WEBVTT - Episode 448 w/ Will Smith

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<v Speaker 1>It is drinks Chests, motherfucking podcasts.

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<v Speaker 2>He's a legendary queens rapper.

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<v Speaker 1>He ain't agreed as your boy in o r E.

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<v Speaker 2>He's a Miami hip hop pioneer put up as d

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<v Speaker 2>j e f N. Together they drink it up with

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<v Speaker 2>some of the biggest players you know me and the

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<v Speaker 2>most professional unprofessional podcast and your number one source for drunk.

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<v Speaker 1>Drink chans mock post every days New Year set It's

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<v Speaker 1>time for drink Champs. Drink up? Father? Would it go

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<v Speaker 1>Ben to see? This is your boy in r E

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<v Speaker 1>was going on as dj e f N. It is

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<v Speaker 1>mid Save Me Crazy World podcast. Make some Now.

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<v Speaker 3>When we started the show, we said that there wasn't

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<v Speaker 3>an outlet for people who has been seasoned in this game,

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<v Speaker 3>for people who have been ten years or more with

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<v Speaker 3>the person that we're about to introduce. The person that

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<v Speaker 3>we're talking about. Not only is he season he's making

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<v Speaker 3>look good.

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<v Speaker 1>He has dominated every world for when you talk about

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<v Speaker 1>with your parents not understanding, to sitcoms to movies, to

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<v Speaker 1>dominating goddamn gumming on a goddamn plane. Preach this, motherfucking

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<v Speaker 1>don't gear. He is the potential when you think of

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<v Speaker 1>black excellence. When you think of a person who came

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<v Speaker 1>from the hood and made it somewhere and kept going.

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<v Speaker 1>This is the fucking picture you should see in the

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<v Speaker 1>dictionary for not just black people, for ally more throughout

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<v Speaker 1>the world, for people who made it from the bottle

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<v Speaker 1>and really, really, really made it to the top.

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<v Speaker 3>This man has dominated so many feels. We are proud

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<v Speaker 3>of him. We are happy to have him on the show.

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<v Speaker 3>In case you don't know what we're talking about, we're.

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<v Speaker 1>Talking about I'm about to say, fresh Prince. That's That's

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<v Speaker 1>where I'm going with you. Yes, we take it, Anna say,

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<v Speaker 1>but you can't forget we're in Philly. Philly, by the way,

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<v Speaker 1>let me just tell you something.

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<v Speaker 3>I'm gonna be honest with you, and I know some

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<v Speaker 3>people from Philly gonna question this.

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<v Speaker 1>This this is what I'm about to say. Well, just

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<v Speaker 1>be careful because you still yeah I am. You don't

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<v Speaker 1>know what about to say I am Because, first of

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<v Speaker 1>Philly is my.

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<v Speaker 3>Number one market from me being from New York and

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<v Speaker 3>even in drink Champs, I believe it's always been on

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<v Speaker 3>top five mark. But this is the first time ever

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<v Speaker 3>I flew to Philly and I've seen clear blue Water.

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<v Speaker 1>Yeah, I was like, did Will Smith by.

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<v Speaker 4>This?

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<v Speaker 1>Mother? A? I phil Blue Water? Like, I mean, come,

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<v Speaker 1>I'm coming from Miami coming. I was like, did you

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<v Speaker 1>buy some ship? You know, because I knew ya was coming? Switch?

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<v Speaker 1>We hit this swit. We hit the switch when when

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<v Speaker 1>luminaries coming, you got a street named after you? Congratulations? Man.

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<v Speaker 3>See, are people not only when they get a street

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<v Speaker 3>named after them, but most of the time it's always

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<v Speaker 3>after they pass away, and most of the time almost

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<v Speaker 3>after like they reached their glory days.

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<v Speaker 1>And it's like kind of like when they reached it,

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<v Speaker 1>like you're on top for sure, you're not dead, You're

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<v Speaker 1>not that you're well alive. A couple of days last year,

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<v Speaker 1>I wish I was, so, how does this happen? May

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<v Speaker 1>I calls you and what do they say? So, you know,

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<v Speaker 1>Charlie Max, Charlie, that's my dude, and you know he's

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<v Speaker 1>really connected with the city and stuff like that. So he's, uh,

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<v Speaker 1>you know, he's always pushing for stuff like that. That's

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<v Speaker 1>my that's my day one ride or die, you know.

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<v Speaker 1>So they made contact and you know, it's funny. It

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<v Speaker 1>was like really changely emotional for me. It's like, you know,

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<v Speaker 1>because I want awards and stuff like that. But the

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<v Speaker 1>it's a it's a street named after me in front

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<v Speaker 1>of my high school. It hits this right, so and

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<v Speaker 1>and it hit real different and my mom is sitting

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<v Speaker 1>there and the mayor presents it, you know, and it

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<v Speaker 1>was like and it's called will Smith Way, right, and

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<v Speaker 1>it really it really hit me with the idea of

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<v Speaker 1>like what is the will Smith Way that kids are

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<v Speaker 1>gonna come out and cross the bridge and think about

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<v Speaker 1>the will Smith Way? That was? That was so do

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<v Speaker 1>you think that? Do you think your your neighborhood will

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<v Speaker 1>have crime in it? Or you're gonna We're gonna put

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<v Speaker 1>we ended that's right. We only only elevated. We only

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<v Speaker 1>we only elevated. Were learning and growing and evolving. So

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<v Speaker 1>I'm a bounce around a little bit. I'm gonna have

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<v Speaker 1>a drink. Drink what they got what they put in here? Okay,

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<v Speaker 1>I don't know some will smips. I'm just letting you know.

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<v Speaker 1>I was like I would say, you know, I to

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<v Speaker 1>do like drink champs. I wanted to sit with y'all

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<v Speaker 1>like I'm a drink chump. So we get the lit'sten.

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<v Speaker 1>We're gonna phrase that I'm gonna be let's yeah, it ain't.

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<v Speaker 1>I'm gonna be no good one. Drink. Okay, we have

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<v Speaker 1>a beautiful Philly bartender here, So would you like to

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<v Speaker 1>serve with Will Smith?

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<v Speaker 5>Drink?

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<v Speaker 1>Okay, keep it real. What's your name, Amanda? How you doing? Man?

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<v Speaker 1>Just so so we go, okay, all right, boom, we're

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<v Speaker 1>gonna bounce some right. Do you realize.

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<v Speaker 3>It might be my opinion, but I believe everyone else

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<v Speaker 3>and in here is probably gonna say the same thing.

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<v Speaker 3>Bad Boys franchise might be the best franchise in movie history.

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<v Speaker 1>Mmm. Okay, I'll take that. I'll take that. That's definitely

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<v Speaker 1>your opinion. You know some people go disagree, Well, name

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<v Speaker 1>somebody who would just we're only talking golf. We only

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<v Speaker 1>talk the god Oh, the Godfather. We only talk Godfather

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<v Speaker 1>for sure, God, because that's all seriousness. They were throwing.

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<v Speaker 3>Fishes and ship if y'all was throwing fish and somebody

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<v Speaker 3>you know, like, yeah, we we have that.

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<v Speaker 1>Well we're gonna add some fish next time, be up

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<v Speaker 1>there with the Godfather. But okay, it's hard to do

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<v Speaker 1>what we did in Bad Boys. The one thing I'm

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<v Speaker 1>gonna get that I'm gonna give us because you know,

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<v Speaker 1>I can't say it about myself, but I can't. I

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<v Speaker 1>do agree with you. I agree y yeah. But like

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<v Speaker 1>twenty seven years after Bad Boys Too, like to be

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<v Speaker 1>able to do a third one twenty seven years later,

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<v Speaker 1>and then be able to do a fourth movie and

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<v Speaker 1>they all are increasing in in the box office success.

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<v Speaker 1>That's that's hard to do. That's hard to do it.

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<v Speaker 1>That's how I realized how dope it was. And I

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<v Speaker 1>realized how good you was the actor when I realized

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<v Speaker 1>you got DJ college and promot. That's true. You're just

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<v Speaker 1>going that. I can take it. He's Collage, very funny.

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<v Speaker 1>So on on on Bad Boys three, calid. You know,

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<v Speaker 1>he was having a hard time with his lines and

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<v Speaker 1>stuff like that. So on Bad Boys four, he decided

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<v Speaker 1>he was going to be perfect. So he's stating character.

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<v Speaker 1>So he was. I was like, yo, so listen, like

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<v Speaker 1>in the in the parking lot, coming into work, I was, Yo, Cali,

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<v Speaker 1>what's up? What's uping? Yo? Hey, what's up. He's stayed

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<v Speaker 1>in character for like two weeks. I didn't see him

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<v Speaker 1>out of character. I was like, Callage, you're doing a lot.

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<v Speaker 1>It's just it's Bad Boys you don't have to do

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<v Speaker 1>method active for boys. He stayed in there hard though,

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<v Speaker 1>but he did a He did a really he did

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<v Speaker 1>a good job. Like the I've watched the movie in

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<v Speaker 1>ten countries and when Cali comes on camera around the world,

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<v Speaker 1>audience is like they just he got a thing. People

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<v Speaker 1>just love seeing them. So as my friend Capone walked

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<v Speaker 1>in from Copona and Noriega and I'm thinking about.

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<v Speaker 3>Odd Legacies are one of the first records on the album.

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<v Speaker 3>By the way, you was starting on the album, Yo.

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<v Speaker 1>Yo, I'm listening to that. I'm like, Yo, you're trying

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<v Speaker 1>to show you. I feel like I feelve you had

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<v Speaker 1>something to prove. Yeah, no, I have more than something

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<v Speaker 1>to prove. I had something to say, right, And you know,

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<v Speaker 1>I felt like the first track on the album is

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<v Speaker 1>called uh Shop interior barbershop. There he was having fun

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<v Speaker 1>on that. I was having fun, right, So what I

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<v Speaker 1>wanted was like, you know, let everybody know, I know

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<v Speaker 1>what job saying someone reminded me of somewhat what eminem did,

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<v Speaker 1>like everything about so no one can say right, absolutely

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<v Speaker 1>continue because it was based on Eddie Murphy's barbershop scene

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<v Speaker 1>from Coming to America, right, So I played three characters

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<v Speaker 1>on the track, Jeff play one and be some mom.

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<v Speaker 1>Uh played a character. But what I wanted to do

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<v Speaker 1>was to really to set it to rap. So the

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<v Speaker 1>people are talking, but they're talking in rhyme form lines

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<v Speaker 1>back and forth. So I wanted it to be a

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<v Speaker 1>really unique, uh kind of creation where I got to

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<v Speaker 1>just say everything that I wanted to say. Uh. It's

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<v Speaker 1>like it's in the back of people's mind. So first track,

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<v Speaker 1>I want to get it out so we can, you know,

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<v Speaker 1>open up to talk about what I want to talk about.

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<v Speaker 1>Intro right into the track, like Abby Dabby, I was like, yeah, yeah, yeah,

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<v Speaker 1>So let me ask you. We're standing the burn the forest,

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<v Speaker 1>in a burning forest. Didn't know where I'm going, Yeah, okay,

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<v Speaker 1>we a burning burning forest. You got one bottle of water.

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<v Speaker 1>One bottle of water. This one bottle of water to

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<v Speaker 1>saved somebody. But you got two choices. You got Martin

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<v Speaker 1>Lawrence there, damn, and then you got Jazzy Jeff. Damn.

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<v Speaker 1>Wow ended out for me. Damn. It's Martin Lawrence and

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<v Speaker 1>Jazzy Jeff and it's one bottle of water. I heave

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<v Speaker 1>that bitch in the forest and we all die. Together.

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<v Speaker 1>I'm gonna say about that component fn I did not

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<v Speaker 1>have to answer. God, I'm like, yeah, no way, ain't,

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<v Speaker 1>no way, I wouldn't. I wouldn't be able to live

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<v Speaker 1>with myself either way. We are, We're gonna all end

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<v Speaker 1>it right now.

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<v Speaker 3>Okay, So let's let's speak about Jazzy Jeff, right, because

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<v Speaker 3>that relationship to me, yeah, man, and.

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<v Speaker 1>We all know that that is really really good question.

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<v Speaker 1>By the way, about that all that's a really that's like,

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<v Speaker 1>that's a really.

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<v Speaker 3>But that's a very seldom thing in this industry, right

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<v Speaker 3>when you look at people who had twenty five year relationship, right,

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<v Speaker 3>and then God bless me because I'm not coming at

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<v Speaker 3>this new generation.

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<v Speaker 1>But you see these guys, they last a year or two.

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<v Speaker 3>They can't stick with the manager, they can't stick with

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<v Speaker 3>the rol person, they can't stick with everybody. But you

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<v Speaker 3>and Jazzy Jeff have like a thirty year career.

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<v Speaker 1>But then you don't.

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<v Speaker 3>You don't have them just one. You have this Martin Lawrence,

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<v Speaker 3>the same thing. And then I've read somewhere or heard

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<v Speaker 3>somewhere where Martin Lawrence didn't even want you in Bad Boys.

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<v Speaker 1>No, No, it was the other way. The studio didn't

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<v Speaker 1>want me. Martin had the script. Oh wow. Right, so

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<v Speaker 1>the studio didn't want me, and Martin said he wouldn't

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<v Speaker 1>do it if it wasn't with me. Oh wow. Right,

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<v Speaker 1>So Martin wanted he had the script, and you know,

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<v Speaker 1>he was looking at Eddie and his sister was like,

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<v Speaker 1>you know, I really think you need to do this.

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<v Speaker 1>Oh yes, right, Well, his sister was, I really think

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<v Speaker 1>you need to do it with Will And he thought

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<v Speaker 1>about it, and he called me and we had a meeting,

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<v Speaker 1>and then the studio was like, yeah, you know, it's

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<v Speaker 1>like both of us were we were successful on TV,

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<v Speaker 1>but we weren't Eddie, right, So they wanted to do

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<v Speaker 1>it with Eddie, and Martin was like after we met,

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<v Speaker 1>He was like, no, it has to be well we weren't.

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<v Speaker 1>We met. He called me to come to his house

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<v Speaker 1>to pitch Bad Boys, and we met. We had a

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<v Speaker 1>dinner at his house, and we met that night for

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<v Speaker 1>Battle Let's yeah, and then just ever since then, it's

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<v Speaker 1>like it's hard.

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<v Speaker 4>To have.

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<v Speaker 1>Real relationships, you know. You know, but like in this business,

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<v Speaker 1>it's hard to have it's hard to have real relationships

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<v Speaker 1>because what happens, especially you know in in movies, you're

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<v Speaker 1>talking about you know, five, ten, twenty dollars. When you're

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<v Speaker 1>talking about it, you're talking about real talking about Yeah,

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<v Speaker 1>we're talking about real money. It's really hard for somebody

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<v Speaker 1>to make a decision for a relationship over a decision

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<v Speaker 1>for money, you know. And it's it's like, Martin, is

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<v Speaker 1>you know, one of those relationships. It's like one of

0:13:12.000 --> 0:13:16.840
<v Speaker 1>one of my only my real relationships are before movies,

0:13:16.960 --> 0:13:18.800
<v Speaker 1>like you know, we and Philly, and you're looking around

0:13:18.840 --> 0:13:22.280
<v Speaker 1>and like, you know, like the youngest of my squad

0:13:22.440 --> 0:13:30.760
<v Speaker 1>got twenty years you know, the goal here, you know.

0:13:30.840 --> 0:13:34.560
<v Speaker 1>So it's like, you know, I'm in this season of

0:13:34.559 --> 0:13:37.160
<v Speaker 1>my life. I'm really taking notice to those things. Right

0:13:37.440 --> 0:13:40.200
<v Speaker 1>first day on the set of Bad Boys four, you know,

0:13:40.280 --> 0:13:42.680
<v Speaker 1>I'm doing it. I'm going to go on and Martin said, hey, hey,

0:13:43.600 --> 0:13:47.000
<v Speaker 1>he said, he said, man, we made three of these

0:13:47.559 --> 0:13:52.480
<v Speaker 1>and we don't really remember a lot. He was like,

0:13:52.720 --> 0:13:55.280
<v Speaker 1>we're gonna pay attention for this one, okay. When he said,

0:13:55.280 --> 0:13:58.000
<v Speaker 1>we do remember a lot with me because we just

0:13:58.000 --> 0:14:00.320
<v Speaker 1>like we were running, running, running around, Paying said, he

0:14:00.360 --> 0:14:01.880
<v Speaker 1>was like, no, no, no, no, it was day one. He

0:14:01.920 --> 0:14:04.840
<v Speaker 1>was like, no, slow down, And it's like we're gonna

0:14:04.880 --> 0:14:09.120
<v Speaker 1>take in, we're gonna live in the experience, you know,

0:14:09.280 --> 0:14:11.400
<v Speaker 1>and it was really good, and we kind of settled down.

0:14:11.400 --> 0:14:13.720
<v Speaker 1>He was like, we're gonna make the movie. It's gonna

0:14:13.720 --> 0:14:17.120
<v Speaker 1>be good, or it's gonna not be good. He was like,

0:14:17.160 --> 0:14:20.360
<v Speaker 1>but what we have is our attention, and I was like,

0:14:20.640 --> 0:14:23.360
<v Speaker 1>got it. And we just really just settled down and

0:14:23.400 --> 0:14:26.040
<v Speaker 1>it's like, you know, that's my that's my dude right there. Man,

0:14:26.160 --> 0:14:30.320
<v Speaker 1>Like he is as as authentic a person as you

0:14:30.400 --> 0:14:32.760
<v Speaker 1>will ever meet Mark Martin.

0:14:33.160 --> 0:14:35.480
<v Speaker 4>Was it a culture shot going from the music side

0:14:35.600 --> 0:14:37.200
<v Speaker 4>to the Hollywood side?

0:14:37.480 --> 0:14:40.800
<v Speaker 1>It was, Yeah, it was really it was different in

0:14:40.840 --> 0:14:46.080
<v Speaker 1>the in the sense that so music is really current, right,

0:14:46.120 --> 0:14:48.840
<v Speaker 1>So you're you're making this stuff, you're in it, and

0:14:48.880 --> 0:14:52.000
<v Speaker 1>it's really current. And then what happens when you into

0:14:52.080 --> 0:14:55.480
<v Speaker 1>television it slows down a little bit. It's like five

0:14:55.640 --> 0:14:59.040
<v Speaker 1>months delay you make something and then it's you know,

0:14:59.200 --> 0:15:01.520
<v Speaker 1>five months before it comes out. Then when you get

0:15:01.520 --> 0:15:04.120
<v Speaker 1>in a movie, it could be two years before it

0:15:04.120 --> 0:15:08.680
<v Speaker 1>comes out, and like it just loses the the immediacy

0:15:09.320 --> 0:15:12.560
<v Speaker 1>of it. So for me, that was that was, uh,

0:15:12.680 --> 0:15:15.840
<v Speaker 1>the biggest difference, the biggest difference, Like in the expression

0:15:15.880 --> 0:15:17.960
<v Speaker 1>of it. It's like you don't get to you don't

0:15:17.960 --> 0:15:23.120
<v Speaker 1>get to create and get it out in a timely

0:15:23.200 --> 0:15:25.280
<v Speaker 1>fashion where you like you're checking in to see how

0:15:25.600 --> 0:15:28.960
<v Speaker 1>people get feedback. You're getting your feedback, right. So it's

0:15:28.960 --> 0:15:34.119
<v Speaker 1>it's harder to stay current with with movies and television

0:15:34.160 --> 0:15:36.800
<v Speaker 1>than it is with with music. What about the environment though,

0:15:36.960 --> 0:15:39.280
<v Speaker 1>in terms of that, in terms of the people, Yeah,

0:15:40.280 --> 0:15:44.240
<v Speaker 1>you know, I've been I've been blessed man. You know,

0:15:44.880 --> 0:15:47.040
<v Speaker 1>immediately on the Fresh Prince of bel Air, I was

0:15:47.080 --> 0:15:50.240
<v Speaker 1>with Quincy Jones. You know that was his idea, right

0:15:50.320 --> 0:15:53.640
<v Speaker 1>that wash Yeah, so Quincy Jones, it was about him, correct,

0:15:53.640 --> 0:15:57.440
<v Speaker 1>it was Benny Medina was with Quincy Jones. Benny Medina

0:15:57.520 --> 0:16:00.200
<v Speaker 1>was an a n R exact at Warner Brothers, be

0:16:00.240 --> 0:16:04.280
<v Speaker 1>a J. Lowe manager. He j Loe's manager, and he

0:16:04.960 --> 0:16:07.560
<v Speaker 1>had an idea. It was based on his life. So

0:16:07.600 --> 0:16:13.520
<v Speaker 1>he went from Watts to Beverly Hills and Quincy changed it,

0:16:13.800 --> 0:16:16.600
<v Speaker 1>you know, he changed it to Philly. He was like,

0:16:16.640 --> 0:16:19.840
<v Speaker 1>what's your rap name? I was like, Fresh Prince. He said, Okay,

0:16:19.920 --> 0:16:23.800
<v Speaker 1>that's the character's name, Fresh Prince. Where you're from Philly?

0:16:24.120 --> 0:16:26.440
<v Speaker 1>I said, all from Philly? He said, oh, man, I

0:16:26.480 --> 0:16:28.800
<v Speaker 1>got some stories about Philly. We don't talk about it,

0:16:28.880 --> 0:16:31.600
<v Speaker 1>you know. But Quincy changed it to Philly and then

0:16:31.880 --> 0:16:34.320
<v Speaker 1>he said, Benny, Benn, he grew up in Beverly Hills.

0:16:34.320 --> 0:16:36.440
<v Speaker 1>And we were at Quincy's house and he was like,

0:16:36.440 --> 0:16:38.160
<v Speaker 1>this is bel air. He said, you like this house?

0:16:38.320 --> 0:16:39.880
<v Speaker 1>I said, I like this. Yeah. He said, yeah, bell

0:16:39.880 --> 0:16:44.720
<v Speaker 1>A make Beverly Hills look like public housing. He was like,

0:16:44.880 --> 0:16:47.320
<v Speaker 1>you know, buck Beverly Hills, it's bel air. So Quincy

0:16:47.480 --> 0:16:50.360
<v Speaker 1>changed it, like literally in one night. He changed it

0:16:50.400 --> 0:16:54.240
<v Speaker 1>to Philadelphia to bel Air and named the show The

0:16:54.240 --> 0:16:58.840
<v Speaker 1>Fresh Prince of bel Air. Yeah before you before before

0:16:58.960 --> 0:17:03.680
<v Speaker 1>been in audition that time. Were you the first rapper

0:17:03.760 --> 0:17:07.200
<v Speaker 1>doing a sitcom? Yeah okay yeah yeah, so fresh the

0:17:07.200 --> 0:17:09.560
<v Speaker 1>the uh now I got to ask home before you

0:17:09.600 --> 0:17:13.040
<v Speaker 1>go because at that time, doing anything commercial, yeah, it

0:17:13.080 --> 0:17:15.760
<v Speaker 1>was all bad. It was round upon, Yeah, you're making

0:17:15.800 --> 0:17:17.959
<v Speaker 1>this round upon. That's a light, that's the like light.

0:17:20.119 --> 0:17:22.160
<v Speaker 1>It was like it was doing a foul ship. Yeah, foul.

0:17:22.240 --> 0:17:26.240
<v Speaker 1>That ship was whack. People get hard. Was whack. That

0:17:26.320 --> 0:17:29.720
<v Speaker 1>ship was corny and will Smith as ship. All right,

0:17:30.600 --> 0:17:31.679
<v Speaker 1>but you're making the money.

0:17:31.880 --> 0:17:35.080
<v Speaker 3>You got the hollywoodlights and you go from Philly to

0:17:35.240 --> 0:17:36.440
<v Speaker 3>actually real Hollywood.

0:17:36.760 --> 0:17:41.040
<v Speaker 1>How was that experience? You know, it was more than

0:17:41.160 --> 0:17:43.760
<v Speaker 1>Philly Hollywood that was hard. It was the Philly l

0:17:43.800 --> 0:17:47.800
<v Speaker 1>A that was hardy. Like they got different rules in

0:17:48.280 --> 0:17:51.520
<v Speaker 1>l A. And it's it's like, you know, you you

0:17:51.520 --> 0:17:53.639
<v Speaker 1>you learned the hard way walking around in LA with

0:17:53.720 --> 0:17:57.760
<v Speaker 1>your red Phillies baseball cap boy, Like, yeah, that ship

0:17:57.840 --> 0:18:01.160
<v Speaker 1>I didn't even know. I was like we was learning,

0:18:01.240 --> 0:18:03.720
<v Speaker 1>learning the hardware out there. It's like they just got this.

0:18:04.080 --> 0:18:08.440
<v Speaker 1>It's it's different, different rules, you know. So it's the

0:18:09.160 --> 0:18:11.720
<v Speaker 1>the first thing was like trying to just get the

0:18:13.200 --> 0:18:15.280
<v Speaker 1>lay of the land of how to you know, how

0:18:15.320 --> 0:18:22.280
<v Speaker 1>to move out there in terms of Hollywood. I guess

0:18:22.880 --> 0:18:27.200
<v Speaker 1>really like the the big issue in the transition U

0:18:27.560 --> 0:18:31.320
<v Speaker 1>for me was more about acting. The difficulty was about

0:18:31.400 --> 0:18:35.760
<v Speaker 1>acting versus rapping. It's a whole different thing to like

0:18:35.840 --> 0:18:39.719
<v Speaker 1>be looking in somebody's eyes and say a line from

0:18:39.720 --> 0:18:45.240
<v Speaker 1>the sitcom to the movie well no, no, from from music. Yeah,

0:18:45.240 --> 0:18:48.640
<v Speaker 1>it's not. It was like the really different, different thing

0:18:48.760 --> 0:18:53.240
<v Speaker 1>that was hard for me. And I was like nolthing

0:18:53.320 --> 0:18:56.560
<v Speaker 1>people's lines and stuff like that. So it was like learning. Yeah,

0:18:56.600 --> 0:18:59.480
<v Speaker 1>it was terrible. It was terrible. That the big transition

0:18:59.800 --> 0:19:03.879
<v Speaker 1>was like Quincy never asked if I could act. He

0:19:03.960 --> 0:19:07.240
<v Speaker 1>just he saw my music video, so he assumed that

0:19:07.480 --> 0:19:09.520
<v Speaker 1>I could act. So I was on the set of

0:19:09.560 --> 0:19:12.639
<v Speaker 1>The Fresh Prince of bel Air and never have really

0:19:12.680 --> 0:19:16.199
<v Speaker 1>done anything, you know, So it was like that, but

0:19:16.320 --> 0:19:18.480
<v Speaker 1>you know, Quincy had the power to do that.

0:19:19.160 --> 0:19:21.520
<v Speaker 3>What was your first serious role, because you know, at

0:19:21.520 --> 0:19:23.119
<v Speaker 3>the end of the day, they all thought, you know,

0:19:23.240 --> 0:19:25.800
<v Speaker 3>rappers are fat, right, and then you know you're on

0:19:25.840 --> 0:19:29.359
<v Speaker 3>The Fresh Prince and it's working. But then it's it's like,

0:19:29.600 --> 0:19:32.400
<v Speaker 3>you know, I know Jamie Fox was like the Ray character, right.

0:19:32.480 --> 0:19:34.920
<v Speaker 3>What was your first serious role besides Muhammad Ali?

0:19:35.800 --> 0:19:37.800
<v Speaker 1>The first was I did I did a movie I think,

0:19:37.880 --> 0:19:45.800
<v Speaker 1>uh sex second season of Fresh Prince called six Degrees Separation, Yes, okay, separation.

0:19:46.160 --> 0:19:50.800
<v Speaker 1>So that was my first you know, attempt at dramatic acting.

0:19:52.680 --> 0:19:55.320
<v Speaker 1>But on the on The Fresh Prince, really the father

0:19:55.480 --> 0:19:59.920
<v Speaker 1>scene with Uncle Phil was like the first that first

0:19:59.760 --> 0:20:06.800
<v Speaker 1>of I don't want to watch that, don't do that?

0:20:12.800 --> 0:20:16.360
<v Speaker 1>How come he don't want me? Man? It's like, that's

0:20:16.440 --> 0:20:21.239
<v Speaker 1>damn myself. But yeah, that that that scene was like

0:20:21.280 --> 0:20:25.879
<v Speaker 1>the first time you know where where it was like

0:20:26.880 --> 0:20:31.800
<v Speaker 1>looking to expand and be able to you know, hold

0:20:32.080 --> 0:20:35.480
<v Speaker 1>a dramatic scene. And James, you know, everybody on that

0:20:35.560 --> 0:20:41.120
<v Speaker 1>show was like stage trained veterans. Joe Marcel was from

0:20:41.200 --> 0:20:45.440
<v Speaker 1>the Royal you know, uh, British Academy, you know, and

0:20:45.680 --> 0:20:50.360
<v Speaker 1>you know Janet Hubert written you know, was a triple

0:20:50.600 --> 0:20:54.679
<v Speaker 1>Broadway threat, you know, singing, dance and acting. Like so

0:20:54.800 --> 0:20:57.640
<v Speaker 1>everybody had intimidating for you. It was it was really,

0:20:57.760 --> 0:21:01.960
<v Speaker 1>it was really intimidating, but it was it was love.

0:21:02.119 --> 0:21:05.479
<v Speaker 1>Everybody you know wanted me to win. In the beginning

0:21:05.560 --> 0:21:08.399
<v Speaker 1>was a little bit, I think because rappers was taking actors' jobs,

0:21:08.640 --> 0:21:12.160
<v Speaker 1>so that wasn't a good look for that. English people

0:21:12.160 --> 0:21:16.600
<v Speaker 1>are taking America. Yeah, they don't like that. It's like,

0:21:17.200 --> 0:21:21.199
<v Speaker 1>you know, they they they are well trained though, you know,

0:21:21.240 --> 0:21:24.320
<v Speaker 1>and that's a that's the thing, uh, especially with with

0:21:24.520 --> 0:21:30.560
<v Speaker 1>like with black actors in America, because the opportunities aren't

0:21:30.560 --> 0:21:34.639
<v Speaker 1>the same. We're not. It's like we don't get you know,

0:21:35.160 --> 0:21:40.480
<v Speaker 1>stage training to prepare for for acting. It's like it's

0:21:40.520 --> 0:21:43.800
<v Speaker 1>it's a really it's we do it from a much

0:21:43.960 --> 0:21:48.359
<v Speaker 1>more from the muscle natural space, and our training is

0:21:48.440 --> 0:21:56.080
<v Speaker 1>actually on the job, you know, whereas you know British actors. Yeah,

0:21:56.240 --> 0:21:59.960
<v Speaker 1>I mean they did. They listen, they're doing the damn

0:22:00.040 --> 0:22:01.440
<v Speaker 1>thank you. So.

0:22:01.440 --> 0:22:03.440
<v Speaker 3>So we have a game on our shows called quick

0:22:03.480 --> 0:22:05.960
<v Speaker 3>Time with Slim right where we take you ask questions

0:22:06.080 --> 0:22:08.040
<v Speaker 3>and we take shots. If you don't want to take shots,

0:22:08.080 --> 0:22:10.440
<v Speaker 3>you can have somebody from Philly who represents you coming

0:22:10.480 --> 0:22:12.680
<v Speaker 3>place and take your shots. Or maybe you have one

0:22:12.760 --> 0:22:14.480
<v Speaker 3>or two shots.

0:22:15.720 --> 0:22:17.280
<v Speaker 1>You can take a shot. You can take a shot.

0:22:18.680 --> 0:22:29.480
<v Speaker 1>You want Japanese whiskey, you know, like a Japanese listen,

0:22:30.320 --> 0:22:35.080
<v Speaker 1>just give me the So you gotta get ready. You're

0:22:35.080 --> 0:22:38.760
<v Speaker 1>gonna get ready because this first question is mine. Everybody

0:22:38.840 --> 0:22:42.399
<v Speaker 1>back up. Everybody back up. It's not even on this

0:22:42.480 --> 0:22:44.280
<v Speaker 1>is not even it's not even on the list.

0:22:44.320 --> 0:22:44.600
<v Speaker 5>Alright.

0:22:49.200 --> 0:22:53.439
<v Speaker 3>I do not recommend that I do not recommend that

0:22:54.680 --> 0:22:57.159
<v Speaker 3>you know you're a fly motherfucker. I got Japanese whiskey

0:22:57.320 --> 0:23:00.480
<v Speaker 3>just in case you want from the else of of Tokyo.

0:23:01.040 --> 0:23:03.520
<v Speaker 3>From the House of I don't know, I don't know,

0:23:04.400 --> 0:23:07.680
<v Speaker 3>I don't know, said from the alf.

0:23:09.440 --> 0:23:11.360
<v Speaker 1>I'm trying to make it sounds gonna have me message

0:23:12.320 --> 0:23:17.280
<v Speaker 1>from the Tokyo. Alright, this is a question. There you go.

0:23:17.400 --> 0:23:20.880
<v Speaker 3>She from the Prince world universe and if I get

0:23:20.880 --> 0:23:22.640
<v Speaker 3>it now, we're gotta remember some of the rules.

0:23:22.920 --> 0:23:25.800
<v Speaker 1>No, you gotta tell them. You telling these rules. And

0:23:27.000 --> 0:23:32.080
<v Speaker 1>because you're making this ship up, yeah, you know, so

0:23:32.200 --> 0:23:33.840
<v Speaker 1>we got Tokyo.

0:23:33.960 --> 0:23:34.080
<v Speaker 4>Right.

0:23:34.440 --> 0:23:34.960
<v Speaker 5>What we do.

0:23:36.880 --> 0:23:38.719
<v Speaker 1>Is that we asked the Japanese question.

0:23:39.280 --> 0:23:43.119
<v Speaker 5>You know, we're gonna give you two choices.

0:23:43.160 --> 0:23:45.760
<v Speaker 4>Yes, you pick one. We're not drinking. But if you

0:23:45.800 --> 0:23:48.000
<v Speaker 4>don't pick, we're drinking. Okay, So you can say both

0:23:48.000 --> 0:23:51.040
<v Speaker 4>and neither. We're drinking both or neither, we're drinking okay.

0:23:51.200 --> 0:23:53.040
<v Speaker 4>All right, So we want stories. This is all to

0:23:53.119 --> 0:23:54.480
<v Speaker 4>bring up story.

0:23:54.600 --> 0:24:00.600
<v Speaker 1>All right. This is a lifelong fresh friends question, right,

0:24:01.400 --> 0:24:09.280
<v Speaker 1>that's that's what you like that Instagram? This morning you

0:24:09.400 --> 0:24:14.480
<v Speaker 1>was practicing and I said, does anybody have questions? Will?

0:24:14.560 --> 0:24:17.359
<v Speaker 3>And this question popped up so much, so many times

0:24:17.400 --> 0:24:20.080
<v Speaker 3>and so fast, because everyone knows about this game is

0:24:20.080 --> 0:24:22.080
<v Speaker 3>called quick timas line you give.

0:24:22.040 --> 0:24:26.240
<v Speaker 1>Them, it's called quick Thomas Live. So everyone knows. Everyone

0:24:26.280 --> 0:24:26.560
<v Speaker 1>knows this.

0:24:26.720 --> 0:24:30.080
<v Speaker 3>So soon as we I texted, I texted the picture

0:24:30.119 --> 0:24:32.280
<v Speaker 3>that with me you or Charlie Matt And this is

0:24:32.280 --> 0:24:32.840
<v Speaker 3>the first one.

0:24:32.880 --> 0:24:35.280
<v Speaker 1>And this is a very important one.

0:24:36.080 --> 0:24:41.960
<v Speaker 3>Remember this or that, this or that said neither.

0:24:44.880 --> 0:24:56.440
<v Speaker 1>Speak Vivian.

0:24:58.240 --> 0:25:02.760
<v Speaker 3>Because I want to say it politically correct in one VIV.

0:25:02.640 --> 0:25:04.480
<v Speaker 1>One or or VIV two. I'm trying to say what

0:25:04.480 --> 0:25:05.600
<v Speaker 1>I'll say I'm doing as another one.

0:25:05.600 --> 0:25:09.960
<v Speaker 5>I hear the bottles in the forest drinking.

0:25:15.240 --> 0:25:17.680
<v Speaker 1>Slow?

0:25:20.680 --> 0:25:22.960
<v Speaker 3>How many times in your life it has people ask you,

0:25:23.040 --> 0:25:24.879
<v Speaker 3>doesn't it so it doesn't burn when you drink it?

0:25:25.240 --> 0:25:28.040
<v Speaker 1>Oh and burn? I'm just trying to be you like

0:25:28.280 --> 0:25:32.240
<v Speaker 1>you will slip that definitely burns. That's tasty though. Oh yeah,

0:25:32.359 --> 0:25:47.200
<v Speaker 1>like that's from the the full set up. How many

0:25:47.200 --> 0:25:51.000
<v Speaker 1>times have you been to ask that question? Oh my god? Yeah, yeah,

0:25:51.320 --> 0:25:56.119
<v Speaker 1>you know it is. It was one of the most

0:25:57.600 --> 0:25:59.880
<v Speaker 1>like difficult times in my life.

0:25:59.640 --> 0:26:02.880
<v Speaker 3>Right, you know, because you don't understand it's a job

0:26:03.760 --> 0:26:04.800
<v Speaker 3>you have a relationship with.

0:26:04.920 --> 0:26:07.120
<v Speaker 1>Yeah, it's like you know what on on those kind

0:26:07.200 --> 0:26:10.840
<v Speaker 1>of sets you take on the relationships of your character.

0:26:11.240 --> 0:26:13.760
<v Speaker 1>It's like your set parents. Yeah, right, so it's like

0:26:13.880 --> 0:26:17.199
<v Speaker 1>it's real, that's real relationships. You go. You know, it's like,

0:26:18.200 --> 0:26:21.280
<v Speaker 1>you know, this is your first relationship. Yeah, and it's

0:26:21.320 --> 0:26:25.639
<v Speaker 1>like that that that that loss, that that's I'm not

0:26:25.720 --> 0:26:29.240
<v Speaker 1>a man that's prone to too much regret, you know,

0:26:29.359 --> 0:26:32.159
<v Speaker 1>because I believe things happen, and they you know, if

0:26:32.200 --> 0:26:35.679
<v Speaker 1>you're if you're happy today, you gotta you know, accept

0:26:35.680 --> 0:26:38.200
<v Speaker 1>that it's because of the things that went right and wrong.

0:26:37.840 --> 0:26:40.239
<v Speaker 1>And you know, but that that was that was a

0:26:40.520 --> 0:26:44.680
<v Speaker 1>you know, Janet and I are magnificent uh friends now,

0:26:45.480 --> 0:26:48.720
<v Speaker 1>but that that was a very very very hard time

0:26:48.800 --> 0:26:56.040
<v Speaker 1>for me. And it was like, I didn't see you,

0:26:56.080 --> 0:26:59.840
<v Speaker 1>said Jenny aunt Janet. First, I don't want people don't

0:26:59.960 --> 0:27:09.240
<v Speaker 1>like I'm just talking about crazy. Yeah, the first hand

0:27:09.280 --> 0:27:15.640
<v Speaker 1>of Janet, Janet Hubert written, she was she she's magnificent, right,

0:27:16.160 --> 0:27:21.520
<v Speaker 1>and you know, my young arrogant eyes couldn't see that,

0:27:21.960 --> 0:27:25.880
<v Speaker 1>you know. And it's like just the depth and the

0:27:25.960 --> 0:27:32.000
<v Speaker 1>power that she she brought to the show. I just

0:27:32.080 --> 0:27:34.240
<v Speaker 1>I was I was missing it. I just I couldn't,

0:27:34.280 --> 0:27:38.240
<v Speaker 1>you know. When I look back, it's it's like it's

0:27:38.280 --> 0:27:41.040
<v Speaker 1>really you know, it was obvious what she was bringing. Uh.

0:27:41.040 --> 0:27:45.080
<v Speaker 1>But Daphne, you know, Maxwell Reid, you know, cultivated a

0:27:45.080 --> 0:27:48.960
<v Speaker 1>beautiful relationship you know with her, But it was a

0:27:49.040 --> 0:27:57.919
<v Speaker 1>really Janet is a special kind of you know, beautiful

0:27:58.400 --> 0:28:02.720
<v Speaker 1>talented power were full. You know, she was she was

0:28:02.760 --> 0:28:07.440
<v Speaker 1>holding it down and I certainly wasn't wasn't seeing how

0:28:07.520 --> 0:28:10.320
<v Speaker 1>powerful and important she was to the show.

0:28:10.800 --> 0:28:13.159
<v Speaker 3>Now it's always these rumors that Michael Jackson is like

0:28:13.200 --> 0:28:15.600
<v Speaker 3>a gangster on the side, right, is content Ban's gang

0:28:15.640 --> 0:28:16.000
<v Speaker 3>banging on?

0:28:17.840 --> 0:28:22.160
<v Speaker 1>I mean no, no, let me tell you that is

0:28:22.280 --> 0:28:28.800
<v Speaker 1>one of the most committed comedic actors I have ever met.

0:28:29.240 --> 0:28:36.120
<v Speaker 1>But nobody commits like he commit when he listened when

0:28:36.200 --> 0:28:37.960
<v Speaker 1>he goes part of one of the you know, I've

0:28:37.960 --> 0:28:41.360
<v Speaker 1>really learned my comedic acting on the set of The

0:28:41.400 --> 0:28:45.640
<v Speaker 1>Fresh Prince of bel Air. And the thing that Alfonso

0:28:45.760 --> 0:28:49.520
<v Speaker 1>does is like, even when he doesn't like something, you know,

0:28:49.760 --> 0:28:52.479
<v Speaker 1>he always gives it one hundred percent. His thing was like,

0:28:52.800 --> 0:28:55.600
<v Speaker 1>let the writers see if you if you tanked the

0:28:55.680 --> 0:28:58.600
<v Speaker 1>joke and you don't give it all, they're gonna think

0:28:58.800 --> 0:29:01.920
<v Speaker 1>that it didn't work because you sabotage it. And he

0:29:02.200 --> 0:29:05.240
<v Speaker 1>really taught me a you like, you know with that

0:29:05.320 --> 0:29:08.880
<v Speaker 1>Carlton dances stuff like when he goes, he goes, and

0:29:08.920 --> 0:29:12.760
<v Speaker 1>it's like you you can feel, uh, the power and

0:29:12.800 --> 0:29:16.400
<v Speaker 1>the fun of his commitment. It's funny because he commits

0:29:16.840 --> 0:29:20.320
<v Speaker 1>so hard to to the joke. Yeah, he's he's a

0:29:20.520 --> 0:29:26.800
<v Speaker 1>he's a unique breed. Okay, I'm gonna take another shot

0:29:26.840 --> 0:29:36.800
<v Speaker 1>you because I got you just gonna take a shelt.

0:29:38.960 --> 0:29:40.840
<v Speaker 1>I got a Chris question. You got to question this

0:29:40.920 --> 0:29:46.560
<v Speaker 1>for me? Shot look like rules.

0:29:46.600 --> 0:29:50.560
<v Speaker 3>Okay, let me just say, Philly, yeah, you take a

0:29:50.560 --> 0:29:51.320
<v Speaker 3>shot before.

0:29:51.120 --> 0:29:53.360
<v Speaker 1>They hold on hold. You know what I'm gonna I'm

0:29:53.360 --> 0:29:56.400
<v Speaker 1>gonna go to the next one. You know what you're correct? Yeah,

0:29:57.440 --> 0:30:01.840
<v Speaker 1>rapping or acting? Rapping? Man. So here's the thing I

0:30:01.880 --> 0:30:07.920
<v Speaker 1>think I am. I'm more naturally an actor, really right.

0:30:08.080 --> 0:30:16.800
<v Speaker 1>I think that the what my mind most naturally falls

0:30:16.880 --> 0:30:20.360
<v Speaker 1>into it as far as entertainment. I saw you reached

0:30:20.360 --> 0:30:21.280
<v Speaker 1>for it and then you pull back.

0:30:21.320 --> 0:30:21.640
<v Speaker 6>You can.

0:30:23.160 --> 0:30:30.560
<v Speaker 1>You just want to drink? He was breaking it down

0:30:30.640 --> 0:30:34.040
<v Speaker 1>so good. I was like, really came out of me,

0:30:35.560 --> 0:30:37.240
<v Speaker 1>by the way, Yes, it has such.

0:30:37.080 --> 0:30:51.080
<v Speaker 6>A beautiful soul, my god, like another one what you said?

0:30:51.440 --> 0:30:57.400
<v Speaker 1>So I'm more naturally an actor, right, but my love

0:30:58.280 --> 0:31:03.760
<v Speaker 1>is hip hop right, And it's like, you know, acting

0:31:04.080 --> 0:31:06.640
<v Speaker 1>is when it comes out of me like I can

0:31:06.720 --> 0:31:09.280
<v Speaker 1>when I can go into a character, like I can

0:31:09.320 --> 0:31:12.840
<v Speaker 1>transform my mind and my eyes when I look at

0:31:12.840 --> 0:31:16.000
<v Speaker 1>somebody and fall into a character. It's like really it's

0:31:16.120 --> 0:31:39.440
<v Speaker 1>natural for me yo. And it's it's like it's like

0:31:39.760 --> 0:31:46.080
<v Speaker 1>moving moving your energy and attention around in your inside

0:31:46.080 --> 0:31:50.440
<v Speaker 1>your body, right, so I can like fall into you know,

0:31:50.720 --> 0:31:54.440
<v Speaker 1>what did that motherfucker say? I hear your brother say

0:31:54.440 --> 0:32:04.040
<v Speaker 1>it again? I just don't wire right now? Right, So

0:32:04.280 --> 0:32:08.840
<v Speaker 1>that like, and I've always been able to do that,

0:32:09.000 --> 0:32:12.680
<v Speaker 1>to like see something and mimic a character. So I've

0:32:12.720 --> 0:32:16.600
<v Speaker 1>always been able to u mimic it, and as I

0:32:16.640 --> 0:32:20.200
<v Speaker 1>got older, I could like fall into the emotion of

0:32:20.280 --> 0:32:23.520
<v Speaker 1>it where it changes the look on your face, it

0:32:23.600 --> 0:32:27.800
<v Speaker 1>changes your it changes your eyes, it changes your body

0:32:27.880 --> 0:32:30.320
<v Speaker 1>language and just you know, so I've always been able

0:32:30.360 --> 0:32:32.600
<v Speaker 1>to do that naturally you.

0:32:32.600 --> 0:32:34.720
<v Speaker 4>Learned that with time or you did you ever have

0:32:34.800 --> 0:32:35.520
<v Speaker 4>to take classes?

0:32:35.880 --> 0:32:39.000
<v Speaker 1>So I never so I naturally could mimic, right, So

0:32:39.000 --> 0:32:42.040
<v Speaker 1>I would look at how somebody walked, or I would

0:32:42.040 --> 0:32:46.120
<v Speaker 1>listen to somebody's voice, and I could I could copy.

0:32:46.720 --> 0:32:51.360
<v Speaker 1>And then as I got older, like copying is shallow, right,

0:32:51.640 --> 0:32:55.400
<v Speaker 1>but then where does the emotion come from? And being

0:32:55.440 --> 0:32:58.280
<v Speaker 1>able to find the deeper and deeper place and layers

0:32:58.680 --> 0:33:01.640
<v Speaker 1>as I got to know myself better. Actors call it

0:33:01.680 --> 0:33:04.720
<v Speaker 1>a toolbox where you have a toolbox where like so

0:33:04.800 --> 0:33:07.400
<v Speaker 1>for example that the fresh scene, fresh print scene, you

0:33:07.440 --> 0:33:10.840
<v Speaker 1>were talking about the father scene. I use the father

0:33:10.960 --> 0:33:15.239
<v Speaker 1>scene to find sadness, so I'll use that for you know,

0:33:15.440 --> 0:33:20.000
<v Speaker 1>for King Richard. For example, there was the scene with

0:33:20.000 --> 0:33:23.000
<v Speaker 1>about Venus Serena. Yeah, for that. There was a scene

0:33:24.040 --> 0:33:28.480
<v Speaker 1>where at the at the net with Venus before he

0:33:28.640 --> 0:33:32.840
<v Speaker 1>lets her go and play. I watched the fresh Print

0:33:32.920 --> 0:33:36.280
<v Speaker 1>scene before that. It's a prep right, so I prepped

0:33:36.320 --> 0:33:38.920
<v Speaker 1>to like get you watch yourself to prep for yourself. Yes,

0:33:45.400 --> 0:33:49.680
<v Speaker 1>I respect that. So but the music, there is nothing

0:33:50.080 --> 0:33:55.440
<v Speaker 1>like being on stage and fifty thousand people here drums please,

0:33:56.720 --> 0:33:59.480
<v Speaker 1>you know, and it's like that moment when people realize

0:33:59.480 --> 0:34:01.840
<v Speaker 1>you about to do the song they've been waiting for.

0:34:02.200 --> 0:34:04.800
<v Speaker 1>That's the top of entertainment. That is the top when

0:34:04.800 --> 0:34:08.160
<v Speaker 1>they hear the first couple clicks up the record, that's

0:34:08.200 --> 0:34:11.400
<v Speaker 1>the one they wanted to hear. There's nothing there's nothing

0:34:11.440 --> 0:34:14.360
<v Speaker 1>like that in entertainment. So that's that's my It's my

0:34:14.360 --> 0:34:18.560
<v Speaker 1>my love versus what I'm actually best at.

0:34:19.400 --> 0:34:21.480
<v Speaker 4>But you know, the but you was dope about you

0:34:21.520 --> 0:34:24.160
<v Speaker 4>that I've noticed throughout your career, no matter how Hollywood

0:34:24.200 --> 0:34:26.640
<v Speaker 4>you went, and you were always hip hop.

0:34:26.840 --> 0:34:34.200
<v Speaker 1>And infusing men in black when you brungs And then

0:34:34.280 --> 0:34:36.000
<v Speaker 1>I was watching that the scene today and it was

0:34:36.000 --> 0:34:36.920
<v Speaker 1>like y'all didn't even talk.

0:34:38.920 --> 0:34:41.759
<v Speaker 3>And I'm like I remember actually being in a movie

0:34:41.840 --> 0:34:44.960
<v Speaker 3>theater and god bless me white people, but they didn't

0:34:45.000 --> 0:34:45.600
<v Speaker 3>know what.

0:34:45.640 --> 0:34:48.319
<v Speaker 1>The communication was. They were just like they going, that

0:34:48.440 --> 0:34:51.920
<v Speaker 1>was alien to I wonder if you'll start a popcorn

0:34:54.400 --> 0:34:57.120
<v Speaker 1>you know what I'm saying that, But you always keep

0:34:57.560 --> 0:35:00.120
<v Speaker 1>how did you? How do you do that? Likew What

0:35:00.280 --> 0:35:04.520
<v Speaker 1>it is is the it's the it's the thing that's

0:35:04.800 --> 0:35:09.880
<v Speaker 1>unique about what I bring. Right. So it's like you know,

0:35:10.000 --> 0:35:15.359
<v Speaker 1>being being born and raised in Philly and in hip hop,

0:35:15.840 --> 0:35:20.520
<v Speaker 1>it's the it's the thing that's uniquely me right at

0:35:20.560 --> 0:35:23.160
<v Speaker 1>your core, at my core. So when I bring that,

0:35:23.960 --> 0:35:27.920
<v Speaker 1>you know, ninety percent of the character can be comprehensible

0:35:28.560 --> 0:35:32.000
<v Speaker 1>to you know, general audiences, but then you add that

0:35:32.120 --> 0:35:36.560
<v Speaker 1>little sauce that is the unique special sauce. So for

0:35:36.719 --> 0:35:40.839
<v Speaker 1>me in terms of hip hop, like you'll never see

0:35:41.360 --> 0:35:45.440
<v Speaker 1>in any movie ever where they beat box as an

0:35:45.560 --> 0:35:51.239
<v Speaker 1>alien language, right, Like that's like I love that. It's

0:35:51.320 --> 0:35:55.160
<v Speaker 1>like only I can do that, right, you know, Like

0:35:55.200 --> 0:35:57.200
<v Speaker 1>I said, I was so mad at the movie people

0:35:57.320 --> 0:35:59.799
<v Speaker 1>didn't get it. I was like, yet, my god, yeah

0:36:00.120 --> 0:36:03.000
<v Speaker 1>that but even to call Biz to do it right,

0:36:03.160 --> 0:36:07.000
<v Speaker 1>to know that I want Biz to do that piece,

0:36:07.440 --> 0:36:09.680
<v Speaker 1>you know, And it's like a R P B is

0:36:09.880 --> 0:36:15.600
<v Speaker 1>r B. Yeah, God, damn, I have to look you

0:36:15.680 --> 0:36:18.440
<v Speaker 1>get all right? All right?

0:36:19.320 --> 0:36:21.080
<v Speaker 3>The first one, now hold on, let me I got this.

0:36:21.239 --> 0:36:24.000
<v Speaker 3>Another one is also off the off off the menu

0:36:24.120 --> 0:36:27.480
<v Speaker 3>of off the menu, Jay z or Nas.

0:36:29.360 --> 0:36:31.920
<v Speaker 1>Think about it. They got you, both of them got

0:36:31.920 --> 0:36:38.799
<v Speaker 1>your number. That's important. Damn. That's a hard one too.

0:36:38.880 --> 0:36:44.880
<v Speaker 1>That's how I want to who's more petty? No, I

0:36:45.200 --> 0:36:48.200
<v Speaker 1>have more more. I have more of an interaction with

0:36:48.480 --> 0:36:54.399
<v Speaker 1>with with Jay z uh But I think I think

0:36:54.560 --> 0:37:01.000
<v Speaker 1>that for I'm I'm gonna go, I'm gonna go Nas

0:37:01.080 --> 0:37:04.160
<v Speaker 1>on that one. I'm gonna go Nas, I'm gonna go. No,

0:37:04.480 --> 0:37:06.239
<v Speaker 1>just took us here, they said, no, yeah, yeah, No.

0:37:06.320 --> 0:37:08.640
<v Speaker 1>I mean I have more of a relationship with with

0:37:09.239 --> 0:37:15.759
<v Speaker 1>with Jay, but I think not Nas has made me

0:37:15.960 --> 0:37:20.239
<v Speaker 1>study rapping more. Like when I hear Nas, I'm like, damn,

0:37:20.280 --> 0:37:23.239
<v Speaker 1>I'm way off the fucking bark, mark, I got I

0:37:23.320 --> 0:37:26.320
<v Speaker 1>gotta get to work, you know. So yeah, Na Nas

0:37:26.440 --> 0:37:30.759
<v Speaker 1>pushes me into study more. Okay, because you.

0:37:32.760 --> 0:37:39.440
<v Speaker 5>Yeah, exactly there you thinking about that, So you have

0:37:39.560 --> 0:37:43.359
<v Speaker 5>to answer yeah, not a lifelong but a very long

0:37:44.080 --> 0:37:45.440
<v Speaker 5>time in Queens.

0:37:45.560 --> 0:37:49.880
<v Speaker 1>The rumor is that NAS helped you with Jiggy with It,

0:37:51.000 --> 0:37:55.680
<v Speaker 1>so we not Jiggy with During the time that I

0:37:55.880 --> 0:38:01.440
<v Speaker 1>was working on Jiggy, NAS did uh just Cruising. It

0:38:01.520 --> 0:38:03.759
<v Speaker 1>was a record called Just Cruising, right, So me and

0:38:04.000 --> 0:38:08.240
<v Speaker 1>me Ands wrote Just Cruising together and I let Nas

0:38:08.360 --> 0:38:13.400
<v Speaker 1>listen to the album and he was like yes, no, yes, no,

0:38:13.560 --> 0:38:16.960
<v Speaker 1>yes no, And I was like, so we did. We

0:38:17.000 --> 0:38:20.719
<v Speaker 1>didn't do any writing together other than the Just Cruising track,

0:38:21.120 --> 0:38:23.920
<v Speaker 1>but you know, an executive cruiser. Yeah, he was, well,

0:38:23.920 --> 0:38:26.120
<v Speaker 1>he was not really an executive producer. He was there

0:38:26.239 --> 0:38:27.759
<v Speaker 1>and I was like, yo, will you listen to this

0:38:28.480 --> 0:38:31.719
<v Speaker 1>and tell me what you think you know? And you know,

0:38:31.800 --> 0:38:34.080
<v Speaker 1>he was honest. He was. He was really honest. And

0:38:34.239 --> 0:38:37.640
<v Speaker 1>then we wrote one together. We wrote Just Cruising. It

0:38:37.760 --> 0:38:40.000
<v Speaker 1>was like a B side of Men in Black or so.

0:38:40.440 --> 0:38:42.600
<v Speaker 1>Because he's never confirmed or did not like, yeah, yeah,

0:38:42.600 --> 0:38:45.080
<v Speaker 1>come up to him like you we know you would. Yes.

0:38:48.840 --> 0:38:55.200
<v Speaker 1>I don't know if he laughed, he just yeah. We definitely,

0:38:55.320 --> 0:38:57.719
<v Speaker 1>we definitely worked in the studio together. I think we

0:38:57.840 --> 0:39:00.680
<v Speaker 1>might have messed around with two or three other songs,

0:39:00.719 --> 0:39:04.560
<v Speaker 1>but just Cruising is the only one that ever was released.

0:39:04.719 --> 0:39:07.400
<v Speaker 3>Okay, so let me ask you because listening to this album,

0:39:07.520 --> 0:39:12.000
<v Speaker 3>first off, I was very very impressed. One I'm not

0:39:12.080 --> 0:39:13.640
<v Speaker 3>impressed because.

0:39:15.280 --> 0:39:16.200
<v Speaker 1>Of what you did.

0:39:16.239 --> 0:39:21.040
<v Speaker 3>I'm impressed because I was trying to figure out with's

0:39:21.080 --> 0:39:23.399
<v Speaker 3>this hunger right? Because all of us to make music,

0:39:23.480 --> 0:39:25.680
<v Speaker 3>we have to have hunger right, and then when you're

0:39:25.719 --> 0:39:27.480
<v Speaker 3>not hungry no more, it's harder.

0:39:27.320 --> 0:39:29.560
<v Speaker 1>To make use it. So I'm sitting there, this is

0:39:29.640 --> 0:39:30.440
<v Speaker 1>what I'm trying to tell you.

0:39:31.239 --> 0:39:34.120
<v Speaker 3>I was, you know, first off, your people who sent

0:39:34.200 --> 0:39:37.359
<v Speaker 3>the album big up to the lexing them this will

0:39:37.400 --> 0:39:38.160
<v Speaker 3>never be bootlegged.

0:39:39.360 --> 0:39:43.880
<v Speaker 1>Oh by the way, my face scare. Did you get

0:39:46.080 --> 0:39:49.759
<v Speaker 1>maybe download downloaded? Like dirty years working ship? I was

0:39:49.840 --> 0:39:52.840
<v Speaker 1>just like yo, I said, for whoever your team is,

0:39:53.000 --> 0:39:56.960
<v Speaker 1>it's so official. Listen to me. They can send this

0:39:57.040 --> 0:40:02.960
<v Speaker 1>ship to the bootlegging place in Kenya, Toby running the house,

0:40:03.400 --> 0:40:05.959
<v Speaker 1>and they still can't bootleg this shit. I just being honest.

0:40:06.000 --> 0:40:08.080
<v Speaker 1>It took three of us in one car to go

0:40:08.200 --> 0:40:10.319
<v Speaker 1>through the whole album. But here's what I was saying.

0:40:11.480 --> 0:40:14.120
<v Speaker 1>I kept listening, and I kept saying, I kept saying,

0:40:14.320 --> 0:40:15.719
<v Speaker 1>where's he going to slack at?

0:40:15.920 --> 0:40:17.920
<v Speaker 3>Where's he going to say, you know what, I'm this

0:40:18.480 --> 0:40:23.480
<v Speaker 3>you know movie star, I'm this guy that reached order accolades.

0:40:23.640 --> 0:40:25.960
<v Speaker 3>I'm so crazy now that I do white boy sports

0:40:26.160 --> 0:40:26.400
<v Speaker 3>and you.

0:40:26.400 --> 0:40:29.919
<v Speaker 1>Know what I'm saying, like, I'm but I'm still black.

0:40:30.239 --> 0:40:33.640
<v Speaker 1>And then but then you come in this album and

0:40:33.719 --> 0:40:37.080
<v Speaker 1>I'm trying to find but I was so jealous because

0:40:37.239 --> 0:40:40.080
<v Speaker 1>I couldn't find you not being hungry. I still felt

0:40:40.120 --> 0:40:43.960
<v Speaker 1>that hunger. I still heard French fresh Prince, and I'm

0:40:44.040 --> 0:40:46.400
<v Speaker 1>jealous of that because you know, if me and a

0:40:46.520 --> 0:40:48.920
<v Speaker 1>poem right now going to make a Worr report, I

0:40:49.000 --> 0:40:51.920
<v Speaker 1>don't think we can I can have that same attitude.

0:40:51.960 --> 0:40:54.080
<v Speaker 1>I'm not speaking for him. I'm speaking for myself. And

0:40:54.200 --> 0:40:54.640
<v Speaker 1>so I was.

0:40:54.800 --> 0:40:57.279
<v Speaker 3>I was jealous because it took me a whole day

0:40:57.320 --> 0:41:00.080
<v Speaker 3>to download it. So when I finally because you know,

0:41:00.120 --> 0:41:02.640
<v Speaker 3>I'm not that smart, but I had two smart people.

0:41:02.480 --> 0:41:04.960
<v Speaker 1>And it got them. So I was like, I would say,

0:41:05.000 --> 0:41:07.520
<v Speaker 1>it's not just me, but going through it, and then

0:41:07.560 --> 0:41:09.440
<v Speaker 1>I went back through it and I was just like,

0:41:11.360 --> 0:41:14.040
<v Speaker 1>I can't see how you locked in?

0:41:14.200 --> 0:41:16.600
<v Speaker 3>Did you go to like Bali or somewhere like how

0:41:16.680 --> 0:41:19.440
<v Speaker 3>could you lock in and and and block the world

0:41:19.520 --> 0:41:22.160
<v Speaker 3>out and focus on this because it's one it sounds

0:41:22.200 --> 0:41:23.080
<v Speaker 3>like you super focused.

0:41:23.760 --> 0:41:26.279
<v Speaker 1>Two it sounds like you still love the game, love it.

0:41:26.520 --> 0:41:27.480
<v Speaker 1>That's the problem.

0:41:27.719 --> 0:41:29.879
<v Speaker 3>That's the part that I'm mad like because I'm like, damn,

0:41:30.320 --> 0:41:33.120
<v Speaker 3>how could he be the way made more than me?

0:41:33.440 --> 0:41:37.680
<v Speaker 3>Obviously have more eccolas and all on wins and things

0:41:37.719 --> 0:41:40.040
<v Speaker 3>like that, But how does he still have that hunger?

0:41:40.400 --> 0:41:43.239
<v Speaker 3>That's that's that's that's the question for me personally and

0:41:43.320 --> 0:41:44.319
<v Speaker 3>not even for the world.

0:41:44.440 --> 0:41:48.760
<v Speaker 1>Like I felt that hunger in you. So what happened blood?

0:41:48.760 --> 0:41:52.839
<v Speaker 1>I ain't got a blunt That's how good that question was. Now,

0:41:52.920 --> 0:41:55.680
<v Speaker 1>what happened? What happened with me? Man? Is you know

0:41:55.800 --> 0:41:59.000
<v Speaker 1>in the in the last couple of years, like I

0:41:59.160 --> 0:42:03.839
<v Speaker 1>really just it down, you know, and you know, really

0:42:05.440 --> 0:42:08.480
<v Speaker 1>after the Oscars, I just shut it down, and I

0:42:08.600 --> 0:42:12.040
<v Speaker 1>did a real deep dive, Like I looked at I

0:42:12.120 --> 0:42:19.160
<v Speaker 1>looked at myself as honestly as I could, and I

0:42:19.280 --> 0:42:23.400
<v Speaker 1>looked at all of the parts of myself that I

0:42:23.560 --> 0:42:28.080
<v Speaker 1>always thought of as not for public consumption. Right, So

0:42:28.200 --> 0:42:30.360
<v Speaker 1>there was a Will Smith, and there was an in

0:42:30.760 --> 0:42:34.000
<v Speaker 1>an image, and there was an an an identity of

0:42:34.080 --> 0:42:37.880
<v Speaker 1>Will Smith. But that was only my good qualities it

0:42:38.000 --> 0:42:40.480
<v Speaker 1>was only the best of me. You're saying, what swift

0:42:40.520 --> 0:42:45.360
<v Speaker 1>to the public, right, Yes, Will Smith to the public

0:42:45.560 --> 0:42:47.960
<v Speaker 1>was only the best of me. Will Smith wasn't allowed

0:42:47.960 --> 0:42:48.160
<v Speaker 1>to be.

0:42:48.880 --> 0:42:51.719
<v Speaker 3>Beautiful the beautiful post that you you posted, and you

0:42:51.800 --> 0:42:53.640
<v Speaker 3>posted what you on the island, then you showed that

0:42:53.719 --> 0:42:54.600
<v Speaker 3>it was blue behind you.

0:42:55.600 --> 0:42:58.880
<v Speaker 1>So you're saying like something like that's that that you

0:42:59.040 --> 0:43:00.920
<v Speaker 1>know that that was a one way to do it.

0:43:01.000 --> 0:43:05.880
<v Speaker 1>But the idea that you never saw me not smiling,

0:43:06.880 --> 0:43:09.480
<v Speaker 1>right right, but you could probably imagine there was some

0:43:09.560 --> 0:43:12.239
<v Speaker 1>times when I wouldn't be smiling. It's just that wasn't

0:43:12.280 --> 0:43:16.120
<v Speaker 1>for public consumption, you know, So you know there was

0:43:16.360 --> 0:43:19.200
<v Speaker 1>there was. It was just the best qualities of me.

0:43:19.960 --> 0:43:23.240
<v Speaker 1>So then you know, I was forced into a situation

0:43:23.360 --> 0:43:26.360
<v Speaker 1>where I had to be honest that I don't just

0:43:26.560 --> 0:43:30.440
<v Speaker 1>have good qualities. I have some things that I have

0:43:30.640 --> 0:43:36.400
<v Speaker 1>pushed down. I have you know, fear, I have confusion,

0:43:37.040 --> 0:43:41.319
<v Speaker 1>I have anger, I have sadness. Oh you're human, yeah,

0:43:41.320 --> 0:43:41.840
<v Speaker 1>oh yeah.

0:43:44.320 --> 0:43:48.080
<v Speaker 3>You know that's probably the most beautifulest thing. And I

0:43:48.160 --> 0:43:49.560
<v Speaker 3>know you spoke about it, but I won't. But what

0:43:49.640 --> 0:43:52.239
<v Speaker 3>I'm saying is the most beautiful thing about you is

0:43:52.400 --> 0:43:56.520
<v Speaker 3>you own your humanness. Yes, and and you know, I'm

0:43:56.520 --> 0:43:59.600
<v Speaker 3>gonna be honest and I'm bouncing around. But I always

0:43:59.600 --> 0:44:02.320
<v Speaker 3>related to the five percent nation or like the Muslims

0:44:02.400 --> 0:44:04.400
<v Speaker 3>a little bit more than the preachers, because the preachers

0:44:04.520 --> 0:44:06.560
<v Speaker 3>showed me that they didn't have mistakes. But when I

0:44:06.680 --> 0:44:09.000
<v Speaker 3>seen you know, the five percenters, I've seen the FOI

0:44:09.160 --> 0:44:12.360
<v Speaker 3>handing out the newspaper. I seen that brother messing up before,

0:44:12.680 --> 0:44:14.200
<v Speaker 3>so it made me relate to them all.

0:44:14.280 --> 0:44:16.160
<v Speaker 1>So that's that's what you know, what I'm saying. So

0:44:16.280 --> 0:44:18.440
<v Speaker 1>that's what I feel like with you.

0:44:18.880 --> 0:44:22.440
<v Speaker 3>But my thing is you've never lost a step, and

0:44:22.560 --> 0:44:24.399
<v Speaker 3>if you did, I guess you was just a minute

0:44:24.440 --> 0:44:26.080
<v Speaker 3>that but you didn't show it to the world.

0:44:26.840 --> 0:44:29.399
<v Speaker 1>How can you do that? So for me, now now

0:44:29.680 --> 0:44:34.920
<v Speaker 1>this about this time, this phase of you know, my

0:44:35.120 --> 0:44:39.319
<v Speaker 1>career and really this phase of my life is as

0:44:39.400 --> 0:44:42.680
<v Speaker 1>I looked into myself in that way and I like

0:44:42.800 --> 0:44:47.320
<v Speaker 1>really confronted those parts of myself that my humanity, not

0:44:47.480 --> 0:44:51.280
<v Speaker 1>the just the straight Superman winning all the time, the happy,

0:44:51.440 --> 0:44:54.640
<v Speaker 1>happy Superman winner. Right when I started confronting those other

0:44:54.719 --> 0:45:01.239
<v Speaker 1>parts of myself, something really magical happened. Right as I like,

0:45:02.200 --> 0:45:04.480
<v Speaker 1>the best way I can describe it is like imagine,

0:45:04.560 --> 0:45:07.960
<v Speaker 1>like you know, I pushed my anger down and I

0:45:08.120 --> 0:45:13.840
<v Speaker 1>held it and then it popped and then I was like, okay,

0:45:14.080 --> 0:45:16.560
<v Speaker 1>I'm not going to pretend like you're not there, like

0:45:16.800 --> 0:45:20.080
<v Speaker 1>let's talk, right, and I really like confronted it. And

0:45:20.239 --> 0:45:22.960
<v Speaker 1>then it's almost like there was a hole under my

0:45:23.080 --> 0:45:25.680
<v Speaker 1>anger that my anger was plugging. But inside the hole

0:45:26.160 --> 0:45:30.720
<v Speaker 1>was great shit. It was great creativity and great power

0:45:31.080 --> 0:45:33.920
<v Speaker 1>and like new ideas. And it was like by not

0:45:34.280 --> 0:45:37.440
<v Speaker 1>accepting that part of myself, I was cutting off the

0:45:37.719 --> 0:45:41.400
<v Speaker 1>good that it could offer me. It's like it's like

0:45:41.920 --> 0:45:46.920
<v Speaker 1>there's no bad qualities, there's no bad qualities in you.

0:45:47.200 --> 0:45:52.680
<v Speaker 1>There are things that are neglected that will be a superpower.

0:45:52.960 --> 0:45:57.520
<v Speaker 1>If you befriend your anger, if you befriend your sadness,

0:45:57.600 --> 0:46:01.719
<v Speaker 1>not try to get rid of it, befriended, befriend the

0:46:01.880 --> 0:46:05.440
<v Speaker 1>fact that you're scared, Like be okay that you're scared.

0:46:05.440 --> 0:46:08.040
<v Speaker 1>You still got dude of shit, but don't pretend like

0:46:08.080 --> 0:46:11.080
<v Speaker 1>you're not scared. Like be scared, but still do it.

0:46:11.239 --> 0:46:16.319
<v Speaker 1>Like when you befriend those energies versus like fighting them,

0:46:16.680 --> 0:46:20.279
<v Speaker 1>they become superpowers. They become your army. So like you

0:46:20.360 --> 0:46:23.839
<v Speaker 1>have this army of energies, and that's the place where

0:46:23.920 --> 0:46:28.120
<v Speaker 1>I am right now. Like the good qualities that I

0:46:28.239 --> 0:46:31.360
<v Speaker 1>thought were the strongest, will Smith, that's not. It's like

0:46:31.480 --> 0:46:35.440
<v Speaker 1>now those qualities are backed up by all of these

0:46:35.680 --> 0:46:41.680
<v Speaker 1>other energies that are like having been cleansed, like not

0:46:41.800 --> 0:46:43.920
<v Speaker 1>you don't want them to drunk drive through your life.

0:46:44.200 --> 0:46:47.240
<v Speaker 1>But now they've been like cleansed, and now they're giving

0:46:47.280 --> 0:46:51.280
<v Speaker 1>me gifts. They're giving me poetry, they're giving me power,

0:46:51.360 --> 0:46:54.400
<v Speaker 1>they're giving me patience, they're giving me certainty, you know.

0:46:54.680 --> 0:46:57.640
<v Speaker 1>So to me, there's a long way to answer the

0:46:57.800 --> 0:47:03.440
<v Speaker 1>question the hunger I'm from. Like, I got cheat codes, right,

0:47:03.600 --> 0:47:05.439
<v Speaker 1>I got cheat codes. I want to, Like I want

0:47:05.480 --> 0:47:07.919
<v Speaker 1>to share cheat my cheat codes. I want to, Yeah,

0:47:08.640 --> 0:47:19.200
<v Speaker 1>I want to. I'm not. I never thought I needed derby, dude,

0:47:20.480 --> 0:47:22.160
<v Speaker 1>like the way you broke, I want you need to

0:47:22.200 --> 0:47:25.640
<v Speaker 1>be a defist, like or like tell somebody your dirty

0:47:26.080 --> 0:47:28.319
<v Speaker 1>because I was I was so in like I want

0:47:28.360 --> 0:47:33.080
<v Speaker 1>to you know how when it's I'm like, yo, can

0:47:33.120 --> 0:47:36.839
<v Speaker 1>we tell you that was so? That was so dope, man,

0:47:37.200 --> 0:47:38.560
<v Speaker 1>that's so dope man.

0:47:39.080 --> 0:47:41.359
<v Speaker 3>And I noticed a cliche question, And I'm gonna get

0:47:41.360 --> 0:47:42.360
<v Speaker 3>back to quick time of slim.

0:47:42.560 --> 0:47:43.799
<v Speaker 1>But did you have a thing that you would make

0:47:43.840 --> 0:47:48.320
<v Speaker 1>it this far? H man. I've been beyond my dreams

0:47:48.480 --> 0:47:53.600
<v Speaker 1>for like twenty years. I've been beyond anything. Yeah, yeah, yeah,

0:47:54.360 --> 0:47:58.560
<v Speaker 1>like you know now and it's like I'm in unknown

0:47:58.760 --> 0:48:02.359
<v Speaker 1>territory right now. I have no idea where this is going.

0:48:02.560 --> 0:48:08.320
<v Speaker 1>I have no idea you know what's happening. But you know,

0:48:08.480 --> 0:48:11.440
<v Speaker 1>if you think of it as a wave, right, I

0:48:11.600 --> 0:48:16.120
<v Speaker 1>know I can surf, right. So I'm like, you know, life,

0:48:16.280 --> 0:48:22.480
<v Speaker 1>bring it back? Yeah, right, right, I don't know like

0:48:22.760 --> 0:48:27.080
<v Speaker 1>things are. So when I when I was saying cheat codes, right,

0:48:28.560 --> 0:48:30.920
<v Speaker 1>so one of the first things there's a there's a

0:48:30.960 --> 0:48:33.000
<v Speaker 1>song on an album called you can Make It. You

0:48:33.080 --> 0:48:37.160
<v Speaker 1>can make It. It's a Monday, yes, so one of

0:48:37.200 --> 0:48:39.279
<v Speaker 1>the cheat codes around you can make it? Right, So

0:48:40.040 --> 0:48:42.799
<v Speaker 1>as I as I sit in this room right now, right,

0:48:44.760 --> 0:48:50.480
<v Speaker 1>so a bunch of black men, you know, and you know,

0:48:50.719 --> 0:48:56.480
<v Speaker 1>we would never admit we're having a hard time, right,

0:48:56.960 --> 0:48:58.600
<v Speaker 1>but you don't have to tell me. I know you are.

0:49:00.960 --> 0:49:04.320
<v Speaker 1>I know you are, and I can be here and

0:49:04.960 --> 0:49:08.000
<v Speaker 1>I can make it harder for you, or I can

0:49:08.160 --> 0:49:12.640
<v Speaker 1>be here to have you be stronger when I leave, right,

0:49:13.200 --> 0:49:18.719
<v Speaker 1>but what I used to think that you know, you know,

0:49:19.600 --> 0:49:23.160
<v Speaker 1>I got to defend myself. I don't have to defend

0:49:23.239 --> 0:49:26.719
<v Speaker 1>myself from you. We both having an equal hard time.

0:49:27.440 --> 0:49:30.479
<v Speaker 1>If I don't aggress upon you, you're not going to write.

0:49:30.600 --> 0:49:35.759
<v Speaker 1>It's like if you know that I know that you're

0:49:35.840 --> 0:49:38.160
<v Speaker 1>having a hard time, and that I don't want to

0:49:38.239 --> 0:49:42.000
<v Speaker 1>be any part of why it's more difficult for y'all, right,

0:49:42.280 --> 0:49:45.600
<v Speaker 1>And it's like like that's a cheat code. Like that's

0:49:45.680 --> 0:49:48.320
<v Speaker 1>a real cheat code. People see it in your eyes

0:49:48.680 --> 0:49:51.239
<v Speaker 1>when you know they're having a hard time and you

0:49:51.520 --> 0:49:54.319
<v Speaker 1>don't want to make it harder. They also see when

0:49:54.320 --> 0:49:58.239
<v Speaker 1>you don't give a fuck, if they see you don't

0:49:58.280 --> 0:50:00.600
<v Speaker 1>give a fuck, not a part of them that don't

0:50:00.640 --> 0:50:04.759
<v Speaker 1>give a plut you know what I mean. Yeah, So

0:50:05.000 --> 0:50:07.600
<v Speaker 1>it's like to me, it's like part of the part

0:50:07.640 --> 0:50:10.560
<v Speaker 1>of that cheat code of entering rooms and entering interacting

0:50:10.960 --> 0:50:13.759
<v Speaker 1>with people. It's like, I don't know what it is,

0:50:14.160 --> 0:50:18.240
<v Speaker 1>but I know every single person in here is struggling

0:50:19.200 --> 0:50:22.360
<v Speaker 1>with something, with something right, and at different levels. You

0:50:22.480 --> 0:50:26.480
<v Speaker 1>know some you know, somebody's going through a breakup, and

0:50:26.800 --> 0:50:30.160
<v Speaker 1>you know somebody you know lost some money that they

0:50:30.280 --> 0:50:35.080
<v Speaker 1>really needed. Somebody that got a loved when it just died.

0:50:35.800 --> 0:50:39.120
<v Speaker 1>You know, somebody's family is fighting over something. You know,

0:50:40.120 --> 0:50:44.200
<v Speaker 1>everybody's lifing, right, So it's a cheat code to don't

0:50:44.280 --> 0:50:46.960
<v Speaker 1>get lost on the person in front of you, even

0:50:47.000 --> 0:50:51.080
<v Speaker 1>if they're aggressing. They're aggressing because life is fucking you.

0:50:51.280 --> 0:50:54.920
<v Speaker 1>It's what's not you. Life is hurting them, and they

0:50:55.200 --> 0:50:59.919
<v Speaker 1>even may perceive that you're aggressing just how you walk.

0:51:00.200 --> 0:51:02.600
<v Speaker 1>It don't even have to be you. They could they're

0:51:02.680 --> 0:51:08.319
<v Speaker 1>perceiving that you're aggressing, and they're prepared to hurt you. Right.

0:51:08.880 --> 0:51:12.520
<v Speaker 1>But it's like the cheat code is just know that

0:51:12.719 --> 0:51:16.399
<v Speaker 1>don't even don't even go into that energy space with them,

0:51:17.160 --> 0:51:19.719
<v Speaker 1>you know, and you know for me, like that song

0:51:19.880 --> 0:51:22.719
<v Speaker 1>you can make It, It was like that was part

0:51:22.760 --> 0:51:28.120
<v Speaker 1>of the discovery, like you know, don't don't get distracted

0:51:28.200 --> 0:51:31.239
<v Speaker 1>from the fact of every step you take is affecting

0:51:31.320 --> 0:51:34.400
<v Speaker 1>people's lives as you move, right. So that was what

0:51:34.600 --> 0:51:37.000
<v Speaker 1>part of the idea of you you can make it

0:51:37.600 --> 0:51:40.920
<v Speaker 1>is like keeping in my mind when I'm looking at people,

0:51:41.600 --> 0:51:43.360
<v Speaker 1>I'm saying, you can make it. I don't know what

0:51:43.440 --> 0:51:45.560
<v Speaker 1>it is, brother, but I know you got it. You

0:51:45.640 --> 0:51:49.160
<v Speaker 1>got it. You know. And it's like holding that energy

0:51:49.200 --> 0:51:51.920
<v Speaker 1>as a real cheat code because then people want to

0:51:52.200 --> 0:51:56.200
<v Speaker 1>help you when they feel like you're open to want

0:51:56.239 --> 0:51:58.400
<v Speaker 1>to help them. Voter want to help you. But it

0:51:58.520 --> 0:52:03.239
<v Speaker 1>takes vulnerability to open that. Men don't. We don't do

0:52:03.400 --> 0:52:06.600
<v Speaker 1>that with each other. Right, So for me when I

0:52:06.719 --> 0:52:11.480
<v Speaker 1>come downstairs, brothers, it's welcome to Philly, like like like

0:52:11.680 --> 0:52:14.480
<v Speaker 1>I want you to enjoy it and have fun with

0:52:14.600 --> 0:52:18.279
<v Speaker 1>you in Philly, you know. And it's like I want

0:52:18.360 --> 0:52:20.400
<v Speaker 1>you to feel safe and have a good time. I

0:52:20.480 --> 0:52:26.440
<v Speaker 1>got cheese steaks for you, you know. And it's like

0:52:26.719 --> 0:52:32.800
<v Speaker 1>that energy is an energy of abundance. You like you,

0:52:33.200 --> 0:52:37.000
<v Speaker 1>You build things, you make friends, you build relationships, You

0:52:37.719 --> 0:52:41.799
<v Speaker 1>create a safe space around you. When you start from

0:52:42.360 --> 0:52:47.600
<v Speaker 1>that mindset that the person is going through something, it's

0:52:47.600 --> 0:52:49.960
<v Speaker 1>like you're trying to reverse the idea of hurt people

0:52:50.320 --> 0:52:53.200
<v Speaker 1>hurt people. Yes, absolutely, trying to reverse absolutely, you know.

0:52:53.600 --> 0:52:56.239
<v Speaker 3>But I want to say something because the rollout that

0:52:56.920 --> 0:53:00.759
<v Speaker 3>your family, the people that work with you, you've seen

0:53:00.800 --> 0:53:02.239
<v Speaker 3>you a million dos work for games. We've seen you

0:53:02.320 --> 0:53:05.200
<v Speaker 3>on what's the guy name that tells everybody to stop

0:53:05.239 --> 0:53:06.600
<v Speaker 3>smoking in his airbnb?

0:53:09.320 --> 0:53:10.400
<v Speaker 1>You did play Boy back.

0:53:12.360 --> 0:53:14.480
<v Speaker 3>And you did drink chances and when you're looking at that,

0:53:14.600 --> 0:53:17.200
<v Speaker 3>you're sitting back saying, damn, your team knows what they're doing.

0:53:17.760 --> 0:53:19.000
<v Speaker 1>They're shifting with the time.

0:53:19.080 --> 0:53:20.719
<v Speaker 3>A lot of people would have went to, you know,

0:53:20.760 --> 0:53:24.760
<v Speaker 3>the traditional radios, which you had you dropping an album,

0:53:25.080 --> 0:53:28.879
<v Speaker 3>so obviously you want the radio splays. But right now,

0:53:29.320 --> 0:53:34.120
<v Speaker 3>black young, unscripted media is running the world. So the

0:53:34.200 --> 0:53:36.640
<v Speaker 3>fact that your team knew that, Like, I watched it

0:53:36.680 --> 0:53:38.960
<v Speaker 3>and I'm sitting back and I'm like, whoever's on your team,

0:53:39.160 --> 0:53:40.560
<v Speaker 3>they know exactly what they're doing.

0:53:40.760 --> 0:53:41.719
<v Speaker 1>So here's my question.

0:53:42.560 --> 0:53:45.480
<v Speaker 3>You knowing that now that black young media is running

0:53:45.480 --> 0:53:51.920
<v Speaker 3>the thing, where is Overbrooks Podcast Company? Where's Overbrooks Production Company?

0:53:52.000 --> 0:53:55.040
<v Speaker 3>For the young directors? Putting young next? Willsmith for the

0:53:55.120 --> 0:53:58.680
<v Speaker 3>young next, Kevin Hart, that's here? Eat was like me,

0:54:00.480 --> 0:54:02.440
<v Speaker 3>he chis with because I know you brought cheese steaks

0:54:02.480 --> 0:54:03.279
<v Speaker 3>and you trust.

0:54:03.080 --> 0:54:06.000
<v Speaker 1>Me, I'm gonna be judgment to home. Helpy came up

0:54:06.040 --> 0:54:07.440
<v Speaker 1>and said, I forgot the cheez whiz. I said, I'm

0:54:07.480 --> 0:54:08.439
<v Speaker 1>judging you on both times.

0:54:09.440 --> 0:54:12.480
<v Speaker 3>I'm here from Philly. But but but that's you know,

0:54:14.840 --> 0:54:18.879
<v Speaker 3>it's something that I learned and I had to learn

0:54:18.960 --> 0:54:21.920
<v Speaker 3>going through it because I had to go through it. Nas,

0:54:22.080 --> 0:54:24.720
<v Speaker 3>who he spoke about earlier. Nas could have had Copona

0:54:24.800 --> 0:54:27.279
<v Speaker 3>Nori Jega sign. He could have had Mob Deep sign,

0:54:27.640 --> 0:54:29.400
<v Speaker 3>he could have had a Z sign, he could have

0:54:29.440 --> 0:54:31.560
<v Speaker 3>had Foxy Brown sign. But he chose to kind of

0:54:31.600 --> 0:54:34.880
<v Speaker 3>be our friends right when we wanted. We might have

0:54:35.000 --> 0:54:38.440
<v Speaker 3>wanted our leader at that time. So if you look

0:54:38.520 --> 0:54:40.960
<v Speaker 3>at Nas and that's my brother, you know what I'm saying,

0:54:41.280 --> 0:54:43.160
<v Speaker 3>them before I got here. But then you look at Jay.

0:54:43.680 --> 0:54:48.400
<v Speaker 3>Jay didn't really care about him being your leader or not.

0:54:48.640 --> 0:54:50.920
<v Speaker 3>He wanted to make good business. So if you look

0:54:50.960 --> 0:54:53.000
<v Speaker 3>at that, but then if you look at them both,

0:54:53.160 --> 0:54:55.160
<v Speaker 3>that's what you are like, you know what I'm saying, Like,

0:54:55.440 --> 0:54:58.400
<v Speaker 3>you're a person who has the movies, your person who

0:54:58.480 --> 0:55:01.480
<v Speaker 3>has the music. And then and obviously podcasts is this

0:55:01.520 --> 0:55:04.279
<v Speaker 3>a new thing? And I'm sitting back like, why isn't Overbrook?

0:55:04.560 --> 0:55:07.239
<v Speaker 3>You know that virsion of our heart, know how our

0:55:07.280 --> 0:55:09.719
<v Speaker 3>heart has all this? And then you got you got

0:55:09.920 --> 0:55:13.439
<v Speaker 3>Netflix and God bless us. Right we made Netflix and Chill.

0:55:13.760 --> 0:55:16.600
<v Speaker 1>That was a dude that was born during COVID and

0:55:16.640 --> 0:55:19.719
<v Speaker 1>said Netflix and Chill and the whole ship, this is

0:55:19.800 --> 0:55:22.600
<v Speaker 1>our people. When is our people who are at that

0:55:22.840 --> 0:55:25.880
<v Speaker 1>top going to invest into people, whether it's that that

0:55:26.040 --> 0:55:28.279
<v Speaker 1>bottom or whatever. And I'm not just saying overbook, it's

0:55:28.320 --> 0:55:31.600
<v Speaker 1>just like I kind of feel like black folks or

0:55:31.680 --> 0:55:34.840
<v Speaker 1>hip hop folks should invest in hip hop now. So

0:55:35.000 --> 0:55:36.959
<v Speaker 1>here's so, was that a good question? First?

0:55:36.960 --> 0:55:39.000
<v Speaker 3>That that was really good? You felt good about it.

0:55:43.280 --> 0:55:48.320
<v Speaker 3>I'm like it was like it was sharp, it was

0:55:49.600 --> 0:55:52.759
<v Speaker 3>a little bit it was yeah, but I want you

0:55:52.760 --> 0:55:55.160
<v Speaker 3>to answer, we need blacks to invest in blacks?

0:55:55.640 --> 0:56:06.880
<v Speaker 1>Yes, cheers cherious, Yes, So that one. No, so right, So,

0:56:07.040 --> 0:56:13.239
<v Speaker 1>first of all, it's it's always been the case right

0:56:13.600 --> 0:56:18.440
<v Speaker 1>that my manager, Miguel, he's still in here, he would

0:56:18.600 --> 0:56:24.719
<v Speaker 1>he would always say what's urban is suburban? Right? So

0:56:25.680 --> 0:56:33.120
<v Speaker 1>so our community has always led right, so uh always

0:56:33.200 --> 0:56:36.160
<v Speaker 1>let right. So it was you know, brands, you know

0:56:36.360 --> 0:56:41.000
<v Speaker 1>before run DMC were always looking at what was happening

0:56:41.680 --> 0:56:43.920
<v Speaker 1>and they say, yes, absolutely, they were always looking at

0:56:43.920 --> 0:56:47.000
<v Speaker 1>what happened in the inner city. And then once run

0:56:47.080 --> 0:56:52.200
<v Speaker 1>DMC really they they broke the barrier. They didn't have

0:56:52.280 --> 0:56:54.920
<v Speaker 1>a deal with Adidas. They were wearing Adidas before they

0:56:55.000 --> 0:57:00.879
<v Speaker 1>had to deal with and then they were like, oh,

0:57:01.200 --> 0:57:05.160
<v Speaker 1>got it right, So Adidas didn't even know their sales

0:57:05.200 --> 0:57:10.000
<v Speaker 1>were spiking because run DMC was wearing Adidas. Right, So

0:57:10.760 --> 0:57:15.640
<v Speaker 1>that the idea of the the the inner cities and

0:57:16.440 --> 0:57:23.160
<v Speaker 1>urban communities leading in in you know, fashion and branding

0:57:23.560 --> 0:57:28.760
<v Speaker 1>as we've always been that. So in terms of you

0:57:28.840 --> 0:57:33.400
<v Speaker 1>know the question of why we don't do that, so

0:57:35.280 --> 0:57:40.240
<v Speaker 1>we do do it, it's it's bandwidth is an issue. Right.

0:57:40.720 --> 0:57:46.080
<v Speaker 1>So you know, I know Kevin Heart's company, you know,

0:57:46.800 --> 0:57:52.240
<v Speaker 1>Heartbeat Overbrook, big y'all up man, we got yes, yes, yeah, yeah,

0:57:52.400 --> 0:57:56.440
<v Speaker 1>that big y'all up definitely, you know, but when you

0:57:56.600 --> 0:58:02.000
<v Speaker 1>get to fifteen projects, you're at your whole company's bandwidth, right.

0:58:02.560 --> 0:58:10.280
<v Speaker 1>But there's four thousand, you know, people who deserve a look, right.

0:58:10.600 --> 0:58:14.320
<v Speaker 1>But it's like, you know, you got one executive that's

0:58:14.480 --> 0:58:17.840
<v Speaker 1>working ten projects that they believe in that one is

0:58:18.000 --> 0:58:20.640
<v Speaker 1>going to go right, right, So you look at a

0:58:20.720 --> 0:58:23.200
<v Speaker 1>company after four years and it's like, you know, so

0:58:23.360 --> 0:58:27.600
<v Speaker 1>for us with our company with like bel Air, okay, right,

0:58:27.880 --> 0:58:33.360
<v Speaker 1>so we've got black staff and you know, black and

0:58:33.480 --> 0:58:36.160
<v Speaker 1>brown writing and staff and all of that, but it

0:58:36.320 --> 0:58:41.959
<v Speaker 1>takes everything our TV division has to keep that show

0:58:42.840 --> 0:58:46.160
<v Speaker 1>up and relevant and going. And then you just don't

0:58:46.400 --> 0:58:52.000
<v Speaker 1>have the bandwidth to have a second one going to

0:58:52.080 --> 0:58:54.720
<v Speaker 1>it's like all hands on deck to make show, to

0:58:54.800 --> 0:58:57.120
<v Speaker 1>make sure the show wins, because when you get the shot,

0:58:57.200 --> 0:59:01.040
<v Speaker 1>you have to win too, right, you know. So you

0:59:01.120 --> 0:59:03.360
<v Speaker 1>know we have that, we set it up, and then

0:59:03.600 --> 0:59:06.440
<v Speaker 1>you know, things happen, so you start building it out right,

0:59:06.480 --> 0:59:09.160
<v Speaker 1>So you'll start building out your divisions and you get going,

0:59:09.920 --> 0:59:12.960
<v Speaker 1>and then there's a strike. Oh yeah, the writer's strike.

0:59:13.840 --> 0:59:16.560
<v Speaker 1>Now there's a writers strike and you have to like,

0:59:16.760 --> 0:59:19.520
<v Speaker 1>you can't survive because you can't work and you can't

0:59:19.640 --> 0:59:22.960
<v Speaker 1>hold one hundred percent staff, so you got to scale

0:59:23.040 --> 0:59:26.280
<v Speaker 1>down to twenty percent staff until the strike is over.

0:59:26.360 --> 0:59:28.280
<v Speaker 1>Now you lose all of these great people, you lose

0:59:28.320 --> 0:59:31.240
<v Speaker 1>all of these great projects, and now you're starting up

0:59:31.640 --> 0:59:35.920
<v Speaker 1>all over again. Right, So there are business considerations like

0:59:37.000 --> 0:59:42.720
<v Speaker 1>Tyler Perry has like the most like stable foundation of

0:59:42.880 --> 0:59:46.080
<v Speaker 1>being able to make things in churn them out. But

0:59:46.880 --> 0:59:51.320
<v Speaker 1>you know it's bandwidth. Also Tyler's writing and directing, you

0:59:51.440 --> 0:59:54.240
<v Speaker 1>know all of this stuff too, right, So it's really

0:59:54.560 --> 0:59:58.680
<v Speaker 1>it's it is. The idea is simple to say, but

0:59:58.800 --> 1:00:03.040
<v Speaker 1>when you look at reality, the reality of it is,

1:00:03.360 --> 1:00:07.040
<v Speaker 1>if you have a staff of forty, you could get

1:00:07.120 --> 1:00:12.000
<v Speaker 1>to bandwidth on a staff of forty people with two projects.

1:00:12.840 --> 1:00:15.720
<v Speaker 1>You could be like, you get two big things going,

1:00:15.800 --> 1:00:18.840
<v Speaker 1>and what it takes to keep it going is like

1:00:19.000 --> 1:00:21.360
<v Speaker 1>it's really hard. Then what happens is then you have

1:00:21.440 --> 1:00:24.440
<v Speaker 1>to let other people be in charge. Right, So when

1:00:24.480 --> 1:00:30.280
<v Speaker 1>I'm looking over a project, like, I'm I'm the taste, right,

1:00:30.400 --> 1:00:33.080
<v Speaker 1>so you know, I have other people that are really

1:00:33.560 --> 1:00:37.320
<v Speaker 1>good taste. But as you get broader, you lose the

1:00:37.560 --> 1:00:41.240
<v Speaker 1>taste and then you start making things that aren't good

1:00:41.280 --> 1:00:44.640
<v Speaker 1>and that's not helpful either, you know. So it is,

1:00:44.840 --> 1:00:48.320
<v Speaker 1>it is a It is a complex it's a complex problem,

1:00:48.320 --> 1:00:51.440
<v Speaker 1>and more complex in today's media landscape where everything is

1:00:51.680 --> 1:00:53.920
<v Speaker 1>every day is turning over. So on top of it,

1:00:54.000 --> 1:00:56.560
<v Speaker 1>twenty four to seven, yeah, ten years ago, you could

1:00:56.600 --> 1:01:00.120
<v Speaker 1>take a big bet and be pretty sure you're going

1:01:00.200 --> 1:01:03.920
<v Speaker 1>to make it limited box office yeah yeah right, you know,

1:01:04.080 --> 1:01:06.720
<v Speaker 1>so it is that, you know, it is. It is difficult,

1:01:06.800 --> 1:01:11.440
<v Speaker 1>and people now are thinking of it as disposable, right,

1:01:11.600 --> 1:01:16.400
<v Speaker 1>so movies, yeah, disposable, well, entertainment and general the content

1:01:16.520 --> 1:01:20.040
<v Speaker 1>is disposable, freed everybody. So you can't even like, you know,

1:01:20.160 --> 1:01:23.880
<v Speaker 1>make a two million dollar bet on something because people

1:01:23.960 --> 1:01:29.040
<v Speaker 1>might decide that that's not exactly. Yeah, it's it is

1:01:29.120 --> 1:01:31.760
<v Speaker 1>a it is a difficult issue, and I'm in a

1:01:31.800 --> 1:01:34.960
<v Speaker 1>lot of those rooms. It is not because people are

1:01:35.240 --> 1:01:37.040
<v Speaker 1>not trying to make it. Yeah, it is not because

1:01:37.040 --> 1:01:38.760
<v Speaker 1>people yet.

1:01:38.920 --> 1:01:41.440
<v Speaker 3>Yeah, so they always say that being the first person,

1:01:42.280 --> 1:01:45.000
<v Speaker 3>it's beautiful, but you know, you get you get looked,

1:01:45.240 --> 1:01:45.960
<v Speaker 3>get frowned upon.

1:01:46.120 --> 1:01:48.160
<v Speaker 1>Right, I'm using that lightly. Again.

1:01:49.040 --> 1:01:51.280
<v Speaker 3>You were the first person to win a Grammy, first rapper,

1:01:51.400 --> 1:01:52.680
<v Speaker 3>first rapper to ever win a Grammy.

1:01:53.520 --> 1:01:57.160
<v Speaker 1>Right, we boycott it and you boycott it and one

1:01:57.240 --> 1:02:08.360
<v Speaker 1>and one still except that's right, we didn't accept one.

1:02:18.840 --> 1:02:22.080
<v Speaker 4>But were you guys solely boycotting on your own or

1:02:22.320 --> 1:02:23.520
<v Speaker 4>it felt like it was a hip hop?

1:02:23.560 --> 1:02:26.520
<v Speaker 1>Boy? It was a hip hop So so what happened

1:02:26.600 --> 1:02:30.480
<v Speaker 1>the So it was the first year ever that pop

1:02:30.560 --> 1:02:35.840
<v Speaker 1>got hip hop got acknowledged by the Grammys. So they

1:02:35.880 --> 1:02:39.080
<v Speaker 1>acknowledged that they had the category, but they said they

1:02:39.120 --> 1:02:43.000
<v Speaker 1>weren't going to televise the the hip hop category. They

1:02:43.000 --> 1:02:45.920
<v Speaker 1>weren't going to televise it. So we were like, well, wait,

1:02:46.000 --> 1:02:49.360
<v Speaker 1>we sold more records than everybody, Like, why is that?

1:02:49.440 --> 1:02:54.600
<v Speaker 1>Why is our stuff not being televised? So Russell Simmons

1:02:55.240 --> 1:03:01.200
<v Speaker 1>and le Or Cohen and m t V organized a boycott. Okay,

1:03:01.240 --> 1:03:03.200
<v Speaker 1>and you're not on depth Jam, I'm not on deaf Jam.

1:03:04.200 --> 1:03:07.280
<v Speaker 1>Rush's management makes sense, Okay, I just wanted to make

1:03:07.320 --> 1:03:11.520
<v Speaker 1>a sense. Yeah yeah, yeah, I'm so they organized a boycott.

1:03:11.640 --> 1:03:18.640
<v Speaker 1>They said nobody where Nobody's going. So MTV has a

1:03:18.920 --> 1:03:23.720
<v Speaker 1>counter show that's going to boycott the Grammys. So we go,

1:03:24.600 --> 1:03:29.480
<v Speaker 1>and you know, two days before the Grammys, we find

1:03:29.560 --> 1:03:34.760
<v Speaker 1>out that Como D has agreed to appear Grammys. Damn

1:03:35.640 --> 1:03:39.000
<v Speaker 1>with the big glasses and a yeah yeah cool yeah

1:03:39.120 --> 1:03:42.800
<v Speaker 1>so D but he uh and it's so crazy because

1:03:42.840 --> 1:03:45.480
<v Speaker 1>it seems it seems so little and silly now, but

1:03:45.640 --> 1:03:48.880
<v Speaker 1>it was like the biggest thing is everyone looked at

1:03:49.600 --> 1:03:52.800
<v Speaker 1>the betrayer. Yeah liked and we Me and Mo were

1:03:52.880 --> 1:03:55.520
<v Speaker 1>like great friends. We still are, but it was like

1:03:55.800 --> 1:03:59.440
<v Speaker 1>it was like huge that he crossed the line and

1:03:59.520 --> 1:04:04.640
<v Speaker 1>he went and did an intro to the Grammys. Wo right,

1:04:04.760 --> 1:04:11.160
<v Speaker 1>so yeah he did the whole legend. It was just

1:04:11.360 --> 1:04:13.720
<v Speaker 1>it was just it's so funny because it was like

1:04:14.160 --> 1:04:17.640
<v Speaker 1>the biggest like our lives depended on this and it

1:04:17.840 --> 1:04:22.120
<v Speaker 1>was like the worst ship that ever happened. Uh, Me

1:04:22.240 --> 1:04:26.440
<v Speaker 1>and Mo laugh about this now. But so we're there

1:04:26.440 --> 1:04:28.840
<v Speaker 1>and it's US and Salt and Pepper and LL and

1:04:28.920 --> 1:04:32.360
<v Speaker 1>stets of Sonic and so it's like fifty rappers and

1:04:32.480 --> 1:04:36.120
<v Speaker 1>we're standing and we're watching and you know, they're doing

1:04:36.160 --> 1:04:40.360
<v Speaker 1>the show. And then they they do the earlier tonight

1:04:40.840 --> 1:04:45.840
<v Speaker 1>awards were given in the rap category and we're standing

1:04:45.920 --> 1:04:47.760
<v Speaker 1>with all the rappers and me and Jeffers standing were

1:04:47.760 --> 1:04:51.920
<v Speaker 1>looking at the TV and we were nominated against It

1:04:52.080 --> 1:04:58.440
<v Speaker 1>was o pp It was uh was it still a

1:04:58.520 --> 1:05:00.960
<v Speaker 1>rapping R and B just right. It was the first

1:05:01.000 --> 1:05:03.240
<v Speaker 1>time that it was just wrapped. So it was like US, L,

1:05:03.800 --> 1:05:09.600
<v Speaker 1>Salt and Peppa h. This was dominated Super Sonic. Oh

1:05:09.640 --> 1:05:12.520
<v Speaker 1>that's right, yeah, yeah, JJ past on two three four,

1:05:13.480 --> 1:05:18.040
<v Speaker 1>I'm missing a missing a fifth my name running m

1:05:18.080 --> 1:05:20.040
<v Speaker 1>C was in there all right, So it was you know,

1:05:20.160 --> 1:05:24.000
<v Speaker 1>so everybody was nominated. So we're standing there and we're

1:05:24.000 --> 1:05:27.360
<v Speaker 1>watching the TV and they say and earlier this afternoon,

1:05:27.520 --> 1:05:30.120
<v Speaker 1>DJ j Z, Jeff and Fresh Prince were awarded Best

1:05:30.200 --> 1:05:32.760
<v Speaker 1>Wrap and we're standing there with everybody, and I was

1:05:32.840 --> 1:05:38.400
<v Speaker 1>like a boycott. You didn't know you were gonna win.

1:05:39.840 --> 1:05:47.240
<v Speaker 1>I didn't know were you what? I was like, man,

1:05:47.480 --> 1:05:50.920
<v Speaker 1>me and went in the other room and it was like, yo,

1:05:51.760 --> 1:05:54.320
<v Speaker 1>the first grandy ever give it to a wrapper, And

1:05:54.400 --> 1:05:57.400
<v Speaker 1>it was like we never, we never really you know,

1:05:57.680 --> 1:06:01.760
<v Speaker 1>had the chance to fully celebrate. But it was really

1:06:02.040 --> 1:06:05.360
<v Speaker 1>giant hearing that we wanted the first ever.

1:06:07.160 --> 1:06:14.880
<v Speaker 3>Yeah, now, hip hop could be you know, critical until

1:06:14.920 --> 1:06:17.760
<v Speaker 3>they actually make that position right. Like it's like it's

1:06:17.800 --> 1:06:20.880
<v Speaker 3>like a person seeing the first person doing the alley, like, well,

1:06:21.000 --> 1:06:23.280
<v Speaker 3>that shit looks crazy, and then you learn how to do.

1:06:25.200 --> 1:06:29.080
<v Speaker 3>This is legit, you know what I'm saying. So after

1:06:29.400 --> 1:06:33.600
<v Speaker 3>winning the Grammys, when did it become cool to actually

1:06:33.680 --> 1:06:34.320
<v Speaker 3>win Grammy?

1:06:34.760 --> 1:06:38.280
<v Speaker 1>Because I'm sure you got chasts, yeah for sure now

1:06:38.400 --> 1:06:40.600
<v Speaker 1>and it was like, you know, well they only won

1:06:40.640 --> 1:06:43.680
<v Speaker 1>because white people like their music. But that's cool. They

1:06:43.720 --> 1:06:46.640
<v Speaker 1>won because it's they want one, because it's soft, you know,

1:06:47.360 --> 1:06:51.520
<v Speaker 1>it was their their music was palatable for other audiences.

1:06:52.040 --> 1:06:53.760
<v Speaker 4>That critic is still going on to this day. When

1:06:53.800 --> 1:06:58.680
<v Speaker 4>itgory for sure, you know, you know, I think I

1:06:58.760 --> 1:06:59.920
<v Speaker 4>think it was probably like.

1:07:01.800 --> 1:07:06.200
<v Speaker 1>Like three three Grammys later where it was like cool,

1:07:06.320 --> 1:07:09.280
<v Speaker 1>cool to to win the Grammy. It was like that

1:07:09.480 --> 1:07:12.000
<v Speaker 1>that next year still wasn't cool, but they televised it,

1:07:12.720 --> 1:07:15.400
<v Speaker 1>so it was like good that they televised that they

1:07:15.440 --> 1:07:21.080
<v Speaker 1>were respecting the genre. But it was yeah, definitely, like

1:07:21.280 --> 1:07:25.600
<v Speaker 1>three years later that it was like a real prestige

1:07:25.720 --> 1:07:27.280
<v Speaker 1>thing to to win a Grammy.

1:07:27.640 --> 1:07:29.920
<v Speaker 3>Yeah, because now everybody's bragging about it, but back then

1:07:30.000 --> 1:07:31.160
<v Speaker 3>they were like pistol the Grammy.

1:07:31.240 --> 1:07:34.960
<v Speaker 1>Yeah, yeah, I hope actually did it pistle you well,

1:07:35.080 --> 1:07:39.760
<v Speaker 1>Kanye one of them did that. They said, No, it's

1:07:39.800 --> 1:07:45.320
<v Speaker 1>a it's a it's an honor. Anytime anybody will say

1:07:45.800 --> 1:07:48.960
<v Speaker 1>we appreciate what you do, I think there's a lot

1:07:49.000 --> 1:07:52.360
<v Speaker 1>of silliness that goes into that. It's not about the award,

1:07:52.400 --> 1:07:54.600
<v Speaker 1>it's just it's it's a work you know that you

1:07:54.800 --> 1:07:59.600
<v Speaker 1>put into Somebody is saying, hey, I appreciate what you do,

1:08:00.320 --> 1:08:03.920
<v Speaker 1>and you know what your how your gifts are being

1:08:05.560 --> 1:08:08.560
<v Speaker 1>received by humanity. Is that that is That's a real thing.

1:08:08.880 --> 1:08:11.720
<v Speaker 1>Is there any aspirations to be to have an egot

1:08:11.840 --> 1:08:16.960
<v Speaker 1>to all of them? Uh? Because you know, I'm I'm pasted,

1:08:18.240 --> 1:08:25.000
<v Speaker 1>I'm past awards in in my mindset. You know, there's

1:08:25.040 --> 1:08:29.920
<v Speaker 1>a there's a thing I think that everybody. Uh, I

1:08:30.120 --> 1:08:34.240
<v Speaker 1>wish that everybody could have everything they dream to realize

1:08:34.280 --> 1:08:39.720
<v Speaker 1>that that's not it. You know I've said before, like

1:08:39.880 --> 1:08:43.880
<v Speaker 1>there's a there are people talk about rock bottom that

1:08:44.080 --> 1:08:47.439
<v Speaker 1>when you hit rock bottom is when you'll make a

1:08:47.560 --> 1:08:53.800
<v Speaker 1>change drugs like drugs. People say dr rock bottom in life. Yeah,

1:08:54.000 --> 1:08:56.200
<v Speaker 1>but yeah, it is that people say it in in

1:08:56.720 --> 1:08:59.519
<v Speaker 1>you know, in a talking about rock bottom. But there's

1:08:59.560 --> 1:09:06.120
<v Speaker 1>a core responding place that I call cliff top. Right,

1:09:06.400 --> 1:09:08.960
<v Speaker 1>you could be too high, where you get so high

1:09:10.040 --> 1:09:16.320
<v Speaker 1>that you realize literally none of the stuff can make

1:09:16.400 --> 1:09:20.240
<v Speaker 1>you happy. Right after you you get you can get

1:09:20.320 --> 1:09:22.720
<v Speaker 1>to the end of the material world. You get to

1:09:22.760 --> 1:09:25.920
<v Speaker 1>the end of money, you get to the end of sex.

1:09:26.400 --> 1:09:29.040
<v Speaker 1>You know, you get to the end of fame. You

1:09:29.200 --> 1:09:32.320
<v Speaker 1>get you you you have so much, and you get

1:09:32.439 --> 1:09:35.000
<v Speaker 1>and then you you like go off of a cliff

1:09:35.720 --> 1:09:38.400
<v Speaker 1>into the same kind of abyss that you'd be scared

1:09:38.400 --> 1:09:42.680
<v Speaker 1>of slipping into at rock bottom, right where life loses

1:09:43.439 --> 1:09:50.600
<v Speaker 1>all of its ability to sustain and please you. And

1:09:50.800 --> 1:09:53.200
<v Speaker 1>then the only thing that's left the same thing at

1:09:53.280 --> 1:09:55.639
<v Speaker 1>rock bottom. The only thing that's left at cliff top

1:09:56.000 --> 1:09:59.160
<v Speaker 1>is you have to You have to find what you

1:09:59.400 --> 1:10:03.320
<v Speaker 1>actually looking looking for, And what you're actually looking for

1:10:04.240 --> 1:10:10.200
<v Speaker 1>is you. You're looking for you. You're running around right

1:10:10.560 --> 1:10:12.800
<v Speaker 1>when you when you like a woman and you like

1:10:12.960 --> 1:10:16.759
<v Speaker 1>being with a woman is because you like how you feel.

1:10:17.560 --> 1:10:22.040
<v Speaker 1>You like what's happening inside of you. When you have money,

1:10:22.680 --> 1:10:24.880
<v Speaker 1>it's like, yeah, it's cool to buy things, but it's

1:10:24.920 --> 1:10:29.920
<v Speaker 1>not the money. You like how you feel inside. It's

1:10:30.080 --> 1:10:34.680
<v Speaker 1>unleashing a feeling inside and at rock bottom and at

1:10:34.760 --> 1:10:36.560
<v Speaker 1>cliff top, what you have to learn how to do

1:10:37.200 --> 1:10:41.800
<v Speaker 1>is generate that feeling without anything external you want to

1:10:41.880 --> 1:10:45.640
<v Speaker 1>You have to learn how to like like you so

1:10:45.880 --> 1:10:50.800
<v Speaker 1>much that you like being alive so much that you

1:10:51.080 --> 1:10:56.640
<v Speaker 1>you bring positive energy that's not generated by stuff. Right

1:10:56.640 --> 1:10:59.840
<v Speaker 1>because stuff is coming and going, like people are coming

1:10:59.880 --> 1:11:02.720
<v Speaker 1>in going. Everything you have and everybody you love is

1:11:02.800 --> 1:11:06.080
<v Speaker 1>going to rise and fall in your life. The place

1:11:06.200 --> 1:11:09.080
<v Speaker 1>that we have to find is a spiritual place where

1:11:09.680 --> 1:11:14.679
<v Speaker 1>we are good with us. We trust us. I trust myself,

1:11:15.439 --> 1:11:19.160
<v Speaker 1>I trust God, and I trust life that whatever happens,

1:11:19.200 --> 1:11:21.320
<v Speaker 1>I'm going to make happy out of it. I don't

1:11:21.360 --> 1:11:22.800
<v Speaker 1>need specific things to happen.

1:11:26.680 --> 1:11:28.920
<v Speaker 4>And I think also the important thing is we forget

1:11:29.000 --> 1:11:33.519
<v Speaker 4>that that journey is really the middle part is really

1:11:33.600 --> 1:11:34.320
<v Speaker 4>the best part of me.

1:11:34.479 --> 1:11:37.960
<v Speaker 1>Yes, exactly. It's like being able to be right here,

1:11:38.720 --> 1:11:43.680
<v Speaker 1>right now with whatever arises and not need a specific

1:11:43.800 --> 1:11:46.559
<v Speaker 1>thing to happen, right, And it's like, you know, part

1:11:46.640 --> 1:11:49.640
<v Speaker 1>of the beauty of these these moments for me and

1:11:49.680 --> 1:11:51.519
<v Speaker 1>these interactions for me, it's like I don't need a

1:11:51.560 --> 1:11:55.000
<v Speaker 1>specific thing to happen with us. Now, I'm open and

1:11:55.080 --> 1:11:59.240
<v Speaker 1>I'm excited, Like what's going to evolve from this moment.

1:11:59.320 --> 1:12:01.680
<v Speaker 1>And as soon as I have a specific thing that

1:12:01.800 --> 1:12:04.840
<v Speaker 1>I want to happen that I want from you, now

1:12:05.080 --> 1:12:09.880
<v Speaker 1>it it it throws off the energy of our experience,

1:12:09.960 --> 1:12:14.559
<v Speaker 1>you know. So I'm just learning to accept life as

1:12:14.640 --> 1:12:16.200
<v Speaker 1>it comes. Just relax.

1:12:16.760 --> 1:12:16.960
<v Speaker 7>You know.

1:12:17.200 --> 1:12:20.639
<v Speaker 1>Some ship's gonna come that you don't like, some ship's

1:12:20.680 --> 1:12:24.040
<v Speaker 1>gonna come that you do like. And it's like, I'm

1:12:24.160 --> 1:12:30.519
<v Speaker 1>trying to just cultivate a mind that is able to

1:12:31.760 --> 1:12:38.040
<v Speaker 1>accept and add love to any circumstance that arises. Letting go.

1:12:43.800 --> 1:12:49.240
<v Speaker 1>This is what I got to do that let me

1:12:49.320 --> 1:12:57.120
<v Speaker 1>join you properly. Cheers, So look at me. So I

1:12:57.200 --> 1:12:58.720
<v Speaker 1>want to speak about you quick time was like we

1:12:58.800 --> 1:13:03.840
<v Speaker 1>just didn't go back sometime. I want to say something

1:13:03.880 --> 1:13:11.000
<v Speaker 1>about Philadelpia. Don't care nothing about the rules, but.

1:13:16.400 --> 1:13:22.479
<v Speaker 3>Philly has made such a dramatic mark in hip hop,

1:13:23.000 --> 1:13:26.320
<v Speaker 3>he says after you, like prior to you, we had

1:13:26.360 --> 1:13:31.599
<v Speaker 3>Schoolly Deal first, then we had you, and like you said,

1:13:31.680 --> 1:13:32.679
<v Speaker 3>like so many people.

1:13:32.560 --> 1:13:34.400
<v Speaker 1>There's a lot of firsts from Philly and hip hop

1:13:34.640 --> 1:13:36.320
<v Speaker 1>is going way better. You know what I'm saying is

1:13:36.360 --> 1:13:39.120
<v Speaker 1>from him. But so many people didn't understand because you

1:13:39.200 --> 1:13:42.760
<v Speaker 1>were making clean rap, right for lack of a better term, right,

1:13:42.800 --> 1:13:43.760
<v Speaker 1>you were making clean rap.

1:13:43.840 --> 1:13:46.080
<v Speaker 3>A lot of people didn't know what rest Philadelphia was.

1:13:46.120 --> 1:13:47.800
<v Speaker 3>A lot of people didn't know what Philadelphia was. A

1:13:47.840 --> 1:13:49.720
<v Speaker 3>lot of people didn't know that Philadelphia. You're gonna get

1:13:49.800 --> 1:13:50.400
<v Speaker 3>killed out there.

1:13:50.800 --> 1:13:55.200
<v Speaker 1>You're done, and you're gonna shot a shot and and

1:13:55.920 --> 1:13:58.080
<v Speaker 1>they might stay there to like It's like so a

1:13:58.120 --> 1:14:00.160
<v Speaker 1>lot of people didn't know that because New York was

1:14:00.200 --> 1:14:03.920
<v Speaker 1>so much of but now Philly has kind of like

1:14:04.479 --> 1:14:08.479
<v Speaker 1>took his own mark, like like I mean, through hip hop,

1:14:08.880 --> 1:14:14.120
<v Speaker 1>through through so many different things, through comedy, cav How

1:14:14.200 --> 1:14:16.640
<v Speaker 1>did how did you did you see that Philly would be.

1:14:16.640 --> 1:14:18.920
<v Speaker 3>Prominent like that because it's damn near next to New

1:14:19.040 --> 1:14:19.679
<v Speaker 3>York at this point.

1:14:19.800 --> 1:14:22.160
<v Speaker 1>You know what's interesting, Like Philly was all out news

1:14:22.240 --> 1:14:27.080
<v Speaker 1>right so to to me, the the hip hop culture

1:14:27.360 --> 1:14:32.720
<v Speaker 1>and the creative culture in Philly and even before that,

1:14:32.840 --> 1:14:34.960
<v Speaker 1>when I you know, when I was growing up, Joe

1:14:35.040 --> 1:14:42.880
<v Speaker 1>Fraser was Philly. Yeah history, yeah, yeah, yeah, you know,

1:14:43.160 --> 1:14:46.519
<v Speaker 1>so you know there there has been a long history.

1:14:47.200 --> 1:14:50.400
<v Speaker 1>Uh you know, Wilt Chamberlain went to the high school.

1:14:53.200 --> 1:14:56.240
<v Speaker 1>I mean that he was going with He's famous brothers

1:15:01.200 --> 1:15:05.720
<v Speaker 1>literally a couple of times, you know. But you know,

1:15:05.840 --> 1:15:08.760
<v Speaker 1>there's a rich history. There's a rich, rich history of

1:15:09.439 --> 1:15:13.560
<v Speaker 1>talent and successful people. Julius Irving, you know when I

1:15:13.640 --> 1:15:15.840
<v Speaker 1>was growing up, so you know, for me, it was

1:15:16.040 --> 1:15:21.960
<v Speaker 1>always I knew that I was going to do my

1:15:22.160 --> 1:15:24.000
<v Speaker 1>best to be a part of a rich history. I

1:15:24.000 --> 1:15:26.640
<v Speaker 1>didn't feel like I was starting anything right, So I

1:15:26.680 --> 1:15:29.560
<v Speaker 1>felt like I was being you know, gambling ugh, and

1:15:30.000 --> 1:15:32.400
<v Speaker 1>you know, I felt like I was being a part

1:15:32.439 --> 1:15:35.759
<v Speaker 1>of a history, contributing, contributing to something that was already

1:15:36.320 --> 1:15:37.559
<v Speaker 1>you know, alive and well.

1:15:38.640 --> 1:15:43.639
<v Speaker 3>Listening to this album, I felt like you called everyone

1:15:44.840 --> 1:15:49.439
<v Speaker 3>and everyone said yes, but I'm wondering if I'm wrong.

1:15:50.280 --> 1:15:52.400
<v Speaker 3>Was there anybody that you called for this album and

1:15:52.479 --> 1:15:56.439
<v Speaker 3>they were like, I'm busy or I'm in Costa Rica?

1:15:56.680 --> 1:16:02.680
<v Speaker 1>No, you know, yeah, no, there there were there were

1:16:02.720 --> 1:16:09.040
<v Speaker 1>a couple of people who who weren't sure about working

1:16:09.120 --> 1:16:11.840
<v Speaker 1>with me. There were yeah, there were, There were definitely

1:16:12.520 --> 1:16:14.840
<v Speaker 1>definitely a couple of people. It was the hot water,

1:16:15.080 --> 1:16:19.320
<v Speaker 1>Yeah yeah yeah. They were like, yeah, we'll wait for

1:16:19.400 --> 1:16:25.080
<v Speaker 1>the second round. Will were round, Yeah, the boy the boiler,

1:16:26.000 --> 1:16:29.960
<v Speaker 1>Yeah yeah, we'll see. But it was actually that that

1:16:30.120 --> 1:16:34.000
<v Speaker 1>was new for me too, that I got that was

1:16:34.200 --> 1:16:36.200
<v Speaker 1>real humbling. I'm used.

1:16:36.240 --> 1:16:38.560
<v Speaker 8>I was used to when when Big Willie call it

1:16:38.680 --> 1:16:52.160
<v Speaker 8>was you know, I was like, I was saying, but

1:16:52.439 --> 1:16:53.720
<v Speaker 8>they honest about it.

1:16:53.920 --> 1:16:56.639
<v Speaker 1>No, No, people weren't being honest. You know, they weren't

1:16:56.680 --> 1:16:58.640
<v Speaker 1>being honest. But I knew. I knew that's what it was.

1:16:59.200 --> 1:17:01.920
<v Speaker 1>I knew that's what it was. Well, please please do

1:17:02.040 --> 1:17:05.400
<v Speaker 1>not forget. But the other day new he called me. Now,

1:17:05.439 --> 1:17:07.960
<v Speaker 1>he called me and was like, yo, can you can

1:17:08.000 --> 1:17:10.559
<v Speaker 1>you meet me at Club eleven? And I was like, yeah,

1:17:10.640 --> 1:17:13.519
<v Speaker 1>of course, and you said it. He knew I was

1:17:13.800 --> 1:17:19.760
<v Speaker 1>lying because I'm too old there want to, but I

1:17:19.800 --> 1:17:22.160
<v Speaker 1>don't want to tell him no. So I was like

1:17:22.360 --> 1:17:26.160
<v Speaker 1>I was like yeah, okay. And then and then Nellie

1:17:26.640 --> 1:17:30.559
<v Speaker 1>he knew it. He heard. He freezed. He's like, damn,

1:17:31.160 --> 1:17:33.960
<v Speaker 1>you could just say. I was like, I'm older. Now

1:17:37.360 --> 1:17:45.840
<v Speaker 1>you want him shoutut my grass yeah, so I don't

1:17:45.880 --> 1:17:46.240
<v Speaker 1>go out.

1:17:46.439 --> 1:17:51.679
<v Speaker 3>So I don't don't go out. No, but I feel different.

1:17:51.800 --> 1:17:56.439
<v Speaker 3>Now are you different? I'm talking you're different because how

1:17:56.479 --> 1:17:59.640
<v Speaker 3>people treated for the incident that happened. No, you know,

1:18:00.200 --> 1:18:02.000
<v Speaker 3>can you see how these people fuckers are?

1:18:02.200 --> 1:18:05.599
<v Speaker 1>No? No, I I don't have so. First of all,

1:18:05.720 --> 1:18:11.760
<v Speaker 1>I didn't look at anything that anybody said, right, So,

1:18:12.400 --> 1:18:15.960
<v Speaker 1>like I literally shut it down. I was like, I

1:18:16.000 --> 1:18:20.880
<v Speaker 1>don't want to know nothing that nobody saidication as all. Yeah,

1:18:22.720 --> 1:18:25.320
<v Speaker 1>somebody had five months where I didn't even look at

1:18:25.920 --> 1:18:29.240
<v Speaker 1>you know, Instagram, and I was, yeah, we all need

1:18:29.320 --> 1:18:34.040
<v Speaker 1>to do that. Yeah, you know. So it's like, you know,

1:18:34.160 --> 1:18:38.040
<v Speaker 1>I know there there's you know, like people that went hard, right,

1:18:38.160 --> 1:18:42.600
<v Speaker 1>but I literally don't know. I don't know. Me and

1:18:42.720 --> 1:18:46.479
<v Speaker 1>Charlie was out the other night, me and Charlie, yeah,

1:18:46.600 --> 1:18:50.160
<v Speaker 1>and somebody somebody walked in that had had gone hard,

1:18:51.000 --> 1:18:59.120
<v Speaker 1>and I was like, hey, no, no, no, not that one.

1:19:00.640 --> 1:19:05.040
<v Speaker 1>That one. I ain't gonna say nobody's name. Somebody's name.

1:19:05.960 --> 1:19:10.840
<v Speaker 1>Figure it out. We're not speaking of him. We're not

1:19:10.880 --> 1:19:15.240
<v Speaker 1>speaking of him, right, you know. But for me, it's

1:19:15.400 --> 1:19:19.679
<v Speaker 1>like I just I knew it would poison in my heart,

1:19:20.280 --> 1:19:21.840
<v Speaker 1>and I was like, I just don't want that, man,

1:19:21.840 --> 1:19:23.120
<v Speaker 1>I just don't want to know what none of them

1:19:23.200 --> 1:19:26.759
<v Speaker 1>niggas said. So when I see him, Hey, man, Charlie

1:19:26.760 --> 1:19:35.560
<v Speaker 1>can just grab my hand. I love that. But that

1:19:35.720 --> 1:19:36.240
<v Speaker 1>was all right.

1:19:36.920 --> 1:19:39.920
<v Speaker 3>Now I'm gonna give you one of mine. I did

1:19:39.960 --> 1:19:43.720
<v Speaker 3>an interview, our second interview with his brother. Our first

1:19:43.760 --> 1:19:47.799
<v Speaker 3>interview was so beautiful. I mean, a second interview was beautiful.

1:19:47.840 --> 1:19:50.640
<v Speaker 3>It had parts in there that, oh I already know.

1:19:50.760 --> 1:19:56.320
<v Speaker 1>Oh yeah, and I remember we're dropping an interview.

1:19:57.160 --> 1:20:00.280
<v Speaker 3>And sorry for anybody who's looking the but you know,

1:20:00.400 --> 1:20:02.360
<v Speaker 3>puff Daddy called me and said, man, you sure you

1:20:02.400 --> 1:20:07.200
<v Speaker 3>want to drop this? And I said, yeah, I'm an

1:20:07.320 --> 1:20:11.080
<v Speaker 3>artistic I'm standing by my artistic artistic tree.

1:20:13.280 --> 1:20:22.560
<v Speaker 1>I'm standing by my Japanese outpian street will boys. I

1:20:22.640 --> 1:20:23.120
<v Speaker 1>regret that.

1:20:24.880 --> 1:20:27.479
<v Speaker 3>He did not say I told you so. No, Hed

1:20:27.600 --> 1:20:30.479
<v Speaker 3>never told me that. He never too, but he told

1:20:30.520 --> 1:20:36.559
<v Speaker 3>me and we dropped this Kanye interview. The name I said,

1:20:36.560 --> 1:20:38.080
<v Speaker 3>I wasn't going to say the name I'm saying.

1:20:38.160 --> 1:20:41.080
<v Speaker 1>You just didn't say. But if you expressed by and

1:20:41.320 --> 1:20:47.559
<v Speaker 1>f N are not necessarily will Smith that what I'm saying.

1:20:48.200 --> 1:20:53.560
<v Speaker 1>She entered. It surprised me with the people that called me.

1:20:54.000 --> 1:20:57.400
<v Speaker 3>The people that called me wasn't the essential people that

1:20:57.479 --> 1:21:00.040
<v Speaker 3>I thought that were called like Shaq called.

1:20:59.840 --> 1:21:04.439
<v Speaker 1>Me, Pharrell called me, and it was just for me.

1:21:04.680 --> 1:21:09.600
<v Speaker 1>It was just like I made a mistake, and what

1:21:09.680 --> 1:21:11.559
<v Speaker 1>I say, I made a mistake. I never said nothing,

1:21:13.400 --> 1:21:15.840
<v Speaker 1>but I did not like that.

1:21:17.040 --> 1:21:19.800
<v Speaker 3>So now I understand that that this is my responsibility

1:21:19.920 --> 1:21:23.240
<v Speaker 3>if a person is on my platform, regardless of what.

1:21:23.600 --> 1:21:26.479
<v Speaker 3>If will Will Smith gets on my platform and says,

1:21:28.920 --> 1:21:30.800
<v Speaker 3>let's let's say Monster Energy, we got to get money

1:21:30.840 --> 1:21:31.080
<v Speaker 3>with them.

1:21:31.120 --> 1:21:36.000
<v Speaker 1>We get money with them. Don't talk about let's say

1:21:36.080 --> 1:21:41.839
<v Speaker 1>black black black. No excuse me, brown brown little squares,

1:21:42.840 --> 1:21:45.840
<v Speaker 1>there's a piece of ship. Yeah, brown little square is

1:21:45.920 --> 1:21:46.800
<v Speaker 1>not only as mad as you.

1:21:47.280 --> 1:21:50.280
<v Speaker 3>If they're mad at me, they thought that I edited it,

1:21:50.400 --> 1:21:53.600
<v Speaker 3>They thought that that I went over it, and they

1:21:53.680 --> 1:21:55.639
<v Speaker 3>thought that I deliberately said.

1:21:57.040 --> 1:21:58.960
<v Speaker 1>When it's really just your views.

1:21:59.439 --> 1:22:02.519
<v Speaker 3>So my question is saying that was one of my

1:22:03.600 --> 1:22:07.080
<v Speaker 3>in front of the industry most downist moments, and the

1:22:07.200 --> 1:22:09.479
<v Speaker 3>people who called me was people that I did not

1:22:10.479 --> 1:22:12.800
<v Speaker 3>in one of your downiest moments. Was whoever one of

1:22:12.880 --> 1:22:14.840
<v Speaker 3>these who was the person who called you? Who you

1:22:15.280 --> 1:22:17.880
<v Speaker 3>you didn't think Floyd Mayweather.

1:22:19.000 --> 1:22:24.320
<v Speaker 1>Floyd. I love Floyd. Yeah yeah, Floyd called me every

1:22:24.439 --> 1:22:35.600
<v Speaker 1>day for a month after that. Oh yeah, you know

1:22:35.960 --> 1:22:37.479
<v Speaker 1>I love let me. I want to back up on

1:22:37.560 --> 1:22:39.040
<v Speaker 1>this a little bit because that's what you touched on

1:22:39.080 --> 1:22:43.960
<v Speaker 1>a good point, all right, So you know you you

1:22:44.439 --> 1:22:46.519
<v Speaker 1>get this interview if you have it and you put

1:22:46.600 --> 1:22:55.800
<v Speaker 1>it out. Here's the cheat code. Yeah, So people said

1:22:55.840 --> 1:23:00.360
<v Speaker 1>to me, will you sure you wanted to do drink champs? Really?

1:23:00.720 --> 1:23:03.320
<v Speaker 1>Do you want? You want to? Like you say, for real,

1:23:03.800 --> 1:23:08.000
<v Speaker 1>for real? Like will are you sure you want to

1:23:08.040 --> 1:23:14.040
<v Speaker 1>put yourself in that position? Right? But you know right?

1:23:14.200 --> 1:23:20.280
<v Speaker 1>Yeah right? We don't even know, right, So it's like, well,

1:23:20.360 --> 1:23:23.519
<v Speaker 1>what are you gonna You're gonna take drinks? Right? And

1:23:23.640 --> 1:23:28.240
<v Speaker 1>then who knows what the fuck you might say? Right right?

1:23:28.560 --> 1:23:30.599
<v Speaker 1>And they were like, you know, Norris good at getting

1:23:30.600 --> 1:23:38.439
<v Speaker 1>you to say some ship you might not right right?

1:23:38.640 --> 1:23:41.559
<v Speaker 1>So so I said, oh, because I love y'all right.

1:23:41.720 --> 1:23:43.800
<v Speaker 1>So I sat on it for a minute.

1:23:46.320 --> 1:23:49.720
<v Speaker 3>My son, that's my first time I we mentioned the

1:23:49.800 --> 1:23:54.519
<v Speaker 3>bright No no, no, that's a Nickelodeon nicolode continue right.

1:23:54.479 --> 1:23:57.680
<v Speaker 1>So so but I really had to sit with that, right.

1:23:58.360 --> 1:24:05.720
<v Speaker 1>So the cheat code is what's your intention? Right? So

1:24:06.120 --> 1:24:10.240
<v Speaker 1>when you're in those situations, it's like, what is your intention?

1:24:10.720 --> 1:24:14.679
<v Speaker 1>What was your intention in that moment? In that moment,

1:24:15.040 --> 1:24:21.320
<v Speaker 1>what's your intention putting out the interview? Right? So for me,

1:24:22.400 --> 1:24:27.880
<v Speaker 1>when you're ten toes down in your intention? Right. So

1:24:28.600 --> 1:24:35.360
<v Speaker 1>my intention of being here with y'all is to support

1:24:36.439 --> 1:24:38.120
<v Speaker 1>any good you're trying to put in the world.

1:24:39.720 --> 1:24:42.160
<v Speaker 3>We want to show you our because our attention is

1:24:42.160 --> 1:24:44.360
<v Speaker 3>about giving people their flowers, the smell them.

1:24:44.479 --> 1:24:52.880
<v Speaker 1>They and we'll let me just tell you something.

1:24:53.240 --> 1:24:57.200
<v Speaker 3>Every wrapper in this world that ever tried to act,

1:24:57.920 --> 1:25:01.920
<v Speaker 3>ever wanted to go into another, we all owe you,

1:25:02.880 --> 1:25:05.160
<v Speaker 3>we all owe you. We all have to take our

1:25:05.240 --> 1:25:07.640
<v Speaker 3>hats off to you. You gotta rub our Beijing, and

1:25:08.120 --> 1:25:13.800
<v Speaker 3>we gotta do whatever. I'm obviously not doing it, we know.

1:25:15.720 --> 1:25:19.360
<v Speaker 3>But every rapp up who has ventured out you know,

1:25:20.040 --> 1:25:22.439
<v Speaker 3>you know, I mean even did you know, uh what

1:25:22.600 --> 1:25:23.080
<v Speaker 3>do we call it?

1:25:23.200 --> 1:25:23.880
<v Speaker 1>Uh? Uh?

1:25:24.439 --> 1:25:27.800
<v Speaker 3>You know other business mentions because prior to you, all

1:25:28.000 --> 1:25:31.840
<v Speaker 3>rappers did was rap. And then when they didn't have

1:25:32.000 --> 1:25:34.639
<v Speaker 3>them pensions in them W nine's in the one case,

1:25:35.040 --> 1:25:36.160
<v Speaker 3>then they started to complain.

1:25:36.439 --> 1:25:38.479
<v Speaker 1>But you gave the blueprint. You said, you know what

1:25:38.600 --> 1:25:40.719
<v Speaker 1>I could rap, I could dominate rappers that can.

1:25:40.720 --> 1:25:42.840
<v Speaker 3>Dominate another fail, and then I can come back and

1:25:42.880 --> 1:25:45.080
<v Speaker 3>I can dominate another fail, and I gonna keep dominating

1:25:45.080 --> 1:25:45.599
<v Speaker 3>another field.

1:25:45.760 --> 1:25:46.360
<v Speaker 1>I keep going.

1:25:46.439 --> 1:25:48.040
<v Speaker 3>I can get so bored. I could do ship that

1:25:48.120 --> 1:25:50.880
<v Speaker 3>y'all don't even like it. And guess what, and then

1:25:51.000 --> 1:25:52.320
<v Speaker 3>you had to TikTok phenomenon.

1:25:52.400 --> 1:25:53.840
<v Speaker 1>I'll be following you on. I don't know what the

1:25:53.840 --> 1:25:56.400
<v Speaker 1>fuck you be doing. I'm like, I'm like, fucking will

1:25:56.439 --> 1:25:57.920
<v Speaker 1>swip through it, Like.

1:25:58.000 --> 1:26:01.080
<v Speaker 3>It's just so we want you to know, like how

1:26:01.160 --> 1:26:05.920
<v Speaker 3>important how much are you tip that other world?

1:26:06.520 --> 1:26:10.760
<v Speaker 1>And right now we probably don't understand because the other

1:26:10.840 --> 1:26:13.920
<v Speaker 1>world has just been chipped. Yeah, for sure, that's pioneering.

1:26:14.000 --> 1:26:16.679
<v Speaker 1>That means that's what pioneer. That's why I said earlier.

1:26:16.720 --> 1:26:18.400
<v Speaker 3>I was like, yo, yo, you know you was the

1:26:18.400 --> 1:26:21.200
<v Speaker 3>first person to running grabby. I'm sure I was the

1:26:21.240 --> 1:26:22.439
<v Speaker 3>first person to do reggae dong.

1:26:22.880 --> 1:26:25.960
<v Speaker 1>People laughed at me. I almost had to wear a

1:26:26.040 --> 1:26:28.680
<v Speaker 1>pampa because I feel like everyone's shipping on me. But

1:26:28.800 --> 1:26:29.120
<v Speaker 1>guess what.

1:26:29.320 --> 1:26:31.800
<v Speaker 3>You can't turn the radio without saying, but you've been

1:26:31.800 --> 1:26:33.560
<v Speaker 3>trying to be spanning too, I mean, why be watching you?

1:26:33.760 --> 1:26:36.800
<v Speaker 9>You're not calling you poppy letting you know, like you

1:26:36.960 --> 1:26:46.919
<v Speaker 9>be having spain this girl, I'll see the left deal community.

1:26:47.760 --> 1:26:50.120
<v Speaker 1>We've been contemplating on how we kicking you out well

1:26:50.439 --> 1:26:54.280
<v Speaker 1>like this nigga want to be called poppy drawing the

1:26:54.360 --> 1:26:57.559
<v Speaker 1>line man, you have to brew? Are we are? Girl

1:26:57.680 --> 1:27:00.200
<v Speaker 1>and brew? How do you let me tell you? I mean,

1:27:00.240 --> 1:27:06.040
<v Speaker 1>it's nothing like it's it's nothing like uh, Friday night

1:27:06.640 --> 1:27:10.360
<v Speaker 1>in Colombia. You know, I'm telling you, it's a lot

1:27:10.360 --> 1:27:19.760
<v Speaker 1>of places. It's a lot of places. What are you doing?

1:27:23.520 --> 1:27:33.200
<v Speaker 1>The hole? It's beautiful. I'm like I've always I've always

1:27:33.400 --> 1:27:38.120
<v Speaker 1>loved you know, Latin music and and Latin food and

1:27:38.320 --> 1:27:41.439
<v Speaker 1>like the the you know, the fire of Latin women

1:27:41.560 --> 1:27:42.560
<v Speaker 1>and dance and all of that.

1:27:43.560 --> 1:27:45.920
<v Speaker 4>All of our Latin music comes from Africa as well. Yes,

1:27:47.000 --> 1:28:03.000
<v Speaker 4>trying this for bad Boy five. That will. Let me

1:28:03.120 --> 1:28:06.200
<v Speaker 4>just tell you something that we were so excited I

1:28:06.360 --> 1:28:08.040
<v Speaker 4>worked out about.

1:28:10.479 --> 1:28:15.240
<v Speaker 1>You're doing you know what we're doing the Rocky Steps tomorrow.

1:28:15.320 --> 1:28:17.439
<v Speaker 1>Yeah you heard. I could have I could have hit

1:28:17.520 --> 1:28:19.320
<v Speaker 1>your team. Your team is so official. Yeah.

1:28:19.439 --> 1:28:21.760
<v Speaker 3>I was like, you know, I couldn't bother them, Like

1:28:21.880 --> 1:28:24.120
<v Speaker 3>everybody was a fit and I couldn't download the album.

1:28:24.439 --> 1:28:28.240
<v Speaker 3>I asked him about seventeen times about the album, everything, everything.

1:28:28.280 --> 1:28:29.160
<v Speaker 1>Yeah, it was so efficient.

1:28:29.200 --> 1:28:30.960
<v Speaker 3>But we're doing the Rocky Steps tomorrow because that's my

1:28:31.120 --> 1:28:34.160
<v Speaker 3>dream to run the Rocky Step. So now it's gonna

1:28:34.160 --> 1:28:38.040
<v Speaker 3>be mostly Instagram meaning I'm I'm running very.

1:28:37.960 --> 1:28:40.479
<v Speaker 1>Fast, Yes, got it, and I'm gonna go up to

1:28:40.520 --> 1:28:43.519
<v Speaker 1>the hill. Yeah, I'm gonna be like yo yo yo,

1:28:43.920 --> 1:28:51.080
<v Speaker 1>Yeah you do that. Yeah yeah yeah. Is that how

1:28:51.120 --> 1:28:54.519
<v Speaker 1>you trained for Ali? Yeah? Oh no that yeah, no, no, no,

1:28:54.640 --> 1:29:02.599
<v Speaker 1>that was a good yeah. You know, my mouth was open,

1:29:14.800 --> 1:29:16.960
<v Speaker 1>but you with all these real trainers, right, No, it

1:29:17.040 --> 1:29:19.320
<v Speaker 1>was real. Yeah, okay, because I wasn't. I wasn't the

1:29:20.000 --> 1:29:22.840
<v Speaker 1>boxing classes in South Beach, yes, and you walked in.

1:29:22.880 --> 1:29:25.640
<v Speaker 4>Actually I don't know if you know the trainer was

1:29:25.640 --> 1:29:27.519
<v Speaker 4>still working at that at that gym.

1:29:29.200 --> 1:29:31.679
<v Speaker 1>Act as Ali. Yeah, we did. We did a real

1:29:31.760 --> 1:29:36.559
<v Speaker 1>fight camp. So it was it was you know, real fighters,

1:29:37.040 --> 1:29:42.000
<v Speaker 1>Michael Bent, Uh, Charles Shooter, James Tony and you know

1:29:42.560 --> 1:29:46.200
<v Speaker 1>it was they wanted me to train and to you know,

1:29:46.360 --> 1:29:49.280
<v Speaker 1>have a sense of the experience of what it was

1:29:49.479 --> 1:29:51.920
<v Speaker 1>like to train for a real fight. So we went

1:29:52.040 --> 1:29:55.160
<v Speaker 1>real real and Michael Michael Bent was like, you know,

1:29:56.080 --> 1:29:59.760
<v Speaker 1>mentoring me and James Tony was the one that he

1:30:00.800 --> 1:30:05.519
<v Speaker 1>no actors, So James, Tony would hit me real, James,

1:30:05.560 --> 1:30:07.600
<v Speaker 1>Tony would hit me for real. Yeah, And I was like,

1:30:08.960 --> 1:30:11.000
<v Speaker 1>I'm gonna give you the act. He would screamed. He

1:30:11.040 --> 1:30:13.880
<v Speaker 1>would scream, bite your mouthpiece. When he was throwing a punch,

1:30:14.520 --> 1:30:22.599
<v Speaker 1>he would say, bite your mouth piece, you know, James, Yeah, James.

1:30:22.640 --> 1:30:24.960
<v Speaker 1>I was like, James, seriously, come on, man, come on,

1:30:25.120 --> 1:30:27.160
<v Speaker 1>I got it. I don't work with no actors. We

1:30:27.320 --> 1:30:36.360
<v Speaker 1>fighters in here. You know if Jake pulled child you

1:30:36.439 --> 1:30:38.040
<v Speaker 1>to a fight, would you take it? Man, I'm too

1:30:38.080 --> 1:30:40.680
<v Speaker 1>old for that. Good that that joke is strong. He

1:30:40.880 --> 1:30:43.920
<v Speaker 1>is he we you know, you know he made, he made.

1:30:44.040 --> 1:30:44.360
<v Speaker 7>He's not.

1:30:45.880 --> 1:30:48.800
<v Speaker 1>Working his way to being a professional fighter, right, but

1:30:49.439 --> 1:30:51.479
<v Speaker 1>you know he was like he was a champion wrestler

1:30:51.840 --> 1:30:57.160
<v Speaker 1>before he that. Yeah. Yeah, no, he's he's he's he's real.

1:30:57.560 --> 1:31:00.479
<v Speaker 1>You know, maybe now on the professional level, yeah, but

1:31:00.760 --> 1:31:02.720
<v Speaker 1>you know as a as a fight he can fight

1:31:02.800 --> 1:31:08.720
<v Speaker 1>for real. Yeah. People an't like you can has an

1:31:08.720 --> 1:31:09.400
<v Speaker 1>affinity for the.

1:31:11.640 --> 1:31:17.000
<v Speaker 3>Be honest with you, not since my father's older friends,

1:31:18.280 --> 1:31:20.040
<v Speaker 3>I've heard somebody use the word joker.

1:31:20.520 --> 1:31:24.679
<v Speaker 1>Joker. Every time you use it, I crink.

1:31:26.160 --> 1:31:29.080
<v Speaker 4>No, bring it, bring those old school joints back.

1:31:29.120 --> 1:31:30.880
<v Speaker 3>If you don't know that East coast when the when

1:31:30.920 --> 1:31:34.439
<v Speaker 3>the East coast say, man, that joka, that's up now.

1:31:35.600 --> 1:31:39.640
<v Speaker 1>The person place and I'm looking at well and now

1:31:39.720 --> 1:31:41.639
<v Speaker 1>you were using in your rhymes to it. I'm telling

1:31:41.640 --> 1:31:43.920
<v Speaker 1>you use that that that's the only good I had.

1:31:44.520 --> 1:31:49.320
<v Speaker 1>So joka joka is that just genera But let me

1:31:49.360 --> 1:31:52.519
<v Speaker 1>just say, jokat a lot cooler ship. Yeah, we got

1:31:53.560 --> 1:31:56.439
<v Speaker 1>we got so much schools. But step give me something,

1:31:56.479 --> 1:31:59.360
<v Speaker 1>give me But joking, like we say, joker, this joker

1:31:59.520 --> 1:32:01.680
<v Speaker 1>all the time, that joke, it must be out of

1:32:01.720 --> 1:32:06.519
<v Speaker 1>his mind. But that y'all, y'all, y'all, yeah, ya, y'all, y'all, y'all,

1:32:06.640 --> 1:32:11.800
<v Speaker 1>day that joint that really that jo yeah joke would

1:32:11.800 --> 1:32:14.240
<v Speaker 1>just make me say, damn this grandfather to ship right

1:32:14.240 --> 1:32:20.599
<v Speaker 1>here out here. It makes me makes me I don't

1:32:20.640 --> 1:32:23.400
<v Speaker 1>want to accept except man, I use Beijing, I used

1:32:23.439 --> 1:32:25.479
<v Speaker 1>we want y'all you used me one No, no, mine

1:32:25.560 --> 1:32:28.160
<v Speaker 1>is just like this all the time. Man, Well come

1:32:28.200 --> 1:32:36.439
<v Speaker 1>on a little bit. I know many my ship would

1:32:36.439 --> 1:32:40.600
<v Speaker 1>probably look like that. Yeah, yeah, for sure, I'm on

1:32:40.720 --> 1:32:48.720
<v Speaker 1>the verge. If you had one thing to do all

1:32:48.840 --> 1:32:51.519
<v Speaker 1>over in this industry, and that's anything. What would you

1:32:51.560 --> 1:32:59.560
<v Speaker 1>do one thing to do all over again? You know

1:32:59.720 --> 1:33:06.840
<v Speaker 1>it's funny like once your once your past things right,

1:33:07.640 --> 1:33:10.160
<v Speaker 1>there are very few. You know. There's a song on

1:33:10.200 --> 1:33:15.360
<v Speaker 1>an album called Beautiful Scars, right, So what the the

1:33:15.560 --> 1:33:19.479
<v Speaker 1>idea is you You don't like shit while you're going

1:33:19.560 --> 1:33:25.680
<v Speaker 1>through it, right, but once you learn the lesson, you

1:33:25.880 --> 1:33:29.120
<v Speaker 1>never want to give it back. Right. It's like you

1:33:29.280 --> 1:33:33.800
<v Speaker 1>suffered it, you survived, you took a lesson from it.

1:33:34.640 --> 1:33:38.840
<v Speaker 1>Now it's like the things that you have suffered are

1:33:38.960 --> 1:33:42.479
<v Speaker 1>in your eyes when you talk to your son, right,

1:33:42.800 --> 1:33:45.840
<v Speaker 1>if you ain't been there, you can't help him, right.

1:33:46.120 --> 1:33:50.680
<v Speaker 1>So to me, it's like, you know, I wouldn't you

1:33:50.760 --> 1:33:53.000
<v Speaker 1>know when I look back, there's like there's not things.

1:33:53.200 --> 1:33:56.080
<v Speaker 1>I mean, of course there's things you know I think about,

1:33:56.120 --> 1:33:58.360
<v Speaker 1>but I wouldn't. I would never from this side of it,

1:33:58.720 --> 1:34:00.599
<v Speaker 1>I would never give them ours back.

1:34:00.920 --> 1:34:03.200
<v Speaker 3>Because you're looking at it like whatever you've been through,

1:34:03.760 --> 1:34:06.559
<v Speaker 3>why you're here now, makes.

1:34:06.439 --> 1:34:10.320
<v Speaker 1>You who you are? Right, It's like you you're you

1:34:10.640 --> 1:34:16.640
<v Speaker 1>can't be more valuable than your suffering. And that's a

1:34:16.760 --> 1:34:21.160
<v Speaker 1>really that's a hard idea you learn in this world

1:34:21.960 --> 1:34:30.559
<v Speaker 1>by getting smashed. That's that's how that's the sound shot. Yes,

1:34:32.560 --> 1:34:38.599
<v Speaker 1>but like most stuff sounded like a shot. Can we really?

1:34:38.600 --> 1:34:40.920
<v Speaker 1>I'm sorry because you're so deep, but I really want

1:34:41.000 --> 1:34:44.920
<v Speaker 1>to open up. Will Smith therapy. No, no, I'll be

1:34:45.000 --> 1:34:49.320
<v Speaker 1>a therapist too. Yes, you're gonna be the therapist. I

1:34:49.479 --> 1:34:51.640
<v Speaker 1>can't be. No. I don't know. Man, you gotta get

1:34:51.680 --> 1:35:02.479
<v Speaker 1>trained something. You might just throw the problem. That's like,

1:35:02.560 --> 1:35:07.800
<v Speaker 1>oh yeah, somebody like struggling with. Somebody thought something that

1:35:07.800 --> 1:35:15.519
<v Speaker 1>they struggling. You know you you got something, nobody. Yeah,

1:35:16.240 --> 1:35:18.240
<v Speaker 1>come on, step up, cut, come on, come on, come on,

1:35:18.320 --> 1:35:22.720
<v Speaker 1>take up. We've seen real struggle. We've seen it. My

1:35:22.800 --> 1:35:26.280
<v Speaker 1>chicken nuggets weren't that good. Let's go cut dude, you

1:35:26.360 --> 1:35:29.439
<v Speaker 1>gotta stave you step back like shark take Yeah.

1:35:29.520 --> 1:35:34.640
<v Speaker 10>Yeah, you me your therapy already. Somebody I'm like up

1:35:34.640 --> 1:35:37.280
<v Speaker 10>with a problem. He's like you back up, back up.

1:35:39.920 --> 1:35:41.640
<v Speaker 10>It's like yo, and you got to make sure you

1:35:41.760 --> 1:35:42.439
<v Speaker 10>you ready for this.

1:35:42.600 --> 1:35:48.639
<v Speaker 1>Yeah, he's on the way here on the right head.

1:35:49.320 --> 1:35:52.080
<v Speaker 1>I lost a friend that I spoke to him Sunday. Damn.

1:35:52.160 --> 1:35:52.920
<v Speaker 1>Sorry to hear that. Man.

1:35:53.280 --> 1:35:59.000
<v Speaker 7>The last three months I lost five people. Food as

1:35:59.040 --> 1:36:01.479
<v Speaker 7>you get older was closing and you get to look

1:36:01.520 --> 1:36:05.240
<v Speaker 7>around like, damn, friend, how do you deal with that

1:36:05.640 --> 1:36:07.000
<v Speaker 7>older me?

1:36:07.080 --> 1:36:10.760
<v Speaker 1>So you have more exprience. Absolutely, so he got deep.

1:36:10.840 --> 1:36:22.880
<v Speaker 1>I was already a grand grand clothes like anoy, your.

1:36:25.840 --> 1:36:30.840
<v Speaker 10>Celebrity ran open the grand clothing, go to the OUs

1:36:30.880 --> 1:36:31.519
<v Speaker 10>of Joan.

1:36:31.880 --> 1:36:40.040
<v Speaker 1>What we'll say. Yes. So it's funny because I talked

1:36:40.080 --> 1:36:44.920
<v Speaker 1>to Quincy Jones about this, uh you know, he said

1:36:44.960 --> 1:36:47.800
<v Speaker 1>that exact same thing, probably eighteen months ago. I was

1:36:47.840 --> 1:36:49.840
<v Speaker 1>talking to him and he was like, man, I've been

1:36:49.880 --> 1:36:53.600
<v Speaker 1>a funeral every week, you know, and you just you know,

1:36:53.680 --> 1:36:57.439
<v Speaker 1>you just get to that point where that's what it is,

1:36:58.360 --> 1:37:01.679
<v Speaker 1>you know. And he was like, I'm the last one,

1:37:02.120 --> 1:37:06.880
<v Speaker 1>you know. And so part of the idea so death,

1:37:09.200 --> 1:37:15.360
<v Speaker 1>everybody in here is going to die, and before that

1:37:16.120 --> 1:37:19.519
<v Speaker 1>we're going to experience a series of our loved ones

1:37:20.240 --> 1:37:26.879
<v Speaker 1>at the party. Right. So, reconciling death is the highest

1:37:27.560 --> 1:37:34.360
<v Speaker 1>human difficulty as soon as you can be with So

1:37:34.520 --> 1:37:39.439
<v Speaker 1>for example, my sister was with my father in the

1:37:39.600 --> 1:37:46.120
<v Speaker 1>room in the moment that he died. My sister did

1:37:46.240 --> 1:37:51.960
<v Speaker 1>the makeup on my grandmother in the in the casket, right.

1:37:52.560 --> 1:37:59.360
<v Speaker 1>So but because of that, she's gangster, right, she can

1:37:59.600 --> 1:38:04.599
<v Speaker 1>be with life and all that it has to offer. Right,

1:38:05.439 --> 1:38:10.240
<v Speaker 1>So I would say to you, don't shy away from

1:38:10.320 --> 1:38:15.320
<v Speaker 1>their families, go sit with them, like look with them,

1:38:15.520 --> 1:38:20.400
<v Speaker 1>Like be with what that loss actually means inside of

1:38:20.479 --> 1:38:25.360
<v Speaker 1>a human heart. Like be with it, and you you

1:38:25.479 --> 1:38:28.000
<v Speaker 1>will break your heart in that. I used to do

1:38:28.760 --> 1:38:32.839
<v Speaker 1>the Make a Wish Foundation and would be dying children

1:38:33.720 --> 1:38:37.639
<v Speaker 1>who their last wishes they wanted to see me. It's crazy,

1:38:38.240 --> 1:38:43.280
<v Speaker 1>right to like be to be with death is the

1:38:43.680 --> 1:38:49.320
<v Speaker 1>final human reconcile when you can sit and look and

1:38:49.600 --> 1:38:51.240
<v Speaker 1>you know, I was just I was actually I was

1:38:51.280 --> 1:38:54.479
<v Speaker 1>talking to Gilly, right, and I had to I made

1:38:54.520 --> 1:38:57.080
<v Speaker 1>a confession to to Gilly the other day. I was like, yo,

1:38:57.720 --> 1:39:01.120
<v Speaker 1>when your son died. God bless. I've reached for my

1:39:01.360 --> 1:39:04.680
<v Speaker 1>phone multiple times and I didn't have the courage to

1:39:04.760 --> 1:39:10.280
<v Speaker 1>call you. Right. It's like death is the hardest there is,

1:39:11.200 --> 1:39:16.960
<v Speaker 1>Like don't run stand it, Like be with the people

1:39:17.360 --> 1:39:20.680
<v Speaker 1>that are hurting, Be with the people who are suffering.

1:39:21.000 --> 1:39:25.880
<v Speaker 1>There's you can't fix it. Just be able to be

1:39:26.080 --> 1:39:30.400
<v Speaker 1>with people in that level of pain, right, and it's

1:39:30.520 --> 1:39:33.320
<v Speaker 1>all you can do. It's like we're not we're not

1:39:33.439 --> 1:39:35.720
<v Speaker 1>in charge of that part. But what we can do

1:39:36.000 --> 1:39:38.640
<v Speaker 1>is love each other through it. That's all we can

1:39:38.680 --> 1:39:39.760
<v Speaker 1>do is be with each other.

1:39:46.680 --> 1:39:50.880
<v Speaker 3>I'll be something because no, no, I say something because again,

1:39:51.080 --> 1:39:54.439
<v Speaker 3>like I witness you downstairs. I see you get out

1:39:54.439 --> 1:39:56.320
<v Speaker 3>of the car, and I've seen the security god, the

1:39:56.360 --> 1:39:58.720
<v Speaker 3>same security god that said hi to me, she said

1:39:58.760 --> 1:40:00.639
<v Speaker 3>hi to you, and you just you just stood there

1:40:00.640 --> 1:40:04.080
<v Speaker 3>and you just open your arms and you just accept

1:40:04.960 --> 1:40:06.840
<v Speaker 3>what life brings you.

1:40:07.479 --> 1:40:08.519
<v Speaker 1>I'm also jealous of that.

1:40:08.720 --> 1:40:12.760
<v Speaker 3>It's because, like I automatically, if someone says up to me,

1:40:12.840 --> 1:40:17.439
<v Speaker 3>I'm like, I don't. I don't immediately put you broke

1:40:17.600 --> 1:40:17.960
<v Speaker 3>your hug.

1:40:18.600 --> 1:40:18.960
<v Speaker 1>Excuse me?

1:40:19.040 --> 1:40:22.240
<v Speaker 3>You bring your arms out for a hug, And I

1:40:22.400 --> 1:40:25.280
<v Speaker 3>was like, what the fuck? And I can't think like

1:40:25.360 --> 1:40:27.400
<v Speaker 3>that sometimes, like especially if I'm in the far in place.

1:40:27.560 --> 1:40:29.200
<v Speaker 3>I mean, obviously it's not a foreign place to you.

1:40:30.320 --> 1:40:32.200
<v Speaker 3>But when I jump out and the person says to me, yo,

1:40:32.240 --> 1:40:35.240
<v Speaker 3>what's up, I'm like, what's up. It's like even when

1:40:35.280 --> 1:40:37.160
<v Speaker 3>I jog, like if a person's able up, you got

1:40:37.280 --> 1:40:40.200
<v Speaker 3>to like actually get me out, And I'm like, what up?

1:40:40.280 --> 1:40:41.559
<v Speaker 1>Yo? You know what I mean?

1:40:41.640 --> 1:40:45.080
<v Speaker 3>But you or the accolades or the places you've been,

1:40:45.120 --> 1:40:46.479
<v Speaker 3>as soon as you jump off the car like and

1:40:46.680 --> 1:40:49.240
<v Speaker 3>I do this like for the past nine years. I

1:40:49.320 --> 1:40:52.240
<v Speaker 3>analyze everybody as they get as a car, analyze who

1:40:52.280 --> 1:40:54.040
<v Speaker 3>they talk to, are analyze if they speak to the

1:40:54.080 --> 1:40:57.080
<v Speaker 3>regular individuals, they speak to the orf they want to

1:40:57.160 --> 1:40:59.000
<v Speaker 3>want to come in and get this interview over and done.

1:40:59.160 --> 1:41:01.639
<v Speaker 3>Because we're not a emotional people. We don't we don't

1:41:01.720 --> 1:41:04.320
<v Speaker 3>care about interviewing people when they We care about interviewing

1:41:04.439 --> 1:41:08.760
<v Speaker 3>legends and icons and making sure they iconic legendary Statugyes continues,

1:41:09.400 --> 1:41:10.840
<v Speaker 3>continues and continues to grow.

1:41:11.160 --> 1:41:14.880
<v Speaker 1>But something that was so genuine about you is when

1:41:14.920 --> 1:41:17.040
<v Speaker 1>you jumped up the car you see me, I saw you.

1:41:17.240 --> 1:41:18.160
<v Speaker 1>I was like, damn, this nigga.

1:41:18.240 --> 1:41:21.360
<v Speaker 3>He looked like the wild wild West right now, it's crazy,

1:41:21.640 --> 1:41:23.280
<v Speaker 3>it's crazy, Like this nigga is real.

1:41:23.520 --> 1:41:24.000
<v Speaker 1>It's real.

1:41:24.439 --> 1:41:27.160
<v Speaker 3>And then and then the security guard said, I will

1:41:27.479 --> 1:41:29.320
<v Speaker 3>and she had just did the same exact thing to me,

1:41:29.800 --> 1:41:31.960
<v Speaker 3>and we spoke and you know, I gave her a hug,

1:41:32.040 --> 1:41:34.680
<v Speaker 3>but your hug was way more genuine in minds, right,

1:41:35.000 --> 1:41:38.800
<v Speaker 3>He's like, no, no, no, no, no, no, it was

1:41:38.880 --> 1:41:41.479
<v Speaker 3>real because I was just like, all right, cool, this

1:41:41.520 --> 1:41:43.599
<v Speaker 3>is this lady I gotta talk to to get upstairs

1:41:44.040 --> 1:41:45.160
<v Speaker 3>and maybe I should.

1:41:45.400 --> 1:41:46.519
<v Speaker 1>So I did, and I did it.

1:41:46.760 --> 1:41:50.000
<v Speaker 3>But your hug was like, Okay, I ain't see you

1:41:50.040 --> 1:41:52.160
<v Speaker 3>in a while. And I was like, I don't know

1:41:52.200 --> 1:41:54.160
<v Speaker 3>if you said you see you in a while. Your

1:41:54.320 --> 1:41:56.439
<v Speaker 3>hug said, yeah, you didn't see you in a while.

1:41:56.640 --> 1:42:00.400
<v Speaker 3>And then I recollect to what you said to us,

1:42:00.720 --> 1:42:06.280
<v Speaker 3>Welcome to Philly. Yeah, yeah, that's not normal, Ship. Yeah,

1:42:07.080 --> 1:42:07.960
<v Speaker 3>you know, it's it's some.

1:42:09.720 --> 1:42:10.439
<v Speaker 7>It's it is.

1:42:12.439 --> 1:42:14.040
<v Speaker 1>It's new for me.

1:42:14.160 --> 1:42:18.360
<v Speaker 3>I've always been I'm letting y'all know for twenty five

1:42:18.439 --> 1:42:20.240
<v Speaker 3>years we need this is yea brother.

1:42:23.479 --> 1:42:26.519
<v Speaker 1>I told brotherly Love this morning. I'm like, oh, this

1:42:26.600 --> 1:42:30.920
<v Speaker 1>is waw Ship talking about fucking will Smith his brother

1:42:31.160 --> 1:42:39.160
<v Speaker 1>loved twenty five years. Yeah, my bad man. But so

1:42:39.760 --> 1:42:43.560
<v Speaker 1>so what I thought, you know is, you know I

1:42:43.680 --> 1:42:48.360
<v Speaker 1>saw y'all you know, so you know, I greeted everybody,

1:42:48.880 --> 1:42:51.240
<v Speaker 1>and I saw her off on the side of the

1:42:51.320 --> 1:42:53.920
<v Speaker 1>security guard was like, oh, you know, because Honda, they

1:42:54.360 --> 1:42:56.240
<v Speaker 1>they know each other, they're doing the things. She didn't

1:42:56.280 --> 1:43:01.760
<v Speaker 1>want to, like impose. So I was like, no, no, no,

1:43:02.080 --> 1:43:05.040
<v Speaker 1>you safe here, sister, come on in. So I was

1:43:05.200 --> 1:43:07.000
<v Speaker 1>like I wanted her. I could tell it's the end

1:43:07.080 --> 1:43:10.960
<v Speaker 1>of her work day, workshift, she's going home. So in

1:43:11.520 --> 1:43:16.160
<v Speaker 1>my mind I saw her go like that to me

1:43:16.360 --> 1:43:19.800
<v Speaker 1>is the highest she like she saw. So I wanted

1:43:19.840 --> 1:43:22.160
<v Speaker 1>to fan the flames of that energy.

1:43:22.800 --> 1:43:26.560
<v Speaker 3>You know how hard that is to understand human behavior.

1:43:26.680 --> 1:43:29.280
<v Speaker 3>And within that fifteen seconds. Back in the days, we

1:43:29.320 --> 1:43:31.280
<v Speaker 3>could sit there and you could be like, I know

1:43:31.360 --> 1:43:33.760
<v Speaker 3>this guy, and somebody's gonna say, Yo, that's rainbows from

1:43:33.960 --> 1:43:36.880
<v Speaker 3>South Bronx. He's such such so you can actually, but

1:43:37.040 --> 1:43:40.960
<v Speaker 3>now we have fifteen seconds set to see if this

1:43:41.080 --> 1:43:43.960
<v Speaker 3>person is worthy of our time or not. But you

1:43:44.120 --> 1:43:47.519
<v Speaker 3>did it in fucking three well, because everybody's worthy of money, right,

1:43:47.560 --> 1:43:50.160
<v Speaker 3>He wasn't judging it. Yeah, way like there's nobody who's

1:43:50.200 --> 1:43:52.439
<v Speaker 3>not worthy of my time. That is some niggas ain't

1:43:52.439 --> 1:43:56.479
<v Speaker 3>worried my time. You're a much better person than me.

1:43:56.840 --> 1:44:00.600
<v Speaker 1>I ain't gonna lie. You know who you are. Some

1:44:00.800 --> 1:44:06.519
<v Speaker 1>of you skip your call or purpose. I see you.

1:44:10.240 --> 1:44:12.920
<v Speaker 1>This is me. I'm sorry, I'm sorry. Let me take

1:44:12.920 --> 1:44:16.240
<v Speaker 1>a shot. That's hilarious, man.

1:44:19.800 --> 1:44:22.680
<v Speaker 3>But everybody's worth for your time. That's such a beautiful thing, man,

1:44:23.000 --> 1:44:26.560
<v Speaker 3>I promise you. I'm going to try to live, but

1:44:26.640 --> 1:44:28.920
<v Speaker 3>I'm not gonna live like I'm not gonna sit here.

1:44:28.800 --> 1:44:30.360
<v Speaker 1>And lie to you, you know what I'm saying. But

1:44:30.439 --> 1:44:32.840
<v Speaker 1>I'm I'm going I'm going to try my best to

1:44:33.160 --> 1:44:36.080
<v Speaker 1>really feel like everyone is my time because there's certain

1:44:36.080 --> 1:44:43.320
<v Speaker 1>people that like that call me, ask me, are you

1:44:43.400 --> 1:44:47.479
<v Speaker 1>having another monster energy event? That's who you don't follow

1:44:47.520 --> 1:44:50.720
<v Speaker 1>me on Instagram? Like why are you asking me this

1:44:50.840 --> 1:44:51.320
<v Speaker 1>crazy thing?

1:44:51.479 --> 1:44:55.960
<v Speaker 3>But you you think that everybody not everyone. Most people

1:44:56.120 --> 1:44:57.639
<v Speaker 3>like when you go to target, you speak to people

1:44:58.160 --> 1:44:59.000
<v Speaker 3>you're not going to target.

1:44:59.080 --> 1:45:04.160
<v Speaker 1>So so first of all, if you don't know who

1:45:04.240 --> 1:45:07.479
<v Speaker 1>the person is, you can't really how would you know

1:45:07.600 --> 1:45:11.160
<v Speaker 1>they're not worth your time? You can't judge that, Yeah,

1:45:11.360 --> 1:45:14.000
<v Speaker 1>you don't know. And then if you're gonna mess around,

1:45:14.520 --> 1:45:16.719
<v Speaker 1>benefit to look at somebody based on how they dressed

1:45:16.800 --> 1:45:21.760
<v Speaker 1>or something like that, you know, and you know, so

1:45:24.320 --> 1:45:27.519
<v Speaker 1>part of so, part of the revelation that I've had

1:45:27.560 --> 1:45:35.720
<v Speaker 1>in these past couple of years is everything is God right,

1:45:35.800 --> 1:45:40.880
<v Speaker 1>So everything is one thing right. So the idea of

1:45:41.000 --> 1:45:45.040
<v Speaker 1>something being higher and lower, something being good and bad,

1:45:45.320 --> 1:45:49.280
<v Speaker 1>that's a that's a false perception of reality, right, that's

1:45:49.320 --> 1:45:53.080
<v Speaker 1>not that's not a real because you can't you can't

1:45:53.320 --> 1:45:56.439
<v Speaker 1>know what something's going to lead to so even something

1:45:56.520 --> 1:45:59.880
<v Speaker 1>you don't want, even something you don't like, just because

1:45:59.880 --> 1:46:04.120
<v Speaker 1>you don't like it doesn't make it wrong, and just

1:46:04.160 --> 1:46:08.600
<v Speaker 1>because you like it doesn't make it right. Right, So

1:46:08.760 --> 1:46:13.040
<v Speaker 1>you you actually you can't know, You literally can't know

1:46:13.200 --> 1:46:16.439
<v Speaker 1>what the future is. You can't know if we're gonna

1:46:16.479 --> 1:46:19.560
<v Speaker 1>go downstairs after that and you're gonna be lunching and

1:46:19.640 --> 1:46:21.439
<v Speaker 1>walk out in the street and that girl grabs you.

1:46:21.840 --> 1:46:27.400
<v Speaker 1>Better not be my wife right there, right right, you know.

1:46:27.840 --> 1:46:35.240
<v Speaker 1>But it's like like, you know, don't give me no,

1:46:35.400 --> 1:46:38.200
<v Speaker 1>no no. If my wife there and I'm walking down

1:46:38.200 --> 1:46:39.800
<v Speaker 1>the street, that girl need to let me get hit

1:46:40.560 --> 1:46:44.479
<v Speaker 1>and put your hands on me later, you know. But

1:46:44.600 --> 1:46:49.880
<v Speaker 1>you can't you we don't. You don't know what's gonna happen, right,

1:46:50.160 --> 1:46:54.439
<v Speaker 1>You can't. You can't know what when you're gonna cross

1:46:54.560 --> 1:46:57.880
<v Speaker 1>somebody's path again or something. My grandmother said something to

1:46:58.000 --> 1:46:59.880
<v Speaker 1>me when we first got on the tour bus for me,

1:47:00.080 --> 1:47:02.960
<v Speaker 1>Jeff Willie, this is your first tour, first tour period, yes,

1:47:03.160 --> 1:47:06.240
<v Speaker 1>like you know, nineteen eighty eight or something like that,

1:47:06.760 --> 1:47:10.879
<v Speaker 1>first time getting on a tour bus and my grandmother

1:47:10.960 --> 1:47:16.479
<v Speaker 1>said we're getting on, said bye, baby, she said she says, okay, baby,

1:47:16.640 --> 1:47:20.080
<v Speaker 1>just remember everywhere you go. One day you're gonna have

1:47:20.160 --> 1:47:22.280
<v Speaker 1>to go there again. This is a grandmother that was

1:47:22.320 --> 1:47:25.439
<v Speaker 1>sitting next to you during the on the now that

1:47:25.560 --> 1:47:27.759
<v Speaker 1>was my mother. That was my mother. Yeah, my grandma,

1:47:28.000 --> 1:47:30.840
<v Speaker 1>my grandmother, she passed. Let the grandmother that found the

1:47:30.880 --> 1:47:33.040
<v Speaker 1>curse curse work. I found that. That's why you don't

1:47:33.080 --> 1:47:36.479
<v Speaker 1>really curse that. Yeah. Yeah, so yeah, you let other

1:47:36.520 --> 1:47:39.840
<v Speaker 1>people curse on this out. No. Yeah, you think that

1:47:40.240 --> 1:47:46.240
<v Speaker 1>you ain't curse, but you let the nigga. Okay, he's smart.

1:47:49.160 --> 1:47:52.920
<v Speaker 1>A cursing character characters another person acting, so it's different.

1:47:53.400 --> 1:47:56.760
<v Speaker 1>I gotta learn this acting shit. Yeah, that's my goal.

1:47:56.880 --> 1:47:59.280
<v Speaker 3>Right now, I'm going to Will Smith act in class,

1:47:59.520 --> 1:48:01.000
<v Speaker 3>going to Will's. If there are people me and you

1:48:01.080 --> 1:48:08.040
<v Speaker 3>are a partner, Will will send yes, Will Smith network,

1:48:08.120 --> 1:48:12.639
<v Speaker 3>but it's really don't let nobody know that, yes, your partner,

1:48:13.160 --> 1:48:17.479
<v Speaker 3>sil secrecy. Will Let me just tell you something, man,

1:48:17.840 --> 1:48:20.400
<v Speaker 3>I really respect you.

1:48:20.760 --> 1:48:21.520
<v Speaker 1>I really.

1:48:23.160 --> 1:48:26.320
<v Speaker 3>Once you understand that you laid the blueprint for every

1:48:26.439 --> 1:48:28.960
<v Speaker 3>rapper who wanted to be something more than a rapper,

1:48:29.439 --> 1:48:34.240
<v Speaker 3>because rapper was the quintessential level to where we wanted

1:48:34.240 --> 1:48:36.640
<v Speaker 3>to get at At one point let me take off

1:48:36.680 --> 1:48:37.880
<v Speaker 3>my glass to like a Macaolmax.

1:48:40.000 --> 1:48:45.080
<v Speaker 1>But then you hugged Uncle Phil, and then you you

1:48:45.240 --> 1:48:47.280
<v Speaker 1>brung gangsters.

1:48:47.360 --> 1:48:53.040
<v Speaker 3>Regular people, street people, people who pack bags and wall bounds,

1:48:53.560 --> 1:48:57.439
<v Speaker 3>people who deliver food for six brothers. You bring them

1:48:57.520 --> 1:49:00.560
<v Speaker 3>all together because everyone had that little missing part of

1:49:00.680 --> 1:49:02.800
<v Speaker 3>their heart, whether they had a father or they didn't

1:49:02.840 --> 1:49:04.519
<v Speaker 3>have a father, they had something that was missing in

1:49:04.560 --> 1:49:07.360
<v Speaker 3>their heart. They did that. Then you went on and

1:49:07.439 --> 1:49:09.599
<v Speaker 3>then you conker. One of my favorite movies the all

1:49:09.720 --> 1:49:13.559
<v Speaker 3>time is Enemy of the State. You know what Enemy

1:49:13.600 --> 1:49:14.880
<v Speaker 3>of the stated? You remember that?

1:49:15.320 --> 1:49:22.320
<v Speaker 1>I remember that one. That one I was there, look

1:49:22.360 --> 1:49:34.040
<v Speaker 1>at me, look like because because I asked you earlier, what.

1:49:34.280 --> 1:49:38.600
<v Speaker 3>Was your most serious role? And to me it was

1:49:38.680 --> 1:49:42.120
<v Speaker 3>Independence Day? You and vivocat together. That that was That

1:49:42.240 --> 1:49:45.080
<v Speaker 3>was too like the black actors. They put you all

1:49:45.080 --> 1:49:49.240
<v Speaker 3>together and independent that Yeah, that was crazy. July fourth

1:49:49.400 --> 1:49:55.160
<v Speaker 3>was different. Yes, big, okay, that's what it was.

1:49:56.160 --> 1:50:08.640
<v Speaker 1>I was I'm like, year was that ninety six? That

1:50:10.560 --> 1:50:18.120
<v Speaker 1>I can explain? It's cooled d what jail? Yes, you

1:50:18.200 --> 1:50:20.320
<v Speaker 1>can explain. Yeah, but.

1:50:23.439 --> 1:50:27.639
<v Speaker 3>Now listen told you bouncing around? Yes, now I realized

1:50:27.680 --> 1:50:28.519
<v Speaker 3>that you and Michael B.

1:50:28.680 --> 1:50:32.960
<v Speaker 1>Jordan is out of line, out of line, out of line,

1:50:33.920 --> 1:50:38.280
<v Speaker 1>out of line. He's going to explain in a second, everybody,

1:50:38.439 --> 1:50:41.479
<v Speaker 1>and I am legend died. How the fun is the

1:50:41.600 --> 1:50:45.200
<v Speaker 1>part too? All right, coach? So hold on, by the way,

1:50:45.240 --> 1:50:47.880
<v Speaker 1>I want to I can explain to a war or something,

1:50:47.960 --> 1:50:51.080
<v Speaker 1>all right. So there was there was a there was

1:50:51.160 --> 1:50:56.120
<v Speaker 1>an alternate ending that came out on the d v D.

1:50:56.360 --> 1:51:02.240
<v Speaker 1>I got ye in the alternate ending, my character Liz. Listen,

1:51:02.320 --> 1:51:06.680
<v Speaker 1>ye seating right now, but I respect it. Listen. Oh yeah,

1:51:06.760 --> 1:51:08.519
<v Speaker 1>and I hadn't bring this. I wanted you to say this.

1:51:09.240 --> 1:51:11.680
<v Speaker 1>Oh I believe you with that. No, you can't have it.

1:51:13.160 --> 1:51:14.400
<v Speaker 1>You can't have it, but I just want you to

1:51:14.840 --> 1:51:19.840
<v Speaker 1>because about it. Take a picture, well, let's take the

1:51:19.920 --> 1:51:25.000
<v Speaker 1>figure with I want one bulf Okay, I'm sorry, I

1:51:25.439 --> 1:51:27.360
<v Speaker 1>don't want to do that, but get yeah, so I

1:51:27.400 --> 1:51:29.800
<v Speaker 1>am letting you yeah, no, no, no, you see how

1:51:29.840 --> 1:51:30.759
<v Speaker 1>he was with this, yeah.

1:51:32.400 --> 1:51:35.280
<v Speaker 3>Case listen when when e f N he has like

1:51:35.400 --> 1:51:39.439
<v Speaker 3>little takes yeah right here yea. By the way, if

1:51:39.479 --> 1:51:41.679
<v Speaker 3>you touch his take, even though this is your tape,

1:51:42.080 --> 1:51:47.080
<v Speaker 3>it's my it's your music, get pause. That's it too much.

1:51:47.160 --> 1:51:48.040
<v Speaker 3>Watch watch how you.

1:51:49.720 --> 1:51:51.519
<v Speaker 1>He's gonna throw away into your wills.

1:51:54.360 --> 1:51:59.280
<v Speaker 3>Okay, So she was throwing that like this, and he's

1:51:59.320 --> 1:52:03.240
<v Speaker 3>talking like this. It feels like, calm down, guy, But

1:52:03.520 --> 1:52:05.680
<v Speaker 3>I am lesgend. I'm gonna be honest with us. I

1:52:05.800 --> 1:52:10.400
<v Speaker 3>watched all your movies bad boys every day. I did

1:52:10.479 --> 1:52:13.720
<v Speaker 3>watch that alternate ending. Yeah, but I also realized I

1:52:13.840 --> 1:52:17.439
<v Speaker 3>was making up a bag like let's get another bad No. No,

1:52:17.600 --> 1:52:19.920
<v Speaker 3>you misread it, you miss read It's me. Let me

1:52:19.960 --> 1:52:21.080
<v Speaker 3>tell you, let me tell you the truth.

1:52:21.240 --> 1:52:23.240
<v Speaker 1>Let's go. So, here's the truth of what happened, all right,

1:52:23.560 --> 1:52:26.519
<v Speaker 1>the ultimate see what had happened was what happened. So

1:52:26.640 --> 1:52:30.840
<v Speaker 1>the alternate ending was the first ending, the original It

1:52:30.920 --> 1:52:33.640
<v Speaker 1>was the original ending, was the original script, and it

1:52:33.720 --> 1:52:38.439
<v Speaker 1>was based on the original novel. We tested it and

1:52:39.000 --> 1:52:40.960
<v Speaker 1>it was the only movie I've ever had that the

1:52:41.080 --> 1:52:44.200
<v Speaker 1>audience booed at the end, at the end of that

1:52:44.439 --> 1:52:48.400
<v Speaker 1>ending when the so in the in the final scene

1:52:48.720 --> 1:52:50.400
<v Speaker 1>where they come in and there around me and the

1:52:50.479 --> 1:52:56.320
<v Speaker 1>alternate ending and the the Dark Seeker, what we realized

1:52:56.360 --> 1:53:00.599
<v Speaker 1>and the alternate ending is that he realizes the one

1:53:00.680 --> 1:53:03.479
<v Speaker 1>that I was keeping in the room was his woman.

1:53:04.760 --> 1:53:07.200
<v Speaker 1>And I realized it was his woman, and he was like,

1:53:07.840 --> 1:53:11.479
<v Speaker 1>you know, the meaning of the ending was, oh shit,

1:53:11.760 --> 1:53:16.320
<v Speaker 1>I'm the monster. They think of me as the monster, right,

1:53:16.960 --> 1:53:18.800
<v Speaker 1>And we looked up at the wall and we do

1:53:18.920 --> 1:53:21.120
<v Speaker 1>the shot up at the wall, and you see how

1:53:21.200 --> 1:53:24.200
<v Speaker 1>many of them I killed? And he looks at them

1:53:24.280 --> 1:53:26.479
<v Speaker 1>and looks at them, and he looks at me and

1:53:26.560 --> 1:53:29.640
<v Speaker 1>then he goes in and gets his woman and leaves. Right.

1:53:29.760 --> 1:53:33.920
<v Speaker 1>So that was the alternate ending. We tested it and

1:53:34.920 --> 1:53:37.600
<v Speaker 1>the only so how they do these things is they

1:53:37.680 --> 1:53:39.360
<v Speaker 1>put it in front of an audience. You know, you

1:53:39.439 --> 1:53:41.880
<v Speaker 1>get a couple hundred people. They fill it out, and

1:53:42.040 --> 1:53:45.200
<v Speaker 1>you fill out you know, there's five boxes and you

1:53:45.360 --> 1:53:50.560
<v Speaker 1>say either excellent, very good, good, poor, very poor. And

1:53:51.520 --> 1:53:53.679
<v Speaker 1>what they do is they take the top two boxes

1:53:54.080 --> 1:53:58.360
<v Speaker 1>and if you score, you know, ninety percent in the

1:53:58.439 --> 1:54:03.040
<v Speaker 1>top two boxes excellent and very good, you're pretty sure

1:54:03.080 --> 1:54:05.919
<v Speaker 1>you have a good movie. It was the lowest scoring

1:54:06.080 --> 1:54:10.240
<v Speaker 1>movie I've ever ending. So they score the whole movie,

1:54:10.320 --> 1:54:12.600
<v Speaker 1>but it was because of the ending ending, okay, and

1:54:12.920 --> 1:54:16.680
<v Speaker 1>it scored fifty one in the top two boxes, and

1:54:16.800 --> 1:54:18.920
<v Speaker 1>we were like what So then then they fill out

1:54:18.960 --> 1:54:21.840
<v Speaker 1>the thing and it was like basically across the board,

1:54:21.880 --> 1:54:24.960
<v Speaker 1>it was like the ending is bullshit, that's bullshit. He's

1:54:25.040 --> 1:54:27.880
<v Speaker 1>not the monster. They're dark seekers. They've been chasing them,

1:54:28.040 --> 1:54:32.040
<v Speaker 1>and there was something that was just horrific except they could.

1:54:32.120 --> 1:54:34.040
<v Speaker 1>They was like, no, you're not the monster. We didn't

1:54:34.080 --> 1:54:37.520
<v Speaker 1>watch this whole movie to figure out that you're the monster. No,

1:54:37.760 --> 1:54:42.360
<v Speaker 1>they're the monsters. So they felt cheated. So six weeks

1:54:42.440 --> 1:54:46.320
<v Speaker 1>before the movie comes out, we had to reshoot the

1:54:46.560 --> 1:54:49.480
<v Speaker 1>ending that was actually in the movies where my character died.

1:54:49.560 --> 1:54:51.520
<v Speaker 1>That's in New York City where you wasn't here. Yeah, right,

1:54:51.640 --> 1:54:55.680
<v Speaker 1>so where where my character dies in the end actually

1:54:56.040 --> 1:55:00.120
<v Speaker 1>is the alternate ending, right, So it's the it's the

1:55:00.240 --> 1:55:04.280
<v Speaker 1>alternate ending. But we we were faithful to the novel

1:55:04.440 --> 1:55:06.680
<v Speaker 1>in the in the previous ones. So when we did

1:55:06.760 --> 1:55:10.360
<v Speaker 1>the new ending, it scored ninety one in the top

1:55:10.440 --> 1:55:13.040
<v Speaker 1>two boxes, and it was like, it's just one of

1:55:13.080 --> 1:55:15.120
<v Speaker 1>them weird things that happens. It was like, how much

1:55:15.160 --> 1:55:17.600
<v Speaker 1>does that say about us? As I know? Right? Yeah?

1:55:17.880 --> 1:55:20.880
<v Speaker 1>Humor yet watching that No, but it was it was,

1:55:21.600 --> 1:55:24.800
<v Speaker 1>it was It was like a major save. We saved

1:55:24.840 --> 1:55:28.320
<v Speaker 1>it because people, the audiences hated it, right, but it

1:55:28.440 --> 1:55:30.720
<v Speaker 1>was what we originally wanted to do. So we were like, well,

1:55:30.760 --> 1:55:33.600
<v Speaker 1>we we shot. You know, it was probably an eight

1:55:33.720 --> 1:55:38.360
<v Speaker 1>million dollar ending that got scrapped. Wow, right, because we

1:55:38.440 --> 1:55:40.920
<v Speaker 1>were special effects and all of that stuff in it.

1:55:41.200 --> 1:55:43.320
<v Speaker 1>So well, so we ultimately we were like, well, we

1:55:43.440 --> 1:55:45.240
<v Speaker 1>got to use it. We got to use it somewhere.

1:55:45.560 --> 1:55:49.000
<v Speaker 1>So we put it on the DVD, on the DVD

1:55:49.120 --> 1:55:51.640
<v Speaker 1>and Blu ray, so people saw it, so it popped

1:55:51.720 --> 1:55:54.360
<v Speaker 1>up online and all of that. And then later the

1:55:54.440 --> 1:55:58.760
<v Speaker 1>writer Akiva Goldsman, he's the Academy Award winning writer of

1:55:58.800 --> 1:56:02.800
<v Speaker 1>a Beautiful Mind, and so he's like, hey, what if

1:56:02.880 --> 1:56:05.600
<v Speaker 1>we made another one? What we were going to do

1:56:05.760 --> 1:56:08.640
<v Speaker 1>is the prequel, So we were going to do the prequel.

1:56:09.120 --> 1:56:12.280
<v Speaker 1>What happened before, So we were going to go back

1:56:12.360 --> 1:56:14.800
<v Speaker 1>and do the prequel. And he was like, but wait,

1:56:14.880 --> 1:56:18.920
<v Speaker 1>what if we make a new version from the alternate

1:56:19.520 --> 1:56:23.240
<v Speaker 1>ending where your character is still alive? And you know,

1:56:23.920 --> 1:56:26.760
<v Speaker 1>Michael B. Jordan's character currently is the head of a

1:56:26.840 --> 1:56:29.600
<v Speaker 1>new settlement. So he's not your son, he's not my son,

1:56:30.480 --> 1:56:34.840
<v Speaker 1>not my son, not my son, my dark seeker son.

1:56:36.800 --> 1:56:37.960
<v Speaker 1>Well he's an evil right.

1:56:38.080 --> 1:56:40.320
<v Speaker 3>But no, so uh well, no, I can't tell you

1:56:40.440 --> 1:56:43.960
<v Speaker 3>to movie, give me like a long nobody watching this ship. Yeah,

1:56:50.280 --> 1:56:52.840
<v Speaker 3>right right now. Just want to people that I am

1:56:53.120 --> 1:56:58.400
<v Speaker 3>legend fans like me and I love the fact that

1:56:58.440 --> 1:56:59.280
<v Speaker 3>we're doing the number two.

1:56:59.600 --> 1:57:03.000
<v Speaker 1>But he said we we do, we do. I love

1:57:03.080 --> 1:57:07.920
<v Speaker 1>to be doing another one. Will you know? You said

1:57:07.960 --> 1:57:12.760
<v Speaker 1>we you know? We we do? We knew well, but

1:57:12.880 --> 1:57:14.000
<v Speaker 1>I love the fact that you do.

1:57:14.240 --> 1:57:17.040
<v Speaker 3>But I wanted it so so for people that's fast

1:57:17.120 --> 1:57:19.000
<v Speaker 3>like me, make it makes sense for them. Tell them

1:57:19.080 --> 1:57:21.320
<v Speaker 3>that you we got we had d N A left over.

1:57:21.800 --> 1:57:22.160
<v Speaker 3>Michael B.

1:57:22.280 --> 1:57:27.360
<v Speaker 1>Jordan is coming out DNA left off just making up ship. Yeah,

1:57:27.680 --> 1:57:28.960
<v Speaker 1>I thought you you established that.

1:57:30.360 --> 1:57:33.920
<v Speaker 3>But that's that there's not d NA. How does Michael B.

1:57:34.040 --> 1:57:36.440
<v Speaker 3>Jordan come to assistance? Does a dog eat him?

1:57:36.800 --> 1:57:42.760
<v Speaker 1>No? No, the dog there's a dog practically, I'm so

1:57:44.800 --> 1:57:47.640
<v Speaker 1>when he was jogging and I am like other people. Adult,

1:57:47.800 --> 1:57:49.840
<v Speaker 1>You're not doing a good job selling this movie right now.

1:57:50.760 --> 1:57:53.400
<v Speaker 1>I'm not telling Michael George's movie. No, this is your

1:57:53.440 --> 1:57:57.040
<v Speaker 1>new social media get him over here. No, no, no,

1:57:57.600 --> 1:57:59.640
<v Speaker 1>it's really it's a it's a it's a cool concept.

1:57:59.720 --> 1:58:05.320
<v Speaker 1>So uh or currently Michael Be's uh character is the

1:58:05.560 --> 1:58:07.160
<v Speaker 1>head of a settlement.

1:58:07.640 --> 1:58:10.960
<v Speaker 3>So there's a settlement in Connecticut. Right I'm gonna be

1:58:11.000 --> 1:58:13.720
<v Speaker 3>honest will is the settlement is no judges. There's no

1:58:14.000 --> 1:58:15.640
<v Speaker 3>nobody in the pregnant.

1:58:16.280 --> 1:58:17.760
<v Speaker 1>So you're gonna you're not gonna watch it, or you're

1:58:17.760 --> 1:58:23.960
<v Speaker 1>just gonna watch everybody dead. Everybody's not dead your life.

1:58:24.000 --> 1:58:26.320
<v Speaker 1>So there's other people. You saw the girl and the

1:58:26.400 --> 1:58:33.720
<v Speaker 1>little boy. Take it to the shot, last last shot.

1:58:33.760 --> 1:58:35.480
<v Speaker 1>We're gonna get your flowers. We get you up there.

1:58:35.520 --> 1:58:39.080
<v Speaker 1>You think you will, I know you got you. We

1:58:39.160 --> 1:58:45.720
<v Speaker 1>go us. There's slow time of life. Thank you man, Hey,

1:58:46.200 --> 1:58:48.200
<v Speaker 1>listen man, thank you man. This was fantastic.

1:58:48.280 --> 1:58:51.080
<v Speaker 3>Please have listen man, come have form with us anytime you.

1:58:51.240 --> 1:58:55.120
<v Speaker 1>You own Miami, Miami, Please please in Miami for sure.

1:58:55.160 --> 1:58:57.360
<v Speaker 1>You know that's my town. Yeah, come by hang out.

1:58:57.480 --> 1:58:59.200
<v Speaker 3>It was beautiful for us to come hang out with

1:58:59.280 --> 1:59:04.480
<v Speaker 3>you Andiladelphia, because one Philadelphia is a town I couldn't

1:59:04.760 --> 1:59:06.320
<v Speaker 3>as soon as as soon as I landed, I thought

1:59:06.320 --> 1:59:10.560
<v Speaker 3>of trading places immediately and I couldn't realize why. And

1:59:10.680 --> 1:59:13.680
<v Speaker 3>I realized that actually trading places happened here. But let

1:59:13.720 --> 1:59:16.520
<v Speaker 3>me get back to the point. Well, because of my

1:59:16.600 --> 1:59:18.720
<v Speaker 3>man Lex man, you know what I mean, big up

1:59:18.720 --> 1:59:21.560
<v Speaker 3>to your whole team being so I mean, they were

1:59:21.640 --> 1:59:23.800
<v Speaker 3>so official, so efficient.

1:59:23.840 --> 1:59:26.800
<v Speaker 1>I don't even know if I'm making sense, but get it.

1:59:26.840 --> 1:59:29.200
<v Speaker 3>And they were so great, and I just want to

1:59:29.240 --> 1:59:32.160
<v Speaker 3>thank you so much because so many great people like

1:59:32.280 --> 1:59:36.440
<v Speaker 3>you have a terrible team, and then so many people

1:59:36.520 --> 1:59:40.080
<v Speaker 3>have a great team and then they're terrible people.

1:59:40.560 --> 1:59:42.560
<v Speaker 1>Oh wow, you actually got some shit worked out.

1:59:43.720 --> 1:59:46.160
<v Speaker 3>Like I mean, for nine years of me dealing with

1:59:46.560 --> 1:59:50.640
<v Speaker 3>every artist from fifty said to you, name him, I

1:59:50.680 --> 1:59:53.000
<v Speaker 3>don't want to keep name dropping. I'm telling you this

1:59:53.160 --> 1:59:57.400
<v Speaker 3>is purely a pleasure for me. Your album is fucking awesome.

1:59:57.920 --> 1:59:58.520
<v Speaker 3>I ain't gonna lie.

1:59:58.560 --> 1:59:59.000
<v Speaker 1>I'm sorry.

1:59:59.040 --> 2:00:00.960
<v Speaker 3>I'm sorry to say this, but I was listening to

2:00:01.040 --> 2:00:03.200
<v Speaker 3>it like there's no way he could still be this hungry.

2:00:03.440 --> 2:00:05.960
<v Speaker 3>So I was actually listening to it for a flaw

2:00:06.240 --> 2:00:08.480
<v Speaker 3>and I didn't fly in one. And the thing about

2:00:08.520 --> 2:00:10.080
<v Speaker 3>it is, I want to salute you for that. I

2:00:10.160 --> 2:00:13.040
<v Speaker 3>want you to know that you appreciate it. I want

2:00:13.040 --> 2:00:16.200
<v Speaker 3>you to know everything that you did because in a

2:00:16.280 --> 2:00:20.720
<v Speaker 3>certain way, had you not rapped and went to Sitcom,

2:00:20.760 --> 2:00:24.160
<v Speaker 3>from sitcom to movies and then dominated all these worlds,

2:00:24.680 --> 2:00:28.240
<v Speaker 3>we wouldn't have had that from us. He's a DJ, me,

2:00:28.360 --> 2:00:30.800
<v Speaker 3>a rapper, us to go to podcast, so in a

2:00:30.880 --> 2:00:33.120
<v Speaker 3>lot of ways. You might own Drink Chances, but we

2:00:33.200 --> 2:00:34.400
<v Speaker 3>could do a deal for Old Brooklyn.

2:00:34.400 --> 2:00:38.400
<v Speaker 1>You know your part of it. We thank you, man.

2:00:38.840 --> 2:00:41.640
<v Speaker 3>I appreciate you man for taking your time out. And

2:00:42.240 --> 2:00:44.120
<v Speaker 3>I just want to say something before this is all up.

2:00:44.840 --> 2:00:46.960
<v Speaker 3>He didn't ask me to say this, lexing next me

2:00:47.040 --> 2:00:48.720
<v Speaker 3>say this. No one asked me to say this. This

2:00:48.920 --> 2:00:50.400
<v Speaker 3>might be one of his best albums.

2:00:51.960 --> 2:00:59.040
<v Speaker 1>I love that. No what do y'all say? I'm not glazing.

2:01:00.760 --> 2:01:04.800
<v Speaker 1>No cat, no cat, no, no can't no blazer listens.

2:01:05.000 --> 2:01:07.560
<v Speaker 3>Listen to that ship and I'm gonna tell you this

2:01:08.040 --> 2:01:10.000
<v Speaker 3>just in case. And by the way, he did not

2:01:10.120 --> 2:01:13.040
<v Speaker 3>tell me this. Listen to the first two tracks.

2:01:14.400 --> 2:01:15.040
<v Speaker 1>If you're not.

2:01:16.880 --> 2:01:21.240
<v Speaker 3>Intrigued, adapted, and want to continue for the first two traps.

2:01:22.120 --> 2:01:24.360
<v Speaker 3>First two tracks, excuse me, You're not human.

2:01:26.960 --> 2:01:29.000
<v Speaker 1>That's it, and you can be an I am legends.

2:01:40.440 --> 2:01:43.720
<v Speaker 4>Drink Champs is a Drink Champs ll C production hosts

2:01:43.800 --> 2:01:45.480
<v Speaker 4>and executive producers n O.

2:01:45.680 --> 2:01:48.760
<v Speaker 1>R E and d J. E. F f N. Listen

2:01:48.800 --> 2:01:49.360
<v Speaker 1>to Drink.

2:01:49.240 --> 2:01:53.520
<v Speaker 4>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

2:01:53.640 --> 2:01:57.440
<v Speaker 4>get your podcasts. Thanks for joining us for another episode

2:01:57.440 --> 2:02:00.560
<v Speaker 4>of drink Champs hosted by yours truly, dj E and

2:02:00.760 --> 2:02:02.840
<v Speaker 4>n O r E. Please make sure to follow us

2:02:02.880 --> 2:02:06.080
<v Speaker 4>on all our socials that's at Drink Champs across all platforms,

2:02:06.640 --> 2:02:06.920
<v Speaker 4>at the.

2:02:06.960 --> 2:02:09.720
<v Speaker 1>Real Noriegon, I g at Noriega on

2:02:09.800 --> 2:02:13.920
<v Speaker 4>Twitter, mineus at Who's Crazy on I g at dj E,

2:02:14.120 --> 2:02:16.480
<v Speaker 4>f N on Twitter, and most importantly, stay up to

2:02:16.520 --> 2:02:19.840
<v Speaker 4>date with the latest releases, news and merch by going

2:02:19.880 --> 2:02:21.360
<v Speaker 4>to drink Champs dot com