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Speaker 1: Many years, many years ago, little context many years ago,

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Speaker 1: Kevin check off.

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Speaker 2: That Hayes started this one. I know, we like to

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Speaker 2: try to.

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Speaker 3: Keep it balanced.

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Speaker 1: The last one one of my probably me one of

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Speaker 1: my dear dear professor, dear professor of film. He was

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Speaker 1: the writer of We have a film guy with us today,

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Speaker 1: the movie Groundhog Day Wow. And every week with a

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Speaker 1: professor professor tell like story like how'd you do How'd

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Speaker 1: you come up with that crazy groundhog? That I like?

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Speaker 1: All those all the funny ideas, and it's like he

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Speaker 1: and he was very sharing of all of his stories and.

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Speaker 2: His must have transformed in some ways.

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Speaker 3: Did you did you flip him out? That Every week

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Speaker 3: he would come to class and you would ask him

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Speaker 3: the same question as if you were stuck.

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Speaker 1: In some come up with that crazy crowdog.

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Speaker 3: Groundhog date style time.

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Speaker 1: Loop, And every so during the year and the leading

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Speaker 1: up to February second, he would say, okay, everyone, just

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Speaker 1: so you know we have we're supposed to have class

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Speaker 1: on that day. I will not be coming to class.

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Speaker 1: I have booked seven, like between seven and ten speaking engagements.

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Speaker 3: My income comes from every day year.

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Speaker 1: It's like Black Friday for him, like he needs to be.

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Speaker 1: He's like flying around the entire country that it is.

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Speaker 2: Like Black Friday. I think Black Friday is when things

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Speaker 2: are available at an extreme discount.

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Speaker 1: Yeah, yeah, hiking up his day and no but and

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Speaker 1: that's true, but that's when they get.

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Speaker 2: In probably like Thanksgiving Day. Yeah, but the rest of

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Speaker 2: the four.

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Speaker 3: Things become inexpense the most expensive day of the year.

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Speaker 1: Yeah, but that's when a lot of retailers go into

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Speaker 1: the into the black there. You know, they operated a

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Speaker 1: deficit for most of the year, and just the amount of.

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Speaker 2: Volume from that side of it.

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Speaker 3: Ye, yeah, I would if I were trying to compare

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Speaker 3: the phenomenon you're describing to one annual occurrence, a day

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Speaker 3: of the year that has a little special juice on it.

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Speaker 1: Yes, I would.

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Speaker 3: Almost say it sounds like a groundhog Day type situation.

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Speaker 4: It does to me because it's when he pops out

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Speaker 4: of his hole.

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Speaker 3: This is to do all his speaking exactly to me,

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Speaker 3: fucking Tony Phil the other three hundred and sixty four.

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Speaker 1: The comparison I would make is Griffin Newman every year

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Speaker 1: on draft though. Let's just be honest about why we

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Speaker 1: have him here today. Today is Draft Day. That's right,

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Speaker 1: the NFL Draft is happening tonight. Didn't know.

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Speaker 3: I knew it was the day, but I didn't put

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Speaker 3: together the math of you guys, you tricky fucks locking

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Speaker 3: me down on my most valuable.

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Speaker 1: Day of the year. It's midnight to midnight. Yeah, every year,

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Speaker 1: and we got them. We had to bucking way in

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Speaker 1: advance to get Griffin on on on Draft day. Oh mama,

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Speaker 1: Mama huge.

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Speaker 3: And you guys it's it's a full twenty four hour

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Speaker 3: hold you placed on me. Yes, yeah, I didn't do

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Speaker 3: the mask.

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Speaker 2: We own your ass.

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Speaker 1: Yeah.

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Speaker 3: Can I set some steaks up for this episode?

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Speaker 2: Uh?

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Speaker 3: Please?

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Speaker 2: I mean that would be so refreshing for me. I

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Speaker 2: feel like I always have to do that. Hayes starts

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Speaker 2: it and then I'm like, okay, but he didn't.

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Speaker 1: Set the stakes.

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Speaker 3: I Uh, this won't be resolved within this episode. Does

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Speaker 3: won't need to be some sort of follow up in

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Speaker 3: some form at some point. But today is Draft Day,

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Speaker 3: and I'd say maybe four to five months from now,

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Speaker 3: when the residual cycle has it's truly I could say

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Speaker 3: this year it's a real am I going to hit

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Speaker 3: health insurance or not. And I'd say the draft day

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Speaker 3: bump is probably.

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Speaker 1: A big Draft Day. It's see it. It's like get

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Speaker 1: a little runoff.

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Speaker 3: People talk about the people lucky enough to be in

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Speaker 3: your Christmas pictures, your Groundhog Day pictures, right, movies that

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Speaker 3: have a pop one day out of the year. Yes,

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Speaker 3: if you're if you're lucky enough to be in one

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Speaker 3: of those annuals, it kind of keeps you afloat.

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Speaker 2: Yeah.

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Speaker 3: Yeah. And Draft Day, a movie that lost so much

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Speaker 3: money in theaters.

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Speaker 1: Sure, yeah, is now making so much money.

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Speaker 3: It's griffic, insane and for me only. Yeah, I gave up.

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Speaker 3: I said, don't pay me anything, give me the points

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Speaker 3: I'm getting long term on this thing. Baby, I said,

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Speaker 3: I'm a back end baby, first dollar gross.

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Speaker 1: And that's what the podcast is like. Uh, you talk

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Speaker 1: about things like.

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Speaker 3: That, Yes, I talk mostly about my residuals.

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Speaker 2: Yes, yeah, which is why it's so popular. I mean,

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Speaker 2: and we talk about this all the time, translucency, Yes,

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Speaker 2: and how important that is. Yeah. Now, and that for

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Speaker 2: a long time, ye, it was this kind of black

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Speaker 2: box and no one knew what happened inside the world

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Speaker 2: of show business. Yes, and that we are sort of

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Speaker 2: the first ones to say here's some of what's going on? Yeah?

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Speaker 3: Yeah, and the public loves that.

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Speaker 2: Well, It's probably the most interesting thing to them is

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Speaker 2: what I'm doing. And I have found that to be true.

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Speaker 2: It served me well through my entire career, which I'm

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Speaker 2: at the tail end of, yes, which is like, hey,

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Speaker 2: nothing to sneeze at.

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Speaker 3: Right, But much like the writer of Groundhog Day or

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Speaker 3: the eighth lead of Draft Day, you hit your career

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Speaker 3: peak and then you get to really have fun, spending

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Speaker 3: decades coasting off of the juice of what you did

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Speaker 3: your prime. And for you, that's going to be decades

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Speaker 3: of talking about how you negotiated room rates, you know,

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Speaker 3: oh yeah, moved up in your How what was your

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Speaker 3: first story editor credit? What was that conversation? Like? Yeah,

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Speaker 3: how many people were c seed on the email? Well?

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Speaker 2: I skipped See I don't want to step on I

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Speaker 2: don't want to I want to step on the speaking

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Speaker 2: a gage. Yeah yeah, so story at our executive story

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Speaker 2: editor co producer.

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Speaker 4: Jumped over it. His fucking es E wild not on

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Speaker 4: the resume?

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Speaker 2: Yeah hhm was he not good enough to be an

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Speaker 2: executive story editor? No?

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Speaker 1: He was too good. I skipped a great problem, you

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Speaker 1: know what I mean?

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Speaker 2: They had to move me up.

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Speaker 3: That is wild.

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Speaker 2: Yeah, no, it was fucking heady brother.

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Speaker 3: Yeah.

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Speaker 2: I was like I couldn't appreciate it at the time

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Speaker 2: how nuts it was. But you know, now at the

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Speaker 2: tail end of my career, I do kind of get

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Speaker 2: to look back and go like we did all right.

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Speaker 1: He called me in like slow plated, just like kept

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Speaker 1: it straight the entire time. He's like, I'm just like,

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Speaker 1: I'm just going to catch up, like like what's going on.

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Speaker 2: I'm glad we didn't because, honestly, Hayes is one of

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Speaker 2: the only people I knew back then who I am

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Speaker 2: still friends with. I became something of an on fault.

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Speaker 2: But when that contract came.

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Speaker 3: This is another thing people don't talk about. You gotta

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Speaker 3: get big and then you gotta get humbled and you

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Speaker 3: want to make the other side.

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Speaker 2: Part of them with scess.

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Speaker 4: Nobody gets to skip that.

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Speaker 3: No, no, you can skip over, you can skip s E,

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Speaker 3: but you cannot skip the fault. You can't. I you know,

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Speaker 3: it's funny because it's like.

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Speaker 1: That means terrible baby. Yes, yes, yes, it doesn't speak French.

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Speaker 1: Worst he went through a terrible baby.

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Speaker 3: Yeah, I'd be just a terrible baby. Adam Okay, I

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Speaker 3: think one of our greatest inspirations, right, I mean not

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Speaker 3: to speak for all three of us, and they passing

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Speaker 3: future guests. Right, But a guy has had so many.

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Speaker 5: What he wants to yeas circling us.

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Speaker 2: When can I get back? The timing is like he

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Speaker 2: wanted to do a draft Day episode.

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Speaker 3: It was like, or don't fucking pull for that catch

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Speaker 3: out of my pocket? At him? No, him, but a

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Speaker 3: man who's had like so many interesting tendrils of his career, right,

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Speaker 3: and you go like sketch comedy writer, and then like

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Speaker 3: blockbuster comedy director, serious probing, like dramatic, but like a

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Speaker 3: little bit of a bite, like a comedic bite. Yes,

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Speaker 3: it's Oscar Wiener.

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Speaker 2: Take the story and just and people, if people watching,

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Speaker 2: they'll be able to see me tilt my head just

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Speaker 2: a little dance. But if I looked at it, this

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Speaker 2: what and suddenly, Uh, it's entertaining and it's also still

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Speaker 2: making you think, maybe making you think about something you

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Speaker 2: believed you understood.

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Speaker 3: And he's telling me things that I genuinely never knew before,

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Speaker 3: like that George W. Bush was president. I'm sitting here

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Speaker 3: and I'm like, isn't the news supposed to be educating me.

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Speaker 4: Well, that went out the window quite some time ago.

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Speaker 1: You know.

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Speaker 2: No, come on, we're not watching the news for information anywhere. Now,

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Speaker 2: what are we watching it for?

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Speaker 3: Mm hmm TNA, TNA tits and apple sauce.

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Speaker 2: And apple sauce is my term for.

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Speaker 4: I always that's what's the news, guys.

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Speaker 2: Unfortunately, this is the way society has gone. And by

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Speaker 2: the way, you know, make a good movie about it,

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Speaker 2: because it because because it.

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Speaker 1: This is the problem. Griffin, What I mean we think

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Speaker 1: of the podcaster's.

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Speaker 3: Oath, sure, yeah, which we take every day.

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Speaker 1: First, do no harm the industry. I mean, like, I

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Speaker 1: don't know if they talk about this like in front

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Speaker 1: of you, or if this is just like conversations that

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Speaker 1: we're industry.

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Speaker 3: Keep it away from you interesting, But because out of

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Speaker 3: fear or out of sort of like compassion, do you think?

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Speaker 2: Uh uh? I don't think you can separate the two, okay,

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Speaker 2: And I don't know if you because I do think

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Speaker 2: they're worried about you.

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Speaker 1: You're a truth.

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Speaker 2: Teller, this is what they But they also are worried

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Speaker 2: about you because the.

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Speaker 3: Second oath, of course is tell no lies, do no harm.

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Speaker 3: Tunnel lives, make them laugh.

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Speaker 1: Yes, yeah, First, do no harm, second, tell no lies,

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Speaker 1: the third make them laugh. You the damage that you

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Speaker 1: are doing to the movie industry by saying, hey, everyone,

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Speaker 1: let's think about all these movies that already happened before.

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Speaker 1: For let's go back. It's the cannon.

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Speaker 3: I'm not right forward.

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Speaker 1: Let's like, let's go let's go to the library. Yeah,

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Speaker 1: you know, yes, where Meanwhile the industry is saying, hey,

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Speaker 1: we have a new movie.

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Speaker 2: The library is such a good example because the small bookstores, yes,

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Speaker 2: not doing so hot.

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Speaker 4: No, and it's because.

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Speaker 2: Of the monstrous library and with their vicious invention.

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Speaker 3: Whither the video rental store? You know, we don't talk

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Speaker 3: about this.

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Speaker 2: But it literally is basically closed in some place.

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Speaker 3: I mean, look, I'm a New Yorker, I'm here visiting, right.

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Speaker 3: I've been driving around town and I'm just like, I can't.

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Speaker 2: Bunch of what kind of wheels you got?

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Speaker 3: The lift green? I cannot find a blockbuster for my life.

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Speaker 3: And I remember coming out here and you couldn't. You

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Speaker 3: couldn't throw a fucking stick without landing in one.

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Speaker 2: I think he also was lifting a little green right

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Speaker 2: before the show.

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Speaker 1: Gets pretty heavy. After a couple.

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Speaker 2: It lightens up to after every good month, it gets.

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Speaker 3: It gets a little lighter.

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Speaker 2: Because this guy is fucking drain in.

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Speaker 3: That and I should acknowledge that's obviously the other day

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Speaker 3: of the year where I really make my bank, you know,

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Speaker 3: the two things I'm an expert on. People want to

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Speaker 3: call me in to sort of look back and look forward,

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Speaker 3: you know, outside of the library, which is.

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Speaker 1: Good at all year four twenty en draft Day, which

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Speaker 1: is roughly April. I mean it's April twenty fourth this year,

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Speaker 1: so that's that's a rough week week week well, and

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Speaker 1: it sucks.

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Speaker 3: You wish you could spread them out right, and on

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Speaker 3: four to twenty I'm getting low. But on draft day

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Speaker 3: I got to be sharp, yes, because I'm usually making

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Speaker 3: the rounds and people are like who's gonna go first,

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Speaker 3: who's gonna go second, who catches the best? And I

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Speaker 3: need to like know all of them.

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Speaker 1: It is part of the like performative element like that

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Speaker 1: you have to do. You basically have to do the

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Speaker 1: combine like throughout the entire day.

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Speaker 2: Yeah yeah, yeah, running they make me play yes yeah yeah.

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Speaker 3: And I'm like, this is a day where they're not

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Speaker 3: playing their family suit.

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Speaker 2: Yeah, just get you know, this is like a knight

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Speaker 2: on the town, and for you, it's it's the freaking

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Speaker 2: super It.

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Speaker 3: Is really the most exercise those guys are doing, ironically,

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Speaker 3: professional athletes, the most exercise they're doing on this day

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Speaker 3: shaking hands and lifting up jerseys and they're not even

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Speaker 3: breaking a sweat rest for you would be I'm doing

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Speaker 3: the thing where you have to run and the tires

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Speaker 3: in front of you and one foot has to go

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Speaker 3: in one tire and the other tire. And it's not

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Speaker 3: just you're moving back and forth in the two shift

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Speaker 3: and weight, you're also moving.

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Speaker 1: To move forward. Yeah, two tires.

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Speaker 4: Yeah I would do that.

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Speaker 2: Okay, I could do that, but you're moving forward and

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Speaker 2: because of who you are too, you're.

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Speaker 3: Also cracking Watch that's the thing.

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Speaker 2: I mean. He gets out of that thing every year

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Speaker 2: and goes, I'm really tired. Yeah yeah, and I am

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Speaker 2: going you know, I'm waiting is he gonna do it?

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Speaker 2: And he does it and he's out of breath. Oh

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Speaker 2: you kind of can't understand it. Yeah, but god damn

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Speaker 2: if I don't end up laughing.

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Speaker 3: I don't want to give myself too much credit, right,

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Speaker 3: but even on a day like that, I'm making a

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Speaker 3: TV appearance. It's not technically a podcast, even though podcasts

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Speaker 3: are pivoting the video, even though the line is sometimes

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Speaker 3: hard to identify, it's not technically a.

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Speaker 2: Podcaechnically no, yeah, technically.

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Speaker 1: No, it's not.

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Speaker 3: But I am inherently a podcaster. Yeah, it doesn't matter

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Speaker 3: if you are saying something I am. And so every

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Speaker 3: morning I'm going to.

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Speaker 4: Be available as a podcast too.

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Speaker 3: It will eventually it all either starts as a podcast

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Speaker 3: or becomes a podcast. Right, And I wake up every

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Speaker 3: morning and I say the oath whether or not I'm

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Speaker 3: going to fucking strap in behind the mic. So on

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Speaker 3: a day like that, they throw the mic in front

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Speaker 3: of me after I've done the tire thing where once

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Speaker 3: again I'm not staying place. I am moving forward, and

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Speaker 3: I go, who, I'm pretty tired. What am I doing?

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Speaker 3: In one sentence, in three words, one contraction?

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Speaker 1: Yeah?

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Speaker 2: What are you? What are you asking?

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Speaker 3: I'm doing no harm, doing no I'm telling and I'm

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Speaker 3: making them wine.

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Speaker 2: And he's making them.

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Speaker 3: I haven't heard anyone by doing it.

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Speaker 1: I'm really tired.

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Speaker 3: I'm telling people how I feel, honestly, and you're there

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Speaker 3: busting it.

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Speaker 2: There and good m Yeah, and it's not doing any harm.

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Speaker 3: It's not.

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Speaker 1: Yeah, but what are we doing about like the the

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Speaker 1: like the how do we stop you from doing so

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Speaker 1: much harm as you're doing now.

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Speaker 2: To the movies that you kind the wall mean so trouble.

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Speaker 5: This is true, and I believe there was one set

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Speaker 5: of guests who actually tried to celebrate a new filmmaker

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Speaker 5: and to not come in and just talk about everything

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Speaker 5: from a million years ago and.

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Speaker 2: Oh this this old dead fuck was using a you know,

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Speaker 2: a Dutch angle and do you remember when this uh

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Speaker 2: dead motherfucker uh was doing all the cameras on uh.

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Speaker 4: This other dead bitch.

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Speaker 1: Yeah, Like and the streamers are all the dead bitches

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Speaker 1: are on the streamer and so they're coming and and nutting,

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Speaker 1: like you got you want to see all these dead bitches.

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Speaker 2: Criterion collection is working so hard for it's like living

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Speaker 2: the role and like, uh, you know space in the

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Speaker 2: seventies and all these here's the categories dead bitches, dead motherfuckers.

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Speaker 2: That's every collection. Yeah, just slap six or seven together.

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Speaker 3: No, you're right that the got my money our show.

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Speaker 3: Usually the narrative is like people who had massive success,

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Speaker 3: right their career built and it grew and then it

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Speaker 3: got to the place where they really proved themselves and

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Speaker 3: now we live, you know, in the wake of the

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Speaker 3: work they got to do once the industry backed the

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Speaker 3: fuck off and said, I guess you know what you're doing.

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Speaker 3: And I do think and I'm I wasn't sure we

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Speaker 3: were going to do this day because obviously there's so

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Speaker 3: much on the play. We need to talk more about

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Speaker 3: draft day.

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Speaker 2: I need to get back to the Adam.

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Speaker 3: McKay point I was winding out ten minutes ago. But

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Speaker 3: we I think we do need to take some responsibility here.

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Speaker 3: We probably the three of us yep, may be responsible

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Speaker 3: for putting a bullet in the head of the most

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Speaker 3: promising young director's career in Hollywood right now, because we

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Speaker 3: we were great in him on the scale of an

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Speaker 3: old master, someone who already knew the Dutch angles and

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Speaker 3: he was still developing the language. And we showed up

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Speaker 3: seven or eight years later.

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Speaker 4: Yeah, the body's still fresh.

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Speaker 3: And we just kind of made a.

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Speaker 1: Buffet and it's here's what's so crazy, so crazy, it's

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Speaker 1: a damn.

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Speaker 3: Girl, that's a sheet the body the.

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Speaker 1: Most promising young director.

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Speaker 3: You know what, we thought we were being nice and

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Speaker 3: kind and funny and cute and sweet. And it turns

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Speaker 3: out we were a couple of bo Burnhams and promising

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Speaker 3: young women and you can't trust anybody because we we best.

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Speaker 3: Big fact, there's a guy named Joe who just tried

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Speaker 3: to hit record, take after take, cut it together.

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Speaker 2: The montage wolf in cheap clothing. Right, this guy didn't

360
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Speaker 2: spent a bunch on his outfit. He must not be

361
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Speaker 2: a wolf. Wolves always got a lot of dose slinging

362
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Speaker 2: around there decked out, right.

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Speaker 3: You know how I always say you can spot a wolf,

364
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Speaker 3: look for the sheep.

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Speaker 1: You know, have you done McKay? Have you done a

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Speaker 1: McKay series yet? And so the studios are considering that,

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Speaker 1: aren't they. They're saying, Okay, McKay, not yet, Like it's coming.

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Speaker 1: We all know what's coming up. And so eventually, like

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Speaker 1: the studios are gonna make something that they bring in

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Speaker 1: mackay to do it. Okay, maybe it's like not gonna

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Speaker 1: like all movies are failing right now, no movie, so

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Speaker 1: like obviously this is probably gonna eat ship right now.

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Speaker 1: But eventually the you're gonna point all the blankies toward

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Speaker 1: it and it's gonna recoup. Yes, we'll all be dead,

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Speaker 1: but like it is gonna you.

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Speaker 2: Know, Criterion Channel. At that point, I'm a tail end

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00:19:52,000 --> 00:19:54,680
Speaker 2: of my career anyway, I'm gonna be another dead motherfucker.

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Speaker 1: And so it's only the only opportunities are available now

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Speaker 1: for the ones that are eventually and also anyone who's

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00:20:01,760 --> 00:20:04,600
Speaker 1: already been done by you, yes, is like that's it.

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Speaker 1: There's nothing more to be wrong out of them, like

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00:20:08,480 --> 00:20:10,359
Speaker 1: like they made all the money that they're going to

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Speaker 1: make get back again for.

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Speaker 3: But this is the point I feel bad anytime we

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Speaker 3: cover someone because I'm like, we basically just.

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Speaker 1: Fucking you just threw dirt on them.

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Speaker 3: Yeah, we sent the grim Reaper right to your door. Yes,

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Speaker 3: it's over. Narrative concluded.

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Speaker 1: The blankies picked them clean, is what happened. Yeah, it

390
00:20:27,680 --> 00:20:29,760
Speaker 1: is blankies. It's security blankies.

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Speaker 3: It is it is. It's a safe space.

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Speaker 1: And they're sucking on it. They're smelling it.

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00:20:34,000 --> 00:20:38,959
Speaker 3: Yeah, there's little peepe on it. Yeah, they're wiping off

394
00:20:39,000 --> 00:20:42,800
Speaker 3: spittle with it. Yeah yeah, Yeah it's tough.

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Speaker 1: It's dusty.

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Speaker 3: This is what I was going to say about McKay.

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Speaker 3: I love all his work, right, and anything that comes out.

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Speaker 1: Of sounds like an interesting k interesting series of podcasts.

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Speaker 1: He loves everything.

400
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Speaker 3: I love anything that comes out of it.

401
00:20:58,280 --> 00:21:00,720
Speaker 2: This is what they do. This good.

402
00:21:01,040 --> 00:21:03,760
Speaker 3: But if you ask me what's his most important worst

403
00:21:03,800 --> 00:21:04,920
Speaker 3: part was good?

404
00:21:05,320 --> 00:21:06,359
Speaker 2: No, this is the fucking show.

405
00:21:06,440 --> 00:21:08,720
Speaker 3: You know which part? I like? This are saying the

406
00:21:08,720 --> 00:21:12,040
Speaker 3: part that came after the part we just talked about.

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00:21:12,600 --> 00:21:15,719
Speaker 3: That's me doing impression on my It's true now it is.

408
00:21:16,400 --> 00:21:21,280
Speaker 2: It's actually the next part. Okay.

409
00:21:21,560 --> 00:21:23,040
Speaker 3: You know what I do sometimes if I really want

410
00:21:23,080 --> 00:21:24,840
Speaker 3: to flip people out, I'm like, jump in the head.

411
00:21:25,200 --> 00:21:26,720
Speaker 3: I know this isn't the next part, but I want

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Speaker 3: to talk about this, and then we'll go back to

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Speaker 3: the other part.

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Speaker 2: I well, I start skipping forward, yeah, because I think

415
00:21:34,200 --> 00:21:38,399
Speaker 2: you're giving me instructions. And then I'm like wait, like

416
00:21:38,960 --> 00:21:42,439
Speaker 2: now now I'm too far ahead.

417
00:21:42,520 --> 00:21:45,160
Speaker 3: And then I say, then I go down, let's slow down,

418
00:21:45,200 --> 00:21:49,280
Speaker 3: and you hit zero point five x and now the

419
00:21:49,320 --> 00:21:50,120
Speaker 3: podcast is.

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Speaker 1: What's a movie that you thought was the best, the

421
00:21:53,720 --> 00:21:54,800
Speaker 1: most important one.

422
00:21:54,800 --> 00:21:55,480
Speaker 3: Of all time?

423
00:21:55,760 --> 00:21:58,240
Speaker 1: That he did? You started to say.

424
00:21:58,680 --> 00:22:00,879
Speaker 3: What I'm saying, this is the raw twist of what

425
00:22:00,880 --> 00:22:01,640
Speaker 3: I've been saying.

426
00:22:01,440 --> 00:22:03,159
Speaker 2: Down because you've been building up to something.

427
00:22:03,200 --> 00:22:07,840
Speaker 3: You were talking about translucency right and needing to break

428
00:22:07,920 --> 00:22:09,760
Speaker 3: up in the black box of this industry. I think

429
00:22:09,760 --> 00:22:11,920
Speaker 3: his work is great, But I think the best thing

430
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Speaker 3: Adam McKay ever did wasn't a movie. Corn't to sketch.

431
00:22:16,640 --> 00:22:20,360
Speaker 3: It wasn't a think piece. Ain't no podcast. He produced

432
00:22:20,440 --> 00:22:25,040
Speaker 3: what it was seven years of constant interviews explaining why

433
00:22:25,080 --> 00:22:28,280
Speaker 3: Anchorman two wasn't happening because they hadn't come up with

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Speaker 3: the right deal package to reunite the cast.

435
00:22:31,080 --> 00:22:34,600
Speaker 1: That's a movie, It wasn't, you said it was yet? Okay,

436
00:22:34,680 --> 00:22:35,120
Speaker 1: that's right.

437
00:22:35,200 --> 00:22:36,639
Speaker 3: Okay, this is what I'm saying.

438
00:22:36,720 --> 00:22:39,440
Speaker 4: Seven years, Yes, he said.

439
00:22:39,840 --> 00:22:43,520
Speaker 3: Seven years podcast he produced? No, Okay, I mean in

440
00:22:43,560 --> 00:22:44,800
Speaker 3: a way, tell me what it was?

441
00:22:45,320 --> 00:22:46,160
Speaker 1: He said that it wasn't.

442
00:22:46,359 --> 00:22:49,800
Speaker 3: Tell me what it wasn't It wasn't anything but a

443
00:22:49,920 --> 00:22:52,879
Speaker 3: narrative we were observing, piecemeal constructed.

444
00:22:53,160 --> 00:22:54,040
Speaker 2: Was it a sketch though?

445
00:22:54,480 --> 00:22:55,920
Speaker 1: Was it not? It was not?

446
00:22:56,160 --> 00:22:59,679
Speaker 3: It was not. But it could become any of these things,

447
00:23:00,040 --> 00:23:01,920
Speaker 3: like it could be Serial season five?

448
00:23:02,080 --> 00:23:02,520
Speaker 1: Why?

449
00:23:02,880 --> 00:23:04,680
Speaker 3: Why?

450
00:23:04,760 --> 00:23:05,200
Speaker 1: Yes?

451
00:23:05,280 --> 00:23:09,520
Speaker 3: Because the great stories, right, the sort of core stories

452
00:23:09,880 --> 00:23:14,280
Speaker 3: are modern day mythology, like the Joker. They need to

453
00:23:14,320 --> 00:23:17,440
Speaker 3: be told over and over again in different mediums, through

454
00:23:17,480 --> 00:23:20,359
Speaker 3: different perspectives because they tell us things about ourselves. And

455
00:23:20,440 --> 00:23:23,600
Speaker 3: Adam McKay for seven years, would sit down with like

456
00:23:23,960 --> 00:23:28,760
Speaker 3: a Latino review, a you go a Dark Horizons, and

457
00:23:28,800 --> 00:23:30,560
Speaker 3: they'd just be like, what's the funny.

458
00:23:30,320 --> 00:23:32,280
Speaker 1: Those different things?

459
00:23:32,520 --> 00:23:32,760
Speaker 2: Yeah?

460
00:23:32,760 --> 00:23:34,040
Speaker 4: And people forget.

461
00:23:33,720 --> 00:23:36,960
Speaker 3: This right, this is like library content I'm trying to

462
00:23:37,000 --> 00:23:40,360
Speaker 3: direct people back to. And they'd be like Anchorman two,

463
00:23:40,520 --> 00:23:43,359
Speaker 3: that'd be fun any chance, And he'd be like, they're

464
00:23:43,480 --> 00:23:47,520
Speaker 3: asking me to explain back end, sweet nurse. He knew

465
00:23:47,560 --> 00:23:50,239
Speaker 3: that what that journalist was actually asking him was a

466
00:23:50,320 --> 00:23:53,440
Speaker 3: full breakdown package of packages for.

467
00:23:53,480 --> 00:23:54,560
Speaker 4: Starting think about it.

468
00:23:54,640 --> 00:23:57,639
Speaker 2: And I realized this guy's influenced me in more ways

469
00:23:57,640 --> 00:24:00,560
Speaker 2: than I thought. Because as I sit here talkalking about

470
00:24:00,600 --> 00:24:03,159
Speaker 2: and I hate to bring it up again, skipping the

471
00:24:03,680 --> 00:24:04,320
Speaker 2: es E.

472
00:24:04,680 --> 00:24:08,200
Speaker 3: Is what made me think of my attention, I wish

473
00:24:08,680 --> 00:24:11,080
Speaker 3: wish I hadn't known him back then. I wish i'd

474
00:24:11,080 --> 00:24:11,840
Speaker 3: been on the call.

475
00:24:11,960 --> 00:24:16,119
Speaker 2: That that what I'm really doing is I'm standing on

476
00:24:16,160 --> 00:24:20,000
Speaker 2: the shoulders the giants, you know, because McKay had already

477
00:24:20,160 --> 00:24:23,439
Speaker 2: talked a little bit about the contracts, the deals, the

478
00:24:23,480 --> 00:24:27,440
Speaker 2: complex structures that we all engage. People go, oh, show biz,

479
00:24:27,440 --> 00:24:31,239
Speaker 2: it's so fun, right, It's Oh, it's goofing around with

480
00:24:31,280 --> 00:24:32,480
Speaker 2: your friends and making them off.

481
00:24:32,640 --> 00:24:34,159
Speaker 4: That's some of it. That's some of it.

482
00:24:34,200 --> 00:24:35,080
Speaker 2: That's some of it.

483
00:24:35,200 --> 00:24:35,920
Speaker 3: That's some of it.

484
00:24:36,119 --> 00:24:40,159
Speaker 4: That part is fun, but it's also but there's also

485
00:24:41,119 --> 00:24:43,480
Speaker 4: deal points, deal points, right yeah.

486
00:24:43,520 --> 00:24:45,800
Speaker 3: And when those journalists are saying to him, I thought

487
00:24:45,840 --> 00:24:49,400
Speaker 3: Anchorman was funny, Any chance you'd do another one? He

488
00:24:49,480 --> 00:24:52,800
Speaker 3: could read through the question, which wasn't just I'd like

489
00:24:52,880 --> 00:24:53,560
Speaker 3: to laugh again.

490
00:24:53,640 --> 00:24:55,480
Speaker 2: They don't want it. They don't want to know if

491
00:24:55,480 --> 00:24:57,720
Speaker 2: you're doing another one, but they want to know if

492
00:24:57,760 --> 00:25:00,240
Speaker 2: you do another one. What's got a good hand it

493
00:25:00,280 --> 00:25:04,040
Speaker 2: out between some of these stars exactly studios as well.

494
00:25:03,880 --> 00:25:06,399
Speaker 3: Because we know what we know what Curls quote is.

495
00:25:06,400 --> 00:25:09,520
Speaker 3: Now he's third leading this. They're not going to pay

496
00:25:09,560 --> 00:25:11,919
Speaker 3: him leading man rate. He's got to do this for

497
00:25:12,000 --> 00:25:14,520
Speaker 3: love of the game. But the game has to pay

498
00:25:14,560 --> 00:25:16,320
Speaker 3: him back at some point. So is there going to

499
00:25:16,359 --> 00:25:16,919
Speaker 3: be a kicker?

500
00:25:17,520 --> 00:25:17,720
Speaker 1: Right?

501
00:25:18,119 --> 00:25:21,520
Speaker 2: Yeah, it is.

502
00:25:23,840 --> 00:25:28,879
Speaker 3: Kevin, But it's Kevin. I'm just tying the threads together.

503
00:25:29,280 --> 00:25:32,400
Speaker 2: But what what what they had to do And it's

504
00:25:32,440 --> 00:25:35,040
Speaker 2: a little like your draft day deal. They had to

505
00:25:35,080 --> 00:25:36,200
Speaker 2: do what I call the.

506
00:25:36,240 --> 00:25:38,800
Speaker 3: Mullet contract party up front.

507
00:25:39,240 --> 00:25:41,080
Speaker 2: It's a real short in the front. Ye.

508
00:25:41,359 --> 00:25:44,400
Speaker 1: Yeah, wait wait, you think that's the party? Yeah?

509
00:25:44,480 --> 00:25:47,200
Speaker 3: Because I think parties are short, the parties. I think

510
00:25:47,400 --> 00:25:49,280
Speaker 3: the parties has gotten really short.

511
00:25:49,440 --> 00:25:50,360
Speaker 2: I the only one.

512
00:25:50,520 --> 00:25:53,159
Speaker 3: Yeah. And I think a film set is like a party.

513
00:25:53,200 --> 00:25:56,760
Speaker 3: If you're there with fucking Kechner, Carrel and Feral, you

514
00:25:56,840 --> 00:25:59,439
Speaker 3: might as well grab some noise makers and little pointed

515
00:25:59,440 --> 00:26:03,159
Speaker 3: hats with very weak elastic strings, because that's that's a

516
00:26:03,160 --> 00:26:06,160
Speaker 3: party every day. And I don't know about you, guys,

517
00:26:06,280 --> 00:26:08,840
Speaker 3: I don't tend to get paid well for going to parties.

518
00:26:08,960 --> 00:26:12,920
Speaker 1: And business is long. I'm very long on business.

519
00:26:12,800 --> 00:26:15,840
Speaker 3: It's more forever.

520
00:26:17,440 --> 00:26:20,480
Speaker 1: I am invested very heavily in business.

521
00:26:21,000 --> 00:26:23,399
Speaker 2: And it's takes its future looking.

522
00:26:23,320 --> 00:26:24,880
Speaker 1: Very bright for my businesses.

523
00:26:26,119 --> 00:26:28,440
Speaker 3: People are talking more and more about business.

524
00:26:28,440 --> 00:26:31,760
Speaker 2: Business has started to be one of the most prominent

525
00:26:31,960 --> 00:26:38,560
Speaker 2: top stinks Heeps explore because for a while, financially right,

526
00:26:39,080 --> 00:26:42,520
Speaker 2: this is the thing. Business has had a massive influence

527
00:26:42,720 --> 00:26:52,800
Speaker 2: on the market. This is financially truthful. The social compact dictates, yes,

528
00:26:53,640 --> 00:26:57,359
Speaker 2: that when you engage in business, which can take a

529
00:26:57,400 --> 00:27:00,160
Speaker 2: long time, financially.

530
00:26:59,480 --> 00:27:01,840
Speaker 4: The market will see that return.

531
00:27:03,080 --> 00:27:05,760
Speaker 2: But you don't get to decide when, and you don't

532
00:27:05,800 --> 00:27:08,280
Speaker 2: get to decide how much they're aware.

533
00:27:08,480 --> 00:27:12,280
Speaker 3: No, there's so much money flowing through business at all times.

534
00:27:12,440 --> 00:27:16,399
Speaker 2: It's exploding, but it's also trickling.

535
00:27:16,600 --> 00:27:19,080
Speaker 3: It's like oil you don't know where to sort of

536
00:27:19,160 --> 00:27:24,840
Speaker 3: like fucking well not just and that's this is the thing.

537
00:27:25,000 --> 00:27:29,600
Speaker 3: It's like and olive oil its own business. Yes, olive

538
00:27:29,600 --> 00:27:30,480
Speaker 3: oil investors.

539
00:27:30,600 --> 00:27:33,800
Speaker 4: No, you can actually sell that. Yeah, didn't we have?

540
00:27:33,880 --> 00:27:34,960
Speaker 4: That's sold bad?

541
00:27:35,880 --> 00:27:36,479
Speaker 1: We did have.

542
00:27:36,600 --> 00:27:36,800
Speaker 4: Yeah.

543
00:27:37,200 --> 00:27:39,760
Speaker 3: I think Hailey Joel oz butit he's been selling.

544
00:27:40,119 --> 00:27:42,960
Speaker 2: He's yeah, he was like Haley Joel olive oil because

545
00:27:43,000 --> 00:27:45,520
Speaker 2: he has some sort of olive oil business. So it's

546
00:27:45,600 --> 00:27:51,160
Speaker 2: like and by the way, smart smart, smart.

547
00:27:50,880 --> 00:27:53,720
Speaker 1: Yeah, you think of him as show business now that

548
00:27:54,560 --> 00:27:57,080
Speaker 1: it used to be the side gig is now the main.

549
00:27:57,240 --> 00:28:00,399
Speaker 3: Now it's now it's your main and you and I

550
00:28:00,400 --> 00:28:00,720
Speaker 3: got to.

551
00:28:00,760 --> 00:28:02,240
Speaker 2: Keep coming up with new side hustles.

552
00:28:03,160 --> 00:28:06,080
Speaker 3: My main game, right and oh my career. By the way,

553
00:28:06,240 --> 00:28:11,040
Speaker 3: that's become my side piece, you know. Kevin O'Leary on

554
00:28:11,160 --> 00:28:16,480
Speaker 3: Shark Tank casually mentioned in an episode he's another Kevin Yeah,

555
00:28:16,760 --> 00:28:21,280
Speaker 3: okay say last mentioned in another episode, yes, recently that

556
00:28:21,440 --> 00:28:24,720
Speaker 3: he's been investing big time in olive oil that he

557
00:28:24,880 --> 00:28:27,919
Speaker 3: thinks olive is going to start appreciating like wine, and

558
00:28:27,960 --> 00:28:32,960
Speaker 3: he's gotten olive oil seller and he will someday become

559
00:28:33,080 --> 00:28:37,359
Speaker 3: the seller of his rare olive oils to the tune

560
00:28:37,359 --> 00:28:48,960
Speaker 3: of Tuna Fish the tone of ish.

561
00:28:50,200 --> 00:28:54,920
Speaker 1: Have you ever considered? I mean, like directors is like

562
00:28:55,000 --> 00:28:56,560
Speaker 1: the main thing right now?

563
00:28:56,760 --> 00:28:59,400
Speaker 3: It's all director storytellers. I mean, I think a first

564
00:28:59,440 --> 00:29:00,000
Speaker 3: and foremost.

565
00:29:00,040 --> 00:29:02,760
Speaker 1: But yeah, sure that's the show that like you you

566
00:29:02,840 --> 00:29:05,800
Speaker 1: think it's storytellers. You actually think that because they like

567
00:29:05,920 --> 00:29:08,920
Speaker 1: everyone else thinks it's all directors that you've been doing.

568
00:29:09,760 --> 00:29:11,840
Speaker 1: You think it. You think that's what you're doing.

569
00:29:13,160 --> 00:29:14,880
Speaker 3: I mean, I I listen to the show.

570
00:29:14,880 --> 00:29:15,840
Speaker 2: You don't say that.

571
00:29:16,600 --> 00:29:20,560
Speaker 3: No, it's subtextual. I do feel like, you know, what,

572
00:29:20,840 --> 00:29:25,480
Speaker 3: are filmmakers? But are modern day cavemen telling stories by

573
00:29:25,560 --> 00:29:26,000
Speaker 3: the fire?

574
00:29:26,480 --> 00:29:27,280
Speaker 1: You know? Okay?

575
00:29:27,360 --> 00:29:30,760
Speaker 3: And I'm like, I feel like and this isn't Hey, Reddit,

576
00:29:30,880 --> 00:29:33,600
Speaker 3: don't fucking post this. This isn't a spoiler. But I'm

577
00:29:33,640 --> 00:29:34,080
Speaker 3: saying I.

578
00:29:34,240 --> 00:29:36,760
Speaker 2: Could modern day cavemen are not telling.

579
00:29:36,480 --> 00:29:37,400
Speaker 1: Stories by the fire.

580
00:29:37,440 --> 00:29:39,160
Speaker 3: This is what I'm saying. I'm at the.

581
00:29:39,080 --> 00:29:42,680
Speaker 2: Airport trying to save on car insurance. I mean, they're

582
00:29:43,840 --> 00:29:48,920
Speaker 2: modern day caveman now ancient cavement, I.

583
00:29:48,840 --> 00:29:51,640
Speaker 1: Mean modern day came in. They see fire and it

584
00:29:51,680 --> 00:29:53,400
Speaker 1: actually makes them freak out.

585
00:29:53,480 --> 00:29:55,320
Speaker 2: They are concerned.

586
00:29:55,520 --> 00:29:59,240
Speaker 1: They're otherwise like quite normal, and then they see fire

587
00:29:59,320 --> 00:30:01,800
Speaker 1: when they start conversational.

588
00:30:02,000 --> 00:30:04,920
Speaker 3: Yeah, they wear common day clothes. Yes, I feel like

589
00:30:05,000 --> 00:30:08,520
Speaker 3: tomorrow I could announce oh, our next mini series is

590
00:30:08,560 --> 00:30:10,160
Speaker 3: on a cave man.

591
00:30:11,520 --> 00:30:11,680
Speaker 1: Yo.

592
00:30:12,520 --> 00:30:14,360
Speaker 2: Yo, this is making me think.

593
00:30:14,240 --> 00:30:16,760
Speaker 3: Right, and and if people said that's not your show,

594
00:30:16,800 --> 00:30:19,040
Speaker 3: I'd be like, isn't on my show? Is that not

595
00:30:19,080 --> 00:30:20,000
Speaker 3: what it's been the whole time?

596
00:30:20,080 --> 00:30:24,080
Speaker 2: Let me finish, please make me think y'all should do

597
00:30:24,160 --> 00:30:25,120
Speaker 2: me on that show?

598
00:30:28,600 --> 00:30:31,200
Speaker 4: Yo, that's actually kind of fucking sick.

599
00:30:31,280 --> 00:30:34,360
Speaker 3: Well wait a second, y'all should do me on that

600
00:30:34,400 --> 00:30:35,640
Speaker 3: Wait a second.

601
00:30:36,240 --> 00:30:39,080
Speaker 4: That's kind of fucking sick, dude.

602
00:30:40,520 --> 00:30:43,440
Speaker 1: People would be like, what's up? What the fuck? Like

603
00:30:43,960 --> 00:30:47,640
Speaker 1: like they'd be like are you are you like fucking

604
00:30:47,640 --> 00:30:50,440
Speaker 1: with us? But I think that actually people would fuck

605
00:30:50,520 --> 00:30:53,240
Speaker 1: with it, like like pretty fair once they actually heard

606
00:30:53,280 --> 00:30:56,280
Speaker 1: like some of the ship that like you could actually

607
00:30:57,120 --> 00:30:57,720
Speaker 1: yea yeah.

608
00:30:57,760 --> 00:30:59,800
Speaker 3: Yeah, we'd make the announcement and they go, what is

609
00:30:59,840 --> 00:31:04,280
Speaker 3: this April's third biggest holiday draft A four twenty April

610
00:31:04,280 --> 00:31:07,120
Speaker 3: four four, And then we'd be like dead serious, step

611
00:31:07,200 --> 00:31:12,560
Speaker 3: back and like, yeah, pass over. I'd say clock the

612
00:31:12,640 --> 00:31:16,080
Speaker 3: cannon right, step back and maybe Adam McKay style till

613
00:31:16,160 --> 00:31:19,360
Speaker 3: your head, yeah, squint a little and go wait a second,

614
00:31:19,560 --> 00:31:23,160
Speaker 3: what is this is a filmmaker?

615
00:31:24,160 --> 00:31:27,960
Speaker 2: Oh God, get into my stuff.

616
00:31:27,600 --> 00:31:29,080
Speaker 3: On there a big thing.

617
00:31:29,200 --> 00:31:30,120
Speaker 4: That's cool.

618
00:31:30,480 --> 00:31:34,240
Speaker 3: When Sims and I crackled right our spreadsheet and go

619
00:31:34,320 --> 00:31:36,760
Speaker 3: like time to schedule some new episodes, time to pick

620
00:31:36,880 --> 00:31:40,080
Speaker 3: some new miniseries. We're looking at the list of the

621
00:31:40,120 --> 00:31:43,160
Speaker 3: movies they made, but we're also looking at the narrative.

622
00:31:43,600 --> 00:31:46,560
Speaker 3: We're like, what's the story behind the story between the movies,

623
00:31:46,760 --> 00:31:49,840
Speaker 3: how'd they come about? How they respond to success or failure?

624
00:31:50,160 --> 00:31:55,560
Speaker 3: And shit like you fucking leapfrogging. Yes see, that's like.

625
00:31:55,640 --> 00:31:59,360
Speaker 2: That's a couple episodes, you know. And that's like and

626
00:31:59,440 --> 00:32:01,920
Speaker 2: there's some Treon exclusive content as well.

627
00:32:01,960 --> 00:32:05,720
Speaker 3: Because people watch the work all the time, right, they

628
00:32:05,800 --> 00:32:08,440
Speaker 3: see the work, they see the work, but they're not

629
00:32:08,720 --> 00:32:11,640
Speaker 3: like seeing the story behind the story.

630
00:32:11,840 --> 00:32:13,320
Speaker 1: And I noticed like a lot of the time you

631
00:32:13,320 --> 00:32:16,560
Speaker 1: don't have the guys there like the entire time.

632
00:32:16,720 --> 00:32:21,560
Speaker 3: Yeah, you're gonna need me, They're gonna need you.

633
00:32:21,560 --> 00:32:25,360
Speaker 2: You're gonna want to have my perspective, he's gonna time.

634
00:32:25,680 --> 00:32:27,720
Speaker 3: Yeah, a few others could tell it.

635
00:32:28,400 --> 00:32:30,800
Speaker 1: No, and he's forgotten a lot of stuff, but.

636
00:32:30,760 --> 00:32:33,840
Speaker 2: I would be interested to hear it as well. Yeah, yes,

637
00:32:34,880 --> 00:32:37,560
Speaker 2: not much of it that I'm familiar with at present.

638
00:32:37,840 --> 00:32:40,040
Speaker 3: You'll do some teaching of us, to do some teaching

639
00:32:40,080 --> 00:32:40,240
Speaker 3: of you.

640
00:32:40,520 --> 00:32:42,520
Speaker 1: Yes, for him to hear about some of the stuff

641
00:32:42,520 --> 00:32:44,080
Speaker 1: and be like, oh.

642
00:32:44,000 --> 00:32:53,240
Speaker 2: Damn, yeah yeah, fuck, oh sick. Yeah that was a

643
00:32:55,000 --> 00:32:57,280
Speaker 2: damn man, my damn happy meal.

644
00:32:57,320 --> 00:33:04,800
Speaker 3: Elas getting it again. Just a kid from town, look

645
00:33:04,800 --> 00:33:06,400
Speaker 3: at me, just a guy from a place.

646
00:33:07,120 --> 00:33:08,760
Speaker 2: It's a regular hit record.

647
00:33:08,840 --> 00:33:12,240
Speaker 1: Joe, Man, I can't believe I used to be in school.

648
00:33:14,680 --> 00:33:17,000
Speaker 3: One day. I was a baby. Now I'm here.

649
00:33:17,800 --> 00:33:18,880
Speaker 2: I was at the store.

650
00:33:22,280 --> 00:33:26,880
Speaker 3: Oh no, you know what's wold to think about? Like, please,

651
00:33:27,160 --> 00:33:29,280
Speaker 3: you used to go to the store and buy stuff,

652
00:33:30,040 --> 00:33:30,440
Speaker 3: which you.

653
00:33:30,440 --> 00:33:31,920
Speaker 2: Still do today.

654
00:33:32,120 --> 00:33:34,640
Speaker 3: But back then when you did it, you didn't have

655
00:33:34,720 --> 00:33:38,880
Speaker 3: the money you have now. You were spending.

656
00:33:39,360 --> 00:33:42,560
Speaker 2: He's spitting right now, let him cook.

657
00:33:42,960 --> 00:33:46,640
Speaker 3: But your favorite you're twenty two. You're some guy from.

658
00:33:46,400 --> 00:33:50,400
Speaker 2: I lent to the store. You my wallet?

659
00:33:50,480 --> 00:33:50,680
Speaker 3: Yeah?

660
00:33:50,680 --> 00:33:51,680
Speaker 2: What flies out?

661
00:33:51,880 --> 00:33:54,240
Speaker 4: Flies fucking yes before.

662
00:33:54,000 --> 00:33:57,400
Speaker 1: Big monarch butterfly beautiful.

663
00:33:57,040 --> 00:33:59,600
Speaker 2: Yes, it flies directly into my mouth.

664
00:34:00,080 --> 00:34:03,760
Speaker 3: Should those lot of pillars warm in your bifold coffee

665
00:34:03,840 --> 00:34:07,560
Speaker 3: out butterfly dust? And then they're going back into the wallet.

666
00:34:08,040 --> 00:34:11,719
Speaker 1: And you're scared because their color pattern like it is

667
00:34:11,800 --> 00:34:14,880
Speaker 1: meant to make you think that it's really poisonous, going

668
00:34:14,960 --> 00:34:15,680
Speaker 1: to make you sick.

669
00:34:15,840 --> 00:34:19,279
Speaker 2: Yeah, so you're they are knocking out for you.

670
00:34:19,400 --> 00:34:20,640
Speaker 1: And it looks like eyes.

671
00:34:21,280 --> 00:34:26,840
Speaker 3: It looks like guys. Their back is a face toward me.

672
00:34:26,880 --> 00:34:30,600
Speaker 1: I'm like, that's eyes. I gotta get out of it.

673
00:34:30,719 --> 00:34:35,439
Speaker 2: Oh great, the entire face is big. Yeah, and yeah,

674
00:34:35,520 --> 00:34:40,080
Speaker 2: it's definitely eyes. And I'm also going, is that a

675
00:34:40,200 --> 00:34:43,560
Speaker 2: viceroy or an authentic monarch? Hello?

676
00:34:43,840 --> 00:34:44,280
Speaker 1: Hello?

677
00:34:46,040 --> 00:34:48,080
Speaker 3: The point is cut to a couple of years later

678
00:34:49,920 --> 00:34:52,120
Speaker 3: and they go, that will be this amount of money

679
00:34:52,160 --> 00:34:54,400
Speaker 3: please for the things you want to buy. And you

680
00:34:54,600 --> 00:34:57,560
Speaker 3: open up wallet flies out what flies out as a

681
00:34:57,600 --> 00:35:01,160
Speaker 3: residual check from Alan Gregory and he slapped straight down

682
00:35:01,440 --> 00:35:03,279
Speaker 3: on the big fire and.

683
00:35:03,239 --> 00:35:05,239
Speaker 1: They have to accept it at the store. That is

684
00:35:05,320 --> 00:35:08,360
Speaker 1: legal tender. They do have to that. They have to

685
00:35:08,440 --> 00:35:08,800
Speaker 1: accept it.

686
00:35:08,880 --> 00:35:10,160
Speaker 4: You'll be there for a little while.

687
00:35:10,160 --> 00:35:12,239
Speaker 2: They'll have to make a couple of phone calls. You know,

688
00:35:12,320 --> 00:35:15,040
Speaker 2: it won't be the fastest transaction you've ever had. But

689
00:35:15,160 --> 00:35:18,600
Speaker 2: ultimately you are going to be allowed to leave.

690
00:35:18,800 --> 00:35:21,000
Speaker 1: They will to get it the way first, the little

691
00:35:21,000 --> 00:35:25,120
Speaker 1: bungeee out and close off that that aisle and turn

692
00:35:25,239 --> 00:35:27,840
Speaker 1: off the little light that has the aisle number on it.

693
00:35:27,960 --> 00:35:31,200
Speaker 3: Jonah's got to validate. You can't take like your classic

694
00:35:31,320 --> 00:35:33,759
Speaker 3: marker to that check. You can't run it like one

695
00:35:33,800 --> 00:35:36,680
Speaker 3: hundred dollars, Bill hould it up to the light. You

696
00:35:36,760 --> 00:35:39,160
Speaker 3: gotta get a hill on the on the horn. No.

697
00:35:39,320 --> 00:35:42,719
Speaker 2: They yeah, they called Jonah, you know, and that's like

698
00:35:43,600 --> 00:35:46,840
Speaker 2: always a little bit of a negotiation with him. Is

699
00:35:46,840 --> 00:35:50,080
Speaker 2: he available? He doesn't, you know, he's not thrilled necessarily

700
00:35:50,200 --> 00:35:53,200
Speaker 2: to like discuss the validity.

701
00:35:52,680 --> 00:35:54,200
Speaker 1: Of the Alan Gregory residual.

702
00:35:54,440 --> 00:35:56,120
Speaker 3: He thought he was making art. He didn't think he

703
00:35:56,200 --> 00:36:02,080
Speaker 3: was creating a currency. Mm hmm, No, oh he didn't.

704
00:36:02,760 --> 00:36:04,000
Speaker 2: What did he think he was doing?

705
00:36:04,160 --> 00:36:08,080
Speaker 3: This is a really really good question because both of

706
00:36:08,080 --> 00:36:08,720
Speaker 3: you were there.

707
00:36:09,920 --> 00:36:12,799
Speaker 2: Yeah, damn, this could be the haze Man too.

708
00:36:13,400 --> 00:36:15,759
Speaker 1: This could be a big part. This could this could

709
00:36:15,760 --> 00:36:16,640
Speaker 1: be one of the parts.

710
00:36:16,680 --> 00:36:17,640
Speaker 3: This could be huge.

711
00:36:18,560 --> 00:36:21,000
Speaker 2: Yo, we should get Haze on one of the episodes.

712
00:36:21,880 --> 00:36:26,240
Speaker 1: Wait a second, because you don't normally have like six

713
00:36:26,880 --> 00:36:29,680
Speaker 1: you don't normally have the guy on every episode, but

714
00:36:29,719 --> 00:36:33,560
Speaker 1: then and then have the other guy on one episode,

715
00:36:33,719 --> 00:36:34,800
Speaker 1: like you never.

716
00:36:34,760 --> 00:36:38,399
Speaker 3: Do have a saying because you're saying have the other

717
00:36:38,400 --> 00:36:40,879
Speaker 3: guy in one episode, I'm thinking, like, have the other

718
00:36:40,920 --> 00:36:42,960
Speaker 3: guy on two three? Maximum?

719
00:36:43,320 --> 00:36:46,799
Speaker 2: Yeah, I like hard capping it.

720
00:36:47,040 --> 00:36:50,320
Speaker 1: I like the heart I could be I could I

721
00:36:51,160 --> 00:36:54,960
Speaker 1: could absolutely fuck up three episodes that app and not

722
00:36:55,440 --> 00:36:57,840
Speaker 1: a single episode more right.

723
00:36:57,719 --> 00:37:00,959
Speaker 3: And then the red it's like, hey, anyone else kind

724
00:37:00,960 --> 00:37:06,000
Speaker 3: of happy, We're through the episodes. Get what they were

725
00:37:06,160 --> 00:37:06,520
Speaker 3: trying to.

726
00:37:06,640 --> 00:37:09,480
Speaker 1: Get exactly how long this is gonna go. So people

727
00:37:09,520 --> 00:37:13,319
Speaker 1: can see the other side from from the from the start.

728
00:37:13,239 --> 00:37:15,759
Speaker 3: Right like when we announce we're doing barber straising and

729
00:37:15,840 --> 00:37:17,680
Speaker 3: a bunch of guys go like, well, see you in

730
00:37:17,760 --> 00:37:23,320
Speaker 3: a month, and what could be actually.

731
00:37:23,160 --> 00:37:28,600
Speaker 1: Like fucking like and that this is coming up, This

732
00:37:28,640 --> 00:37:32,400
Speaker 1: could be so fucking crazy to do. He is still

733
00:37:32,440 --> 00:37:36,839
Speaker 1: there even after all the stuff is over.

734
00:37:37,080 --> 00:37:39,360
Speaker 4: That's actually now.

735
00:37:41,320 --> 00:37:44,080
Speaker 2: Whoa we are onto something huge?

736
00:37:44,160 --> 00:37:46,319
Speaker 1: Yeah, and it's like now it's other stuff, but.

737
00:37:46,440 --> 00:37:49,160
Speaker 3: He is he is still there, still the guy.

738
00:37:49,440 --> 00:37:52,280
Speaker 2: Yeah, I'm still there and you're still getting paid.

739
00:37:52,480 --> 00:37:55,480
Speaker 3: Let me just let me just throw this out Yeah,

740
00:37:55,600 --> 00:38:00,920
Speaker 3: that's happening more and more maybe simultaneously. MS and I

741
00:38:01,000 --> 00:38:01,919
Speaker 3: are less there.

742
00:38:02,640 --> 00:38:05,799
Speaker 1: Wow, So that could be great because you guys like

743
00:38:06,239 --> 00:38:09,359
Speaker 1: it's with the directors and like storytellers, like you guys

744
00:38:09,360 --> 00:38:12,759
Speaker 1: are really smart about that stuff. What he can talk

745
00:38:12,840 --> 00:38:14,920
Speaker 1: about is like he can go through like a bunch

746
00:38:14,960 --> 00:38:21,000
Speaker 1: of really famous animals that could communicate with humans or

747
00:38:21,080 --> 00:38:24,520
Speaker 1: not like like all the necessarily, but like Coco the Gorilla,

748
00:38:24,520 --> 00:38:26,200
Speaker 1: for sure he could do like I.

749
00:38:26,160 --> 00:38:29,239
Speaker 2: Can talk about that. Yeah, I can do I can

750
00:38:29,280 --> 00:38:37,439
Speaker 2: do the whole opening of the Alex Edelman Uh one

751
00:38:37,480 --> 00:38:40,720
Speaker 2: man show that that is about Coco the Gorilla.

752
00:38:40,840 --> 00:38:43,560
Speaker 1: Oh it is, but I'm doing so that one is

753
00:38:43,600 --> 00:38:48,080
Speaker 1: not moan what happens when a long long gets got

754
00:38:48,080 --> 00:38:48,920
Speaker 1: to mowed again?

755
00:38:50,040 --> 00:38:56,320
Speaker 2: It's well, he's doing he did it one not everyone

756
00:38:56,440 --> 00:38:58,719
Speaker 2: saw it does about him?

757
00:38:58,920 --> 00:39:01,239
Speaker 4: Saw it? Did see me do it?

758
00:39:01,280 --> 00:39:04,600
Speaker 6: Just do it and I'll do it again on the

759
00:39:04,680 --> 00:39:08,799
Speaker 6: thing and I'll do it again. After that, he basically

760
00:39:08,920 --> 00:39:14,360
Speaker 6: goes in and like he's like, I can't really capture

761
00:39:14,400 --> 00:39:16,799
Speaker 6: his physicality, but just trust me when I say he's

762
00:39:16,840 --> 00:39:17,480
Speaker 6: moving a lot.

763
00:39:17,920 --> 00:39:20,279
Speaker 1: Does he I don't want to like the boiler or

764
00:39:20,520 --> 00:39:22,839
Speaker 1: does he talk about when Robin Williams died and.

765
00:39:22,960 --> 00:39:27,200
Speaker 4: That is what he talks about God. So this guy's

766
00:39:27,800 --> 00:39:32,239
Speaker 4: all over this, so he's exactly have you seen it?

767
00:39:33,200 --> 00:39:37,200
Speaker 2: So he comes down and he's talking about Rob Williams

768
00:39:37,280 --> 00:39:40,200
Speaker 2: like that that Coco.

769
00:39:39,920 --> 00:39:42,239
Speaker 4: The Gorilla was sad.

770
00:39:42,000 --> 00:39:45,160
Speaker 2: When Williams died his friend at one point they had

771
00:39:45,160 --> 00:39:47,120
Speaker 2: spent time together, and then in two thousand and one

772
00:39:47,200 --> 00:39:54,239
Speaker 2: form than his friend had died. He was sad. It

773
00:39:54,320 --> 00:39:58,040
Speaker 2: was very somber, and so he had, you know, two

774
00:39:58,080 --> 00:40:03,880
Speaker 2: observations immediately, although I actually think he probably spent some

775
00:40:03,960 --> 00:40:08,760
Speaker 2: time crafting these observations and he cops to as much later.

776
00:40:11,040 --> 00:40:16,000
Speaker 2: But for the purposes of my retelling, there's two primary observations.

777
00:40:16,239 --> 00:40:21,680
Speaker 2: One is, that's how fucking genius Robin Williams is that

778
00:40:21,880 --> 00:40:28,120
Speaker 2: his talent transcends humanity and he actually has made an

779
00:40:28,120 --> 00:40:31,680
Speaker 2: impression on the animal kingdom. That's a level of talent

780
00:40:31,760 --> 00:40:35,080
Speaker 2: you don't see every day. Like, that's how powerful.

781
00:40:35,040 --> 00:40:36,440
Speaker 1: His energy was.

782
00:40:37,400 --> 00:40:39,080
Speaker 4: He had gorilla fans.

783
00:40:39,280 --> 00:40:39,760
Speaker 3: Gorillas.

784
00:40:39,920 --> 00:40:41,320
Speaker 4: That's a big stand up comedian.

785
00:40:41,600 --> 00:40:44,759
Speaker 3: Everyone, Yeah, to lodge in the old gorilla brain.

786
00:40:45,480 --> 00:40:48,120
Speaker 1: That's it's not like elephants the opposite.

787
00:40:48,400 --> 00:40:52,480
Speaker 2: You could show no gorilla fans always forget. Yes, something

788
00:40:52,520 --> 00:40:54,040
Speaker 2: you'll hear them say around the zoo.

789
00:40:54,160 --> 00:40:58,600
Speaker 3: You could show a gorilla, a Sebastian gorilla. What you

790
00:40:58,600 --> 00:41:02,279
Speaker 3: could show a gorilla Sebastian Ascalco special and they'd be

791
00:41:02,360 --> 00:41:03,120
Speaker 3: busting up.

792
00:41:03,760 --> 00:41:07,759
Speaker 2: Right in the moment, Yes, But thirteen years later if

793
00:41:07,800 --> 00:41:10,759
Speaker 2: you showed them a picture of Sebastus.

794
00:41:09,960 --> 00:41:14,719
Speaker 4: Galago, yeah, after his death not feeling much.

795
00:41:15,160 --> 00:41:18,600
Speaker 1: Yeah, yeah, and this is part of it as well.

796
00:41:18,680 --> 00:41:22,440
Speaker 2: Well, no, that's not that's but that's important. And I

797
00:41:22,480 --> 00:41:27,680
Speaker 2: think that this is maybe exposing his special a little bit,

798
00:41:27,680 --> 00:41:30,120
Speaker 2: which this wasn't the main idea of the special. It's

799
00:41:30,120 --> 00:41:35,279
Speaker 2: actually just a bit of an amuse bouoche Okay. But

800
00:41:35,320 --> 00:41:37,080
Speaker 2: what he goes on to say is.

801
00:41:40,000 --> 00:41:43,200
Speaker 4: Did they have to tell him? Did they have to

802
00:41:43,280 --> 00:41:45,880
Speaker 4: tell Coco? And then.

803
00:41:47,719 --> 00:41:54,239
Speaker 2: Character work, he embodies the gorilla caretaker who says no,

804
00:41:54,440 --> 00:41:58,880
Speaker 2: I'll do it, and then goes in and starts performing

805
00:41:58,960 --> 00:42:01,280
Speaker 2: sign language. I won't do that part, although I'll probably

806
00:42:01,280 --> 00:42:03,480
Speaker 2: have to do what he did, which is he tells

807
00:42:03,560 --> 00:42:10,440
Speaker 2: us later that he spent money to learn sign language.

808
00:42:10,400 --> 00:42:14,040
Speaker 3: The purpose for this joke, but that's business. Seemed to

809
00:42:14,040 --> 00:42:16,080
Speaker 3: spend money to make money. Goes back to business.

810
00:42:16,640 --> 00:42:17,239
Speaker 2: Well, and you.

811
00:42:17,239 --> 00:42:19,040
Speaker 4: Talk about that all the time on the show.

812
00:42:19,120 --> 00:42:19,279
Speaker 3: We do.

813
00:42:20,160 --> 00:42:24,120
Speaker 2: So he basically says, you know, like I'm going to

814
00:42:24,160 --> 00:42:27,440
Speaker 2: become the caretaker. Now go in and tell the gorilla.

815
00:42:28,200 --> 00:42:30,640
Speaker 2: And he's doing it. And the first thing he does,

816
00:42:30,760 --> 00:42:33,279
Speaker 2: and now I don't know if they did this or not,

817
00:42:34,960 --> 00:42:35,640
Speaker 2: but it's.

818
00:42:35,440 --> 00:42:38,080
Speaker 4: Pretty funny to think about that.

819
00:42:38,120 --> 00:42:42,720
Speaker 2: They go, no, I'll tell him, and that it's you know, Coco,

820
00:42:42,880 --> 00:42:51,200
Speaker 2: and he's doing something. Coco put down the banana.

821
00:42:51,239 --> 00:42:56,880
Speaker 3: Like it were well the implication, well, it's like Coco's

822
00:42:56,960 --> 00:42:59,000
Speaker 3: engaged in the middle of where it's like, no, you

823
00:42:59,080 --> 00:43:00,479
Speaker 3: can't do that, like.

824
00:43:00,400 --> 00:43:02,040
Speaker 2: We have to have a serious talk.

825
00:43:02,360 --> 00:43:05,080
Speaker 1: Wait what do you wait? What do you think The

826
00:43:05,120 --> 00:43:06,080
Speaker 1: implication is.

827
00:43:06,280 --> 00:43:11,000
Speaker 3: That it's like, is a banana like gorilla alcohol? Is

828
00:43:11,000 --> 00:43:15,920
Speaker 3: it like self medication? Like a weapon? Is it self harm?

829
00:43:16,160 --> 00:43:18,040
Speaker 1: Okay? I thought he was just saying.

830
00:43:20,480 --> 00:43:24,279
Speaker 2: Yeah, no, he's we're wondering if it's self more wondering

831
00:43:24,760 --> 00:43:27,320
Speaker 2: because he's about to get the news.

832
00:43:27,880 --> 00:43:30,400
Speaker 4: But but I guess.

833
00:43:31,800 --> 00:43:37,120
Speaker 3: Cocos picked up on the tone your out there like

834
00:43:37,280 --> 00:43:41,680
Speaker 3: these of Robin's entergy. Am I about to hear something

835
00:43:42,000 --> 00:43:43,000
Speaker 3: I ain't gonna like that.

836
00:43:43,160 --> 00:43:44,560
Speaker 2: Coco has become.

837
00:43:46,120 --> 00:43:48,560
Speaker 4: A self harming addict of some kind.

838
00:43:49,480 --> 00:43:52,600
Speaker 1: And that the concern is that in hearing this news

839
00:43:52,600 --> 00:43:55,840
Speaker 1: about Robin Williams that cocoa will eat a banana.

840
00:43:56,920 --> 00:44:00,759
Speaker 4: Well so, but what I'm not how I thought That's

841
00:44:00,760 --> 00:44:02,279
Speaker 4: what I took it. But I love that.

842
00:44:03,719 --> 00:44:06,480
Speaker 2: This is something I always say in improv I like

843
00:44:06,600 --> 00:44:10,239
Speaker 2: my idea, but I love your ideayah.

844
00:44:09,719 --> 00:44:12,279
Speaker 3: Well, and this is what I'm trying to fucking receive

845
00:44:12,400 --> 00:44:13,760
Speaker 3: information McKay style.

846
00:44:13,800 --> 00:44:15,520
Speaker 2: I'm trying to go like this he's looking at a

847
00:44:15,520 --> 00:44:17,360
Speaker 2: little different because what I thought was it was just

848
00:44:17,440 --> 00:44:19,520
Speaker 2: like a little color for the top of the conversation

849
00:44:19,640 --> 00:44:21,960
Speaker 2: with the gorilla, of like painting the picture of what

850
00:44:22,040 --> 00:44:23,600
Speaker 2: the gorilla is doing. Is kind of going we have

851
00:44:23,640 --> 00:44:26,480
Speaker 2: to have a serious talk, and also reminding us just.

852
00:44:26,480 --> 00:44:29,200
Speaker 4: Let the gorilla be a gorilla and the banana. They

853
00:44:29,200 --> 00:44:31,280
Speaker 4: don't have to have this talk right now.

854
00:44:31,760 --> 00:44:35,879
Speaker 2: You know, couple's not reading any newspapers, as Alex points out,

855
00:44:36,640 --> 00:44:40,240
Speaker 2: But I'm questioning, like, as a student of story, first

856
00:44:40,239 --> 00:44:44,360
Speaker 2: and foremost right, is a banana just a banana?

857
00:44:44,440 --> 00:44:47,480
Speaker 3: Like this is a Chekhov's banana. You don't introduce it

858
00:44:47,880 --> 00:44:50,160
Speaker 3: into the narrative unless it's going to pay off later.

859
00:44:50,400 --> 00:44:54,040
Speaker 3: So is it drinks or is it done? And it

860
00:44:54,080 --> 00:44:56,800
Speaker 3: doesn't got to be literal. You can traffic in metaphor.

861
00:44:57,360 --> 00:44:59,960
Speaker 1: And does it come back later or does he just

862
00:45:00,040 --> 00:45:01,480
Speaker 1: they put that out of the banana?

863
00:45:01,640 --> 00:45:03,959
Speaker 2: So I haven't watched the whole thing.

864
00:45:04,680 --> 00:45:07,040
Speaker 1: You didn't even watch the end of this part.

865
00:45:07,719 --> 00:45:10,280
Speaker 3: I don't know. Is it kind of like he starts

866
00:45:10,719 --> 00:45:14,880
Speaker 3: with the cocoa and it's like, oh, weird, what a

867
00:45:14,960 --> 00:45:16,640
Speaker 3: non sequitury. This has nothing to do with the rest

868
00:45:16,680 --> 00:45:20,080
Speaker 3: of the showing at the end.

869
00:45:20,120 --> 00:45:25,880
Speaker 7: That would be interesting, so we'll see it interesting to

870
00:45:26,200 --> 00:45:29,279
Speaker 7: just keep talking about that and not do it. Never

871
00:45:29,320 --> 00:45:33,239
Speaker 7: get on the banana could be cool, yea to do

872
00:45:33,440 --> 00:45:36,080
Speaker 7: to loop it is cool, or even to make it

873
00:45:36,120 --> 00:45:37,120
Speaker 7: a banana shape.

874
00:45:37,400 --> 00:45:41,400
Speaker 2: Well and uh two bananas.

875
00:45:42,080 --> 00:45:43,840
Speaker 3: But does come back to the same point. You just

876
00:45:43,840 --> 00:45:45,600
Speaker 3: got to go from under the top right he goes,

877
00:45:46,239 --> 00:45:48,640
Speaker 3: But then you could turn the corner and go do.

878
00:45:48,640 --> 00:45:52,120
Speaker 2: You know we open them upside down? So the special

879
00:45:52,160 --> 00:45:52,840
Speaker 2: has not been.

880
00:45:52,760 --> 00:45:56,160
Speaker 3: Completed by me, but it will.

881
00:45:56,320 --> 00:46:00,279
Speaker 2: And Griffin, if you're gonna come back, yeah, actually, which

882
00:46:00,280 --> 00:46:02,799
Speaker 2: you sort of promised you would maybe when I'm on

883
00:46:03,080 --> 00:46:03,720
Speaker 2: your show.

884
00:46:03,880 --> 00:46:05,759
Speaker 3: Yeah, and maybe one of the.

885
00:46:05,760 --> 00:46:08,799
Speaker 1: Ones ones, Yeah, I'm hearing this.

886
00:46:09,000 --> 00:46:12,560
Speaker 2: We can find out if it returns, because it really

887
00:46:12,640 --> 00:46:17,640
Speaker 2: is introduced I think what it's introduced as primarily in

888
00:46:17,680 --> 00:46:22,920
Speaker 2: my recollection right now. Yes, that he goes, He's basically like, ah,

889
00:46:22,960 --> 00:46:25,400
Speaker 2: and we should do this on our show. He's like, uh,

890
00:46:26,000 --> 00:46:27,960
Speaker 2: I'm about to lay some pretty heavy shit on you.

891
00:46:28,719 --> 00:46:32,920
Speaker 2: And just for context, this what you just saw the

892
00:46:33,000 --> 00:46:36,520
Speaker 2: banana stuff. That's the kind of joke I usually do.

893
00:46:37,040 --> 00:46:40,480
Speaker 2: Right like that, it's like, actually kind of light silly.

894
00:46:40,760 --> 00:46:44,160
Speaker 2: Who would even think about that? Like, what kind of

895
00:46:44,320 --> 00:46:47,799
Speaker 2: brain do you have to have to like think about that.

896
00:46:47,960 --> 00:46:51,160
Speaker 3: He's teaching you how to watch the show by explaining

897
00:46:51,200 --> 00:46:52,440
Speaker 3: to you who he is.

898
00:46:52,640 --> 00:46:55,200
Speaker 4: This is who you're dealing with, and that's who's going

899
00:46:55,280 --> 00:46:55,920
Speaker 4: to be.

900
00:46:56,440 --> 00:46:58,759
Speaker 2: Laying some kind of heavy ship on you and the

901
00:46:58,840 --> 00:47:02,680
Speaker 2: idea that which which I am not experiencing.

902
00:47:02,719 --> 00:47:07,320
Speaker 1: And so now you can't talk about an animal something

903
00:47:07,360 --> 00:47:11,600
Speaker 1: from nature in the same way. It's like another guy, Oh,

904
00:47:11,760 --> 00:47:14,560
Speaker 1: this other guy already talked about an animal, and so

905
00:47:14,719 --> 00:47:16,880
Speaker 1: now like you can't go on a podcast and like

906
00:47:17,160 --> 00:47:19,200
Speaker 1: talk about the same animal as he talked about it

907
00:47:19,200 --> 00:47:21,160
Speaker 1: in the same way that I can't do and say

908
00:47:21,200 --> 00:47:23,919
Speaker 1: the exact same stuff. It's like, who's saying that I can't.

909
00:47:24,040 --> 00:47:28,440
Speaker 1: Anyone who's saying that is just like do you hear yourself.

910
00:47:28,000 --> 00:47:31,120
Speaker 2: To say that anyone can talk about it.

911
00:47:31,160 --> 00:47:32,800
Speaker 4: I can talk about famous animals.

912
00:47:33,040 --> 00:47:35,800
Speaker 1: Anyone can talk about the animal as much as they want,

913
00:47:35,920 --> 00:47:37,440
Speaker 1: however they want to talk about.

914
00:47:38,040 --> 00:47:42,360
Speaker 2: I can do the exact same joke, the same Fine,

915
00:47:42,719 --> 00:47:44,879
Speaker 2: I don't have to. She did it.

916
00:47:44,880 --> 00:47:47,160
Speaker 1: It's actually better fun and he can and he can

917
00:47:47,160 --> 00:47:49,560
Speaker 1: do it again after that, but like you don't, should

918
00:47:49,800 --> 00:47:50,719
Speaker 1: should do it again?

919
00:47:50,880 --> 00:47:51,719
Speaker 3: He did it?

920
00:47:51,880 --> 00:47:54,920
Speaker 2: He did, he did the special. I'm doing a podcast.

921
00:47:55,000 --> 00:47:56,640
Speaker 2: It's not even mine, it's Griffins.

922
00:47:57,280 --> 00:47:58,399
Speaker 1: Someone else do it. Now.

923
00:47:58,520 --> 00:47:59,240
Speaker 3: I just want.

924
00:47:59,080 --> 00:48:00,520
Speaker 4: To have me do it.

925
00:48:00,560 --> 00:48:04,480
Speaker 2: And obviously here I mentioned that he did Now I

926
00:48:04,640 --> 00:48:07,239
Speaker 2: said that he did it. Now it's I should do it,

927
00:48:07,320 --> 00:48:10,400
Speaker 2: and I might. You might enjoy hearing me do it.

928
00:48:10,440 --> 00:48:12,640
Speaker 2: I might enjoy doing it because when I'm watching it,

929
00:48:12,960 --> 00:48:19,040
Speaker 2: I was screaming like it was intense.

930
00:48:19,239 --> 00:48:22,359
Speaker 1: But you didn't. You didn't stay with it. You only

931
00:48:22,400 --> 00:48:23,160
Speaker 1: watched the beginning.

932
00:48:23,560 --> 00:48:29,600
Speaker 4: I was starting it a little late. I had had.

933
00:48:31,080 --> 00:48:39,399
Speaker 2: So much lamb, which that sits heavy, you know what

934
00:48:39,440 --> 00:48:41,520
Speaker 2: I mean? Uh?

935
00:48:42,719 --> 00:48:45,320
Speaker 4: And I was feeling.

936
00:48:46,800 --> 00:48:52,000
Speaker 2: Very ill, physically ill but I prepared the lamp myself,

937
00:48:52,040 --> 00:48:58,120
Speaker 2: which I had never done before, and I was really guessing.

938
00:48:58,440 --> 00:49:00,640
Speaker 4: At how to cook it.

939
00:49:01,080 --> 00:49:04,960
Speaker 2: What it should look like, whether it needed to actually

940
00:49:05,000 --> 00:49:08,879
Speaker 2: be cooked or if it could just be seasoned, if

941
00:49:08,880 --> 00:49:09,680
Speaker 2: you could just and.

942
00:49:11,239 --> 00:49:13,960
Speaker 4: Such a deal, you know what I mean. It was

943
00:49:14,000 --> 00:49:15,839
Speaker 4: a steal and you.

944
00:49:16,840 --> 00:49:20,480
Speaker 1: Were under the impression that you could sort of prepare

945
00:49:20,520 --> 00:49:21,360
Speaker 1: it as a savich.

946
00:49:22,320 --> 00:49:27,200
Speaker 2: That was my I knew that that was possible with

947
00:49:27,400 --> 00:49:31,960
Speaker 2: certain pro teams, sure, and so you know, but I

948
00:49:32,000 --> 00:49:36,680
Speaker 2: think it actually even with a cavich, the seasoning they

949
00:49:37,000 --> 00:49:40,400
Speaker 2: used is specific and important, and it was and it

950
00:49:40,600 --> 00:49:44,839
Speaker 2: can't just be you know, Sofrito.

951
00:49:45,600 --> 00:49:48,160
Speaker 3: Not to betray your confidence, but my memory is that

952
00:49:48,200 --> 00:49:50,480
Speaker 3: you were trying to make it both a savice and

953
00:49:50,520 --> 00:49:54,280
Speaker 3: a souv, which people don't really try.

954
00:49:54,840 --> 00:49:58,600
Speaker 2: Yeah. Yeah, And there's the reason they don't, and especially

955
00:49:58,640 --> 00:50:02,759
Speaker 2: there's a reason that I don't because so suv for

956
00:50:02,840 --> 00:50:05,239
Speaker 2: people who don't know, is when you cook something in

957
00:50:05,280 --> 00:50:05,720
Speaker 2: a zip.

958
00:50:05,600 --> 00:50:07,400
Speaker 4: Block, put it in the back with some water and

959
00:50:08,160 --> 00:50:08,720
Speaker 4: the water.

960
00:50:09,600 --> 00:50:13,960
Speaker 2: The water, Yeah, the water would have been key.

961
00:50:16,000 --> 00:50:20,000
Speaker 3: You're one mistake that it's a.

962
00:50:20,080 --> 00:50:25,200
Speaker 1: Crucial basins like, how can this possibly be important? It's

963
00:50:25,239 --> 00:50:25,840
Speaker 1: just water?

964
00:50:25,960 --> 00:50:28,480
Speaker 3: You're standing there, you're putting in the bag, you're taking

965
00:50:28,520 --> 00:50:30,520
Speaker 3: out of the bag. You're going, that should be done.

966
00:50:30,760 --> 00:50:32,920
Speaker 2: I'm sorry, Am I the only one who reads all

967
00:50:32,960 --> 00:50:36,680
Speaker 2: these articles of these celebrities who use obscene amounts of

968
00:50:36,760 --> 00:50:39,319
Speaker 2: water like someone has to make up for it. So

969
00:50:39,360 --> 00:50:42,279
Speaker 2: I'm going, let's save a little water on this one.

970
00:50:42,840 --> 00:50:45,520
Speaker 2: Skip what seems like a pointless.

971
00:50:45,000 --> 00:50:49,640
Speaker 3: Step, right, But in retrospect, maybe next time you prepare LAMB,

972
00:50:49,680 --> 00:50:51,840
Speaker 3: you put it in the bag, take a quick trip

973
00:50:52,160 --> 00:50:55,680
Speaker 3: past Amy Pohlar's lawn and just run the bag under there,

974
00:50:55,880 --> 00:50:56,680
Speaker 3: keep on moving.

975
00:50:56,800 --> 00:51:00,759
Speaker 2: Yeah, that that might be the key, because uh, just

976
00:51:01,080 --> 00:51:05,839
Speaker 2: throwing it on a burner in a bag heavily seasoned.

977
00:51:07,520 --> 00:51:11,680
Speaker 2: The black smoke that immediately filled there and made me

978
00:51:11,719 --> 00:51:13,360
Speaker 2: turn it off kind of go like, well, I guess

979
00:51:13,400 --> 00:51:14,000
Speaker 2: that's cooked.

980
00:51:14,239 --> 00:51:16,440
Speaker 3: Your wife comes up, she's like, they announced a new pope.

981
00:51:17,160 --> 00:51:21,560
Speaker 2: Put on it, yeah, And I was like, that's white smoke.

982
00:51:24,160 --> 00:51:24,759
Speaker 3: I wasn't gonna.

983
00:51:25,480 --> 00:51:28,280
Speaker 4: I was like, I said, that's really funny.

984
00:51:28,320 --> 00:51:30,000
Speaker 2: This sort of like some of the stuff I do.

985
00:51:30,560 --> 00:51:36,480
Speaker 2: Specific I guess yet that would right, And honey, I

986
00:51:36,480 --> 00:51:38,000
Speaker 2: love that you're showing an interest in my work.

987
00:51:38,080 --> 00:51:41,799
Speaker 3: Of course, I didn't mean to embarrass her by saying that,

988
00:51:41,800 --> 00:51:43,719
Speaker 3: because I of course knew the difference, and I was

989
00:51:43,760 --> 00:51:44,279
Speaker 3: just saying what.

990
00:51:44,320 --> 00:51:46,640
Speaker 2: She said, No, I know you no, I know, and I.

991
00:51:46,600 --> 00:51:48,120
Speaker 3: Wasn't trying to make her look foolish. And I hope

992
00:51:48,160 --> 00:51:49,040
Speaker 3: you know that. Genos.

993
00:51:49,640 --> 00:51:53,239
Speaker 2: No, yeah, you said my confidence. But I called you

994
00:51:53,320 --> 00:51:54,640
Speaker 2: up and I was like, you won't believe what this

995
00:51:54,880 --> 00:51:55,880
Speaker 2: idiot said to me.

996
00:51:59,560 --> 00:52:03,120
Speaker 3: Blacks means the polk is staying the same. Yeah, that's

997
00:52:03,160 --> 00:52:03,680
Speaker 3: what it means.

998
00:52:03,719 --> 00:52:07,920
Speaker 2: It means and years there's black smoke every day.

999
00:52:09,760 --> 00:52:12,680
Speaker 1: And so then you watch you said so then.

1000
00:52:12,520 --> 00:52:18,440
Speaker 2: I thought, well then, yeah, my my stomach is no

1001
00:52:18,640 --> 00:52:24,480
Speaker 2: brain so angry, you know, and I and I just go,

1002
00:52:24,880 --> 00:52:28,640
Speaker 2: maybe this will take the edge off a little, just

1003
00:52:28,719 --> 00:52:32,080
Speaker 2: for us, just for you, just for this is just

1004
00:52:32,120 --> 00:52:35,640
Speaker 2: for you, just for me a little. This is just

1005
00:52:35,680 --> 00:52:40,320
Speaker 2: for this. One's just for me. And and I'm watching

1006
00:52:40,480 --> 00:52:43,520
Speaker 2: I go, damn, this guy is good, you know, he's

1007
00:52:43,600 --> 00:52:47,640
Speaker 2: doing his thing, but it's hard to pay attention because

1008
00:52:47,760 --> 00:52:49,040
Speaker 2: I am wretching.

1009
00:52:51,080 --> 00:52:54,719
Speaker 3: Yeah, I can't hear all the comedy.

1010
00:52:54,200 --> 00:53:00,600
Speaker 2: And just gripped, you know, crippling pain, and so uh,

1011
00:53:00,719 --> 00:53:04,000
Speaker 2: I decided to take a break and finish it a

1012
00:53:04,000 --> 00:53:04,600
Speaker 2: little later.

1013
00:53:04,719 --> 00:53:06,959
Speaker 3: It must have been confusing because you open your mouth,

1014
00:53:07,080 --> 00:53:17,960
Speaker 3: you don't know what's about to come out. Next hour, some.

1015
00:53:17,600 --> 00:53:23,800
Speaker 2: Mutton, honey, remember the it's a cereal called muttain honey

1016
00:53:25,200 --> 00:53:27,120
Speaker 2: commercial be what do you eat? What are you eating

1017
00:53:27,120 --> 00:53:27,439
Speaker 2: in there?

1018
00:53:27,520 --> 00:53:27,600
Speaker 6: Not?

1019
00:53:27,800 --> 00:53:31,560
Speaker 2: Honey. I can hear you crunching. I know you're eating

1020
00:53:31,600 --> 00:53:33,880
Speaker 2: something it's not, honey.

1021
00:53:34,160 --> 00:53:35,440
Speaker 4: Don't you lie to me.

1022
00:53:37,080 --> 00:53:42,839
Speaker 2: You know marriage is torn apart by this cereal. It's

1023
00:53:42,880 --> 00:53:43,719
Speaker 2: an old commercial.

1024
00:53:44,239 --> 00:53:44,719
Speaker 1: Bye,