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Speaker 1: So I turned to cheddar Bob from eight mile and

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Speaker 1: I go, wait a second, is that my stocking cap

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Speaker 1: on your head? And he says, no, bitch, And he

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Speaker 1: punched me in the stomach.

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Speaker 2: Which one is that for us?

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Speaker 1: Oh, he's the one shot himself accidentally.

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Speaker 2: Okay, he's the one who is has a brain kind

8
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Speaker 2: of a buster.

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Speaker 1: But it turns out I'm the real buster because I

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Speaker 1: got punched in the stomach by him. The only problem is,

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Speaker 1: and I left this part out of the story, he

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Speaker 1: broke his hand because you're so toughed. Well, I'm so shredded,

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Speaker 1: especially in my tummy region. And I let him keep

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Speaker 1: the hand cut up his hand, Well, yes, I mean

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Speaker 1: he broke the bones inside it, but also he ripped

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Speaker 1: all the skin off his hand, and then he got cheese.

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Speaker 2: Greater your apps, Yes.

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Speaker 1: And it is. And it's a problem sometimes for women.

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Speaker 1: I have to put a special uh like place Matt

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Speaker 1: taped to my stomach for where they for if they

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Speaker 1: want to be bumping torsos in any way and they

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Speaker 1: don't want to have their belly get rip open.

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Speaker 2: Place Matt that has all the presidents on it. Uh, yeah,

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Speaker 2: I have that one.

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Speaker 1: And then I have just all the different animals of

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Speaker 1: the world, and so it's all the continents and then

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Speaker 1: on each continent. It kind of shows like animals that

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Speaker 1: are there.

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Speaker 2: Hey, welcome to Hollywood Handbook, kicking button, dropping the names

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Speaker 2: of the red carpet lineback hallways of this industry we

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Speaker 2: call Showbiz. No intro this week.

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Speaker 1: Yeah, you might wonder why we did a song bit

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Speaker 1: at all. We're just doing an intro quick intro to

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Speaker 1: say there's no intro. Our guest segment's that good. We

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Speaker 1: didn't run out of studio time. It has nothing to

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Speaker 1: do with the studio time. No, we didn't have trouble

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Speaker 1: getting our own usual studio time and then only got

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Speaker 1: an hour. That just doesn't happen to guys like Goes.

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Speaker 1: So we did the guest segment. We thought it was

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Speaker 1: so good that an intro would be distracting, and so

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Speaker 1: even though we have an extra hour studio time, we're

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Speaker 1: just gonna set it on fire because it is time

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Speaker 1: for us to talk to Nick Krall.

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Speaker 2: On Hollywood Handbook. So Michael York comes over with the

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Speaker 2: like two glasses of lemonade and here you go. I

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Speaker 2: try it. It's like really delicious, He's like, how about a

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Speaker 2: little something to make it hard? And so he has

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Speaker 2: like a little nip of It was Bailey's that he

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Speaker 2: puts in the lemonade. We ended up using something else

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Speaker 2: because I drink this and I was like, this doesn't

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Speaker 2: taste good, but the idea of like a hard lemonade

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Speaker 2: is cool. Yeah, And so we ended up it is

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Speaker 2: still Bailey's that we use, but it's clear.

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Speaker 1: Oh, it's just without there on that.

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Speaker 2: So it's no, the cream is still in there, it's.

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Speaker 1: Just like the the color of the cream is removed.

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Speaker 2: And so that that we just mix that up with

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Speaker 2: the lemonade.

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Speaker 1: Bottle it and that's Michael Yorke's Herd lemonade.

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Speaker 2: Yes, and people drink it cold, which I was weird.

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Speaker 2: It was not what we really never envisioned.

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Speaker 1: Yeah, supposed to be one hundred and fifty degrees.

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Speaker 2: Yeah. Hey. Insider's Guide to Kicking button dropping names in

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Speaker 2: the red carpet lineback halways of this industry, we call I.

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Speaker 2: We have such a corker today?

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Speaker 1: What a fucking corn?

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Speaker 2: I have a really good guess. It's Nick Kroll is here?

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Speaker 2: What what up?

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Speaker 3: Nick?

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Speaker 1: Thanks for saying what up? What up? People love to

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Speaker 1: hear it from this show and you're on a rocket

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Speaker 1: and sew's this show and what a natural pairing and

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Speaker 1: talk about what you're doing.

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Speaker 3: Uh, well, guys, I gotta say I'm huge. I'm a

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Speaker 3: huge fan of the show.

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Speaker 1: Yes, well you told us.

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Speaker 2: Yeah, I'm thrilled to be here.

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Speaker 3: I'm like a crazy I mean, being able to say

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Speaker 3: what I went up is like a big deal for me.

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Speaker 2: What's your favorite bit that we do? I love? I mean, look,

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Speaker 2: I love the roundup. Yeah. Round.

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Speaker 1: People are crazy about the round. Everybody come around, it's

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Speaker 1: the round up. Yeah, that's good.

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Speaker 3: It's crazy to see you guys say it, just because

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Speaker 3: having heard it so many times before. Uh and obviously,

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Speaker 3: like I fucking studied you guys. I think you're cool,

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Speaker 3: and to be on the show feels like it's a

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Speaker 3: milestone in my career.

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Speaker 2: And we're rooting for you as well, super hard. Oh god,

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Speaker 2: we would love to see it happen. Sometimes I fall

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Speaker 2: asleep and I think, when is it gonna happen? Just

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Speaker 2: as I'm going to sleep, I'm thinking, like I hope

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Speaker 2: it happens for Nick. I wonder when just.

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Speaker 1: As I'm drifting off, and then I dream about it

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Speaker 1: all night.

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Speaker 3: Yeah, well, I feel like I've been living a dream

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Speaker 3: for the last few years because the rocket ship is

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Speaker 3: taken off and we just left the stratosphere and we're

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Speaker 3: getting rid of the loose back we're getting I'm getting

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Speaker 3: rid of the baggage.

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Speaker 2: Yeah, it's cool.

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Speaker 1: You said that you studied us exactly. You said you

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Speaker 1: studied us and you thought it's cool, And we studied

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Speaker 1: you and think you're cool and studying is nerdy. But

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Speaker 1: if you're studying coolness, are you a nerd for being cool?

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Speaker 3: Well if I'm a If I'm cool for being a nerd,

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Speaker 3: then I'm a nerd for being cool. Obviously that the

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Speaker 3: nerd stuff is fucking funny and cool right now.

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Speaker 1: And you're talking about space exactly with the rocket and

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Speaker 1: he knows you got to dump weight to go higher.

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Speaker 3: That's what I'm That's so I'm not in the new

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Speaker 3: Star Wars. I'm going to announce that here. My choice.

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Speaker 2: Mm hm.

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Speaker 3: I ended Kroll Show, my choice. I am not doing

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Speaker 3: Star Wars.

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Speaker 2: My choice. People thought it was weird that Kroll Show

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Speaker 2: ended right when it did, and it had been sort

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Speaker 2: of a chatter that you thought you were going to

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Speaker 2: go do Star Wars.

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Speaker 3: And that's why I thought was Croll Show was ending, right,

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Speaker 3: I thought I was going to say yes to doing

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Speaker 3: Star Wars. Shows to not say yes to doing Star Wars.

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Speaker 1: Well, and it is because correct you found out that

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Speaker 1: it's not set in the future, that it's a long

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Speaker 1: time ago and gaxy.

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Speaker 2: Far far away exactly. No, We're not going to be

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Speaker 2: the face on a planet that got.

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Speaker 3: Well, I do my research. I do my research, and

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Speaker 3: I found out that it was the past, and I'm

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Speaker 3: only looking towards the future.

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Speaker 2: Boys.

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Speaker 3: Yeah, that's why I'm here, Yes, laying the groundwork for

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Speaker 3: the next level.

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Speaker 2: What's the nick future?

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Speaker 3: Well, I look at being on things like this like

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Speaker 3: the show is like being like the Tower of Babbel.

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Speaker 2: We're just building it up towards the sky Fellow movie.

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Speaker 2: Remember when you see The Girls thing?

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Speaker 3: Of course I do. I said no to that movie.

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Speaker 3: I chose not to say I chose not to say

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Speaker 3: yes to it. I don't say no anymore.

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Speaker 1: No, yes, you only say yes, just like in the

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Speaker 1: Yes Man. But what you say you say yes to

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Speaker 1: choosing not to do exactly, which is a great positive

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Speaker 1: attitude about hating most of this.

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Speaker 3: Well, I started doing, I started doing I'm doing Landmark.

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Speaker 3: Now I'm doing Landmark for him.

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Speaker 2: Oh wow, that's great for you.

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Speaker 1: That's exactly what you.

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Speaker 2: Doing scientology as well. Are you allowed to perfect? And

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Speaker 2: I'm doing a Sierra Club.

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Speaker 1: Wow, exactly who you should be doing right now. I

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Speaker 1: love their pale al.

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Speaker 2: Yeah.

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Speaker 1: Now you're doing all those things. Can you speak on that?

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Speaker 3: Yeah, I'll speak truth to power on that. Here's here's

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Speaker 3: what I've learned so far in in in what I

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Speaker 3: think will be one of the great careers of all time.

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Speaker 3: It's all about to me, it's all about saying yes,

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Speaker 3: and it's about and and being able to speak to that.

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Speaker 3: And I feel like I can speak to the idea

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Speaker 3: of saying yes and no longer saying no, but in

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Speaker 3: chad choosing not to say yes uh and and that

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Speaker 3: has helped me both on my online presence, it's helped

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Speaker 3: me in my future career.

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Speaker 2: It's helped me in television. It's all the same, now,

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Speaker 2: isn't it.

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Speaker 3: That's that's actually very interesting.

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Speaker 1: Yes, And these screens that are connecting us are also

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Speaker 1: standing between us in some way.

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Speaker 2: It's all on a screen and you can put a

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Speaker 2: headband over it that holds the phone against your eye

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Speaker 2: so it looks like you're watching a movie. Yeah.

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Speaker 3: Well, for the for those fucking trogolodytes out there who

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Speaker 3: don't understand we're talking about it is we're talking about VR,

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Speaker 3: We're talking about virtual reality. We're talking about oculus rift,

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Speaker 3: binocular Yes, binoculars is it? Is it oculus rift or

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Speaker 3: binoculous rift. I've always heard binocular an optimist Prime and

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Speaker 3: that's Amazon Prime's new Oculus Rift programs in order if

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Speaker 3: you guys want I'm doing my next show is actually

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Speaker 3: for Binoculars Prime.

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Speaker 2: Oh wow, WHOA so a lot of like reaching out

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Speaker 2: into the camera and like being a three D person

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Speaker 2: throwing boomerangs and such. That's right.

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Speaker 3: I'm a I'm a bird on the show and it's

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Speaker 3: called Binocular Rifts and it's a bird watching show and

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Speaker 3: I'm the bird. And uh but I talked straight to you,

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Speaker 3: and I will reach out and with tiny little bird

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Speaker 3: hands and old handy things, if.

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Speaker 2: You can grab them, you can. We're working on working

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Speaker 2: on that.

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Speaker 1: Right you see it in the theater, there is an

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Speaker 1: usher hiding under the seat in front of you and

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Speaker 1: he will hand you like and it's.

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Speaker 3: It's a fig, it's a it's a masticated worm.

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Speaker 2: Nick, I noticed there's no mio in that water. Would

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Speaker 2: you care for some? Yeah? I would love a squirt.

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Speaker 1: Okay, enough for too much?

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Speaker 3: Uh, that's just for me, just right. Ooh it's that nice.

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Speaker 3: I have yet to try the green. I'm really excited

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Speaker 3: for that.

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Speaker 2: Yeah, it's like what flavor is the green? It's like

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Speaker 2: an unripe raspberry? Have you ever thought about adding that

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Speaker 2: to the MIC's hard?

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Speaker 1: That Mike York Mike York lemonade?

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Speaker 2: Yeah? Cool?

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Speaker 1: You do you remember Michael York?

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Speaker 2: Of course I do. It is Awesome Powers's Boss.

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Speaker 3: Ah, yeah, that guy's yeah, yeah, of course.

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Speaker 2: And he's doing.

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Speaker 3: Uh, he's doing lemon he's doing hard lemonade.

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Speaker 2: Yeah. You notice you haven't seen him in a while.

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Speaker 2: He's focused on flavors.

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Speaker 1: He did Cabaret, then then Awesome Power's Boss, and then

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Speaker 1: he's been just mostly working on this lemonade recipe.

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Speaker 3: Using Bailey's using clarified Baileys, Yes, clarified Bailey's.

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Speaker 2: I don't know. Yeah, go ahead.

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Speaker 1: I'm sorry to interrupt, but Nick, did you make movie?

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Speaker 2: I did make movie? Uh?

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Speaker 3: I mean everybody knows about it already. It's called adult Beginners.

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Speaker 3: It's uh, it's in almost fifty theaters around the country,

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Speaker 3: fifty screens, so fifty two actually to be precise, we

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Speaker 3: we expanded out to fifty two screens.

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Speaker 1: Number of weeks in a year.

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Speaker 3: Uh huh, one one screen a week every state, Puerto Rico, Yeah,

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Speaker 3: and Guam and Guam fifty two and fifty two on

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Speaker 3: fifty two.

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Speaker 1: God bless the sweet old US.

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Speaker 2: So that's right, that's right.

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Speaker 3: I petition to get two extra stars put onto the

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Speaker 3: flag just so we could use that for the promotion

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Speaker 3: of how many screens were on I signed it. Thank

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Speaker 3: you for signing that. It means the world. Obviously, you

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Speaker 3: guys can go online and go to at Nick Kroll.

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Speaker 3: The petition will be getting going there to get fifty

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Speaker 3: two stars on the flag.

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Speaker 2: How can something be adult to beginner as well?

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Speaker 3: That's a really good question. I've gotten so many good questions.

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Speaker 1: I had the same question. Just Hayes didn't have a

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Speaker 1: better question.

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Speaker 3: Well, if you want at some point, if you want

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Speaker 3: to talk about the departure for what it was like

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Speaker 3: for me to depart, it to be to say no no,

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Speaker 3: to say not, to say yes, to being the rat

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Speaker 3: in The Departed. I was offered that part, to be

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Speaker 3: the rat in the last, but they needed me for

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Speaker 3: Run a Picture. I was like, I can't, I can't

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Speaker 3: do that. Well, that's what I kept saying.

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Speaker 2: It doesn't it's too I don't have anything to do

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Speaker 2: with the movie. That's what I kept saying.

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Speaker 3: So and I just said about people exactly, That's.

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Speaker 2: What I kept saying.

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Speaker 3: And they said, well do you and you and you've

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Speaker 3: turned down the Wallberg part already, and I said I didn't.

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Speaker 3: I chose to not say yes. I didn't say no.

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Speaker 3: And I was intrigued by the rat part because I

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Speaker 3: couldn't understand it and I wanted to do it, but

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Speaker 3: scheduling just didn't work out because they needed me in

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Speaker 3: Boston for Run of Pick. They needed me for four

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Speaker 3: months to shoot it. But I was like, I'm only

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Speaker 3: in I run in front of City Hall, I run

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Speaker 3: some at some point near the end, and they're like,

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Speaker 3: we just need we just don't know.

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Speaker 2: Marty, Marty, Marty, Marty, Marty.

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Speaker 1: Yes, so yes, so heard this song before.

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Speaker 2: So.

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Speaker 3: But the question that I got, and I just bring

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Speaker 3: it back to myself real quick. The question that I

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Speaker 3: got on adult beginners. That I've really enjoyed is the

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Speaker 3: idea that this is a departure for me. So I'm

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Speaker 3: a comedy guy, I'm known famously as a famous comedian. Yes, yes,

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Speaker 3: and that this part because I have emotional moments in it,

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Speaker 3: that it's a departure for me.

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Speaker 1: From doing the goofy bullshit.

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Speaker 2: It's confusing to me as well it's confusing to people,

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Speaker 2: and I get it.

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Speaker 1: I had to stop the movie a few times and

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Speaker 1: just try to get my shit together.

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Speaker 3: And were you able to do that? You were able

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Speaker 3: to get your shit together? Yeah, we're doing coke, or

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Speaker 3: you're doing anything, reach cold, cold shower. You're getting horny,

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Speaker 3: You're getting horny watching me depart so real.

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Speaker 2: Yeah, well, you know.

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Speaker 3: And it's a weird thing because most people don't want

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Speaker 3: to see a comedian do anything but a big broad character,

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Speaker 3: and they don't want to see an actual human moment.

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Speaker 1: Yeah no, I want them to fall down or get

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Speaker 1: hit with the like a nerf bat with a pie.

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Speaker 2: Sure wig turns around back where it's exactly covering your eyes.

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Speaker 3: And obviously I don't regret doing that picture, you know

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Speaker 3: what I mean? I love I love doing Wiggy. I'm

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Speaker 3: hopefully gonna do more Wiggy's. But that's the thing is

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Speaker 3: I want to be able to do it. Get out

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Speaker 3: of your pens. There might be more Wiggies in your future.

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Speaker 3: So obviously we are I'm in talks with I'm in

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Speaker 3: talks with a few different directors who want to attach

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Speaker 3: themselves right now to do Wiggies.

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Speaker 2: Marty has called wow, are we gonna blend the Wiggy

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00:14:16,640 --> 00:14:19,320
Speaker 2: and Ziggy universes? There's talk of that.

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Speaker 3: Marty owns the rights to Ziggy, But obviously I've been

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Speaker 3: controlling the Dilbert property for almost twenty years now and

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Speaker 3: just trying to find the right connection point to do that.

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Speaker 1: Am I correct? You have Dilbert, but you don't own Dogbert,

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Speaker 1: And it's just been a lot of back and forth.

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Speaker 2: That is correct, Yes.

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Speaker 3: That is correct. That is owned by Paul Giamondi. What

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Speaker 3: is one without the other exactly? And Paul and I

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00:14:43,640 --> 00:14:45,840
Speaker 3: are friends and hopefully we can make it work. But

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Speaker 3: it's the numbers just have to make sense for everybody.

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Speaker 3: Pig vomit exactly from the Howard Stern movie. Yes he

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Speaker 3: was Howard Stern's boss.

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Speaker 2: This movie is it vod as well?

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Speaker 3: VOD Adult Beginners is on VOD that's actually where we're

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Speaker 3: doing real business.

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Speaker 1: We uh we numbers.

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Speaker 3: We made fifty two million dollars an opening weekend on VOD.

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Speaker 2: Most decent one million dollars fifty two per theater, per

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Speaker 2: week per theater. But instead of theaters.

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Speaker 3: I don't know if you guys know this, but home

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Speaker 3: computers can become your own personal theater.

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Speaker 2: Yeah, it's just how close you hold it to your eyes.

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Speaker 2: It is what we keep saying, it can be same

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Speaker 2: as movie.

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Speaker 3: Adult Beginners will be coming out on Binoculous Prime early

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Speaker 3: next year. We've already pre sold it and uh, we've

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Speaker 3: made a lot of money. And I say that conservatively.

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Speaker 3: We've made almost five hundred and twenty million dollars so

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Speaker 3: far on selling it on Binoculars Prime.

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Speaker 2: Bully Bull Bully for you. But this is not what

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Speaker 2: you really want to talk about, like your thing. I'm

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Speaker 2: so done talking about myself, yes.

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Speaker 1: And it's sickening. And when you're on press and you're

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Speaker 1: talking about yourself all the time, and you just want

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Speaker 1: to talk about what's really important in the world, which

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Speaker 1: is of course pilots.

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Speaker 2: People know you as an actor, but you're really you

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00:16:08,640 --> 00:16:11,800
Speaker 2: got this business as a fan and you love pilots.

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00:16:14,600 --> 00:16:18,320
Speaker 2: Tis the season, pilot season to be very jolly for

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Speaker 2: Nick Kroll.

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Speaker 1: It's the most wonderful time. I'm of the year about Christmas,

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Speaker 1: free fell in love with the idea of doing a

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Speaker 1: show for the first time.

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Speaker 3: Well, as you guys know, I kill it during pilot season.

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00:16:34,520 --> 00:16:37,360
Speaker 3: You're in year out kill zone. I'm in the kill zone.

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Speaker 3: It's like GoldenEye and I'm like a chubby Asian fifteen

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00:16:41,720 --> 00:16:45,640
Speaker 3: year old boy. I'm killing it every year. I lock in,

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Speaker 3: I look at the whole landscape, I see the shows

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Speaker 3: out there, and then I zero in and I kill

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Speaker 3: it every year.

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Speaker 2: Sean's only allowed to do it on paintball mode. Really,

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Speaker 2: m M, my dad, that's stuff. That's tough.

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Speaker 1: I think it's good for me, and your dad's looking

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Speaker 1: out for my Okay, it's not.

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Speaker 2: Your dad wasn't shot.

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Speaker 1: I don't want to be desensitized. No, no, no, he

356
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Speaker 1: was shot at he's a tired cop.

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Speaker 2: Thank you for his service. So you're you are taking

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Speaker 2: a position on the Baltimore thing.

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Speaker 3: Yeah, well that's my favorite pilot so far.

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Speaker 2: Yes, okay, so I'll get right into it.

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Speaker 1: Yeah, let's start talking turkey pilots.

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Speaker 3: Wise, can I talk about my favorite pilot? Yes, Baltimore

363
00:17:25,160 --> 00:17:27,240
Speaker 3: is my favorite pilot right now. It's about a bald

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00:17:27,280 --> 00:17:31,639
Speaker 3: police chief in Baltimore. It's sort of it's a Michael

365
00:17:31,680 --> 00:17:34,919
Speaker 3: Chickliss kind of show. It's a Shield esque but for network.

366
00:17:35,040 --> 00:17:37,880
Speaker 3: So no teeth and he's got no teeth and that's

367
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Speaker 3: the whole thing is he's trying to do press conferences

368
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Speaker 3: and he gets his teeth fall out of his mouth. Yes,

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Speaker 3: and then they chatter on the ground and that's I've

370
00:17:45,119 --> 00:17:47,680
Speaker 3: auditioned to play the teeth on the on the podium

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00:17:47,840 --> 00:17:48,879
Speaker 3: that are chattering away.

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Speaker 2: Well.

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Speaker 1: I love the scene where he's going under cover as

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Speaker 1: a gang member who does have teeth, and then they're

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Speaker 1: trying to make him eat rock candy to prove that

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Speaker 1: he's hard.

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00:18:00,440 --> 00:18:03,600
Speaker 2: So do we just want to read that scene? Can

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Speaker 2: I read?

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Speaker 1: Can I you want to be Baltimore?

380
00:18:06,280 --> 00:18:06,960
Speaker 2: Yeah? I'd love to.

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00:18:07,240 --> 00:18:09,200
Speaker 1: Okay, Okay, let's just.

382
00:18:10,720 --> 00:18:13,119
Speaker 2: Yeah, sure, let's just read or should we play the clip?

383
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Speaker 1: Uh? Yeah, well you know what, let's play the clip

384
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Speaker 1: with Baltimore. And then this is the scene where him

385
00:18:20,840 --> 00:18:30,119
Speaker 1: and Chitara, the tough Latino Asian Gangster are in the basement. Okay,

386
00:18:31,560 --> 00:18:34,399
Speaker 1: Chitara takes a big long lick of the rock candy,

387
00:18:34,440 --> 00:18:37,240
Speaker 1: staring Baltimore straight in the eye. Sorry, the clip is

388
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Speaker 1: of a table read. Yes, it has stage directions.

389
00:18:42,240 --> 00:18:44,120
Speaker 2: They ended up they ended up being the best version

390
00:18:44,119 --> 00:18:45,840
Speaker 2: of the pilot, so they just used the table read.

391
00:18:45,920 --> 00:18:48,359
Speaker 3: I think that's actually very brave of the studio to

392
00:18:48,560 --> 00:18:51,719
Speaker 3: just tape the pilot see where it's at, develop that

393
00:18:52,359 --> 00:18:55,439
Speaker 3: decide whether they need to want to reformat the table

394
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Speaker 3: read before they go off to shoot the pilot, because

395
00:18:58,320 --> 00:19:01,399
Speaker 3: I think it actually helps a lot with process because

396
00:19:01,400 --> 00:19:04,200
Speaker 3: I feel like, having been through pilot siaes in year

397
00:19:04,200 --> 00:19:06,240
Speaker 3: in and year out, it feels like there needs to

398
00:19:06,240 --> 00:19:09,840
Speaker 3: be more steps And I feel like if you can

399
00:19:09,880 --> 00:19:12,560
Speaker 3: get a good gauge on how the table read goes,

400
00:19:13,119 --> 00:19:15,080
Speaker 3: then you're gonna be able to do the rewrites you

401
00:19:15,119 --> 00:19:17,200
Speaker 3: want that will help you get out there to shoot

402
00:19:17,200 --> 00:19:19,600
Speaker 3: the pilot, to figure out whether you decide whether you

403
00:19:19,640 --> 00:19:20,720
Speaker 3: want to go make that show.

404
00:19:21,200 --> 00:19:23,800
Speaker 1: And it's all part of the process, and we're getting

405
00:19:23,800 --> 00:19:26,160
Speaker 1: so much smarter about the way we make these things.

406
00:19:25,960 --> 00:19:28,800
Speaker 2: Where like if the table read goes well, people say like, well,

407
00:19:28,840 --> 00:19:31,399
Speaker 2: people laughed at this. Let's just do this, Let's have

408
00:19:31,480 --> 00:19:33,280
Speaker 2: this be the show. And so that's what they're doing

409
00:19:33,320 --> 00:19:39,040
Speaker 2: with Baltimore. Anyway, back to the clip, Sheitara takes another

410
00:19:39,240 --> 00:19:43,040
Speaker 2: really long lick, even longer this time, and it cuts

411
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Speaker 2: up her tongue a little.

412
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Speaker 1: Bit nice and sweet. Huh, I essay, Dan't you know it?

413
00:19:50,880 --> 00:19:54,000
Speaker 3: Look, I'm one of the best criminals in this whole neighborhood,

414
00:19:54,240 --> 00:19:56,720
Speaker 3: and I'm ready to suck down on that rock candy

415
00:19:56,800 --> 00:20:00,080
Speaker 3: right there because I ain't got no hair and I'm ready.

416
00:19:59,840 --> 00:20:00,440
Speaker 2: To do this.

417
00:20:01,320 --> 00:20:03,800
Speaker 1: Well, if you're really as bad ass as what you say,

418
00:20:04,040 --> 00:20:06,040
Speaker 1: and I like the way you handle yourself back there

419
00:20:06,040 --> 00:20:09,679
Speaker 1: in that fight we had, then then you'll have no

420
00:20:09,720 --> 00:20:12,480
Speaker 1: problem doing a big crunch hanky mosabi.

421
00:20:13,119 --> 00:20:15,720
Speaker 3: I'm ready to crunch down on that and that. Hold on,

422
00:20:15,760 --> 00:20:16,600
Speaker 3: what is this line?

423
00:20:16,680 --> 00:20:20,160
Speaker 2: Sorry? Let me? Can I do that line again? Hold

424
00:20:20,160 --> 00:20:20,560
Speaker 2: on to me?

425
00:20:20,640 --> 00:20:21,680
Speaker 1: I'm just another director.

426
00:20:23,240 --> 00:20:23,520
Speaker 2: Sorry.

427
00:20:23,520 --> 00:20:25,240
Speaker 3: Can we take a break real quick? I just need

428
00:20:25,280 --> 00:20:26,439
Speaker 3: to use a camera up?

429
00:20:27,119 --> 00:20:27,399
Speaker 2: Sorry?

430
00:20:27,400 --> 00:20:30,280
Speaker 3: Can I I'm sorry? I'm can I go use the

431
00:20:30,320 --> 00:20:33,600
Speaker 3: bathroom real quick? I'm I had a fruit smoothie before

432
00:20:33,600 --> 00:20:36,560
Speaker 3: we started. I'm feeling kind of ill again.

433
00:20:36,640 --> 00:20:39,520
Speaker 2: You're asking me. I mean sure, I guess So who's it?

434
00:20:39,720 --> 00:20:44,280
Speaker 2: Is it the director who's running the table right here? Yeah, guys, Danny,

435
00:20:44,359 --> 00:20:47,240
Speaker 2: Danny Putty is gonna go, uh he needs to take

436
00:20:47,240 --> 00:20:50,520
Speaker 2: a quick break. So we're just gonna let's let's all

437
00:20:50,560 --> 00:20:53,240
Speaker 2: take five and uh, we'll come back into a second.

438
00:20:54,600 --> 00:20:55,640
Speaker 2: The show feels good.

439
00:20:55,760 --> 00:20:58,280
Speaker 1: I feel I got that to me is a guaranteed

440
00:20:58,280 --> 00:20:58,520
Speaker 1: to hit.

441
00:20:58,680 --> 00:21:00,720
Speaker 3: Well here's what I yes, can I to make a

442
00:21:00,720 --> 00:21:03,120
Speaker 3: thing that came up for me, which was interesting.

443
00:21:03,359 --> 00:21:06,840
Speaker 1: I think that's the show is them taking a break

444
00:21:06,840 --> 00:21:11,240
Speaker 1: from the table. Read Yes, I couldn't agree more. I mean,

445
00:21:11,280 --> 00:21:13,920
Speaker 1: that's so engaging and to get that peek behind the curtain.

446
00:21:14,000 --> 00:21:16,320
Speaker 1: And people love shows about show biz. They're easy to

447
00:21:16,359 --> 00:21:22,240
Speaker 1: make it accessible and I think that to see an

448
00:21:22,320 --> 00:21:25,880
Speaker 1: actor need to take a shit break in the way

449
00:21:25,960 --> 00:21:30,000
Speaker 1: that Finch had to an American pie.

450
00:21:30,240 --> 00:21:32,920
Speaker 2: And Danny's great, Oh so good.

451
00:21:33,240 --> 00:21:35,080
Speaker 1: He's even better when he's being Danny.

452
00:21:35,160 --> 00:21:40,680
Speaker 2: That character is perfect for him. I'm a great improv

453
00:21:40,760 --> 00:21:44,080
Speaker 2: everywhere kind of promo they're doing for that right now.

454
00:21:44,119 --> 00:21:47,239
Speaker 2: This whole thing was like Charlie Todd getting all these

455
00:21:47,280 --> 00:21:50,439
Speaker 2: guys to be like, oh man, it's like Baltimore or whatever.

456
00:21:50,680 --> 00:21:54,840
Speaker 1: Yeah, at Baltimore. Yeah, and that my favorite pilot was Baldemort,

457
00:21:55,240 --> 00:21:59,959
Speaker 1: which is I really think it's said in Baltimore amidst

458
00:22:00,080 --> 00:22:03,560
Speaker 1: the riots, but it is the Harry.

459
00:22:03,320 --> 00:22:06,720
Speaker 3: Potter, the show that names shall not be, this.

460
00:22:06,640 --> 00:22:09,560
Speaker 2: Show the shall not Be.

461
00:22:11,480 --> 00:22:16,280
Speaker 1: And to me, if you because they are both CBS,

462
00:22:16,600 --> 00:22:20,000
Speaker 1: if you put that back to back with Baltimore, I

463
00:22:20,000 --> 00:22:21,200
Speaker 1: think you got a rock block.

464
00:22:23,520 --> 00:22:25,439
Speaker 2: I obviously I agree.

465
00:22:25,520 --> 00:22:31,679
Speaker 3: I I thought this was besides Baltimore, Boldemort was I

466
00:22:31,720 --> 00:22:36,320
Speaker 3: think my favorite table read that I saw. I thought

467
00:22:36,320 --> 00:22:39,080
Speaker 3: it was fantastic and I really loved, I really loved,

468
00:22:39,119 --> 00:22:41,320
Speaker 3: and I think it's great. I think it's actually great

469
00:22:41,359 --> 00:22:42,879
Speaker 3: for Joey McIntyre.

470
00:22:42,640 --> 00:22:47,639
Speaker 2: Yes, he's amazing as Baltimore. John Waters as himself playing

471
00:22:47,760 --> 00:22:53,159
Speaker 2: Voldemort's boyfriend really gives the the city a life of

472
00:22:53,200 --> 00:22:54,959
Speaker 2: its own because the city is a character.

473
00:22:55,080 --> 00:22:57,720
Speaker 1: Yes, the city, yes, which is what has been so

474
00:22:57,840 --> 00:22:58,639
Speaker 1: good about somebody.

475
00:22:58,920 --> 00:23:01,320
Speaker 3: And I like that neither of these shows are dealing

476
00:23:01,359 --> 00:23:04,520
Speaker 3: with any of the issues going on in Baltimore right now.

477
00:23:04,640 --> 00:23:07,879
Speaker 1: No, you don't even see outside in the Baltimore pilot.

478
00:23:08,000 --> 00:23:11,160
Speaker 1: It's literally they're playing balder dash.

479
00:23:11,240 --> 00:23:15,480
Speaker 2: There's that, and that's it. Yeah, do we want to

480
00:23:15,520 --> 00:23:15,760
Speaker 2: do that?

481
00:23:16,440 --> 00:23:18,639
Speaker 1: Oh you want to see that scene or one of

482
00:23:18,680 --> 00:23:20,640
Speaker 1: the scenes they're doing it the whole pilot.

483
00:23:20,920 --> 00:23:22,919
Speaker 2: Yeah, let's just play. I guess the clip of the

484
00:23:22,960 --> 00:23:26,000
Speaker 2: table read of the of John Waters a great pro

485
00:23:26,280 --> 00:23:34,440
Speaker 2: John Waters and Baltimore playing balder Dash. I'm so excited

486
00:23:34,560 --> 00:23:36,280
Speaker 2: for this game to get going.

487
00:23:37,119 --> 00:23:43,080
Speaker 1: Well, you're okay, So all right, everybody get their pencils out.

488
00:23:43,560 --> 00:23:47,600
Speaker 1: Oh fun, I'm gonna read the definitions and this is

489
00:23:47,680 --> 00:23:53,040
Speaker 1: for a flap dragon. These words are so no so okay,

490
00:23:53,080 --> 00:23:58,080
Speaker 1: I mean imagine really knowing anyway, So all right, and

491
00:23:58,080 --> 00:24:01,119
Speaker 1: then you guess what the right definition is. Johnny with me.

492
00:24:01,600 --> 00:24:05,880
Speaker 2: I'm sell with you. This is funny and cool. Everyone

493
00:24:06,000 --> 00:24:08,960
Speaker 2: puts their pencils away as they realize that pencils won't

494
00:24:09,000 --> 00:24:10,960
Speaker 2: be necessary for this part of the game.

495
00:24:11,359 --> 00:24:14,480
Speaker 1: Sorry, they've already they've already used them. Sorry, I told

496
00:24:14,520 --> 00:24:16,800
Speaker 1: you take them out. And I'm realizing a flaw with this.

497
00:24:16,920 --> 00:24:18,720
Speaker 1: There's only two of us playing the game, so I'm

498
00:24:18,720 --> 00:24:21,119
Speaker 1: gonna know what the real definition is, and you're gonna

499
00:24:21,119 --> 00:24:22,359
Speaker 1: know what the one you submit it is.

500
00:24:22,560 --> 00:24:24,760
Speaker 2: That's right, And I've got a pen that looks like

501
00:24:24,760 --> 00:24:26,080
Speaker 2: a flamengo.

502
00:24:26,160 --> 00:24:31,760
Speaker 1: Okay, this is so the first one is Flat Dragon,

503
00:24:32,760 --> 00:24:37,440
Speaker 1: a Scottish game in which raisins are sucked from hot butter,

504
00:24:39,680 --> 00:24:45,800
Speaker 1: or a scandalous movie starring Divide.

505
00:24:47,880 --> 00:24:52,840
Speaker 2: I would say, having made the movie, it would be

506
00:24:52,920 --> 00:24:55,399
Speaker 2: The Raisins, because I know that the movie that I

507
00:24:55,560 --> 00:25:00,560
Speaker 2: made with her was called Lest Than the Dust.

508
00:25:00,960 --> 00:25:03,840
Speaker 1: Uh okay, So then you move three spaces?

509
00:25:04,440 --> 00:25:07,440
Speaker 2: Can I say, does any of the clip Joey Magattyre

510
00:25:08,359 --> 00:25:12,720
Speaker 2: is amazing in the show. It sounds nothing like what

511
00:25:12,760 --> 00:25:14,920
Speaker 2: we expect from Joey, but it makes you wonder if

512
00:25:15,160 --> 00:25:17,080
Speaker 2: what we've seen of him all along was like a

513
00:25:17,080 --> 00:25:20,400
Speaker 2: fake character. I was mad didn't sing. Well.

514
00:25:21,960 --> 00:25:23,920
Speaker 3: What I like about this is like people like to

515
00:25:23,960 --> 00:25:28,760
Speaker 3: watch celebrities play games. Yea, Boldemort became is like it's

516
00:25:28,800 --> 00:25:33,120
Speaker 3: basically Baltimore Game Night, which I think is great because

517
00:25:33,160 --> 00:25:36,159
Speaker 3: people have seen now Hollywood Game Night and obviously the

518
00:25:36,160 --> 00:25:37,200
Speaker 3: stuff Jimmy's doing.

519
00:25:37,280 --> 00:25:40,920
Speaker 2: When are you gonna do Hollywood Game Night? Nick? What's

520
00:25:40,960 --> 00:25:41,840
Speaker 2: the story there?

521
00:25:41,880 --> 00:25:45,520
Speaker 3: I have been I've continued to choose to not say

522
00:25:45,600 --> 00:25:47,520
Speaker 3: yes to it.

523
00:25:47,520 --> 00:25:51,199
Speaker 1: And you're circling each other and it's like, anyway.

524
00:25:50,520 --> 00:25:55,600
Speaker 2: Tango, it's a tank. They keep sweetening the offer.

525
00:25:56,320 --> 00:26:02,600
Speaker 3: Obviously, they said you can be the fourth guest, Jillian Barbary.

526
00:26:02,840 --> 00:26:05,439
Speaker 3: If Jillian is out, you're in. And I say, I

527
00:26:05,480 --> 00:26:08,679
Speaker 3: am available, yeah for doing it.

528
00:26:08,960 --> 00:26:11,360
Speaker 1: And they're gonna let you have free champagne in there.

529
00:26:12,160 --> 00:26:14,200
Speaker 2: Because that's part of it. You get a little loose.

530
00:26:14,040 --> 00:26:16,000
Speaker 3: You get a little loose beforehand. What we'll do is

531
00:26:16,000 --> 00:26:18,879
Speaker 3: we'll have a we'll have a warm glass of Corvelle champagne.

532
00:26:19,160 --> 00:26:21,160
Speaker 3: Uh well, and then we'll get out there and we'll

533
00:26:21,200 --> 00:26:24,480
Speaker 3: be we'll be sort of hot and with sweet burps, and.

534
00:26:24,440 --> 00:26:27,080
Speaker 2: We'll get out there and we'll uh and it's they

535
00:26:27,160 --> 00:26:28,160
Speaker 2: tape a ten thous Yeah.

536
00:26:28,400 --> 00:26:33,119
Speaker 3: Yeah, that's what I'm hoping. Again, not having done the

537
00:26:33,200 --> 00:26:34,720
Speaker 3: show myself.

538
00:26:34,440 --> 00:26:37,280
Speaker 1: I think that's their secret though, is that Corbelle Champagne

539
00:26:37,280 --> 00:26:39,159
Speaker 1: gets some loose. That's how they get such good footy

540
00:26:39,240 --> 00:26:43,359
Speaker 1: of people just being real and there's stars. But you

541
00:26:43,400 --> 00:26:45,080
Speaker 1: know what you find out is they're relatable.

542
00:26:45,280 --> 00:26:49,400
Speaker 3: What do you guys do? What do you in what way?

543
00:26:48,440 --> 00:26:50,879
Speaker 3: What do you do for a living?

544
00:26:51,200 --> 00:26:54,119
Speaker 1: Oh, it's not about us today, Nick.

545
00:26:54,440 --> 00:26:56,280
Speaker 2: And will you do all kinds of stuff? I mean

546
00:26:56,480 --> 00:26:59,600
Speaker 2: like movie we do movie?

547
00:26:59,760 --> 00:27:01,679
Speaker 1: Oh yeah, And we were talking about all the different

548
00:27:01,800 --> 00:27:05,359
Speaker 1: kinds of screens and internet and we love the way

549
00:27:05,400 --> 00:27:06,879
Speaker 1: it's moving TV show.

550
00:27:07,119 --> 00:27:12,160
Speaker 2: We had a pilot IMDb, Right, yeah, IMDb, we do.

551
00:27:12,160 --> 00:27:13,360
Speaker 2: Do you guys have any pilots?

552
00:27:13,359 --> 00:27:17,560
Speaker 1: In contention, we have a couple of Obviously you're asking

553
00:27:17,600 --> 00:27:21,720
Speaker 1: about Baby Grandpa formerly formerly Baby Grandpa.

554
00:27:21,880 --> 00:27:27,359
Speaker 2: Formerly it was a show about a guy whose grandpa

555
00:27:27,400 --> 00:27:31,000
Speaker 2: was a baby. Originally it was based on the concept

556
00:27:31,080 --> 00:27:33,159
Speaker 2: of the dress. You remember the dress that ever I

557
00:27:33,280 --> 00:27:34,520
Speaker 2: was talking about, so was.

558
00:27:34,640 --> 00:27:37,439
Speaker 1: Known as Whites and Gold two families coming together.

559
00:27:37,560 --> 00:27:42,840
Speaker 3: I actually did that at Williamstown. Oh, you did the dress.

560
00:27:42,840 --> 00:27:46,199
Speaker 1: The dress the dress origin became Baby grand what ultimately

561
00:27:46,240 --> 00:27:49,400
Speaker 1: became Baby Grandpa. Well, no longer Baby Grandpa became untitled

562
00:27:49,440 --> 00:27:50,320
Speaker 1: Back Kid project.

563
00:27:50,359 --> 00:27:54,600
Speaker 2: Now it's about bat Kid, uh, and it's sick boys

564
00:27:54,640 --> 00:27:56,560
Speaker 2: superhero Oh.

565
00:27:56,480 --> 00:27:59,240
Speaker 3: Like the from San Francisco, the Bad Kid.

566
00:27:59,480 --> 00:27:59,680
Speaker 2: Yeah.

567
00:28:01,200 --> 00:28:03,320
Speaker 3: I loved how that kid walked down the street and

568
00:28:03,480 --> 00:28:05,760
Speaker 3: a thousands of people took photos of him and screamed.

569
00:28:05,440 --> 00:28:08,800
Speaker 2: At him and yes, that'll be good for him, and

570
00:28:08,920 --> 00:28:12,359
Speaker 2: pretended to be trying to kill him, like with the

571
00:28:12,720 --> 00:28:14,320
Speaker 2: like the Joker, to defeat him.

572
00:28:14,359 --> 00:28:17,080
Speaker 1: Yes, and so we did manage to get back Kids.

573
00:28:17,080 --> 00:28:19,520
Speaker 1: So it's not the dress anymore. It's not Baby Grandpa,

574
00:28:19,680 --> 00:28:22,320
Speaker 1: it's not what we initially envisioned, but I think it's better.

575
00:28:22,359 --> 00:28:24,600
Speaker 1: And it is the bat Kid in the back of

576
00:28:24,760 --> 00:28:25,680
Speaker 1: Haeses Toyota.

577
00:28:25,880 --> 00:28:27,439
Speaker 2: Yeah, and it's sort of a dapt We've had to

578
00:28:27,440 --> 00:28:29,560
Speaker 2: do this after the fact, sort of. But now it's

579
00:28:29,600 --> 00:28:31,800
Speaker 2: based on Amish Paradise.

580
00:28:32,640 --> 00:28:37,280
Speaker 3: Great, that's the ip so fictional fictional version of Amish Paradise.

581
00:28:37,480 --> 00:28:40,920
Speaker 2: Yes, that's great. Now we've had to figure out a

582
00:28:40,920 --> 00:28:45,680
Speaker 2: way where like the car like stalls in like Amish Land,

583
00:28:46,200 --> 00:28:47,560
Speaker 2: and so this guy has to leave.

584
00:28:47,680 --> 00:28:51,800
Speaker 1: That kid doesn't use guns, and uh so where would

585
00:28:52,880 --> 00:28:56,880
Speaker 1: bat Kid's technology, which is impressive, really be useful, And

586
00:28:56,920 --> 00:28:59,920
Speaker 1: probably in Amish Land where they also are not using

587
00:29:00,040 --> 00:29:01,680
Speaker 1: guns and actually don't even have a landword.

588
00:29:01,760 --> 00:29:05,120
Speaker 2: What I love about is I'm so Long, So Lost.

589
00:29:07,360 --> 00:29:08,480
Speaker 1: Do you need to hear the song?

590
00:29:09,040 --> 00:29:09,840
Speaker 2: Yeah? I would love to.

591
00:29:11,400 --> 00:29:13,720
Speaker 1: As I walk through the valley where I harvest McGrain,

592
00:29:13,960 --> 00:29:16,200
Speaker 1: I think I look at my wife and realize it's

593
00:29:16,320 --> 00:29:16,800
Speaker 1: very playing.

594
00:29:18,800 --> 00:29:22,520
Speaker 2: Yes, he's doing he's gonna do it. Yes, that's great. Yes,

595
00:29:23,040 --> 00:29:24,600
Speaker 2: Oh that's great. He's the main guy.

596
00:29:25,120 --> 00:29:30,400
Speaker 3: That's great. That's really actually a great that's great. I

597
00:29:30,400 --> 00:29:31,480
Speaker 3: think that's a great idea.

598
00:29:31,760 --> 00:29:32,400
Speaker 2: Speak on that.

599
00:29:34,040 --> 00:29:37,040
Speaker 3: What I Here's what I like about it is it's

600
00:29:37,200 --> 00:29:42,840
Speaker 3: obviously a mush paradise existing property. Great, great, great ip.

601
00:29:43,400 --> 00:29:46,240
Speaker 3: People know it, people love it, they connect with it. It's nostalgic,

602
00:29:46,280 --> 00:29:48,640
Speaker 3: but it's also still fresh because you've got something like

603
00:29:49,000 --> 00:29:54,680
Speaker 3: Amish Mafia now, yeah, another show, and obviously that just

604
00:29:54,840 --> 00:29:56,760
Speaker 3: it's out there right now. There's a lot of awareness

605
00:29:56,760 --> 00:29:59,760
Speaker 3: to it. There's the rum spring a thing that's happening.

606
00:30:00,560 --> 00:30:02,680
Speaker 2: It's really become a big thing exactly.

607
00:30:02,840 --> 00:30:05,440
Speaker 3: So it's exciting because people know about it, people are

608
00:30:05,440 --> 00:30:10,160
Speaker 3: excited about it. And then obviously having Seaton involved is great.

609
00:30:10,200 --> 00:30:11,720
Speaker 3: He's funny, he's talents, he's charming.

610
00:30:11,840 --> 00:30:12,720
Speaker 2: Yeah, so it's great.

611
00:30:13,720 --> 00:30:16,080
Speaker 1: Yeah, speak on that.

612
00:30:18,120 --> 00:30:21,240
Speaker 3: So so uh the idea of having a black guy

613
00:30:21,880 --> 00:30:25,680
Speaker 3: sing a song about traditionally white whoa white people?

614
00:30:26,440 --> 00:30:28,080
Speaker 1: Sorry, I know that's the noise I make when I

615
00:30:28,120 --> 00:30:28,400
Speaker 1: love it.

616
00:30:28,520 --> 00:30:33,000
Speaker 3: Okay, great, So obviously with with Baltimore right now, and

617
00:30:33,080 --> 00:30:38,000
Speaker 3: how how exciting it is to see shows coming out

618
00:30:38,000 --> 00:30:40,760
Speaker 3: of that. By the way, I just this is all

619
00:30:40,840 --> 00:30:42,680
Speaker 3: leading up to what I want to pitch and just

620
00:30:42,800 --> 00:30:45,920
Speaker 3: see if you guys are really locked into bat Kid

621
00:30:47,640 --> 00:30:50,320
Speaker 3: because I want to pitch a show. I think that

622
00:30:50,400 --> 00:30:52,560
Speaker 3: it could become just because like bat Kid grows up

623
00:30:53,240 --> 00:30:55,840
Speaker 3: and he goes down south a bit from Amage Country

624
00:30:55,840 --> 00:31:01,480
Speaker 3: to Baltimore, like he's a figure skater. Yeah, it's Johnny Weir.

625
00:31:02,240 --> 00:31:04,720
Speaker 2: That's great, and it's called the Weir and it's like

626
00:31:04,760 --> 00:31:10,360
Speaker 2: the wire and it's involved. Uh huh, that's really good.

627
00:31:11,560 --> 00:31:15,160
Speaker 2: Are we locked into back Kid because the car when

628
00:31:15,160 --> 00:31:17,360
Speaker 2: we finished with the car, we realized that we do

629
00:31:17,400 --> 00:31:18,760
Speaker 2: not have the key.

630
00:31:18,840 --> 00:31:22,000
Speaker 1: He has the keys in there. You've locked back Kid

631
00:31:22,080 --> 00:31:25,080
Speaker 1: into the cart? Yes, so back kids locked in. We're

632
00:31:25,120 --> 00:31:26,440
Speaker 1: not locked into him.

633
00:31:26,760 --> 00:31:28,880
Speaker 2: But here's a little the windows of cracks so you

634
00:31:28,920 --> 00:31:32,040
Speaker 2: can get the medicine in there. Right. But he is attached.

635
00:31:34,120 --> 00:31:37,200
Speaker 1: Yeah, well it's funny you should say that attached because

636
00:31:37,840 --> 00:31:38,280
Speaker 1: he is.

637
00:31:38,520 --> 00:31:38,920
Speaker 2: He did.

638
00:31:39,440 --> 00:31:41,840
Speaker 1: He had a needle and thread in there, and there

639
00:31:41,920 --> 00:31:45,920
Speaker 1: was a little dog inside the car with him, Jack

640
00:31:45,960 --> 00:31:48,400
Speaker 1: Russell Terrier, and he did sow the dog to himself.

641
00:31:48,400 --> 00:31:50,480
Speaker 2: So he is attached to that dog now or to

642
00:31:50,560 --> 00:31:52,600
Speaker 2: the costume. So he's hip hocketing the dogs.

643
00:31:52,680 --> 00:31:54,480
Speaker 3: The dog is now attached to him, and is he

644
00:31:54,520 --> 00:31:56,920
Speaker 3: attached to the car and the project?

645
00:31:58,360 --> 00:32:01,960
Speaker 2: Yes? Mm hmm, it's funny you should say it that way,

646
00:32:01,960 --> 00:32:05,520
Speaker 2: so he'll he'll just have to he'll just have to

647
00:32:05,600 --> 00:32:08,600
Speaker 2: do the stuff from inside a car, yes, with a

648
00:32:09,600 --> 00:32:10,520
Speaker 2: speak on that dog.

649
00:32:10,600 --> 00:32:15,400
Speaker 1: So uh yeah, Well, cameras are changing just the same

650
00:32:15,440 --> 00:32:19,120
Speaker 1: as everything else. And so what we've managed to do

651
00:32:19,440 --> 00:32:22,200
Speaker 1: is drill a hole in the window that we stick

652
00:32:22,240 --> 00:32:25,960
Speaker 1: a GoPro through and then we uh, there's a.

653
00:32:25,960 --> 00:32:29,640
Speaker 2: Union or non union. It's like it's like a pipe

654
00:32:29,680 --> 00:32:33,520
Speaker 2: fitters union. Huh. It's not like the camera union and stuff.

655
00:32:33,560 --> 00:32:35,560
Speaker 1: But we can't start the car, but it wasn't neutral

656
00:32:35,560 --> 00:32:37,360
Speaker 1: when we locked him in there, so we can shake

657
00:32:37,400 --> 00:32:39,400
Speaker 1: it around a little bit and you get a pretty

658
00:32:39,400 --> 00:32:40,160
Speaker 1: exciting motion.

659
00:32:40,760 --> 00:32:43,600
Speaker 3: Having done a lot of car work and adult Beginners

660
00:32:43,680 --> 00:32:45,360
Speaker 3: had a scene where I drove a mini van.

661
00:32:46,880 --> 00:32:49,960
Speaker 1: I can't picture that because you're a young hip guy.

662
00:32:51,160 --> 00:32:53,680
Speaker 3: Departure for me to to take on that like a

663
00:32:53,760 --> 00:32:56,080
Speaker 3: flatones car is what I would expect for sure. No,

664
00:32:56,240 --> 00:32:58,360
Speaker 3: this was a modern mini van, not like a hip

665
00:32:58,360 --> 00:33:00,720
Speaker 3: guy who has a flint stones taking out the bottom

666
00:33:00,720 --> 00:33:00,880
Speaker 3: and his.

667
00:33:01,000 --> 00:33:03,320
Speaker 1: Wig drives a bumper card.

668
00:33:02,800 --> 00:33:08,120
Speaker 3: Right, yeah, yeah, exactly exactly. And obviously we've written the

669
00:33:08,120 --> 00:33:10,840
Speaker 3: scene where Wiggy's driving the bumper car around. He gets

670
00:33:10,840 --> 00:33:13,440
Speaker 3: in a fender bender. I mean, he's in a bumper car.

671
00:33:13,480 --> 00:33:15,640
Speaker 3: That's gonna happen. He gets so pissed that the wig

672
00:33:16,480 --> 00:33:18,959
Speaker 3: flies up and lands right on the top of the

673
00:33:19,000 --> 00:33:22,280
Speaker 3: bumper car, the thing that connects to the electric you

674
00:33:22,320 --> 00:33:24,560
Speaker 3: know that powers it.

675
00:33:24,720 --> 00:33:30,560
Speaker 2: Yeah, and uh it's an emotional wig burns up, leaving

676
00:33:30,560 --> 00:33:33,960
Speaker 2: Wiggy without his wig. Yes, what's Wiggy got to do

677
00:33:34,000 --> 00:33:34,239
Speaker 2: with it?

678
00:33:34,280 --> 00:33:37,320
Speaker 3: Is what we're calling it right now, And it's sort

679
00:33:37,320 --> 00:33:41,360
Speaker 3: of my my tina, you know. To hopefully we're going

680
00:33:41,400 --> 00:33:43,000
Speaker 3: to get Ike barn Holds to play ig Turner.

681
00:33:44,000 --> 00:33:47,880
Speaker 2: Oh okay, that's a natural fit. And he's strong to

682
00:33:48,080 --> 00:33:48,760
Speaker 2: Bike's great.

683
00:33:49,680 --> 00:33:53,560
Speaker 1: Do you guys know, do you guys know his energy

684
00:33:53,640 --> 00:33:54,440
Speaker 1: is out of control?

685
00:33:55,320 --> 00:33:58,720
Speaker 2: Yeah, he's great like this. He's such a nice guy.

686
00:33:58,840 --> 00:33:59,960
Speaker 2: His whole family's great.

687
00:34:00,800 --> 00:34:07,520
Speaker 1: Yeah, he played basketball with Obama. Now you guys, Uh, Nick,

688
00:34:07,680 --> 00:34:10,200
Speaker 1: I know you have to run, and I hate to

689
00:34:10,239 --> 00:34:13,720
Speaker 1: cut this thing, sure, but we want to make sure

690
00:34:13,760 --> 00:34:18,000
Speaker 1: that you have a positive experience. So is there anything

691
00:34:18,040 --> 00:34:20,000
Speaker 1: you just have to talk about before you go?

692
00:34:20,480 --> 00:34:24,320
Speaker 3: Yeah, I'm working on a new movie. Uh, and it's

693
00:34:24,360 --> 00:34:27,279
Speaker 3: it's uh, me and Ike and I play Mike.

694
00:34:28,080 --> 00:34:30,040
Speaker 2: It's Mike and Mike, and.

695
00:34:29,680 --> 00:34:31,800
Speaker 3: Mike is Mike and Ike is the movie and it's.

696
00:34:33,239 --> 00:34:33,759
Speaker 2: Right now.

697
00:34:33,960 --> 00:34:35,880
Speaker 3: We'll see if if I can get the rights. But

698
00:34:35,920 --> 00:34:37,480
Speaker 3: I will be playing Michael Jordan.

699
00:34:38,040 --> 00:34:40,080
Speaker 1: Oh, Michael B. Jordan and Michael regular Jordan.

700
00:34:40,160 --> 00:34:45,640
Speaker 2: Michael B. Jordan's Oh okay, And it's and he is Eisenhow, Yeah,

701
00:34:45,640 --> 00:34:49,600
Speaker 2: it's it's Ike plays Ike plays Dwight D. Eisenhower, And

702
00:34:49,640 --> 00:34:51,319
Speaker 2: you're Michael B. Jordan and I'm and I.

703
00:34:51,400 --> 00:34:53,200
Speaker 3: Mike Ike is what the movie is now called?

704
00:34:53,320 --> 00:34:55,360
Speaker 1: Is this the one being directed by the apparently kid.

705
00:34:57,600 --> 00:34:59,960
Speaker 3: I he is attached to direct. We're gonna see if

706
00:35:00,040 --> 00:35:02,160
Speaker 3: we can get him. He's obviously very busy right now.

707
00:35:02,160 --> 00:35:02,719
Speaker 2: A great eye.

708
00:35:02,840 --> 00:35:06,000
Speaker 3: Yeah he does, so, I'm very excited about that. Ike,

709
00:35:06,040 --> 00:35:07,800
Speaker 3: if you want to return my phone calls. I'm actually

710
00:35:07,840 --> 00:35:11,239
Speaker 3: having trouble getting him back on the phone to just

711
00:35:11,280 --> 00:35:12,440
Speaker 3: finalize the details.

712
00:35:12,680 --> 00:35:15,759
Speaker 2: And he does listen to this in the tub, I'm

713
00:35:15,800 --> 00:35:19,320
Speaker 2: amazed that you can drink just the mio and leave

714
00:35:19,400 --> 00:35:19,880
Speaker 2: the water.

715
00:35:19,960 --> 00:35:21,600
Speaker 1: Yeah, yeah, I'll come of clear water.

716
00:35:21,800 --> 00:35:23,759
Speaker 2: Yeah, no, I have that ability.

717
00:35:23,800 --> 00:35:26,840
Speaker 3: That's obviously the pilot that I'm of all the shows

718
00:35:26,880 --> 00:35:29,359
Speaker 3: that are currently that I'm in the mix that are

719
00:35:29,440 --> 00:35:31,600
Speaker 3: in the mix for me that I'm not.

720
00:35:31,600 --> 00:35:35,120
Speaker 2: In the mix for. That's the one I'm. That's the

721
00:35:35,120 --> 00:35:35,480
Speaker 2: one I'm.

722
00:35:35,560 --> 00:35:38,880
Speaker 3: It's called solo Meo and it's and I just because

723
00:35:38,880 --> 00:35:40,040
Speaker 3: I can just drink the meo.

724
00:35:41,960 --> 00:35:44,120
Speaker 1: It's funny you say in the mix, because really you're

725
00:35:44,160 --> 00:35:45,000
Speaker 1: taking the mix out.

726
00:35:45,680 --> 00:35:47,440
Speaker 3: That's what I've been telling my agents.

727
00:35:47,560 --> 00:35:50,880
Speaker 1: Mm hmm, that's funny what I said. Now, let's all

728
00:35:51,040 --> 00:35:52,880
Speaker 1: do the end of the show and.

729
00:35:52,920 --> 00:35:56,839
Speaker 2: Please, yeah, it's time for the roundup. We rate us

730
00:35:56,880 --> 00:35:59,000
Speaker 2: on iTunes. We did a cowboy voice.

731
00:35:58,840 --> 00:36:02,840
Speaker 1: Usually right us on I go ahead face on the

732
00:36:02,880 --> 00:36:07,200
Speaker 1: forums and on Facebook and buy the pro This is serious,

733
00:36:07,200 --> 00:36:08,839
Speaker 1: so I don't want to do any cowboy voice.

734
00:36:08,840 --> 00:36:10,880
Speaker 2: Please buy the pro version of our podcast. We have

735
00:36:10,920 --> 00:36:13,040
Speaker 2: a great package for you this week. What what what?

736
00:36:13,040 --> 00:36:14,200
Speaker 2: What's what's our prize?

737
00:36:14,480 --> 00:36:18,680
Speaker 1: Oh? Yes, the prize is that. Uh, the character of

738
00:36:18,840 --> 00:36:23,760
Speaker 1: Baltimore is gonna give you a great street tough one liner,

739
00:36:24,040 --> 00:36:26,680
Speaker 1: uh directed right at you if you bought the pro version.

740
00:36:26,760 --> 00:36:29,360
Speaker 2: And so who did it? Who bought the pro version

741
00:36:29,520 --> 00:36:34,520
Speaker 2: this week? Blink Blink it was Blink. Blink bought the

742
00:36:34,560 --> 00:36:37,080
Speaker 2: pro version. Blink bought the pro version this week? So

743
00:36:37,560 --> 00:36:41,319
Speaker 2: just uh in in the character of Baltimore. We'll just

744
00:36:41,400 --> 00:36:43,200
Speaker 2: play a clip from the.

745
00:36:43,160 --> 00:36:46,160
Speaker 1: Table reads directing like yeah, just a just like a

746
00:36:46,200 --> 00:36:47,760
Speaker 1: sassy line to to blink.

747
00:36:47,800 --> 00:36:49,759
Speaker 2: One of our listeners who bought the pro version of

748
00:36:49,800 --> 00:36:50,760
Speaker 2: our podcast.

749
00:36:52,480 --> 00:36:59,799
Speaker 3: Hey guys, thanks for coming to this character. He was

750
00:37:01,120 --> 00:37:07,240
Speaker 3: all right cos when I can all right. Sorry, Thank you, Hating.

751
00:37:09,520 --> 00:37:15,600
Speaker 2: Bed of Black. Bye.

752
00:37:18,000 --> 00:37:21,920
Speaker 1: Hollywood hand Book is brought to you by Wolf Cool Production,

753
00:37:22,080 --> 00:37:31,680
Speaker 1: to subsidiary of Calvin Noondibbs. Our Baby