1077 01:01:32,120 --> 01:01:34,480 Speaker 1: When Turk and JD are talking to their patient, George 1078 01:01:34,480 --> 01:01:36,160 Speaker 1: Tchurk brings up the fact that he played football and 1079 01:01:36,200 --> 01:01:38,640 Speaker 1: that he played the position of safety. And the movie 1080 01:01:38,640 --> 01:01:42,160 Speaker 1: Remember the Titans. Donald Fazon plays the running back Pete 1081 01:01:42,360 --> 01:01:45,560 Speaker 1: Jones who gets moved to tight end. I don't think 1082 01:01:46,280 --> 01:01:51,080 Speaker 1: gives me safety. I did, he gets moved to linebacker. Sorry, 1083 01:01:51,920 --> 01:01:54,520 Speaker 1: you should probably know that he gets no. So I'm 1084 01:01:54,560 --> 01:01:58,360 Speaker 1: telling you what does the safety do. It's like it's 1085 01:01:58,400 --> 01:02:02,520 Speaker 1: the dude that stops the wide receivers from catching passes. 1086 01:02:04,320 --> 01:02:08,080 Speaker 1: You love a wide receiver. I love anyone next receive 1087 01:02:08,240 --> 01:02:12,480 Speaker 1: something wide? Oh, we love. We love receiving wide things. 1088 01:02:13,920 --> 01:02:17,640 Speaker 1: Your favorite thing is receiving wide things. I do. I 1089 01:02:17,680 --> 01:02:20,120 Speaker 1: do love receiving Why I I like it when it's 1090 01:02:20,120 --> 01:02:22,600 Speaker 1: so wide that it doesn't fit through the door. Yeah, 1091 01:02:22,640 --> 01:02:24,320 Speaker 1: you can't even receive it. You love it when you 1092 01:02:24,360 --> 01:02:26,400 Speaker 1: can't even fully receive it. I love it when it 1093 01:02:26,440 --> 01:02:31,520 Speaker 1: doesn't fit. Um, all right, Okay, on that note, all right, 1094 01:02:31,520 --> 01:02:34,720 Speaker 1: we're talking about packages, right, what a great episode. We're 1095 01:02:34,720 --> 01:02:39,440 Speaker 1: talking about wide packages pages. Okay, just making sure sure 1096 01:02:39,480 --> 01:02:42,600 Speaker 1: we're talking about wide, big packages. And we're gonna go 1097 01:02:42,640 --> 01:02:43,800 Speaker 1: to break and we come back. We are going to 1098 01:02:43,880 --> 01:02:47,440 Speaker 1: have a performance review for our Super Bowl commercial to 1099 01:02:47,480 --> 01:02:49,760 Speaker 1: see how we did. We're gonna check in and and 1100 01:02:49,840 --> 01:02:52,800 Speaker 1: make make sure we made the people that hired as happy. 1101 01:02:53,160 --> 01:02:55,200 Speaker 1: Donald and I want to hear if it was as 1102 01:02:55,240 --> 01:03:00,200 Speaker 1: big as it was in our minds, We'll be right back. So, 1103 01:03:04,560 --> 01:03:08,080 Speaker 1: uh listen, we wanted to, uh, you know how some 1104 01:03:08,200 --> 01:03:16,160 Speaker 1: jobs you can have like a a performance review. I 1105 01:03:16,480 --> 01:03:18,480 Speaker 1: had a job. I've never had a job like this. 1106 01:03:18,520 --> 01:03:20,520 Speaker 1: Do you have this at I heeart a performance review? 1107 01:03:21,800 --> 01:03:24,760 Speaker 1: Actually don't, but I have had. All other jobs are 1108 01:03:24,920 --> 01:03:27,560 Speaker 1: jobs where you get a performance review. So we wanted 1109 01:03:27,600 --> 01:03:30,680 Speaker 1: to invite Brian Klugman, who you guys remember is our friend. 1110 01:03:30,720 --> 01:03:33,480 Speaker 1: He wrote that beautiful children's book. He's also we call 1111 01:03:33,600 --> 01:03:36,360 Speaker 1: him the Don draper of of of the whole T 1112 01:03:36,520 --> 01:03:39,440 Speaker 1: mobile campaign because he's the creative who Kim comes up 1113 01:03:39,480 --> 01:03:42,040 Speaker 1: with all the ideas. He came up with the grease idea, 1114 01:03:42,120 --> 01:03:44,600 Speaker 1: he came up with the one with Bradley Cooper. We 1115 01:03:44,680 --> 01:03:47,400 Speaker 1: wanted to have Brian back on and some folks from 1116 01:03:47,480 --> 01:03:50,320 Speaker 1: T Mobile to say, Donald and I wanted a performance review. 1117 01:03:50,320 --> 01:03:53,560 Speaker 1: How did we do. Let's let's assess how our heart 1118 01:03:53,600 --> 01:03:57,280 Speaker 1: commercial went over? Yes, let us assess this. We're needy. 1119 01:03:57,360 --> 01:03:59,320 Speaker 1: We're needy mofos, and we want to know if we 1120 01:03:59,680 --> 01:04:01,960 Speaker 1: did we did well by them, and we know you 1121 01:04:02,000 --> 01:04:04,760 Speaker 1: guys want to know how well we did. Also, Yeah, 1122 01:04:04,800 --> 01:04:06,919 Speaker 1: we think we did well. We got we know. Lets 1123 01:04:06,960 --> 01:04:09,640 Speaker 1: just let's just get a performance review. Let's some guide in. Um, 1124 01:04:09,640 --> 01:04:12,560 Speaker 1: Brian and the folks from T Mobile here they come, 1125 01:04:12,920 --> 01:04:15,840 Speaker 1: here they come. I'm gonna get my thunderous applause button ready, 1126 01:04:19,480 --> 01:04:28,200 Speaker 1: what's up, guys? Brian Klugman, you handsome mofo. You know 1127 01:04:28,280 --> 01:04:31,200 Speaker 1: you do get handsomer and handsomer every time. And also 1128 01:04:31,240 --> 01:04:33,920 Speaker 1: those glasses, Donald, you could Brian is wearing hipster, very 1129 01:04:33,960 --> 01:04:36,320 Speaker 1: hipster glasses. Audience. I could not pull those off. Donald, 1130 01:04:36,360 --> 01:04:39,720 Speaker 1: I think maybe you could. I've never I've looked at 1131 01:04:39,800 --> 01:04:47,680 Speaker 1: this thunders. We are so blessed to have our friends 1132 01:04:47,760 --> 01:04:51,320 Speaker 1: from T Mobile and Brian Klugman here. Uh, guys, we 1133 01:04:51,400 --> 01:04:53,600 Speaker 1: decided we wanted Donald and I are very needy and 1134 01:04:53,640 --> 01:04:56,800 Speaker 1: we wanted to have a performance review where you could 1135 01:04:56,840 --> 01:04:59,880 Speaker 1: tell us, you know, as as employees, of how we 1136 01:05:00,080 --> 01:05:04,600 Speaker 1: did did everything go overwhel We were just wondering because 1137 01:05:04,640 --> 01:05:09,360 Speaker 1: we haven't heard from you since the shoot, and um, 1138 01:05:09,800 --> 01:05:13,040 Speaker 1: you know, are are you happy? Yes? Did you want 1139 01:05:13,040 --> 01:05:16,240 Speaker 1: the critical feedback first or the constructive feedback or the 1140 01:05:16,280 --> 01:05:18,240 Speaker 1: good no? No, no, don't do anything critical that we 1141 01:05:18,280 --> 01:05:22,760 Speaker 1: will will spiral out. We're very neurotic. Um. Wow, what 1142 01:05:22,880 --> 01:05:27,280 Speaker 1: an amazing year again, you know, I think personally and 1143 01:05:27,400 --> 01:05:30,280 Speaker 1: I think the the stats back this up. This was 1144 01:05:30,400 --> 01:05:33,520 Speaker 1: the number one Super Bowl commercial of the year. Really, 1145 01:05:34,040 --> 01:05:37,800 Speaker 1: it's literally the most viewed piece of content that T 1146 01:05:37,960 --> 01:05:41,800 Speaker 1: Mobile has ever created. And I think, you know, when 1147 01:05:41,840 --> 01:05:43,680 Speaker 1: when Peter and I look at these things, there's kind 1148 01:05:43,720 --> 01:05:45,680 Speaker 1: of two main things that we look at. One is 1149 01:05:46,560 --> 01:05:50,240 Speaker 1: do people remember the company and the brand that advertised 1150 01:05:50,680 --> 01:05:53,520 Speaker 1: And this spot in one of the main surveys that 1151 01:05:53,560 --> 01:05:56,400 Speaker 1: we looked at, was not only in the top five, 1152 01:05:56,600 --> 01:06:00,640 Speaker 1: it was number one number one spot and brand. And 1153 01:06:00,800 --> 01:06:02,480 Speaker 1: then the second big thing that we look at, which 1154 01:06:02,520 --> 01:06:04,480 Speaker 1: you guys like knocked it off the charts for us 1155 01:06:04,560 --> 01:06:07,560 Speaker 1: last year because remember we had you know, the spot 1156 01:06:07,640 --> 01:06:09,880 Speaker 1: last year like this one talked about our broadband business 1157 01:06:09,880 --> 01:06:12,760 Speaker 1: and we had we were the fastest growing broadband company 1158 01:06:12,800 --> 01:06:15,760 Speaker 1: in America. After that spot last year, we looked directly 1159 01:06:15,760 --> 01:06:19,320 Speaker 1: at the business results and we saw all of our 1160 01:06:19,360 --> 01:06:21,920 Speaker 1: business metrics. I can't get to the specifics on those yet, 1161 01:06:21,960 --> 01:06:24,560 Speaker 1: but all of our business metrics off the charts after 1162 01:06:24,600 --> 01:06:27,840 Speaker 1: that spot ran. So we are really excited about how 1163 01:06:27,840 --> 01:06:31,240 Speaker 1: it went. Wow, it's so feel too. But anyway, I 1164 01:06:31,280 --> 01:06:33,080 Speaker 1: want to introduce you guys. Sorry, this is Peter de 1165 01:06:33,160 --> 01:06:37,160 Speaker 1: Luca and Mike Kats from T Mobile. And I mentioned, um, 1166 01:06:38,160 --> 01:06:41,240 Speaker 1: the if Don Draper were more handsome, it would be 1167 01:06:41,240 --> 01:06:45,160 Speaker 1: Brian Klugman more handsome and more of Jewish. Yeah, jis 1168 01:06:45,600 --> 01:06:49,520 Speaker 1: the Jewish Don Draper. Um, Mike. That's so great to hear, 1169 01:06:49,560 --> 01:06:53,520 Speaker 1: because you know, Donal and I our only metric was 1170 01:06:52,800 --> 01:06:56,440 Speaker 1: um was the views on YouTube. Well that and then 1171 01:06:56,480 --> 01:06:59,280 Speaker 1: and then a comment in our Instagram, you know what 1172 01:06:59,360 --> 01:07:03,320 Speaker 1: I mean, like comments like well, I guess I'm switching that. 1173 01:07:04,240 --> 01:07:06,400 Speaker 1: I'd love to hear that. But you know the thing 1174 01:07:06,480 --> 01:07:08,720 Speaker 1: about the spot is you brought great joy to a 1175 01:07:08,760 --> 01:07:11,000 Speaker 1: lot of folks watching the Super Bowl this year. I 1176 01:07:11,000 --> 01:07:13,840 Speaker 1: mean it was just so engaging and so fun and 1177 01:07:13,880 --> 01:07:17,520 Speaker 1: reading all the comments, I would have to say, you 1178 01:07:17,560 --> 01:07:21,000 Speaker 1: saw a lot of love from your fans out there. Yeah, 1179 01:07:21,000 --> 01:07:24,520 Speaker 1: it's interesting. The world is full of haters, right, we 1180 01:07:24,640 --> 01:07:27,760 Speaker 1: know that, and especially on the internet, everyone is faceless 1181 01:07:27,840 --> 01:07:32,000 Speaker 1: in control. But there was just such singularity in the 1182 01:07:32,000 --> 01:07:34,400 Speaker 1: amount of love for this, and I think you know, 1183 01:07:34,520 --> 01:07:36,920 Speaker 1: I mean, you guys break me if I'm wrong. I 1184 01:07:36,920 --> 01:07:39,160 Speaker 1: think we made it with that kind of joy and love. 1185 01:07:39,200 --> 01:07:41,280 Speaker 1: I mean that was a pretty magical set to be 1186 01:07:41,320 --> 01:07:44,280 Speaker 1: a part of. Yeah. Yes, well since stay one, and 1187 01:07:45,400 --> 01:07:48,480 Speaker 1: also the Bradley Cooper spot was huge. Yeah, I was 1188 01:07:48,520 --> 01:07:51,840 Speaker 1: just gonna say, what a great campaign, what a great 1189 01:07:51,880 --> 01:07:55,440 Speaker 1: super Bowl campaign, you know what I mean? Bradley Cooper 1190 01:07:55,560 --> 01:07:58,840 Speaker 1: like that did astronomical numbers on YouTube as well, not 1191 01:07:58,880 --> 01:08:01,240 Speaker 1: only during the Super Bowl, at the day after the 1192 01:08:01,240 --> 01:08:04,080 Speaker 1: super Bowl. Can you tell us about that? Yeah, I mean, 1193 01:08:04,360 --> 01:08:06,320 Speaker 1: we were so proud of both of those spots, and 1194 01:08:06,600 --> 01:08:09,080 Speaker 1: I think, like Peter said, like, um, they did all 1195 01:08:09,160 --> 01:08:13,000 Speaker 1: the things that great advertising should do. They sucked you in, 1196 01:08:13,800 --> 01:08:17,000 Speaker 1: They were fun and entertaining to watch, They felt unique, 1197 01:08:17,040 --> 01:08:18,960 Speaker 1: They didn't feel like anything else that ran on the 1198 01:08:19,000 --> 01:08:22,320 Speaker 1: super Bowl that day. And when you when you left 1199 01:08:22,760 --> 01:08:25,639 Speaker 1: watching the spot, you knew exactly what company was from 1200 01:08:25,640 --> 01:08:28,280 Speaker 1: and what they were talking for, and and so so 1201 01:08:28,320 --> 01:08:30,439 Speaker 1: many ads I think get that wrong, and these ones 1202 01:08:30,479 --> 01:08:32,479 Speaker 1: were like awesome at getting it, this this one and 1203 01:08:32,720 --> 01:08:37,040 Speaker 1: the one with Bradley Cooper. I will say to these 1204 01:08:37,080 --> 01:08:40,880 Speaker 1: guys on the phone, who who literally made the spot possible? Uh, 1205 01:08:41,320 --> 01:08:43,720 Speaker 1: Mike and Peter, who, like, you know, at the corporate level, 1206 01:08:43,800 --> 01:08:48,080 Speaker 1: you don't always get partnerships of people who see creativity 1207 01:08:48,840 --> 01:08:51,880 Speaker 1: in this way and are willing to fight for that creativity. 1208 01:08:51,920 --> 01:08:54,360 Speaker 1: I think when we first showed the concept of you 1209 01:08:54,400 --> 01:08:57,160 Speaker 1: guys just singing to Peter, he said, let's go produce 1210 01:08:57,280 --> 01:09:01,120 Speaker 1: that right this second, regardless of what anyone didn't even 1211 01:09:01,160 --> 01:09:05,000 Speaker 1: let him see it. Yeah. I wanted to ask you, Brian, 1212 01:09:05,000 --> 01:09:06,559 Speaker 1: because this is just I think this will be interesting 1213 01:09:06,560 --> 01:09:08,479 Speaker 1: for our audience, you know, for people out there who 1214 01:09:08,479 --> 01:09:10,719 Speaker 1: don't know, you know, I'm assuming the average person doesn't 1215 01:09:10,760 --> 01:09:13,080 Speaker 1: know how a commercial gets chosen or selected by a 1216 01:09:13,120 --> 01:09:15,560 Speaker 1: big company like this. So can you just explain a 1217 01:09:15,560 --> 01:09:17,479 Speaker 1: little bit like how does the how does the process work? 1218 01:09:17,720 --> 01:09:20,520 Speaker 1: And also, you know, for you guys, how many concepts 1219 01:09:20,680 --> 01:09:22,640 Speaker 1: do you look at? Like how does just give us 1220 01:09:22,640 --> 01:09:25,400 Speaker 1: a little layman's version of how the process works of 1221 01:09:25,439 --> 01:09:27,840 Speaker 1: picking a Super Bowl commercial. Well, I can give it 1222 01:09:27,880 --> 01:09:30,719 Speaker 1: from our side, even though we're all on the same side. 1223 01:09:30,760 --> 01:09:33,400 Speaker 1: But I mean like I can take it so far 1224 01:09:33,640 --> 01:09:38,720 Speaker 1: until uh, Peter and Mike step in. Um. But you know, 1225 01:09:38,840 --> 01:09:41,200 Speaker 1: Andrew Pinney and I as you know, pay is uh 1226 01:09:41,960 --> 01:09:44,680 Speaker 1: my partner and you know it's Pinna Films as the 1227 01:09:44,720 --> 01:09:48,680 Speaker 1: company we work under, and we get together sometimes we 1228 01:09:48,720 --> 01:09:51,400 Speaker 1: bring another creative people and we just kind of talk 1229 01:09:51,479 --> 01:09:54,800 Speaker 1: about we get what these guys kind of tell us 1230 01:09:54,840 --> 01:09:56,559 Speaker 1: what we want a message. We knew we wanted to 1231 01:09:56,600 --> 01:10:01,320 Speaker 1: message home internet right the mobile home internet. So we 1232 01:10:01,360 --> 01:10:03,320 Speaker 1: start talking about ways that we can do it now. 1233 01:10:03,439 --> 01:10:04,920 Speaker 1: We did it last year with you guys, so the 1234 01:10:05,000 --> 01:10:07,160 Speaker 1: question was like, how do we do we do it again? 1235 01:10:07,600 --> 01:10:10,360 Speaker 1: Is that boring? The super Bowl has to be a surprise, 1236 01:10:10,479 --> 01:10:13,320 Speaker 1: It has to be an impactful, impactful So we knew 1237 01:10:13,320 --> 01:10:16,559 Speaker 1: we wanted to raise the bar. We had to have 1238 01:10:16,560 --> 01:10:20,280 Speaker 1: a surprise. Zach, You and I actually talked about Greece 1239 01:10:20,360 --> 01:10:24,280 Speaker 1: for offline, you know, beforehand, and then we started thinking, well, 1240 01:10:24,280 --> 01:10:27,400 Speaker 1: as you do, Grease, what if the surprise is a 1241 01:10:27,520 --> 01:10:30,640 Speaker 1: new neighbor moves into the neighborhood and it's John Travolta. 1242 01:10:30,800 --> 01:10:33,760 Speaker 1: So we started, we wrote the lyrics. You guys came 1243 01:10:33,800 --> 01:10:37,280 Speaker 1: in and recorded some song, recorded it for us. And 1244 01:10:37,320 --> 01:10:41,439 Speaker 1: then this in addition to about you know, six other 1245 01:10:41,560 --> 01:10:44,280 Speaker 1: seven other things, we took to these guys and showed 1246 01:10:44,280 --> 01:10:48,879 Speaker 1: them a approach to all of them and this obviously 1247 01:10:48,960 --> 01:10:51,680 Speaker 1: was one they just gravitated to and a lot. You know. 1248 01:10:51,720 --> 01:10:53,760 Speaker 1: It's one more thing I'll say is between this and 1249 01:10:53,840 --> 01:10:56,759 Speaker 1: the Bradley Spot, like they're kind of disparate, they're different, 1250 01:10:57,240 --> 01:10:59,960 Speaker 1: they're very different. But I think what's really uniting Tembile 1251 01:11:00,000 --> 01:11:02,400 Speaker 1: and what these guys were responding to on this college 1252 01:11:02,680 --> 01:11:06,080 Speaker 1: they were united by joy. They both had this like 1253 01:11:06,280 --> 01:11:09,439 Speaker 1: joyous factor and so we took it to them and 1254 01:11:09,439 --> 01:11:11,760 Speaker 1: then Peter Mike, I'll let you guys take it from 1255 01:11:11,800 --> 01:11:13,360 Speaker 1: there because that's where it kind of hands off to 1256 01:11:13,439 --> 01:11:16,000 Speaker 1: you guys. Well you know, you know, and Brian's right, 1257 01:11:16,040 --> 01:11:19,320 Speaker 1: like they bring they brought six or seven different ideas 1258 01:11:19,360 --> 01:11:21,800 Speaker 1: to the table, and like literally when I saw the 1259 01:11:21,880 --> 01:11:25,080 Speaker 1: idea about redoing Grease, like I literally was like, Brian, 1260 01:11:25,320 --> 01:11:27,360 Speaker 1: we got to just get this in pre production. We're 1261 01:11:27,360 --> 01:11:29,200 Speaker 1: going to sell it through because it's going to be 1262 01:11:29,240 --> 01:11:31,519 Speaker 1: a super Bowl spot. You could just feel it from 1263 01:11:31,560 --> 01:11:34,960 Speaker 1: the moment of watching the little trailer you did in 1264 01:11:35,680 --> 01:11:38,800 Speaker 1: performing the song for us, and that when you did that, 1265 01:11:39,160 --> 01:11:41,160 Speaker 1: it was just we knew, we knew we had a 1266 01:11:41,240 --> 01:11:44,080 Speaker 1: hit even before we ever set out to Actually we're 1267 01:11:44,120 --> 01:11:46,400 Speaker 1: recording the spot, so it's kind of exciting. And then 1268 01:11:46,400 --> 01:11:48,599 Speaker 1: you have to weed through ideas because the core thing 1269 01:11:48,600 --> 01:11:53,000 Speaker 1: about it is Super Bowl is well it's a place 1270 01:11:53,040 --> 01:11:55,479 Speaker 1: for big brands to show up. We still have to 1271 01:11:55,479 --> 01:11:58,040 Speaker 1: get core messages out there. And you know, you've established 1272 01:11:58,040 --> 01:12:01,559 Speaker 1: a franchise with us, you know him last year of 1273 01:12:01,560 --> 01:12:04,519 Speaker 1: our little cul de Sac neighborhood, and what better way 1274 01:12:04,560 --> 01:12:07,920 Speaker 1: to go back and you know, really elevate the idea 1275 01:12:07,960 --> 01:12:09,400 Speaker 1: is to bring in a new neighbor Like it was 1276 01:12:09,400 --> 01:12:12,519 Speaker 1: just it was just a solid concept. Did you guys 1277 01:12:12,560 --> 01:12:14,360 Speaker 1: think that it would I mean, did you have any 1278 01:12:14,400 --> 01:12:16,880 Speaker 1: idea that it would be this successful? I mean I 1279 01:12:16,960 --> 01:12:19,160 Speaker 1: certainly didn't. I mean, I hoped we wanted to deliver 1280 01:12:19,240 --> 01:12:21,920 Speaker 1: for you guys again. But when Brian called me and 1281 01:12:22,000 --> 01:12:26,080 Speaker 1: told me what a hit it was, Donald and I 1282 01:12:26,120 --> 01:12:28,120 Speaker 1: were just thrilled, and I wondered if you guys had 1283 01:12:28,160 --> 01:12:31,000 Speaker 1: any And I know you trust Brian because because he's 1284 01:12:31,040 --> 01:12:32,400 Speaker 1: really great at what he does. But did you have 1285 01:12:32,439 --> 01:12:35,880 Speaker 1: any clue that it would be this much of a success. Um. 1286 01:12:36,040 --> 01:12:38,200 Speaker 1: I mean when we saw it, we knew it was great. Um, 1287 01:12:38,280 --> 01:12:42,040 Speaker 1: so we we we loved it, and I think I think, honestly, 1288 01:12:42,080 --> 01:12:43,599 Speaker 1: what was surprising to us. We knew that we knew 1289 01:12:43,640 --> 01:12:46,000 Speaker 1: the ad was great. But last year when we ran 1290 01:12:46,120 --> 01:12:48,960 Speaker 1: that spot, literally, like I said at the beginning, um, 1291 01:12:49,000 --> 01:12:52,160 Speaker 1: not not very often in advertising do you see an 1292 01:12:52,160 --> 01:12:55,000 Speaker 1: immediate response to when you when you put a message 1293 01:12:55,000 --> 01:12:57,559 Speaker 1: out on TV, especially nowadays, like a lot of times 1294 01:12:57,560 --> 01:12:59,280 Speaker 1: there's a delay and people need to see these things 1295 01:12:59,280 --> 01:13:01,439 Speaker 1: a few times where they take an action. We literally 1296 01:13:01,479 --> 01:13:03,519 Speaker 1: saw from the Super Bowl last year when we did 1297 01:13:03,560 --> 01:13:06,200 Speaker 1: when we did that commercial, through the end of the year, 1298 01:13:06,920 --> 01:13:10,360 Speaker 1: an immediate spike in this broadband business and one that 1299 01:13:10,720 --> 01:13:13,920 Speaker 1: was so significant that literally we did more broadband connections 1300 01:13:14,000 --> 01:13:17,280 Speaker 1: last year than every other broadband kind of company in 1301 01:13:17,320 --> 01:13:19,600 Speaker 1: America combined. So it was it was kind of it 1302 01:13:19,680 --> 01:13:21,760 Speaker 1: was kind of mind blowing, and honestly, that was that 1303 01:13:21,880 --> 01:13:24,200 Speaker 1: was a big reason why we were excited, because I mean, 1304 01:13:24,320 --> 01:13:27,640 Speaker 1: it's shot up. It was crazy, you know, like it 1305 01:13:27,720 --> 01:13:29,920 Speaker 1: was like you guys aired last year, and the sales 1306 01:13:30,080 --> 01:13:33,679 Speaker 1: literally instantly. I mean it wasn't like, oh, six months later. 1307 01:13:33,720 --> 01:13:38,360 Speaker 1: It was like an instant reaction. That's very rare in marketing, 1308 01:13:38,400 --> 01:13:41,559 Speaker 1: and and it was a real testament also, like I mean, 1309 01:13:41,600 --> 01:13:44,679 Speaker 1: you guys haven't been together in it hadn't been together 1310 01:13:44,720 --> 01:13:47,120 Speaker 1: in like a public form in that way. I think 1311 01:13:47,320 --> 01:13:50,840 Speaker 1: in a like a while other than America's Favorite podcast, 1312 01:13:51,120 --> 01:13:53,960 Speaker 1: Brian think Doctor's Real Friends that that we're on right now. 1313 01:13:54,920 --> 01:13:57,880 Speaker 1: Obviously that I mean I realized, I don't don't look 1314 01:13:57,920 --> 01:14:01,519 Speaker 1: at the charts. We are America's fair podcast, right. You 1315 01:14:01,560 --> 01:14:03,400 Speaker 1: don't need to look at the charts to know that either. 1316 01:14:03,680 --> 01:14:06,240 Speaker 1: I just don't look well. When they saw you together 1317 01:14:06,280 --> 01:14:10,639 Speaker 1: as all I'm saying no visually Brian, yes, visually visual 1318 01:14:10,800 --> 01:14:14,280 Speaker 1: and in a visual medium. Uh, they were. It was 1319 01:14:14,320 --> 01:14:17,000 Speaker 1: just incredible. Man. I mean, people just love you guys, 1320 01:14:17,000 --> 01:14:20,120 Speaker 1: and uh, I mean John has called so many times 1321 01:14:20,120 --> 01:14:22,519 Speaker 1: and like, I love those guys. I want to work 1322 01:14:22,560 --> 01:14:25,240 Speaker 1: with those guys, Like I know, this so fun. We 1323 01:14:25,280 --> 01:14:28,080 Speaker 1: did an interview with Variety where John was like on 1324 01:14:28,080 --> 01:14:31,160 Speaker 1: the call and he said to the Variety reporter, he goes, 1325 01:14:31,200 --> 01:14:32,840 Speaker 1: I really think the three of us should make like 1326 01:14:32,840 --> 01:14:36,200 Speaker 1: a real musical, and he said, I said to the journalists, 1327 01:14:36,200 --> 01:14:38,439 Speaker 1: the go sir, can that please be the headline of 1328 01:14:38,479 --> 01:14:42,439 Speaker 1: your Just throw out a quick pitch while we're while 1329 01:14:42,439 --> 01:14:48,879 Speaker 1: we're on T Mobile the musical. You know what, hold on, Klugman, 1330 01:14:49,000 --> 01:14:50,680 Speaker 1: you might be onto something. Because I was going to 1331 01:14:50,760 --> 01:14:54,080 Speaker 1: ask that is does does can T Mobile make movies? 1332 01:14:54,120 --> 01:14:57,360 Speaker 1: Does it work like that? Can that happen? Anything can 1333 01:14:57,400 --> 01:14:59,719 Speaker 1: happen this day in this Dnah child, there's all sorts 1334 01:14:59,720 --> 01:15:04,719 Speaker 1: of frontiers. You were working the right people, Peter, Mike 1335 01:15:05,280 --> 01:15:09,759 Speaker 1: Mobile make movies, Brian, bring us, bring us a script treatment. 1336 01:15:10,040 --> 01:15:11,680 Speaker 1: We should make a short by the way, you know, 1337 01:15:11,720 --> 01:15:14,720 Speaker 1: I mean I directed a short um Sorry to Live 1338 01:15:14,800 --> 01:15:17,960 Speaker 1: pitch on the air, but I directed a short film 1339 01:15:17,120 --> 01:15:20,600 Speaker 1: for Adobe and it was really awesome. We made this 1340 01:15:20,720 --> 01:15:23,000 Speaker 1: really amazing short and it was just kind of like 1341 01:15:23,080 --> 01:15:25,840 Speaker 1: Adobe Presents and then it was you know, the branding 1342 01:15:25,960 --> 01:15:28,120 Speaker 1: wasn't obvious. It was there. People knew Adobe made it. 1343 01:15:28,160 --> 01:15:29,640 Speaker 1: But we could do We should do something like that, 1344 01:15:29,720 --> 01:15:32,240 Speaker 1: like just like a T Mobile short film, like you know, 1345 01:15:32,320 --> 01:15:35,040 Speaker 1: like me and Donald on some adventure. Hey, Mike, I 1346 01:15:35,080 --> 01:15:37,519 Speaker 1: have a question for you, because the timing of the 1347 01:15:37,760 --> 01:15:41,400 Speaker 1: spot could not have been more ideal. I don't normally 1348 01:15:41,439 --> 01:15:43,040 Speaker 1: watch the game, to be honest, I'm not a big 1349 01:15:43,080 --> 01:15:45,720 Speaker 1: sports guy. But I was fully watching this game. And 1350 01:15:45,840 --> 01:15:47,879 Speaker 1: first of all, I'm told by people who love football 1351 01:15:47,880 --> 01:15:49,840 Speaker 1: that it was an incredible game because I was on 1352 01:15:49,880 --> 01:15:52,679 Speaker 1: the edge of my seat. But when when you pick 1353 01:15:52,720 --> 01:15:55,120 Speaker 1: a spot, do you pick a spot? Do they give 1354 01:15:55,160 --> 01:15:57,200 Speaker 1: you a spot or how or is it just a 1355 01:15:57,360 --> 01:16:00,880 Speaker 1: roll of the dice. Did we ended up in that placement? Yeah? No, 1356 01:16:00,960 --> 01:16:04,040 Speaker 1: we picked the spot and we were really good. I mean, 1357 01:16:04,280 --> 01:16:08,200 Speaker 1: you got lucky, lucky. There were so many things that 1358 01:16:09,200 --> 01:16:11,519 Speaker 1: just really helped us. It was a great matchup the 1359 01:16:11,640 --> 01:16:14,040 Speaker 1: Super Bowl. That was the best ratings of the Super Bowl, 1360 01:16:14,040 --> 01:16:15,800 Speaker 1: like in six years, and it was like the third 1361 01:16:15,840 --> 01:16:19,120 Speaker 1: most watched super Bowl ever, so you had a huge audience. 1362 01:16:19,280 --> 01:16:21,240 Speaker 1: And then the freaking game was tied at the two 1363 01:16:21,240 --> 01:16:24,559 Speaker 1: minute warning, so everybody was still watching. So it's a 1364 01:16:24,640 --> 01:16:29,040 Speaker 1: risky spot. It's a very good bye and a blowout 1365 01:16:29,120 --> 01:16:34,120 Speaker 1: that spot. That spot nothing right. Yeah, but we purposely 1366 01:16:34,120 --> 01:16:36,920 Speaker 1: when we went in because we were like analyzing all 1367 01:16:36,960 --> 01:16:39,800 Speaker 1: the playoff games going into the Super Bowl, and when 1368 01:16:39,800 --> 01:16:42,040 Speaker 1: we had to select and finally get the position, We're 1369 01:16:42,080 --> 01:16:44,639 Speaker 1: like we believed there was going to be a good 1370 01:16:44,680 --> 01:16:46,640 Speaker 1: game going in, which is why we said, you know what, 1371 01:16:46,800 --> 01:16:49,679 Speaker 1: roll the dice, take the position, and then the game 1372 01:16:49,760 --> 01:16:54,040 Speaker 1: just totally came in, which I was about to say, 1373 01:16:54,080 --> 01:16:56,479 Speaker 1: Speaking of which, the last time I saw you guys, 1374 01:16:56,479 --> 01:17:00,320 Speaker 1: other than that the commercial was in Vegas. Did you 1375 01:17:00,360 --> 01:17:03,759 Speaker 1: do Yeah? Well, I mean, obviously if you need betting tips, 1376 01:17:07,000 --> 01:17:09,640 Speaker 1: I go all in, man and we and I think 1377 01:17:09,680 --> 01:17:13,920 Speaker 1: we won. Story Donald Donald texted me. Donald was, you know, 1378 01:17:14,160 --> 01:17:16,680 Speaker 1: redoing his house a new house, so he didn't want 1379 01:17:16,680 --> 01:17:18,840 Speaker 1: to bet any money. And he texts me He's like, 1380 01:17:19,320 --> 01:17:22,160 Speaker 1: I'm not going to bet at all. Um, Uh, you 1381 01:17:22,160 --> 01:17:24,280 Speaker 1: know I'm putting too much money into this house. I go, dude, 1382 01:17:24,280 --> 01:17:26,439 Speaker 1: you're in Vegas. Play with a couple thousand dollars, have 1383 01:17:26,600 --> 01:17:31,639 Speaker 1: fun and uh and he goes, you're right instantaneously, like 1384 01:17:31,840 --> 01:17:34,200 Speaker 1: to Mississippi. Later, I get a text from his wife. 1385 01:17:34,439 --> 01:17:37,439 Speaker 1: She goes, what are you doing? I go, what are 1386 01:17:37,439 --> 01:17:39,439 Speaker 1: you talking about? I go, he's alone in Vegas. Then 1387 01:17:39,479 --> 01:17:41,599 Speaker 1: him gamble. She goes from there, goes my new stove. 1388 01:17:46,560 --> 01:17:48,960 Speaker 1: Can we can we just nerd out for a second 1389 01:17:49,000 --> 01:17:51,360 Speaker 1: on what it was like and how awesome it was 1390 01:17:51,760 --> 01:17:56,240 Speaker 1: to make a commercial with John Travolta singing Greece dude 1391 01:17:56,120 --> 01:17:59,479 Speaker 1: Ye was that? I told Donald, give him just chill out, 1392 01:17:59,479 --> 01:18:02,120 Speaker 1: don't get it all up in his face right away 1393 01:18:02,160 --> 01:18:05,760 Speaker 1: about anything about you know, questions anecdotes. Donald's like, you're right, 1394 01:18:05,800 --> 01:18:08,280 Speaker 1: we'll be cool. We'll be cool. Three seconds later I 1395 01:18:08,320 --> 01:18:10,720 Speaker 1: look over Donald's like, my favorite part about face off 1396 01:18:11,320 --> 01:18:17,320 Speaker 1: when I asked him everything and he answered everything to 1397 01:18:18,840 --> 01:18:22,720 Speaker 1: very generous man. But um, you know, it's a dream 1398 01:18:22,760 --> 01:18:26,520 Speaker 1: come true to work with someone like John Travolta. I'm 1399 01:18:26,520 --> 01:18:28,160 Speaker 1: gonna be honest with you. I didn't think it would 1400 01:18:28,280 --> 01:18:31,519 Speaker 1: come through advertising, you know. I thought maybe it would 1401 01:18:31,520 --> 01:18:34,240 Speaker 1: be through a movie or something like that. But this 1402 01:18:34,320 --> 01:18:39,280 Speaker 1: is probably one of the most unique experiences and awesome 1403 01:18:39,320 --> 01:18:44,120 Speaker 1: experiences ever because of how the response, you know, the 1404 01:18:44,160 --> 01:18:46,599 Speaker 1: response I get from my family, the response I get 1405 01:18:46,640 --> 01:18:50,679 Speaker 1: from friends. You know, I'm doing a sitcom right now. 1406 01:18:50,880 --> 01:18:53,120 Speaker 1: And I went into the writer's room and the writers 1407 01:18:53,280 --> 01:18:55,680 Speaker 1: at the day after the Super Bowl, and that's all 1408 01:18:55,720 --> 01:18:58,920 Speaker 1: they wanted to talk about with me was the commercial 1409 01:18:59,000 --> 01:19:01,240 Speaker 1: and what it was like to work with John Travolta. 1410 01:19:01,240 --> 01:19:04,120 Speaker 1: And I was like, shit, you know, I knew, I mean, 1411 01:19:04,200 --> 01:19:05,800 Speaker 1: we can curse. This is my podcast I'm allowed to 1412 01:19:05,800 --> 01:19:10,320 Speaker 1: curt but anyway, Um, I was like, you know, shit, 1413 01:19:10,560 --> 01:19:14,840 Speaker 1: johnshra Volta is That's I knew he was a big 1414 01:19:14,880 --> 01:19:16,960 Speaker 1: deal because I was a big fan. But the fact 1415 01:19:16,960 --> 01:19:20,320 Speaker 1: that the question what was it? Like, you know what what? 1416 01:19:20,479 --> 01:19:24,200 Speaker 1: What did he look you into? Eyes? Like everything? Like 1417 01:19:24,280 --> 01:19:28,720 Speaker 1: I was like, we talk about longevity. I mean I 1418 01:19:28,800 --> 01:19:32,800 Speaker 1: used to watch fucking Welcome Back Carter, right, I mean, 1419 01:19:32,880 --> 01:19:35,840 Speaker 1: look at this man's career and how epic it is. 1420 01:19:35,880 --> 01:19:38,120 Speaker 1: And then there's been so many chapters and then the 1421 01:19:38,240 --> 01:19:42,000 Speaker 1: Quentin Tarantino with pulp fiction, just like a whole new, constant, 1422 01:19:42,439 --> 01:19:45,120 Speaker 1: constant reinventions. And and I would saying to John the 1423 01:19:45,120 --> 01:19:48,680 Speaker 1: other day, I was like, I think I think this 1424 01:19:48,960 --> 01:19:51,320 Speaker 1: is like people forget how like you know, he's played 1425 01:19:51,320 --> 01:19:53,800 Speaker 1: so many bad, tough guys and all that stuff as 1426 01:19:53,840 --> 01:19:57,559 Speaker 1: of late, and like he's the I mean so charming 1427 01:19:57,640 --> 01:20:00,200 Speaker 1: in this commercial and his smile and seeing him be 1428 01:20:00,280 --> 01:20:03,280 Speaker 1: playful and fun, it's it's like this is a great 1429 01:20:03,520 --> 01:20:06,080 Speaker 1: and he goes that's closest to who I am and 1430 01:20:06,160 --> 01:20:08,600 Speaker 1: the stuff I like to do the most. Yeah, he 1431 01:20:08,720 --> 01:20:11,240 Speaker 1: loved it. He was having so much fun. Donald and I, 1432 01:20:11,280 --> 01:20:13,800 Speaker 1: you know, we both love musicals. Everyone listening to this 1433 01:20:13,880 --> 01:20:17,040 Speaker 1: podcast knows how much Donald and I love singing dancing musicals, 1434 01:20:17,680 --> 01:20:19,400 Speaker 1: and um, you know, I went. I literally went to 1435 01:20:19,439 --> 01:20:22,160 Speaker 1: theater camp and my and my friend. My friend texted 1436 01:20:22,200 --> 01:20:25,320 Speaker 1: me after the ad he goes, Wow, theater camp finally 1437 01:20:25,360 --> 01:20:33,679 Speaker 1: paid off. Well, listen, we want to thank you guys 1438 01:20:33,720 --> 01:20:35,240 Speaker 1: so much for coming on. We want to thank you 1439 01:20:35,280 --> 01:20:38,280 Speaker 1: for for for trusting us with with the spot. But 1440 01:20:38,400 --> 01:20:42,000 Speaker 1: also I'm just congratulations, not just on success of ours, 1441 01:20:42,000 --> 01:20:44,519 Speaker 1: but on the success of the Bradley Cooper One and Brian, 1442 01:20:44,640 --> 01:20:47,639 Speaker 1: you're you're a legend, man, You're you're You're so talented, 1443 01:20:47,680 --> 01:20:50,040 Speaker 1: and thank you for I can't take the credit. We 1444 01:20:50,080 --> 01:20:52,400 Speaker 1: gotta throw it to Pinney too, man, he's us and 1445 01:20:52,439 --> 01:20:55,439 Speaker 1: of course your partner Andrew Pinay uh sorry, I got it. 1446 01:20:55,479 --> 01:20:58,600 Speaker 1: I got can't just can't do it. But h but 1447 01:20:58,720 --> 01:21:00,640 Speaker 1: you guys are incredible and I think we're I think 1448 01:21:00,680 --> 01:21:02,840 Speaker 1: we're just getting started. Man. I think your idea of 1449 01:21:02,920 --> 01:21:07,360 Speaker 1: Zact of making some short shorts, let's do some musicals. 1450 01:21:07,400 --> 01:21:09,439 Speaker 1: Let's just go make a couple. I think that's like 1451 01:21:09,479 --> 01:21:12,639 Speaker 1: a great repetitive thing. And Bryan, I think you could 1452 01:21:12,680 --> 01:21:15,360 Speaker 1: write some t mobile lyrics to lame is. I think 1453 01:21:15,400 --> 01:21:21,360 Speaker 1: that's super easy. All right, guys, thank you so much, 1454 01:21:21,520 --> 01:21:26,400 Speaker 1: Thank you guys. We love you guys so much. All right, 1455 01:21:26,439 --> 01:21:28,640 Speaker 1: so that's the show. Everybody, Thank you so much for 1456 01:21:28,720 --> 01:21:32,920 Speaker 1: tuning in. Please please please check out my trailer for 1457 01:21:33,400 --> 01:21:36,360 Speaker 1: a Good Person. Just go to YouTube and put in 1458 01:21:36,520 --> 01:21:39,719 Speaker 1: a Good Person trailer and you can see the trailer 1459 01:21:39,760 --> 01:21:41,960 Speaker 1: from my film that is coming to a theater near 1460 01:21:42,000 --> 01:21:44,600 Speaker 1: you on March twenty fourth, So please put it in 1461 01:21:44,640 --> 01:21:49,200 Speaker 1: your calendar. Now, hey you, hey me, I'm gonna go 1462 01:21:49,280 --> 01:21:53,000 Speaker 1: see a Good Person on March twenty fourth or twenty 1463 01:21:53,000 --> 01:21:55,040 Speaker 1: fifth or twenty six. What are you laughing? This is 1464 01:21:55,040 --> 01:21:56,880 Speaker 1: my stif. Do you got a Thursday? Is it a 1465 01:21:57,000 --> 01:22:00,519 Speaker 1: Thursday screaming? No, you've been night screaming. I'm sure there's 1466 01:22:00,520 --> 01:22:03,160 Speaker 1: probably midnight screen, but it's The release date is actually 1467 01:22:03,200 --> 01:22:06,479 Speaker 1: March twenty fourth, so that weekend, so March twenty third. 1468 01:22:06,720 --> 01:22:09,880 Speaker 1: Take a date. You're not doing nothing at midnight? Yeah, 1469 01:22:10,560 --> 01:22:13,040 Speaker 1: take a date. Bring your mom, bring your sister, bring 1470 01:22:13,040 --> 01:22:16,320 Speaker 1: your friends, bring anybody. Um you're hoping you like it. 1471 01:22:16,600 --> 01:22:23,559 Speaker 1: You're donald Please counts out stories by sure. We made 1472 01:22:24,600 --> 01:22:31,559 Speaker 1: about a bunch of doctor nurses, said He's the stories Natural. 1473 01:22:31,880 --> 01:22:39,160 Speaker 1: Should no so YadA around you, here, YadA around you here, 1474 01:22:39,040 --> 01:22:43,400 Speaker 1: free watch. M hmmm