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Speaker 1: I listened to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen a hot. On most trips, James would

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Speaker 1: hold court back there, talking shit about the hose he

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Speaker 1: was fucking, the whips he planned, the cop in the summer,

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Speaker 1: or maybe even the niggas in Homewood who was snitching.

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Speaker 1: Because remember James was an instant oatmeal crip. I'd be

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Speaker 1: near the middle of the bus, even engaged and spirited

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Speaker 1: the base about who was the weakest member of the

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Speaker 1: Wu Tang clan you got, or laid up against a

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Speaker 1: window with my walkman blasting one of my recorded mixes

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Speaker 1: from WAMO one O six point seven on that ride

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Speaker 1: back from Shaller. However, I'd left my walkman at home,

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Speaker 1: so I couldn't pretend to not hear James when he

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Speaker 1: shifted his mindless humble brag bukaki to who has the

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Speaker 1: least amount of hose on the team and then promptly

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Speaker 1: nominated me, yo, how you gonna drop twenty a game

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Speaker 1: and not have no hose? James asked rhetorically to a

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Speaker 1: bevy of muffled snickers emerging from the ten pm back

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Speaker 1: of the bus dark and he followed with one of

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Speaker 1: the seven dumbest analogies I've ever heard. It's like being

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Speaker 1: a millionaire and no one cares. The entire bus, including

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Speaker 1: the cheerleaders, all seeing in the front, became invested in

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Speaker 1: how I'd respond. Come on, d the coorse collectively urged

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Speaker 1: you ain't gonna let him get you like that, are you.

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Speaker 1: I eventually obliged and says something about how James must

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Speaker 1: be a magician because I couldn't see him, but I

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Speaker 1: could hear his voice, which was a joke because James

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Speaker 1: is very dark skinned and it was nighttime. I told

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Speaker 1: you that I wasn't good at this. Hey, welcome to

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Speaker 1: the Black Autist Podcast, your host Rod and Kring.

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Speaker 2: No, he was not good at that game.

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Speaker 1: Yeah, The Dozens is a beastly game, man.

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Speaker 2: It is a cruel, cruel game.

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Speaker 1: It's a black writer passage. Yeah, it's Wednesday, which is

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Speaker 1: a Walking Dead Wednesday. Of course, you can leave us

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Speaker 1: five star reviewers on its the stitcher. We'll appreciate y'all

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Speaker 1: that takes time to listen to this and leave us

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Speaker 1: five star review This is very nice of you. We

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Speaker 1: appreciate all of y'all. The official weapon of the show

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Speaker 1: is an unofficial sport the Bulletball extream and the excerpt

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Speaker 1: that I just read today is from What Doesn't Kill

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Speaker 1: You Makes You Blacker by Damon Young, which is not

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Speaker 1: just a very good book, but also a very funny book,

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Speaker 1: as you guys can hear. But yeah, it's funny because

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Speaker 1: it does remind me of the peer pressure of being

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Speaker 1: on the black bus, Like you never know when it

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Speaker 1: was your day to deal with the roasting, to deal

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Speaker 1: with some random insult, and it felt like you were

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Speaker 1: always kind of being tested to some extent to see

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Speaker 1: like how you were going to respond, how quick were

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Speaker 1: your wits if you we're gonna get in the physical

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Speaker 1: altercation and stuff. At least for boys, I think it

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Speaker 1: was very much like that. And I used to hate

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Speaker 1: the back of the bus because of that.

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Speaker 2: Yeah.

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Speaker 1: Actually the reason that me and you became friends is

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Speaker 1: because you saved me a seat at the front of

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Speaker 1: the bus, and I was like, cool, I would sit

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Speaker 1: with this girl at the front of the us rather

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Speaker 1: than be with them niggas in the back.

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Speaker 3: You had became my buddy, and honey, I've been looking like, no,

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Speaker 3: you are not sitting here.

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Speaker 2: I would tell people you can't sit here.

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Speaker 1: Yeah, so I actually, you know, appreciated that because the

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Speaker 1: back of the bus is treacherous. Man. I remember I

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Speaker 1: got in a fight with this dude over my walkman

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Speaker 1: one time. I just got a brand new Walkman with

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Speaker 1: the reverse button on it, and he was like, let

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Speaker 1: me listen to it. And I was listening. I remember

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Speaker 1: I was listening to trycoll Quests Midnight Marauders and I

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Speaker 1: was like no. He was like, well you ain't you

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Speaker 1: too good to let me. I'm like, it's mine and

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Speaker 1: I'm listening to it. Okay, well we're gonna see when

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Speaker 1: we got off the bus. And then he beat me

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Speaker 1: up when I got off the bus because I was

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Speaker 1: hot holding my Walkman to keep it from breaking, I

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Speaker 1: put it in my backpack, put my backpack on my chest,

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Speaker 1: and I put my arms around it to protect the walkman.

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Speaker 1: Not my face, not my arms and nothing. And I

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Speaker 1: just had to take that l But it felt like,

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Speaker 1: you know, it's so weird because you know, we just

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Speaker 1: talked about physical violence with your parents and stuff. But

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Speaker 1: I think in the in the result of that is

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Speaker 1: you have a generations of physically violent kids. That doesn't

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Speaker 1: mean and white kids don't get in fights, but you

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Speaker 1: know it was something extra to it being black, whereas like,

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Speaker 1: you know, you could get in a physical altercation and

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Speaker 1: you knew that nobody really cared. The police weren't gonna come.

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Speaker 1: In a lot of cases, people's parents didn't care. They'd

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Speaker 1: be like, did you win fight?

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Speaker 2: And shit like that, that's all that matters.

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Speaker 3: And a lot of times, as an adult, the way

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Speaker 3: I viewed it is a little different. But a lot

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Speaker 3: of times when people do that, they actually are deflecting

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Speaker 3: their own insecurities outward, and.

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Speaker 2: It's about embarrassing.

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Speaker 3: It's about making you feel bad and make you feel ashamed.

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Speaker 3: You're knowing shit like that, And a lot of times

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Speaker 3: people that did that shit, they wouldn't go after the

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Speaker 3: people that they know had them hands will be like

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Speaker 3: the folk you say, they would literally go after the

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Speaker 3: people that they knew weren't going to actually fight back

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Speaker 3: to actually make themselves feel bigger and better. You're knowing

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Speaker 3: shit like that is a form of bullying. You know,

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Speaker 3: a lot of people don't consider it the form, but

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Speaker 3: there's the fucking form of bullying.

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Speaker 2: That's all it is.

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Speaker 3: And it's a way to kind of quote unquote put

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Speaker 3: you on front street. So everybody can laugh quote unquote

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Speaker 3: at you because it's one of the quote unquote pattes

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Speaker 3: just where everybody laughed and pointed at me. So now

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Speaker 3: it's your turn.

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Speaker 1: Yeah, and you have to be careful because you know,

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Speaker 1: any anything could get you in a fight, you know.

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Speaker 1: And I I you know, if you listen to the show,

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Speaker 1: I have a quick, quick wick, quick tongue, quick mouth,

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Speaker 1: and then uh much quicker back then because I just

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Speaker 1: didn't realize the power of it. So I would say

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Speaker 1: shit to people sometimes and I'm I'm man was fighting words.

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Speaker 1: It was like, you're gonna have to fight this person

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Speaker 1: because you just said something about their mama being on drugs,

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Speaker 1: and that's something that's really real. So now they embarrassed

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Speaker 1: in a way that is beyond them calling your you know,

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Speaker 1: your sneakers jeepers. So now you gotta fight this motherfucker,

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Speaker 1: you know. And I got in a lot of fights

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Speaker 1: when I was coming up, but you know, it definitely

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Speaker 1: didn't win them all or whatever. But for a large part,

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Speaker 1: it was like, once you showed that you were willing

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Speaker 1: to fight, that was when people left me.

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Speaker 3: Alone, right right, Why do why do I have to

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Speaker 3: take it to a physical altercation because at the end

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Speaker 3: of the day, you should just leave me alone. But

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Speaker 3: people don't really look particularly children, they don't look at

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Speaker 3: it like that. They go, oh, it's somebody to fuck with,

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Speaker 3: somebody I can hover over, but not sad because I

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Speaker 3: get my ass whooped at home, so now I got

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Speaker 3: to come out and whoop somebody else's ass.

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Speaker 1: And now adults do it, but they just do it

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Speaker 1: with their words.

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Speaker 3: Yes, they do online all the fucking time, and people

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Speaker 3: don't really consider it like that. And people don't really

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Speaker 3: think of it like that. But that's kind of all

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Speaker 3: it is. And the thing is, you know you're gonna

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Speaker 3: don't start up, won't be no like I believe that.

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Speaker 3: You know, if you go fucking with people, you don't

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Speaker 3: know how people are gonna respond.

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Speaker 1: Yeah, you know a lot of social media now that

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Speaker 1: you bring it up, is kind of the back of

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Speaker 1: the bus, you know, at least black social media. You know,

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Speaker 1: you think about stuff like some of the like gossip sites.

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Speaker 1: I'm of the way that people interact with celebrities on

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Speaker 1: Twitter and the way that we talk to each other

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Speaker 1: when we have disagreements, and the way people rose folks

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Speaker 1: at the slightest infraction just because they can get the

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Speaker 1: joke off. It's not whether the joke is right or good.

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Speaker 1: You know, what kind of is the back of the busy.

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Speaker 1: That's a good point.

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Speaker 3: And when you have older people like celebrities and shit

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Speaker 3: coming out and saying, hey, social media give y'all an illusion,

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Speaker 3: because the reality is you say this shit because I

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Speaker 3: can't put my goddamn hands. But if we were somewhere

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Speaker 3: in a public setting, most of those people would not

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Speaker 3: say the shit today say. They would not say if

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Speaker 3: there were repercussions and consequences, if you got popped in

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Speaker 3: the face, if somebody was like, oh what fuck you

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Speaker 3: and they stood up and they six foot two and you,

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Speaker 3: you know, five foot ten, all of a sudden, you know,

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Speaker 3: the reality of it, Oh I might get hurt, Like

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Speaker 3: what was that? Boy said some shit online? The celebrity

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Speaker 3: came in like, oh, well what you say? You didn't

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Speaker 3: have the same energy.

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Speaker 2: So I think the internet gives people the illusion that

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Speaker 2: they can go.

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Speaker 3: And just crack these jokes, not saying that like people

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Speaker 3: can't find you. If somebody wants to find you, they

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Speaker 3: will and can find you. Yeah.

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Speaker 1: I just think it's the back of the bust mentality

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Speaker 1: of even if it doesn't get physical, just that idea

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Speaker 1: of trying to always get people. You know, we need

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Speaker 1: somebody to get today. You know, I never really thought

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Speaker 1: about it before, but but you know, us talking about

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Speaker 1: this and then just you know, watching people and how

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Speaker 1: they do. I think it is kind of like that mentality.

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Speaker 1: And I don't even think it's I mean, it's obviously

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Speaker 1: emboldened by the fact that you can't physically confront people,

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Speaker 1: but it's also just like, even if they know that

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Speaker 1: there's no physical confrontation, you don't have to act that way.

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Speaker 1: So the fact that people feel compelled to act that way,

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Speaker 1: it is kind of the back of the bus. And

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Speaker 1: I mean it's that same relationship I have with when

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Speaker 1: you talk about getting beat when you as a kid.

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Speaker 1: There's like a relationship where you're kind of like bonding

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Speaker 1: over the trauma of that. There's an episode of Atlanta

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Speaker 1: and I think it's really good, the one in season.

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Speaker 1: I think they have two seasons, so season two near

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Speaker 1: the end where it's about Ernie earn and and and

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Speaker 1: paperboy Alfred when they went to high school and how

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Speaker 1: treacherous and traumatic black high school really is for you

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Speaker 1: and not because like on some lean on me, the

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Speaker 1: white man gonna do something to us thing, but just

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Speaker 1: on some like how we treat each other, the constant

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Speaker 1: pressure to fit in, look the right way, stand out

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Speaker 1: but not too much, be cool but not too cool,

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Speaker 1: you know, be funny but not too funny. You know,

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Speaker 1: all that shit and the measuring stick that kids go

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Speaker 1: to school with when you're black. And then you know,

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Speaker 1: we talk about the white kid like look at look

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Speaker 1: at what you got on and he's just like, yeah,

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Speaker 1: I don't care. Days, no one cares. It's it's just

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Speaker 1: because you're black, dad. People give a fuck to judge

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Speaker 1: you in this many different ways. How many hoes you

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Speaker 1: got who can you beat up? And how good are

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Speaker 1: your sports and all this shit that you got to

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Speaker 1: worry about every day.

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Speaker 3: Yeah, because in the reality, for a lot of our

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Speaker 3: parents and great grandparents and things like that, a lot

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Speaker 3: of them came from nothing, and so accumulation of things

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Speaker 3: mattered to a lot of black people being able to

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Speaker 3: buy clothes, buy cars, you know, being able to to

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Speaker 3: do the luxuries that white people did. Like that shit

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Speaker 3: meant something. So it so for a lot of people,

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Speaker 3: even some adults, it means something to wear name brands,

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Speaker 3: it means something like it's almost like a status symbol.

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Speaker 3: And if you don't quote unquote meet this status, you know,

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Speaker 3: there's something wrong with you.

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Speaker 2: You're you're not as cool, you're knowing like that.

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Speaker 1: It's just but it's you know what though, that's white

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Speaker 1: people have that too, But it's just weirder that it's

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Speaker 1: so much pressure on kids in the black community. Correct,

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Speaker 1: Like it's as a kid, you really shouldn't have to

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Speaker 1: think about it that hard. You know, I'm not saying

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Speaker 1: that white kids on things about this at all, but

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Speaker 1: there's a lot of pressure, especially when we know that

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Speaker 1: black people are struggling with income, employment, all this different,

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Speaker 1: you know, just racial tax on us. And yet and

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Speaker 1: yet still if you show up to school not dressed

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Speaker 1: to the nons there was a different level of ridicule

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Speaker 1: that you might have to face depending on where you

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Speaker 1: went to school. And I know I went to we

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Speaker 1: both went to a majority black school, so you know

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Speaker 1: that pressure was real coming out of your neighborhood. You know,

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Speaker 1: what you were wearing that morning, When was the last

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Speaker 1: time you wore the outfit you wore and all that

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Speaker 1: type of stuff and just fitting in and looking right.

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Speaker 1: And yeah, you get getting a dozens and somebody HiT's

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Speaker 1: one of them insecure spots inside of you. Man, Like

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Speaker 1: that shit can hurt, Yeah, it.

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Speaker 3: Can hurt bad andhing And the thing is, you have

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Speaker 3: to be.

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Speaker 2: Secure in who you are, excuse.

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Speaker 3: Me, and what you did and that's very and what

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Speaker 3: you've done in the past. Because sometimes people hear rumors

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Speaker 3: and things like that, they bring that shit up.

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Speaker 1: And when you're a kid, you don't have a real past,

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Speaker 1: you know what I mean, everything is so recent you

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Speaker 1: haven't really had a chance to really be affirmed in

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Speaker 1: who you are. Like it's really up to your parents

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Speaker 1: and the people, the adult in your life to kind

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Speaker 1: of help you feel secure. But but the truth is, like,

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Speaker 1: especially once your hormones kicking, everybody feeling insecure and when

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Speaker 1: we start singling each other out and running running, you know,

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Speaker 1: running insults down on people just as a way of life.

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Speaker 1: You know, you either sink or swim with that ship.

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Speaker 1: All right, let's get into it. I know what you

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Speaker 1: guys came for. This is the Walking Dead recap episode

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Speaker 1: of the show. Where's the Walking Dead theme song? Oh

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Speaker 1: that's right, I clicked off of it because I can't

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Speaker 1: play it yet. First thing I had to play is this. Yeah,

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Speaker 1: I forgot.

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Speaker 2: Butterfly in the Sky. I can go twice the time.

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Speaker 1: Take a look, it's up book reading Rainbow. I can't

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Speaker 1: do anywhere. Where's the grow reading Rainbow?

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Speaker 2: Can do anything?

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Speaker 1: Take a look, it's in a book, reading Rainbow, reading Rainbow.

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Speaker 1: All right, I'm not that one person, Like, why did

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Speaker 1: I even write it?

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Speaker 3: I don't want that.

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Speaker 1: They definitely, they definitely change. I really I pray and

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Speaker 1: hope that they can take a joke. I mean too, baby,

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Speaker 1: I really hope they get the show. Uh you don't

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Speaker 1: get that show? All right? Walking down? That's right, walking

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Speaker 1: dead time. One episode away from the mid season finale, y'all,

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Speaker 1: so it's uh getting that just getting there. This episode

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Speaker 1: is episode seven of season ten, is called Open Your Eyes,

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Speaker 1: and it actually got slightly high right against them last

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Speaker 1: week three point three one million people watched it. Before

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Speaker 1: we get into the breakdown, which is a pretty straightforward

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Speaker 1: breakdown because we only had really one location. But before

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Speaker 1: we get into the breakdown, Karen, what do you think

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Speaker 1: about this episode? Overall?

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Speaker 2: I enjoyed this episode a lot.

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Speaker 3: To answer some questions, they moving the storyline forward, and

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Speaker 3: it makes me real because it looked like they're going

294
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Speaker 3: to know the location. It makes me really excited about

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Speaker 3: how it's gonna end.

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Speaker 1: Yeah, I enjoyed this episode a lot as well. This

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Speaker 1: is like basically two back in back back to back

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Speaker 1: that I really loved because Kneagan with them Whispers was.

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Speaker 2: Magna farius for your boys.

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Speaker 1: Lived up to all my expectations. And then this week,

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Speaker 1: like you said, they answered a lot of questions that

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Speaker 1: we had. They definitely hit at some of the plot

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Speaker 1: points that I was assuming they were gonna have to

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Speaker 1: get to because we're, you know, it's almost time to

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Speaker 1: wrap some of this story line up. And then the

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Speaker 1: other thing too, is they hit me with a swerve

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Speaker 1: that I almost didn't see coming. If it wasn't for

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Speaker 1: some feedback we got last week, I would have never

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Speaker 1: seen coming. But yeah, but I saw the swerve and

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Speaker 1: it makes total sense. So I actually enjoyed it and

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Speaker 1: I and it left me with questions that I won't

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Speaker 1: answer it too. So, uh, there's two locations essentially both

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Speaker 1: it's still Alexandra, but I broke it into two parts.

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Speaker 1: One i'll call the bridge and then the other part

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Speaker 1: we'll call Alexandra.

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Speaker 4: Right.

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Speaker 1: Uh, so let's start with the bridge. Take it to

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Speaker 1: the bridge. Uh, Aaron, who we know, is out there

319
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Speaker 1: trying to work. We've been wondering what the fuck Aaron is.

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Speaker 1: Apparently just been living by the bridge. He's just been

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Speaker 1: under the bridge, as a red hot chili peppers would

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Speaker 1: have made popular, he is, he's been over by the bridge,

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Speaker 1: hanging out with Gamma, trading goods, trying to do some diplomacy. Now,

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Speaker 1: what's interesting is that later in this episode we'll get

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Speaker 1: to it, but it seems like, you know, Alexander is

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Speaker 1: trying diplomacy first to weaken the Weekend, the Wild, the Whispers,

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Speaker 1: and it kind of reminds me of just like real

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Speaker 1: life in the war and stuff. How you know, imperialists, nations,

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Speaker 1: nations that like you can undermine a nation through trade,

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Speaker 1: you can, you know, It's like how a mayor says, like,

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Speaker 1: we're really gonna try to weaken communism by trading with

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Speaker 1: comedy communist parties and letting them see like American jeans,

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Speaker 1: American music and exporting our culture. And in this way,

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Speaker 1: I feel like that's kind of what Aaron's trying to do.

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Speaker 1: Export the freedoms of Alexandria and advertised like, hey, we're

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Speaker 1: not too bad. You know, look what I got some bread.

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Speaker 1: We get bread every day with real flower, right. And

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Speaker 1: you know, for us watching the show, we know that

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Speaker 1: Gamma has essentially been there. Uh She's she's only really

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Speaker 1: dealing with Aaron to get information or something out of

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Speaker 1: him because the Alpha put her up to that.

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Speaker 2: Right.

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Speaker 1: So she comments on how he has bread and ship

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Speaker 1: and he shows her a picture his daughter drew in

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Speaker 1: a bag because it's in his bag and she sees

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Speaker 1: it and he's like, yes, my daughter do this. And

347
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Speaker 1: she's like, y'all got kids and he was like yeah,

348
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Speaker 1: we got Yeah, I got a kid and we got

349
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Speaker 1: plenty more kids and Alexandria and she's like, well, we

350
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Speaker 1: don't have kids because they just hold you back and

351
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Speaker 1: make you weak. And then he asked her does she

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Speaker 1: have any siblings and she says no, I'm my only child.

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Speaker 1: And that's when I'm like, oh, she's still lying, m

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Speaker 1: And so then Aaron let's get em see the drawing

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Speaker 1: that his daughter made, and then they have a discussion

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Speaker 1: about childhood and siblings and it starts to crack her

357
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Speaker 1: very near a little bit.

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Speaker 2: Yeah, because at the end of the day, they are people.

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Speaker 5: Right, you have bread every day conversation.

360
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Speaker 2: That means this has been going on for a while.

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Speaker 1: You have read every day, right, They've been going up

362
00:18:51,080 --> 00:18:53,560
Speaker 1: there for days, so we know where Aaron's been going

363
00:18:53,600 --> 00:18:56,639
Speaker 1: his ass out there now, maybe because Michean ain't there

364
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Speaker 1: in charge of security, but I feel like somebody should

365
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Speaker 1: be like, what the fuck is Aaron?

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Speaker 2: Every day?

367
00:19:00,520 --> 00:19:03,919
Speaker 1: Where the is he? Let should make sure I be liked?

368
00:19:06,560 --> 00:19:07,920
Speaker 3: How do your people mix so much?

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Speaker 1: She didn't take the red but.

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Speaker 5: Every day it seems like a lot of people doing

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Speaker 5: just that.

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Speaker 6: As many as needed.

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Speaker 1: Also, like how weird must it be to talk to

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Speaker 1: a nigga wearing a zombie mask? Like they just kicking

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Speaker 1: it at the corner, Like, so, how's house tricks? Just

376
00:19:30,119 --> 00:19:32,639
Speaker 1: sitting here smelling like a fucking zombie with a zombie masking?

377
00:19:32,800 --> 00:19:47,240
Speaker 1: Talk to you? Like we not crazy? M my daughter?

378
00:19:53,000 --> 00:19:57,720
Speaker 3: You have children, just the one about all it can handle,

379
00:20:00,200 --> 00:20:01,240
Speaker 3: and there are more.

380
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Speaker 6: There are?

381
00:20:05,880 --> 00:20:09,760
Speaker 5: Do you children hold me back?

382
00:20:10,160 --> 00:20:10,760
Speaker 2: Thicky week?

383
00:20:11,760 --> 00:20:12,399
Speaker 7: Without family?

384
00:20:12,440 --> 00:20:16,480
Speaker 6: Then brothers or sisters?

385
00:20:17,240 --> 00:20:19,199
Speaker 1: Now this is interesting because you know, we know the

386
00:20:19,200 --> 00:20:24,160
Speaker 1: answers is shit, but like he clearly air and it's

387
00:20:24,200 --> 00:20:28,320
Speaker 1: probing her for ifining like like he's just like, how

388
00:20:28,320 --> 00:20:30,600
Speaker 1: do I get her to open up?

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00:20:31,640 --> 00:20:31,840
Speaker 6: Yeah?

390
00:20:31,880 --> 00:20:35,240
Speaker 3: He got that hand like full metal full metal alchemist

391
00:20:35,320 --> 00:20:35,840
Speaker 3: over there.

392
00:20:36,160 --> 00:20:39,720
Speaker 1: Yeah he does got that that head with some good

393
00:20:39,720 --> 00:20:44,840
Speaker 1: craftsman ship shout out to Earl the Blacksmith. So later

394
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Speaker 1: he gives her the actual drawing that his daughter drew.

395
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Speaker 1: And remember earlier she said she didn't have any siblings.

396
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Speaker 8: She's actually a pretty good writer.

397
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Speaker 7: Mostly I think she just uses it as an excuse

398
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Speaker 7: to stay out with her friends.

399
00:21:02,280 --> 00:21:07,960
Speaker 9: You ever, right, sometimes I couldn't get enough, find every

400
00:21:07,960 --> 00:21:11,080
Speaker 9: excuse to stay out as long as I could keep going,

401
00:21:11,280 --> 00:21:12,520
Speaker 9: even if it was yourself and down.

402
00:21:12,400 --> 00:21:15,679
Speaker 5: The street as kids would always try to take the

403
00:21:15,760 --> 00:21:17,119
Speaker 5: long way home around the ledge.

404
00:21:19,520 --> 00:21:24,000
Speaker 1: She slips up, she said we and he realizes, oh,

405
00:21:24,600 --> 00:21:32,680
Speaker 1: you had you had a sibling, brother or sister.

406
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Speaker 6: I'm sorry.

407
00:21:40,040 --> 00:21:43,320
Speaker 1: Now. The other thing that he can't possibly know is

408
00:21:43,359 --> 00:21:47,679
Speaker 1: that Alpha killed her sister, and her sister is the

409
00:21:47,720 --> 00:21:52,040
Speaker 1: one who lost the child. That actually she left the child.

410
00:21:52,400 --> 00:21:56,080
Speaker 1: She killed her. Oh is that happened? She pulled her

411
00:21:56,119 --> 00:22:01,480
Speaker 1: off of Alpha righted, So yeah, she killed her sister

412
00:22:01,560 --> 00:22:06,680
Speaker 1: photo cold. And in addition to that, her sister's the

413
00:22:06,720 --> 00:22:11,080
Speaker 1: one that they gotta they're raising that baby. Tammy and

414
00:22:11,160 --> 00:22:14,800
Speaker 1: Earl gave the baby to uh to Jerry and no

415
00:22:14,880 --> 00:22:18,160
Speaker 1: Billa Nobilla. So like all this ship is like she's

416
00:22:18,160 --> 00:22:20,679
Speaker 1: supposed to just be like ice cold, but all this

417
00:22:20,720 --> 00:22:23,640
Speaker 1: shit gotta be hurting her inside, right, And you.

418
00:22:23,600 --> 00:22:25,280
Speaker 3: Could tell the last week or week before when she

419
00:22:25,400 --> 00:22:28,679
Speaker 3: was stabbing at zombie. Yeah, like that shit got to

420
00:22:28,720 --> 00:22:30,720
Speaker 3: affect you, just like your sister, cracked dog. That ship

421
00:22:30,760 --> 00:22:33,920
Speaker 3: will affect you no matter how hard and cold and ice.

422
00:22:33,800 --> 00:22:36,920
Speaker 1: Cold you is. That was your sister. And it seems

423
00:22:36,960 --> 00:22:40,440
Speaker 1: like while I've been talking shit about here, he did

424
00:22:40,480 --> 00:22:43,280
Speaker 1: peep game that she was a weak link that he

425
00:22:43,320 --> 00:22:46,600
Speaker 1: could try to like manipulate or get information from. He did,

426
00:22:46,720 --> 00:22:48,959
Speaker 1: and I guess maybe the way she she was shaking

427
00:22:49,000 --> 00:22:51,439
Speaker 1: that that fucking zombie of he said, Oh, maybe this

428
00:22:51,520 --> 00:22:54,600
Speaker 1: is one I can pump for information. But uh yeah,

429
00:22:54,640 --> 00:22:57,359
Speaker 1: obviously this part stops negotiations.

430
00:22:57,760 --> 00:22:57,960
Speaker 4: Yeah.

431
00:22:58,000 --> 00:22:59,199
Speaker 6: He was a couple of years younger than man.

432
00:23:01,119 --> 00:23:07,080
Speaker 7: Yeah, he loved cars. When we think I love more

433
00:23:07,080 --> 00:23:13,840
Speaker 7: than cars with people, and they loved him, and I

434
00:23:13,880 --> 00:23:18,200
Speaker 7: still think about him every day. You know, I know

435
00:23:18,240 --> 00:23:20,320
Speaker 7: what it's like to lose someone that you love that much,

436
00:23:20,920 --> 00:23:22,480
Speaker 7: and I know that it helps to talk about it.

437
00:23:24,440 --> 00:23:29,840
Speaker 6: What you're doing these questions, you know, digging for intel.

438
00:23:32,240 --> 00:23:36,320
Speaker 7: H I suppose I should be doing the same. But

439
00:23:36,320 --> 00:23:37,360
Speaker 7: what's the point.

440
00:23:39,640 --> 00:23:40,480
Speaker 1: So maybe we just.

441
00:23:43,400 --> 00:23:47,080
Speaker 7: Talk about nothing worth reporting, you know, you know I

442
00:23:47,080 --> 00:23:50,440
Speaker 7: can go on and on about my brother, maybe you can.

443
00:23:52,200 --> 00:23:56,840
Speaker 1: And she runs out like Red and Friday. Yeah, and

444
00:23:56,920 --> 00:24:00,720
Speaker 1: she also chanced the uh that that that could chant

445
00:24:00,840 --> 00:24:04,840
Speaker 1: that we learned a few weeks back, that right, And

446
00:24:04,880 --> 00:24:08,400
Speaker 1: so he was like, you know, you want to ship

447
00:24:08,480 --> 00:24:10,560
Speaker 1: on Aaron, but if you think about it, I mean,

448
00:24:11,920 --> 00:24:15,159
Speaker 1: Aaron is like Aaron used to be the guy they

449
00:24:15,280 --> 00:24:18,800
Speaker 1: sent out to recruit people. Yep, And you know, I

450
00:24:18,880 --> 00:24:21,199
Speaker 1: kind of had forgot that. So it's not you know,

451
00:24:21,240 --> 00:24:23,879
Speaker 1: I'm more worried that that water was poisoning everybody. And

452
00:24:23,920 --> 00:24:26,400
Speaker 1: I'm like, nigga, just report she throwing zombie guts in

453
00:24:26,240 --> 00:24:30,359
Speaker 1: the stream. Yeah yeah, but but I'm saying I was

454
00:24:30,440 --> 00:24:33,280
Speaker 1: more concerned about that than the idea of getting information

455
00:24:33,359 --> 00:24:38,800
Speaker 1: about that group, you know. So yeah, it's just interesting that,

456
00:24:38,960 --> 00:24:43,880
Speaker 1: uh that that fell apart. But later on she continues

457
00:24:43,920 --> 00:24:46,840
Speaker 1: this because she leaves and does the chance to get

458
00:24:46,880 --> 00:24:48,480
Speaker 1: Colt strength and.

459
00:24:50,119 --> 00:24:50,520
Speaker 10: Uh.

460
00:24:50,720 --> 00:24:54,280
Speaker 1: She starts looking at the letter and a fucking zombie

461
00:24:54,359 --> 00:24:56,080
Speaker 1: walks up to her because she's looking at the letter

462
00:24:56,160 --> 00:24:59,080
Speaker 1: at the not the letter d drawing that the daughter

463
00:24:59,160 --> 00:25:04,000
Speaker 1: did without her mask on. These are without her mask

464
00:25:04,040 --> 00:25:05,600
Speaker 1: before she can really get it back on, and the

465
00:25:05,680 --> 00:25:14,200
Speaker 1: zombie tries to eat her, and she has to kill

466
00:25:14,240 --> 00:25:18,560
Speaker 1: the zombie does.

467
00:25:18,520 --> 00:25:19,479
Speaker 2: Just starts attacking her.

468
00:25:20,000 --> 00:25:22,680
Speaker 1: And then the part, the part that scary is and

469
00:25:22,800 --> 00:25:27,760
Speaker 1: this ship is this ship. The camera pans over and

470
00:25:27,800 --> 00:25:30,040
Speaker 1: Alpha been sitting there looking at her the whole time.

471
00:25:30,160 --> 00:25:32,480
Speaker 1: This is like when you do some shit you ain't

472
00:25:32,520 --> 00:25:34,880
Speaker 1: I know, this is doing as a kid, and it's

473
00:25:35,000 --> 00:25:38,520
Speaker 1: like you it's like you're almost you know, you do

474
00:25:38,600 --> 00:25:41,240
Speaker 1: whatever you're not supposed to be doing, and you look

475
00:25:41,320 --> 00:25:43,200
Speaker 1: up and your mama just been standing there the whole time,

476
00:25:43,280 --> 00:25:46,959
Speaker 1: like I told you, not that I told you, asked

477
00:25:47,359 --> 00:25:50,800
Speaker 1: no cartoons at the three and to do your damn homework.

478
00:25:50,920 --> 00:25:52,720
Speaker 1: And what you're in here doing fucking with this TV

479
00:25:53,440 --> 00:25:56,159
Speaker 1: watching X Men. Yeah, I've been sitting here watching the

480
00:25:56,160 --> 00:25:59,080
Speaker 1: whole time. I don't know how Alpha snuck up like that.

481
00:25:59,080 --> 00:26:03,320
Speaker 1: That shit was scary is hell. But because she killed

482
00:26:03,320 --> 00:26:04,439
Speaker 1: as the Walker, so why.

483
00:26:04,440 --> 00:26:06,119
Speaker 3: I'm gonna tell you how because she bought like snake.

484
00:26:07,119 --> 00:26:13,840
Speaker 1: She slithered up on her ass. Hey god, and Gamma

485
00:26:13,880 --> 00:26:17,480
Speaker 1: did look uh like a kid. She looked like a

486
00:26:17,560 --> 00:26:20,160
Speaker 1: kid getting caught like, ohole ship, if I just act

487
00:26:20,240 --> 00:26:21,959
Speaker 1: like I took the kicken out to defrosted?

488
00:26:22,119 --> 00:26:26,280
Speaker 3: Uh, why didn't I just fallow directions?

489
00:26:28,600 --> 00:26:28,959
Speaker 4: M hm?

490
00:26:30,720 --> 00:26:31,960
Speaker 11: And man's the medalone?

491
00:26:34,840 --> 00:26:42,200
Speaker 3: Eric, Yeah, he's a daughter. Is that all you're blood?

492
00:26:46,359 --> 00:26:49,800
Speaker 6: Did you ask after your sister's child?

493
00:26:51,880 --> 00:26:54,040
Speaker 4: There's nothing to ask.

494
00:26:54,680 --> 00:26:58,880
Speaker 3: He is one of them. He slaughter rop eyed.

495
00:27:00,760 --> 00:27:01,920
Speaker 4: He'll suit out you.

496
00:27:04,119 --> 00:27:07,439
Speaker 6: You will use your sister ai institut M.

497
00:27:10,040 --> 00:27:17,680
Speaker 1: Love your mask. So she made her take a mask off,

498
00:27:18,840 --> 00:27:21,680
Speaker 1: and then I'll skip past this far. But then she

499
00:27:22,000 --> 00:27:26,320
Speaker 1: whips her with the with the same switch thing that

500
00:27:26,400 --> 00:27:30,160
Speaker 1: she used to do to uh Lydia, which we never

501
00:27:30,200 --> 00:27:32,399
Speaker 1: saw her do the Lydia, I don't think, but we

502
00:27:32,520 --> 00:27:34,480
Speaker 1: see that this isn't just something she did to Lydia.

503
00:27:34,680 --> 00:27:37,760
Speaker 1: She must do this to all her acolytes as a

504
00:27:37,760 --> 00:27:40,440
Speaker 1: form of physical punishment for this brainwashing.

505
00:27:40,480 --> 00:27:40,680
Speaker 6: Ship.

506
00:27:40,960 --> 00:27:43,960
Speaker 3: Yeah, my thing I'll always happened to her face like

507
00:27:44,040 --> 00:27:46,240
Speaker 3: she having like these bruises around her eyes and.

508
00:27:46,240 --> 00:27:48,080
Speaker 1: Shit like well, I don't think that bruises. I think

509
00:27:48,080 --> 00:27:51,679
Speaker 1: they're like makeup or something, Okay, to make it so

510
00:27:51,720 --> 00:27:53,480
Speaker 1: that your your face doesn't stand out when you're in

511
00:27:53,480 --> 00:27:53,800
Speaker 1: the mask.

512
00:27:54,240 --> 00:27:55,480
Speaker 2: Way, that makes sense.

513
00:28:00,440 --> 00:28:01,440
Speaker 6: I believe in it.

514
00:28:02,960 --> 00:28:06,000
Speaker 1: Pure cult shitt.

515
00:28:09,640 --> 00:28:11,080
Speaker 2: That's like who's the most dedicated?

516
00:28:11,440 --> 00:28:13,320
Speaker 3: You will not you.

517
00:28:13,680 --> 00:28:15,920
Speaker 1: But it's also like I build I break you down

518
00:28:15,960 --> 00:28:18,960
Speaker 1: to build you up. So I'm beating you, telling you

519
00:28:18,960 --> 00:28:21,120
Speaker 1: you you know you fucked up. But then I tell

520
00:28:21,160 --> 00:28:26,120
Speaker 1: you I believe in you, and you know I love you.

521
00:28:26,119 --> 00:28:28,680
Speaker 1: You know, I know you could be so special. It's

522
00:28:28,720 --> 00:28:30,960
Speaker 1: like you just beat me with a fucking stick to though.

523
00:28:31,640 --> 00:28:43,400
Speaker 1: You know, tell me this, Aaron, he TETs you. It

524
00:28:43,600 --> 00:28:44,880
Speaker 1: is lies.

525
00:28:46,560 --> 00:28:47,840
Speaker 6: Do not be seduced.

526
00:28:58,560 --> 00:29:01,800
Speaker 1: Meanwhile, we know she is full last live because Lydia's alive.

527
00:29:03,160 --> 00:29:03,320
Speaker 6: Right.

528
00:29:03,840 --> 00:29:06,320
Speaker 1: But that's the thing when you gas like somebody, you

529
00:29:06,440 --> 00:29:10,960
Speaker 1: tell them the opposite shit, and then, uh, you know,

530
00:29:11,840 --> 00:29:14,480
Speaker 1: it's like, let let me tell you. Listen, I'm the

531
00:29:14,520 --> 00:29:16,960
Speaker 1: one telling that someone else is a lie. Believe me,

532
00:29:17,280 --> 00:29:19,840
Speaker 1: believe only in me, and go out and do my bidding.

533
00:29:20,280 --> 00:29:25,560
Speaker 1: Ye Now, what exactly kind of intel she actually wants

534
00:29:25,680 --> 00:29:31,960
Speaker 1: about Alexandria. I'm not sure, but you know, maybe it's

535
00:29:32,080 --> 00:29:36,719
Speaker 1: the number of people in the community. Maybe weapons. I mean,

536
00:29:36,720 --> 00:29:39,120
Speaker 1: it could be a lot of different things, but clearly

537
00:29:39,800 --> 00:29:44,280
Speaker 1: you know she still wants something from uh, you know,

538
00:29:44,560 --> 00:29:48,040
Speaker 1: to come from this. So then the last scene with

539
00:29:48,120 --> 00:29:50,600
Speaker 1: the with the bridge is she came to the bridge

540
00:29:51,280 --> 00:29:55,600
Speaker 1: and she basically tries to take Aaron hostage because she's

541
00:29:55,640 --> 00:30:03,040
Speaker 1: sick of motherfucking negotiations. Okay, yeah, and if right, So

542
00:30:03,200 --> 00:30:04,800
Speaker 1: she tricks him and puts a knife to his.

543
00:30:04,800 --> 00:30:06,560
Speaker 3: Throat and they meeting at night the first time they

544
00:30:06,560 --> 00:30:07,760
Speaker 3: met in the daytime.

545
00:30:07,480 --> 00:30:11,800
Speaker 5: Yes, and the night time now anything from you take it,

546
00:30:12,040 --> 00:30:12,800
Speaker 5: brol Burnett.

547
00:30:20,760 --> 00:30:22,600
Speaker 1: Aaron's looking like, what the fuck changed?

548
00:30:25,640 --> 00:30:25,959
Speaker 11: All right?

549
00:30:31,160 --> 00:30:35,040
Speaker 1: And you answer, got it?

550
00:30:33,160 --> 00:30:35,560
Speaker 5: Don't you.

551
00:30:38,360 --> 00:30:38,440
Speaker 4: Have?

552
00:30:38,600 --> 00:30:38,680
Speaker 10: No?

553
00:30:42,840 --> 00:30:46,240
Speaker 2: He's reaching for his knife, so he's gonna suck up.

554
00:30:47,320 --> 00:30:49,640
Speaker 1: But but Carol comes out of the woods with her

555
00:30:49,640 --> 00:30:53,800
Speaker 1: bow drawn, like, what's up them, bitch? You were out

556
00:30:53,840 --> 00:30:57,040
Speaker 1: here trying to kidnapping people. Now I'm surprised she didn't

557
00:30:57,040 --> 00:30:58,800
Speaker 1: come out and be like, Aaron, what the fuck? But

558
00:30:58,920 --> 00:31:02,000
Speaker 1: I guess he talked to people about let him go.

559
00:31:05,760 --> 00:31:13,720
Speaker 1: And Lydia comes out right behind Carol and Gamma basically

560
00:31:13,760 --> 00:31:16,800
Speaker 1: can't believe her eyes, like she backs she lets airon go.

561
00:31:17,000 --> 00:31:20,640
Speaker 1: She backs away because this and this is something I

562
00:31:20,680 --> 00:31:23,880
Speaker 1: was hoping. I was like, somehow this has to happen.

563
00:31:24,160 --> 00:31:25,880
Speaker 1: I didn't know if it was gonna happen via the

564
00:31:26,000 --> 00:31:29,600
Speaker 1: dude that they kidnapped last week, or if it's gonna

565
00:31:29,640 --> 00:31:33,320
Speaker 1: happen via Gamma. But someone has to see Lydia's alive,

566
00:31:33,440 --> 00:31:38,120
Speaker 1: because that will erode Alpha's power structure, because once we

567
00:31:38,240 --> 00:31:43,440
Speaker 1: have proof, you and motherfucking lie and all of us liars,

568
00:31:43,880 --> 00:31:46,160
Speaker 1: and not just that, but all of us gave up

569
00:31:46,200 --> 00:31:50,360
Speaker 1: our familial attachments like colts do this. They make you

570
00:31:50,440 --> 00:31:53,560
Speaker 1: give up your friends, your family unless they join to.

571
00:31:54,040 --> 00:31:56,080
Speaker 1: They make you give up your worldly possessions, all that

572
00:31:56,120 --> 00:31:58,160
Speaker 1: type of stuff. And that's what this is a cult.

573
00:31:58,600 --> 00:32:02,640
Speaker 1: And they these people have given that up because the

574
00:32:02,760 --> 00:32:06,800
Speaker 1: leader promises, Hey, I've given these things up. But meantime,

575
00:32:06,840 --> 00:32:10,120
Speaker 1: we have actual proof that you haven't. You know, and

576
00:32:10,160 --> 00:32:12,720
Speaker 1: this isn't like you know, some other like a coat.

577
00:32:12,840 --> 00:32:15,480
Speaker 1: Sometimes it's like no one can have sex but me

578
00:32:15,640 --> 00:32:18,440
Speaker 1: because I'm God and this one it's not like that

579
00:32:18,560 --> 00:32:21,880
Speaker 1: like Alpha's basically use this as an example of it.

580
00:32:21,920 --> 00:32:23,400
Speaker 1: If I can get rid of Lydia, you can get

581
00:32:23,440 --> 00:32:25,760
Speaker 1: rid of your sister and her baby, and this woman

582
00:32:25,880 --> 00:32:28,160
Speaker 1: was a full throwed believer. Let this woman beat her

583
00:32:28,200 --> 00:32:32,320
Speaker 1: and everything, and then here's proof Alpha's a goddamn lie.

584
00:32:33,680 --> 00:32:35,240
Speaker 1: I don't know how she gonna explain this when she

585
00:32:35,280 --> 00:32:35,720
Speaker 1: get back.

586
00:32:36,160 --> 00:32:38,360
Speaker 3: Oh she might not explain it, like she just might

587
00:32:38,440 --> 00:32:40,560
Speaker 3: show back like everything normal and it just went no.

588
00:32:40,600 --> 00:32:42,400
Speaker 1: I mean, I don't know how Alpha's gonna explain this

589
00:32:42,480 --> 00:32:45,520
Speaker 1: when because it's gonna get out. It's no fucking way

590
00:32:45,560 --> 00:32:48,000
Speaker 1: this woman goes back to the colt like it's all good.

591
00:32:48,320 --> 00:32:50,680
Speaker 1: She's gonna be telling people about it. And so I

592
00:32:50,760 --> 00:32:53,920
Speaker 1: wonder how Alpha's gonna try to explain, you know, because

593
00:32:53,920 --> 00:32:57,000
Speaker 1: that she was dead. To me, shit is not gonna

594
00:32:57,080 --> 00:33:00,360
Speaker 1: pass the way it did with Beta. Hither either she's to.

595
00:33:01,160 --> 00:33:04,760
Speaker 3: My guess is that she's going to confront her in

596
00:33:04,840 --> 00:33:07,760
Speaker 3: private that's probably gonna suck up. Or either she's going

597
00:33:07,800 --> 00:33:10,280
Speaker 3: to confirm her and to put him in platform, but like, hey, bit, you're.

598
00:33:10,120 --> 00:33:12,840
Speaker 1: Gonna have to take me out then yeah, And see

599
00:33:12,840 --> 00:33:14,720
Speaker 1: that's the thing. I think she either got to tell

600
00:33:14,800 --> 00:33:17,360
Speaker 1: everybody because if she tried to tell her one on

601
00:33:17,360 --> 00:33:19,800
Speaker 1: one or in private, or maybe even tell Beta, I

602
00:33:19,800 --> 00:33:34,440
Speaker 1: think she's gonna get killed. No, no, Aaron's like, why

603
00:33:34,560 --> 00:33:38,840
Speaker 1: she freak out so hard? This is obviously not Aaron's

604
00:33:38,880 --> 00:33:39,640
Speaker 1: not in on this plan.

605
00:33:39,920 --> 00:33:43,000
Speaker 6: M hm. The mother told her pupil that she killed.

606
00:33:42,800 --> 00:33:47,880
Speaker 1: Her, and so Carol lets Lydia know, essentially, I am

607
00:33:47,960 --> 00:33:50,920
Speaker 1: in on this. This was my plan to use you

608
00:33:51,800 --> 00:33:54,840
Speaker 1: to to basically fuck your people up by letting them

609
00:33:54,880 --> 00:33:59,120
Speaker 1: know you're still alive. And Lydia had no idea. She

610
00:33:59,200 --> 00:34:02,640
Speaker 1: thought they were ride now to help in some type

611
00:34:02,640 --> 00:34:05,720
Speaker 1: of way, and Carol didn't inform her of the plan.

612
00:34:05,920 --> 00:34:10,840
Speaker 3: She's been on one lady like, she's not telling nobody anything,

613
00:34:11,080 --> 00:34:13,400
Speaker 3: like fucking I'm a one woman crew. Okay, we know

614
00:34:13,440 --> 00:34:15,880
Speaker 3: you big and bad, but god damn, you can't do

615
00:34:15,920 --> 00:34:16,760
Speaker 3: everything by yourself.

616
00:34:16,800 --> 00:34:18,520
Speaker 1: I'm telling you as long as you think of her

617
00:34:18,600 --> 00:34:23,600
Speaker 1: as Carol Bauer, Yes, okay, I'm not.

618
00:34:23,520 --> 00:34:24,640
Speaker 2: Like with you, Carol Bower.

619
00:34:24,719 --> 00:34:27,359
Speaker 1: Yes, like I'm kind of okay with what she be doing.

620
00:34:27,560 --> 00:34:30,240
Speaker 1: You know, I understand that you know I'm not supposed

621
00:34:30,239 --> 00:34:32,400
Speaker 1: to be, but I'll be lying to you if I

622
00:34:32,400 --> 00:34:36,480
Speaker 1: said I would. I'm totally okay with Carol's with Carol

623
00:34:36,719 --> 00:34:41,160
Speaker 1: on her bullshit like she's like, I'm trying to win

624
00:34:42,239 --> 00:34:44,440
Speaker 1: and you niggas are in my way with this bullshit.

625
00:34:45,680 --> 00:34:48,239
Speaker 1: All right, let me finish the scene. It's almost done.

626
00:34:51,080 --> 00:34:52,080
Speaker 1: Whenever it wants to play.

627
00:34:52,840 --> 00:34:52,960
Speaker 3: Uh.

628
00:34:53,520 --> 00:34:57,359
Speaker 1: But yeah, She's like, any means necessary, I will win.

629
00:35:05,000 --> 00:35:11,200
Speaker 1: Did you use me, buddy? I'm sorry, you're just like

630
00:35:11,360 --> 00:35:14,040
Speaker 1: her Lydia.

631
00:35:19,160 --> 00:35:20,600
Speaker 2: You said you wanted me to choose a side.

632
00:35:22,440 --> 00:35:23,120
Speaker 3: I choose mine.

633
00:35:24,320 --> 00:35:26,480
Speaker 1: You can't go out there, it's too dangerous.

634
00:35:28,920 --> 00:35:29,759
Speaker 2: You can't stop me.

635
00:35:35,080 --> 00:35:38,319
Speaker 1: She hit the ship out of Carrol with with with

636
00:35:38,360 --> 00:35:40,600
Speaker 1: a stick the way that will I mean that he's

637
00:35:40,640 --> 00:35:44,040
Speaker 1: to have She hit Carol hard as ship and then

638
00:35:44,160 --> 00:35:47,520
Speaker 1: ran off to be alone in the woods.

639
00:35:47,880 --> 00:35:50,640
Speaker 3: Yeah, because in her mind is fucked up, Like I

640
00:35:50,640 --> 00:35:53,439
Speaker 3: thought it was helping. You bought me out here, used

641
00:35:53,520 --> 00:35:55,600
Speaker 3: me if you if you would have informed her, she

642
00:35:55,680 --> 00:35:57,120
Speaker 3: might have went along with the plan. But you didn't

643
00:35:57,160 --> 00:36:00,319
Speaker 3: inform her, so you stripped her over the choice. And

644
00:36:00,360 --> 00:36:02,239
Speaker 3: she done been through a lot of shit in the

645
00:36:02,320 --> 00:36:05,080
Speaker 3: community lately, trying to be accepted, trying to fit in,

646
00:36:05,239 --> 00:36:08,319
Speaker 3: trying to follow y'all rules and shit. And she was like,

647
00:36:08,719 --> 00:36:10,799
Speaker 3: you use me just like my MAMAA use me?

648
00:36:10,880 --> 00:36:12,720
Speaker 2: The fuck is this? There's no difference?

649
00:36:13,120 --> 00:36:15,359
Speaker 1: Yeah? And I love this response. And writing here because

650
00:36:15,400 --> 00:36:17,759
Speaker 1: I feel like it's a trauma response, right, And if

651
00:36:17,760 --> 00:36:20,560
Speaker 1: you think about her being abused as a child, her

652
00:36:20,600 --> 00:36:25,200
Speaker 1: being abused within the Alexandria group, I can see how

653
00:36:25,200 --> 00:36:26,880
Speaker 1: this would be the last straw for her where she's like,

654
00:36:26,960 --> 00:36:30,239
Speaker 1: I'll just rather take my chances on my own than

655
00:36:30,320 --> 00:36:34,000
Speaker 1: fucking with any of y'all, because you know, her mom

656
00:36:34,760 --> 00:36:37,160
Speaker 1: basically told her, look, when these people back gets to

657
00:36:37,200 --> 00:36:40,440
Speaker 1: the wall, they will find the nearest target and squeeze

658
00:36:40,440 --> 00:36:42,759
Speaker 1: the trigger. And if you're that target, they gonna fuck

659
00:36:42,800 --> 00:36:45,000
Speaker 1: you up too. And she was right on that, right,

660
00:36:45,040 --> 00:36:47,200
Speaker 1: and they did. You know, they just literally had a

661
00:36:47,239 --> 00:36:49,479
Speaker 1: murder attempt on her life flat like two weeks ago.

662
00:36:49,920 --> 00:36:51,920
Speaker 1: So I get why she would be like, man, fuck

663
00:36:51,960 --> 00:36:54,120
Speaker 1: all y'all. I thought I could trust you, Carol. You

664
00:36:54,160 --> 00:36:56,680
Speaker 1: let me stay in your house this week, and it's

665
00:36:56,719 --> 00:36:58,680
Speaker 1: all just to use me in some part of you know,

666
00:36:58,760 --> 00:37:02,520
Speaker 1: this weird ass plot that you have and I had

667
00:37:02,600 --> 00:37:06,040
Speaker 1: no agency in it, So I can't trust you either.

668
00:37:06,040 --> 00:37:10,719
Speaker 3: You know, so doing shit and then when people were bad,

669
00:37:11,000 --> 00:37:13,360
Speaker 3: be like my fault, you'd be like, nig, you should

670
00:37:13,400 --> 00:37:14,680
Speaker 3: have told me, right.

671
00:37:16,840 --> 00:37:22,879
Speaker 1: So then uh Lydia leaves on her own and then

672
00:37:23,000 --> 00:37:28,880
Speaker 1: Carol Lee's and uh in the Woods, Uh, Gamma cries

673
00:37:29,040 --> 00:37:31,080
Speaker 1: like Lizo just beat her out for Album of the

674
00:37:31,160 --> 00:37:36,120
Speaker 1: Year the Soul Train Awards because she's just like, all

675
00:37:36,160 --> 00:37:40,439
Speaker 1: this ship I believed in is fake, all this work.

676
00:37:40,520 --> 00:37:41,480
Speaker 2: I killed my sister.

677
00:37:41,560 --> 00:37:45,520
Speaker 3: I turned my back on her, right, I treated her

678
00:37:45,560 --> 00:37:48,359
Speaker 3: like she wouldn't ship, even though I actually truly loved her.

679
00:37:50,280 --> 00:37:54,439
Speaker 1: So uh, yeah, that was how the bridge basically ends,

680
00:37:54,480 --> 00:37:58,560
Speaker 1: and then we can get into Alexandria. But that was

681
00:37:59,120 --> 00:38:00,840
Speaker 1: you know, I do have to give it credit. I

682
00:38:00,880 --> 00:38:04,600
Speaker 1: didn't think that Aaron's storyline was going anywhere. I was like,

683
00:38:04,640 --> 00:38:06,439
Speaker 1: why is this taking so long? As they just don't

684
00:38:06,440 --> 00:38:08,759
Speaker 1: want him around so he can't talk about how the water,

685
00:38:08,960 --> 00:38:11,879
Speaker 1: he can't warn them about the water. But I guess

686
00:38:11,560 --> 00:38:14,160
Speaker 1: it's something did come of it in the kind of

687
00:38:14,200 --> 00:38:20,279
Speaker 1: round about all right. In Alexandria, Sadiq was watching over

688
00:38:20,440 --> 00:38:23,040
Speaker 1: that old lady Cheryl from last week that I said

689
00:38:23,120 --> 00:38:26,040
Speaker 1: this to adorable. She's definitely gonna die, like she wanted

690
00:38:26,040 --> 00:38:27,800
Speaker 1: them people, that's so sick. But then she all is

691
00:38:27,840 --> 00:38:31,320
Speaker 1: she old and she also wanted them people that's like anything,

692
00:38:31,360 --> 00:38:32,600
Speaker 1: you know, just having water.

693
00:38:32,800 --> 00:38:34,319
Speaker 2: I was like, she ain't gonna last long.

694
00:38:34,360 --> 00:38:37,280
Speaker 1: I never thought I'd sleeping up beds. So this is fine,

695
00:38:38,239 --> 00:38:42,399
Speaker 1: Like everything with her is just it's fine, all right.

696
00:38:43,040 --> 00:38:45,000
Speaker 1: You know, I never thought I'd be able to throw

697
00:38:45,080 --> 00:38:48,360
Speaker 1: up my own intestines. It's fine, It's fine. It's the

698
00:38:48,440 --> 00:38:51,800
Speaker 1: good death Sadiki did everything you could.

699
00:38:52,719 --> 00:38:54,240
Speaker 2: But at least I'm in a safe space.

700
00:38:55,000 --> 00:39:00,000
Speaker 1: I'm bleeding on this great theoad count. I never thought

701
00:39:00,440 --> 00:39:02,480
Speaker 1: I'd be able to bleed all of a clean sheets.

702
00:39:02,880 --> 00:39:05,200
Speaker 2: He did a good job.

703
00:39:05,640 --> 00:39:09,040
Speaker 1: Uh So he watches is watching over her. He wakes

704
00:39:09,120 --> 00:39:12,680
Speaker 1: up from a PTSD nightmare and gives her some water.

705
00:39:13,640 --> 00:39:16,080
Speaker 1: She's in rough shade. We get a mantage to him

706
00:39:16,640 --> 00:39:20,239
Speaker 1: taking care of people and giving him water like a

707
00:39:20,239 --> 00:39:24,000
Speaker 1: black dude. I don't know, Rosita. Everybody getting some water,

708
00:39:24,600 --> 00:39:28,160
Speaker 1: and so we know as an audience, we're being led

709
00:39:28,200 --> 00:39:30,920
Speaker 1: to suspect the water's very contaminated. It's the thing that's

710
00:39:30,920 --> 00:39:34,000
Speaker 1: cut fucking everybody up. So you're being a doctor trying

711
00:39:34,040 --> 00:39:35,960
Speaker 1: to help these people, but also you're giving them the

712
00:39:36,000 --> 00:39:40,520
Speaker 1: poison that's killing them, right, And we even see him

713
00:39:40,520 --> 00:39:42,840
Speaker 1: getting water out of the dispenser and giving it to

714
00:39:43,680 --> 00:39:46,120
Speaker 1: every so we see like the don't tamper with this

715
00:39:46,239 --> 00:39:49,319
Speaker 1: unless you talked to sadekon Eugene.

716
00:39:50,040 --> 00:39:50,200
Speaker 3: Uh.

717
00:39:50,280 --> 00:39:51,920
Speaker 1: Then he goes to lay down for the night and

718
00:39:51,960 --> 00:39:54,759
Speaker 1: he has a nightmare where he's being he wakes up

719
00:39:55,280 --> 00:39:58,040
Speaker 1: or waking nightmare, I don't know, but it's cool how

720
00:39:58,040 --> 00:40:00,319
Speaker 1: they feeled it. But it's literally like a hand over

721
00:40:00,360 --> 00:40:03,279
Speaker 1: his mouth as he's screaming, eyes wide open, just like

722
00:40:03,360 --> 00:40:06,080
Speaker 1: it was when he watched everybody get killed in the barn.

723
00:40:06,680 --> 00:40:06,879
Speaker 3: Mmm.

724
00:40:08,200 --> 00:40:10,759
Speaker 1: And so like you know, if you ever had like

725
00:40:11,560 --> 00:40:15,319
Speaker 1: sleep paralysis or something like that, that's that's like I saw.

726
00:40:15,480 --> 00:40:17,600
Speaker 1: That's the only thing I could kindly compare it to

727
00:40:17,800 --> 00:40:20,240
Speaker 1: is like like he has sleep paralysis.

728
00:40:20,560 --> 00:40:23,760
Speaker 2: You can't move, can't breathe can't scream. Oh, it's not fun.

729
00:40:24,160 --> 00:40:27,520
Speaker 1: Darryl and Carol bring the dude today, took hostage to

730
00:40:27,560 --> 00:40:30,240
Speaker 1: whisper from last week. Bring him to the only prisoner,

731
00:40:30,360 --> 00:40:33,080
Speaker 1: which means Lydia gotta get the fuck out because that

732
00:40:33,280 --> 00:40:35,719
Speaker 1: you can't stay in there. They was like, get out

733
00:40:36,160 --> 00:40:40,280
Speaker 1: and go. Yeah, they go outside, and they also noticed

734
00:40:40,680 --> 00:40:44,600
Speaker 1: Lydia recognizes the dude when she walks past him. Now

735
00:40:44,640 --> 00:40:47,160
Speaker 1: the guy's blind folded so he can't see Lydia. No,

736
00:40:47,920 --> 00:40:52,520
Speaker 1: but they can see, uh, they can see that Lydia

737
00:40:52,680 --> 00:40:56,960
Speaker 1: knows him, and so outside Carol asked her did she

738
00:40:57,040 --> 00:40:59,239
Speaker 1: know the dude, and she's like, yeah, he's one of

739
00:40:59,239 --> 00:41:01,880
Speaker 1: the people that is in charge of the Hord, like

740
00:41:02,040 --> 00:41:05,919
Speaker 1: gathering up zombies for the Hord, and like.

741
00:41:05,960 --> 00:41:09,320
Speaker 3: Her Lydia's thing was like, he's one of the most loyal,

742
00:41:09,520 --> 00:41:12,280
Speaker 3: Like yeah, like, if you think you're gonna turn him

743
00:41:12,320 --> 00:41:13,560
Speaker 3: like that, shit ain't happening.

744
00:41:14,160 --> 00:41:20,719
Speaker 1: Yeah, so I think they they like, it's just a conversation. No, no, no,

745
00:41:20,719 --> 00:41:23,000
Speaker 1: I'm sorry that so yeah. Earlier, so they had this

746
00:41:23,040 --> 00:41:26,560
Speaker 1: connlation where she's like, yeah, he's so loyal, you're not

747
00:41:26,560 --> 00:41:30,040
Speaker 1: gonna be able to just break him. And Carol's like, well,

748
00:41:30,080 --> 00:41:35,360
Speaker 1: everybody breaks if you torture him enough, and Lydia's like, well,

749
00:41:35,560 --> 00:41:39,480
Speaker 1: have you thought about showing him all the stuff you

750
00:41:39,560 --> 00:41:43,200
Speaker 1: have here? And kind of the same way that Aaron

751
00:41:43,320 --> 00:41:46,400
Speaker 1: is trying to bring bread to Gemma, like you do

752
00:41:46,520 --> 00:41:48,920
Speaker 1: some stuff like that to show him all the night

753
00:41:48,960 --> 00:41:51,400
Speaker 1: shit and at that way of life doesn't have to

754
00:41:51,480 --> 00:41:53,839
Speaker 1: be so fucked up, and maybe he'll come around without

755
00:41:53,880 --> 00:41:54,760
Speaker 1: you having a tortu.

756
00:41:54,560 --> 00:41:56,920
Speaker 3: Room, right, But that shit takes time.

757
00:41:57,120 --> 00:41:59,000
Speaker 1: Right, And they don't really seem to have a lot

758
00:41:59,040 --> 00:42:00,920
Speaker 1: of time, and plus his is gonna be missing, so

759
00:42:00,920 --> 00:42:02,560
Speaker 1: who knows that they're gonna start looking for.

760
00:42:02,840 --> 00:42:06,040
Speaker 3: Right because eventually somebody gonna realize that he's not he

761
00:42:06,040 --> 00:42:06,960
Speaker 3: didn't return.

762
00:42:08,160 --> 00:42:10,480
Speaker 1: And Lydia does admit that he probably does know where

763
00:42:10,520 --> 00:42:14,480
Speaker 1: the hoard is m and then Gabe comes over pissed

764
00:42:15,120 --> 00:42:18,080
Speaker 1: cause he's like, who the fuck is abducting people?

765
00:42:18,320 --> 00:42:20,319
Speaker 2: Who authors this shit?

766
00:42:20,440 --> 00:42:22,680
Speaker 3: Is like, you're bringing the prisoner award to somewhere does

767
00:42:22,719 --> 00:42:23,359
Speaker 3: not a zone.

768
00:42:23,400 --> 00:42:25,160
Speaker 1: He's going, the fuck is this? And he's like, what

769
00:42:25,160 --> 00:42:28,680
Speaker 1: the fuck is this, Carol? And then Darryl is like,

770
00:42:28,840 --> 00:42:33,120
Speaker 1: hey man, what's done is done? Like it's nothing, like

771
00:42:33,440 --> 00:42:36,160
Speaker 1: we already doesn't kidnap the nigga. We either gonna torture

772
00:42:36,200 --> 00:42:38,440
Speaker 1: him or kill him or.

773
00:42:38,320 --> 00:42:40,640
Speaker 3: Something, because you know, we had a spot now where

774
00:42:40,640 --> 00:42:43,319
Speaker 3: it's almost like we can't reverse. And he you know,

775
00:42:43,440 --> 00:42:46,279
Speaker 3: because Darrel's likely mad at Carol because his whole thing

776
00:42:46,320 --> 00:42:48,000
Speaker 3: from the beginning was you're gonna put us in a

777
00:42:48,080 --> 00:42:49,080
Speaker 3: fuck up situation.

778
00:42:49,600 --> 00:42:51,839
Speaker 2: Her thing gets the situations already fucked up.

779
00:42:52,080 --> 00:42:56,960
Speaker 1: Right, like she's escalating it, and what can Daryl do

780
00:42:57,239 --> 00:42:57,719
Speaker 1: about that?

781
00:42:58,120 --> 00:43:01,440
Speaker 3: Right when someone's escalating and he knows that it's eventually

782
00:43:01,480 --> 00:43:02,920
Speaker 3: going to get to the point where it's got to

783
00:43:02,960 --> 00:43:03,480
Speaker 3: be a battle.

784
00:43:03,480 --> 00:43:04,920
Speaker 2: But his thing was like it could have been a

785
00:43:05,000 --> 00:43:05,840
Speaker 2: slower we could.

786
00:43:05,719 --> 00:43:10,000
Speaker 3: Have prepared, Like, but you actually Russian ship when nobody

787
00:43:10,120 --> 00:43:12,879
Speaker 3: is actually ready for this war that you're going to bring.

788
00:43:12,960 --> 00:43:15,440
Speaker 2: Everybody knows this war is going to come like a.

789
00:43:17,120 --> 00:43:21,080
Speaker 3: Right over in Hilltop. They ain't even got fucking weapons.

790
00:43:21,080 --> 00:43:22,040
Speaker 3: It's like, come on, dog.

791
00:43:22,280 --> 00:43:25,080
Speaker 1: But she going jack Bower on us and like I'm

792
00:43:25,080 --> 00:43:29,839
Speaker 1: gonna window war but by myself. And anytime somebody tries

793
00:43:29,880 --> 00:43:33,080
Speaker 1: to approach her to like talk about it, she doesn't

794
00:43:33,120 --> 00:43:35,160
Speaker 1: really seem to be with the ships.

795
00:43:35,480 --> 00:43:37,200
Speaker 3: Her thing, she told me that bitch gotta die. And

796
00:43:37,239 --> 00:43:40,160
Speaker 3: that's been her gold that that's been on her vision

797
00:43:40,200 --> 00:43:43,000
Speaker 3: board every day she look up, is that bitch gotta die.

798
00:43:43,719 --> 00:43:47,560
Speaker 1: Right, every time somebody tries to say something, I'm over it,

799
00:43:48,400 --> 00:43:50,960
Speaker 1: that's her response. It's like, Carro, you can't just be

800
00:43:50,960 --> 00:43:53,400
Speaker 1: out here killing people, you know, uh, you know, we

801
00:43:53,440 --> 00:43:55,680
Speaker 1: need to coordinate between everybody and the party so we

802
00:43:55,719 --> 00:43:59,839
Speaker 1: can figure this out. And she's like, no, I'm over it.

803
00:44:00,080 --> 00:44:04,680
Speaker 1: Figured it out. I'm we it's figured now y'all get in,

804
00:44:04,880 --> 00:44:09,640
Speaker 1: get information behind me. So Gabe says he gonna watch

805
00:44:09,680 --> 00:44:12,319
Speaker 1: over the interrogation and he gonna have some deep dare

806
00:44:12,400 --> 00:44:14,359
Speaker 1: to treat the man's wounds, to patch him up before

807
00:44:14,360 --> 00:44:18,240
Speaker 1: the man could die. And I'm thinking to myself, like, Gabe,

808
00:44:18,320 --> 00:44:21,160
Speaker 1: to what point if you have the man in you

809
00:44:21,239 --> 00:44:24,520
Speaker 1: torture him. It doesn't fucking matter because you can't send

810
00:44:24,560 --> 00:44:28,480
Speaker 1: them back to the fucking flock of whisper cannot So

811
00:44:28,640 --> 00:44:30,560
Speaker 1: what does it matter if he gets if he dies

812
00:44:30,680 --> 00:44:33,120
Speaker 1: or not. Like Gabe's on some are we not a

813
00:44:33,239 --> 00:44:37,799
Speaker 1: nation of laws? Or it's like, bru, We're way past that.

814
00:44:38,360 --> 00:44:39,839
Speaker 2: We was until we bottom here.

815
00:44:39,920 --> 00:44:43,200
Speaker 1: Now you know, he's like the liberal people that's like

816
00:44:43,239 --> 00:44:47,319
Speaker 1: torture never works. It's like, yeah, but since we are

817
00:44:47,440 --> 00:44:50,680
Speaker 1: gonna be torturing, uh, you might as well not be

818
00:44:50,719 --> 00:44:51,080
Speaker 1: in the run.

819
00:44:52,400 --> 00:44:53,760
Speaker 2: I want to sleep the vote.

820
00:44:54,040 --> 00:44:56,239
Speaker 1: Yeah, Like, I don't know if you know this, but

821
00:44:56,280 --> 00:44:59,200
Speaker 1: we're gonna try this torturing. So if it don't work,

822
00:44:59,400 --> 00:45:03,319
Speaker 1: we just created another terrorist. So it's kind of too

823
00:45:03,360 --> 00:45:07,200
Speaker 1: late like to have this argument. So then Carol says

824
00:45:07,280 --> 00:45:10,600
Speaker 1: he bleeds until he talks, and he says he won't

825
00:45:10,680 --> 00:45:13,200
Speaker 1: let bad go to worse and the counsel would agree

826
00:45:13,239 --> 00:45:16,440
Speaker 1: with me, including Micheon. And then they go to Carrol's

827
00:45:16,440 --> 00:45:18,680
Speaker 1: house because Carol says that it can stay with her

828
00:45:18,880 --> 00:45:21,799
Speaker 1: and Darryl is already staying there, and she thanks Daryl

829
00:45:21,840 --> 00:45:26,879
Speaker 1: for having her back, but Darryl doesn't actually have her back.

830
00:45:26,920 --> 00:45:30,839
Speaker 1: He's like, I just told the truth. You already did

831
00:45:30,960 --> 00:45:36,600
Speaker 1: the most, So it's most givings. Okay, Well, like it's

832
00:45:36,640 --> 00:45:39,879
Speaker 1: just this. This is now what we own, okay.

833
00:45:39,800 --> 00:45:42,280
Speaker 2: Right you actually they gave nobody any choices.

834
00:45:42,760 --> 00:45:47,320
Speaker 1: Is now most member, Okay, it's most, like most tob her. Okay,

835
00:45:47,360 --> 00:45:49,960
Speaker 1: you got us. We are stuck at most the volume.

836
00:45:50,440 --> 00:45:53,520
Speaker 1: Let on the highest, says most, and we can't turn

837
00:45:53,560 --> 00:45:55,919
Speaker 1: it down because you doing the fucking most right now.

838
00:45:56,280 --> 00:45:58,480
Speaker 1: And then he goes into his room and lays down

839
00:45:58,480 --> 00:46:01,759
Speaker 1: with his dog. And I was thinking myself, Darell ain't

840
00:46:01,800 --> 00:46:04,880
Speaker 1: taking no shower, didn't he just cover himself? And Zombie

841
00:46:04,880 --> 00:46:07,520
Speaker 1: gets to get out of the uh, get away from

842
00:46:07,520 --> 00:46:08,200
Speaker 1: them zombies.

843
00:46:09,320 --> 00:46:10,440
Speaker 2: I guess that couch.

844
00:46:10,719 --> 00:46:11,920
Speaker 1: I guess fuck that couch.

845
00:46:14,400 --> 00:46:15,080
Speaker 5: So then.

846
00:46:17,160 --> 00:46:21,279
Speaker 1: Carol goes up to the balcony of her house to

847
00:46:21,320 --> 00:46:27,279
Speaker 1: talk with Lydia, and it looks like they got. They

848
00:46:27,320 --> 00:46:31,480
Speaker 1: still got that graffiti up there about sounds and the whispers.

849
00:46:31,000 --> 00:46:33,000
Speaker 2: And ship that is everywhere.

850
00:46:33,400 --> 00:46:42,200
Speaker 1: So Lydia is taking all this in Still she gives

851
00:46:42,640 --> 00:46:48,080
Speaker 1: Lydia Henry. She gives Lydia Henry's stick. I think it's

852
00:46:48,200 --> 00:46:50,160
Speaker 1: it was Henry's so.

853
00:46:54,719 --> 00:46:57,359
Speaker 6: Work.

854
00:46:58,160 --> 00:47:01,600
Speaker 1: She tried to give her some bomb for or her

855
00:47:02,120 --> 00:47:04,360
Speaker 1: eye of facial injuries that she took from that beaten

856
00:47:05,080 --> 00:47:07,040
Speaker 1: last week? What two weeks ago?

857
00:47:09,520 --> 00:47:11,480
Speaker 6: Whisper, what else do you know about him?

858
00:47:11,920 --> 00:47:14,400
Speaker 12: To me that he won't betray my mom?

859
00:47:14,560 --> 00:47:16,280
Speaker 5: The ones that watch the Horde are loyal.

860
00:47:18,760 --> 00:47:20,239
Speaker 2: She gives them no choice.

861
00:47:20,960 --> 00:47:21,800
Speaker 6: Either, will Ie.

862
00:47:23,200 --> 00:47:23,680
Speaker 4: What else?

863
00:47:26,160 --> 00:47:35,960
Speaker 12: The people will dirin? I hate them, but I know

864
00:47:36,080 --> 00:47:36,480
Speaker 12: them too.

865
00:47:39,440 --> 00:47:41,319
Speaker 4: I drew a line and you need to choose which

866
00:47:41,320 --> 00:47:44,520
Speaker 4: is so true.

867
00:47:45,600 --> 00:47:47,920
Speaker 12: I wish I'd left with Henry when he has.

868
00:47:53,840 --> 00:47:57,640
Speaker 2: It's all right, My mom was people.

869
00:48:02,239 --> 00:48:05,040
Speaker 1: I feel like that was shade. I wish I would

870
00:48:05,080 --> 00:48:06,800
Speaker 1: have left with him me when he asked, so do

871
00:48:06,920 --> 00:48:09,680
Speaker 1: I yeah, because he's like, you maybe will be alive.

872
00:48:09,960 --> 00:48:12,560
Speaker 1: I wish both of y'all got y'all last out of here. Yeah.

873
00:48:12,600 --> 00:48:16,040
Speaker 3: And the next comment she's about to make actually matters,

874
00:48:16,080 --> 00:48:18,880
Speaker 3: because Carol is doing the same thing. It's like you

875
00:48:18,920 --> 00:48:23,120
Speaker 3: didn't listen to anything she told you.

876
00:48:23,120 --> 00:48:28,359
Speaker 12: Get them to do what she wants, makes some think

877
00:48:28,360 --> 00:48:29,160
Speaker 12: it's what they want.

878
00:48:30,880 --> 00:48:31,720
Speaker 3: People are vacans.

879
00:48:31,760 --> 00:48:36,440
Speaker 12: They think they have no other choice.

880
00:48:38,440 --> 00:48:40,280
Speaker 3: But if you let him see.

881
00:48:42,120 --> 00:48:45,920
Speaker 12: What you have here, that a place this can survive,

882
00:48:52,080 --> 00:48:57,319
Speaker 12: an ideal like that is dangerous would spread.

883
00:49:04,360 --> 00:49:06,359
Speaker 2: And there's nothing my mom could do to stop it.

884
00:49:11,320 --> 00:49:16,680
Speaker 3: And now agree with her comment, like I really believe that,

885
00:49:16,800 --> 00:49:19,520
Speaker 3: Like it's a slow process, because remember when she first

886
00:49:19,520 --> 00:49:21,680
Speaker 3: came on the scene, she wouldn't buy that bullshit either.

887
00:49:22,040 --> 00:49:25,600
Speaker 2: Like it took time, it took patience.

888
00:49:25,280 --> 00:49:27,840
Speaker 1: And her mom had poisoned all of them against the

889
00:49:28,040 --> 00:49:33,000
Speaker 1: civilization in general, against trying to establish places that can withstand,

890
00:49:33,280 --> 00:49:37,200
Speaker 1: you know, the zpod building a community. She had poisoned

891
00:49:37,200 --> 00:49:39,239
Speaker 1: her against all that, and now she believes in it.

892
00:49:39,680 --> 00:49:42,040
Speaker 1: But at the same time, the other reason she believes

893
00:49:42,040 --> 00:49:44,960
Speaker 1: in it, and this is why you know Evie is

894
00:49:45,000 --> 00:49:48,480
Speaker 1: wrong about more than just ourbi's is that it was

895
00:49:48,640 --> 00:49:53,040
Speaker 1: Henry right. If it wasn't for Henry having a heart

896
00:49:53,120 --> 00:49:55,719
Speaker 1: like that, she wouldn't have come around to believe in it,

897
00:49:56,160 --> 00:49:59,439
Speaker 1: you know, much like Carl, you know, like you need

898
00:49:59,480 --> 00:50:01,560
Speaker 1: people that willing to be like, I'm gonna take a

899
00:50:01,640 --> 00:50:05,959
Speaker 1: chance on somebody for because of our not for really

900
00:50:06,000 --> 00:50:09,120
Speaker 1: for them before our own integrity and the kind of

901
00:50:09,160 --> 00:50:12,520
Speaker 1: people we are. We can't become ocean side. We can't become,

902
00:50:13,160 --> 00:50:15,640
Speaker 1: you know, a community that you know, praise on other

903
00:50:15,680 --> 00:50:18,120
Speaker 1: communities or kills people just for breathing.

904
00:50:18,840 --> 00:50:22,799
Speaker 3: Right, And also the clip you paid earlier, it's like

905
00:50:23,719 --> 00:50:27,840
Speaker 3: you you quote unquote bringing Lydia out there and Lydia

906
00:50:27,960 --> 00:50:33,840
Speaker 3: running fucking matters because Michean said it without her, She's

907
00:50:33,880 --> 00:50:37,359
Speaker 3: gonna be full force now because on the reason why

908
00:50:37,520 --> 00:50:40,279
Speaker 3: she's not showing her asks because she knows we have

909
00:50:40,360 --> 00:50:44,920
Speaker 3: her child. Once that leverage is gone, like there's nothing

910
00:50:44,960 --> 00:50:48,440
Speaker 3: to stop her from actually speeding up the process and attacking.

911
00:50:48,560 --> 00:50:52,080
Speaker 1: Like right, if Gamma goes back informs everybody Lydia is

912
00:50:52,120 --> 00:50:56,080
Speaker 1: alive or something, and I mean, let's think I forgot

913
00:50:56,080 --> 00:51:00,239
Speaker 1: to say she lying kill kill Gamma, and then let's

914
00:51:00,239 --> 00:51:02,520
Speaker 1: go sit in the whole horde at these motherfuckers, like

915
00:51:02,560 --> 00:51:05,040
Speaker 1: it could happen just that easily. And Carroll's out here

916
00:51:05,040 --> 00:51:09,439
Speaker 1: pushing the pedal to the metal without support, without really

917
00:51:09,480 --> 00:51:12,840
Speaker 1: getting a consensus and no plan, like she could have

918
00:51:12,920 --> 00:51:14,440
Speaker 1: that whole community get overrun.

919
00:51:14,719 --> 00:51:18,120
Speaker 3: And that was Darryl's whole point, like Okay, now I'm

920
00:51:18,160 --> 00:51:21,040
Speaker 3: with you, like like I'm not saying we can't do this,

921
00:51:21,120 --> 00:51:24,120
Speaker 3: but it can't be a two man crew. Because the

922
00:51:24,120 --> 00:51:27,520
Speaker 3: more people you have involved, the better it's executed. The

923
00:51:28,040 --> 00:51:30,560
Speaker 3: people do know that you're out here, You're not out

924
00:51:30,560 --> 00:51:32,920
Speaker 3: here alone. If something goes to the left or to

925
00:51:32,960 --> 00:51:35,839
Speaker 3: the right, like you have a support system. And that's

926
00:51:35,840 --> 00:51:38,640
Speaker 3: been the whole thing about bringing the communities, because no

927
00:51:38,760 --> 00:51:43,040
Speaker 3: communities was torn apart after quote unquote left for god,

928
00:51:43,160 --> 00:51:45,759
Speaker 3: you know, have a people feel about it. So once

929
00:51:45,800 --> 00:51:48,439
Speaker 3: that happened, you know, for years they were divided. Now

930
00:51:48,560 --> 00:51:51,080
Speaker 3: they're coming together. They're unit that you're on the front.

931
00:51:51,640 --> 00:51:55,680
Speaker 3: And now with them having lydia and the and them

932
00:51:55,719 --> 00:51:57,319
Speaker 3: knowing it's award, what are they doing now.

933
00:51:57,480 --> 00:51:59,200
Speaker 2: They're preparing their training.

934
00:51:59,480 --> 00:52:02,160
Speaker 3: They're getting people up to speed for is fighting because

935
00:52:02,200 --> 00:52:04,000
Speaker 3: they go, okay, we are going to have to fight.

936
00:52:04,280 --> 00:52:06,640
Speaker 2: And it's like, okay, car, you are.

937
00:52:06,520 --> 00:52:10,480
Speaker 3: Actually giving us less time to prepare people for the

938
00:52:10,560 --> 00:52:11,279
Speaker 3: upcoming war.

939
00:52:11,600 --> 00:52:14,319
Speaker 2: Yes, the war's coming, but shit, bitch, don't speed.

940
00:52:14,080 --> 00:52:17,359
Speaker 1: Up right, And and it's hard to beat somebody as

941
00:52:17,400 --> 00:52:19,719
Speaker 1: that kind of mind control over people if you don't

942
00:52:19,760 --> 00:52:22,440
Speaker 1: give time for that mind control to break, because I

943
00:52:22,480 --> 00:52:24,680
Speaker 1: mean al feeling the woods getting motherfuckers to pick their

944
00:52:24,760 --> 00:52:27,319
Speaker 1: on switches. You know, like that's a whole different level

945
00:52:27,320 --> 00:52:31,279
Speaker 1: of control and brainwashing than the people in Alexandria are

946
00:52:31,520 --> 00:52:35,600
Speaker 1: normally dealing with. Correct. So then Sadik goes to take

947
00:52:35,600 --> 00:52:38,440
Speaker 1: care of the prisoner, and the prisoner's like, I know

948
00:52:38,719 --> 00:52:44,319
Speaker 1: you look and the gay and Dante's there with him,

949
00:52:44,640 --> 00:52:48,240
Speaker 1: and of course Sadik gets shook because this dude obviously

950
00:52:48,360 --> 00:52:51,040
Speaker 1: was at the barn killing them people and making Sadik

951
00:52:51,160 --> 00:52:54,960
Speaker 1: look and shit, and so Dante says, hey, man, I

952
00:52:55,000 --> 00:52:58,680
Speaker 1: can take it from here, and Gabe notices two like

953
00:52:58,719 --> 00:53:01,240
Speaker 1: I'm fine, but Dante's like, ahead and go outside, man.

954
00:53:01,520 --> 00:53:04,040
Speaker 1: So then he goes outside, and so now it's Dante

955
00:53:04,080 --> 00:53:05,320
Speaker 1: and Gabe along with the prisoner.

956
00:53:05,800 --> 00:53:05,960
Speaker 3: Uh.

957
00:53:06,080 --> 00:53:09,160
Speaker 1: Sadeke goes outside, has a panic attack and a flashback

958
00:53:09,719 --> 00:53:13,560
Speaker 1: watching everybody die in the barn, and then Carol goes

959
00:53:13,600 --> 00:53:16,919
Speaker 1: into the cell with the whisper and she sits down

960
00:53:17,080 --> 00:53:20,640
Speaker 1: as if she's going to torture him, and they had

961
00:53:20,680 --> 00:53:23,360
Speaker 1: this ominous music like, oh, some torture about to happen,

962
00:53:23,960 --> 00:53:26,640
Speaker 1: and she got a tray of instruments and shit, and

963
00:53:26,680 --> 00:53:29,600
Speaker 1: then she at it's covered with a towel and she

964
00:53:29,800 --> 00:53:33,120
Speaker 1: pulls the towel back and it actually reveals that it's

965
00:53:33,160 --> 00:53:37,279
Speaker 1: some bread with some jam and some honey. And I'm like,

966
00:53:37,360 --> 00:53:40,400
Speaker 1: here's she go trying to to get this dude some

967
00:53:40,440 --> 00:53:43,840
Speaker 1: of her baked goods. You know how you know Carol

968
00:53:43,840 --> 00:53:47,160
Speaker 1: can do that mom shit too, that Martha Stewart on

969
00:53:47,200 --> 00:53:51,399
Speaker 1: his ass and she's like, so what do you want

970
00:53:51,480 --> 00:53:54,799
Speaker 1: it to be? Honey, strawberry jam or apple jam? And

971
00:53:54,840 --> 00:53:57,400
Speaker 1: he was like all of it. And then she hooks

972
00:53:57,440 --> 00:53:59,160
Speaker 1: him up with a big old thing and then she

973
00:53:59,160 --> 00:54:01,480
Speaker 1: talks about how to have salty fish for lunch and

974
00:54:01,480 --> 00:54:04,520
Speaker 1: he's like, what do you want And she's like, I

975
00:54:04,560 --> 00:54:07,520
Speaker 1: just want to talk and he's like passed and she

976
00:54:07,600 --> 00:54:10,080
Speaker 1: was like, well you can still eat this bread or

977
00:54:10,120 --> 00:54:15,000
Speaker 1: eat And so the thing is, though, when he starts

978
00:54:15,160 --> 00:54:18,280
Speaker 1: this is some great acting. When this man started eating

979
00:54:18,280 --> 00:54:23,840
Speaker 1: that bread'll, I like he was like crying. It was

980
00:54:23,880 --> 00:54:26,560
Speaker 1: like the first time you get back home from college

981
00:54:27,360 --> 00:54:30,160
Speaker 1: and your mam would cook some like some one of

982
00:54:30,200 --> 00:54:34,160
Speaker 1: the meals that you just ain't had if forever because

983
00:54:34,160 --> 00:54:36,919
Speaker 1: you're be in cafeteria food and shit, it's just like, oh,

984
00:54:37,040 --> 00:54:40,120
Speaker 1: that's right, that's what this is what good food tastes.

985
00:54:40,200 --> 00:54:43,680
Speaker 1: Like like he was crying, like he was crying the food,

986
00:54:43,960 --> 00:54:47,279
Speaker 1: like he ain't had bread with jam, jelly nothing on it,

987
00:54:47,320 --> 00:54:52,080
Speaker 1: and so long he was crying. And and now did

988
00:54:52,120 --> 00:54:54,799
Speaker 1: you think he was acting when he was crying there?

989
00:54:54,840 --> 00:54:56,879
Speaker 1: Like did you think he was like it was all

990
00:54:56,960 --> 00:54:59,439
Speaker 1: just part of a ruse that to get in Carol's head?

991
00:54:59,680 --> 00:55:01,800
Speaker 1: Or did you believe him when he bit that food

992
00:55:01,800 --> 00:55:04,040
Speaker 1: that he was like, this is the most delicious Popa's

993
00:55:04,120 --> 00:55:05,959
Speaker 1: chicken sandwich I've ever had in my life.

994
00:55:06,000 --> 00:55:08,640
Speaker 3: I believe because it got taste buds like like I

995
00:55:08,760 --> 00:55:13,400
Speaker 3: believe that the flood of memories came back, like it

996
00:55:13,440 --> 00:55:17,880
Speaker 3: would happen to anybody, like you probably haven't had real

997
00:55:17,880 --> 00:55:21,680
Speaker 3: food and forever you've been having animals and raw food

998
00:55:22,000 --> 00:55:25,680
Speaker 3: and and berries and digging in the ground and crickets

999
00:55:25,680 --> 00:55:26,480
Speaker 3: and ants and shit.

1000
00:55:26,800 --> 00:55:31,640
Speaker 1: Yes, he listened, I'm with you. I think that was real, right,

1001
00:55:32,080 --> 00:55:34,640
Speaker 1: Like I feel like I feel like it was method actor.

1002
00:55:34,680 --> 00:55:36,760
Speaker 1: I feel like that actor didn't eat for like seven

1003
00:55:36,880 --> 00:55:40,560
Speaker 1: days for that scene because he was he started he

1004
00:55:40,640 --> 00:55:42,600
Speaker 1: tried to be tough for that bottom lip start quivering.

1005
00:55:42,640 --> 00:55:45,879
Speaker 1: He was like, I can smell that honey from here,

1006
00:55:46,040 --> 00:55:49,200
Speaker 1: like he ate that shit. But then he saw Carol

1007
00:55:49,320 --> 00:55:55,280
Speaker 1: looking at him like, you know, like we like got him,

1008
00:55:55,400 --> 00:55:57,279
Speaker 1: and she I think she even asked like it's good,

1009
00:55:57,360 --> 00:56:01,360
Speaker 1: isn't it? And he was just like pull a spect

1010
00:56:01,360 --> 00:56:04,719
Speaker 1: the whole like bread that was in his mouth in

1011
00:56:04,880 --> 00:56:06,759
Speaker 1: her face like it was like, you know, like we

1012
00:56:07,320 --> 00:56:09,680
Speaker 1: I feel strong, You're never gonna beat us and all

1013
00:56:09,680 --> 00:56:11,000
Speaker 1: this shit. And I said, oh, he done try to

1014
00:56:11,040 --> 00:56:11,920
Speaker 1: snap back.

1015
00:56:12,520 --> 00:56:15,680
Speaker 3: Yeah, because he broke for a second. He at first

1016
00:56:15,760 --> 00:56:18,240
Speaker 3: he was he had broke and a lot of times.

1017
00:56:18,239 --> 00:56:20,880
Speaker 3: The thing is, she probably been better. Just let him

1018
00:56:20,960 --> 00:56:24,560
Speaker 3: enjoy it. Her speaking and shit kind of snapped him back.

1019
00:56:25,040 --> 00:56:26,839
Speaker 1: Yeah. I wasn't gonna play this clip, but I think

1020
00:56:26,880 --> 00:56:30,760
Speaker 1: I can just think I can just tell y'all about it, okay,

1021
00:56:31,840 --> 00:56:34,239
Speaker 1: because it's kind of a boring clip, but Sadikos to

1022
00:56:34,320 --> 00:56:37,960
Speaker 1: take care of Rosita. Rosita does look like she's getting better,

1023
00:56:39,160 --> 00:56:40,879
Speaker 1: like her she got more color in her face. She's

1024
00:56:40,880 --> 00:56:43,719
Speaker 1: not healed her all the way healthy yet, but she's

1025
00:56:43,760 --> 00:56:47,239
Speaker 1: clearly like beating the bug, you know. And then you know,

1026
00:56:47,320 --> 00:56:49,960
Speaker 1: with a lot of these type of sicknesses that go

1027
00:56:50,040 --> 00:56:52,520
Speaker 1: through communities. You got the worry because it only kills

1028
00:56:52,600 --> 00:56:56,160
Speaker 1: children and old people first. Right, So, but she does

1029
00:56:56,239 --> 00:56:58,880
Speaker 1: like she's recovering, and then they have like a cute moment.

1030
00:57:00,080 --> 00:57:01,440
Speaker 1: You know, I'll play it for some of the jokes

1031
00:57:01,400 --> 00:57:02,960
Speaker 1: because it's kind of a cute moment.

1032
00:57:07,719 --> 00:57:21,480
Speaker 4: Okay, yeah, my okay, yep, that's some pasty still good though, damn.

1033
00:57:21,280 --> 00:57:25,600
Speaker 6: Right On't forget real, I would be making my move.

1034
00:57:27,080 --> 00:57:28,200
Speaker 4: Don't let that stop you.

1035
00:57:29,160 --> 00:57:33,200
Speaker 1: Man, that's not just sound like gave like the watch Come.

1036
00:57:33,000 --> 00:57:35,760
Speaker 6: On, yeah, okay, screwed.

1037
00:57:35,440 --> 00:57:37,560
Speaker 1: Over to an extent.

1038
00:57:37,600 --> 00:57:40,560
Speaker 3: They got a pot of armies, non sexual relationship anyway.

1039
00:57:40,640 --> 00:57:43,360
Speaker 1: You know when it's interesting because all listen, I don't

1040
00:57:43,400 --> 00:57:46,840
Speaker 1: think about this show the other day. It's so sad

1041
00:57:46,880 --> 00:57:50,000
Speaker 1: that people gave up on it because Loki, this this

1042
00:57:50,080 --> 00:57:54,000
Speaker 1: show does so much for diversity and representation. Come on,

1043
00:57:54,640 --> 00:57:57,160
Speaker 1: that you just do not see on a lot of shows,

1044
00:57:57,240 --> 00:58:01,120
Speaker 1: especially SI Fire shows like you got a Muslim people,

1045
00:58:01,240 --> 00:58:04,640
Speaker 1: you got people of different body types, you got different races,

1046
00:58:05,360 --> 00:58:10,320
Speaker 1: different sexual orientations. You know, this relationship here isn't officially

1047
00:58:10,360 --> 00:58:13,480
Speaker 1: a poly relationship, but if you think about some of

1048
00:58:13,520 --> 00:58:17,640
Speaker 1: the elements of the relationship. You know, three men that

1049
00:58:17,800 --> 00:58:21,280
Speaker 1: essentially work as a unit. No rivalry, no jealousy, no

1050
00:58:22,280 --> 00:58:25,040
Speaker 1: no physical altercations, although you know there's a little jealousy

1051
00:58:25,080 --> 00:58:28,960
Speaker 1: between Eugene and Gabe and stuff, but you know, it's

1052
00:58:29,000 --> 00:58:31,640
Speaker 1: a deep secure in his role as this is the

1053
00:58:31,800 --> 00:58:34,320
Speaker 1: I'm the father of this child. I'm not trying to

1054
00:58:34,360 --> 00:58:37,480
Speaker 1: sneak back into bed with this woman. Gabriel secure and

1055
00:58:37,520 --> 00:58:40,720
Speaker 1: his like this, this is my woman, my lover. We're

1056
00:58:40,760 --> 00:58:44,160
Speaker 1: together in a relationship. And yes, I'm raising another man's baby.

1057
00:58:44,200 --> 00:58:47,400
Speaker 1: I don't care about that, right, you know. And then

1058
00:58:47,440 --> 00:58:49,720
Speaker 1: of course Eugene, who was just like the damn mad

1059
00:58:49,800 --> 00:58:53,360
Speaker 1: scientists of getting that baby scheduled together, like they all

1060
00:58:53,440 --> 00:58:56,000
Speaker 1: cooperate to make sure that they're there for that baby

1061
00:58:56,040 --> 00:58:59,880
Speaker 1: and for Rosita. And you know, even after the rejection,

1062
00:59:00,040 --> 00:59:04,640
Speaker 1: and Eugene seemed real geek to be talking to Rosita

1063
00:59:04,680 --> 00:59:07,440
Speaker 1: that she hadn't completely written him off, even if it

1064
00:59:07,480 --> 00:59:09,240
Speaker 1: wasn't a romantic thing anymore.

1065
00:59:09,480 --> 00:59:11,960
Speaker 3: Right and now, because I've always thought about this, I

1066
00:59:11,960 --> 00:59:13,880
Speaker 3: know I joked about you know, three you know, three

1067
00:59:13,880 --> 00:59:15,680
Speaker 3: men in the baby because that's literally what it is.

1068
00:59:16,200 --> 00:59:19,720
Speaker 3: But it's one of those things where it's not quote

1069
00:59:19,800 --> 00:59:22,640
Speaker 3: unquote dysfunctional. You know, everybody gets a loan, you know

1070
00:59:22,680 --> 00:59:23,040
Speaker 3: what I'm saying.

1071
00:59:23,160 --> 00:59:26,120
Speaker 1: I just don't see ship like this on TV. It's

1072
00:59:26,160 --> 00:59:30,400
Speaker 1: almost always some type of rivalry or something to it,

1073
00:59:30,440 --> 00:59:33,480
Speaker 1: you know what I mean, some jealousy, some fighting. It's

1074
00:59:33,520 --> 00:59:36,840
Speaker 1: just it's very it's very healthy quote unquote for the epoch,

1075
00:59:36,920 --> 00:59:40,320
Speaker 1: you know, correct, And maybe the idea is that in

1076
00:59:40,360 --> 00:59:44,160
Speaker 1: the epoch people would be certain things. Barriers break down

1077
00:59:44,240 --> 00:59:48,480
Speaker 1: where you're raising right, we're now raising kids because the

1078
00:59:48,560 --> 00:59:51,960
Speaker 1: kid needs to be raised, not because the vanity of

1079
00:59:52,160 --> 00:59:55,320
Speaker 1: I had this kid in his mind, you know. But yeah,

1080
00:59:55,440 --> 00:59:57,320
Speaker 1: just stuff like that. Yeah, someone brought up deaf people

1081
00:59:57,760 --> 01:00:00,800
Speaker 1: in the Yeah, like there's a lot of a representation

1082
01:00:00,920 --> 01:00:04,040
Speaker 1: on this show. Like, I don't know, man, just it's

1083
01:00:04,080 --> 01:00:06,480
Speaker 1: sad that that people are left the show behind. But

1084
01:00:06,640 --> 01:00:09,640
Speaker 1: they're doing a good job. It's not even talking about

1085
01:00:09,680 --> 01:00:16,080
Speaker 1: the directors and writers.

1086
01:00:17,120 --> 01:00:19,240
Speaker 6: I think you mm hmm.

1087
01:00:20,840 --> 01:00:21,680
Speaker 4: About your Jean.

1088
01:00:24,280 --> 01:00:26,880
Speaker 6: Sorry sure other other man.

1089
01:00:28,800 --> 01:00:33,880
Speaker 1: Yeah, we said to talk and I missed it.

1090
01:00:35,800 --> 01:00:37,200
Speaker 4: I just don't want them to think that I was

1091
01:00:37,280 --> 01:00:38,480
Speaker 4: dissing him or anything.

1092
01:00:41,320 --> 01:00:44,200
Speaker 1: Yeah, she feels guilty about that, but he gave us

1093
01:00:44,240 --> 01:00:44,880
Speaker 1: some real talk.

1094
01:00:46,840 --> 01:00:53,080
Speaker 6: That guy he bounces back. Not everybody does.

1095
01:00:57,240 --> 01:01:01,680
Speaker 1: And that's the sad part of that platonic relationship stuff,

1096
01:01:01,680 --> 01:01:04,600
Speaker 1: having you know that friend zone quote unquote shit is

1097
01:01:04,640 --> 01:01:08,480
Speaker 1: that you do. You do appreciate the person in your

1098
01:01:08,600 --> 01:01:10,440
Speaker 1: life as a friend, even if you don't want to

1099
01:01:10,480 --> 01:01:13,720
Speaker 1: be with them, but you do have to. You have

1100
01:01:13,840 --> 01:01:16,280
Speaker 1: to not coddle them and be like, nah, they gotta

1101
01:01:16,320 --> 01:01:19,440
Speaker 1: take this pain and understand my boundaries and my ultimatum

1102
01:01:19,480 --> 01:01:22,760
Speaker 1: of you can be my friend if that, if you're

1103
01:01:22,840 --> 01:01:28,280
Speaker 1: comfortable being just that, I have to let you know

1104
01:01:28,360 --> 01:01:31,480
Speaker 1: this because if not, it's like I'm stringing you along

1105
01:01:31,480 --> 01:01:34,640
Speaker 1: and I'm partially at fault and to everybody, right. And

1106
01:01:34,720 --> 01:01:38,240
Speaker 1: also if you can't handle that, then leave. You know,

1107
01:01:38,320 --> 01:01:40,400
Speaker 1: it's fine, you're giving it an option in the right.

1108
01:01:40,600 --> 01:01:44,120
Speaker 1: But Rosita also, just like all human beings, you are

1109
01:01:44,200 --> 01:01:46,680
Speaker 1: gonna feel bad. You do feel like the bad guy

1110
01:01:47,200 --> 01:01:50,120
Speaker 1: and all that stuff. So I appreciate them like not

1111
01:01:50,360 --> 01:01:53,320
Speaker 1: making it, you know, so unrealistic that she would just

1112
01:01:53,560 --> 01:01:56,320
Speaker 1: fuck Eugenie for Elver. I'm over it. Like now, it's like,

1113
01:01:56,480 --> 01:01:58,960
Speaker 1: you know, I kind of want him to know that

1114
01:01:58,960 --> 01:02:02,080
Speaker 1: that I'm that I don't think he's a horrible person.

1115
01:02:02,120 --> 01:02:03,560
Speaker 1: I just don't want to be with him, right.

1116
01:02:03,600 --> 01:02:06,040
Speaker 3: And the thing is she considers him a friend, like

1117
01:02:06,080 --> 01:02:07,960
Speaker 3: she's like, you are my friend.

1118
01:02:08,200 --> 01:02:12,320
Speaker 1: Right, So and now I'm on front. At this point

1119
01:02:12,600 --> 01:02:16,560
Speaker 1: in the show, I said, oh God, Rosita gonna die.

1120
01:02:16,760 --> 01:02:22,640
Speaker 1: All these long ass goodbyes and talks, Oh I'm sorry,

1121
01:02:22,760 --> 01:02:31,640
Speaker 1: and uh why Sadik Sadiq says that guy will be okay.

1122
01:02:31,640 --> 01:02:34,720
Speaker 1: He just bounces back, and I think that's hints at

1123
01:02:35,200 --> 01:02:39,600
Speaker 1: Sadiq saying I can't bounce back from the barn. You

1124
01:02:39,600 --> 01:02:41,840
Speaker 1: see what I'm saying, Because he's like, I don't. I'm

1125
01:02:41,880 --> 01:02:44,200
Speaker 1: not just bouncing back. I saw something dramatic and I

1126
01:02:44,280 --> 01:02:47,120
Speaker 1: keep reliving it over and over and this this is

1127
01:02:47,200 --> 01:02:49,840
Speaker 1: him like hinting that he's having issues. And if you

1128
01:02:49,960 --> 01:02:57,760
Speaker 1: think about this episode multiple times, Chryl Dante Rosita, everyone's

1129
01:02:57,800 --> 01:03:00,520
Speaker 1: asking him, are you okay? But they see something and

1130
01:03:01,160 --> 01:03:05,360
Speaker 1: he's not disclosing what exactly he's going through. He's trying

1131
01:03:05,360 --> 01:03:06,760
Speaker 1: to kind of keep it to himself.

1132
01:03:07,600 --> 01:03:09,120
Speaker 2: Yeah, he's and by choice too.

1133
01:03:09,120 --> 01:03:13,960
Speaker 3: And somebody brought up Eugenie is the oldest friend, you know,

1134
01:03:14,000 --> 01:03:22,080
Speaker 3: because you know it was them in Abraham the Poop churn.

1135
01:03:23,360 --> 01:03:27,760
Speaker 6: That ship was a point and literally Eugene is a

1136
01:03:27,800 --> 01:03:36,640
Speaker 6: modified ship all of just mhm, we have a kid together?

1137
01:03:39,800 --> 01:03:40,640
Speaker 4: Yes, wait do.

1138
01:03:44,480 --> 01:03:46,840
Speaker 2: I didn't think I'd be a mummy in this world.

1139
01:03:47,560 --> 01:03:51,000
Speaker 6: Try not to think about it. Freaks me out every

1140
01:03:51,040 --> 01:03:57,600
Speaker 6: time I want to do it right, be a good die.

1141
01:03:58,920 --> 01:03:59,320
Speaker 2: Mhmm.

1142
01:04:01,600 --> 01:04:02,959
Speaker 4: Freaks me out to your dad too.

1143
01:04:06,800 --> 01:04:07,120
Speaker 1: Thanks.

1144
01:04:09,040 --> 01:04:10,440
Speaker 6: You know, she's like you to have you.

1145
01:04:13,720 --> 01:04:14,480
Speaker 4: My book.

1146
01:04:23,080 --> 01:04:29,680
Speaker 1: And life is about to kiss her. She talks, and

1147
01:04:29,760 --> 01:04:31,840
Speaker 1: he gave us some more of that poisoned ass water.

1148
01:04:33,400 --> 01:04:47,880
Speaker 1: What kind of doctor is this? Okay? Yeah, okay, once

1149
01:04:47,920 --> 01:04:49,360
Speaker 1: again ask him? Is he okay?

1150
01:04:50,080 --> 01:04:52,720
Speaker 6: Just got a lot of patience to see it in miles.

1151
01:04:52,360 --> 01:04:56,160
Speaker 1: Ago He's not okay. The other thing, man, it made

1152
01:04:56,160 --> 01:04:59,240
Speaker 1: me think about too, like this episode, like this is

1153
01:04:59,280 --> 01:05:02,360
Speaker 1: obviously a fix no show, but like, how hard must

1154
01:05:02,360 --> 01:05:05,280
Speaker 1: it be to have to live in Flint, Michigan. Were

1155
01:05:05,360 --> 01:05:07,440
Speaker 1: literally the water is poisoned like this.

1156
01:05:07,520 --> 01:05:10,760
Speaker 3: I can't wash my hands, I can't bathe, I have.

1157
01:05:10,760 --> 01:05:12,040
Speaker 2: To constantly put water.

1158
01:05:12,160 --> 01:05:15,400
Speaker 3: I'm actually like, like water that should be you know,

1159
01:05:15,520 --> 01:05:18,200
Speaker 3: nickels and pennies to the dollar that I'm paying the

1160
01:05:18,280 --> 01:05:21,640
Speaker 3: water place. I can't even do that water And it's

1161
01:05:21,680 --> 01:05:24,680
Speaker 3: just so fucked up. And not only in Flint, Michigan.

1162
01:05:24,880 --> 01:05:27,520
Speaker 3: That ship is happening all across the country.

1163
01:05:27,680 --> 01:05:30,400
Speaker 1: But like you're getting sick, kids getting sick.

1164
01:05:31,360 --> 01:05:34,400
Speaker 2: Sick, breaking on the sores, Like.

1165
01:05:34,440 --> 01:05:36,880
Speaker 1: We take that for granted, but like the water being

1166
01:05:36,920 --> 01:05:39,479
Speaker 1: fucked up, that can fuck everything up.

1167
01:05:39,480 --> 01:05:41,000
Speaker 2: Right, because we need what to survive.

1168
01:05:42,400 --> 01:05:45,200
Speaker 1: So then Buddy has spit his food on Carol's face

1169
01:05:45,840 --> 01:05:52,120
Speaker 1: and so now, oh, this is actually the first part

1170
01:05:52,120 --> 01:05:54,200
Speaker 1: of this. Let me see if I can get to

1171
01:05:54,240 --> 01:05:57,360
Speaker 1: the torture park. But yeah, he spit his food on

1172
01:05:57,440 --> 01:06:01,360
Speaker 1: her face, and uh, she was not she was not

1173
01:06:01,400 --> 01:06:04,840
Speaker 1: a fan of that. So then she took her ring

1174
01:06:04,840 --> 01:06:09,920
Speaker 1: out and put it on her punching hand and start

1175
01:06:10,040 --> 01:06:15,120
Speaker 1: torturing his ass. He has he also has a cut

1176
01:06:15,160 --> 01:06:17,600
Speaker 1: on his chest and she stuck her finger in that,

1177
01:06:28,240 --> 01:06:31,160
Speaker 1: and that I think was an illusion of sexual assault.

1178
01:06:33,040 --> 01:06:33,800
Speaker 2: Yeah, because he's.

1179
01:06:33,680 --> 01:06:36,400
Speaker 3: Looking at her like you're very violent, like you go,

1180
01:06:36,560 --> 01:06:39,120
Speaker 3: I know violent people, and you are like like I

1181
01:06:39,160 --> 01:06:42,360
Speaker 3: can I can see the look in your eye, like

1182
01:06:42,400 --> 01:06:44,400
Speaker 3: when we are out there when I mean violent people,

1183
01:06:44,440 --> 01:06:46,920
Speaker 3: you know, because they stab people, they cut people like

1184
01:06:46,960 --> 01:06:48,160
Speaker 3: it's something because it's a cult.

1185
01:06:48,240 --> 01:06:50,280
Speaker 1: Like yeah, but I'm not talking about that part I'm

1186
01:06:50,280 --> 01:06:51,960
Speaker 1: talking about when he said if we were out there,

1187
01:06:51,960 --> 01:06:54,120
Speaker 1: I'll take you like a bitch in heat. I think

1188
01:06:54,160 --> 01:06:57,680
Speaker 1: that's him. That's an illusion to like some sexual assault ship.

1189
01:06:57,920 --> 01:06:58,280
Speaker 9: Agreed.

1190
01:07:00,080 --> 01:07:02,400
Speaker 1: But yeah, so you know, you ain't got to tell Carra.

1191
01:07:02,520 --> 01:07:06,560
Speaker 1: But once she put on her brass knuckle and I

1192
01:07:06,640 --> 01:07:25,920
Speaker 1: was like, okay, here's my plunching ring, bitch. Yeah, Daryl

1193
01:07:26,000 --> 01:07:26,800
Speaker 1: says that's enough.

1194
01:07:28,040 --> 01:07:31,320
Speaker 3: And and you know what, and and with the I

1195
01:07:31,320 --> 01:07:33,400
Speaker 3: don't know why, but I'm thinking about this kid with

1196
01:07:33,520 --> 01:07:34,160
Speaker 3: this music.

1197
01:07:34,560 --> 01:07:36,000
Speaker 2: All I was going to hear.

1198
01:07:35,880 --> 01:07:39,000
Speaker 3: Was I know, And then and then it broke up

1199
01:07:39,040 --> 01:07:41,360
Speaker 3: into four parts where you see four different things. You

1200
01:07:41,360 --> 01:07:44,479
Speaker 3: see every you know, different ship's happening around them, giving

1201
01:07:44,520 --> 01:07:47,480
Speaker 3: somebody some old water. I know them over there that

1202
01:07:47,840 --> 01:07:49,320
Speaker 3: at the Walker's camp.

1203
01:07:49,760 --> 01:07:58,240
Speaker 1: At the at the Whispers Whispers camp. Oh yeah, week

1204
01:07:58,760 --> 01:07:59,280
Speaker 1: running out.

1205
01:07:59,160 --> 01:08:00,160
Speaker 3: Of time, Carol.

1206
01:08:06,840 --> 01:08:08,240
Speaker 1: Darrel puts out a knife.

1207
01:08:07,960 --> 01:08:10,000
Speaker 6: And with your fingers first.

1208
01:08:12,080 --> 01:08:16,000
Speaker 11: In both your ears, I'm gonna take all your teeth.

1209
01:08:17,120 --> 01:08:26,160
Speaker 11: You light yourselves to each other. You fight for what.

1210
01:08:27,920 --> 01:08:28,800
Speaker 1: Sandwiches?

1211
01:08:32,080 --> 01:08:33,599
Speaker 6: You ignore the truth.

1212
01:08:35,400 --> 01:08:38,120
Speaker 1: Darryl put his uh, put the dude's handing up against

1213
01:08:38,120 --> 01:08:40,320
Speaker 1: the wall, and put his knife to his finger, like

1214
01:08:40,320 --> 01:08:43,240
Speaker 1: he's about to cut it off if you know what

1215
01:08:43,320 --> 01:08:45,760
Speaker 1: kind of life I live, right, He's like, I was

1216
01:08:45,960 --> 01:08:49,880
Speaker 1: raised in the ghetto, a pole black child. Okay, this

1217
01:08:50,040 --> 01:08:53,479
Speaker 1: is nothing to me. I was born in the darkness.

1218
01:08:54,080 --> 01:08:58,680
Speaker 1: You merely adapted it, adopted it. But yeah, he's not.

1219
01:08:59,280 --> 01:09:02,320
Speaker 1: He ain't scared it off, ain't no fear to live here.

1220
01:09:02,400 --> 01:09:04,520
Speaker 2: And that's what Lydia told them.

1221
01:09:04,760 --> 01:09:07,519
Speaker 1: Right, like, torture is not gonna get it like you got.

1222
01:09:07,600 --> 01:09:09,559
Speaker 3: You're gonna have to get to his heart because if

1223
01:09:09,600 --> 01:09:11,759
Speaker 3: you don't, you're you're gonna.

1224
01:09:11,520 --> 01:09:12,400
Speaker 2: Have to end up killing him.

1225
01:09:12,560 --> 01:09:18,400
Speaker 1: A right, you fight for sandwiches delicious, honey spread o.

1226
01:09:23,040 --> 01:09:23,799
Speaker 1: You crazy?

1227
01:09:23,960 --> 01:09:24,320
Speaker 2: I have.

1228
01:09:26,400 --> 01:09:28,759
Speaker 1: A carrying you in the face.

1229
01:09:31,040 --> 01:09:34,280
Speaker 11: I would never betray off.

1230
01:09:34,320 --> 01:09:39,120
Speaker 1: She rescued me, She protects me, She loves me.

1231
01:09:40,560 --> 01:09:44,760
Speaker 2: She loves us, all the coked, all the winds. She

1232
01:09:45,040 --> 01:09:48,360
Speaker 2: sacrificed her own daughter for us.

1233
01:09:49,000 --> 01:09:49,559
Speaker 1: Breaks home.

1234
01:09:52,520 --> 01:09:58,800
Speaker 6: She killed Lydia, Oh she did.

1235
01:10:02,640 --> 01:10:11,920
Speaker 1: I'm really she gives my life and that's why he

1236
01:10:12,080 --> 01:10:17,000
Speaker 1: finally realized, Oh this nigga don't know that she lying

1237
01:10:17,760 --> 01:10:18,200
Speaker 1: mm hmm.

1238
01:10:18,360 --> 01:10:20,800
Speaker 3: And Kara was like, Kara was like when somebody hit

1239
01:10:20,840 --> 01:10:23,280
Speaker 3: you with some ship that you kind of like you

1240
01:10:23,360 --> 01:10:25,280
Speaker 3: I know the answer to but you want to kind

1241
01:10:25,280 --> 01:10:26,320
Speaker 3: of attend like you're hearing it.

1242
01:10:26,240 --> 01:10:26,760
Speaker 1: For the first time.

1243
01:10:26,760 --> 01:10:30,280
Speaker 3: I'm like, oh word, nobody told me though.

1244
01:10:32,920 --> 01:10:33,600
Speaker 2: Sorry to hear that.

1245
01:10:33,960 --> 01:10:36,400
Speaker 1: Oh man, I hate she lost her daughter like that,

1246
01:10:36,760 --> 01:10:40,320
Speaker 1: Da can't talk to yourself. I hate. Oh that's so sad.

1247
01:10:40,360 --> 01:10:42,040
Speaker 1: We need to go out and talk about it.

1248
01:10:42,120 --> 01:10:42,759
Speaker 2: So sad.

1249
01:10:43,160 --> 01:10:46,160
Speaker 1: Uh So Dee watches over Sheryl the older lady and

1250
01:10:46,200 --> 01:10:48,320
Speaker 1: promises she's gonna get through this. And she tells him like,

1251
01:10:48,400 --> 01:10:51,720
Speaker 1: I'm cool with die. And then he says, you.

1252
01:10:51,680 --> 01:10:54,080
Speaker 2: Know, I'm old nigga. Old people die, all right.

1253
01:10:54,080 --> 01:10:55,800
Speaker 1: She said, if anything, you need to lay your ass

1254
01:10:55,800 --> 01:10:58,439
Speaker 1: down and get some sleep, like close your eyes at

1255
01:10:58,479 --> 01:10:59,800
Speaker 1: least for a little bit. He's like, I got other

1256
01:10:59,800 --> 01:11:03,599
Speaker 1: pains and stuff. She's like, they're not gonna benefit from you, uh,

1257
01:11:03,760 --> 01:11:06,280
Speaker 1: not having your head on straight, So just sleep for

1258
01:11:06,400 --> 01:11:08,320
Speaker 1: a little bit, close your eyes, get a little rest,

1259
01:11:08,360 --> 01:11:12,599
Speaker 1: and don't worry about me. And he falls asleep and

1260
01:11:12,880 --> 01:11:21,799
Speaker 1: has another PTSD nightmare. And I just thought to myself,

1261
01:11:21,880 --> 01:11:24,240
Speaker 1: I would never take a nap around somebody so close

1262
01:11:24,280 --> 01:11:26,920
Speaker 1: to death. What if she would have died? Like as

1263
01:11:26,960 --> 01:11:28,559
Speaker 1: soon as I close my eyes, I wake up, and

1264
01:11:28,560 --> 01:11:30,000
Speaker 1: now I'm a fucking Seediq snack.

1265
01:11:30,640 --> 01:11:34,120
Speaker 3: Right, She's gonna be functioning like cause you know her

1266
01:11:34,160 --> 01:11:34,879
Speaker 3: brain is still.

1267
01:11:34,760 --> 01:11:37,920
Speaker 1: Intact, right, So I would have I would have never.

1268
01:11:38,200 --> 01:11:41,600
Speaker 1: I was like, no, Cheryl, I'm I'll sleep if you

1269
01:11:41,640 --> 01:11:43,600
Speaker 1: get tied to this bed, but I'm not sleeping in

1270
01:11:43,600 --> 01:11:47,200
Speaker 1: here with your dead ass. After them second, you are

1271
01:11:47,320 --> 01:11:52,439
Speaker 1: like thirty seconds from dying. So then after he takes

1272
01:11:52,439 --> 01:11:55,519
Speaker 1: his nap, he wakes, he wakes up or whatever, he

1273
01:11:55,560 --> 01:11:58,880
Speaker 1: gets woken up, and he has to go to the

1274
01:11:58,920 --> 01:12:01,720
Speaker 1: prisoner's cell and check on the prisoner because somehow the

1275
01:12:01,720 --> 01:12:06,800
Speaker 1: prisoner is sick and he's so sick. He actually you

1276
01:12:06,880 --> 01:12:08,960
Speaker 1: knew he was sick for real, because at first I

1277
01:12:09,000 --> 01:12:11,360
Speaker 1: thought it was a trap of a trick, but he

1278
01:12:12,080 --> 01:12:15,960
Speaker 1: needed like uh Sediq to heal him, and he was

1279
01:12:15,960 --> 01:12:18,799
Speaker 1: willing to let it happen. So I was like, oh, ship,

1280
01:12:19,479 --> 01:12:19,960
Speaker 1: I don't.

1281
01:12:19,760 --> 01:12:21,679
Speaker 6: Know if we came back and shaking pain.

1282
01:12:24,439 --> 01:12:27,719
Speaker 2: Darkness to himself.

1283
01:12:27,920 --> 01:12:33,480
Speaker 1: Yeah, I'm burning up here. Just make him stop.

1284
01:12:35,000 --> 01:12:42,400
Speaker 6: The breathing laboring people startection.

1285
01:12:42,520 --> 01:12:51,639
Speaker 1: It doesn't make sense. He throws up blood. He throws

1286
01:12:51,720 --> 01:13:07,040
Speaker 1: up blood on Dante's coat and dies, and.

1287
01:13:07,080 --> 01:13:07,759
Speaker 6: He dead.

1288
01:13:10,360 --> 01:13:13,200
Speaker 1: And they were about to bring Lydia and Carol was

1289
01:13:13,240 --> 01:13:16,160
Speaker 1: gonna bring the dude so that they could you like, see, God,

1290
01:13:16,520 --> 01:13:20,639
Speaker 1: give us the information. But the dude dies and so

1291
01:13:20,880 --> 01:13:23,760
Speaker 1: Daryl's like, y'all can get out of it. They don't. Lydia

1292
01:13:23,800 --> 01:13:30,519
Speaker 1: don't need to see. This was.

1293
01:13:37,240 --> 01:13:37,559
Speaker 6: Morning?

1294
01:13:39,160 --> 01:13:41,000
Speaker 2: Did you give us to him?

1295
01:13:41,040 --> 01:13:45,679
Speaker 1: So? So Deep finds some type of herb or something

1296
01:13:45,840 --> 01:13:50,040
Speaker 1: plant in uh Dante's bag and he's like, did you

1297
01:13:50,120 --> 01:13:55,719
Speaker 1: give him this ship? And it turns out that it's

1298
01:13:55,800 --> 01:13:58,160
Speaker 1: something that is poisonous and could kill you.

1299
01:14:00,200 --> 01:14:02,360
Speaker 10: Yeah, paint an inflammation.

1300
01:14:05,200 --> 01:14:09,920
Speaker 8: Killed him.

1301
01:14:09,920 --> 01:14:14,479
Speaker 1: How No, that's yours? Have him luck?

1302
01:14:17,479 --> 01:14:18,040
Speaker 10: I didn't know.

1303
01:14:19,560 --> 01:14:21,120
Speaker 1: I didn't know.

1304
01:14:21,520 --> 01:14:22,800
Speaker 4: I thought what.

1305
01:14:24,720 --> 01:14:25,320
Speaker 1: I thought what?

1306
01:14:25,720 --> 01:14:27,639
Speaker 10: I never thought him luck of being the pack because

1307
01:14:28,760 --> 01:14:29,880
Speaker 10: because what don't they.

1308
01:14:33,720 --> 01:14:34,680
Speaker 4: Because you packed it?

1309
01:14:37,800 --> 01:14:43,200
Speaker 1: And so this was when I knew, okay, because Karen

1310
01:14:43,320 --> 01:14:45,800
Speaker 1: was like we was on the couch and I was like,

1311
01:14:45,920 --> 01:14:48,200
Speaker 1: oh my god, it's true. And then Karen's like, what

1312
01:14:48,200 --> 01:14:49,719
Speaker 1: are you talking about? And I was like, never mind,

1313
01:14:50,000 --> 01:14:52,000
Speaker 1: you'll get to see it for yourself. I won't spoil it.

1314
01:14:52,400 --> 01:14:53,680
Speaker 2: I didn't make the connection.

1315
01:14:53,400 --> 01:14:57,439
Speaker 1: But this is when I was pretty oh shit, But

1316
01:14:58,479 --> 01:15:01,000
Speaker 1: I wait till to confirm it. And but this is

1317
01:15:01,040 --> 01:15:03,920
Speaker 1: one I knew. I said, oh my god, And I

1318
01:15:04,040 --> 01:15:09,000
Speaker 1: get why you wouldn't have suspected it, because I mean, well,

1319
01:15:09,000 --> 01:15:11,599
Speaker 1: when the last time E's been right about anything, you know,

1320
01:15:13,120 --> 01:15:17,599
Speaker 1: RBS will like you know, Henry, I mean, it's she's

1321
01:15:17,720 --> 01:15:22,720
Speaker 1: normal wrong anyway. So uh, he basically says like yeah,

1322
01:15:22,760 --> 01:15:25,360
Speaker 1: he blames it on Sadik. And because he's also been

1323
01:15:25,400 --> 01:15:27,960
Speaker 1: playing this role of being like, I'm trying to help

1324
01:15:27,960 --> 01:15:30,080
Speaker 1: you seek I'm trying to protect you, you know when

1325
01:15:30,120 --> 01:15:33,439
Speaker 1: you start having these flashbacks and ship I'm basically the

1326
01:15:33,479 --> 01:15:35,920
Speaker 1: one that steps in to keep you from like being

1327
01:15:35,960 --> 01:15:38,920
Speaker 1: exposed as a doctor that Katie his job. And so

1328
01:15:39,080 --> 01:15:41,920
Speaker 1: this kind of felt like like I want to cover

1329
01:15:42,040 --> 01:15:44,960
Speaker 1: for you, but you keep being a dick trying to

1330
01:15:45,080 --> 01:15:47,240
Speaker 1: You're gonna make me have to tell everybody you the

1331
01:15:47,240 --> 01:15:50,520
Speaker 1: one that fucked up, not me, because he looked reluctant

1332
01:15:50,479 --> 01:15:53,439
Speaker 1: to say like, yeah, why would you do that? Why

1333
01:15:53,439 --> 01:15:56,040
Speaker 1: would you He was like, I didn't think it would

1334
01:15:56,080 --> 01:15:58,120
Speaker 1: be in the bag. It's like, why wouldn't it be

1335
01:15:58,160 --> 01:15:59,800
Speaker 1: in the bag. It's like, well, damn, I guess I

1336
01:15:59,840 --> 01:16:02,519
Speaker 1: got to tell everybody put it in the bag. Nigga,

1337
01:16:02,560 --> 01:16:04,760
Speaker 1: is your fault, and it looked like he didn't want

1338
01:16:04,800 --> 01:16:06,720
Speaker 1: to say that, like it wasn't a setup like sit

1339
01:16:06,720 --> 01:16:07,080
Speaker 1: did care?

1340
01:16:07,360 --> 01:16:07,519
Speaker 2: You know?

1341
01:16:08,920 --> 01:16:09,080
Speaker 3: Uh?

1342
01:16:09,120 --> 01:16:11,800
Speaker 1: Then Lydia and Carol come, oh wait, I said that part.

1343
01:16:12,920 --> 01:16:15,719
Speaker 1: Gabe is like, if they find out about this dead nigga,

1344
01:16:16,360 --> 01:16:18,600
Speaker 1: is people in the community gonna panic.

1345
01:16:18,680 --> 01:16:21,759
Speaker 3: Yes, sir, because he don't have no fucking business being here,

1346
01:16:22,240 --> 01:16:22,920
Speaker 3: right and.

1347
01:16:22,800 --> 01:16:26,040
Speaker 1: They know that we gotta quote unquote stand off with

1348
01:16:26,080 --> 01:16:29,040
Speaker 1: these people and we ain't here torturing and killing people.

1349
01:16:29,720 --> 01:16:35,320
Speaker 1: It ain't gonna look good. So that was a big issue.

1350
01:16:35,400 --> 01:16:38,559
Speaker 1: Then the other part of it was if Alpha finds out,

1351
01:16:38,680 --> 01:16:41,800
Speaker 1: it's gonna be a war. So they gotta figure out

1352
01:16:41,800 --> 01:16:44,200
Speaker 1: what to do about this, Gabe said. Darrel was like,

1353
01:16:44,200 --> 01:16:47,080
Speaker 1: don't worry, I'll take care of it. And Gabe says, well,

1354
01:16:47,120 --> 01:16:53,400
Speaker 1: I'll help you because it's not your fault. It's Carols. Now,

1355
01:16:53,439 --> 01:16:55,559
Speaker 1: Caroly and Lydia are on horseback and she's like, you

1356
01:16:55,600 --> 01:16:58,040
Speaker 1: still want to help and Lydia says yeah, Carol says good.

1357
01:16:58,880 --> 01:17:00,320
Speaker 1: And of course that's when they go out out there

1358
01:17:00,320 --> 01:17:02,439
Speaker 1: and we played that scene already where they go out

1359
01:17:02,560 --> 01:17:07,400
Speaker 1: with Aaron and uh, she uses Lydia without telling Lydia

1360
01:17:07,479 --> 01:17:14,320
Speaker 1: the actual plan. Cheryl dies and uh Sadiq goes outside

1361
01:17:14,720 --> 01:17:17,479
Speaker 1: to see Dante Burrian. Cheryl out by her, she said,

1362
01:17:18,400 --> 01:17:22,320
Speaker 1: and uh Sadiq has another PTSD attack. Ed jumps into

1363
01:17:22,360 --> 01:17:25,400
Speaker 1: a lake and he jumps to a lake and Rosita

1364
01:17:25,520 --> 01:17:28,120
Speaker 1: saves him, and then they had this conversation.

1365
01:17:28,560 --> 01:17:32,519
Speaker 10: Because no, I want the real shit.

1366
01:17:34,240 --> 01:17:36,559
Speaker 6: Whatever it's been eating York for weeks spelled.

1367
01:17:41,360 --> 01:17:43,560
Speaker 1: It's funny because it should be obvious. I mean this

1368
01:17:43,640 --> 01:17:46,960
Speaker 1: Nigga is the only survivor of a massacre that he witnessed.

1369
01:17:47,479 --> 01:17:50,200
Speaker 1: I mean it should be obvious to everybody that if

1370
01:17:50,240 --> 01:17:51,720
Speaker 1: something's eating him up, that's what it is.

1371
01:17:53,360 --> 01:17:54,960
Speaker 3: But I guess it's they like, you don't tell us.

1372
01:17:55,000 --> 01:17:55,879
Speaker 3: We actually don't.

1373
01:17:55,680 --> 01:17:57,360
Speaker 1: Know, right because you got to talk about it.

1374
01:17:58,479 --> 01:18:01,639
Speaker 6: I'm still there all the time. It's like I could

1375
01:18:01,680 --> 01:18:07,280
Speaker 6: never left. It's just pieces and they're all jumbled together

1376
01:18:07,479 --> 01:18:18,719
Speaker 6: like a puzzle or something. Screams this what the frison

1377
01:18:20,439 --> 01:18:32,840
Speaker 6: MH give me stop people, Cheryl was sick. You're doing

1378
01:18:32,880 --> 01:18:33,680
Speaker 6: everything you can.

1379
01:18:35,240 --> 01:18:36,080
Speaker 2: You're not alone.

1380
01:18:38,960 --> 01:18:41,759
Speaker 1: And I think this is pure survival's guilt.

1381
01:18:42,200 --> 01:18:45,160
Speaker 2: Survivor's guilt if he's the only one that survived.

1382
01:18:44,840 --> 01:18:47,559
Speaker 1: Because he's even blamed himself for Like Cheryl, he's blaming

1383
01:18:47,640 --> 01:18:50,840
Speaker 1: himself or not being able to solve this contagion that's

1384
01:18:50,880 --> 01:18:53,120
Speaker 1: going around, not being able to figure that out. He's

1385
01:18:53,479 --> 01:18:55,920
Speaker 1: blaming himself for not being able to save everybody in

1386
01:18:55,960 --> 01:19:00,000
Speaker 1: the barn. Like he's blaming he's taking it off for everything.

1387
01:19:00,080 --> 01:19:04,439
Speaker 1: And I think that's the the effect of having survived

1388
01:19:04,479 --> 01:19:07,599
Speaker 1: something traumatic, traumatic like that, Like that's a psychological thing

1389
01:19:07,640 --> 01:19:11,400
Speaker 1: that people talk about survivors of, like you know, people

1390
01:19:11,400 --> 01:19:15,160
Speaker 1: that murder people and shit, you know, massacre stuff like that.

1391
01:19:16,720 --> 01:19:26,559
Speaker 6: Don't you know why bothers me so much?

1392
01:19:29,160 --> 01:19:35,040
Speaker 8: Enid.

1393
01:19:35,080 --> 01:19:43,280
Speaker 6: He's just think about how much I missed her. Then

1394
01:19:43,280 --> 01:19:44,960
Speaker 6: I get to remember how I failed her.

1395
01:19:45,040 --> 01:19:48,519
Speaker 1: So so he feels like he failed her in the

1396
01:19:48,560 --> 01:19:51,800
Speaker 1: barn and couldn't save her. But also him and Eni

1397
01:19:51,880 --> 01:19:54,520
Speaker 1: had a special relationship because she was like his understudy

1398
01:19:54,880 --> 01:19:58,880
Speaker 1: and became a doctor for Hilltop because it's a deep

1399
01:19:59,560 --> 01:19:59,800
Speaker 1: you know.

1400
01:20:00,080 --> 01:20:03,599
Speaker 3: So he's actually back to Carl because Carl went out

1401
01:20:03,640 --> 01:20:06,360
Speaker 3: there when his daddy told him not to and was like,

1402
01:20:06,560 --> 01:20:09,040
Speaker 3: I have got to show that we're not gonna be

1403
01:20:09,120 --> 01:20:11,960
Speaker 3: running everybody off, Daddy, Like, nah, that's a great that's

1404
01:20:12,000 --> 01:20:15,160
Speaker 3: a great point. Karen because the latship with Carl probably

1405
01:20:15,160 --> 01:20:17,600
Speaker 3: does make him feel even more protective of in it.

1406
01:20:17,640 --> 01:20:19,519
Speaker 1: And he couldn't do shit to stop what happened to.

1407
01:20:19,439 --> 01:20:22,040
Speaker 3: Her, right because he promised promised Carl, like I'll do

1408
01:20:22,120 --> 01:20:24,479
Speaker 3: my Bessie, because that's the only reason why he's even

1409
01:20:24,520 --> 01:20:27,400
Speaker 3: with the community, because Carl a bouch. Carl was like, no, Daddy,

1410
01:20:27,520 --> 01:20:28,439
Speaker 3: We're not gonna do this.

1411
01:20:28,600 --> 01:20:31,000
Speaker 1: So yeah, man, I can see why that would fuck

1412
01:20:31,080 --> 01:20:36,519
Speaker 1: him up. And also he is agro towards Uh, he's

1413
01:20:36,640 --> 01:20:41,679
Speaker 1: very aggressive towards Dante, like when Dante makes a mistake,

1414
01:20:41,720 --> 01:20:44,240
Speaker 1: like you never see Sadik blow up at people. When

1415
01:20:44,320 --> 01:20:47,960
Speaker 1: Dante makes a mistake, Sadiq blows up like and that's

1416
01:20:47,960 --> 01:20:50,599
Speaker 1: been a pattern, you know, And now we know why

1417
01:20:50,640 --> 01:20:55,800
Speaker 1: he thinks that's a pattern. And then you know, I

1418
01:20:55,800 --> 01:20:57,800
Speaker 1: would go into she basically says, it's not your father

1419
01:20:57,880 --> 01:21:01,240
Speaker 1: and ship. And then also, uh, he figures out in

1420
01:21:01,280 --> 01:21:03,600
Speaker 1: this scene because he's like, I just if I'm not

1421
01:21:03,640 --> 01:21:06,240
Speaker 1: smart enough to figure out what's happening to y'all, why

1422
01:21:06,360 --> 01:21:08,400
Speaker 1: y'all don't eat the same things, I don't go live

1423
01:21:08,439 --> 01:21:11,680
Speaker 1: in the same place. And then uh, he looks at

1424
01:21:11,720 --> 01:21:14,440
Speaker 1: the water that he just got pulled from and realizes,

1425
01:21:14,640 --> 01:21:15,360
Speaker 1: oh shit.

1426
01:21:15,320 --> 01:21:17,000
Speaker 2: That's the only thing everybody had in common.

1427
01:21:17,080 --> 01:21:19,800
Speaker 1: So he tells was either like go back home, lay down,

1428
01:21:20,439 --> 01:21:23,519
Speaker 1: and he goes and checks the water and figures out

1429
01:21:23,680 --> 01:21:27,880
Speaker 1: the water filtration system has been tampered with and one

1430
01:21:27,880 --> 01:21:30,280
Speaker 1: of the levers was turned off, and he turns it

1431
01:21:30,320 --> 01:21:33,960
Speaker 1: back on. But then he's pissed at himself and starts

1432
01:21:34,000 --> 01:21:38,680
Speaker 1: throwing shit and whatever, because hey, I this happened on

1433
01:21:38,720 --> 01:21:42,040
Speaker 1: my watch. Jeanie's not here, and everybody got sick, and

1434
01:21:42,080 --> 01:21:43,880
Speaker 1: I didn't even think to check the water, and now

1435
01:21:43,960 --> 01:21:49,120
Speaker 1: Cheryl's dead, you know, So he flicks the fuck out.

1436
01:21:49,320 --> 01:21:52,400
Speaker 3: Yeah, And I think the mistake he made he should

1437
01:21:52,400 --> 01:21:54,519
Speaker 3: have told her, Hey, I think it's something with the water,

1438
01:21:54,600 --> 01:21:55,320
Speaker 3: let me go check it out.

1439
01:21:55,320 --> 01:21:56,840
Speaker 2: But he tells her nothing, so she does.

1440
01:21:56,720 --> 01:21:59,439
Speaker 1: Not know, right, And I think also that goes back

1441
01:21:59,479 --> 01:22:02,759
Speaker 1: to that shame, right, because he took this very personally,

1442
01:22:02,840 --> 01:22:06,439
Speaker 1: like I'm ashamed I can't solve this problem. And so

1443
01:22:06,479 --> 01:22:08,519
Speaker 1: when he figures it out, you would think that would

1444
01:22:08,520 --> 01:22:11,720
Speaker 1: be like, you know, oh look I figured it out.

1445
01:22:11,720 --> 01:22:13,519
Speaker 1: But I don't think he was very proud of figuring

1446
01:22:13,560 --> 01:22:16,120
Speaker 1: out because he's like, it's my just like should have

1447
01:22:16,200 --> 01:22:19,360
Speaker 1: known like while we're you know, like like and it

1448
01:22:19,439 --> 01:22:21,959
Speaker 1: was just a suspicion at the time. So he confirmed

1449
01:22:21,960 --> 01:22:23,760
Speaker 1: it and then he's just like, I fixed it, but

1450
01:22:24,000 --> 01:22:27,000
Speaker 1: you know I'm the weakling. And keep in mind he

1451
01:22:27,120 --> 01:22:29,639
Speaker 1: also is like, I put the pack the wrong ship

1452
01:22:29,680 --> 01:22:32,320
Speaker 1: in the bag and that dude died because of me.

1453
01:22:32,479 --> 01:22:37,439
Speaker 1: Like everything is coming up against sadik Okay, everyone's cutting spades,

1454
01:22:37,840 --> 01:22:43,320
Speaker 1: cutting heart so on a cutting book, everything okay, Like

1455
01:22:43,439 --> 01:22:47,200
Speaker 1: he is, his life is spade tight against right now.

1456
01:22:47,840 --> 01:22:50,880
Speaker 1: He just wants a break. So Sadiq goes back to

1457
01:22:50,960 --> 01:22:57,240
Speaker 1: his to his house. He's looking out the window being sad, crying.

1458
01:22:58,439 --> 01:22:59,479
Speaker 1: Dante comes in.

1459
01:23:02,479 --> 01:23:08,760
Speaker 7: Hey, I know it's late, but I feel alone.

1460
01:23:09,439 --> 01:23:11,120
Speaker 10: I just want to chat for a second.

1461
01:23:13,200 --> 01:23:14,439
Speaker 8: I'm not your heaf.

1462
01:23:17,560 --> 01:23:24,639
Speaker 10: Sure you are, chief, mm hmm.

1463
01:23:25,960 --> 01:23:26,639
Speaker 11: I'll go, but.

1464
01:23:29,439 --> 01:23:33,200
Speaker 10: Not before saying sorry with the Eugene gone, I got

1465
01:23:33,200 --> 01:23:35,360
Speaker 10: a fitchen with the water.

1466
01:23:37,840 --> 01:23:39,080
Speaker 1: I haven't pulled my weight and.

1467
01:23:39,240 --> 01:23:46,599
Speaker 8: Stop, there's not this is my fault. It's not yours.

1468
01:23:48,040 --> 01:23:49,439
Speaker 8: There's not anyone else's.

1469
01:23:49,680 --> 01:23:53,560
Speaker 10: Yeah, I know you want this blame.

1470
01:23:56,400 --> 01:23:56,840
Speaker 6: For a sect.

1471
01:23:56,880 --> 01:24:04,040
Speaker 10: Everything else makes sense, right, I'm sorry, bro, ain't how

1472
01:24:04,040 --> 01:24:05,120
Speaker 10: it works.

1473
01:24:06,680 --> 01:24:09,439
Speaker 1: And this is like more Dante being a good dude

1474
01:24:09,680 --> 01:24:14,080
Speaker 1: taking sneak from himself. And you know, Zadeka is blaming

1475
01:24:14,160 --> 01:24:17,519
Speaker 1: himself for missing the water thing. He's blaming himself for

1476
01:24:18,120 --> 01:24:20,360
Speaker 1: the death of Sheryl, the death of the dude that's

1477
01:24:20,400 --> 01:24:24,600
Speaker 1: a prisoner packing that wrong thing in the bag. And

1478
01:24:24,800 --> 01:24:27,240
Speaker 1: Dante's just kind of always been there for him to

1479
01:24:27,280 --> 01:24:30,320
Speaker 1: be like, hey man, I know things is looking bad,

1480
01:24:30,400 --> 01:24:33,040
Speaker 1: but you got this. You're okay. It's not your fault.

1481
01:24:33,640 --> 01:24:35,120
Speaker 1: So it seems like typical Dante.

1482
01:24:35,320 --> 01:24:41,280
Speaker 10: Look, this place is special. I got that right away.

1483
01:24:41,640 --> 01:24:47,320
Speaker 10: It works because it's a village. It takes everyone here

1484
01:24:47,400 --> 01:24:54,519
Speaker 10: to bills, grow fight, It raised road rides, and he

1485
01:24:54,520 --> 01:25:07,080
Speaker 10: helped people. Everyone carries equal Wait, so when something happens,

1486
01:25:08,320 --> 01:25:14,599
Speaker 10: it's all our fault. Yeah, and when one of us

1487
01:25:14,680 --> 01:25:18,800
Speaker 10: is suffering, we're here to help.

1488
01:25:19,880 --> 01:25:22,080
Speaker 8: You don't even know me, miss.

1489
01:25:24,560 --> 01:25:24,920
Speaker 11: Sure do.

1490
01:25:29,000 --> 01:25:32,880
Speaker 1: You're my friend, and there's some good will hunting ship

1491
01:25:32,920 --> 01:25:36,360
Speaker 1: where it's not your fault. It's not your fault. It's

1492
01:25:36,360 --> 01:25:38,920
Speaker 1: a deep lesson one glory to slide out of his face.

1493
01:25:41,800 --> 01:25:46,639
Speaker 10: Don't be okay.

1494
01:25:47,280 --> 01:25:55,160
Speaker 13: Yeah, music change and you heard that whatever that sound

1495
01:25:55,360 --> 01:26:00,040
Speaker 13: was that was that said, it's a deep on the

1496
01:26:00,080 --> 01:26:03,519
Speaker 13: PTSD head trip to back to the barn, and we

1497
01:26:03,720 --> 01:26:07,880
Speaker 13: now see like the person that was holding him was

1498
01:26:08,160 --> 01:26:11,760
Speaker 13: talking to him and making that the same clicking.

1499
01:26:11,360 --> 01:26:32,120
Speaker 1: Sounds in his and so he looks this still standing

1500
01:26:32,160 --> 01:26:36,320
Speaker 1: behind him, I mean Dante standing behind him the same

1501
01:26:36,400 --> 01:26:38,599
Speaker 1: way the person that was holding him was standing behind him,

1502
01:26:39,000 --> 01:26:41,400
Speaker 1: holding him, and you see like for a second the

1503
01:26:41,439 --> 01:26:45,360
Speaker 1: overlay of the mask on Dante's face. And so Dante

1504
01:26:45,400 --> 01:26:50,479
Speaker 1: was literally the person that held Sadik when he watched

1505
01:26:50,520 --> 01:26:52,839
Speaker 1: everybody get killed, and he was one of the whispers.

1506
01:26:53,120 --> 01:26:55,559
Speaker 2: And I think he realized put that together.

1507
01:26:56,360 --> 01:26:59,360
Speaker 1: Yeah, I don't know what that I don't see.

1508
01:26:59,479 --> 01:27:02,439
Speaker 3: I think he's gonna hear his facial response in the mirror.

1509
01:27:02,520 --> 01:27:06,360
Speaker 1: He's like, well, also turns around, he's looking for a weapon,

1510
01:27:07,479 --> 01:27:12,439
Speaker 1: and he sees Sadik looking for the hatchet, and once

1511
01:27:12,479 --> 01:27:42,840
Speaker 1: that happens, I mean, you gotta and I'll skip to

1512
01:27:42,880 --> 01:27:45,160
Speaker 1: the end of the fight. But he gets the best

1513
01:27:45,160 --> 01:28:21,719
Speaker 1: of Sadek, kill Sadek, and that's the end of the episode.

1514
01:28:22,600 --> 01:28:26,560
Speaker 3: And also I think too he said not you and

1515
01:28:26,640 --> 01:28:28,880
Speaker 3: not like this, So I think he probably figured out

1516
01:28:29,000 --> 01:28:30,439
Speaker 3: soon a I was gonna get found out.

1517
01:28:30,479 --> 01:28:33,320
Speaker 2: I didn't think it was gonna be you, and I

1518
01:28:33,400 --> 01:28:35,800
Speaker 2: didn't want to kill you, but now I know I

1519
01:28:35,880 --> 01:28:36,439
Speaker 2: have to kill you.

1520
01:28:36,560 --> 01:28:40,920
Speaker 1: And it raises some interesting questions about Dante because if

1521
01:28:40,920 --> 01:28:43,200
Speaker 1: he's one of the Whispers, how much does he know

1522
01:28:45,320 --> 01:28:49,160
Speaker 1: like Lydia is living amongst them? Does he think she's

1523
01:28:49,240 --> 01:28:52,720
Speaker 1: in on it? Has Alpha trusted him so much that

1524
01:28:52,880 --> 01:28:57,040
Speaker 1: she's like, I didn't kill my daughter and I'm lying,

1525
01:28:57,280 --> 01:28:59,599
Speaker 1: and you're my most one of my I guess at

1526
01:28:59,640 --> 01:29:02,280
Speaker 1: this point more trusted than Beta because Beta didn't even know.

1527
01:29:02,640 --> 01:29:03,480
Speaker 2: Yeah, also.

1528
01:29:05,040 --> 01:29:08,879
Speaker 3: Because the way her mind takes it would not surprise

1529
01:29:09,080 --> 01:29:15,200
Speaker 3: me if her killing Lydia didn't even come up, Like

1530
01:29:15,479 --> 01:29:17,040
Speaker 3: you know what I'm saying, like they knew.

1531
01:29:17,400 --> 01:29:24,920
Speaker 1: What I'm saying is if he doesn't know that Lydia is,

1532
01:29:25,560 --> 01:29:28,639
Speaker 1: he knows Lydia's living with them, correct, and he hasn't

1533
01:29:28,680 --> 01:29:30,800
Speaker 1: reached out to her to even be like, so wink,

1534
01:29:30,880 --> 01:29:35,040
Speaker 1: winc we infiltrated, right, we both over here spying. So

1535
01:29:35,200 --> 01:29:37,479
Speaker 1: I'm just saying, like, how much does he know? I

1536
01:29:37,640 --> 01:29:40,400
Speaker 1: wonder what are his instructions? And she don't talk to

1537
01:29:40,479 --> 01:29:43,240
Speaker 1: Lydia if you see her or on her own mission, y'all,

1538
01:29:43,360 --> 01:29:46,720
Speaker 1: you know, like I want these questions answered, because, like

1539
01:29:46,840 --> 01:29:49,559
Speaker 1: I said, these are interesting questions to think. I also

1540
01:29:49,680 --> 01:29:53,600
Speaker 1: think his mission must have been to surveil sedeep to

1541
01:29:53,680 --> 01:29:56,200
Speaker 1: some point m h, you know, to make sure that

1542
01:29:56,360 --> 01:29:59,720
Speaker 1: he didn't have too much information. Also, now we know

1543
01:29:59,800 --> 01:30:01,880
Speaker 1: that was a mold and now we know there's certain

1544
01:30:02,160 --> 01:30:04,479
Speaker 1: so he knowed when she's like, I know, you crossed

1545
01:30:04,479 --> 01:30:08,240
Speaker 1: my land this many times, all right, it might not

1546
01:30:08,320 --> 01:30:10,439
Speaker 1: have been that they were watching. It might have been

1547
01:30:10,960 --> 01:30:14,160
Speaker 1: buddies infiltrated. So he could be like, hey, how is

1548
01:30:14,200 --> 01:30:15,599
Speaker 1: he getting information to them?

1549
01:30:16,320 --> 01:30:18,920
Speaker 2: That's the biggest question. How is he getting information to me?

1550
01:30:19,080 --> 01:30:22,160
Speaker 1: Yeah, Like there's questions now that I have that, I'm like,

1551
01:30:22,360 --> 01:30:25,920
Speaker 1: I would like this answer. Clearly, he must have liked

1552
01:30:26,000 --> 01:30:30,200
Speaker 1: the water filtration thing. I wonder if that's a combination

1553
01:30:30,400 --> 01:30:35,760
Speaker 1: attack where on the outside you have Gamma clogging the

1554
01:30:35,840 --> 01:30:38,880
Speaker 1: water with fucking zombie guts, and on the inside you

1555
01:30:39,000 --> 01:30:44,160
Speaker 1: have Dante turning off the filtration getting everybody sick, you know.

1556
01:30:44,360 --> 01:30:48,839
Speaker 1: And it seems like in the same way that Carol

1557
01:30:49,880 --> 01:30:52,600
Speaker 1: is trying to use the and Aaron are trying to

1558
01:30:52,680 --> 01:30:57,120
Speaker 1: use diplomacy to erode the way of life for the Whisperers,

1559
01:30:58,040 --> 01:31:02,160
Speaker 1: it seems like the wipurs are trying to use adversity

1560
01:31:02,640 --> 01:31:05,400
Speaker 1: to erode the way of life for Alexandria and those

1561
01:31:05,479 --> 01:31:11,960
Speaker 1: cooks and the other community. Yeah, there were just hardship. Well, look,

1562
01:31:12,160 --> 01:31:16,479
Speaker 1: trees following on ship. Zombies keep attacking we the water.

1563
01:31:16,600 --> 01:31:18,720
Speaker 1: We're getting sick. Maybe we should try our chances with

1564
01:31:18,800 --> 01:31:21,559
Speaker 1: the whispers. You know, the smart ones will come to us,

1565
01:31:21,760 --> 01:31:24,080
Speaker 1: you know, that's what she says. So it feels like

1566
01:31:24,160 --> 01:31:29,639
Speaker 1: it's a big ass, big ass attacks. So man, oh man.

1567
01:31:30,320 --> 01:31:34,040
Speaker 1: So even Eve was finally right about something, and I'm

1568
01:31:34,080 --> 01:31:38,080
Speaker 1: a man of my word. I give her credit. All Right,

1569
01:31:38,200 --> 01:31:43,840
Speaker 1: we had comments, let's get into these uh D rights

1570
01:31:43,960 --> 01:31:49,160
Speaker 1: and oh wait yeah, d Ramsey pussy Bowl says love

1571
01:31:49,240 --> 01:31:52,000
Speaker 1: you and missus and the missus reviewing our show The

1572
01:31:52,040 --> 01:31:54,920
Speaker 1: Walking Dead. I started watching the episodes again and when

1573
01:31:55,080 --> 01:31:58,439
Speaker 1: Sadek was flashing during the intro, the hands on his

1574
01:31:58,560 --> 01:32:01,680
Speaker 1: mouth looked very familiar. I was like, damn, Oupha is

1575
01:32:01,720 --> 01:32:05,559
Speaker 1: worse than the governor. Beta doesn't want any any from her,

1576
01:32:05,760 --> 01:32:08,120
Speaker 1: and Megan is so ready to get with her. I

1577
01:32:08,200 --> 01:32:11,800
Speaker 1: forgot Micheau went to ocean side. Damn she was she

1578
01:32:11,920 --> 01:32:14,439
Speaker 1: has to save everyone. Yep, we'll see.

1579
01:32:17,880 --> 01:32:18,000
Speaker 4: Uh.

1580
01:32:18,360 --> 01:32:20,439
Speaker 1: I don't know what's gonna happen up there, but like

1581
01:32:20,439 --> 01:32:25,040
Speaker 1: we're gonna get a peek of that next week. Amon right, saying, hey, y'all, well,

1582
01:32:25,080 --> 01:32:27,280
Speaker 1: I'm shocked in a good way. All those weird feelings

1583
01:32:27,320 --> 01:32:30,400
Speaker 1: we all had about doctor dude bro were correct. Yo,

1584
01:32:30,640 --> 01:32:33,600
Speaker 1: shout out to the writing on this stuff, because we

1585
01:32:33,720 --> 01:32:36,120
Speaker 1: all went suspicious and then it was like, well, maybe,

1586
01:32:36,280 --> 01:32:39,720
Speaker 1: I mean so fucked up they might need this dude, right,

1587
01:32:40,400 --> 01:32:42,120
Speaker 1: he might be the next doctor. Oh wait, we was

1588
01:32:42,200 --> 01:32:46,400
Speaker 1: right suspicious. Trust your gut, pocs. White folks always try

1589
01:32:46,439 --> 01:32:50,000
Speaker 1: to make us second guess ourselves. What racism. That's crazy,

1590
01:32:50,439 --> 01:32:53,920
Speaker 1: That's not what this is. Come on and sir, that's racist.

1591
01:32:54,000 --> 01:32:56,599
Speaker 1: Sound like in my head, poor Sadeck, do you even

1592
01:32:56,640 --> 01:32:58,519
Speaker 1: get to tell anyone other than that dude that the

1593
01:32:58,600 --> 01:32:59,640
Speaker 1: water is contaminated?

1594
01:33:00,280 --> 01:33:00,320
Speaker 6: No?

1595
01:33:00,680 --> 01:33:02,800
Speaker 1: I don't think he told nobody. Yeah, I don't even

1596
01:33:02,800 --> 01:33:05,800
Speaker 1: think he told Dante he fixed that water. Uh. The

1597
01:33:05,920 --> 01:33:08,960
Speaker 1: moment he said Sadek put the hemlock in the medicine,

1598
01:33:09,000 --> 01:33:11,360
Speaker 1: bag ouist thinking it didn't seem correct at all, saying

1599
01:33:12,080 --> 01:33:15,080
Speaker 1: and once again, what the hell, Aaron, I don't understand

1600
01:33:15,080 --> 01:33:16,760
Speaker 1: why he is posted on the bridge, or why he

1601
01:33:16,840 --> 01:33:19,519
Speaker 1: didn't report what he saw Gamma doing right away. Maybe

1602
01:33:19,560 --> 01:33:21,280
Speaker 1: in the next episode that shed some light on it,

1603
01:33:21,320 --> 01:33:25,760
Speaker 1: because it's very frustrating. Yeah yeah, Carol. Or maybe he

1604
01:33:25,920 --> 01:33:28,559
Speaker 1: just thought, well, with the water filtration will be fine.

1605
01:33:29,360 --> 01:33:31,400
Speaker 1: But my thing is, has he not been home since

1606
01:33:32,400 --> 01:33:34,479
Speaker 1: since he went out there? I don't know, it might

1607
01:33:34,560 --> 01:33:37,360
Speaker 1: not have been. And Carol being white woman TM again,

1608
01:33:37,840 --> 01:33:40,960
Speaker 1: now your only advantage over Alpha is gone. I'm thinking

1609
01:33:41,080 --> 01:33:42,519
Speaker 1: Lydia is going to come back.

1610
01:33:42,600 --> 01:33:42,760
Speaker 4: Though.

1611
01:33:43,120 --> 01:33:46,280
Speaker 1: Let me tell you something. The advantage over Alpa is Carol,

1612
01:33:47,280 --> 01:33:50,000
Speaker 1: and it's not gone because Carol's jack Bow.

1613
01:33:50,520 --> 01:33:50,720
Speaker 6: Yeah.

1614
01:33:51,000 --> 01:33:54,120
Speaker 1: Yeah, So one way or another, Carol gonna get it done.

1615
01:33:54,240 --> 01:33:56,439
Speaker 1: Now the plan just changes and.

1616
01:33:56,479 --> 01:34:01,120
Speaker 3: We go to situation, changed to the scene, and I

1617
01:34:01,240 --> 01:34:03,840
Speaker 3: think she's coming back to baby because because she's gonna

1618
01:34:03,840 --> 01:34:06,559
Speaker 3: be like nigga, you get out there, you're like whoa child?

1619
01:34:06,760 --> 01:34:07,400
Speaker 2: Dug Guerto.

1620
01:34:09,720 --> 01:34:12,880
Speaker 1: So the plan don't change, The plans stayed the same.

1621
01:34:13,240 --> 01:34:15,080
Speaker 1: Carol gonna take it in. That's the plan.

1622
01:34:28,479 --> 01:34:35,720
Speaker 2: Uh, That's what I've been hearing, oh man.

1623
01:34:37,840 --> 01:34:42,400
Speaker 1: But yeah, so uh, this is a great episode of

1624
01:34:42,479 --> 01:34:44,880
Speaker 1: quite the mental ride. Pour pour one out for the

1625
01:34:44,960 --> 01:34:47,719
Speaker 1: man's a deep love y'all, Lama y'all hate we lost

1626
01:34:47,760 --> 01:34:48,240
Speaker 1: the deep with.

1627
01:34:48,360 --> 01:34:50,720
Speaker 3: Me too, because and you know what now, I ain't

1628
01:34:50,720 --> 01:34:51,920
Speaker 3: got no goddamn doctor who the.

1629
01:34:51,960 --> 01:34:57,400
Speaker 1: Doctor doctor Dante, the nasty, dirty sabotage and a right.

1630
01:34:57,320 --> 01:34:58,479
Speaker 3: Because because not turned funny.

1631
01:34:58,560 --> 01:35:00,919
Speaker 2: The only one that could have been the is Eugene

1632
01:35:00,960 --> 01:35:01,960
Speaker 2: and the niggame.

1633
01:35:01,640 --> 01:35:05,920
Speaker 1: Deal yep Kim Doc writes in who is fun and

1634
01:35:06,000 --> 01:35:10,599
Speaker 1: Bright Blue Too? Rodi Karen Angela King and her leadership

1635
01:35:10,600 --> 01:35:12,719
Speaker 1: of this show is masterful. Instead of showing what happened

1636
01:35:12,760 --> 01:35:14,920
Speaker 1: in the Barn as soon as it happened, they teased

1637
01:35:14,960 --> 01:35:17,160
Speaker 1: it out over several episodes in the form of terrifying

1638
01:35:17,200 --> 01:35:20,960
Speaker 1: flashback Sadeka suffering from truly terrifying. I was sure we

1639
01:35:21,120 --> 01:35:22,840
Speaker 1: never see what happened in the barn, but the way

1640
01:35:22,880 --> 01:35:26,160
Speaker 1: they're revealing it makes is what makes her leadership captivating,

1641
01:35:26,200 --> 01:35:28,479
Speaker 1: the story of awesome in light of all the people

1642
01:35:28,560 --> 01:35:31,040
Speaker 1: leaving the show and poor Sadek still feeding the people

1643
01:35:31,080 --> 01:35:33,519
Speaker 1: of the water because fucking Aaron won't tell our people

1644
01:35:33,800 --> 01:35:36,439
Speaker 1: that the water is tainted. What did he take a

1645
01:35:36,520 --> 01:35:38,439
Speaker 1: camping bag over the border to kick it with GiMA

1646
01:35:38,479 --> 01:35:41,880
Speaker 1: and give her mad intel right? I want to feed him.

1647
01:35:42,080 --> 01:35:43,920
Speaker 1: I want to feed him that Mace's arm. I'm so

1648
01:35:44,000 --> 01:35:46,880
Speaker 1: pissed to him, just garbage. I like to think God

1649
01:35:46,960 --> 01:35:49,360
Speaker 1: survived as he popped, but shit, Sadeka is going through

1650
01:35:49,439 --> 01:35:51,080
Speaker 1: WI kill me? Oh my god?

1651
01:35:51,200 --> 01:35:51,400
Speaker 6: Man.

1652
01:35:51,600 --> 01:35:54,200
Speaker 1: And as you can tell, I'm watching the episode as

1653
01:35:54,240 --> 01:35:56,880
Speaker 1: I type, and I'm not devastated. That's a deep figured

1654
01:35:56,880 --> 01:36:00,800
Speaker 1: out who the deucee doc was whispered? Too late? Fuck

1655
01:36:01,680 --> 01:36:04,120
Speaker 1: now devastate. Okay, this one hurts worse than a lot

1656
01:36:04,200 --> 01:36:06,400
Speaker 1: of the recent deaths. He was our linked to car

1657
01:36:06,600 --> 01:36:09,400
Speaker 1: and even Rick Mshaun's ryder. How could they let this

1658
01:36:09,560 --> 01:36:11,960
Speaker 1: man happen? Man, But at least our nigga Avi Nash

1659
01:36:12,120 --> 01:36:15,160
Speaker 1: got to cut his hair. My goodness, what a glow

1660
01:36:15,280 --> 01:36:19,479
Speaker 1: up deep down Carol bringing that whisper to Alexandra force

1661
01:36:20,400 --> 01:36:23,320
Speaker 1: force douchey dot Hans and accelerated his timetable.

1662
01:36:23,479 --> 01:36:24,240
Speaker 2: I think so too.

1663
01:36:24,720 --> 01:36:27,160
Speaker 1: Yeah, that was when I knew man, because I said,

1664
01:36:27,560 --> 01:36:30,240
Speaker 1: he killed this nigga on purpose, because he knew who

1665
01:36:30,320 --> 01:36:32,400
Speaker 1: they That motherfucker could give them some intel.

1666
01:36:33,720 --> 01:36:35,040
Speaker 2: It was gonna be a problem, right.

1667
01:36:35,280 --> 01:36:37,920
Speaker 1: I was like, see Dante, that kind of self, the

1668
01:36:38,000 --> 01:36:40,640
Speaker 1: sabotage motherfucker that acts like it's all a mistake, and

1669
01:36:40,720 --> 01:36:44,519
Speaker 1: it's like, oh, wait a minute, I've had no idea

1670
01:36:44,920 --> 01:36:47,040
Speaker 1: that what could really beat the Whispers other than them

1671
01:36:47,080 --> 01:36:49,360
Speaker 1: seeing Lydia's live turns out like the other Coast. The

1672
01:36:49,400 --> 01:36:51,160
Speaker 1: only thing that can break Alpha's hold on her group

1673
01:36:51,520 --> 01:36:53,800
Speaker 1: is a self implosion of her own ideology and maybe

1674
01:36:53,840 --> 01:36:57,640
Speaker 1: a hint of thriving community. Lydia is Alpha's downfall. That

1675
01:36:57,680 --> 01:36:59,880
Speaker 1: would be very apropos if Lydia had something to do

1676
01:37:00,040 --> 01:37:03,839
Speaker 1: with the downfall. Her house of cards are so fragile,

1677
01:37:03,880 --> 01:37:06,280
Speaker 1: as you both have said masterfully time and time again,

1678
01:37:06,360 --> 01:37:09,240
Speaker 1: Alphaice people are the only ones making the sacrifices. Like

1679
01:37:09,360 --> 01:37:12,240
Speaker 1: Jim Jones, Everyone's forced to submit to his ending for

1680
01:37:12,360 --> 01:37:15,040
Speaker 1: them while he chose his own way out. Everyone has

1681
01:37:15,080 --> 01:37:17,519
Speaker 1: to give up their own family, baby, sister, comfort, ideas,

1682
01:37:17,560 --> 01:37:20,080
Speaker 1: and freedom while she gets the murder people to avenge

1683
01:37:20,120 --> 01:37:22,560
Speaker 1: losing her daughter but not actually kill her daughter. I

1684
01:37:22,640 --> 01:37:25,760
Speaker 1: cannot see when and how Gamma wigs fuck out. The

1685
01:37:25,840 --> 01:37:27,960
Speaker 1: show is getting better and better, man, Thanks for reading

1686
01:37:28,000 --> 01:37:30,040
Speaker 1: this and keeping me hyped about the show. Kim Doc.

1687
01:37:30,520 --> 01:37:34,720
Speaker 3: It's gonna be interesting because who knows where she's going

1688
01:37:34,800 --> 01:37:37,280
Speaker 3: to go, But it's gonna be interested she crosses that campus,

1689
01:37:37,280 --> 01:37:39,760
Speaker 3: se Nagan. Mm hmm.

1690
01:37:40,439 --> 01:37:42,599
Speaker 1: Yeah, that's true because her and Egan got a good relationship.

1691
01:37:43,320 --> 01:37:46,280
Speaker 1: But at the same time, you know she crossed that camp.

1692
01:37:46,320 --> 01:37:50,280
Speaker 1: I feel like her mama gonna have to kill her. Yeah, Hey,

1693
01:37:50,400 --> 01:37:55,160
Speaker 1: TVGWT team, this is from our girl, Beth. She says,

1694
01:37:56,560 --> 01:37:59,800
Speaker 1: what an episode. Did you see Carol's face when Gabe

1695
01:38:00,320 --> 01:38:03,840
Speaker 1: mintioned Michean? Lol? Did Carol really say she wished Lydia

1696
01:38:04,479 --> 01:38:07,160
Speaker 1: had gone with Henry too? Or did she mean she

1697
01:38:07,320 --> 01:38:09,920
Speaker 1: wishes she had gone with Henry too? She's out of control? Hmm,

1698
01:38:10,040 --> 01:38:12,400
Speaker 1: shaking my head. Why is Carol using her ring as

1699
01:38:12,400 --> 01:38:15,840
Speaker 1: an instrument of torture? I don't know what it works

1700
01:38:16,040 --> 01:38:20,160
Speaker 1: at right. I would like to put push you know what,

1701
01:38:20,200 --> 01:38:22,000
Speaker 1: She probably put that ring on, thought about her ex

1702
01:38:22,120 --> 01:38:25,400
Speaker 1: husband and like this abusive asshole trying to do some

1703
01:38:25,560 --> 01:38:28,880
Speaker 1: man beaten, beat out of man. You think black women

1704
01:38:28,960 --> 01:38:30,800
Speaker 1: on Twitter be man bashing. I'm gonna show you some

1705
01:38:30,920 --> 01:38:34,760
Speaker 1: man bashing. I would like to push Caroly in some

1706
01:38:34,960 --> 01:38:39,559
Speaker 1: zombie water. Great now that they've lost Lydia, what happened

1707
01:38:39,600 --> 01:38:42,200
Speaker 1: is just telling people she's not dead, or telling her

1708
01:38:42,760 --> 01:38:45,559
Speaker 1: so she's not blindsided. Carol does not deserve to take

1709
01:38:45,600 --> 01:38:48,800
Speaker 1: our alpha him shaking my damn head? Has Aaron been

1710
01:38:48,840 --> 01:38:50,840
Speaker 1: sitting on the bridge for forty days or forty nights?

1711
01:38:53,120 --> 01:38:55,120
Speaker 1: Everyone but him seems to be able to leave, and

1712
01:38:55,240 --> 01:38:58,680
Speaker 1: he's the one with vital information. What more reconn does

1713
01:38:58,720 --> 01:39:01,160
Speaker 1: he need to do? Aaron has little and figuratively lost

1714
01:39:01,240 --> 01:39:03,880
Speaker 1: his way. Okay, but why did Dante have to kill

1715
01:39:03,960 --> 01:39:07,280
Speaker 1: Sadik or reveal himself. That's some psycho ship man, just

1716
01:39:07,400 --> 01:39:09,800
Speaker 1: when Rosita and Dek and Gabriel were about to make

1717
01:39:09,840 --> 01:39:13,120
Speaker 1: the hottest couple. He deserves better. Yeah, that's the other thing.

1718
01:39:13,200 --> 01:39:16,400
Speaker 1: I wasn't hundredson Sean. Did he in real life make

1719
01:39:16,479 --> 01:39:22,080
Speaker 1: that that that sound? That sound? But when Sadik realized

1720
01:39:22,080 --> 01:39:26,599
Speaker 1: it or did that or was that Inadik's head? Because

1721
01:39:26,600 --> 01:39:28,200
Speaker 1: we've been going so much back and forth with the

1722
01:39:28,280 --> 01:39:31,160
Speaker 1: Deek's reality, I don't know if that actually happened where

1723
01:39:31,200 --> 01:39:34,320
Speaker 1: he heard the sound or if he heard the sound

1724
01:39:34,400 --> 01:39:38,080
Speaker 1: and went off in his brain. The preview, I don't

1725
01:39:38,120 --> 01:39:40,559
Speaker 1: know if you've seen it, but we're back at Ultra side.

1726
01:39:40,640 --> 01:39:41,439
Speaker 1: Oh I haven't seen the.

1727
01:39:41,439 --> 01:39:46,720
Speaker 2: Preview the clip after the regular show. Yeah, we're back

1728
01:39:46,760 --> 01:39:47,400
Speaker 2: in Ocera side.

1729
01:39:48,920 --> 01:39:49,479
Speaker 4: The preview.

1730
01:39:49,920 --> 01:39:52,680
Speaker 1: Oh okay, so they also have a preview clip and

1731
01:39:52,720 --> 01:39:55,880
Speaker 1: then they have a We didn't see the preview clip,

1732
01:39:56,280 --> 01:39:58,720
Speaker 1: but we did see the like next week on Walking Dad,

1733
01:39:58,840 --> 01:40:01,120
Speaker 1: so maybe that's what she means. I don't know if

1734
01:40:01,160 --> 01:40:02,720
Speaker 1: you've seen it, but we're back at Ocean Side, which

1735
01:40:02,760 --> 01:40:05,160
Speaker 1: was already giving me lost vibes. And I'm not sure

1736
01:40:05,280 --> 01:40:07,200
Speaker 1: if it will be in this in the episode. But

1737
01:40:07,439 --> 01:40:10,400
Speaker 1: didn't the siren remind you of the Smoke Monster?

1738
01:40:11,040 --> 01:40:11,160
Speaker 4: Uh?

1739
01:40:11,439 --> 01:40:13,559
Speaker 1: Yeah, I did, And I missed that stupid, brilliant show

1740
01:40:13,640 --> 01:40:16,639
Speaker 1: so much. I'm beyond excited for the next week's episode

1741
01:40:16,680 --> 01:40:19,680
Speaker 1: of your recast. That twig said, oh bitch got me

1742
01:40:20,200 --> 01:40:22,519
Speaker 1: had me laughing for three minutes. Here can kill me

1743
01:40:22,600 --> 01:40:24,519
Speaker 1: with that. I'll crack it right now just writing it

1744
01:40:24,600 --> 01:40:27,280
Speaker 1: about it. Well done, can love you both. Thank you

1745
01:40:27,320 --> 01:40:28,840
Speaker 1: for your recast. Bell, Thanks Bell.

1746
01:40:28,960 --> 01:40:31,240
Speaker 3: Oh you're welcome because that bridge was loud.

1747
01:40:31,360 --> 01:40:34,519
Speaker 1: Brines don't break like that. It's around, sound right, miss

1748
01:40:34,600 --> 01:40:36,840
Speaker 1: smart right saying dear Karen with a side of rod

1749
01:40:36,920 --> 01:40:42,040
Speaker 1: instead of raisins Lydia. Lydia no, not thank you. Lydia

1750
01:40:42,200 --> 01:40:42,960
Speaker 1: is so delusion.

1751
01:40:43,040 --> 01:40:45,320
Speaker 3: No hashtag not all Carris, you know, because every time

1752
01:40:45,400 --> 01:40:46,879
Speaker 3: I'm putting Raisins and everything.

1753
01:40:47,240 --> 01:40:49,479
Speaker 1: Oh okay, I'll see. Oh okay, I missed it. Okay,

1754
01:40:49,560 --> 01:40:52,160
Speaker 1: my bad thought she was comparing me to Raisins. No no, no, no, no, no, no,

1755
01:40:52,479 --> 01:40:55,519
Speaker 1: I get now. I'm sorry, my bad and smart. You know,

1756
01:40:55,680 --> 01:40:59,080
Speaker 1: she's so evil sometimes I just can't never tell when

1757
01:40:59,360 --> 01:40:59,720
Speaker 1: they're evil.

1758
01:40:59,720 --> 01:41:01,680
Speaker 2: Gonna She's coming for you, But she's not coming for

1759
01:41:01,760 --> 01:41:02,240
Speaker 2: you this time.

1760
01:41:02,360 --> 01:41:02,400
Speaker 3: No.

1761
01:41:02,479 --> 01:41:02,519
Speaker 4: No.

1762
01:41:03,520 --> 01:41:07,000
Speaker 1: Lydia is so delusional that she said our beloved Carol

1763
01:41:07,160 --> 01:41:10,640
Speaker 1: was like her bald, filthy mama. That's some typical Henry D.

1764
01:41:10,720 --> 01:41:15,880
Speaker 1: Jason behavior. Word the eve Lydia gotta go. Well, she

1765
01:41:15,960 --> 01:41:18,640
Speaker 1: already gone. Speaking of Lydia, she has been living in

1766
01:41:18,720 --> 01:41:22,640
Speaker 1: the same sprawling, two block bustling town as Dante Akaka,

1767
01:41:23,120 --> 01:41:26,320
Speaker 1: but either never met him or met him and didn't

1768
01:41:26,360 --> 01:41:29,960
Speaker 1: realize he was a whisperer. Right either way, I'm calling

1769
01:41:30,800 --> 01:41:36,759
Speaker 1: bovine feces word to Eugene and I and I believe

1770
01:41:36,880 --> 01:41:40,200
Speaker 1: Tay is there to watch Alexandra and deliver status reports

1771
01:41:40,200 --> 01:41:43,640
Speaker 1: about Lydia to Alpha. He too, gotta go. Oh and

1772
01:41:43,840 --> 01:41:46,880
Speaker 1: for the new listeners, I am not pro slavery. I am, however,

1773
01:41:47,000 --> 01:41:54,080
Speaker 1: pro workforce maximization. Cheers. Okay, sounded like a southern bell.

1774
01:41:56,520 --> 01:42:02,240
Speaker 1: I am pro workforce maximization. Okay, nigga get mess some more.

1775
01:42:02,320 --> 01:42:07,360
Speaker 1: T Niggro Turk says, hey, guys. Director Michael Cutlets and

1776
01:42:07,439 --> 01:42:10,719
Speaker 1: the writer Corey Reid did that. I watched this episode

1777
01:42:10,760 --> 01:42:13,040
Speaker 1: three times and enjoyed it more each time. The code

1778
01:42:13,160 --> 01:42:16,160
Speaker 1: Alpha hit full peak this week. That man saw that

1779
01:42:16,360 --> 01:42:20,519
Speaker 1: Alexandria had Obamacare EBT cars, but he would rather eat

1780
01:42:20,600 --> 01:42:24,160
Speaker 1: dirt smoke pig because Alpha loves him the ghetto, he said.

1781
01:42:24,200 --> 01:42:26,760
Speaker 1: I I would really die the acting when he bit

1782
01:42:26,840 --> 01:42:27,479
Speaker 1: into that bread.

1783
01:42:27,840 --> 01:42:28,120
Speaker 2: Come on.

1784
01:42:29,760 --> 01:42:31,960
Speaker 1: Also, I like how that you know what he looked like.

1785
01:42:32,040 --> 01:42:34,479
Speaker 1: He looked like when Yo mama actually got McDonald's money.

1786
01:42:36,040 --> 01:42:38,960
Speaker 1: I had that like, oh my god, it's a McDonald's

1787
01:42:39,000 --> 01:42:41,559
Speaker 1: cheese burger. I don't have to pull the edges off

1788
01:42:41,600 --> 01:42:42,400
Speaker 1: the bread to nothing.

1789
01:42:43,400 --> 01:42:46,800
Speaker 3: It don't fall to pieces because she had made it

1790
01:42:46,920 --> 01:42:51,479
Speaker 3: and didn't didn't didn't use enough of combined and shit

1791
01:42:51,560 --> 01:42:52,479
Speaker 3: to get it to glue.

1792
01:42:52,560 --> 01:42:54,679
Speaker 1: Right, Ain't no bell peppers in this or nothing?

1793
01:42:55,479 --> 01:42:55,639
Speaker 3: Right?

1794
01:42:55,920 --> 01:42:57,240
Speaker 2: Ain't no beds onion in this?

1795
01:42:59,479 --> 01:43:01,800
Speaker 1: Also? I have have they addressed sexual assault am on

1796
01:43:01,840 --> 01:43:04,160
Speaker 1: the whispers by having him make that offend comment to

1797
01:43:04,240 --> 01:43:06,760
Speaker 1: Carol about taking a bitch and heat instead of showing it,

1798
01:43:06,840 --> 01:43:09,320
Speaker 1: which is more subtle touched than the comic. Right, I

1799
01:43:09,520 --> 01:43:11,439
Speaker 1: like that too because I don't want to see it

1800
01:43:11,560 --> 01:43:12,680
Speaker 1: on the sholf. They don't got to.

1801
01:43:12,640 --> 01:43:15,200
Speaker 3: Show it, right, because they've done a real good job of.

1802
01:43:15,280 --> 01:43:16,080
Speaker 2: Working around that.

1803
01:43:16,400 --> 01:43:19,320
Speaker 1: Also, Carol's story arc is just wow. How she went

1804
01:43:19,400 --> 01:43:22,040
Speaker 1: from so meek to so entirely ruthless is one hundred

1805
01:43:22,040 --> 01:43:25,120
Speaker 1: percent better than her comic card counterpart, yep. I'd even

1806
01:43:25,160 --> 01:43:27,160
Speaker 1: go to say, I don't think they have anyone in

1807
01:43:27,240 --> 01:43:29,800
Speaker 1: the comic that did the arc that Carol did. No,

1808
01:43:30,439 --> 01:43:33,000
Speaker 1: Aaron must be going home every day because Gamma said

1809
01:43:33,040 --> 01:43:35,479
Speaker 1: she always has bread, and he has said he made

1810
01:43:35,520 --> 01:43:38,000
Speaker 1: it fresh every day. It's made fresh every day. Maybe

1811
01:43:38,040 --> 01:43:40,240
Speaker 1: Aaron has no clue about the water sabotage because he

1812
01:43:40,280 --> 01:43:43,680
Speaker 1: could not see exactly what Gamma was doing, thought that

1813
01:43:43,920 --> 01:43:46,240
Speaker 1: wasn't their water source, or it just did not click

1814
01:43:46,320 --> 01:43:48,880
Speaker 1: that she was fucking with the water. Poor fine ass

1815
01:43:48,960 --> 01:43:52,000
Speaker 1: a deep right. May he rest in peace. You knew

1816
01:43:52,000 --> 01:43:54,559
Speaker 1: somebody was gonna get that's a dick, and they did

1817
01:43:54,920 --> 01:43:57,040
Speaker 1: to the word. I said that man is too fine

1818
01:43:57,120 --> 01:43:59,800
Speaker 1: for nobody to snatch him up, and he the only

1819
01:43:59,840 --> 01:44:03,640
Speaker 1: one had that baby. Rosita too fine too, So it

1820
01:44:03,760 --> 01:44:06,559
Speaker 1: makes sense doctors keep taking an l on this show

1821
01:44:06,640 --> 01:44:07,880
Speaker 1: down that ten of being murdered.

1822
01:44:08,120 --> 01:44:11,360
Speaker 2: I want doctor, They like, no, don't get the doctor

1823
01:44:11,400 --> 01:44:12,200
Speaker 2: position they die.

1824
01:44:13,200 --> 01:44:18,760
Speaker 1: I want Dante. Uh uh uh hold on? Oh yeah,

1825
01:44:18,840 --> 01:44:21,800
Speaker 1: Dante said he was in Iraq and Sadik's ethnic and

1826
01:44:21,920 --> 01:44:24,400
Speaker 1: religious background. It's too close to the people Dante was

1827
01:44:24,479 --> 01:44:26,560
Speaker 1: used to killing on behalf of the US Army for

1828
01:44:26,640 --> 01:44:30,240
Speaker 1: me not to think it was partially racial. Ah, why

1829
01:44:30,320 --> 01:44:32,080
Speaker 1: didn't he kill Lydia's white ass too?

1830
01:44:32,439 --> 01:44:32,559
Speaker 3: Right?

1831
01:44:33,000 --> 01:44:35,360
Speaker 1: We know she's a snitch telling out of whispers business.

1832
01:44:35,720 --> 01:44:38,600
Speaker 1: Rosita better keep the same energy for executing Dante for

1833
01:44:38,680 --> 01:44:42,040
Speaker 1: Sadik's murder that she had about killing Nagan for Abraham.

1834
01:44:42,800 --> 01:44:45,120
Speaker 1: Can't wait for the mid season finale. Peace. If they

1835
01:44:45,160 --> 01:44:48,600
Speaker 1: figure out that Dante killed him, yeah, that's it. You know,

1836
01:44:48,880 --> 01:44:50,760
Speaker 1: who knows. I hope they figured it out. I think

1837
01:44:50,880 --> 01:44:52,559
Speaker 1: in the previous I saw Dante in the cell.

1838
01:44:53,240 --> 01:44:55,200
Speaker 3: I see I see him talking to Darryl, so that

1839
01:44:55,280 --> 01:44:57,439
Speaker 3: it might not go well because Darrell going because you know,

1840
01:44:57,520 --> 01:45:00,439
Speaker 3: because because Daryl was in there when Sadi was need

1841
01:45:00,520 --> 01:45:04,240
Speaker 3: toge like hey, doll, did you do this? And darl

1842
01:45:04,320 --> 01:45:08,360
Speaker 3: was looking like, I don't know, nobody, this ain't right yeah.

1843
01:45:08,160 --> 01:45:11,320
Speaker 1: And Gables looking at them, you know, kind of sideways too.

1844
01:45:13,280 --> 01:45:20,000
Speaker 1: All right, let me go to the next one. Anthony Uh,

1845
01:45:20,360 --> 01:45:24,560
Speaker 1: Anthony Wright saying animal thug. I wait, no, this is

1846
01:45:25,360 --> 01:45:27,760
Speaker 1: this is my bad. I put this in the wrong box.

1847
01:45:27,840 --> 01:45:31,280
Speaker 1: It was for this too much. Uh all right, Karina

1848
01:45:31,560 --> 01:45:34,080
Speaker 1: right saying, hey rider Carroll, Well, I'm officially eating my words.

1849
01:45:34,080 --> 01:45:36,519
Speaker 1: I was completely on the sadikas a trader train and

1850
01:45:36,640 --> 01:45:39,200
Speaker 1: I couldn't have been more wrong. Man Outpha this crafty.

1851
01:45:39,280 --> 01:45:42,479
Speaker 1: She's been playing the long game. Also, seeing that scene

1852
01:45:42,520 --> 01:45:45,400
Speaker 1: of Sadek and Rosita in bed together really show how

1853
01:45:45,640 --> 01:45:48,639
Speaker 1: robbed we were of them as a couple. Looking forward

1854
01:45:48,680 --> 01:45:53,920
Speaker 1: to the mid season finale, Karina, same. And last one

1855
01:45:54,640 --> 01:46:00,000
Speaker 1: this is from Ken, who says, uh, Sadik, are you okay?

1856
01:46:00,400 --> 01:46:00,439
Speaker 6: So?

1857
01:46:00,640 --> 01:46:02,439
Speaker 1: Are you okay? Are you okay?

1858
01:46:02,520 --> 01:46:02,560
Speaker 3: So?

1859
01:46:04,000 --> 01:46:06,519
Speaker 1: I guess he was hit by a smooth criminal.

1860
01:46:07,040 --> 01:46:07,320
Speaker 6: Ha ha.

1861
01:46:07,880 --> 01:46:09,720
Speaker 1: From creepy to cool to flirty, he is hit by

1862
01:46:09,840 --> 01:46:12,519
Speaker 1: choke hold from creepy to cool to flirty. No one

1863
01:46:12,560 --> 01:46:15,120
Speaker 1: saw that coming. Just as you figured the water situation out,

1864
01:46:15,520 --> 01:46:18,680
Speaker 1: the dust to the dust you returned. Damn sad you

1865
01:46:18,680 --> 01:46:21,120
Speaker 1: will be missed. Speaking of miss we finally caught up

1866
01:46:21,160 --> 01:46:23,360
Speaker 1: with a a Ron. His dumb ass been on the

1867
01:46:23,400 --> 01:46:26,080
Speaker 1: bridge all the time with Gemma, supposedly trying to win

1868
01:46:26,200 --> 01:46:27,559
Speaker 1: her over with the kindness and bread.

1869
01:46:27,640 --> 01:46:27,800
Speaker 5: Yeah.

1870
01:46:27,840 --> 01:46:30,280
Speaker 1: I hate this this dumb ass. I called DIBs on

1871
01:46:30,400 --> 01:46:33,160
Speaker 1: chucking him out using the cobra clutch no words, because

1872
01:46:33,200 --> 01:46:36,280
Speaker 1: once it's locked in from his right, his one armed

1873
01:46:36,320 --> 01:46:39,640
Speaker 1: ass can't get free. Also, it's time for Lydia to

1874
01:46:39,680 --> 01:46:42,280
Speaker 1: go sick of her constant whining. Kids are mean to me.

1875
01:46:42,479 --> 01:46:44,960
Speaker 1: You use me. I wish I had left with Henry.

1876
01:46:45,320 --> 01:46:47,320
Speaker 1: Now that you have served your purpose, I say we

1877
01:46:47,439 --> 01:46:50,640
Speaker 1: start a kill off Lydia Grassrooms movement or you know

1878
01:46:50,720 --> 01:46:51,640
Speaker 1: ev he's all about it.

1879
01:46:52,800 --> 01:46:55,160
Speaker 3: I say we got her picking sound already ready?

1880
01:46:55,880 --> 01:46:58,639
Speaker 1: Yeah, I say we cut her head off and put

1881
01:46:58,680 --> 01:47:02,960
Speaker 1: it in one of those spikes. Love the pod. Thank

1882
01:47:03,000 --> 01:47:07,200
Speaker 1: you for listening real quick, we got like two minutes left, Camen.

1883
01:47:07,240 --> 01:47:09,120
Speaker 1: What do you look forward to for the season, the

1884
01:47:09,160 --> 01:47:10,799
Speaker 1: mid season finale, to see.

1885
01:47:10,600 --> 01:47:13,080
Speaker 3: What's cracking over at ocean side, to see, you know,

1886
01:47:13,240 --> 01:47:15,400
Speaker 3: how they're going to attack this community. Because we've seen

1887
01:47:15,439 --> 01:47:17,280
Speaker 3: what they've been doing to the other two communities, but

1888
01:47:17,360 --> 01:47:19,519
Speaker 3: we really haven't seen what they've been doing the ocean side.

1889
01:47:19,600 --> 01:47:22,720
Speaker 1: Yeah, I want to see if this is when, if

1890
01:47:22,800 --> 01:47:28,760
Speaker 1: this is when uh uh, Micheon and Judith exit the

1891
01:47:28,800 --> 01:47:31,519
Speaker 1: show or something like that, because I feel like something

1892
01:47:31,560 --> 01:47:34,120
Speaker 1: gotta happen. Well, you know, Denis leaving the show, so

1893
01:47:34,160 --> 01:47:36,000
Speaker 1: I wonder when they're gonna pull the trigger on that.

1894
01:47:37,360 --> 01:47:39,000
Speaker 1: And it also looked like they had one of my

1895
01:47:39,080 --> 01:47:43,640
Speaker 1: favorite actors to do uh that plays a father in

1896
01:47:44,840 --> 01:47:47,560
Speaker 1: what was Andre Holland or something not Andre Holland, the

1897
01:47:47,680 --> 01:47:51,000
Speaker 1: dude that plays a father on FX's Snowfall. I forget

1898
01:47:51,040 --> 01:47:54,040
Speaker 1: his name is, but I saw a little clip of

1899
01:47:54,120 --> 01:47:56,880
Speaker 1: his face, so I wonder what the story's gonna be there.

1900
01:47:57,040 --> 01:47:59,040
Speaker 1: So I'm looking forward to all that. Thank you guys

1901
01:47:59,120 --> 01:48:02,439
Speaker 1: for listening. I've had a great time. I appreciate y'all

1902
01:48:02,600 --> 01:48:04,800
Speaker 1: for writing it and all your stuff and your feedback.

1903
01:48:05,200 --> 01:48:06,600
Speaker 1: Until next time, I love you.

1904
01:48:06,680 --> 01:48:07,599
Speaker 2: I love you too, yow