WEBVTT - Rip Girls

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<v Speaker 1>Do you surf? Have we talked about this? Do we

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<v Speaker 1>talk about this during johnny Tsunami? We no?

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<v Speaker 2>I think we mainly talked about snowboarding because he didn't

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<v Speaker 2>he really really didn't see a lot of surfing in Johnny'sunami,

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<v Speaker 2>And we.

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<v Speaker 1>Haven't seen back on the board yet, which is probably, Oh, we've.

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<v Speaker 2>Got to it's coming to summertime. We got to put

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<v Speaker 2>that on the list. So my parents had like a

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<v Speaker 2>timeshare in Hawaii, So that was our summer trip that

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<v Speaker 2>we did for a lot of years. And so I

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<v Speaker 2>would do a lot of surfing there and I was,

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<v Speaker 2>you know, being in southern California. I actually had a

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<v Speaker 2>friend who's I didn't have a ton but I had

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<v Speaker 2>one friend, Crystal, whose dad was a surfer like right,

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<v Speaker 2>like Lloyd was a big surfer guy. And her brother

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<v Speaker 2>also I mean total just like you know, Rip Curl

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<v Speaker 2>felt like the family was sponsored by them type of

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<v Speaker 2>thing like okay, and they would surf all I'd get

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<v Speaker 2>to go out with her and learn a lot from

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<v Speaker 2>her dad and her brother who was so cute and

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<v Speaker 2>I had a giant crush on Oh yeah, he would

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<v Speaker 2>that That was my type in that in that day

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<v Speaker 2>like that surfer, like sandy haired, crazy tan, you know.

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<v Speaker 2>And then I remember it being so cool because he

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<v Speaker 2>actually moved out after high school to Hawaii and he

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<v Speaker 2>lived in a treehouse. He lived in a treehouse and

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<v Speaker 2>was he animated?

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<v Speaker 1>Was this a real guy?

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<v Speaker 2>So cool? No, it was my friend Crystal's big brother,

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<v Speaker 2>like it was that living in southern California. That was

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<v Speaker 2>like a thing, like you know, like the man I

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<v Speaker 2>married Jordan. He was a surfer like you know, like

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<v Speaker 2>it when I met him, Like his backboard of his

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<v Speaker 2>bed was a big surf board. So that was know

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<v Speaker 2>something that I loved. I did it. I can't say

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<v Speaker 2>I never got past along board, so I was not

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<v Speaker 2>I don't consider myself a surfer because I was not

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<v Speaker 2>a great surfer. I didn't get to do it a ton,

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<v Speaker 2>but I did love to get out in the water.

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<v Speaker 2>Now you you will have to cut my right hot

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<v Speaker 2>hand off. In the ocean. I hate the ocean. I'm

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<v Speaker 2>so scared of sharks.

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<v Speaker 1>And oh really, yeah, they're more scared of you than

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<v Speaker 1>you are.

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<v Speaker 2>Then, Oh, okay, I'm sure that's true. Really, you know

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<v Speaker 2>a lot of sharks they've told of.

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<v Speaker 1>Course, friends with a bunch of sharks. They're ye pretty skinnish.

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<v Speaker 2>Now now the ocean and the beach it's sandy. It's

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<v Speaker 2>I mean, even wango tango. I didn't go out into

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<v Speaker 2>the actual audience. I stayed on the platform.

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<v Speaker 1>Can't do the sand.

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<v Speaker 2>Oh my.

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<v Speaker 1>I've only been Hawaii once. It was in twenty nineteen.

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<v Speaker 1>Is the first time I've ever been at first Hawaii. Okay,

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<v Speaker 1>I tried surfing once. I stood up once. I'm basically

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<v Speaker 1>a pro. I don't ever need to do it again.

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<v Speaker 1>I'm sure I even have a video of it, so

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<v Speaker 1>that's all I need.

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<v Speaker 2>Is so fun, It's so but it's it's what people

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<v Speaker 2>don't realize until you actually get on the board. How

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<v Speaker 2>hard is it? Like your shoulders, your your body is

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<v Speaker 2>scraped up from the wax and the sand and the

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<v Speaker 2>salt water and all that. I mean, it is so

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<v Speaker 2>much harder than what you would ever really imagine, even

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<v Speaker 2>just getting out there. I mean, it's like stuff you

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<v Speaker 2>to work out. You paddle, and you paddle and then

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<v Speaker 2>you ride, especially when you're like a beginner, which I

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<v Speaker 2>don't think I ever advanced from that state.

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<v Speaker 1>I did, I didn't do it enough.

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<v Speaker 2>But you ride one wave in then and you look

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<v Speaker 2>back and you're like, I gotta go the way back.

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<v Speaker 1>Well, that's that's that's the old seinfeld joke. Seinfeldt said

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<v Speaker 1>that surfing is just the ocean continuously kicking you out

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<v Speaker 1>of it, like I want you in here, keep getting out.

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<v Speaker 2>Take your ass over and over again, and for some

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<v Speaker 2>reason you just need to get back out and try

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<v Speaker 2>to do one more wave, and you're.

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<v Speaker 1>Still not good one. I was great. I was a

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<v Speaker 1>pro when you were pro. I love video. That's all

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<v Speaker 1>I need.

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<v Speaker 2>That's the thing about you, Will is that you just

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<v Speaker 2>like you just master everything I do.

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<v Speaker 1>I conquer. I do things once, I'm professional at it,

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<v Speaker 1>and I never have to do them again. And I

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<v Speaker 1>try to go.

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<v Speaker 2>You'll never surf again.

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<v Speaker 1>I don't need your good I surfed a wave. I've

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<v Speaker 1>got it on video.

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<v Speaker 2>You got the award, got the medal.

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<v Speaker 1>On video, exactly. Thank you very much. On to the

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<v Speaker 1>next as we are onto the next film. Look at

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<v Speaker 1>that brought it right back. Welcome back to Magical, rewind

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<v Speaker 1>the show that makes you want to grab your friends,

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<v Speaker 1>your pj's and your popcorn and go back to a

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<v Speaker 1>time when all the houses are smart. The waves. Tsunamis

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<v Speaker 1>and the High School's musical. I'm Wilford Dell.

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<v Speaker 2>And I'm Sabrina ready to rip it up?

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<v Speaker 1>Nice? Oh, I like it. I like it. Well, it's

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<v Speaker 1>eating up here people, because summer's here and we're celebrating

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<v Speaker 1>at the beach with our newest d com. It's two

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<v Speaker 1>thousand surf family drama, rip Girls, or as we've been

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<v Speaker 1>calling it here Julie Tsunami. Yes, I had joked about

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<v Speaker 1>that last week when I teased up. But reality, rip

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<v Speaker 1>Girls not a good title. We've seen this a few

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<v Speaker 1>times now, Sabrina, Am I right here? This I didn't

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<v Speaker 1>get it. I thought it made me think. So I'm

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<v Speaker 1>not going to get into what we thought about the

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<v Speaker 1>movie yet, but it made me I'm just gonna put

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<v Speaker 1>it this way. It made me think the movie was

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<v Speaker 1>going to be one thing and then it was something else,

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<v Speaker 1>which always disappoints me in a way.

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<v Speaker 2>Oh, well, of course that's incredibly disappointing. But what did

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<v Speaker 2>it make you think it was gonna?

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<v Speaker 1>I thought I was going to be watching a surf movie,

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<v Speaker 1>a good ROMP surf movie, a kid Disney Channel surf movie,

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<v Speaker 1>which this was at all.

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<v Speaker 2>You don't think that was it?

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<v Speaker 1>I do all God, No, surfing had almost nothing to

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<v Speaker 1>do with this movie was about surfing.

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<v Speaker 2>Yeah, I let me be okay, let me be clear

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<v Speaker 2>of this. I auditioned for this movie. And if you

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<v Speaker 2>saw Sabrina and this era with my brown hair and

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<v Speaker 2>I was always tan.

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<v Speaker 1>But they cast that other guy to play ConA, you

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<v Speaker 1>would have been great.

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<v Speaker 2>I would have been great as ConA. I swear to god, ConA.

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<v Speaker 1>You would have been great. But they cast out.

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<v Speaker 2>So I auditioned for it. And this is one of

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<v Speaker 2>the Channel movies that I got like I kind of

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<v Speaker 2>got down the line, you know, close to it. Remember

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<v Speaker 2>watching it super excited. Like I said, although I wasn't

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<v Speaker 2>a surfer, surfer, surfing was a big part of just

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<v Speaker 2>being in so Calend growing up. Sure loved it and

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<v Speaker 2>I remember going there wasn't that much surfing. And this

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<v Speaker 2>was at a time when this big surf movies came.

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<v Speaker 2>I'm trying to think of the names of them, like

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<v Speaker 2>the Blue Crush. Blue Crush was out. This was during

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<v Speaker 2>that era that like especially girls surfing rocks. It was

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<v Speaker 2>a huge brand that was like, yeah, killing it in

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<v Speaker 2>the game. And I remember going, well, this Disney's take

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<v Speaker 2>on it like kind of hit or miss, kind of

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<v Speaker 2>you know, just not a great one. It was not

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<v Speaker 2>soon Johnny.

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<v Speaker 1>I just no, I just want I just thought it

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<v Speaker 1>was going to be a surfing movie and it kind

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<v Speaker 1>of wasn't a surfing movie, which again it wasn't. I

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<v Speaker 1>didn't mind the direction it went. I just don't like

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<v Speaker 1>if something's called Johnny and the Ghost Squad and there's

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<v Speaker 1>no Ghost Squad, then you've mistitled your thing. You know

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<v Speaker 1>what I mean? If I go to a Hamburger joint

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<v Speaker 1>and they only serve spaghetti, then.

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<v Speaker 2>It's not actually a Hamburger j and girl cheese. Yes, okay, okay.

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<v Speaker 2>So I went into rig done, like what would this

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<v Speaker 2>have been?

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<v Speaker 1>I don't know, it would have been something more of

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<v Speaker 1>you know, the Yeah Hawaii or or something with your

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<v Speaker 1>history or something with a mom relationship. I mean, something

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<v Speaker 1>that did Rip Girls makes it sound like, you know,

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<v Speaker 1>if it's called BMX Bandits and there's no bmxing in it,

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<v Speaker 1>it's misnamed. So Ripped Girls to me, I was like

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<v Speaker 1>expecting a surfing movie. It was coming in going like, Oh,

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<v Speaker 1>it's gonna be those great water shots, it's gonna be

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<v Speaker 1>tons of really beautiful surfing it's going to be the

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<v Speaker 1>good team of surfers against the bad team of surfers.

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<v Speaker 1>There's going to be some kind of competition. There's obviously

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<v Speaker 1>gonna be version exactly at the end, and they both

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<v Speaker 1>got a chance for the waves and.

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<v Speaker 2>Had a ton of snowboarding. So yes, me think it

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<v Speaker 2>makes me think, though, what is it? Was it the

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<v Speaker 2>difficulty of being able to try to because again, surfing

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<v Speaker 2>is a tough sport, and maybe it was like a

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<v Speaker 2>difficulty of trying to find young enough.

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<v Speaker 1>I just think I was misnamed. I think this was

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<v Speaker 1>always the movie and always the attention. They just they

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<v Speaker 1>they and I don't again, I don't know how this

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<v Speaker 1>was touted back in the day. I don't know how

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<v Speaker 1>they actually promoted it. But I mean, if they promoted

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<v Speaker 1>it as it's just shots of surfing and then you

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<v Speaker 1>see this movie, it's disappointing. If they promoted it as

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<v Speaker 1>a young girl going a kind of fish out of water,

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<v Speaker 1>going to a new place and struggling internally with her

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<v Speaker 1>family and learning about that kind of journey, then it's

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<v Speaker 1>a great movie. But if you go and expecting a

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<v Speaker 1>surfing movie, yeah, so yeah, again, if it's called Milton

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<v Speaker 1>in the Parachute Gang, and there's no parachuting. It's misnamed.

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<v Speaker 1>So anyways, Jo, by the way, don't you want to

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<v Speaker 1>see Milton in the Parachute Game? Now, great film, We're

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<v Speaker 1>gonna have to watch that. Yeah, ironically, no parachutes in

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<v Speaker 1>the entire movie. It's exactly like that. This movie debut

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<v Speaker 1>on the Disney Channel on April twenty second, two thousand,

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<v Speaker 1>and was filmed in Queensland, Australia, Doublings, Hawaii. It is

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<v Speaker 1>a rare international film location, but I guess it makes

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<v Speaker 1>sense if you're looking for some beautiful beaches. But I

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<v Speaker 1>never understand it's got to be a money thing, because

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<v Speaker 1>I don't understand how flying everybody, the whole cast, the

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<v Speaker 1>whole everybody to Australia is cheaper than doing it to Hawaii.

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<v Speaker 1>But I don't know. It's obviously things in the industry

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<v Speaker 1>that I know nothing about, tax stuff and where they

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<v Speaker 1>can shoot, and obviously it makes a difference. But it

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<v Speaker 1>seems like could be more expensive to go to Australia.

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<v Speaker 1>But what do I know.

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<v Speaker 2>I feel like it's got to be location areas something

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<v Speaker 2>to film.

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<v Speaker 1>And another rarity. Much like the original Zombies movie, this

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<v Speaker 1>one did not include any previous Disney stars in the cast.

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<v Speaker 1>They employed all unknown actors and I think they all

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<v Speaker 1>did a pretty good job, and frankly so to our

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<v Speaker 1>friends at Complex. On their list one that we commonly reference,

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<v Speaker 1>Rip Girls placed number twelve on their list of the

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<v Speaker 1>twenty five best d Coms, and we've got more here.

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<v Speaker 1>It's number twenty nine on Entertainment Weekly's list of Top

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<v Speaker 1>thirty and number fifty four on Collider. All impressive place,

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<v Speaker 1>especially for a movie you don't really hear mentioned as

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<v Speaker 1>one of the greats. And to add to that, it

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<v Speaker 1>has never been released on VHS or DVD, which is amazing.

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<v Speaker 1>But on the other side of the spectrum, Tim Ryan

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<v Speaker 1>of the Honolulu Star Bulletin called it unrealistic, and we

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<v Speaker 1>kind of have to give his opinion some weight, considering

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<v Speaker 1>Hawaii is supposed to be location for the film and

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<v Speaker 1>its culture plays a major part in the story. So

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<v Speaker 1>when somebody from Hawaii goes not so much, you gotta listen.

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<v Speaker 1>So you talked about this. You grew up in Orange County,

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<v Speaker 1>you were around surfers, all that kind of stuff. Was

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<v Speaker 1>your friend's older brother your kna.

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<v Speaker 2>I mean no, because he did not talk to me.

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<v Speaker 1>Ah, okay, fair enough.

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<v Speaker 2>Was a lot older from Afar. From Afar, Yeah, he

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<v Speaker 2>was much older. I mean okay, she was a year

0:10:53.480 --> 0:10:57.360
<v Speaker 2>older than I am, and he was probably three, four

0:10:57.480 --> 0:11:00.880
<v Speaker 2>or five years older. So he was like, yeah, does

0:11:00.920 --> 0:11:04.240
<v Speaker 2>he still in tree house? No, he does it, I think,

0:11:04.280 --> 0:11:06.520
<v Speaker 2>but he did live in Australia. Like his whole life

0:11:06.600 --> 0:11:08.920
<v Speaker 2>is still like was for a long time last time

0:11:08.960 --> 0:11:12.120
<v Speaker 2>I checked in, still very much around surfing his serfs

0:11:12.200 --> 0:11:14.720
<v Speaker 2>and he's total life. It's a total lifetle baby surfers.

0:11:14.840 --> 0:11:16.640
<v Speaker 1>Yeah, for sure, it's a total life style. One of

0:11:16.679 --> 0:11:18.720
<v Speaker 1>my favorite shows ever is one hundred Foot Wave. Go

0:11:18.800 --> 0:11:22.040
<v Speaker 1>check that out, yo, It's amazing. And yes, like most

0:11:22.080 --> 0:11:24.280
<v Speaker 1>films we watch, Rip Girls is available to stream on

0:11:24.320 --> 0:11:26.160
<v Speaker 1>Disney Plus right now, so you can watch it before

0:11:26.160 --> 0:11:28.200
<v Speaker 1>listening to our recap or wait until after and see

0:11:28.200 --> 0:11:30.440
<v Speaker 1>how much we got right. We're just wringing it here,

0:11:30.480 --> 0:11:32.480
<v Speaker 1>so honestly, the fact that we nail any of the

0:11:32.480 --> 0:11:35.360
<v Speaker 1>details is just a blessing. Let us know in the comments,

0:11:35.400 --> 0:11:38.120
<v Speaker 1>although we have disabled our comments and we'll never ever

0:11:38.160 --> 0:11:40.920
<v Speaker 1>see them. All right, Sabrina, did you know Rip Girls

0:11:40.920 --> 0:11:43.560
<v Speaker 1>was well? Of course, we talked about this auditioned, so

0:11:43.559 --> 0:11:44.480
<v Speaker 1>of course, you know, rip Girls.

0:11:44.960 --> 0:11:48.800
<v Speaker 2>I very much aware of this movie and was very

0:11:48.920 --> 0:11:53.680
<v Speaker 2>excited when it came out to see Like again, okay,

0:11:53.720 --> 0:11:56.080
<v Speaker 2>what was you know when I auditioned? How you know,

0:11:56.160 --> 0:11:58.120
<v Speaker 2>it's like you start kind of like using them as

0:11:58.240 --> 0:12:02.240
<v Speaker 2>like education for yourself when you're trying to nil one

0:12:02.280 --> 0:12:03.920
<v Speaker 2>of these roles? What could I have done better?

0:12:04.360 --> 0:12:06.840
<v Speaker 1>You know, you gotta let us do what your audition

0:12:06.920 --> 0:12:07.400
<v Speaker 1>scene was?

0:12:09.240 --> 0:12:12.440
<v Speaker 2>Okay, So I remember I auditioned for the lead, and

0:12:12.480 --> 0:12:16.080
<v Speaker 2>then I also did audition for Gia too. Once they

0:12:16.280 --> 0:12:18.200
<v Speaker 2>once I went in, they said, also, can we would

0:12:18.240 --> 0:12:21.240
<v Speaker 2>love to hear you? So I know her audition scene.

0:12:21.440 --> 0:12:23.680
<v Speaker 2>I don't remember what the leads auditions.

0:12:23.800 --> 0:12:24.640
<v Speaker 1>Okay, gotcha?

0:12:24.720 --> 0:12:29.800
<v Speaker 2>Gotcha didn't spark a memory? No, I uh, when you

0:12:29.840 --> 0:12:30.680
<v Speaker 2>auditioned for ConA.

0:12:31.320 --> 0:12:34.600
<v Speaker 1>When I auditioned for ConA, my frosted tips apparently were

0:12:34.640 --> 0:12:39.000
<v Speaker 1>too frosted. I was told mine was like frosted flakes,

0:12:39.040 --> 0:12:39.760
<v Speaker 1>Thank you very much.

0:12:40.000 --> 0:12:42.880
<v Speaker 2>And I thought, I from here, I want to make statement.

0:12:42.920 --> 0:12:43.920
<v Speaker 2>Thought she did a great job.

0:12:44.000 --> 0:12:48.040
<v Speaker 1>Thought did the cat The acting was not? Again, if

0:12:48.080 --> 0:12:49.959
<v Speaker 1>I knew what I was getting into a little more

0:12:50.000 --> 0:12:50.920
<v Speaker 1>with the title.

0:12:51.000 --> 0:12:55.240
<v Speaker 2>You would know I irritated. Was it like a little irritated.

0:12:55.559 --> 0:12:57.480
<v Speaker 1>Like you just go in expecting.

0:12:58.760 --> 0:12:59.240
<v Speaker 2>A little bit.

0:12:59.440 --> 0:13:01.880
<v Speaker 1>I just you go in expecting one thing and you

0:13:02.000 --> 0:13:03.800
<v Speaker 1>end up with something else. Again, if I go to

0:13:03.840 --> 0:13:05.960
<v Speaker 1>a burger joint and all they have is spaghetti, even

0:13:05.960 --> 0:13:07.840
<v Speaker 1>the best plate of spaghetti is not going to change

0:13:07.880 --> 0:13:10.760
<v Speaker 1>the fact that I was expecting a burger. Yes, so

0:13:10.960 --> 0:13:16.000
<v Speaker 1>I was expecting Rip Girls to be exactly what I

0:13:16.200 --> 0:13:18.760
<v Speaker 1>even said to Sue. I'm like, oh, man, tonight's movie.

0:13:18.760 --> 0:13:19.959
<v Speaker 1>I don't know what it's going to be about, but

0:13:20.040 --> 0:13:21.880
<v Speaker 1>it's surfing. There's going to be some sort of contest.

0:13:21.920 --> 0:13:23.319
<v Speaker 1>There's going to be the bad team, there's going to

0:13:23.360 --> 0:13:25.200
<v Speaker 1>be the good team. None of that happens. So I

0:13:25.240 --> 0:13:27.760
<v Speaker 1>was like, oh, okay, I get it. But now let's

0:13:27.800 --> 0:13:30.120
<v Speaker 1>paddle out into the waves. And it's actually called duck

0:13:30.200 --> 0:13:32.480
<v Speaker 1>diving to go under the waves. See, I'm a professional

0:13:32.480 --> 0:13:35.560
<v Speaker 1>server and we're going to get into the synopsis, thirteen

0:13:35.600 --> 0:13:37.640
<v Speaker 1>year old Sidney Miller must travel to Hawaii with her

0:13:37.679 --> 0:13:40.880
<v Speaker 1>father and stepmother to settle the estate of her deceased mom.

0:13:41.200 --> 0:13:43.160
<v Speaker 1>By connecting with the island, learning how to surf, and

0:13:43.200 --> 0:13:45.560
<v Speaker 1>making new friends, she discovers a deeper connection with her

0:13:45.559 --> 0:13:48.079
<v Speaker 1>heritage and must decide between selling her mom's land or

0:13:48.120 --> 0:13:51.360
<v Speaker 1>preserving it for generations to come cultivating in a giant

0:13:51.360 --> 0:13:52.719
<v Speaker 1>contest at the end, where we get to see some

0:13:52.760 --> 0:13:54.560
<v Speaker 1>awesome surfing between a good team and a bad team.

0:13:54.559 --> 0:13:56.719
<v Speaker 1>I'm kidding. I added that last part, which would have

0:13:56.760 --> 0:13:59.559
<v Speaker 1>been you wanted, Yeah, Well, we know you've been to

0:13:59.600 --> 0:14:01.679
<v Speaker 1>Hawaii lot. Have you been to Australia.

0:14:02.040 --> 0:14:07.040
<v Speaker 2>I haven't, and it's definitely on our list of places

0:14:07.080 --> 0:14:11.080
<v Speaker 2>we want to go. I've heard such funny things about Australia.

0:14:11.080 --> 0:14:13.720
<v Speaker 1>It's fun. It depends where you go. I enjoyed it.

0:14:13.760 --> 0:14:16.040
<v Speaker 1>The people are super friendly. A lot of it's very pretty.

0:14:16.080 --> 0:14:18.160
<v Speaker 1>But I remember distinctly being on a plane for fourteen

0:14:18.240 --> 0:14:20.880
<v Speaker 1>days landing and being like I just was on a

0:14:20.920 --> 0:14:24.720
<v Speaker 1>plane forever. To land back in California is kind of

0:14:24.800 --> 0:14:27.800
<v Speaker 1>like what it seems like, but again it really is where.

0:14:27.960 --> 0:14:30.080
<v Speaker 1>It seemed very much like we were in a city

0:14:30.080 --> 0:14:35.520
<v Speaker 1>in California, super nice people. It was a lot of fun,

0:14:35.560 --> 0:14:37.200
<v Speaker 1>it really was. I'm glad I went. It was a

0:14:37.200 --> 0:14:39.240
<v Speaker 1>lot of fun. But I need to see more of

0:14:39.280 --> 0:14:40.080
<v Speaker 1>the country, is what I.

0:14:40.160 --> 0:14:43.080
<v Speaker 2>Okay, problem, one thing I did hear and know that

0:14:43.120 --> 0:14:46.760
<v Speaker 2>I would never drive there because they are very crazy

0:14:46.800 --> 0:14:49.560
<v Speaker 2>about their like getting a ticket in Australia is so

0:14:49.800 --> 0:14:50.960
<v Speaker 2>likely if you Yeah.

0:14:51.000 --> 0:14:53.920
<v Speaker 1>Well, it's also everything in the country wants you dead.

0:14:54.280 --> 0:14:56.000
<v Speaker 1>Have you not seen these videos where it's like people

0:14:56.000 --> 0:14:57.920
<v Speaker 1>have to flush their toilets because the spiders are the

0:14:57.960 --> 0:15:01.440
<v Speaker 1>size of your head and there's just in your cereal bowl.

0:15:01.240 --> 0:15:03.040
<v Speaker 2>And like that, like its spiders.

0:15:03.120 --> 0:15:05.920
<v Speaker 1>Yeah that build their own houses and knock on your

0:15:05.920 --> 0:15:07.680
<v Speaker 1>door to try to lure you out. Yeah.

0:15:07.720 --> 0:15:10.160
<v Speaker 2>No, that is the part of it that I would

0:15:10.280 --> 0:15:12.240
<v Speaker 2>I mean I have friends. There was a huge like

0:15:12.360 --> 0:15:15.600
<v Speaker 2>you know, study abroad things at Chapman and Australia was

0:15:15.640 --> 0:15:17.280
<v Speaker 2>like a big thing, and they came home with these

0:15:17.320 --> 0:15:20.200
<v Speaker 2>like insane stories. But they were also living like in

0:15:20.320 --> 0:15:24.320
<v Speaker 2>someone's like back house, like where there was like no

0:15:24.520 --> 0:15:26.000
<v Speaker 2>like legitimate like walls.

0:15:26.120 --> 0:15:27.880
<v Speaker 1>I'm like what, Yeah, it's everything.

0:15:28.480 --> 0:15:31.280
<v Speaker 2>I travel and go to oaked El's like I'm not

0:15:31.400 --> 0:15:33.040
<v Speaker 2>going into a cabin of any.

0:15:32.920 --> 0:15:36.000
<v Speaker 1>Sort, especially there. It seems like, yeah, everything wants you

0:15:36.040 --> 0:15:38.520
<v Speaker 1>to do. Yeah, the people are super friendly.

0:15:39.120 --> 0:15:39.240
<v Speaker 2>Uh.

0:15:39.760 --> 0:15:41.960
<v Speaker 1>The movie is directed by a new name to us,

0:15:41.960 --> 0:15:44.200
<v Speaker 1>a woman, yet another rare occurrence for Decom's her name

0:15:44.240 --> 0:15:48.080
<v Speaker 1>is Joyce Chopra and right after college, all these stories

0:15:48.120 --> 0:15:50.200
<v Speaker 1>are so cool. Chopra and her first husband opened a

0:15:50.240 --> 0:15:52.920
<v Speaker 1>European style coffee shop in New York that turned into

0:15:52.960 --> 0:15:56.720
<v Speaker 1>a music nightclub called Club forty seven. Everyone from Bob

0:15:56.800 --> 0:15:59.520
<v Speaker 1>Dylan to Joan Bias performed there and would later get

0:15:59.520 --> 0:16:02.240
<v Speaker 1>its own documentary called for the Love of a Music The.

0:16:02.400 --> 0:16:04.000
<v Speaker 2>Club of forty seven.

0:16:05.840 --> 0:16:10.760
<v Speaker 1>Right, Oh my godness, It's amazing, wasn't it. Joyce Chopper

0:16:10.760 --> 0:16:13.480
<v Speaker 1>was a feminist filmmaker focusing on documentaries. One from nineteen

0:16:13.520 --> 0:16:16.560
<v Speaker 1>seventy four was an autobiographical film about her own pregnancy

0:16:16.760 --> 0:16:18.920
<v Speaker 1>and how it affected her career in movie making. The

0:16:19.000 --> 0:16:21.520
<v Speaker 1>labor also put her in the record books as the

0:16:21.520 --> 0:16:25.440
<v Speaker 1>first person to ever give birth on live TV. Crazy.

0:16:26.000 --> 0:16:27.960
<v Speaker 1>I don't even want to know who sponsored that. She

0:16:28.120 --> 0:16:31.320
<v Speaker 1>transitioned into full length narrative movies like The Lemon Sisters

0:16:31.320 --> 0:16:33.920
<v Speaker 1>starring Diane Keaton and Carol Kane. She also direct TV

0:16:33.960 --> 0:16:37.080
<v Speaker 1>shows like Law and Order, Crossing Jordan, and Everwood. And

0:16:37.080 --> 0:16:40.400
<v Speaker 1>then Camilla Bell plays Sidney Miller, the main character of

0:16:40.560 --> 0:16:43.040
<v Speaker 1>Rip Girls, part of the good team that's got to

0:16:43.040 --> 0:16:44.840
<v Speaker 1>fight the bad team for note none of that happened.

0:16:45.440 --> 0:16:48.080
<v Speaker 1>Camilla had the most experience on the set, having already

0:16:48.080 --> 0:16:50.160
<v Speaker 1>appeared in movies like Practical Magic, where she played Inn

0:16:50.160 --> 0:16:52.800
<v Speaker 1>eleven year old Sandra Bullock, The Lost World, and a

0:16:52.840 --> 0:16:55.480
<v Speaker 1>Steven Sigall movie called The Patriot. Must be one of

0:16:55.520 --> 0:16:57.520
<v Speaker 1>his later ones, because I've never heard of it, But

0:16:57.640 --> 0:16:59.920
<v Speaker 1>being the lead character of anything was new territory for

0:17:00.320 --> 0:17:01.920
<v Speaker 1>She would go on to appear in movies like two

0:17:01.920 --> 0:17:04.480
<v Speaker 1>thousand and six Is When a Stranger Calls Push and

0:17:04.520 --> 0:17:08.480
<v Speaker 1>ten thousand BC. Dwyer Brown plays Ben Miller. He's best

0:17:08.520 --> 0:17:11.000
<v Speaker 1>known as playing Kevin Costner's dad in Field of Dreams,

0:17:11.160 --> 0:17:12.720
<v Speaker 1>but he also appeared in movies like To Live and

0:17:12.720 --> 0:17:15.800
<v Speaker 1>Die in La Great Chase, Scene, The Cutting Edge, Red Dragon,

0:17:15.880 --> 0:17:18.720
<v Speaker 1>and cult horror classics House and House two. This time

0:17:18.720 --> 0:17:21.040
<v Speaker 1>it's personal, that's right. I added that part. And this

0:17:21.119 --> 0:17:23.919
<v Speaker 1>guy did a ton of TV from Er to Rozolian Isles,

0:17:23.920 --> 0:17:27.720
<v Speaker 1>and his last credit was from twenty sixteen. And honestly,

0:17:27.880 --> 0:17:31.399
<v Speaker 1>everyone else was a total newcomer, well except for one actor,

0:17:31.480 --> 0:17:34.200
<v Speaker 1>someone who we recently interviewed for a awesome Pod Meets

0:17:34.240 --> 0:17:38.040
<v Speaker 1>World episode. He's character actor legend Keone Young, who plays

0:17:38.040 --> 0:17:40.280
<v Speaker 1>bo Keoni was not only on Boy Mets World, but

0:17:40.320 --> 0:17:44.640
<v Speaker 1>has hundreds of TV and movie credits. If we seriously,

0:17:44.640 --> 0:17:47.520
<v Speaker 1>if we started his IMDb back when we started Podmeets World,

0:17:47.520 --> 0:17:51.280
<v Speaker 1>we would still be listing his credits. Just Ben and Everything,

0:17:51.320 --> 0:17:54.000
<v Speaker 1>Men in Black, Three, The Crank Movies, Honeymoon in Vegas,

0:17:54.040 --> 0:17:57.000
<v Speaker 1>TV shows like The Golden Girls, Websters, Cheers, plus all

0:17:57.000 --> 0:18:00.399
<v Speaker 1>of the above. He is a voiceover Legendarah, if I

0:18:00.440 --> 0:18:02.239
<v Speaker 1>read ten percent of what he voiced, we'd be here

0:18:02.240 --> 0:18:04.600
<v Speaker 1>for three hours. But to highlight a few Gi Joe,

0:18:04.640 --> 0:18:07.639
<v Speaker 1>World of Warcraft, Miss of Panderia, Star Wars, Rebels, and

0:18:07.720 --> 0:18:10.960
<v Speaker 1>high high puffy Ammy. Umi. Okay, let's get this out

0:18:10.960 --> 0:18:12.520
<v Speaker 1>of the way right now, because it's important. The movie

0:18:12.600 --> 0:18:17.040
<v Speaker 1>runs eighty seven minutes, three below the ninety target, so

0:18:17.400 --> 0:18:19.280
<v Speaker 1>they could have held a shot of a wave maybe

0:18:19.320 --> 0:18:21.280
<v Speaker 1>for three more minutes, or had some kind of surfing

0:18:21.320 --> 0:18:22.480
<v Speaker 1>contest that would have been fine.

0:18:22.520 --> 0:18:26.200
<v Speaker 2>Congrats to them, though three minutes contest, heys.

0:18:26.000 --> 0:18:28.240
<v Speaker 1>Three minutes more than they had. Historya will look back

0:18:28.280 --> 0:18:31.960
<v Speaker 1>on them positively and the movie was written by Jan Rosenberg,

0:18:32.080 --> 0:18:35.120
<v Speaker 1>who has kind of a crazy career, making for a

0:18:35.400 --> 0:18:39.119
<v Speaker 1>very rare female director and writer team. Rosenberg wrote a

0:18:39.119 --> 0:18:42.040
<v Speaker 1>Disney Live action classic starring a young Meredith Salinger and

0:18:42.080 --> 0:18:45.119
<v Speaker 1>John Cusack called Journey of Natty Gan. She also directed

0:18:45.200 --> 0:18:48.320
<v Speaker 1>nineteen ninety one's White Fang and eventually Bambi two. This

0:18:48.400 --> 0:18:51.200
<v Speaker 1>time It's Personal, a movie that recently surprised us both

0:18:51.280 --> 0:18:53.560
<v Speaker 1>during one of our games about sequels. I've never seen it.

0:18:53.640 --> 0:18:56.280
<v Speaker 1>Hopefully Bambi's dad doesn't die in the start of this one,

0:18:56.320 --> 0:18:58.280
<v Speaker 1>like his mom died in the start of the first one.

0:18:58.480 --> 0:19:02.000
<v Speaker 1>It's still traumatized. She also was the script supervisor on

0:19:02.040 --> 0:19:04.760
<v Speaker 1>the original Piranha movies Rock and Roll High School with

0:19:04.760 --> 0:19:15.080
<v Speaker 1>the Ramones So Cool and the Howling. Okay, it's time

0:19:15.080 --> 0:19:17.560
<v Speaker 1>to make a decision. Are we selling the land for millions,

0:19:17.600 --> 0:19:19.800
<v Speaker 1>honoring a Hawaiian tradition by keeping the house, or just

0:19:19.800 --> 0:19:21.960
<v Speaker 1>getting into the movie. I say we start with rip

0:19:22.040 --> 0:19:25.280
<v Speaker 1>Girls and go from there. Here we go. We open

0:19:25.320 --> 0:19:27.760
<v Speaker 1>with our main character, Sidney, flying into Hawaii, peeking out

0:19:27.760 --> 0:19:30.680
<v Speaker 1>the window at some amazing island views. She's coming home,

0:19:30.880 --> 0:19:33.320
<v Speaker 1>well sort of. She was born there but doesn't remember

0:19:33.359 --> 0:19:35.560
<v Speaker 1>anything because she left when she was really young. And

0:19:35.600 --> 0:19:37.679
<v Speaker 1>her dad, Ben, who we also learned as a bit

0:19:37.680 --> 0:19:40.040
<v Speaker 1>of a worry wart with his daughter never wanted to

0:19:40.040 --> 0:19:42.800
<v Speaker 1>come back after her mom died. Sydney isn't sure she

0:19:42.800 --> 0:19:44.959
<v Speaker 1>even remembers her mom anymore without thinking of a photo.

0:19:45.040 --> 0:19:46.960
<v Speaker 1>But also she has a new step mom she likes

0:19:47.080 --> 0:19:50.240
<v Speaker 1>very much, named Elizabeth. The family eventually lands and they

0:19:50.280 --> 0:19:52.640
<v Speaker 1>drive through the island as the opening credits role. When

0:19:52.680 --> 0:19:55.040
<v Speaker 1>they eventually arrive, we see a quick POV from someone

0:19:55.119 --> 0:19:59.240
<v Speaker 1>hiding in the bushes watching them with binoculars. And so far,

0:19:59.280 --> 0:20:01.399
<v Speaker 1>this could be a pretty good horror film where Sydney

0:20:01.440 --> 0:20:02.840
<v Speaker 1>and her family are haunted by the ghost of her

0:20:02.840 --> 0:20:06.640
<v Speaker 1>mother hell bent on killing the new stepmom. Also, keep

0:20:06.680 --> 0:20:09.440
<v Speaker 1>this stalker in mind, we're gonna talk about him later.

0:20:10.720 --> 0:20:12.800
<v Speaker 1>Sidney then walks around the beautiful house in the woods

0:20:12.800 --> 0:20:15.200
<v Speaker 1>around it, taking photos. She stumbles onto a beach where

0:20:15.200 --> 0:20:17.679
<v Speaker 1>she sees kids surfing and takes pictures of them shredding too,

0:20:17.760 --> 0:20:20.560
<v Speaker 1>And I was still optimistic at this point. She admits

0:20:20.600 --> 0:20:22.879
<v Speaker 1>she's more into art and computers, so she normally wouldn't

0:20:22.880 --> 0:20:25.679
<v Speaker 1>try something like hanging ten Back in the house, Sidney

0:20:25.760 --> 0:20:27.719
<v Speaker 1>is cautious when entering. She finds her way into her

0:20:27.760 --> 0:20:30.719
<v Speaker 1>dusty bedroom, which seems untouched for quite some time, except

0:20:30.720 --> 0:20:32.680
<v Speaker 1>for a stray black cat that gives us a little

0:20:32.720 --> 0:20:36.720
<v Speaker 1>jump scare see horror movie. And then a colorful local

0:20:36.800 --> 0:20:39.159
<v Speaker 1>named Bo enters. He's impressed with Sidney and puts a

0:20:39.280 --> 0:20:42.880
<v Speaker 1>lay around her neck. He's the lawyer of Sydney's grandma's will,

0:20:43.040 --> 0:20:45.600
<v Speaker 1>who has recently died. He explains, since Sydney is the

0:20:45.640 --> 0:20:49.359
<v Speaker 1>last living heir, everything including the entire plantation, goes to her,

0:20:49.680 --> 0:20:52.200
<v Speaker 1>but the only condition is she must stay in Hawaii

0:20:52.280 --> 0:20:56.560
<v Speaker 1>for two weeks. Bo explains the Mackai Kuau and I'm

0:20:56.600 --> 0:21:00.480
<v Speaker 1>apologizing to everybody through this entire episode for all the misprenunciations,

0:21:00.480 --> 0:21:03.280
<v Speaker 1>because there will be a ton. The Mackai Kuau have

0:21:03.400 --> 0:21:06.440
<v Speaker 1>been ranching on the property for five generations, and even

0:21:06.440 --> 0:21:08.680
<v Speaker 1>though the house is run down, the land is very fertile.

0:21:08.880 --> 0:21:11.359
<v Speaker 1>But Ben doesn't get it. This is high end beachfront property.

0:21:11.359 --> 0:21:13.840
<v Speaker 1>Why would they keep it for farming? Bo tries to explain,

0:21:13.840 --> 0:21:15.760
<v Speaker 1>even though there have already been offers on the land,

0:21:15.840 --> 0:21:18.560
<v Speaker 1>there is still value in tradition. As the old argument

0:21:18.680 --> 0:21:21.159
<v Speaker 1>of value over money begins, Sidney finds her way to

0:21:21.200 --> 0:21:24.520
<v Speaker 1>a cabinet that magically opens by itself, clearly still in

0:21:24.520 --> 0:21:26.439
<v Speaker 1>a horror movie, none of that made sense. Inside, she

0:21:26.480 --> 0:21:29.760
<v Speaker 1>spots a bound book which looks very similar to the

0:21:29.800 --> 0:21:33.240
<v Speaker 1>necronomicon Ex Mortis from the Evil Dead. It's an album

0:21:33.280 --> 0:21:36.760
<v Speaker 1>filled with old timy pictures of her family. She runs

0:21:36.760 --> 0:21:38.879
<v Speaker 1>it over to her dad, who instantly notices a picture

0:21:38.880 --> 0:21:41.560
<v Speaker 1>of his deceased wife, Sidney's bomb, holding a surfboard. He's

0:21:41.680 --> 0:21:44.399
<v Speaker 1>clearly stung with sadness, and Sidney is very interested to

0:21:44.480 --> 0:21:47.800
<v Speaker 1>learn more. That night, amidst the storm, Sydney unpacks her

0:21:47.840 --> 0:21:49.959
<v Speaker 1>room and returns to looking at the photo. She decides

0:21:50.000 --> 0:21:52.320
<v Speaker 1>to put it on her vanity mirror. The next morning,

0:21:52.359 --> 0:21:54.640
<v Speaker 1>landscapers are already working on the property and Sidney sees

0:21:54.680 --> 0:21:56.640
<v Speaker 1>that stray cat again. It runs off, so she follows

0:21:56.680 --> 0:21:59.480
<v Speaker 1>it into the jungle like you do. Eventually right to

0:21:59.480 --> 0:22:02.919
<v Speaker 1>a wooden She opens the door, awakening an owl and

0:22:02.960 --> 0:22:05.760
<v Speaker 1>getting her first glimpse inside. It's run down and filled

0:22:05.760 --> 0:22:08.960
<v Speaker 1>with sharp tools. Then she jumps and reveals a surfboard,

0:22:09.240 --> 0:22:11.760
<v Speaker 1>just before another jump scare from the owl. So this

0:22:11.840 --> 0:22:13.840
<v Speaker 1>is it's basically a Stephen King book. At this point,

0:22:14.800 --> 0:22:17.159
<v Speaker 1>Sidney decides to take the surfboard, which is let's not

0:22:17.200 --> 0:22:20.040
<v Speaker 1>be a you know, it's theft it's petty theft. She

0:22:20.320 --> 0:22:23.160
<v Speaker 1>runs off, stumbling into it, which she doesn't pretty well,

0:22:23.240 --> 0:22:25.680
<v Speaker 1>that's come on, she doesn't know all the stuff that's

0:22:25.680 --> 0:22:27.399
<v Speaker 1>in there. Come on, can't just be taking stuff? Was

0:22:27.400 --> 0:22:29.360
<v Speaker 1>the truck hers too? I guess? So, yes, she does,

0:22:29.400 --> 0:22:31.880
<v Speaker 1>I guess it is hers. She runs off, stumbling into

0:22:31.880 --> 0:22:34.480
<v Speaker 1>a girl on a bike, causing a brutal crash. It's

0:22:34.520 --> 0:22:36.639
<v Speaker 1>a local girl named Gia, who for good reason, is

0:22:36.680 --> 0:22:38.840
<v Speaker 1>mad about the run in, but she quickly changes her

0:22:38.880 --> 0:22:42.720
<v Speaker 1>tune when she sees Sydney's sick board quote unquote. When

0:22:42.720 --> 0:22:45.399
<v Speaker 1>the now healed Gia ask how it rides, Sidney fibbs,

0:22:45.400 --> 0:22:49.600
<v Speaker 1>implying it's awesome. The local quickly realizes who Sidney is,

0:22:49.640 --> 0:22:51.959
<v Speaker 1>the long lost relative here to read the will the

0:22:51.960 --> 0:22:55.240
<v Speaker 1>island a small and news travels fast. Later that night,

0:22:55.240 --> 0:22:57.080
<v Speaker 1>Ben says he was thinking about taking a hike tomorrow,

0:22:57.160 --> 0:23:01.800
<v Speaker 1>but Elizabeth suggests a nearby quilt exhibit, which, yeah, awesome,

0:23:01.960 --> 0:23:04.320
<v Speaker 1>sounds like a blast for a kid. Sidney revealed she

0:23:04.359 --> 0:23:06.600
<v Speaker 1>was thinking about maybe going to the beach alone. She

0:23:06.640 --> 0:23:08.119
<v Speaker 1>wants to meet up with Gia and her friends, but

0:23:08.160 --> 0:23:10.880
<v Speaker 1>Ben is clearly not comfortable with this. Sidney prophi says

0:23:10.880 --> 0:23:13.760
<v Speaker 1>she'll be careful, but he says no, she argues, she's thirteen,

0:23:13.840 --> 0:23:15.880
<v Speaker 1>not a baby. By the way, for the first time

0:23:15.920 --> 0:23:21.680
<v Speaker 1>in a good long while, look thirteen, Yes, actor, look thirteen.

0:23:21.760 --> 0:23:25.639
<v Speaker 1>Everybody seemed to be very appropriately age wise cast. It

0:23:25.720 --> 0:23:28.639
<v Speaker 1>wasn't like, wait, she's supposed to be eight or you

0:23:28.640 --> 0:23:31.560
<v Speaker 1>know something. It was all very They all yeah, looked

0:23:31.560 --> 0:23:32.680
<v Speaker 1>their ages, which is great.

0:23:32.680 --> 0:23:35.480
<v Speaker 2>And by and by the way, I don't hate Sydney's

0:23:35.520 --> 0:23:39.480
<v Speaker 2>dad going I like, you're too young to go.

0:23:39.440 --> 0:23:43.080
<v Speaker 1>Off, but especially when your mom died the same way,

0:23:43.560 --> 0:23:45.720
<v Speaker 1>I could see being freaked out about going to the beach,

0:23:45.840 --> 0:23:48.120
<v Speaker 1>which even just going to the beach in general.

0:23:48.440 --> 0:23:51.520
<v Speaker 2>But still we're on like an island. We don't know anyone.

0:23:52.080 --> 0:23:56.800
<v Speaker 2>You certainly don't know anyone little girl, Like, no, you, no,

0:23:56.840 --> 0:23:57.760
<v Speaker 2>you might not act.

0:23:57.600 --> 0:24:00.160
<v Speaker 1>Thirteen when walking down to the beach. Be that big

0:24:00.200 --> 0:24:03.479
<v Speaker 1>a deal for a kid you're thirteen. I'd been sued

0:24:03.520 --> 0:24:04.680
<v Speaker 1>by the time I was thirteen.

0:24:09.000 --> 0:24:12.560
<v Speaker 2>No, honestly, yes, I that is not I feel like

0:24:12.600 --> 0:24:18.560
<v Speaker 2>they're no no really no, no, I mean maybe I'll

0:24:18.560 --> 0:24:20.680
<v Speaker 2>feel different, but at this point, no.

0:24:20.760 --> 0:24:23.480
<v Speaker 1>At thirteen, you you weren't able to just like walk

0:24:23.520 --> 0:24:25.560
<v Speaker 1>to a beach. Again, we're talking about kind of a

0:24:25.600 --> 0:24:28.720
<v Speaker 1>closed off island. You're walking, She's not like grabbing a snorkel.

0:24:28.840 --> 0:24:31.320
<v Speaker 2>I was allowed to like ride my bike up to

0:24:31.480 --> 0:24:35.119
<v Speaker 2>like the shopping center that was, you know, outside of

0:24:35.119 --> 0:24:37.399
<v Speaker 2>the neighborhood and across like one major street.

0:24:37.400 --> 0:24:39.840
<v Speaker 1>And that's way more dangerous than going to the beach.

0:24:40.560 --> 0:24:44.040
<v Speaker 2>But will, what were you doing at thirteen when you

0:24:44.080 --> 0:24:46.560
<v Speaker 2>had time on your own? I already know because you

0:24:46.600 --> 0:24:47.520
<v Speaker 2>have told me.

0:24:48.520 --> 0:24:54.160
<v Speaker 1>Okay, I'm not a good example. I'm a very good example.

0:24:55.040 --> 0:24:57.120
<v Speaker 1>What were you doing that at thirteen when.

0:24:57.000 --> 0:24:59.920
<v Speaker 2>You would that I was around people that that were

0:25:00.359 --> 0:25:03.280
<v Speaker 2>but you did definitely, Yeah, but that's because I was.

0:25:03.560 --> 0:25:07.280
<v Speaker 1>I was a bust, like I'd been smoking for years

0:25:07.320 --> 0:25:08.280
<v Speaker 1>by thirteen.

0:25:08.080 --> 0:25:12.200
<v Speaker 2>That's what I mean. But like the beach to me again,

0:25:12.320 --> 0:25:15.480
<v Speaker 2>the ocean puts a whole other factor in it, Like

0:25:15.840 --> 0:25:18.280
<v Speaker 2>how would I ever know if you went into the

0:25:18.359 --> 0:25:21.840
<v Speaker 2>ocean and got like he was not being mean? Like honestly, like,

0:25:21.960 --> 0:25:22.639
<v Speaker 2>how am I gonna know?

0:25:22.840 --> 0:25:24.440
<v Speaker 1>I don't think he was being mean. I think though

0:25:24.480 --> 0:25:27.720
<v Speaker 1>he was being overly cautious. I think a thirteen year

0:25:27.720 --> 0:25:31.320
<v Speaker 1>old on a small island walking to a beach by

0:25:31.520 --> 0:25:32.720
<v Speaker 1>his again.

0:25:32.520 --> 0:25:36.000
<v Speaker 2>If he was with the friend. Okay, but no, no,

0:25:36.320 --> 0:25:38.400
<v Speaker 2>I don't even like when my song leaders when we're

0:25:38.440 --> 0:25:40.440
<v Speaker 2>at Disney World go to the restroom on their own.

0:25:40.520 --> 0:25:43.639
<v Speaker 2>Take a buddy, okay, take somebody with you to make

0:25:43.680 --> 0:25:46.520
<v Speaker 2>sure that you don't venture off and die somewhere.

0:25:46.880 --> 0:25:47.240
<v Speaker 1>Okay.

0:25:47.359 --> 0:25:50.240
<v Speaker 2>Well, and nobody takes you, And nobody takes you because

0:25:50.240 --> 0:25:52.960
<v Speaker 2>you're cute. Okay, people are looking to take you. Got

0:25:52.960 --> 0:25:53.440
<v Speaker 2>a cute things.

0:25:53.520 --> 0:25:56.240
<v Speaker 1>Maybe it's different with girls, because I mean again, at thirteen,

0:25:56.280 --> 0:25:59.040
<v Speaker 1>we were riding our motorcycles in the woods and camping

0:25:59.080 --> 0:26:00.120
<v Speaker 1>out all the time.

0:26:00.040 --> 0:26:02.720
<v Speaker 2>And we knew where you were at. This is different.

0:26:02.760 --> 0:26:03.719
<v Speaker 2>She doesn't know where she is.

0:26:03.880 --> 0:26:08.040
<v Speaker 1>We will disagree agree. She's kinna knock because it's like

0:26:08.119 --> 0:26:14.400
<v Speaker 1>right down anyway. Okay. Sabrinas is clearly team her dad,

0:26:14.480 --> 0:26:18.200
<v Speaker 1>Team Ben. She argues, though, that she's thirteen, not a baby.

0:26:18.240 --> 0:26:20.480
<v Speaker 1>I would argue that as well. Elizabeth even tries to

0:26:20.480 --> 0:26:23.119
<v Speaker 1>get Vince Ben, but he's scared of riptides and currents. Okay,

0:26:23.160 --> 0:26:25.560
<v Speaker 1>that's fair. Sidney tries to compromise. She won't go in

0:26:25.600 --> 0:26:28.160
<v Speaker 1>the water, she'll just take pictures. And so the next

0:26:28.200 --> 0:26:30.360
<v Speaker 1>day we see the plan. She's given a cell phone

0:26:30.400 --> 0:26:32.359
<v Speaker 1>and case on emergency in two thousand, which I'm surprised

0:26:32.359 --> 0:26:34.680
<v Speaker 1>didn't have to be carried in a backpack. Sydney leaves

0:26:34.680 --> 0:26:37.040
<v Speaker 1>for the beach just as two real estate agents arrived

0:26:37.040 --> 0:26:39.800
<v Speaker 1>to talk about selling the house. While they're busy with introductions,

0:26:39.800 --> 0:26:42.959
<v Speaker 1>she sneaks into the shed and takes the found surfboard

0:26:42.960 --> 0:26:45.280
<v Speaker 1>with her. Uh oh, she might be a rule breaker.

0:26:46.240 --> 0:26:48.000
<v Speaker 1>When she arrives at the beach, Ga and the gang

0:26:48.040 --> 0:26:50.440
<v Speaker 1>are already catching some waves. Happy to see her, Gia

0:26:50.560 --> 0:26:52.679
<v Speaker 1>encourage her sort to jump, but Sidney wants to hang

0:26:52.720 --> 0:26:54.960
<v Speaker 1>out a little and survey their little homemade beach house.

0:26:55.359 --> 0:26:59.639
<v Speaker 1>Sydney meets Gia's pals Linnea and Malay, then they're joined

0:26:59.640 --> 0:27:02.919
<v Speaker 1>by some cute surfer boys, including one frosted tip punk

0:27:03.000 --> 0:27:05.880
<v Speaker 1>named ConA, who broke his arm trying a skateboard trick.

0:27:06.080 --> 0:27:07.960
<v Speaker 1>He's stuck in the sand for now, so Sydney immediately

0:27:07.960 --> 0:27:10.639
<v Speaker 1>starts taking pictures of him, and he explains everyone surfs

0:27:10.640 --> 0:27:14.600
<v Speaker 1>on the island unless they're a major dork. Okay, question

0:27:16.560 --> 0:27:18.919
<v Speaker 1>do you think do you remember reading the script?

0:27:20.280 --> 0:27:20.560
<v Speaker 2>Yes?

0:27:20.840 --> 0:27:22.520
<v Speaker 1>Do you remember most things about the script?

0:27:23.640 --> 0:27:27.720
<v Speaker 2>Uh? Not most things? I remember this.

0:27:28.920 --> 0:27:35.440
<v Speaker 1>Did ConA have a broken arm in the script? Yes

0:27:36.000 --> 0:27:38.600
<v Speaker 1>he did, Yes, you're sure.

0:27:38.680 --> 0:27:41.960
<v Speaker 2>Yeah, I'm almost positive because what kept him on the sand.

0:27:42.040 --> 0:27:43.639
<v Speaker 2>Otherwise he would have been out in the ocean and

0:27:43.680 --> 0:27:44.560
<v Speaker 2>she wouldn't have right.

0:27:44.600 --> 0:27:48.680
<v Speaker 1>But but he's still skateboarding, he's still swimming after her,

0:27:49.240 --> 0:27:51.879
<v Speaker 1>all that kind of stuff. It just seemed like, like

0:27:52.000 --> 0:27:54.480
<v Speaker 1>why he could have still stayed and had a conversation

0:27:54.520 --> 0:27:56.600
<v Speaker 1>where the fact that he had a broken arm meant

0:27:56.640 --> 0:27:58.000
<v Speaker 1>nothing to the story.

0:27:58.520 --> 0:28:01.000
<v Speaker 2>Later Yeah, yeah, he just didn't need to.

0:28:01.000 --> 0:28:03.520
<v Speaker 1>And so in my head, I was like, does he did?

0:28:03.560 --> 0:28:05.399
<v Speaker 1>They have to change it because the actor broke his

0:28:05.480 --> 0:28:07.159
<v Speaker 1>arm right before they were going to start.

0:28:07.520 --> 0:28:09.159
<v Speaker 2>Oh, I don't think so.

0:28:09.440 --> 0:28:11.440
<v Speaker 1>You remember he had a broken arm in the script, Okay,

0:28:11.440 --> 0:28:13.000
<v Speaker 1>Because to me, I was like, it makes no sense

0:28:13.040 --> 0:28:14.719
<v Speaker 1>that this kid has a broken arm, Like it just

0:28:14.920 --> 0:28:16.600
<v Speaker 1>it did nothing for the story. He's still doing all

0:28:16.600 --> 0:28:18.359
<v Speaker 1>his skateboarding stuff. So they want to keep him on

0:28:18.359 --> 0:28:20.879
<v Speaker 1>the beach. That's fine. They can keep them there to

0:28:20.920 --> 0:28:22.480
<v Speaker 1>talk with her and he can still run in and

0:28:22.520 --> 0:28:25.560
<v Speaker 1>catch a wave or two. Yeah, because it just didn't

0:28:25.560 --> 0:28:27.199
<v Speaker 1>I didn't understand why he had a broken arm. It

0:28:27.240 --> 0:28:29.560
<v Speaker 1>just was completely and totally unnecessary, right.

0:28:29.600 --> 0:28:33.600
<v Speaker 2>I mean, I mean feel like I remember friends that

0:28:33.640 --> 0:28:36.359
<v Speaker 2>would break their arms and they would still skate versus like,

0:28:36.440 --> 0:28:38.160
<v Speaker 2>you can't go in the water with your count.

0:28:38.560 --> 0:28:40.720
<v Speaker 1>He went in several times. I guess he's trying to

0:28:40.720 --> 0:28:44.880
<v Speaker 1>save people, but still I don't get that I understood.

0:28:44.920 --> 0:28:46.520
<v Speaker 2>I mean, I feel like it's like he's not going

0:28:46.600 --> 0:28:49.120
<v Speaker 2>to not go in to save someone, but like, I know,

0:28:49.200 --> 0:28:49.520
<v Speaker 2>it just.

0:28:49.480 --> 0:28:52.400
<v Speaker 1>Didn't Yeah, it didn't seem it didn't seem like it

0:28:52.520 --> 0:28:54.160
<v Speaker 1>did anything for the story that the guy had a

0:28:54.160 --> 0:28:55.320
<v Speaker 1>broken arm. Frankly, I just.

0:28:57.520 --> 0:29:00.480
<v Speaker 2>What beached him, Like, yeah, I mean to go into

0:29:00.480 --> 0:29:02.400
<v Speaker 2>the water and get them to be able to have

0:29:02.560 --> 0:29:04.600
<v Speaker 2>time away from the friends.

0:29:04.440 --> 0:29:07.680
<v Speaker 1>Which easily could have done that without him with the

0:29:07.720 --> 0:29:10.880
<v Speaker 1>weird story of having a broken arm. Anyway, he says

0:29:11.000 --> 0:29:13.800
<v Speaker 1>longboards like Sydney's are for relaxing cruises, but a short

0:29:13.840 --> 0:29:16.920
<v Speaker 1>board is extreme. She's impressed and calls him a poet,

0:29:17.120 --> 0:29:20.400
<v Speaker 1>which honestly seems undeserves His words weren't poetic at all.

0:29:20.280 --> 0:29:23.720
<v Speaker 2>But I thought she was going to finish the sentence.

0:29:23.840 --> 0:29:25.600
<v Speaker 2>It's like, you're a poet. You don't even know.

0:29:25.800 --> 0:29:27.480
<v Speaker 1>I don't even know. I swear.

0:29:27.520 --> 0:29:29.240
<v Speaker 2>I was like, oh God, oh, oh, oh, is.

0:29:29.160 --> 0:29:31.320
<v Speaker 1>That where we're going? Oh my god, Yeah, I didn't

0:29:31.320 --> 0:29:33.200
<v Speaker 1>think it was poetic, but to each his own. He

0:29:33.240 --> 0:29:36.000
<v Speaker 1>also quickly realizes she's never served before, so she admits

0:29:36.040 --> 0:29:38.440
<v Speaker 1>a little secret between Chicago and her nervous dad. She's

0:29:38.480 --> 0:29:41.360
<v Speaker 1>never even thought about surfing before. We cut it later

0:29:41.440 --> 0:29:44.040
<v Speaker 1>and the girls are having a small tutorial for Sydney,

0:29:44.160 --> 0:29:48.960
<v Speaker 1>and now she's ready. Uh, you didn't lose sound in

0:29:48.960 --> 0:29:51.240
<v Speaker 1>your podcast. I'm just pausing because I have no idea

0:29:51.280 --> 0:29:53.640
<v Speaker 1>how long the scene was supposed to represent in real life.

0:29:53.640 --> 0:29:54.840
<v Speaker 1>But in the run of the movie they teach her

0:29:54.880 --> 0:29:59.200
<v Speaker 1>for about four seconds. I don't see how. And then

0:30:00.080 --> 0:30:02.640
<v Speaker 1>Ga says having fear is part of the fun, and

0:30:02.680 --> 0:30:05.320
<v Speaker 1>Sydney gives in and walks into the water. And guess

0:30:05.320 --> 0:30:08.960
<v Speaker 1>who we see as now after the quickest montage in

0:30:09.000 --> 0:30:11.920
<v Speaker 1>film history as she walks in the water, the creeper

0:30:12.000 --> 0:30:15.040
<v Speaker 1>from the beginning of the movie, still with binoculars. And

0:30:15.080 --> 0:30:16.840
<v Speaker 1>then this is something again. I wanted you to keep

0:30:16.840 --> 0:30:20.040
<v Speaker 1>this in mind that everyone forgot existed. And then guess what.

0:30:20.240 --> 0:30:25.240
<v Speaker 1>It never happens again. We never see this again. It's

0:30:25.280 --> 0:30:29.200
<v Speaker 1>never dressed again. It's it's this guy's broken arm. Why

0:30:29.240 --> 0:30:30.479
<v Speaker 1>the hell would they even do this?

0:30:30.680 --> 0:30:36.640
<v Speaker 2>It never very Sabrina sees what happened to the box?

0:30:37.240 --> 0:30:40.640
<v Speaker 1>Where's where's Johnny binoculars? Like?

0:30:40.760 --> 0:30:44.720
<v Speaker 2>What happened? Did we ever find was that the real

0:30:44.840 --> 0:30:48.160
<v Speaker 2>estate people don't know her mom's best friend that we

0:30:48.280 --> 0:30:49.800
<v Speaker 2>find later? Was it?

0:30:50.120 --> 0:30:52.600
<v Speaker 1>I don't know, it's a guy on the other side

0:30:52.600 --> 0:30:55.000
<v Speaker 1>of the beach where there are surfing competitions. Yeah, because

0:30:55.040 --> 0:31:00.000
<v Speaker 1>it was so weird and he just never comes up again,

0:31:00.440 --> 0:31:00.680
<v Speaker 1>was it?

0:31:00.720 --> 0:31:02.880
<v Speaker 2>I mean, do you think that there was a scene

0:31:02.920 --> 0:31:05.200
<v Speaker 2>that ends up getting explained and that's just what hit

0:31:05.240 --> 0:31:07.320
<v Speaker 2>the floor? That was the three minutes we lost for me?

0:31:07.440 --> 0:31:11.160
<v Speaker 1>Maybe it's three minutes about binocular john Like, I don't know.

0:31:11.680 --> 0:31:12.600
<v Speaker 2>I don't know either.

0:31:13.160 --> 0:31:17.960
<v Speaker 1>Never happens again. Sidney now paddles out into the ocean

0:31:18.000 --> 0:31:20.000
<v Speaker 1>and falls off, then gets back up and tries again.

0:31:20.080 --> 0:31:21.840
<v Speaker 1>At the end of the day, She's frustrated, but Gia

0:31:21.840 --> 0:31:24.000
<v Speaker 1>tells her not to worry. She'll get it, but Sidney

0:31:24.000 --> 0:31:27.040
<v Speaker 1>reveals she's only in Hawaii for two weeks. She is confused.

0:31:27.080 --> 0:31:28.320
<v Speaker 1>What about the house, isn't it hers?

0:31:28.320 --> 0:31:28.480
<v Speaker 2>Now?

0:31:28.560 --> 0:31:31.240
<v Speaker 1>Sidney says they can't move because of her parents' jobs.

0:31:31.680 --> 0:31:34.640
<v Speaker 1>But you can tell she wishes that they could back

0:31:34.640 --> 0:31:37.040
<v Speaker 1>at home. Elizabeth asked Sidney about her day. Sidney says

0:31:37.080 --> 0:31:39.600
<v Speaker 1>taking pictures went great, but she's concerned about how weird

0:31:39.920 --> 0:31:42.520
<v Speaker 1>her dad has been acting lately. Elizabeth is as sure

0:31:42.560 --> 0:31:45.080
<v Speaker 1>Sydney it's not her Adults sometimes get lost in their

0:31:45.120 --> 0:31:47.960
<v Speaker 1>own boring adult problems. Sidney thinks he's worried too much,

0:31:48.040 --> 0:31:51.480
<v Speaker 1>especially because she's very careful in life. Elizabeth actually agrees

0:31:51.520 --> 0:31:53.840
<v Speaker 1>and praises her, and it's a very nice parenting scene,

0:31:53.840 --> 0:31:56.880
<v Speaker 1>something we really see in d com So congrats to

0:31:57.280 --> 0:31:59.200
<v Speaker 1>keep saying rip girls. Can we please buy the end

0:31:59.200 --> 0:32:02.960
<v Speaker 1>of this podcast? Come up? They better name than I

0:32:03.000 --> 0:32:03.760
<v Speaker 1>will say.

0:32:04.000 --> 0:32:10.800
<v Speaker 2>This stepmom dynamic has been one of my favorite parenting relationship.

0:32:11.120 --> 0:32:13.640
<v Speaker 2>She was a great character seeing she was a great

0:32:13.760 --> 0:32:19.760
<v Speaker 2>character all the way through the movie. Loved this character

0:32:19.800 --> 0:32:22.600
<v Speaker 2>and I was so great, so so grateful that this

0:32:23.040 --> 0:32:25.880
<v Speaker 2>relationship was represented. And this is one of the things

0:32:25.880 --> 0:32:28.440
<v Speaker 2>that I love about Disney, and y'all know this even

0:32:28.480 --> 0:32:31.280
<v Speaker 2>listening to this podcast. This kind of representation of being

0:32:31.760 --> 0:32:35.000
<v Speaker 2>seen is why Disney had such great fans, is because

0:32:35.040 --> 0:32:39.320
<v Speaker 2>this spoke to a very big group of people and kids.

0:32:39.360 --> 0:32:42.200
<v Speaker 2>And how I think I mean it was awesome, like

0:32:42.240 --> 0:32:43.960
<v Speaker 2>the step parent awesome in this.

0:32:44.160 --> 0:32:47.880
<v Speaker 1>I agree percent. Could it be something with Home Coming,

0:32:48.000 --> 0:32:54.200
<v Speaker 1>Home Waves Home. I don't know. Oh I don't ride,

0:32:54.320 --> 0:32:56.479
<v Speaker 1>but it's even that it's like you're still that it's

0:32:56.480 --> 0:32:59.080
<v Speaker 1>a surfing movie. I don't know, because there was.

0:32:59.040 --> 0:33:04.280
<v Speaker 2>A little bit of surf. There's a little and they

0:33:04.320 --> 0:33:07.680
<v Speaker 2>talk about culture and why of course.

0:33:07.400 --> 0:33:10.000
<v Speaker 1>But they didn't show it. Why not call it skateboarding

0:33:10.120 --> 0:33:14.680
<v Speaker 1>ConA skateboarding movie. There's basically as much of that as

0:33:14.720 --> 0:33:19.840
<v Speaker 1>there is a surfing. I mean like two or three

0:33:19.920 --> 0:33:24.280
<v Speaker 1>little surfing scenes. That's it. This was not a surfing.

0:33:23.960 --> 0:33:27.360
<v Speaker 2>Movie to be called rip girls, right right.

0:33:28.400 --> 0:33:30.479
<v Speaker 1>Anyway, We cut to Ben and Sydney now with Bo

0:33:30.560 --> 0:33:32.560
<v Speaker 1>at the real estate office. The agent's explained that the

0:33:32.640 --> 0:33:35.000
<v Speaker 1>current offers from someone who wanted to buy the property

0:33:35.080 --> 0:33:38.240
<v Speaker 1>years ago, but Sydney's grandma wasn't interested in selling. She

0:33:38.360 --> 0:33:40.560
<v Speaker 1>loved her land and didn't even look at the proposal.

0:33:40.760 --> 0:33:43.040
<v Speaker 1>But Sydney and her dad do want to look at it.

0:33:43.040 --> 0:33:44.960
<v Speaker 1>It's from a company looking to build a new resort,

0:33:45.000 --> 0:33:47.440
<v Speaker 1>but the historical house and shed would have to be demolished,

0:33:47.760 --> 0:33:50.920
<v Speaker 1>but they'll keep the name Horden Resort. At Plantation Mackay.

0:33:51.440 --> 0:33:53.360
<v Speaker 1>The agents say they can talk to Horden about keeping

0:33:53.360 --> 0:33:55.800
<v Speaker 1>the structure, but also the beach is currently set to

0:33:55.800 --> 0:34:04.640
<v Speaker 1>be for just resort guests. It's all very concerning to Sydney.

0:34:06.040 --> 0:34:08.279
<v Speaker 1>What do you think the offer was for? I mean beach.

0:34:08.480 --> 0:34:10.640
<v Speaker 1>It's supposed to be two thousand, talking.

0:34:10.520 --> 0:34:13.319
<v Speaker 2>Two thousands, your two thousand, But.

0:34:13.320 --> 0:34:15.799
<v Speaker 1>It's probably in the millions, don't you reckon? I mean, like, oh,

0:34:15.840 --> 0:34:20.520
<v Speaker 1>for sure two million bucks? Maybe No, I bet you

0:34:20.719 --> 0:34:21.479
<v Speaker 1>one point five.

0:34:22.239 --> 0:34:23.919
<v Speaker 2>No, I would think it'd be closer to.

0:34:23.920 --> 0:34:27.000
<v Speaker 1>Ten even in two thousand you think, I guess it's

0:34:27.080 --> 0:34:27.640
<v Speaker 1>beach front.

0:34:27.680 --> 0:34:29.960
<v Speaker 2>It's a plantation and it's beach front.

0:34:30.040 --> 0:34:34.040
<v Speaker 1>Yeah, I guess that's true. So ten to fifteen mil. Yeah,

0:34:34.239 --> 0:34:35.359
<v Speaker 1>that it's tough to turn down.

0:34:36.200 --> 0:34:37.040
<v Speaker 2>Uh.

0:34:37.120 --> 0:34:40.120
<v Speaker 1>It could have been called rich girls have been called

0:34:40.200 --> 0:34:46.799
<v Speaker 1>rich girls. Yeah girls, Yeah exactly. You're offering me twenty

0:34:46.800 --> 0:34:48.800
<v Speaker 1>five million dollars. It was nice to meet you, Johnny.

0:34:48.840 --> 0:34:49.800
<v Speaker 1>It's gum whatever.

0:34:50.040 --> 0:34:53.200
<v Speaker 2>So to like again, I'm on this dad's side so

0:34:53.320 --> 0:34:58.920
<v Speaker 2>hard because it's also Liken your team. Ben Ben is like,

0:34:59.280 --> 0:35:03.080
<v Speaker 2>I'm like, okay, because you put me on, you give

0:35:03.120 --> 0:35:06.120
<v Speaker 2>me a resort or you give me this big piece

0:35:06.160 --> 0:35:10.680
<v Speaker 2>of land that I have zero idea of how to maintain,

0:35:11.080 --> 0:35:12.680
<v Speaker 2>like the mountain.

0:35:12.840 --> 0:35:15.200
<v Speaker 1>You just give me a farm, can't do it.

0:35:15.080 --> 0:35:18.600
<v Speaker 2>Myself, Like my my cousin bought a two hundred acres

0:35:18.680 --> 0:35:22.239
<v Speaker 2>in uh West Virginia, and I like my first thing

0:35:22.360 --> 0:35:23.600
<v Speaker 2>was like, how do you.

0:35:23.800 --> 0:35:24.759
<v Speaker 1>Gonna do who?

0:35:25.080 --> 0:35:26.920
<v Speaker 2>Who does it? Like? Who do you do? Who does

0:35:26.920 --> 0:35:28.560
<v Speaker 2>that for you? And she's like We're gonna do it?

0:35:28.560 --> 0:35:37.000
<v Speaker 1>And I'm like, yeah, you work the land? No, all right?

0:35:37.040 --> 0:35:39.000
<v Speaker 1>So that's the movie would have ended right there with

0:35:39.120 --> 0:35:41.359
<v Speaker 1>just Sabrina signing the papers exactly.

0:35:41.040 --> 0:35:44.880
<v Speaker 2>Would be yes sign sign sign like also, like it

0:35:44.880 --> 0:35:47.720
<v Speaker 2>didn't look like they had staff doing it, like who

0:35:47.800 --> 0:35:48.879
<v Speaker 2>is maintaining this land?

0:35:48.880 --> 0:35:50.719
<v Speaker 1>That well, they had some people that were out there.

0:35:50.760 --> 0:35:52.600
<v Speaker 1>They did show the people cleaning up the resort and

0:35:52.600 --> 0:35:54.239
<v Speaker 1>cleaning up the land. They showed a kind of a

0:35:54.280 --> 0:35:56.440
<v Speaker 1>crew out there cleaning up. So that part my.

0:35:56.600 --> 0:35:58.440
<v Speaker 2>If it was people had jobs, I'm not trying to

0:35:58.480 --> 0:36:01.359
<v Speaker 2>get anyone's like livelihood and situation, so then like that

0:36:01.440 --> 0:36:07.360
<v Speaker 2>might be a part. But like ten million dollars.

0:36:06.520 --> 0:36:08.880
<v Speaker 1>I thought you're called seriously, the movie would have been

0:36:08.920 --> 0:36:10.920
<v Speaker 1>it would have been a short film about Sabrina going

0:36:11.000 --> 0:36:12.680
<v Speaker 1>and signing papers to become rich.

0:36:13.280 --> 0:36:15.880
<v Speaker 2>I would love to inherit something. Let me tell you

0:36:15.880 --> 0:36:19.880
<v Speaker 2>when Sabrina Brian is not inheriting anything. But if it was,

0:36:20.040 --> 0:36:20.640
<v Speaker 2>it was worth.

0:36:20.480 --> 0:36:22.840
<v Speaker 1>Ten million signing on the dotted line.

0:36:23.000 --> 0:36:27.160
<v Speaker 2>Thank you very much, stamp nails, son.

0:36:28.560 --> 0:36:31.720
<v Speaker 1>And movie over, thank you very much. Nice. You wouldn't

0:36:31.760 --> 0:36:33.680
<v Speaker 1>have met any of the other people on the island.

0:36:33.760 --> 0:36:35.280
<v Speaker 1>I would have gone, I would have gotten a sandwich.

0:36:35.280 --> 0:36:36.600
<v Speaker 1>I would have signed the papers. I would have been,

0:36:39.280 --> 0:36:41.440
<v Speaker 1>We'll find you a nice boy somewhere else. We're now

0:36:41.480 --> 0:36:42.680
<v Speaker 1>worth twenty five million dollars.

0:36:43.920 --> 0:36:46.120
<v Speaker 2>We have just upped our auntie. Wow.

0:36:47.440 --> 0:36:50.160
<v Speaker 1>Later, well, some people who don't think on that, don't

0:36:50.160 --> 0:36:52.720
<v Speaker 1>think like that, are staying on the island. So later,

0:36:53.360 --> 0:36:55.799
<v Speaker 1>Gia and the girls are back out surfing kind of.

0:36:55.840 --> 0:36:59.919
<v Speaker 1>When Sydney returns longboarded hand, Gia encourages her she'll own

0:37:00.120 --> 0:37:02.560
<v Speaker 1>waves today and as a result, this is another thing.

0:37:02.880 --> 0:37:04.920
<v Speaker 1>We get a loud song and said the nervously paddles

0:37:04.920 --> 0:37:06.840
<v Speaker 1>out and catches a wave. She gets up and almost

0:37:06.920 --> 0:37:08.719
<v Speaker 1>makes it all the way to the shore before wiping out.

0:37:08.719 --> 0:37:12.960
<v Speaker 1>She's thrilled, what a success. Great. Did the mix of

0:37:13.000 --> 0:37:16.560
<v Speaker 1>this movie seem really off? To you. There was background

0:37:16.719 --> 0:37:19.279
<v Speaker 1>music that was so loud at times that I had

0:37:19.360 --> 0:37:21.480
<v Speaker 1>to put on the subtitles.

0:37:22.000 --> 0:37:25.160
<v Speaker 2>Oh really, because it was like, wow, I could.

0:37:25.239 --> 0:37:27.080
<v Speaker 1>I was like, I can't hear some of the dialogue.

0:37:27.120 --> 0:37:28.880
<v Speaker 1>The background music is so loud.

0:37:29.239 --> 0:37:33.239
<v Speaker 2>Oh I didn't. I didn't know. I didn't, but I did.

0:37:33.360 --> 0:37:36.200
<v Speaker 2>Like this was like a true right in there with

0:37:36.320 --> 0:37:41.360
<v Speaker 2>Brink and Johnny's Sunami, like the vibe of the ska music.

0:37:41.840 --> 0:37:45.880
<v Speaker 1>Yeah, and show us more of that as you're studying.

0:37:46.000 --> 0:37:48.200
<v Speaker 1>You're about to do the final surf off, like I'm

0:37:48.200 --> 0:37:50.160
<v Speaker 1>wait on god, why is that not happening?

0:37:51.560 --> 0:37:51.680
<v Speaker 2>Uh?

0:37:51.760 --> 0:37:54.840
<v Speaker 1>Yeah, there's the big race down Death Valley Hill or whatever.

0:37:55.080 --> 0:37:57.759
<v Speaker 2>Anyway, I already saw that in Brink. They can't do

0:37:58.560 --> 0:38:00.879
<v Speaker 2>but we saw it and everything and break my god.

0:38:00.880 --> 0:38:03.720
<v Speaker 1>If they had the even Buffalo Dreams had a race,

0:38:04.640 --> 0:38:08.719
<v Speaker 1>it's like, oh my god. So anyway, even ConA saw

0:38:08.719 --> 0:38:11.920
<v Speaker 1>it while carefully skateboarding nearby with his broken arm for

0:38:11.920 --> 0:38:14.239
<v Speaker 1>no reason. Ga says ConA is her best friend and

0:38:14.280 --> 0:38:18.440
<v Speaker 1>realizes Sydney likes likes him, oh double. Like time she

0:38:18.520 --> 0:38:20.960
<v Speaker 1>encourages Sidney to say something to him, he'll be stoked.

0:38:21.239 --> 0:38:24.080
<v Speaker 1>She says, ConA is a good listener and an incredible artist,

0:38:24.440 --> 0:38:27.360
<v Speaker 1>and now I kind of want to date ConA. But

0:38:27.480 --> 0:38:30.560
<v Speaker 1>for now, they've got waves to catch. Sydney paddles out

0:38:30.560 --> 0:38:32.120
<v Speaker 1>again and ready's for the next wave. But at the

0:38:32.160 --> 0:38:34.359
<v Speaker 1>last minute, g yells don't catch this one, but it's

0:38:34.360 --> 0:38:37.120
<v Speaker 1>too late. Sydney has thrown off the board immediately and

0:38:37.160 --> 0:38:40.279
<v Speaker 1>thrown underwater. Ga and ConA are concerned and rushed to

0:38:40.320 --> 0:38:42.319
<v Speaker 1>save her. She's still struggling in the current when ConA,

0:38:42.360 --> 0:38:46.920
<v Speaker 1>who's underwater cast and all pulls her out, saves her life.

0:38:47.120 --> 0:38:49.399
<v Speaker 1>Back on land, Sydney's bleeding. She's cut her head. How's

0:38:49.400 --> 0:38:51.399
<v Speaker 1>she going to explain this to her parents? Gea has

0:38:51.480 --> 0:38:54.600
<v Speaker 1>ConA get her mom for help, and then Sidney finds

0:38:54.640 --> 0:38:56.520
<v Speaker 1>herself lying in a hammock in a small house filled

0:38:56.560 --> 0:38:58.600
<v Speaker 1>with scary looking masks. It's been a while since we've

0:38:58.600 --> 0:39:00.360
<v Speaker 1>been in a horror movie, so this is a welcome return.

0:39:01.200 --> 0:39:02.759
<v Speaker 1>And they really they shot it like that, I mean

0:39:02.760 --> 0:39:04.600
<v Speaker 1>they shot it it was like scary, Matt It's like, wait,

0:39:04.640 --> 0:39:09.920
<v Speaker 1>aren't these these are like historical religious almost artifacts? And

0:39:09.920 --> 0:39:12.120
<v Speaker 1>the way they shot it was almost like scary scary,

0:39:12.160 --> 0:39:13.839
<v Speaker 1>and it's like, I get she's supposed to be waking

0:39:13.880 --> 0:39:15.480
<v Speaker 1>up from it, but these are also supposed to be

0:39:15.560 --> 0:39:19.239
<v Speaker 1>like their ancestors, spirits. I think so. I feel like

0:39:19.280 --> 0:39:21.800
<v Speaker 1>they made it a little scary for no kind of reason.

0:39:21.960 --> 0:39:25.480
<v Speaker 1>But yeah, yes, we are back in a horror movie.

0:39:25.800 --> 0:39:28.120
<v Speaker 1>Gia's mom, Malia, helps Sidney up and gives her a

0:39:28.200 --> 0:39:31.280
<v Speaker 1>secret cure ta Sidney admits she doesn't remember much. Malia

0:39:31.320 --> 0:39:33.680
<v Speaker 1>says to Sidney, you're so much like her, but before

0:39:33.719 --> 0:39:36.399
<v Speaker 1>she can explain what she meant, Gia returns. She says

0:39:36.440 --> 0:39:39.120
<v Speaker 1>Cona's cast is soggy because it got all wet, but

0:39:39.200 --> 0:39:41.319
<v Speaker 1>he's a hero. Now he wants to know when she'll

0:39:41.320 --> 0:39:44.760
<v Speaker 1>be back surfing, But Sydney's instinct is to quit, good instinct.

0:39:44.840 --> 0:39:48.239
<v Speaker 1>Something's hard just quit, especially when she notices her surfboard

0:39:48.320 --> 0:39:50.680
<v Speaker 1>is wrecked. But Gia's mom can fix it, just like

0:39:50.719 --> 0:39:53.239
<v Speaker 1>she can make healing tea. And now I want to

0:39:53.320 --> 0:39:58.400
<v Speaker 1>date She's mom. Who Frankly, I love these kind of characters.

0:39:58.480 --> 0:40:02.359
<v Speaker 1>It's the slightly older, still really good looking. It's kind

0:40:02.360 --> 0:40:07.319
<v Speaker 1>of a trope. It's really good looking, slightly spiritual. Uh,

0:40:07.360 --> 0:40:10.680
<v Speaker 1>you know, guide for lack of a better turn, Tea

0:40:11.560 --> 0:40:13.759
<v Speaker 1>makes weed. Yeah, first of all straight up by aahuasca.

0:40:13.800 --> 0:40:18.279
<v Speaker 1>She was tripping balls for hours. That's a woman. So yeah,

0:40:18.280 --> 0:40:20.719
<v Speaker 1>because you're a woman that's a big, big crush on her,

0:40:20.760 --> 0:40:21.520
<v Speaker 1>big crush on her.

0:40:21.880 --> 0:40:23.440
<v Speaker 2>Does make weed tea for you?

0:40:23.800 --> 0:40:26.080
<v Speaker 1>She does not? So does not make weed tea for me?

0:40:26.239 --> 0:40:29.719
<v Speaker 1>Nor do I drink weed tea? She does? She does not.

0:40:30.200 --> 0:40:32.840
<v Speaker 1>But that kind of spiritual like I love that almost

0:40:32.920 --> 0:40:34.279
<v Speaker 1>hippie vibe. You know, I grew up in a town

0:40:34.320 --> 0:40:36.520
<v Speaker 1>with a lot of hippies, so like almost hippie vibe.

0:40:36.600 --> 0:40:41.680
<v Speaker 1>Older woman probably smells like pechuli. She's gorgeous. She yeah knows,

0:40:41.840 --> 0:40:43.879
<v Speaker 1>is like connected to the land. Big fan of that.

0:40:44.080 --> 0:40:47.759
<v Speaker 2>I can't handle that. You assume what people smell.

0:40:47.560 --> 0:40:50.720
<v Speaker 1>Like, Oh yeah, but I'm also right. That's the thing.

0:40:51.200 --> 0:40:53.840
<v Speaker 1>I'm also right. I know exactly how she smells. She

0:40:53.880 --> 0:40:57.240
<v Speaker 1>smells like it's like kind of lavender, kind of petuli

0:40:57.360 --> 0:40:58.000
<v Speaker 1>and happiness.

0:40:58.040 --> 0:41:00.759
<v Speaker 2>We bring our guests on. When now I'm going to

0:41:00.880 --> 0:41:03.279
<v Speaker 2>ask from here on out, what do you think they smell?

0:41:03.400 --> 0:41:05.560
<v Speaker 1>What do you think that? I'd be happy to, I'd

0:41:05.560 --> 0:41:15.600
<v Speaker 1>be happy to. Malia reveals the surfboard was Sidney's mom's.

0:41:15.680 --> 0:41:18.000
<v Speaker 1>They were best friends since childhood and that's who she meant.

0:41:18.040 --> 0:41:21.080
<v Speaker 1>Sidney looks so much like Malia wants to show her something,

0:41:21.120 --> 0:41:22.880
<v Speaker 1>so they drive off on an ATV to hike up

0:41:22.880 --> 0:41:25.640
<v Speaker 1>a mountain, finding a beautiful view of another beach. Malia says,

0:41:25.719 --> 0:41:28.480
<v Speaker 1>this time every year, whales land here with their young

0:41:28.520 --> 0:41:30.680
<v Speaker 1>and it's a sacred event. The first time she saw

0:41:30.719 --> 0:41:33.480
<v Speaker 1>the whales was with Gia's mom at a magical ceremony.

0:41:33.680 --> 0:41:35.719
<v Speaker 1>Sidney hopes the whales arrived during her trip so she

0:41:35.719 --> 0:41:38.680
<v Speaker 1>can go to the ceremony herself. Malia brings Sidney back home,

0:41:38.680 --> 0:41:42.080
<v Speaker 1>where her parents were scared sick, but only Elizabeth is there.

0:41:42.080 --> 0:41:45.040
<v Speaker 1>Her dad is actually out looking for her. Still. Elizabeth

0:41:45.040 --> 0:41:47.200
<v Speaker 1>notices the cut, but Sydney hides how she got injured,

0:41:47.200 --> 0:41:49.840
<v Speaker 1>and that's when Ben returns. He's happy she's alive, of course,

0:41:49.880 --> 0:41:52.680
<v Speaker 1>but very concerned and she can't lie. She admits she

0:41:52.680 --> 0:41:54.719
<v Speaker 1>wants to be part of something always has, and so

0:41:54.920 --> 0:41:59.080
<v Speaker 1>she went surfing. Now her dad is furious, I understand this,

0:41:59.120 --> 0:42:01.680
<v Speaker 1>it's literally how we live wife. He sends Sidney to

0:42:01.680 --> 0:42:05.320
<v Speaker 1>her room and blames Malia. There, old friend, It's actually

0:42:05.320 --> 0:42:08.360
<v Speaker 1>not Malia's fault so much as Gia's. But anyway, old friends,

0:42:08.360 --> 0:42:10.960
<v Speaker 1>Ben and Malia argue as Sidney leaves her room. Ben

0:42:11.000 --> 0:42:13.440
<v Speaker 1>thinks Malia's encouraging her to serve, but Malya's focus on

0:42:13.480 --> 0:42:16.160
<v Speaker 1>how little she knows about her mother. Good adult conversation

0:42:16.200 --> 0:42:18.360
<v Speaker 1>where they're both kind of right. She thinks the ocean

0:42:18.440 --> 0:42:20.840
<v Speaker 1>is a great healer and Ben thinks it's a great destroyer.

0:42:21.120 --> 0:42:23.279
<v Speaker 1>On her way out, Malia encourages Ben to live again.

0:42:23.320 --> 0:42:25.720
<v Speaker 1>He needs to heal and now a long with her husband.

0:42:25.719 --> 0:42:28.680
<v Speaker 1>Elizabeth agrees. Ben says once they're back in Chicago, everything

0:42:28.719 --> 0:42:31.080
<v Speaker 1>will be better, but Elizabeth knows he's wrong. If you

0:42:31.520 --> 0:42:34.320
<v Speaker 1>end this speech she gave was really great. If you

0:42:34.600 --> 0:42:38.400
<v Speaker 1>and so adult, If he was having an affair, she'd

0:42:38.560 --> 0:42:40.560
<v Speaker 1>know what to do with that and fight through it

0:42:40.600 --> 0:42:42.640
<v Speaker 1>because she believes in them as a couple. But the

0:42:42.719 --> 0:42:45.200
<v Speaker 1>grief is too much. How can she fight a ghost?

0:42:45.480 --> 0:42:47.840
<v Speaker 1>And to top it all off, Sydney has heard everything.

0:42:47.880 --> 0:42:50.759
<v Speaker 1>And it was another really good scene between adults, very

0:42:50.800 --> 0:42:52.000
<v Speaker 1>well written, very well active.

0:42:52.239 --> 0:42:56.160
<v Speaker 2>It wasn't too heated, It wasn't it was literally to

0:42:56.280 --> 0:42:57.880
<v Speaker 2>the point.

0:42:57.480 --> 0:42:58.239
<v Speaker 1>And it wasn't.

0:42:58.520 --> 0:43:03.360
<v Speaker 2>Yeah, this was so good for people like again Disney

0:43:03.480 --> 0:43:06.280
<v Speaker 2>showing like there are other people out there going through

0:43:06.320 --> 0:43:08.880
<v Speaker 2>this same situation of how do you how do you

0:43:09.000 --> 0:43:13.040
<v Speaker 2>mourn the loss of one person and move on? Like

0:43:13.160 --> 0:43:14.680
<v Speaker 2>all of this was just so good.

0:43:15.000 --> 0:43:16.919
<v Speaker 1>It really was, And it's one of those things where

0:43:16.920 --> 0:43:19.160
<v Speaker 1>it does best they do, they do it great, and

0:43:19.200 --> 0:43:22.560
<v Speaker 1>it's it was. It wasn't man's plaining, It wasn't woman's plaining.

0:43:22.760 --> 0:43:26.439
<v Speaker 1>It was a real conversation between adults and very well written,

0:43:26.600 --> 0:43:27.240
<v Speaker 1>very well acted.

0:43:27.600 --> 0:43:30.440
<v Speaker 2>And how it would be as a young person to

0:43:30.640 --> 0:43:34.080
<v Speaker 2>listen to your your parents having this conversation.

0:43:34.200 --> 0:43:37.760
<v Speaker 1>Yeah, and the complexity too, yes, grief and the guilt

0:43:37.880 --> 0:43:40.000
<v Speaker 1>you feel when you move on and you can't fully

0:43:40.000 --> 0:43:41.719
<v Speaker 1>move on and I'm not I can't be in love

0:43:41.760 --> 0:43:43.359
<v Speaker 1>with somebody else when the person I love is gone.

0:43:43.440 --> 0:43:45.839
<v Speaker 1>It's very very deep and really well done.

0:43:45.960 --> 0:43:47.920
<v Speaker 2>I would like, do you do you think we'll come

0:43:47.960 --> 0:43:52.200
<v Speaker 2>across a dcom that goes through not at being someone

0:43:52.320 --> 0:43:55.560
<v Speaker 2>has died, but like literally just a divorce and a

0:43:55.600 --> 0:43:57.680
<v Speaker 2>new relationship.

0:43:57.760 --> 0:44:04.000
<v Speaker 1>Maybe that could be world's richest ca at. You never know,

0:44:04.320 --> 0:44:06.480
<v Speaker 1>it could just be there could be another poorly named

0:44:06.520 --> 0:44:10.120
<v Speaker 1>d coom that's really about this horrible divorce and the struggles.

0:44:10.160 --> 0:44:12.440
<v Speaker 2>Because I hope we do. I hope you'll do the

0:44:12.800 --> 0:44:14.319
<v Speaker 2>like a positive.

0:44:14.360 --> 0:44:16.920
<v Speaker 1>Yeah, maybe in some of the newer ones, because in

0:44:16.960 --> 0:44:19.480
<v Speaker 1>the older ones they don't do that. They don't do that.

0:44:19.680 --> 0:44:22.680
<v Speaker 2>It has the one one side has to be gone.

0:44:23.680 --> 0:44:26.080
<v Speaker 1>What was the one that we saw not too long

0:44:26.120 --> 0:44:29.040
<v Speaker 1>ago with the co parenting that they were divorced. He

0:44:29.200 --> 0:44:32.200
<v Speaker 1>dropped the dad is kind of has to learn to

0:44:32.200 --> 0:44:35.200
<v Speaker 1>be a better dad. She lives with her mom. We

0:44:35.360 --> 0:44:38.680
<v Speaker 1>just saw it. I can't remember what it was. He's

0:44:38.719 --> 0:44:41.080
<v Speaker 1>coming to pick her up at the house. He's always

0:44:41.080 --> 0:44:43.319
<v Speaker 1>doing other stuff. Oh, I can't remember. We'll remember what

0:44:43.360 --> 0:44:48.880
<v Speaker 1>it is. Yeah, we gotta do a rewatch rewatch. Yeah,

0:44:49.120 --> 0:44:51.400
<v Speaker 1>we'll have to do that. Later that night, out on

0:44:51.440 --> 0:44:53.719
<v Speaker 1>the patio, Sidney looks through one of her mom's old

0:44:53.760 --> 0:44:55.800
<v Speaker 1>yearbooks and sees pictures of her in front of another

0:44:55.840 --> 0:44:59.040
<v Speaker 1>house named Kala Loa. The next morning, she rushes up

0:44:59.040 --> 0:45:00.520
<v Speaker 1>to Gia and the girls in the each who are

0:45:00.520 --> 0:45:04.360
<v Speaker 1>meditating praying to the quote unquote original surfer Chick above

0:45:04.680 --> 0:45:07.520
<v Speaker 1>while braiding each other's hair to bring better waves. While

0:45:07.560 --> 0:45:10.560
<v Speaker 1>they concentrate, the surferboards playfully attack them with super soakers

0:45:10.600 --> 0:45:14.880
<v Speaker 1>and guess who's backskating. It's Hero pretty boy. Kona Sidney

0:45:14.920 --> 0:45:16.759
<v Speaker 1>finally gets a chance to thank him for saving her life,

0:45:16.800 --> 0:45:18.560
<v Speaker 1>which I was like, yeah, it's about time you go

0:45:18.600 --> 0:45:21.080
<v Speaker 1>over and be like, hey, thanks for saving my life.

0:45:21.239 --> 0:45:23.839
<v Speaker 1>And he made something for her. It's a theme park

0:45:23.920 --> 0:45:27.560
<v Speaker 1>like caricature drawing of her surfing and taking photos at

0:45:27.560 --> 0:45:28.920
<v Speaker 1>the same time. Did you get one of these done

0:45:28.960 --> 0:45:31.000
<v Speaker 1>as a kid where they take the thing you hate

0:45:31.000 --> 0:45:32.839
<v Speaker 1>most about yourself and make it three times the size

0:45:32.880 --> 0:45:33.720
<v Speaker 1>form nineteen dollars?

0:45:34.560 --> 0:45:36.560
<v Speaker 2>I have. I've gotten it done a couple times. But

0:45:36.640 --> 0:45:39.759
<v Speaker 2>the craziest part when I watched it, because I watched

0:45:39.800 --> 0:45:42.840
<v Speaker 2>it last night. We just went to SeaWorld and passed

0:45:42.880 --> 0:45:45.040
<v Speaker 2>one of those, and my mom's like, you should get

0:45:45.040 --> 0:45:47.560
<v Speaker 2>that done at the kids, I'm like, you and Jordan,

0:45:47.640 --> 0:45:48.920
<v Speaker 2>the four of you should do it. And I was like, no,

0:45:49.200 --> 0:45:53.400
<v Speaker 2>they always make my nose look so like this because

0:45:53.400 --> 0:45:56.600
<v Speaker 2>it's not super Why I beat every time I've done it,

0:45:57.440 --> 0:45:59.719
<v Speaker 2>how they do my nose like it's so annoying. I

0:45:59.760 --> 0:46:01.279
<v Speaker 2>will not do it again.

0:46:01.400 --> 0:46:01.640
<v Speaker 1>I don't.

0:46:01.680 --> 0:46:02.000
<v Speaker 3>I don't.

0:46:02.280 --> 0:46:04.040
<v Speaker 1>That's how I look when I get photographed, So I

0:46:04.040 --> 0:46:06.439
<v Speaker 1>don't even forget somebody drawing me. It's just not bad.

0:46:08.160 --> 0:46:08.480
<v Speaker 2>Uh do?

0:46:08.600 --> 0:46:10.680
<v Speaker 1>What do you think this drawing still exists in real life.

0:46:10.680 --> 0:46:13.240
<v Speaker 1>Do you think somebody has this drawing frame somewhere because

0:46:13.280 --> 0:46:15.920
<v Speaker 1>I would love to have this, Yes, actual drawing from

0:46:15.960 --> 0:46:16.480
<v Speaker 1>the movie.

0:46:17.080 --> 0:46:19.839
<v Speaker 2>Yeah, I'm sure, I bet, I hope. I hope that

0:46:20.040 --> 0:46:20.799
<v Speaker 2>Camille has it.

0:46:21.280 --> 0:46:23.399
<v Speaker 1>So we're gonna have to find out because I want

0:46:23.440 --> 0:46:25.560
<v Speaker 1>to get I want to get somebody to send one

0:46:25.560 --> 0:46:28.440
<v Speaker 1>of us an awesome dcom Memorabiliay. I mean you have

0:46:28.520 --> 0:46:30.080
<v Speaker 1>some because you're in it, but and I have some

0:46:30.200 --> 0:46:32.200
<v Speaker 1>from my wonderful World of Disney days, but I'd like

0:46:32.320 --> 0:46:36.800
<v Speaker 1>something like, you know, super yeah, skateboard I do is?

0:46:36.880 --> 0:46:37.640
<v Speaker 2>Ask Lisa.

0:46:37.800 --> 0:46:38.440
<v Speaker 1>She's got some.

0:46:38.680 --> 0:46:40.960
<v Speaker 2>She's got too crazy. We got to wear the camp

0:46:41.080 --> 0:46:41.759
<v Speaker 2>rock hats. Hope.

0:46:41.800 --> 0:46:43.320
<v Speaker 1>Yeah, us, Yeah, that's true.

0:46:43.320 --> 0:46:45.960
<v Speaker 2>We'll figure out some cool memorabilia out there, for sure.

0:46:46.160 --> 0:46:49.719
<v Speaker 1>There is. Sydney asked ConA about this Kaalaalola house in

0:46:49.800 --> 0:46:51.560
<v Speaker 1>her mom's picture, and he knows all about it. He

0:46:51.600 --> 0:46:54.160
<v Speaker 1>says it's on the plantation, abandoned and kind of spooky.

0:46:54.480 --> 0:46:56.719
<v Speaker 1>She's determined, but he has one question, how well do

0:46:56.800 --> 0:46:59.520
<v Speaker 1>you ride? And we cut to Sydney, Conah and Gea

0:46:59.560 --> 0:47:02.280
<v Speaker 1>on horse. It's the only way to get to this plantation. Apparently,

0:47:02.600 --> 0:47:05.000
<v Speaker 1>we get some beautiful scenery shots, and eventually they get

0:47:05.040 --> 0:47:07.759
<v Speaker 1>to the house, which is not only apparently haunted, it's

0:47:07.800 --> 0:47:10.640
<v Speaker 1>where all the cool parties used to be. Once they enter,

0:47:10.680 --> 0:47:13.160
<v Speaker 1>Sidney immediately feels the presence of her mom. She stumbles

0:47:13.160 --> 0:47:16.640
<v Speaker 1>into her mom's childhood bedroom. Back at the realtor's office,

0:47:16.680 --> 0:47:18.759
<v Speaker 1>the agents have called in Sydney, her parents and Bo

0:47:19.239 --> 0:47:22.640
<v Speaker 1>the Hordens have upped their offer. Now, see, Sabrina, had

0:47:22.640 --> 0:47:24.640
<v Speaker 1>you not signed, you would have gotten more money with

0:47:24.719 --> 0:47:27.440
<v Speaker 1>a seventy two hour window for response, and it's apparently

0:47:27.560 --> 0:47:30.200
<v Speaker 1>such a good offer. It's an easy decision to sell.

0:47:30.680 --> 0:47:33.480
<v Speaker 1>But back at home, Sydney still seems torn. See. I

0:47:33.480 --> 0:47:35.399
<v Speaker 1>would have added the line to show how much money

0:47:35.400 --> 0:47:37.680
<v Speaker 1>it is. When they say to her, hey, I hope

0:47:37.719 --> 0:47:40.520
<v Speaker 1>you've picked your IVY league college, I would have had

0:47:40.520 --> 0:47:43.080
<v Speaker 1>the other realtors say, because now you can afford to

0:47:43.080 --> 0:47:47.120
<v Speaker 1>buy it, just to show that it's a ton of money. Yes,

0:47:47.239 --> 0:47:51.040
<v Speaker 1>because I get it's a tough you know, it's supposed

0:47:51.040 --> 0:47:52.680
<v Speaker 1>to be a tough decision. But if you make it

0:47:53.360 --> 0:47:57.279
<v Speaker 1>so ridiculously life altering in money that the decision is crazy,

0:47:57.360 --> 0:48:00.239
<v Speaker 1>then it makes it for a tougher decision. But anyway, yes,

0:48:00.320 --> 0:48:01.000
<v Speaker 1>I think it would be good.

0:48:01.080 --> 0:48:02.840
<v Speaker 2>I mean, it wasn't tough for me to begin with.

0:48:03.040 --> 0:48:04.520
<v Speaker 1>No. I know again, you would have sold it in

0:48:04.520 --> 0:48:06.000
<v Speaker 1>the phone call. You never would have even been on

0:48:06.040 --> 0:48:09.799
<v Speaker 1>the plane, been like who died? Yeah, fact, fact it's

0:48:09.840 --> 0:48:14.239
<v Speaker 1>two thousand, Fax me the stuff. I'll sign right now,

0:48:14.920 --> 0:48:17.200
<v Speaker 1>right back, man, We're not even done with the conversation.

0:48:17.280 --> 0:48:20.080
<v Speaker 2>Yeah, now I can afford the good paper.

0:48:20.280 --> 0:48:22.440
<v Speaker 1>The see, had you just held out a little bit,

0:48:22.440 --> 0:48:24.440
<v Speaker 1>you would have gotten a better offer. But back at home,

0:48:24.480 --> 0:48:26.640
<v Speaker 1>Sidney still torn, and while thinking it over, she hears

0:48:26.640 --> 0:48:29.239
<v Speaker 1>some noise outside. It's Gia and Kona. They were sent

0:48:29.280 --> 0:48:32.520
<v Speaker 1>by Malia. It's time. We're now at the big Whale

0:48:32.560 --> 0:48:35.200
<v Speaker 1>ceremony at the beach and what looks like a very

0:48:35.239 --> 0:48:38.680
<v Speaker 1>festive luau, very pretty scene. Upon arrival, Sydney is greeted

0:48:38.719 --> 0:48:41.239
<v Speaker 1>by Malia with a flower for her ear, taught how

0:48:41.440 --> 0:48:44.879
<v Speaker 1>to hula by Kia, and treated to Hawaiian delicacies. One

0:48:44.920 --> 0:48:46.759
<v Speaker 1>elder is telling the story to a group of kids

0:48:46.800 --> 0:48:48.400
<v Speaker 1>about a boy and a girl and a tsunami and

0:48:48.440 --> 0:48:50.600
<v Speaker 1>forbidden love. And not only is there a happy ending

0:48:50.680 --> 0:48:52.720
<v Speaker 1>this story, but ConA and Sidney.

0:48:52.360 --> 0:48:54.880
<v Speaker 2>Kiss, and it was a kiss.

0:48:55.080 --> 0:48:57.919
<v Speaker 1>It was good, but it was like it was age appropriate.

0:48:57.960 --> 0:49:01.600
<v Speaker 1>I thought, yes, again, it was not what I think

0:49:01.640 --> 0:49:03.520
<v Speaker 1>we should start referring to as a c C. K.

0:49:03.880 --> 0:49:05.439
<v Speaker 1>It was not a Christy Carlson kiss.

0:49:05.560 --> 0:49:08.640
<v Speaker 2>Not a Christy Carlson because Christy Carlson is the only

0:49:08.760 --> 0:49:13.120
<v Speaker 2>person in Disney history to get a makeout such and

0:49:13.400 --> 0:49:15.600
<v Speaker 2>which she took it to the next level.

0:49:15.960 --> 0:49:18.160
<v Speaker 1>I mean, she took it to the next level. This

0:49:18.239 --> 0:49:20.240
<v Speaker 1>was a nice kiss, though, the next level. I also

0:49:20.360 --> 0:49:22.200
<v Speaker 1>really liked this scene. It's been done in a bunch

0:49:22.200 --> 0:49:24.279
<v Speaker 1>of movies, but I like the scene where the guy

0:49:24.360 --> 0:49:27.640
<v Speaker 1>is kind of or girl is translating and whispering the

0:49:27.680 --> 0:49:29.520
<v Speaker 1>story into the ear as somebody else tells it. It's

0:49:29.560 --> 0:49:32.200
<v Speaker 1>just very sweet. I'm a big fan of that and

0:49:32.760 --> 0:49:34.560
<v Speaker 1>I love it. So it was very very nice. But

0:49:34.600 --> 0:49:36.520
<v Speaker 1>there's no time. There's no time to celebrate here because

0:49:36.520 --> 0:49:42.200
<v Speaker 1>the whales are here. Sydney watches on with Malia. It's

0:49:42.360 --> 0:49:46.640
<v Speaker 1>very impressed by the beauty of just a horribly computer

0:49:46.760 --> 0:49:48.240
<v Speaker 1>graphic single whale.

0:49:48.600 --> 0:49:52.880
<v Speaker 2>What you didn't think that was all it was? I

0:49:53.000 --> 0:49:53.560
<v Speaker 2>thought it was.

0:49:56.320 --> 0:49:58.400
<v Speaker 1>I only had the money to do one. It was

0:49:58.440 --> 0:50:00.680
<v Speaker 1>like supposed to be this big thing one whale.

0:50:00.719 --> 0:50:05.320
<v Speaker 2>And then the Lincoln memorial.

0:50:07.000 --> 0:50:09.560
<v Speaker 1>Exactly suddenly I'm in the movie again.

0:50:09.920 --> 0:50:11.359
<v Speaker 2>Suddenly Will pops up.

0:50:11.440 --> 0:50:14.680
<v Speaker 1>It was not good.

0:50:14.960 --> 0:50:16.520
<v Speaker 2>It was it was, it was.

0:50:16.640 --> 0:50:17.800
<v Speaker 1>It was again.

0:50:18.680 --> 0:50:20.480
<v Speaker 2>We're on a Disney Channel budget.

0:50:20.960 --> 0:50:23.920
<v Speaker 1>You can't cut to just stock footage of whales.

0:50:24.239 --> 0:50:25.680
<v Speaker 2>That's the one they found.

0:50:26.600 --> 0:50:29.080
<v Speaker 1>But I mean, there's I could cut. You could google

0:50:29.200 --> 0:50:32.080
<v Speaker 1>whales right now, and even in two thousand, you could

0:50:32.120 --> 0:50:34.799
<v Speaker 1>have just gone to stock footage of whales. They had

0:50:34.840 --> 0:50:37.719
<v Speaker 1>to have had it. This was just this was not good.

0:50:38.320 --> 0:50:40.960
<v Speaker 1>But she has one big question for her mom's friend.

0:50:41.680 --> 0:50:45.319
<v Speaker 1>Was she there for the accident. Malia says that she was,

0:50:45.400 --> 0:50:47.080
<v Speaker 1>and it was on a perfect day in the ocean.

0:50:47.280 --> 0:50:49.360
<v Speaker 1>They took their first waves together with huge miles on

0:50:49.360 --> 0:50:51.799
<v Speaker 1>their faces, But when they got tired and started coming

0:50:51.840 --> 0:50:54.400
<v Speaker 1>back to the beach, a huge swell with waves stacking

0:50:54.440 --> 0:50:56.000
<v Speaker 1>up on top of each other, caught her off guard

0:50:56.080 --> 0:50:58.759
<v Speaker 1>and swept her towards the rocks. Melia says her dad

0:50:58.800 --> 0:51:00.799
<v Speaker 1>didn't even want to know the story. He just wanted

0:51:00.840 --> 0:51:03.359
<v Speaker 1>to leave and take Sydney with him. But Malia wants

0:51:03.360 --> 0:51:05.480
<v Speaker 1>Sidney to know her mom fought through those waves. As

0:51:05.520 --> 0:51:07.360
<v Speaker 1>hard as she could to get back to her daughter,

0:51:07.560 --> 0:51:10.080
<v Speaker 1>but Sidney's still angry her mom should have been there

0:51:10.080 --> 0:51:12.600
<v Speaker 1>for her. Now, Malia wants her and her dad to

0:51:12.640 --> 0:51:15.400
<v Speaker 1>release that anger for their own sakes. And then we

0:51:15.480 --> 0:51:18.800
<v Speaker 1>see the fake whale again doing exactly the same jump

0:51:18.880 --> 0:51:21.760
<v Speaker 1>with exactly the same thing. They just hit repeat again

0:51:21.840 --> 0:51:25.239
<v Speaker 1>on the same bad shot, and after a very nice

0:51:25.280 --> 0:51:29.000
<v Speaker 1>scene there was that, and it was like, man, there

0:51:29.120 --> 0:51:29.480
<v Speaker 1>we go.

0:51:30.200 --> 0:51:34.360
<v Speaker 2>You just kind of like wonder Like when the editors,

0:51:34.600 --> 0:51:38.160
<v Speaker 2>the director, all of that are like watching this back, Wow,

0:51:40.000 --> 0:51:40.600
<v Speaker 2>can we know what?

0:51:44.320 --> 0:51:46.120
<v Speaker 1>I'm sure they did, but it was like, what do

0:51:46.160 --> 0:51:48.040
<v Speaker 1>we do? What can we do? It's like just pre

0:51:48.360 --> 0:51:49.800
<v Speaker 1>hit return and run it again.

0:51:51.320 --> 0:51:54.799
<v Speaker 2>I didn't repeat? Yeah pretty much so close together, there's

0:51:54.880 --> 0:51:57.480
<v Speaker 2>not even enough time to get it the first time

0:51:57.719 --> 0:51:58.000
<v Speaker 2>you can.

0:51:58.080 --> 0:51:59.839
<v Speaker 1>It's even the whale was like in bear.

0:52:00.400 --> 0:52:02.560
<v Speaker 2>Yeah, that whale was like I'm sorry, I'm ready to

0:52:02.600 --> 0:52:03.240
<v Speaker 2>do this again.

0:52:03.480 --> 0:52:07.000
<v Speaker 1>Sorry it's me again. The next morning, Sydney returns home

0:52:07.040 --> 0:52:09.520
<v Speaker 1>once again to find an angry father. She left him

0:52:09.520 --> 0:52:11.840
<v Speaker 1>a note, but he still seems worried. She doesn't have

0:52:11.920 --> 0:52:14.040
<v Speaker 1>much to say to him other than you should have

0:52:14.080 --> 0:52:16.600
<v Speaker 1>told me. It shouldn't have been some deep, dark secret,

0:52:16.640 --> 0:52:19.320
<v Speaker 1>which is true, and he knows she's talking about the accident.

0:52:19.360 --> 0:52:21.359
<v Speaker 1>She storms off to her room and rips up the

0:52:21.400 --> 0:52:23.600
<v Speaker 1>picture of her mom that was on the vanity.

0:52:23.719 --> 0:52:24.160
<v Speaker 2>I hurt.

0:52:24.400 --> 0:52:27.200
<v Speaker 1>Yeah, it hurt me too. In the kitchen, benis spiraling.

0:52:27.280 --> 0:52:29.960
<v Speaker 1>He tells Elizabeth he keeps thinking he should have saved Leilani,

0:52:30.000 --> 0:52:32.160
<v Speaker 1>his wife that day. He didn't think he could ever

0:52:32.200 --> 0:52:34.480
<v Speaker 1>love anyone again, but then he found Elizabeth. It never

0:52:34.480 --> 0:52:36.240
<v Speaker 1>seemed fair to him that he can be so happy

0:52:36.280 --> 0:52:39.279
<v Speaker 1>now and yet she's dead. But Elizabeth knows she would

0:52:39.320 --> 0:52:42.280
<v Speaker 1>want him and Sydney and even her to be happy.

0:52:42.719 --> 0:52:45.040
<v Speaker 1>And this might be the most loving character in the

0:52:45.080 --> 0:52:48.400
<v Speaker 1>history of dcom She's a great character. And now I

0:52:48.440 --> 0:52:49.480
<v Speaker 1>just want to date Elizabeth.

0:52:49.560 --> 0:52:53.000
<v Speaker 2>And she never makes it about her, No, she really

0:52:53.120 --> 0:52:56.560
<v Speaker 2>does it. Like what an amazing I mean, how hard

0:52:56.600 --> 0:52:59.719
<v Speaker 2>it would be to have to do this situation with

0:52:59.800 --> 0:53:03.160
<v Speaker 2>your husband who you know, it's such a sensitive thing

0:53:03.200 --> 0:53:06.360
<v Speaker 2>and you're also helping raising their child, and like it's.

0:53:06.280 --> 0:53:08.880
<v Speaker 1>Just yeah, wow, yeah, great character.

0:53:09.120 --> 0:53:12.759
<v Speaker 2>Was an amazing character, A great character. Love to get

0:53:12.800 --> 0:53:14.239
<v Speaker 2>some of that great characters.

0:53:14.680 --> 0:53:18.560
<v Speaker 1>Yes, she was great, she was great. Your sign check

0:53:18.680 --> 0:53:22.680
<v Speaker 1>Yeah again you Sidney wouldn't have been allowed. Your daughter

0:53:22.719 --> 0:53:24.600
<v Speaker 1>wouldn't have been not allowed out of the house. You're

0:53:24.640 --> 0:53:27.120
<v Speaker 1>not you are. We are here for one reason. You're

0:53:27.120 --> 0:53:29.320
<v Speaker 1>gonna sit in that room until I signed the papers

0:53:29.320 --> 0:53:31.520
<v Speaker 1>and then we are out. I can't believe we even

0:53:31.560 --> 0:53:33.440
<v Speaker 1>have to be here. I've called door dash. Sit you

0:53:33.440 --> 0:53:35.960
<v Speaker 1>here out there, We'll be right back. That is a

0:53:36.040 --> 0:53:38.520
<v Speaker 1>much different movie starring Elizabeth.

0:53:38.600 --> 0:53:40.680
<v Speaker 2>I'm so sorry. I wish I could be you, but

0:53:40.760 --> 0:53:41.200
<v Speaker 2>I can't.

0:53:41.520 --> 0:53:44.400
<v Speaker 1>Great character. Ben takes his advice and asks Sidney on

0:53:44.400 --> 0:53:46.719
<v Speaker 1>a walk. Sidney says she just doesn't understand why she

0:53:46.800 --> 0:53:49.000
<v Speaker 1>knows nothing about her mom, But now Ben is an

0:53:49.000 --> 0:53:51.120
<v Speaker 1>open book. He tells Sidney how beautiful her mom was

0:53:51.120 --> 0:53:53.120
<v Speaker 1>and how similar they are, the way she moved, the

0:53:53.160 --> 0:53:55.439
<v Speaker 1>way she laughed. Being in Hawaiia has made him think

0:53:55.520 --> 0:53:59.040
<v Speaker 1>things through. Makai is her heritage, and so the decision

0:53:59.120 --> 0:54:01.919
<v Speaker 1>to sell the property is hers and hers alone, even

0:54:01.920 --> 0:54:04.240
<v Speaker 1>though she's a kid. She needs to find it in herself.

0:54:04.560 --> 0:54:08.160
<v Speaker 1>And this I love this other conversation too, because she's like, well,

0:54:08.160 --> 0:54:10.399
<v Speaker 1>we could use the money, right, and he's like, yeah, yeah,

0:54:10.400 --> 0:54:13.040
<v Speaker 1>we could definitely use the money. But you know, but

0:54:13.239 --> 0:54:16.040
<v Speaker 1>some people Disney a typical Disney thing would be like, hey,

0:54:16.520 --> 0:54:18.640
<v Speaker 1>don't think about money, it's not about that. You've got

0:54:18.680 --> 0:54:20.440
<v Speaker 1>to follow your heart. But he was like, yeah, no,

0:54:20.480 --> 0:54:23.480
<v Speaker 1>we could really use the money, like we that would

0:54:23.520 --> 0:54:27.320
<v Speaker 1>be helpful. Yes, but that's not important. Whatever Sidney decides,

0:54:27.360 --> 0:54:29.279
<v Speaker 1>Ben and Elizabeth will be there for her. But let's

0:54:29.320 --> 0:54:32.480
<v Speaker 1>be honest, Elizabeth is really the important part here. Sidney

0:54:32.480 --> 0:54:34.520
<v Speaker 1>wonders if they could live in Hawaii, and Ben actually

0:54:34.520 --> 0:54:37.360
<v Speaker 1>appears to be open to the idea. Back home, Sydney

0:54:37.440 --> 0:54:41.640
<v Speaker 1>uses photoshop and the most perfect tape job in the

0:54:41.719 --> 0:54:43.640
<v Speaker 1>history of the world. She puts one piece of tape

0:54:43.680 --> 0:54:46.040
<v Speaker 1>on and the picture looks I mean, I was like,

0:54:46.080 --> 0:54:50.960
<v Speaker 1>oh my god, she's a tape champion. She is. It's incredible.

0:54:51.200 --> 0:54:53.000
<v Speaker 1>She's That's what it should have been called. That's what

0:54:53.000 --> 0:54:56.640
<v Speaker 1>it should have been called. Tape Champion Girls. She uses photoshop,

0:54:56.680 --> 0:54:58.279
<v Speaker 1>which might be one of the first times in two

0:54:58.320 --> 0:55:00.640
<v Speaker 1>thousand we get to see photoshop early you on her mom,

0:55:00.680 --> 0:55:02.520
<v Speaker 1>and they created an image of the two of them together.

0:55:02.560 --> 0:55:05.360
<v Speaker 1>It was very, very sweet. The next day, Sydney finds

0:55:05.400 --> 0:55:08.160
<v Speaker 1>Gia's friends near the beach, and now everyone's ignoring or

0:55:08.200 --> 0:55:11.520
<v Speaker 1>even says she smells like dead fish.

0:55:11.200 --> 0:55:15.640
<v Speaker 2>Which I felt was like a really harsh.

0:55:15.000 --> 0:55:16.480
<v Speaker 1>That's super harsh.

0:55:16.239 --> 0:55:21.440
<v Speaker 2>Like you can't to me, I would assume, I don't

0:55:21.440 --> 0:55:24.959
<v Speaker 2>think I had a friend at all or anyone close

0:55:25.000 --> 0:55:27.440
<v Speaker 2>to me that had a parent that had passed away,

0:55:28.120 --> 0:55:33.680
<v Speaker 2>But I would assume using that word around them at all.

0:55:33.920 --> 0:55:37.080
<v Speaker 1>Is just inappropriate, not cool. I agree, I agree, And

0:55:37.360 --> 0:55:38.439
<v Speaker 1>you just met her.

0:55:38.440 --> 0:55:40.359
<v Speaker 2>That says she smells like fish, I guess if you're

0:55:40.400 --> 0:55:42.200
<v Speaker 2>trying to hit but she doesn't need to be a

0:55:42.239 --> 0:55:43.040
<v Speaker 2>dead fit.

0:55:42.800 --> 0:55:45.080
<v Speaker 1>Like that is like gorsh Yeah, I agree.

0:55:45.680 --> 0:55:47.560
<v Speaker 2>I wanted to pop this girl in the face, like, yeah,

0:55:47.600 --> 0:55:50.759
<v Speaker 2>come on, get get a little little bit of grace back,

0:55:51.000 --> 0:55:52.520
<v Speaker 2>Give her a little bit of grace Like that's.

0:55:52.800 --> 0:55:54.359
<v Speaker 1>Now, with the millions of dollars you just got from

0:55:54.400 --> 0:55:56.480
<v Speaker 1>selling the plantation, you can hire someone.

0:55:56.239 --> 0:56:00.680
<v Speaker 2>To friends to be honest. Exactly see what your name is,

0:56:01.040 --> 0:56:03.680
<v Speaker 2>knew you for two minutes by now check get out

0:56:03.760 --> 0:56:04.600
<v Speaker 2>with wealthy.

0:56:05.680 --> 0:56:07.640
<v Speaker 1>Sydney does not get what's going on. Then she sees

0:56:07.640 --> 0:56:10.000
<v Speaker 1>a newspaper headline about the resort buying the property, so

0:56:10.080 --> 0:56:12.920
<v Speaker 1>everyone thinks she's already sold it. Sidney runs off to

0:56:12.920 --> 0:56:15.880
<v Speaker 1>talk to Gia and Malia. Instead, she finds ConA clearing

0:56:15.880 --> 0:56:18.880
<v Speaker 1>a surf cleaning a surfboard and listening to Hawaiian rap music.

0:56:19.280 --> 0:56:21.200
<v Speaker 1>Gia isn't home, and ConA doesn't seem to be mad

0:56:21.200 --> 0:56:23.480
<v Speaker 1>at her. He's shaping and painting a surfboard for her.

0:56:23.680 --> 0:56:26.120
<v Speaker 1>It has that theme park image of her surfing and

0:56:26.160 --> 0:56:28.880
<v Speaker 1>taking photos on it. Very cool. She tells ConA that

0:56:28.880 --> 0:56:31.160
<v Speaker 1>she hasn't even decided on selling yet, and ConA reveals

0:56:31.160 --> 0:56:33.640
<v Speaker 1>that Gia has been standing up for her to everyone

0:56:33.880 --> 0:56:36.560
<v Speaker 1>and is currently at the beach. Sydney runs off and

0:56:36.560 --> 0:56:38.160
<v Speaker 1>finds her in a quiet place sitting on a rock

0:56:38.200 --> 0:56:40.480
<v Speaker 1>watching the waves. We learned that Gia's dad is a

0:56:40.640 --> 0:56:43.280
<v Speaker 1>deadbeat businessman who doesn't even call her for a birthday,

0:56:43.600 --> 0:56:45.760
<v Speaker 1>so she sees surfing as a release. By the way,

0:56:46.040 --> 0:56:50.520
<v Speaker 1>if this movie was called talking about Surfing, perfect title,

0:56:51.200 --> 0:56:54.680
<v Speaker 1>They talk about surfing an awful lot chat, surf Chat.

0:56:54.719 --> 0:56:57.239
<v Speaker 1>There you go, surf chicks Chat, something.

0:56:56.960 --> 0:56:58.320
<v Speaker 2>Like that surf chicks Chat.

0:56:58.520 --> 0:57:01.480
<v Speaker 1>So she uses surfing as a really Sydney reveals that

0:57:01.560 --> 0:57:04.200
<v Speaker 1>the resort has promised to add preserves for the whales

0:57:04.239 --> 0:57:05.920
<v Speaker 1>and regulations to the purchase so that a lot of

0:57:05.960 --> 0:57:08.560
<v Speaker 1>the plantation will actually stay intact, but Gia isn't sold.

0:57:08.600 --> 0:57:11.400
<v Speaker 1>It's becoming a resort, so everything will change. The whales

0:57:11.400 --> 0:57:13.480
<v Speaker 1>won't come back once the lagoon is filled with tourists.

0:57:13.480 --> 0:57:15.480
<v Speaker 1>It was, in all fairness, one whale, and it was

0:57:15.520 --> 0:57:17.680
<v Speaker 1>badly computer generated, so she could just hit a button

0:57:17.720 --> 0:57:20.760
<v Speaker 1>and have that whale back anytime she wants. Sidney says

0:57:20.800 --> 0:57:23.400
<v Speaker 1>she's worried that Gia and Malia are only friends with

0:57:23.440 --> 0:57:25.240
<v Speaker 1>her because of the inheritance, and the whole thing was

0:57:25.240 --> 0:57:28.520
<v Speaker 1>planned out to save the land. Gia admits that that

0:57:28.640 --> 0:57:30.960
<v Speaker 1>was sort of the original idea. I was like, oh

0:57:31.080 --> 0:57:33.480
<v Speaker 1>it was, but it changed once they got to know

0:57:33.520 --> 0:57:35.720
<v Speaker 1>each other. But Sidney doesn't believe her. She thinks she's

0:57:35.760 --> 0:57:38.960
<v Speaker 1>been worked, which she kind of has. Gia brings up

0:57:38.960 --> 0:57:41.320
<v Speaker 1>the lies Sidney told too, like being a surfer chick,

0:57:41.360 --> 0:57:43.600
<v Speaker 1>but that seemed a bit like gas lighting, But Sidney

0:57:43.600 --> 0:57:46.760
<v Speaker 1>points out an important technicality. She never actually lied. She

0:57:46.880 --> 0:57:49.440
<v Speaker 1>just admitted the truth and let her assume, which is

0:57:49.560 --> 0:57:51.480
<v Speaker 1>never really a good argument. They're both kind of wrong,

0:57:51.560 --> 0:57:54.560
<v Speaker 1>but one seems like, hey can you surf? And you're

0:57:54.600 --> 0:57:56.800
<v Speaker 1>like well, and the other one is like, I'm going

0:57:56.840 --> 0:57:58.280
<v Speaker 1>to pretend to be friends with you. So you don't

0:57:58.280 --> 0:58:01.840
<v Speaker 1>sell this important land, don't seem it seems like Apple's

0:58:02.000 --> 0:58:03.880
<v Speaker 1>and I'm going to be friends with you, So you

0:58:03.880 --> 0:58:09.960
<v Speaker 1>don't intel this important land. It's just like yikes, yeah, anyway, Yeah,

0:58:10.080 --> 0:58:13.120
<v Speaker 1>I'm one of those. I thought Ga was wrong there, frankly, yes.

0:58:13.200 --> 0:58:18.720
<v Speaker 2>And it got escalated very quickly. Yes, girls around thirteen.

0:58:19.360 --> 0:58:22.000
<v Speaker 1>Boys too, fan so quick like boys too.

0:58:22.080 --> 0:58:25.480
<v Speaker 2>You're like, oh man, it's it's a rough.

0:58:25.280 --> 0:58:27.640
<v Speaker 1>Age, it is, but you know what was missing, which

0:58:28.120 --> 0:58:30.160
<v Speaker 1>is more exciting is a good on the beach fight

0:58:30.240 --> 0:58:33.760
<v Speaker 1>scene like in point Break. Yeah. Something in point Break

0:58:33.760 --> 0:58:37.120
<v Speaker 1>they're smashing each other's surfboards.

0:58:36.120 --> 0:58:39.040
<v Speaker 2>Just running. Yeah, so hit the shoulder.

0:58:39.160 --> 0:58:41.520
<v Speaker 1>Eana Reeves fights back like, yeah.

0:58:42.080 --> 0:58:44.040
<v Speaker 2>The beach sands flying everywhere.

0:58:44.240 --> 0:58:47.720
<v Speaker 1>That's I'm in for that. But it all escalates. Gia

0:58:47.800 --> 0:58:50.280
<v Speaker 1>calls her a fool and a stupid love sick puppy,

0:58:50.320 --> 0:58:52.320
<v Speaker 1>eluding to the idea that KNA was also in on

0:58:52.360 --> 0:58:54.840
<v Speaker 1>the plan, and so Sidney says she is going to

0:58:54.920 --> 0:58:58.880
<v Speaker 1>sell the land and hurries back home. Yikes. I hate you, yeah,

0:58:58.920 --> 0:59:00.680
<v Speaker 1>and I hate the people I met here, and I

0:59:00.960 --> 0:59:01.320
<v Speaker 1>mean it.

0:59:01.280 --> 0:59:04.720
<v Speaker 2>Was like everyone can go suck it. I'm out, sign

0:59:04.960 --> 0:59:07.320
<v Speaker 2>the check, give me a pens.

0:59:08.000 --> 0:59:11.440
<v Speaker 1>Go suck it nice. But that night in bed, she's

0:59:11.520 --> 0:59:13.200
<v Speaker 1>unable to sleep. She wakes up early to get to

0:59:13.240 --> 0:59:15.160
<v Speaker 1>the real estate office with the agents, have the contract

0:59:15.160 --> 0:59:16.920
<v Speaker 1>ready as well as some sparkling cider.

0:59:17.040 --> 0:59:21.120
<v Speaker 2>Didn't look like sparkerling cider? Is that look that they

0:59:21.160 --> 0:59:25.680
<v Speaker 2>were that minor yep alcohol? I agree, and that is

0:59:25.720 --> 0:59:27.760
<v Speaker 2>a no no on Disney Channel.

0:59:27.520 --> 0:59:30.320
<v Speaker 1>On any channel, don't serve miner's alcohol.

0:59:30.160 --> 0:59:33.880
<v Speaker 2>But especially Disney Channel. That did not look like sparkling cider.

0:59:33.960 --> 0:59:34.720
<v Speaker 1>That wasn't good.

0:59:34.720 --> 0:59:38.880
<v Speaker 2>Wait, that look like Shandan. You are out of here, guys,

0:59:38.960 --> 0:59:44.600
<v Speaker 2>get you gotstal That's right some dom betti on? Are

0:59:44.640 --> 0:59:45.320
<v Speaker 2>you kidding me?

0:59:46.920 --> 0:59:50.440
<v Speaker 1>As the paperwork is prepped, she sees Gia, Malia and

0:59:50.480 --> 0:59:52.680
<v Speaker 1>friends hopping into a van and she's still obviously weighing

0:59:52.720 --> 0:59:55.640
<v Speaker 1>the whole thing out. They toast the sale and all

0:59:55.680 --> 0:59:57.480
<v Speaker 1>that's left is the first thing Sabrina would have done

0:59:57.520 --> 0:59:59.680
<v Speaker 1>the movie, and that's the sign. She takes the pen

0:59:59.720 --> 1:00:02.280
<v Speaker 1>ready to complete the purchase when she sees ConA skating

1:00:02.320 --> 1:00:05.640
<v Speaker 1>alongside the van and then she moves pen to paper.

1:00:06.080 --> 1:00:08.120
<v Speaker 1>We cut to Sydney running to Gia's house. Malia is

1:00:08.160 --> 1:00:11.360
<v Speaker 1>there painting why are all these people so artistically talented?

1:00:11.760 --> 1:00:14.480
<v Speaker 1>Malia assumed Sidney would be packing by now, but Sydney

1:00:14.480 --> 1:00:16.640
<v Speaker 1>has news. Malita doesn't want to hear the details. Sidney

1:00:16.680 --> 1:00:18.640
<v Speaker 1>did what she had to do. She gets it, but

1:00:18.720 --> 1:00:20.400
<v Speaker 1>thought that maybe if she came home and saw it

1:00:20.400 --> 1:00:22.080
<v Speaker 1>all again, then it would touch her and connect her

1:00:22.080 --> 1:00:24.200
<v Speaker 1>to her mom and the land. And with that, she

1:00:24.240 --> 1:00:26.640
<v Speaker 1>hands Sydney a locket and encourages her to open it.

1:00:26.640 --> 1:00:29.480
<v Speaker 1>It's her mom's necklace with pictures of them together inside.

1:00:29.920 --> 1:00:31.400
<v Speaker 1>The next thing we see is Sydney running up to

1:00:31.440 --> 1:00:33.200
<v Speaker 1>someone she thinks is Gia at the skate ramp. The

1:00:33.240 --> 1:00:36.200
<v Speaker 1>person ends up being it was it a guy? It

1:00:36.240 --> 1:00:39.560
<v Speaker 1>looked like a guy.

1:00:39.760 --> 1:00:41.520
<v Speaker 2>The oh yeah.

1:00:42.040 --> 1:00:43.800
<v Speaker 1>It was a guy, right, yeah. I think it was

1:00:43.840 --> 1:00:46.200
<v Speaker 1>a guy that from the from behind looked like Gia.

1:00:46.720 --> 1:00:48.880
<v Speaker 1>So that was they cast somebody that looked like Gia

1:00:48.880 --> 1:00:50.520
<v Speaker 1>from behind, but it was I think actually a guy.

1:00:50.600 --> 1:00:52.680
<v Speaker 1>Apologize if it wasn't, but I think it was. And

1:00:52.720 --> 1:00:56.360
<v Speaker 1>then ConA arrives and he seems pretty frustrated with everything

1:00:56.400 --> 1:00:58.200
<v Speaker 1>that's been going on. He says Gia was really mad

1:00:58.240 --> 1:01:00.760
<v Speaker 1>at Sydney, and yet still doesn't just blurred out her

1:01:00.800 --> 1:01:03.560
<v Speaker 1>news instead, she storms off. She's concerned that Gia is

1:01:03.600 --> 1:01:05.920
<v Speaker 1>surfing alone, so her and Coda decide to go search

1:01:05.920 --> 1:01:08.800
<v Speaker 1>for her and make sure she's safe. After slowly climbing

1:01:08.840 --> 1:01:10.720
<v Speaker 1>down a hill, Sidney spots of Gia's closed near her

1:01:10.760 --> 1:01:13.760
<v Speaker 1>quiet place from earlier, and then spots her surfboard no

1:01:13.840 --> 1:01:16.680
<v Speaker 1>longer attached to her friend. Uh oh, and then the

1:01:16.720 --> 1:01:19.320
<v Speaker 1>movie turns into Baywatch. Sidney grabs a board and takes

1:01:19.320 --> 1:01:21.840
<v Speaker 1>to the ocean to save Gia. She's immediately slammed by

1:01:21.840 --> 1:01:24.600
<v Speaker 1>the waves, but notices Gia's arms flailing in the distance.

1:01:24.680 --> 1:01:27.479
<v Speaker 1>Perfect timing, Sidney dives under water and grabs her, picks

1:01:27.480 --> 1:01:29.680
<v Speaker 1>her up out of the board, and saves her life.

1:01:29.840 --> 1:01:31.640
<v Speaker 1>Gia's arm is really torn up from the reef, so

1:01:31.640 --> 1:01:33.600
<v Speaker 1>Sydney helps her swim back to shore, where COONa is

1:01:33.600 --> 1:01:36.880
<v Speaker 1>waiting again and gets his cast alsagi again. This thing

1:01:36.960 --> 1:01:40.720
<v Speaker 1>is never gonna heal, so they helped Gia walk back

1:01:40.760 --> 1:01:43.000
<v Speaker 1>to the beach. Now resting on the sand, Gio wonders

1:01:43.000 --> 1:01:45.560
<v Speaker 1>why Sidney even came back first. Sidney says she didn't

1:01:45.560 --> 1:01:47.480
<v Speaker 1>mean it when she said she hated Gia or Hawaii,

1:01:47.680 --> 1:01:49.400
<v Speaker 1>and Gina says she didn't mean all the things she

1:01:49.440 --> 1:01:51.720
<v Speaker 1>said to her either And now finally Sidney has one

1:01:51.720 --> 1:01:53.760
<v Speaker 1>more thing to announce. And for some reason, I get

1:01:53.800 --> 1:01:56.120
<v Speaker 1>why they're doing this, but it was unnecessary. She pulls

1:01:56.160 --> 1:01:58.360
<v Speaker 1>out the contract. She actually brought it with her to

1:01:58.440 --> 1:02:00.400
<v Speaker 1>show that she didn't sign. She could have just said

1:02:00.520 --> 1:02:04.040
<v Speaker 1>I didn't sign kind it's like, and let me show

1:02:04.040 --> 1:02:05.520
<v Speaker 1>you the entire cut. So if you look at page

1:02:05.520 --> 1:02:06.200
<v Speaker 1>sixty two.

1:02:06.240 --> 1:02:09.200
<v Speaker 2>Here, I also wait right here, I'm gonna go run

1:02:09.760 --> 1:02:10.760
<v Speaker 2>three blocks down.

1:02:11.280 --> 1:02:14.400
<v Speaker 1>Yeah, look at page sixty two, subset B. You'll notice

1:02:14.480 --> 1:02:18.560
<v Speaker 1>I did an initial line sixty one right, just say

1:02:18.560 --> 1:02:21.800
<v Speaker 1>you didn't sign it. She won't be selling Makayah after all.

1:02:22.120 --> 1:02:24.600
<v Speaker 1>Her family is going to stay there. Gia and ConA celebrate,

1:02:24.640 --> 1:02:27.439
<v Speaker 1>running down the beach screaming and apparently Gia's arm is fine.

1:02:27.480 --> 1:02:30.280
<v Speaker 1>Now back at the house, Ben, Elizabeth and Malia are

1:02:30.280 --> 1:02:32.600
<v Speaker 1>on the patio talking about what's next for the family.

1:02:32.640 --> 1:02:34.080
<v Speaker 1>He's got to look for a job because they just

1:02:34.120 --> 1:02:36.200
<v Speaker 1>gave up twenty five million dollars. Or he's going to

1:02:36.240 --> 1:02:38.720
<v Speaker 1>write a novel. HM always a good plan. He doesn't

1:02:38.720 --> 1:02:40.840
<v Speaker 1>really know he'll figure it out, but he knows. He's

1:02:40.880 --> 1:02:44.360
<v Speaker 1>proud of Sydney, which is very nice. We now cut

1:02:44.400 --> 1:02:46.520
<v Speaker 1>back to Sydney sitting on her board in the ocean. Oh,

1:02:46.520 --> 1:02:48.800
<v Speaker 1>that's right, surfing movie. She places a lay in the

1:02:48.800 --> 1:02:50.680
<v Speaker 1>water to float away. She says she's not sure if

1:02:50.680 --> 1:02:52.800
<v Speaker 1>she's saying hello or goodbye, but she knows her mother

1:02:52.880 --> 1:02:56.080
<v Speaker 1>is watching over, so either way, it's all aloha. And

1:02:56.080 --> 1:02:57.960
<v Speaker 1>then she joins her friends for another day of surfing

1:02:58.000 --> 1:03:01.600
<v Speaker 1>and taking photos to a loud guitar solo again, And

1:03:01.680 --> 1:03:12.400
<v Speaker 1>that is our film. Can we do some real reviews, Sabrina,

1:03:12.400 --> 1:03:14.680
<v Speaker 1>you've got the five star this week? What do you

1:03:14.960 --> 1:03:15.959
<v Speaker 1>what do you got for us?

1:03:16.160 --> 1:03:20.200
<v Speaker 2>I've got a five star from Sophia l. I loved

1:03:20.200 --> 1:03:22.720
<v Speaker 2>it and I want to own it. In other words,

1:03:23.320 --> 1:03:25.320
<v Speaker 2>it's good, thank.

1:03:25.160 --> 1:03:28.280
<v Speaker 1>You, sure to the point, and right away I have

1:03:28.320 --> 1:03:32.240
<v Speaker 1>the one star review. It's from It's einhard one, but

1:03:32.280 --> 1:03:35.080
<v Speaker 1>I was hoping the one was actually an exclamation port

1:03:35.120 --> 1:03:37.840
<v Speaker 1>and it was einhard, but it's not. It's einhard one

1:03:38.600 --> 1:03:41.680
<v Speaker 1>and reads as follows, dear God, could it be any worse?

1:03:42.120 --> 1:03:44.360
<v Speaker 1>Having three kids, I've seen more Disney Channel movies than

1:03:44.360 --> 1:03:47.280
<v Speaker 1>probably any man alive. I'm guessing I'm in that category

1:03:47.320 --> 1:03:50.160
<v Speaker 1>now with you einheart and I should sue the Walt

1:03:50.200 --> 1:03:53.760
<v Speaker 1>Disney Company for the time wasted watching this Turkey. My

1:03:53.880 --> 1:03:55.960
<v Speaker 1>daughters even thought this movie was bad. The acting was

1:03:56.000 --> 1:03:58.400
<v Speaker 1>stuff I bet you meant stiff, the writing was poor

1:03:58.400 --> 1:04:00.240
<v Speaker 1>and it isn't even bad enough to make fun of

1:04:00.280 --> 1:04:02.440
<v Speaker 1>while watching like Plan nine from Outer Space or they

1:04:02.480 --> 1:04:08.040
<v Speaker 1>Saved Hitler's Brain. Wow, yikes. We've got our feature presentation

1:04:08.120 --> 1:04:11.280
<v Speaker 1>this week, Sabrina's favorite and it's from producer Jensen once again,

1:04:11.320 --> 1:04:15.040
<v Speaker 1>and this one is called Hawaii. Five yes or no.

1:04:16.040 --> 1:04:19.160
<v Speaker 1>We will be given a question about our beautiful fiftieth state, Hawaii.

1:04:19.280 --> 1:04:21.680
<v Speaker 1>We have to guess with multiple choice answers. If it's

1:04:21.760 --> 1:04:24.120
<v Speaker 1>what's one's correct, we get three out of five right,

1:04:24.480 --> 1:04:26.440
<v Speaker 1>we win. Producer Jensen, are you with us today?

1:04:26.560 --> 1:04:27.520
<v Speaker 3>Yes, I am here.

1:04:27.800 --> 1:04:30.439
<v Speaker 1>Okay. I'd like to also thank you for me having

1:04:30.480 --> 1:04:32.000
<v Speaker 1>to pronounce a lot of these words, which there's no

1:04:32.000 --> 1:04:33.479
<v Speaker 1>way in how I'm gonna get right. And I'm gonna

1:04:33.480 --> 1:04:35.280
<v Speaker 1>get hate mail because I'm mispronouncing these.

1:04:35.160 --> 1:04:37.480
<v Speaker 2>Beautiful words they are.

1:04:37.600 --> 1:04:39.560
<v Speaker 1>They're gorgeous words, and I'm gonna get them wrong and

1:04:39.600 --> 1:04:40.720
<v Speaker 1>I feel bad. Okay.

1:04:41.200 --> 1:04:43.680
<v Speaker 2>Number one best well, and you're so much better than

1:04:43.720 --> 1:04:45.120
<v Speaker 2>I am, so we'll see.

1:04:45.280 --> 1:04:45.680
<v Speaker 1>I doubt.

1:04:45.680 --> 1:04:48.160
<v Speaker 3>I mean, they did make Australia Hawaii here, so we're

1:04:48.200 --> 1:04:49.400
<v Speaker 3>not We're not like trying to.

1:04:49.560 --> 1:04:53.360
<v Speaker 1>I know, fair enough, okay. Number one, which island is

1:04:53.400 --> 1:04:56.240
<v Speaker 1>the only one with a royal palace in the United States?

1:04:56.400 --> 1:05:00.560
<v Speaker 1>Is it a maui b o wahu see Kawhi or

1:05:00.640 --> 1:05:05.760
<v Speaker 1>d killigans. I'll guess first. I'm gonna I'm gonna say

1:05:05.760 --> 1:05:07.000
<v Speaker 1>it's a wahoo.

1:05:06.760 --> 1:05:08.280
<v Speaker 2>A royal palace.

1:05:08.680 --> 1:05:12.360
<v Speaker 1>Yeah, because there was a royal family in Hawaii, so

1:05:12.400 --> 1:05:14.800
<v Speaker 1>there's obviously there's no royalty in the United States, and

1:05:14.880 --> 1:05:15.400
<v Speaker 1>you've been there.

1:05:16.880 --> 1:05:20.920
<v Speaker 3>It's b O Pallas is located here.

1:05:23.200 --> 1:05:23.400
<v Speaker 1>Here.

1:05:23.840 --> 1:05:26.960
<v Speaker 2>Like the tone and the happiness he gets when it's

1:05:27.000 --> 1:05:30.800
<v Speaker 2>someone I'm wrong, It's just I mean, it's just like.

1:05:30.920 --> 1:05:33.480
<v Speaker 1>What happiness when you can.

1:05:33.320 --> 1:05:36.000
<v Speaker 3>Get it get if I can't. I can't hide a smile.

1:05:36.440 --> 1:05:39.640
<v Speaker 2>I know you can't. I can literally hear your smile

1:05:39.920 --> 1:05:43.600
<v Speaker 2>in your tone, like it's just it's just so rude.

1:05:43.800 --> 1:05:47.640
<v Speaker 1>I just I love it. Number two, What is the

1:05:47.680 --> 1:05:50.160
<v Speaker 1>meaning of the word Hawaii in the Hawaiian language?

1:05:51.320 --> 1:05:53.400
<v Speaker 2>So many luls I should.

1:05:53.240 --> 1:05:57.440
<v Speaker 1>Probably I would think a homeland be eternal paradise, see

1:05:57.440 --> 1:06:11.080
<v Speaker 1>Place of the Gods or D Howie oh oh.

1:06:07.720 --> 1:06:11.480
<v Speaker 2>I think we're gonna I'm gonna go with the Eternal Paradise.

1:06:12.120 --> 1:06:14.040
<v Speaker 1>I'm gonna go with A Homeland.

1:06:14.720 --> 1:06:16.280
<v Speaker 3>It's C Place of God.

1:06:16.400 --> 1:06:21.200
<v Speaker 1>Okay, Okay, okay, gotcha. What is the name of the

1:06:21.280 --> 1:06:24.400
<v Speaker 1>channel between the islands of Maui and Molokai. Is it

1:06:24.600 --> 1:06:30.560
<v Speaker 1>A Kowala Kai channel, b Ellen Huhaha channel, Paleolo channel,

1:06:30.720 --> 1:06:33.320
<v Speaker 1>or the E channel? Nice Jensen.

1:06:35.240 --> 1:06:37.160
<v Speaker 2>I'm gonna go with A because that's the only one

1:06:37.200 --> 1:06:38.000
<v Speaker 2>I recognize.

1:06:38.120 --> 1:06:38.800
<v Speaker 1>I'm gonna go with A.

1:06:38.960 --> 1:06:42.480
<v Speaker 3>Two getting destroyed. It is cy.

1:06:44.280 --> 1:06:53.160
<v Speaker 1>Palolo Paleolo Lolo. Okay, yeah, channel channel, that's pay Lolo okay.

1:06:54.200 --> 1:06:58.800
<v Speaker 1>Number four. What astronomical facility is located atop Mona, Kia

1:06:59.160 --> 1:07:01.800
<v Speaker 1>taking advantage of the mountains, high elevation and clear skies.

1:07:02.200 --> 1:07:05.840
<v Speaker 1>Is it A the Ford Solar Observatory, be the Mazda Observatory,

1:07:05.960 --> 1:07:09.720
<v Speaker 1>see the super Telescope, or D the Toyota Observatory.

1:07:10.080 --> 1:07:11.840
<v Speaker 2>I'm gonna go with the A.

1:07:12.000 --> 1:07:14.160
<v Speaker 1>I think it's D the Toyota Observatory.

1:07:14.560 --> 1:07:18.160
<v Speaker 3>You guys are getting destroyed. It is C Suberu Telescope.

1:07:18.400 --> 1:07:21.520
<v Speaker 3>I'm so excited. I also thought that just making that

1:07:21.560 --> 1:07:26.360
<v Speaker 3>wh the telescope was gonna Thrownna.

1:07:26.160 --> 1:07:29.520
<v Speaker 1>Okay, what is what is? Finally? Just thankfully ending this

1:07:29.640 --> 1:07:32.120
<v Speaker 1>number five? What is Hawaii's official state tree? Is it

1:07:32.160 --> 1:07:35.680
<v Speaker 1>a the CoA tree? B the monkey pod tree, see

1:07:35.720 --> 1:07:39.080
<v Speaker 1>a Banyan tree? Or d the giving tree. It's a

1:07:39.120 --> 1:07:41.000
<v Speaker 1>CoA tree, right? Isn't it a a co tree?

1:07:41.280 --> 1:07:44.280
<v Speaker 2>It might be the monkey pod tree? Okay?

1:07:44.320 --> 1:07:45.920
<v Speaker 1>What is it?

1:07:45.920 --> 1:07:48.919
<v Speaker 3>It's a The will comes out on top.

1:07:49.040 --> 1:07:49.760
<v Speaker 1>Neither of you win.

1:07:49.840 --> 1:07:52.120
<v Speaker 3>It's a good change up from you winning all these though.

1:07:52.200 --> 1:07:53.040
<v Speaker 3>I'm happy about that.

1:07:53.280 --> 1:07:55.240
<v Speaker 1>Ah. That was that was hard.

1:07:55.560 --> 1:07:58.720
<v Speaker 2>That was good information to find out about our great

1:07:58.800 --> 1:08:02.000
<v Speaker 2>state of Hawaii. To favorite places to visit. I love

1:08:02.040 --> 1:08:02.840
<v Speaker 2>all the islands.

1:08:03.080 --> 1:08:07.640
<v Speaker 1>Can I ask a question, Producer Jensen number two alan Oui,

1:08:08.000 --> 1:08:11.280
<v Speaker 1>haha channel Is that a real Hawaiian word? Yes? It is?

1:08:11.360 --> 1:08:12.880
<v Speaker 3>Okay, wow, I.

1:08:12.880 --> 1:08:15.400
<v Speaker 1>Can say humhumunukua. That counts.

1:08:15.680 --> 1:08:16.559
<v Speaker 2>Wow.

1:08:16.720 --> 1:08:18.040
<v Speaker 1>Can we do some Sabrina sease?

1:08:22.280 --> 1:08:26.160
<v Speaker 2>Yeah? So we I unfortunately said quite a few of

1:08:26.200 --> 1:08:29.080
<v Speaker 2>them already, so that's not great. But one of the

1:08:29.120 --> 1:08:33.559
<v Speaker 2>first things that hits me at the very beginning is like,

1:08:33.680 --> 1:08:36.680
<v Speaker 2>how distant was this? Mom? And you kind of this

1:08:36.760 --> 1:08:39.400
<v Speaker 2>is again this comment that I'm making is at the

1:08:39.479 --> 1:08:41.559
<v Speaker 2>very very beginning, we're talking a couple of minutes in

1:08:41.760 --> 1:08:44.960
<v Speaker 2>when we when she looks at this picture and doesn't

1:08:45.479 --> 1:08:50.000
<v Speaker 2>recognize her at all, Yeah, Like, is this mom? I mean,

1:08:51.439 --> 1:08:55.920
<v Speaker 2>I feel like, I mean, my mom looked incredibly different.

1:08:55.960 --> 1:08:59.760
<v Speaker 2>She had bright, like bleach blonde hair like you know.

1:08:59.800 --> 1:09:02.400
<v Speaker 2>But like, there's no picture that someone would put, even

1:09:02.439 --> 1:09:04.760
<v Speaker 2>a baby picture of my mom that I wouldn't be

1:09:04.800 --> 1:09:06.760
<v Speaker 2>able to go that's my mom right there, right.

1:09:06.840 --> 1:09:08.800
<v Speaker 1>I think they're trying to really say that he never

1:09:08.920 --> 1:09:11.759
<v Speaker 1>spoke about her ever. But it's weird that there's no photos.

1:09:11.800 --> 1:09:16.240
<v Speaker 2>There's photos, and it's not again, it isn't a divorce

1:09:16.400 --> 1:09:19.360
<v Speaker 2>that was you know, angry and awful. Right, this is

1:09:19.400 --> 1:09:21.320
<v Speaker 2>a woman who has passed. This is her mother, and

1:09:21.320 --> 1:09:24.760
<v Speaker 2>she doesn't know pictures. But then like later on, then

1:09:24.800 --> 1:09:28.840
<v Speaker 2>she recognizes a room that she was in at one point,

1:09:28.840 --> 1:09:32.000
<v Speaker 2>which was just feel just by the feel of it,

1:09:32.040 --> 1:09:34.679
<v Speaker 2>and she remembers it a two year old remembering anything

1:09:34.760 --> 1:09:37.320
<v Speaker 2>as a little big of a stretch. I feel like,

1:09:37.400 --> 1:09:40.920
<v Speaker 2>but okay, but this picture that really bothered me, Like,

1:09:42.880 --> 1:09:50.000
<v Speaker 2>how is this possible? I again, binocular is coming out.

1:09:50.280 --> 1:09:51.640
<v Speaker 2>My worst nightmare.

1:09:52.760 --> 1:09:54.360
<v Speaker 1>Especially where this person is.

1:09:55.560 --> 1:09:58.240
<v Speaker 2>And then again we saw them twice and I went

1:09:58.520 --> 1:10:00.760
<v Speaker 2>at the very end, my very last one was what

1:10:00.960 --> 1:10:05.600
<v Speaker 2>happened with the binoculars? No, it was crazy. There was

1:10:05.640 --> 1:10:07.800
<v Speaker 2>a couple of times where this is one of the

1:10:07.840 --> 1:10:13.080
<v Speaker 2>things that they do because I remember, you know, lines

1:10:13.120 --> 1:10:16.040
<v Speaker 2>being thrown at us and trying to make them feel

1:10:16.320 --> 1:10:18.320
<v Speaker 2>natural or whatever when it's just kind of not how

1:10:18.439 --> 1:10:21.000
<v Speaker 2>kids really talked a lot. But there was a couple

1:10:21.040 --> 1:10:23.840
<v Speaker 2>of them when they were first getting initially into the

1:10:23.880 --> 1:10:29.000
<v Speaker 2>group and was like, go boy, like and you could

1:10:29.080 --> 1:10:31.360
<v Speaker 2>tell that the actor that threw it out it was

1:10:31.360 --> 1:10:34.679
<v Speaker 2>her friend, Like you could tell she wasn't comfortable saying

1:10:34.680 --> 1:10:35.200
<v Speaker 2>it either way.

1:10:35.320 --> 1:10:36.439
<v Speaker 1>I don't like this, go boy?

1:10:38.439 --> 1:10:41.080
<v Speaker 2>Oh? Was that well it's like this like you just

1:10:41.160 --> 1:10:43.160
<v Speaker 2>kind of like, yeah, what I don't want to know?

1:10:43.400 --> 1:10:43.840
<v Speaker 1>Say here?

1:10:44.360 --> 1:10:51.599
<v Speaker 2>Yeah, uncomfortable. And then like the information for me that

1:10:51.640 --> 1:10:53.640
<v Speaker 2>they were kind of throwing back and forth at the

1:10:53.680 --> 1:10:55.400
<v Speaker 2>beginning was just a little off. I was having a

1:10:55.400 --> 1:10:58.400
<v Speaker 2>hard time at the beginning like that. There was some

1:10:58.479 --> 1:11:01.320
<v Speaker 2>information that was clearly obvious known when you're like, wait,

1:11:01.479 --> 1:11:02.320
<v Speaker 2>how did we know that?

1:11:02.400 --> 1:11:02.559
<v Speaker 1>You know?

1:11:02.720 --> 1:11:04.760
<v Speaker 2>Things? Throughout the movie they were kind of just like

1:11:04.880 --> 1:11:09.200
<v Speaker 2>throwing at us, like we that that everyone's understanding and

1:11:09.360 --> 1:11:11.840
<v Speaker 2>that didn't make sense, And it was a lot about

1:11:12.040 --> 1:11:16.920
<v Speaker 2>again this like history with the mom, history with the plantation.

1:11:17.160 --> 1:11:22.760
<v Speaker 2>Like I also was thrown off of how this is

1:11:22.800 --> 1:11:27.200
<v Speaker 2>the only ancestor that's getting this entire plantation, Like it

1:11:27.400 --> 1:11:30.160
<v Speaker 2>just to me with the line yeah, yeah, she's the

1:11:30.240 --> 1:11:33.799
<v Speaker 2>last of the line. But also like again, this woman

1:11:34.080 --> 1:11:36.519
<v Speaker 2>passed away, so like in a trust, we just did

1:11:36.560 --> 1:11:38.240
<v Speaker 2>our trust. So I know a little bit more. I'm

1:11:38.240 --> 1:11:41.120
<v Speaker 2>feeling a little a little bit diny bit educated on it,

1:11:41.240 --> 1:11:44.000
<v Speaker 2>diny diny that they're so difficult and complex, but like

1:11:44.520 --> 1:11:48.280
<v Speaker 2>it was like, but they were married, so then the

1:11:48.360 --> 1:11:51.400
<v Speaker 2>trust would go to him, but also to her. So

1:11:51.840 --> 1:11:54.960
<v Speaker 2>like in my opinion, like he would have My assumption

1:11:55.000 --> 1:11:57.320
<v Speaker 2>would be that he would have the dad, Ben would

1:11:57.320 --> 1:11:59.240
<v Speaker 2>add a little bit more of a say than just

1:11:59.280 --> 1:12:01.479
<v Speaker 2>this thirteen year old girl, right, like I.

1:12:01.680 --> 1:12:03.360
<v Speaker 1>Think he did. I think they kind of set it

1:12:03.400 --> 1:12:06.000
<v Speaker 1>up where it's like again he then said, we're going

1:12:06.080 --> 1:12:06.719
<v Speaker 1>to leave it up.

1:12:06.600 --> 1:12:10.240
<v Speaker 2>To you, okay, but okay, so yeah, because I mean

1:12:10.280 --> 1:12:13.080
<v Speaker 2>it was like yeah thirteen first of all, too, in

1:12:13.160 --> 1:12:16.719
<v Speaker 2>most trust, nothing gets done until you're like the miners

1:12:17.120 --> 1:12:17.920
<v Speaker 2>eighteen oh.

1:12:17.840 --> 1:12:19.439
<v Speaker 1>Yeah, no, she wouldn't have been able to sign any

1:12:19.479 --> 1:12:22.000
<v Speaker 1>kind again as the parent of the son of two lawyers.

1:12:22.040 --> 1:12:24.160
<v Speaker 1>As they hand her the pen, it's like if thirteen

1:12:24.240 --> 1:12:26.840
<v Speaker 1>year olds can't sign anything, their parents have to sign

1:12:26.840 --> 1:12:28.559
<v Speaker 1>it's a Disney movie.

1:12:28.640 --> 1:12:32.840
<v Speaker 2>Yeah, they're going wait a minute, like that's not actually whatever.

1:12:32.880 --> 1:12:34.280
<v Speaker 1>They're not going to hand the pen to the thirteen

1:12:34.360 --> 1:12:36.160
<v Speaker 1>year old. They also handed her champagne.

1:12:36.320 --> 1:12:39.080
<v Speaker 2>So that's my last one. I go, well, we're handing

1:12:39.120 --> 1:12:48.559
<v Speaker 2>miners champagne nowadays, So like, okay, yay, Disney Channel just

1:12:48.600 --> 1:12:51.479
<v Speaker 2>threw the rolls up in the air. There's paper flying everywhere.

1:12:51.520 --> 1:12:54.559
<v Speaker 2>We're just gonna just wing it everything not masse.

1:12:54.800 --> 1:12:57.040
<v Speaker 1>Oh yeah, I'm so happy.

1:12:57.040 --> 1:13:01.719
<v Speaker 2>We'll say this this movie I on Like I remember again,

1:13:01.800 --> 1:13:04.479
<v Speaker 2>this was in the time where I was watching DCOM

1:13:04.479 --> 1:13:08.200
<v Speaker 2>after decommination, sure, loving them, loving most of them to

1:13:08.240 --> 1:13:11.720
<v Speaker 2>be honest at that time. And this movie again, like

1:13:11.760 --> 1:13:15.799
<v Speaker 2>you said, like there was enough enough of the surfing

1:13:15.880 --> 1:13:19.000
<v Speaker 2>tiny bit, but even when we see her friend who's struggling,

1:13:19.160 --> 1:13:22.599
<v Speaker 2>like how first of all, what was going on because

1:13:22.600 --> 1:13:25.559
<v Speaker 2>she was treading water? But was she stuck under.

1:13:25.360 --> 1:13:27.720
<v Speaker 1>Her I don't they don't, they don't explain it. I

1:13:27.760 --> 1:13:29.840
<v Speaker 1>think there's see I think she's supposed to be in

1:13:29.880 --> 1:13:31.760
<v Speaker 1>the what I think she's supposed to be in the

1:13:31.800 --> 1:13:33.960
<v Speaker 1>rip current, I think is what they're kind of showing.

1:13:34.400 --> 1:13:36.880
<v Speaker 2>And I guess because it's not an animation movie, it's

1:13:36.960 --> 1:13:40.200
<v Speaker 2>like definitely hard to like film something like that. But

1:13:40.280 --> 1:13:42.639
<v Speaker 2>like she's not moving, she's so if you.

1:13:42.640 --> 1:13:45.040
<v Speaker 1>Go back and you watch it again, I'm not I

1:13:45.160 --> 1:13:48.760
<v Speaker 1>think they show I know, but fair enough. I think

1:13:48.840 --> 1:13:52.720
<v Speaker 1>they show her being sucked under the water, as if

1:13:52.760 --> 1:13:55.080
<v Speaker 1>she's being held under by the rip and then they

1:13:55.120 --> 1:13:59.160
<v Speaker 1>cut to the rocks, which is how her mom died. Oh,

1:13:59.200 --> 1:14:01.800
<v Speaker 1>so I think they're showing they're trying to show that

1:14:02.000 --> 1:14:06.000
<v Speaker 1>Gia is essentially in exactly the same position her mom

1:14:06.120 --> 1:14:09.720
<v Speaker 1>was and she was able to save my momn.

1:14:09.520 --> 1:14:11.640
<v Speaker 2>Have you ever been stuck in a ripra I have,

1:14:11.920 --> 1:14:16.400
<v Speaker 2>and you're like humbling, You're like tumbling. It's the waves

1:14:16.439 --> 1:14:20.439
<v Speaker 2>coming oceans, the waves coming over and you're getting pulled

1:14:20.479 --> 1:14:22.720
<v Speaker 2>in like it's like you're like going like that's what's

1:14:22.760 --> 1:14:25.599
<v Speaker 2>the scariest part of it is your feet, your legs

1:14:25.600 --> 1:14:28.480
<v Speaker 2>are going over you and you're doing these like summersaults

1:14:28.520 --> 1:14:29.240
<v Speaker 2>in the water and.

1:14:29.439 --> 1:14:31.880
<v Speaker 1>That's just to spin you closer to a shark's mouth.

1:14:31.960 --> 1:14:34.960
<v Speaker 1>That's it. Yeah, I know, but the she was just like, yeah,

1:14:35.000 --> 1:14:39.559
<v Speaker 1>it wasn't. I also, honestly, the the the picture she

1:14:39.680 --> 1:14:41.920
<v Speaker 1>was taking, especially at the beginning during the movie, where

1:14:41.920 --> 1:14:44.760
<v Speaker 1>they just freeze frame and it was usually kind of

1:14:44.840 --> 1:14:47.439
<v Speaker 1>out of focus and bad. I was like, Okay, they're

1:14:47.479 --> 1:14:49.519
<v Speaker 1>just showing bad pictures. And then there's some that are

1:14:49.520 --> 1:14:51.720
<v Speaker 1>clearly taken from the water where she's supposed to be

1:14:51.720 --> 1:14:53.920
<v Speaker 1>in the water looking up at the surfers, and then

1:14:53.960 --> 1:14:56.200
<v Speaker 1>they cut to her like still only in like half

1:14:56.240 --> 1:14:58.320
<v Speaker 1>an inch of water, and I'm like, okay, who took

1:14:58.360 --> 1:15:03.679
<v Speaker 1>that shot? Yeah, so there were some interesting choice. Yeah,

1:15:03.720 --> 1:15:07.519
<v Speaker 1>there was some interesting acting choice directing choices.

1:15:07.960 --> 1:15:10.599
<v Speaker 2>Yeah, And again I think it's like, to me, I

1:15:10.720 --> 1:15:13.920
<v Speaker 2>just kind of equivalate it to just being like the

1:15:13.960 --> 1:15:15.360
<v Speaker 2>limitations of what they had.

1:15:17.640 --> 1:15:20.200
<v Speaker 1>I've got to imagine they went through this with Johnny Ssunami,

1:15:20.200 --> 1:15:21.639
<v Speaker 1>and they went through this with all all their movies.

1:15:21.680 --> 1:15:24.320
<v Speaker 1>Like this, shooting in the water just adds a whole

1:15:24.439 --> 1:15:28.519
<v Speaker 1>nother aspect of shooting a film. I feel like that's.

1:15:28.320 --> 1:15:31.040
<v Speaker 2>Gotta be the biggest reason of why they did not

1:15:31.320 --> 1:15:34.880
<v Speaker 2>have more surfing elements. Now they could have thought of

1:15:34.920 --> 1:15:35.479
<v Speaker 2>a better name.

1:15:35.520 --> 1:15:38.479
<v Speaker 1>I guess you don't make it a surfing movie.

1:15:38.760 --> 1:15:41.360
<v Speaker 2>Yes, And then like I said, the last thing was

1:15:42.000 --> 1:15:44.040
<v Speaker 2>you know that that part was my last thing with

1:15:44.360 --> 1:15:47.840
<v Speaker 2>the friend, Like I didn't understand the drama of like

1:15:47.920 --> 1:15:50.080
<v Speaker 2>trying to reach out and go get her, like obviously

1:15:50.120 --> 1:15:53.360
<v Speaker 2>she was underwater, but it was like we could have had.

1:15:53.880 --> 1:15:56.320
<v Speaker 1>I think it was too tough to show because they

1:15:56.400 --> 1:15:58.320
<v Speaker 1>wanted to show that, so I think they also tried

1:15:58.320 --> 1:16:00.360
<v Speaker 1>to explain it because she hit the re so she

1:16:00.800 --> 1:16:03.559
<v Speaker 1>couldn't use her arm, so she couldn't swim with her arm.

1:16:03.560 --> 1:16:05.639
<v Speaker 1>But then afterwards she's like jumping up on the beach

1:16:05.680 --> 1:16:09.000
<v Speaker 1>and grabbing hard. Then she's fine. So yeah, it was

1:16:09.040 --> 1:16:12.840
<v Speaker 1>there was some anyway. Okay, well, thank you Sabrina. It's

1:16:12.920 --> 1:16:15.600
<v Speaker 1>now time to rate the film, and I think I

1:16:15.720 --> 1:16:20.040
<v Speaker 1>go first this time, do I not? Yes? We went first? Okay,

1:16:20.120 --> 1:16:23.479
<v Speaker 1>all right, our options this week, and I say we

1:16:23.520 --> 1:16:25.559
<v Speaker 1>do one out of ten. Okay, let's just will keep

1:16:25.600 --> 1:16:27.479
<v Speaker 1>it easy and we'll make one the worst and ten

1:16:27.520 --> 1:16:30.040
<v Speaker 1>the best. Our option this week. One out of ten

1:16:30.200 --> 1:16:34.559
<v Speaker 1>horror movie d coms, one out of ten sick Boards

1:16:34.840 --> 1:16:40.200
<v Speaker 1>enthralling quilt exhibits one out of ten, soggy casts which

1:16:40.479 --> 1:16:43.360
<v Speaker 1>sounds like a sex thing, one out of ten. Julie tsunamis,

1:16:44.120 --> 1:16:48.800
<v Speaker 1>one out of ten computer graphic whales, dead fish smells,

1:16:49.880 --> 1:16:52.960
<v Speaker 1>or one out of ten unexplained peeping toms. Which would

1:16:52.960 --> 1:16:55.040
<v Speaker 1>you like to do this week's Brina, I'm gonna let you.

1:16:55.000 --> 1:16:57.559
<v Speaker 2>Pay think it, you know, give a little nod to

1:16:57.640 --> 1:17:02.000
<v Speaker 2>my fave, my favor movie. Let's dude you Julisnami's.

1:17:01.439 --> 1:17:03.519
<v Speaker 1>Okay, you got it. We're gonna do one to attend.

1:17:03.560 --> 1:17:07.400
<v Speaker 1>Julie sunamis, okay, I go first, you go first. The

1:17:07.439 --> 1:17:09.200
<v Speaker 1>title threw me. I can't get over it. I'm gonna

1:17:09.200 --> 1:17:12.920
<v Speaker 1>be totally honest. I can't. Don't set me up for

1:17:13.040 --> 1:17:15.880
<v Speaker 1>a surfing movie. If it's not a surfing movie, do

1:17:16.000 --> 1:17:19.320
<v Speaker 1>not call it BMX bandit's if they're neither bmxing nor

1:17:19.439 --> 1:17:22.840
<v Speaker 1>bandits in the movie. That's not you know again, that's

1:17:22.960 --> 1:17:25.120
<v Speaker 1>if call it something else. If you're not going to

1:17:25.200 --> 1:17:29.479
<v Speaker 1>show war amongst the stars, don't call it star wars.

1:17:30.120 --> 1:17:33.400
<v Speaker 1>So I was expecting a surfing movie. I was expecting

1:17:33.439 --> 1:17:38.840
<v Speaker 1>a Disney Channel typical Girl out of Water comes and

1:17:38.960 --> 1:17:41.280
<v Speaker 1>joins this cool click in Hawaii, they teach you how

1:17:41.320 --> 1:17:44.360
<v Speaker 1>to surf. There's the good surfer, there's the bad surfer,

1:17:44.439 --> 1:17:46.080
<v Speaker 1>there's the locals that don't want to have everything. It

1:17:46.160 --> 1:17:49.519
<v Speaker 1>ends in the big surfing competition DCOM. That's what I'm expecting.

1:17:50.439 --> 1:17:54.200
<v Speaker 1>It wasn't that. No, it wasn't bad. The first of

1:17:54.200 --> 1:17:56.880
<v Speaker 1>all the good things. It was pretty to watch. The

1:17:57.120 --> 1:18:02.000
<v Speaker 1>the the landscape looked incredible. The acting was good. I

1:18:02.120 --> 1:18:04.439
<v Speaker 1>thought some of the characters were very well written. The

1:18:04.479 --> 1:18:08.840
<v Speaker 1>adults were great. I loved the relationships. Was not expecting

1:18:09.320 --> 1:18:13.280
<v Speaker 1>this movie. That being said, I think I'm being fair

1:18:13.760 --> 1:18:17.400
<v Speaker 1>all the way around in giving this movie a six

1:18:17.479 --> 1:18:22.280
<v Speaker 1>point five. Julie Tsunamis. I think that's a pretty fair score.

1:18:22.880 --> 1:18:27.040
<v Speaker 1>They had I known what was going to happen, and

1:18:27.080 --> 1:18:28.960
<v Speaker 1>it was going to be this and not a surfing movie,

1:18:29.000 --> 1:18:30.639
<v Speaker 1>it probably could have been a seven or a seven

1:18:30.680 --> 1:18:34.799
<v Speaker 1>and a half. But some of the stuff, the whale

1:18:34.840 --> 1:18:38.679
<v Speaker 1>thing was really bad. Not her not knowing anything about

1:18:38.720 --> 1:18:43.080
<v Speaker 1>her mom was really strange. Yeah, so yes, I think

1:18:43.120 --> 1:18:45.479
<v Speaker 1>I'm fair at a six point five. I could go

1:18:45.520 --> 1:18:46.880
<v Speaker 1>a soft seven, but I'm going to keep it a

1:18:46.920 --> 1:18:49.599
<v Speaker 1>six point five. Julie tsunamis what about you?

1:18:50.520 --> 1:18:54.360
<v Speaker 2>So for me, I'm literally just a tiny bit above.

1:18:54.400 --> 1:19:01.400
<v Speaker 2>You agreed there were not necessarily just things kind of

1:19:01.479 --> 1:19:05.160
<v Speaker 2>just like brushed over very quickly that I would have

1:19:05.200 --> 1:19:07.639
<v Speaker 2>loved a little bit more explaining or you know, things

1:19:07.720 --> 1:19:13.160
<v Speaker 2>here in Yeah, Well, that I think was if they

1:19:13.400 --> 1:19:15.720
<v Speaker 2>if they if there there was something that led up

1:19:15.720 --> 1:19:18.040
<v Speaker 2>to it that they decided to cut, they should have

1:19:18.080 --> 1:19:20.280
<v Speaker 2>cut those. It's not like it was it would have

1:19:20.320 --> 1:19:22.040
<v Speaker 2>taken much. I mean it would have been to like

1:19:22.160 --> 1:19:26.280
<v Speaker 2>eighty one minutes or whatever, sorry, eighty five, eighty four

1:19:26.360 --> 1:19:28.439
<v Speaker 2>minutes or whatever. So it sound like they would have

1:19:28.479 --> 1:19:32.559
<v Speaker 2>really cut a ton. It's just kind of weird. Again,

1:19:32.600 --> 1:19:34.639
<v Speaker 2>I thought, I thought all the kids. To me, this

1:19:34.960 --> 1:19:38.080
<v Speaker 2>was if you see this movie and then go, okay,

1:19:38.080 --> 1:19:41.080
<v Speaker 2>put it in the timeframe of where Disney was, It's

1:19:41.120 --> 1:19:44.320
<v Speaker 2>perfectly where it was shot and filmed and everything. It's

1:19:44.479 --> 1:19:47.640
<v Speaker 2>right in that that that mecca. You can see it.

1:19:47.760 --> 1:19:52.639
<v Speaker 2>Of course, we've seen Disney just explode and just build

1:19:52.720 --> 1:19:55.200
<v Speaker 2>and be so much better than this. So this isn't

1:19:55.200 --> 1:19:57.439
<v Speaker 2>one of the best d coms. But for me, it

1:19:57.520 --> 1:20:00.320
<v Speaker 2>was the nostalgia. It was sure. It was the movies

1:20:00.360 --> 1:20:02.760
<v Speaker 2>that I was watching all the time, and you know,

1:20:02.840 --> 1:20:07.000
<v Speaker 2>there they aren't always great. Like I said, or like

1:20:07.080 --> 1:20:10.000
<v Speaker 2>you said, I think what would have made this even

1:20:10.040 --> 1:20:12.920
<v Speaker 2>better would have been more surfing, you know. But then

1:20:13.360 --> 1:20:15.120
<v Speaker 2>I just don't know where they would have found those

1:20:15.200 --> 1:20:18.559
<v Speaker 2>child actors to be able to do that, or because

1:20:18.560 --> 1:20:23.559
<v Speaker 2>this was really well casted in her being thirteen, find

1:20:23.800 --> 1:20:27.120
<v Speaker 2>doubles that age. Yeah, maybe you know what I mean, Like, we.

1:20:27.400 --> 1:20:30.000
<v Speaker 1>Know there's got to be some thirteen year old killer

1:20:30.080 --> 1:20:33.120
<v Speaker 1>surfers in Hawaii, in Australia, Ortia.

1:20:33.200 --> 1:20:35.200
<v Speaker 2>There should there could have been, but that's not where

1:20:35.439 --> 1:20:38.880
<v Speaker 2>we know that. That's not Disney's like place. They don't

1:20:38.920 --> 1:20:41.599
<v Speaker 2>do a lot, so they don't have a lot of intel,

1:20:41.640 --> 1:20:45.840
<v Speaker 2>I guess. So anyway, I thought it was good and

1:20:45.920 --> 1:20:48.400
<v Speaker 2>it was really fun to rewatch because it was a

1:20:48.439 --> 1:20:50.519
<v Speaker 2>movie that I saw when I was younger, and I

1:20:50.640 --> 1:20:53.439
<v Speaker 2>enjoyed it, and the auditioned for and I auditioned for it,

1:20:53.479 --> 1:20:56.240
<v Speaker 2>and I remember being bummed when it came out, going, Man,

1:20:56.880 --> 1:20:58.760
<v Speaker 2>that would have been cool. I would have loved to

1:20:58.920 --> 1:21:00.960
<v Speaker 2>like learn how to surfn more than what I know

1:21:01.080 --> 1:21:04.120
<v Speaker 2>right now, and YadA, YadA whatever. I'm going to give

1:21:04.120 --> 1:21:09.360
<v Speaker 2>it a seven. Julie Tsunamis because I did like it.

1:21:09.439 --> 1:21:13.920
<v Speaker 2>I remember liking it. There were definitely some flaws. I

1:21:14.000 --> 1:21:16.320
<v Speaker 2>wanted more. I would have loved to give this an

1:21:16.360 --> 1:21:17.559
<v Speaker 2>eight and a half time.

1:21:17.640 --> 1:21:18.719
<v Speaker 1>I agree, I agree.

1:21:18.880 --> 1:21:21.160
<v Speaker 2>I couldn't because I wanted more surfing.

1:21:21.320 --> 1:21:22.839
<v Speaker 1>Yep, I agree with you one hundred percent.

1:21:22.760 --> 1:21:23.800
<v Speaker 2>But I could go to movie.

1:21:24.120 --> 1:21:25.960
<v Speaker 1>I'm actually gonna change I'm going to change my vote.

1:21:25.960 --> 1:21:27.479
<v Speaker 1>I'm going to change my number, which I don't think

1:21:27.479 --> 1:21:29.000
<v Speaker 1>I've ever done before. And I'm gonna agree with you

1:21:29.080 --> 1:21:31.080
<v Speaker 1>at a seven because the kids were good.

1:21:31.320 --> 1:21:36.000
<v Speaker 2>The kids were and for the time how much adults

1:21:36.040 --> 1:21:38.280
<v Speaker 2>we got in it too. It wasn't too adults, and

1:21:38.320 --> 1:21:40.879
<v Speaker 2>it wasn't two kids where the adults just weren't involved.

1:21:41.080 --> 1:21:44.040
<v Speaker 2>They were. The storylines of the adults were awesome.

1:21:44.160 --> 1:21:45.840
<v Speaker 1>Yeah, no, you're right. I could give it a seven

1:21:45.880 --> 1:21:47.800
<v Speaker 1>and live with that. So it's going to be seven.

1:21:48.360 --> 1:21:51.439
<v Speaker 2>Guys, I'm starting to rub off on the you are

1:21:51.760 --> 1:21:52.040
<v Speaker 2>you are?

1:21:52.680 --> 1:21:55.080
<v Speaker 1>I'm telling you, Hey, I'm rubbing off on you. You dropped.

1:21:55.920 --> 1:22:00.560
<v Speaker 2>Things are happened here on Magical Now, I'm telling you,

1:22:00.680 --> 1:22:02.720
<v Speaker 2>we're rubbing off on each other. And I gave him

1:22:02.760 --> 1:22:05.040
<v Speaker 2>a math bomb. Let's just let's just say that that's

1:22:05.080 --> 1:22:05.519
<v Speaker 2>what it was.

1:22:06.640 --> 1:22:09.360
<v Speaker 1>It did it boosted it up. Thank god. Our next

1:22:09.400 --> 1:22:13.840
<v Speaker 1>movie O people, we are doing our first threequel ever.

1:22:13.920 --> 1:22:16.760
<v Speaker 1>We're gearing up for the debut of Zombies four with

1:22:16.880 --> 1:22:19.880
<v Speaker 1>our recap of Zombies three. We can't wait any longer.

1:22:19.920 --> 1:22:21.720
<v Speaker 1>We need to catch up on the franchise. It is

1:22:21.840 --> 1:22:24.640
<v Speaker 1>time for the newest installment and obviously this one is

1:22:24.640 --> 1:22:26.640
<v Speaker 1>available to stream now in Disney Plus, so you can

1:22:26.640 --> 1:22:28.719
<v Speaker 1>get ahead of the podcast now and check it out,

1:22:29.120 --> 1:22:31.240
<v Speaker 1>and for more info, you can follow us at Magical

1:22:31.280 --> 1:22:47.759
<v Speaker 1>Rewind Pod on the Instagram Machine. Bye everybody, iye