1 00:00:01,120 --> 00:00:04,080 Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter 2 00:00:04,240 --> 00:00:06,880 Speaker 1: at Total Wine and More. It's peak season for asparagus, 3 00:00:06,920 --> 00:00:09,840 Speaker 1: which pairs perfectly with a light and crisp rose. Many 4 00:00:09,880 --> 00:00:12,800 Speaker 1: bottles of champagne and sparkling wines are perfect for adult 5 00:00:12,840 --> 00:00:16,560 Speaker 1: Easter basket and they're really cute too. My perfect brunch 6 00:00:16,800 --> 00:00:19,560 Speaker 1: Belgian waffles with extra whip cream and a holiday poor 7 00:00:19,640 --> 00:00:22,560 Speaker 1: or your sweetest rose. Whether you're hosting or just bring 8 00:00:22,600 --> 00:00:25,439 Speaker 1: the wine we love to share are always low prices 9 00:00:25,480 --> 00:00:32,280 Speaker 1: and ridiculous selection this spring at Total Wine and More. Cheers, 10 00:00:32,600 --> 00:00:39,440 Speaker 1: y'all is going. He's a legendary queen's rapper. Hang segoes 11 00:00:39,479 --> 00:00:42,800 Speaker 1: your boy. No, he's a Miami hip hop pioneer. What 12 00:00:42,960 --> 00:00:45,400 Speaker 1: up is d J e f N? Together they drink 13 00:00:45,440 --> 00:00:47,760 Speaker 1: it up with some of the biggest players in music 14 00:00:47,840 --> 00:00:50,520 Speaker 1: and sport. You know what I mean? The most professional, 15 00:00:50,680 --> 00:00:54,800 Speaker 1: unprofessional podcast and your number one source for drunk facts. 16 00:00:54,800 --> 00:00:56,920 Speaker 1: This is Drinks Chip Radar War Every Day is New 17 00:00:57,000 --> 00:01:08,560 Speaker 1: Year's e Just right, Hey, Hey, Sagara J motherfucking podcast, 18 00:01:08,640 --> 00:01:17,880 Speaker 1: make right now. We have the unequivolative belief queens Damn 19 00:01:17,959 --> 00:01:22,600 Speaker 1: in his mother's Queens. We we interviewed, we interview all 20 00:01:22,680 --> 00:01:29,440 Speaker 1: cool j and now we interview Man's queens. If these gods, 21 00:01:30,040 --> 00:01:38,399 Speaker 1: if it wasn't for them, might have not been existed 22 00:01:40,319 --> 00:01:44,520 Speaker 1: because they come from Corona. Now only they come from Corona. 23 00:01:44,600 --> 00:01:49,800 Speaker 1: They come from a part of Corona that I come from, 24 00:01:50,400 --> 00:01:56,160 Speaker 1: and and they represented it before me, they represented after me, 25 00:01:57,080 --> 00:02:08,960 Speaker 1: and they're gonna represent it whatever happening, We're gonna rep 26 00:02:12,280 --> 00:02:14,399 Speaker 1: right now. We got the beating nuts to the motherfucking 27 00:02:14,440 --> 00:02:20,520 Speaker 1: Mary bas Man off top. When I think of the 28 00:02:20,560 --> 00:02:24,080 Speaker 1: beat Nuts, I think of the first record I ever 29 00:02:24,160 --> 00:02:33,360 Speaker 1: heard punt On ever punt I gotta actually relax. I 30 00:02:33,400 --> 00:02:36,400 Speaker 1: don't know you got mad dreads, but you gotta relax. 31 00:02:39,280 --> 00:02:44,000 Speaker 1: The first record ive ever ever ever heard, your fault, Paul, 32 00:02:44,160 --> 00:02:49,600 Speaker 1: I gotta actually Welcome to dream chaps, guys. The first 33 00:02:49,639 --> 00:02:52,880 Speaker 1: record I've ever ever ever heard punt On was gonna 34 00:02:52,880 --> 00:03:01,200 Speaker 1: beat nuts. Record was essentially I water feature was the 35 00:03:01,200 --> 00:03:04,239 Speaker 1: first one that he had on that job with Ray Kwan. 36 00:03:04,360 --> 00:03:07,080 Speaker 1: Yeh yeah, but this is the first official that you 37 00:03:07,120 --> 00:03:19,760 Speaker 1: ain't the killers, You ain't cypres Hill. I got so 38 00:03:19,800 --> 00:03:22,120 Speaker 1: it was there was a joint with Cyperson. There's a 39 00:03:22,200 --> 00:03:26,640 Speaker 1: joint with him in cypress. No, listen, yes, listen, stop stop, 40 00:03:27,360 --> 00:03:30,000 Speaker 1: you're not giving the n proplems. Okay, you gotta get 41 00:03:30,200 --> 00:03:33,280 Speaker 1: the props. I don't know who you are, but you 42 00:03:33,360 --> 00:03:36,840 Speaker 1: gotta leave. He's not getting the problems, especially cop. You 43 00:03:36,840 --> 00:03:41,440 Speaker 1: gotta go listen. What I will say it wasn't It 44 00:03:41,520 --> 00:03:43,920 Speaker 1: wasn't the first one, but it definitely was the one 45 00:03:44,000 --> 00:03:47,360 Speaker 1: that made him bring the noise, made noise. Ye gotta 46 00:03:47,360 --> 00:03:50,440 Speaker 1: get you. That was a big record, Urban legend, hand 47 00:03:50,720 --> 00:03:53,000 Speaker 1: and jen when it got ten million dollars from my man. 48 00:03:53,120 --> 00:03:58,160 Speaker 1: After that, it was a big what I'm saying, kes 49 00:03:58,200 --> 00:04:03,440 Speaker 1: a look at second like allgend alleged, you know what 50 00:04:03,440 --> 00:04:07,720 Speaker 1: I'm saying. But yeah, let's gonna make noise. I'm definitely 51 00:04:08,120 --> 00:04:10,040 Speaker 1: got to tell you nor that. I mean, he was great. 52 00:04:10,080 --> 00:04:12,080 Speaker 1: He was gonna be that no matter what. You know. 53 00:04:12,080 --> 00:04:16,680 Speaker 1: We were just catalyst, that's all right. So from the 54 00:04:16,720 --> 00:04:20,480 Speaker 1: first time what happened. Let me describe this moment you 55 00:04:20,600 --> 00:04:25,039 Speaker 1: met Fat Joe, Yeah right, you met Faedio label label 56 00:04:25,200 --> 00:04:29,960 Speaker 1: because y'all was on no relativity. Yeah, well, violate the artists. 57 00:04:30,600 --> 00:04:37,360 Speaker 1: We started our careers at Chris Christy. Let's take that. 58 00:04:37,440 --> 00:04:42,440 Speaker 1: Let's less we wind that toxic demons, native tongue all that. Yeah, 59 00:04:42,440 --> 00:04:45,320 Speaker 1: well we could do a change. I'm just saying, you're 60 00:04:45,320 --> 00:04:51,320 Speaker 1: shipping ship you know, no, I like, I like, no, 61 00:04:53,080 --> 00:04:58,960 Speaker 1: it's the underbelling and you you told listen, Psycho Psycho Dallas. 62 00:04:59,040 --> 00:05:04,880 Speaker 1: What are you just you just say you said crazy demons? 63 00:05:05,920 --> 00:05:11,320 Speaker 1: Is that where they started? Yeah? That was fun on Demons? Okay? 64 00:05:12,400 --> 00:05:17,279 Speaker 1: Was that was intoxicated demons? Right? That was the first 65 00:05:17,360 --> 00:05:22,839 Speaker 1: Yeail I shot niggas in Jewish apologize. So yeah, that 66 00:05:22,920 --> 00:05:27,080 Speaker 1: was the first one. Pun didn't coming around. That was three. 67 00:05:27,200 --> 00:05:30,240 Speaker 1: Pun didn't get on record til nineties seven. That was 68 00:05:30,279 --> 00:05:33,599 Speaker 1: on the Stone Crazy album. But did you originally want 69 00:05:33,640 --> 00:05:37,640 Speaker 1: Pun or you resually wanted Joe Pun and Cubans on 70 00:05:37,680 --> 00:05:42,280 Speaker 1: the record too, right? Yeah? That it was kind of like, 71 00:05:42,360 --> 00:05:44,120 Speaker 1: you know, we just wanted to do a record together, 72 00:05:45,400 --> 00:05:47,760 Speaker 1: that's it. But nobody knew it was gonna do that, 73 00:05:48,000 --> 00:05:50,720 Speaker 1: you know what I'm saying, Like to be honest with you. 74 00:05:51,120 --> 00:05:55,960 Speaker 1: Another allegedly, the story heard was that you know, Joe 75 00:05:56,080 --> 00:05:59,200 Speaker 1: was actually upset because the Cuban was on the record 76 00:05:59,560 --> 00:06:04,479 Speaker 1: from back. Yeah, so you know, so you know, I 77 00:06:04,600 --> 00:06:07,280 Speaker 1: was like, you know, we didn't know, we didn't you know, 78 00:06:07,360 --> 00:06:09,800 Speaker 1: you're just doing the record as friends together. You never 79 00:06:09,839 --> 00:06:15,000 Speaker 1: know what it's gonna do. And that record blue, that's 80 00:06:15,040 --> 00:06:19,680 Speaker 1: just yeah passing hip hop record. That's all saying that. 81 00:06:20,800 --> 00:06:22,840 Speaker 1: You know, we're rocking and rolling with the crew, so 82 00:06:22,880 --> 00:06:25,960 Speaker 1: I'll say it together. We can't see that. We have 83 00:06:26,040 --> 00:06:38,120 Speaker 1: to just make a noise one Michael, that record one 84 00:06:38,320 --> 00:06:50,000 Speaker 1: to three. I don't know what what's by the way, 85 00:06:50,040 --> 00:06:57,039 Speaker 1: like Drop told me, I could not drink before it 86 00:06:57,080 --> 00:06:59,080 Speaker 1: comes to the show because I had to drink on 87 00:06:59,120 --> 00:07:02,080 Speaker 1: the show. But now now let me drinking the man junking. 88 00:07:03,120 --> 00:07:05,919 Speaker 1: I'm a wild lass sneaker, So I didn't even drink 89 00:07:06,040 --> 00:07:08,400 Speaker 1: last night because I'm a I'm a two day man. 90 00:07:08,520 --> 00:07:11,400 Speaker 1: I started drinking on Thursday, you know what I'm saying, 91 00:07:12,400 --> 00:07:15,560 Speaker 1: and then for three days and then you know, not 92 00:07:16,040 --> 00:07:28,920 Speaker 1: that rock and champagne with because I might start drinking 93 00:07:31,120 --> 00:07:34,600 Speaker 1: out to Rika. Yeah now to it broke up because 94 00:07:34,600 --> 00:07:38,600 Speaker 1: of some other reasons. But y'all so Corona for that week, 95 00:07:39,360 --> 00:07:46,800 Speaker 1: Jackson Householder was so what happened? And ship you know 96 00:07:46,880 --> 00:07:49,440 Speaker 1: you grew up in Corona. Black parties, man, you got 97 00:07:49,560 --> 00:07:52,760 Speaker 1: u LS fucking cheaper clan, Stay Hot crew. I like 98 00:07:52,880 --> 00:07:57,040 Speaker 1: TV clan. Yeah, Jay rock and j we grew up 99 00:07:57,040 --> 00:08:00,679 Speaker 1: in that culture. If he that's my name, Jay Rocking, 100 00:08:03,600 --> 00:08:07,040 Speaker 1: I got conce I mean you know, we grew up 101 00:08:07,040 --> 00:08:09,520 Speaker 1: in that culture. You know what I'm saying? Like hip 102 00:08:09,520 --> 00:08:16,840 Speaker 1: hop was I thought it wasn't a bottle of whiskey. 103 00:08:17,520 --> 00:08:20,480 Speaker 1: We get all kinds of are you doing going down 104 00:08:20,560 --> 00:08:25,679 Speaker 1: your poem on pool job and all the fool job 105 00:08:25,760 --> 00:08:32,120 Speaker 1: and sick he wor all right you smash like yo, 106 00:08:32,600 --> 00:08:40,360 Speaker 1: good brother, it's good for you though, scap poem. Yeah, 107 00:08:40,960 --> 00:08:45,240 Speaker 1: much to get you. I'm not to check relax and 108 00:08:45,800 --> 00:08:52,679 Speaker 1: actually I'm not gonna do that. Got um, I don't know. 109 00:08:52,760 --> 00:08:55,360 Speaker 1: I forgot what the funk I would saying. You're smashing 110 00:08:55,360 --> 00:08:58,520 Speaker 1: the fools out of me? Good sober man, I'm horrible. 111 00:09:00,160 --> 00:09:06,520 Speaker 1: Just trust me to like, yeah, I'm waiting for the No. 112 00:09:06,559 --> 00:09:09,120 Speaker 1: I don't drink that ship man, why not? I don't 113 00:09:09,160 --> 00:09:13,439 Speaker 1: drink that. That is a great person. It's not gonna 114 00:09:16,720 --> 00:09:23,720 Speaker 1: I'm not sto forgetty. Everybody know juke Jamison man ju Jamison, 115 00:09:23,920 --> 00:09:27,559 Speaker 1: No tori to that. You nigga is not rig Jamison. 116 00:09:27,679 --> 00:09:32,719 Speaker 1: That's what we're called Jamison. So you can't rid tell 117 00:09:32,800 --> 00:09:35,520 Speaker 1: us where all the cocaine is in game blowing norm 118 00:09:35,679 --> 00:09:43,319 Speaker 1: by Croatian. No cocaine too, yeahbleble literally Corona, my nigga. 119 00:09:43,360 --> 00:09:50,079 Speaker 1: Come on, I'm I'm old school the coke. You know 120 00:09:50,080 --> 00:09:52,160 Speaker 1: what I'm saying. I just didn't do that Molly ship 121 00:09:52,440 --> 00:09:57,559 Speaker 1: that other fagged rokes go queen and look, you know, 122 00:09:57,640 --> 00:09:59,959 Speaker 1: old school ship. So how did you stop with cope? 123 00:10:00,320 --> 00:10:04,000 Speaker 1: I just want to start. How do the cocaine documentary? Now? 124 00:10:05,200 --> 00:10:11,400 Speaker 1: How did they start? Just eighties eight eight? Grandmar Supplies 125 00:10:11,559 --> 00:10:16,360 Speaker 1: came and see it? No, no, I think I'm for Corona. 126 00:10:16,440 --> 00:10:21,599 Speaker 1: You know coca. This is a cocaine to see. Nah, No, 127 00:10:22,880 --> 00:10:27,079 Speaker 1: sell it man, I'm sucking used up. I don't have 128 00:10:27,160 --> 00:10:30,920 Speaker 1: the balls to tell drugs. I love I love you 129 00:10:31,000 --> 00:10:33,719 Speaker 1: serious night, it's a serious business. You might have to 130 00:10:33,800 --> 00:10:36,080 Speaker 1: hurt somebody you care about, you know what I'm saying. 131 00:10:36,520 --> 00:10:38,760 Speaker 1: And you know I just stop built for that. So 132 00:10:39,000 --> 00:10:41,959 Speaker 1: was your boys. It's gonna sunk that money up. That's 133 00:10:42,000 --> 00:10:45,959 Speaker 1: exactly what. First they came to you and you said, 134 00:10:46,360 --> 00:10:48,959 Speaker 1: I'm don't sniff, I'm gonna stiff. See what it is. 135 00:10:49,080 --> 00:10:54,640 Speaker 1: I'm not gonna I'm called door this. Yeah, I'm definitely 136 00:10:54,640 --> 00:10:57,719 Speaker 1: gonna move it after you sniff it. That's come on 137 00:10:57,880 --> 00:11:02,360 Speaker 1: juice like sniping after he snipped it. I said, how 138 00:11:02,360 --> 00:11:08,520 Speaker 1: do you got relax? You know what you know? Please 139 00:11:08,600 --> 00:11:11,840 Speaker 1: raised out welcome light. Yeah, we all the West side 140 00:11:12,840 --> 00:11:15,120 Speaker 1: Queen's best right now. You listen, listen, you're on the 141 00:11:15,200 --> 00:11:24,520 Speaker 1: west side of Queens. You got relax. Yeah, I'm definitely 142 00:11:28,200 --> 00:11:36,480 Speaker 1: yeah side on the west side. Better you better relax. 143 00:11:38,720 --> 00:11:41,520 Speaker 1: Going on on our side over there, it's a whole 144 00:11:41,600 --> 00:11:46,040 Speaker 1: other war going on. I'll about me honest, tapping niggers 145 00:11:46,080 --> 00:11:49,319 Speaker 1: on their should Who is he? Just give me that? 146 00:11:49,520 --> 00:11:52,679 Speaker 1: Jamie same jeremon, butch come on, what do you know? 147 00:11:52,880 --> 00:11:58,800 Speaker 1: Some money to be honest and then like a stuff? Okay, 148 00:11:58,840 --> 00:12:02,160 Speaker 1: so you are sleeping cope a hundred miles of hours. 149 00:12:03,200 --> 00:12:05,720 Speaker 1: Did you want to worry flush? I said, I damble? 150 00:12:06,720 --> 00:12:10,679 Speaker 1: I said that damble, No worry flush gets down too. 151 00:12:15,640 --> 00:12:18,079 Speaker 1: That's your body. I don't know. I'm not I'm not 152 00:12:18,240 --> 00:12:23,199 Speaker 1: testifying to anything anybody. But you heard flushing trash like 153 00:12:24,800 --> 00:12:30,400 Speaker 1: I'm not going to a little bit a little bit right, 154 00:12:30,480 --> 00:12:35,920 Speaker 1: Joe Jude, is this Broadway over a little a little 155 00:12:35,920 --> 00:12:38,439 Speaker 1: bit like you trash your flush? I have no idea 156 00:12:38,480 --> 00:12:43,480 Speaker 1: what you're talking none, whats a sleep. I'm a huge 157 00:12:43,520 --> 00:12:46,800 Speaker 1: fan of both of them. I meant them on occasion, 158 00:12:56,200 --> 00:13:00,920 Speaker 1: not juju, let tell you something to be Let me 159 00:13:00,960 --> 00:13:03,959 Speaker 1: just let be clear, sir. It wasn't what you do 160 00:13:05,679 --> 00:13:09,800 Speaker 1: psycho less the beating nuts. They would never be a 161 00:13:09,880 --> 00:13:13,760 Speaker 1: component origa. No, that's not true. Let me get out 162 00:13:15,320 --> 00:13:21,320 Speaker 1: what counts. I don't know what you say. That's right, 163 00:13:21,360 --> 00:13:25,960 Speaker 1: it's not true. I used to work at Derry Mark 164 00:13:26,080 --> 00:13:30,400 Speaker 1: on the United Remember that was my uncle star Next next, 165 00:13:31,040 --> 00:13:36,240 Speaker 1: you gotta relax. I got let me know what was 166 00:13:36,280 --> 00:13:39,880 Speaker 1: gonna be knowing no matter what. No, but let me 167 00:13:39,920 --> 00:13:44,800 Speaker 1: say they're beating nuts, sir. One of the most notorious 168 00:13:44,920 --> 00:13:49,640 Speaker 1: groups from our neighborhood. I'm from that fact. The Beating 169 00:13:49,679 --> 00:13:57,120 Speaker 1: Nuts actually is from up the block from us Corona Corona, 170 00:13:57,360 --> 00:14:01,719 Speaker 1: and not only was eat what what? What's doing that? 171 00:14:02,240 --> 00:14:12,439 Speaker 1: Passing cocaine? You gotta go where he loved because I'm 172 00:14:12,440 --> 00:14:15,000 Speaker 1: focusing up my interview. Man, I'll give it. I'll give 173 00:14:15,040 --> 00:14:20,760 Speaker 1: you so much pride. There's playing hand. Please please ju 174 00:14:21,120 --> 00:14:27,840 Speaker 1: ju juju, please stay over, stay focused thinking about drinking 175 00:14:27,960 --> 00:14:31,200 Speaker 1: laka just so, I just felt like you're trying to 176 00:14:31,200 --> 00:14:34,480 Speaker 1: gryn understand. I don't like it. I don't like him. 177 00:14:34,960 --> 00:14:38,560 Speaker 1: We're not gonna be you stay focused, let's stay us. 178 00:14:39,480 --> 00:14:42,800 Speaker 1: Juju ju ju. It's like a blessed with here. I'm 179 00:14:42,840 --> 00:14:52,320 Speaker 1: with you. You guys, don't d don't listen the bet Nuts. 180 00:14:53,120 --> 00:14:55,920 Speaker 1: If it wasn't fun, the beat Nuts at the beat 181 00:14:56,000 --> 00:15:00,600 Speaker 1: Nuts Height, they were rep and Corona. Do you know 182 00:15:00,720 --> 00:15:04,400 Speaker 1: where I'm from. I'm from Left Frac City. And if 183 00:15:04,480 --> 00:15:08,720 Speaker 1: I wasn't from Left Frac City, livelihood and y'all, I 184 00:15:08,840 --> 00:15:12,800 Speaker 1: wasn't from Corona, I would have never been here and 185 00:15:13,000 --> 00:15:16,680 Speaker 1: he would have never been here. Because we're together, we're components. 186 00:15:16,760 --> 00:15:19,320 Speaker 1: That absolutely true. At the end of the day, you 187 00:15:19,360 --> 00:15:24,040 Speaker 1: gotta always give it up to people inspiration, inspiration, inspiration 188 00:15:24,200 --> 00:15:29,080 Speaker 1: before we're wearing the left of two right, you're not 189 00:15:29,200 --> 00:15:31,800 Speaker 1: in the same way. It's true, though, now I'm thinking 190 00:15:32,000 --> 00:15:34,440 Speaker 1: that you gotta say something because I know he's snipped 191 00:15:34,440 --> 00:15:38,560 Speaker 1: a lot of color. You got, you gotta. I'm not 192 00:15:38,640 --> 00:15:43,920 Speaker 1: even ships ready if I had, he's like the I 193 00:15:43,920 --> 00:15:50,480 Speaker 1: have no idea what he just said. Drinks do listen, listen, 194 00:15:50,560 --> 00:15:55,840 Speaker 1: let me tell you something. You know, these guys as well, 195 00:15:56,040 --> 00:15:59,680 Speaker 1: are the biggest of latinos. One of the biggest of 196 00:15:59,760 --> 00:16:03,640 Speaker 1: all culture if it wasn't for them, like honest, really 197 00:16:03,800 --> 00:16:08,520 Speaker 1: really really like happy thank you lyrics come second to me. 198 00:16:08,760 --> 00:16:12,800 Speaker 1: My ship is music first. I swear the name beat 199 00:16:12,920 --> 00:16:15,880 Speaker 1: nuts come from. It's not never eat nuts, it's the 200 00:16:15,960 --> 00:16:19,400 Speaker 1: beat nuts we make beach you know, and both you 201 00:16:19,560 --> 00:16:23,960 Speaker 1: may beat We were early from the culture, so we 202 00:16:24,120 --> 00:16:32,280 Speaker 1: did it all. Your girlfriend, let's go back to Sally 203 00:16:33,720 --> 00:16:36,800 Speaker 1: Blow you were still I'm not gonna lie. Yeah, I 204 00:16:36,920 --> 00:16:39,840 Speaker 1: was smashing a lot of them black Tino bitches back 205 00:16:39,880 --> 00:16:44,960 Speaker 1: in the days. Let's makes a note for that. Everybody. 206 00:16:45,680 --> 00:16:48,520 Speaker 1: Come on, come on, second nuts, come on, everybody like 207 00:16:48,640 --> 00:16:51,240 Speaker 1: going on for that reason, because we always you know, 208 00:16:51,320 --> 00:16:52,920 Speaker 1: we bring a lot, We bring a lot of the 209 00:16:53,000 --> 00:16:55,560 Speaker 1: girls out. Yeah, Like for me, I always said that, 210 00:16:56,280 --> 00:16:59,960 Speaker 1: you know, girls, come on, come on, I'm a drink. 211 00:17:00,960 --> 00:17:05,320 Speaker 1: Let jas just have a bottle. You have a bottle 212 00:17:05,359 --> 00:17:08,760 Speaker 1: of champage. Listen, listen. Let me tell you something I'm 213 00:17:08,840 --> 00:17:15,119 Speaker 1: trying or fashion. I'm going to open a bottle of champagne. Listen. 214 00:17:15,600 --> 00:17:19,000 Speaker 1: I don't know if y'all know, but but in our show, 215 00:17:19,680 --> 00:17:23,800 Speaker 1: we give people flowers when they can smell them, and 216 00:17:23,960 --> 00:17:26,560 Speaker 1: trees when they can help. Thank you so please, can 217 00:17:26,600 --> 00:17:28,840 Speaker 1: you open that up? And then you could you you 218 00:17:28,920 --> 00:17:32,080 Speaker 1: could you you can have the whole bottle to yourself. Juju. 219 00:17:32,600 --> 00:17:35,320 Speaker 1: I don't know why you thinking like he's the only 220 00:17:35,400 --> 00:17:39,440 Speaker 1: person everybody to a barbecue and everybody out there bottle 221 00:17:39,440 --> 00:17:52,080 Speaker 1: of champagne, no beers, straight champagne, poppy champagne. Let me 222 00:17:52,119 --> 00:17:56,200 Speaker 1: tell you something, do you psycho less? I can't thank 223 00:17:56,280 --> 00:17:59,479 Speaker 1: y'all more than enough, because you know what we want 224 00:17:59,520 --> 00:18:03,400 Speaker 1: to thank y'all because my favorite rapper was on your Faith, 225 00:18:04,400 --> 00:18:09,120 Speaker 1: your first record ever. It was Big Pun, Yes, sir, 226 00:18:10,240 --> 00:18:15,040 Speaker 1: one of the one of then I haven't fought out family. 227 00:18:16,040 --> 00:18:18,600 Speaker 1: Yeah alright, tell us look a look at Leok, get 228 00:18:18,640 --> 00:18:27,639 Speaker 1: some of his ship. Yeah forunch. But this is what 229 00:18:27,720 --> 00:18:32,640 Speaker 1: I want to ask y'all, because because y'all were so popping, 230 00:18:33,000 --> 00:18:37,160 Speaker 1: y'all were so popping, what made you want to put 231 00:18:37,280 --> 00:18:39,680 Speaker 1: Pun on your record at that time? We were just 232 00:18:39,960 --> 00:18:42,560 Speaker 1: it was, like I said, it was a mutual respect. 233 00:18:42,680 --> 00:18:44,760 Speaker 1: You know, he was a big fan of out was 234 00:18:44,920 --> 00:18:47,960 Speaker 1: We thought it was amazing, you know, we no I 235 00:18:48,080 --> 00:18:53,240 Speaker 1: never heard anything. It was just like, really, just friends 236 00:18:53,280 --> 00:18:56,600 Speaker 1: are doing the record together. It was friends of mutual 237 00:18:56,640 --> 00:18:59,720 Speaker 1: respect doing the record together. It wasn't like, oh yo, 238 00:19:00,000 --> 00:19:01,639 Speaker 1: I get on the record with youthing like that. It 239 00:19:01,800 --> 00:19:05,439 Speaker 1: was just like, let's just do something crazy. But did 240 00:19:05,520 --> 00:19:08,120 Speaker 1: you say you almost coming to Queens and was coming 241 00:19:08,160 --> 00:19:12,760 Speaker 1: to Yeah, yeah, that's about what's about Queen. I used 242 00:19:12,760 --> 00:19:14,280 Speaker 1: to build all up in there. Think he used to 243 00:19:14,320 --> 00:19:18,800 Speaker 1: come with his non put it on top of this ship. Yea, 244 00:19:19,040 --> 00:19:22,600 Speaker 1: used to do it out with him. They almost killed 245 00:19:22,680 --> 00:19:25,399 Speaker 1: him and left front what he did that because it 246 00:19:25,520 --> 00:19:29,119 Speaker 1: came out, he was like, Yo, what's poppy? And then 247 00:19:29,200 --> 00:19:34,080 Speaker 1: nobody's like nothing, every like what No, he said, we's 248 00:19:34,160 --> 00:19:39,320 Speaker 1: noriac and never like like at that time, nobody nobody poppy. 249 00:19:39,840 --> 00:19:42,520 Speaker 1: So he pulled it out and then everybody said, yo, 250 00:19:42,560 --> 00:19:46,120 Speaker 1: we're gonna kill his fat nigger. And I'm like, oh, ship, 251 00:19:46,880 --> 00:19:50,359 Speaker 1: come outside, Oh ship, No, you can't do nothing. You 252 00:19:50,440 --> 00:19:54,240 Speaker 1: can't touch him. But you guys was the first person 253 00:19:54,400 --> 00:19:58,200 Speaker 1: to put him on his first feature. Yea. I really 254 00:19:58,240 --> 00:20:01,040 Speaker 1: need you all to get into debt how because you 255 00:20:01,119 --> 00:20:05,280 Speaker 1: know why because after that record, it was over here. 256 00:20:05,480 --> 00:20:07,760 Speaker 1: It was over like if you if you if you 257 00:20:07,840 --> 00:20:13,199 Speaker 1: ask me my personal total career, it's uh and um 258 00:20:14,200 --> 00:20:24,200 Speaker 1: um no you record? You know what? What's what's the ship? 259 00:20:24,560 --> 00:20:31,680 Speaker 1: I'm leaving. Oh I'm leaving. That's my ship. So the 260 00:20:31,800 --> 00:20:35,720 Speaker 1: thing is composed in jail. He can't, he can't, he can't, 261 00:20:35,720 --> 00:20:37,879 Speaker 1: he can't relate to it. Compon was in jail. Was 262 00:20:38,400 --> 00:20:42,840 Speaker 1: Compon was in jails? But the reference is why he's 263 00:20:42,840 --> 00:20:46,359 Speaker 1: saying that. But what I'm saying is, Punt record was 264 00:20:46,800 --> 00:20:50,880 Speaker 1: y'all record. Like when Punt came on and y'all ship 265 00:20:51,480 --> 00:20:56,440 Speaker 1: it was so did you did y'all know that? I 266 00:20:56,480 --> 00:20:58,480 Speaker 1: think it was just destiny, like I told you, man, 267 00:20:58,520 --> 00:21:02,080 Speaker 1: it was just something is getting together. I actually hated 268 00:21:02,119 --> 00:21:04,800 Speaker 1: that record and the only round Dame bars on it 269 00:21:04,840 --> 00:21:08,480 Speaker 1: because I like books. Yeah, because listen, listen who produced. 270 00:21:09,480 --> 00:21:13,520 Speaker 1: We were doing the Stone Crazy album, which is all dark. 271 00:21:13,720 --> 00:21:18,440 Speaker 1: We had fucking screwball on there. You know, really it 272 00:21:18,600 --> 00:21:22,639 Speaker 1: was a really dark album. So it really was puppy 273 00:21:22,680 --> 00:21:27,320 Speaker 1: duck out, like who was it? Who's idea wasn't that? 274 00:21:27,640 --> 00:21:29,040 Speaker 1: I want me tell you, let me tell you this, 275 00:21:29,200 --> 00:21:31,359 Speaker 1: let me pick up on this story. Who's that did? It? 276 00:21:31,400 --> 00:21:35,600 Speaker 1: Was put right? This nigger wasn't feeling the beat, so 277 00:21:35,920 --> 00:21:38,480 Speaker 1: he had we had another beat called robbed and stole 278 00:21:38,800 --> 00:21:43,159 Speaker 1: and it was fired too, fired fire, So so unset. 279 00:21:43,240 --> 00:21:45,720 Speaker 1: So we was we was like, we're gonna let pun 280 00:21:45,920 --> 00:21:50,120 Speaker 1: this out. So we drove to the Bronx bomb. Pun 281 00:21:50,280 --> 00:21:52,720 Speaker 1: was like, yo, I like, I like robbed and stole, 282 00:21:53,160 --> 00:21:57,480 Speaker 1: but if we do this one, we're gonna those are 283 00:21:57,600 --> 00:22:01,840 Speaker 1: exact words. And we do this, we're gonna blow. Say't 284 00:22:01,840 --> 00:22:04,520 Speaker 1: no more words jumping. Yo. Nigger didn't even fit like 285 00:22:04,600 --> 00:22:07,480 Speaker 1: an eve. You have to put out go back seat, 286 00:22:07,960 --> 00:22:10,680 Speaker 1: the whole back seat, so he could just like, yeah, 287 00:22:12,960 --> 00:22:26,600 Speaker 1: make shout to my nig, let's make whatever. Baby. It 288 00:22:26,720 --> 00:22:28,880 Speaker 1: was great. So which one are you taking it from him? 289 00:22:29,760 --> 00:22:32,680 Speaker 1: I mean after that we was it was it was done, 290 00:22:32,760 --> 00:22:35,440 Speaker 1: dumb deal. We went to the studio and what studal 291 00:22:35,520 --> 00:22:39,119 Speaker 1: was this? This Poperlyn Brooklyn because we were conducing now 292 00:22:39,200 --> 00:22:43,200 Speaker 1: we were carding out to my houses. Were book Yeah? 293 00:22:43,640 --> 00:22:48,600 Speaker 1: Were expect like not like because I was great. You 294 00:22:48,640 --> 00:22:50,320 Speaker 1: know they used to give us budgets back then for 295 00:22:50,440 --> 00:22:54,120 Speaker 1: studios instead of going to say equipment, We bought equipment 296 00:22:54,200 --> 00:22:56,480 Speaker 1: with that budget and we called it. I recorded that 297 00:22:59,720 --> 00:23:05,120 Speaker 1: and it's rent the engineer. We did relativity and yeah relativity. Yeah, 298 00:23:05,600 --> 00:23:08,159 Speaker 1: so we just produce engineer all that. So how how 299 00:23:08,200 --> 00:23:11,720 Speaker 1: does this happen? Because I imagine Fat Joe was sitting 300 00:23:11,760 --> 00:23:17,600 Speaker 1: there saying, why do y'all want? Wasn't he was clueless 301 00:23:17,640 --> 00:23:19,520 Speaker 1: to the fact that we were doing the right Fat 302 00:23:19,600 --> 00:23:22,920 Speaker 1: Joe wasn't even a picture we got we were going. 303 00:23:23,840 --> 00:23:38,399 Speaker 1: It wasn't like it was a big right finally and 304 00:23:38,480 --> 00:23:52,160 Speaker 1: that was song was gonna bump after the ship. Yeah, 305 00:23:52,280 --> 00:23:57,840 Speaker 1: he's gonna find my father's gonna beat somebody. That's why 306 00:23:57,880 --> 00:24:01,520 Speaker 1: I love I love old school mediacs. Let's make the 307 00:24:01,600 --> 00:24:09,240 Speaker 1: noise y. Yeah. So, I mean, I mean, honestly, you 308 00:24:09,280 --> 00:24:11,320 Speaker 1: know what I'm saying. It was like everybody's just kind 309 00:24:11,320 --> 00:24:13,480 Speaker 1: of doing their thing at that time, So it was like, 310 00:24:14,000 --> 00:24:18,640 Speaker 1: you know, I think career career wise, fund was still 311 00:24:18,920 --> 00:24:20,960 Speaker 1: I don't know. It might have just got signed to Loud. 312 00:24:21,000 --> 00:24:23,920 Speaker 1: There wasn't not going on, he said, he didn't. You 313 00:24:24,040 --> 00:24:27,119 Speaker 1: just the reason I'm gonna be honest. You're honest and 314 00:24:27,320 --> 00:24:30,880 Speaker 1: you humble, and both of your humble. But if y'all 315 00:24:30,920 --> 00:24:33,960 Speaker 1: didn't do that record a punt pun, that record actually 316 00:24:34,119 --> 00:24:37,800 Speaker 1: made punk get signed. Man, I'm sitting here and I 317 00:24:37,960 --> 00:24:41,400 Speaker 1: know you humble. At least I'll say that, I'll say 318 00:24:41,440 --> 00:24:45,040 Speaker 1: that it's saved. It's saved. Joe a lot of you know, 319 00:24:46,480 --> 00:24:50,880 Speaker 1: promotional effort. But if you don't know that record right 320 00:24:51,040 --> 00:24:54,320 Speaker 1: there is the record that made Punk get signed, Not Firewater, 321 00:24:54,560 --> 00:24:58,320 Speaker 1: not all this other ship that record something host this ship, 322 00:24:58,440 --> 00:25:05,919 Speaker 1: come on another thing. Let me tell you that chorus. 323 00:25:06,320 --> 00:25:08,560 Speaker 1: We was all in the room thinking of a carus. 324 00:25:08,600 --> 00:25:11,200 Speaker 1: I remember we was thinking. So I'm going through my 325 00:25:11,320 --> 00:25:14,800 Speaker 1: notebook because back then everything was so I was like, 326 00:25:15,080 --> 00:25:16,680 Speaker 1: I was like, yeah, I got this little piece of 327 00:25:16,720 --> 00:25:19,919 Speaker 1: a birth. It's off the hook. This year, we're getting 328 00:25:19,960 --> 00:25:21,840 Speaker 1: mad money off the books this year. That's all I had. 329 00:25:22,320 --> 00:25:26,360 Speaker 1: Phone was like, this ain't nothing for crooks in here. 330 00:25:26,720 --> 00:25:29,360 Speaker 1: Now he finished it, so you know he was good 331 00:25:29,440 --> 00:25:32,080 Speaker 1: for the ending way? So did y'all know? And I 332 00:25:32,200 --> 00:25:36,919 Speaker 1: said it was did y'all know that that that won 333 00:25:37,040 --> 00:25:41,080 Speaker 1: the record birthday legend? Like yeah, yeah, yeah, birth I 334 00:25:41,119 --> 00:25:44,159 Speaker 1: mean more than we can be. I'm happy to have 335 00:25:44,280 --> 00:25:46,720 Speaker 1: been a part of the journey. Just thinking about I 336 00:25:46,760 --> 00:25:48,920 Speaker 1: think he was, like I said, did you know he 337 00:25:49,080 --> 00:25:52,560 Speaker 1: was gonna be that a mind? Regardless what he did? 338 00:25:53,200 --> 00:25:56,639 Speaker 1: So some heat, but it would have been yo, what 339 00:25:57,119 --> 00:26:00,480 Speaker 1: yo Punk making that happen, because I mean, you know 340 00:26:00,720 --> 00:26:04,119 Speaker 1: he regarded that much she was gonna do it regardless, 341 00:26:04,160 --> 00:26:09,359 Speaker 1: but we did them some fire class Woods the Classic. 342 00:26:15,200 --> 00:26:20,720 Speaker 1: So after all the books, you guys are still signed 343 00:26:20,800 --> 00:26:26,480 Speaker 1: to Love correct. Yeah, no, what ye actually relaxed, We're 344 00:26:26,600 --> 00:26:30,040 Speaker 1: still I'm we're relativity relative. That's that time and now 345 00:26:30,200 --> 00:26:35,359 Speaker 1: relativity because relativity is a very interesting label. Yeah. They 346 00:26:35,400 --> 00:26:41,000 Speaker 1: were independent, you know, started in Hollas Queen's Independent of 347 00:26:41,520 --> 00:26:45,600 Speaker 1: That was like the real straight of hardcore. That was 348 00:26:45,640 --> 00:26:59,880 Speaker 1: straight SHOs, both dogs. They had What's My Man's Day? 349 00:27:00,040 --> 00:27:13,560 Speaker 1: True things, cocaine, Hello, cocaine the same five episode of 350 00:27:16,119 --> 00:27:24,600 Speaker 1: A Week two joined cocaine. Don't tu Yeah, this is 351 00:27:24,640 --> 00:27:28,280 Speaker 1: not cocaine interviews. This is cocaine. We don't want. This 352 00:27:28,400 --> 00:27:30,840 Speaker 1: is by the way, you know, today is the it's 353 00:27:30,920 --> 00:27:34,160 Speaker 1: been nineteen years since the release of Capital Punishment that day, 354 00:27:34,960 --> 00:27:38,560 Speaker 1: so it is true. It's true. That is true. It 355 00:27:38,680 --> 00:27:46,000 Speaker 1: was one had three days from four of this is 356 00:27:46,800 --> 00:27:52,840 Speaker 1: the release of Illmatic twenty three years ago. Today wasn't nice. 357 00:27:52,840 --> 00:27:55,760 Speaker 1: So he was gonna say the release of campone and 358 00:27:57,119 --> 00:28:04,560 Speaker 1: I Can't hold a day crack yesterday, This makes a 359 00:28:04,880 --> 00:28:12,000 Speaker 1: good come home three years ago. But twenty three years 360 00:28:12,000 --> 00:28:16,760 Speaker 1: ago also came out, so so so we said Capital 361 00:28:16,840 --> 00:28:24,480 Speaker 1: points Man twenty years ago ninety yo, listen, listen to 362 00:28:26,359 --> 00:28:29,920 Speaker 1: we all hip hop. And I don't know if you understand, 363 00:28:30,440 --> 00:28:35,680 Speaker 1: but our show is based upon giving our legends flowers 364 00:28:35,760 --> 00:28:38,400 Speaker 1: when they can smell it. That's great. I love that, 365 00:28:38,600 --> 00:28:41,960 Speaker 1: and trees when they can have absolutely and not should 366 00:28:42,040 --> 00:28:46,320 Speaker 1: yeah we shouldn't. And we show psychols. Ju thank you. 367 00:28:46,560 --> 00:28:49,160 Speaker 1: We want you to know that you guys, I appreciate it. 368 00:28:49,240 --> 00:28:52,560 Speaker 1: Thank you psyche to be up here because you know 369 00:28:52,680 --> 00:28:55,960 Speaker 1: everybody's like, can wait to be nubs up there, but 370 00:28:56,120 --> 00:28:59,600 Speaker 1: you know they you know, from fucking bullshit breathing. You 371 00:28:59,640 --> 00:29:02,800 Speaker 1: know what I'm saying, Like you know it's like where 372 00:29:02,840 --> 00:29:08,080 Speaker 1: you get. I want to know, you know, because you 373 00:29:08,160 --> 00:29:10,720 Speaker 1: know what it is. They're like, yeah, it would not 374 00:29:11,600 --> 00:29:13,840 Speaker 1: that's just gonna be. I want to get in fined 375 00:29:13,920 --> 00:29:16,400 Speaker 1: by the show though, but I don't want to handle deal. 376 00:29:16,480 --> 00:29:19,040 Speaker 1: I don't want I'm doing because everybody's saying, you here 377 00:29:20,040 --> 00:29:22,320 Speaker 1: it deal. I just want you to know because one 378 00:29:22,360 --> 00:29:28,200 Speaker 1: thing that I felt like you didn't know was when 379 00:29:28,240 --> 00:29:32,480 Speaker 1: I seen Man and I felt like you felt like 380 00:29:33,560 --> 00:29:36,240 Speaker 1: you would be privileged to come on and I am. 381 00:29:36,720 --> 00:29:41,400 Speaker 1: I'm not even relax. I'm because you know why I'm 382 00:29:42,320 --> 00:29:46,000 Speaker 1: let me finish. You know, I told you what was 383 00:29:46,080 --> 00:29:48,360 Speaker 1: it when we were had like huge you do you 384 00:29:48,480 --> 00:29:51,520 Speaker 1: have no idea? We had a lot of come on, 385 00:29:51,680 --> 00:29:56,320 Speaker 1: everything wasn't we inspired each other many you inspire each 386 00:29:56,320 --> 00:30:02,080 Speaker 1: other can just so you know, that's just you're just 387 00:30:02,280 --> 00:30:07,080 Speaker 1: as bunchy. Ever, like usually it wasn't that it would 388 00:30:07,200 --> 00:30:09,640 Speaker 1: not be a component. And let me tell you they 389 00:30:09,960 --> 00:30:13,480 Speaker 1: know everyone speed nuts too. If it wasn't a component. 390 00:30:13,560 --> 00:30:16,040 Speaker 1: Over year you go dropping by the herd. Boy, I 391 00:30:17,080 --> 00:30:19,320 Speaker 1: think if there wasn't no nuts, they wouldn't be a 392 00:30:19,400 --> 00:30:23,520 Speaker 1: jay long block factory. And I wanted to ask its all, 393 00:30:23,560 --> 00:30:27,880 Speaker 1: that's okay that those royalties off of that ja the 394 00:30:27,920 --> 00:30:31,920 Speaker 1: blood that's a fashion zero j loo look at the 395 00:30:32,000 --> 00:30:38,320 Speaker 1: sands did its dirty on thatever ain't or whatever? The 396 00:30:38,440 --> 00:30:44,280 Speaker 1: best form of flattery, know whatever you love blood by 397 00:30:44,560 --> 00:30:48,720 Speaker 1: little best for flattery. We dropped that song? What and 398 00:30:48,920 --> 00:30:52,960 Speaker 1: what year was it for? Probably? But it was like 399 00:30:54,120 --> 00:30:57,320 Speaker 1: anyway two years later that she dropped us ship and 400 00:30:58,200 --> 00:31:03,880 Speaker 1: it was allowed of flatter. I seen that like the 401 00:31:04,720 --> 00:31:07,360 Speaker 1: like hold on, not even a shout out for like yo, 402 00:31:07,640 --> 00:31:12,600 Speaker 1: shout out beating for for for inspiring, give me a 403 00:31:12,640 --> 00:31:14,720 Speaker 1: shout for that idea, I gave you that, We gave 404 00:31:14,800 --> 00:31:17,960 Speaker 1: you the idea to flip. She thought this pump record. 405 00:31:18,160 --> 00:31:19,920 Speaker 1: She might have thought that was really pump right like 406 00:31:20,000 --> 00:31:22,960 Speaker 1: that for real. But at the end of the day, 407 00:31:23,320 --> 00:31:25,200 Speaker 1: this is gonna make a realize right here that that 408 00:31:25,320 --> 00:31:29,760 Speaker 1: was your reck. Be right here she watched. I think 409 00:31:29,800 --> 00:31:33,800 Speaker 1: she hates us already. Gotta gotta do un the little 410 00:31:33,840 --> 00:31:38,200 Speaker 1: cover she guys love, No, man, I love what you done. 411 00:31:44,560 --> 00:31:46,360 Speaker 1: No way, it's not really her fault. Like I don't 412 00:31:46,360 --> 00:31:51,800 Speaker 1: even blame her. I blame the blame and the ship 413 00:31:52,360 --> 00:31:58,760 Speaker 1: and koree koree boony. But that was what it was. 414 00:31:58,800 --> 00:32:02,960 Speaker 1: The same says I be it for showing the phone talking. 415 00:32:03,160 --> 00:32:05,560 Speaker 1: I was like, ye, come to the studio and see 416 00:32:05,600 --> 00:32:13,680 Speaker 1: you nigger. She was like, drums big, you know, because 417 00:32:13,760 --> 00:32:18,760 Speaker 1: his check this out his lawyer or his lawyer was 418 00:32:18,840 --> 00:32:22,280 Speaker 1: my lawyer. I don't want to get shot. Guard downstairs, nobody, 419 00:32:22,360 --> 00:32:28,840 Speaker 1: don't get shot Corona. You're good, We're good, we got good, 420 00:32:28,920 --> 00:32:32,080 Speaker 1: gonna do this. We take you because I didn't bring anything. Yes, 421 00:32:34,080 --> 00:32:36,600 Speaker 1: here's a family show. Come on, Yes, he's a family 422 00:32:38,640 --> 00:32:43,640 Speaker 1: were coming in to celebrate. No, no, we ain't gonna 423 00:32:43,640 --> 00:32:47,719 Speaker 1: be first. Let's get straight. Ain't listen. That's that's your 424 00:32:48,120 --> 00:32:51,760 Speaker 1: that's hold on. That's where you're wrong. We are not 425 00:32:51,880 --> 00:32:54,640 Speaker 1: here to celebrate, Nori. You're gonna capone in any way. 426 00:32:54,960 --> 00:32:58,520 Speaker 1: We're only here tonight to celebrate. He need not to 427 00:32:58,640 --> 00:33:14,480 Speaker 1: the motherfucking watch. This is the only so I didn't 428 00:33:14,640 --> 00:33:20,600 Speaker 1: understand this. How did you even even consider putting punt 429 00:33:20,680 --> 00:33:23,760 Speaker 1: on there? Because was it fat Joe putting them? Putting 430 00:33:23,800 --> 00:33:26,400 Speaker 1: them money? Like I said, it was a new jewel work, 431 00:33:27,240 --> 00:33:29,200 Speaker 1: the work. Wanted to work with it, he wanted the 432 00:33:31,120 --> 00:33:35,480 Speaker 1: baby's I don't think it was all just doing. He 433 00:33:35,600 --> 00:33:40,880 Speaker 1: was like, I'm want to do right right, you know, 434 00:33:41,080 --> 00:33:47,640 Speaker 1: me and him and Cuban, he's hanging out very continue 435 00:33:47,720 --> 00:33:49,400 Speaker 1: But you know how it was Joe. You know I 436 00:33:49,600 --> 00:33:52,800 Speaker 1: was with with pun. If we didn't collect, we're not 437 00:33:52,920 --> 00:33:55,080 Speaker 1: gonna work. And that's just the way it works, you know, 438 00:33:55,680 --> 00:34:03,720 Speaker 1: click was puny st This was all going to you. 439 00:34:03,760 --> 00:34:12,640 Speaker 1: Gotta reay' going to you. You got a little mouet 440 00:34:13,520 --> 00:34:16,400 Speaker 1: get drumped up to the level. I'm curious. Yeah, I 441 00:34:16,440 --> 00:34:19,759 Speaker 1: got like, I got some. I listened to the n 442 00:34:20,120 --> 00:34:24,600 Speaker 1: he got ya and he didn't want to leave. You 443 00:34:24,680 --> 00:34:27,160 Speaker 1: know what the crazy is on a day with Julie. 444 00:34:27,239 --> 00:34:31,320 Speaker 1: Just got it. He didn't want to leave. Was the 445 00:34:31,400 --> 00:34:37,040 Speaker 1: texting I'm going to name you that he's looking at me. 446 00:34:37,239 --> 00:34:40,359 Speaker 1: He's say he's sitting right where you are. I'm saying 447 00:34:40,440 --> 00:34:46,480 Speaker 1: right here, and everybody's texting me saying, I don't gotta go. Yeah, 448 00:34:46,840 --> 00:34:49,719 Speaker 1: I'll see the same Texas. I don't look gonna be 449 00:34:49,800 --> 00:34:58,960 Speaker 1: like that's a fantasy. Shout out, hell out. One of 450 00:34:59,040 --> 00:35:07,840 Speaker 1: the most for real coming out forever. So I know 451 00:35:07,960 --> 00:35:10,840 Speaker 1: how he works. Like that was nasty in the studio 452 00:35:11,520 --> 00:35:16,440 Speaker 1: that nigga goes in. Yeah, it comes to my conversations 453 00:35:16,520 --> 00:35:23,000 Speaker 1: like join tonight, it comes to budet bo bro. Alright, 454 00:35:23,320 --> 00:35:26,080 Speaker 1: it's cool now we're all, oh cool Jake fans. So 455 00:35:26,160 --> 00:35:33,840 Speaker 1: what happened to come? Yeah, will actually happen between the 456 00:35:33,920 --> 00:35:36,480 Speaker 1: brother because I'm to be honest, me and my birs, 457 00:35:36,600 --> 00:35:39,160 Speaker 1: my brother, but I hate him at times and he 458 00:35:39,200 --> 00:35:43,319 Speaker 1: hates me. Your time to the ship. Yeah yeah, Okay, 459 00:35:43,560 --> 00:35:50,240 Speaker 1: I'm in a loveless marriage like me and this nigga. 460 00:35:50,560 --> 00:35:53,600 Speaker 1: Trust that's what makes it work. You and Yang two 461 00:35:53,680 --> 00:35:56,319 Speaker 1: niggas came. If niggas is crewe, he can't be the same. 462 00:35:56,800 --> 00:35:58,840 Speaker 1: The last thing I need is another nigger like me. 463 00:36:01,920 --> 00:36:05,799 Speaker 1: We're gonna points rapping ships around a tree. Normal beat 464 00:36:14,080 --> 00:36:23,759 Speaker 1: going to I said, already almost happened to us, just 465 00:36:23,920 --> 00:36:32,960 Speaker 1: like yeah, but you know what I'm saying, because you 466 00:36:33,440 --> 00:36:38,240 Speaker 1: don't jig to drive took at, don't want this n't 467 00:36:38,960 --> 00:36:42,600 Speaker 1: the world. That's okay. So at the beginning, at the beginning, 468 00:36:42,960 --> 00:36:48,520 Speaker 1: who did the beat? Well, we both always yeah, both 469 00:36:48,560 --> 00:36:53,200 Speaker 1: of us. All that's serious. Yea. Then because we've both 470 00:36:53,360 --> 00:36:56,319 Speaker 1: that's how we max. We used to bigg the three 471 00:36:57,000 --> 00:37:01,200 Speaker 1: Jump Brothers still got some duping brother day specially Yeah, 472 00:37:01,400 --> 00:37:04,239 Speaker 1: tell me about fashion was like wet te confidence and 473 00:37:04,280 --> 00:37:07,239 Speaker 1: as he can't he can't say ship like that, let's go, said, 474 00:37:07,680 --> 00:37:11,560 Speaker 1: I said, and you said, I have come on. J 475 00:37:12,280 --> 00:37:14,960 Speaker 1: just told us to be You know what I'm saying, yo, Yeah, 476 00:37:15,800 --> 00:37:22,160 Speaker 1: your future. You gotta relax, That's all I say. You're 477 00:37:22,239 --> 00:37:24,880 Speaker 1: just saying them the name. He says, he gets what 478 00:37:25,040 --> 00:37:33,239 Speaker 1: he said. He said, he said, I forgot, I'm gonna 479 00:37:33,239 --> 00:37:36,600 Speaker 1: come on, Jungle brothers, you can't have me color. That's 480 00:37:36,680 --> 00:37:45,080 Speaker 1: where that's that's real ship gonna say, yo, Jungle, that's 481 00:37:45,480 --> 00:37:47,680 Speaker 1: is that how you guys? That's what I just know 482 00:37:48,640 --> 00:37:51,920 Speaker 1: through Africa really and digging digging you know, you know, 483 00:37:51,960 --> 00:37:53,919 Speaker 1: because I forgives you what you helped that day. Set 484 00:37:53,960 --> 00:37:56,840 Speaker 1: to my wife, She's like, how's it going crazy? Larry 485 00:37:57,160 --> 00:38:11,640 Speaker 1: was right, just stuck a don't even. I was about 486 00:38:11,680 --> 00:38:15,520 Speaker 1: to say, I'm not trust me. I'm not that busy 487 00:38:15,680 --> 00:38:19,680 Speaker 1: or that popular. Noe's like to mean, man, if you 488 00:38:19,800 --> 00:38:21,439 Speaker 1: nig as you want to talk to me, he bid 489 00:38:36,920 --> 00:38:44,439 Speaker 1: my gristy being huh, I need to smoke. Be just okay, 490 00:38:44,520 --> 00:38:58,240 Speaker 1: get relax, We're gonna Smoe downstairs. Just growing up. Welcome 491 00:38:58,320 --> 00:39:02,480 Speaker 1: to play a new podcast network featuring radio and TV personalities, 492 00:39:02,600 --> 00:39:06,440 Speaker 1: talking business, sports, tech, entertainment, and more. Play it at 493 00:39:06,520 --> 00:39:11,080 Speaker 1: play dot It. We're back to Drink Chaps Radio with 494 00:39:11,360 --> 00:39:22,040 Speaker 1: rapper and R and DJ. Then so, now Fat Job. 495 00:39:22,440 --> 00:39:25,840 Speaker 1: You had any relationship with that Job? Yeah? Yeah, I 496 00:39:26,000 --> 00:39:29,480 Speaker 1: love friend Joe always. Why did you want to put 497 00:39:29,560 --> 00:39:32,959 Speaker 1: on his prodigy? Well, I mean when that wasn't see 498 00:39:33,000 --> 00:39:34,759 Speaker 1: that so I keep trying to tell you it wasn't 499 00:39:34,800 --> 00:39:37,520 Speaker 1: like we were trying to put anybody on. They worked 500 00:39:37,560 --> 00:39:41,520 Speaker 1: with Fat Joe too for his album. Yeah, man, so 501 00:39:41,600 --> 00:39:44,920 Speaker 1: it's not like like that. You know, the books was 502 00:39:45,040 --> 00:39:47,759 Speaker 1: just a frequent names but man, come on, nobody knows 503 00:39:47,800 --> 00:39:50,520 Speaker 1: you're gonna do a record like that. But it was 504 00:39:50,600 --> 00:39:53,360 Speaker 1: our biggest record commercially in the same breath, so you 505 00:39:53,440 --> 00:39:56,200 Speaker 1: know what I mean to date. Yeah, it wasn't even 506 00:39:56,239 --> 00:39:58,600 Speaker 1: going to give us a video budget for that, but 507 00:39:58,719 --> 00:40:01,000 Speaker 1: the song took off. The label was like, Yo, we 508 00:40:01,120 --> 00:40:03,520 Speaker 1: gotta do a video for this ship. So when you 509 00:40:03,520 --> 00:40:10,399 Speaker 1: said the lake, we took aloud relative relativity. Wow, right, 510 00:40:10,840 --> 00:40:14,479 Speaker 1: someone else should have paid for that video was shout 511 00:40:14,520 --> 00:40:25,160 Speaker 1: out Alan grown black Cliffs, damn Recipe Peace Clips called 512 00:40:25,200 --> 00:40:35,440 Speaker 1: trary Recipeace Cliff. Maybe he just funked up for us. 513 00:40:39,840 --> 00:40:42,680 Speaker 1: What album was Lick the Pussy Up? What album was 514 00:40:42,719 --> 00:40:44,120 Speaker 1: like the pussy don't know. I didn't rhyme on that 515 00:40:46,760 --> 00:40:51,720 Speaker 1: that that class example. Yeah, I used that song Tyrone Davis. 516 00:40:53,920 --> 00:40:59,640 Speaker 1: That was the first album. You know what, I don't 517 00:40:59,640 --> 00:41:01,320 Speaker 1: know if that kind of a showing through with the 518 00:41:01,400 --> 00:41:21,480 Speaker 1: family show. Sorry, let's see, let's stay of course, sponsor, 519 00:41:21,600 --> 00:41:27,319 Speaker 1: let's course. Please let me ask you, right because listen, listen, 520 00:41:27,360 --> 00:41:32,840 Speaker 1: let's listen, yo, listen, listen. Me and my brother, this 521 00:41:32,960 --> 00:41:35,600 Speaker 1: is my brother, this is a capone and me and 522 00:41:35,760 --> 00:41:39,800 Speaker 1: him are totally opposites. But if you put us to 523 00:41:39,880 --> 00:41:48,400 Speaker 1: guy totally together, totally opposites, of course, yeah, listen, totally 524 00:41:48,480 --> 00:41:51,600 Speaker 1: though we both we both have a fuck up sense 525 00:41:51,680 --> 00:41:55,080 Speaker 1: of humor, which is why we're friends to begin with. 526 00:41:55,800 --> 00:42:00,200 Speaker 1: But you know, break that there. Yeah, you know, we 527 00:42:00,360 --> 00:42:04,440 Speaker 1: both got a really dark so you find the craziest 528 00:42:04,440 --> 00:42:06,800 Speaker 1: ship funny, which is why we you know, when we 529 00:42:06,880 --> 00:42:09,400 Speaker 1: were younger, we got. All we did was drink and 530 00:42:09,520 --> 00:42:12,320 Speaker 1: laugh when he was younger, and the fact that you know, 531 00:42:12,840 --> 00:42:15,600 Speaker 1: we used a dig for records and we had the 532 00:42:15,680 --> 00:42:18,719 Speaker 1: same hobby and common just made it better, you know 533 00:42:18,719 --> 00:42:22,920 Speaker 1: what I'm saying. Both Yeah, yeah, well he drum Jackson 534 00:42:26,120 --> 00:42:32,640 Speaker 1: nine nine Street. What they used to call your building 535 00:42:32,680 --> 00:42:36,719 Speaker 1: the Hawaiian No, no, not the wine that's left right 536 00:42:36,800 --> 00:42:47,840 Speaker 1: to win. You got to relax. There's no Hawaiian people. 537 00:42:48,400 --> 00:43:07,560 Speaker 1: Remember the first building, the wine building in w was 538 00:43:07,600 --> 00:43:11,480 Speaker 1: the name of your build. A said that ship Hawaiian 539 00:43:11,560 --> 00:43:14,440 Speaker 1: build and building left right called the wine. But no, no, 540 00:43:14,800 --> 00:43:20,200 Speaker 1: there's no building. But I think way too long your ship. 541 00:43:20,640 --> 00:43:23,200 Speaker 1: You gotta la I know y'all think, y'all think it 542 00:43:23,280 --> 00:43:26,640 Speaker 1: is a name too. Yeah, we got Canada like Paris. 543 00:43:26,800 --> 00:43:30,880 Speaker 1: I say, no, you're not serious. Really, Canada Paris. You 544 00:43:31,200 --> 00:43:35,680 Speaker 1: think said it's got names, we got No, don't stop 545 00:43:35,719 --> 00:43:39,600 Speaker 1: the worst coming to your shot. And you know I'd 546 00:43:39,680 --> 00:43:44,880 Speaker 1: rather than go with Canadida. It was the other Paris. 547 00:43:45,640 --> 00:43:48,239 Speaker 1: It was about the month or night like so we 548 00:43:48,320 --> 00:43:51,480 Speaker 1: got you were in Canada, right ship. But you yeah, 549 00:43:53,040 --> 00:44:03,560 Speaker 1: you are the end of her. SHOT's gonna queeze shot big. 550 00:44:05,200 --> 00:44:18,279 Speaker 1: That was crazy, crazy they enjoying. You know, let me 551 00:44:18,320 --> 00:44:20,440 Speaker 1: tell you a song. Let me tell you something. If 552 00:44:20,480 --> 00:44:23,239 Speaker 1: it was going to be nuts everybody what at let 553 00:44:23,280 --> 00:44:27,480 Speaker 1: me tell you man, it isn't for you don't even 554 00:44:27,640 --> 00:44:32,080 Speaker 1: compare up to you guys, No, no it is because 555 00:44:32,200 --> 00:44:34,440 Speaker 1: let me tell you, I don't think there's there's not 556 00:44:34,560 --> 00:44:38,799 Speaker 1: another dynamy whatever your fans, but your fans right there 557 00:44:39,000 --> 00:44:41,520 Speaker 1: is and there is not another group that I would 558 00:44:42,080 --> 00:44:46,080 Speaker 1: another dynamic duel that I would love to be compared. 559 00:44:46,719 --> 00:44:49,399 Speaker 1: Then my brother's right here. He's the one to take 560 00:44:49,440 --> 00:44:51,759 Speaker 1: the ball because my nigg is a official all the time. 561 00:44:52,520 --> 00:44:58,640 Speaker 1: That question, no question about you know, Yes, I'm sorry 562 00:44:58,760 --> 00:45:11,839 Speaker 1: man that norm I don't like. Listen you do psycho less. 563 00:45:12,480 --> 00:45:18,840 Speaker 1: If it wasn't for be nuts coming from Corona, I 564 00:45:19,000 --> 00:45:21,360 Speaker 1: was from Left Frax City, Left Frock city is. My 565 00:45:21,520 --> 00:45:26,120 Speaker 1: address is ninety seven Das Avenue, Apartment five E, Corona, 566 00:45:26,200 --> 00:45:38,160 Speaker 1: New York one. And that original address said Corona. What 567 00:45:38,360 --> 00:45:54,080 Speaker 1: do you say, man, zone block you out? You know 568 00:45:54,120 --> 00:45:58,640 Speaker 1: how much? Man? If it wasn't for that, thank you man, 569 00:45:59,200 --> 00:46:04,799 Speaker 1: Corona one eight. And the thing about us was, y'all 570 00:46:04,880 --> 00:46:09,920 Speaker 1: came before and when I was in jail with this motherfucker. 571 00:46:10,760 --> 00:46:17,480 Speaker 1: I was in jail and I looked back like Nigga's 572 00:46:17,600 --> 00:46:21,359 Speaker 1: doing it just like that. I didn't do that in jail. 573 00:46:21,719 --> 00:46:27,560 Speaker 1: I recalled that in Mama that we didn't see nas 574 00:46:28,200 --> 00:46:32,640 Speaker 1: because we've seen Nas, we see marb D and this 575 00:46:32,840 --> 00:46:36,839 Speaker 1: nigga is like this Nas in Marty. But when I've 576 00:46:36,840 --> 00:46:45,480 Speaker 1: seen beat Nuts, song Brot and I stabbed niggas for y'all, 577 00:46:45,520 --> 00:46:51,239 Speaker 1: I'm just doing it out there. Nigga said, said, I 578 00:46:51,320 --> 00:46:57,600 Speaker 1: love you for that because I'm not awesome. We haven't. 579 00:46:58,920 --> 00:47:00,480 Speaker 1: We had a lot of homies in the hood and 580 00:47:00,520 --> 00:47:05,799 Speaker 1: there too at that time. And what he was slim, Yeah, nah, 581 00:47:06,280 --> 00:47:10,759 Speaker 1: we had a lot of the you know, it made 582 00:47:11,520 --> 00:47:13,359 Speaker 1: you know a game, Yes, you know what I'm saying. 583 00:47:13,960 --> 00:47:17,160 Speaker 1: It was nice to get to do that from my hood. 584 00:47:19,680 --> 00:47:27,640 Speaker 1: It wasn't off the books this year. Yeah, didn't expect 585 00:47:27,719 --> 00:47:30,560 Speaker 1: I was that was good. That was big the ball baby, 586 00:47:31,360 --> 00:47:35,120 Speaker 1: that the bag for free with you And that was 587 00:47:35,120 --> 00:47:38,400 Speaker 1: a little bit remissing with this section. Listen, listen to 588 00:47:39,280 --> 00:47:47,799 Speaker 1: talk about listen, You're totally listen. Listen, listen, listen. Listen. 589 00:47:47,960 --> 00:47:51,160 Speaker 1: You talking at a totally different decades that it was. 590 00:47:51,800 --> 00:47:56,799 Speaker 1: I'm so with off the books. Wasn't fout, No, it wasn't. 591 00:47:56,800 --> 00:48:01,319 Speaker 1: It wasn't not. It wasn't know that ye have nothing 592 00:48:01,360 --> 00:48:07,880 Speaker 1: for you Letty to letty and one was putting up 593 00:48:08,200 --> 00:48:14,200 Speaker 1: ninety five nine four. I don't know that my first 594 00:48:14,280 --> 00:48:18,640 Speaker 1: record was a hit. Was my first ray was and 595 00:48:18,760 --> 00:48:23,160 Speaker 1: it was called rain. The t was absolutely but when 596 00:48:23,320 --> 00:48:26,319 Speaker 1: I put it in your mom put I shouldn't tell 597 00:48:26,360 --> 00:48:33,000 Speaker 1: you something I was. That was three not like conversations 598 00:48:33,320 --> 00:48:39,120 Speaker 1: steering too. So I'm a buffalo. And that record got 599 00:48:39,200 --> 00:48:42,480 Speaker 1: more burns jay Z records that was out of the 600 00:48:42,560 --> 00:48:46,040 Speaker 1: time to the big records. That record the bus got 601 00:48:46,120 --> 00:48:48,400 Speaker 1: more brought that I was in the camp. I used 602 00:48:48,400 --> 00:48:50,560 Speaker 1: to have my whole radio slot time every father I 603 00:48:50,560 --> 00:48:54,120 Speaker 1: would call radio shout, oh yeah that ship damn right 604 00:48:54,400 --> 00:48:58,640 Speaker 1: then you make it feel goods And Jay D shot 605 00:48:58,640 --> 00:49:03,799 Speaker 1: on let nigga right good, no motion Brooklyn. That ship 606 00:49:03,880 --> 00:49:08,080 Speaker 1: is another planet. It wasn't for Davin Job we would 607 00:49:08,080 --> 00:49:15,440 Speaker 1: be friends and done niggers. You know Corona, We all 608 00:49:15,600 --> 00:49:17,560 Speaker 1: used to go to Brooklyn to shoot that ship. The 609 00:49:17,680 --> 00:49:21,560 Speaker 1: fucker up. Tell tell him, tell him tell ye Corona, 610 00:49:21,880 --> 00:49:27,319 Speaker 1: Corona nigger for real Brookni ship and then ship nig QB. 611 00:49:27,840 --> 00:49:30,720 Speaker 1: You gotta calm down to recipes my nigga, Sean braks, 612 00:49:30,840 --> 00:49:39,560 Speaker 1: no big ut some money. You gotta realize, just you freeze, 613 00:49:40,040 --> 00:49:44,359 Speaker 1: that's it, just rockets in the found it. I feel 614 00:49:44,360 --> 00:49:46,719 Speaker 1: like freeze with you gotta receiver. I feel like that's 615 00:49:46,760 --> 00:49:55,359 Speaker 1: not that's the leaser can do. Listen. So we worked right, listen, listen, 616 00:49:55,440 --> 00:49:59,600 Speaker 1: listen this work to play. He worked with Joe and 617 00:49:59,840 --> 00:50:08,160 Speaker 1: on Enough's but then it's time for y'all album. Describe 618 00:50:08,239 --> 00:50:11,160 Speaker 1: that situation, Steve. We can't come see y'all just some 619 00:50:11,320 --> 00:50:14,640 Speaker 1: open man. Oh, I couldn't wait till you, like you know, 620 00:50:14,800 --> 00:50:19,520 Speaker 1: we used to be serious with the digging like you know, 621 00:50:20,000 --> 00:50:24,440 Speaker 1: well that's another story, but not just so it was 622 00:50:24,520 --> 00:50:28,879 Speaker 1: like no, I d you know, no idea common sense 623 00:50:28,960 --> 00:50:32,279 Speaker 1: could remember common sense was on our label. So the 624 00:50:32,360 --> 00:50:36,239 Speaker 1: comment Sense, Common Sense first album, the kind of barrow 625 00:50:36,280 --> 00:50:39,640 Speaker 1: a dollar like we did remixes on that ship. So 626 00:50:39,800 --> 00:50:43,320 Speaker 1: you know, like I remember going into the Chicago and 627 00:50:43,800 --> 00:50:46,719 Speaker 1: fucking with No I D. Because you know, me and 628 00:50:46,800 --> 00:50:50,440 Speaker 1: my man v I C like early, like we only 629 00:50:50,600 --> 00:50:54,640 Speaker 1: do it so but we actually we talked that nigger 630 00:50:54,680 --> 00:50:57,160 Speaker 1: no id to dig like I used to be in 631 00:50:57,200 --> 00:51:01,479 Speaker 1: No I D. Basically and Kanye West like this because 632 00:51:01,520 --> 00:51:04,600 Speaker 1: y'all and I showed you, I'll showed you scratch magazine 633 00:51:04,760 --> 00:51:07,800 Speaker 1: interviews with that niggas. Kanye was like, I'm trying to 634 00:51:07,880 --> 00:51:10,120 Speaker 1: take it when he came out early, He's like, I'm 635 00:51:10,160 --> 00:51:12,000 Speaker 1: trying to take it back to that beam for sure. 636 00:51:12,080 --> 00:51:14,960 Speaker 1: He definitely was a fan. So you know, like that 637 00:51:15,120 --> 00:51:18,719 Speaker 1: being said, whatever that was, I was talking about how 638 00:51:18,840 --> 00:51:20,920 Speaker 1: excited me and this thinking was just to flip the 639 00:51:20,960 --> 00:51:24,880 Speaker 1: ship because he was like Howard boy cousin Kanye. So 640 00:51:26,800 --> 00:51:29,799 Speaker 1: it was still the school that Kanye came like trying 641 00:51:29,840 --> 00:51:34,840 Speaker 1: to say that with the utmost and I think he's amazing. 642 00:51:34,920 --> 00:51:38,480 Speaker 1: He's talent is really like he really and you know, 643 00:51:38,600 --> 00:51:41,919 Speaker 1: they're both amazing, and I'm proud to ship to say 644 00:51:41,960 --> 00:51:49,839 Speaker 1: that them thinkers, you know, because yes, it's open bottom right. No, God, 645 00:51:50,000 --> 00:51:52,880 Speaker 1: that's what I'm supposed to do. I'm supposed to add on. 646 00:51:53,440 --> 00:51:56,360 Speaker 1: You come hanging around me, I'm adding on right, you 647 00:51:56,400 --> 00:51:58,320 Speaker 1: know what I'm saying. So of course, No, I D 648 00:51:58,800 --> 00:52:02,520 Speaker 1: and Kanye West six successful from watching Me and my Man. 649 00:52:03,040 --> 00:52:05,600 Speaker 1: You know, they took it to the next that's right, elevation, 650 00:52:05,800 --> 00:52:18,760 Speaker 1: exactly elevation. You know that the coy y'all wasn't me personally. 651 00:52:19,080 --> 00:52:23,799 Speaker 1: I didn't know that y'all produced everything and did everything mix. Yeah, 652 00:52:23,880 --> 00:52:26,680 Speaker 1: that was yeah, I mean I didn't know that it wasn't. 653 00:52:26,880 --> 00:52:30,560 Speaker 1: It was a time when fun coming coming from Native tones, 654 00:52:30,719 --> 00:52:36,759 Speaker 1: like everybody was a group. Everybody produced themselves. Everybody can 655 00:52:36,840 --> 00:52:39,920 Speaker 1: do some day. I produced themselves trying to produce a 656 00:52:40,120 --> 00:52:44,879 Speaker 1: jungle for beating us back. We come from that even 657 00:52:44,920 --> 00:52:48,840 Speaker 1: get down. I'm gonna tell you this ship, me and 658 00:52:48,920 --> 00:52:51,839 Speaker 1: my man was already boy boys you know, from the hood, 659 00:52:51,960 --> 00:52:56,040 Speaker 1: digging on that. Then you know the nikes. I got 660 00:52:56,120 --> 00:52:57,719 Speaker 1: kicked out of high school. We got kicked out of 661 00:52:57,760 --> 00:53:00,279 Speaker 1: high school. So the handhout ship at All Boys House, 662 00:53:01,000 --> 00:53:03,960 Speaker 1: that ship coin faded, so we were still he was 663 00:53:04,000 --> 00:53:09,440 Speaker 1: still digging. I'll still digging doing mud so then I'm 664 00:53:09,480 --> 00:53:12,759 Speaker 1: at Downstairs Records one time, I'm just trying to run. 665 00:53:13,640 --> 00:53:16,759 Speaker 1: That's the ship in the village. Its fucking boring ship. 666 00:53:17,680 --> 00:53:22,759 Speaker 1: But anyway, yeah, no, it was. It was yeah, I'm 667 00:53:22,840 --> 00:53:29,279 Speaker 1: Africa the record shop, but Jungle Brothers already had Jim 668 00:53:29,360 --> 00:53:36,000 Speaker 1: Brown's ki Ya. It was good, you know, yeah, Square 669 00:53:36,120 --> 00:53:41,239 Speaker 1: roseland already up. So you know, we was doing the 670 00:53:41,560 --> 00:53:43,359 Speaker 1: you know, we're sitting there in the record shop. I've 671 00:53:43,360 --> 00:53:46,399 Speaker 1: seen anything like Old Ship's African from them, so we're 672 00:53:46,440 --> 00:53:49,479 Speaker 1: standing online to pay for our records. The same time, 673 00:53:49,920 --> 00:53:52,759 Speaker 1: he was a little short. I'm like, this African from 674 00:53:52,800 --> 00:53:55,800 Speaker 1: the fucking Jungle Brothers. What is it to put the 675 00:53:56,080 --> 00:53:59,879 Speaker 1: three four downs? Whatever? It is, Jim Brown's ky Days whatever. 676 00:54:00,680 --> 00:54:04,040 Speaker 1: I'm not saying this other than I was. He's not 677 00:54:04,120 --> 00:54:06,759 Speaker 1: asking me. He's telling me. He's actually actually no, but 678 00:54:07,040 --> 00:54:08,960 Speaker 1: I'm saying, you know, because I don't want nobody to 679 00:54:09,000 --> 00:54:10,920 Speaker 1: get the wrong I did like, oh, you pay for 680 00:54:10,960 --> 00:54:13,839 Speaker 1: the Niggers records. That's what it wasn't that we're both 681 00:54:13,920 --> 00:54:18,360 Speaker 1: kind of into he was so he was so cool 682 00:54:18,440 --> 00:54:21,120 Speaker 1: to me in the record shop that I was like, what, 683 00:54:21,560 --> 00:54:25,160 Speaker 1: you're a couple of dollars short here boom that who 684 00:54:25,200 --> 00:54:33,600 Speaker 1: we're talking about it get me Africa Brothers. Not so 685 00:54:34,920 --> 00:54:37,960 Speaker 1: from that day, you know, from that day forward, he 686 00:54:38,120 --> 00:54:41,560 Speaker 1: was you know, he was like, man, this little nigger cool. Yeah, 687 00:54:42,280 --> 00:54:45,200 Speaker 1: you know what I'm saying. So you know, the next thing, 688 00:54:45,280 --> 00:54:47,399 Speaker 1: you know, I'm getting the fight at the studio. Come through, 689 00:54:47,480 --> 00:54:50,520 Speaker 1: we over here everything Now I'm cool. Now I'm Jungle 690 00:54:50,600 --> 00:55:00,359 Speaker 1: brother Juju see me. That's see one good act. Listen. 691 00:55:00,600 --> 00:55:03,320 Speaker 1: That's how it happens. Then I started, you know that 692 00:55:03,480 --> 00:55:07,560 Speaker 1: I'm into studio and printing records. Chrysalitcies what happening. Next thing, 693 00:55:07,600 --> 00:55:10,239 Speaker 1: you know, che he has an artist cheer Elena. I'm 694 00:55:10,280 --> 00:55:16,600 Speaker 1: the victim of a friend. Can't you can't let that? 695 00:55:16,680 --> 00:55:25,239 Speaker 1: As West tell us tell us the interview alright, very soon. 696 00:55:26,000 --> 00:55:29,080 Speaker 1: Well anyway, this is as far as I'm trying to light. 697 00:55:29,719 --> 00:55:31,359 Speaker 1: It's a long you know, it's a lot of ship. 698 00:55:31,440 --> 00:55:35,440 Speaker 1: I'm just trying to but that's how she happens. Anyway, 699 00:55:35,480 --> 00:55:37,160 Speaker 1: next thing, you know, me and the nigg his friends, 700 00:55:38,680 --> 00:55:41,839 Speaker 1: that nigga from the Jungle Brothers. Okay, know what I'm 701 00:55:41,840 --> 00:55:45,880 Speaker 1: saying because of people that that good d and then 702 00:55:46,040 --> 00:55:49,640 Speaker 1: uh you know, I'll started showing improve it from that 703 00:55:49,920 --> 00:55:53,640 Speaker 1: because he was like this little nigga. You know. Then, 704 00:55:53,760 --> 00:55:57,239 Speaker 1: my man, we did a little radio promo with them 705 00:55:57,280 --> 00:56:00,160 Speaker 1: niggas shotting me out and it's gonna let us like 706 00:56:00,280 --> 00:56:02,560 Speaker 1: the first one that we did. It's like psych on him. 707 00:56:02,600 --> 00:56:05,680 Speaker 1: He was like, yo, would you still sucking around boom? 708 00:56:05,719 --> 00:56:10,919 Speaker 1: I's like, yeah, you're still doing this ship? Yeah? Yeah, 709 00:56:10,960 --> 00:56:13,719 Speaker 1: because you know, because we had because we had just 710 00:56:13,760 --> 00:56:17,000 Speaker 1: split up because after the whole high school ship, so 711 00:56:17,160 --> 00:56:20,360 Speaker 1: we kind of lost contact with each other. So I 712 00:56:20,480 --> 00:56:22,759 Speaker 1: when you heard me on the radio, hit me and 713 00:56:22,840 --> 00:56:26,200 Speaker 1: I was like, ye, hit man, come on, now we're 714 00:56:26,280 --> 00:56:31,120 Speaker 1: betting out perform. My man. I'm getting in man. That's 715 00:56:31,160 --> 00:56:33,560 Speaker 1: the way it's supposed to be. That same is basically 716 00:56:33,640 --> 00:56:36,280 Speaker 1: our story, you know, in a in a different phone 717 00:56:36,440 --> 00:56:39,480 Speaker 1: when everybody else he was the only one. Yeah you 718 00:56:39,520 --> 00:56:42,960 Speaker 1: know what I'm saying. So and you know, then, like 719 00:56:43,120 --> 00:56:46,439 Speaker 1: I said, that ship led to you know, we're hanging 720 00:56:46,480 --> 00:56:49,520 Speaker 1: around Chris Ldy's road manage at this time. He has 721 00:56:50,800 --> 00:56:55,279 Speaker 1: he has no he has no idea of being ain't 722 00:56:55,400 --> 00:56:58,840 Speaker 1: kind of you know whatever. He's just so then you 723 00:56:58,920 --> 00:57:02,160 Speaker 1: know he got cheat leave and when he got to 724 00:57:02,320 --> 00:57:05,240 Speaker 1: I leeve he was like he had a little an idea, 725 00:57:05,320 --> 00:57:07,880 Speaker 1: let me get the glove for you know some of 726 00:57:08,080 --> 00:57:12,799 Speaker 1: you know, everybody else was too busy, you know, being 727 00:57:12,880 --> 00:57:15,000 Speaker 1: they love so ould being Joe or whatever you know, 728 00:57:15,480 --> 00:57:18,960 Speaker 1: is too busy. They were. They were in the inception 729 00:57:19,040 --> 00:57:22,880 Speaker 1: of their ship. So you can't blame them. They didn't had, 730 00:57:23,160 --> 00:57:26,000 Speaker 1: you know, time, So me and Psycho Let's had the 731 00:57:26,080 --> 00:57:33,240 Speaker 1: time and was born was born. That's what I'm saying. 732 00:57:33,600 --> 00:57:38,600 Speaker 1: So you're saying that was all the first major said. 733 00:57:38,680 --> 00:57:44,280 Speaker 1: Somebody else was saying, like, you know when when Chris liked, 734 00:57:48,480 --> 00:57:52,440 Speaker 1: everybody else was busy doing, you know, performing their own 735 00:57:52,520 --> 00:57:56,400 Speaker 1: careers and we were just reduces that were just hanging out. 736 00:57:57,240 --> 00:58:01,080 Speaker 1: And he knew what it was. So we took advantage that. 737 00:58:01,280 --> 00:58:06,880 Speaker 1: We're like, okay, Joe was too busy days. Yeah, all right, 738 00:58:08,520 --> 00:58:12,080 Speaker 1: have you ever have you ever get that personal like, 739 00:58:13,200 --> 00:58:15,360 Speaker 1: as far as I don't think we did anything wrong 740 00:58:15,480 --> 00:58:21,080 Speaker 1: ever ever, even you don't want that job, we took it. 741 00:58:22,480 --> 00:58:25,360 Speaker 1: And now he was hungry together in anyway, so we 742 00:58:25,520 --> 00:58:29,400 Speaker 1: was hungry together. So so so describe that situation with 743 00:58:29,520 --> 00:58:35,360 Speaker 1: Chill and that's that's all. That's how the record, all 744 00:58:35,400 --> 00:58:38,600 Speaker 1: this reord, these first records. Y'all did them. We did 745 00:58:38,680 --> 00:58:41,440 Speaker 1: all that. The whole album. Well it was what was 746 00:58:41,520 --> 00:58:45,920 Speaker 1: people involved two blacks. When you get yellows work from 747 00:58:46,360 --> 00:58:55,960 Speaker 1: from data. It was as you see the that's what 748 00:58:56,120 --> 00:59:05,560 Speaker 1: I remember, know young what's the K? Gave me out 749 00:59:05,680 --> 00:59:10,320 Speaker 1: to the young sense or so it was a stop 750 00:59:10,360 --> 00:59:15,160 Speaker 1: to have love K. So that's what y'all was one 751 00:59:15,200 --> 00:59:18,160 Speaker 1: of the more more yeah, queen's reason that we gotta 752 00:59:18,240 --> 00:59:32,600 Speaker 1: ride there did he's kicking away to compensation color. Yeah, 753 00:59:32,880 --> 00:59:36,680 Speaker 1: we give me that's the word. I would think. You 754 00:59:38,440 --> 00:59:45,280 Speaker 1: drink chatty man, thank you, light got to you. Niggative 755 00:59:45,600 --> 00:59:50,440 Speaker 1: patch ron kevity sober forty eight dollars came in with 756 00:59:50,600 --> 00:59:55,040 Speaker 1: the shank. He didn't help you tell me only go 757 00:59:55,280 --> 00:59:58,280 Speaker 1: drinks calling me. I was like, y'all, don't drink until 758 00:59:58,320 --> 00:59:59,720 Speaker 1: you get up there. I was like, yea, all right, 759 00:59:59,800 --> 01:00:03,640 Speaker 1: by go right to the bottom. I guess. Welcome to 760 01:00:03,760 --> 01:00:08,720 Speaker 1: the family of fair, Welcome to the family pig nick 761 01:00:08,840 --> 01:00:20,240 Speaker 1: really corolla, niggers, don't play nay got some sunway right now? 762 01:00:22,360 --> 01:00:26,280 Speaker 1: Do you take you're waiting that for John? You're gonna 763 01:00:26,320 --> 01:00:29,240 Speaker 1: keep that on this? He's like, man, you got going 764 01:00:29,680 --> 01:00:45,120 Speaker 1: for John? See we got lost blatna see that, Yeah, 765 01:00:46,560 --> 01:00:53,080 Speaker 1: that thing. Don't you little little to talk to them? 766 01:00:53,400 --> 01:00:57,480 Speaker 1: Sister slives slaves is the true man. Man that's lives 767 01:00:57,600 --> 01:01:01,920 Speaker 1: like me. That's tough. Time. Tell you got every come 768 01:01:02,000 --> 01:01:07,840 Speaker 1: Mega album, every Juju album, they got every album. If 769 01:01:07,920 --> 01:01:19,880 Speaker 1: I told about talk about every album you got, say yeah, 770 01:01:21,640 --> 01:01:28,960 Speaker 1: a man of very few words like fun, a man 771 01:01:29,080 --> 01:01:33,080 Speaker 1: of very few words. Phone, you got the pajama set 772 01:01:33,760 --> 01:01:36,520 Speaker 1: the stuff with them. You're going on the zigs in 773 01:01:36,560 --> 01:01:51,360 Speaker 1: a season a time. Get him, get him someone unto you, Yo, 774 01:01:52,400 --> 01:01:55,480 Speaker 1: they was up to your man's um gonna be that 775 01:02:00,080 --> 01:02:05,080 Speaker 1: the man normy like a craday times you're not time 776 01:02:05,320 --> 01:02:10,240 Speaker 1: at all? No, no, no, I don't know. I don't know. 777 01:02:12,320 --> 01:02:27,800 Speaker 1: Quick nay. I was Scodory, was sCOD of the nuts. 778 01:02:27,880 --> 01:02:33,360 Speaker 1: Are y'all doing's the deadly? Remember my name is pet Worthy. 779 01:02:33,960 --> 01:02:36,760 Speaker 1: Come out from Long Island. Were born raising Long Island, 780 01:02:36,800 --> 01:02:39,080 Speaker 1: New York? So you know you're all New York? Six 781 01:02:39,520 --> 01:02:44,760 Speaker 1: five one six five was that? Four ninety five? Ninety 782 01:02:44,800 --> 01:02:51,080 Speaker 1: five Pleaders on the move from Westbury shoutout Westbury. I 783 01:02:51,160 --> 01:02:54,840 Speaker 1: think very P and D Long Island. Yeah, we got 784 01:02:54,880 --> 01:02:56,680 Speaker 1: a bunch of pm D from Long Island. We got 785 01:02:56,720 --> 01:02:59,600 Speaker 1: a bunch of moment with the ill one j v 786 01:02:59,760 --> 01:03:03,560 Speaker 1: C for you can't take okay the other day, Yeah, 787 01:03:06,120 --> 01:03:12,160 Speaker 1: I called you one of them, which, by the way, 788 01:03:12,160 --> 01:03:17,360 Speaker 1: it was one biggest highlights of my career. What when 789 01:03:17,400 --> 01:03:20,840 Speaker 1: you called them FaceTime? But I'm more mayd you know 790 01:03:21,000 --> 01:03:24,200 Speaker 1: that the game one answered the phone twin he was 791 01:03:24,320 --> 01:03:27,000 Speaker 1: skared to death because you know what we were doing. 792 01:03:27,960 --> 01:03:30,880 Speaker 1: And the nigger was like, yo't no, Yeah, that nigga 793 01:03:30,920 --> 01:03:34,919 Speaker 1: was gonna be like nah man on ship people bok 794 01:03:35,000 --> 01:03:38,240 Speaker 1: on me. I was like, answer that ship. It was like, yo, 795 01:03:39,120 --> 01:03:41,080 Speaker 1: you would do you how mad? I couldn't get at 796 01:03:41,120 --> 01:03:44,040 Speaker 1: you and you know what I'm saying. And then when 797 01:03:44,120 --> 01:03:46,040 Speaker 1: you was like hang up on the facetie, you know, 798 01:03:46,360 --> 01:03:54,080 Speaker 1: like co sign out of that funny you see detected, 799 01:03:54,160 --> 01:04:02,280 Speaker 1: were like you know what you Yeah? I was like, 800 01:04:02,640 --> 01:04:11,320 Speaker 1: that's that's because you know not because I know you 801 01:04:11,440 --> 01:04:16,880 Speaker 1: care about cares lady. He said, he's not here, no 802 01:04:17,040 --> 01:04:19,480 Speaker 1: lady keeping this is our man, right, he's gonna be. 803 01:04:20,160 --> 01:04:22,520 Speaker 1: He's gonna be, So man, got to don't worry. We'll 804 01:04:22,560 --> 01:04:35,400 Speaker 1: get around to be sure. You know it so well, 805 01:04:35,880 --> 01:04:43,000 Speaker 1: you should work, said Laming on the jam no, I'm 806 01:04:43,040 --> 01:04:46,080 Speaker 1: sorry man. Now i's gonna see we just we just 807 01:04:46,120 --> 01:04:49,160 Speaker 1: got up a shopping queens in your neighborhood. Yeah, actually 808 01:04:49,280 --> 01:04:51,920 Speaker 1: right across sheet from the Guardi Airport. So you know 809 01:04:52,000 --> 01:04:58,960 Speaker 1: we're showing love. I got all everything's blame green, every 810 01:04:59,000 --> 01:05:02,680 Speaker 1: flavor everything, imagine every green you want. You're not telling 811 01:05:02,760 --> 01:05:10,960 Speaker 1: me on fifty a green truck. Yeah, they just say 812 01:05:11,560 --> 01:05:17,760 Speaker 1: chase any three ten a story of Boulevard East Downhurst, 813 01:05:17,840 --> 01:05:25,440 Speaker 1: New York, right across the www dot worthy l u 814 01:05:25,920 --> 01:05:36,200 Speaker 1: x dot com. Anybody, anybody that comes through from Drink 815 01:05:36,280 --> 01:05:45,920 Speaker 1: Champs because the discount drink drink count drink I gotta say, drinkcount, 816 01:05:46,240 --> 01:05:48,560 Speaker 1: drink count, drink me. Honest, I'm coming through. We have 817 01:05:48,680 --> 01:05:52,000 Speaker 1: to get somebody to pay for me to come. I'm 818 01:05:52,040 --> 01:05:56,520 Speaker 1: bringing the same shot you got forbody. He's gonna make 819 01:05:56,600 --> 01:06:00,280 Speaker 1: you want just for this show. Had a green you want? 820 01:06:00,520 --> 01:06:05,040 Speaker 1: I want over? Yo, your real quick fun fact. I 821 01:06:05,080 --> 01:06:06,520 Speaker 1: don't even think he knows it, but you know you 822 01:06:06,680 --> 01:06:09,240 Speaker 1: in uh in the first season the first Coming Home Cuba, 823 01:06:09,320 --> 01:06:11,680 Speaker 1: he makes a quick cameop. But there's the how that's 824 01:06:11,760 --> 01:06:13,600 Speaker 1: right in the documentary series that I got going on, 825 01:06:14,320 --> 01:06:17,320 Speaker 1: that's one yet and I want to shut y'all because 826 01:06:17,360 --> 01:06:18,720 Speaker 1: you know I'm remember my name, so I gotta just 827 01:06:18,880 --> 01:06:21,120 Speaker 1: get this in there. But y'all, I'm joining from my 828 01:06:21,200 --> 01:06:24,240 Speaker 1: grippa who passed away. He don't like at me. I 829 01:06:24,440 --> 01:06:29,800 Speaker 1: did my rap pig ship. Actually hear that story story 830 01:06:30,680 --> 01:06:35,880 Speaker 1: not yo, real talk stories. This no sound. Let's say 831 01:06:37,320 --> 01:06:42,200 Speaker 1: drink story. Y'all got side step roll story, don't you 832 01:06:42,760 --> 01:06:44,800 Speaker 1: remember that's my dude. He went to Hysto with us 833 01:06:44,800 --> 01:06:48,160 Speaker 1: and they go up to my Nike Roly Road to roll. 834 01:06:48,240 --> 01:06:51,160 Speaker 1: That's my brother. That's my roll up Roll Roll records 835 01:06:51,200 --> 01:06:58,920 Speaker 1: with record, my grippers, the lawn to all with common 836 01:06:59,040 --> 01:07:03,560 Speaker 1: sense and Pharamond's. You know you're listening to me important. 837 01:07:03,560 --> 01:07:05,400 Speaker 1: I want to listen that you might find this some 838 01:07:05,520 --> 01:07:13,520 Speaker 1: music you think care of Miami things? Yeah, well real tour, 839 01:07:13,880 --> 01:07:16,000 Speaker 1: my man might rip a rest in peace. Back in 840 01:07:16,040 --> 01:07:21,040 Speaker 1: the days when niggas was just it was organized confusion, 841 01:07:21,560 --> 01:07:28,240 Speaker 1: common sense, beating up to who else? Psycle? Oh yeah, 842 01:07:28,560 --> 01:07:31,280 Speaker 1: all of them in a van, squeeze them together, horrible 843 01:07:34,520 --> 01:07:41,000 Speaker 1: artifacts as doing game seventies to do Mike rip attracts 844 01:07:41,040 --> 01:07:42,919 Speaker 1: and I was like, funk that tour. I'm not going 845 01:07:43,000 --> 01:07:45,400 Speaker 1: these niggers like, come on, we can like funk that 846 01:07:45,800 --> 01:07:48,800 Speaker 1: I'm not getting squeezing into a stance of darkness? Was there? 847 01:07:48,960 --> 01:07:55,280 Speaker 1: I'm not going what I did that nigger? All his singles, Yeah, yeah, 848 01:07:55,680 --> 01:07:59,360 Speaker 1: all the first singles with me me nigger. I'm not 849 01:07:59,560 --> 01:08:02,040 Speaker 1: ready that think he put up that many records, three 850 01:08:02,160 --> 01:08:04,760 Speaker 1: or four big ones. You niggas wouldn't even know that 851 01:08:04,880 --> 01:08:07,560 Speaker 1: nigger if it wasn't for him. We knew him from back. 852 01:08:07,680 --> 01:08:09,680 Speaker 1: He was a kid we had I gave him. Well, 853 01:08:10,320 --> 01:08:15,200 Speaker 1: was that all the record that I said, fuck my 854 01:08:15,440 --> 01:08:18,080 Speaker 1: tour because I wasn't gonna make that kind of money. 855 01:08:18,320 --> 01:08:21,559 Speaker 1: You know what I'm saying. We Corona niggers were money hustling, 856 01:08:22,760 --> 01:08:24,760 Speaker 1: you know what I'm saying. I'm like, I'm getting seven 857 01:08:24,880 --> 01:08:30,320 Speaker 1: Jesus track here. Why am I gonna school be like? 858 01:08:30,560 --> 01:08:34,400 Speaker 1: You know, like these niggers seven tracks? You know seven 859 01:08:34,479 --> 01:08:37,479 Speaker 1: stacks too, and I'm an ain't get well it was 860 01:08:37,560 --> 01:08:50,599 Speaker 1: pop play at the time, but power play yo. Anyway, 861 01:08:50,920 --> 01:08:54,600 Speaker 1: nor Be said that being is saying now that my 862 01:08:54,720 --> 01:08:58,200 Speaker 1: man's not here, now that my man's not head, because 863 01:08:58,240 --> 01:09:00,240 Speaker 1: that was my point, not that my man it's not 864 01:09:00,400 --> 01:09:03,720 Speaker 1: here no more. Mike Ripper thank God that I did that, 865 01:09:04,720 --> 01:09:07,200 Speaker 1: you know what I'm saying, because those were the endless 866 01:09:07,280 --> 01:09:10,760 Speaker 1: records that my man, and those records are the ones 867 01:09:10,800 --> 01:09:13,280 Speaker 1: that put them on the map, you know what I'm saying. 868 01:09:13,680 --> 01:09:17,000 Speaker 1: And I was, you know, I was small enough at 869 01:09:17,040 --> 01:09:21,040 Speaker 1: that time. Whatever, I had the selfish reasons for doing it, 870 01:09:21,360 --> 01:09:23,240 Speaker 1: but I'm glad that I'm not. It was one of 871 01:09:23,320 --> 01:09:25,680 Speaker 1: the few artists from my Aami's Bubbling Mother superiod and 872 01:09:25,840 --> 01:09:28,160 Speaker 1: those records of my nick if you find them twelve 873 01:09:28,200 --> 01:09:30,400 Speaker 1: inches now they were Yeah, I got him, I got 874 01:09:30,479 --> 01:09:36,080 Speaker 1: the twelve inches. I got him. I was going on 875 01:09:36,240 --> 01:09:49,519 Speaker 1: that man. No, No, it's all funny games until somebody 876 01:09:49,640 --> 01:09:57,880 Speaker 1: put something you don't want it yet. Yeah, but you 877 01:09:57,960 --> 01:10:03,519 Speaker 1: probably goad right, that's what's wrong, you know what? But 878 01:10:03,640 --> 01:10:08,560 Speaker 1: you know, get the mike today? What's I get the 879 01:10:08,600 --> 01:10:11,280 Speaker 1: mic today? With three chance? What's up? Y'all got to 880 01:10:11,320 --> 01:10:14,280 Speaker 1: get you know what I learned from left right? I 881 01:10:14,439 --> 01:10:17,519 Speaker 1: learned this. I learned this and left right. Go ahead, 882 01:10:18,240 --> 01:10:20,639 Speaker 1: don't put nothing in your body you can't mask them 883 01:10:22,280 --> 01:10:27,920 Speaker 1: get because I know that ain't never been you. Ship. 884 01:10:29,080 --> 01:10:36,639 Speaker 1: You gotta work pretty future longer at that rap. Yeah, 885 01:10:36,960 --> 01:10:42,560 Speaker 1: I'm bey Elias Ship oh, Elias ship right here. You 886 01:10:42,680 --> 01:10:50,639 Speaker 1: know I don't yeah, and I'll never go Patty Patty, 887 01:10:51,400 --> 01:10:55,519 Speaker 1: that's Elias right when you want to be fire the 888 01:10:55,640 --> 01:10:59,880 Speaker 1: first time. Yo, let me tell you something, Psycho. Last 889 01:11:01,800 --> 01:11:05,040 Speaker 1: you do, I know, I'll look at the world. It's 890 01:11:05,040 --> 01:11:11,360 Speaker 1: all right, you do. We're merry call us both those lesson. 891 01:11:13,680 --> 01:11:17,439 Speaker 1: You don't wake up. Some I wake up. Sometime I'll 892 01:11:17,439 --> 01:11:20,920 Speaker 1: be like I wake up. Sometimes don't wake up. I 893 01:11:21,000 --> 01:11:24,840 Speaker 1: feel like I go let act like he's gonna. Let's 894 01:11:25,479 --> 01:11:28,840 Speaker 1: but the one thing that we want to tell y'all 895 01:11:30,240 --> 01:11:39,080 Speaker 1: as hip hop is a live Yeah. Don't want to 896 01:11:39,200 --> 01:11:43,000 Speaker 1: thank you. You want to thank you for wanting to 897 01:11:43,120 --> 01:11:47,280 Speaker 1: promise everybody right now. I want you to promise everybody 898 01:11:47,400 --> 01:11:50,280 Speaker 1: right now. Five man, we an't gonna do a record together. 899 01:11:50,560 --> 01:11:54,240 Speaker 1: No promise that. That's all I've ember walking on man, 900 01:11:55,200 --> 01:12:00,080 Speaker 1: I want to be formal. You'll be like, because you 901 01:12:00,120 --> 01:12:03,760 Speaker 1: don't kill if my man, that's want to make And 902 01:12:03,840 --> 01:12:07,000 Speaker 1: I'm like, what, like I'm driving, I don't really kind 903 01:12:07,040 --> 01:12:11,160 Speaker 1: of believe it. I'm because I felt like you should 904 01:12:11,160 --> 01:12:14,360 Speaker 1: have gave Butcher rocket Beat like like seven two years ago. 905 01:12:14,640 --> 01:12:20,840 Speaker 1: But drop need Psycho. I'll do anything, but drops like 906 01:12:21,400 --> 01:12:29,519 Speaker 1: last we got something five we got play the beat, Yo, 907 01:12:29,680 --> 01:12:32,880 Speaker 1: all respects to the nerves. I wanted all the respect 908 01:12:32,960 --> 01:12:36,280 Speaker 1: your nerves you get on some psycho lesson. They wanted 909 01:12:36,360 --> 01:12:39,639 Speaker 1: that ship too out of here we It was one 910 01:12:39,680 --> 01:12:45,360 Speaker 1: beat I love. He was in my car within the 911 01:12:45,439 --> 01:12:50,880 Speaker 1: net game after that psychoga big should get don't touch 912 01:12:51,360 --> 01:12:56,280 Speaker 1: you gat totally touch but he used it. He did. 913 01:12:56,400 --> 01:13:01,200 Speaker 1: You get the first though, gonna lie it was better 914 01:13:01,400 --> 01:13:05,760 Speaker 1: people spaking because the drink chain. Yo, sir, you know 915 01:13:05,880 --> 01:13:08,840 Speaker 1: we got you something. We're never gonna you could you 916 01:13:08,960 --> 01:13:15,040 Speaker 1: grow to sleep, so you go a lax just show 917 01:13:15,640 --> 01:13:18,960 Speaker 1: he beat nuts ep right now? Did ship works though 918 01:13:20,200 --> 01:13:24,880 Speaker 1: the executive Let me executive produce it. Let me rock, 919 01:13:26,120 --> 01:13:29,599 Speaker 1: that would be amazing. Let he want to. I'm saying, yeah, 920 01:13:29,840 --> 01:13:34,080 Speaker 1: that's man, you kill it. I need butcher rock versus 921 01:13:34,120 --> 01:13:41,200 Speaker 1: in know what's wrong. You can't can not be I'm 922 01:13:41,240 --> 01:13:43,519 Speaker 1: executi producing. He can't be on keep going, keep on. 923 01:13:44,200 --> 01:13:52,080 Speaker 1: He just cuts you. Yeah, you get the phone off 924 01:13:52,160 --> 01:13:58,680 Speaker 1: of me, j ricking my I know right, rocket R. 925 01:14:00,400 --> 01:14:02,559 Speaker 1: I don't want you to buy all myself because I'm 926 01:14:02,600 --> 01:14:09,519 Speaker 1: on the table. Crack he made to you already, man, 927 01:14:11,160 --> 01:14:17,560 Speaker 1: where just before you get too tired. I want to 928 01:14:18,640 --> 01:14:21,320 Speaker 1: thank you. I want to thank you for having us. 929 01:14:21,720 --> 01:14:23,200 Speaker 1: Let me tell you some really, I don't think you 930 01:14:23,280 --> 01:14:26,920 Speaker 1: have a bunch of means to me. No, I don't 931 01:14:26,960 --> 01:14:30,479 Speaker 1: think you have that idea I must have beaten up. 932 01:14:30,600 --> 01:14:32,880 Speaker 1: It's been a lot of years. No, I don't do 933 01:14:33,040 --> 01:14:40,719 Speaker 1: you have any ideas it's been a lot of it's myself. 934 01:14:41,800 --> 01:14:43,720 Speaker 1: I don't think you have any idea. How must have 935 01:14:43,760 --> 01:14:49,960 Speaker 1: beaten us? To me? To us factor for people who 936 01:14:50,080 --> 01:14:54,439 Speaker 1: don't understand, we never heard a Big Punt until we 937 01:14:54,560 --> 01:15:01,160 Speaker 1: heard of him on the Beating Us record. Ye like 938 01:15:02,720 --> 01:15:07,759 Speaker 1: the back handed compliments to be honest, get out because 939 01:15:08,280 --> 01:15:14,840 Speaker 1: because I'm not playing. That's from the heart. I feel 940 01:15:14,880 --> 01:15:19,040 Speaker 1: you when we heard Big Pun and did we heard 941 01:15:19,080 --> 01:15:21,439 Speaker 1: him on y'all record, and then we heard him and 942 01:15:21,520 --> 01:15:30,360 Speaker 1: then we heard that you guys actually embraced him after 943 01:15:30,520 --> 01:15:34,240 Speaker 1: the record. You guys put him on your record. I 944 01:15:34,400 --> 01:15:36,720 Speaker 1: tried to embrace him a lot of time. It's kind 945 01:15:36,720 --> 01:15:40,679 Speaker 1: of hard to get my arms round whatever. I'm trying 946 01:15:40,720 --> 01:15:44,160 Speaker 1: to add a little levering. But at the end of 947 01:15:44,200 --> 01:15:48,440 Speaker 1: the day, that's what hip hop respects. Hip hop respects 948 01:15:49,160 --> 01:15:54,400 Speaker 1: that that we brought Big Pun out everything I did 949 01:15:54,479 --> 01:15:59,320 Speaker 1: prior to that is. No. No, we've been saying that's 950 01:15:59,360 --> 01:16:05,519 Speaker 1: not working at our wording right now, your production, you'll 951 01:16:05,640 --> 01:16:09,519 Speaker 1: production is I know I'm amazing. Least I'm here from 952 01:16:09,600 --> 01:16:11,720 Speaker 1: you to tell me I know I'm amazing. There you go, 953 01:16:11,880 --> 01:16:16,200 Speaker 1: There you go, Jameson to tell you that. But I 954 01:16:16,400 --> 01:16:21,839 Speaker 1: think what I'm trying to Jameson don't know to unleash, 955 01:16:22,800 --> 01:16:25,840 Speaker 1: you know, at least not because I'm humble to a 956 01:16:25,960 --> 01:16:31,439 Speaker 1: fault sometimes a lot like you. I can, I can. 957 01:16:31,479 --> 01:16:35,320 Speaker 1: I'll tell you this. I drink coolly because it makes 958 01:16:35,439 --> 01:16:38,960 Speaker 1: other people more interesting, not because I need it to 959 01:16:39,120 --> 01:16:44,960 Speaker 1: be anything. That's a lot of I don't know. That's 960 01:16:44,960 --> 01:16:48,160 Speaker 1: an our alcoholic perspective. That is the truth. I love 961 01:16:48,240 --> 01:16:51,680 Speaker 1: the alcoholic like no, I'm just saying too, we got 962 01:16:52,640 --> 01:16:56,880 Speaker 1: I'm actually more dangerous when I'm not fucking drinking. To 963 01:16:57,000 --> 01:16:59,519 Speaker 1: be honest with why is because I don't really have 964 01:16:59,600 --> 01:17:02,920 Speaker 1: a lot of patience. Uh, you know where we come from, 965 01:17:03,240 --> 01:17:06,000 Speaker 1: you know what is But one of the first things 966 01:17:06,080 --> 01:17:11,800 Speaker 1: that some patients, he told me something about to deal 967 01:17:11,880 --> 01:17:14,840 Speaker 1: with a bunch of ships that I wouldn't told me 968 01:17:14,920 --> 01:17:18,080 Speaker 1: something about tragedy. The first thing on the FaceTime I 969 01:17:18,120 --> 01:17:23,519 Speaker 1: didn't say, but I couldn't understand what was that. I 970 01:17:23,600 --> 01:17:29,320 Speaker 1: don't know what you said. I said about FaceTime, dude, 971 01:17:31,240 --> 01:17:35,400 Speaker 1: and then you told me something about tragedy. I had 972 01:17:35,439 --> 01:17:39,040 Speaker 1: no idea what you said, so if you were here, 973 01:17:39,200 --> 01:17:43,160 Speaker 1: no idea. I don't remember. That's I don't remember saying 974 01:17:43,240 --> 01:17:47,280 Speaker 1: anything about it because it was me and May hanged out, 975 01:17:48,760 --> 01:17:52,880 Speaker 1: Oh oh, you're okay. I do remember what I said 976 01:17:52,920 --> 01:17:57,920 Speaker 1: about that was sold because I was telling you that 977 01:17:58,080 --> 01:18:04,719 Speaker 1: all I ever wanted to do is be too fine. Nice. 978 01:18:05,479 --> 01:18:10,439 Speaker 1: Good memory, good memory, because I said all I ever 979 01:18:10,600 --> 01:18:12,960 Speaker 1: want to do is be too fine. You know what 980 01:18:13,040 --> 01:18:15,720 Speaker 1: I'm saying, because you'll like to see what he's saying. 981 01:18:15,800 --> 01:18:18,519 Speaker 1: Like I'm saying, I said that ship earlier. I think 982 01:18:18,600 --> 01:18:21,160 Speaker 1: it's just as much as he's saying all this ship. 983 01:18:21,800 --> 01:18:26,280 Speaker 1: If it wasn't for beating nuts, there wouldn't be no component. Oriega. Dudes. 984 01:18:27,080 --> 01:18:33,000 Speaker 1: If the featuring the feeling is mutual, it's it's a 985 01:18:33,120 --> 01:18:36,000 Speaker 1: dream to all the girls who act stay shady, nig 986 01:18:36,280 --> 01:18:39,080 Speaker 1: just react. We don't think for real. It's reel like 987 01:18:39,240 --> 01:18:42,439 Speaker 1: my whole life in the world in the Harpies, sons, 988 01:18:42,479 --> 01:18:47,560 Speaker 1: So don't play who's that problem? But listen, who's that 989 01:18:49,240 --> 01:18:56,479 Speaker 1: fat Joe in money trash tracks me and money gat 990 01:18:56,520 --> 01:19:01,479 Speaker 1: tracksmen too, But listen the listen listen. And I told 991 01:19:01,560 --> 01:19:04,120 Speaker 1: him that, and that night I told him that I was. 992 01:19:04,280 --> 01:19:06,240 Speaker 1: I told him I'm too fine now, I even though 993 01:19:06,280 --> 01:19:11,719 Speaker 1: the hand shake here we go, I'm about buddy dying old. 994 01:19:12,000 --> 01:19:17,280 Speaker 1: It's something I don't film you twin No, but listen, listen. 995 01:19:18,439 --> 01:19:25,240 Speaker 1: I don't thought that was a little lax MOHI what 996 01:19:25,439 --> 01:19:34,840 Speaker 1: happens some relaxlax? My bad, my bad? It's my mom. Yeah, 997 01:19:36,000 --> 01:19:43,880 Speaker 1: that's your mom. Ship waits stuff? Oh? Ship? Isn't death 998 01:19:44,840 --> 01:19:50,479 Speaker 1: started for the law man? I told them on top 999 01:19:50,520 --> 01:20:00,120 Speaker 1: of that, I'm down. Isn't that easy because because you're 1000 01:20:00,120 --> 01:20:10,639 Speaker 1: gonna proof the thank you pretty? That's about. That's some napkins, 1001 01:20:10,680 --> 01:20:14,400 Speaker 1: get some napkina bach. I think a death American pie 1002 01:20:14,560 --> 01:20:22,800 Speaker 1: because it's not good, not definitely not go ahead, like, listen, 1003 01:20:22,880 --> 01:20:27,200 Speaker 1: there's the rich cool. I don't worry about that. Yeah, 1004 01:20:27,240 --> 01:20:32,120 Speaker 1: let me say this really ship he's about? Is really 1005 01:20:32,600 --> 01:20:39,800 Speaker 1: your podcast happen? No, it's a really hold your podcast florid, Right, y'all? 1006 01:20:42,040 --> 01:20:47,880 Speaker 1: Lax worry about that. They're relaxing right now. Yeah, I 1007 01:20:48,000 --> 01:20:59,080 Speaker 1: think this is a bad Ye what happens I'm about 1008 01:20:59,120 --> 01:21:09,800 Speaker 1: some good under gets depend on was never gonna be that. 1009 01:21:10,439 --> 01:21:12,639 Speaker 1: It's always shot. He would never. I ain't never gonna 1010 01:21:12,680 --> 01:21:16,160 Speaker 1: be the next hour show. God, I'm record ship. I 1011 01:21:16,160 --> 01:21:18,160 Speaker 1: don't pull up my phone. You need that. I don't 1012 01:21:18,160 --> 01:21:19,479 Speaker 1: even know what's going on back there. That's why I 1013 01:21:19,600 --> 01:21:23,799 Speaker 1: need that's ever recorder's chap. What happens on Broadway stains 1014 01:21:23,840 --> 01:21:29,160 Speaker 1: on blood? You know what's going on back? Then? Let 1015 01:21:29,280 --> 01:21:36,759 Speaker 1: go now what's going on back you think it's all fail? 1016 01:21:37,280 --> 01:21:44,719 Speaker 1: E MT workers right now, I can't e MT father, 1017 01:21:45,160 --> 01:21:52,400 Speaker 1: M T exactly when you get fat and Sam not that, sir, 1018 01:21:54,800 --> 01:21:56,840 Speaker 1: damn they can need and c V right now. You 1019 01:21:56,960 --> 01:22:04,040 Speaker 1: didn't past my favorite see me see your ugly jacket, 1020 01:22:04,120 --> 01:22:11,240 Speaker 1: nigger that nigger brassed out jacket talking about you see 1021 01:22:11,280 --> 01:22:16,120 Speaker 1: me on right and win breaking. So how did drugs 1022 01:22:16,240 --> 01:22:20,320 Speaker 1: coming to your life? When we get burned? How you 1023 01:22:20,439 --> 01:22:26,320 Speaker 1: came from Philly? It because we all smoke, we right? 1024 01:22:27,720 --> 01:22:31,639 Speaker 1: So when when when man can mentioned that, I'll see 1025 01:22:31,680 --> 01:22:35,680 Speaker 1: this is what we did getting them too? You started there, 1026 01:22:36,320 --> 01:22:38,560 Speaker 1: you passed out when you saw me. What am I 1027 01:22:38,920 --> 01:22:44,760 Speaker 1: so when you you started anyway, there were gone, we're 1028 01:22:44,800 --> 01:22:50,640 Speaker 1: going with me alone there. So when did when did 1029 01:22:50,800 --> 01:22:55,080 Speaker 1: real drugs coming to your life? Like real drugs, real 1030 01:22:55,160 --> 01:22:57,679 Speaker 1: drugs came into my life right when they came into yours. 1031 01:22:57,840 --> 01:23:03,960 Speaker 1: What's a real drug? What's a te Reagan reganics coronall. 1032 01:23:04,160 --> 01:23:07,439 Speaker 1: You mean, what are we talking about selling what else? 1033 01:23:08,760 --> 01:23:11,880 Speaker 1: Or selling what else? You know where we're coming from 1034 01:23:12,200 --> 01:23:20,400 Speaker 1: a lot of him definitely did not get to get 1035 01:23:20,479 --> 01:23:32,479 Speaker 1: you today. Okay, we're gonna say the beat nuts media. God, 1036 01:23:32,560 --> 01:23:36,720 Speaker 1: damn it. We love y'all. That's makes a noise God. 1037 01:23:42,600 --> 01:23:46,960 Speaker 1: And to be continued, thank you, thank you to us 1038 01:23:47,040 --> 01:23:48,760 Speaker 1: we come through this. Let me tell you man, it's 1039 01:23:49,000 --> 01:23:52,639 Speaker 1: you John and to be you know, I can already 1040 01:23:52,680 --> 01:23:56,560 Speaker 1: wet more more out of this. We have to. You know, 1041 01:23:56,720 --> 01:23:59,559 Speaker 1: he's one of violence, man, you know what that he's 1042 01:23:59,640 --> 01:24:10,880 Speaker 1: like ours flowers and we've always you know, all right, 1043 01:24:12,000 --> 01:24:44,679 Speaker 1: I find all your favorite movies and shows factor with Exfinity, 1044 01:24:45,040 --> 01:24:47,000 Speaker 1: just speaking to the excellent voice for most to search 1045 01:24:47,040 --> 01:24:50,240 Speaker 1: across live CV, on demand, even Netflix and Prime Video. 1046 01:24:50,560 --> 01:24:54,640 Speaker 1: Now that's simple, easy, awesome. Switched to Eccinity today and 1047 01:24:54,680 --> 01:24:57,360 Speaker 1: get a great offer you'll enjoy Infinity X one, which 1048 01:24:57,400 --> 01:24:59,800 Speaker 1: could be access to your favorite streaming apps like that's 1049 01:24:59,840 --> 01:25:03,599 Speaker 1: My YouTube the now Prime Video. Go to Accinity dot com, 1050 01:25:03,800 --> 01:25:06,360 Speaker 1: call one eight hundred xcinity, or visit the store today 1051 01:25:06,400 --> 01:25:08,040 Speaker 1: to learn more restrictions of life