1 00:00:06,920 --> 00:00:12,600 Speaker 1: Fantastica Sola Princess the South. Previously on the Princess of 2 00:00:12,680 --> 00:00:15,560 Speaker 1: South Beach, we found out that Nacho has a gambling 3 00:00:15,640 --> 00:00:19,000 Speaker 1: problem and is in deep with the mob. Meanwhile, Esterray 4 00:00:19,079 --> 00:00:22,360 Speaker 1: and Maria de Garments spying finally paid off, but not 5 00:00:22,520 --> 00:00:25,400 Speaker 1: in the way they were expecting. Now let's check in 6 00:00:25,480 --> 00:00:27,840 Speaker 1: on Nacho and Esteban, who just got done with their 7 00:00:27,920 --> 00:00:39,480 Speaker 1: day of marathon lovemaking. I do have to leave so soon. 8 00:00:39,760 --> 00:00:41,800 Speaker 1: I have to finish signing some documents at the office 9 00:00:41,800 --> 00:00:48,000 Speaker 1: before us. Julian, Julian, I didn't know you two are 10 00:00:49,520 --> 00:00:51,600 Speaker 1: going to meet up again. He wants my helpless and 11 00:00:51,640 --> 00:00:56,080 Speaker 1: permits at something. I don't know. Uh, like, I need 12 00:00:56,160 --> 00:01:00,400 Speaker 1: to talk to you about something. It's about money, and 13 00:01:00,600 --> 00:01:02,400 Speaker 1: I already told you not to worry. Who Young has 14 00:01:02,440 --> 00:01:04,600 Speaker 1: put us in contact with some of his business partners 15 00:01:04,640 --> 00:01:07,200 Speaker 1: and they're going to take care. It's it's not about 16 00:01:07,200 --> 00:01:14,800 Speaker 1: the campaign. It's something more personal personal. This is so hard. 17 00:01:16,280 --> 00:01:21,280 Speaker 1: Instead one, I need a loan of one hundred thousand dollars. 18 00:01:21,520 --> 00:01:26,480 Speaker 1: One hundred thousand dollars, but for what it's complicated. I 19 00:01:26,560 --> 00:01:28,679 Speaker 1: think if you're asking me for one hundred thousand dollars 20 00:01:28,720 --> 00:01:31,000 Speaker 1: I have the right to know why, even if it's 21 00:01:31,160 --> 00:01:34,680 Speaker 1: complicated me, I wouldn't be asking you if it wasn't urgent. 22 00:01:35,200 --> 00:01:37,360 Speaker 1: In all these years that I've known you, I've never 23 00:01:37,560 --> 00:01:40,160 Speaker 1: asked for a penny. Okay, I need you to trust me. 24 00:01:40,400 --> 00:01:42,080 Speaker 1: I promise I'll pay you back as soon as jost 25 00:01:42,720 --> 00:01:44,120 Speaker 1: What do you want the money for? Okay? Look, I 26 00:01:44,480 --> 00:01:49,240 Speaker 1: owe money to someone and I thought I was going 27 00:01:49,320 --> 00:01:52,040 Speaker 1: to be able to pay them back easily, but things 28 00:01:53,360 --> 00:01:57,840 Speaker 1: didn't turn out. Look I owe I who do you 29 00:01:58,120 --> 00:02:06,720 Speaker 1: owe money to? It're gonna killed me. Still, you're gambling again. 30 00:02:07,320 --> 00:02:11,200 Speaker 1: I think things out of control. One minute everything was 31 00:02:11,240 --> 00:02:13,880 Speaker 1: fine and then the next well, look the debt just 32 00:02:14,040 --> 00:02:19,239 Speaker 1: kept growing. And I please, I'm so scared, Nacho, I 33 00:02:19,320 --> 00:02:21,280 Speaker 1: trusted you. If this got out, it, could you rail 34 00:02:21,360 --> 00:02:23,440 Speaker 1: my entire campaign. I don't want anything to do with it, 35 00:02:24,040 --> 00:02:29,200 Speaker 1: please please, no, no, no, no, no, no, not one 36 00:02:29,480 --> 00:02:32,160 Speaker 1: more word. I don't want to know more about it 37 00:02:32,240 --> 00:02:35,160 Speaker 1: than I already do. Nacho, figure it out and leave 38 00:02:35,240 --> 00:02:37,959 Speaker 1: me out of it. So you don't care what happens 39 00:02:38,000 --> 00:02:39,400 Speaker 1: to me. Of course I do. I care what happens 40 00:02:39,440 --> 00:02:41,000 Speaker 1: to You're my best friend, but I can't help you 41 00:02:41,080 --> 00:02:46,320 Speaker 1: with this friend, best friend. I think I'm more than 42 00:02:46,400 --> 00:02:48,919 Speaker 1: a best friend, Estema, here we go again. You know, 43 00:02:49,040 --> 00:02:52,000 Speaker 1: I'm so tired of you acting as if I don't 44 00:02:52,040 --> 00:02:54,239 Speaker 1: mean anything to you. You spend more time with me 45 00:02:54,520 --> 00:02:56,679 Speaker 1: than you do with your own family. I know you 46 00:02:56,800 --> 00:02:59,680 Speaker 1: better than anybody. Look, we've been lovers for more than 47 00:02:59,760 --> 00:03:03,200 Speaker 1: fifteen years. When are you going to admit that this 48 00:03:03,360 --> 00:03:06,960 Speaker 1: is real? Or are your nature? You sound like Louisa. 49 00:03:07,400 --> 00:03:09,840 Speaker 1: I've told you before. If it bothers you so much, 50 00:03:09,880 --> 00:03:13,000 Speaker 1: we can put a stop to this right here and now. No, No, no, 51 00:03:13,160 --> 00:03:16,079 Speaker 1: that that's not what I mean. That's not what you 52 00:03:16,200 --> 00:03:19,560 Speaker 1: want either, Nau. I was always very clear with you. 53 00:03:20,240 --> 00:03:23,120 Speaker 1: I never led to you. I never led you on 54 00:03:23,480 --> 00:03:25,760 Speaker 1: to believe that this was going to be anything more 55 00:03:25,880 --> 00:03:30,720 Speaker 1: than just fun between friends. Nature. I have a wife, 56 00:03:31,720 --> 00:03:37,520 Speaker 1: a family, a career to think about. Do you think 57 00:03:37,800 --> 00:03:42,160 Speaker 1: I'm going to jeopardize all of that just to satisfy 58 00:03:42,880 --> 00:03:46,840 Speaker 1: your weakness. It's not me who's being weak. What are 59 00:03:46,880 --> 00:03:53,360 Speaker 1: you implying? No, you don't have to hide anymore, Estella. 60 00:03:53,960 --> 00:03:57,080 Speaker 1: It's twenty twenty one. Things aren't like they used to be. 61 00:03:57,440 --> 00:04:01,960 Speaker 1: It's okay to be gay. I mean, hey, hey, for 62 00:04:02,240 --> 00:04:07,920 Speaker 1: the last tight. Oh then what are you? What is this? Stevan? 63 00:04:08,480 --> 00:04:11,120 Speaker 1: You haven't touched your wife in years. That marriage is 64 00:04:11,160 --> 00:04:13,280 Speaker 1: a sham and you know it. Just because we and 65 00:04:13,320 --> 00:04:16,480 Speaker 1: I are no longer intimate doesn't make me gay. It's nature. 66 00:04:16,880 --> 00:04:19,320 Speaker 1: You had a wife, but you don't see me throwing 67 00:04:19,360 --> 00:04:22,159 Speaker 1: that in your face. Oh wait, was that a lie? 68 00:04:22,200 --> 00:04:26,159 Speaker 1: How dare you? I loved Susanna and when she passed, 69 00:04:26,400 --> 00:04:29,440 Speaker 1: I mourned her. But that doesn't make what you and 70 00:04:29,560 --> 00:04:33,400 Speaker 1: I have any less real. I'm by and I've never 71 00:04:33,560 --> 00:04:37,760 Speaker 1: hidden that Stevan, and you, I've never seen you feel 72 00:04:38,040 --> 00:04:40,640 Speaker 1: any sort of attraction for a woman. Why is it 73 00:04:40,760 --> 00:04:43,280 Speaker 1: so hard for you to admit that you're attracted to me, 74 00:04:43,880 --> 00:04:47,040 Speaker 1: that you're you and I are in a relationship, that 75 00:04:47,160 --> 00:04:49,640 Speaker 1: you love me? This is not a relationship, then what 76 00:04:49,839 --> 00:04:54,000 Speaker 1: is it? This? It's a game, a way of releasing stress. 77 00:04:54,480 --> 00:04:59,280 Speaker 1: And if you're too weak to handle that, I'll find 78 00:04:59,360 --> 00:05:02,560 Speaker 1: someone who can. And I have to go No, no, no, no, no, no, 79 00:05:03,000 --> 00:05:08,920 Speaker 1: stay one. It's stay one. Wait wait wait, we can 80 00:05:09,000 --> 00:05:17,360 Speaker 1: fix this. Jeez, stayven way harsh, But don't worry, Nacho, 81 00:05:17,720 --> 00:05:22,800 Speaker 1: because this secret won't remain hidden for long. I can't 82 00:05:22,960 --> 00:05:25,880 Speaker 1: believe this son of a bitch has been financing Christian 83 00:05:25,920 --> 00:05:29,120 Speaker 1: conversion camps all the while being a closeted gay man. 84 00:05:29,360 --> 00:05:32,360 Speaker 1: Yeah that's nuts. But there hasn't been a single day 85 00:05:32,440 --> 00:05:34,680 Speaker 1: since I got here that I haven't discovered some crazy 86 00:05:34,760 --> 00:05:39,400 Speaker 1: secret or read a mysterious letter. And now I'm blackmailing someone. Yeah, 87 00:05:39,480 --> 00:05:41,840 Speaker 1: it really wasn't like this before you got here. It 88 00:05:42,120 --> 00:05:46,360 Speaker 1: might be you. So how do we do a blackmail? 89 00:05:46,520 --> 00:05:48,360 Speaker 1: I don't know. I don't know. I've never really done 90 00:05:48,360 --> 00:05:51,000 Speaker 1: this before, but I think I'll use a fake email 91 00:05:51,000 --> 00:05:52,680 Speaker 1: and tell him that I'm going to release the video 92 00:05:52,720 --> 00:05:54,960 Speaker 1: of him and Nacho having sex to the press unless 93 00:05:55,160 --> 00:05:57,640 Speaker 1: he gives me information on Gabby's whereabouts. Well that is 94 00:05:57,680 --> 00:06:02,080 Speaker 1: oddly specific for someone who's never done a black before. Yesterday, 95 00:06:02,080 --> 00:06:04,320 Speaker 1: I hope you know what you're doing. Yeah, well you too. 96 00:06:05,160 --> 00:06:08,080 Speaker 1: I can't believe you're breaking up with Raoul. You know 97 00:06:08,240 --> 00:06:10,159 Speaker 1: he's not gonna take this. Well yeah, well we've gone 98 00:06:10,200 --> 00:06:12,720 Speaker 1: through this. I can't keep pretending to be in love 99 00:06:12,800 --> 00:06:16,799 Speaker 1: with him because you're falling in love with Andre. That's 100 00:06:16,920 --> 00:06:20,280 Speaker 1: not what this is about. Anyway, I'm gonna do it tonight, 101 00:06:20,320 --> 00:06:22,960 Speaker 1: so wish me luck. Okay, before I do that word 102 00:06:23,000 --> 00:06:25,400 Speaker 1: of advice, you're listening because you know you don't be 103 00:06:25,520 --> 00:06:28,680 Speaker 1: listening to him. I'm listening to drink a little Thankuila 104 00:06:28,920 --> 00:06:31,760 Speaker 1: before you do it. I've never had a drink before. 105 00:06:31,960 --> 00:06:35,120 Speaker 1: What look, Trust me, tonight is as good as any 106 00:06:35,279 --> 00:06:38,160 Speaker 1: night to start. You're gonna need it because Raoul is 107 00:06:38,360 --> 00:06:41,920 Speaker 1: such an ugly crier. Oh my god, he looks so 108 00:06:42,400 --> 00:06:45,800 Speaker 1: it's just oh, it's so bad. It's so bad. You can't. 109 00:06:46,000 --> 00:06:48,000 Speaker 1: Don't look at it. Don't look at him in his face. 110 00:06:48,080 --> 00:06:54,320 Speaker 1: I won't. Wow. Stevan isn't the only one who's about 111 00:06:54,360 --> 00:07:11,240 Speaker 1: to receive some bad news. Haiti lovers, it's me Tatiana. Obviously, boy, 112 00:07:11,360 --> 00:07:14,920 Speaker 1: do we have a juicy scoop for you? On the 113 00:07:15,080 --> 00:07:22,640 Speaker 1: next Tea with Tatiana, we interview a former lover of 114 00:07:22,880 --> 00:07:28,640 Speaker 1: someone whose name starts with an R. It's Raoul. It's 115 00:07:28,800 --> 00:07:34,480 Speaker 1: Raoul's ex girlfriend. This lovely lady came to the studio 116 00:07:34,840 --> 00:07:38,400 Speaker 1: and told us that her former boyfriend shocked her the 117 00:07:38,520 --> 00:07:41,400 Speaker 1: other day after they shared a quick chat where he 118 00:07:41,480 --> 00:07:46,400 Speaker 1: appeared to be much more down to earth than ever before. 119 00:07:47,440 --> 00:07:51,040 Speaker 1: Must be all that riding around in his Lincoln Aviator 120 00:07:51,160 --> 00:07:58,600 Speaker 1: gt trust me, this episode is gonna leave you speechless. 121 00:07:59,440 --> 00:08:03,720 Speaker 1: Are not? I can't see the future. All right, that's 122 00:08:03,760 --> 00:08:06,280 Speaker 1: it for now, but be sure to tune in next 123 00:08:06,360 --> 00:08:10,520 Speaker 1: time for more scandalous rumors about the Calderones. On the 124 00:08:10,680 --> 00:08:30,240 Speaker 1: next tea with Satiana, I'll take another Malibu babriefe. Please, 125 00:08:31,960 --> 00:08:34,040 Speaker 1: you're going through those fast? Are you sure you don't 126 00:08:34,040 --> 00:08:39,400 Speaker 1: want to wait for the champ twelve? When good? I 127 00:08:39,559 --> 00:08:43,280 Speaker 1: like these? They're sweet. You got such a sweet tooth. 128 00:08:43,520 --> 00:08:47,119 Speaker 1: I'm gonna tell the dentist. Well, okay, we are celebrating. 129 00:08:47,400 --> 00:08:53,160 Speaker 1: It is our kiss aniversary, after all, aversary, you celebrate. 130 00:08:53,760 --> 00:08:56,880 Speaker 1: You celebrate a kiss aiversary. You know what. Never mind, 131 00:08:56,960 --> 00:08:59,719 Speaker 1: let's not unpack that. We'll unpack l when no one's 132 00:08:59,720 --> 00:09:03,880 Speaker 1: a Oh no, Gloria, do you remember our first kiss? 133 00:09:04,040 --> 00:09:06,400 Speaker 1: It was right here on this very balcony. The sun 134 00:09:06,559 --> 00:09:08,719 Speaker 1: was setting. I asked if I could kiss you, and 135 00:09:08,840 --> 00:09:10,800 Speaker 1: you were like, just do it already, and you made 136 00:09:10,840 --> 00:09:14,400 Speaker 1: a face. It was so romantic. Can you can you 137 00:09:14,559 --> 00:09:17,559 Speaker 1: stop reminiscing? I really need to tell you something. You 138 00:09:17,720 --> 00:09:20,320 Speaker 1: want to tell me that you love me too much? No, God, 139 00:09:20,440 --> 00:09:22,400 Speaker 1: you want to tell me no, because I'm ready to hear. 140 00:09:22,600 --> 00:09:27,400 Speaker 1: I know it's okay. You can do this. I can 141 00:09:27,440 --> 00:09:30,040 Speaker 1: do this. It's easy. Just just say what's what was 142 00:09:30,080 --> 00:09:32,280 Speaker 1: on your mind? You can do anything. You can anything 143 00:09:32,320 --> 00:09:34,319 Speaker 1: you put your mind to. Okay, I believe in you. 144 00:09:34,520 --> 00:09:37,280 Speaker 1: Thank you. Stop please, I'm begging. Yeah, I will stop 145 00:09:37,440 --> 00:09:42,599 Speaker 1: for okay one second? On second? Over? What do you no? No, 146 00:09:42,720 --> 00:09:45,360 Speaker 1: that's I don't need it. I don't need a hug 147 00:09:45,679 --> 00:09:47,800 Speaker 1: right now. It's just these past few months that they've been, 148 00:09:47,840 --> 00:09:50,720 Speaker 1: they've been a challenging time with the boat and though 149 00:09:50,960 --> 00:09:53,400 Speaker 1: WiFi has been weird. Oh god, this is hard? You 150 00:09:53,440 --> 00:09:57,520 Speaker 1: know what? Can I get another one of these? Please? Gloria? 151 00:09:57,640 --> 00:10:00,880 Speaker 1: Are you okay? Yeah? I just I want you to 152 00:10:01,000 --> 00:10:05,240 Speaker 1: know that you're you're great. Oh my god, thank you? Oh? 153 00:10:05,880 --> 00:10:09,360 Speaker 1: Does everyone hear that she thinks I'm great? Yeah? Just 154 00:10:09,520 --> 00:10:13,000 Speaker 1: be cool, um, I will you. You're very creative and 155 00:10:13,600 --> 00:10:18,880 Speaker 1: and caring and whoa what is this my birthday compliment? 156 00:10:19,720 --> 00:10:23,599 Speaker 1: Population me? Wow? I just want you to know that 157 00:10:23,720 --> 00:10:26,360 Speaker 1: this is this is very different. Okay, we can say 158 00:10:26,360 --> 00:10:28,120 Speaker 1: it together. Do you want to say together? How are 159 00:10:28,160 --> 00:10:30,640 Speaker 1: we going to say what together? I can try to 160 00:10:30,679 --> 00:10:36,040 Speaker 1: figure it out. We can know werene right now? See 161 00:10:36,840 --> 00:10:39,120 Speaker 1: I was just I was thinking more about how weird 162 00:10:39,200 --> 00:10:41,920 Speaker 1: meant to be together? Is this about the flowers for 163 00:10:41,960 --> 00:10:43,880 Speaker 1: the wedding? What? Because I thought we desired an organ? 164 00:10:43,960 --> 00:10:47,400 Speaker 1: But what I will? I will grow a new type 165 00:10:47,440 --> 00:10:49,679 Speaker 1: of flower for you might love. Okay, no it's not, 166 00:10:49,920 --> 00:10:51,640 Speaker 1: it's not. I will go to the mountain and I 167 00:10:51,679 --> 00:10:55,280 Speaker 1: will find you the most beautiful flower. No one, Oh 168 00:10:55,400 --> 00:10:57,040 Speaker 1: my god, all these drinks are hitting me at once. 169 00:10:57,559 --> 00:11:02,080 Speaker 1: Look I will. I'm breaking up with you. I can't 170 00:11:02,160 --> 00:11:05,439 Speaker 1: marry you, and I'm sorry that all of this is 171 00:11:05,480 --> 00:11:08,559 Speaker 1: happening right now, but I just I don't think I 172 00:11:08,679 --> 00:11:10,640 Speaker 1: can be with you or anything that lost in your 173 00:11:10,640 --> 00:11:12,960 Speaker 1: eyes and your voice sounds like song. So you gotta 174 00:11:13,000 --> 00:11:15,720 Speaker 1: say that again because I just kind of it disappeared. 175 00:11:15,920 --> 00:11:18,000 Speaker 1: You know, Are you kidding me right now? Yeah? I'm 176 00:11:18,000 --> 00:11:20,360 Speaker 1: so sorry. It's just have you seen yourself. I'm gonna 177 00:11:20,360 --> 00:11:22,079 Speaker 1: get a mirror. Let me get a mirror real quick. 178 00:11:22,240 --> 00:11:24,560 Speaker 1: You're gonna just say whatever you want to say. Don't 179 00:11:24,600 --> 00:11:26,880 Speaker 1: do that. I'm just I'm trying to Okay, Look, I'm 180 00:11:26,920 --> 00:11:29,280 Speaker 1: trying to break up with you, and I you're making 181 00:11:29,320 --> 00:11:31,719 Speaker 1: it really to not fall in love with you. I 182 00:11:32,440 --> 00:11:37,080 Speaker 1: can't marry you. I'm sorry I yelled that. Oh god, 183 00:11:37,120 --> 00:11:40,160 Speaker 1: I'm still yelling. I'm sorry, but I I just I 184 00:11:40,240 --> 00:11:44,320 Speaker 1: can't be with you anymore. What is this a mean 185 00:11:44,440 --> 00:11:47,319 Speaker 1: Gloria joke? No, I don't know, it's it's it's not 186 00:11:47,480 --> 00:11:51,920 Speaker 1: a joke. It's just I'm sorry, but I'm I'm breaking 187 00:11:52,000 --> 00:11:57,160 Speaker 1: up with you, and that's fine. I think I'm gonna 188 00:11:57,200 --> 00:12:01,959 Speaker 1: go because you're crying and I'm gonna lie down because 189 00:12:02,320 --> 00:12:04,439 Speaker 1: the room is starting to spin and I think you 190 00:12:04,559 --> 00:12:07,960 Speaker 1: have seven heads and they're all crying, and I got 191 00:12:10,240 --> 00:12:24,640 Speaker 1: I'm gonna go. Yeah, I'm just gonna walk away. Oh Orsin. 192 00:12:25,040 --> 00:12:28,120 Speaker 1: I know this is your first time breaking up with somebody, 193 00:12:28,400 --> 00:12:31,040 Speaker 1: but this still has to be the worst breakup I've 194 00:12:31,160 --> 00:12:33,680 Speaker 1: ever seen in my life. It looks like my little 195 00:12:33,720 --> 00:12:35,839 Speaker 1: cis has to go and throw up a truckload of 196 00:12:35,880 --> 00:12:40,120 Speaker 1: tropical scented alcohol. Well see you next time when what 197 00:12:41,240 --> 00:12:47,120 Speaker 1: the episode is over? Maria, what are you doing? Oh? No, no, no, 198 00:12:47,280 --> 00:12:51,160 Speaker 1: are you drunk dialing? She's drunk dialing? Somebody stopped her. 199 00:12:51,720 --> 00:12:58,120 Speaker 1: Hang up that phone. I've had the worst day. Have 200 00:12:58,240 --> 00:13:02,800 Speaker 1: you ever broken up with some one? It's really hard. No, 201 00:13:03,679 --> 00:13:08,480 Speaker 1: I'm not drunk, You're drunk, you're hot. I just I 202 00:13:08,600 --> 00:13:11,439 Speaker 1: have something really important. I need to get off my chest. 203 00:13:12,480 --> 00:13:16,800 Speaker 1: Oh god, this is embarrassing. I'm out. If you're enjoying 204 00:13:16,840 --> 00:13:20,280 Speaker 1: Princess of South Beach, please subscribe, rate, and review our 205 00:13:20,280 --> 00:13:23,439 Speaker 1: show wherever you're listening. The Princess of South Beach is 206 00:13:23,440 --> 00:13:26,840 Speaker 1: a production of Ihearts, Michael Tura Podcast Network, and Sonoro, 207 00:13:27,240 --> 00:13:30,880 Speaker 1: created and directed by Jasmine Romero, Written by Jasmine Romero 208 00:13:30,960 --> 00:13:34,760 Speaker 1: and Joanna Houseman with help from Daniels Arkis, Monisa Hendrix 209 00:13:34,880 --> 00:13:39,880 Speaker 1: and Christian Hatter. Produced by Luis Executive produced by conal 210 00:13:39,920 --> 00:13:43,559 Speaker 1: Byrne and Gazelle Bances for iHeart by Joanna Houseman, and 211 00:13:43,679 --> 00:13:47,599 Speaker 1: by Jasmine Romero and Joshua Weinstein for Sonaro. Performances in 212 00:13:47,640 --> 00:13:53,000 Speaker 1: this episode by Rachel Zegler, Raoula Sparza, Danny Pino, Andy Bustillos, 213 00:13:53,320 --> 00:13:57,120 Speaker 1: and x Mayo. Our production manager is getting such Itis. 214 00:13:57,400 --> 00:14:01,120 Speaker 1: Recording and engineering by Emiliano Quintaner, with sound designed by 215 00:14:01,320 --> 00:14:06,560 Speaker 1: Edwin Irigoyen, Cassandra Tinajo, Andres Bayena, Diego Medina and Andres 216 00:14:06,640 --> 00:14:10,720 Speaker 1: Coronalo's assistant sound designed by Eric Sintheno. Casting in coordination 217 00:14:10,880 --> 00:14:15,040 Speaker 1: by Andres Chaires, Folly by Samantha Gonzalez fong our theme 218 00:14:15,080 --> 00:14:18,480 Speaker 1: song and original music by Rodrigo Garcia Roles and Charlie 219 00:14:18,520 --> 00:14:19,040 Speaker 1: Hernandez