1 00:00:00,200 --> 00:00:11,920 Speaker 1: Yeah, let's just keep a real straight shot with no chasing. 2 00:00:12,039 --> 00:00:15,880 Speaker 1: I'm gonna get a little bit roughly. I'm here for it. 3 00:00:15,960 --> 00:00:18,799 Speaker 1: Those who really believe in the American process, all of 4 00:00:18,920 --> 00:00:22,720 Speaker 1: us Street Shot, no Chasing. What's your Girl? Tesla figure 5 00:00:22,800 --> 00:00:26,680 Speaker 1: Roll on the Black Effect Podcast Network That work. Hello, everybody, 6 00:00:26,720 --> 00:00:30,000 Speaker 1: this is Tesla figure Roll straight Shot No Chaser on 7 00:00:30,080 --> 00:00:35,120 Speaker 1: the Black Effect Podcast Network. I am on Instagram live 8 00:00:35,800 --> 00:00:40,440 Speaker 1: tag somebody uh you know that has been uh talking 9 00:00:40,479 --> 00:00:43,839 Speaker 1: about the Woman King, that has had feedback about the 10 00:00:43,880 --> 00:00:48,520 Speaker 1: Women King. I'm about to discuss it um and the 11 00:00:48,560 --> 00:00:51,960 Speaker 1: main thing that I'm doing with this giving you the 12 00:00:52,040 --> 00:00:57,840 Speaker 1: necessary talking points that you need as you moved throughout 13 00:00:58,800 --> 00:01:04,120 Speaker 1: these Twitter streets, in these Instagram streets to discuss this 14 00:01:04,160 --> 00:01:08,480 Speaker 1: movie again. Straight Shot No Chaser Tesla and figure Oh 15 00:01:08,680 --> 00:01:15,720 Speaker 1: live on Instagram. Make sure that you subscribe to the podcast. 16 00:01:16,240 --> 00:01:18,679 Speaker 1: Want to do a better job of making sure also 17 00:01:18,840 --> 00:01:23,840 Speaker 1: that I am involving uh folks on YouTube if you 18 00:01:23,920 --> 00:01:27,520 Speaker 1: have not subscribed to the YouTube page. This is really important, guys, 19 00:01:27,600 --> 00:01:30,000 Speaker 1: because I have to do a better job of making 20 00:01:30,040 --> 00:01:34,360 Speaker 1: sure that I'm getting this content out um as quickly 21 00:01:34,400 --> 00:01:39,400 Speaker 1: as possible and on multiple strings. Everyone doesn't listen to Instagram. 22 00:01:39,520 --> 00:01:42,240 Speaker 1: Some folks follow me on Twitter and I'm uh, and 23 00:01:42,360 --> 00:01:46,720 Speaker 1: I realized there's a YouTube base out there that may 24 00:01:46,720 --> 00:01:49,160 Speaker 1: not be on either or so I'm I'm trying to 25 00:01:49,160 --> 00:01:52,120 Speaker 1: do a good job, a better job of having you 26 00:01:52,160 --> 00:01:55,240 Speaker 1: guys linked in in three different places. The reason why 27 00:01:55,280 --> 00:01:57,800 Speaker 1: the YouTube is so important that you're on YouTube is 28 00:01:57,840 --> 00:02:00,320 Speaker 1: because if you follow me, you know that I've been 29 00:02:00,320 --> 00:02:05,000 Speaker 1: blocked a couple of times this year on Instagram, um 30 00:02:05,040 --> 00:02:07,280 Speaker 1: for the things that I've said. So I want to 31 00:02:07,320 --> 00:02:10,120 Speaker 1: make sure that I have you locked in on YouTube 32 00:02:10,120 --> 00:02:14,560 Speaker 1: as well, uh, so that if I'm blocked, I still 33 00:02:14,639 --> 00:02:19,440 Speaker 1: can reach you with content. And as mentioned yesterday, this 34 00:02:19,560 --> 00:02:23,560 Speaker 1: content is critically important and very hard to push because 35 00:02:23,720 --> 00:02:26,800 Speaker 1: if I was just doing content about what rapper said this, 36 00:02:26,960 --> 00:02:29,799 Speaker 1: and who's having a beef about that or this? And 37 00:02:30,160 --> 00:02:32,840 Speaker 1: you know how all of these men, Hey, I'll notice 38 00:02:32,880 --> 00:02:35,440 Speaker 1: so many men have so many online beefs. There's more men, 39 00:02:35,520 --> 00:02:37,639 Speaker 1: it seems, in a hip hop community or online beasts 40 00:02:37,960 --> 00:02:41,919 Speaker 1: than it is women. But that's another conversation. But if 41 00:02:41,960 --> 00:02:44,560 Speaker 1: I was talking about that, we would have clicks on 42 00:02:44,600 --> 00:02:48,600 Speaker 1: clicks on clicks. It's very hard to get educational content out, 43 00:02:48,639 --> 00:02:53,080 Speaker 1: particularly content that benefits us black people. So it is 44 00:02:53,120 --> 00:02:57,120 Speaker 1: really important, um, to have you linked in with me, 45 00:02:57,240 --> 00:02:59,360 Speaker 1: and in just a couple of places. I don't have 46 00:02:59,360 --> 00:03:02,440 Speaker 1: to be five platforms. I've taken my page down on 47 00:03:02,440 --> 00:03:05,559 Speaker 1: Facebook because I'm trying to get everybody kind of centralized, 48 00:03:05,600 --> 00:03:08,080 Speaker 1: a little more centralized, and I'm not on Facebook enough. 49 00:03:08,560 --> 00:03:12,600 Speaker 1: So either follow me on Instagram. Twitter is very important 50 00:03:12,600 --> 00:03:14,679 Speaker 1: that you make an account on Twitter, even if you 51 00:03:14,720 --> 00:03:17,120 Speaker 1: don't use it a lot, you really should have an 52 00:03:17,160 --> 00:03:19,600 Speaker 1: account on Twitter. I cannot stress that enough. That is 53 00:03:19,639 --> 00:03:23,280 Speaker 1: what politicians watch. That is the hashtags that they follow, 54 00:03:23,360 --> 00:03:26,600 Speaker 1: the conversation that they follow, come from Twitter. They do 55 00:03:26,680 --> 00:03:30,160 Speaker 1: not come from Instagram or Facebook or anywhere else. They 56 00:03:30,200 --> 00:03:33,560 Speaker 1: come from from Twitter. So I I can't push that enough. 57 00:03:33,919 --> 00:03:36,360 Speaker 1: To create account on Twitter, and please follow me on Twitter, 58 00:03:37,200 --> 00:03:40,120 Speaker 1: and obviously the majority of you follow me on Instagram. 59 00:03:40,360 --> 00:03:44,160 Speaker 1: So let's get to it. Um. I wanted to uh 60 00:03:44,200 --> 00:03:47,480 Speaker 1: take a couple of days to really ponder of the 61 00:03:47,560 --> 00:03:49,760 Speaker 1: movie Woman King. Many of you have not seen it, 62 00:03:49,840 --> 00:03:51,920 Speaker 1: but have a lot of comments on that, which I 63 00:03:52,080 --> 00:03:54,440 Speaker 1: somebody in my Instagram comments is saying, right now, you know, 64 00:03:54,440 --> 00:03:56,440 Speaker 1: how can you comment on something you haven't seen and 65 00:03:56,640 --> 00:04:00,320 Speaker 1: whoever said that, it's absolutely right. Um, I do feel 66 00:04:01,480 --> 00:04:05,160 Speaker 1: uh it is important. Okay, we're going live now on 67 00:04:05,200 --> 00:04:08,920 Speaker 1: Instagram and Twitter, so it finally got it together. I'm 68 00:04:08,960 --> 00:04:14,200 Speaker 1: sorry on YouTube and Twitter. So I do think, uh 69 00:04:14,240 --> 00:04:17,360 Speaker 1: that it whoever just made that comment is accurate, and 70 00:04:17,480 --> 00:04:21,880 Speaker 1: that by saying, uh that, you really you know, before 71 00:04:21,920 --> 00:04:24,839 Speaker 1: you can critique something, you need to watch something. And 72 00:04:24,920 --> 00:04:29,360 Speaker 1: I know that that creates a conflict for those who say, 73 00:04:29,560 --> 00:04:31,360 Speaker 1: you know, I don't want to support it and give 74 00:04:31,400 --> 00:04:36,279 Speaker 1: my money, uh, but yet I want to steal comment 75 00:04:36,360 --> 00:04:41,320 Speaker 1: on it. And I get it. I understand the the 76 00:04:41,480 --> 00:04:45,600 Speaker 1: conflict of interests of wanting to see some information and 77 00:04:45,680 --> 00:04:49,080 Speaker 1: then I also wanted to make a comment on it. 78 00:04:49,200 --> 00:04:52,440 Speaker 1: So I understand the conflict of interest. I get it. 79 00:04:52,839 --> 00:04:56,080 Speaker 1: And as I discussed this, what I need you guys 80 00:04:56,080 --> 00:04:57,840 Speaker 1: to be mature enough to know that more than one 81 00:04:57,880 --> 00:05:00,599 Speaker 1: thing can be true at the same time. Uh. The 82 00:05:00,640 --> 00:05:04,000 Speaker 1: reason why pause on discussing this is because number one, 83 00:05:04,040 --> 00:05:06,840 Speaker 1: I wanted to see it myself. Somebody on Twitter said, what, 84 00:05:07,000 --> 00:05:09,600 Speaker 1: you're supporting it, but people on Twitter told you not 85 00:05:09,680 --> 00:05:11,840 Speaker 1: to support it. First of all, nobody on Twitter tell 86 00:05:11,920 --> 00:05:14,640 Speaker 1: me what to do. Nobody outside Twitter tells me what 87 00:05:14,720 --> 00:05:18,279 Speaker 1: to do, and I read and study for myself. Now, 88 00:05:18,360 --> 00:05:20,719 Speaker 1: the Bible says read and study and showed ourselves approved, 89 00:05:20,800 --> 00:05:23,359 Speaker 1: So I read and study for myself. Somebody has tagged 90 00:05:23,400 --> 00:05:26,880 Speaker 1: myself on Instagram. Nobody tells me what to do, So 91 00:05:26,920 --> 00:05:32,279 Speaker 1: that's that's number one. Um. And because I create content, 92 00:05:32,760 --> 00:05:37,279 Speaker 1: particularly content that is black centered, this was a movie 93 00:05:37,320 --> 00:05:40,120 Speaker 1: that was important to see so I could actually know 94 00:05:40,240 --> 00:05:42,400 Speaker 1: what the hell I'm talking about. Somebody has teg know 95 00:05:42,480 --> 00:05:45,640 Speaker 1: what the hell I'm talking about. Now, maybe some folks 96 00:05:45,640 --> 00:05:48,400 Speaker 1: on Twitter just like to run with what everybody else 97 00:05:48,480 --> 00:05:50,440 Speaker 1: is saying and run with that. But I like to 98 00:05:50,480 --> 00:05:53,719 Speaker 1: have my own opinion and formulate my own opending. That's 99 00:05:53,720 --> 00:05:58,400 Speaker 1: why I'm independent. Now, after I went and saw the movie, 100 00:05:59,080 --> 00:06:03,919 Speaker 1: I went and before I spoke, somebody say, quick to 101 00:06:04,040 --> 00:06:07,480 Speaker 1: study and slow to speak. That's what we all should 102 00:06:07,480 --> 00:06:11,599 Speaker 1: be aiming towards being quick to study and slow to speak. 103 00:06:12,040 --> 00:06:16,520 Speaker 1: I wanted to do more research. Shout out the royaltry 104 00:06:16,560 --> 00:06:19,120 Speaker 1: saying these hashtags. I wanted to It's kind of like 105 00:06:19,200 --> 00:06:22,400 Speaker 1: church when I'm telling y'all hashtags as I'm basically, what 106 00:06:22,440 --> 00:06:24,240 Speaker 1: you're doing is looking at your neighbor and repeating what 107 00:06:24,279 --> 00:06:27,440 Speaker 1: I'm saying. I wanted to do more research on the 108 00:06:27,480 --> 00:06:31,479 Speaker 1: topic because I am not that familiar with this particular tribe, 109 00:06:32,040 --> 00:06:34,560 Speaker 1: and I'm okay with saying I'm not that familiar with it. 110 00:06:34,880 --> 00:06:37,159 Speaker 1: You know how folks like to be familiar with everything. 111 00:06:37,160 --> 00:06:39,640 Speaker 1: On Twitter, they know everything about everything. First, they know 112 00:06:39,720 --> 00:06:42,360 Speaker 1: everything about black history. They don't know everything about COVID. 113 00:06:42,560 --> 00:06:44,440 Speaker 1: Then they don't know everything about the p P P. 114 00:06:44,600 --> 00:06:47,800 Speaker 1: Long Didn't they know everything about every movie that come out? 115 00:06:47,839 --> 00:06:50,120 Speaker 1: Didn't they know everything about hip hop? So I'm not 116 00:06:50,200 --> 00:06:52,520 Speaker 1: I'm not one of the ones that know everything about everything. 117 00:06:52,560 --> 00:06:58,800 Speaker 1: So I wanted to do some research myself, and I 118 00:06:58,839 --> 00:07:02,120 Speaker 1: am still doing search myself. But the reason why I'm 119 00:07:02,160 --> 00:07:06,520 Speaker 1: coming with this particular conversation today is because I want 120 00:07:06,520 --> 00:07:09,400 Speaker 1: to give you guys some talking points that if you 121 00:07:09,440 --> 00:07:11,640 Speaker 1: are in the middle of your research, if you have 122 00:07:11,760 --> 00:07:15,880 Speaker 1: not watched the movie yet, if you have not um 123 00:07:15,920 --> 00:07:20,360 Speaker 1: really taken time to formulate an opinion. This particular many 124 00:07:20,960 --> 00:07:24,520 Speaker 1: workshop is a communication workshop that you just signed up for. 125 00:07:24,800 --> 00:07:26,760 Speaker 1: You probably thought you were signing up to hear what 126 00:07:26,880 --> 00:07:29,560 Speaker 1: I thought, my opinion, But you just signed up for 127 00:07:29,720 --> 00:07:33,600 Speaker 1: many workshops to deal with the important talking point that 128 00:07:33,640 --> 00:07:36,520 Speaker 1: I think you need to have as you move forward 129 00:07:36,560 --> 00:07:40,800 Speaker 1: in this conversation. Whatever side you're on with this movie, 130 00:07:41,280 --> 00:07:43,520 Speaker 1: What do you mean by that, Teslam, What side you're on? Well, 131 00:07:43,560 --> 00:07:47,840 Speaker 1: what I mean by that is I have UH. And 132 00:07:48,120 --> 00:07:55,200 Speaker 1: while watching UM, while creating, I guess researching how I 133 00:07:55,240 --> 00:07:57,800 Speaker 1: felt about this movie, I went and I looked on 134 00:07:57,840 --> 00:08:00,800 Speaker 1: Twitter at all of the various comments, and a lot 135 00:08:00,880 --> 00:08:05,680 Speaker 1: of people that I network with in this industry are 136 00:08:05,960 --> 00:08:09,440 Speaker 1: very much in support of this movie UM, and I 137 00:08:09,480 --> 00:08:12,000 Speaker 1: wanted to see what they had to say. I wanted 138 00:08:12,040 --> 00:08:16,160 Speaker 1: to see what the opposite had to say. I wanted to, 139 00:08:16,960 --> 00:08:20,000 Speaker 1: you know, really just take time to process it. In fact, 140 00:08:20,040 --> 00:08:22,760 Speaker 1: at the end of it, my daughter she asked me. 141 00:08:22,800 --> 00:08:25,840 Speaker 1: She said, well, Mom, did you like the movie or what? 142 00:08:26,080 --> 00:08:29,280 Speaker 1: Because you're not saying much. And I said, well, that's 143 00:08:29,280 --> 00:08:34,120 Speaker 1: because I'm I'm still processing it. Because I left feeling 144 00:08:34,240 --> 00:08:36,680 Speaker 1: some type of way about a lot of different things, 145 00:08:37,360 --> 00:08:41,600 Speaker 1: and I wanted to make sure that I was accurate 146 00:08:41,640 --> 00:08:43,680 Speaker 1: and how I was thinking. Now, somebody in the comments 147 00:08:43,760 --> 00:08:46,520 Speaker 1: just said, it's a movie, not a documentary. Let's deal 148 00:08:46,559 --> 00:08:53,680 Speaker 1: with that. Yesterday I posted made a post saying that 149 00:08:54,200 --> 00:08:59,120 Speaker 1: no matter how many people cheer clap and cry, America, 150 00:08:59,240 --> 00:09:03,880 Speaker 1: we are still mean for our reparations. Check. No matter 151 00:09:03,920 --> 00:09:10,080 Speaker 1: how many people chair, clap and cry, we are still 152 00:09:10,920 --> 00:09:16,760 Speaker 1: coming for our reparations. Check. Soon after I said that, 153 00:09:16,800 --> 00:09:19,000 Speaker 1: I found out I was going through Twitter and I 154 00:09:19,040 --> 00:09:23,479 Speaker 1: saw Bill Mahr was reminding folks that Africans sold Africans 155 00:09:23,480 --> 00:09:25,640 Speaker 1: into slavery. I know a couple of weeks ago Canvas 156 00:09:25,679 --> 00:09:27,360 Speaker 1: owns do did it what she does it? All the 157 00:09:27,400 --> 00:09:30,000 Speaker 1: time people say that all the time you sold yourself. 158 00:09:30,080 --> 00:09:34,600 Speaker 1: It's not a a new uh talking point that is 159 00:09:34,600 --> 00:09:36,640 Speaker 1: thrown out from the right. It is not something we 160 00:09:36,679 --> 00:09:39,240 Speaker 1: have not heard before. It's not it won't be the 161 00:09:39,320 --> 00:09:41,319 Speaker 1: last time we hear that. The woman King is not 162 00:09:41,559 --> 00:09:44,880 Speaker 1: all of a sudden making people use that talking point. 163 00:09:45,200 --> 00:09:51,280 Speaker 1: But it is important that you understand. It is important 164 00:09:51,640 --> 00:09:55,360 Speaker 1: that you understand that that is a real life talking 165 00:09:55,440 --> 00:10:01,520 Speaker 1: point that will be used at the result of this movie. 166 00:10:01,600 --> 00:10:05,080 Speaker 1: It will bump it back up if you will, and 167 00:10:05,120 --> 00:10:08,280 Speaker 1: so you need to be prepared to have the discussion 168 00:10:09,200 --> 00:10:15,079 Speaker 1: on who ows, who what and why. So for those 169 00:10:15,120 --> 00:10:19,600 Speaker 1: who are saying, oh, it's just a movie, well it's 170 00:10:19,640 --> 00:10:24,920 Speaker 1: not Black Panther. Black Panther was just a movie. Because 171 00:10:24,920 --> 00:10:27,800 Speaker 1: we knew that a real grown man didn't turn into 172 00:10:27,840 --> 00:10:30,760 Speaker 1: a panther. We knew, even though some of y'all really 173 00:10:30,800 --> 00:10:35,120 Speaker 1: started believing that Wakanda was real, we knew that that 174 00:10:35,200 --> 00:10:40,880 Speaker 1: Black Panther was just a movie. So for those of 175 00:10:40,920 --> 00:10:44,319 Speaker 1: you that say it's just a movie, that's okay if 176 00:10:44,320 --> 00:10:47,000 Speaker 1: you see that through your lens. But those of us 177 00:10:47,000 --> 00:10:52,360 Speaker 1: that are fighting in this movement work, root word move 178 00:10:52,800 --> 00:10:59,800 Speaker 1: m o V just a movie. Those of us that 179 00:10:59,800 --> 00:11:03,319 Speaker 1: are fighting in the root word of this the movement work, 180 00:11:03,920 --> 00:11:07,880 Speaker 1: it is not just a movie because it is based 181 00:11:08,160 --> 00:11:13,200 Speaker 1: upon historical facts. Not all of it is facts, but 182 00:11:13,280 --> 00:11:18,679 Speaker 1: it is based upon there's some history involved there. Now, 183 00:11:18,720 --> 00:11:20,360 Speaker 1: it's okay if you want to go and just be 184 00:11:20,480 --> 00:11:24,720 Speaker 1: entertained and cheer and clap and crying and all of that, 185 00:11:24,720 --> 00:11:31,280 Speaker 1: that's fine, but also be slow to criticize folks who 186 00:11:31,360 --> 00:11:40,240 Speaker 1: also want to critique this based upon movement work. It's okay, 187 00:11:40,520 --> 00:11:45,960 Speaker 1: you can be entertained, but don't expect me with the 188 00:11:46,000 --> 00:11:50,120 Speaker 1: prescription glasses that I wear that are designed for me. 189 00:11:51,800 --> 00:11:55,280 Speaker 1: Somebody say, designed for me. See my eyes and my vision, 190 00:11:55,360 --> 00:11:57,760 Speaker 1: how I see things were designed for me. My my 191 00:11:57,840 --> 00:12:03,040 Speaker 1: prescription is designed for me. So unfortunately, unfortunately. The reason 192 00:12:03,080 --> 00:12:05,280 Speaker 1: why I say unfortunately because sometimes it gets so I 193 00:12:05,320 --> 00:12:07,360 Speaker 1: get tired. I wish I could see stuff like you'll do. 194 00:12:07,600 --> 00:12:10,120 Speaker 1: I wish I could just mosey through life and just 195 00:12:10,240 --> 00:12:13,800 Speaker 1: be entertained about every damn thing. Uh. And I really 196 00:12:13,840 --> 00:12:15,560 Speaker 1: that's what I was thinking about at the end, Like damn, 197 00:12:15,600 --> 00:12:17,360 Speaker 1: I wish I could just be like the rest of 198 00:12:17,440 --> 00:12:19,559 Speaker 1: you all and just were not some of y'all, but 199 00:12:19,679 --> 00:12:22,440 Speaker 1: the a lot of y'all, and just sit around here 200 00:12:22,440 --> 00:12:25,840 Speaker 1: and just be entertained about every damn thing. But unfortunately, 201 00:12:26,120 --> 00:12:29,439 Speaker 1: the prescription glasses that were designed for me, the vision 202 00:12:29,480 --> 00:12:32,400 Speaker 1: that God gave me, I look at things a little 203 00:12:32,400 --> 00:12:35,720 Speaker 1: bit deeper. I look at things a little bit deeper. 204 00:12:36,320 --> 00:12:42,200 Speaker 1: But I understand and show grace the people who don't 205 00:12:42,280 --> 00:12:45,840 Speaker 1: because this If that calling is not for you, that's cool. 206 00:12:45,880 --> 00:12:48,839 Speaker 1: You want to go and and be entertained, that's cool. 207 00:12:48,880 --> 00:12:54,800 Speaker 1: Be entertained, But don't criticize other folks for who are 208 00:12:54,840 --> 00:12:58,000 Speaker 1: looking at this through a different lens and then getting 209 00:12:58,040 --> 00:12:59,800 Speaker 1: big mad at them because they're looking at it through 210 00:13:00,040 --> 00:13:04,800 Speaker 1: for lens. Also, guys, my extra extra WoT folks, show 211 00:13:04,880 --> 00:13:06,800 Speaker 1: some grace to the other folks that they just don't 212 00:13:06,800 --> 00:13:10,680 Speaker 1: see it like you, And that's fine. They just don't 213 00:13:10,679 --> 00:13:13,080 Speaker 1: see it like you and I get in Chicago King. 214 00:13:13,120 --> 00:13:15,480 Speaker 1: You're saying, again the Woman King is not a documentary, 215 00:13:15,559 --> 00:13:20,160 Speaker 1: and again we know it's not a documentary. But again, brother, 216 00:13:20,640 --> 00:13:24,000 Speaker 1: it does have some historical data, and people have the 217 00:13:24,160 --> 00:13:29,840 Speaker 1: right the freedom to pick apart that data. I love 218 00:13:29,920 --> 00:13:33,400 Speaker 1: that the sister just has tag respect my lens. Somebody 219 00:13:33,440 --> 00:13:36,840 Speaker 1: turned to your neighbor has tag respect my lens. So 220 00:13:37,000 --> 00:13:38,880 Speaker 1: you can keep saying it's not a documentary. We know 221 00:13:38,960 --> 00:13:40,839 Speaker 1: it's not a documentary. We know it's a movie. It's 222 00:13:40,840 --> 00:13:42,240 Speaker 1: in the movie there that we know it's a movie. 223 00:13:42,280 --> 00:13:45,319 Speaker 1: We know it's a fictional movie. But there's some people 224 00:13:45,320 --> 00:13:47,000 Speaker 1: that are gonna see it through a different lens and 225 00:13:47,040 --> 00:13:51,880 Speaker 1: critique it as such, which brings great content, great conversation, 226 00:13:52,320 --> 00:13:54,559 Speaker 1: unless some folks don't want to deal with the realities 227 00:13:54,600 --> 00:13:56,440 Speaker 1: of it. There's some people that don't like to deal 228 00:13:56,440 --> 00:13:59,839 Speaker 1: with the realities of it because it's much easier for 229 00:13:59,880 --> 00:14:02,400 Speaker 1: them to be entertained not seeing you. But I do 230 00:14:02,600 --> 00:14:04,640 Speaker 1: I do need you to know that that there's some 231 00:14:04,679 --> 00:14:08,200 Speaker 1: people that will prefer to cheer and clap and stomp 232 00:14:08,320 --> 00:14:11,120 Speaker 1: and yell and cry because they don't want to deal 233 00:14:11,240 --> 00:14:15,960 Speaker 1: with the realities of the historical data part in the movie. 234 00:14:18,640 --> 00:14:21,920 Speaker 1: And so this particular conversation, I got a lot of thoughts, 235 00:14:21,960 --> 00:14:28,240 Speaker 1: personal thoughts about the movie, but this particular conversation what 236 00:14:28,360 --> 00:14:31,400 Speaker 1: I need, what I what I what I Why I'm 237 00:14:31,440 --> 00:14:35,600 Speaker 1: having this conversation is because while while we're busy talking 238 00:14:35,600 --> 00:14:38,040 Speaker 1: about is not a documentary? Is not a documentary? Is 239 00:14:38,080 --> 00:14:43,280 Speaker 1: just a movie, White supremacy is actively using what was 240 00:14:43,320 --> 00:14:49,280 Speaker 1: in the movie to minimize the reparationist movement. So you 241 00:14:49,280 --> 00:14:51,400 Speaker 1: can keep saying it's not a documentary all you want. 242 00:14:51,600 --> 00:14:54,880 Speaker 1: The bottom line is Africans did sale Africans in the slavery. 243 00:14:54,920 --> 00:15:01,800 Speaker 1: They were partially responsible responsible old those talking points are 244 00:15:01,840 --> 00:15:05,280 Speaker 1: being used in real time. And being that I go 245 00:15:05,320 --> 00:15:08,040 Speaker 1: on National TV and have these debates, and I'm saying 246 00:15:08,040 --> 00:15:11,080 Speaker 1: this as respectfully as I possibly can, but being at 247 00:15:11,400 --> 00:15:13,800 Speaker 1: at least from what I see in these comments, none 248 00:15:13,800 --> 00:15:15,560 Speaker 1: of you go over to Fox News and have these 249 00:15:15,560 --> 00:15:19,160 Speaker 1: conversations with these folks. So now you just understanding you 250 00:15:19,160 --> 00:15:21,120 Speaker 1: you're talking to a genus and I'm telling you what 251 00:15:21,160 --> 00:15:25,280 Speaker 1: they're doing. So comments about what it should and shouldn't 252 00:15:25,280 --> 00:15:27,120 Speaker 1: be and all that that doesn't apply to what I'm 253 00:15:27,120 --> 00:15:30,560 Speaker 1: talking about. I'm talking about the comment the talking points 254 00:15:30,800 --> 00:15:38,520 Speaker 1: that are actively being used to minimize movement work. And 255 00:15:38,560 --> 00:15:40,920 Speaker 1: so this MANI training, because this is a training. You're 256 00:15:40,960 --> 00:15:45,760 Speaker 1: in my class. This is a training, in case you 257 00:15:45,800 --> 00:15:53,840 Speaker 1: didn't know, is about movement work. Now, there's plenty of 258 00:15:53,840 --> 00:15:56,640 Speaker 1: other spaces that you guys can go in and debate 259 00:15:56,760 --> 00:16:00,200 Speaker 1: the tribe and how accurate the tribe was and what 260 00:16:00,360 --> 00:16:02,800 Speaker 1: the tribe did and what they didn't did. What I'm 261 00:16:02,840 --> 00:16:05,880 Speaker 1: trying to tell you today is that as you're having 262 00:16:06,000 --> 00:16:11,040 Speaker 1: these conversations, remind people that at the end of the day, 263 00:16:11,360 --> 00:16:14,480 Speaker 1: no matter how many people are cheering, clapping and crying, 264 00:16:14,480 --> 00:16:17,160 Speaker 1: and I'm talking about black folks that's been cheering, clapping 265 00:16:17,160 --> 00:16:21,520 Speaker 1: and crying, we still coming for the check. If they say, well, 266 00:16:21,800 --> 00:16:25,400 Speaker 1: African Soul, everybody they sold their own. Okay, Well, let's 267 00:16:25,440 --> 00:16:27,800 Speaker 1: just let's just take slavery out of it, and let's 268 00:16:27,800 --> 00:16:31,840 Speaker 1: talk about share cropping. Let's talk about redlining, let's talk 269 00:16:31,880 --> 00:16:36,000 Speaker 1: about Jim Crow, Let's talk about mass incarceration, let's talk 270 00:16:36,040 --> 00:16:41,680 Speaker 1: about all of that. If you want to omit slavery Chicago, 271 00:16:41,760 --> 00:16:44,480 Speaker 1: whoever you are, you're not battled, you're not prepared to 272 00:16:44,520 --> 00:16:49,680 Speaker 1: battle me. I didn't say it's the catalyst for killing reparations. 273 00:16:49,720 --> 00:16:53,280 Speaker 1: That's not what I said. I said minimize, and you're 274 00:16:53,320 --> 00:16:56,440 Speaker 1: not prepared, you're not equipped, and you ain't skilled enough 275 00:16:56,680 --> 00:16:59,600 Speaker 1: to debate me. Now, I've seen you many times in 276 00:16:59,640 --> 00:17:04,439 Speaker 1: my mints. I know you think you are, but you're not. Son. Now, 277 00:17:04,440 --> 00:17:05,919 Speaker 1: I don't know if you if you're coming at me 278 00:17:06,040 --> 00:17:07,760 Speaker 1: or you're not, but I'm it's looking like you're coming 279 00:17:07,800 --> 00:17:09,359 Speaker 1: at me. I don't know you all over the place, 280 00:17:09,640 --> 00:17:11,760 Speaker 1: and I'm trying to be as respectful as possible, but 281 00:17:11,800 --> 00:17:15,440 Speaker 1: I get disrespectful. And nobody said it's gonna kill reparations. 282 00:17:15,480 --> 00:17:18,240 Speaker 1: I said minimize. Let's look at the word minimize for 283 00:17:18,280 --> 00:17:20,199 Speaker 1: the brother, because he don't know word. I use my 284 00:17:20,240 --> 00:17:24,520 Speaker 1: words very clear. I'm very clear. Let me look it up. 285 00:17:24,560 --> 00:17:26,720 Speaker 1: This is a training class, welcome to push the line. Training. 286 00:17:26,880 --> 00:17:29,960 Speaker 1: I do training. I don't do conversations. I do. I train. 287 00:17:30,320 --> 00:17:32,840 Speaker 1: So let's look up the word minimize for the brother. So, 288 00:17:33,119 --> 00:17:36,840 Speaker 1: Chicago King, let's look at the definition for minimizes to 289 00:17:37,080 --> 00:17:43,159 Speaker 1: reduce or keep to a minimum. Minimize. So let me 290 00:17:43,160 --> 00:17:45,040 Speaker 1: say it again. Somebody hands tag, look at the neighbor 291 00:17:45,119 --> 00:17:51,879 Speaker 1: and say reduce. Nobody said in the end reparations, nobody 292 00:17:51,920 --> 00:17:53,320 Speaker 1: said that this is why I need you to know 293 00:17:53,400 --> 00:17:55,720 Speaker 1: your words. See I use words. I'm the founder of 294 00:17:55,720 --> 00:17:58,640 Speaker 1: Tesla and Figure or communications group. You're not equipped, you're 295 00:17:58,640 --> 00:18:01,199 Speaker 1: not skilled enough, you don't s far enough, You're not 296 00:18:01,280 --> 00:18:03,400 Speaker 1: a heavyweight champ when it comes to this. And I'm 297 00:18:03,440 --> 00:18:08,360 Speaker 1: saying that disrespectfully. So either listen or get on out 298 00:18:08,400 --> 00:18:22,320 Speaker 1: the commons, or get embarrassed. So let me give the 299 00:18:22,359 --> 00:18:26,439 Speaker 1: definition one more time to the brother that didn't get it. 300 00:18:27,880 --> 00:18:33,520 Speaker 1: Minimize means to reduce to the smallest possible amount or degree, 301 00:18:34,760 --> 00:18:41,960 Speaker 1: to represent at the lowest possible amount value importance. Somebody 302 00:18:41,960 --> 00:18:48,600 Speaker 1: has sag importance, influence, et cetera, especially in a disparaging way. 303 00:18:50,000 --> 00:18:54,440 Speaker 1: So what I said was that many, not all, see 304 00:18:54,440 --> 00:18:59,760 Speaker 1: this is Chicago, don't understand words. Many not all. Many 305 00:19:00,080 --> 00:19:04,480 Speaker 1: people will try to use the talking point of African 306 00:19:04,520 --> 00:19:11,280 Speaker 1: selling Africans as a way to minimize movement work. And 307 00:19:11,320 --> 00:19:17,600 Speaker 1: it's already happening. It's on my wall, dumb, dumb, it's 308 00:19:17,600 --> 00:19:20,680 Speaker 1: on my wall, It's on Twitter. Go look for yourself. 309 00:19:22,680 --> 00:19:30,680 Speaker 1: Now let's proceed. So as you're having these conversations, remind 310 00:19:30,800 --> 00:19:36,760 Speaker 1: people that, regardless of how they feel, because some people 311 00:19:36,920 --> 00:19:39,560 Speaker 1: really like this movie, there's gonna be people who want 312 00:19:39,560 --> 00:19:41,560 Speaker 1: to be entertained. We got some in the comments now 313 00:19:41,600 --> 00:19:46,280 Speaker 1: who are there to minimize historical data because they roll 314 00:19:46,440 --> 00:19:50,760 Speaker 1: through life wanting to be entertained, and the results prove it. 315 00:19:51,880 --> 00:19:54,320 Speaker 1: They're trying to entertain now in the comments, they want 316 00:19:54,320 --> 00:19:58,480 Speaker 1: to entertain. They're all about entertainment. Uh. In the circus 317 00:19:58,520 --> 00:20:02,920 Speaker 1: movement is called clown. In the circus movement, it's called 318 00:20:02,960 --> 00:20:07,320 Speaker 1: court gesture. So even now we see somebody literally right 319 00:20:07,359 --> 00:20:11,000 Speaker 1: here being a court gesture trying to destruct you from 320 00:20:11,000 --> 00:20:16,160 Speaker 1: what it is I'm talking about because anybody they can't 321 00:20:16,240 --> 00:20:20,600 Speaker 1: understand that white supremacy will try to minimize the movement 322 00:20:20,640 --> 00:20:26,199 Speaker 1: with this. It's a clown and somebody not for our calls. 323 00:20:27,680 --> 00:20:29,440 Speaker 1: So let me say it again for the dumb dumb 324 00:20:29,520 --> 00:20:34,560 Speaker 1: in the back, it is okay if you enjoy this movie. 325 00:20:34,600 --> 00:20:39,120 Speaker 1: I have really great friends who do movement work that 326 00:20:39,200 --> 00:20:44,000 Speaker 1: really were inspired by the movie, really felt good about 327 00:20:44,040 --> 00:20:49,920 Speaker 1: seeing um black women in these positions. Uh. Matter of fact, 328 00:20:50,520 --> 00:20:54,080 Speaker 1: Tiffany who's over at who does a lot of movement work, 329 00:20:54,400 --> 00:20:58,320 Speaker 1: She did an entire uh post about it about it 330 00:20:58,400 --> 00:21:01,720 Speaker 1: was important to hurt. She she was really um excited 331 00:21:01,760 --> 00:21:06,320 Speaker 1: about seeing dark skinned athletic women in these roles. And 332 00:21:06,440 --> 00:21:12,520 Speaker 1: I know Tiffany is about the work. So even folks 333 00:21:12,560 --> 00:21:17,120 Speaker 1: who do movement works may still be inspired by this film. 334 00:21:17,160 --> 00:21:20,720 Speaker 1: But there are also people who are not inspired by 335 00:21:20,760 --> 00:21:25,720 Speaker 1: this film, who see it as a disrespect and see 336 00:21:25,760 --> 00:21:29,159 Speaker 1: it as glorification. And they have their right too, And 337 00:21:29,200 --> 00:21:31,919 Speaker 1: that's what this really is about. You don't have to 338 00:21:32,000 --> 00:21:35,400 Speaker 1: move how they move or vice versa. But when somebody 339 00:21:35,440 --> 00:21:39,880 Speaker 1: goes out of their way trying to get you to say, 340 00:21:39,880 --> 00:21:41,560 Speaker 1: don't worry about that, don't worry about that, don't worry 341 00:21:41,560 --> 00:21:44,240 Speaker 1: about the facts, don't worry about the facts. Just be entertained. 342 00:21:44,359 --> 00:21:48,040 Speaker 1: Then they're not. They're not for black people. This, this 343 00:21:48,119 --> 00:21:50,920 Speaker 1: brother here, or whoever he is, he's not for black people. 344 00:21:50,960 --> 00:21:53,200 Speaker 1: He's a clown. And I'm leaving a minute so y'all 345 00:21:53,240 --> 00:21:55,160 Speaker 1: can see what a real life cloan looks like. It's 346 00:21:55,200 --> 00:21:57,520 Speaker 1: kind of like kids. You don't when kids be yelling, hey, hey, 347 00:21:57,560 --> 00:21:59,119 Speaker 1: you look at me, look at me. This is what 348 00:21:59,240 --> 00:22:01,959 Speaker 1: this brother is doing. It's a clown. It's court gesture. 349 00:22:02,000 --> 00:22:07,080 Speaker 1: Type ship. Because I've said multiple times, if you are 350 00:22:07,200 --> 00:22:10,080 Speaker 1: entertained by this movie, be entertained, cheering, clap and feel 351 00:22:10,080 --> 00:22:12,720 Speaker 1: good about it. But if you are in movement work 352 00:22:12,840 --> 00:22:16,359 Speaker 1: and you feel like this this movie turns your stomach 353 00:22:16,400 --> 00:22:20,879 Speaker 1: and makes you feel some type of way, then you 354 00:22:20,960 --> 00:22:26,160 Speaker 1: got there right too. Just like this sister who's saying 355 00:22:26,320 --> 00:22:29,000 Speaker 1: seeing all those dark skinned women looking beautiful and strong, yes, 356 00:22:29,240 --> 00:22:32,840 Speaker 1: I understand how people can be inspired by that. I 357 00:22:32,920 --> 00:22:37,960 Speaker 1: also understand, and in regards to that, I also understand 358 00:22:38,240 --> 00:22:41,000 Speaker 1: that because there is trauma around that, and people want 359 00:22:41,000 --> 00:22:46,239 Speaker 1: to see that so bad that sometimes it can clog up, 360 00:22:46,440 --> 00:22:48,919 Speaker 1: fog up the lens. If you will, you know, if 361 00:22:48,920 --> 00:22:52,399 Speaker 1: you're driving and you need to turn your your de 362 00:22:52,520 --> 00:22:56,560 Speaker 1: foggers on, or you need to turn on the you know, 363 00:22:56,600 --> 00:22:58,520 Speaker 1: if your windows fall up and you gotta turn on 364 00:22:58,560 --> 00:23:00,760 Speaker 1: the From losing my train of thought, but you know 365 00:23:00,880 --> 00:23:03,840 Speaker 1: you turned the the error on to get the fall 366 00:23:03,960 --> 00:23:08,720 Speaker 1: off the windshield. What is it, y'all? I don't forgot 367 00:23:08,720 --> 00:23:12,560 Speaker 1: the train of thought. Sometimes you you because of the 368 00:23:12,640 --> 00:23:17,640 Speaker 1: trauma with us wanting to see ourselves in strong positions, 369 00:23:19,000 --> 00:23:23,800 Speaker 1: and particularly darker skinned women who have been left out 370 00:23:23,840 --> 00:23:29,160 Speaker 1: of movie screens. Yes, de Frost, thank you, says Sometimes 371 00:23:29,200 --> 00:23:34,000 Speaker 1: that has created a defrost of not wanting to look 372 00:23:34,000 --> 00:23:36,359 Speaker 1: at the whole picture, kind of like a windshield. You know, 373 00:23:36,480 --> 00:23:38,280 Speaker 1: you have a windshield, you have the whole picture, the 374 00:23:38,280 --> 00:23:42,880 Speaker 1: whole windshield. Some of my girlfriends left me voice memo saying, Hey, 375 00:23:42,920 --> 00:23:44,399 Speaker 1: I don't care what they gotta say. I don't care 376 00:23:44,400 --> 00:23:46,160 Speaker 1: what you gotta say about this. I like it. I'm 377 00:23:46,200 --> 00:23:51,200 Speaker 1: supporting it. That's it. That's all. Hey cool gay Google says, Hey, 378 00:23:51,320 --> 00:23:54,720 Speaker 1: if it makes you feel good, and whatever reason you 379 00:23:54,840 --> 00:23:58,160 Speaker 1: wrapped around in this, be a strong woman or dark 380 00:23:58,200 --> 00:24:01,520 Speaker 1: skinned women or whatever it is that's triggering your emotion, 381 00:24:01,880 --> 00:24:07,639 Speaker 1: to inspire you by all means be inspired. But that 382 00:24:07,800 --> 00:24:12,280 Speaker 1: still can't negate the fact that America, we're still gonna 383 00:24:12,280 --> 00:24:15,960 Speaker 1: be talking about the rereparations though, regardless of who so who, 384 00:24:16,119 --> 00:24:19,720 Speaker 1: we still are gonna be talking about those reparations because 385 00:24:19,760 --> 00:24:24,680 Speaker 1: that is a real thing that is happening. And any 386 00:24:24,720 --> 00:24:27,840 Speaker 1: any basic dumb dumb can go to Twitter making you 387 00:24:27,840 --> 00:24:30,119 Speaker 1: need to get off Instagram. Whoever it is, cloud is 388 00:24:30,200 --> 00:24:33,800 Speaker 1: court gesture is get off Instagram and go to Twitter, 389 00:24:34,280 --> 00:24:36,719 Speaker 1: you know where they share links and have conversations, not 390 00:24:36,800 --> 00:24:39,920 Speaker 1: just posting videos and pictures and comedy and ship. Go 391 00:24:40,040 --> 00:24:42,040 Speaker 1: over to Twitter and you can see that this is 392 00:24:42,080 --> 00:24:48,760 Speaker 1: a real life conversation that is being had. It's a 393 00:24:48,800 --> 00:24:51,439 Speaker 1: real life conversation when I went to the movie, just 394 00:24:51,480 --> 00:24:53,119 Speaker 1: as many white folks in the movie as it was 395 00:24:53,160 --> 00:24:56,840 Speaker 1: black people. So it's a real life conversation. And being 396 00:24:56,880 --> 00:24:59,400 Speaker 1: that I really do go over and debate people on 397 00:24:59,440 --> 00:25:02,159 Speaker 1: the right and do it well. Let me have, let 398 00:25:02,160 --> 00:25:04,240 Speaker 1: me have tag my damn said, let me turn to 399 00:25:04,320 --> 00:25:09,200 Speaker 1: my neighbor and do it well, shut down my opposition 400 00:25:09,359 --> 00:25:12,640 Speaker 1: every single time I get in the ring. I think 401 00:25:12,680 --> 00:25:17,480 Speaker 1: I can speak from experience on how uh white supremacy 402 00:25:17,520 --> 00:25:22,679 Speaker 1: talking points are used against us in real time. So 403 00:25:22,800 --> 00:25:24,720 Speaker 1: y'all don't have to worry about listening to this clown 404 00:25:24,880 --> 00:25:27,520 Speaker 1: that's looking for attention, because y'all can go look at 405 00:25:27,560 --> 00:25:29,880 Speaker 1: my receipts and see that I I really do talk 406 00:25:29,920 --> 00:25:34,600 Speaker 1: to white supremacists for real, in real time lies. So 407 00:25:34,680 --> 00:25:36,959 Speaker 1: I think I know a little bit about how talking 408 00:25:36,960 --> 00:25:41,320 Speaker 1: points are used against us and how to annihilate those 409 00:25:41,359 --> 00:25:44,560 Speaker 1: talking points. I just used this particular clown as just 410 00:25:44,640 --> 00:25:47,439 Speaker 1: the clown example, just for you guys, not not at 411 00:25:47,480 --> 00:25:50,639 Speaker 1: any moment dud. Did I think he was an actual contender. 412 00:25:52,440 --> 00:25:54,880 Speaker 1: It's kind of like Mike Tyson. What Mike Tyson looked 413 00:25:54,920 --> 00:25:57,280 Speaker 1: like beating up somebody on the plane, But he did 414 00:25:57,320 --> 00:26:00,280 Speaker 1: beat somebody up on the plane, right, Because sometimes people 415 00:26:00,280 --> 00:26:02,800 Speaker 1: just need to get socked in their mouth because the 416 00:26:02,840 --> 00:26:05,600 Speaker 1: audacity or whoever that was to think they actually could 417 00:26:05,600 --> 00:26:10,360 Speaker 1: fight Mike Tyson and kept, you know, taunting and taunting 418 00:26:10,400 --> 00:26:13,359 Speaker 1: and taunting the heavyweight champion of the world, the former 419 00:26:13,400 --> 00:26:15,600 Speaker 1: having heavyweight champion the world, one of the best that 420 00:26:15,640 --> 00:26:18,440 Speaker 1: ever did it the audacity for this guy to think 421 00:26:18,480 --> 00:26:21,000 Speaker 1: he can taunt and toun and tunt, and so Mike 422 00:26:21,119 --> 00:26:23,280 Speaker 1: Tyson just simply had to sock him in the mouth. 423 00:26:23,520 --> 00:26:26,280 Speaker 1: So when I am talking to a court, gesture, uh 424 00:26:26,359 --> 00:26:29,000 Speaker 1: please Instagram, never be distracted. Please don't think for one 425 00:26:29,000 --> 00:26:31,680 Speaker 1: second that person is distracting me at all. I use 426 00:26:31,800 --> 00:26:34,000 Speaker 1: that just so y'all can see Mike Tyson hit somebody 427 00:26:34,040 --> 00:26:36,800 Speaker 1: in the mouth with a quick right. That's all this, 428 00:26:37,119 --> 00:26:39,760 Speaker 1: that's all that is is just to entertain you guys, 429 00:26:39,920 --> 00:26:42,760 Speaker 1: because the court just is always looking at being, you know, entertainment. 430 00:26:42,760 --> 00:26:45,320 Speaker 1: So I just like to sock people in their mouth verbally. 431 00:26:45,520 --> 00:26:47,200 Speaker 1: Let me take a sip of my tea. I don't 432 00:26:47,200 --> 00:26:48,680 Speaker 1: want you to think I was at a pause and 433 00:26:48,720 --> 00:26:51,280 Speaker 1: a lost words. I'm just taking a sip because my 434 00:26:51,320 --> 00:26:59,800 Speaker 1: mouth is getting dryed. Bear with me one moment now, 435 00:27:00,200 --> 00:27:06,280 Speaker 1: Like I said, as you're having these conversations and people 436 00:27:06,280 --> 00:27:09,680 Speaker 1: start veering off into Africans or selling Africans and it's 437 00:27:09,720 --> 00:27:12,399 Speaker 1: all Africans, well, guess what looks like Africa owe with 438 00:27:12,520 --> 00:27:15,880 Speaker 1: some money to the bottom line is we are still 439 00:27:16,000 --> 00:27:20,880 Speaker 1: proceeding with reparations regardless of how many Black people clapping cheer. 440 00:27:21,320 --> 00:27:24,000 Speaker 1: And I just want to remind black people as you 441 00:27:24,040 --> 00:27:28,840 Speaker 1: are clapping and crying and cheering to also, if you will, 442 00:27:29,880 --> 00:27:35,080 Speaker 1: please make sure that you are also reminding folks every 443 00:27:35,080 --> 00:27:41,639 Speaker 1: now and then the result of slavery and being sold 444 00:27:41,640 --> 00:27:45,199 Speaker 1: in the slavery lasted for four hundred years because what 445 00:27:45,280 --> 00:27:47,639 Speaker 1: happens is they take your one little clipper you're clapping 446 00:27:47,680 --> 00:27:50,439 Speaker 1: and cheering and crying, and then they use that against you. 447 00:27:51,119 --> 00:27:56,199 Speaker 1: Are us? Are the movement work? If you will? And 448 00:27:56,200 --> 00:27:58,720 Speaker 1: and I'm talking to my high profile folks that have 449 00:27:58,840 --> 00:28:01,399 Speaker 1: big platforms that are here clapping and crying and cheering. 450 00:28:02,000 --> 00:28:05,000 Speaker 1: So I just want to remind you that they they 451 00:28:05,119 --> 00:28:09,880 Speaker 1: used that to minimize and already went over the definition 452 00:28:09,880 --> 00:28:15,320 Speaker 1: to minimize, to minimize our work. Now, I will give 453 00:28:15,400 --> 00:28:20,879 Speaker 1: you some of uh my personal thoughts on the movie, 454 00:28:22,520 --> 00:28:25,880 Speaker 1: my personal thoughts. Look at you and then even say 455 00:28:25,920 --> 00:28:27,840 Speaker 1: this is personal, this has nothing to do with move 456 00:28:27,920 --> 00:28:33,280 Speaker 1: and work uh me personally. I I was in the military, 457 00:28:33,359 --> 00:28:35,040 Speaker 1: so and then when I was in the military, I 458 00:28:35,119 --> 00:28:37,720 Speaker 1: was in a male dominated field. I was an M 459 00:28:37,800 --> 00:28:45,120 Speaker 1: sixty gunner. Um, so I understand that there are women 460 00:28:45,240 --> 00:28:49,840 Speaker 1: warriors that fight. I do. I also understand though that 461 00:28:49,960 --> 00:28:51,640 Speaker 1: I'm not a man at the end of the day. 462 00:28:53,000 --> 00:28:58,760 Speaker 1: And while some people, you know, even though we can 463 00:28:58,800 --> 00:29:01,040 Speaker 1: say it's not a documentary, some movie, it's a movie, 464 00:29:01,680 --> 00:29:03,720 Speaker 1: we know that there are some people that really think 465 00:29:03,760 --> 00:29:07,440 Speaker 1: that sometimes movies are real. And these were real women warriors, 466 00:29:07,480 --> 00:29:10,640 Speaker 1: so that this was real life. That part is a 467 00:29:10,720 --> 00:29:14,080 Speaker 1: real it's real. These were women warriors, and so I 468 00:29:14,160 --> 00:29:16,560 Speaker 1: do think and I love the fiction and the drama 469 00:29:16,640 --> 00:29:20,360 Speaker 1: of it all of having these women beating these men's ass. 470 00:29:20,360 --> 00:29:23,200 Speaker 1: But I just want to remind you women that I 471 00:29:23,240 --> 00:29:26,320 Speaker 1: don't know how accurate that would have been. With Viola 472 00:29:26,440 --> 00:29:29,160 Speaker 1: Davis being that man that probably was an easy three 473 00:29:29,400 --> 00:29:32,480 Speaker 1: D something pounds, so be careful, ladies, don't get hyped 474 00:29:32,560 --> 00:29:35,480 Speaker 1: up walking out this movie and think you can think 475 00:29:35,520 --> 00:29:37,600 Speaker 1: you can suck on some man that's three hundred and 476 00:29:37,640 --> 00:29:40,320 Speaker 1: some pounds. So I just I just want to remind you. 477 00:29:40,480 --> 00:29:43,400 Speaker 1: I think I'm pretty damn tough, but the only thing 478 00:29:43,440 --> 00:29:45,520 Speaker 1: I know gonna knock down some man three hundred some 479 00:29:45,640 --> 00:29:48,120 Speaker 1: pounds is a pistol. So I just wanna, I just 480 00:29:48,200 --> 00:29:50,880 Speaker 1: want to remind you. If you're walking at the movie 481 00:29:52,280 --> 00:29:54,880 Speaker 1: and you got your chest out and you're walking up, 482 00:29:55,200 --> 00:29:58,920 Speaker 1: I just want to remind you. Uh, I don't know 483 00:29:58,920 --> 00:30:00,920 Speaker 1: if you can up no man three hundred and something pounds. 484 00:30:00,960 --> 00:30:03,000 Speaker 1: So if y'all I don't want to spoil it, but 485 00:30:03,680 --> 00:30:05,280 Speaker 1: you shouldn't be only if you don't want to spoil 486 00:30:05,280 --> 00:30:08,840 Speaker 1: because I'm again I said, I'm talking about the woman king. Uh, 487 00:30:08,920 --> 00:30:10,680 Speaker 1: I'm talking about that scene at the end when she 488 00:30:10,800 --> 00:30:13,640 Speaker 1: was really going total told, you know, like a real 489 00:30:13,720 --> 00:30:15,480 Speaker 1: faith with the dude to head to be what I 490 00:30:15,600 --> 00:30:19,640 Speaker 1: would six three damn the fogs of pounds at best. 491 00:30:19,680 --> 00:30:21,920 Speaker 1: So I just I just want to remind you, ladies, 492 00:30:22,680 --> 00:30:24,440 Speaker 1: you get the walking out there with your chests a 493 00:30:24,480 --> 00:30:26,479 Speaker 1: little bit too far out. You better have a pistol 494 00:30:26,480 --> 00:30:28,120 Speaker 1: on you. So I just I just want to put 495 00:30:28,160 --> 00:30:30,200 Speaker 1: that part out there. I just want to put that 496 00:30:30,240 --> 00:30:34,520 Speaker 1: part out there. Um, because when I did men's work 497 00:30:34,560 --> 00:30:37,240 Speaker 1: in the military M sixty gunner, I had a weapon 498 00:30:37,280 --> 00:30:39,320 Speaker 1: of M sixty that that had a hundred rounds. So 499 00:30:39,360 --> 00:30:41,640 Speaker 1: I'm very well aware that I can't knock no man now. 500 00:30:41,800 --> 00:30:44,360 Speaker 1: So I just because some of y'all know, y'all say 501 00:30:44,400 --> 00:30:46,800 Speaker 1: it's just a movie, but some of y'all walk out 502 00:30:46,800 --> 00:30:49,480 Speaker 1: there thinking, y'all one of these warriors, I just don't 503 00:30:49,480 --> 00:30:51,320 Speaker 1: want you to get laid on your back. That's it. 504 00:30:51,400 --> 00:30:55,400 Speaker 1: I'm just saying that for the safety of it all. Uh. 505 00:30:55,480 --> 00:30:58,240 Speaker 1: The second part, again, this is personal. I dealt with 506 00:30:58,280 --> 00:31:00,320 Speaker 1: the movie, and I need you all to be smart 507 00:31:00,440 --> 00:31:02,920 Speaker 1: enough and keep up enough for those who are just joining. 508 00:31:02,920 --> 00:31:05,000 Speaker 1: I dealt with the movement side of it already. You 509 00:31:05,000 --> 00:31:06,840 Speaker 1: can go back and listen to the beginning. I dealt 510 00:31:06,880 --> 00:31:10,360 Speaker 1: with the dealing with the talking point of reparations and 511 00:31:10,400 --> 00:31:13,400 Speaker 1: all of that. Now I'm just talking about my own 512 00:31:13,480 --> 00:31:20,520 Speaker 1: personal you know, just my personal things that I saw. Uh. 513 00:31:20,680 --> 00:31:23,080 Speaker 1: I want to address this and I'm and I'm just 514 00:31:23,120 --> 00:31:25,240 Speaker 1: gonna say this and y'all can put deal with it, 515 00:31:25,280 --> 00:31:30,800 Speaker 1: however y'all want to deal with it. There was a 516 00:31:30,800 --> 00:31:33,960 Speaker 1: feminine male that was in the movie, and one of 517 00:31:34,000 --> 00:31:36,240 Speaker 1: the sisters on Twitter who follows me, she said that 518 00:31:36,320 --> 00:31:38,320 Speaker 1: all the men were feminine, and I think she was 519 00:31:38,360 --> 00:31:40,080 Speaker 1: a little she put a two on a tin on 520 00:31:40,120 --> 00:31:42,720 Speaker 1: that one, since it wasn't all of them, but there 521 00:31:42,840 --> 00:31:49,640 Speaker 1: was one. And there are people that take issue with that. Um, 522 00:31:49,680 --> 00:31:52,760 Speaker 1: because there are people that believe that there is an 523 00:31:52,840 --> 00:31:58,440 Speaker 1: extra emphasis on making sure that there's always a gay 524 00:31:58,480 --> 00:32:01,840 Speaker 1: black man in every or not every and most films. 525 00:32:01,840 --> 00:32:05,960 Speaker 1: So now two people of the LGBT community, they're saying, 526 00:32:06,080 --> 00:32:08,640 Speaker 1: that's right. It should be because there's always been gave 527 00:32:08,720 --> 00:32:11,080 Speaker 1: me around. Now again, I'm just giving y'all both sides 528 00:32:11,120 --> 00:32:13,960 Speaker 1: of the talking points, just what people are saying about 529 00:32:13,960 --> 00:32:16,760 Speaker 1: the movie, because I know most of y'all to listen 530 00:32:16,800 --> 00:32:18,600 Speaker 1: to people to talk about this movie. They're gonna talk 531 00:32:18,680 --> 00:32:20,760 Speaker 1: how they feel and that's it and push that agenda. 532 00:32:21,000 --> 00:32:22,880 Speaker 1: And I'm giving you all of the different things that 533 00:32:22,920 --> 00:32:25,040 Speaker 1: people have said, because some things can be true at 534 00:32:25,040 --> 00:32:31,600 Speaker 1: the same time. Um, there are people that have a 535 00:32:31,680 --> 00:32:36,200 Speaker 1: problem with why did they insert this male concubine in 536 00:32:36,240 --> 00:32:39,560 Speaker 1: the movie because it it just it was literally inserted 537 00:32:39,600 --> 00:32:42,280 Speaker 1: and really had no relevance. But then there's also in 538 00:32:42,280 --> 00:32:43,760 Speaker 1: these way I'm telling you, in the group chats, I 539 00:32:43,880 --> 00:32:46,200 Speaker 1: was having with some folks that said, there's always been 540 00:32:46,200 --> 00:32:48,920 Speaker 1: feminine win and they're feminine men, and there's always been 541 00:32:49,600 --> 00:32:53,080 Speaker 1: masculine women. That's true too, So you can watch the 542 00:32:53,160 --> 00:32:56,480 Speaker 1: movie and and and formulate your own opinion on that. 543 00:32:56,520 --> 00:32:58,120 Speaker 1: But I did want to point that out that it 544 00:32:58,160 --> 00:33:01,560 Speaker 1: wasn't all of the men. It was just one in 545 00:33:01,600 --> 00:33:08,640 Speaker 1: the movie. Me personally, Um, because of where we are 546 00:33:08,680 --> 00:33:11,680 Speaker 1: in two thousand and twenty two, I would have preferred 547 00:33:12,400 --> 00:33:15,520 Speaker 1: they did show some of the men fighting with the women, 548 00:33:17,560 --> 00:33:19,920 Speaker 1: which was good. I think it was important even though 549 00:33:19,960 --> 00:33:23,080 Speaker 1: this was a woman led uh infantry. I think it 550 00:33:23,160 --> 00:33:25,440 Speaker 1: was important to show black men fighting with the women. 551 00:33:25,480 --> 00:33:27,440 Speaker 1: And they did do that. And some folks say that 552 00:33:27,480 --> 00:33:29,320 Speaker 1: they didn't, but they did. If you go watch the movie, 553 00:33:29,360 --> 00:33:32,440 Speaker 1: you'll see. But they did not highlight any of those characters. 554 00:33:33,080 --> 00:33:35,120 Speaker 1: And let me give you what both sides of the 555 00:33:35,160 --> 00:33:37,360 Speaker 1: toping points will be with that. Some will say, well, 556 00:33:37,400 --> 00:33:39,200 Speaker 1: if they highlighted the men, that will take away from 557 00:33:39,200 --> 00:33:42,880 Speaker 1: the women. Okay, I understand that, but then also understand 558 00:33:42,880 --> 00:33:45,120 Speaker 1: the other side, y'all of people who want to see 559 00:33:45,160 --> 00:33:47,960 Speaker 1: black men and women fighting together will say no, in 560 00:33:48,000 --> 00:33:49,720 Speaker 1: today's time, we need to be able to show us 561 00:33:49,760 --> 00:33:52,920 Speaker 1: together because there's a lot of division between black women 562 00:33:53,040 --> 00:33:56,080 Speaker 1: and black men, and they are using that as a 563 00:33:56,120 --> 00:33:58,600 Speaker 1: way to drive this further part. And that can be 564 00:33:58,640 --> 00:34:00,360 Speaker 1: true as well. Two things can be true at the 565 00:34:00,400 --> 00:34:03,240 Speaker 1: same time. I really need y'all to understand that two 566 00:34:03,280 --> 00:34:14,279 Speaker 1: things can be true at the same time. Now, this 567 00:34:14,360 --> 00:34:18,560 Speaker 1: is the part that I personally, if I had any 568 00:34:18,600 --> 00:34:23,719 Speaker 1: if if there was anything that I really I don't 569 00:34:23,719 --> 00:34:26,400 Speaker 1: want to say take issue with because again it is 570 00:34:26,480 --> 00:34:33,680 Speaker 1: just a movie. But the Portuguese mixed guy that came 571 00:34:33,719 --> 00:34:38,359 Speaker 1: in that they inserted to have a love interest with 572 00:34:39,920 --> 00:34:44,920 Speaker 1: the one of the warriors and making him this savior. 573 00:34:46,160 --> 00:34:49,160 Speaker 1: I spent time looking up all week and to see 574 00:34:49,160 --> 00:34:52,080 Speaker 1: if this was a real person and if and if 575 00:34:52,120 --> 00:34:54,319 Speaker 1: and if anybody got any information on that to show 576 00:34:54,400 --> 00:34:57,920 Speaker 1: me different, please do because I spent all weekend trying 577 00:34:57,960 --> 00:35:01,160 Speaker 1: to figure out if that character was real. Because again, 578 00:35:01,440 --> 00:35:03,840 Speaker 1: no matter how many people these comments keep saying, it 579 00:35:03,920 --> 00:35:05,840 Speaker 1: was just some movie, just a movie, it was based 580 00:35:05,920 --> 00:35:08,920 Speaker 1: upon real characters and real ship that happened. So I 581 00:35:09,000 --> 00:35:13,640 Speaker 1: wanted to know was this character, this mixed guy that 582 00:35:13,840 --> 00:35:17,279 Speaker 1: came in quote unquote to see his roots even though 583 00:35:17,320 --> 00:35:20,080 Speaker 1: he came over with a slave trader, and I guess 584 00:35:20,080 --> 00:35:21,840 Speaker 1: what's struggling with should he be a part of the 585 00:35:21,880 --> 00:35:24,480 Speaker 1: slave trade or should he fall in love with one 586 00:35:24,480 --> 00:35:28,040 Speaker 1: of the Africans. I wanted to find out that that 587 00:35:28,160 --> 00:35:33,480 Speaker 1: was a real character. Okay, I want to read this 588 00:35:33,480 --> 00:35:35,400 Speaker 1: comment as a gay black man, I do feel the 589 00:35:35,440 --> 00:35:38,560 Speaker 1: gay black men definitely get the screen time to belittle 590 00:35:38,560 --> 00:35:40,800 Speaker 1: black mass cleaning. Well, that's interesting. So you heard that 591 00:35:40,920 --> 00:35:43,160 Speaker 1: coming from a game guy. But there's also some people 592 00:35:43,200 --> 00:35:46,800 Speaker 1: who say who gay people who say, um, black people, 593 00:35:47,040 --> 00:35:50,239 Speaker 1: black gay men need more screen time. So that's just 594 00:35:50,400 --> 00:35:52,239 Speaker 1: one of the things that you're gonna hear as your 595 00:35:52,280 --> 00:35:57,120 Speaker 1: as you're having this conversation with people. But I I 596 00:35:57,200 --> 00:36:02,680 Speaker 1: thought it was just interesting to have this, uh, this 597 00:36:02,880 --> 00:36:07,840 Speaker 1: savior who was mixed but of lighter skin more on. 598 00:36:08,160 --> 00:36:11,719 Speaker 1: You know, he was mixed, he definitely wasn't an African. 599 00:36:12,280 --> 00:36:14,480 Speaker 1: I thought it was interesting that there was a love 600 00:36:14,800 --> 00:36:17,560 Speaker 1: that she fell in love with him, and then at 601 00:36:17,640 --> 00:36:22,959 Speaker 1: the end when she um when they tried to sell 602 00:36:23,040 --> 00:36:26,040 Speaker 1: her he was the one that bought her and because 603 00:36:26,080 --> 00:36:28,160 Speaker 1: of him she got a chance to go fight and 604 00:36:28,200 --> 00:36:31,480 Speaker 1: all that. So that was a little bit for me. Again, 605 00:36:31,520 --> 00:36:33,120 Speaker 1: I can't help the lens that I see it, And 606 00:36:33,120 --> 00:36:35,320 Speaker 1: I'm not just running around like being entertained by stuff. 607 00:36:35,320 --> 00:36:36,960 Speaker 1: Now y'all might be entertained by, but I can't help 608 00:36:37,000 --> 00:36:40,720 Speaker 1: the lens that was given to me. I really was like, um, 609 00:36:40,760 --> 00:36:44,399 Speaker 1: I don't really think that was that necessary. If if 610 00:36:44,400 --> 00:36:47,439 Speaker 1: there was, if the whole push was about you can't 611 00:36:47,480 --> 00:36:49,839 Speaker 1: fall in love, you can't fall in love, I would 612 00:36:49,880 --> 00:36:52,480 Speaker 1: have preferred this is just me personally. I would have 613 00:36:52,520 --> 00:36:57,399 Speaker 1: preferred she had fail in love with a black man, 614 00:36:57,640 --> 00:37:02,320 Speaker 1: me personally personally, because it does. But it does contribute 615 00:37:02,320 --> 00:37:05,359 Speaker 1: to that great white hope agenda. It just does. And 616 00:37:05,440 --> 00:37:06,840 Speaker 1: you guys don't have to see it that way. But 617 00:37:06,880 --> 00:37:09,959 Speaker 1: I'm just telling you I didn't. I wasn't really feeling that. 618 00:37:10,160 --> 00:37:12,359 Speaker 1: I wasn't really feeling that part. I was like, well, 619 00:37:13,680 --> 00:37:15,960 Speaker 1: because she not because they have just taken love out 620 00:37:16,000 --> 00:37:18,399 Speaker 1: of it, or I guess you know, the movie had 621 00:37:18,440 --> 00:37:20,759 Speaker 1: to have that in it because she noted maybe it 622 00:37:20,800 --> 00:37:22,920 Speaker 1: fell in love with somebody else that it had to 623 00:37:22,960 --> 00:37:25,080 Speaker 1: be the one that didn't know if he wanted to 624 00:37:25,080 --> 00:37:28,239 Speaker 1: sell to come sell slaves or fall in love with 625 00:37:28,239 --> 00:37:31,160 Speaker 1: a slave, even I came to learn my roots and 626 00:37:31,200 --> 00:37:33,600 Speaker 1: all of that. You know. That was just I don't 627 00:37:33,600 --> 00:37:36,719 Speaker 1: know about that part. That part was like, come on that, y'all. 628 00:37:37,440 --> 00:37:40,160 Speaker 1: We don't we're doing to my Let's focus on the warriors. 629 00:37:40,280 --> 00:37:44,480 Speaker 1: Let's get through this. But that part was I was 630 00:37:44,520 --> 00:37:48,239 Speaker 1: a little bit, a little bit like, oh, I don't 631 00:37:48,239 --> 00:37:50,480 Speaker 1: know if I like that part that much. But again, 632 00:37:50,520 --> 00:37:55,520 Speaker 1: it the movie wasn't centered on it. Uh, But I 633 00:37:55,560 --> 00:37:57,759 Speaker 1: just thought, if we're going to be honest and have 634 00:37:57,840 --> 00:38:01,479 Speaker 1: the conversation about why people are so excited to see dark, 635 00:38:01,680 --> 00:38:04,000 Speaker 1: dark skin and black women on on the screen, well 636 00:38:04,080 --> 00:38:07,040 Speaker 1: let's be fair then and let's ask why couldn't she 637 00:38:07,120 --> 00:38:09,799 Speaker 1: fall in love with the dark skin black men. I'll 638 00:38:09,880 --> 00:38:11,400 Speaker 1: let you let me take a sip right quick on 639 00:38:11,400 --> 00:38:14,840 Speaker 1: that one. If y'all gonna push it's important to see black, 640 00:38:15,880 --> 00:38:20,000 Speaker 1: dark skinned women on the scene, then why because she not? 641 00:38:20,280 --> 00:38:22,120 Speaker 1: Why couldn't have been Why couldn't she fall in love 642 00:38:22,160 --> 00:38:25,200 Speaker 1: with another warrior? Because the black men in the movie 643 00:38:25,239 --> 00:38:27,640 Speaker 1: were beating the hell out of us, So why couldn't 644 00:38:27,680 --> 00:38:30,960 Speaker 1: be the savior, the one that saved the day, the 645 00:38:31,000 --> 00:38:32,960 Speaker 1: one that she fell in love. When how come he 646 00:38:32,960 --> 00:38:34,880 Speaker 1: couldn't be no dark skin black man. It's just a question, 647 00:38:34,880 --> 00:38:36,760 Speaker 1: I ask. It's just a question. I know it's a movie. 648 00:38:36,960 --> 00:38:39,520 Speaker 1: I know y'all entertained by it, but I I do, 649 00:38:39,640 --> 00:38:43,279 Speaker 1: I do gotta kind of point that out, you know, 650 00:38:43,320 --> 00:38:46,000 Speaker 1: since y'all so we in the color, since color is 651 00:38:46,040 --> 00:38:48,480 Speaker 1: all about it. I'm just I just that was just 652 00:38:48,520 --> 00:38:52,080 Speaker 1: one of the things that I know is personally. One 653 00:38:52,080 --> 00:38:55,279 Speaker 1: comment says I didn't need the love story. I don't 654 00:38:55,320 --> 00:38:59,359 Speaker 1: know if it was that to add to the rebellious spirit. Yeah, 655 00:38:59,440 --> 00:39:02,880 Speaker 1: I guess, you know, I guess it was. You know, 656 00:39:03,000 --> 00:39:05,200 Speaker 1: I didn't need it either, you know, because they already 657 00:39:05,200 --> 00:39:06,799 Speaker 1: said you can't be in love, So I didn't need 658 00:39:06,880 --> 00:39:09,319 Speaker 1: it either, But they put it in there. So all 659 00:39:09,360 --> 00:39:11,120 Speaker 1: I'm saying is why you couldn't put it in there? 660 00:39:11,160 --> 00:39:14,600 Speaker 1: And one of them fine man Dingo brothers. That that's 661 00:39:14,600 --> 00:39:18,319 Speaker 1: all I that's my only thing with that, you know, 662 00:39:19,480 --> 00:39:21,680 Speaker 1: since y'all bringing up color, you know, let's go ahead 663 00:39:21,680 --> 00:39:24,360 Speaker 1: and have it. Why come with why come one of 664 00:39:24,360 --> 00:39:26,440 Speaker 1: the man Dingo brothers she couldn't fall in love with? 665 00:39:26,520 --> 00:39:31,880 Speaker 1: Him and uh uh let him save the day and 666 00:39:31,880 --> 00:39:33,759 Speaker 1: then put it on a real good and make us say, 667 00:39:33,760 --> 00:39:35,040 Speaker 1: I don't want to be no war. You know more, 668 00:39:35,080 --> 00:39:37,640 Speaker 1: I think I'm be in loved because then we know 669 00:39:37,719 --> 00:39:39,920 Speaker 1: we know black men can do what y'all. We know 670 00:39:39,960 --> 00:39:42,400 Speaker 1: black men can do it because nobody here attack. If 671 00:39:42,440 --> 00:39:44,960 Speaker 1: can't nobody change a woman's mind, it's a black man. 672 00:39:45,080 --> 00:39:47,759 Speaker 1: So I just feel like, you know, I'm joking now, 673 00:39:47,800 --> 00:39:51,080 Speaker 1: but I'm so for real. If y'all like good fiction, 674 00:39:51,160 --> 00:39:53,719 Speaker 1: shout out uh to one of my very best friends 675 00:39:53,760 --> 00:39:56,719 Speaker 1: in the world's Pubby Johnson just joined us. Please go 676 00:39:56,840 --> 00:40:01,560 Speaker 1: check out any of his books over ten fifteen, twelver, 677 00:40:01,600 --> 00:40:03,600 Speaker 1: I can't keep up no more. There and Walmart, Barnes 678 00:40:03,600 --> 00:40:05,840 Speaker 1: and Noble all over the country. One of them is 679 00:40:05,840 --> 00:40:09,200 Speaker 1: dedicated to me. By the way. Uh So, y'all check 680 00:40:09,200 --> 00:40:13,880 Speaker 1: out Spud Johnson's book. He's in the comments. Uh my 681 00:40:14,120 --> 00:40:16,160 Speaker 1: l a rider that feels some type of way about 682 00:40:16,200 --> 00:40:18,520 Speaker 1: me and don't really like when y'all being here talking 683 00:40:18,520 --> 00:40:20,560 Speaker 1: ship and playing. I got some people in l A 684 00:40:20,600 --> 00:40:23,080 Speaker 1: that really don't like, uh like and when y'all play 685 00:40:23,160 --> 00:40:26,080 Speaker 1: with me a lot. But anyway, we'll we'll move we'll 686 00:40:26,120 --> 00:40:28,840 Speaker 1: move on past that. And I guess that's why. I 687 00:40:29,120 --> 00:40:32,200 Speaker 1: guess we're bringing that up. I guess that's why for me, 688 00:40:32,640 --> 00:40:34,720 Speaker 1: I know there are a lot of women that saw 689 00:40:34,800 --> 00:40:37,400 Speaker 1: this and feel alone in the battle, and I just 690 00:40:37,440 --> 00:40:39,719 Speaker 1: don't feel alone in the battle. I know. I gotta 691 00:40:39,800 --> 00:40:41,960 Speaker 1: rider that's gonna ride with me, that's gonna say move 692 00:40:42,040 --> 00:40:45,560 Speaker 1: out the way. I got that, and I'm talking about physically, 693 00:40:46,080 --> 00:40:49,040 Speaker 1: will physically move out the way and go beat somebody 694 00:40:49,120 --> 00:40:53,360 Speaker 1: up for me. So I guess that's why for me. Uh, 695 00:40:53,520 --> 00:40:57,840 Speaker 1: I like to see black men and black women together 696 00:40:57,960 --> 00:41:01,759 Speaker 1: in that way. Now again, I understand this movie, I 697 00:41:01,800 --> 00:41:05,320 Speaker 1: get it. But if we're gonna talk about a movie, 698 00:41:05,840 --> 00:41:08,799 Speaker 1: a fiction movie that that I like, that I really 699 00:41:08,880 --> 00:41:13,040 Speaker 1: rock with. I really like, um, the harder they fall, 700 00:41:13,960 --> 00:41:16,120 Speaker 1: I like the harder they fall. And I know people 701 00:41:16,160 --> 00:41:18,040 Speaker 1: had issues with that because they said, why did the 702 00:41:18,120 --> 00:41:20,560 Speaker 1: leading one have to be light skinned? Okay, that's fair, 703 00:41:20,920 --> 00:41:24,600 Speaker 1: But I like the harder they fall because our heroes 704 00:41:24,960 --> 00:41:30,960 Speaker 1: and our villains were black. I like the the drama 705 00:41:31,040 --> 00:41:35,960 Speaker 1: in it, and I specially love the genuine love that 706 00:41:36,080 --> 00:41:38,560 Speaker 1: they had for each other and the couple and how 707 00:41:38,600 --> 00:41:42,320 Speaker 1: they were truly you know, just on some real ride 708 00:41:42,320 --> 00:41:45,440 Speaker 1: of ship together. My favorite scene is when they were, oh, 709 00:41:45,480 --> 00:41:48,640 Speaker 1: you gotta watch have they seen harder they fall? My 710 00:41:48,680 --> 00:41:52,240 Speaker 1: favorite scene was when they were uh, you know, fighting, 711 00:41:52,320 --> 00:41:56,239 Speaker 1: shooting each other and had each other's back literally his 712 00:41:56,440 --> 00:42:01,759 Speaker 1: woman and stagecoach Mary and the lead Mail. So I 713 00:42:02,040 --> 00:42:03,799 Speaker 1: that to me if I'm if I'm gonna be all 714 00:42:03,840 --> 00:42:08,279 Speaker 1: excited about something fiction. I liked that entire thing that 715 00:42:08,400 --> 00:42:11,520 Speaker 1: just that movie was just awesome and it made me 716 00:42:11,600 --> 00:42:14,400 Speaker 1: just feel good in a lot of different ways, even 717 00:42:14,560 --> 00:42:19,200 Speaker 1: you know, Regina King's role, even the villains, the bad guys. Um, 718 00:42:19,239 --> 00:42:21,879 Speaker 1: I just liked the whole thing. She she she went 719 00:42:21,960 --> 00:42:24,960 Speaker 1: hard into paint, you know, and it just showed black 720 00:42:25,000 --> 00:42:28,200 Speaker 1: men and black women equal in a lot of ways, 721 00:42:28,560 --> 00:42:32,239 Speaker 1: but still a black man lad but still a black 722 00:42:32,280 --> 00:42:35,120 Speaker 1: woman followed and sometimes she had to lead. And when 723 00:42:35,120 --> 00:42:39,000 Speaker 1: I say lead, I meant when he said, hey, don't 724 00:42:39,000 --> 00:42:41,000 Speaker 1: come follow me, say where you are, and she was like, no, 725 00:42:41,160 --> 00:42:43,279 Speaker 1: we're coming with you. We're riding with you. That was 726 00:42:43,280 --> 00:42:46,000 Speaker 1: a leadership thing that she did. She took a leadership 727 00:42:46,080 --> 00:42:48,160 Speaker 1: role and say no, if you're gonna die, we all 728 00:42:48,280 --> 00:42:50,720 Speaker 1: them die. And then they rolled off in the sunset 729 00:42:50,760 --> 00:42:52,799 Speaker 1: together at the end. So that and so if we're 730 00:42:52,800 --> 00:42:55,880 Speaker 1: gonna get caught up an emotional about a movie and 731 00:42:55,920 --> 00:42:58,719 Speaker 1: clapping and cheering and crying, that was one for me 732 00:42:59,040 --> 00:43:02,200 Speaker 1: that I just liked all the way through. And there 733 00:43:02,280 --> 00:43:04,200 Speaker 1: was some truth to that too. Some of those characters 734 00:43:04,200 --> 00:43:07,560 Speaker 1: were true. But we cannot pretend that Woman King is 735 00:43:07,600 --> 00:43:10,759 Speaker 1: not based upon historical facts, no matter how many people 736 00:43:10,840 --> 00:43:12,800 Speaker 1: keep tashtagging it's not a movie, it's not it's a 737 00:43:12,840 --> 00:43:15,160 Speaker 1: document is a document, is not a documentary. It's a movie. 738 00:43:15,160 --> 00:43:17,560 Speaker 1: It's a Movie's a movie? You sound. I know, I 739 00:43:17,600 --> 00:43:20,080 Speaker 1: can't say this because I know retarded. I know. We 740 00:43:20,120 --> 00:43:23,799 Speaker 1: can't use retarded anymore because y'all get mad. So what's 741 00:43:23,800 --> 00:43:30,080 Speaker 1: the word that they use? Um intellectually disabled. You're intellectually disabled. 742 00:43:30,280 --> 00:43:34,120 Speaker 1: If you don't understand that there are some history data 743 00:43:34,280 --> 00:43:36,840 Speaker 1: in this movie that people are going to talk about, 744 00:43:38,000 --> 00:43:42,080 Speaker 1: you have an intellectual disability. If you don't understand that 745 00:43:42,160 --> 00:43:44,880 Speaker 1: there is there are facts in this movie that people 746 00:43:44,880 --> 00:43:47,840 Speaker 1: are going to talk about, and and you continuing to 747 00:43:47,880 --> 00:43:50,400 Speaker 1: say it's just a movie, It's just a movie, shows 748 00:43:50,480 --> 00:43:58,239 Speaker 1: that you're intellectually disabled. Yeah, challenged, So that that's all 749 00:43:58,320 --> 00:43:59,879 Speaker 1: it is too. It so don't get mad at people 750 00:44:00,080 --> 00:44:03,279 Speaker 1: talking about the facts. And the movie is designed that way. 751 00:44:03,280 --> 00:44:05,200 Speaker 1: You should talk about it. That's what movies, that's what 752 00:44:05,320 --> 00:44:07,239 Speaker 1: art is. To come out and talk about it and 753 00:44:07,320 --> 00:44:10,520 Speaker 1: disagree and not agree, and you know, see all of 754 00:44:10,560 --> 00:44:12,960 Speaker 1: the see what triggers it pulls in people. And and 755 00:44:13,000 --> 00:44:16,160 Speaker 1: now you're getting a chance to see what triggers emotional 756 00:44:16,200 --> 00:44:20,799 Speaker 1: triggers it pulls in people. Even some of the people 757 00:44:20,800 --> 00:44:22,920 Speaker 1: that I that I talked to, like on a daily basis, 758 00:44:23,719 --> 00:44:25,600 Speaker 1: send me a voice Smiths and said, I don't want 759 00:44:25,600 --> 00:44:28,319 Speaker 1: to hear nothing you gotta say about this bottom line, 760 00:44:28,360 --> 00:44:31,000 Speaker 1: ain't gonna let nobody steal my joy. I love this movie, 761 00:44:31,040 --> 00:44:34,720 Speaker 1: il la lah. I love black women. I love seeing 762 00:44:34,800 --> 00:44:38,520 Speaker 1: dark skinning black women be strong. Blah blah blah, Hey cool. 763 00:44:39,520 --> 00:44:42,600 Speaker 1: I love by Alla Davis, no doubt, we love by 764 00:44:42,600 --> 00:44:44,879 Speaker 1: Alla Davis. But this ain't about by all of Davis. 765 00:44:44,920 --> 00:44:47,239 Speaker 1: This is bigger than by all the Davis, just like 766 00:44:47,280 --> 00:44:50,279 Speaker 1: it ain't about one Supreme Court chair, you know, once 767 00:44:50,520 --> 00:44:54,480 Speaker 1: one woman as Supreme Court justice, one President Obama. I'm 768 00:44:54,520 --> 00:44:57,040 Speaker 1: always this page. I always gonna talk about the broader issue. 769 00:44:57,080 --> 00:44:59,600 Speaker 1: It's not about one person. It's about the broader issue 770 00:45:00,200 --> 00:45:02,360 Speaker 1: because if Iola got her money, somebody can say she 771 00:45:02,400 --> 00:45:04,759 Speaker 1: got him. She already got paid for this. So while 772 00:45:04,760 --> 00:45:07,920 Speaker 1: everybody talking about we got to support Viola, Yeah, support Violi, 773 00:45:07,960 --> 00:45:10,160 Speaker 1: but she already got paid for this. I'm I was 774 00:45:10,239 --> 00:45:15,279 Speaker 1: I'm talking about movement work. Somebody said, let's talk about 775 00:45:15,280 --> 00:45:22,520 Speaker 1: the lace front they put on his head. So anyway, guys, 776 00:45:22,960 --> 00:45:26,080 Speaker 1: those are my thoughts. Um I'm wrapping this up. I 777 00:45:26,200 --> 00:45:32,000 Speaker 1: just want to again, for those who just joined, go 778 00:45:32,080 --> 00:45:35,640 Speaker 1: back and listen to the beginning of this live. Go 779 00:45:35,680 --> 00:45:38,560 Speaker 1: back and listen to the beginning on YouTube or Twitter. 780 00:45:39,200 --> 00:45:42,839 Speaker 1: I am simply not debating with you on if you 781 00:45:42,880 --> 00:45:46,759 Speaker 1: should like it or not like it, or who you 782 00:45:46,800 --> 00:45:51,160 Speaker 1: should boycott or watch it or whatever. What I am 783 00:45:51,360 --> 00:45:56,359 Speaker 1: saying is that, no matter what whatever conversations you have 784 00:45:56,600 --> 00:46:02,040 Speaker 1: about this, make sure that America knows that we still 785 00:46:02,560 --> 00:46:09,360 Speaker 1: are coming for our check. We are still coming for 786 00:46:09,600 --> 00:46:12,799 Speaker 1: our check. And that's important to know because whether you 787 00:46:12,920 --> 00:46:16,400 Speaker 1: get it or not, in your space arguing with your friends, 788 00:46:16,960 --> 00:46:21,360 Speaker 1: I am telling you, as somebody that debates white supremacists 789 00:46:21,360 --> 00:46:25,279 Speaker 1: in real time, they are absolutely using this as a 790 00:46:25,360 --> 00:46:29,080 Speaker 1: talking point. So I just want to make sure that 791 00:46:29,200 --> 00:46:32,799 Speaker 1: as you're having the conversation you remind people that we 792 00:46:32,880 --> 00:46:36,880 Speaker 1: are coming for our check. If you like what you 793 00:46:37,000 --> 00:46:39,640 Speaker 1: heard on Straight Shot No Chaser, please subscribe and drop 794 00:46:39,680 --> 00:46:41,919 Speaker 1: a five star review and tell a friend. Straight Shot 795 00:46:41,960 --> 00:46:44,440 Speaker 1: No Chaser is a production of the Black Effect podcast 796 00:46:44,480 --> 00:46:47,080 Speaker 1: Networking I Heart Radio, an teslaent figure Out and I'd 797 00:46:47,120 --> 00:46:50,520 Speaker 1: like to thank our producer editor mixer Dwyane Crawford and 798 00:46:50,520 --> 00:46:53,880 Speaker 1: our executive producer Charlottage Nagod. For more podcasts from I 799 00:46:54,000 --> 00:46:57,560 Speaker 1: Heart Radio, visit the I Heart Radio app, Apple Podcast, 800 00:46:57,800 --> 00:47:03,760 Speaker 1: or wherever you get your podcasts used