WEBVTT - #547  - Millyz

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<v Speaker 1>Yeah, yeah, y'all, what's up as Millie's check me out

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<v Speaker 1>on the Butleg CAV Podcast.

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<v Speaker 2>Hey, before we start the episode, we're gonna remind everybody, man,

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<v Speaker 2>we got one of the biggest radio shows in the country,

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<v Speaker 2>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 2>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 2>we've been able to add. Man, we want to give

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<v Speaker 2>a shout out to ninety three point nine to Beat

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<v Speaker 2>in Honolulu. That's right, Hawaii, We over there going crazy.

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<v Speaker 2>I also want to give a shout out Hot ninety

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<v Speaker 2>eight three and Tucson. Shout out to Tucson going crazy.

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<v Speaker 2>Also want to give a shout out to Wild ninety

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<v Speaker 2>four one in Tampa going crazy. We just got Richmond.

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<v Speaker 2>We also just got the good folks in Bakersfield at

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<v Speaker 2>Hot one O four to seven. So we're going crazy

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<v Speaker 2>on the radio with my partner James Andre Jefferson Junior

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<v Speaker 2>for the Bootleg CAV Show. So make sure you tune

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<v Speaker 2>in and you can listen anywhere on that iHeart Radio app.

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<v Speaker 2>That's right, let's get into the interview Bootleg CAV Podcast.

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<v Speaker 2>Man special guests in here. My brother representing Massachusetts, my dog,

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<v Speaker 2>the biggest Celtics fan in the world, wearing a Sun's

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<v Speaker 2>jersey today.

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<v Speaker 1>For you, Millies, for you. We're for you only because

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<v Speaker 1>you're not competitive. If you were competitive, I would have

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<v Speaker 1>never wre this jersey today.

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<v Speaker 2>Thank you, thank you.

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<v Speaker 1>I got so much love in my heart for you. Bro.

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<v Speaker 1>Get a ball, Steve, Steve nash Man a great, a

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<v Speaker 1>great white basketball player all time. White for sure is

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<v Speaker 1>a great way.

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<v Speaker 2>You gotta put him up on a white mount rushing

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<v Speaker 2>for the NBA time MVP.

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<v Speaker 1>He is a great way.

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<v Speaker 2>Yeah, for sure. How's everything been though? Man? New albums out?

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<v Speaker 1>Blanco seven, Yeah, B seven, seventh Installment.

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<v Speaker 2>When do you stop this thing?

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<v Speaker 1>Ten? I was going to stop it at I was

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<v Speaker 1>going to stop it at seven, but like now I'm like, yeah, ten.

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<v Speaker 2>I'm like ten.

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<v Speaker 1>Like Blanco, Yeah, because I literally get bigger in my

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<v Speaker 1>career every time I drop one of them. It's like

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<v Speaker 1>the process of dropping a Blanco album just propels me

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<v Speaker 1>in my career. And it's the music I love working on.

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<v Speaker 1>It's you know, it's kind of theme based music.

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<v Speaker 2>So it's what's the difference for you, Like between like

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<v Speaker 2>a Holy Water and like working on a Blanco like

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<v Speaker 2>is it.

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<v Speaker 1>Like like the Blancos. I want to make sure it's

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<v Speaker 1>a balance of melodic records, pain records, my essential MILLI

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<v Speaker 1>sound like if you go to YouTube and you go

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<v Speaker 1>to Millie's type beat, you'll see hundreds of thousands of

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<v Speaker 1>millions type beats like I got my own, you know

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<v Speaker 1>style that I created in that sense, So I keep

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<v Speaker 1>that type of music heavy on the Blanco series, but

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<v Speaker 1>then I keep a good balance of melodic records, and

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<v Speaker 1>then I try to get you know, the A list

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<v Speaker 1>type features right, and it's it's just a formula to it.

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<v Speaker 1>Where Holy Water is that was just like a darker album.

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<v Speaker 2>Yeah uh you obviously you start to talking about big features.

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<v Speaker 2>This this album's got meek mill And by the way,

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<v Speaker 2>Jada Kiss had one of the craziest punchlines to kick

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<v Speaker 2>off the album.

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<v Speaker 1>Hell yeah you called that where he was talking about

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<v Speaker 1>the patt the top of your Yeah, he said you

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<v Speaker 1>could try waiting and you could die hating, get your

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<v Speaker 1>head tapped, shock clock violation, And when he said it,

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<v Speaker 1>I just thought it was a dope line, like you know,

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<v Speaker 1>get your head tapped, like yeah, but then he's like

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<v Speaker 1>yeating know the reps, they tap their heads when it's

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<v Speaker 1>a shock.

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<v Speaker 2>Yesh, so good bro. Yeah, but talk about work because

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<v Speaker 2>obviously now meet's independent, So I feel like it's a

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<v Speaker 2>lot easier because you're an independent artist. Yeah. I feel

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<v Speaker 2>like like it's probably a lot easier for you to

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<v Speaker 2>work with somebody when they're independent than like dealing with

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<v Speaker 2>the major label ship getting that shit cleared, like because

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<v Speaker 2>you might fuck with an artist and they might fuck

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<v Speaker 2>with you. But then when it comes to time for

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<v Speaker 2>the record to come out, especially if you want to

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<v Speaker 2>do the primary artist thing and all that explain like

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<v Speaker 2>like connecting with Meek and.

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<v Speaker 1>Well I connected with them through Garcy.

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<v Speaker 2>Okay, so Garcy is like my.

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<v Speaker 1>Bro, like long time, like we've been tied in and

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<v Speaker 1>Meek Mill that was like a bucket list record for

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<v Speaker 1>me for sure, for sure because he's man can Drake

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<v Speaker 1>Cole Meek you know that's really that they'll probably try

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<v Speaker 1>to leave him out of some of those or Drake

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<v Speaker 1>you know that whole conversation. He's the street rapper right

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<v Speaker 1>out of that that really put out you know, classic

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<v Speaker 1>bodies of work. Man. A lot of people that might

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<v Speaker 1>be the last street rapper who was like a superstar.

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<v Speaker 2>Right, And I mean, like you said, the classic bodies

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<v Speaker 2>of work is all those dream chasers.

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<v Speaker 1>Yeah, dream chases tastes down to the albums though, Yeah, Championships, Championships.

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<v Speaker 2>I think it's his best body. I love so good.

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<v Speaker 1>I told him, I like I like the intro and

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<v Speaker 1>championships more than dreams of nightma.

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<v Speaker 2>I feel like Meek is a perfect example too of

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<v Speaker 2>like once you hit a certain level of success, like

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<v Speaker 2>hip hop fans are so finicky, bro, yeah, because it's

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<v Speaker 2>like he got so big and was like rubbing rubbing

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<v Speaker 2>shoulders with like the biggest motherfuckers like outside of hip

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<v Speaker 2>hop billionaires and like yeah, and it's people try to

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<v Speaker 2>use that ship against him. It's like, Yo, isn't this

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<v Speaker 2>the goal? Like shouldn't you want to like elevate and

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<v Speaker 2>get out of the trenches remove yourself from situations in which, like.

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<v Speaker 1>I think that's everywhere.

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<v Speaker 2>Though.

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<v Speaker 1>The very famous friend of mine from uh my area

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<v Speaker 1>in Massachusetts, he told me say, yeah, people like you

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<v Speaker 1>to do good, just they don't like you to do

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<v Speaker 1>too good? You know?

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<v Speaker 2>Is that Mark Warberg.

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<v Speaker 1>Ship?

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<v Speaker 2>Like that shout out to Mark Welberg. Yeah, yeah, no,

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<v Speaker 2>that's true. Have you. Have you dealt with that at all?

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<v Speaker 2>Because oh, for sure, obviously you're like very successful, but

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<v Speaker 2>you're still kind of like underground.

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<v Speaker 1>Yeah. So I'm so I'm underground in the whole scheme

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<v Speaker 1>of things like nationally, you know, but like in my city,

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<v Speaker 1>I'm kind of my state. I'm like the big fish

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<v Speaker 1>and the small for sure. So I take I take

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<v Speaker 1>all the hate.

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<v Speaker 2>Yeah, you're like the like why aren't you doing more?

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<v Speaker 1>Why it doesn't matter they move the goal post every time.

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<v Speaker 2>So yeah, it's it's interesting because I've been in that

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<v Speaker 2>same position in Arizona where it's like, yeah, how much else?

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<v Speaker 2>Like what is like what do you'll want me to do?

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<v Speaker 2>Matter how many Arizona rappers come on my showing rap

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<v Speaker 2>like it ain't never enough.

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<v Speaker 1>I pray I pray that five six seven artists could

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<v Speaker 1>pop at the same time, kind of like how Detroit.

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<v Speaker 2>Is, right, you know, it's crazy.

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<v Speaker 1>Then I could just do my thing with immunity and

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<v Speaker 1>be fine, you know, without people, you know, watching every

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<v Speaker 1>move I'm making, being like it's man, it's his fault

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<v Speaker 1>that I'm not further in my career, Like that's that's

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<v Speaker 1>what they think.

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<v Speaker 2>Yeah, it's crazy. Because the approach that mind state will

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<v Speaker 2>have you fucked up for the rest of your life

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<v Speaker 2>if you if you always are looking at it.

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<v Speaker 1>It's a bitch azz mind state too. Yeah, it's a

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<v Speaker 1>bitch azz mind state.

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<v Speaker 2>Yeah.

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<v Speaker 1>If your point got to be a man man like

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<v Speaker 1>nobody like my me. Being lit does not dim your

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<v Speaker 1>light at all. You know, it's enough money for all

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<v Speaker 1>of us. It's enough. It's enough abundance for everybody.

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<v Speaker 2>And what I'm doing and got nothing to do with

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<v Speaker 2>what you're doing. Hell no, And yeah you got to.

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<v Speaker 1>Take if anything it could, it could big get ship up,

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<v Speaker 1>like in the case of like Joanne and Lucas. He's

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<v Speaker 1>a big rapper from where I'm from. Of course, you know,

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<v Speaker 1>he's from like an hour from where I'm from. But

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<v Speaker 1>it's the same, yeah, but it's the same thing. And

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<v Speaker 1>he got a huge fan base, bro, And that benefited

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<v Speaker 1>me because us being from the same backyard pretty much.

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<v Speaker 1>He put me on tour, you know, and put money

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<v Speaker 1>in my pocket and put me in front of a

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<v Speaker 1>huge fan base. And that's because we're from Massachusetts.

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<v Speaker 2>And Wi you were coming up, you wasn't hating on him,

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<v Speaker 2>being like, yo, why is Jordan.

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<v Speaker 1>You know, I wasn't hating it, and he never he

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<v Speaker 1>never rea out to me or nothing. We had like

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<v Speaker 1>other shit, you know, going on, but it was like

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<v Speaker 1>I never ever hated publicly, no matter what if I

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<v Speaker 1>seen them at the Grammys. It's just not in my

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<v Speaker 1>heart to see somebody from Massachusetts at the Grammys and

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<v Speaker 1>not go wow, this is crazy on the internet and

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<v Speaker 1>put it up like that'll never be, you know, not

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<v Speaker 1>in my heart to do. Man, I want six or

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<v Speaker 1>seven to win to the utmost. That's why you can

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<v Speaker 1>never catch me down in somebody because I really want,

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<v Speaker 1>you know, I want Massachusetts to win man highest level.

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<v Speaker 2>There's like a false narrative too that like people can

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<v Speaker 2>gate keep other other people from succeeding. I'm like, yo, fuck, no,

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<v Speaker 2>the internet exists. You have a direct yea option at

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<v Speaker 2>all times. You should look in the mirror and figure

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<v Speaker 2>out the things that you're not doing to resonate with

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<v Speaker 2>people with.

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<v Speaker 1>Yeah, And it's almost no excuses a rapper now, because

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<v Speaker 1>I'm gonna break it down like right, all right, So

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<v Speaker 1>what would be what would be a hindrance to a

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<v Speaker 1>rapper making it right now? Like if you were let's say, let's.

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<v Speaker 2>Say let's say most rappers would be like, they would

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<v Speaker 2>look at how hard it is to get on a

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<v Speaker 2>playlist because they think that that's the only thing that

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<v Speaker 2>matters a lot of small minded.

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<v Speaker 1>Well, that's playlist. And let me tell you something. I

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<v Speaker 1>got a line. I got a line on my thing

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<v Speaker 1>and I love I got a song called what If

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<v Speaker 1>I told you and on it and this is no

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<v Speaker 1>I listen. I love Spotify. I have nothing against Spotiforse,

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<v Speaker 1>when you look at my shit, it says one percent

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<v Speaker 1>or zero percent editorial playlisting. I'm me at this height

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<v Speaker 1>of my career. I done had all the features and

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<v Speaker 1>all of that. I don't care. I'm not mad at them.

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<v Speaker 1>Carl Cherry, y'all, I'm still waiting. It's fine. I got

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<v Speaker 1>nothing but love for y'all in my heart. I'm gonna

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<v Speaker 1>keep working. I don't give a fuck. That don't make

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<v Speaker 1>me or break me. I still got love. But I

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<v Speaker 1>got a line. I said, what if I told you?

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<v Speaker 1>Spotify don't put me on a playlist. But in the trenches,

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<v Speaker 1>I'm so famous. They treat me like I'm a list.

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<v Speaker 1>It's all right, Like you don't need a playlist, you

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<v Speaker 1>don't need you don't need a playlist to propel. You

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<v Speaker 1>need the internet, man is phone you get clicking off

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<v Speaker 1>your phone, you know what I mean?

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<v Speaker 2>Yeah, you need to make music that resonates with people,

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<v Speaker 2>and that's how you build a flock, you know what

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<v Speaker 2>I'm saying. Like we've been I've been watching you dog

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<v Speaker 2>for like ten years, slowly chipping away at this shit.

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<v Speaker 2>You know what I mean.

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<v Speaker 1>Yeah, Yeah, and that's what it is, like a slow

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<v Speaker 1>and steady build. But like my thing to any artist

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<v Speaker 1>would be like you have the option to get your phone.

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<v Speaker 1>Let's say you're a whatever type of rapper you are,

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<v Speaker 1>a lot of things hold rappers back.

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<v Speaker 2>I don't.

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<v Speaker 1>I don't got the clothes, you know, I don't got

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<v Speaker 1>the outfit to do it well. People like the genuine

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<v Speaker 1>struggle too. You could, I believe somebody could blow up

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<v Speaker 1>wearing dunkin Donuts.

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<v Speaker 2>I mean you you wear a wife beater for the

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<v Speaker 2>most part too. You could wear a.

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<v Speaker 1>Wife beater or or if you're playing with a couple

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<v Speaker 1>of thousands of dollars, let me tell you something you

0:11:03.559 --> 0:11:05.880
<v Speaker 1>don't need. You don't need a camera man. You don't

0:11:05.920 --> 0:11:08.800
<v Speaker 1>need a professional camera man. You just need an iPhone

0:11:09.160 --> 0:11:11.840
<v Speaker 1>maybe an android. You know you need you need a

0:11:12.320 --> 0:11:15.120
<v Speaker 1>you need a decent phone with a decent camera. If

0:11:15.160 --> 0:11:18.120
<v Speaker 1>you got a couple thousand dollars, go to Sacks fifth

0:11:18.160 --> 0:11:20.560
<v Speaker 1>if you want to look. I'm not saying like super

0:11:20.600 --> 0:11:22.079
<v Speaker 1>fake it to you make it, but you know, get

0:11:22.120 --> 0:11:25.080
<v Speaker 1>a get a decent outfit. Man, throw that shit on.

0:11:25.559 --> 0:11:28.880
<v Speaker 1>Go put the phone up. You could record the song

0:11:28.920 --> 0:11:31.960
<v Speaker 1>off your phone. Is forty dollars to record a song without.

0:11:31.679 --> 0:11:34.680
<v Speaker 2>City three baby was recorded on iPhone exactly right.

0:11:35.000 --> 0:11:38.959
<v Speaker 1>So you put the phone up. You got your new outfit,

0:11:39.360 --> 0:11:42.920
<v Speaker 1>go wrap the song man, return that outfit, get your

0:11:42.920 --> 0:11:47.600
<v Speaker 1>money back. Now you got your clip. Now when you

0:11:47.640 --> 0:11:50.719
<v Speaker 1>post that shit, send it to you know, fifteen to

0:11:50.800 --> 0:11:54.120
<v Speaker 1>your friends. At the same time, put a group chat.

0:11:54.280 --> 0:11:57.280
<v Speaker 1>Let's push this at each fifteen people, send it to

0:11:57.320 --> 0:12:00.040
<v Speaker 1>another fifteen people and just see what happens. And do

0:12:00.160 --> 0:12:03.680
<v Speaker 1>that seventy times. Yeah, and if you're good, I bet

0:12:03.720 --> 0:12:04.640
<v Speaker 1>you something to happen.

0:12:05.440 --> 0:12:07.960
<v Speaker 2>Yeah, if it's If it's good though, yeah.

0:12:08.000 --> 0:12:12.320
<v Speaker 1>Put out, put out, you know, put out? How volume work? Man?

0:12:12.640 --> 0:12:14.920
<v Speaker 2>Yeah? Not for sure? What you would you say that

0:12:15.720 --> 0:12:18.360
<v Speaker 2>at what point in time? Because you've had a long

0:12:18.880 --> 0:12:22.440
<v Speaker 2>journey in this music ship. What point in time, do

0:12:22.520 --> 0:12:24.520
<v Speaker 2>you feel like the rubber finally started to hit the

0:12:24.559 --> 0:12:28.080
<v Speaker 2>pavement In terms of you feeling like, okay, I'm cutting through.

0:12:28.160 --> 0:12:28.880
<v Speaker 2>This is working.

0:12:30.960 --> 0:12:33.000
<v Speaker 1>The rubber hitting the pavement fucked me.

0:12:33.040 --> 0:12:36.520
<v Speaker 2>Up, bro Okay, the tire hitting the.

0:12:36.360 --> 0:12:42.120
<v Speaker 3>The tire, I was like, I can't Jesus Christ, Hey, yo,

0:12:42.559 --> 0:12:43.760
<v Speaker 3>you fucking East Coast guys.

0:12:43.760 --> 0:12:44.480
<v Speaker 2>I swear to God.

0:12:44.800 --> 0:12:46.920
<v Speaker 1>Now I'm just the saying you're talking about, Like we're

0:12:46.960 --> 0:12:50.600
<v Speaker 1>in a real serious conversation, Like you.

0:12:53.360 --> 0:12:56.959
<v Speaker 2>What what was the question I was asking? Obviously there's

0:12:57.000 --> 0:12:59.920
<v Speaker 2>been a long journey for you music. Yeah, it wasn't

0:13:00.080 --> 0:13:02.920
<v Speaker 2>always this, you know. I'm sure there was times where

0:13:02.920 --> 0:13:06.600
<v Speaker 2>you maybe thought about fucking giving up. At what point

0:13:06.640 --> 0:13:11.000
<v Speaker 2>in time was the traction real enough where you felt like, Okay,

0:13:11.040 --> 0:13:13.600
<v Speaker 2>this is something that I got to pour more into.

0:13:13.679 --> 0:13:14.400
<v Speaker 2>This is working.

0:13:14.920 --> 0:13:20.360
<v Speaker 1>So a Beanie Seagull line is what changed my mind forever.

0:13:20.880 --> 0:13:24.360
<v Speaker 1>In terms of rap, he said, play your cards, go

0:13:24.440 --> 0:13:25.960
<v Speaker 1>against all odds, shoot.

0:13:25.640 --> 0:13:26.120
<v Speaker 2>For the moon.

0:13:26.280 --> 0:13:28.800
<v Speaker 1>If you miss, you're still amongst those stars. And I

0:13:28.880 --> 0:13:31.520
<v Speaker 1>thought about it, like, man, you know, I'm a really

0:13:31.520 --> 0:13:34.560
<v Speaker 1>talented rapper and I love being around this music. Shit,

0:13:37.280 --> 0:13:40.040
<v Speaker 1>if I just keep doing my thing, even if I'm

0:13:40.080 --> 0:13:41.719
<v Speaker 1>not at the moon. I'll be around the stars and

0:13:41.800 --> 0:13:43.720
<v Speaker 1>I meaning people as stars, but just you know, the

0:13:43.760 --> 0:13:47.080
<v Speaker 1>opportunities and things like that. And that's when I committed

0:13:47.080 --> 0:13:51.520
<v Speaker 1>to just I'm gonna do this until until it burns out.

0:13:52.000 --> 0:13:53.839
<v Speaker 1>There was a point I never thought I would make

0:13:53.880 --> 0:13:56.520
<v Speaker 1>money from it, though I was getting paid like a

0:13:56.520 --> 0:14:04.120
<v Speaker 1>part time McDonald's worker, you know, And I was almost

0:14:04.160 --> 0:14:07.679
<v Speaker 1>at the point of like I might have been at

0:14:07.720 --> 0:14:10.040
<v Speaker 1>the point of breaking a couple of times, but It'll

0:14:10.040 --> 0:14:12.600
<v Speaker 1>only be for like two hours and then I'll be

0:14:12.640 --> 0:14:14.920
<v Speaker 1>back to it, like no, I'm rapping. Wow, you know,

0:14:15.120 --> 0:14:19.480
<v Speaker 1>So this is what I'm supposed to do. Bro, I'm gifted.

0:14:19.560 --> 0:14:24.560
<v Speaker 1>I'm the best, you know, in my mind at least.

0:14:23.280 --> 0:14:25.440
<v Speaker 2>What was the difference maker for you to finally start

0:14:25.520 --> 0:14:27.800
<v Speaker 2>making like decent money where you were like.

0:14:27.840 --> 0:14:32.000
<v Speaker 1>Okay, pandemic as soon as the pandemic hit. What happened,

0:14:32.680 --> 0:14:36.520
<v Speaker 1>I swear the pandemic hit. I caught COVID like bad,

0:14:36.640 --> 0:14:38.960
<v Speaker 1>Like I called COVID around the time fred to God's

0:14:38.960 --> 0:14:42.480
<v Speaker 1>son died, Like yeah, I called COVID when people kind

0:14:42.480 --> 0:14:44.600
<v Speaker 1>of didn't know what it was. And I have asthma

0:14:45.040 --> 0:14:46.720
<v Speaker 1>like I used to get rushed to the hospital as

0:14:46.760 --> 0:14:49.440
<v Speaker 1>a little kid and be on the net neverlizer treatments

0:14:49.480 --> 0:14:52.360
<v Speaker 1>and shit like that emergency room. So I really went

0:14:52.400 --> 0:14:54.280
<v Speaker 1>through it with COVID. I couldn't breathe, Like I didn't

0:14:54.280 --> 0:14:56.600
<v Speaker 1>take a FaceTime for three days because I didn't want

0:14:56.640 --> 0:14:59.720
<v Speaker 1>to talk, like I'm conserving my breath. That kind of

0:14:59.760 --> 0:15:02.440
<v Speaker 1>fuck me up. I lost a lot of weight. I

0:15:02.520 --> 0:15:06.960
<v Speaker 1>came I came back on Instagram like a month after,

0:15:07.120 --> 0:15:09.920
<v Speaker 1>and I was like, yeah, I'm straight, and I dropped

0:15:09.920 --> 0:15:12.560
<v Speaker 1>a song. I dropped a song called RLS Real Life

0:15:12.560 --> 0:15:16.160
<v Speaker 1>Shit and it was during the time of like it

0:15:16.240 --> 0:15:18.840
<v Speaker 1>was like a lockdown when you were like weren't supposed

0:15:18.880 --> 0:15:22.400
<v Speaker 1>to go outside and stuff, and that song just just

0:15:22.520 --> 0:15:24.960
<v Speaker 1>kind of hit. And then I just started dropping music

0:15:25.000 --> 0:15:27.400
<v Speaker 1>from there, and it was like because the world was

0:15:27.480 --> 0:15:34.080
<v Speaker 1>so slowed down, people had the time to consume what

0:15:34.160 --> 0:15:37.520
<v Speaker 1>I was saying for the first time in my career.

0:15:37.640 --> 0:15:40.720
<v Speaker 1>It's like all the noise was blocked out. You couldn't

0:15:40.840 --> 0:15:44.480
<v Speaker 1>drop a club anthem, you sound stupid. And club anthems

0:15:44.480 --> 0:15:48.479
<v Speaker 1>have never club Yeah, club anthems have never been my specialty.

0:15:48.600 --> 0:15:53.240
<v Speaker 1>So when the pandemic happened, it slowed everything down, and

0:15:53.320 --> 0:15:56.080
<v Speaker 1>everyone was on their phone and I just had my

0:15:56.200 --> 0:16:00.320
<v Speaker 1>cameraman tangent were running around, were just shooting videos and

0:16:00.360 --> 0:16:03.880
<v Speaker 1>now I'm like, oh, I'm gonna start doing some freestyle

0:16:03.920 --> 0:16:07.000
<v Speaker 1>wraps off the phone to them. I just took advantage

0:16:07.000 --> 0:16:08.960
<v Speaker 1>of the world slowing down because I'm like, now they

0:16:08.960 --> 0:16:11.560
<v Speaker 1>got to listen, And as soon as people listened, my

0:16:11.640 --> 0:16:15.560
<v Speaker 1>shit just went, and you know, it turned up. In

0:16:15.600 --> 0:16:18.720
<v Speaker 1>twenty twenty one, I got into the rap game. And

0:16:18.800 --> 0:16:21.280
<v Speaker 1>I've been in the rap game since twenty twenty one,

0:16:21.440 --> 0:16:24.880
<v Speaker 1>so like, yeah, like five four or five years. However,

0:16:24.880 --> 0:16:27.400
<v Speaker 1>I was in this game before that, but I wasn't

0:16:27.440 --> 0:16:29.800
<v Speaker 1>though I can't lie like I'd be lying to you

0:16:29.880 --> 0:16:31.520
<v Speaker 1>if I told you I was in the game. I

0:16:31.600 --> 0:16:36.240
<v Speaker 1>was maybe playing in a euro League, not even a

0:16:36.240 --> 0:16:39.960
<v Speaker 1>euro League. I was maybe playing like I was playing

0:16:39.960 --> 0:16:43.960
<v Speaker 1>in niketball Rucker, not even at the Rucker. Yeah maybe

0:16:44.000 --> 0:16:46.960
<v Speaker 1>maybe maybe pick up ball, and not even as like

0:16:47.000 --> 0:16:49.640
<v Speaker 1>a starter, you know, but like I got into the

0:16:49.760 --> 0:16:53.040
<v Speaker 1>NBA in twenty twenty one. Yeah, just my accountants could

0:16:53.040 --> 0:16:55.400
<v Speaker 1>tell you that how many years prior to that was

0:16:55.440 --> 0:16:57.800
<v Speaker 1>the journey, like twelve thirteen.

0:16:58.440 --> 0:16:59.360
<v Speaker 2>That's crazy, man.

0:17:00.520 --> 0:17:02.200
<v Speaker 1>So I only feel like I've been in this shit

0:17:02.240 --> 0:17:04.560
<v Speaker 1>for four or five because I don't count those years

0:17:04.560 --> 0:17:08.800
<v Speaker 1>when people talk about those like the old you remember

0:17:08.840 --> 0:17:10.920
<v Speaker 1>this song? No, I don't, because you know how much

0:17:11.080 --> 0:17:14.480
<v Speaker 1>work I put in since twenty twenty one, Like, how

0:17:14.520 --> 0:17:15.879
<v Speaker 1>extend the output is crazy?

0:17:16.040 --> 0:17:17.920
<v Speaker 2>I'd say, you output wise? What's your catalog?

0:17:18.000 --> 0:17:18.040
<v Speaker 3>Like?

0:17:18.040 --> 0:17:20.600
<v Speaker 2>How many how many bodies of work catalog wise are

0:17:20.600 --> 0:17:21.960
<v Speaker 2>you at now at this point.

0:17:22.800 --> 0:17:25.080
<v Speaker 1>Probably like fourteen fifteen.

0:17:25.359 --> 0:17:29.199
<v Speaker 2>That's a lot. Yeah, as anybody ever flirted, because I

0:17:29.200 --> 0:17:30.959
<v Speaker 2>know a lot of independent artists been getting hit up

0:17:30.960 --> 0:17:32.600
<v Speaker 2>by selling their catalogs. That's something you would do.

0:17:34.560 --> 0:17:36.720
<v Speaker 1>There's a lot of conversations in my life.

0:17:37.200 --> 0:17:39.400
<v Speaker 2>Gieparico told me how much they offered him for his shit,

0:17:39.440 --> 0:17:41.640
<v Speaker 2>and I was like, bro, yeah.

0:17:41.600 --> 0:17:43.880
<v Speaker 1>I could, I could.

0:17:44.280 --> 0:17:46.320
<v Speaker 2>I don't speak to It's cinly a seven figure bag

0:17:46.320 --> 0:17:48.320
<v Speaker 2>for you if you sold it, of course, it's multiple

0:17:48.320 --> 0:17:49.320
<v Speaker 2>seven figures.

0:17:49.680 --> 0:17:51.080
<v Speaker 1>Yeah, come on, Cad, Like.

0:17:53.000 --> 0:17:55.720
<v Speaker 2>I feel like if you're confident enough that like there's

0:17:55.760 --> 0:17:57.800
<v Speaker 2>more where that came from, you know.

0:17:58.080 --> 0:17:58.600
<v Speaker 1>I mean, like.

0:18:00.119 --> 0:18:00.640
<v Speaker 2>It's an option.

0:18:02.400 --> 0:18:06.879
<v Speaker 1>Yeah, I see, you know random eighty thousand dollars checks

0:18:07.119 --> 0:18:08.880
<v Speaker 1>periodically a lot of times.

0:18:09.200 --> 0:18:11.880
<v Speaker 2>What's your what's your Obviously you're still would.

0:18:11.720 --> 0:18:13.959
<v Speaker 1>So raspy right, Yeah, I'm going to create right now though.

0:18:14.000 --> 0:18:16.040
<v Speaker 2>Okay, so the district comes through Created.

0:18:15.600 --> 0:18:18.160
<v Speaker 1>The distroc goes through Create, and I got a pup

0:18:18.200 --> 0:18:20.720
<v Speaker 1>deal through Empire. Shout out Ghazi.

0:18:20.880 --> 0:18:23.200
<v Speaker 2>Oh you're double dipping with it with the indie distros.

0:18:23.359 --> 0:18:26.280
<v Speaker 2>Got work with Empire, low work we create.

0:18:27.000 --> 0:18:30.000
<v Speaker 1>I'm just an independent guy, man, I love it. But

0:18:30.160 --> 0:18:32.400
<v Speaker 1>if they put me on a major man and give

0:18:32.440 --> 0:18:37.199
<v Speaker 1>me a Post Malone feature, have Taylor Swift singing in

0:18:37.240 --> 0:18:41.040
<v Speaker 1>the car like this, maybe Ed Sharnon come to the

0:18:41.119 --> 0:18:44.080
<v Speaker 1>studio and listen to my album and co sign it.

0:18:44.680 --> 0:18:46.600
<v Speaker 1>I do a commercial with Tom Brady?

0:18:47.880 --> 0:18:48.639
<v Speaker 2>Did Tom Brady? Come?

0:18:48.760 --> 0:18:51.560
<v Speaker 1>Hold on? I'm on something right now. Yeah, the Tom

0:18:51.600 --> 0:18:56.600
<v Speaker 1>Brady commercial, Damn Cavy threw me off. I was just

0:18:56.600 --> 0:18:59.760
<v Speaker 1>thinking about the grand plan because you know, I got

0:18:59.800 --> 0:19:03.600
<v Speaker 1>those singing ballad type anthems like oh and then justin

0:19:03.640 --> 0:19:07.359
<v Speaker 1>Timberlake on the hook, I'm going bro like a different stratosphere.

0:19:07.400 --> 0:19:09.719
<v Speaker 1>I'll probably be up at least like eighty to one

0:19:09.800 --> 0:19:12.400
<v Speaker 1>hundred million, and that could really happen in my life.

0:19:12.400 --> 0:19:15.639
<v Speaker 1>So we're just gonna manifest that right here. You see,

0:19:15.800 --> 0:19:18.640
<v Speaker 1>that was all using the complexion for the connection right there.

0:19:18.760 --> 0:19:23.480
<v Speaker 2>I love it. Have you gotten to the point where

0:19:23.520 --> 0:19:26.600
<v Speaker 2>like you've turned any major situations down or at least

0:19:26.680 --> 0:19:29.080
<v Speaker 2>I know they got it. Had to have called, right, keV.

0:19:29.119 --> 0:19:31.240
<v Speaker 1>Gotta know I'm coming into this interview Fried.

0:19:34.240 --> 0:19:38.359
<v Speaker 2>You said what a major situation like in terms of yeah, yeah,

0:19:38.400 --> 0:19:40.040
<v Speaker 2>major's coming in and knocking on your door.

0:19:40.119 --> 0:19:43.720
<v Speaker 1>Yeah, every single every single well maybe not every single,

0:19:43.800 --> 0:19:47.680
<v Speaker 1>I don't know all of them, but yeah, any situation

0:19:47.760 --> 0:19:49.879
<v Speaker 1>that's out there, because what it is now is they

0:19:49.880 --> 0:19:50.959
<v Speaker 1>look at data lines.

0:19:51.200 --> 0:19:53.320
<v Speaker 2>Yeah, they're looking at so.

0:19:53.240 --> 0:19:56.520
<v Speaker 4>They're looking at they don't give ant use it, they

0:19:56.520 --> 0:19:59.679
<v Speaker 4>don't give a fuck who you are, and they like

0:19:59.720 --> 0:20:03.520
<v Speaker 4>before for see, I ran around the industry with set

0:20:03.600 --> 0:20:05.560
<v Speaker 4>Free when I was.

0:20:07.040 --> 0:20:09.919
<v Speaker 1>First moving to New York, and he moved me around

0:20:09.920 --> 0:20:13.240
<v Speaker 1>to everybody. He moved me around and have me, you know,

0:20:15.000 --> 0:20:17.920
<v Speaker 1>shake hands with any record label. Look sect, I mean,

0:20:17.960 --> 0:20:21.600
<v Speaker 1>I'm sitting in Columbia Records with the ball somewhere. Everyone

0:20:21.920 --> 0:20:24.959
<v Speaker 1>and just every label was like, yeah, I don't get it.

0:20:25.520 --> 0:20:28.479
<v Speaker 1>But it took for me to drop independently. When the

0:20:28.480 --> 0:20:32.120
<v Speaker 1>pandemic happened, my music streams just went like this, and

0:20:32.359 --> 0:20:35.320
<v Speaker 1>what these people are looking for, They're not looking for

0:20:35.400 --> 0:20:39.880
<v Speaker 1>talent at this point. They're looking for whose line is

0:20:39.920 --> 0:20:44.560
<v Speaker 1>like this. So your shit is either like this, is

0:20:44.640 --> 0:20:47.440
<v Speaker 1>like this or like this. So anybody who's like this

0:20:47.480 --> 0:20:50.560
<v Speaker 1>is getting major offers. So it's not a unique thing

0:20:50.640 --> 0:20:53.240
<v Speaker 1>or a special thing to me. But yeah, we got

0:20:53.280 --> 0:20:56.159
<v Speaker 1>all those offers, we got, we got shit going on.

0:20:56.840 --> 0:21:00.119
<v Speaker 2>What would make you consider, you know, diving in to

0:21:01.240 --> 0:21:03.480
<v Speaker 2>the major infrastructure because it obviously.

0:21:03.280 --> 0:21:06.040
<v Speaker 1>No, that's I would do the major infrastructure if they

0:21:06.040 --> 0:21:08.840
<v Speaker 1>did the play rewind this sixty.

0:21:08.560 --> 0:21:11.040
<v Speaker 2>Seconds Taylor Swift played Tom Brady, play.

0:21:11.040 --> 0:21:13.879
<v Speaker 1>Yeah, Taylor Swift sing It in the Car, put MEO

0:21:14.000 --> 0:21:16.960
<v Speaker 1>Me and post Malone on the song Taylor Swift sings

0:21:17.000 --> 0:21:19.879
<v Speaker 1>It in the Car. Kylie Jenner shares a little video

0:21:20.440 --> 0:21:26.560
<v Speaker 1>Tom Brady commercial. I forget the other one, but something

0:21:26.560 --> 0:21:29.679
<v Speaker 1>with Ed Sherman and justin Timberlake. And then let's throwing

0:21:29.840 --> 0:21:31.040
<v Speaker 1>Nelly Nelly.

0:21:31.440 --> 0:21:32.440
<v Speaker 2>Yeah, I like the Nelly.

0:21:32.720 --> 0:21:38.240
<v Speaker 1>Yeah, were throwing Nelly. And and then after that, me

0:21:38.280 --> 0:21:41.879
<v Speaker 1>and me and so that'll be the like big commercial single.

0:21:41.960 --> 0:21:43.840
<v Speaker 1>We push off the major shit and that shit hall

0:21:43.920 --> 0:21:47.720
<v Speaker 1>just blow up crazy and then me and Kiss will

0:21:47.760 --> 0:21:50.760
<v Speaker 1>come back with a hard ass racking me Kiss Wayne

0:21:50.840 --> 0:21:56.320
<v Speaker 1>eminem and whole. Do you know I was with you

0:21:56.520 --> 0:21:58.920
<v Speaker 1>to hold home? Might not get on the song, I think,

0:21:59.320 --> 0:22:01.840
<v Speaker 1>I don't know. I don't know if M's tapped in. Man,

0:22:02.320 --> 0:22:07.120
<v Speaker 1>you know, he needs to know that the greatest Caucasian

0:22:08.920 --> 0:22:12.000
<v Speaker 1>there was ever created. You know, after I said I

0:22:12.080 --> 0:22:15.200
<v Speaker 1>put him out of the category, I do consider myself

0:22:15.280 --> 0:22:17.720
<v Speaker 1>the greatest Caucasian rapper of all time, you know what

0:22:17.720 --> 0:22:19.359
<v Speaker 1>I mean? I put him out of the category because

0:22:19.359 --> 0:22:21.600
<v Speaker 1>he saved my life when we was young, but I burned.

0:22:22.800 --> 0:22:24.160
<v Speaker 2>Yeah, yeah, Larry Bird.

0:22:24.200 --> 0:22:27.720
<v Speaker 1>Yeah, he's clear. He's like Larry Bird. So we don't

0:22:27.760 --> 0:22:31.080
<v Speaker 1>want to compare Luca Doncis to Larry Bird and stuff

0:22:31.080 --> 0:22:31.440
<v Speaker 1>like that.

0:22:33.680 --> 0:22:36.879
<v Speaker 2>That's funny, yo, How did you and m g k

0:22:37.080 --> 0:22:42.359
<v Speaker 2>up getting together and squashing whatever y'all squashed? Because I

0:22:42.359 --> 0:22:44.120
<v Speaker 2>remember you called him a garbage rapper in the lad

0:22:44.160 --> 0:22:45.160
<v Speaker 2>interview and all that, and then.

0:22:45.160 --> 0:22:46.320
<v Speaker 1>You take that back. He's not.

0:22:47.040 --> 0:22:48.840
<v Speaker 2>He's a sweet guy too, man, He's and I mean,

0:22:49.160 --> 0:22:50.640
<v Speaker 2>did you talk to him, that's my boy?

0:22:50.840 --> 0:22:52.360
<v Speaker 1>Like you talk to him like after.

0:22:54.040 --> 0:22:56.840
<v Speaker 2>I don't know if we talked about you, but I

0:22:56.880 --> 0:22:58.919
<v Speaker 2>was just with him in Vegas. He's just like one

0:22:58.960 --> 0:23:02.720
<v Speaker 2>of the best dudes. Ever, so I feel like sometimes

0:23:02.760 --> 0:23:05.880
<v Speaker 2>like because he's he's done rock and he's like done

0:23:05.920 --> 0:23:06.680
<v Speaker 2>different genres.

0:23:06.680 --> 0:23:09.359
<v Speaker 1>He's like no, no, no, no, he's cool. And we

0:23:09.400 --> 0:23:11.919
<v Speaker 1>had a rapport, you know, like we had a rapport

0:23:12.000 --> 0:23:14.320
<v Speaker 1>back in the day and Ship. I just felt like

0:23:14.359 --> 0:23:17.680
<v Speaker 1>he was firing shots at me, bro, and I fired

0:23:17.720 --> 0:23:19.640
<v Speaker 1>shots at him. I thought it would be a good

0:23:19.680 --> 0:23:22.040
<v Speaker 1>It's like a boxer calling out a boxer. You know,

0:23:22.359 --> 0:23:23.720
<v Speaker 1>that would have been a good fight for me.

0:23:24.400 --> 0:23:26.840
<v Speaker 2>You guys ended up connecting now and yeah, yeah, yeah,

0:23:26.840 --> 0:23:27.520
<v Speaker 2>we chopped it up.

0:23:27.560 --> 0:23:31.880
<v Speaker 1>I was just talking to him on FaceTime the other day, like, Bro,

0:23:31.960 --> 0:23:35.200
<v Speaker 1>he's cool. Yeah, you got his fan like his fans

0:23:35.240 --> 0:23:38.600
<v Speaker 1>be so mad that I didn't crash on you know,

0:23:38.720 --> 0:23:41.160
<v Speaker 1>social media like that. We didn't do violence to each other.

0:23:41.200 --> 0:23:43.439
<v Speaker 1>But people should look at that situation and look at

0:23:43.480 --> 0:23:46.800
<v Speaker 1>it like this is how grown men handle no handle

0:23:46.840 --> 0:23:48.800
<v Speaker 1>ship And we didn't have a problem. We had a

0:23:48.880 --> 0:23:49.720
<v Speaker 1>rap problem.

0:23:49.960 --> 0:23:53.080
<v Speaker 2>That's good. Uh. I also saw you connected with Jelly

0:23:53.160 --> 0:23:53.800
<v Speaker 2>Roll in Boston.

0:23:54.400 --> 0:23:57.080
<v Speaker 1>Yeah. I connected with Jelly Roll in Nashville too.

0:23:58.400 --> 0:24:00.280
<v Speaker 2>He I know, he's a fan. Me and him talked

0:24:00.280 --> 0:24:00.880
<v Speaker 2>about you before.

0:24:00.920 --> 0:24:03.880
<v Speaker 1>Yeah, yeah, yeah, Jelly rolle Man, Jelly Roll was ill

0:24:03.920 --> 0:24:06.400
<v Speaker 1>because he's like a preacher rapper.

0:24:06.560 --> 0:24:08.840
<v Speaker 2>He's definitely a preacher singer. You go to that show

0:24:08.920 --> 0:24:11.080
<v Speaker 2>and he's like preaching to the crowd. Oh yeah, no,

0:24:11.640 --> 0:24:13.280
<v Speaker 2>house comes down on fire at the end.

0:24:13.440 --> 0:24:17.639
<v Speaker 1>Jelly roll super godly. He's just a dope individual that

0:24:17.720 --> 0:24:19.000
<v Speaker 1>God bless the world with.

0:24:19.720 --> 0:24:22.720
<v Speaker 2>Would you hop on a country beat? Not necessarily do

0:24:22.760 --> 0:24:23.320
<v Speaker 2>a country song?

0:24:23.440 --> 0:24:28.240
<v Speaker 1>Yeah, hell yeah, Hell yeah. I've I've changed a lot

0:24:28.280 --> 0:24:31.359
<v Speaker 1>of like my views on not saying like I would

0:24:32.359 --> 0:24:35.199
<v Speaker 1>switch genres. I'm gonna keep it this rap shit forever.

0:24:37.200 --> 0:24:37.800
<v Speaker 2>But I like.

0:24:37.760 --> 0:24:40.119
<v Speaker 1>Country music a lot though, like that, there's stuff that

0:24:40.160 --> 0:24:40.640
<v Speaker 1>I do here.

0:24:40.840 --> 0:24:42.560
<v Speaker 2>The songwriting is next level.

0:24:42.840 --> 0:24:45.640
<v Speaker 1>Yeah, it's very similar to hip hop though, is rod

0:24:45.720 --> 0:24:53.359
<v Speaker 1>Wave is the biggest artist selling wise, because like I

0:24:53.400 --> 0:24:56.240
<v Speaker 1>guess those country records that go number one and ship

0:24:56.359 --> 0:24:59.400
<v Speaker 1>like road Waves music is pretty similar on bar with

0:24:59.560 --> 0:25:02.639
<v Speaker 1>all of that ship not saying necessarily like sonically but

0:25:02.720 --> 0:25:03.840
<v Speaker 1>like just the song, but.

0:25:03.840 --> 0:25:06.080
<v Speaker 2>Like you could like flip a switch and put Broadways

0:25:06.880 --> 0:25:10.440
<v Speaker 2>onto some of these country productions and it's it sounds.

0:25:10.720 --> 0:25:13.879
<v Speaker 1>And I really got introduced to country music through rap,

0:25:14.000 --> 0:25:17.640
<v Speaker 1>like I got introduced through like Broadway girls, like Free Dirk,

0:25:17.920 --> 0:25:20.320
<v Speaker 1>you know, what I mean with Morgan Wall and like

0:25:20.400 --> 0:25:24.920
<v Speaker 1>that's how I got really acquainted. I knew one country

0:25:24.920 --> 0:25:31.520
<v Speaker 1>song when I was coming up Darius Rucker shout out, uh,

0:25:31.760 --> 0:25:34.600
<v Speaker 1>that's h and he was talking about who he was

0:25:34.600 --> 0:25:39.920
<v Speaker 1>talking about. Don't think I don't think about it through

0:25:39.960 --> 0:25:42.600
<v Speaker 1>the work and the herd and a whiskey. Don't think

0:25:42.640 --> 0:25:45.159
<v Speaker 1>I don't think about it. And that was one of

0:25:45.200 --> 0:25:47.720
<v Speaker 1>the things that like, I think that inspired him on

0:25:47.800 --> 0:25:49.320
<v Speaker 1>my song, right and sh like that.

0:25:49.280 --> 0:25:52.000
<v Speaker 2>He's from that's Hoody from Hoody in the Blowfish Darius.

0:25:51.720 --> 0:25:54.560
<v Speaker 1>Rutger, Yeah, I just know him from that song.

0:25:56.200 --> 0:25:58.360
<v Speaker 2>Yeah, shout out to Uh. I feel like Big Extra

0:25:58.359 --> 0:26:00.680
<v Speaker 2>Plug's doing a good job of like hopping country records,

0:26:00.720 --> 0:26:03.280
<v Speaker 2>but they sound like he's still just doing him, you know,

0:26:03.520 --> 0:26:06.239
<v Speaker 2>right right right, shout out to Big X. You got

0:26:06.240 --> 0:26:08.720
<v Speaker 2>a lot of dope features on this album. Obviously, No Cap,

0:26:08.880 --> 0:26:09.600
<v Speaker 2>Dave East.

0:26:09.760 --> 0:26:11.480
<v Speaker 1>Yeah you know about No Cap.

0:26:11.400 --> 0:26:13.720
<v Speaker 2>Of course, likeout out to Alabama, Man.

0:26:13.720 --> 0:26:16.960
<v Speaker 1>No, you really know about caps.

0:26:16.200 --> 0:26:17.760
<v Speaker 2>One of my I've been for like three or four

0:26:17.800 --> 0:26:19.280
<v Speaker 2>years DM and that guy trying to get him to

0:26:19.280 --> 0:26:19.840
<v Speaker 2>come on the show.

0:26:20.119 --> 0:26:22.760
<v Speaker 1>Yeah, you know, like he's an all time and I've.

0:26:22.640 --> 0:26:24.520
<v Speaker 2>Been trying to book him in my club for sake.

0:26:24.760 --> 0:26:25.640
<v Speaker 2>He's incredible.

0:26:25.680 --> 0:26:28.680
<v Speaker 1>I got cap as like the greatest artists out right now.

0:26:28.920 --> 0:26:30.280
<v Speaker 2>Yeah, his pen game is ridiculous.

0:26:30.280 --> 0:26:32.720
<v Speaker 1>Got him as the greatest artist out right now because

0:26:34.560 --> 0:26:39.600
<v Speaker 1>beat selection, melody and then straight bar work and a

0:26:39.600 --> 0:26:42.440
<v Speaker 1>lot of the Sometimes I feel like East Coast people

0:26:42.680 --> 0:26:45.119
<v Speaker 1>look over like his bar work because they're not catching

0:26:45.160 --> 0:26:47.320
<v Speaker 1>it because he's doing it in melody. You might got

0:26:47.359 --> 0:26:49.440
<v Speaker 1>some auto to him, but he's borrowing them the funk

0:26:49.480 --> 0:26:51.920
<v Speaker 1>out now his pen games. We got a song where

0:26:51.920 --> 0:26:54.400
<v Speaker 1>it goes, and I just thought it was a profound

0:26:54.440 --> 0:26:56.840
<v Speaker 1>statement when he said it. He said, I didn't pray

0:26:57.000 --> 0:26:59.760
<v Speaker 1>last night. Why because I'm a man and I'm not

0:26:59.760 --> 0:27:02.960
<v Speaker 1>trying to put this weight on God? And that that

0:27:03.080 --> 0:27:04.960
<v Speaker 1>hit me. I was like, damn, my man, I'm not

0:27:05.000 --> 0:27:08.159
<v Speaker 1>trying to put this weight on God. I thought that

0:27:08.320 --> 0:27:12.480
<v Speaker 1>was just profound in itself for sure. But I didn't

0:27:12.480 --> 0:27:14.960
<v Speaker 1>pray last night? Why because I'm amen and I ain't

0:27:14.960 --> 0:27:16.359
<v Speaker 1>trying to put this weight on God?

0:27:16.840 --> 0:27:18.760
<v Speaker 2>Yeah? Because amen a man?

0:27:18.880 --> 0:27:21.080
<v Speaker 1>Yeah yeah, yeah, So it's little shit like that. And

0:27:21.119 --> 0:27:22.800
<v Speaker 1>I heard that song ninety thousand.

0:27:23.200 --> 0:27:23.960
<v Speaker 2>You put that together?

0:27:24.119 --> 0:27:26.159
<v Speaker 1>No, a fan put it together for me and I'm like,

0:27:26.200 --> 0:27:28.880
<v Speaker 1>that's that's when you talking high level rap, bro, like

0:27:29.320 --> 0:27:32.080
<v Speaker 1>you're slipping shit in there, and that's that's what made

0:27:32.160 --> 0:27:36.120
<v Speaker 1>all the NAS CDs and all the classic rap CDs good.

0:27:36.160 --> 0:27:38.800
<v Speaker 1>When you could go back and on your ninetieth listen,

0:27:38.880 --> 0:27:43.440
<v Speaker 1>you're like, oh, shdamn he man, this that's fucking crazy.

0:27:43.960 --> 0:27:45.600
<v Speaker 1>And Cap got that all through his.

0:27:45.600 --> 0:27:48.840
<v Speaker 2>Catalog for sure. Yeah. No, he's slept on too.

0:27:49.280 --> 0:27:52.720
<v Speaker 1>Now, the most slept on. Not really though, because he

0:27:52.800 --> 0:27:53.960
<v Speaker 1>sells out all the shows and.

0:27:54.240 --> 0:27:55.960
<v Speaker 2>He's been I mean, he's definitely big.

0:27:55.960 --> 0:27:58.600
<v Speaker 1>It's just people don't really Yeah, fully understand.

0:27:58.440 --> 0:28:00.600
<v Speaker 2>What you and Mazi. I know you Mazzi got a

0:28:00.600 --> 0:28:02.639
<v Speaker 2>working relationship at this point. Man, I feel like Mazi

0:28:02.720 --> 0:28:03.879
<v Speaker 2>is the type of guy to pop out and do

0:28:03.920 --> 0:28:06.080
<v Speaker 2>a joint album with somebody. Would you? Would you guys? Ever?

0:28:06.600 --> 0:28:10.199
<v Speaker 1>Man, I love that man, that bro, we should do that.

0:28:10.359 --> 0:28:12.280
<v Speaker 1>You know. That's so crazy because I think here was

0:28:12.320 --> 0:28:14.520
<v Speaker 1>one of the first places we started connecting the dots.

0:28:14.600 --> 0:28:16.960
<v Speaker 2>Yeah, he just took over my pizza shop Friday for

0:28:17.040 --> 0:28:18.879
<v Speaker 2>his album release. That's what's up.

0:28:19.119 --> 0:28:22.440
<v Speaker 1>Out to Masie Man, Yeah, no, shout out to Masi Man.

0:28:22.680 --> 0:28:23.760
<v Speaker 1>My West Coast Breda.

0:28:23.840 --> 0:28:27.440
<v Speaker 2>We dropped a pizza called the Mozzarella Fella and all

0:28:27.480 --> 0:28:29.920
<v Speaker 2>sales benefited incarcerated people.

0:28:30.400 --> 0:28:33.840
<v Speaker 3>I'm jacking out the mozzarella Fella. I'm jacking out you

0:28:33.920 --> 0:28:36.720
<v Speaker 3>could be the mozzarella Fella because your your skin tone.

0:28:36.760 --> 0:28:42.280
<v Speaker 3>Obviously mozzarella cheese is white. You know, how are we

0:28:42.320 --> 0:28:42.960
<v Speaker 3>feeling about?

0:28:44.000 --> 0:28:49.280
<v Speaker 2>I feel like the impending finals collision is Celtics first thunder.

0:28:50.400 --> 0:28:54.719
<v Speaker 2>If you had to put some money on it, how

0:28:55.000 --> 0:28:55.160
<v Speaker 2>do you?

0:28:55.480 --> 0:28:57.480
<v Speaker 1>First of all, we might see them reps start to

0:28:57.520 --> 0:28:59.640
<v Speaker 1>get a little triggy when it comes to the Lakers.

0:29:00.200 --> 0:29:05.160
<v Speaker 1>Is that Lakers? Celtics? Boy, that's that's the world want that? Man.

0:29:05.200 --> 0:29:08.440
<v Speaker 1>We don't give a funk about shake Gilgrits. I mean, ga,

0:29:09.520 --> 0:29:12.800
<v Speaker 1>we don't care about him and his aura, you know

0:29:12.840 --> 0:29:15.160
<v Speaker 1>what I mean. They don't care about that. We want

0:29:15.280 --> 0:29:18.560
<v Speaker 1>Celtics Lakers. But no, I mean, whoever we get, it'll

0:29:18.600 --> 0:29:20.760
<v Speaker 1>be it'll be a blessing to punish them in the

0:29:20.840 --> 0:29:22.040
<v Speaker 1>final for sure.

0:29:22.240 --> 0:29:24.040
<v Speaker 2>What is is there a team in the Eastern Conference? Look,

0:29:24.040 --> 0:29:25.240
<v Speaker 2>I know you're not worried about a team in the

0:29:25.240 --> 0:29:27.440
<v Speaker 2>Eastern Conference, but what is in your opinion, the biggest,

0:29:28.120 --> 0:29:34.040
<v Speaker 2>biggest challenge you're gonna face the cas Calves probably right, yeah, yeah, well.

0:29:35.520 --> 0:29:36.040
<v Speaker 1>Not the NIXT.

0:29:36.080 --> 0:29:36.840
<v Speaker 2>No disrespect.

0:29:36.920 --> 0:29:40.960
<v Speaker 1>I love New York I love New York Man, but

0:29:41.280 --> 0:29:43.000
<v Speaker 1>the Knicks they're just not it.

0:29:43.200 --> 0:29:44.920
<v Speaker 2>I don't think they They might not get out of

0:29:44.920 --> 0:29:45.400
<v Speaker 2>the first.

0:29:45.240 --> 0:29:49.840
<v Speaker 1>Round, the next the NIXT. Maybe in like five years

0:29:49.840 --> 0:29:50.600
<v Speaker 1>they're gonna have it.

0:29:50.720 --> 0:29:54.840
<v Speaker 2>Like, I wonder you are a ladies man. I al

0:29:54.840 --> 0:29:57.800
<v Speaker 2>would see you on Instagram with a plethora of young things.

0:29:58.240 --> 0:30:03.760
<v Speaker 2>Not young things, okay, properly aged things, nice thirty twenty nine,

0:30:03.880 --> 0:30:04.640
<v Speaker 2>thirty fours.

0:30:04.720 --> 0:30:07.280
<v Speaker 1>Yeah, I gotta rap, I said, I like a wholesome,

0:30:07.360 --> 0:30:09.400
<v Speaker 1>bad bitch that's approaching her thirties.

0:30:09.920 --> 0:30:14.160
<v Speaker 2>Perfect, all right, yeah, okay, yeah, yeah, I wonder what

0:30:14.320 --> 0:30:16.560
<v Speaker 2>because obviously you see what's going on with Shannon Sharp.

0:30:17.040 --> 0:30:20.880
<v Speaker 2>How careful are you about like making sure like women

0:30:20.920 --> 0:30:22.520
<v Speaker 2>who come around you ain't trying to set you up?

0:30:22.560 --> 0:30:24.520
<v Speaker 2>Because this is a thing that happens all the time

0:30:24.560 --> 0:30:25.680
<v Speaker 2>with artists and celebrities.

0:30:26.720 --> 0:30:29.560
<v Speaker 1>Yes, we'd like girls like filming you and stuff.

0:30:29.680 --> 0:30:31.800
<v Speaker 2>Have you ever been in that situation where you like

0:30:31.840 --> 0:30:33.360
<v Speaker 2>maybe woke up and the bitch was on her phone

0:30:33.400 --> 0:30:34.320
<v Speaker 2>like filming you or something.

0:30:36.840 --> 0:30:40.280
<v Speaker 1>I've never been in no type of sin and sob situations.

0:30:39.880 --> 0:30:40.640
<v Speaker 2>Not Shannon Sharp.

0:30:40.680 --> 0:30:42.840
<v Speaker 1>I just mean in general, clear me all the way

0:30:42.880 --> 0:30:45.840
<v Speaker 1>from put that over there, put that all the way

0:30:45.840 --> 0:30:49.160
<v Speaker 1>over that. I think every every woman that I deal with,

0:30:49.200 --> 0:30:52.160
<v Speaker 1>they'll say, you know, I'm even though it might seem

0:30:52.160 --> 0:30:56.280
<v Speaker 1>on Instagram I might come off disrespectful. Every woman that

0:30:56.600 --> 0:30:58.360
<v Speaker 1>I deal with will tell you Millies is one of

0:30:58.400 --> 0:31:04.720
<v Speaker 1>the most, you know, most nice, genuine people. Like I

0:31:04.720 --> 0:31:07.440
<v Speaker 1>don't even fall out with girls like that. A lot

0:31:07.440 --> 0:31:11.240
<v Speaker 1>of girls that I dealt with in life, we're still cool.

0:31:11.480 --> 0:31:13.040
<v Speaker 2>Yeah you know so.

0:31:14.120 --> 0:31:17.080
<v Speaker 1>But yeah, now I could tell like the cloud Chasers

0:31:17.120 --> 0:31:20.240
<v Speaker 1>that the second like, a girl asked me one time,

0:31:20.320 --> 0:31:23.120
<v Speaker 1>who's the most famous person in your in your phone?

0:31:24.000 --> 0:31:26.440
<v Speaker 1>And that just disgusted me, Like I get away from

0:31:26.480 --> 0:31:28.040
<v Speaker 1>those type of girls fast.

0:31:28.120 --> 0:31:29.680
<v Speaker 2>It's like, you gotta get the fuck out of here.

0:31:29.760 --> 0:31:32.080
<v Speaker 1>You gotta go now. She had to go that was it?

0:31:32.560 --> 0:31:33.880
<v Speaker 2>Like, what kind of question is?

0:31:34.040 --> 0:31:36.640
<v Speaker 1>Yeah? That question blew mint. We were in London. She said,

0:31:36.640 --> 0:31:39.320
<v Speaker 1>who's the most famous girl? Who's the most famous person

0:31:39.320 --> 0:31:42.360
<v Speaker 1>you got in your phone? I might have threw up.

0:31:42.800 --> 0:31:46.200
<v Speaker 2>That is crazy, Uh, what is the relationship like with

0:31:46.560 --> 0:31:49.080
<v Speaker 2>speaking of famous people that you know? With with one

0:31:49.080 --> 0:31:51.800
<v Speaker 2>of the greatest whites of all time, Mark Wahlberg. He's

0:31:51.840 --> 0:31:55.280
<v Speaker 2>a big fan, just a solid guy.

0:31:56.880 --> 0:32:01.320
<v Speaker 1>Mark is like Mark's a real say, he's somebody who

0:32:01.320 --> 0:32:03.120
<v Speaker 1>doesn't need anything from anybody.

0:32:03.680 --> 0:32:05.240
<v Speaker 2>I feel like he's gonna put you in a movie soon,

0:32:05.760 --> 0:32:06.200
<v Speaker 2>I hope.

0:32:06.240 --> 0:32:09.280
<v Speaker 1>So I never I got this thing. I never asked

0:32:09.280 --> 0:32:13.360
<v Speaker 1>my my big lit friends for anything, right, you know,

0:32:13.520 --> 0:32:15.480
<v Speaker 1>just good. I know a bunch of billionaires and shit.

0:32:15.600 --> 0:32:18.960
<v Speaker 1>So like the other day we were at the Celtics.

0:32:19.240 --> 0:32:23.040
<v Speaker 1>I was courtsied at the Celtics. I told all I

0:32:23.080 --> 0:32:26.400
<v Speaker 1>saw like all my guys, I said, courts eyed with it.

0:32:26.520 --> 0:32:29.360
<v Speaker 1>They're up like real significant money and all I had

0:32:29.440 --> 0:32:32.120
<v Speaker 1>crazy watches on. I just took a flick all the watch.

0:32:32.200 --> 0:32:33.920
<v Speaker 1>I didn't even put my shit in there because it's

0:32:33.920 --> 0:32:35.800
<v Speaker 1>a bust down. I'm like, I gotta have like a plan,

0:32:36.880 --> 0:32:39.479
<v Speaker 1>you know, even on my ship fifty five thousand. But

0:32:39.520 --> 0:32:41.920
<v Speaker 1>it was like, man, I couldn't even put it in

0:32:41.920 --> 0:32:43.760
<v Speaker 1>the picture. But I got all. I got a bunch

0:32:43.800 --> 0:32:46.520
<v Speaker 1>of people's contacts, and I don't really ask him for anything.

0:32:46.560 --> 0:32:48.480
<v Speaker 1>So I try to keep it like that with Mark

0:32:48.480 --> 0:32:51.360
<v Speaker 1>because he's so genuine. Like Mark then facetimeed my mom

0:32:51.480 --> 0:32:55.080
<v Speaker 1>and chopped it up and Mark. Mark actually put me

0:32:55.160 --> 0:32:57.600
<v Speaker 1>and Joyan and Lucas's relationship together.

0:32:58.080 --> 0:32:58.600
<v Speaker 2>That's dope.

0:32:58.920 --> 0:33:02.040
<v Speaker 1>Yeah, so me and j ain't and never really used

0:33:02.040 --> 0:33:04.280
<v Speaker 1>to chopping and Mark was like, now, y'all gotta work together.

0:33:04.360 --> 0:33:10.400
<v Speaker 1>Y'all get stronger bout together. But yeah, it's crazy. He's

0:33:10.440 --> 0:33:13.960
<v Speaker 1>a real, you know, aless celebrity, but he's a street guy,

0:33:14.040 --> 0:33:18.560
<v Speaker 1>like in his heart and you know, he really comes

0:33:18.560 --> 0:33:20.600
<v Speaker 1>from like trenches.

0:33:20.680 --> 0:33:22.920
<v Speaker 2>And for better or worse, at a certain point in time,

0:33:23.000 --> 0:33:24.560
<v Speaker 2>was the most popping rapper in Boston.

0:33:25.440 --> 0:33:29.480
<v Speaker 1>Hell yeah, back in the day. Hell yeah. He tries

0:33:29.520 --> 0:33:31.040
<v Speaker 1>to downplay his rap career.

0:33:31.080 --> 0:33:32.920
<v Speaker 2>It's almost like he tries to act like it never existed.

0:33:33.040 --> 0:33:34.640
<v Speaker 1>Well, no, he'll come around and he'll be like, we

0:33:34.720 --> 0:33:37.800
<v Speaker 1>got Millie's man, Millie's going crazy. You know, I was

0:33:37.800 --> 0:33:39.640
<v Speaker 1>a corny rapper, But I don't think he was a

0:33:39.680 --> 0:33:41.720
<v Speaker 1>corny rap. I don't think there's nothing corny about him.

0:33:41.720 --> 0:33:44.160
<v Speaker 1>Bros during that era. I think Mark is a stand

0:33:44.240 --> 0:33:47.320
<v Speaker 1>up guy. The streets love Mark. Like that's another thing.

0:33:47.440 --> 0:33:51.080
<v Speaker 1>Like when I'm when I'm with Mark, like I get

0:33:51.120 --> 0:33:54.000
<v Speaker 1>the craziest calls from rappers, like, hell, tell Mark, I'm

0:33:54.000 --> 0:33:56.880
<v Speaker 1>a fan bro like dude the zip lean all day

0:33:56.920 --> 0:33:59.520
<v Speaker 1>and don't even pay attention to society and should hit

0:33:59.600 --> 0:34:02.360
<v Speaker 1>me and like, yo, tell Mark im Afan like he's

0:34:02.800 --> 0:34:04.280
<v Speaker 1>nationally beloved. Man.

0:34:04.720 --> 0:34:08.040
<v Speaker 2>How far ahead do you think about, like in terms

0:34:08.040 --> 0:34:12.800
<v Speaker 2>of like planning, whether it's hey, all right, cool, block

0:34:12.800 --> 0:34:14.399
<v Speaker 2>O seven's out? Do you already got the next two

0:34:14.480 --> 0:34:16.839
<v Speaker 2>or three things figured out? Are you thinking five years ahead?

0:34:16.920 --> 0:34:18.880
<v Speaker 2>Or you think like, like how far ahead are you planning?

0:34:18.960 --> 0:34:23.000
<v Speaker 1>Like, because I really think like I didn't expect to

0:34:23.040 --> 0:34:27.480
<v Speaker 1>live this long, so I planned like two three months. Yeah,

0:34:27.520 --> 0:34:29.800
<v Speaker 1>Like I always. I always had this weird thing I

0:34:29.840 --> 0:34:33.760
<v Speaker 1>thought I was gonna die. Like my friend died when

0:34:34.000 --> 0:34:37.200
<v Speaker 1>I was like fifteen, and it just happened like we

0:34:37.200 --> 0:34:38.880
<v Speaker 1>were in the park one night and he died that

0:34:39.000 --> 0:34:42.480
<v Speaker 1>next morning, you know what I mean. And I looked

0:34:42.480 --> 0:34:45.400
<v Speaker 1>at him in the coffin like a week later, and

0:34:45.480 --> 0:34:47.520
<v Speaker 1>I just from there I was like, oh, oh you

0:34:47.600 --> 0:34:49.880
<v Speaker 1>die before eighteen. I was just like in my mind

0:34:50.000 --> 0:34:52.160
<v Speaker 1>like because this was the person I talk to every day,

0:34:52.280 --> 0:34:56.719
<v Speaker 1>my best friend. So I always just felt like I'm

0:34:56.760 --> 0:34:58.640
<v Speaker 1>not gonna live that long. And I kind of like

0:34:58.760 --> 0:35:03.479
<v Speaker 1>romanticized it, Like you get a lot of I don't.

0:35:03.560 --> 0:35:06.759
<v Speaker 1>I don't know how to say. It's like, when you die,

0:35:06.760 --> 0:35:09.239
<v Speaker 1>your ship is like it's lit for you, especially if

0:35:09.239 --> 0:35:10.680
<v Speaker 1>you don't got a lot going on. Now that I

0:35:10.680 --> 0:35:15.360
<v Speaker 1>got a lot going on, I don't want. Yeah, And

0:35:15.400 --> 0:35:19.439
<v Speaker 1>now the way that the Internet goes is like, man,

0:35:19.560 --> 0:35:22.560
<v Speaker 1>they talking crazy about people when they die. That ain't

0:35:22.680 --> 0:35:24.960
<v Speaker 1>used to happen back in the day. But yeah, I

0:35:25.040 --> 0:35:27.399
<v Speaker 1>say that to say, like I plan, I plan far

0:35:27.480 --> 0:35:31.160
<v Speaker 1>ahead and I'm trying to and that's where the catalog

0:35:31.239 --> 0:35:33.240
<v Speaker 1>talks and all of that, Like you know that that'll

0:35:33.280 --> 0:35:35.400
<v Speaker 1>be I'm cool with whenever I check out like I

0:35:35.440 --> 0:35:40.480
<v Speaker 1>had a blast, right, you know. But yeah, I don't plan,

0:35:40.680 --> 0:35:43.439
<v Speaker 1>Like I don't have no five year plans. My plan

0:35:43.600 --> 0:35:45.480
<v Speaker 1>is just to run up the bag as much as

0:35:45.520 --> 0:35:48.320
<v Speaker 1>possible because it's this shit could be over today.

0:35:49.400 --> 0:35:52.960
<v Speaker 2>We'll look Blanco seven is out, go support that ship.

0:35:53.680 --> 0:35:54.040
<v Speaker 1>Seven.

0:35:54.480 --> 0:35:57.200
<v Speaker 2>We're gonna have you and the homies wrap separate YouTube

0:35:57.280 --> 0:35:59.200
<v Speaker 2>video because I know you got to get a flight,

0:35:59.239 --> 0:36:01.680
<v Speaker 2>but yo, go get that album, Man, get the Owl,

0:36:01.719 --> 0:36:03.120
<v Speaker 2>get the album. Millise my Dog