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Speaker 1: Yeah, yeah, y'all, what's up as Millie's check me out

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Speaker 1: on the Butleg CAV Podcast.

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Speaker 2: Hey, before we start the episode, we're gonna remind everybody, man,

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Speaker 2: we got one of the biggest radio shows in the country,

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Speaker 2: syndicated in almost one hundred cities all over. Shout out

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Speaker 2: to iHeartRadio. All right, some of the latest cities that

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Speaker 2: we've been able to add. Man, we want to give

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Speaker 2: a shout out to ninety three point nine to Beat

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Speaker 2: in Honolulu. That's right, Hawaii, We over there going crazy.

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Speaker 2: I also want to give a shout out Hot ninety

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Speaker 2: eight three and Tucson. Shout out to Tucson going crazy.

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Speaker 2: Also want to give a shout out to Wild ninety

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Speaker 2: four one in Tampa going crazy. We just got Richmond.

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Speaker 2: We also just got the good folks in Bakersfield at

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Speaker 2: Hot one O four to seven. So we're going crazy

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Speaker 2: on the radio with my partner James Andre Jefferson Junior

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Speaker 2: for the Bootleg CAV Show. So make sure you tune

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Speaker 2: in and you can listen anywhere on that iHeart Radio app.

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Speaker 2: That's right, let's get into the interview Bootleg CAV Podcast.

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Speaker 2: Man special guests in here. My brother representing Massachusetts, my dog,

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Speaker 2: the biggest Celtics fan in the world, wearing a Sun's

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Speaker 2: jersey today.

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Speaker 1: For you, Millies, for you. We're for you only because

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Speaker 1: you're not competitive. If you were competitive, I would have

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Speaker 1: never wre this jersey today.

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Speaker 2: Thank you, thank you.

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Speaker 1: I got so much love in my heart for you. Bro.

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Speaker 1: Get a ball, Steve, Steve nash Man a great, a

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Speaker 1: great white basketball player all time. White for sure is

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Speaker 1: a great way.

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Speaker 2: You gotta put him up on a white mount rushing

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Speaker 2: for the NBA time MVP.

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Speaker 1: He is a great way.

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Speaker 2: Yeah, for sure. How's everything been though? Man? New albums out?

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Speaker 1: Blanco seven, Yeah, B seven, seventh Installment.

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Speaker 2: When do you stop this thing?

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Speaker 1: Ten? I was going to stop it at I was

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Speaker 1: going to stop it at seven, but like now I'm like, yeah, ten.

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Speaker 2: I'm like ten.

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Speaker 1: Like Blanco, Yeah, because I literally get bigger in my

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Speaker 1: career every time I drop one of them. It's like

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Speaker 1: the process of dropping a Blanco album just propels me

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Speaker 1: in my career. And it's the music I love working on.

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Speaker 1: It's you know, it's kind of theme based music.

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Speaker 2: So it's what's the difference for you, Like between like

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Speaker 2: a Holy Water and like working on a Blanco like

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Speaker 2: is it.

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Speaker 1: Like like the Blancos. I want to make sure it's

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Speaker 1: a balance of melodic records, pain records, my essential MILLI

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Speaker 1: sound like if you go to YouTube and you go

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Speaker 1: to Millie's type beat, you'll see hundreds of thousands of

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Speaker 1: millions type beats like I got my own, you know

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Speaker 1: style that I created in that sense, So I keep

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Speaker 1: that type of music heavy on the Blanco series, but

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Speaker 1: then I keep a good balance of melodic records, and

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Speaker 1: then I try to get you know, the A list

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Speaker 1: type features right, and it's it's just a formula to it.

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Speaker 1: Where Holy Water is that was just like a darker album.

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Speaker 2: Yeah uh you obviously you start to talking about big features.

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Speaker 2: This this album's got meek mill And by the way,

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Speaker 2: Jada Kiss had one of the craziest punchlines to kick

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Speaker 2: off the album.

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Speaker 1: Hell yeah you called that where he was talking about

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Speaker 1: the patt the top of your Yeah, he said you

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Speaker 1: could try waiting and you could die hating, get your

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Speaker 1: head tapped, shock clock violation, And when he said it,

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Speaker 1: I just thought it was a dope line, like you know,

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Speaker 1: get your head tapped, like yeah, but then he's like

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Speaker 1: yeating know the reps, they tap their heads when it's

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Speaker 1: a shock.

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Speaker 2: Yesh, so good bro. Yeah, but talk about work because

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Speaker 2: obviously now meet's independent, So I feel like it's a

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Speaker 2: lot easier because you're an independent artist. Yeah. I feel

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Speaker 2: like like it's probably a lot easier for you to

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Speaker 2: work with somebody when they're independent than like dealing with

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Speaker 2: the major label ship getting that shit cleared, like because

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Speaker 2: you might fuck with an artist and they might fuck

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Speaker 2: with you. But then when it comes to time for

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Speaker 2: the record to come out, especially if you want to

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Speaker 2: do the primary artist thing and all that explain like

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Speaker 2: like connecting with Meek and.

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Speaker 1: Well I connected with them through Garcy.

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Speaker 2: Okay, so Garcy is like my.

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Speaker 1: Bro, like long time, like we've been tied in and

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Speaker 1: Meek Mill that was like a bucket list record for

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Speaker 1: me for sure, for sure because he's man can Drake

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Speaker 1: Cole Meek you know that's really that they'll probably try

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Speaker 1: to leave him out of some of those or Drake

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Speaker 1: you know that whole conversation. He's the street rapper right

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Speaker 1: out of that that really put out you know, classic

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Speaker 1: bodies of work. Man. A lot of people that might

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Speaker 1: be the last street rapper who was like a superstar.

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Speaker 2: Right, And I mean, like you said, the classic bodies

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Speaker 2: of work is all those dream chasers.

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Speaker 1: Yeah, dream chases tastes down to the albums though, Yeah, Championships, Championships.

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Speaker 2: I think it's his best body. I love so good.

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Speaker 1: I told him, I like I like the intro and

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Speaker 1: championships more than dreams of nightma.

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Speaker 2: I feel like Meek is a perfect example too of

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Speaker 2: like once you hit a certain level of success, like

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Speaker 2: hip hop fans are so finicky, bro, yeah, because it's

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Speaker 2: like he got so big and was like rubbing rubbing

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Speaker 2: shoulders with like the biggest motherfuckers like outside of hip

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Speaker 2: hop billionaires and like yeah, and it's people try to

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Speaker 2: use that ship against him. It's like, Yo, isn't this

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Speaker 2: the goal? Like shouldn't you want to like elevate and

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Speaker 2: get out of the trenches remove yourself from situations in which, like.

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Speaker 1: I think that's everywhere.

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Speaker 2: Though.

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Speaker 1: The very famous friend of mine from uh my area

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Speaker 1: in Massachusetts, he told me say, yeah, people like you

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Speaker 1: to do good, just they don't like you to do

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Speaker 1: too good? You know?

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Speaker 2: Is that Mark Warberg.

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Speaker 1: Ship?

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Speaker 2: Like that shout out to Mark Welberg. Yeah, yeah, no,

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Speaker 2: that's true. Have you. Have you dealt with that at all?

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Speaker 2: Because oh, for sure, obviously you're like very successful, but

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Speaker 2: you're still kind of like underground.

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Speaker 1: Yeah. So I'm so I'm underground in the whole scheme

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Speaker 1: of things like nationally, you know, but like in my city,

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Speaker 1: I'm kind of my state. I'm like the big fish

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Speaker 1: and the small for sure. So I take I take

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Speaker 1: all the hate.

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Speaker 2: Yeah, you're like the like why aren't you doing more?

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Speaker 1: Why it doesn't matter they move the goal post every time.

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Speaker 2: So yeah, it's it's interesting because I've been in that

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Speaker 2: same position in Arizona where it's like, yeah, how much else?

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Speaker 2: Like what is like what do you'll want me to do?

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Speaker 2: Matter how many Arizona rappers come on my showing rap

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Speaker 2: like it ain't never enough.

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Speaker 1: I pray I pray that five six seven artists could

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Speaker 1: pop at the same time, kind of like how Detroit.

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Speaker 2: Is, right, you know, it's crazy.

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Speaker 1: Then I could just do my thing with immunity and

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Speaker 1: be fine, you know, without people, you know, watching every

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Speaker 1: move I'm making, being like it's man, it's his fault

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Speaker 1: that I'm not further in my career, Like that's that's

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Speaker 1: what they think.

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Speaker 2: Yeah, it's crazy. Because the approach that mind state will

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Speaker 2: have you fucked up for the rest of your life

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Speaker 2: if you if you always are looking at it.

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Speaker 1: It's a bitch azz mind state too. Yeah, it's a

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Speaker 1: bitch azz mind state.

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Speaker 2: Yeah.

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Speaker 1: If your point got to be a man man like

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Speaker 1: nobody like my me. Being lit does not dim your

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Speaker 1: light at all. You know, it's enough money for all

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Speaker 1: of us. It's enough. It's enough abundance for everybody.

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Speaker 2: And what I'm doing and got nothing to do with

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Speaker 2: what you're doing. Hell no, And yeah you got to.

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Speaker 1: Take if anything it could, it could big get ship up,

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Speaker 1: like in the case of like Joanne and Lucas. He's

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Speaker 1: a big rapper from where I'm from. Of course, you know,

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Speaker 1: he's from like an hour from where I'm from. But

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Speaker 1: it's the same, yeah, but it's the same thing. And

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Speaker 1: he got a huge fan base, bro, And that benefited

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Speaker 1: me because us being from the same backyard pretty much.

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Speaker 1: He put me on tour, you know, and put money

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Speaker 1: in my pocket and put me in front of a

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Speaker 1: huge fan base. And that's because we're from Massachusetts.

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Speaker 2: And Wi you were coming up, you wasn't hating on him,

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Speaker 2: being like, yo, why is Jordan.

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Speaker 1: You know, I wasn't hating it, and he never he

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Speaker 1: never rea out to me or nothing. We had like

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Speaker 1: other shit, you know, going on, but it was like

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Speaker 1: I never ever hated publicly, no matter what if I

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Speaker 1: seen them at the Grammys. It's just not in my

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Speaker 1: heart to see somebody from Massachusetts at the Grammys and

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Speaker 1: not go wow, this is crazy on the internet and

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Speaker 1: put it up like that'll never be, you know, not

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Speaker 1: in my heart to do. Man, I want six or

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Speaker 1: seven to win to the utmost. That's why you can

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Speaker 1: never catch me down in somebody because I really want,

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Speaker 1: you know, I want Massachusetts to win man highest level.

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Speaker 2: There's like a false narrative too that like people can

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Speaker 2: gate keep other other people from succeeding. I'm like, yo, fuck, no,

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Speaker 2: the internet exists. You have a direct yea option at

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Speaker 2: all times. You should look in the mirror and figure

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Speaker 2: out the things that you're not doing to resonate with

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Speaker 2: people with.

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Speaker 1: Yeah, And it's almost no excuses a rapper now, because

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Speaker 1: I'm gonna break it down like right, all right, So

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Speaker 1: what would be what would be a hindrance to a

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Speaker 1: rapper making it right now? Like if you were let's say, let's.

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Speaker 2: Say let's say most rappers would be like, they would

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Speaker 2: look at how hard it is to get on a

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Speaker 2: playlist because they think that that's the only thing that

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Speaker 2: matters a lot of small minded.

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Speaker 1: Well, that's playlist. And let me tell you something. I

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Speaker 1: got a line. I got a line on my thing

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Speaker 1: and I love I got a song called what If

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Speaker 1: I told you and on it and this is no

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Speaker 1: I listen. I love Spotify. I have nothing against Spotiforse,

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Speaker 1: when you look at my shit, it says one percent

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Speaker 1: or zero percent editorial playlisting. I'm me at this height

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Speaker 1: of my career. I done had all the features and

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Speaker 1: all of that. I don't care. I'm not mad at them.

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Speaker 1: Carl Cherry, y'all, I'm still waiting. It's fine. I got

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Speaker 1: nothing but love for y'all in my heart. I'm gonna

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Speaker 1: keep working. I don't give a fuck. That don't make

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Speaker 1: me or break me. I still got love. But I

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Speaker 1: got a line. I said, what if I told you?

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Speaker 1: Spotify don't put me on a playlist. But in the trenches,

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Speaker 1: I'm so famous. They treat me like I'm a list.

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Speaker 1: It's all right, Like you don't need a playlist, you

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Speaker 1: don't need you don't need a playlist to propel. You

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Speaker 1: need the internet, man is phone you get clicking off

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Speaker 1: your phone, you know what I mean?

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Speaker 2: Yeah, you need to make music that resonates with people,

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Speaker 2: and that's how you build a flock, you know what

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Speaker 2: I'm saying. Like we've been I've been watching you dog

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Speaker 2: for like ten years, slowly chipping away at this shit.

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Speaker 2: You know what I mean.

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Speaker 1: Yeah, Yeah, and that's what it is, like a slow

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Speaker 1: and steady build. But like my thing to any artist

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Speaker 1: would be like you have the option to get your phone.

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Speaker 1: Let's say you're a whatever type of rapper you are,

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Speaker 1: a lot of things hold rappers back.

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Speaker 2: I don't.

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Speaker 1: I don't got the clothes, you know, I don't got

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Speaker 1: the outfit to do it well. People like the genuine

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Speaker 1: struggle too. You could, I believe somebody could blow up

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Speaker 1: wearing dunkin Donuts.

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Speaker 2: I mean you you wear a wife beater for the

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Speaker 2: most part too. You could wear a.

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Speaker 1: Wife beater or or if you're playing with a couple

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Speaker 1: of thousands of dollars, let me tell you something you

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Speaker 1: don't need. You don't need a camera man. You don't

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Speaker 1: need a professional camera man. You just need an iPhone

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Speaker 1: maybe an android. You know you need you need a

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Speaker 1: you need a decent phone with a decent camera. If

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Speaker 1: you got a couple thousand dollars, go to Sacks fifth

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Speaker 1: if you want to look. I'm not saying like super

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Speaker 1: fake it to you make it, but you know, get

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Speaker 1: a get a decent outfit. Man, throw that shit on.

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Speaker 1: Go put the phone up. You could record the song

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Speaker 1: off your phone. Is forty dollars to record a song without.

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Speaker 2: City three baby was recorded on iPhone exactly right.

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Speaker 1: So you put the phone up. You got your new outfit,

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Speaker 1: go wrap the song man, return that outfit, get your

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Speaker 1: money back. Now you got your clip. Now when you

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Speaker 1: post that shit, send it to you know, fifteen to

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Speaker 1: your friends. At the same time, put a group chat.

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Speaker 1: Let's push this at each fifteen people, send it to

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Speaker 1: another fifteen people and just see what happens. And do

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Speaker 1: that seventy times. Yeah, and if you're good, I bet

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Speaker 1: you something to happen.

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Speaker 2: Yeah, if it's If it's good though, yeah.

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Speaker 1: Put out, put out, you know, put out? How volume work? Man?

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Speaker 2: Yeah? Not for sure? What you would you say that

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Speaker 2: at what point in time? Because you've had a long

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Speaker 2: journey in this music ship. What point in time, do

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Speaker 2: you feel like the rubber finally started to hit the

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Speaker 2: pavement In terms of you feeling like, okay, I'm cutting through.

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Speaker 2: This is working.

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Speaker 1: The rubber hitting the pavement fucked me.

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Speaker 2: Up, bro Okay, the tire hitting the.

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Speaker 3: The tire, I was like, I can't Jesus Christ, Hey, yo,

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Speaker 3: you fucking East Coast guys.

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Speaker 2: I swear to God.

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Speaker 1: Now I'm just the saying you're talking about, Like we're

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Speaker 1: in a real serious conversation, Like you.

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Speaker 2: What what was the question I was asking? Obviously there's

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Speaker 2: been a long journey for you music. Yeah, it wasn't

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Speaker 2: always this, you know. I'm sure there was times where

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Speaker 2: you maybe thought about fucking giving up. At what point

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Speaker 2: in time was the traction real enough where you felt like, Okay,

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Speaker 2: this is something that I got to pour more into.

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Speaker 2: This is working.

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Speaker 1: So a Beanie Seagull line is what changed my mind forever.

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Speaker 1: In terms of rap, he said, play your cards, go

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Speaker 1: against all odds, shoot.

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Speaker 2: For the moon.

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Speaker 1: If you miss, you're still amongst those stars. And I

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Speaker 1: thought about it, like, man, you know, I'm a really

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Speaker 1: talented rapper and I love being around this music. Shit,

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Speaker 1: if I just keep doing my thing, even if I'm

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Speaker 1: not at the moon. I'll be around the stars and

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Speaker 1: I meaning people as stars, but just you know, the

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Speaker 1: opportunities and things like that. And that's when I committed

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Speaker 1: to just I'm gonna do this until until it burns out.

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Speaker 1: There was a point I never thought I would make

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Speaker 1: money from it, though I was getting paid like a

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Speaker 1: part time McDonald's worker, you know, And I was almost

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Speaker 1: at the point of like I might have been at

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Speaker 1: the point of breaking a couple of times, but It'll

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Speaker 1: only be for like two hours and then I'll be

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Speaker 1: back to it, like no, I'm rapping. Wow, you know,

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Speaker 1: So this is what I'm supposed to do. Bro, I'm gifted.

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Speaker 1: I'm the best, you know, in my mind at least.

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Speaker 2: What was the difference maker for you to finally start

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Speaker 2: making like decent money where you were like.

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Speaker 1: Okay, pandemic as soon as the pandemic hit. What happened,

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Speaker 1: I swear the pandemic hit. I caught COVID like bad,

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Speaker 1: Like I called COVID around the time fred to God's

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Speaker 1: son died, Like yeah, I called COVID when people kind

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Speaker 1: of didn't know what it was. And I have asthma

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Speaker 1: like I used to get rushed to the hospital as

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Speaker 1: a little kid and be on the net neverlizer treatments

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Speaker 1: and shit like that emergency room. So I really went

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Speaker 1: through it with COVID. I couldn't breathe, Like I didn't

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Speaker 1: take a FaceTime for three days because I didn't want

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Speaker 1: to talk, like I'm conserving my breath. That kind of

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00:14:59,760 --> 00:15:02,440
Speaker 1: fuck me up. I lost a lot of weight. I

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Speaker 1: came I came back on Instagram like a month after,

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Speaker 1: and I was like, yeah, I'm straight, and I dropped

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Speaker 1: a song. I dropped a song called RLS Real Life

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Speaker 1: Shit and it was during the time of like it

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Speaker 1: was like a lockdown when you were like weren't supposed

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Speaker 1: to go outside and stuff, and that song just just

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Speaker 1: kind of hit. And then I just started dropping music

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Speaker 1: from there, and it was like because the world was

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Speaker 1: so slowed down, people had the time to consume what

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Speaker 1: I was saying for the first time in my career.

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Speaker 1: It's like all the noise was blocked out. You couldn't

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Speaker 1: drop a club anthem, you sound stupid. And club anthems

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Speaker 1: have never club Yeah, club anthems have never been my specialty.

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Speaker 1: So when the pandemic happened, it slowed everything down, and

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Speaker 1: everyone was on their phone and I just had my

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Speaker 1: cameraman tangent were running around, were just shooting videos and

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Speaker 1: now I'm like, oh, I'm gonna start doing some freestyle

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Speaker 1: wraps off the phone to them. I just took advantage

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Speaker 1: of the world slowing down because I'm like, now they

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Speaker 1: got to listen, And as soon as people listened, my

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Speaker 1: shit just went, and you know, it turned up. In

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Speaker 1: twenty twenty one, I got into the rap game. And

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Speaker 1: I've been in the rap game since twenty twenty one,

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Speaker 1: so like, yeah, like five four or five years. However,

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Speaker 1: I was in this game before that, but I wasn't

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Speaker 1: though I can't lie like I'd be lying to you

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Speaker 1: if I told you I was in the game. I

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Speaker 1: was maybe playing in a euro League, not even a

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Speaker 1: euro League. I was maybe playing like I was playing

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Speaker 1: in niketball Rucker, not even at the Rucker. Yeah maybe

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Speaker 1: maybe maybe pick up ball, and not even as like

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Speaker 1: a starter, you know, but like I got into the

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Speaker 1: NBA in twenty twenty one. Yeah, just my accountants could

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Speaker 1: tell you that how many years prior to that was

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Speaker 1: the journey, like twelve thirteen.

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Speaker 2: That's crazy, man.

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Speaker 1: So I only feel like I've been in this shit

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Speaker 1: for four or five because I don't count those years

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Speaker 1: when people talk about those like the old you remember

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Speaker 1: this song? No, I don't, because you know how much

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Speaker 1: work I put in since twenty twenty one, Like, how

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Speaker 1: extend the output is crazy?

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Speaker 2: I'd say, you output wise? What's your catalog?

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Speaker 3: Like?

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Speaker 2: How many how many bodies of work catalog wise are

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Speaker 2: you at now at this point.

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Speaker 1: Probably like fourteen fifteen.

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Speaker 2: That's a lot. Yeah, as anybody ever flirted, because I

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Speaker 2: know a lot of independent artists been getting hit up

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Speaker 2: by selling their catalogs. That's something you would do.

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Speaker 1: There's a lot of conversations in my life.

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Speaker 2: Gieparico told me how much they offered him for his shit,

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Speaker 2: and I was like, bro, yeah.

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Speaker 1: I could, I could.

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Speaker 2: I don't speak to It's cinly a seven figure bag

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Speaker 2: for you if you sold it, of course, it's multiple

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Speaker 2: seven figures.

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Speaker 1: Yeah, come on, Cad, Like.

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Speaker 2: I feel like if you're confident enough that like there's

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Speaker 2: more where that came from, you know.

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Speaker 1: I mean, like.

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Speaker 2: It's an option.

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Speaker 1: Yeah, I see, you know random eighty thousand dollars checks

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Speaker 1: periodically a lot of times.

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Speaker 2: What's your what's your Obviously you're still would.

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Speaker 1: So raspy right, Yeah, I'm going to create right now though.

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Speaker 2: Okay, so the district comes through Created.

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Speaker 1: The distroc goes through Create, and I got a pup

374
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Speaker 1: deal through Empire. Shout out Ghazi.

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Speaker 2: Oh you're double dipping with it with the indie distros.

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Speaker 2: Got work with Empire, low work we create.

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Speaker 1: I'm just an independent guy, man, I love it. But

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Speaker 1: if they put me on a major man and give

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00:18:32,440 --> 00:18:37,199
Speaker 1: me a Post Malone feature, have Taylor Swift singing in

380
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Speaker 1: the car like this, maybe Ed Sharnon come to the

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Speaker 1: studio and listen to my album and co sign it.

382
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Speaker 1: I do a commercial with Tom Brady?

383
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Speaker 2: Did Tom Brady? Come?

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Speaker 1: Hold on? I'm on something right now. Yeah, the Tom

385
00:18:51,600 --> 00:18:56,600
Speaker 1: Brady commercial, Damn Cavy threw me off. I was just

386
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Speaker 1: thinking about the grand plan because you know, I got

387
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Speaker 1: those singing ballad type anthems like oh and then justin

388
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Speaker 1: Timberlake on the hook, I'm going bro like a different stratosphere.

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Speaker 1: I'll probably be up at least like eighty to one

390
00:19:09,800 --> 00:19:12,400
Speaker 1: hundred million, and that could really happen in my life.

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Speaker 1: So we're just gonna manifest that right here. You see,

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00:19:15,800 --> 00:19:18,640
Speaker 1: that was all using the complexion for the connection right there.

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Speaker 2: I love it. Have you gotten to the point where

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Speaker 2: like you've turned any major situations down or at least

395
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Speaker 2: I know they got it. Had to have called, right, keV.

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Speaker 1: Gotta know I'm coming into this interview Fried.

397
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Speaker 2: You said what a major situation like in terms of yeah, yeah,

398
00:19:38,400 --> 00:19:40,040
Speaker 2: major's coming in and knocking on your door.

399
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Speaker 1: Yeah, every single every single well maybe not every single,

400
00:19:43,800 --> 00:19:47,680
Speaker 1: I don't know all of them, but yeah, any situation

401
00:19:47,760 --> 00:19:49,879
Speaker 1: that's out there, because what it is now is they

402
00:19:49,880 --> 00:19:50,959
Speaker 1: look at data lines.

403
00:19:51,200 --> 00:19:53,320
Speaker 2: Yeah, they're looking at so.

404
00:19:53,240 --> 00:19:56,520
Speaker 4: They're looking at they don't give ant use it, they

405
00:19:56,520 --> 00:19:59,679
Speaker 4: don't give a fuck who you are, and they like

406
00:19:59,720 --> 00:20:03,520
Speaker 4: before for see, I ran around the industry with set

407
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Speaker 4: Free when I was.

408
00:20:07,040 --> 00:20:09,919
Speaker 1: First moving to New York, and he moved me around

409
00:20:09,920 --> 00:20:13,240
Speaker 1: to everybody. He moved me around and have me, you know,

410
00:20:15,000 --> 00:20:17,920
Speaker 1: shake hands with any record label. Look sect, I mean,

411
00:20:17,960 --> 00:20:21,600
Speaker 1: I'm sitting in Columbia Records with the ball somewhere. Everyone

412
00:20:21,920 --> 00:20:24,959
Speaker 1: and just every label was like, yeah, I don't get it.

413
00:20:25,520 --> 00:20:28,479
Speaker 1: But it took for me to drop independently. When the

414
00:20:28,480 --> 00:20:32,120
Speaker 1: pandemic happened, my music streams just went like this, and

415
00:20:32,359 --> 00:20:35,320
Speaker 1: what these people are looking for, They're not looking for

416
00:20:35,400 --> 00:20:39,880
Speaker 1: talent at this point. They're looking for whose line is

417
00:20:39,920 --> 00:20:44,560
Speaker 1: like this. So your shit is either like this, is

418
00:20:44,640 --> 00:20:47,440
Speaker 1: like this or like this. So anybody who's like this

419
00:20:47,480 --> 00:20:50,560
Speaker 1: is getting major offers. So it's not a unique thing

420
00:20:50,640 --> 00:20:53,240
Speaker 1: or a special thing to me. But yeah, we got

421
00:20:53,280 --> 00:20:56,159
Speaker 1: all those offers, we got, we got shit going on.

422
00:20:56,840 --> 00:21:00,119
Speaker 2: What would make you consider, you know, diving in to

423
00:21:01,240 --> 00:21:03,480
Speaker 2: the major infrastructure because it obviously.

424
00:21:03,280 --> 00:21:06,040
Speaker 1: No, that's I would do the major infrastructure if they

425
00:21:06,040 --> 00:21:08,840
Speaker 1: did the play rewind this sixty.

426
00:21:08,560 --> 00:21:11,040
Speaker 2: Seconds Taylor Swift played Tom Brady, play.

427
00:21:11,040 --> 00:21:13,879
Speaker 1: Yeah, Taylor Swift sing It in the Car, put MEO

428
00:21:14,000 --> 00:21:16,960
Speaker 1: Me and post Malone on the song Taylor Swift sings

429
00:21:17,000 --> 00:21:19,879
Speaker 1: It in the Car. Kylie Jenner shares a little video

430
00:21:20,440 --> 00:21:26,560
Speaker 1: Tom Brady commercial. I forget the other one, but something

431
00:21:26,560 --> 00:21:29,679
Speaker 1: with Ed Sherman and justin Timberlake. And then let's throwing

432
00:21:29,840 --> 00:21:31,040
Speaker 1: Nelly Nelly.

433
00:21:31,440 --> 00:21:32,440
Speaker 2: Yeah, I like the Nelly.

434
00:21:32,720 --> 00:21:38,240
Speaker 1: Yeah, were throwing Nelly. And and then after that, me

435
00:21:38,280 --> 00:21:41,879
Speaker 1: and me and so that'll be the like big commercial single.

436
00:21:41,960 --> 00:21:43,840
Speaker 1: We push off the major shit and that shit hall

437
00:21:43,920 --> 00:21:47,720
Speaker 1: just blow up crazy and then me and Kiss will

438
00:21:47,760 --> 00:21:50,760
Speaker 1: come back with a hard ass racking me Kiss Wayne

439
00:21:50,840 --> 00:21:56,320
Speaker 1: eminem and whole. Do you know I was with you

440
00:21:56,520 --> 00:21:58,920
Speaker 1: to hold home? Might not get on the song, I think,

441
00:21:59,320 --> 00:22:01,840
Speaker 1: I don't know. I don't know if M's tapped in. Man,

442
00:22:02,320 --> 00:22:07,120
Speaker 1: you know, he needs to know that the greatest Caucasian

443
00:22:08,920 --> 00:22:12,000
Speaker 1: there was ever created. You know, after I said I

444
00:22:12,080 --> 00:22:15,200
Speaker 1: put him out of the category, I do consider myself

445
00:22:15,280 --> 00:22:17,720
Speaker 1: the greatest Caucasian rapper of all time, you know what

446
00:22:17,720 --> 00:22:19,359
Speaker 1: I mean? I put him out of the category because

447
00:22:19,359 --> 00:22:21,600
Speaker 1: he saved my life when we was young, but I burned.

448
00:22:22,800 --> 00:22:24,160
Speaker 2: Yeah, yeah, Larry Bird.

449
00:22:24,200 --> 00:22:27,720
Speaker 1: Yeah, he's clear. He's like Larry Bird. So we don't

450
00:22:27,760 --> 00:22:31,080
Speaker 1: want to compare Luca Doncis to Larry Bird and stuff

451
00:22:31,080 --> 00:22:31,440
Speaker 1: like that.

452
00:22:33,680 --> 00:22:36,879
Speaker 2: That's funny, yo, How did you and m g k

453
00:22:37,080 --> 00:22:42,359
Speaker 2: up getting together and squashing whatever y'all squashed? Because I

454
00:22:42,359 --> 00:22:44,120
Speaker 2: remember you called him a garbage rapper in the lad

455
00:22:44,160 --> 00:22:45,160
Speaker 2: interview and all that, and then.

456
00:22:45,160 --> 00:22:46,320
Speaker 1: You take that back. He's not.

457
00:22:47,040 --> 00:22:48,840
Speaker 2: He's a sweet guy too, man, He's and I mean,

458
00:22:49,160 --> 00:22:50,640
Speaker 2: did you talk to him, that's my boy?

459
00:22:50,840 --> 00:22:52,360
Speaker 1: Like you talk to him like after.

460
00:22:54,040 --> 00:22:56,840
Speaker 2: I don't know if we talked about you, but I

461
00:22:56,880 --> 00:22:58,919
Speaker 2: was just with him in Vegas. He's just like one

462
00:22:58,960 --> 00:23:02,720
Speaker 2: of the best dudes. Ever, so I feel like sometimes

463
00:23:02,760 --> 00:23:05,880
Speaker 2: like because he's he's done rock and he's like done

464
00:23:05,920 --> 00:23:06,680
Speaker 2: different genres.

465
00:23:06,680 --> 00:23:09,359
Speaker 1: He's like no, no, no, no, he's cool. And we

466
00:23:09,400 --> 00:23:11,919
Speaker 1: had a rapport, you know, like we had a rapport

467
00:23:12,000 --> 00:23:14,320
Speaker 1: back in the day and Ship. I just felt like

468
00:23:14,359 --> 00:23:17,680
Speaker 1: he was firing shots at me, bro, and I fired

469
00:23:17,720 --> 00:23:19,640
Speaker 1: shots at him. I thought it would be a good

470
00:23:19,680 --> 00:23:22,040
Speaker 1: It's like a boxer calling out a boxer. You know,

471
00:23:22,359 --> 00:23:23,720
Speaker 1: that would have been a good fight for me.

472
00:23:24,400 --> 00:23:26,840
Speaker 2: You guys ended up connecting now and yeah, yeah, yeah,

473
00:23:26,840 --> 00:23:27,520
Speaker 2: we chopped it up.

474
00:23:27,560 --> 00:23:31,880
Speaker 1: I was just talking to him on FaceTime the other day, like, Bro,

475
00:23:31,960 --> 00:23:35,200
Speaker 1: he's cool. Yeah, you got his fan like his fans

476
00:23:35,240 --> 00:23:38,600
Speaker 1: be so mad that I didn't crash on you know,

477
00:23:38,720 --> 00:23:41,160
Speaker 1: social media like that. We didn't do violence to each other.

478
00:23:41,200 --> 00:23:43,439
Speaker 1: But people should look at that situation and look at

479
00:23:43,480 --> 00:23:46,800
Speaker 1: it like this is how grown men handle no handle

480
00:23:46,840 --> 00:23:48,800
Speaker 1: ship And we didn't have a problem. We had a

481
00:23:48,880 --> 00:23:49,720
Speaker 1: rap problem.

482
00:23:49,960 --> 00:23:53,080
Speaker 2: That's good. Uh. I also saw you connected with Jelly

483
00:23:53,160 --> 00:23:53,800
Speaker 2: Roll in Boston.

484
00:23:54,400 --> 00:23:57,080
Speaker 1: Yeah. I connected with Jelly Roll in Nashville too.

485
00:23:58,400 --> 00:24:00,280
Speaker 2: He I know, he's a fan. Me and him talked

486
00:24:00,280 --> 00:24:00,880
Speaker 2: about you before.

487
00:24:00,920 --> 00:24:03,880
Speaker 1: Yeah, yeah, yeah, Jelly rolle Man, Jelly Roll was ill

488
00:24:03,920 --> 00:24:06,400
Speaker 1: because he's like a preacher rapper.

489
00:24:06,560 --> 00:24:08,840
Speaker 2: He's definitely a preacher singer. You go to that show

490
00:24:08,920 --> 00:24:11,080
Speaker 2: and he's like preaching to the crowd. Oh yeah, no,

491
00:24:11,640 --> 00:24:13,280
Speaker 2: house comes down on fire at the end.

492
00:24:13,440 --> 00:24:17,639
Speaker 1: Jelly roll super godly. He's just a dope individual that

493
00:24:17,720 --> 00:24:19,000
Speaker 1: God bless the world with.

494
00:24:19,720 --> 00:24:22,720
Speaker 2: Would you hop on a country beat? Not necessarily do

495
00:24:22,760 --> 00:24:23,320
Speaker 2: a country song?

496
00:24:23,440 --> 00:24:28,240
Speaker 1: Yeah, hell yeah, Hell yeah. I've I've changed a lot

497
00:24:28,280 --> 00:24:31,359
Speaker 1: of like my views on not saying like I would

498
00:24:32,359 --> 00:24:35,199
Speaker 1: switch genres. I'm gonna keep it this rap shit forever.

499
00:24:37,200 --> 00:24:37,800
Speaker 2: But I like.

500
00:24:37,760 --> 00:24:40,119
Speaker 1: Country music a lot though, like that, there's stuff that

501
00:24:40,160 --> 00:24:40,640
Speaker 1: I do here.

502
00:24:40,840 --> 00:24:42,560
Speaker 2: The songwriting is next level.

503
00:24:42,840 --> 00:24:45,640
Speaker 1: Yeah, it's very similar to hip hop though, is rod

504
00:24:45,720 --> 00:24:53,359
Speaker 1: Wave is the biggest artist selling wise, because like I

505
00:24:53,400 --> 00:24:56,240
Speaker 1: guess those country records that go number one and ship

506
00:24:56,359 --> 00:24:59,400
Speaker 1: like road Waves music is pretty similar on bar with

507
00:24:59,560 --> 00:25:02,639
Speaker 1: all of that ship not saying necessarily like sonically but

508
00:25:02,720 --> 00:25:03,840
Speaker 1: like just the song, but.

509
00:25:03,840 --> 00:25:06,080
Speaker 2: Like you could like flip a switch and put Broadways

510
00:25:06,880 --> 00:25:10,440
Speaker 2: onto some of these country productions and it's it sounds.

511
00:25:10,720 --> 00:25:13,879
Speaker 1: And I really got introduced to country music through rap,

512
00:25:14,000 --> 00:25:17,640
Speaker 1: like I got introduced through like Broadway girls, like Free Dirk,

513
00:25:17,920 --> 00:25:20,320
Speaker 1: you know, what I mean with Morgan Wall and like

514
00:25:20,400 --> 00:25:24,920
Speaker 1: that's how I got really acquainted. I knew one country

515
00:25:24,920 --> 00:25:31,520
Speaker 1: song when I was coming up Darius Rucker shout out, uh,

516
00:25:31,760 --> 00:25:34,600
Speaker 1: that's h and he was talking about who he was

517
00:25:34,600 --> 00:25:39,920
Speaker 1: talking about. Don't think I don't think about it through

518
00:25:39,960 --> 00:25:42,600
Speaker 1: the work and the herd and a whiskey. Don't think

519
00:25:42,640 --> 00:25:45,159
Speaker 1: I don't think about it. And that was one of

520
00:25:45,200 --> 00:25:47,720
Speaker 1: the things that like, I think that inspired him on

521
00:25:47,800 --> 00:25:49,320
Speaker 1: my song, right and sh like that.

522
00:25:49,280 --> 00:25:52,000
Speaker 2: He's from that's Hoody from Hoody in the Blowfish Darius.

523
00:25:51,720 --> 00:25:54,560
Speaker 1: Rutger, Yeah, I just know him from that song.

524
00:25:56,200 --> 00:25:58,360
Speaker 2: Yeah, shout out to Uh. I feel like Big Extra

525
00:25:58,359 --> 00:26:00,680
Speaker 2: Plug's doing a good job of like hopping country records,

526
00:26:00,720 --> 00:26:03,280
Speaker 2: but they sound like he's still just doing him, you know,

527
00:26:03,520 --> 00:26:06,239
Speaker 2: right right right, shout out to Big X. You got

528
00:26:06,240 --> 00:26:08,720
Speaker 2: a lot of dope features on this album. Obviously, No Cap,

529
00:26:08,880 --> 00:26:09,600
Speaker 2: Dave East.

530
00:26:09,760 --> 00:26:11,480
Speaker 1: Yeah you know about No Cap.

531
00:26:11,400 --> 00:26:13,720
Speaker 2: Of course, likeout out to Alabama, Man.

532
00:26:13,720 --> 00:26:16,960
Speaker 1: No, you really know about caps.

533
00:26:16,200 --> 00:26:17,760
Speaker 2: One of my I've been for like three or four

534
00:26:17,800 --> 00:26:19,280
Speaker 2: years DM and that guy trying to get him to

535
00:26:19,280 --> 00:26:19,840
Speaker 2: come on the show.

536
00:26:20,119 --> 00:26:22,760
Speaker 1: Yeah, you know, like he's an all time and I've.

537
00:26:22,640 --> 00:26:24,520
Speaker 2: Been trying to book him in my club for sake.

538
00:26:24,760 --> 00:26:25,640
Speaker 2: He's incredible.

539
00:26:25,680 --> 00:26:28,680
Speaker 1: I got cap as like the greatest artists out right now.

540
00:26:28,920 --> 00:26:30,280
Speaker 2: Yeah, his pen game is ridiculous.

541
00:26:30,280 --> 00:26:32,720
Speaker 1: Got him as the greatest artist out right now because

542
00:26:34,560 --> 00:26:39,600
Speaker 1: beat selection, melody and then straight bar work and a

543
00:26:39,600 --> 00:26:42,440
Speaker 1: lot of the Sometimes I feel like East Coast people

544
00:26:42,680 --> 00:26:45,119
Speaker 1: look over like his bar work because they're not catching

545
00:26:45,160 --> 00:26:47,320
Speaker 1: it because he's doing it in melody. You might got

546
00:26:47,359 --> 00:26:49,440
Speaker 1: some auto to him, but he's borrowing them the funk

547
00:26:49,480 --> 00:26:51,920
Speaker 1: out now his pen games. We got a song where

548
00:26:51,920 --> 00:26:54,400
Speaker 1: it goes, and I just thought it was a profound

549
00:26:54,440 --> 00:26:56,840
Speaker 1: statement when he said it. He said, I didn't pray

550
00:26:57,000 --> 00:26:59,760
Speaker 1: last night. Why because I'm a man and I'm not

551
00:26:59,760 --> 00:27:02,960
Speaker 1: trying to put this weight on God? And that that

552
00:27:03,080 --> 00:27:04,960
Speaker 1: hit me. I was like, damn, my man, I'm not

553
00:27:05,000 --> 00:27:08,159
Speaker 1: trying to put this weight on God. I thought that

554
00:27:08,320 --> 00:27:12,480
Speaker 1: was just profound in itself for sure. But I didn't

555
00:27:12,480 --> 00:27:14,960
Speaker 1: pray last night? Why because I'm amen and I ain't

556
00:27:14,960 --> 00:27:16,359
Speaker 1: trying to put this weight on God?

557
00:27:16,840 --> 00:27:18,760
Speaker 2: Yeah? Because amen a man?

558
00:27:18,880 --> 00:27:21,080
Speaker 1: Yeah yeah, yeah, So it's little shit like that. And

559
00:27:21,119 --> 00:27:22,800
Speaker 1: I heard that song ninety thousand.

560
00:27:23,200 --> 00:27:23,960
Speaker 2: You put that together?

561
00:27:24,119 --> 00:27:26,159
Speaker 1: No, a fan put it together for me and I'm like,

562
00:27:26,200 --> 00:27:28,880
Speaker 1: that's that's when you talking high level rap, bro, like

563
00:27:29,320 --> 00:27:32,080
Speaker 1: you're slipping shit in there, and that's that's what made

564
00:27:32,160 --> 00:27:36,120
Speaker 1: all the NAS CDs and all the classic rap CDs good.

565
00:27:36,160 --> 00:27:38,800
Speaker 1: When you could go back and on your ninetieth listen,

566
00:27:38,880 --> 00:27:43,440
Speaker 1: you're like, oh, shdamn he man, this that's fucking crazy.

567
00:27:43,960 --> 00:27:45,600
Speaker 1: And Cap got that all through his.

568
00:27:45,600 --> 00:27:48,840
Speaker 2: Catalog for sure. Yeah. No, he's slept on too.

569
00:27:49,280 --> 00:27:52,720
Speaker 1: Now, the most slept on. Not really though, because he

570
00:27:52,800 --> 00:27:53,960
Speaker 1: sells out all the shows and.

571
00:27:54,240 --> 00:27:55,960
Speaker 2: He's been I mean, he's definitely big.

572
00:27:55,960 --> 00:27:58,600
Speaker 1: It's just people don't really Yeah, fully understand.

573
00:27:58,440 --> 00:28:00,600
Speaker 2: What you and Mazi. I know you Mazzi got a

574
00:28:00,600 --> 00:28:02,639
Speaker 2: working relationship at this point. Man, I feel like Mazi

575
00:28:02,720 --> 00:28:03,879
Speaker 2: is the type of guy to pop out and do

576
00:28:03,920 --> 00:28:06,080
Speaker 2: a joint album with somebody. Would you? Would you guys? Ever?

577
00:28:06,600 --> 00:28:10,199
Speaker 1: Man, I love that man, that bro, we should do that.

578
00:28:10,359 --> 00:28:12,280
Speaker 1: You know. That's so crazy because I think here was

579
00:28:12,320 --> 00:28:14,520
Speaker 1: one of the first places we started connecting the dots.

580
00:28:14,600 --> 00:28:16,960
Speaker 2: Yeah, he just took over my pizza shop Friday for

581
00:28:17,040 --> 00:28:18,879
Speaker 2: his album release. That's what's up.

582
00:28:19,119 --> 00:28:22,440
Speaker 1: Out to Masie Man, Yeah, no, shout out to Masi Man.

583
00:28:22,680 --> 00:28:23,760
Speaker 1: My West Coast Breda.

584
00:28:23,840 --> 00:28:27,440
Speaker 2: We dropped a pizza called the Mozzarella Fella and all

585
00:28:27,480 --> 00:28:29,920
Speaker 2: sales benefited incarcerated people.

586
00:28:30,400 --> 00:28:33,840
Speaker 3: I'm jacking out the mozzarella Fella. I'm jacking out you

587
00:28:33,920 --> 00:28:36,720
Speaker 3: could be the mozzarella Fella because your your skin tone.

588
00:28:36,760 --> 00:28:42,280
Speaker 3: Obviously mozzarella cheese is white. You know, how are we

589
00:28:42,320 --> 00:28:42,960
Speaker 3: feeling about?

590
00:28:44,000 --> 00:28:49,280
Speaker 2: I feel like the impending finals collision is Celtics first thunder.

591
00:28:50,400 --> 00:28:54,719
Speaker 2: If you had to put some money on it, how

592
00:28:55,000 --> 00:28:55,160
Speaker 2: do you?

593
00:28:55,480 --> 00:28:57,480
Speaker 1: First of all, we might see them reps start to

594
00:28:57,520 --> 00:28:59,640
Speaker 1: get a little triggy when it comes to the Lakers.

595
00:29:00,200 --> 00:29:05,160
Speaker 1: Is that Lakers? Celtics? Boy, that's that's the world want that? Man.

596
00:29:05,200 --> 00:29:08,440
Speaker 1: We don't give a funk about shake Gilgrits. I mean, ga,

597
00:29:09,520 --> 00:29:12,800
Speaker 1: we don't care about him and his aura, you know

598
00:29:12,840 --> 00:29:15,160
Speaker 1: what I mean. They don't care about that. We want

599
00:29:15,280 --> 00:29:18,560
Speaker 1: Celtics Lakers. But no, I mean, whoever we get, it'll

600
00:29:18,600 --> 00:29:20,760
Speaker 1: be it'll be a blessing to punish them in the

601
00:29:20,840 --> 00:29:22,040
Speaker 1: final for sure.

602
00:29:22,240 --> 00:29:24,040
Speaker 2: What is is there a team in the Eastern Conference? Look,

603
00:29:24,040 --> 00:29:25,240
Speaker 2: I know you're not worried about a team in the

604
00:29:25,240 --> 00:29:27,440
Speaker 2: Eastern Conference, but what is in your opinion, the biggest,

605
00:29:28,120 --> 00:29:34,040
Speaker 2: biggest challenge you're gonna face the cas Calves probably right, yeah, yeah, well.

606
00:29:35,520 --> 00:29:36,040
Speaker 1: Not the NIXT.

607
00:29:36,080 --> 00:29:36,840
Speaker 2: No disrespect.

608
00:29:36,920 --> 00:29:40,960
Speaker 1: I love New York I love New York Man, but

609
00:29:41,280 --> 00:29:43,000
Speaker 1: the Knicks they're just not it.

610
00:29:43,200 --> 00:29:44,920
Speaker 2: I don't think they They might not get out of

611
00:29:44,920 --> 00:29:45,400
Speaker 2: the first.

612
00:29:45,240 --> 00:29:49,840
Speaker 1: Round, the next the NIXT. Maybe in like five years

613
00:29:49,840 --> 00:29:50,600
Speaker 1: they're gonna have it.

614
00:29:50,720 --> 00:29:54,840
Speaker 2: Like, I wonder you are a ladies man. I al

615
00:29:54,840 --> 00:29:57,800
Speaker 2: would see you on Instagram with a plethora of young things.

616
00:29:58,240 --> 00:30:03,760
Speaker 2: Not young things, okay, properly aged things, nice thirty twenty nine,

617
00:30:03,880 --> 00:30:04,640
Speaker 2: thirty fours.

618
00:30:04,720 --> 00:30:07,280
Speaker 1: Yeah, I gotta rap, I said, I like a wholesome,

619
00:30:07,360 --> 00:30:09,400
Speaker 1: bad bitch that's approaching her thirties.

620
00:30:09,920 --> 00:30:14,160
Speaker 2: Perfect, all right, yeah, okay, yeah, yeah, I wonder what

621
00:30:14,320 --> 00:30:16,560
Speaker 2: because obviously you see what's going on with Shannon Sharp.

622
00:30:17,040 --> 00:30:20,880
Speaker 2: How careful are you about like making sure like women

623
00:30:20,920 --> 00:30:22,520
Speaker 2: who come around you ain't trying to set you up?

624
00:30:22,560 --> 00:30:24,520
Speaker 2: Because this is a thing that happens all the time

625
00:30:24,560 --> 00:30:25,680
Speaker 2: with artists and celebrities.

626
00:30:26,720 --> 00:30:29,560
Speaker 1: Yes, we'd like girls like filming you and stuff.

627
00:30:29,680 --> 00:30:31,800
Speaker 2: Have you ever been in that situation where you like

628
00:30:31,840 --> 00:30:33,360
Speaker 2: maybe woke up and the bitch was on her phone

629
00:30:33,400 --> 00:30:34,320
Speaker 2: like filming you or something.

630
00:30:36,840 --> 00:30:40,280
Speaker 1: I've never been in no type of sin and sob situations.

631
00:30:39,880 --> 00:30:40,640
Speaker 2: Not Shannon Sharp.

632
00:30:40,680 --> 00:30:42,840
Speaker 1: I just mean in general, clear me all the way

633
00:30:42,880 --> 00:30:45,840
Speaker 1: from put that over there, put that all the way

634
00:30:45,840 --> 00:30:49,160
Speaker 1: over that. I think every every woman that I deal with,

635
00:30:49,200 --> 00:30:52,160
Speaker 1: they'll say, you know, I'm even though it might seem

636
00:30:52,160 --> 00:30:56,280
Speaker 1: on Instagram I might come off disrespectful. Every woman that

637
00:30:56,600 --> 00:30:58,360
Speaker 1: I deal with will tell you Millies is one of

638
00:30:58,400 --> 00:31:04,720
Speaker 1: the most, you know, most nice, genuine people. Like I

639
00:31:04,720 --> 00:31:07,440
Speaker 1: don't even fall out with girls like that. A lot

640
00:31:07,440 --> 00:31:11,240
Speaker 1: of girls that I dealt with in life, we're still cool.

641
00:31:11,480 --> 00:31:13,040
Speaker 2: Yeah you know so.

642
00:31:14,120 --> 00:31:17,080
Speaker 1: But yeah, now I could tell like the cloud Chasers

643
00:31:17,120 --> 00:31:20,240
Speaker 1: that the second like, a girl asked me one time,

644
00:31:20,320 --> 00:31:23,120
Speaker 1: who's the most famous person in your in your phone?

645
00:31:24,000 --> 00:31:26,440
Speaker 1: And that just disgusted me, Like I get away from

646
00:31:26,480 --> 00:31:28,040
Speaker 1: those type of girls fast.

647
00:31:28,120 --> 00:31:29,680
Speaker 2: It's like, you gotta get the fuck out of here.

648
00:31:29,760 --> 00:31:32,080
Speaker 1: You gotta go now. She had to go that was it?

649
00:31:32,560 --> 00:31:33,880
Speaker 2: Like, what kind of question is?

650
00:31:34,040 --> 00:31:36,640
Speaker 1: Yeah? That question blew mint. We were in London. She said,

651
00:31:36,640 --> 00:31:39,320
Speaker 1: who's the most famous girl? Who's the most famous person

652
00:31:39,320 --> 00:31:42,360
Speaker 1: you got in your phone? I might have threw up.

653
00:31:42,800 --> 00:31:46,200
Speaker 2: That is crazy, Uh, what is the relationship like with

654
00:31:46,560 --> 00:31:49,080
Speaker 2: speaking of famous people that you know? With with one

655
00:31:49,080 --> 00:31:51,800
Speaker 2: of the greatest whites of all time, Mark Wahlberg. He's

656
00:31:51,840 --> 00:31:55,280
Speaker 2: a big fan, just a solid guy.

657
00:31:56,880 --> 00:32:01,320
Speaker 1: Mark is like Mark's a real say, he's somebody who

658
00:32:01,320 --> 00:32:03,120
Speaker 1: doesn't need anything from anybody.

659
00:32:03,680 --> 00:32:05,240
Speaker 2: I feel like he's gonna put you in a movie soon,

660
00:32:05,760 --> 00:32:06,200
Speaker 2: I hope.

661
00:32:06,240 --> 00:32:09,280
Speaker 1: So I never I got this thing. I never asked

662
00:32:09,280 --> 00:32:13,360
Speaker 1: my my big lit friends for anything, right, you know,

663
00:32:13,520 --> 00:32:15,480
Speaker 1: just good. I know a bunch of billionaires and shit.

664
00:32:15,600 --> 00:32:18,960
Speaker 1: So like the other day we were at the Celtics.

665
00:32:19,240 --> 00:32:23,040
Speaker 1: I was courtsied at the Celtics. I told all I

666
00:32:23,080 --> 00:32:26,400
Speaker 1: saw like all my guys, I said, courts eyed with it.

667
00:32:26,520 --> 00:32:29,360
Speaker 1: They're up like real significant money and all I had

668
00:32:29,440 --> 00:32:32,120
Speaker 1: crazy watches on. I just took a flick all the watch.

669
00:32:32,200 --> 00:32:33,920
Speaker 1: I didn't even put my shit in there because it's

670
00:32:33,920 --> 00:32:35,800
Speaker 1: a bust down. I'm like, I gotta have like a plan,

671
00:32:36,880 --> 00:32:39,479
Speaker 1: you know, even on my ship fifty five thousand. But

672
00:32:39,520 --> 00:32:41,920
Speaker 1: it was like, man, I couldn't even put it in

673
00:32:41,920 --> 00:32:43,760
Speaker 1: the picture. But I got all. I got a bunch

674
00:32:43,800 --> 00:32:46,520
Speaker 1: of people's contacts, and I don't really ask him for anything.

675
00:32:46,560 --> 00:32:48,480
Speaker 1: So I try to keep it like that with Mark

676
00:32:48,480 --> 00:32:51,360
Speaker 1: because he's so genuine. Like Mark then facetimeed my mom

677
00:32:51,480 --> 00:32:55,080
Speaker 1: and chopped it up and Mark. Mark actually put me

678
00:32:55,160 --> 00:32:57,600
Speaker 1: and Joyan and Lucas's relationship together.

679
00:32:58,080 --> 00:32:58,600
Speaker 2: That's dope.

680
00:32:58,920 --> 00:33:02,040
Speaker 1: Yeah, so me and j ain't and never really used

681
00:33:02,040 --> 00:33:04,280
Speaker 1: to chopping and Mark was like, now, y'all gotta work together.

682
00:33:04,360 --> 00:33:10,400
Speaker 1: Y'all get stronger bout together. But yeah, it's crazy. He's

683
00:33:10,440 --> 00:33:13,960
Speaker 1: a real, you know, aless celebrity, but he's a street guy,

684
00:33:14,040 --> 00:33:18,560
Speaker 1: like in his heart and you know, he really comes

685
00:33:18,560 --> 00:33:20,600
Speaker 1: from like trenches.

686
00:33:20,680 --> 00:33:22,920
Speaker 2: And for better or worse, at a certain point in time,

687
00:33:23,000 --> 00:33:24,560
Speaker 2: was the most popping rapper in Boston.

688
00:33:25,440 --> 00:33:29,480
Speaker 1: Hell yeah, back in the day. Hell yeah. He tries

689
00:33:29,520 --> 00:33:31,040
Speaker 1: to downplay his rap career.

690
00:33:31,080 --> 00:33:32,920
Speaker 2: It's almost like he tries to act like it never existed.

691
00:33:33,040 --> 00:33:34,640
Speaker 1: Well, no, he'll come around and he'll be like, we

692
00:33:34,720 --> 00:33:37,800
Speaker 1: got Millie's man, Millie's going crazy. You know, I was

693
00:33:37,800 --> 00:33:39,640
Speaker 1: a corny rapper, But I don't think he was a

694
00:33:39,680 --> 00:33:41,720
Speaker 1: corny rap. I don't think there's nothing corny about him.

695
00:33:41,720 --> 00:33:44,160
Speaker 1: Bros during that era. I think Mark is a stand

696
00:33:44,240 --> 00:33:47,320
Speaker 1: up guy. The streets love Mark. Like that's another thing.

697
00:33:47,440 --> 00:33:51,080
Speaker 1: Like when I'm when I'm with Mark, like I get

698
00:33:51,120 --> 00:33:54,000
Speaker 1: the craziest calls from rappers, like, hell, tell Mark, I'm

699
00:33:54,000 --> 00:33:56,880
Speaker 1: a fan bro like dude the zip lean all day

700
00:33:56,920 --> 00:33:59,520
Speaker 1: and don't even pay attention to society and should hit

701
00:33:59,600 --> 00:34:02,360
Speaker 1: me and like, yo, tell Mark im Afan like he's

702
00:34:02,800 --> 00:34:04,280
Speaker 1: nationally beloved. Man.

703
00:34:04,720 --> 00:34:08,040
Speaker 2: How far ahead do you think about, like in terms

704
00:34:08,040 --> 00:34:12,800
Speaker 2: of like planning, whether it's hey, all right, cool, block

705
00:34:12,800 --> 00:34:14,399
Speaker 2: O seven's out? Do you already got the next two

706
00:34:14,480 --> 00:34:16,839
Speaker 2: or three things figured out? Are you thinking five years ahead?

707
00:34:16,920 --> 00:34:18,880
Speaker 2: Or you think like, like how far ahead are you planning?

708
00:34:18,960 --> 00:34:23,000
Speaker 1: Like, because I really think like I didn't expect to

709
00:34:23,040 --> 00:34:27,480
Speaker 1: live this long, so I planned like two three months. Yeah,

710
00:34:27,520 --> 00:34:29,800
Speaker 1: Like I always. I always had this weird thing I

711
00:34:29,840 --> 00:34:33,760
Speaker 1: thought I was gonna die. Like my friend died when

712
00:34:34,000 --> 00:34:37,200
Speaker 1: I was like fifteen, and it just happened like we

713
00:34:37,200 --> 00:34:38,880
Speaker 1: were in the park one night and he died that

714
00:34:39,000 --> 00:34:42,480
Speaker 1: next morning, you know what I mean. And I looked

715
00:34:42,480 --> 00:34:45,400
Speaker 1: at him in the coffin like a week later, and

716
00:34:45,480 --> 00:34:47,520
Speaker 1: I just from there I was like, oh, oh you

717
00:34:47,600 --> 00:34:49,880
Speaker 1: die before eighteen. I was just like in my mind

718
00:34:50,000 --> 00:34:52,160
Speaker 1: like because this was the person I talk to every day,

719
00:34:52,280 --> 00:34:56,719
Speaker 1: my best friend. So I always just felt like I'm

720
00:34:56,760 --> 00:34:58,640
Speaker 1: not gonna live that long. And I kind of like

721
00:34:58,760 --> 00:35:03,479
Speaker 1: romanticized it, Like you get a lot of I don't.

722
00:35:03,560 --> 00:35:06,759
Speaker 1: I don't know how to say. It's like, when you die,

723
00:35:06,760 --> 00:35:09,239
Speaker 1: your ship is like it's lit for you, especially if

724
00:35:09,239 --> 00:35:10,680
Speaker 1: you don't got a lot going on. Now that I

725
00:35:10,680 --> 00:35:15,360
Speaker 1: got a lot going on, I don't want. Yeah, And

726
00:35:15,400 --> 00:35:19,439
Speaker 1: now the way that the Internet goes is like, man,

727
00:35:19,560 --> 00:35:22,560
Speaker 1: they talking crazy about people when they die. That ain't

728
00:35:22,680 --> 00:35:24,960
Speaker 1: used to happen back in the day. But yeah, I

729
00:35:25,040 --> 00:35:27,399
Speaker 1: say that to say, like I plan, I plan far

730
00:35:27,480 --> 00:35:31,160
Speaker 1: ahead and I'm trying to and that's where the catalog

731
00:35:31,239 --> 00:35:33,240
Speaker 1: talks and all of that, Like you know that that'll

732
00:35:33,280 --> 00:35:35,400
Speaker 1: be I'm cool with whenever I check out like I

733
00:35:35,440 --> 00:35:40,480
Speaker 1: had a blast, right, you know. But yeah, I don't plan,

734
00:35:40,680 --> 00:35:43,439
Speaker 1: Like I don't have no five year plans. My plan

735
00:35:43,600 --> 00:35:45,480
Speaker 1: is just to run up the bag as much as

736
00:35:45,520 --> 00:35:48,320
Speaker 1: possible because it's this shit could be over today.

737
00:35:49,400 --> 00:35:52,960
Speaker 2: We'll look Blanco seven is out, go support that ship.

738
00:35:53,680 --> 00:35:54,040
Speaker 1: Seven.

739
00:35:54,480 --> 00:35:57,200
Speaker 2: We're gonna have you and the homies wrap separate YouTube

740
00:35:57,280 --> 00:35:59,200
Speaker 2: video because I know you got to get a flight,

741
00:35:59,239 --> 00:36:01,680
Speaker 2: but yo, go get that album, Man, get the Owl,

742
00:36:01,719 --> 00:36:03,120
Speaker 2: get the album. Millise my Dog