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Speaker 1: Like, did you just fall asleep?

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Speaker 2: No, I just forgot. I was like, oh, that's right,

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Speaker 2: I have to do the clapping thing. I'm either going

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Speaker 2: to screw up the very beginning or the very end. Okay,

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Speaker 2: it's or both or you never know. You never know,

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Speaker 2: but I try and pick one.

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Speaker 1: So yeah, Well, the fact that we're here is an accomplishment.

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Speaker 1: We're up, We're upright upright you especially, so our voices

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Speaker 1: are a little little shot.

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Speaker 2: Yeah, we did a we did a press tour yesterday

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Speaker 2: and uh and we recorded another episode earlier this morning

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Speaker 2: and we're recording this one now. So yeah, our voices

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Speaker 2: if we sound like we have swallowed gravel. That's why

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Speaker 2: we're trying to drink tea. There's a lot of throat clearing.

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Speaker 1: And coughing coat going on. Yes, yeah, but it was

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Speaker 1: a great day. It was really was but a great day.

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Speaker 1: Everybody seems so excited about this podcast. Seriously, we loving it,

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Speaker 1: loving the field.

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Speaker 2: That's such a great response. I'm really happy about that.

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Speaker 2: And I had so much fun with you as usual.

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Speaker 2: I mean, it was like a fun, you know day

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Speaker 2: to just we got to hang out and get it together.

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Speaker 1: And I only put my foot in my mouth once

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Speaker 1: and it was the last interview of the day, So

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Speaker 1: that's that is.

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Speaker 2: And you didn't put your foot in your mouth. You

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Speaker 2: you gave a factual piece of information out of context

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Speaker 2: which sounded strange, which was that Andrey and I were

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Speaker 2: in bed eating lunch together, which was because we were

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Speaker 2: doing a long press day and we had a hotel

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Speaker 2: room where we were doing some of our Zoom stuff

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Speaker 2: from and we ordered food and we were sitting in

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Speaker 2: the bed eating lunch together, and while other people were

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Speaker 2: also in the room and at various tables and mix.

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Speaker 2: But we're doing an interview and she says something, well,

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Speaker 2: earlier when we were in bed eating or whatever, and

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Speaker 2: I was like, hold on, wait, wait, let me give

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Speaker 2: this some context.

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Speaker 1: Yeah, the interviewer, he was like something, oh, justin He

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Speaker 1: said something about how how close are you guys, or

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Speaker 1: you know, you've remained close all these years.

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Speaker 2: And I said like, how cool? Yeah, are you guys

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Speaker 2: like really good friends?

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Speaker 1: And I'm like, I can't get Jody out of my bed.

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Speaker 2: That's what it was. I can't get Jody out of

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Speaker 2: my That's what it was. Well, I remembered it is

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Speaker 2: so much better than that. I mean, not better, but

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Speaker 2: like less of less less problematic. Actually, yeah, that was Yeah.

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Speaker 1: That was terrible and I couldn't recover, Like I couldn't.

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Speaker 1: I'm like, no, we were having lunch. Could I couldn't

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Speaker 1: explain it fast and it was it was great. Just

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Speaker 1: gave up.

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Speaker 2: Up and I was like, oh we were it's it's

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Speaker 2: a thing. Yeah. Yeah, I couldn't get I can't get

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Speaker 2: Jody out of my bed.

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Speaker 1: I was like, I can't get Jody out of my bed.

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Speaker 2: First, for that second of all, you were very Yes.

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Speaker 1: You dropped some keen walks and I had a sudden

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Speaker 1: keen walk explosion of my salad.

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Speaker 2: I flung it all over the place, like all over

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Speaker 2: the bed. Yeah.

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Speaker 1: Hey, the bed is always open, so you're always invited

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Speaker 1: my bed.

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Speaker 2: I I don't know what's happening.

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Speaker 1: I think, right, we're tired. I think we're still really tired.

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Speaker 2: Yeah.

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Speaker 1: I woke up at three thirty am yesterday and got

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Speaker 1: home at eight o'clock.

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Speaker 2: So yeah, I mean from the start of the day

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Speaker 2: you almost got left behind by your driver. You made

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Speaker 2: it to my house. You were at five in the morning.

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Speaker 1: It was so that was funny.

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Speaker 2: Yeah, there was fog, like really terrible fog.

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Speaker 1: But it ended up being a beautiful day. Oh, it's

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Speaker 1: a gorgeous day day inside and outside. I'm glad we're

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Speaker 1: I'm glad we're here.

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Speaker 2: I'm glad we're here. I'm glad we I'm glad I

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Speaker 2: finally made it out of your bed.

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Speaker 1: So I'm going to watch that back whenever that air.

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Speaker 2: I apparently wasn't wanted there in the first place, since

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Speaker 2: you couldn't get me to leave fast enough.

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Speaker 1: So I've been in this business like four decades. I

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Speaker 1: need media training, please somebody. I can't. No, it's not anyways,

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Speaker 1: that's all right, that's all right. I'll stick I'll stick

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Speaker 1: to my lane. This is what I'm good at. I'll

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Speaker 1: do a podcast in a recap right now.

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Speaker 2: Look, I think your interview answers are always great. But

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Speaker 2: you know me, I'm a fan of the irreverent and inappropriate,

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Speaker 2: so I think I think we strike the perfect balance.

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Speaker 1: Oh good, Yeah, Well, let's get into this episode. Please please, please, Yes.

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Speaker 2: I am so excited about this episode though, And I

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Speaker 2: didn't know that I was going to be this excited

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Speaker 2: until after.

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Speaker 1: I watched it. Yeah, this is an iconic I was like, oh.

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Speaker 2: Yeah, the bitch Boys. You know, I had such joy

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Speaker 2: with watching this episode. I again, it was one where

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Speaker 2: I went if people were enjoying this as much as

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Speaker 2: I was in you know, nineteen eighty seven or eighty

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Speaker 2: eight or whatever it was, there's this is I see

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Speaker 2: why fule House started really taking off. And it really

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Speaker 2: was second season we started, like I think, really people

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Speaker 2: started tuning in and I get it because this episode,

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Speaker 2: this episode made me feel good in my heart.

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Speaker 1: Oh well, I didn't remember that the Beach Boys were

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Speaker 1: on so early in the run of the series, like

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Speaker 1: season two. I didn't know that. I didn't know that they.

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Speaker 1: John had a friendship with them long before full House back.

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Speaker 2: In Yeah as a musicianal days.

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Speaker 1: Yeah, such an iconic episode and I can't wait to

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Speaker 1: get it.

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Speaker 2: Really is because the Beach Boys were I mean they

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Speaker 2: this was kind of the time of their comeback with

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Speaker 2: Cokemo and whatever. But like this really was a huge

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Speaker 2: pop culture moment and again something we didn't appreciate as kids,

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Speaker 2: like didn't realize it.

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Speaker 1: This episode is what put the Beach Boys on the map.

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Speaker 2: This really is I mean, my god, they you know,

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Speaker 2: they were just a little bands, you know, right right,

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Speaker 2: singing about being in a room. You know, they were

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Speaker 2: just like, hey, can we have a break, And then

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Speaker 2: and then this came along, So you're welcome.

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Speaker 1: Thankodness, Thank goodness, goodness.

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Speaker 2: We are obviously kidding in realizing before we get to musicians. Yeah, yeah,

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Speaker 2: before we like, do you know Brian Willson and Dennis

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Speaker 2: Wills they were incredible? Yes, yes, we know. It had

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Speaker 2: nothing to do with.

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Speaker 1: Full house legend to have them there, yeah, legendary. Well,

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Speaker 1: welcome back to how Rude Tannerritos. I'm Andrea Barber and

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Speaker 1: I'm Jody Sweeten, and today we are discussing season two,

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Speaker 1: episode six, Beach Boy Bingooo. It originally aired on November eighteenth,

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Speaker 1: nineteen eighty eight, and it goes a little something like this.

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Speaker 1: DJ wins two tickets to meet the beach Boys in

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Speaker 1: the entire Tanner clan wants to go with her. Oh dilemma.

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Speaker 2: Yeah, two tickets for our giant right, not enough tickets

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Speaker 2: for that full house. No.

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Speaker 1: It was directed by Steve Zuckerman and it was written

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Speaker 1: by Dennis Rinsler and Mark Warren. And there's five guest stars,

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Speaker 1: very very important, the beach Boys, Bruce Johnston, Mike Love,

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Speaker 1: Brian Wilson, Carl Wilson and Al Jardine. What legends.

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Speaker 2: This is total legends.

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Speaker 1: This was in the Kokomo. This is when Kokomo had

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Speaker 1: just been really least and it went to number one.

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Speaker 1: The movie Cocktail had come out, and right, oh my god,

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Speaker 1: over and over and over, such a good song.

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Speaker 2: I forgot that Cocomo was in. I mean, I knew

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Speaker 2: it was like kind of like had become like a

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Speaker 2: popular song, but that's right, I forgot it was in

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Speaker 2: the Tom Cruise movie Cocktail about I never watched it.

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Speaker 2: I mean, I was obviously six. What did I know

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Speaker 2: about cocktails yet? But I just wait, but just just wait,

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Speaker 2: we'll get there. No, but I didn't remember it was

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Speaker 2: in that movie.

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Speaker 1: Yeah, oh yeah, I remember. It's flipping there.

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Speaker 2: What I'm saying is full House has a Tom Cruise

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Speaker 2: tie in. That's you know, which it's like, you know,

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Speaker 2: six degrees six degrees right, truly truly?

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Speaker 1: Yeah, So we're we're yes, we have a special connection

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Speaker 1: to Tom Cruise because of this.

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Speaker 2: It's true, right, it's true.

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Speaker 1: Was there a lot of buzz on set about the

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Speaker 1: Beach Boys coming up? Where were people?

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Speaker 2: I think I think so, because I know, like like

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Speaker 2: Jeff and you know a lot of the writers and

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Speaker 2: stuff were huge music fans and Beach Boys fans and

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Speaker 2: Elvis fans, you know, that sort of that era of

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Speaker 2: music which we had a ton of artists from. So yeah,

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Speaker 2: I think they were pretty excited. I'm sure also like

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Speaker 2: getting the Beach Boys, there was you know, it's always

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Speaker 2: whenever there's like what they call stunt casting, which is like,

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Speaker 2: you know, somebody coming in to play themselves, be it Joey.

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Speaker 1: McIntyre from New to the Block, Yeah, I hear.

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Speaker 2: That name in there, or you know the Beach Boys

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Speaker 2: or whatever. We're all of the new kids, well most

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Speaker 2: of them four fifths. You know, it's usually like a

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Speaker 2: big thing on set because oftentimes you're working around their

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Speaker 2: schedule and when they can be there and when they

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Speaker 2: can shoot, and when you can rehearse their scene and

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Speaker 2: all this kind of stuff. And especially for people who

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Speaker 2: aren't actors, they don't come in usually and do the

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Speaker 2: whole week of rehearsal. They'll usually show up on like

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Speaker 2: the pre tape day when we're getting that done before

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Speaker 2: the audience or something, and they'll or even sometimes just

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Speaker 2: the audience day and we'll do a quick rehearsal and

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Speaker 2: then we'll just shoot it that night. A lot of

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Speaker 2: times with people who aren't actors, athletes or musicians and stuff,

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Speaker 2: they kind of come in at the last minute, which

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Speaker 2: is which is also part of why you know, oftentimes

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Speaker 2: the dialogue is what it is.

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Speaker 1: Yes, well, because it's they've had no time to rehearse

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Speaker 1: or practice. Yeah, just like you're winging it. That would

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Speaker 1: be terrifying for the dialogue coaches who were just like, uh,

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Speaker 1: let's run lines, let's see if can you memorize the voice? Right?

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Speaker 2: But yeah, they they were. They were having a comeback

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Speaker 2: in eighteen.

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Speaker 1: So very exciting to have that.

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Speaker 2: What a guess it hit number one two weeks before

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Speaker 2: this episode aired.

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Speaker 1: Wow, timely Wow.

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Speaker 2: To Cocomo hit number one twenty four years after their

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Speaker 2: first number one hit and just two weeks before this

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Speaker 2: episode aired.

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Speaker 1: So we really were like that was that was excellent,

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Speaker 1: a great get for the show, an excellent timing. You

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Speaker 1: could not have planned that better.

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Speaker 2: Wow, maybe they did plan it.

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Speaker 1: I wonder like, we have to make Kokomo number one

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Speaker 1: hit because then Full House airs two weeks later.

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Speaker 2: No, I didn't mean like that. I just meant like,

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Speaker 2: maybe they were like, oh, because they're doing this song

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Speaker 2: that's coming out in a movie. Maybe it was like

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Speaker 2: a promo opportunity.

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Speaker 1: Yeah, that makes sense. That's a good tie in.

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Speaker 2: Yeah, and I and I do think we in our

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Speaker 2: interview we talked with Gary Griffin about it. But I

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Speaker 2: do think this was one of the first times that

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Speaker 2: Brian Wilson had actually been doing anything kind of with

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Speaker 2: the band and publicly in a while, because you know,

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Speaker 2: he had been kind of in and out right Beach Boys.

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Speaker 1: Yes, I'm very glad. He very glad he made it

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Speaker 1: and came and delivered. Yeah, it was fantastic. All right,

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Speaker 1: Well let's get into it. We start with the teaser

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Speaker 1: in Michelle's room. This this is becoming a trend now,

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Speaker 1: these really short teasers involving Michelle doing cque things.

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Speaker 2: But it was I feel like, was it back up

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Speaker 2: in case, like they couldn't get them to do what

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Speaker 2: they wanted them to do, and a scene it was like,

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Speaker 2: at least Michelle's in there somewhere. Yeah, just throw her

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Speaker 2: in there and see what in the end, right, Yeah, exactly.

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Speaker 1: And so this teaser starts with Steph reading a bedtime

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Speaker 1: story to Michelle as they sit in her rocking chair.

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Speaker 1: This is so cute, and you were an excellent reader

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Speaker 1: at age six, Like I know, you started reading at

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Speaker 1: a very young age, younger than most people.

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Speaker 2: About three and a half or I was reading full

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Speaker 2: Yeah it was cool. I loved it.

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Speaker 1: I'm proud you were proud in this teaser.

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Speaker 2: I was very Yes, I was very proud to be reading.

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Speaker 2: But yeah, I always loved books and had like a

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Speaker 2: sixth grade reading level I think with a timeline in

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Speaker 2: the school.

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Speaker 1: So yeah, it was pretty fun and not much has changed.

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Speaker 1: You still love reading and you still yeah, it's thanks anytime, anytime?

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Speaker 2: Wow, kick me out of your bed and then insult me.

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Speaker 1: Okay, so Michelle lets out a giant, unscripted yawn as

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Speaker 1: Stephanie asks, wasn't that a nice story? Michelle responds again,

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Speaker 1: and Stephanie clearly doesn't want to read this again, but

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Speaker 1: she kindly obliges, so steph starts the story again and

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Speaker 1: just quickly runs through the recap. Once upon a time

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Speaker 1: sort of, Cinderella lost a shoe, found shoe, and lived

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Speaker 1: happily ever after.

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Speaker 2: I mean, this is just a bit, really really, what

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Speaker 2: more do you need? Thrown a couple terrible step family

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Speaker 2: members and you got it.

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Speaker 1: You don't any details, like, just sum it up. This

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Speaker 1: is the cliff Notes version of Cinderella. But Michelle looks

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Speaker 1: at Stephanie dissatisfied and says, bad story again, and Steph admits,

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Speaker 1: you're pretty smart for someone who drools. Michelle lets out

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Speaker 1: a little laugh and Stephanie begins reading the full story

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Speaker 1: of Cinderella. Very cute, short and sweet.

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Speaker 2: Little sister moments, the little Michelle moments.

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Speaker 1: Like this, yeah, very very cute. So then we roll

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Speaker 1: credits and the Beach Boys get a special credit at

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Speaker 1: the top of the show. I mean, this is a

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Speaker 1: big deal. You know it's a big deal.

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Speaker 2: That was. You know it's going to be a big

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Speaker 2: deal when your guest stars agents have secured them front

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Speaker 2: of front of show placements.

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Speaker 1: Absolutely the big deal Capital B. So we start in

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Speaker 1: the Tanner's kitchen and DJ is setting the table for

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Speaker 1: breakfast as Stephanie digs through a box of oat boats.

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Speaker 1: Man the oat boats needed a credit as well her recurring.

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Speaker 2: Characters, but they did. The oat boats were well after

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Speaker 2: Steph did the commercial. She obviously got a lifetime supply,

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Speaker 2: so that's just a never ending supply of oat boats.

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Speaker 1: Yeah, yeah, that's true. It's free with with.

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Speaker 2: Really non obvious cardboard cutout of a dinosaur taped onto

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Speaker 2: the box, like but not even at the edges, just

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Speaker 2: kind of stuck on there where you're like, is that

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Speaker 2: just so just taped on there?

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Speaker 1: They taped it on five minutes before then get.

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Speaker 2: Some scotch tapes, slap it on there. It'll be fine.

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Speaker 2: The eighties, love the eighties, Yeah, but in very eighties,

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Speaker 2: in very eighties style stuff. Was looking for the toy

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Speaker 2: in the cereal box.

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Speaker 1: Yes, yes, I don't blame you. That's the most.

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Speaker 2: Important giant glow in the Dark diner, which was obviously

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Speaker 2: in the box.

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Speaker 1: So Stephanie tells DJ that she's looking for a giant

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Speaker 1: glow in the dark dinosaur. You just said that, And

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Speaker 1: DJ reminds her of Danny's rule, never put your arm

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Speaker 1: into somebody else's breakfast.

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Speaker 2: That's a rule that implies that somehow that's been a

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Speaker 2: problem in the house before. And I don't know in

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Speaker 2: what scenario people keep sticking their arms into someone else's breakfast.

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Speaker 1: But I'll tell you I have a good guess. Joey Gladstone,

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Speaker 1: I bet he has put in his arm in the

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Speaker 1: cereal boxes. Yeah, probably that would be on brand for him. Okay,

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Speaker 1: And a good rule, you know, the Tanner's Natures type

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Speaker 1: of guidance.

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Speaker 2: It's a good life rule. Just don't put your arm

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Speaker 2: into someone else's breakfast, Yes, please, wherever that breakfast might be,

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Speaker 2: just don't stick your arm in there.

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Speaker 1: So Steph pours the cereal into her bowl, perfect amount

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Speaker 1: of cereal, of course, and with no dinosaur in sight,

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Speaker 1: she announces that he has escaped. Bummer. Ye. Danny walks

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Speaker 1: into the kitchen dressed in a Hawaiian shirt, white pants,

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Speaker 1: and sunglasses.

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Speaker 2: Like he's gonna work at cheesecake factory with the white pants,

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Speaker 2: and he.

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Speaker 1: Says cowabunga beach bunnies, and DJ excitedly says, all right,

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Speaker 1: surf's up, dude.

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Speaker 2: And Michelle, in case we were wondering about the beach

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Speaker 2: boys being on the show, We're gonna throw in a

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Speaker 2: ridiculous amount of sixties surflingo.

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Speaker 1: Oh. Yes, yes, they're loading. They're front loading the episode

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Speaker 1: with frontloading it yeach boy stuff. Michelle waves and says,

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Speaker 1: hi daddy, like they're giving her lines in every every

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Speaker 1: single scene. Now she's she's working for her paycheck and

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Speaker 1: now she's really right. Yeah, she's a little dried fruit

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Speaker 1: that she would yes, try payment and dried fruit. Danny

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Speaker 1: tells the girls that he cannot believe that the Beach

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Speaker 1: Boys are gonna be on Wake up San Francisco. Whoa,

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Speaker 1: He tells them, I am stoked. Whatever that means.

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Speaker 2: Stokes has made it through the years.

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Speaker 1: By the way, stoked, I still say Stoke. Yeah. Well,

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Speaker 1: now the kids say, shook. I guess I didn't know. Yeah,

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Speaker 1: I'm shook and shook.

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Speaker 2: Yeah, so he shook.

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Speaker 1: But back in the nineteen eighties, it was it was wait,

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Speaker 1: it was stoked. Sorry, I had a small stroke there.

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Speaker 2: Yeah, well you had you were like in the eighties

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Speaker 2: it was hold on. I can't see because.

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Speaker 1: That's where we're at. My throat's gone, my eyesight is gone.

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Speaker 1: Like I am. I'm just gonna prop myself up and

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Speaker 1: finish this. So DJ says, you like the Beach Boys.

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Speaker 1: I like the Beach Boys. We both like the same group.

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Speaker 1: I must be getting old Pikes. The Beach Boys are timeless.

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Speaker 1: So Joey and Jesse appear in the kitchen and the

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Speaker 1: guys all start singing surf and Safari tell me you

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Speaker 1: did not sing along to this?

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Speaker 2: Yeah, yeah I did. And I also was chuckling because

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Speaker 2: I was like in another full House musical moment.

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Speaker 1: Always yeah, every every episode.

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Speaker 2: I didn't realize this show was a musical.

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Speaker 1: It really is.

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Speaker 2: I didn't. And when we did Fuller, I was like, well,

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Speaker 2: there's a lot of singing in this that we didn't

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Speaker 2: do this before. Yeah, we did.

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Speaker 1: It is built into the DNA of the show. Yes.

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Speaker 1: So the girls look at them and shake their heads,

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Speaker 1: causing the guys to stop their singing, and Danny admitting, boy,

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Speaker 1: we're mediocre. The family sits down for breakfast and.

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Speaker 2: Amid by the way, mediocre would be mid for you

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Speaker 2: kids out there today, Yeah, mid mid mid, not great.

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Speaker 1: We did have an explanation of all of these things.

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Speaker 2: Yeah, well we translate. We need to translate from you know,

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Speaker 2: eighties language to what the kids say now.

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Speaker 1: A millennial translator. Yes, right, Yeah. The family sits down

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Speaker 1: for breakfast, and as Joey goes to poor milk in

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Speaker 1: his cereal, Steph tells him to hold it. She starts

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Speaker 1: digging through his bowl with her bare hands. I'm not

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Speaker 1: Rives like to tell me the gross gros and she

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Speaker 1: explains that she's looking for a dinosaur. Joey laughs and

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Speaker 1: tells her to check the Flintstone vitamins. Delicious, They're so good.

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Speaker 1: I love the Flintstone vitamins. The camera cuts to Michelle,

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Speaker 1: who has started digging through her own cereal to mimic Stephanie.

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Speaker 2: Such a good role model for the dinosaur. Yeah.

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Speaker 1: Joey thanks Danny for inviting him and Jesse to meet

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Speaker 1: the Beach Boys today, and Danny asks Joey if he

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Speaker 1: remembers the first time they ever heard the Beach Boys.

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Speaker 1: Joey recalls that they tried to become surfers and who

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Speaker 1: knew that ironing boards didn't float?

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Speaker 2: Good to know.

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Speaker 1: Jesse remembers the first time he heard good vibrations. He tells them,

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Speaker 1: I was in first grade. I turned to my date

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Speaker 1: and said, have mercy. Of course, Jesse's dating.

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Speaker 2: Is uncle Jesse doing in first grade? What is he doing?

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Speaker 1: He started young? He started down?

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Speaker 2: Jesse, Calm down and just enjoy the song. You know. So.

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Speaker 1: Danny takes a bite of his cereal and chokes up

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Speaker 1: a little red dinosaur. Steph takes it in disbelieve that

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Speaker 1: can't be my giant glow in the Dark dinosaur. I

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Speaker 1: love how you said dine dinosaur.

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Speaker 2: I was like, who says dinosur did? I it's some

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Speaker 2: weird acts. I don't know. Yeah, I was like, oh,

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Speaker 2: that can't be my glow in the Dark dinosaur.

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Speaker 1: Such a great such a you're watching your diction like

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Speaker 1: Brian Palor dialog coach taught you. She says it looks

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Speaker 1: more like a dino shrimp and she's disappointed. But them

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Speaker 1: the breaks come to the lives of capitalism.

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Speaker 2: You think you're getting one thing and you're.

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Speaker 1: Not, and you're not.

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Speaker 2: You're getting much smaller and yeah, yeah, much less.

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Speaker 1: So we cut to the set of Wake Up San

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Speaker 1: Francisco and the set is completely redecorated to fit a

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Speaker 1: beachy theme, with plastic beach chairs, surfboards, a ginormous beach ball,

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Speaker 1: and other such things. Danny runs over to Jesse and

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Speaker 1: Joey to tell them that the Beach Boys are going

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Speaker 1: to be on the next segment, and they're very, very excited.

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Speaker 1: And I love seeing the set, our actual sound stage

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Speaker 1: in the background, the background with the chicken wire and

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Speaker 1: there's a sign that says do not obstruct air duct

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Speaker 1: and I'm like, yes, that was our set.

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Speaker 2: That was just that. That was just literally the back

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Speaker 2: wall of our actual soundstage.

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Speaker 1: So cool multipurpose right. When Danny runs back onto set,

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Speaker 1: Joey turns to Jesse and announces that he has a

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Speaker 1: crazy idea. He says, you know our jingle for beach

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Speaker 1: butter suntan lotion. We've been trying to sell well suntan

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Speaker 1: lotion the Beach Boys our beach butter jingle. Jesse tells

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Speaker 1: him these guys are legends. We can't ask the Beach

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Speaker 1: Boys to sing a measly jingle. Yeah, they have a

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Speaker 1: number one hit two weeks before this, Joey, what are

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Speaker 1: you thinking? Well? And Joey, I mean, do we have

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Speaker 1: to remind him of the cat puppets from the last

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Speaker 1: episode He screwed up that pitch and the ab Ever,

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Speaker 1: forget the cat puppets right, So it's like it is

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Speaker 1: too soon just as.

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Speaker 2: Fresh and yeah, too soon, too soon.

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Speaker 1: Joey says it wouldn't hurt to ask, and Jesse responds, wrong,

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Speaker 1: you ask and I'll hurt you. So we cut to Danny.

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Speaker 1: Danny is on air, sitting on a plastic beach chair

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Speaker 1: as he tells his audience he is so stoked. Whatever

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Speaker 1: that means, he says. My co host Rebecca is walking

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Speaker 1: down the hall with the Beach Boy as we speak.

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Speaker 1: He is handed a note and he unfolds it and

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Speaker 1: he announces, I'm getting a note, and now I'm getting

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Speaker 1: a migraine. He reads The Beach Boys plane can't land

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Speaker 1: due to fog, a.

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Speaker 2: Very very typical San Francisco experience.

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Speaker 1: Well, and this again, Carl the Fog strikes again, ruining

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Speaker 1: the Tanner's plans. Remember in a season, that's right, that's

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Speaker 1: right to cancel your Disneyland trip.

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Speaker 2: We had to cancel the Disneyland trip because of Carl

435
00:21:29,240 --> 00:21:32,439
Speaker 2: the Fog, which is the nickname that San Francisco people

436
00:21:32,480 --> 00:21:33,120
Speaker 2: have given.

437
00:21:32,960 --> 00:21:35,439
Speaker 1: To the fog. He has an Instagram account, He she,

438
00:21:35,520 --> 00:21:36,399
Speaker 1: I don't know, I don't know if he.

439
00:21:36,400 --> 00:21:39,320
Speaker 2: Has an Instagram account, and he's just ruining the Tanner's down.

440
00:21:39,480 --> 00:21:43,080
Speaker 1: Yes, it's so rude. How rude? Right, How rude, Carl?

441
00:21:43,320 --> 00:21:45,119
Speaker 2: How rude? Indeed? Uh so?

442
00:21:45,200 --> 00:21:47,480
Speaker 1: He crumples the paper and tosses it, trying to make

443
00:21:47,560 --> 00:21:50,600
Speaker 1: light of the situation by telling the audience, Hey, I

444
00:21:50,680 --> 00:21:53,680
Speaker 1: promised you would hear good vibrations and I never break

445
00:21:53,720 --> 00:21:57,760
Speaker 1: a promise. Danny grabs a guitar and Jesse whispers, oh no,

446
00:21:58,119 --> 00:22:02,119
Speaker 1: he wouldn't. Joey adds he shouldn't, and Danny starts to

447
00:22:02,119 --> 00:22:06,280
Speaker 1: sing Good Vibrations while playing the guitar, singing each separate

448
00:22:06,320 --> 00:22:09,200
Speaker 1: harmony of the song. Like, I thought he did pretty good.

449
00:22:09,400 --> 00:22:11,520
Speaker 2: Well I wrote it. I was like, this is such

450
00:22:11,560 --> 00:22:14,800
Speaker 2: a prime example of Bob doing all the harmonies, and

451
00:22:14,880 --> 00:22:17,760
Speaker 2: like he he had a joke I think like this

452
00:22:17,800 --> 00:22:19,800
Speaker 2: too in his stand up where it was like there

453
00:22:19,880 --> 00:22:21,879
Speaker 2: was singing a song or whatever He's like and then

454
00:22:21,920 --> 00:22:26,480
Speaker 2: this guy goes whatever, but really funny and so I

455
00:22:26,800 --> 00:22:29,480
Speaker 2: always love watching Bob play. I mean he was a

456
00:22:29,560 --> 00:22:31,600
Speaker 2: you know, he could play guitar as well and sing.

457
00:22:31,680 --> 00:22:33,840
Speaker 2: And yeah, I thought he did a great job with

458
00:22:33,880 --> 00:22:36,680
Speaker 2: the good Vibrations harmonies. I mean some of those are

459
00:22:36,840 --> 00:22:38,240
Speaker 2: h Yeah.

460
00:22:37,760 --> 00:22:40,480
Speaker 1: He was doing great singer and he just killed this

461
00:22:40,520 --> 00:22:42,639
Speaker 1: whole number. I know he's supposed to be dorky doing it,

462
00:22:42,680 --> 00:22:46,760
Speaker 1: but I was impressed. Right, is so good. So we

463
00:22:46,840 --> 00:22:49,600
Speaker 1: cut to the kitchen and Danny is ironing his suit

464
00:22:49,680 --> 00:22:53,440
Speaker 1: jacket while managing to iron his tie as it's already

465
00:22:53,600 --> 00:22:56,000
Speaker 1: on his neck. Just peak Danny Tanner here.

466
00:22:56,119 --> 00:22:56,320
Speaker 2: Yes.

467
00:22:57,240 --> 00:23:00,000
Speaker 1: Kimmy barges in the back door without knocking, of course,

468
00:23:00,480 --> 00:23:04,040
Speaker 1: and she asks, hey, mister Tanner, ironing your tie again?

469
00:23:04,720 --> 00:23:08,000
Speaker 1: He jumps up, startled. She asks if dj is home,

470
00:23:08,040 --> 00:23:10,679
Speaker 1: and Danny tells her, oh, she's doing her homework. But

471
00:23:10,760 --> 00:23:14,639
Speaker 1: I'm sure you'll put an end to that. Jimmy starts

472
00:23:14,640 --> 00:23:17,360
Speaker 1: to walk away, but then tells Danny tough break about

473
00:23:17,400 --> 00:23:19,520
Speaker 1: the beach boys not showing up. I guess they had

474
00:23:19,560 --> 00:23:22,760
Speaker 1: something better to do. Danny yells after her, you ever

475
00:23:22,800 --> 00:23:26,639
Speaker 1: heard of fog Gibbler? I love this? This This is

476
00:23:26,640 --> 00:23:28,960
Speaker 1: the start of a very long line of Danny Tanner

477
00:23:28,960 --> 00:23:31,760
Speaker 1: and Kimmy Gibler moments of yes and the barb's going

478
00:23:31,760 --> 00:23:34,960
Speaker 1: back and flinging barbs at each other. Love it. So,

479
00:23:35,080 --> 00:23:37,560
Speaker 1: Jesse and Joey burst through the door, trying to find

480
00:23:37,560 --> 00:23:40,840
Speaker 1: the radio. Joey tells him they're playing their jingle at

481
00:23:40,840 --> 00:23:43,320
Speaker 1: three forty five. They turn on the radio and their

482
00:23:43,400 --> 00:23:48,600
Speaker 1: jingle plays eat at Beano's and that's it today that

483
00:23:48,640 --> 00:23:51,080
Speaker 1: this is part cast. Yes, Jesse asks, wait, that's it.

484
00:23:51,160 --> 00:23:53,880
Speaker 1: They chopped our jingle into shreds, and Jesse and Joey

485
00:23:53,880 --> 00:23:56,000
Speaker 1: sang the full version to Danny so he can get

486
00:23:56,040 --> 00:23:58,159
Speaker 1: an idea of how it was supposed to sound, and

487
00:23:58,200 --> 00:24:00,560
Speaker 1: it is eat at Beano's today.

488
00:24:00,840 --> 00:24:03,080
Speaker 2: Sorry, I totally. I was like, here, let me tell

489
00:24:03,119 --> 00:24:05,480
Speaker 2: you the punchline before we get to the that's sorry.

490
00:24:06,640 --> 00:24:08,600
Speaker 1: We were due. We were due for a Jodie Sweeten

491
00:24:08,920 --> 00:24:13,800
Speaker 1: screw up. So it's true, thank you for delivering. So

492
00:24:13,880 --> 00:24:17,320
Speaker 1: the radio announcer, who is Brian kle our dialogue coach,

493
00:24:17,359 --> 00:24:17,560
Speaker 1: by the.

494
00:24:17,560 --> 00:24:20,080
Speaker 2: Way, dialogue coach, using excellent diction.

495
00:24:20,160 --> 00:24:23,640
Speaker 1: Excellent diction, he states that they're holding a big contest

496
00:24:23,640 --> 00:24:25,919
Speaker 1: where you can win a dream night with the Beach Boys.

497
00:24:26,560 --> 00:24:29,840
Speaker 1: The guys are intrigued. The lucky winner will get two

498
00:24:30,000 --> 00:24:33,639
Speaker 1: front row seats for tomorrow night's concert. All you have

499
00:24:33,680 --> 00:24:35,520
Speaker 1: to do is be the seventh caller and name the

500
00:24:35,520 --> 00:24:38,200
Speaker 1: Beach Boys song. Very exciting.

501
00:24:38,680 --> 00:24:40,240
Speaker 2: Did you ever try Did you ever call in a

502
00:24:40,320 --> 00:24:42,119
Speaker 2: radio station and try and win stuff? Oh?

503
00:24:42,160 --> 00:24:45,639
Speaker 1: Yeah, you remember you kids on the block. Absolutely you

504
00:24:45,680 --> 00:24:48,680
Speaker 1: probably yea line seven phones?

505
00:24:49,200 --> 00:24:51,280
Speaker 2: Well, because nobody had that. You had like a landline,

506
00:24:51,280 --> 00:24:51,679
Speaker 2: that was it.

507
00:24:51,720 --> 00:24:53,959
Speaker 1: I just had one. Yeah, no, just one landline and

508
00:24:54,080 --> 00:24:56,760
Speaker 1: just redial and you had to like punch in. There

509
00:24:56,800 --> 00:24:58,959
Speaker 1: was no like pressing one button for redial. You had

510
00:24:58,960 --> 00:25:02,320
Speaker 1: to actually physically press the buttons each time of the

511
00:25:02,400 --> 00:25:06,120
Speaker 1: radio station. So, yeah, it was such a hardship back

512
00:25:06,119 --> 00:25:07,879
Speaker 1: in the eighties having to dial the phone.

513
00:25:08,200 --> 00:25:10,320
Speaker 2: Really what you had to dial a phone? I mean,

514
00:25:10,400 --> 00:25:13,240
Speaker 2: and you know that wasn't even speaking of rotary phones.

515
00:25:13,280 --> 00:25:15,400
Speaker 2: I mean you couldn't you know, imagine trying to win

516
00:25:15,480 --> 00:25:20,840
Speaker 2: something with a rotary phone. It going not a zero, right.

517
00:25:20,920 --> 00:25:23,679
Speaker 1: You would instantly lose just because of the amount of

518
00:25:23,680 --> 00:25:25,840
Speaker 1: time it takes to dial on a rotary phone.

519
00:25:26,000 --> 00:25:27,880
Speaker 2: Well, luckily, now you can win all the new Kids

520
00:25:27,920 --> 00:25:30,679
Speaker 2: tickets that you want with all of your all of

521
00:25:30,720 --> 00:25:31,639
Speaker 2: your many devices.

522
00:25:31,720 --> 00:25:34,920
Speaker 1: Yes, yes, I have a good chance now. So Jesse

523
00:25:35,000 --> 00:25:37,439
Speaker 1: immediately picks up the phone to call, but he hears

524
00:25:37,520 --> 00:25:40,399
Speaker 1: that DJ is on the other line. They give up

525
00:25:40,400 --> 00:25:42,960
Speaker 1: their chances at winning. And yet I remember, yeah, I

526
00:25:43,000 --> 00:25:45,280
Speaker 1: remember this. You have to share the phone line with

527
00:25:45,440 --> 00:25:47,760
Speaker 1: every single person that lives in the house.

528
00:25:47,960 --> 00:25:50,320
Speaker 2: And so if people can listen to your phone conversation,

529
00:25:50,520 --> 00:25:53,080
Speaker 2: they pick it up. They do it quietly enough, they

530
00:25:53,080 --> 00:25:54,080
Speaker 2: can just listen right in.

531
00:25:54,240 --> 00:25:57,960
Speaker 1: There's no privacy. And then if you live with teenage girls, yeah,

532
00:25:57,960 --> 00:26:02,520
Speaker 1: they're on the phone with their girlfriends all the time. So, yeah, no,

533
00:26:02,600 --> 00:26:04,320
Speaker 1: it was a problem. We had to get a second

534
00:26:04,359 --> 00:26:05,920
Speaker 1: phone line in my house.

535
00:26:06,880 --> 00:26:08,760
Speaker 2: That was like a big thing, was like, oh, I

536
00:26:08,760 --> 00:26:09,640
Speaker 2: have my own phone line.

537
00:26:09,680 --> 00:26:13,280
Speaker 1: We were privileged to have a second phone line. Yes, yes,

538
00:26:13,680 --> 00:26:15,600
Speaker 1: So the guys all start to walk away when the

539
00:26:15,720 --> 00:26:18,920
Speaker 1: radio announcer says, we have a seventh caller. What's your name?

540
00:26:19,400 --> 00:26:22,960
Speaker 1: And the girl responds DJ Tanner. All the guys run

541
00:26:23,000 --> 00:26:27,359
Speaker 1: back towards the phone and ask in unison, DJ. We

542
00:26:27,480 --> 00:26:30,520
Speaker 1: cut to DJ and Steph's room, where Stephanie is yelling

543
00:26:30,520 --> 00:26:34,520
Speaker 1: towards DJ and excitement. You're on the radio, DJ responds,

544
00:26:34,560 --> 00:26:37,560
Speaker 1: I know, be quiet. The radio announcer tells her that

545
00:26:37,600 --> 00:26:40,080
Speaker 1: in order to win the contest, she has to name

546
00:26:40,200 --> 00:26:43,359
Speaker 1: the hit song, So help me. Ronda starts to play,

547
00:26:43,800 --> 00:26:50,200
Speaker 1: and the guys name the song without hesitation. Yeah yeah,

548
00:26:50,359 --> 00:26:52,400
Speaker 1: so DJ stutters she's trying to think of the name

549
00:26:52,400 --> 00:26:54,520
Speaker 1: of the song. She can't think of it, which I'm like,

550
00:26:54,560 --> 00:26:56,520
Speaker 1: I thought DJ was a big fan of the Beach Boys.

551
00:26:56,520 --> 00:26:59,280
Speaker 1: How does she not know? Help me? Right? Come on, DJ.

552
00:27:01,320 --> 00:27:03,440
Speaker 1: So she's trying to think of it, and she whispers

553
00:27:03,520 --> 00:27:07,080
Speaker 1: help me Gibbler to Kimmy and the guys downstairs, say

554
00:27:07,240 --> 00:27:11,320
Speaker 1: help me, gibbler, and the announcer asks DJ to repeat

555
00:27:11,400 --> 00:27:14,399
Speaker 1: what she just said, and DJ slowly says help me.

556
00:27:16,040 --> 00:27:18,159
Speaker 1: Joey and Jesse and Danny burst to the door and

557
00:27:18,240 --> 00:27:24,160
Speaker 1: yell Ronda. So DJ has answered correctly, and everybody cheers yay.

558
00:27:25,160 --> 00:27:27,040
Speaker 1: The announcer tells her that she'll be picked up in

559
00:27:27,040 --> 00:27:29,520
Speaker 1: a limousine by the Beach Boys themselves, and she will

560
00:27:29,560 --> 00:27:32,800
Speaker 1: travel with them to their sold out concert, and we

561
00:27:32,840 --> 00:27:35,000
Speaker 1: get our very first thank you, thank you, thank you

562
00:27:35,119 --> 00:27:39,360
Speaker 1: from DJ, which becomes a recurring thing. Yeah, think, thank you.

563
00:27:39,880 --> 00:27:42,400
Speaker 1: The announcer asks DJ who she'll bring along with her,

564
00:27:43,000 --> 00:27:45,440
Speaker 1: and Danny clears his throat to get her attention. Jesse

565
00:27:45,520 --> 00:27:48,720
Speaker 1: and Joey point at themselves and smile. Stephan Kimmy have

566
00:27:48,880 --> 00:27:51,400
Speaker 1: huge grins on their faces while they beg for her

567
00:27:51,480 --> 00:27:55,439
Speaker 1: to take them. DJ is obviously overwhelmed, and Michelle sticks

568
00:27:55,440 --> 00:27:57,320
Speaker 1: her hand in the air to shout me, Me, Me.

569
00:27:58,359 --> 00:28:01,520
Speaker 1: DJ lets out a giant sigh. She realizes the big

570
00:28:01,560 --> 00:28:03,080
Speaker 1: decision that she has to make.

571
00:28:03,760 --> 00:28:05,560
Speaker 2: Muh oh.

572
00:28:05,640 --> 00:28:09,000
Speaker 1: We cut to uh later on and in the kitchen

573
00:28:09,040 --> 00:28:13,920
Speaker 1: we see Joey making burgers for breakfast. Ah. He's making

574
00:28:14,000 --> 00:28:16,760
Speaker 1: DJ's favorite food so he can butter her up and

575
00:28:16,880 --> 00:28:19,840
Speaker 1: convince her to take him to the Beach Boys concert.

576
00:28:19,920 --> 00:28:22,000
Speaker 2: Burgers for breakfast feels like a lot.

577
00:28:22,240 --> 00:28:24,000
Speaker 1: It feels it's a heavy breakfast.

578
00:28:24,160 --> 00:28:26,439
Speaker 2: I mean, and I love a burger too. She's burgers

579
00:28:26,440 --> 00:28:27,680
Speaker 2: are my favorite too, but I don't know if I

580
00:28:27,680 --> 00:28:28,520
Speaker 2: could eat it for breakfast.

581
00:28:28,640 --> 00:28:31,639
Speaker 1: Yeah. Yeah, I need a lighter breakfast otherwise I'd be

582
00:28:31,640 --> 00:28:33,040
Speaker 1: in a food coma for the rest of the day

583
00:28:33,040 --> 00:28:36,280
Speaker 1: if I had a burger for breakfast. Yeah. So Jesse

584
00:28:36,440 --> 00:28:39,440
Speaker 1: is onto Joey's antics here and he says, Joseph, you're

585
00:28:39,520 --> 00:28:44,040
Speaker 1: a disgrace. DJ runs downstairs while she's listening to music.

586
00:28:44,400 --> 00:28:47,480
Speaker 2: Thank you for a Walkman on a Walkman, Yes, yes,

587
00:28:47,560 --> 00:28:50,520
Speaker 2: on a and not a CD walk Man, guys.

588
00:28:50,600 --> 00:28:54,480
Speaker 1: No a cassette tape Walkman cassette tape which.

589
00:28:54,560 --> 00:29:00,560
Speaker 2: Yeah, cassette tape Walkman with like the little sponge like headphone.

590
00:29:00,680 --> 00:29:03,120
Speaker 1: Yeah, the spongey outer right cover.

591
00:29:03,280 --> 00:29:04,120
Speaker 2: Yeah.

592
00:29:04,320 --> 00:29:04,600
Speaker 1: Great.

593
00:29:04,680 --> 00:29:07,520
Speaker 2: Noise canceling on those. Let me tell you none if

594
00:29:07,560 --> 00:29:10,320
Speaker 2: your idea of noise canceling is actually hearing everything around

595
00:29:10,320 --> 00:29:11,840
Speaker 2: you more than the music that's playing in your ear,

596
00:29:11,960 --> 00:29:15,120
Speaker 2: yes it ample flight on noise canceling as far as

597
00:29:15,160 --> 00:29:17,320
Speaker 2: the music that you're listening to, it cancels that noise

598
00:29:17,360 --> 00:29:19,120
Speaker 2: and you just hear everything else going on around it.

599
00:29:19,760 --> 00:29:24,360
Speaker 1: Exactly. Those are the days. So DJ thanks Uncle Jesse

600
00:29:24,480 --> 00:29:28,000
Speaker 1: for making a tape of her favorite songs a mixtape.

601
00:29:28,160 --> 00:29:30,240
Speaker 2: Love It. Mixtapes were a love language in the eighties.

602
00:29:30,240 --> 00:29:31,880
Speaker 1: They really were. Yeah. That was the thing that your

603
00:29:31,880 --> 00:29:33,040
Speaker 1: boyfriend would make you a.

604
00:29:32,960 --> 00:29:35,440
Speaker 2: Mixtape, and your or you would make it like for

605
00:29:35,520 --> 00:29:37,640
Speaker 2: your friends. It was just the mixtape was the jam.

606
00:29:38,040 --> 00:29:41,200
Speaker 1: And then Kimmy walks in again without knocking, and she

607
00:29:41,240 --> 00:29:43,760
Speaker 1: announces to DJ, I bet I know who wants a

608
00:29:43,800 --> 00:29:48,320
Speaker 1: plate of my mom's double fudge brownies. Stephanie yells, I do,

609
00:29:48,560 --> 00:29:53,360
Speaker 1: I do, and Kimmy responds dream on squirt. She puts

610
00:29:53,360 --> 00:29:55,800
Speaker 1: her right, I love putting you down. Yeah, that's my

611
00:29:55,840 --> 00:29:58,840
Speaker 1: favorite thing to do still to this day. She puts

612
00:29:58,840 --> 00:30:02,760
Speaker 1: her arm around DJA with love. With love, I feel bad.

613
00:30:03,080 --> 00:30:03,680
Speaker 2: I feel bad.

614
00:30:03,760 --> 00:30:05,840
Speaker 1: She puts her arm around DJ and kindly tells her

615
00:30:06,040 --> 00:30:09,480
Speaker 1: these are for DJ from her very best friend, Kimmy

616
00:30:09,840 --> 00:30:12,920
Speaker 1: with love. Steph breaks it to her, if you think

617
00:30:13,000 --> 00:30:15,800
Speaker 1: she's gonna pick you over her own sister, then you

618
00:30:15,840 --> 00:30:18,480
Speaker 1: haven't seen how I made her bed this morning, played

619
00:30:18,520 --> 00:30:19,520
Speaker 1: like a good older sister.

620
00:30:19,720 --> 00:30:21,720
Speaker 2: Just get the younger one to do all the things

621
00:30:21,760 --> 00:30:24,480
Speaker 2: you don't want to do. All that in my house all.

622
00:30:24,360 --> 00:30:27,960
Speaker 1: The time, B is always having to do I'm did

623
00:30:27,960 --> 00:30:28,280
Speaker 1: you put.

624
00:30:28,160 --> 00:30:31,800
Speaker 2: Your laundry in? He's like, I did it for I'm like, oh, that.

625
00:30:31,880 --> 00:30:36,880
Speaker 1: Is definitely a sibling dynamic. Oh for jan Danny Trice

626
00:30:36,920 --> 00:30:39,800
Speaker 1: convincing everyone that DJ will not make her choice based

627
00:30:39,800 --> 00:30:43,200
Speaker 1: on bribes or special treatment. That's not how he raised her,

628
00:30:43,680 --> 00:30:47,040
Speaker 1: and he slyly adds, oh, my first born while grinning

629
00:30:47,080 --> 00:30:49,960
Speaker 1: at her. DJ gets ready to announce who she's bringing

630
00:30:50,000 --> 00:30:53,080
Speaker 1: to the concert while everyone does a little last minute bribing.

631
00:30:53,800 --> 00:30:56,040
Speaker 1: She confesses that well, she'd hate to see this end,

632
00:30:56,200 --> 00:31:01,440
Speaker 1: but she picks Uncle Jesse. He jumps up in excitement

633
00:31:01,520 --> 00:31:05,440
Speaker 1: as everyone congratulates him. Danny tries hiding his disappointment while

634
00:31:05,480 --> 00:31:08,959
Speaker 1: admitting that's quite a surprise. Jesse tells everyone he'll bring

635
00:31:09,040 --> 00:31:11,440
Speaker 1: them back T shirts and souvenirs, and Danny sits at

636
00:31:11,480 --> 00:31:14,440
Speaker 1: the table, looking extremely hurt by the decision.

637
00:31:15,320 --> 00:31:17,680
Speaker 2: But it makes sense. I mean, Jesse's the musician of

638
00:31:17,760 --> 00:31:18,280
Speaker 2: the family.

639
00:31:18,480 --> 00:31:20,240
Speaker 1: This is a natural rockoice.

640
00:31:20,240 --> 00:31:21,920
Speaker 2: And I mean, you know, when you're a dad to

641
00:31:22,520 --> 00:31:26,320
Speaker 2: a teenage girl or a preteen girl, like, they don't

642
00:31:26,320 --> 00:31:27,160
Speaker 2: want to hang out with you.

643
00:31:27,320 --> 00:31:29,000
Speaker 1: No, no, no, no, that would be embarrassing.

644
00:31:29,240 --> 00:31:32,800
Speaker 2: He's the kind of the cool uncle. So this makes sense. Yeah,

645
00:31:32,840 --> 00:31:33,520
Speaker 2: this makes sense.

646
00:31:33,640 --> 00:31:34,840
Speaker 1: I agree with this decision.

647
00:31:34,960 --> 00:31:38,880
Speaker 2: Who do you think would be the pit the radio? Like,

648
00:31:38,880 --> 00:31:41,120
Speaker 2: who would the tickets be for now? If we were

649
00:31:41,120 --> 00:31:45,240
Speaker 2: to do this show? Now, who would the oh would be?

650
00:31:45,280 --> 00:31:47,640
Speaker 2: Like Taylor Swift, Beyonce or something?

651
00:31:47,760 --> 00:31:50,440
Speaker 1: It would be I would say Taylor Swift because you

652
00:31:50,520 --> 00:31:53,040
Speaker 1: got to compete with those Swifties and they know all

653
00:31:53,080 --> 00:31:56,920
Speaker 1: the tricks, all the secrets, right, It's like a job

654
00:31:57,160 --> 00:31:57,840
Speaker 1: for the Swift.

655
00:31:57,800 --> 00:32:00,040
Speaker 2: Yeah, I do. I do feel like the like that

656
00:32:00,040 --> 00:32:03,000
Speaker 2: would be a very full house thing to do. Yes,

657
00:32:03,720 --> 00:32:06,320
Speaker 2: it was a Taylor Swift, well fullest house.

658
00:32:06,320 --> 00:32:08,400
Speaker 1: There we go, there we go. We're right in this,

659
00:32:08,600 --> 00:32:13,120
Speaker 1: We're right in the storylines for thirty years from now. Yeah, exactly.

660
00:32:13,480 --> 00:32:16,280
Speaker 1: So we cut to Michelle's room where Michelle is painting.

661
00:32:17,240 --> 00:32:22,360
Speaker 1: DJ walks in carrying this mustard color blazer with very

662
00:32:22,440 --> 00:32:23,680
Speaker 1: large shoulder pads.

663
00:32:24,760 --> 00:32:28,240
Speaker 2: I have I have some background info on the costumes

664
00:32:28,320 --> 00:32:28,640
Speaker 2: in this.

665
00:32:28,880 --> 00:32:31,080
Speaker 1: You do, okay? You want to talk about an hour.

666
00:32:31,120 --> 00:32:32,240
Speaker 1: Wait till we get there.

667
00:32:32,280 --> 00:32:33,960
Speaker 2: We'll get we'll get a little further into it. But

668
00:32:33,960 --> 00:32:38,400
Speaker 2: I if I remember right, I think this was the

669
00:32:38,840 --> 00:32:42,440
Speaker 2: outfit that Candice and I I wore, the same aptitude

670
00:32:42,560 --> 00:32:44,440
Speaker 2: that we wore to a George Michael concert.

671
00:32:44,640 --> 00:32:46,640
Speaker 1: I was gonna say it looks like George money.

672
00:32:46,760 --> 00:32:49,520
Speaker 2: I think it was. I think it was like stuff

673
00:32:49,560 --> 00:32:52,520
Speaker 2: that we purchased for ourselves but that we wound up

674
00:32:52,640 --> 00:32:55,880
Speaker 2: using on the show, or or maybe that we used

675
00:32:55,960 --> 00:32:57,800
Speaker 2: on the show that then we got to.

676
00:32:57,760 --> 00:32:59,000
Speaker 1: Wear you kept for yourself.

677
00:32:59,120 --> 00:33:01,280
Speaker 2: Wanner Red red much her how it worked. But anyway,

678
00:33:01,480 --> 00:33:04,760
Speaker 2: Oh cool, I remember that very distinctly from Candices.

679
00:33:05,240 --> 00:33:08,440
Speaker 1: Oh yes, yes, this mustard colored blazer was everything.

680
00:33:08,640 --> 00:33:12,680
Speaker 2: It was so cool, shoulder pads for days.

681
00:33:13,000 --> 00:33:16,680
Speaker 1: Just it was like, you know, she just looks like

682
00:33:16,680 --> 00:33:17,400
Speaker 1: a linebacker.

683
00:33:18,080 --> 00:33:21,520
Speaker 2: Yeah, oh it was great, very kind of Janet Jackson

684
00:33:21,560 --> 00:33:24,400
Speaker 2: rhythm Nation to we can't work quite there yet. Okay

685
00:33:24,400 --> 00:33:26,840
Speaker 2: we weren't great rhymn, but like with the with this

686
00:33:26,960 --> 00:33:29,800
Speaker 2: little chain military stuff on, and it was Yeah.

687
00:33:30,160 --> 00:33:32,560
Speaker 1: So dj asks her dad if it's a good outfit

688
00:33:32,640 --> 00:33:35,520
Speaker 1: for the concert. Danny tells her it's beautiful, and he

689
00:33:35,560 --> 00:33:38,880
Speaker 1: assures her that she'll have a great time, and then

690
00:33:38,920 --> 00:33:42,480
Speaker 1: he asks, just out of curiosity, how come you picked

691
00:33:42,600 --> 00:33:44,440
Speaker 1: uncle Jesse to go with you tonight.

692
00:33:44,200 --> 00:33:49,240
Speaker 2: Because he's not your dad? Well, you know that's coming

693
00:33:49,280 --> 00:33:52,160
Speaker 2: on Danny's spoken reason. I'm sorry, Danny, she loves you.

694
00:33:52,200 --> 00:33:56,600
Speaker 1: But Danny's insecurity is coming out, it's coming through. Dj

695
00:33:56,720 --> 00:33:59,480
Speaker 1: tells him it's because Jesse loves the Beach Boys and

696
00:33:59,800 --> 00:34:00,680
Speaker 1: he he's a musician.

697
00:34:01,360 --> 00:34:01,560
Speaker 2: Duh.

698
00:34:02,320 --> 00:34:05,200
Speaker 1: Yeah, So Danny nods and tells her that that makes sense.

699
00:34:05,720 --> 00:34:08,759
Speaker 1: Dja emphasizes that Danny's a talk show host. If she

700
00:34:08,800 --> 00:34:11,640
Speaker 1: won a night with Oprah Winfrey, she would definitely pick him.

701
00:34:11,960 --> 00:34:12,480
Speaker 2: Makes sense.

702
00:34:12,760 --> 00:34:15,359
Speaker 1: Danny reminds her that he still likes music too, even

703
00:34:15,360 --> 00:34:18,120
Speaker 1: though he's not in a band. He says, I grew

704
00:34:18,160 --> 00:34:20,680
Speaker 1: up with the Beach Boys, but it's not a big deal.

705
00:34:21,480 --> 00:34:23,439
Speaker 1: Come on, Danny, this guilt trip like this.

706
00:34:23,400 --> 00:34:26,640
Speaker 2: Is right right. I watched it. I was like, this

707
00:34:26,719 --> 00:34:29,600
Speaker 2: is Parents should not guilt trip their kids about stuff

708
00:34:29,640 --> 00:34:30,440
Speaker 2: like this, like let the.

709
00:34:31,920 --> 00:34:33,719
Speaker 1: Like, and this is kind of out of character. This

710
00:34:33,800 --> 00:34:36,080
Speaker 1: is sort of like indirect manipulation. I don't know if

711
00:34:36,160 --> 00:34:39,160
Speaker 1: Danny's aware that he's yeah, exactly, Danny Tanner.

712
00:34:39,440 --> 00:34:41,920
Speaker 2: It doesn't feel like Danny, like Danny feels. I mean,

713
00:34:41,960 --> 00:34:45,560
Speaker 2: he's trying to be I guess there it's a very

714
00:34:46,000 --> 00:34:49,120
Speaker 2: fine line between walking the you know, the idea that

715
00:34:49,200 --> 00:34:53,200
Speaker 2: like Danny feels sometimes a little bit left out because

716
00:34:53,200 --> 00:34:55,359
Speaker 2: now he's brought these other people in to help raise

717
00:34:55,400 --> 00:34:58,160
Speaker 2: the kids, and then they're cooler than him, I mean not,

718
00:34:58,400 --> 00:35:01,400
Speaker 2: you know, but to be fair, so you know, I

719
00:35:01,440 --> 00:35:03,319
Speaker 2: get it. But yeah, yeah, it's kind of those things

720
00:35:03,320 --> 00:35:05,239
Speaker 2: where you're like, as a parent, you just go like,

721
00:35:05,280 --> 00:35:06,920
Speaker 2: I'm not gonna have fun.

722
00:35:08,239 --> 00:35:11,440
Speaker 1: Yeah, you can see that Danny has had these girls,

723
00:35:11,480 --> 00:35:13,680
Speaker 1: you know, when they're little girls, they worship their daddy,

724
00:35:13,680 --> 00:35:15,560
Speaker 1: you know, Daddy's little girl, and you can tell that.

725
00:35:15,760 --> 00:35:18,040
Speaker 1: You know, DJ's growing out of this, and Danny is

726
00:35:18,160 --> 00:35:21,520
Speaker 1: not having a good time with this. He does not agree,

727
00:35:21,520 --> 00:35:26,160
Speaker 1: and he's so insecure. Yeah, yes, man. So DJ looks

728
00:35:26,200 --> 00:35:30,360
Speaker 1: at him worriedly and asks, you don't feel bad, do you? Indeed,

729
00:35:30,600 --> 00:35:33,400
Speaker 1: Danny assures her it's no problem. After all, he did

730
00:35:33,440 --> 00:35:35,120
Speaker 1: get to see Smurfs on ice with her.

731
00:35:35,320 --> 00:35:37,319
Speaker 2: Also brilliant right.

732
00:35:37,880 --> 00:35:40,000
Speaker 1: He tells DJ to go get dressed, leaving her to

733
00:35:40,040 --> 00:35:44,120
Speaker 1: feel uncertain about her decision. Danny turns around. He sees

734
00:35:44,200 --> 00:35:46,920
Speaker 1: that Michelle has painted all over her dresser with red paint,

735
00:35:47,160 --> 00:35:49,799
Speaker 1: calling her work pretty. But I like how she says

736
00:35:49,800 --> 00:35:51,120
Speaker 1: it pity, like she's pity.

737
00:35:51,200 --> 00:35:53,040
Speaker 2: Pity, pity, Yeah, pity.

738
00:35:53,160 --> 00:35:55,440
Speaker 1: He runs over to her and reiterates that she needs

739
00:35:55,480 --> 00:35:58,800
Speaker 1: to paint on the paper. It's just always being the

740
00:35:58,840 --> 00:35:59,400
Speaker 1: clean freak.

741
00:36:00,000 --> 00:36:05,120
Speaker 2: He very conveniently has a sponge and cleaner waiting right there.

742
00:36:05,600 --> 00:36:08,040
Speaker 1: It's like he was anticipating this mess when he started

743
00:36:08,040 --> 00:36:08,560
Speaker 1: this project.

744
00:36:08,800 --> 00:36:10,560
Speaker 2: Well, as you do with a toddler when you give

745
00:36:10,600 --> 00:36:11,040
Speaker 2: them paint.

746
00:36:11,280 --> 00:36:13,960
Speaker 1: Yes. Yes. Danny starts to clean the paint off the

747
00:36:14,040 --> 00:36:16,319
Speaker 1: dresser as Michelle looks at his pants, and then she

748
00:36:16,400 --> 00:36:19,840
Speaker 1: paints a red streak on his pants and says, daddy, pity.

749
00:36:21,080 --> 00:36:23,560
Speaker 1: Danny starts to frantically clean his pants, and he tells her,

750
00:36:23,680 --> 00:36:27,000
Speaker 1: can you say dry cleaner? Yeah? I feel like that

751
00:36:27,080 --> 00:36:29,640
Speaker 1: was an ad lib from Bob. It felt like it

752
00:36:29,680 --> 00:36:32,560
Speaker 1: was a script, like he was just until the drop.

753
00:36:32,719 --> 00:36:34,960
Speaker 2: Yield cut and this was you know, this was around

754
00:36:34,960 --> 00:36:38,640
Speaker 2: the time that they that like the girls Ashley and

755
00:36:38,640 --> 00:36:42,480
Speaker 2: Mary Kate started saying lines on the show, and people

756
00:36:42,480 --> 00:36:44,360
Speaker 2: always kind of wonder what the process was for that

757
00:36:44,520 --> 00:36:47,680
Speaker 2: and talk well, and we'll talk about it also when

758
00:36:47,719 --> 00:36:50,319
Speaker 2: we have Adria later, who was our studio teacher and

759
00:36:50,400 --> 00:36:53,840
Speaker 2: also worked with the Olsen twins on the show. But

760
00:36:54,080 --> 00:36:57,439
Speaker 2: she was always with them and with them on set,

761
00:36:57,480 --> 00:37:00,279
Speaker 2: and basically what we would get them to do is

762
00:37:00,440 --> 00:37:03,120
Speaker 2: they would you know, be in the scene and we'd

763
00:37:03,239 --> 00:37:05,400
Speaker 2: kind of take a moment and Adrian would say the

764
00:37:05,440 --> 00:37:08,200
Speaker 2: line how she wanted them, you know, how they they

765
00:37:08,360 --> 00:37:11,560
Speaker 2: wanted the Michelle to save the line, and you know,

766
00:37:11,560 --> 00:37:13,680
Speaker 2: it was funny and ridiculous and over the top watching

767
00:37:13,719 --> 00:37:17,080
Speaker 2: an adult human being like daddy pretty you know, we

768
00:37:17,080 --> 00:37:19,280
Speaker 2: were all laughing and Adriy was like, this is ridiculous,

769
00:37:19,640 --> 00:37:22,319
Speaker 2: but the kid. They would repeat it and then you know,

770
00:37:22,360 --> 00:37:25,120
Speaker 2: obviously in the final edit they just edit it all

771
00:37:25,160 --> 00:37:28,359
Speaker 2: together and snip out Adria's voice and stitch it together,

772
00:37:28,400 --> 00:37:30,359
Speaker 2: so it looked like Michelle was just saying it all

773
00:37:30,400 --> 00:37:32,760
Speaker 2: on her own. And the reference to the dried fruit

774
00:37:33,040 --> 00:37:36,680
Speaker 2: was that instead of you know, candy or anything like that,

775
00:37:36,719 --> 00:37:38,160
Speaker 2: but like when they would do a good job in

776
00:37:38,200 --> 00:37:41,640
Speaker 2: between scenes, dried fruit was like little pieces of dried

777
00:37:41,680 --> 00:37:44,120
Speaker 2: fruit was what Adrian would have in her pocket for them,

778
00:37:44,239 --> 00:37:46,440
Speaker 2: like as a you know, little bribe reward or like

779
00:37:46,480 --> 00:37:48,239
Speaker 2: a little you know, a little thing like okay, cool,

780
00:37:48,280 --> 00:37:50,440
Speaker 2: like let's keep your you know, keep your energy up

781
00:37:50,480 --> 00:37:53,280
Speaker 2: and something to you know, nibble on that's healthy or whatever.

782
00:37:53,320 --> 00:37:56,680
Speaker 2: And but yeah, the payment was dried fruit.

783
00:37:57,040 --> 00:37:58,600
Speaker 1: It's kind of like training the dog. Like with the

784
00:37:58,680 --> 00:38:01,080
Speaker 1: animal trainer, they get the dog to sit and you'd

785
00:38:01,120 --> 00:38:04,359
Speaker 1: give the dog a treat. So yeah, same thing. And

786
00:38:04,560 --> 00:38:07,160
Speaker 1: also if you notice to our audience, you'll notice that

787
00:38:07,160 --> 00:38:09,600
Speaker 1: the director always isolates this shot. It's a single shot

788
00:38:09,600 --> 00:38:11,920
Speaker 1: of Michelle when she says a line. It's never a

789
00:38:11,960 --> 00:38:14,160
Speaker 1: wide shot of the whole room. It's always a single

790
00:38:14,280 --> 00:38:17,320
Speaker 1: So then they can make that editing cuts a lot easier.

791
00:38:17,360 --> 00:38:19,000
Speaker 2: And so Adrian could stand like right next to the

792
00:38:19,040 --> 00:38:21,520
Speaker 2: camera where they needed her, looked like Michelle was looking

793
00:38:21,520 --> 00:38:23,840
Speaker 2: at whoever she was talking to. Yeah, yeah, it's a

794
00:38:23,840 --> 00:38:26,239
Speaker 2: little movie, magic movie. We'll hear a lot more about

795
00:38:26,239 --> 00:38:28,560
Speaker 2: that again when Adria's on the show. But just that's

796
00:38:28,680 --> 00:38:32,520
Speaker 2: kind of how the Michelle dialogue was able to happen a.

797
00:38:32,480 --> 00:38:36,480
Speaker 1: Little behind the scenes magic there. Okay, so we cut

798
00:38:36,480 --> 00:38:39,040
Speaker 1: to Jesse's room where Jesse is getting ready for the concert.

799
00:38:39,320 --> 00:38:43,160
Speaker 1: As Joey tells him just picture it You and Djit

800
00:38:43,640 --> 00:38:45,799
Speaker 1: sitting in a limo with the Beach Boys. You just

801
00:38:45,800 --> 00:38:49,000
Speaker 1: happen to have a tape of are awesome, totally tubular,

802
00:38:49,320 --> 00:38:55,160
Speaker 1: gnarly beach butter jingle Dude. Jesse is unamused as he says,

803
00:38:55,239 --> 00:38:58,520
Speaker 1: he don't call me dude. B it's a dumb idea.

804
00:38:58,560 --> 00:39:01,640
Speaker 1: And two, I don't have a tape. They see. This

805
00:39:01,719 --> 00:39:05,759
Speaker 1: is typical John with the A, B, two and two

806
00:39:06,000 --> 00:39:08,839
Speaker 1: he does. He still does that to this day. So

807
00:39:08,880 --> 00:39:10,960
Speaker 1: we see that Joey has managed to slip the tape

808
00:39:11,000 --> 00:39:14,520
Speaker 1: into Jesse's coat pocket without him noticing, and he begs

809
00:39:14,600 --> 00:39:18,040
Speaker 1: Jesse to just think about it. Jesse pretends to think

810
00:39:18,080 --> 00:39:20,399
Speaker 1: for a second, and then he tells Joey get out.

811
00:39:21,400 --> 00:39:23,640
Speaker 1: He manages to kick Joey out, only for Danny to

812
00:39:23,680 --> 00:39:26,799
Speaker 1: walk right in immediately after. He wants to show off

813
00:39:26,920 --> 00:39:30,840
Speaker 1: Michelle's abstract art because he's convinced someday it'll be hanging

814
00:39:30,920 --> 00:39:35,360
Speaker 1: in the Metropolitan Museum of Art or on their refrigerator.

815
00:39:35,640 --> 00:39:38,239
Speaker 1: Dj walks in, happy to see them both, and she

816
00:39:38,320 --> 00:39:41,360
Speaker 1: tells them, Oh, I forgot I promised Kimmy we'd go

817
00:39:41,400 --> 00:39:43,759
Speaker 1: ice skating. So Dad, I want you to go with

818
00:39:43,880 --> 00:39:46,560
Speaker 1: Uncle Jesse to the beach boys tonight, have a great time.

819
00:39:47,600 --> 00:39:54,359
Speaker 1: She I know this. That guilt trip worked, Danny. Danny Danny,

820
00:39:54,560 --> 00:39:57,439
Speaker 1: so she walks out before they can say anything. Jesse

821
00:39:57,640 --> 00:40:00,800
Speaker 1: asks Danny what that was all about, and Danny responds,

822
00:40:01,440 --> 00:40:03,840
Speaker 1: maybe she thought she hurt my feelings when she picked

823
00:40:03,880 --> 00:40:07,960
Speaker 1: you to go instead of her own father. Maybe you think.

824
00:40:08,200 --> 00:40:09,080
Speaker 2: You think Danny.

825
00:40:09,800 --> 00:40:12,960
Speaker 1: Jesse asks if he is hurt by the decision, to

826
00:40:13,040 --> 00:40:17,000
Speaker 1: which Danny admits, well, maybe a little. Danny thought she'd

827
00:40:17,000 --> 00:40:19,480
Speaker 1: want to go with her dad, but he can't compete

828
00:40:19,520 --> 00:40:23,440
Speaker 1: with Uncle rock and roll. Jesse questions this, He's like,

829
00:40:23,520 --> 00:40:26,520
Speaker 1: you're jealous of me. If there's anybody that should be jealous,

830
00:40:26,560 --> 00:40:29,640
Speaker 1: it should be me jealous of you, and Danny tells

831
00:40:29,719 --> 00:40:30,640
Speaker 1: him that makes no sense.

832
00:40:32,200 --> 00:40:33,120
Speaker 2: It really doesn't make anything.

833
00:40:33,120 --> 00:40:35,040
Speaker 1: It kind of doesn't make sense, right.

834
00:40:35,360 --> 00:40:38,600
Speaker 2: I feel like Jesse is just play Kenny Danny at

835
00:40:38,640 --> 00:40:42,279
Speaker 2: this point, like me, I'm good. Look at you, You're

836
00:40:42,320 --> 00:40:43,360
Speaker 2: a good bad kind.

837
00:40:43,239 --> 00:40:46,480
Speaker 1: Of like one of those like no, you gotta make

838
00:40:46,480 --> 00:40:49,640
Speaker 1: the insecure man feel better about himself, right, right, right?

839
00:40:50,600 --> 00:40:54,000
Speaker 1: So Jesse emphasizes that Danny has something with these girls

840
00:40:54,200 --> 00:40:57,000
Speaker 1: that he will never have When Steph made her first

841
00:40:57,000 --> 00:41:01,040
Speaker 1: seramic handprint, she gave it to her dad, and Michelle's word, well,

842
00:41:01,080 --> 00:41:03,759
Speaker 1: it was technically cookie, but her second word was dad.

843
00:41:03,800 --> 00:41:06,799
Speaker 1: App And when dj gets married, her dad will be

844
00:41:06,840 --> 00:41:10,120
Speaker 1: the one to walk her down the aisle. And it

845
00:41:10,160 --> 00:41:11,960
Speaker 1: did happen. In Fuller, it's true twice.

846
00:41:12,000 --> 00:41:13,600
Speaker 2: It's true that.

847
00:41:13,680 --> 00:41:15,359
Speaker 1: Yeah, I mean, we assume that Danny walked her down

848
00:41:15,360 --> 00:41:17,439
Speaker 1: the aisle first time and then the second time too,

849
00:41:17,480 --> 00:41:20,200
Speaker 1: So right, Jesse tells him, I just hope one day

850
00:41:20,239 --> 00:41:22,560
Speaker 1: I'm lucky enough to have kids that love me as

851
00:41:22,640 --> 00:41:26,239
Speaker 1: much as those girls love you. Danny responds, So they

852
00:41:26,239 --> 00:41:30,399
Speaker 1: do worship me, don't they. He stands up and thanks

853
00:41:30,480 --> 00:41:34,720
Speaker 1: Jesse for reminding him how lucky he is. Jesse painfully asks,

854
00:41:35,239 --> 00:41:38,400
Speaker 1: you're gonna hug me, aren't you. Danny grins and tells

855
00:41:38,480 --> 00:41:41,560
Speaker 1: him you give me no choice. He grabs Jesse and

856
00:41:41,600 --> 00:41:44,560
Speaker 1: gives him a big squeeze against his will, and the

857
00:41:44,600 --> 00:41:45,880
Speaker 1: audience applauds.

858
00:41:46,200 --> 00:41:49,200
Speaker 2: Yep, this is the beginning of Yeah, Danny Tanner and

859
00:41:49,280 --> 00:41:51,680
Speaker 2: his heart. Well, not the beginning, but we are very

860
00:41:51,680 --> 00:41:54,240
Speaker 2: clearly seeing Danny and all of his his love of hugging.

861
00:41:54,360 --> 00:41:56,640
Speaker 1: Yes, exit it's his love language is uh huggies.

862
00:41:56,840 --> 00:41:57,040
Speaker 2: Yeah.

863
00:41:57,560 --> 00:42:00,040
Speaker 1: So Danny walks into the girl's room and apologizes to

864
00:42:00,040 --> 00:42:02,240
Speaker 1: to DJ for putting her in a tough spot.

865
00:42:02,840 --> 00:42:05,280
Speaker 2: Good. Finally, Danny yes.

866
00:42:05,840 --> 00:42:07,759
Speaker 1: He would like for her and uncle Jesse to go

867
00:42:07,840 --> 00:42:11,160
Speaker 1: and have a great time, but DJ insists the Beach

868
00:42:11,200 --> 00:42:13,160
Speaker 1: Boys mean a lot to you. I want you to go.

869
00:42:14,040 --> 00:42:17,399
Speaker 1: Jesse walks in, with Steph following behind, announcing to DJ

870
00:42:17,520 --> 00:42:19,880
Speaker 1: that he's changed his mind about the Beach Boys. He

871
00:42:19,920 --> 00:42:24,000
Speaker 1: wants DJ to go with her father instead. Danny argues

872
00:42:24,000 --> 00:42:26,560
Speaker 1: that if that, he's not going, and Jesse argues the same.

873
00:42:27,200 --> 00:42:29,560
Speaker 1: DJ tells both of both of them this concert was

874
00:42:29,560 --> 00:42:32,959
Speaker 1: supposed to be fun. Now everybody's either hurt or disappointed.

875
00:42:33,080 --> 00:42:36,960
Speaker 1: It's just not worth it. I'm not going. This got

876
00:42:37,040 --> 00:42:40,480
Speaker 1: ugly fast, right. Steph butts in, and she says, well,

877
00:42:40,560 --> 00:42:40,920
Speaker 1: I'll go.

878
00:42:42,280 --> 00:42:44,840
Speaker 2: Looks she's looking at the reality of it, which is

879
00:42:44,880 --> 00:42:48,239
Speaker 2: there's two tickets. Someone's going, I'll go. Nobody wants to go.

880
00:42:48,600 --> 00:42:50,600
Speaker 1: I'll take the stuff is so practical, like you know,

881
00:42:50,800 --> 00:42:51,920
Speaker 1: she's just jumps right.

882
00:42:52,360 --> 00:42:53,719
Speaker 2: It's fine, you don't want to go, you know where

883
00:42:53,719 --> 00:42:54,759
Speaker 2: I'll go. Yeah.

884
00:42:55,840 --> 00:42:58,560
Speaker 1: So Joey overhears this and he asks Steph where she's going.

885
00:42:58,800 --> 00:43:01,200
Speaker 1: Steph tells him to the beach. Want to be my date?

886
00:43:01,640 --> 00:43:03,520
Speaker 1: And he responds, well, sure, what are you wearing? We

887
00:43:03,520 --> 00:43:07,239
Speaker 1: should coordinate, it's just perfect. Danny makes it clear that

888
00:43:07,480 --> 00:43:11,160
Speaker 1: DJ is going. She refuses, and Danny makes the decision.

889
00:43:11,200 --> 00:43:14,440
Speaker 1: If DJ's not going, no one is going. This causes

890
00:43:14,480 --> 00:43:16,000
Speaker 1: everyone to argue.

891
00:43:16,080 --> 00:43:18,799
Speaker 2: This is just it's a rock and a hard place. Yeah,

892
00:43:19,040 --> 00:43:21,000
Speaker 2: it's impossible. No one's winning in this.

893
00:43:21,400 --> 00:43:23,879
Speaker 1: So the phone rings and Steph answers the phone. While

894
00:43:23,920 --> 00:43:27,760
Speaker 1: everybody else is still arguing, she yells towards the fighting family,

895
00:43:27,840 --> 00:43:31,400
Speaker 1: excuse me, I'm on the phone. You were so grown

896
00:43:31,480 --> 00:43:32,560
Speaker 1: up when you said this.

897
00:43:33,200 --> 00:43:34,680
Speaker 2: I'm on the phone.

898
00:43:34,640 --> 00:43:38,399
Speaker 1: And then she repeatedly says no, no, no, no no

899
00:43:38,560 --> 00:43:41,160
Speaker 1: to the person on the other line, and then hangs up.

900
00:43:42,640 --> 00:43:45,879
Speaker 1: Jesse asks who was it, and she responds, some beach boy.

901
00:43:46,120 --> 00:43:48,319
Speaker 1: He called from a limo right in our driveway. I

902
00:43:48,360 --> 00:43:49,760
Speaker 1: told him no one was going.

903
00:43:50,320 --> 00:43:55,880
Speaker 2: To switch from three No's was so much information I was.

904
00:43:56,520 --> 00:43:58,399
Speaker 2: I was like, in there, you.

905
00:43:58,480 --> 00:44:02,439
Speaker 1: Just communicated that so well with your four nose right.

906
00:44:02,560 --> 00:44:04,320
Speaker 1: The beach boy was was tracking.

907
00:44:04,440 --> 00:44:06,040
Speaker 2: They were like, Hi, I'm a beach boy and that's

908
00:44:06,040 --> 00:44:07,319
Speaker 2: what they said. Hi, I'm a beach boy.

909
00:44:07,400 --> 00:44:10,919
Speaker 1: Yeah, I'm a beach boy. Is DJ beach Boy's DJ going?

910
00:44:11,040 --> 00:44:12,399
Speaker 2: No? Is anyone going?

911
00:44:12,480 --> 00:44:12,560
Speaker 1: No?

912
00:44:13,239 --> 00:44:14,960
Speaker 2: Should I leave now? Yes?

913
00:44:15,280 --> 00:44:17,960
Speaker 1: Okay? So they all look at each other and bolt

914
00:44:18,080 --> 00:44:20,839
Speaker 1: downstairs to try to catch the band before they leave.

915
00:44:21,760 --> 00:44:24,960
Speaker 1: Stephanie looks befuddled as they run out the door. She asks,

916
00:44:25,160 --> 00:44:26,280
Speaker 1: did I miss something?

917
00:44:27,120 --> 00:44:31,319
Speaker 2: I just love right. I'm surprised steph didn't just go Yeah,

918
00:44:31,480 --> 00:44:33,279
Speaker 2: I'll be right down and hang up the phone and

919
00:44:33,400 --> 00:44:35,040
Speaker 2: leave the room and be like Joey.

920
00:44:35,000 --> 00:44:36,840
Speaker 1: That's great, that's what she should have done.

921
00:44:37,080 --> 00:44:37,560
Speaker 2: Yeah.

922
00:44:37,600 --> 00:44:40,440
Speaker 1: So the family runs downstairs to the living room, yelling

923
00:44:40,480 --> 00:44:43,560
Speaker 1: for the beach Boys to wait. Jesse opens the.

924
00:44:43,480 --> 00:44:46,200
Speaker 2: Door and opens both doors. Oh yes, yes, in a

925
00:44:46,320 --> 00:44:50,560
Speaker 2: non in a very non obvious reveal, because we always

926
00:44:50,600 --> 00:44:53,600
Speaker 2: throw both doors open wide.

927
00:44:54,200 --> 00:44:56,200
Speaker 1: But yeah, you can't fit five beach boys in a

928
00:44:56,400 --> 00:44:57,560
Speaker 1: in one little doorframe.

929
00:44:57,760 --> 00:45:01,480
Speaker 2: No, you can't. You can't. It's a it's a physical impossibility.

930
00:45:01,640 --> 00:45:03,680
Speaker 2: You can fit four beach boys into a small space,

931
00:45:03,719 --> 00:45:04,279
Speaker 2: but not five.

932
00:45:04,360 --> 00:45:06,799
Speaker 1: It's not a clown car here, it's a right. So

933
00:45:06,840 --> 00:45:07,880
Speaker 1: the beach Boys a limo.

934
00:45:08,400 --> 00:45:08,960
Speaker 2: It's a limo.

935
00:45:09,040 --> 00:45:12,720
Speaker 1: Yes, the beach Boys are standing right there in front

936
00:45:12,760 --> 00:45:15,279
Speaker 1: of them. We are met with a huge applause from

937
00:45:15,360 --> 00:45:18,239
Speaker 1: the audience and the whole family is smiling ear to ear.

938
00:45:18,600 --> 00:45:21,360
Speaker 1: How cool must this have been for the live audience?

939
00:45:21,840 --> 00:45:22,040
Speaker 3: Right?

940
00:45:22,200 --> 00:45:27,000
Speaker 1: See the beach boys there, Yeah, how amazing. Danny exclaims, Hey,

941
00:45:27,040 --> 00:45:29,640
Speaker 1: you're the beach boys. Come on in, and then he

942
00:45:29,719 --> 00:45:31,680
Speaker 1: has the nerve to ask them to wipe their feet

943
00:45:31,960 --> 00:45:33,279
Speaker 1: before they walk in the door.

944
00:45:33,760 --> 00:45:35,120
Speaker 2: Well, they could have been at the beach. No one

945
00:45:35,120 --> 00:45:38,399
Speaker 2: wants to have been sanded. It takes forever to get

946
00:45:38,400 --> 00:45:40,520
Speaker 2: that out of the being that they're beach boys. And

947
00:45:41,160 --> 00:45:45,239
Speaker 2: even though they're well older than anyone in the room,

948
00:45:45,480 --> 00:45:46,200
Speaker 2: they are the beach men.

949
00:45:46,440 --> 00:45:48,960
Speaker 1: The beachmen, Yes, the beach, the beach.

950
00:45:48,960 --> 00:45:51,680
Speaker 2: You shouldn't have the same ring to it. The alliteration

951
00:45:52,000 --> 00:45:54,000
Speaker 2: just isn't there. It really does something for it.

952
00:45:54,120 --> 00:45:56,760
Speaker 1: The beach Boys all walk into the house, shaking hands

953
00:45:56,760 --> 00:45:59,680
Speaker 1: with the whole family, and Joey spews out their names

954
00:45:59,719 --> 00:46:01,040
Speaker 1: and excitement.

955
00:46:01,160 --> 00:46:03,720
Speaker 2: And in exposition, so that in case anyone who didn't

956
00:46:03,760 --> 00:46:05,759
Speaker 2: know what their names were and just referred to them

957
00:46:05,760 --> 00:46:09,319
Speaker 2: as beach boys, which is their collective group name, we

958
00:46:09,480 --> 00:46:11,800
Speaker 2: all knew that they actually had names.

959
00:46:12,000 --> 00:46:14,600
Speaker 1: And then the Beach Boys proceed to introduce themselves to

960
00:46:14,680 --> 00:46:17,239
Speaker 1: each other and shake the hands of their bandmates as

961
00:46:17,280 --> 00:46:19,600
Speaker 1: a joke. And the Beach Boys look great here like

962
00:46:19,640 --> 00:46:22,680
Speaker 1: they're just wearing there like they are. They're in Hawaiian shirts.

963
00:46:22,760 --> 00:46:26,000
Speaker 1: They're just casual, you know, pants, jeans, whatever.

964
00:46:25,960 --> 00:46:29,520
Speaker 2: Just it's there's some Hawaiian shirts. I think Bruce is

965
00:46:29,520 --> 00:46:33,000
Speaker 2: wearing a like a blue jacket with sort of like

966
00:46:33,120 --> 00:46:36,479
Speaker 2: I don't know, like mc hammer pants. One of them's

967
00:46:36,520 --> 00:46:37,120
Speaker 2: in shorts.

968
00:46:37,280 --> 00:46:41,759
Speaker 1: Yeah, it's very casual for going to perform at a concert.

969
00:46:41,480 --> 00:46:43,319
Speaker 2: Right, well, going to perform at a concert in San

970
00:46:43,360 --> 00:46:46,959
Speaker 2: Francisco when your flight has gotten delayed due to fog.

971
00:46:47,080 --> 00:46:50,640
Speaker 2: It's not warm, it's cold the beach. The Beach Boys

972
00:46:50,800 --> 00:46:53,359
Speaker 2: need a beach blanket to wrap around them, or at

973
00:46:53,440 --> 00:46:58,640
Speaker 2: least full pants, you know. And I it's leave the

974
00:46:58,680 --> 00:47:02,799
Speaker 2: board shorts. Like I even wrote it was like what

975
00:47:02,880 --> 00:47:05,520
Speaker 2: are they wearing? You know, I was like, what is

976
00:47:06,320 --> 00:47:10,399
Speaker 2: happening in this? And yeah, but also, oh my god,

977
00:47:10,400 --> 00:47:14,080
Speaker 2: they're so young. They're so young, like I mean compared

978
00:47:14,080 --> 00:47:16,799
Speaker 2: to now, Yeah they are, but they are so young,

979
00:47:17,080 --> 00:47:18,840
Speaker 2: and yeah.

980
00:47:18,640 --> 00:47:20,960
Speaker 1: They look great. That's exactly how I remember them. You know.

981
00:47:21,080 --> 00:47:23,800
Speaker 1: That's that's how they that's how they are forever embedded

982
00:47:23,800 --> 00:47:27,200
Speaker 1: into my brain. It's just just like that. So Carl

983
00:47:27,280 --> 00:47:31,520
Speaker 1: asks if there's a DJ Tanner here, and DJ introduces herself.

984
00:47:32,200 --> 00:47:34,440
Speaker 1: Al tells her, oh, we hear you're not coming to

985
00:47:34,480 --> 00:47:38,880
Speaker 1: the concert bon Jovi in town. M DJ tells them, well,

986
00:47:38,920 --> 00:47:42,759
Speaker 1: it's a long story, but Bruce responds, we've got time, yeah,

987
00:47:42,760 --> 00:47:45,680
Speaker 1: as X band does before a big show, right to

988
00:47:46,040 --> 00:47:48,120
Speaker 1: stop by a stranger's house. Yeah, we got time to

989
00:47:48,280 --> 00:47:49,960
Speaker 1: walk in and hear everything here a story.

990
00:47:50,160 --> 00:47:51,640
Speaker 2: I got a snack, yeah.

991
00:47:51,960 --> 00:47:55,080
Speaker 1: Brian assures her, well, they never start the show without us.

992
00:47:55,760 --> 00:47:58,359
Speaker 1: He's got a point, that's very true, And Mike tells

993
00:47:58,400 --> 00:48:01,840
Speaker 1: the group let's order a veggetarian pizza.

994
00:48:02,280 --> 00:48:05,759
Speaker 2: But you see, I was just saying we needed need

995
00:48:05,800 --> 00:48:06,440
Speaker 2: a snack.

996
00:48:06,200 --> 00:48:08,439
Speaker 1: And Mike love H is a vegetarian in real life,

997
00:48:08,480 --> 00:48:08,799
Speaker 1: so this.

998
00:48:09,000 --> 00:48:10,759
Speaker 2: That's right he wanted to Yeah, I made the point

999
00:48:10,800 --> 00:48:11,719
Speaker 2: of it being vegetarian.

1000
00:48:12,280 --> 00:48:15,720
Speaker 1: No meat, No meat on that pizza. Yep. So Stuff

1001
00:48:15,719 --> 00:48:17,920
Speaker 1: walks up to the group and asks who are these guys.

1002
00:48:18,800 --> 00:48:23,120
Speaker 1: Jesse introduces her to the legendary Beach Boys, and she responds,

1003
00:48:23,840 --> 00:48:27,800
Speaker 1: big boys, such a great delivery of that line.

1004
00:48:28,120 --> 00:48:30,200
Speaker 2: Yes, but I'm not sure what it meant.

1005
00:48:30,560 --> 00:48:33,160
Speaker 1: I don't it was well, they're not little boys. She

1006
00:48:33,280 --> 00:48:35,160
Speaker 1: was expecting like kids her age.

1007
00:48:35,320 --> 00:48:38,200
Speaker 2: Oh like, and they're like, they're okay, got it. I

1008
00:48:38,239 --> 00:48:40,080
Speaker 2: was like, I didn't under like it was. I don't

1009
00:48:40,120 --> 00:48:42,400
Speaker 2: know why. I didn't like it wasn't real, okay.

1010
00:48:42,239 --> 00:48:44,200
Speaker 1: Just like you said three minutes ago, like beach men, right,

1011
00:48:44,680 --> 00:48:45,120
Speaker 1: that's true.

1012
00:48:45,160 --> 00:48:45,839
Speaker 2: Beach man right.

1013
00:48:46,239 --> 00:48:49,200
Speaker 1: Very big boys, right, very big boys. But it's such

1014
00:48:49,200 --> 00:48:52,839
Speaker 1: a funny delivery. And Jesse quickly puts his hand over

1015
00:48:52,880 --> 00:48:57,960
Speaker 1: Stephanie's mouth, which is so funny, and Mike responds, cute kid.

1016
00:48:58,719 --> 00:49:01,000
Speaker 1: So we have a quick commercial, brain and then we're

1017
00:49:01,080 --> 00:49:03,520
Speaker 1: right back in the living room where the Tanner family

1018
00:49:03,600 --> 00:49:06,960
Speaker 1: is singing Kokomo with the Beach Boys as they're all

1019
00:49:06,960 --> 00:49:10,640
Speaker 1: gathered on the couch. Jody, you're singing your little heart out.

1020
00:49:11,000 --> 00:49:15,399
Speaker 2: I'm so in off clap him like, yeah in it.

1021
00:49:15,480 --> 00:49:18,239
Speaker 1: I can distinctly hear your voice, even though there's a

1022
00:49:18,239 --> 00:49:20,920
Speaker 1: bunch of people singing. I can hear your voice, So

1023
00:49:21,080 --> 00:49:22,200
Speaker 1: you are PROJECTO.

1024
00:49:22,640 --> 00:49:25,600
Speaker 2: I was also the only five year old girl in

1025
00:49:25,400 --> 00:49:29,160
Speaker 2: a mostly like room, in a room full of mostly

1026
00:49:29,239 --> 00:49:32,400
Speaker 2: men singing so yeah, yeah, it's the Beach Boys.

1027
00:49:32,440 --> 00:49:34,719
Speaker 1: I stood out, Yes, yes you did, and in a

1028
00:49:34,719 --> 00:49:36,120
Speaker 1: great way too, thank you.

1029
00:49:36,200 --> 00:49:38,000
Speaker 2: It was I had a great time. Like I said,

1030
00:49:38,040 --> 00:49:39,040
Speaker 2: I always loved the music on.

1031
00:49:39,000 --> 00:49:40,759
Speaker 1: The show, and I'm sure you had no clue. Just

1032
00:49:40,840 --> 00:49:44,240
Speaker 1: how impossible, like who does who sings with the Beach

1033
00:49:44,320 --> 00:49:48,399
Speaker 1: Boys casually? You know, like what an incredible I knew.

1034
00:49:48,480 --> 00:49:50,160
Speaker 2: I definitely knew who the Beach Boys were. I was.

1035
00:49:50,239 --> 00:49:51,960
Speaker 2: I mean, I was a fan. I love their music.

1036
00:49:52,000 --> 00:49:55,719
Speaker 2: I mean, you know, uh, I it was exciting, but

1037
00:49:55,760 --> 00:49:59,360
Speaker 2: I didn't again, didn't quite get the enormity of just

1038
00:49:59,400 --> 00:50:02,279
Speaker 2: how successful and how popular and how iconic they they

1039
00:50:02,280 --> 00:50:04,399
Speaker 2: were at the time. And yeah, I was just like, hey, cool,

1040
00:50:04,480 --> 00:50:05,680
Speaker 2: let's sit on a couch and sing.

1041
00:50:05,719 --> 00:50:07,319
Speaker 1: I'm in He was like, oh, who are we having next?

1042
00:50:07,360 --> 00:50:07,520
Speaker 2: Note?

1043
00:50:08,760 --> 00:50:09,160
Speaker 1: Next week?

1044
00:50:09,200 --> 00:50:10,759
Speaker 2: Yeah? I would have been like, great, let's dance it up.

1045
00:50:10,800 --> 00:50:11,840
Speaker 2: I'm cool, let's do this.

1046
00:50:12,000 --> 00:50:16,880
Speaker 1: Yeah, just casual celebrities in the house. So Jesse exclaims,

1047
00:50:16,920 --> 00:50:19,200
Speaker 1: this is great. We're hanging out with the Beach Boys,

1048
00:50:19,239 --> 00:50:21,920
Speaker 1: We're singing, eating pizza. You guys want to come up

1049
00:50:21,920 --> 00:50:22,800
Speaker 1: and see my room.

1050
00:50:24,360 --> 00:50:26,359
Speaker 2: Like such a little kid moments, such a little kid,

1051
00:50:26,719 --> 00:50:28,200
Speaker 2: My rooms so excited.

1052
00:50:28,360 --> 00:50:32,640
Speaker 1: Yep. Joey pulls Jesse away and convinces him, hey, this

1053
00:50:32,680 --> 00:50:35,080
Speaker 1: is their big chance to show the band their jingle.

1054
00:50:36,000 --> 00:50:38,040
Speaker 1: Jesse agrees, Okay, he's going to give it a shot.

1055
00:50:39,080 --> 00:50:41,400
Speaker 1: Joey once again found a way to sneakly get the

1056
00:50:41,440 --> 00:50:45,319
Speaker 1: tape into Jesse's coat pocket, and Mike stands up just

1057
00:50:45,360 --> 00:50:47,919
Speaker 1: as Jesse is about to approach him, and Mike tells

1058
00:50:47,960 --> 00:50:50,640
Speaker 1: the family it's been a great evening and for once,

1059
00:50:51,040 --> 00:50:53,800
Speaker 1: nobody bugged us to listen to some song they've written,

1060
00:50:54,560 --> 00:50:59,960
Speaker 1: and and Jesse quickly throws the tape over his shoulder

1061
00:51:00,040 --> 00:51:01,960
Speaker 1: and Joey catches it without hesitation.

1062
00:51:02,239 --> 00:51:03,120
Speaker 2: It's very great.

1063
00:51:03,800 --> 00:51:06,200
Speaker 1: I'm like, how much did they rehearse that? It was

1064
00:51:06,239 --> 00:51:10,240
Speaker 1: done so well and so smoothly. Great stuff. Jesse pats

1065
00:51:10,239 --> 00:51:12,400
Speaker 1: Mike on the shoulder and laughs and saying, oh he

1066
00:51:12,480 --> 00:51:13,600
Speaker 1: hates when that happens.

1067
00:51:14,719 --> 00:51:17,480
Speaker 2: Carl as softly familiar with the Beach Boys, you know,

1068
00:51:17,520 --> 00:51:19,240
Speaker 2: I mean, I know John actually knew them and stuff,

1069
00:51:19,239 --> 00:51:21,399
Speaker 2: but like it is sort of a strange. You're like, wow,

1070
00:51:21,440 --> 00:51:23,360
Speaker 2: you just like, hey.

1071
00:51:23,360 --> 00:51:27,399
Speaker 1: Buddy putting his arm around him, you know, yeah, yeah, Hey,

1072
00:51:27,400 --> 00:51:30,279
Speaker 1: they've shared a pizza. They are good friends by now

1073
00:51:30,320 --> 00:51:30,680
Speaker 1: that's true.

1074
00:51:30,719 --> 00:51:32,279
Speaker 2: Once you've shared a pizza with someone.

1075
00:51:32,040 --> 00:51:36,120
Speaker 1: It's yeah, it's a different experience. Carl asks DJ who

1076
00:51:36,120 --> 00:51:39,759
Speaker 1: she'll be taken with her to the concert. She hesitates

1077
00:51:40,280 --> 00:51:43,600
Speaker 1: and Al calls for a beach boy huddle and they

1078
00:51:43,600 --> 00:51:46,319
Speaker 1: all get together and sing a quick little tune. Now,

1079
00:51:46,320 --> 00:51:48,480
Speaker 1: this reminds me of Fullerhouse the New Kids. When the

1080
00:51:48,520 --> 00:51:50,520
Speaker 1: New Kids on the Block were on Fullerhouse, they did

1081
00:51:50,800 --> 00:51:54,120
Speaker 1: New Kids huddle in the limo that you would have, right.

1082
00:51:54,640 --> 00:51:57,600
Speaker 1: I was like, that's a trend. They have musical bands

1083
00:51:57,600 --> 00:51:59,279
Speaker 1: and then the bands have huddles.

1084
00:51:58,960 --> 00:52:02,839
Speaker 2: And the bands have huddles, and the huddles involve singing. Yeah,

1085
00:52:02,920 --> 00:52:04,680
Speaker 2: and they all sang don't you can sing?

1086
00:52:04,800 --> 00:52:08,680
Speaker 1: Or just did? But yes, it's definitely a that was

1087
00:52:08,800 --> 00:52:11,719
Speaker 1: now I think that was a callback to this episode. Yeah,

1088
00:52:11,760 --> 00:52:14,759
Speaker 1: so excited it was. Yeah, Okay, so they the beach

1089
00:52:14,760 --> 00:52:17,840
Speaker 1: boys are huddling, they're all singing a quick little tune

1090
00:52:17,840 --> 00:52:21,160
Speaker 1: before Bruce says they've talked it over and they would

1091
00:52:21,239 --> 00:52:25,160
Speaker 1: like the whole family to be their guests. So exciting.

1092
00:52:25,239 --> 00:52:31,759
Speaker 1: The family thanks them, and Michelle exclaims cocomo. Brian shouts hey,

1093
00:52:31,800 --> 00:52:35,000
Speaker 1: a request, and then the band and the Tanner family

1094
00:52:35,080 --> 00:52:39,719
Speaker 1: all break into a Cocomo jam session again. Yep, the

1095
00:52:40,000 --> 00:52:44,160
Speaker 1: acoustic jam session of Cocomo cuts perfectly to a live

1096
00:52:44,360 --> 00:52:48,840
Speaker 1: performance of the song at their concert. Oh my goodness,

1097
00:52:49,360 --> 00:52:53,080
Speaker 1: this is just everything. This is the pinnacle of this episode.

1098
00:52:53,360 --> 00:52:56,160
Speaker 1: The concert scene set this up for us.

1099
00:52:56,480 --> 00:52:59,920
Speaker 2: Like I said, I was having the best time watch

1100
00:53:00,200 --> 00:53:03,799
Speaker 2: this sitting here in my office just like like I'm

1101
00:53:03,880 --> 00:53:07,000
Speaker 2: so into it. I loved it and watching that and

1102
00:53:07,040 --> 00:53:11,680
Speaker 2: remembering it was so exciting, like we it was. There

1103
00:53:11,719 --> 00:53:13,719
Speaker 2: was such a vibe of and it was also I

1104
00:53:14,160 --> 00:53:18,399
Speaker 2: want to say, like the first I mean, we never

1105
00:53:18,520 --> 00:53:21,759
Speaker 2: shot like at a concert before, you know what I mean, Like,

1106
00:53:21,800 --> 00:53:24,360
Speaker 2: we never stage. This is yeah, we left the sound stage,

1107
00:53:24,360 --> 00:53:27,040
Speaker 2: which is always a scary proposition for a sitcom because

1108
00:53:27,080 --> 00:53:29,600
Speaker 2: you get in your little routine and your multiicam and

1109
00:53:29,640 --> 00:53:31,960
Speaker 2: you know what you're doing, and then you'd take them

1110
00:53:32,080 --> 00:53:35,680
Speaker 2: outside and it goes crazy. But this was like beyond.

1111
00:53:35,719 --> 00:53:40,680
Speaker 2: We were basically inserting ourselves into their concert. Oh yeah,

1112
00:53:40,800 --> 00:53:45,279
Speaker 2: and they were, Yeah, they were. They were playing at

1113
00:53:45,640 --> 00:53:48,799
Speaker 2: the coliseum. They were playing at the USC Coliseum down

1114
00:53:48,840 --> 00:53:53,400
Speaker 2: here in La. It was not a San Francisco, actual

1115
00:53:53,480 --> 00:53:57,520
Speaker 2: San Francisco concert. But the USC colors and the forty

1116
00:53:57,600 --> 00:54:01,160
Speaker 2: nine ers colors are kind of close enough that like

1117
00:54:01,239 --> 00:54:03,719
Speaker 2: you could almost buy if you just didn't look at

1118
00:54:03,840 --> 00:54:06,880
Speaker 2: the you know, Tommy the Trojan head on the giant

1119
00:54:06,880 --> 00:54:10,040
Speaker 2: billboard behind them, and all the people in USC sweaters

1120
00:54:10,080 --> 00:54:12,960
Speaker 2: and sweatshirts and hats and all of that. If you

1121
00:54:12,960 --> 00:54:15,040
Speaker 2: didn't look at that, you were like, oh, Joline, San Francisco,

1122
00:54:15,440 --> 00:54:15,879
Speaker 2: so cool.

1123
00:54:15,880 --> 00:54:18,560
Speaker 1: And according to my very limited research, so this was

1124
00:54:18,600 --> 00:54:22,959
Speaker 1: a one hour concert after the USC game against California.

1125
00:54:23,440 --> 00:54:26,120
Speaker 1: And I don't know why, but the okay, the Beach

1126
00:54:26,120 --> 00:54:28,000
Speaker 1: Boys are gonna put on an hour long concert again.

1127
00:54:28,440 --> 00:54:32,279
Speaker 2: Cocomo it was they were, It was Cocomo was they

1128
00:54:32,280 --> 00:54:35,359
Speaker 2: were doing a bunch of press in relation to the

1129
00:54:35,400 --> 00:54:37,719
Speaker 2: song that came out with the movie, because the movie

1130
00:54:37,760 --> 00:54:39,520
Speaker 2: was doing really well, I think, and that that was

1131
00:54:39,560 --> 00:54:43,760
Speaker 2: like because it was all kind of around that same time. Yeah,

1132
00:54:43,800 --> 00:54:46,960
Speaker 2: and oh and yeah, that was I didn't remember what

1133
00:54:47,000 --> 00:54:48,520
Speaker 2: it was. I was like, was it a why was

1134
00:54:48,520 --> 00:54:49,560
Speaker 2: it a concert?

1135
00:54:49,600 --> 00:54:49,680
Speaker 1: Like?

1136
00:54:49,680 --> 00:54:52,080
Speaker 2: Why? Why were why were there cheerleaders there? I wasn't.

1137
00:54:52,080 --> 00:54:55,279
Speaker 2: I was confused on that. True, So it was you know,

1138
00:54:55,320 --> 00:54:57,440
Speaker 2: of course it never explained, but yeah, like they cut

1139
00:54:57,480 --> 00:54:59,160
Speaker 2: to the crowd and in the front it's like it's

1140
00:54:59,239 --> 00:55:01,920
Speaker 2: just the entire US cheerleading squad and you're like, oh,

1141
00:55:02,440 --> 00:55:03,759
Speaker 2: phantom attention.

1142
00:55:03,760 --> 00:55:06,560
Speaker 1: Attention to them? Yeah, right right, Well, there's like hula

1143
00:55:06,640 --> 00:55:09,000
Speaker 1: dancers on the stage, like anything goes. This is just

1144
00:55:09,320 --> 00:55:11,759
Speaker 1: an everything but the kitchen sink in this comment.

1145
00:55:11,600 --> 00:55:15,200
Speaker 2: Right, which I was like, Oh, I don't that feels Yeah,

1146
00:55:16,200 --> 00:55:20,680
Speaker 2: it was the eighties. Eighties, But I have to have

1147
00:55:20,840 --> 00:55:22,400
Speaker 2: questions too. Is Cocomo realplace?

1148
00:55:23,320 --> 00:55:23,920
Speaker 1: Oh? I don't know.

1149
00:55:24,120 --> 00:55:24,600
Speaker 2: Is Cocomo?

1150
00:55:26,080 --> 00:55:27,759
Speaker 1: Is there a producer on hand who can tell us?

1151
00:55:27,800 --> 00:55:30,040
Speaker 2: I don't know Cocomo is an actual island.

1152
00:55:30,120 --> 00:55:31,280
Speaker 1: You think it's an actual island.

1153
00:55:31,320 --> 00:55:34,080
Speaker 2: I do think it's an actual island. I think it's

1154
00:55:34,080 --> 00:55:36,799
Speaker 2: an actual island. I'm gonna go.

1155
00:55:37,239 --> 00:55:39,680
Speaker 1: Okay, I'm here in the Stress.

1156
00:55:39,480 --> 00:55:41,240
Speaker 2: Indies, I don't know, somewhere.

1157
00:55:40,840 --> 00:55:43,960
Speaker 1: Somewhere in that region. Okay, let's let's let's go.

1158
00:55:45,560 --> 00:55:48,920
Speaker 2: It is real, but but not off the Florida Keys.

1159
00:55:49,080 --> 00:55:50,360
Speaker 2: But that's what according to Jensen.

1160
00:55:50,480 --> 00:55:52,239
Speaker 1: Okay, why don't I see Jens?

1161
00:55:53,960 --> 00:55:56,760
Speaker 3: That was just a Jodie. Okay, Cocomo is a real place,

1162
00:55:56,800 --> 00:55:59,680
Speaker 3: but not off the Florida Keys. It's actually six places,

1163
00:55:59,680 --> 00:56:04,360
Speaker 3: because there is a Cocomo in Indiana, Missouri, Arkansas, Colorado, Hawaii,

1164
00:56:04,400 --> 00:56:05,120
Speaker 3: and Texas.

1165
00:56:06,440 --> 00:56:07,520
Speaker 1: Wait, there's a Cocomo.

1166
00:56:07,600 --> 00:56:10,600
Speaker 2: You mean there's a Cokemo, but it's not an island.

1167
00:56:10,640 --> 00:56:11,960
Speaker 3: To which it's not.

1168
00:56:12,080 --> 00:56:13,400
Speaker 2: No, you can tell me where you want to, like,

1169
00:56:14,080 --> 00:56:14,719
Speaker 2: the song.

1170
00:56:14,600 --> 00:56:18,160
Speaker 3: Says, no, there there there is a Cocomo Charters in Sarasota,

1171
00:56:18,360 --> 00:56:21,200
Speaker 3: which is not what they're referencing. But the music video

1172
00:56:21,280 --> 00:56:23,480
Speaker 3: was filmed in Florida, so it goes back and forth here.

1173
00:56:23,560 --> 00:56:23,960
Speaker 1: Oh.

1174
00:56:24,239 --> 00:56:26,680
Speaker 3: Interesting, But they also said there is a Cocmo in

1175
00:56:26,719 --> 00:56:30,280
Speaker 3: the Fiji Islands and a community named Cokemo in Hawaii.

1176
00:56:30,280 --> 00:56:32,000
Speaker 3: But these are not what they're referencing. This has got

1177
00:56:32,000 --> 00:56:33,239
Speaker 3: to be a fictitious.

1178
00:56:32,719 --> 00:56:37,279
Speaker 2: Place, Okay, Okay, No, I don't Yeah, I just I

1179
00:56:37,320 --> 00:56:39,919
Speaker 2: was like I always thought it was. It was. It

1180
00:56:39,960 --> 00:56:44,000
Speaker 2: was a place because and I certainly pegged it. Wouldn't

1181
00:56:44,000 --> 00:56:46,400
Speaker 2: have pegged it Indiana. That didn't really feel like the

1182
00:56:46,520 --> 00:56:48,280
Speaker 2: vibe of the song.

1183
00:56:48,440 --> 00:56:53,800
Speaker 3: Not quite as trump They say, Montego, Montego a bunch

1184
00:56:53,840 --> 00:56:54,719
Speaker 3: of factories.

1185
00:56:55,480 --> 00:56:59,279
Speaker 2: Yeah they do, that's true, right, So that makes alternate version, Yeah,

1186
00:56:59,400 --> 00:57:00,600
Speaker 2: all right, the hip hop.

1187
00:57:00,520 --> 00:57:03,320
Speaker 3: Version Miller and.

1188
00:57:05,080 --> 00:57:06,480
Speaker 2: Yeah, exactly.

1189
00:57:06,600 --> 00:57:10,879
Speaker 1: Yes, thank you, thank you, we appreciate you. Oh my god,

1190
00:57:11,040 --> 00:57:11,400
Speaker 1: Now I know.

1191
00:57:11,480 --> 00:57:15,760
Speaker 2: Now, coke Cocomo's a lie. Cocomo's a lie you unless

1192
00:57:15,760 --> 00:57:18,760
Speaker 2: you live in Coco, Indiana or Hawaii or wherever Colorado.

1193
00:57:18,840 --> 00:57:23,200
Speaker 2: I'm so what now, I now I have so many Cokemo.

1194
00:57:23,080 --> 00:57:24,680
Speaker 1: So many questions, and I want to go visit. I

1195
00:57:24,720 --> 00:57:28,479
Speaker 1: want to go visit all of the Cocomos. Please, let's

1196
00:57:28,480 --> 00:57:31,320
Speaker 1: go on tour this podcast.

1197
00:57:31,640 --> 00:57:36,400
Speaker 2: What if there was a Cocos in Cocoa, Cokemo, Coca Cocama.

1198
00:57:36,840 --> 00:57:40,320
Speaker 1: I feel like Indiana has a lot of cocoa are similar.

1199
00:57:41,280 --> 00:57:43,760
Speaker 2: I think Cocos was kind of a California thing. And

1200
00:57:43,960 --> 00:57:45,320
Speaker 2: for those of you that don't know, I don't even

1201
00:57:45,320 --> 00:57:47,480
Speaker 2: know if coco still exists anymore. But it was a restaurant.

1202
00:57:47,480 --> 00:57:51,480
Speaker 1: There is a yes, there is Okay, my dad likes

1203
00:57:51,520 --> 00:57:52,400
Speaker 1: to go for breakfast.

1204
00:57:52,560 --> 00:57:55,240
Speaker 2: I was gonna say that failed that filled that tracks years.

1205
00:57:56,360 --> 00:58:01,240
Speaker 2: But yeah, I I wow, I'm yas that Cocomo is

1206
00:58:01,280 --> 00:58:05,440
Speaker 2: a lie. That I was, that I was sold by

1207
00:58:05,480 --> 00:58:11,720
Speaker 2: the Beach Boys and some uh probably culturally appropriating hula girls.

1208
00:58:11,840 --> 00:58:15,320
Speaker 2: I just I'm I'm it's a great but okay, all that.

1209
00:58:15,320 --> 00:58:18,320
Speaker 1: Aside, this is an education was fake. It's a fake

1210
00:58:18,400 --> 00:58:19,040
Speaker 1: not in real place.

1211
00:58:19,920 --> 00:58:22,480
Speaker 2: If if if I were gonna name an island to wanna,

1212
00:58:22,600 --> 00:58:26,440
Speaker 2: you know, baby, where do we go down to? Cocomo

1213
00:58:26,560 --> 00:58:31,680
Speaker 2: Cocomo feels it feels like coconut Like more coconuts, Cocamo, Cocomo,

1214
00:58:32,000 --> 00:58:36,520
Speaker 2: Coconut Mo, Coco Cocomo. Well not yeah, like, but that's yeah,

1215
00:58:36,920 --> 00:58:38,240
Speaker 2: I could, Okay, I'll give them that.

1216
00:58:38,360 --> 00:58:42,560
Speaker 1: Okay. They repurpose the city of Cocomo in Indiana and

1217
00:58:42,600 --> 00:58:44,240
Speaker 1: repurposed it into a trop.

1218
00:58:44,520 --> 00:58:48,480
Speaker 2: If there is a cocos in Cocomo, Indiana, please tell us,

1219
00:58:48,840 --> 00:58:52,640
Speaker 2: Please tell us if there is going, we are building one,

1220
00:58:53,520 --> 00:58:55,920
Speaker 2: because if you build it, they will come to Cocomo.

1221
00:58:57,840 --> 00:59:01,520
Speaker 1: This is really going. This is going somewhere I didn't expect. Yeah,

1222
00:59:01,720 --> 00:59:04,680
Speaker 1: in Indiana. Today I learned just to Indiana.

1223
00:59:05,000 --> 00:59:06,200
Speaker 2: That's where I wasn't expecting.

1224
00:59:06,440 --> 00:59:08,440
Speaker 1: But this is an educational podcast people.

1225
00:59:08,600 --> 00:59:12,280
Speaker 2: Yes. Also, when running up on stage, something that you

1226
00:59:12,320 --> 00:59:14,840
Speaker 2: don't see is I tripped getting on to the stage

1227
00:59:15,280 --> 00:59:17,720
Speaker 2: at the coliseum. I'm pretty sure actually I did trip

1228
00:59:17,760 --> 00:59:20,160
Speaker 2: and fall. I think it's the part where like you

1229
00:59:20,200 --> 00:59:23,720
Speaker 2: see us running up on the stage and Bob has

1230
00:59:23,840 --> 00:59:26,480
Speaker 2: me by the hand and I and we're like running

1231
00:59:26,600 --> 00:59:29,240
Speaker 2: up and going up the steps, and I think just

1232
00:59:29,480 --> 00:59:32,120
Speaker 2: as it like we get to the stage, we clear

1233
00:59:32,200 --> 00:59:34,680
Speaker 2: camera and it cuts. But I'm pretty sure that's about

1234
00:59:34,760 --> 00:59:38,360
Speaker 2: where I tripped and like went sailing forward. But I

1235
00:59:38,360 --> 00:59:40,480
Speaker 2: think luckily Bob had me by the hand kind of

1236
00:59:40,560 --> 00:59:45,400
Speaker 2: you know, chanked me up. Yeah, but I vividly remember

1237
00:59:45,440 --> 00:59:47,320
Speaker 2: I was like, oh, yeah, I remember that time I

1238
00:59:47,400 --> 00:59:49,840
Speaker 2: fell down at the coliseum in front of like twenty

1239
00:59:49,880 --> 00:59:51,160
Speaker 2: five thousand people. Yeah, it was cool.

1240
00:59:51,360 --> 00:59:54,440
Speaker 1: That is so unbrand for you. And it's like, no, Joey,

1241
00:59:54,440 --> 00:59:56,520
Speaker 1: we can't do a take two of this concert.

1242
00:59:56,560 --> 00:59:59,040
Speaker 2: It's right, And yeah, I can't that one and done.

1243
00:59:59,040 --> 01:00:03,640
Speaker 2: That's it. You fell too bad, that's it. But it

1244
01:00:03,800 --> 01:00:08,400
Speaker 2: was so much fun and you can just see all

1245
01:00:08,440 --> 01:00:12,880
Speaker 2: of us together having such a great time, like it

1246
01:00:12,920 --> 01:00:16,360
Speaker 2: was such a fun family memory to be up there,

1247
01:00:16,400 --> 01:00:20,240
Speaker 2: and you know, I I remember the excitement of shooting it.

1248
01:00:20,320 --> 01:00:22,840
Speaker 2: I remember it being like, you know, there's again that

1249
01:00:23,000 --> 01:00:27,360
Speaker 2: sort of live show excitement. And I don't really think

1250
01:00:27,360 --> 01:00:30,760
Speaker 2: that we had done anything at all like that. This

1251
01:00:30,880 --> 01:00:33,680
Speaker 2: is not nothing nothing, yeah, and nothing that we had

1252
01:00:33,720 --> 01:00:35,440
Speaker 2: shot that was like you get one chance to do

1253
01:00:35,480 --> 01:00:37,200
Speaker 2: it and this is it, you know, and you're in

1254
01:00:37,240 --> 01:00:39,320
Speaker 2: a concert and go for it. I think I remember

1255
01:00:39,360 --> 01:00:41,120
Speaker 2: as a kid being like, oh my gosh, oh my god.

1256
01:00:41,160 --> 01:00:42,280
Speaker 2: It was probably why I fell down.

1257
01:00:42,520 --> 01:00:44,959
Speaker 1: Yeah, I don't straight up and then you don't screw

1258
01:00:45,000 --> 01:00:45,560
Speaker 1: up and I fall.

1259
01:00:46,720 --> 01:00:51,880
Speaker 2: But it was so much fun and and just what

1260
01:00:52,000 --> 01:00:56,400
Speaker 2: a joyful experience and like to watch. We were having

1261
01:00:56,960 --> 01:01:00,200
Speaker 2: such a great time up there. It was, you know,

1262
01:01:00,240 --> 01:01:02,440
Speaker 2: second season of the show. Yeah, so people were like,

1263
01:01:02,480 --> 01:01:06,760
Speaker 2: people knew kind of knew who the Tanners were point question. Yeah,

1264
01:01:06,840 --> 01:01:09,040
Speaker 2: I think, yeah, Tanner, the people knew. I mean, it

1265
01:01:09,080 --> 01:01:12,560
Speaker 2: wasn't like, I don't know how huge the show had

1266
01:01:12,600 --> 01:01:14,240
Speaker 2: gotten at that point, but we were doing you know,

1267
01:01:14,280 --> 01:01:16,080
Speaker 2: we obviously got picked up for a second season, so

1268
01:01:16,120 --> 01:01:17,920
Speaker 2: we were semi familiar.

1269
01:01:18,040 --> 01:01:21,800
Speaker 1: Okay, okay, So people knew that they were taping an

1270
01:01:21,840 --> 01:01:24,560
Speaker 1: episode or a scene from the full House.

1271
01:01:24,680 --> 01:01:29,040
Speaker 2: Probably about as much as people knew at the Giants

1272
01:01:29,680 --> 01:01:30,680
Speaker 2: game when we.

1273
01:01:30,520 --> 01:01:33,080
Speaker 1: Were oh for Fuller for Fuller House.

1274
01:01:32,880 --> 01:01:34,600
Speaker 2: When they were like, yeah, we're taping a show here,

1275
01:01:34,600 --> 01:01:36,280
Speaker 2: and then I went out and acted like a crazy

1276
01:01:36,320 --> 01:01:38,320
Speaker 2: person and all this, you know, for the show, and

1277
01:01:38,400 --> 01:01:41,080
Speaker 2: people were very confused. So I'm sure there were about

1278
01:01:41,080 --> 01:01:43,160
Speaker 2: ten people who paid attention to the announcement, and then

1279
01:01:43,160 --> 01:01:44,240
Speaker 2: the rest of the people were.

1280
01:01:44,040 --> 01:01:45,960
Speaker 1: Like, who are these who is this?

1281
01:01:46,160 --> 01:01:48,920
Speaker 2: Who are these people? Why'd that kid fall down? What's happening?

1282
01:01:49,000 --> 01:01:51,080
Speaker 1: Yeah, what is happening right now?

1283
01:01:51,160 --> 01:01:54,800
Speaker 2: What is happening? But we sang Barbara Ann, which so great,

1284
01:01:54,880 --> 01:01:56,760
Speaker 2: such a great song, so.

1285
01:01:56,560 --> 01:01:59,400
Speaker 1: Great, it's so catchy. Although I did think it was

1286
01:01:59,480 --> 01:02:02,760
Speaker 1: bopper and for like until yes, brand I thought it

1287
01:02:02,760 --> 01:02:06,080
Speaker 1: was bopper An. That's like for my whole life to

1288
01:02:06,240 --> 01:02:06,560
Speaker 1: know it.

1289
01:02:06,480 --> 01:02:09,160
Speaker 2: Was, well, you just discovered this when.

1290
01:02:09,080 --> 01:02:13,600
Speaker 1: Well, okay, and it's like the last ten years sometime that. Yeah,

1291
01:02:13,640 --> 01:02:16,920
Speaker 1: but well into adulthood, oh well, into adulthood. Yeah, but

1292
01:02:16,960 --> 01:02:19,080
Speaker 1: I do this. I mistake lyrics all the time.

1293
01:02:19,560 --> 01:02:22,840
Speaker 2: I love that for you, But I what did bopper

1294
01:02:23,000 --> 01:02:23,720
Speaker 2: An mean?

1295
01:02:24,200 --> 01:02:24,240
Speaker 1: It?

1296
01:02:24,480 --> 01:02:25,720
Speaker 2: Like what is like, what is.

1297
01:02:25,720 --> 01:02:29,880
Speaker 1: Anything bopper And like she's bopping she's bopping her head

1298
01:02:29,920 --> 01:02:33,360
Speaker 1: An likes this tune and so she's boppin', boppin' Anne

1299
01:02:33,520 --> 01:02:36,800
Speaker 1: bopper Ann, she's popping her head and it makes sense,

1300
01:02:37,720 --> 01:02:42,040
Speaker 1: you know, sure? Yeah, yeah, just ride this ride, this

1301
01:02:42,120 --> 01:02:43,000
Speaker 1: journey with me, Jody.

1302
01:02:43,680 --> 01:02:46,840
Speaker 2: I am along for this ride. I'm I'm bopping along

1303
01:02:47,000 --> 01:02:50,600
Speaker 2: even that's you know what I was bopper Anne when

1304
01:02:50,600 --> 01:02:51,600
Speaker 2: I was listening.

1305
01:02:51,280 --> 01:02:54,240
Speaker 1: To this, Oh you're so great. You were just dancing

1306
01:02:54,280 --> 01:02:58,080
Speaker 1: your little heart out. Candice is just she's dancing like

1307
01:02:58,120 --> 01:02:59,680
Speaker 1: there's no hesitation, Like no.

1308
01:03:00,400 --> 01:03:04,120
Speaker 2: She's so much fun, such a great dancer. The outfits

1309
01:03:04,240 --> 01:03:06,800
Speaker 2: that Candice and I were wearing, like I said, we okay,

1310
01:03:07,360 --> 01:03:09,360
Speaker 2: I can't, Like I said, I don't remember if we

1311
01:03:09,680 --> 01:03:12,200
Speaker 2: bought them like and for ourselves and use them for

1312
01:03:12,200 --> 01:03:15,040
Speaker 2: the show or vice versas. Probably that we got them

1313
01:03:15,080 --> 01:03:21,040
Speaker 2: for the show, but our wardrobe department, Geina Traconis and Roberta. Hayes,

1314
01:03:21,560 --> 01:03:24,600
Speaker 2: were very excited for the concert because they knew they

1315
01:03:24,600 --> 01:03:27,560
Speaker 2: could do something really fun. And oh yeah, and so

1316
01:03:27,960 --> 01:03:34,120
Speaker 2: I remember going to a store in down like Venice Beach,

1317
01:03:34,200 --> 01:03:38,800
Speaker 2: Santa Monica called Nana's. And I think Nana's might still

1318
01:03:38,840 --> 01:03:42,040
Speaker 2: be there or maybe not, but in a different location.

1319
01:03:42,760 --> 01:03:45,800
Speaker 2: But anyway, it's probably closed down by now. Everything is

1320
01:03:45,800 --> 01:03:51,160
Speaker 2: closed down. But it was like the cool spot to

1321
01:03:51,280 --> 01:03:55,040
Speaker 2: go if you were like wanted eighties gear.

1322
01:03:55,240 --> 01:03:56,960
Speaker 1: Okay, okay, So if you.

1323
01:03:56,880 --> 01:04:00,600
Speaker 2: See I'm wearing like, I have like a red like

1324
01:04:00,000 --> 01:04:05,440
Speaker 2: like little shirt on, but I have a black petticoat

1325
01:04:06,040 --> 01:04:09,640
Speaker 2: on okay, which was do you remember the the days

1326
01:04:09,680 --> 01:04:14,120
Speaker 2: of petticoats like in the Madonna earrow? Oh yeah, yeah,

1327
01:04:14,120 --> 01:04:16,200
Speaker 2: where you would wear like a petticoat, and then they

1328
01:04:16,200 --> 01:04:18,320
Speaker 2: had like these like you kind of put a skirt

1329
01:04:18,400 --> 01:04:21,120
Speaker 2: over the top of it if you wanted. Okay, And

1330
01:04:21,160 --> 01:04:25,960
Speaker 2: so Roberta took me to Nana's. And Roberta is a legend.

1331
01:04:26,000 --> 01:04:27,840
Speaker 2: She literally has it still to this day and is

1332
01:04:28,040 --> 01:04:30,360
Speaker 2: like in her almost ninety, I think, and has a legend.

1333
01:04:30,640 --> 01:04:33,360
Speaker 2: Her nameplate necklace is legendary on it, and she is

1334
01:04:33,520 --> 01:04:39,960
Speaker 2: every bit legendary. Purple hair, amazing, awesome, But she shopped

1335
01:04:39,960 --> 01:04:42,400
Speaker 2: there all the time. Roberta always had you know, dyed

1336
01:04:42,480 --> 01:04:45,080
Speaker 2: hair and rings and all black and boots and this,

1337
01:04:45,320 --> 01:04:47,640
Speaker 2: you know. And I loved her style. I thought she

1338
01:04:47,840 --> 01:04:51,840
Speaker 2: was the coolest person, so cool. I wrote a paper

1339
01:04:52,160 --> 01:04:55,200
Speaker 2: in sixth grade about Roberta Hayes that she still has

1340
01:04:55,240 --> 01:04:58,120
Speaker 2: hanging on her fridge to this day. You're kidding. I

1341
01:04:58,160 --> 01:05:00,440
Speaker 2: wrote a paper about her and about how how she

1342
01:05:00,680 --> 01:05:05,760
Speaker 2: changed my idea, like write about someone who changed your

1343
01:05:06,440 --> 01:05:09,560
Speaker 2: your idea of like not judging a book by its cover.

1344
01:05:10,160 --> 01:05:12,360
Speaker 2: And I talked about how you know, she didn't look

1345
01:05:12,400 --> 01:05:15,680
Speaker 2: like anybody I'd ever met before in my life, and

1346
01:05:15,760 --> 01:05:18,080
Speaker 2: yet I thought she was so cool because she was

1347
01:05:18,120 --> 01:05:22,120
Speaker 2: so unapologetically herself and she just you know, I I

1348
01:05:22,160 --> 01:05:24,200
Speaker 2: and she was so kind and sweet, but she was like,

1349
01:05:24,720 --> 01:05:26,880
Speaker 2: you know, she just knew herself. And yeah, I wrote

1350
01:05:26,920 --> 01:05:29,320
Speaker 2: this whole thing about about her interest she must do.

1351
01:05:29,480 --> 01:05:31,440
Speaker 1: But anyway, so honored that you wrote this.

1352
01:05:31,760 --> 01:05:32,880
Speaker 2: Guess she still has it.

1353
01:05:32,960 --> 01:05:35,600
Speaker 1: Yeah, I want this, I got I need a copy.

1354
01:05:35,640 --> 01:05:41,120
Speaker 2: And I I was her grandson's boss when I worked

1355
01:05:41,160 --> 01:05:44,600
Speaker 2: in in treatment. Randomly I high I did a job

1356
01:05:44,600 --> 01:05:45,760
Speaker 2: interview and I had and he goes, I think you

1357
01:05:45,760 --> 01:05:48,800
Speaker 2: know my grandma. I was like, huh. He was like yeah, ROBERTA. Hayese.

1358
01:05:48,840 --> 01:05:51,560
Speaker 2: I was like, oh my god. Yeah. So anyway, small

1359
01:05:51,600 --> 01:05:54,680
Speaker 2: world that all you know came back again in a

1360
01:05:54,800 --> 01:06:00,520
Speaker 2: totally different scenario. Connects back to full house but small yeap.

1361
01:06:00,600 --> 01:06:04,640
Speaker 2: The world is small. The house is full. See it's

1362
01:06:04,720 --> 01:06:08,480
Speaker 2: up there now. But I just remember, like that was

1363
01:06:09,560 --> 01:06:12,360
Speaker 2: I just felt so cool. But she took us there.

1364
01:06:12,400 --> 01:06:15,240
Speaker 2: And then the outfits that I had on in the

1365
01:06:15,280 --> 01:06:18,120
Speaker 2: Beach Boys episode, and that Candice Haad on the mustard

1366
01:06:18,200 --> 01:06:21,440
Speaker 2: yellow jacket with the shoulder pads and stuff. We also

1367
01:06:21,560 --> 01:06:26,160
Speaker 2: got invited to around that time to go to Jeremy

1368
01:06:26,640 --> 01:06:27,640
Speaker 2: Oh gosh.

1369
01:06:27,560 --> 01:06:28,280
Speaker 1: Oh, Jeremy Miller.

1370
01:06:28,480 --> 01:06:30,479
Speaker 2: He was the Jeremy Miller. Yes, I'm like I wanted

1371
01:06:30,480 --> 01:06:34,160
Speaker 2: to say Mill. Okay, Jeremy Miller's birthday party, which was

1372
01:06:34,280 --> 01:06:37,560
Speaker 2: at the George Michael concert. And this was the George

1373
01:06:37,600 --> 01:06:41,040
Speaker 2: Michael like Faith era, like the the you know, the

1374
01:06:41,080 --> 01:06:45,520
Speaker 2: crotch on the cover of the album, the jeans, the whole. Yeah,

1375
01:06:45,640 --> 01:06:49,320
Speaker 2: great songs, just great songs. And he invited a group

1376
01:06:49,400 --> 01:06:51,520
Speaker 2: of like kids on other shows that we were kind

1377
01:06:51,520 --> 01:06:54,000
Speaker 2: of all friends with to go to the George Michael concert.

1378
01:06:54,720 --> 01:06:57,920
Speaker 2: And I got to wear that outfit. But for the

1379
01:06:57,920 --> 01:07:00,360
Speaker 2: George Michael concert, not only did I have that the

1380
01:07:00,400 --> 01:07:03,320
Speaker 2: red off the shoulder and the little gloves if you noticed,

1381
01:07:03,360 --> 01:07:05,280
Speaker 2: I had some little black like fingerless gloves.

1382
01:07:05,280 --> 01:07:05,920
Speaker 1: I did notice that.

1383
01:07:06,080 --> 01:07:08,440
Speaker 2: So a very big eighties moment. Yes, I had a

1384
01:07:08,480 --> 01:07:14,640
Speaker 2: hat like a black sort of flat brimmed like it

1385
01:07:14,720 --> 01:07:19,680
Speaker 2: was epic and again very eighties, and that was what

1386
01:07:19,720 --> 01:07:22,440
Speaker 2: I wore to the George Michael concert. And John was

1387
01:07:22,480 --> 01:07:25,400
Speaker 2: there at the George Michael concert and we were all

1388
01:07:25,440 --> 01:07:28,920
Speaker 2: backstage and it was like a meet and greet with

1389
01:07:29,120 --> 01:07:33,120
Speaker 2: George Michael and we were all back there. I was like,

1390
01:07:33,120 --> 01:07:35,320
Speaker 2: I don't want to bother. I don't. Meanwhile, it's like

1391
01:07:35,360 --> 01:07:37,840
Speaker 2: a line of people and everyone's going through a meeting

1392
01:07:37,920 --> 01:07:40,040
Speaker 2: like that was literally the point of going back there

1393
01:07:40,160 --> 01:07:40,840
Speaker 2: was to get pictures.

1394
01:07:40,920 --> 01:07:41,680
Speaker 1: Okay, it's like I don't want to.

1395
01:07:41,680 --> 01:07:42,880
Speaker 2: I don't want to. My mom was like, go get

1396
01:07:42,880 --> 01:07:44,840
Speaker 2: a picture Candison John, are going to get you a

1397
01:07:44,840 --> 01:07:47,640
Speaker 2: picture with him? Yeah, Candason John. To this day, Canaison

1398
01:07:47,720 --> 01:07:49,800
Speaker 2: John had a great picture with him and I would

1399
01:07:49,880 --> 01:07:52,200
Speaker 2: not take the picture Jode, And I know.

1400
01:07:52,880 --> 01:07:56,960
Speaker 1: I regretted this regret Oh my goodness. Wow, well it's

1401
01:07:57,040 --> 01:07:57,360
Speaker 1: up there.

1402
01:07:57,480 --> 01:07:59,400
Speaker 2: It's up there. But yeah, it's definitely one that I

1403
01:07:59,440 --> 01:08:02,960
Speaker 2: think about. Off were like, man O cool, But yeah

1404
01:08:02,960 --> 01:08:05,440
Speaker 2: I did. But that outfit you got a lot of use,

1405
01:08:05,840 --> 01:08:07,640
Speaker 2: to a lot of use, and I seem to remember

1406
01:08:07,680 --> 01:08:10,520
Speaker 2: I got to keep like the petticoat and the outfit,

1407
01:08:10,600 --> 01:08:13,480
Speaker 2: and I definitely played dress up with it a lot.

1408
01:08:14,000 --> 01:08:14,320
Speaker 1: You did.

1409
01:08:14,520 --> 01:08:15,960
Speaker 2: There was a lot. Yeah, I took it home and

1410
01:08:16,000 --> 01:08:19,880
Speaker 2: it was it was in my dress up costume beIN

1411
01:08:20,280 --> 01:08:20,760
Speaker 2: just you.

1412
01:08:20,760 --> 01:08:23,519
Speaker 1: Look so cute. You you could just tell there. It

1413
01:08:23,560 --> 01:08:26,200
Speaker 1: was pure joy it wasn't even really it was like

1414
01:08:26,240 --> 01:08:28,880
Speaker 1: pure joy. You guys were so into it.

1415
01:08:28,880 --> 01:08:34,240
Speaker 2: It was on all of our faces, John's days. But

1416
01:08:34,400 --> 01:08:38,559
Speaker 2: I mean the Beach truly, the Beach Like. It wasn't

1417
01:08:38,560 --> 01:08:40,200
Speaker 2: one of those things where you watch a show and

1418
01:08:40,240 --> 01:08:42,080
Speaker 2: you're like, oh, they kind of you know, shoehorned this

1419
01:08:42,160 --> 01:08:44,960
Speaker 2: band in to make it. I mean, and because John

1420
01:08:45,080 --> 01:08:47,760
Speaker 2: had a relationship with them, and you know, Gary had

1421
01:08:47,800 --> 01:08:49,960
Speaker 2: played with them, and John and Gary, you know, there

1422
01:08:50,040 --> 01:08:52,760
Speaker 2: was this they knew each other already, so it wasn't

1423
01:08:52,840 --> 01:08:55,000
Speaker 2: like weird and sort of like who are these people?

1424
01:08:56,360 --> 01:08:59,599
Speaker 2: And it really it just made for such a fun time.

1425
01:09:00,400 --> 01:09:02,800
Speaker 2: And like the Beach Boys have always been around and

1426
01:09:02,840 --> 01:09:05,679
Speaker 2: their you know, their their wives and their families would

1427
01:09:05,680 --> 01:09:07,120
Speaker 2: come to set, and you know, we see him at

1428
01:09:07,160 --> 01:09:09,920
Speaker 2: John's house all the time. Again, the Beach Boys, Beach

1429
01:09:10,200 --> 01:09:12,759
Speaker 2: part of the extended full House family and it's wild.

1430
01:09:12,880 --> 01:09:16,240
Speaker 1: Oh and it all started with this episode. It's I

1431
01:09:16,320 --> 01:09:19,360
Speaker 1: love that Bob is wearing a suit on stage. It's

1432
01:09:19,479 --> 01:09:22,200
Speaker 1: very Danny Tanner. He must yeah, he wasn't wearing that

1433
01:09:22,240 --> 01:09:24,960
Speaker 1: suit at home in the living room in the previous scene,

1434
01:09:25,000 --> 01:09:25,799
Speaker 1: so he must.

1435
01:09:25,640 --> 01:09:29,200
Speaker 2: Not have changed changed.

1436
01:09:29,200 --> 01:09:31,880
Speaker 1: She changed into a suit concert, DJ had.

1437
01:09:31,760 --> 01:09:35,559
Speaker 2: To change into her you know, shoulder pads she played

1438
01:09:35,560 --> 01:09:37,559
Speaker 2: in the football game right before actually, and then she

1439
01:09:37,680 --> 01:09:40,840
Speaker 2: just jumped on stage with everyone. Uh yeah, the USC

1440
01:09:40,880 --> 01:09:44,040
Speaker 2: football game that took place right before it.

1441
01:09:43,960 --> 01:09:46,680
Speaker 1: Came in very handy multipurpose.

1442
01:09:47,680 --> 01:09:51,240
Speaker 2: Yeah, it was great, man, And I am sure that

1443
01:09:51,360 --> 01:09:54,240
Speaker 2: audience was so drunk by the time we all got

1444
01:09:54,320 --> 01:09:56,800
Speaker 2: up on stage, they wouldn't have cared who was up there.

1445
01:09:56,880 --> 01:10:00,320
Speaker 2: They were did you see the audience shocks there? Just

1446
01:10:00,640 --> 01:10:02,840
Speaker 2: it was I mean it was after a USC game, yeah,

1447
01:10:03,280 --> 01:10:06,080
Speaker 2: they you know, USC games are rowdy, and it's a

1448
01:10:06,560 --> 01:10:10,040
Speaker 2: it is a fandom. Lots of beer, they lots of yeah,

1449
01:10:10,280 --> 01:10:13,800
Speaker 2: lots of beer, and they it was pretty wild.

1450
01:10:14,000 --> 01:10:17,879
Speaker 1: Oh man, It's just it's just peak eighties everything about

1451
01:10:17,920 --> 01:10:20,439
Speaker 1: this whole episode, but this scene in particular is just

1452
01:10:20,800 --> 01:10:24,519
Speaker 1: so satisfying to watch. Yeah, So I each.

1453
01:10:24,640 --> 01:10:28,599
Speaker 2: Each episode is like a crazy little time capsule of

1454
01:10:29,400 --> 01:10:31,960
Speaker 2: eighties you know, randomness.

1455
01:10:31,439 --> 01:10:34,320
Speaker 1: Fashion music, just and you could.

1456
01:10:34,080 --> 01:10:36,280
Speaker 2: Really hear us all singing too, Like I could hear

1457
01:10:36,360 --> 01:10:38,840
Speaker 2: Bob's voice and I you know, as they handed. I'm

1458
01:10:38,840 --> 01:10:41,439
Speaker 2: pretty sure what they did was they probably recorded all

1459
01:10:41,479 --> 01:10:43,800
Speaker 2: the audio on all the mics as the concert was

1460
01:10:43,840 --> 01:10:49,360
Speaker 2: live pulled it and then ask then took the you know,

1461
01:10:49,400 --> 01:10:52,040
Speaker 2: the sound, and as the shots were going, we're like, okay,

1462
01:10:52,040 --> 01:10:54,160
Speaker 2: this is a shot of DJ and stuff. Let's you know,

1463
01:10:54,400 --> 01:10:56,759
Speaker 2: got their vocals a little bit more here or whatever.

1464
01:10:57,560 --> 01:10:59,799
Speaker 1: So were you miked, like personally, do you have labs?

1465
01:11:00,240 --> 01:11:00,439
Speaker 1: You know?

1466
01:11:00,640 --> 01:11:03,320
Speaker 2: I think we were just yeah, we were just singing

1467
01:11:03,320 --> 01:11:06,120
Speaker 2: into the I think into the stage microns because we

1468
01:11:06,120 --> 01:11:07,719
Speaker 2: didn't have any like dialogue or anything.

1469
01:11:07,800 --> 01:11:08,800
Speaker 1: Yeah, and it probably.

1470
01:11:08,479 --> 01:11:10,679
Speaker 2: Would have been too much of a mess to try

1471
01:11:10,720 --> 01:11:13,400
Speaker 2: and yeah, you know, get MIC's up there or get

1472
01:11:13,439 --> 01:11:16,320
Speaker 2: us with our remote mics and stuff. But but yeah,

1473
01:11:17,200 --> 01:11:19,639
Speaker 2: it was just all like live mic we were actually singing.

1474
01:11:19,800 --> 01:11:22,080
Speaker 1: Did you already know the song? Did you already know

1475
01:11:22,120 --> 01:11:22,599
Speaker 1: bopper An.

1476
01:11:22,760 --> 01:11:25,600
Speaker 2: Or did you I knew well, I knew bopper and

1477
01:11:25,760 --> 01:11:28,960
Speaker 2: well uh and also Barbera and their lesser known hit.

1478
01:11:32,240 --> 01:11:34,720
Speaker 2: And I remember in the eighties, like the fifties and

1479
01:11:34,800 --> 01:11:38,080
Speaker 2: sixties were like the thing because again everything comes in

1480
01:11:38,200 --> 01:11:41,840
Speaker 2: like sort of thirty year cycles, right, So like I

1481
01:11:41,920 --> 01:11:47,160
Speaker 2: remember like friends having fifties so hop birthday the party

1482
01:11:47,240 --> 01:11:49,920
Speaker 2: themes like with little poodle skirts and that was a thing.

1483
01:11:50,040 --> 01:11:52,200
Speaker 1: Yeah, very I had I had a.

1484
01:11:52,120 --> 01:11:57,160
Speaker 2: Whole like cassette tape collection of fifties and sixties music

1485
01:11:57,960 --> 01:12:02,920
Speaker 2: that was you know, Roy Orbison and Buddy Hawley and

1486
01:12:04,400 --> 01:12:07,800
Speaker 2: just all a little Richard and Beach Boys and all

1487
01:12:07,840 --> 01:12:10,960
Speaker 2: of that. So I actually, I really, I really liked

1488
01:12:11,000 --> 01:12:12,559
Speaker 2: the music and it was one of the few like

1489
01:12:12,760 --> 01:12:15,599
Speaker 2: musical genres that sort of me and my mom would

1490
01:12:15,600 --> 01:12:16,000
Speaker 2: agree on.

1491
01:12:16,800 --> 01:12:19,240
Speaker 1: Was okay, was Janice? Were your parents in the crowd

1492
01:12:19,439 --> 01:12:21,320
Speaker 1: or were they there?

1493
01:12:21,720 --> 01:12:24,719
Speaker 2: I'm sure they were not far or they were probably

1494
01:12:24,800 --> 01:12:29,000
Speaker 2: as however close they could be to where we were

1495
01:12:29,040 --> 01:12:32,160
Speaker 2: gonna be, you know, at some point. But I seem

1496
01:12:32,240 --> 01:12:36,280
Speaker 2: to remember that, like I remember this that our parents were.

1497
01:12:36,360 --> 01:12:38,120
Speaker 2: I don't know if they were not backstage, but maybe

1498
01:12:38,120 --> 01:12:39,240
Speaker 2: they were kind of out in the crowd, but they

1499
01:12:39,280 --> 01:12:42,360
Speaker 2: weren't obviously right up in the front that was all

1500
01:12:42,479 --> 01:12:45,880
Speaker 2: cheerleaders and students and stuff. But they were close. And

1501
01:12:45,920 --> 01:12:49,000
Speaker 2: I seem to remember like Bob was my you know,

1502
01:12:49,080 --> 01:12:51,479
Speaker 2: he was like designated care Yeah he was. He had

1503
01:12:51,479 --> 01:12:53,160
Speaker 2: me by the hand. He was like I got you, yeah,

1504
01:12:53,160 --> 01:12:56,559
Speaker 2: you know, and because I was pretty little and yeah,

1505
01:12:56,960 --> 01:13:02,200
Speaker 2: probably completely distracted for sure. Yeah, I'd love to hear

1506
01:13:02,280 --> 01:13:04,000
Speaker 2: yeah what I mean, I'd love to hear what fans think, like,

1507
01:13:04,160 --> 01:13:06,519
Speaker 2: is it, yes, what they think about the Beach Boys?

1508
01:13:06,600 --> 01:13:09,479
Speaker 1: Yeah, tell episode. I wonder if for a lot of people,

1509
01:13:09,600 --> 01:13:12,120
Speaker 1: especially our generation, if this was like their their entry,

1510
01:13:12,600 --> 01:13:15,720
Speaker 1: their introduction into Beach Boys, you know, if that was

1511
01:13:16,080 --> 01:13:17,440
Speaker 1: you know, probably.

1512
01:13:17,080 --> 01:13:19,400
Speaker 2: For like some of the younger general. Yeah, for like kids,

1513
01:13:19,400 --> 01:13:21,519
Speaker 2: our age and stuff. I'm sure yeah it was. You

1514
01:13:21,560 --> 01:13:23,280
Speaker 2: know again, it was things that like maybe you know,

1515
01:13:23,400 --> 01:13:25,519
Speaker 2: parents listened to and we're like, oh, I'm a huge fan,

1516
01:13:25,600 --> 01:13:27,599
Speaker 2: and then you know, the kids sort of get it.

1517
01:13:27,920 --> 01:13:29,240
Speaker 2: Osmosis dripping down.

1518
01:13:29,920 --> 01:13:32,960
Speaker 1: Yeah, oh yeah. I would love to hear what the

1519
01:13:33,000 --> 01:13:37,080
Speaker 1: fans think about this episode. Please write into our email

1520
01:13:37,360 --> 01:13:38,479
Speaker 1: or comment on our Instagram.

1521
01:13:38,479 --> 01:13:40,320
Speaker 2: We want to know if there is a if there

1522
01:13:40,400 --> 01:13:46,360
Speaker 2: is a fan out there that was at the concert, yes,

1523
01:13:47,080 --> 01:13:51,679
Speaker 2: if there's anyone out there listening to the podcast who

1524
01:13:52,120 --> 01:13:56,040
Speaker 2: was a guest at Yeah. I need some sort of

1525
01:13:56,040 --> 01:13:58,280
Speaker 2: I need a photo of you. I need proof.

1526
01:13:58,360 --> 01:14:00,000
Speaker 1: Yeah, we need photographic evidences.

1527
01:14:00,240 --> 01:14:03,439
Speaker 2: I need evidencething. Okay, yeah, ticket something. I don't need

1528
01:14:03,560 --> 01:14:07,160
Speaker 2: nine thousand emails being like I was there and you're right. No, no, no, no,

1529
01:14:07,280 --> 01:14:07,880
Speaker 2: Now we.

1530
01:14:07,800 --> 01:14:10,000
Speaker 1: Need your receipts for all the beers that you consumed.

1531
01:14:10,120 --> 01:14:13,439
Speaker 2: Yes, that's all right, right, but yeah, I would love

1532
01:14:13,479 --> 01:14:15,840
Speaker 2: to hear if there was there's anybody out there that

1533
01:14:15,920 --> 01:14:18,760
Speaker 2: was like I was at that concert and either we

1534
01:14:18,760 --> 01:14:20,880
Speaker 2: were so excited that the Tanners were getting up there

1535
01:14:21,000 --> 01:14:23,160
Speaker 2: or they or we wondered, who the hell are these

1536
01:14:23,200 --> 01:14:25,360
Speaker 2: people that are up there on stage? Or do you

1537
01:14:25,439 --> 01:14:28,360
Speaker 2: even remember it? You know, on any one of those options.

1538
01:14:28,360 --> 01:14:30,000
Speaker 2: But I would love to hear from somebody who was

1539
01:14:30,040 --> 01:14:30,679
Speaker 2: actually there.

1540
01:14:31,080 --> 01:14:33,920
Speaker 1: Oh man, what a what an epic episode?

1541
01:14:34,600 --> 01:14:37,360
Speaker 2: It really was. Yeah, and I think they were on.

1542
01:14:37,479 --> 01:14:39,479
Speaker 2: The Beach Boys were on a couple more like, what

1543
01:14:39,600 --> 01:14:40,400
Speaker 2: three more episodes.

1544
01:14:40,439 --> 01:14:42,200
Speaker 1: I feel like I feel like they were, but I don't.

1545
01:14:42,320 --> 01:14:44,840
Speaker 1: I don't know. I'm I'm eager to keep watching and

1546
01:14:44,920 --> 01:14:45,400
Speaker 1: find out.

1547
01:14:45,640 --> 01:14:48,840
Speaker 2: Yeah, me too. I will be very interested to see

1548
01:14:49,160 --> 01:14:50,439
Speaker 2: because I know they were on, you know.

1549
01:14:50,439 --> 01:14:53,519
Speaker 1: A couple of times, which is they're John's friends, They're

1550
01:14:53,560 --> 01:14:55,000
Speaker 1: coming back to John.

1551
01:14:55,120 --> 01:14:58,760
Speaker 2: Yeah, amazing. Did you have any if you were Oh sorry, no,

1552
01:14:58,800 --> 01:15:00,680
Speaker 2: I was gonna say, remember the Beach Boy played in

1553
01:15:00,760 --> 01:15:04,080
Speaker 2: Jeff's backyard. Remember going to Jeff Franklin's I mean this

1554
01:15:04,160 --> 01:15:07,800
Speaker 2: was in the last ten fifteen year, ten fifteen years,

1555
01:15:08,080 --> 01:15:08,759
Speaker 2: ten years.

1556
01:15:08,920 --> 01:15:11,080
Speaker 1: Well, there's always like my love or a random it

1557
01:15:11,240 --> 01:15:12,360
Speaker 1: is a random well, but they were.

1558
01:15:12,479 --> 01:15:14,800
Speaker 2: It was like a whole concert. And I think if

1559
01:15:14,840 --> 01:15:19,280
Speaker 2: I remember, it was right around the time of Loretta's passing. Oh,

1560
01:15:19,760 --> 01:15:22,880
Speaker 2: I think, but I remember, But I remember John being

1561
01:15:22,920 --> 01:15:25,160
Speaker 2: there because I was. I hadn't. I think it did

1562
01:15:25,280 --> 01:15:27,560
Speaker 2: just he just lost his mom or recently, but I

1563
01:15:27,640 --> 01:15:29,320
Speaker 2: remember him with them. The Beach Boys were there, and

1564
01:15:29,400 --> 01:15:31,559
Speaker 2: Jeff had a huge stage in his backyard, and you know,

1565
01:15:31,600 --> 01:15:35,160
Speaker 2: they were playing, and yeah, that's such a just We

1566
01:15:35,160 --> 01:15:37,839
Speaker 2: have continued to attend Beach Boys concerts.

1567
01:15:38,040 --> 01:15:40,360
Speaker 1: We're still living in house episode.

1568
01:15:40,439 --> 01:15:43,479
Speaker 2: Yeah. Yeah, the outfit fits me a little differently now,

1569
01:15:43,600 --> 01:15:47,200
Speaker 2: but the gloves still fit. Yeah, the gloves still fit.

1570
01:15:47,280 --> 01:15:48,960
Speaker 2: The shirt is not so much.

1571
01:15:49,040 --> 01:15:51,000
Speaker 1: The petticoat needs some alternation.

1572
01:15:51,240 --> 01:15:53,599
Speaker 2: It's great. Yeah, it's just everything that hangs over it. Now.

1573
01:15:53,680 --> 01:15:58,400
Speaker 1: Now, Oh, come on, do you have any everywhere your looks?

1574
01:15:58,439 --> 01:16:00,479
Speaker 1: I mean, this is such a big episode. We're we've

1575
01:16:00,479 --> 01:16:02,799
Speaker 1: been looking everywhere, but do you have any.

1576
01:16:02,800 --> 01:16:06,760
Speaker 2: My my everywhere you look actually was if you if

1577
01:16:06,800 --> 01:16:13,519
Speaker 2: you look everywhere at the concert, you will see usc sweatshirts.

1578
01:16:13,360 --> 01:16:15,759
Speaker 2: That is a good That was my thing was everywhere

1579
01:16:15,800 --> 01:16:18,559
Speaker 2: you look was like everyone look at the concert and

1580
01:16:18,560 --> 01:16:21,680
Speaker 2: and it's very very clear, yeah that this is in

1581
01:16:21,760 --> 01:16:26,080
Speaker 2: no way, shape or form anywhere near San Francisco or

1582
01:16:26,120 --> 01:16:28,840
Speaker 2: a San Francisco team or yeah.

1583
01:16:28,479 --> 01:16:31,160
Speaker 1: Well the show couldn't afford to outfit the entire crowd

1584
01:16:31,400 --> 01:16:35,479
Speaker 1: in uh beach boy attire or that giants are you know?

1585
01:16:35,760 --> 01:16:36,280
Speaker 1: So right?

1586
01:16:36,880 --> 01:16:39,080
Speaker 2: That's so funny, but yeah, that was my Everywhere you

1587
01:16:39,080 --> 01:16:41,559
Speaker 2: look was Tommy Trojan in the background of.

1588
01:16:41,520 --> 01:16:43,080
Speaker 1: Like the there's a groom shop.

1589
01:16:43,080 --> 01:16:45,320
Speaker 2: We're all singing and it's just like the USC logo

1590
01:16:45,400 --> 01:16:48,560
Speaker 2: in the back and it says like colisseum and you're like, oh, like,

1591
01:16:48,640 --> 01:16:51,760
Speaker 2: don't pay attention. Yeah, yeah, this is the day is

1592
01:16:51,800 --> 01:16:53,599
Speaker 2: before you know, people were looking at things like that.

1593
01:16:53,640 --> 01:16:54,800
Speaker 2: Did you have an everywhere you look?

1594
01:16:55,040 --> 01:16:55,360
Speaker 3: I do?

1595
01:16:55,439 --> 01:16:57,639
Speaker 1: And it's kind of a repeat of last week's because

1596
01:16:57,640 --> 01:17:00,360
Speaker 1: in the Wake Up San Francisco set you see our

1597
01:17:00,439 --> 01:17:04,000
Speaker 1: real life stage manager Keith Richmond once again putting a

1598
01:17:04,040 --> 01:17:07,280
Speaker 1: microphone on Bob. Oh yeah, yeah, Keith is now like

1599
01:17:07,320 --> 01:17:08,400
Speaker 1: a recurring Was he.

1600
01:17:08,360 --> 01:17:10,200
Speaker 2: The one that handed him the note? Probably too.

1601
01:17:10,240 --> 01:17:11,920
Speaker 1: Yeah, we only see the arm, but yeah, I bet

1602
01:17:11,960 --> 01:17:15,600
Speaker 1: that was the arm as well. So yeah, we're just

1603
01:17:15,840 --> 01:17:18,400
Speaker 1: using we're using the the sound stage, we're using our

1604
01:17:18,400 --> 01:17:19,280
Speaker 1: stage managers.

1605
01:17:19,320 --> 01:17:22,160
Speaker 2: This is very everyone's in it. This is what happens

1606
01:17:22,160 --> 01:17:23,880
Speaker 2: when you first start a show, though the budget is low,

1607
01:17:23,920 --> 01:17:28,160
Speaker 2: you just bring in anyone you can, you know.

1608
01:17:27,120 --> 01:17:30,479
Speaker 1: Brian Cale, our dialogue coaches, inspire extra people.

1609
01:17:30,479 --> 01:17:32,040
Speaker 2: You're like, look, we're paying you anyway, can you just

1610
01:17:32,080 --> 01:17:33,120
Speaker 2: do this little thing? You know.

1611
01:17:33,360 --> 01:17:35,800
Speaker 1: Yeah, today you would have to pay them extra to

1612
01:17:35,880 --> 01:17:38,840
Speaker 1: do stuff like that, but at the eighties, just throw

1613
01:17:38,880 --> 01:17:39,280
Speaker 1: them in there.

1614
01:17:39,400 --> 01:17:41,680
Speaker 2: I'm sure the Union has had something to say about it,

1615
01:17:41,200 --> 01:17:46,479
Speaker 2: but I loved that they included so much of the concert.

1616
01:17:47,160 --> 01:17:48,600
Speaker 2: And I think we came on and we did. I

1617
01:17:48,600 --> 01:17:50,320
Speaker 2: think we did like two songs with them.

1618
01:17:50,360 --> 01:17:52,360
Speaker 1: We did in the credits roll, you guys are still singing,

1619
01:17:52,400 --> 01:17:53,559
Speaker 1: You're singing fun, fun, Fun.

1620
01:17:53,840 --> 01:17:56,360
Speaker 2: Oh. I think we did like two or three songs

1621
01:17:56,360 --> 01:17:59,280
Speaker 2: with them, Barbara and fun, fun, fun and something else. Okay,

1622
01:17:59,680 --> 01:18:03,040
Speaker 2: maybe maybe surfing Safari or something like that. So cool,

1623
01:18:03,080 --> 01:18:04,920
Speaker 2: but yeah, and all of our you know, all of

1624
01:18:04,920 --> 01:18:07,679
Speaker 2: our families came. But it was for all intents and purposes.

1625
01:18:07,720 --> 01:18:09,880
Speaker 2: It was a basically a tape night. It was a

1626
01:18:10,640 --> 01:18:14,280
Speaker 2: working we were there working and having to do you know. Yeah,

1627
01:18:14,320 --> 01:18:15,840
Speaker 2: all of that kind of stuff. So it wasn't just

1628
01:18:16,200 --> 01:18:17,960
Speaker 2: hanging out of a concert and then you know, jumping

1629
01:18:17,960 --> 01:18:19,639
Speaker 2: on stage was it was planned out.

1630
01:18:20,160 --> 01:18:23,719
Speaker 1: What a fun job. No complaints about that, that job

1631
01:18:23,840 --> 01:18:26,679
Speaker 1: that week right now, had a great time.

1632
01:18:27,760 --> 01:18:31,280
Speaker 2: Well, thank you everybody for joining us again for another

1633
01:18:31,320 --> 01:18:33,720
Speaker 2: fabulous episode. I mean I say fabulous because I'm having

1634
01:18:33,720 --> 01:18:37,120
Speaker 2: so much fun with you, but hopefully everyone agrees. Another

1635
01:18:37,160 --> 01:18:41,240
Speaker 2: fabulous episode of Howard Tanner Rito's. And next episode we're

1636
01:18:41,280 --> 01:18:44,280
Speaker 2: watching season two, episode seven, Joey gets tough.

1637
01:18:45,240 --> 01:18:47,519
Speaker 1: Okay, what happens I don't know. I have no clue

1638
01:18:47,600 --> 01:18:50,800
Speaker 1: what happens. I don't need the next episode. I wonder

1639
01:18:50,800 --> 01:18:51,920
Speaker 1: if he's fighting with Jess.

1640
01:18:51,760 --> 01:18:53,360
Speaker 2: Sany or banging tough.

1641
01:18:53,840 --> 01:18:56,280
Speaker 1: I wish, I wish.

1642
01:18:56,080 --> 01:18:57,800
Speaker 2: But no, you can't have a beach boy. And then

1643
01:18:57,800 --> 01:18:58,679
Speaker 2: a new Kid's on the Black.

1644
01:18:58,880 --> 01:19:02,160
Speaker 1: That's the give the beat always their season to show.

1645
01:19:02,280 --> 01:19:06,840
Speaker 2: So again a band name that hasn't aged very well? Right, Yeah,

1646
01:19:07,160 --> 01:19:09,920
Speaker 2: new man on the Block? Yeah, new man on the Block,

1647
01:19:10,280 --> 01:19:16,480
Speaker 2: which sounds like a I don't know something alarming, but yeah,

1648
01:19:16,760 --> 01:19:19,000
Speaker 2: uh so join us next week for the episode. We

1649
01:19:19,040 --> 01:19:20,599
Speaker 2: are going to have more fun. It's going to be

1650
01:19:20,680 --> 01:19:23,120
Speaker 2: more ridiculous, like, we can't wait to hopefully hear from

1651
01:19:23,120 --> 01:19:25,080
Speaker 2: one of you that was at the concert and has

1652
01:19:25,840 --> 01:19:28,439
Speaker 2: some sort of memory of what actually happened there too.

1653
01:19:28,479 --> 01:19:32,080
Speaker 2: It'd be great, yes, And make sure that wherever you're

1654
01:19:32,120 --> 01:19:34,280
Speaker 2: listening to the podcast, you are subscribing so that you

1655
01:19:34,280 --> 01:19:36,439
Speaker 2: can get all the new episodes right when they drop.

1656
01:19:36,720 --> 01:19:40,040
Speaker 2: And you can follow us on Instagram at how Rude podcast,

1657
01:19:40,360 --> 01:19:43,240
Speaker 2: or you can send us an email with again your questions,

1658
01:19:43,280 --> 01:19:48,000
Speaker 2: your your proof of you know, attendance to the concert,

1659
01:19:48,040 --> 01:19:51,040
Speaker 2: whatever you would like, which is how Rude Podcast at

1660
01:19:51,080 --> 01:19:53,360
Speaker 2: gmail dot com. And we look forward to hearing from

1661
01:19:53,400 --> 01:19:57,400
Speaker 2: you and we will see you again next week on

1662
01:19:57,439 --> 01:20:01,679
Speaker 2: how Rude tan Rito's. And remember, everybody, the house is hmmm,

1663
01:20:02,520 --> 01:20:03,240
Speaker 2: you got it.

1664
01:20:03,320 --> 01:20:06,120
Speaker 1: Right, or like forty five minutes ago, so you get

1665
01:20:06,120 --> 01:20:06,680
Speaker 1: credit for that.

1666
01:20:07,720 --> 01:20:10,160
Speaker 2: The world is small, the house is full.

1667
01:20:10,439 --> 01:20:13,880
Speaker 1: That's it there, It is well done.

1668
01:20:13,920 --> 01:20:16,000
Speaker 2: Get ahead of myself. I just start words start coming,

1669
01:20:16,040 --> 01:20:18,600
Speaker 2: and I'm not watching my diction. You just watching my

1670
01:20:18,640 --> 01:20:21,320
Speaker 2: diction And I in kale is so old becomes house

1671
01:20:21,360 --> 01:20:31,240
Speaker 2: and it's just yeah,