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Speaker 1: Do you surf? Have we talked about this? Do we

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Speaker 1: talk about this during johnny Tsunami? We no?

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Speaker 2: I think we mainly talked about snowboarding because he didn't

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Speaker 2: he really really didn't see a lot of surfing in Johnny'sunami,

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Speaker 2: And we.

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Speaker 1: Haven't seen back on the board yet, which is probably, Oh, we've.

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Speaker 2: Got to it's coming to summertime. We got to put

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Speaker 2: that on the list. So my parents had like a

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Speaker 2: timeshare in Hawaii, So that was our summer trip that

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Speaker 2: we did for a lot of years. And so I

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Speaker 2: would do a lot of surfing there and I was,

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Speaker 2: you know, being in southern California. I actually had a

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Speaker 2: friend who's I didn't have a ton but I had

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Speaker 2: one friend, Crystal, whose dad was a surfer like right,

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Speaker 2: like Lloyd was a big surfer guy. And her brother

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Speaker 2: also I mean total just like you know, Rip Curl

17
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Speaker 2: felt like the family was sponsored by them type of

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Speaker 2: thing like okay, and they would surf all I'd get

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Speaker 2: to go out with her and learn a lot from

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Speaker 2: her dad and her brother who was so cute and

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Speaker 2: I had a giant crush on Oh yeah, he would

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Speaker 2: that That was my type in that in that day

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Speaker 2: like that surfer, like sandy haired, crazy tan, you know.

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Speaker 2: And then I remember it being so cool because he

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Speaker 2: actually moved out after high school to Hawaii and he

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Speaker 2: lived in a treehouse. He lived in a treehouse and

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Speaker 2: was he animated?

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Speaker 1: Was this a real guy?

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Speaker 2: So cool? No, it was my friend Crystal's big brother,

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Speaker 2: like it was that living in southern California. That was

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Speaker 2: like a thing, like you know, like the man I

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Speaker 2: married Jordan. He was a surfer like you know, like

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Speaker 2: it when I met him, Like his backboard of his

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Speaker 2: bed was a big surf board. So that was know

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Speaker 2: something that I loved. I did it. I can't say

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Speaker 2: I never got past along board, so I was not

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Speaker 2: I don't consider myself a surfer because I was not

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Speaker 2: a great surfer. I didn't get to do it a ton,

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Speaker 2: but I did love to get out in the water.

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Speaker 2: Now you you will have to cut my right hot

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Speaker 2: hand off. In the ocean. I hate the ocean. I'm

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Speaker 2: so scared of sharks.

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Speaker 1: And oh really, yeah, they're more scared of you than

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Speaker 1: you are.

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Speaker 2: Then, Oh, okay, I'm sure that's true. Really, you know

46
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Speaker 2: a lot of sharks they've told of.

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Speaker 1: Course, friends with a bunch of sharks. They're ye pretty skinnish.

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Speaker 2: Now now the ocean and the beach it's sandy. It's

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Speaker 2: I mean, even wango tango. I didn't go out into

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Speaker 2: the actual audience. I stayed on the platform.

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Speaker 1: Can't do the sand.

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Speaker 2: Oh my.

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Speaker 1: I've only been Hawaii once. It was in twenty nineteen.

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Speaker 1: Is the first time I've ever been at first Hawaii. Okay,

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Speaker 1: I tried surfing once. I stood up once. I'm basically

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Speaker 1: a pro. I don't ever need to do it again.

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Speaker 1: I'm sure I even have a video of it, so

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Speaker 1: that's all I need.

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Speaker 2: Is so fun, It's so but it's it's what people

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Speaker 2: don't realize until you actually get on the board. How

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Speaker 2: hard is it? Like your shoulders, your your body is

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Speaker 2: scraped up from the wax and the sand and the

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Speaker 2: salt water and all that. I mean, it is so

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Speaker 2: much harder than what you would ever really imagine, even

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Speaker 2: just getting out there. I mean, it's like stuff you

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Speaker 2: to work out. You paddle, and you paddle and then

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Speaker 2: you ride, especially when you're like a beginner, which I

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Speaker 2: don't think I ever advanced from that state.

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Speaker 1: I did, I didn't do it enough.

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Speaker 2: But you ride one wave in then and you look

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Speaker 2: back and you're like, I gotta go the way back.

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Speaker 1: Well, that's that's that's the old seinfeld joke. Seinfeldt said

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Speaker 1: that surfing is just the ocean continuously kicking you out

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Speaker 1: of it, like I want you in here, keep getting out.

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Speaker 2: Take your ass over and over again, and for some

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Speaker 2: reason you just need to get back out and try

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Speaker 2: to do one more wave, and you're.

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Speaker 1: Still not good one. I was great. I was a

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Speaker 1: pro when you were pro. I love video. That's all

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Speaker 1: I need.

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Speaker 2: That's the thing about you, Will is that you just

82
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Speaker 2: like you just master everything I do.

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Speaker 1: I conquer. I do things once, I'm professional at it,

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Speaker 1: and I never have to do them again. And I

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Speaker 1: try to go.

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Speaker 2: You'll never surf again.

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Speaker 1: I don't need your good I surfed a wave. I've

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Speaker 1: got it on video.

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Speaker 2: You got the award, got the medal.

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Speaker 1: On video, exactly. Thank you very much. On to the

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Speaker 1: next as we are onto the next film. Look at

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Speaker 1: that brought it right back. Welcome back to Magical, rewind

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Speaker 1: the show that makes you want to grab your friends,

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Speaker 1: your pj's and your popcorn and go back to a

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Speaker 1: time when all the houses are smart. The waves. Tsunamis

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Speaker 1: and the High School's musical. I'm Wilford Dell.

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Speaker 2: And I'm Sabrina ready to rip it up?

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Speaker 1: Nice? Oh, I like it. I like it. Well, it's

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Speaker 1: eating up here people, because summer's here and we're celebrating

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Speaker 1: at the beach with our newest d com. It's two

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Speaker 1: thousand surf family drama, rip Girls, or as we've been

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Speaker 1: calling it here Julie Tsunami. Yes, I had joked about

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Speaker 1: that last week when I teased up. But reality, rip

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Speaker 1: Girls not a good title. We've seen this a few

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Speaker 1: times now, Sabrina, Am I right here? This I didn't

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Speaker 1: get it. I thought it made me think. So I'm

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Speaker 1: not going to get into what we thought about the

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Speaker 1: movie yet, but it made me I'm just gonna put

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Speaker 1: it this way. It made me think the movie was

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Speaker 1: going to be one thing and then it was something else,

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Speaker 1: which always disappoints me in a way.

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Speaker 2: Oh, well, of course that's incredibly disappointing. But what did

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Speaker 2: it make you think it was gonna?

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Speaker 1: I thought I was going to be watching a surf movie,

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Speaker 1: a good ROMP surf movie, a kid Disney Channel surf movie,

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Speaker 1: which this was at all.

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Speaker 2: You don't think that was it?

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Speaker 1: I do all God, No, surfing had almost nothing to

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Speaker 1: do with this movie was about surfing.

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Speaker 2: Yeah, I let me be okay, let me be clear

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Speaker 2: of this. I auditioned for this movie. And if you

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Speaker 2: saw Sabrina and this era with my brown hair and

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Speaker 2: I was always tan.

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Speaker 1: But they cast that other guy to play ConA, you

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Speaker 1: would have been great.

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Speaker 2: I would have been great as ConA. I swear to god, ConA.

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Speaker 1: You would have been great. But they cast out.

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Speaker 2: So I auditioned for it. And this is one of

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Speaker 2: the Channel movies that I got like I kind of

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Speaker 2: got down the line, you know, close to it. Remember

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Speaker 2: watching it super excited. Like I said, although I wasn't

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Speaker 2: a surfer, surfer, surfing was a big part of just

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Speaker 2: being in so Calend growing up. Sure loved it and

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Speaker 2: I remember going there wasn't that much surfing. And this

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Speaker 2: was at a time when this big surf movies came.

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Speaker 2: I'm trying to think of the names of them, like

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Speaker 2: the Blue Crush. Blue Crush was out. This was during

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Speaker 2: that era that like especially girls surfing rocks. It was

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Speaker 2: a huge brand that was like, yeah, killing it in

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Speaker 2: the game. And I remember going, well, this Disney's take

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Speaker 2: on it like kind of hit or miss, kind of

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Speaker 2: you know, just not a great one. It was not

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Speaker 2: soon Johnny.

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Speaker 1: I just no, I just want I just thought it

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Speaker 1: was going to be a surfing movie and it kind

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Speaker 1: of wasn't a surfing movie, which again it wasn't. I

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Speaker 1: didn't mind the direction it went. I just don't like

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Speaker 1: if something's called Johnny and the Ghost Squad and there's

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Speaker 1: no Ghost Squad, then you've mistitled your thing. You know

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Speaker 1: what I mean? If I go to a Hamburger joint

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Speaker 1: and they only serve spaghetti, then.

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Speaker 2: It's not actually a Hamburger j and girl cheese. Yes, okay, okay.

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Speaker 2: So I went into rig done, like what would this

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Speaker 2: have been?

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Speaker 1: I don't know, it would have been something more of

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Speaker 1: you know, the Yeah Hawaii or or something with your

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Speaker 1: history or something with a mom relationship. I mean, something

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Speaker 1: that did Rip Girls makes it sound like, you know,

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Speaker 1: if it's called BMX Bandits and there's no bmxing in it,

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Speaker 1: it's misnamed. So Ripped Girls to me, I was like

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Speaker 1: expecting a surfing movie. It was coming in going like, Oh,

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Speaker 1: it's gonna be those great water shots, it's gonna be

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Speaker 1: tons of really beautiful surfing it's going to be the

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Speaker 1: good team of surfers against the bad team of surfers.

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Speaker 1: There's going to be some kind of competition. There's obviously

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Speaker 1: gonna be version exactly at the end, and they both

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Speaker 1: got a chance for the waves and.

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Speaker 2: Had a ton of snowboarding. So yes, me think it

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Speaker 2: makes me think, though, what is it? Was it the

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Speaker 2: difficulty of being able to try to because again, surfing

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Speaker 2: is a tough sport, and maybe it was like a

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Speaker 2: difficulty of trying to find young enough.

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Speaker 1: I just think I was misnamed. I think this was

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Speaker 1: always the movie and always the attention. They just they

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Speaker 1: they and I don't again, I don't know how this

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Speaker 1: was touted back in the day. I don't know how

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Speaker 1: they actually promoted it. But I mean, if they promoted

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Speaker 1: it as it's just shots of surfing and then you

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Speaker 1: see this movie, it's disappointing. If they promoted it as

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Speaker 1: a young girl going a kind of fish out of water,

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Speaker 1: going to a new place and struggling internally with her

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Speaker 1: family and learning about that kind of journey, then it's

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Speaker 1: a great movie. But if you go and expecting a

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Speaker 1: surfing movie, yeah, so yeah, again, if it's called Milton

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Speaker 1: in the Parachute Gang, and there's no parachuting. It's misnamed.

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Speaker 1: So anyways, Jo, by the way, don't you want to

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Speaker 1: see Milton in the Parachute Game? Now, great film, We're

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Speaker 1: gonna have to watch that. Yeah, ironically, no parachutes in

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Speaker 1: the entire movie. It's exactly like that. This movie debut

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Speaker 1: on the Disney Channel on April twenty second, two thousand,

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Speaker 1: and was filmed in Queensland, Australia, Doublings, Hawaii. It is

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Speaker 1: a rare international film location, but I guess it makes

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Speaker 1: sense if you're looking for some beautiful beaches. But I

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Speaker 1: never understand it's got to be a money thing, because

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Speaker 1: I don't understand how flying everybody, the whole cast, the

196
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Speaker 1: whole everybody to Australia is cheaper than doing it to Hawaii.

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Speaker 1: But I don't know. It's obviously things in the industry

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Speaker 1: that I know nothing about, tax stuff and where they

199
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Speaker 1: can shoot, and obviously it makes a difference. But it

200
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Speaker 1: seems like could be more expensive to go to Australia.

201
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Speaker 1: But what do I know.

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Speaker 2: I feel like it's got to be location areas something

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Speaker 2: to film.

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Speaker 1: And another rarity. Much like the original Zombies movie, this

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Speaker 1: one did not include any previous Disney stars in the cast.

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Speaker 1: They employed all unknown actors and I think they all

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Speaker 1: did a pretty good job, and frankly so to our

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Speaker 1: friends at Complex. On their list one that we commonly reference,

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Speaker 1: Rip Girls placed number twelve on their list of the

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Speaker 1: twenty five best d Coms, and we've got more here.

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Speaker 1: It's number twenty nine on Entertainment Weekly's list of Top

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Speaker 1: thirty and number fifty four on Collider. All impressive place,

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Speaker 1: especially for a movie you don't really hear mentioned as

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Speaker 1: one of the greats. And to add to that, it

215
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Speaker 1: has never been released on VHS or DVD, which is amazing.

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Speaker 1: But on the other side of the spectrum, Tim Ryan

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Speaker 1: of the Honolulu Star Bulletin called it unrealistic, and we

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Speaker 1: kind of have to give his opinion some weight, considering

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Speaker 1: Hawaii is supposed to be location for the film and

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Speaker 1: its culture plays a major part in the story. So

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Speaker 1: when somebody from Hawaii goes not so much, you gotta listen.

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Speaker 1: So you talked about this. You grew up in Orange County,

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Speaker 1: you were around surfers, all that kind of stuff. Was

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Speaker 1: your friend's older brother your kna.

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Speaker 2: I mean no, because he did not talk to me.

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Speaker 1: Ah, okay, fair enough.

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Speaker 2: Was a lot older from Afar. From Afar, Yeah, he

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Speaker 2: was much older. I mean okay, she was a year

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Speaker 2: older than I am, and he was probably three, four

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Speaker 2: or five years older. So he was like, yeah, does

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Speaker 2: he still in tree house? No, he does it, I think,

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Speaker 2: but he did live in Australia. Like his whole life

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Speaker 2: is still like was for a long time last time

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Speaker 2: I checked in, still very much around surfing his serfs

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Speaker 2: and he's total life. It's a total lifetle baby surfers.

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Speaker 1: Yeah, for sure, it's a total life style. One of

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Speaker 1: my favorite shows ever is one hundred Foot Wave. Go

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Speaker 1: check that out, yo, It's amazing. And yes, like most

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Speaker 1: films we watch, Rip Girls is available to stream on

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Speaker 1: Disney Plus right now, so you can watch it before

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Speaker 1: listening to our recap or wait until after and see

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Speaker 1: how much we got right. We're just wringing it here,

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Speaker 1: so honestly, the fact that we nail any of the

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Speaker 1: details is just a blessing. Let us know in the comments,

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Speaker 1: although we have disabled our comments and we'll never ever

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Speaker 1: see them. All right, Sabrina, did you know Rip Girls

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Speaker 1: was well? Of course, we talked about this auditioned, so

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Speaker 1: of course, you know, rip Girls.

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Speaker 2: I very much aware of this movie and was very

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Speaker 2: excited when it came out to see Like again, okay,

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Speaker 2: what was you know when I auditioned? How you know,

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Speaker 2: it's like you start kind of like using them as

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Speaker 2: like education for yourself when you're trying to nil one

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Speaker 2: of these roles? What could I have done better?

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Speaker 1: You know, you gotta let us do what your audition

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Speaker 1: scene was?

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Speaker 2: Okay, So I remember I auditioned for the lead, and

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Speaker 2: then I also did audition for Gia too. Once they

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Speaker 2: once I went in, they said, also, can we would

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Speaker 2: love to hear you? So I know her audition scene.

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Speaker 2: I don't remember what the leads auditions.

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Speaker 1: Okay, gotcha?

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Speaker 2: Gotcha didn't spark a memory? No, I uh, when you

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Speaker 2: auditioned for ConA.

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Speaker 1: When I auditioned for ConA, my frosted tips apparently were

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Speaker 1: too frosted. I was told mine was like frosted flakes,

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Speaker 1: Thank you very much.

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Speaker 2: And I thought, I from here, I want to make statement.

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Speaker 2: Thought she did a great job.

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Speaker 1: Thought did the cat The acting was not? Again, if

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Speaker 1: I knew what I was getting into a little more

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Speaker 1: with the title.

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Speaker 2: You would know I irritated. Was it like a little irritated.

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Speaker 1: Like you just go in expecting.

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Speaker 2: A little bit.

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Speaker 1: I just you go in expecting one thing and you

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Speaker 1: end up with something else. Again, if I go to

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Speaker 1: a burger joint and all they have is spaghetti, even

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Speaker 1: the best plate of spaghetti is not going to change

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Speaker 1: the fact that I was expecting a burger. Yes, so

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Speaker 1: I was expecting Rip Girls to be exactly what I

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Speaker 1: even said to Sue. I'm like, oh, man, tonight's movie.

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Speaker 1: I don't know what it's going to be about, but

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Speaker 1: it's surfing. There's going to be some sort of contest.

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Speaker 1: There's going to be the bad team, there's going to

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Speaker 1: be the good team. None of that happens. So I

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Speaker 1: was like, oh, okay, I get it. But now let's

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Speaker 1: paddle out into the waves. And it's actually called duck

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Speaker 1: diving to go under the waves. See, I'm a professional

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Speaker 1: server and we're going to get into the synopsis, thirteen

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Speaker 1: year old Sidney Miller must travel to Hawaii with her

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Speaker 1: father and stepmother to settle the estate of her deceased mom.

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Speaker 1: By connecting with the island, learning how to surf, and

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Speaker 1: making new friends, she discovers a deeper connection with her

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Speaker 1: heritage and must decide between selling her mom's land or

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Speaker 1: preserving it for generations to come cultivating in a giant

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Speaker 1: contest at the end, where we get to see some

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Speaker 1: awesome surfing between a good team and a bad team.

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Speaker 1: I'm kidding. I added that last part, which would have

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Speaker 1: been you wanted, Yeah, Well, we know you've been to

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Speaker 1: Hawaii lot. Have you been to Australia.

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Speaker 2: I haven't, and it's definitely on our list of places

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Speaker 2: we want to go. I've heard such funny things about Australia.

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Speaker 1: It's fun. It depends where you go. I enjoyed it.

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Speaker 1: The people are super friendly. A lot of it's very pretty.

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Speaker 1: But I remember distinctly being on a plane for fourteen

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Speaker 1: days landing and being like I just was on a

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Speaker 1: plane forever. To land back in California is kind of

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Speaker 1: like what it seems like, but again it really is where.

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Speaker 1: It seemed very much like we were in a city

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Speaker 1: in California, super nice people. It was a lot of fun,

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Speaker 1: it really was. I'm glad I went. It was a

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Speaker 1: lot of fun. But I need to see more of

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Speaker 1: the country, is what I.

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Speaker 2: Okay, problem, one thing I did hear and know that

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Speaker 2: I would never drive there because they are very crazy

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Speaker 2: about their like getting a ticket in Australia is so

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Speaker 2: likely if you Yeah.

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Speaker 1: Well, it's also everything in the country wants you dead.

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Speaker 1: Have you not seen these videos where it's like people

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Speaker 1: have to flush their toilets because the spiders are the

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Speaker 1: size of your head and there's just in your cereal bowl.

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Speaker 2: And like that, like its spiders.

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Speaker 1: Yeah that build their own houses and knock on your

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Speaker 1: door to try to lure you out. Yeah.

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Speaker 2: No, that is the part of it that I would

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Speaker 2: I mean I have friends. There was a huge like

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Speaker 2: you know, study abroad things at Chapman and Australia was

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Speaker 2: like a big thing, and they came home with these

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Speaker 2: like insane stories. But they were also living like in

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Speaker 2: someone's like back house, like where there was like no

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Speaker 2: like legitimate like walls.

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Speaker 1: I'm like what, Yeah, it's everything.

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Speaker 2: I travel and go to oaked El's like I'm not

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Speaker 2: going into a cabin of any.

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Speaker 1: Sort, especially there. It seems like, yeah, everything wants you

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Speaker 1: to do. Yeah, the people are super friendly.

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Speaker 2: Uh.

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Speaker 1: The movie is directed by a new name to us,

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Speaker 1: a woman, yet another rare occurrence for Decom's her name

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Speaker 1: is Joyce Chopra and right after college, all these stories

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Speaker 1: are so cool. Chopra and her first husband opened a

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Speaker 1: European style coffee shop in New York that turned into

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Speaker 1: a music nightclub called Club forty seven. Everyone from Bob

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Speaker 1: Dylan to Joan Bias performed there and would later get

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Speaker 1: its own documentary called for the Love of a Music The.

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Speaker 2: Club of forty seven.

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Speaker 1: Right, Oh my godness, It's amazing, wasn't it. Joyce Chopper

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Speaker 1: was a feminist filmmaker focusing on documentaries. One from nineteen

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Speaker 1: seventy four was an autobiographical film about her own pregnancy

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Speaker 1: and how it affected her career in movie making. The

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Speaker 1: labor also put her in the record books as the

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Speaker 1: first person to ever give birth on live TV. Crazy.

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Speaker 1: I don't even want to know who sponsored that. She

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Speaker 1: transitioned into full length narrative movies like The Lemon Sisters

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Speaker 1: starring Diane Keaton and Carol Kane. She also direct TV

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Speaker 1: shows like Law and Order, Crossing Jordan, and Everwood. And

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Speaker 1: then Camilla Bell plays Sidney Miller, the main character of

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Speaker 1: Rip Girls, part of the good team that's got to

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Speaker 1: fight the bad team for note none of that happened.

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Speaker 1: Camilla had the most experience on the set, having already

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Speaker 1: appeared in movies like Practical Magic, where she played Inn

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Speaker 1: eleven year old Sandra Bullock, The Lost World, and a

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Speaker 1: Steven Sigall movie called The Patriot. Must be one of

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Speaker 1: his later ones, because I've never heard of it, But

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Speaker 1: being the lead character of anything was new territory for

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Speaker 1: She would go on to appear in movies like two

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Speaker 1: thousand and six Is When a Stranger Calls Push and

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Speaker 1: ten thousand BC. Dwyer Brown plays Ben Miller. He's best

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Speaker 1: known as playing Kevin Costner's dad in Field of Dreams,

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Speaker 1: but he also appeared in movies like To Live and

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Speaker 1: Die in La Great Chase, Scene, The Cutting Edge, Red Dragon,

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Speaker 1: and cult horror classics House and House two. This time

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Speaker 1: it's personal, that's right. I added that part. And this

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Speaker 1: guy did a ton of TV from Er to Rozolian Isles,

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Speaker 1: and his last credit was from twenty sixteen. And honestly,

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Speaker 1: everyone else was a total newcomer, well except for one actor,

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Speaker 1: someone who we recently interviewed for a awesome Pod Meets

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Speaker 1: World episode. He's character actor legend Keone Young, who plays

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Speaker 1: bo Keoni was not only on Boy Mets World, but

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Speaker 1: has hundreds of TV and movie credits. If we seriously,

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Speaker 1: if we started his IMDb back when we started Podmeets World,

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Speaker 1: we would still be listing his credits. Just Ben and Everything,

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Speaker 1: Men in Black, Three, The Crank Movies, Honeymoon in Vegas,

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Speaker 1: TV shows like The Golden Girls, Websters, Cheers, plus all

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Speaker 1: of the above. He is a voiceover Legendarah, if I

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Speaker 1: read ten percent of what he voiced, we'd be here

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Speaker 1: for three hours. But to highlight a few Gi Joe,

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Speaker 1: World of Warcraft, Miss of Panderia, Star Wars, Rebels, and

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Speaker 1: high high puffy Ammy. Umi. Okay, let's get this out

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Speaker 1: of the way right now, because it's important. The movie

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Speaker 1: runs eighty seven minutes, three below the ninety target, so

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Speaker 1: they could have held a shot of a wave maybe

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Speaker 1: for three more minutes, or had some kind of surfing

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Speaker 1: contest that would have been fine.

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Speaker 2: Congrats to them, though three minutes contest, heys.

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Speaker 1: Three minutes more than they had. Historya will look back

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Speaker 1: on them positively and the movie was written by Jan Rosenberg,

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Speaker 1: who has kind of a crazy career, making for a

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Speaker 1: very rare female director and writer team. Rosenberg wrote a

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Speaker 1: Disney Live action classic starring a young Meredith Salinger and

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Speaker 1: John Cusack called Journey of Natty Gan. She also directed

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Speaker 1: nineteen ninety one's White Fang and eventually Bambi two. This

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Speaker 1: time It's Personal, a movie that recently surprised us both

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Speaker 1: during one of our games about sequels. I've never seen it.

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Speaker 1: Hopefully Bambi's dad doesn't die in the start of this one,

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Speaker 1: like his mom died in the start of the first one.

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Speaker 1: It's still traumatized. She also was the script supervisor on

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Speaker 1: the original Piranha movies Rock and Roll High School with

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Speaker 1: the Ramones So Cool and the Howling. Okay, it's time

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Speaker 1: to make a decision. Are we selling the land for millions,

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Speaker 1: honoring a Hawaiian tradition by keeping the house, or just

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Speaker 1: getting into the movie. I say we start with rip

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Speaker 1: Girls and go from there. Here we go. We open

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Speaker 1: with our main character, Sidney, flying into Hawaii, peeking out

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Speaker 1: the window at some amazing island views. She's coming home,

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Speaker 1: well sort of. She was born there but doesn't remember

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Speaker 1: anything because she left when she was really young. And

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Speaker 1: her dad, Ben, who we also learned as a bit

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Speaker 1: of a worry wart with his daughter never wanted to

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Speaker 1: come back after her mom died. Sydney isn't sure she

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Speaker 1: even remembers her mom anymore without thinking of a photo.

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Speaker 1: But also she has a new step mom she likes

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Speaker 1: very much, named Elizabeth. The family eventually lands and they

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Speaker 1: drive through the island as the opening credits role. When

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Speaker 1: they eventually arrive, we see a quick POV from someone

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Speaker 1: hiding in the bushes watching them with binoculars. And so far,

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Speaker 1: this could be a pretty good horror film where Sydney

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Speaker 1: and her family are haunted by the ghost of her

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Speaker 1: mother hell bent on killing the new stepmom. Also, keep

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Speaker 1: this stalker in mind, we're gonna talk about him later.

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Speaker 1: Sidney then walks around the beautiful house in the woods

433
00:20:12,800 --> 00:20:15,200
Speaker 1: around it, taking photos. She stumbles onto a beach where

434
00:20:15,200 --> 00:20:17,679
Speaker 1: she sees kids surfing and takes pictures of them shredding too,

435
00:20:17,760 --> 00:20:20,560
Speaker 1: And I was still optimistic at this point. She admits

436
00:20:20,600 --> 00:20:22,879
Speaker 1: she's more into art and computers, so she normally wouldn't

437
00:20:22,880 --> 00:20:25,679
Speaker 1: try something like hanging ten Back in the house, Sidney

438
00:20:25,760 --> 00:20:27,719
Speaker 1: is cautious when entering. She finds her way into her

439
00:20:27,760 --> 00:20:30,719
Speaker 1: dusty bedroom, which seems untouched for quite some time, except

440
00:20:30,720 --> 00:20:32,680
Speaker 1: for a stray black cat that gives us a little

441
00:20:32,720 --> 00:20:36,720
Speaker 1: jump scare see horror movie. And then a colorful local

442
00:20:36,800 --> 00:20:39,159
Speaker 1: named Bo enters. He's impressed with Sidney and puts a

443
00:20:39,280 --> 00:20:42,880
Speaker 1: lay around her neck. He's the lawyer of Sydney's grandma's will,

444
00:20:43,040 --> 00:20:45,600
Speaker 1: who has recently died. He explains, since Sydney is the

445
00:20:45,640 --> 00:20:49,359
Speaker 1: last living heir, everything including the entire plantation, goes to her,

446
00:20:49,680 --> 00:20:52,200
Speaker 1: but the only condition is she must stay in Hawaii

447
00:20:52,280 --> 00:20:56,560
Speaker 1: for two weeks. Bo explains the Mackai Kuau and I'm

448
00:20:56,600 --> 00:21:00,480
Speaker 1: apologizing to everybody through this entire episode for all the misprenunciations,

449
00:21:00,480 --> 00:21:03,280
Speaker 1: because there will be a ton. The Mackai Kuau have

450
00:21:03,400 --> 00:21:06,440
Speaker 1: been ranching on the property for five generations, and even

451
00:21:06,440 --> 00:21:08,680
Speaker 1: though the house is run down, the land is very fertile.

452
00:21:08,880 --> 00:21:11,359
Speaker 1: But Ben doesn't get it. This is high end beachfront property.

453
00:21:11,359 --> 00:21:13,840
Speaker 1: Why would they keep it for farming? Bo tries to explain,

454
00:21:13,840 --> 00:21:15,760
Speaker 1: even though there have already been offers on the land,

455
00:21:15,840 --> 00:21:18,560
Speaker 1: there is still value in tradition. As the old argument

456
00:21:18,680 --> 00:21:21,159
Speaker 1: of value over money begins, Sidney finds her way to

457
00:21:21,200 --> 00:21:24,520
Speaker 1: a cabinet that magically opens by itself, clearly still in

458
00:21:24,520 --> 00:21:26,439
Speaker 1: a horror movie, none of that made sense. Inside, she

459
00:21:26,480 --> 00:21:29,760
Speaker 1: spots a bound book which looks very similar to the

460
00:21:29,800 --> 00:21:33,240
Speaker 1: necronomicon Ex Mortis from the Evil Dead. It's an album

461
00:21:33,280 --> 00:21:36,760
Speaker 1: filled with old timy pictures of her family. She runs

462
00:21:36,760 --> 00:21:38,879
Speaker 1: it over to her dad, who instantly notices a picture

463
00:21:38,880 --> 00:21:41,560
Speaker 1: of his deceased wife, Sidney's bomb, holding a surfboard. He's

464
00:21:41,680 --> 00:21:44,399
Speaker 1: clearly stung with sadness, and Sidney is very interested to

465
00:21:44,480 --> 00:21:47,800
Speaker 1: learn more. That night, amidst the storm, Sydney unpacks her

466
00:21:47,840 --> 00:21:49,959
Speaker 1: room and returns to looking at the photo. She decides

467
00:21:50,000 --> 00:21:52,320
Speaker 1: to put it on her vanity mirror. The next morning,

468
00:21:52,359 --> 00:21:54,640
Speaker 1: landscapers are already working on the property and Sidney sees

469
00:21:54,680 --> 00:21:56,640
Speaker 1: that stray cat again. It runs off, so she follows

470
00:21:56,680 --> 00:21:59,480
Speaker 1: it into the jungle like you do. Eventually right to

471
00:21:59,480 --> 00:22:02,919
Speaker 1: a wooden She opens the door, awakening an owl and

472
00:22:02,960 --> 00:22:05,760
Speaker 1: getting her first glimpse inside. It's run down and filled

473
00:22:05,760 --> 00:22:08,960
Speaker 1: with sharp tools. Then she jumps and reveals a surfboard,

474
00:22:09,240 --> 00:22:11,760
Speaker 1: just before another jump scare from the owl. So this

475
00:22:11,840 --> 00:22:13,840
Speaker 1: is it's basically a Stephen King book. At this point,

476
00:22:14,800 --> 00:22:17,159
Speaker 1: Sidney decides to take the surfboard, which is let's not

477
00:22:17,200 --> 00:22:20,040
Speaker 1: be a you know, it's theft it's petty theft. She

478
00:22:20,320 --> 00:22:23,160
Speaker 1: runs off, stumbling into it, which she doesn't pretty well,

479
00:22:23,240 --> 00:22:25,680
Speaker 1: that's come on, she doesn't know all the stuff that's

480
00:22:25,680 --> 00:22:27,399
Speaker 1: in there. Come on, can't just be taking stuff? Was

481
00:22:27,400 --> 00:22:29,360
Speaker 1: the truck hers too? I guess? So, yes, she does,

482
00:22:29,400 --> 00:22:31,880
Speaker 1: I guess it is hers. She runs off, stumbling into

483
00:22:31,880 --> 00:22:34,480
Speaker 1: a girl on a bike, causing a brutal crash. It's

484
00:22:34,520 --> 00:22:36,639
Speaker 1: a local girl named Gia, who for good reason, is

485
00:22:36,680 --> 00:22:38,840
Speaker 1: mad about the run in, but she quickly changes her

486
00:22:38,880 --> 00:22:42,720
Speaker 1: tune when she sees Sydney's sick board quote unquote. When

487
00:22:42,720 --> 00:22:45,399
Speaker 1: the now healed Gia ask how it rides, Sidney fibbs,

488
00:22:45,400 --> 00:22:49,600
Speaker 1: implying it's awesome. The local quickly realizes who Sidney is,

489
00:22:49,640 --> 00:22:51,959
Speaker 1: the long lost relative here to read the will the

490
00:22:51,960 --> 00:22:55,240
Speaker 1: island a small and news travels fast. Later that night,

491
00:22:55,240 --> 00:22:57,080
Speaker 1: Ben says he was thinking about taking a hike tomorrow,

492
00:22:57,160 --> 00:23:01,800
Speaker 1: but Elizabeth suggests a nearby quilt exhibit, which, yeah, awesome,

493
00:23:01,960 --> 00:23:04,320
Speaker 1: sounds like a blast for a kid. Sidney revealed she

494
00:23:04,359 --> 00:23:06,600
Speaker 1: was thinking about maybe going to the beach alone. She

495
00:23:06,640 --> 00:23:08,119
Speaker 1: wants to meet up with Gia and her friends, but

496
00:23:08,160 --> 00:23:10,880
Speaker 1: Ben is clearly not comfortable with this. Sidney prophi says

497
00:23:10,880 --> 00:23:13,760
Speaker 1: she'll be careful, but he says no, she argues, she's thirteen,

498
00:23:13,840 --> 00:23:15,880
Speaker 1: not a baby. By the way, for the first time

499
00:23:15,920 --> 00:23:21,680
Speaker 1: in a good long while, look thirteen, Yes, actor, look thirteen.

500
00:23:21,760 --> 00:23:25,639
Speaker 1: Everybody seemed to be very appropriately age wise cast. It

501
00:23:25,720 --> 00:23:28,639
Speaker 1: wasn't like, wait, she's supposed to be eight or you

502
00:23:28,640 --> 00:23:31,560
Speaker 1: know something. It was all very They all yeah, looked

503
00:23:31,560 --> 00:23:32,680
Speaker 1: their ages, which is great.

504
00:23:32,680 --> 00:23:35,480
Speaker 2: And by and by the way, I don't hate Sydney's

505
00:23:35,520 --> 00:23:39,480
Speaker 2: dad going I like, you're too young to go.

506
00:23:39,440 --> 00:23:43,080
Speaker 1: Off, but especially when your mom died the same way,

507
00:23:43,560 --> 00:23:45,720
Speaker 1: I could see being freaked out about going to the beach,

508
00:23:45,840 --> 00:23:48,120
Speaker 1: which even just going to the beach in general.

509
00:23:48,440 --> 00:23:51,520
Speaker 2: But still we're on like an island. We don't know anyone.

510
00:23:52,080 --> 00:23:56,800
Speaker 2: You certainly don't know anyone little girl, Like, no, you, no,

511
00:23:56,840 --> 00:23:57,760
Speaker 2: you might not act.

512
00:23:57,600 --> 00:24:00,160
Speaker 1: Thirteen when walking down to the beach. Be that big

513
00:24:00,200 --> 00:24:03,479
Speaker 1: a deal for a kid you're thirteen. I'd been sued

514
00:24:03,520 --> 00:24:04,680
Speaker 1: by the time I was thirteen.

515
00:24:09,000 --> 00:24:12,560
Speaker 2: No, honestly, yes, I that is not I feel like

516
00:24:12,600 --> 00:24:18,560
Speaker 2: they're no no really no, no, I mean maybe I'll

517
00:24:18,560 --> 00:24:20,680
Speaker 2: feel different, but at this point, no.

518
00:24:20,760 --> 00:24:23,480
Speaker 1: At thirteen, you you weren't able to just like walk

519
00:24:23,520 --> 00:24:25,560
Speaker 1: to a beach. Again, we're talking about kind of a

520
00:24:25,600 --> 00:24:28,720
Speaker 1: closed off island. You're walking, She's not like grabbing a snorkel.

521
00:24:28,840 --> 00:24:31,320
Speaker 2: I was allowed to like ride my bike up to

522
00:24:31,480 --> 00:24:35,119
Speaker 2: like the shopping center that was, you know, outside of

523
00:24:35,119 --> 00:24:37,399
Speaker 2: the neighborhood and across like one major street.

524
00:24:37,400 --> 00:24:39,840
Speaker 1: And that's way more dangerous than going to the beach.

525
00:24:40,560 --> 00:24:44,040
Speaker 2: But will, what were you doing at thirteen when you

526
00:24:44,080 --> 00:24:46,560
Speaker 2: had time on your own? I already know because you

527
00:24:46,600 --> 00:24:47,520
Speaker 2: have told me.

528
00:24:48,520 --> 00:24:54,160
Speaker 1: Okay, I'm not a good example. I'm a very good example.

529
00:24:55,040 --> 00:24:57,120
Speaker 1: What were you doing that at thirteen when.

530
00:24:57,000 --> 00:24:59,920
Speaker 2: You would that I was around people that that were

531
00:25:00,359 --> 00:25:03,280
Speaker 2: but you did definitely, Yeah, but that's because I was.

532
00:25:03,560 --> 00:25:07,280
Speaker 1: I was a bust, like I'd been smoking for years

533
00:25:07,320 --> 00:25:08,280
Speaker 1: by thirteen.

534
00:25:08,080 --> 00:25:12,200
Speaker 2: That's what I mean. But like the beach to me again,

535
00:25:12,320 --> 00:25:15,480
Speaker 2: the ocean puts a whole other factor in it, Like

536
00:25:15,840 --> 00:25:18,280
Speaker 2: how would I ever know if you went into the

537
00:25:18,359 --> 00:25:21,840
Speaker 2: ocean and got like he was not being mean? Like honestly, like,

538
00:25:21,960 --> 00:25:22,639
Speaker 2: how am I gonna know?

539
00:25:22,840 --> 00:25:24,440
Speaker 1: I don't think he was being mean. I think though

540
00:25:24,480 --> 00:25:27,720
Speaker 1: he was being overly cautious. I think a thirteen year

541
00:25:27,720 --> 00:25:31,320
Speaker 1: old on a small island walking to a beach by

542
00:25:31,520 --> 00:25:32,720
Speaker 1: his again.

543
00:25:32,520 --> 00:25:36,000
Speaker 2: If he was with the friend. Okay, but no, no,

544
00:25:36,320 --> 00:25:38,400
Speaker 2: I don't even like when my song leaders when we're

545
00:25:38,440 --> 00:25:40,440
Speaker 2: at Disney World go to the restroom on their own.

546
00:25:40,520 --> 00:25:43,639
Speaker 2: Take a buddy, okay, take somebody with you to make

547
00:25:43,680 --> 00:25:46,520
Speaker 2: sure that you don't venture off and die somewhere.

548
00:25:46,880 --> 00:25:47,240
Speaker 1: Okay.

549
00:25:47,359 --> 00:25:50,240
Speaker 2: Well, and nobody takes you, And nobody takes you because

550
00:25:50,240 --> 00:25:52,960
Speaker 2: you're cute. Okay, people are looking to take you. Got

551
00:25:52,960 --> 00:25:53,440
Speaker 2: a cute things.

552
00:25:53,520 --> 00:25:56,240
Speaker 1: Maybe it's different with girls, because I mean again, at thirteen,

553
00:25:56,280 --> 00:25:59,040
Speaker 1: we were riding our motorcycles in the woods and camping

554
00:25:59,080 --> 00:26:00,120
Speaker 1: out all the time.

555
00:26:00,040 --> 00:26:02,720
Speaker 2: And we knew where you were at. This is different.

556
00:26:02,760 --> 00:26:03,719
Speaker 2: She doesn't know where she is.

557
00:26:03,880 --> 00:26:08,040
Speaker 1: We will disagree agree. She's kinna knock because it's like

558
00:26:08,119 --> 00:26:14,400
Speaker 1: right down anyway. Okay. Sabrinas is clearly team her dad,

559
00:26:14,480 --> 00:26:18,200
Speaker 1: Team Ben. She argues, though, that she's thirteen, not a baby.

560
00:26:18,240 --> 00:26:20,480
Speaker 1: I would argue that as well. Elizabeth even tries to

561
00:26:20,480 --> 00:26:23,119
Speaker 1: get Vince Ben, but he's scared of riptides and currents. Okay,

562
00:26:23,160 --> 00:26:25,560
Speaker 1: that's fair. Sidney tries to compromise. She won't go in

563
00:26:25,600 --> 00:26:28,160
Speaker 1: the water, she'll just take pictures. And so the next

564
00:26:28,200 --> 00:26:30,360
Speaker 1: day we see the plan. She's given a cell phone

565
00:26:30,400 --> 00:26:32,359
Speaker 1: and case on emergency in two thousand, which I'm surprised

566
00:26:32,359 --> 00:26:34,680
Speaker 1: didn't have to be carried in a backpack. Sydney leaves

567
00:26:34,680 --> 00:26:37,040
Speaker 1: for the beach just as two real estate agents arrived

568
00:26:37,040 --> 00:26:39,800
Speaker 1: to talk about selling the house. While they're busy with introductions,

569
00:26:39,800 --> 00:26:42,959
Speaker 1: she sneaks into the shed and takes the found surfboard

570
00:26:42,960 --> 00:26:45,280
Speaker 1: with her. Uh oh, she might be a rule breaker.

571
00:26:46,240 --> 00:26:48,000
Speaker 1: When she arrives at the beach, Ga and the gang

572
00:26:48,040 --> 00:26:50,440
Speaker 1: are already catching some waves. Happy to see her, Gia

573
00:26:50,560 --> 00:26:52,679
Speaker 1: encourage her sort to jump, but Sidney wants to hang

574
00:26:52,720 --> 00:26:54,960
Speaker 1: out a little and survey their little homemade beach house.

575
00:26:55,359 --> 00:26:59,639
Speaker 1: Sydney meets Gia's pals Linnea and Malay, then they're joined

576
00:26:59,640 --> 00:27:02,919
Speaker 1: by some cute surfer boys, including one frosted tip punk

577
00:27:03,000 --> 00:27:05,880
Speaker 1: named ConA, who broke his arm trying a skateboard trick.

578
00:27:06,080 --> 00:27:07,960
Speaker 1: He's stuck in the sand for now, so Sydney immediately

579
00:27:07,960 --> 00:27:10,639
Speaker 1: starts taking pictures of him, and he explains everyone surfs

580
00:27:10,640 --> 00:27:14,600
Speaker 1: on the island unless they're a major dork. Okay, question

581
00:27:16,560 --> 00:27:18,919
Speaker 1: do you think do you remember reading the script?

582
00:27:20,280 --> 00:27:20,560
Speaker 2: Yes?

583
00:27:20,840 --> 00:27:22,520
Speaker 1: Do you remember most things about the script?

584
00:27:23,640 --> 00:27:27,720
Speaker 2: Uh? Not most things? I remember this.

585
00:27:28,920 --> 00:27:35,440
Speaker 1: Did ConA have a broken arm in the script? Yes

586
00:27:36,000 --> 00:27:38,600
Speaker 1: he did, Yes, you're sure.

587
00:27:38,680 --> 00:27:41,960
Speaker 2: Yeah, I'm almost positive because what kept him on the sand.

588
00:27:42,040 --> 00:27:43,639
Speaker 2: Otherwise he would have been out in the ocean and

589
00:27:43,680 --> 00:27:44,560
Speaker 2: she wouldn't have right.

590
00:27:44,600 --> 00:27:48,680
Speaker 1: But but he's still skateboarding, he's still swimming after her,

591
00:27:49,240 --> 00:27:51,879
Speaker 1: all that kind of stuff. It just seemed like, like

592
00:27:52,000 --> 00:27:54,480
Speaker 1: why he could have still stayed and had a conversation

593
00:27:54,520 --> 00:27:56,600
Speaker 1: where the fact that he had a broken arm meant

594
00:27:56,640 --> 00:27:58,000
Speaker 1: nothing to the story.

595
00:27:58,520 --> 00:28:01,000
Speaker 2: Later Yeah, yeah, he just didn't need to.

596
00:28:01,000 --> 00:28:03,520
Speaker 1: And so in my head, I was like, does he did?

597
00:28:03,560 --> 00:28:05,399
Speaker 1: They have to change it because the actor broke his

598
00:28:05,480 --> 00:28:07,159
Speaker 1: arm right before they were going to start.

599
00:28:07,520 --> 00:28:09,159
Speaker 2: Oh, I don't think so.

600
00:28:09,440 --> 00:28:11,440
Speaker 1: You remember he had a broken arm in the script, Okay,

601
00:28:11,440 --> 00:28:13,000
Speaker 1: Because to me, I was like, it makes no sense

602
00:28:13,040 --> 00:28:14,719
Speaker 1: that this kid has a broken arm, Like it just

603
00:28:14,920 --> 00:28:16,600
Speaker 1: it did nothing for the story. He's still doing all

604
00:28:16,600 --> 00:28:18,359
Speaker 1: his skateboarding stuff. So they want to keep him on

605
00:28:18,359 --> 00:28:20,879
Speaker 1: the beach. That's fine. They can keep them there to

606
00:28:20,920 --> 00:28:22,480
Speaker 1: talk with her and he can still run in and

607
00:28:22,520 --> 00:28:25,560
Speaker 1: catch a wave or two. Yeah, because it just didn't

608
00:28:25,560 --> 00:28:27,199
Speaker 1: I didn't understand why he had a broken arm. It

609
00:28:27,240 --> 00:28:29,560
Speaker 1: just was completely and totally unnecessary, right.

610
00:28:29,600 --> 00:28:33,600
Speaker 2: I mean, I mean feel like I remember friends that

611
00:28:33,640 --> 00:28:36,359
Speaker 2: would break their arms and they would still skate versus like,

612
00:28:36,440 --> 00:28:38,160
Speaker 2: you can't go in the water with your count.

613
00:28:38,560 --> 00:28:40,720
Speaker 1: He went in several times. I guess he's trying to

614
00:28:40,720 --> 00:28:44,880
Speaker 1: save people, but still I don't get that I understood.

615
00:28:44,920 --> 00:28:46,520
Speaker 2: I mean, I feel like it's like he's not going

616
00:28:46,600 --> 00:28:49,120
Speaker 2: to not go in to save someone, but like, I know,

617
00:28:49,200 --> 00:28:49,520
Speaker 2: it just.

618
00:28:49,480 --> 00:28:52,400
Speaker 1: Didn't Yeah, it didn't seem it didn't seem like it

619
00:28:52,520 --> 00:28:54,160
Speaker 1: did anything for the story that the guy had a

620
00:28:54,160 --> 00:28:55,320
Speaker 1: broken arm. Frankly, I just.

621
00:28:57,520 --> 00:29:00,480
Speaker 2: What beached him, Like, yeah, I mean to go into

622
00:29:00,480 --> 00:29:02,400
Speaker 2: the water and get them to be able to have

623
00:29:02,560 --> 00:29:04,600
Speaker 2: time away from the friends.

624
00:29:04,440 --> 00:29:07,680
Speaker 1: Which easily could have done that without him with the

625
00:29:07,720 --> 00:29:10,880
Speaker 1: weird story of having a broken arm. Anyway, he says

626
00:29:11,000 --> 00:29:13,800
Speaker 1: longboards like Sydney's are for relaxing cruises, but a short

627
00:29:13,840 --> 00:29:16,920
Speaker 1: board is extreme. She's impressed and calls him a poet,

628
00:29:17,120 --> 00:29:20,400
Speaker 1: which honestly seems undeserves His words weren't poetic at all.

629
00:29:20,280 --> 00:29:23,720
Speaker 2: But I thought she was going to finish the sentence.

630
00:29:23,840 --> 00:29:25,600
Speaker 2: It's like, you're a poet. You don't even know.

631
00:29:25,800 --> 00:29:27,480
Speaker 1: I don't even know. I swear.

632
00:29:27,520 --> 00:29:29,240
Speaker 2: I was like, oh God, oh, oh, oh, is.

633
00:29:29,160 --> 00:29:31,320
Speaker 1: That where we're going? Oh my god, Yeah, I didn't

634
00:29:31,320 --> 00:29:33,200
Speaker 1: think it was poetic, but to each his own. He

635
00:29:33,240 --> 00:29:36,000
Speaker 1: also quickly realizes she's never served before, so she admits

636
00:29:36,040 --> 00:29:38,440
Speaker 1: a little secret between Chicago and her nervous dad. She's

637
00:29:38,480 --> 00:29:41,360
Speaker 1: never even thought about surfing before. We cut it later

638
00:29:41,440 --> 00:29:44,040
Speaker 1: and the girls are having a small tutorial for Sydney,

639
00:29:44,160 --> 00:29:48,960
Speaker 1: and now she's ready. Uh, you didn't lose sound in

640
00:29:48,960 --> 00:29:51,240
Speaker 1: your podcast. I'm just pausing because I have no idea

641
00:29:51,280 --> 00:29:53,640
Speaker 1: how long the scene was supposed to represent in real life.

642
00:29:53,640 --> 00:29:54,840
Speaker 1: But in the run of the movie they teach her

643
00:29:54,880 --> 00:29:59,200
Speaker 1: for about four seconds. I don't see how. And then

644
00:30:00,080 --> 00:30:02,640
Speaker 1: Ga says having fear is part of the fun, and

645
00:30:02,680 --> 00:30:05,320
Speaker 1: Sydney gives in and walks into the water. And guess

646
00:30:05,320 --> 00:30:08,960
Speaker 1: who we see as now after the quickest montage in

647
00:30:09,000 --> 00:30:11,920
Speaker 1: film history as she walks in the water, the creeper

648
00:30:12,000 --> 00:30:15,040
Speaker 1: from the beginning of the movie, still with binoculars. And

649
00:30:15,080 --> 00:30:16,840
Speaker 1: then this is something again. I wanted you to keep

650
00:30:16,840 --> 00:30:20,040
Speaker 1: this in mind that everyone forgot existed. And then guess what.

651
00:30:20,240 --> 00:30:25,240
Speaker 1: It never happens again. We never see this again. It's

652
00:30:25,280 --> 00:30:29,200
Speaker 1: never dressed again. It's it's this guy's broken arm. Why

653
00:30:29,240 --> 00:30:30,479
Speaker 1: the hell would they even do this?

654
00:30:30,680 --> 00:30:36,640
Speaker 2: It never very Sabrina sees what happened to the box?

655
00:30:37,240 --> 00:30:40,640
Speaker 1: Where's where's Johnny binoculars? Like?

656
00:30:40,760 --> 00:30:44,720
Speaker 2: What happened? Did we ever find was that the real

657
00:30:44,840 --> 00:30:48,160
Speaker 2: estate people don't know her mom's best friend that we

658
00:30:48,280 --> 00:30:49,800
Speaker 2: find later? Was it?

659
00:30:50,120 --> 00:30:52,600
Speaker 1: I don't know, it's a guy on the other side

660
00:30:52,600 --> 00:30:55,000
Speaker 1: of the beach where there are surfing competitions. Yeah, because

661
00:30:55,040 --> 00:31:00,000
Speaker 1: it was so weird and he just never comes up again,

662
00:31:00,440 --> 00:31:00,680
Speaker 1: was it?

663
00:31:00,720 --> 00:31:02,880
Speaker 2: I mean, do you think that there was a scene

664
00:31:02,920 --> 00:31:05,200
Speaker 2: that ends up getting explained and that's just what hit

665
00:31:05,240 --> 00:31:07,320
Speaker 2: the floor? That was the three minutes we lost for me?

666
00:31:07,440 --> 00:31:11,160
Speaker 1: Maybe it's three minutes about binocular john Like, I don't know.

667
00:31:11,680 --> 00:31:12,600
Speaker 2: I don't know either.

668
00:31:13,160 --> 00:31:17,960
Speaker 1: Never happens again. Sidney now paddles out into the ocean

669
00:31:18,000 --> 00:31:20,000
Speaker 1: and falls off, then gets back up and tries again.

670
00:31:20,080 --> 00:31:21,840
Speaker 1: At the end of the day, She's frustrated, but Gia

671
00:31:21,840 --> 00:31:24,000
Speaker 1: tells her not to worry. She'll get it, but Sidney

672
00:31:24,000 --> 00:31:27,040
Speaker 1: reveals she's only in Hawaii for two weeks. She is confused.

673
00:31:27,080 --> 00:31:28,320
Speaker 1: What about the house, isn't it hers?

674
00:31:28,320 --> 00:31:28,480
Speaker 2: Now?

675
00:31:28,560 --> 00:31:31,240
Speaker 1: Sidney says they can't move because of her parents' jobs.

676
00:31:31,680 --> 00:31:34,640
Speaker 1: But you can tell she wishes that they could back

677
00:31:34,640 --> 00:31:37,040
Speaker 1: at home. Elizabeth asked Sidney about her day. Sidney says

678
00:31:37,080 --> 00:31:39,600
Speaker 1: taking pictures went great, but she's concerned about how weird

679
00:31:39,920 --> 00:31:42,520
Speaker 1: her dad has been acting lately. Elizabeth is as sure

680
00:31:42,560 --> 00:31:45,080
Speaker 1: Sydney it's not her Adults sometimes get lost in their

681
00:31:45,120 --> 00:31:47,960
Speaker 1: own boring adult problems. Sidney thinks he's worried too much,

682
00:31:48,040 --> 00:31:51,480
Speaker 1: especially because she's very careful in life. Elizabeth actually agrees

683
00:31:51,520 --> 00:31:53,840
Speaker 1: and praises her, and it's a very nice parenting scene,

684
00:31:53,840 --> 00:31:56,880
Speaker 1: something we really see in d com So congrats to

685
00:31:57,280 --> 00:31:59,200
Speaker 1: keep saying rip girls. Can we please buy the end

686
00:31:59,200 --> 00:32:02,960
Speaker 1: of this podcast? Come up? They better name than I

687
00:32:03,000 --> 00:32:03,760
Speaker 1: will say.

688
00:32:04,000 --> 00:32:10,800
Speaker 2: This stepmom dynamic has been one of my favorite parenting relationship.

689
00:32:11,120 --> 00:32:13,640
Speaker 2: She was a great character seeing she was a great

690
00:32:13,760 --> 00:32:19,760
Speaker 2: character all the way through the movie. Loved this character

691
00:32:19,800 --> 00:32:22,600
Speaker 2: and I was so great, so so grateful that this

692
00:32:23,040 --> 00:32:25,880
Speaker 2: relationship was represented. And this is one of the things

693
00:32:25,880 --> 00:32:28,440
Speaker 2: that I love about Disney, and y'all know this even

694
00:32:28,480 --> 00:32:31,280
Speaker 2: listening to this podcast. This kind of representation of being

695
00:32:31,760 --> 00:32:35,000
Speaker 2: seen is why Disney had such great fans, is because

696
00:32:35,040 --> 00:32:39,320
Speaker 2: this spoke to a very big group of people and kids.

697
00:32:39,360 --> 00:32:42,200
Speaker 2: And how I think I mean it was awesome, like

698
00:32:42,240 --> 00:32:43,960
Speaker 2: the step parent awesome in this.

699
00:32:44,160 --> 00:32:47,880
Speaker 1: I agree percent. Could it be something with Home Coming,

700
00:32:48,000 --> 00:32:54,200
Speaker 1: Home Waves Home. I don't know. Oh I don't ride,

701
00:32:54,320 --> 00:32:56,479
Speaker 1: but it's even that it's like you're still that it's

702
00:32:56,480 --> 00:32:59,080
Speaker 1: a surfing movie. I don't know, because there was.

703
00:32:59,040 --> 00:33:04,280
Speaker 2: A little bit of surf. There's a little and they

704
00:33:04,320 --> 00:33:07,680
Speaker 2: talk about culture and why of course.

705
00:33:07,400 --> 00:33:10,000
Speaker 1: But they didn't show it. Why not call it skateboarding

706
00:33:10,120 --> 00:33:14,680
Speaker 1: ConA skateboarding movie. There's basically as much of that as

707
00:33:14,720 --> 00:33:19,840
Speaker 1: there is a surfing. I mean like two or three

708
00:33:19,920 --> 00:33:24,280
Speaker 1: little surfing scenes. That's it. This was not a surfing.

709
00:33:23,960 --> 00:33:27,360
Speaker 2: Movie to be called rip girls, right right.

710
00:33:28,400 --> 00:33:30,479
Speaker 1: Anyway, We cut to Ben and Sydney now with Bo

711
00:33:30,560 --> 00:33:32,560
Speaker 1: at the real estate office. The agent's explained that the

712
00:33:32,640 --> 00:33:35,000
Speaker 1: current offers from someone who wanted to buy the property

713
00:33:35,080 --> 00:33:38,240
Speaker 1: years ago, but Sydney's grandma wasn't interested in selling. She

714
00:33:38,360 --> 00:33:40,560
Speaker 1: loved her land and didn't even look at the proposal.

715
00:33:40,760 --> 00:33:43,040
Speaker 1: But Sydney and her dad do want to look at it.

716
00:33:43,040 --> 00:33:44,960
Speaker 1: It's from a company looking to build a new resort,

717
00:33:45,000 --> 00:33:47,440
Speaker 1: but the historical house and shed would have to be demolished,

718
00:33:47,760 --> 00:33:50,920
Speaker 1: but they'll keep the name Horden Resort. At Plantation Mackay.

719
00:33:51,440 --> 00:33:53,360
Speaker 1: The agents say they can talk to Horden about keeping

720
00:33:53,360 --> 00:33:55,800
Speaker 1: the structure, but also the beach is currently set to

721
00:33:55,800 --> 00:34:04,640
Speaker 1: be for just resort guests. It's all very concerning to Sydney.

722
00:34:06,040 --> 00:34:08,279
Speaker 1: What do you think the offer was for? I mean beach.

723
00:34:08,480 --> 00:34:10,640
Speaker 1: It's supposed to be two thousand, talking.

724
00:34:10,520 --> 00:34:13,319
Speaker 2: Two thousands, your two thousand, But.

725
00:34:13,320 --> 00:34:15,799
Speaker 1: It's probably in the millions, don't you reckon? I mean, like, oh,

726
00:34:15,840 --> 00:34:20,520
Speaker 1: for sure two million bucks? Maybe No, I bet you

727
00:34:20,719 --> 00:34:21,479
Speaker 1: one point five.

728
00:34:22,239 --> 00:34:23,919
Speaker 2: No, I would think it'd be closer to.

729
00:34:23,920 --> 00:34:27,000
Speaker 1: Ten even in two thousand you think, I guess it's

730
00:34:27,080 --> 00:34:27,640
Speaker 1: beach front.

731
00:34:27,680 --> 00:34:29,960
Speaker 2: It's a plantation and it's beach front.

732
00:34:30,040 --> 00:34:34,040
Speaker 1: Yeah, I guess that's true. So ten to fifteen mil. Yeah,

733
00:34:34,239 --> 00:34:35,359
Speaker 1: that it's tough to turn down.

734
00:34:36,200 --> 00:34:37,040
Speaker 2: Uh.

735
00:34:37,120 --> 00:34:40,120
Speaker 1: It could have been called rich girls have been called

736
00:34:40,200 --> 00:34:46,799
Speaker 1: rich girls. Yeah girls, Yeah exactly. You're offering me twenty

737
00:34:46,800 --> 00:34:48,800
Speaker 1: five million dollars. It was nice to meet you, Johnny.

738
00:34:48,840 --> 00:34:49,800
Speaker 1: It's gum whatever.

739
00:34:50,040 --> 00:34:53,200
Speaker 2: So to like again, I'm on this dad's side so

740
00:34:53,320 --> 00:34:58,920
Speaker 2: hard because it's also Liken your team. Ben Ben is like,

741
00:34:59,280 --> 00:35:03,080
Speaker 2: I'm like, okay, because you put me on, you give

742
00:35:03,120 --> 00:35:06,120
Speaker 2: me a resort or you give me this big piece

743
00:35:06,160 --> 00:35:10,680
Speaker 2: of land that I have zero idea of how to maintain,

744
00:35:11,080 --> 00:35:12,680
Speaker 2: like the mountain.

745
00:35:12,840 --> 00:35:15,200
Speaker 1: You just give me a farm, can't do it.

746
00:35:15,080 --> 00:35:18,600
Speaker 2: Myself, Like my my cousin bought a two hundred acres

747
00:35:18,680 --> 00:35:22,239
Speaker 2: in uh West Virginia, and I like my first thing

748
00:35:22,360 --> 00:35:23,600
Speaker 2: was like, how do you.

749
00:35:23,800 --> 00:35:24,759
Speaker 1: Gonna do who?

750
00:35:25,080 --> 00:35:26,920
Speaker 2: Who does it? Like? Who do you do? Who does

751
00:35:26,920 --> 00:35:28,560
Speaker 2: that for you? And she's like We're gonna do it?

752
00:35:28,560 --> 00:35:37,000
Speaker 1: And I'm like, yeah, you work the land? No, all right?

753
00:35:37,040 --> 00:35:39,000
Speaker 1: So that's the movie would have ended right there with

754
00:35:39,120 --> 00:35:41,359
Speaker 1: just Sabrina signing the papers exactly.

755
00:35:41,040 --> 00:35:44,880
Speaker 2: Would be yes sign sign sign like also, like it

756
00:35:44,880 --> 00:35:47,720
Speaker 2: didn't look like they had staff doing it, like who

757
00:35:47,800 --> 00:35:48,879
Speaker 2: is maintaining this land?

758
00:35:48,880 --> 00:35:50,719
Speaker 1: That well, they had some people that were out there.

759
00:35:50,760 --> 00:35:52,600
Speaker 1: They did show the people cleaning up the resort and

760
00:35:52,600 --> 00:35:54,239
Speaker 1: cleaning up the land. They showed a kind of a

761
00:35:54,280 --> 00:35:56,440
Speaker 1: crew out there cleaning up. So that part my.

762
00:35:56,600 --> 00:35:58,440
Speaker 2: If it was people had jobs, I'm not trying to

763
00:35:58,480 --> 00:36:01,359
Speaker 2: get anyone's like livelihood and situation, so then like that

764
00:36:01,440 --> 00:36:07,360
Speaker 2: might be a part. But like ten million dollars.

765
00:36:06,520 --> 00:36:08,880
Speaker 1: I thought you're called seriously, the movie would have been

766
00:36:08,920 --> 00:36:10,920
Speaker 1: it would have been a short film about Sabrina going

767
00:36:11,000 --> 00:36:12,680
Speaker 1: and signing papers to become rich.

768
00:36:13,280 --> 00:36:15,880
Speaker 2: I would love to inherit something. Let me tell you

769
00:36:15,880 --> 00:36:19,880
Speaker 2: when Sabrina Brian is not inheriting anything. But if it was,

770
00:36:20,040 --> 00:36:20,640
Speaker 2: it was worth.

771
00:36:20,480 --> 00:36:22,840
Speaker 1: Ten million signing on the dotted line.

772
00:36:23,000 --> 00:36:27,160
Speaker 2: Thank you very much, stamp nails, son.

773
00:36:28,560 --> 00:36:31,720
Speaker 1: And movie over, thank you very much. Nice. You wouldn't

774
00:36:31,760 --> 00:36:33,680
Speaker 1: have met any of the other people on the island.

775
00:36:33,760 --> 00:36:35,280
Speaker 1: I would have gone, I would have gotten a sandwich.

776
00:36:35,280 --> 00:36:36,600
Speaker 1: I would have signed the papers. I would have been,

777
00:36:39,280 --> 00:36:41,440
Speaker 1: We'll find you a nice boy somewhere else. We're now

778
00:36:41,480 --> 00:36:42,680
Speaker 1: worth twenty five million dollars.

779
00:36:43,920 --> 00:36:46,120
Speaker 2: We have just upped our auntie. Wow.

780
00:36:47,440 --> 00:36:50,160
Speaker 1: Later, well, some people who don't think on that, don't

781
00:36:50,160 --> 00:36:52,720
Speaker 1: think like that, are staying on the island. So later,

782
00:36:53,360 --> 00:36:55,799
Speaker 1: Gia and the girls are back out surfing kind of.

783
00:36:55,840 --> 00:36:59,919
Speaker 1: When Sydney returns longboarded hand, Gia encourages her she'll own

784
00:37:00,120 --> 00:37:02,560
Speaker 1: waves today and as a result, this is another thing.

785
00:37:02,880 --> 00:37:04,920
Speaker 1: We get a loud song and said the nervously paddles

786
00:37:04,920 --> 00:37:06,840
Speaker 1: out and catches a wave. She gets up and almost

787
00:37:06,920 --> 00:37:08,719
Speaker 1: makes it all the way to the shore before wiping out.

788
00:37:08,719 --> 00:37:12,960
Speaker 1: She's thrilled, what a success. Great. Did the mix of

789
00:37:13,000 --> 00:37:16,560
Speaker 1: this movie seem really off? To you. There was background

790
00:37:16,719 --> 00:37:19,279
Speaker 1: music that was so loud at times that I had

791
00:37:19,360 --> 00:37:21,480
Speaker 1: to put on the subtitles.

792
00:37:22,000 --> 00:37:25,160
Speaker 2: Oh really, because it was like, wow, I could.

793
00:37:25,239 --> 00:37:27,080
Speaker 1: I was like, I can't hear some of the dialogue.

794
00:37:27,120 --> 00:37:28,880
Speaker 1: The background music is so loud.

795
00:37:29,239 --> 00:37:33,239
Speaker 2: Oh I didn't. I didn't know. I didn't, but I did.

796
00:37:33,360 --> 00:37:36,200
Speaker 2: Like this was like a true right in there with

797
00:37:36,320 --> 00:37:41,360
Speaker 2: Brink and Johnny's Sunami, like the vibe of the ska music.

798
00:37:41,840 --> 00:37:45,880
Speaker 1: Yeah, and show us more of that as you're studying.

799
00:37:46,000 --> 00:37:48,200
Speaker 1: You're about to do the final surf off, like I'm

800
00:37:48,200 --> 00:37:50,160
Speaker 1: wait on god, why is that not happening?

801
00:37:51,560 --> 00:37:51,680
Speaker 2: Uh?

802
00:37:51,760 --> 00:37:54,840
Speaker 1: Yeah, there's the big race down Death Valley Hill or whatever.

803
00:37:55,080 --> 00:37:57,759
Speaker 2: Anyway, I already saw that in Brink. They can't do

804
00:37:58,560 --> 00:38:00,879
Speaker 2: but we saw it and everything and break my god.

805
00:38:00,880 --> 00:38:03,720
Speaker 1: If they had the even Buffalo Dreams had a race,

806
00:38:04,640 --> 00:38:08,719
Speaker 1: it's like, oh my god. So anyway, even ConA saw

807
00:38:08,719 --> 00:38:11,920
Speaker 1: it while carefully skateboarding nearby with his broken arm for

808
00:38:11,920 --> 00:38:14,239
Speaker 1: no reason. Ga says ConA is her best friend and

809
00:38:14,280 --> 00:38:18,440
Speaker 1: realizes Sydney likes likes him, oh double. Like time she

810
00:38:18,520 --> 00:38:20,960
Speaker 1: encourages Sidney to say something to him, he'll be stoked.

811
00:38:21,239 --> 00:38:24,080
Speaker 1: She says, ConA is a good listener and an incredible artist,

812
00:38:24,440 --> 00:38:27,360
Speaker 1: and now I kind of want to date ConA. But

813
00:38:27,480 --> 00:38:30,560
Speaker 1: for now, they've got waves to catch. Sydney paddles out

814
00:38:30,560 --> 00:38:32,120
Speaker 1: again and ready's for the next wave. But at the

815
00:38:32,160 --> 00:38:34,359
Speaker 1: last minute, g yells don't catch this one, but it's

816
00:38:34,360 --> 00:38:37,120
Speaker 1: too late. Sydney has thrown off the board immediately and

817
00:38:37,160 --> 00:38:40,279
Speaker 1: thrown underwater. Ga and ConA are concerned and rushed to

818
00:38:40,320 --> 00:38:42,319
Speaker 1: save her. She's still struggling in the current when ConA,

819
00:38:42,360 --> 00:38:46,920
Speaker 1: who's underwater cast and all pulls her out, saves her life.

820
00:38:47,120 --> 00:38:49,399
Speaker 1: Back on land, Sydney's bleeding. She's cut her head. How's

821
00:38:49,400 --> 00:38:51,399
Speaker 1: she going to explain this to her parents? Gea has

822
00:38:51,480 --> 00:38:54,600
Speaker 1: ConA get her mom for help, and then Sidney finds

823
00:38:54,640 --> 00:38:56,520
Speaker 1: herself lying in a hammock in a small house filled

824
00:38:56,560 --> 00:38:58,600
Speaker 1: with scary looking masks. It's been a while since we've

825
00:38:58,600 --> 00:39:00,360
Speaker 1: been in a horror movie, so this is a welcome return.

826
00:39:01,200 --> 00:39:02,759
Speaker 1: And they really they shot it like that, I mean

827
00:39:02,760 --> 00:39:04,600
Speaker 1: they shot it it was like scary, Matt It's like, wait,

828
00:39:04,640 --> 00:39:09,920
Speaker 1: aren't these these are like historical religious almost artifacts? And

829
00:39:09,920 --> 00:39:12,120
Speaker 1: the way they shot it was almost like scary scary,

830
00:39:12,160 --> 00:39:13,839
Speaker 1: and it's like, I get she's supposed to be waking

831
00:39:13,880 --> 00:39:15,480
Speaker 1: up from it, but these are also supposed to be

832
00:39:15,560 --> 00:39:19,239
Speaker 1: like their ancestors, spirits. I think so. I feel like

833
00:39:19,280 --> 00:39:21,800
Speaker 1: they made it a little scary for no kind of reason.

834
00:39:21,960 --> 00:39:25,480
Speaker 1: But yeah, yes, we are back in a horror movie.

835
00:39:25,800 --> 00:39:28,120
Speaker 1: Gia's mom, Malia, helps Sidney up and gives her a

836
00:39:28,200 --> 00:39:31,280
Speaker 1: secret cure ta Sidney admits she doesn't remember much. Malia

837
00:39:31,320 --> 00:39:33,680
Speaker 1: says to Sidney, you're so much like her, but before

838
00:39:33,719 --> 00:39:36,399
Speaker 1: she can explain what she meant, Gia returns. She says

839
00:39:36,440 --> 00:39:39,120
Speaker 1: Cona's cast is soggy because it got all wet, but

840
00:39:39,200 --> 00:39:41,319
Speaker 1: he's a hero. Now he wants to know when she'll

841
00:39:41,320 --> 00:39:44,760
Speaker 1: be back surfing, But Sydney's instinct is to quit, good instinct.

842
00:39:44,840 --> 00:39:48,239
Speaker 1: Something's hard just quit, especially when she notices her surfboard

843
00:39:48,320 --> 00:39:50,680
Speaker 1: is wrecked. But Gia's mom can fix it, just like

844
00:39:50,719 --> 00:39:53,239
Speaker 1: she can make healing tea. And now I want to

845
00:39:53,320 --> 00:39:58,400
Speaker 1: date She's mom. Who Frankly, I love these kind of characters.

846
00:39:58,480 --> 00:40:02,359
Speaker 1: It's the slightly older, still really good looking. It's kind

847
00:40:02,360 --> 00:40:07,319
Speaker 1: of a trope. It's really good looking, slightly spiritual. Uh,

848
00:40:07,360 --> 00:40:10,680
Speaker 1: you know, guide for lack of a better turn, Tea

849
00:40:11,560 --> 00:40:13,759
Speaker 1: makes weed. Yeah, first of all straight up by aahuasca.

850
00:40:13,800 --> 00:40:18,279
Speaker 1: She was tripping balls for hours. That's a woman. So yeah,

851
00:40:18,280 --> 00:40:20,719
Speaker 1: because you're a woman that's a big, big crush on her,

852
00:40:20,760 --> 00:40:21,520
Speaker 1: big crush on her.

853
00:40:21,880 --> 00:40:23,440
Speaker 2: Does make weed tea for you?

854
00:40:23,800 --> 00:40:26,080
Speaker 1: She does not? So does not make weed tea for me?

855
00:40:26,239 --> 00:40:29,719
Speaker 1: Nor do I drink weed tea? She does? She does not.

856
00:40:30,200 --> 00:40:32,840
Speaker 1: But that kind of spiritual like I love that almost

857
00:40:32,920 --> 00:40:34,279
Speaker 1: hippie vibe. You know, I grew up in a town

858
00:40:34,320 --> 00:40:36,520
Speaker 1: with a lot of hippies, so like almost hippie vibe.

859
00:40:36,600 --> 00:40:41,680
Speaker 1: Older woman probably smells like pechuli. She's gorgeous. She yeah knows,

860
00:40:41,840 --> 00:40:43,879
Speaker 1: is like connected to the land. Big fan of that.

861
00:40:44,080 --> 00:40:47,759
Speaker 2: I can't handle that. You assume what people smell.

862
00:40:47,560 --> 00:40:50,720
Speaker 1: Like, Oh yeah, but I'm also right. That's the thing.

863
00:40:51,200 --> 00:40:53,840
Speaker 1: I'm also right. I know exactly how she smells. She

864
00:40:53,880 --> 00:40:57,240
Speaker 1: smells like it's like kind of lavender, kind of petuli

865
00:40:57,360 --> 00:40:58,000
Speaker 1: and happiness.

866
00:40:58,040 --> 00:41:00,759
Speaker 2: We bring our guests on. When now I'm going to

867
00:41:00,880 --> 00:41:03,279
Speaker 2: ask from here on out, what do you think they smell?

868
00:41:03,400 --> 00:41:05,560
Speaker 1: What do you think that? I'd be happy to, I'd

869
00:41:05,560 --> 00:41:15,600
Speaker 1: be happy to. Malia reveals the surfboard was Sidney's mom's.

870
00:41:15,680 --> 00:41:18,000
Speaker 1: They were best friends since childhood and that's who she meant.

871
00:41:18,040 --> 00:41:21,080
Speaker 1: Sidney looks so much like Malia wants to show her something,

872
00:41:21,120 --> 00:41:22,880
Speaker 1: so they drive off on an ATV to hike up

873
00:41:22,880 --> 00:41:25,640
Speaker 1: a mountain, finding a beautiful view of another beach. Malia says,

874
00:41:25,719 --> 00:41:28,480
Speaker 1: this time every year, whales land here with their young

875
00:41:28,520 --> 00:41:30,680
Speaker 1: and it's a sacred event. The first time she saw

876
00:41:30,719 --> 00:41:33,480
Speaker 1: the whales was with Gia's mom at a magical ceremony.

877
00:41:33,680 --> 00:41:35,719
Speaker 1: Sidney hopes the whales arrived during her trip so she

878
00:41:35,719 --> 00:41:38,680
Speaker 1: can go to the ceremony herself. Malia brings Sidney back home,

879
00:41:38,680 --> 00:41:42,080
Speaker 1: where her parents were scared sick, but only Elizabeth is there.

880
00:41:42,080 --> 00:41:45,040
Speaker 1: Her dad is actually out looking for her. Still. Elizabeth

881
00:41:45,040 --> 00:41:47,200
Speaker 1: notices the cut, but Sydney hides how she got injured,

882
00:41:47,200 --> 00:41:49,840
Speaker 1: and that's when Ben returns. He's happy she's alive, of course,

883
00:41:49,880 --> 00:41:52,680
Speaker 1: but very concerned and she can't lie. She admits she

884
00:41:52,680 --> 00:41:54,719
Speaker 1: wants to be part of something always has, and so

885
00:41:54,920 --> 00:41:59,080
Speaker 1: she went surfing. Now her dad is furious, I understand this,

886
00:41:59,120 --> 00:42:01,680
Speaker 1: it's literally how we live wife. He sends Sidney to

887
00:42:01,680 --> 00:42:05,320
Speaker 1: her room and blames Malia. There, old friend, It's actually

888
00:42:05,320 --> 00:42:08,360
Speaker 1: not Malia's fault so much as Gia's. But anyway, old friends,

889
00:42:08,360 --> 00:42:10,960
Speaker 1: Ben and Malia argue as Sidney leaves her room. Ben

890
00:42:11,000 --> 00:42:13,440
Speaker 1: thinks Malia's encouraging her to serve, but Malya's focus on

891
00:42:13,480 --> 00:42:16,160
Speaker 1: how little she knows about her mother. Good adult conversation

892
00:42:16,200 --> 00:42:18,360
Speaker 1: where they're both kind of right. She thinks the ocean

893
00:42:18,440 --> 00:42:20,840
Speaker 1: is a great healer and Ben thinks it's a great destroyer.

894
00:42:21,120 --> 00:42:23,279
Speaker 1: On her way out, Malia encourages Ben to live again.

895
00:42:23,320 --> 00:42:25,720
Speaker 1: He needs to heal and now a long with her husband.

896
00:42:25,719 --> 00:42:28,680
Speaker 1: Elizabeth agrees. Ben says once they're back in Chicago, everything

897
00:42:28,719 --> 00:42:31,080
Speaker 1: will be better, but Elizabeth knows he's wrong. If you

898
00:42:31,520 --> 00:42:34,320
Speaker 1: end this speech she gave was really great. If you

899
00:42:34,600 --> 00:42:38,400
Speaker 1: and so adult, If he was having an affair, she'd

900
00:42:38,560 --> 00:42:40,560
Speaker 1: know what to do with that and fight through it

901
00:42:40,600 --> 00:42:42,640
Speaker 1: because she believes in them as a couple. But the

902
00:42:42,719 --> 00:42:45,200
Speaker 1: grief is too much. How can she fight a ghost?

903
00:42:45,480 --> 00:42:47,840
Speaker 1: And to top it all off, Sydney has heard everything.

904
00:42:47,880 --> 00:42:50,759
Speaker 1: And it was another really good scene between adults, very

905
00:42:50,800 --> 00:42:52,000
Speaker 1: well written, very well active.

906
00:42:52,239 --> 00:42:56,160
Speaker 2: It wasn't too heated, It wasn't it was literally to

907
00:42:56,280 --> 00:42:57,880
Speaker 2: the point.

908
00:42:57,480 --> 00:42:58,239
Speaker 1: And it wasn't.

909
00:42:58,520 --> 00:43:03,360
Speaker 2: Yeah, this was so good for people like again Disney

910
00:43:03,480 --> 00:43:06,280
Speaker 2: showing like there are other people out there going through

911
00:43:06,320 --> 00:43:08,880
Speaker 2: this same situation of how do you how do you

912
00:43:09,000 --> 00:43:13,040
Speaker 2: mourn the loss of one person and move on? Like

913
00:43:13,160 --> 00:43:14,680
Speaker 2: all of this was just so good.

914
00:43:15,000 --> 00:43:16,919
Speaker 1: It really was, And it's one of those things where

915
00:43:16,920 --> 00:43:19,160
Speaker 1: it does best they do, they do it great, and

916
00:43:19,200 --> 00:43:22,560
Speaker 1: it's it was. It wasn't man's plaining, It wasn't woman's plaining.

917
00:43:22,760 --> 00:43:26,439
Speaker 1: It was a real conversation between adults and very well written,

918
00:43:26,600 --> 00:43:27,240
Speaker 1: very well acted.

919
00:43:27,600 --> 00:43:30,440
Speaker 2: And how it would be as a young person to

920
00:43:30,640 --> 00:43:34,080
Speaker 2: listen to your your parents having this conversation.

921
00:43:34,200 --> 00:43:37,760
Speaker 1: Yeah, and the complexity too, yes, grief and the guilt

922
00:43:37,880 --> 00:43:40,000
Speaker 1: you feel when you move on and you can't fully

923
00:43:40,000 --> 00:43:41,719
Speaker 1: move on and I'm not I can't be in love

924
00:43:41,760 --> 00:43:43,359
Speaker 1: with somebody else when the person I love is gone.

925
00:43:43,440 --> 00:43:45,839
Speaker 1: It's very very deep and really well done.

926
00:43:45,960 --> 00:43:47,920
Speaker 2: I would like, do you do you think we'll come

927
00:43:47,960 --> 00:43:52,200
Speaker 2: across a dcom that goes through not at being someone

928
00:43:52,320 --> 00:43:55,560
Speaker 2: has died, but like literally just a divorce and a

929
00:43:55,600 --> 00:43:57,680
Speaker 2: new relationship.

930
00:43:57,760 --> 00:44:04,000
Speaker 1: Maybe that could be world's richest ca at. You never know,

931
00:44:04,320 --> 00:44:06,480
Speaker 1: it could just be there could be another poorly named

932
00:44:06,520 --> 00:44:10,120
Speaker 1: d coom that's really about this horrible divorce and the struggles.

933
00:44:10,160 --> 00:44:12,440
Speaker 2: Because I hope we do. I hope you'll do the

934
00:44:12,800 --> 00:44:14,319
Speaker 2: like a positive.

935
00:44:14,360 --> 00:44:16,920
Speaker 1: Yeah, maybe in some of the newer ones, because in

936
00:44:16,960 --> 00:44:19,480
Speaker 1: the older ones they don't do that. They don't do that.

937
00:44:19,680 --> 00:44:22,680
Speaker 2: It has the one one side has to be gone.

938
00:44:23,680 --> 00:44:26,080
Speaker 1: What was the one that we saw not too long

939
00:44:26,120 --> 00:44:29,040
Speaker 1: ago with the co parenting that they were divorced. He

940
00:44:29,200 --> 00:44:32,200
Speaker 1: dropped the dad is kind of has to learn to

941
00:44:32,200 --> 00:44:35,200
Speaker 1: be a better dad. She lives with her mom. We

942
00:44:35,360 --> 00:44:38,680
Speaker 1: just saw it. I can't remember what it was. He's

943
00:44:38,719 --> 00:44:41,080
Speaker 1: coming to pick her up at the house. He's always

944
00:44:41,080 --> 00:44:43,319
Speaker 1: doing other stuff. Oh, I can't remember. We'll remember what

945
00:44:43,360 --> 00:44:48,880
Speaker 1: it is. Yeah, we gotta do a rewatch rewatch. Yeah,

946
00:44:49,120 --> 00:44:51,400
Speaker 1: we'll have to do that. Later that night, out on

947
00:44:51,440 --> 00:44:53,719
Speaker 1: the patio, Sidney looks through one of her mom's old

948
00:44:53,760 --> 00:44:55,800
Speaker 1: yearbooks and sees pictures of her in front of another

949
00:44:55,840 --> 00:44:59,040
Speaker 1: house named Kala Loa. The next morning, she rushes up

950
00:44:59,040 --> 00:45:00,520
Speaker 1: to Gia and the girls in the each who are

951
00:45:00,520 --> 00:45:04,360
Speaker 1: meditating praying to the quote unquote original surfer Chick above

952
00:45:04,680 --> 00:45:07,520
Speaker 1: while braiding each other's hair to bring better waves. While

953
00:45:07,560 --> 00:45:10,560
Speaker 1: they concentrate, the surferboards playfully attack them with super soakers

954
00:45:10,600 --> 00:45:14,880
Speaker 1: and guess who's backskating. It's Hero pretty boy. Kona Sidney

955
00:45:14,920 --> 00:45:16,759
Speaker 1: finally gets a chance to thank him for saving her life,

956
00:45:16,800 --> 00:45:18,560
Speaker 1: which I was like, yeah, it's about time you go

957
00:45:18,600 --> 00:45:21,080
Speaker 1: over and be like, hey, thanks for saving my life.

958
00:45:21,239 --> 00:45:23,839
Speaker 1: And he made something for her. It's a theme park

959
00:45:23,920 --> 00:45:27,560
Speaker 1: like caricature drawing of her surfing and taking photos at

960
00:45:27,560 --> 00:45:28,920
Speaker 1: the same time. Did you get one of these done

961
00:45:28,960 --> 00:45:31,000
Speaker 1: as a kid where they take the thing you hate

962
00:45:31,000 --> 00:45:32,839
Speaker 1: most about yourself and make it three times the size

963
00:45:32,880 --> 00:45:33,720
Speaker 1: form nineteen dollars?

964
00:45:34,560 --> 00:45:36,560
Speaker 2: I have. I've gotten it done a couple times. But

965
00:45:36,640 --> 00:45:39,759
Speaker 2: the craziest part when I watched it, because I watched

966
00:45:39,800 --> 00:45:42,840
Speaker 2: it last night. We just went to SeaWorld and passed

967
00:45:42,880 --> 00:45:45,040
Speaker 2: one of those, and my mom's like, you should get

968
00:45:45,040 --> 00:45:47,560
Speaker 2: that done at the kids, I'm like, you and Jordan,

969
00:45:47,640 --> 00:45:48,920
Speaker 2: the four of you should do it. And I was like, no,

970
00:45:49,200 --> 00:45:53,400
Speaker 2: they always make my nose look so like this because

971
00:45:53,400 --> 00:45:56,600
Speaker 2: it's not super Why I beat every time I've done it,

972
00:45:57,440 --> 00:45:59,719
Speaker 2: how they do my nose like it's so annoying. I

973
00:45:59,760 --> 00:46:01,279
Speaker 2: will not do it again.

974
00:46:01,400 --> 00:46:01,640
Speaker 1: I don't.

975
00:46:01,680 --> 00:46:02,000
Speaker 3: I don't.

976
00:46:02,280 --> 00:46:04,040
Speaker 1: That's how I look when I get photographed, So I

977
00:46:04,040 --> 00:46:06,439
Speaker 1: don't even forget somebody drawing me. It's just not bad.

978
00:46:08,160 --> 00:46:08,480
Speaker 2: Uh do?

979
00:46:08,600 --> 00:46:10,680
Speaker 1: What do you think this drawing still exists in real life.

980
00:46:10,680 --> 00:46:13,240
Speaker 1: Do you think somebody has this drawing frame somewhere because

981
00:46:13,280 --> 00:46:15,920
Speaker 1: I would love to have this, Yes, actual drawing from

982
00:46:15,960 --> 00:46:16,480
Speaker 1: the movie.

983
00:46:17,080 --> 00:46:19,839
Speaker 2: Yeah, I'm sure, I bet, I hope. I hope that

984
00:46:20,040 --> 00:46:20,799
Speaker 2: Camille has it.

985
00:46:21,280 --> 00:46:23,399
Speaker 1: So we're gonna have to find out because I want

986
00:46:23,440 --> 00:46:25,560
Speaker 1: to get I want to get somebody to send one

987
00:46:25,560 --> 00:46:28,440
Speaker 1: of us an awesome dcom Memorabiliay. I mean you have

988
00:46:28,520 --> 00:46:30,080
Speaker 1: some because you're in it, but and I have some

989
00:46:30,200 --> 00:46:32,200
Speaker 1: from my wonderful World of Disney days, but I'd like

990
00:46:32,320 --> 00:46:36,800
Speaker 1: something like, you know, super yeah, skateboard I do is?

991
00:46:36,880 --> 00:46:37,640
Speaker 2: Ask Lisa.

992
00:46:37,800 --> 00:46:38,440
Speaker 1: She's got some.

993
00:46:38,680 --> 00:46:40,960
Speaker 2: She's got too crazy. We got to wear the camp

994
00:46:41,080 --> 00:46:41,759
Speaker 2: rock hats. Hope.

995
00:46:41,800 --> 00:46:43,320
Speaker 1: Yeah, us, Yeah, that's true.

996
00:46:43,320 --> 00:46:45,960
Speaker 2: We'll figure out some cool memorabilia out there, for sure.

997
00:46:46,160 --> 00:46:49,719
Speaker 1: There is. Sydney asked ConA about this Kaalaalola house in

998
00:46:49,800 --> 00:46:51,560
Speaker 1: her mom's picture, and he knows all about it. He

999
00:46:51,600 --> 00:46:54,160
Speaker 1: says it's on the plantation, abandoned and kind of spooky.

1000
00:46:54,480 --> 00:46:56,719
Speaker 1: She's determined, but he has one question, how well do

1001
00:46:56,800 --> 00:46:59,520
Speaker 1: you ride? And we cut to Sydney, Conah and Gea

1002
00:46:59,560 --> 00:47:02,280
Speaker 1: on horse. It's the only way to get to this plantation. Apparently,

1003
00:47:02,600 --> 00:47:05,000
Speaker 1: we get some beautiful scenery shots, and eventually they get

1004
00:47:05,040 --> 00:47:07,759
Speaker 1: to the house, which is not only apparently haunted, it's

1005
00:47:07,800 --> 00:47:10,640
Speaker 1: where all the cool parties used to be. Once they enter,

1006
00:47:10,680 --> 00:47:13,160
Speaker 1: Sidney immediately feels the presence of her mom. She stumbles

1007
00:47:13,160 --> 00:47:16,640
Speaker 1: into her mom's childhood bedroom. Back at the realtor's office,

1008
00:47:16,680 --> 00:47:18,759
Speaker 1: the agents have called in Sydney, her parents and Bo

1009
00:47:19,239 --> 00:47:22,640
Speaker 1: the Hordens have upped their offer. Now, see, Sabrina, had

1010
00:47:22,640 --> 00:47:24,640
Speaker 1: you not signed, you would have gotten more money with

1011
00:47:24,719 --> 00:47:27,440
Speaker 1: a seventy two hour window for response, and it's apparently

1012
00:47:27,560 --> 00:47:30,200
Speaker 1: such a good offer. It's an easy decision to sell.

1013
00:47:30,680 --> 00:47:33,480
Speaker 1: But back at home, Sydney still seems torn. See. I

1014
00:47:33,480 --> 00:47:35,399
Speaker 1: would have added the line to show how much money

1015
00:47:35,400 --> 00:47:37,680
Speaker 1: it is. When they say to her, hey, I hope

1016
00:47:37,719 --> 00:47:40,520
Speaker 1: you've picked your IVY league college, I would have had

1017
00:47:40,520 --> 00:47:43,080
Speaker 1: the other realtors say, because now you can afford to

1018
00:47:43,080 --> 00:47:47,120
Speaker 1: buy it, just to show that it's a ton of money. Yes,

1019
00:47:47,239 --> 00:47:51,040
Speaker 1: because I get it's a tough you know, it's supposed

1020
00:47:51,040 --> 00:47:52,680
Speaker 1: to be a tough decision. But if you make it

1021
00:47:53,360 --> 00:47:57,279
Speaker 1: so ridiculously life altering in money that the decision is crazy,

1022
00:47:57,360 --> 00:48:00,239
Speaker 1: then it makes it for a tougher decision. But anyway, yes,

1023
00:48:00,320 --> 00:48:01,000
Speaker 1: I think it would be good.

1024
00:48:01,080 --> 00:48:02,840
Speaker 2: I mean, it wasn't tough for me to begin with.

1025
00:48:03,040 --> 00:48:04,520
Speaker 1: No. I know again, you would have sold it in

1026
00:48:04,520 --> 00:48:06,000
Speaker 1: the phone call. You never would have even been on

1027
00:48:06,040 --> 00:48:09,799
Speaker 1: the plane, been like who died? Yeah, fact, fact it's

1028
00:48:09,840 --> 00:48:14,239
Speaker 1: two thousand, Fax me the stuff. I'll sign right now,

1029
00:48:14,920 --> 00:48:17,200
Speaker 1: right back, man, We're not even done with the conversation.

1030
00:48:17,280 --> 00:48:20,080
Speaker 2: Yeah, now I can afford the good paper.

1031
00:48:20,280 --> 00:48:22,440
Speaker 1: The see, had you just held out a little bit,

1032
00:48:22,440 --> 00:48:24,440
Speaker 1: you would have gotten a better offer. But back at home,

1033
00:48:24,480 --> 00:48:26,640
Speaker 1: Sidney still torn, and while thinking it over, she hears

1034
00:48:26,640 --> 00:48:29,239
Speaker 1: some noise outside. It's Gia and Kona. They were sent

1035
00:48:29,280 --> 00:48:32,520
Speaker 1: by Malia. It's time. We're now at the big Whale

1036
00:48:32,560 --> 00:48:35,200
Speaker 1: ceremony at the beach and what looks like a very

1037
00:48:35,239 --> 00:48:38,680
Speaker 1: festive luau, very pretty scene. Upon arrival, Sydney is greeted

1038
00:48:38,719 --> 00:48:41,239
Speaker 1: by Malia with a flower for her ear, taught how

1039
00:48:41,440 --> 00:48:44,879
Speaker 1: to hula by Kia, and treated to Hawaiian delicacies. One

1040
00:48:44,920 --> 00:48:46,759
Speaker 1: elder is telling the story to a group of kids

1041
00:48:46,800 --> 00:48:48,400
Speaker 1: about a boy and a girl and a tsunami and

1042
00:48:48,440 --> 00:48:50,600
Speaker 1: forbidden love. And not only is there a happy ending

1043
00:48:50,680 --> 00:48:52,720
Speaker 1: this story, but ConA and Sidney.

1044
00:48:52,360 --> 00:48:54,880
Speaker 2: Kiss, and it was a kiss.

1045
00:48:55,080 --> 00:48:57,919
Speaker 1: It was good, but it was like it was age appropriate.

1046
00:48:57,960 --> 00:49:01,600
Speaker 1: I thought, yes, again, it was not what I think

1047
00:49:01,640 --> 00:49:03,520
Speaker 1: we should start referring to as a c C. K.

1048
00:49:03,880 --> 00:49:05,439
Speaker 1: It was not a Christy Carlson kiss.

1049
00:49:05,560 --> 00:49:08,640
Speaker 2: Not a Christy Carlson because Christy Carlson is the only

1050
00:49:08,760 --> 00:49:13,120
Speaker 2: person in Disney history to get a makeout such and

1051
00:49:13,400 --> 00:49:15,600
Speaker 2: which she took it to the next level.

1052
00:49:15,960 --> 00:49:18,160
Speaker 1: I mean, she took it to the next level. This

1053
00:49:18,239 --> 00:49:20,240
Speaker 1: was a nice kiss, though, the next level. I also

1054
00:49:20,360 --> 00:49:22,200
Speaker 1: really liked this scene. It's been done in a bunch

1055
00:49:22,200 --> 00:49:24,279
Speaker 1: of movies, but I like the scene where the guy

1056
00:49:24,360 --> 00:49:27,640
Speaker 1: is kind of or girl is translating and whispering the

1057
00:49:27,680 --> 00:49:29,520
Speaker 1: story into the ear as somebody else tells it. It's

1058
00:49:29,560 --> 00:49:32,200
Speaker 1: just very sweet. I'm a big fan of that and

1059
00:49:32,760 --> 00:49:34,560
Speaker 1: I love it. So it was very very nice. But

1060
00:49:34,600 --> 00:49:36,520
Speaker 1: there's no time. There's no time to celebrate here because

1061
00:49:36,520 --> 00:49:42,200
Speaker 1: the whales are here. Sydney watches on with Malia. It's

1062
00:49:42,360 --> 00:49:46,640
Speaker 1: very impressed by the beauty of just a horribly computer

1063
00:49:46,760 --> 00:49:48,240
Speaker 1: graphic single whale.

1064
00:49:48,600 --> 00:49:52,880
Speaker 2: What you didn't think that was all it was? I

1065
00:49:53,000 --> 00:49:53,560
Speaker 2: thought it was.

1066
00:49:56,320 --> 00:49:58,400
Speaker 1: I only had the money to do one. It was

1067
00:49:58,440 --> 00:50:00,680
Speaker 1: like supposed to be this big thing one whale.

1068
00:50:00,719 --> 00:50:05,320
Speaker 2: And then the Lincoln memorial.

1069
00:50:07,000 --> 00:50:09,560
Speaker 1: Exactly suddenly I'm in the movie again.

1070
00:50:09,920 --> 00:50:11,359
Speaker 2: Suddenly Will pops up.

1071
00:50:11,440 --> 00:50:14,680
Speaker 1: It was not good.

1072
00:50:14,960 --> 00:50:16,520
Speaker 2: It was it was, it was.

1073
00:50:16,640 --> 00:50:17,800
Speaker 1: It was again.

1074
00:50:18,680 --> 00:50:20,480
Speaker 2: We're on a Disney Channel budget.

1075
00:50:20,960 --> 00:50:23,920
Speaker 1: You can't cut to just stock footage of whales.

1076
00:50:24,239 --> 00:50:25,680
Speaker 2: That's the one they found.

1077
00:50:26,600 --> 00:50:29,080
Speaker 1: But I mean, there's I could cut. You could google

1078
00:50:29,200 --> 00:50:32,080
Speaker 1: whales right now, and even in two thousand, you could

1079
00:50:32,120 --> 00:50:34,799
Speaker 1: have just gone to stock footage of whales. They had

1080
00:50:34,840 --> 00:50:37,719
Speaker 1: to have had it. This was just this was not good.

1081
00:50:38,320 --> 00:50:40,960
Speaker 1: But she has one big question for her mom's friend.

1082
00:50:41,680 --> 00:50:45,319
Speaker 1: Was she there for the accident. Malia says that she was,

1083
00:50:45,400 --> 00:50:47,080
Speaker 1: and it was on a perfect day in the ocean.

1084
00:50:47,280 --> 00:50:49,360
Speaker 1: They took their first waves together with huge miles on

1085
00:50:49,360 --> 00:50:51,799
Speaker 1: their faces, But when they got tired and started coming

1086
00:50:51,840 --> 00:50:54,400
Speaker 1: back to the beach, a huge swell with waves stacking

1087
00:50:54,440 --> 00:50:56,000
Speaker 1: up on top of each other, caught her off guard

1088
00:50:56,080 --> 00:50:58,759
Speaker 1: and swept her towards the rocks. Melia says her dad

1089
00:50:58,800 --> 00:51:00,799
Speaker 1: didn't even want to know the story. He just wanted

1090
00:51:00,840 --> 00:51:03,359
Speaker 1: to leave and take Sydney with him. But Malia wants

1091
00:51:03,360 --> 00:51:05,480
Speaker 1: Sidney to know her mom fought through those waves. As

1092
00:51:05,520 --> 00:51:07,360
Speaker 1: hard as she could to get back to her daughter,

1093
00:51:07,560 --> 00:51:10,080
Speaker 1: but Sidney's still angry her mom should have been there

1094
00:51:10,080 --> 00:51:12,600
Speaker 1: for her. Now, Malia wants her and her dad to

1095
00:51:12,640 --> 00:51:15,400
Speaker 1: release that anger for their own sakes. And then we

1096
00:51:15,480 --> 00:51:18,800
Speaker 1: see the fake whale again doing exactly the same jump

1097
00:51:18,880 --> 00:51:21,760
Speaker 1: with exactly the same thing. They just hit repeat again

1098
00:51:21,840 --> 00:51:25,239
Speaker 1: on the same bad shot, and after a very nice

1099
00:51:25,280 --> 00:51:29,000
Speaker 1: scene there was that, and it was like, man, there

1100
00:51:29,120 --> 00:51:29,480
Speaker 1: we go.

1101
00:51:30,200 --> 00:51:34,360
Speaker 2: You just kind of like wonder Like when the editors,

1102
00:51:34,600 --> 00:51:38,160
Speaker 2: the director, all of that are like watching this back, Wow,

1103
00:51:40,000 --> 00:51:40,600
Speaker 2: can we know what?

1104
00:51:44,320 --> 00:51:46,120
Speaker 1: I'm sure they did, but it was like, what do

1105
00:51:46,160 --> 00:51:48,040
Speaker 1: we do? What can we do? It's like just pre

1106
00:51:48,360 --> 00:51:49,800
Speaker 1: hit return and run it again.

1107
00:51:51,320 --> 00:51:54,799
Speaker 2: I didn't repeat? Yeah pretty much so close together, there's

1108
00:51:54,880 --> 00:51:57,480
Speaker 2: not even enough time to get it the first time

1109
00:51:57,719 --> 00:51:58,000
Speaker 2: you can.

1110
00:51:58,080 --> 00:51:59,839
Speaker 1: It's even the whale was like in bear.

1111
00:52:00,400 --> 00:52:02,560
Speaker 2: Yeah, that whale was like I'm sorry, I'm ready to

1112
00:52:02,600 --> 00:52:03,240
Speaker 2: do this again.

1113
00:52:03,480 --> 00:52:07,000
Speaker 1: Sorry it's me again. The next morning, Sydney returns home

1114
00:52:07,040 --> 00:52:09,520
Speaker 1: once again to find an angry father. She left him

1115
00:52:09,520 --> 00:52:11,840
Speaker 1: a note, but he still seems worried. She doesn't have

1116
00:52:11,920 --> 00:52:14,040
Speaker 1: much to say to him other than you should have

1117
00:52:14,080 --> 00:52:16,600
Speaker 1: told me. It shouldn't have been some deep, dark secret,

1118
00:52:16,640 --> 00:52:19,320
Speaker 1: which is true, and he knows she's talking about the accident.

1119
00:52:19,360 --> 00:52:21,359
Speaker 1: She storms off to her room and rips up the

1120
00:52:21,400 --> 00:52:23,600
Speaker 1: picture of her mom that was on the vanity.

1121
00:52:23,719 --> 00:52:24,160
Speaker 2: I hurt.

1122
00:52:24,400 --> 00:52:27,200
Speaker 1: Yeah, it hurt me too. In the kitchen, benis spiraling.

1123
00:52:27,280 --> 00:52:29,960
Speaker 1: He tells Elizabeth he keeps thinking he should have saved Leilani,

1124
00:52:30,000 --> 00:52:32,160
Speaker 1: his wife that day. He didn't think he could ever

1125
00:52:32,200 --> 00:52:34,480
Speaker 1: love anyone again, but then he found Elizabeth. It never

1126
00:52:34,480 --> 00:52:36,240
Speaker 1: seemed fair to him that he can be so happy

1127
00:52:36,280 --> 00:52:39,279
Speaker 1: now and yet she's dead. But Elizabeth knows she would

1128
00:52:39,320 --> 00:52:42,280
Speaker 1: want him and Sydney and even her to be happy.

1129
00:52:42,719 --> 00:52:45,040
Speaker 1: And this might be the most loving character in the

1130
00:52:45,080 --> 00:52:48,400
Speaker 1: history of dcom She's a great character. And now I

1131
00:52:48,440 --> 00:52:49,480
Speaker 1: just want to date Elizabeth.

1132
00:52:49,560 --> 00:52:53,000
Speaker 2: And she never makes it about her, No, she really

1133
00:52:53,120 --> 00:52:56,560
Speaker 2: does it. Like what an amazing I mean, how hard

1134
00:52:56,600 --> 00:52:59,719
Speaker 2: it would be to have to do this situation with

1135
00:52:59,800 --> 00:53:03,160
Speaker 2: your husband who you know, it's such a sensitive thing

1136
00:53:03,200 --> 00:53:06,360
Speaker 2: and you're also helping raising their child, and like it's.

1137
00:53:06,280 --> 00:53:08,880
Speaker 1: Just yeah, wow, yeah, great character.

1138
00:53:09,120 --> 00:53:12,759
Speaker 2: Was an amazing character, A great character. Love to get

1139
00:53:12,800 --> 00:53:14,239
Speaker 2: some of that great characters.

1140
00:53:14,680 --> 00:53:18,560
Speaker 1: Yes, she was great, she was great. Your sign check

1141
00:53:18,680 --> 00:53:22,680
Speaker 1: Yeah again you Sidney wouldn't have been allowed. Your daughter

1142
00:53:22,719 --> 00:53:24,600
Speaker 1: wouldn't have been not allowed out of the house. You're

1143
00:53:24,640 --> 00:53:27,120
Speaker 1: not you are. We are here for one reason. You're

1144
00:53:27,120 --> 00:53:29,320
Speaker 1: gonna sit in that room until I signed the papers

1145
00:53:29,320 --> 00:53:31,520
Speaker 1: and then we are out. I can't believe we even

1146
00:53:31,560 --> 00:53:33,440
Speaker 1: have to be here. I've called door dash. Sit you

1147
00:53:33,440 --> 00:53:35,960
Speaker 1: here out there, We'll be right back. That is a

1148
00:53:36,040 --> 00:53:38,520
Speaker 1: much different movie starring Elizabeth.

1149
00:53:38,600 --> 00:53:40,680
Speaker 2: I'm so sorry. I wish I could be you, but

1150
00:53:40,760 --> 00:53:41,200
Speaker 2: I can't.

1151
00:53:41,520 --> 00:53:44,400
Speaker 1: Great character. Ben takes his advice and asks Sidney on

1152
00:53:44,400 --> 00:53:46,719
Speaker 1: a walk. Sidney says she just doesn't understand why she

1153
00:53:46,800 --> 00:53:49,000
Speaker 1: knows nothing about her mom, But now Ben is an

1154
00:53:49,000 --> 00:53:51,120
Speaker 1: open book. He tells Sidney how beautiful her mom was

1155
00:53:51,120 --> 00:53:53,120
Speaker 1: and how similar they are, the way she moved, the

1156
00:53:53,160 --> 00:53:55,439
Speaker 1: way she laughed. Being in Hawaiia has made him think

1157
00:53:55,520 --> 00:53:59,040
Speaker 1: things through. Makai is her heritage, and so the decision

1158
00:53:59,120 --> 00:54:01,919
Speaker 1: to sell the property is hers and hers alone, even

1159
00:54:01,920 --> 00:54:04,240
Speaker 1: though she's a kid. She needs to find it in herself.

1160
00:54:04,560 --> 00:54:08,160
Speaker 1: And this I love this other conversation too, because she's like, well,

1161
00:54:08,160 --> 00:54:10,399
Speaker 1: we could use the money, right, and he's like, yeah, yeah,

1162
00:54:10,400 --> 00:54:13,040
Speaker 1: we could definitely use the money. But you know, but

1163
00:54:13,239 --> 00:54:16,040
Speaker 1: some people Disney a typical Disney thing would be like, hey,

1164
00:54:16,520 --> 00:54:18,640
Speaker 1: don't think about money, it's not about that. You've got

1165
00:54:18,680 --> 00:54:20,440
Speaker 1: to follow your heart. But he was like, yeah, no,

1166
00:54:20,480 --> 00:54:23,480
Speaker 1: we could really use the money, like we that would

1167
00:54:23,520 --> 00:54:27,320
Speaker 1: be helpful. Yes, but that's not important. Whatever Sidney decides,

1168
00:54:27,360 --> 00:54:29,279
Speaker 1: Ben and Elizabeth will be there for her. But let's

1169
00:54:29,320 --> 00:54:32,480
Speaker 1: be honest, Elizabeth is really the important part here. Sidney

1170
00:54:32,480 --> 00:54:34,520
Speaker 1: wonders if they could live in Hawaii, and Ben actually

1171
00:54:34,520 --> 00:54:37,360
Speaker 1: appears to be open to the idea. Back home, Sydney

1172
00:54:37,440 --> 00:54:41,640
Speaker 1: uses photoshop and the most perfect tape job in the

1173
00:54:41,719 --> 00:54:43,640
Speaker 1: history of the world. She puts one piece of tape

1174
00:54:43,680 --> 00:54:46,040
Speaker 1: on and the picture looks I mean, I was like,

1175
00:54:46,080 --> 00:54:50,960
Speaker 1: oh my god, she's a tape champion. She is. It's incredible.

1176
00:54:51,200 --> 00:54:53,000
Speaker 1: She's That's what it should have been called. That's what

1177
00:54:53,000 --> 00:54:56,640
Speaker 1: it should have been called. Tape Champion Girls. She uses photoshop,

1178
00:54:56,680 --> 00:54:58,279
Speaker 1: which might be one of the first times in two

1179
00:54:58,320 --> 00:55:00,640
Speaker 1: thousand we get to see photoshop early you on her mom,

1180
00:55:00,680 --> 00:55:02,520
Speaker 1: and they created an image of the two of them together.

1181
00:55:02,560 --> 00:55:05,360
Speaker 1: It was very, very sweet. The next day, Sydney finds

1182
00:55:05,400 --> 00:55:08,160
Speaker 1: Gia's friends near the beach, and now everyone's ignoring or

1183
00:55:08,200 --> 00:55:11,520
Speaker 1: even says she smells like dead fish.

1184
00:55:11,200 --> 00:55:15,640
Speaker 2: Which I felt was like a really harsh.

1185
00:55:15,000 --> 00:55:16,480
Speaker 1: That's super harsh.

1186
00:55:16,239 --> 00:55:21,440
Speaker 2: Like you can't to me, I would assume, I don't

1187
00:55:21,440 --> 00:55:24,959
Speaker 2: think I had a friend at all or anyone close

1188
00:55:25,000 --> 00:55:27,440
Speaker 2: to me that had a parent that had passed away,

1189
00:55:28,120 --> 00:55:33,680
Speaker 2: But I would assume using that word around them at all.

1190
00:55:33,920 --> 00:55:37,080
Speaker 1: Is just inappropriate, not cool. I agree, I agree, And

1191
00:55:37,360 --> 00:55:38,439
Speaker 1: you just met her.

1192
00:55:38,440 --> 00:55:40,359
Speaker 2: That says she smells like fish, I guess if you're

1193
00:55:40,400 --> 00:55:42,200
Speaker 2: trying to hit but she doesn't need to be a

1194
00:55:42,239 --> 00:55:43,040
Speaker 2: dead fit.

1195
00:55:42,800 --> 00:55:45,080
Speaker 1: Like that is like gorsh Yeah, I agree.

1196
00:55:45,680 --> 00:55:47,560
Speaker 2: I wanted to pop this girl in the face, like, yeah,

1197
00:55:47,600 --> 00:55:50,759
Speaker 2: come on, get get a little little bit of grace back,

1198
00:55:51,000 --> 00:55:52,520
Speaker 2: Give her a little bit of grace Like that's.

1199
00:55:52,800 --> 00:55:54,359
Speaker 1: Now, with the millions of dollars you just got from

1200
00:55:54,400 --> 00:55:56,480
Speaker 1: selling the plantation, you can hire someone.

1201
00:55:56,239 --> 00:56:00,680
Speaker 2: To friends to be honest. Exactly see what your name is,

1202
00:56:01,040 --> 00:56:03,680
Speaker 2: knew you for two minutes by now check get out

1203
00:56:03,760 --> 00:56:04,600
Speaker 2: with wealthy.

1204
00:56:05,680 --> 00:56:07,640
Speaker 1: Sydney does not get what's going on. Then she sees

1205
00:56:07,640 --> 00:56:10,000
Speaker 1: a newspaper headline about the resort buying the property, so

1206
00:56:10,080 --> 00:56:12,920
Speaker 1: everyone thinks she's already sold it. Sidney runs off to

1207
00:56:12,920 --> 00:56:15,880
Speaker 1: talk to Gia and Malia. Instead, she finds ConA clearing

1208
00:56:15,880 --> 00:56:18,880
Speaker 1: a surf cleaning a surfboard and listening to Hawaiian rap music.

1209
00:56:19,280 --> 00:56:21,200
Speaker 1: Gia isn't home, and ConA doesn't seem to be mad

1210
00:56:21,200 --> 00:56:23,480
Speaker 1: at her. He's shaping and painting a surfboard for her.

1211
00:56:23,680 --> 00:56:26,120
Speaker 1: It has that theme park image of her surfing and

1212
00:56:26,160 --> 00:56:28,880
Speaker 1: taking photos on it. Very cool. She tells ConA that

1213
00:56:28,880 --> 00:56:31,160
Speaker 1: she hasn't even decided on selling yet, and ConA reveals

1214
00:56:31,160 --> 00:56:33,640
Speaker 1: that Gia has been standing up for her to everyone

1215
00:56:33,880 --> 00:56:36,560
Speaker 1: and is currently at the beach. Sydney runs off and

1216
00:56:36,560 --> 00:56:38,160
Speaker 1: finds her in a quiet place sitting on a rock

1217
00:56:38,200 --> 00:56:40,480
Speaker 1: watching the waves. We learned that Gia's dad is a

1218
00:56:40,640 --> 00:56:43,280
Speaker 1: deadbeat businessman who doesn't even call her for a birthday,

1219
00:56:43,600 --> 00:56:45,760
Speaker 1: so she sees surfing as a release. By the way,

1220
00:56:46,040 --> 00:56:50,520
Speaker 1: if this movie was called talking about Surfing, perfect title,

1221
00:56:51,200 --> 00:56:54,680
Speaker 1: They talk about surfing an awful lot chat, surf Chat.

1222
00:56:54,719 --> 00:56:57,239
Speaker 1: There you go, surf chicks Chat, something.

1223
00:56:56,960 --> 00:56:58,320
Speaker 2: Like that surf chicks Chat.

1224
00:56:58,520 --> 00:57:01,480
Speaker 1: So she uses surfing as a really Sydney reveals that

1225
00:57:01,560 --> 00:57:04,200
Speaker 1: the resort has promised to add preserves for the whales

1226
00:57:04,239 --> 00:57:05,920
Speaker 1: and regulations to the purchase so that a lot of

1227
00:57:05,960 --> 00:57:08,560
Speaker 1: the plantation will actually stay intact, but Gia isn't sold.

1228
00:57:08,600 --> 00:57:11,400
Speaker 1: It's becoming a resort, so everything will change. The whales

1229
00:57:11,400 --> 00:57:13,480
Speaker 1: won't come back once the lagoon is filled with tourists.

1230
00:57:13,480 --> 00:57:15,480
Speaker 1: It was, in all fairness, one whale, and it was

1231
00:57:15,520 --> 00:57:17,680
Speaker 1: badly computer generated, so she could just hit a button

1232
00:57:17,720 --> 00:57:20,760
Speaker 1: and have that whale back anytime she wants. Sidney says

1233
00:57:20,800 --> 00:57:23,400
Speaker 1: she's worried that Gia and Malia are only friends with

1234
00:57:23,440 --> 00:57:25,240
Speaker 1: her because of the inheritance, and the whole thing was

1235
00:57:25,240 --> 00:57:28,520
Speaker 1: planned out to save the land. Gia admits that that

1236
00:57:28,640 --> 00:57:30,960
Speaker 1: was sort of the original idea. I was like, oh

1237
00:57:31,080 --> 00:57:33,480
Speaker 1: it was, but it changed once they got to know

1238
00:57:33,520 --> 00:57:35,720
Speaker 1: each other. But Sidney doesn't believe her. She thinks she's

1239
00:57:35,760 --> 00:57:38,960
Speaker 1: been worked, which she kind of has. Gia brings up

1240
00:57:38,960 --> 00:57:41,320
Speaker 1: the lies Sidney told too, like being a surfer chick,

1241
00:57:41,360 --> 00:57:43,600
Speaker 1: but that seemed a bit like gas lighting, But Sidney

1242
00:57:43,600 --> 00:57:46,760
Speaker 1: points out an important technicality. She never actually lied. She

1243
00:57:46,880 --> 00:57:49,440
Speaker 1: just admitted the truth and let her assume, which is

1244
00:57:49,560 --> 00:57:51,480
Speaker 1: never really a good argument. They're both kind of wrong,

1245
00:57:51,560 --> 00:57:54,560
Speaker 1: but one seems like, hey can you surf? And you're

1246
00:57:54,600 --> 00:57:56,800
Speaker 1: like well, and the other one is like, I'm going

1247
00:57:56,840 --> 00:57:58,280
Speaker 1: to pretend to be friends with you. So you don't

1248
00:57:58,280 --> 00:58:01,840
Speaker 1: sell this important land, don't seem it seems like Apple's

1249
00:58:02,000 --> 00:58:03,880
Speaker 1: and I'm going to be friends with you, So you

1250
00:58:03,880 --> 00:58:09,960
Speaker 1: don't intel this important land. It's just like yikes, yeah, anyway, Yeah,

1251
00:58:10,080 --> 00:58:13,120
Speaker 1: I'm one of those. I thought Ga was wrong there, frankly, yes.

1252
00:58:13,200 --> 00:58:18,720
Speaker 2: And it got escalated very quickly. Yes, girls around thirteen.

1253
00:58:19,360 --> 00:58:22,000
Speaker 1: Boys too, fan so quick like boys too.

1254
00:58:22,080 --> 00:58:25,480
Speaker 2: You're like, oh man, it's it's a rough.

1255
00:58:25,280 --> 00:58:27,640
Speaker 1: Age, it is, but you know what was missing, which

1256
00:58:28,120 --> 00:58:30,160
Speaker 1: is more exciting is a good on the beach fight

1257
00:58:30,240 --> 00:58:33,760
Speaker 1: scene like in point Break. Yeah. Something in point Break

1258
00:58:33,760 --> 00:58:37,120
Speaker 1: they're smashing each other's surfboards.

1259
00:58:36,120 --> 00:58:39,040
Speaker 2: Just running. Yeah, so hit the shoulder.

1260
00:58:39,160 --> 00:58:41,520
Speaker 1: Eana Reeves fights back like, yeah.

1261
00:58:42,080 --> 00:58:44,040
Speaker 2: The beach sands flying everywhere.

1262
00:58:44,240 --> 00:58:47,720
Speaker 1: That's I'm in for that. But it all escalates. Gia

1263
00:58:47,800 --> 00:58:50,280
Speaker 1: calls her a fool and a stupid love sick puppy,

1264
00:58:50,320 --> 00:58:52,320
Speaker 1: eluding to the idea that KNA was also in on

1265
00:58:52,360 --> 00:58:54,840
Speaker 1: the plan, and so Sidney says she is going to

1266
00:58:54,920 --> 00:58:58,880
Speaker 1: sell the land and hurries back home. Yikes. I hate you, yeah,

1267
00:58:58,920 --> 00:59:00,680
Speaker 1: and I hate the people I met here, and I

1268
00:59:00,960 --> 00:59:01,320
Speaker 1: mean it.

1269
00:59:01,280 --> 00:59:04,720
Speaker 2: Was like everyone can go suck it. I'm out, sign

1270
00:59:04,960 --> 00:59:07,320
Speaker 2: the check, give me a pens.

1271
00:59:08,000 --> 00:59:11,440
Speaker 1: Go suck it nice. But that night in bed, she's

1272
00:59:11,520 --> 00:59:13,200
Speaker 1: unable to sleep. She wakes up early to get to

1273
00:59:13,240 --> 00:59:15,160
Speaker 1: the real estate office with the agents, have the contract

1274
00:59:15,160 --> 00:59:16,920
Speaker 1: ready as well as some sparkling cider.

1275
00:59:17,040 --> 00:59:21,120
Speaker 2: Didn't look like sparkerling cider? Is that look that they

1276
00:59:21,160 --> 00:59:25,680
Speaker 2: were that minor yep alcohol? I agree, and that is

1277
00:59:25,720 --> 00:59:27,760
Speaker 2: a no no on Disney Channel.

1278
00:59:27,520 --> 00:59:30,320
Speaker 1: On any channel, don't serve miner's alcohol.

1279
00:59:30,160 --> 00:59:33,880
Speaker 2: But especially Disney Channel. That did not look like sparkling cider.

1280
00:59:33,960 --> 00:59:34,720
Speaker 1: That wasn't good.

1281
00:59:34,720 --> 00:59:38,880
Speaker 2: Wait, that look like Shandan. You are out of here, guys,

1282
00:59:38,960 --> 00:59:44,600
Speaker 2: get you gotstal That's right some dom betti on? Are

1283
00:59:44,640 --> 00:59:45,320
Speaker 2: you kidding me?

1284
00:59:46,920 --> 00:59:50,440
Speaker 1: As the paperwork is prepped, she sees Gia, Malia and

1285
00:59:50,480 --> 00:59:52,680
Speaker 1: friends hopping into a van and she's still obviously weighing

1286
00:59:52,720 --> 00:59:55,640
Speaker 1: the whole thing out. They toast the sale and all

1287
00:59:55,680 --> 00:59:57,480
Speaker 1: that's left is the first thing Sabrina would have done

1288
00:59:57,520 --> 00:59:59,680
Speaker 1: the movie, and that's the sign. She takes the pen

1289
00:59:59,720 --> 01:00:02,280
Speaker 1: ready to complete the purchase when she sees ConA skating

1290
01:00:02,320 --> 01:00:05,640
Speaker 1: alongside the van and then she moves pen to paper.

1291
01:00:06,080 --> 01:00:08,120
Speaker 1: We cut to Sydney running to Gia's house. Malia is

1292
01:00:08,160 --> 01:00:11,360
Speaker 1: there painting why are all these people so artistically talented?

1293
01:00:11,760 --> 01:00:14,480
Speaker 1: Malia assumed Sidney would be packing by now, but Sydney

1294
01:00:14,480 --> 01:00:16,640
Speaker 1: has news. Malita doesn't want to hear the details. Sidney

1295
01:00:16,680 --> 01:00:18,640
Speaker 1: did what she had to do. She gets it, but

1296
01:00:18,720 --> 01:00:20,400
Speaker 1: thought that maybe if she came home and saw it

1297
01:00:20,400 --> 01:00:22,080
Speaker 1: all again, then it would touch her and connect her

1298
01:00:22,080 --> 01:00:24,200
Speaker 1: to her mom and the land. And with that, she

1299
01:00:24,240 --> 01:00:26,640
Speaker 1: hands Sydney a locket and encourages her to open it.

1300
01:00:26,640 --> 01:00:29,480
Speaker 1: It's her mom's necklace with pictures of them together inside.

1301
01:00:29,920 --> 01:00:31,400
Speaker 1: The next thing we see is Sydney running up to

1302
01:00:31,440 --> 01:00:33,200
Speaker 1: someone she thinks is Gia at the skate ramp. The

1303
01:00:33,240 --> 01:00:36,200
Speaker 1: person ends up being it was it a guy? It

1304
01:00:36,240 --> 01:00:39,560
Speaker 1: looked like a guy.

1305
01:00:39,760 --> 01:00:41,520
Speaker 2: The oh yeah.

1306
01:00:42,040 --> 01:00:43,800
Speaker 1: It was a guy, right, yeah. I think it was

1307
01:00:43,840 --> 01:00:46,200
Speaker 1: a guy that from the from behind looked like Gia.

1308
01:00:46,720 --> 01:00:48,880
Speaker 1: So that was they cast somebody that looked like Gia

1309
01:00:48,880 --> 01:00:50,520
Speaker 1: from behind, but it was I think actually a guy.

1310
01:00:50,600 --> 01:00:52,680
Speaker 1: Apologize if it wasn't, but I think it was. And

1311
01:00:52,720 --> 01:00:56,360
Speaker 1: then ConA arrives and he seems pretty frustrated with everything

1312
01:00:56,400 --> 01:00:58,200
Speaker 1: that's been going on. He says Gia was really mad

1313
01:00:58,240 --> 01:01:00,760
Speaker 1: at Sydney, and yet still doesn't just blurred out her

1314
01:01:00,800 --> 01:01:03,560
Speaker 1: news instead, she storms off. She's concerned that Gia is

1315
01:01:03,600 --> 01:01:05,920
Speaker 1: surfing alone, so her and Coda decide to go search

1316
01:01:05,920 --> 01:01:08,800
Speaker 1: for her and make sure she's safe. After slowly climbing

1317
01:01:08,840 --> 01:01:10,720
Speaker 1: down a hill, Sidney spots of Gia's closed near her

1318
01:01:10,760 --> 01:01:13,760
Speaker 1: quiet place from earlier, and then spots her surfboard no

1319
01:01:13,840 --> 01:01:16,680
Speaker 1: longer attached to her friend. Uh oh, and then the

1320
01:01:16,720 --> 01:01:19,320
Speaker 1: movie turns into Baywatch. Sidney grabs a board and takes

1321
01:01:19,320 --> 01:01:21,840
Speaker 1: to the ocean to save Gia. She's immediately slammed by

1322
01:01:21,840 --> 01:01:24,600
Speaker 1: the waves, but notices Gia's arms flailing in the distance.

1323
01:01:24,680 --> 01:01:27,479
Speaker 1: Perfect timing, Sidney dives under water and grabs her, picks

1324
01:01:27,480 --> 01:01:29,680
Speaker 1: her up out of the board, and saves her life.

1325
01:01:29,840 --> 01:01:31,640
Speaker 1: Gia's arm is really torn up from the reef, so

1326
01:01:31,640 --> 01:01:33,600
Speaker 1: Sydney helps her swim back to shore, where COONa is

1327
01:01:33,600 --> 01:01:36,880
Speaker 1: waiting again and gets his cast alsagi again. This thing

1328
01:01:36,960 --> 01:01:40,720
Speaker 1: is never gonna heal, so they helped Gia walk back

1329
01:01:40,760 --> 01:01:43,000
Speaker 1: to the beach. Now resting on the sand, Gio wonders

1330
01:01:43,000 --> 01:01:45,560
Speaker 1: why Sidney even came back first. Sidney says she didn't

1331
01:01:45,560 --> 01:01:47,480
Speaker 1: mean it when she said she hated Gia or Hawaii,

1332
01:01:47,680 --> 01:01:49,400
Speaker 1: and Gina says she didn't mean all the things she

1333
01:01:49,440 --> 01:01:51,720
Speaker 1: said to her either And now finally Sidney has one

1334
01:01:51,720 --> 01:01:53,760
Speaker 1: more thing to announce. And for some reason, I get

1335
01:01:53,800 --> 01:01:56,120
Speaker 1: why they're doing this, but it was unnecessary. She pulls

1336
01:01:56,160 --> 01:01:58,360
Speaker 1: out the contract. She actually brought it with her to

1337
01:01:58,440 --> 01:02:00,400
Speaker 1: show that she didn't sign. She could have just said

1338
01:02:00,520 --> 01:02:04,040
Speaker 1: I didn't sign kind it's like, and let me show

1339
01:02:04,040 --> 01:02:05,520
Speaker 1: you the entire cut. So if you look at page

1340
01:02:05,520 --> 01:02:06,200
Speaker 1: sixty two.

1341
01:02:06,240 --> 01:02:09,200
Speaker 2: Here, I also wait right here, I'm gonna go run

1342
01:02:09,760 --> 01:02:10,760
Speaker 2: three blocks down.

1343
01:02:11,280 --> 01:02:14,400
Speaker 1: Yeah, look at page sixty two, subset B. You'll notice

1344
01:02:14,480 --> 01:02:18,560
Speaker 1: I did an initial line sixty one right, just say

1345
01:02:18,560 --> 01:02:21,800
Speaker 1: you didn't sign it. She won't be selling Makayah after all.

1346
01:02:22,120 --> 01:02:24,600
Speaker 1: Her family is going to stay there. Gia and ConA celebrate,

1347
01:02:24,640 --> 01:02:27,439
Speaker 1: running down the beach screaming and apparently Gia's arm is fine.

1348
01:02:27,480 --> 01:02:30,280
Speaker 1: Now back at the house, Ben, Elizabeth and Malia are

1349
01:02:30,280 --> 01:02:32,600
Speaker 1: on the patio talking about what's next for the family.

1350
01:02:32,640 --> 01:02:34,080
Speaker 1: He's got to look for a job because they just

1351
01:02:34,120 --> 01:02:36,200
Speaker 1: gave up twenty five million dollars. Or he's going to

1352
01:02:36,240 --> 01:02:38,720
Speaker 1: write a novel. HM always a good plan. He doesn't

1353
01:02:38,720 --> 01:02:40,840
Speaker 1: really know he'll figure it out, but he knows. He's

1354
01:02:40,880 --> 01:02:44,360
Speaker 1: proud of Sydney, which is very nice. We now cut

1355
01:02:44,400 --> 01:02:46,520
Speaker 1: back to Sydney sitting on her board in the ocean. Oh,

1356
01:02:46,520 --> 01:02:48,800
Speaker 1: that's right, surfing movie. She places a lay in the

1357
01:02:48,800 --> 01:02:50,680
Speaker 1: water to float away. She says she's not sure if

1358
01:02:50,680 --> 01:02:52,800
Speaker 1: she's saying hello or goodbye, but she knows her mother

1359
01:02:52,880 --> 01:02:56,080
Speaker 1: is watching over, so either way, it's all aloha. And

1360
01:02:56,080 --> 01:02:57,960
Speaker 1: then she joins her friends for another day of surfing

1361
01:02:58,000 --> 01:03:01,600
Speaker 1: and taking photos to a loud guitar solo again, And

1362
01:03:01,680 --> 01:03:12,400
Speaker 1: that is our film. Can we do some real reviews, Sabrina,

1363
01:03:12,400 --> 01:03:14,680
Speaker 1: you've got the five star this week? What do you

1364
01:03:14,960 --> 01:03:15,959
Speaker 1: what do you got for us?

1365
01:03:16,160 --> 01:03:20,200
Speaker 2: I've got a five star from Sophia l. I loved

1366
01:03:20,200 --> 01:03:22,720
Speaker 2: it and I want to own it. In other words,

1367
01:03:23,320 --> 01:03:25,320
Speaker 2: it's good, thank.

1368
01:03:25,160 --> 01:03:28,280
Speaker 1: You, sure to the point, and right away I have

1369
01:03:28,320 --> 01:03:32,240
Speaker 1: the one star review. It's from It's einhard one, but

1370
01:03:32,280 --> 01:03:35,080
Speaker 1: I was hoping the one was actually an exclamation port

1371
01:03:35,120 --> 01:03:37,840
Speaker 1: and it was einhard, but it's not. It's einhard one

1372
01:03:38,600 --> 01:03:41,680
Speaker 1: and reads as follows, dear God, could it be any worse?

1373
01:03:42,120 --> 01:03:44,360
Speaker 1: Having three kids, I've seen more Disney Channel movies than

1374
01:03:44,360 --> 01:03:47,280
Speaker 1: probably any man alive. I'm guessing I'm in that category

1375
01:03:47,320 --> 01:03:50,160
Speaker 1: now with you einheart and I should sue the Walt

1376
01:03:50,200 --> 01:03:53,760
Speaker 1: Disney Company for the time wasted watching this Turkey. My

1377
01:03:53,880 --> 01:03:55,960
Speaker 1: daughters even thought this movie was bad. The acting was

1378
01:03:56,000 --> 01:03:58,400
Speaker 1: stuff I bet you meant stiff, the writing was poor

1379
01:03:58,400 --> 01:04:00,240
Speaker 1: and it isn't even bad enough to make fun of

1380
01:04:00,280 --> 01:04:02,440
Speaker 1: while watching like Plan nine from Outer Space or they

1381
01:04:02,480 --> 01:04:08,040
Speaker 1: Saved Hitler's Brain. Wow, yikes. We've got our feature presentation

1382
01:04:08,120 --> 01:04:11,280
Speaker 1: this week, Sabrina's favorite and it's from producer Jensen once again,

1383
01:04:11,320 --> 01:04:15,040
Speaker 1: and this one is called Hawaii. Five yes or no.

1384
01:04:16,040 --> 01:04:19,160
Speaker 1: We will be given a question about our beautiful fiftieth state, Hawaii.

1385
01:04:19,280 --> 01:04:21,680
Speaker 1: We have to guess with multiple choice answers. If it's

1386
01:04:21,760 --> 01:04:24,120
Speaker 1: what's one's correct, we get three out of five right,

1387
01:04:24,480 --> 01:04:26,440
Speaker 1: we win. Producer Jensen, are you with us today?

1388
01:04:26,560 --> 01:04:27,520
Speaker 3: Yes, I am here.

1389
01:04:27,800 --> 01:04:30,439
Speaker 1: Okay. I'd like to also thank you for me having

1390
01:04:30,480 --> 01:04:32,000
Speaker 1: to pronounce a lot of these words, which there's no

1391
01:04:32,000 --> 01:04:33,479
Speaker 1: way in how I'm gonna get right. And I'm gonna

1392
01:04:33,480 --> 01:04:35,280
Speaker 1: get hate mail because I'm mispronouncing these.

1393
01:04:35,160 --> 01:04:37,480
Speaker 2: Beautiful words they are.

1394
01:04:37,600 --> 01:04:39,560
Speaker 1: They're gorgeous words, and I'm gonna get them wrong and

1395
01:04:39,600 --> 01:04:40,720
Speaker 1: I feel bad. Okay.

1396
01:04:41,200 --> 01:04:43,680
Speaker 2: Number one best well, and you're so much better than

1397
01:04:43,720 --> 01:04:45,120
Speaker 2: I am, so we'll see.

1398
01:04:45,280 --> 01:04:45,680
Speaker 1: I doubt.

1399
01:04:45,680 --> 01:04:48,160
Speaker 3: I mean, they did make Australia Hawaii here, so we're

1400
01:04:48,200 --> 01:04:49,400
Speaker 3: not We're not like trying to.

1401
01:04:49,560 --> 01:04:53,360
Speaker 1: I know, fair enough, okay. Number one, which island is

1402
01:04:53,400 --> 01:04:56,240
Speaker 1: the only one with a royal palace in the United States?

1403
01:04:56,400 --> 01:05:00,560
Speaker 1: Is it a maui b o wahu see Kawhi or

1404
01:05:00,640 --> 01:05:05,760
Speaker 1: d killigans. I'll guess first. I'm gonna I'm gonna say

1405
01:05:05,760 --> 01:05:07,000
Speaker 1: it's a wahoo.

1406
01:05:06,760 --> 01:05:08,280
Speaker 2: A royal palace.

1407
01:05:08,680 --> 01:05:12,360
Speaker 1: Yeah, because there was a royal family in Hawaii, so

1408
01:05:12,400 --> 01:05:14,800
Speaker 1: there's obviously there's no royalty in the United States, and

1409
01:05:14,880 --> 01:05:15,400
Speaker 1: you've been there.

1410
01:05:16,880 --> 01:05:20,920
Speaker 3: It's b O Pallas is located here.

1411
01:05:23,200 --> 01:05:23,400
Speaker 1: Here.

1412
01:05:23,840 --> 01:05:26,960
Speaker 2: Like the tone and the happiness he gets when it's

1413
01:05:27,000 --> 01:05:30,800
Speaker 2: someone I'm wrong, It's just I mean, it's just like.

1414
01:05:30,920 --> 01:05:33,480
Speaker 1: What happiness when you can.

1415
01:05:33,320 --> 01:05:36,000
Speaker 3: Get it get if I can't. I can't hide a smile.

1416
01:05:36,440 --> 01:05:39,640
Speaker 2: I know you can't. I can literally hear your smile

1417
01:05:39,920 --> 01:05:43,600
Speaker 2: in your tone, like it's just it's just so rude.

1418
01:05:43,800 --> 01:05:47,640
Speaker 1: I just I love it. Number two, What is the

1419
01:05:47,680 --> 01:05:50,160
Speaker 1: meaning of the word Hawaii in the Hawaiian language?

1420
01:05:51,320 --> 01:05:53,400
Speaker 2: So many luls I should.

1421
01:05:53,240 --> 01:05:57,440
Speaker 1: Probably I would think a homeland be eternal paradise, see

1422
01:05:57,440 --> 01:06:11,080
Speaker 1: Place of the Gods or D Howie oh oh.

1423
01:06:07,720 --> 01:06:11,480
Speaker 2: I think we're gonna I'm gonna go with the Eternal Paradise.

1424
01:06:12,120 --> 01:06:14,040
Speaker 1: I'm gonna go with A Homeland.

1425
01:06:14,720 --> 01:06:16,280
Speaker 3: It's C Place of God.

1426
01:06:16,400 --> 01:06:21,200
Speaker 1: Okay, Okay, okay, gotcha. What is the name of the

1427
01:06:21,280 --> 01:06:24,400
Speaker 1: channel between the islands of Maui and Molokai. Is it

1428
01:06:24,600 --> 01:06:30,560
Speaker 1: A Kowala Kai channel, b Ellen Huhaha channel, Paleolo channel,

1429
01:06:30,720 --> 01:06:33,320
Speaker 1: or the E channel? Nice Jensen.

1430
01:06:35,240 --> 01:06:37,160
Speaker 2: I'm gonna go with A because that's the only one

1431
01:06:37,200 --> 01:06:38,000
Speaker 2: I recognize.

1432
01:06:38,120 --> 01:06:38,800
Speaker 1: I'm gonna go with A.

1433
01:06:38,960 --> 01:06:42,480
Speaker 3: Two getting destroyed. It is cy.

1434
01:06:44,280 --> 01:06:53,160
Speaker 1: Palolo Paleolo Lolo. Okay, yeah, channel channel, that's pay Lolo okay.

1435
01:06:54,200 --> 01:06:58,800
Speaker 1: Number four. What astronomical facility is located atop Mona, Kia

1436
01:06:59,160 --> 01:07:01,800
Speaker 1: taking advantage of the mountains, high elevation and clear skies.

1437
01:07:02,200 --> 01:07:05,840
Speaker 1: Is it A the Ford Solar Observatory, be the Mazda Observatory,

1438
01:07:05,960 --> 01:07:09,720
Speaker 1: see the super Telescope, or D the Toyota Observatory.

1439
01:07:10,080 --> 01:07:11,840
Speaker 2: I'm gonna go with the A.

1440
01:07:12,000 --> 01:07:14,160
Speaker 1: I think it's D the Toyota Observatory.

1441
01:07:14,560 --> 01:07:18,160
Speaker 3: You guys are getting destroyed. It is C Suberu Telescope.

1442
01:07:18,400 --> 01:07:21,520
Speaker 3: I'm so excited. I also thought that just making that

1443
01:07:21,560 --> 01:07:26,360
Speaker 3: wh the telescope was gonna Thrownna.

1444
01:07:26,160 --> 01:07:29,520
Speaker 1: Okay, what is what is? Finally? Just thankfully ending this

1445
01:07:29,640 --> 01:07:32,120
Speaker 1: number five? What is Hawaii's official state tree? Is it

1446
01:07:32,160 --> 01:07:35,680
Speaker 1: a the CoA tree? B the monkey pod tree, see

1447
01:07:35,720 --> 01:07:39,080
Speaker 1: a Banyan tree? Or d the giving tree. It's a

1448
01:07:39,120 --> 01:07:41,000
Speaker 1: CoA tree, right? Isn't it a a co tree?

1449
01:07:41,280 --> 01:07:44,280
Speaker 2: It might be the monkey pod tree? Okay?

1450
01:07:44,320 --> 01:07:45,920
Speaker 1: What is it?

1451
01:07:45,920 --> 01:07:48,919
Speaker 3: It's a The will comes out on top.

1452
01:07:49,040 --> 01:07:49,760
Speaker 1: Neither of you win.

1453
01:07:49,840 --> 01:07:52,120
Speaker 3: It's a good change up from you winning all these though.

1454
01:07:52,200 --> 01:07:53,040
Speaker 3: I'm happy about that.

1455
01:07:53,280 --> 01:07:55,240
Speaker 1: Ah. That was that was hard.

1456
01:07:55,560 --> 01:07:58,720
Speaker 2: That was good information to find out about our great

1457
01:07:58,800 --> 01:08:02,000
Speaker 2: state of Hawaii. To favorite places to visit. I love

1458
01:08:02,040 --> 01:08:02,840
Speaker 2: all the islands.

1459
01:08:03,080 --> 01:08:07,640
Speaker 1: Can I ask a question, Producer Jensen number two alan Oui,

1460
01:08:08,000 --> 01:08:11,280
Speaker 1: haha channel Is that a real Hawaiian word? Yes? It is?

1461
01:08:11,360 --> 01:08:12,880
Speaker 3: Okay, wow, I.

1462
01:08:12,880 --> 01:08:15,400
Speaker 1: Can say humhumunukua. That counts.

1463
01:08:15,680 --> 01:08:16,559
Speaker 2: Wow.

1464
01:08:16,720 --> 01:08:18,040
Speaker 1: Can we do some Sabrina sease?

1465
01:08:22,280 --> 01:08:26,160
Speaker 2: Yeah? So we I unfortunately said quite a few of

1466
01:08:26,200 --> 01:08:29,080
Speaker 2: them already, so that's not great. But one of the

1467
01:08:29,120 --> 01:08:33,559
Speaker 2: first things that hits me at the very beginning is like,

1468
01:08:33,680 --> 01:08:36,680
Speaker 2: how distant was this? Mom? And you kind of this

1469
01:08:36,760 --> 01:08:39,400
Speaker 2: is again this comment that I'm making is at the

1470
01:08:39,479 --> 01:08:41,559
Speaker 2: very very beginning, we're talking a couple of minutes in

1471
01:08:41,760 --> 01:08:44,960
Speaker 2: when we when she looks at this picture and doesn't

1472
01:08:45,479 --> 01:08:50,000
Speaker 2: recognize her at all, Yeah, Like, is this mom? I mean,

1473
01:08:51,439 --> 01:08:55,920
Speaker 2: I feel like, I mean, my mom looked incredibly different.

1474
01:08:55,960 --> 01:08:59,760
Speaker 2: She had bright, like bleach blonde hair like you know.

1475
01:08:59,800 --> 01:09:02,400
Speaker 2: But like, there's no picture that someone would put, even

1476
01:09:02,439 --> 01:09:04,760
Speaker 2: a baby picture of my mom that I wouldn't be

1477
01:09:04,800 --> 01:09:06,760
Speaker 2: able to go that's my mom right there, right.

1478
01:09:06,840 --> 01:09:08,800
Speaker 1: I think they're trying to really say that he never

1479
01:09:08,920 --> 01:09:11,759
Speaker 1: spoke about her ever. But it's weird that there's no photos.

1480
01:09:11,800 --> 01:09:16,240
Speaker 2: There's photos, and it's not again, it isn't a divorce

1481
01:09:16,400 --> 01:09:19,360
Speaker 2: that was you know, angry and awful. Right, this is

1482
01:09:19,400 --> 01:09:21,320
Speaker 2: a woman who has passed. This is her mother, and

1483
01:09:21,320 --> 01:09:24,760
Speaker 2: she doesn't know pictures. But then like later on, then

1484
01:09:24,800 --> 01:09:28,840
Speaker 2: she recognizes a room that she was in at one point,

1485
01:09:28,840 --> 01:09:32,000
Speaker 2: which was just feel just by the feel of it,

1486
01:09:32,040 --> 01:09:34,679
Speaker 2: and she remembers it a two year old remembering anything

1487
01:09:34,760 --> 01:09:37,320
Speaker 2: as a little big of a stretch. I feel like,

1488
01:09:37,400 --> 01:09:40,920
Speaker 2: but okay, but this picture that really bothered me, Like,

1489
01:09:42,880 --> 01:09:50,000
Speaker 2: how is this possible? I again, binocular is coming out.

1490
01:09:50,280 --> 01:09:51,640
Speaker 2: My worst nightmare.

1491
01:09:52,760 --> 01:09:54,360
Speaker 1: Especially where this person is.

1492
01:09:55,560 --> 01:09:58,240
Speaker 2: And then again we saw them twice and I went

1493
01:09:58,520 --> 01:10:00,760
Speaker 2: at the very end, my very last one was what

1494
01:10:00,960 --> 01:10:05,600
Speaker 2: happened with the binoculars? No, it was crazy. There was

1495
01:10:05,640 --> 01:10:07,800
Speaker 2: a couple of times where this is one of the

1496
01:10:07,840 --> 01:10:13,080
Speaker 2: things that they do because I remember, you know, lines

1497
01:10:13,120 --> 01:10:16,040
Speaker 2: being thrown at us and trying to make them feel

1498
01:10:16,320 --> 01:10:18,320
Speaker 2: natural or whatever when it's just kind of not how

1499
01:10:18,439 --> 01:10:21,000
Speaker 2: kids really talked a lot. But there was a couple

1500
01:10:21,040 --> 01:10:23,840
Speaker 2: of them when they were first getting initially into the

1501
01:10:23,880 --> 01:10:29,000
Speaker 2: group and was like, go boy, like and you could

1502
01:10:29,080 --> 01:10:31,360
Speaker 2: tell that the actor that threw it out it was

1503
01:10:31,360 --> 01:10:34,679
Speaker 2: her friend, Like you could tell she wasn't comfortable saying

1504
01:10:34,680 --> 01:10:35,200
Speaker 2: it either way.

1505
01:10:35,320 --> 01:10:36,439
Speaker 1: I don't like this, go boy?

1506
01:10:38,439 --> 01:10:41,080
Speaker 2: Oh? Was that well it's like this like you just

1507
01:10:41,160 --> 01:10:43,160
Speaker 2: kind of like, yeah, what I don't want to know?

1508
01:10:43,400 --> 01:10:43,840
Speaker 1: Say here?

1509
01:10:44,360 --> 01:10:51,599
Speaker 2: Yeah, uncomfortable. And then like the information for me that

1510
01:10:51,640 --> 01:10:53,640
Speaker 2: they were kind of throwing back and forth at the

1511
01:10:53,680 --> 01:10:55,400
Speaker 2: beginning was just a little off. I was having a

1512
01:10:55,400 --> 01:10:58,400
Speaker 2: hard time at the beginning like that. There was some

1513
01:10:58,479 --> 01:11:01,320
Speaker 2: information that was clearly obvious known when you're like, wait,

1514
01:11:01,479 --> 01:11:02,320
Speaker 2: how did we know that?

1515
01:11:02,400 --> 01:11:02,559
Speaker 1: You know?

1516
01:11:02,720 --> 01:11:04,760
Speaker 2: Things? Throughout the movie they were kind of just like

1517
01:11:04,880 --> 01:11:09,200
Speaker 2: throwing at us, like we that that everyone's understanding and

1518
01:11:09,360 --> 01:11:11,840
Speaker 2: that didn't make sense, And it was a lot about

1519
01:11:12,040 --> 01:11:16,920
Speaker 2: again this like history with the mom, history with the plantation.

1520
01:11:17,160 --> 01:11:22,760
Speaker 2: Like I also was thrown off of how this is

1521
01:11:22,800 --> 01:11:27,200
Speaker 2: the only ancestor that's getting this entire plantation, Like it

1522
01:11:27,400 --> 01:11:30,160
Speaker 2: just to me with the line yeah, yeah, she's the

1523
01:11:30,240 --> 01:11:33,799
Speaker 2: last of the line. But also like again, this woman

1524
01:11:34,080 --> 01:11:36,519
Speaker 2: passed away, so like in a trust, we just did

1525
01:11:36,560 --> 01:11:38,240
Speaker 2: our trust. So I know a little bit more. I'm

1526
01:11:38,240 --> 01:11:41,120
Speaker 2: feeling a little a little bit diny bit educated on it,

1527
01:11:41,240 --> 01:11:44,000
Speaker 2: diny diny that they're so difficult and complex, but like

1528
01:11:44,520 --> 01:11:48,280
Speaker 2: it was like, but they were married, so then the

1529
01:11:48,360 --> 01:11:51,400
Speaker 2: trust would go to him, but also to her. So

1530
01:11:51,840 --> 01:11:54,960
Speaker 2: like in my opinion, like he would have My assumption

1531
01:11:55,000 --> 01:11:57,320
Speaker 2: would be that he would have the dad, Ben would

1532
01:11:57,320 --> 01:11:59,240
Speaker 2: add a little bit more of a say than just

1533
01:11:59,280 --> 01:12:01,479
Speaker 2: this thirteen year old girl, right, like I.

1534
01:12:01,680 --> 01:12:03,360
Speaker 1: Think he did. I think they kind of set it

1535
01:12:03,400 --> 01:12:06,000
Speaker 1: up where it's like again he then said, we're going

1536
01:12:06,080 --> 01:12:06,719
Speaker 1: to leave it up.

1537
01:12:06,600 --> 01:12:10,240
Speaker 2: To you, okay, but okay, so yeah, because I mean

1538
01:12:10,280 --> 01:12:13,080
Speaker 2: it was like yeah thirteen first of all, too, in

1539
01:12:13,160 --> 01:12:16,719
Speaker 2: most trust, nothing gets done until you're like the miners

1540
01:12:17,120 --> 01:12:17,920
Speaker 2: eighteen oh.

1541
01:12:17,840 --> 01:12:19,439
Speaker 1: Yeah, no, she wouldn't have been able to sign any

1542
01:12:19,479 --> 01:12:22,000
Speaker 1: kind again as the parent of the son of two lawyers.

1543
01:12:22,040 --> 01:12:24,160
Speaker 1: As they hand her the pen, it's like if thirteen

1544
01:12:24,240 --> 01:12:26,840
Speaker 1: year olds can't sign anything, their parents have to sign

1545
01:12:26,840 --> 01:12:28,559
Speaker 1: it's a Disney movie.

1546
01:12:28,640 --> 01:12:32,840
Speaker 2: Yeah, they're going wait a minute, like that's not actually whatever.

1547
01:12:32,880 --> 01:12:34,280
Speaker 1: They're not going to hand the pen to the thirteen

1548
01:12:34,360 --> 01:12:36,160
Speaker 1: year old. They also handed her champagne.

1549
01:12:36,320 --> 01:12:39,080
Speaker 2: So that's my last one. I go, well, we're handing

1550
01:12:39,120 --> 01:12:48,559
Speaker 2: miners champagne nowadays, So like, okay, yay, Disney Channel just

1551
01:12:48,600 --> 01:12:51,479
Speaker 2: threw the rolls up in the air. There's paper flying everywhere.

1552
01:12:51,520 --> 01:12:54,559
Speaker 2: We're just gonna just wing it everything not masse.

1553
01:12:54,800 --> 01:12:57,040
Speaker 1: Oh yeah, I'm so happy.

1554
01:12:57,040 --> 01:13:01,719
Speaker 2: We'll say this this movie I on Like I remember again,

1555
01:13:01,800 --> 01:13:04,479
Speaker 2: this was in the time where I was watching DCOM

1556
01:13:04,479 --> 01:13:08,200
Speaker 2: after decommination, sure, loving them, loving most of them to

1557
01:13:08,240 --> 01:13:11,720
Speaker 2: be honest at that time. And this movie again, like

1558
01:13:11,760 --> 01:13:15,799
Speaker 2: you said, like there was enough enough of the surfing

1559
01:13:15,880 --> 01:13:19,000
Speaker 2: tiny bit, but even when we see her friend who's struggling,

1560
01:13:19,160 --> 01:13:22,599
Speaker 2: like how first of all, what was going on because

1561
01:13:22,600 --> 01:13:25,559
Speaker 2: she was treading water? But was she stuck under.

1562
01:13:25,360 --> 01:13:27,720
Speaker 1: Her I don't they don't, they don't explain it. I

1563
01:13:27,760 --> 01:13:29,840
Speaker 1: think there's see I think she's supposed to be in

1564
01:13:29,880 --> 01:13:31,760
Speaker 1: the what I think she's supposed to be in the

1565
01:13:31,800 --> 01:13:33,960
Speaker 1: rip current, I think is what they're kind of showing.

1566
01:13:34,400 --> 01:13:36,880
Speaker 2: And I guess because it's not an animation movie, it's

1567
01:13:36,960 --> 01:13:40,200
Speaker 2: like definitely hard to like film something like that. But

1568
01:13:40,280 --> 01:13:42,639
Speaker 2: like she's not moving, she's so if you.

1569
01:13:42,640 --> 01:13:45,040
Speaker 1: Go back and you watch it again, I'm not I

1570
01:13:45,160 --> 01:13:48,760
Speaker 1: think they show I know, but fair enough. I think

1571
01:13:48,840 --> 01:13:52,720
Speaker 1: they show her being sucked under the water, as if

1572
01:13:52,760 --> 01:13:55,080
Speaker 1: she's being held under by the rip and then they

1573
01:13:55,120 --> 01:13:59,160
Speaker 1: cut to the rocks, which is how her mom died. Oh,

1574
01:13:59,200 --> 01:14:01,800
Speaker 1: so I think they're showing they're trying to show that

1575
01:14:02,000 --> 01:14:06,000
Speaker 1: Gia is essentially in exactly the same position her mom

1576
01:14:06,120 --> 01:14:09,720
Speaker 1: was and she was able to save my momn.

1577
01:14:09,520 --> 01:14:11,640
Speaker 2: Have you ever been stuck in a ripra I have,

1578
01:14:11,920 --> 01:14:16,400
Speaker 2: and you're like humbling, You're like tumbling. It's the waves

1579
01:14:16,439 --> 01:14:20,439
Speaker 2: coming oceans, the waves coming over and you're getting pulled

1580
01:14:20,479 --> 01:14:22,720
Speaker 2: in like it's like you're like going like that's what's

1581
01:14:22,760 --> 01:14:25,599
Speaker 2: the scariest part of it is your feet, your legs

1582
01:14:25,600 --> 01:14:28,480
Speaker 2: are going over you and you're doing these like summersaults

1583
01:14:28,520 --> 01:14:29,240
Speaker 2: in the water and.

1584
01:14:29,439 --> 01:14:31,880
Speaker 1: That's just to spin you closer to a shark's mouth.

1585
01:14:31,960 --> 01:14:34,960
Speaker 1: That's it. Yeah, I know, but the she was just like, yeah,

1586
01:14:35,000 --> 01:14:39,559
Speaker 1: it wasn't. I also, honestly, the the the picture she

1587
01:14:39,680 --> 01:14:41,920
Speaker 1: was taking, especially at the beginning during the movie, where

1588
01:14:41,920 --> 01:14:44,760
Speaker 1: they just freeze frame and it was usually kind of

1589
01:14:44,840 --> 01:14:47,439
Speaker 1: out of focus and bad. I was like, Okay, they're

1590
01:14:47,479 --> 01:14:49,519
Speaker 1: just showing bad pictures. And then there's some that are

1591
01:14:49,520 --> 01:14:51,720
Speaker 1: clearly taken from the water where she's supposed to be

1592
01:14:51,720 --> 01:14:53,920
Speaker 1: in the water looking up at the surfers, and then

1593
01:14:53,960 --> 01:14:56,200
Speaker 1: they cut to her like still only in like half

1594
01:14:56,240 --> 01:14:58,320
Speaker 1: an inch of water, and I'm like, okay, who took

1595
01:14:58,360 --> 01:15:03,679
Speaker 1: that shot? Yeah, so there were some interesting choice. Yeah,

1596
01:15:03,720 --> 01:15:07,519
Speaker 1: there was some interesting acting choice directing choices.

1597
01:15:07,960 --> 01:15:10,599
Speaker 2: Yeah, And again I think it's like, to me, I

1598
01:15:10,720 --> 01:15:13,920
Speaker 2: just kind of equivalate it to just being like the

1599
01:15:13,960 --> 01:15:15,360
Speaker 2: limitations of what they had.

1600
01:15:17,640 --> 01:15:20,200
Speaker 1: I've got to imagine they went through this with Johnny Ssunami,

1601
01:15:20,200 --> 01:15:21,639
Speaker 1: and they went through this with all all their movies.

1602
01:15:21,680 --> 01:15:24,320
Speaker 1: Like this, shooting in the water just adds a whole

1603
01:15:24,439 --> 01:15:28,519
Speaker 1: nother aspect of shooting a film. I feel like that's.

1604
01:15:28,320 --> 01:15:31,040
Speaker 2: Gotta be the biggest reason of why they did not

1605
01:15:31,320 --> 01:15:34,880
Speaker 2: have more surfing elements. Now they could have thought of

1606
01:15:34,920 --> 01:15:35,479
Speaker 2: a better name.

1607
01:15:35,520 --> 01:15:38,479
Speaker 1: I guess you don't make it a surfing movie.

1608
01:15:38,760 --> 01:15:41,360
Speaker 2: Yes, And then like I said, the last thing was

1609
01:15:42,000 --> 01:15:44,040
Speaker 2: you know that that part was my last thing with

1610
01:15:44,360 --> 01:15:47,840
Speaker 2: the friend, Like I didn't understand the drama of like

1611
01:15:47,920 --> 01:15:50,080
Speaker 2: trying to reach out and go get her, like obviously

1612
01:15:50,120 --> 01:15:53,360
Speaker 2: she was underwater, but it was like we could have had.

1613
01:15:53,880 --> 01:15:56,320
Speaker 1: I think it was too tough to show because they

1614
01:15:56,400 --> 01:15:58,320
Speaker 1: wanted to show that, so I think they also tried

1615
01:15:58,320 --> 01:16:00,360
Speaker 1: to explain it because she hit the re so she

1616
01:16:00,800 --> 01:16:03,559
Speaker 1: couldn't use her arm, so she couldn't swim with her arm.

1617
01:16:03,560 --> 01:16:05,639
Speaker 1: But then afterwards she's like jumping up on the beach

1618
01:16:05,680 --> 01:16:09,000
Speaker 1: and grabbing hard. Then she's fine. So yeah, it was

1619
01:16:09,040 --> 01:16:12,840
Speaker 1: there was some anyway. Okay, well, thank you Sabrina. It's

1620
01:16:12,920 --> 01:16:15,600
Speaker 1: now time to rate the film, and I think I

1621
01:16:15,720 --> 01:16:20,040
Speaker 1: go first this time, do I not? Yes? We went first? Okay,

1622
01:16:20,120 --> 01:16:23,479
Speaker 1: all right, our options this week, and I say we

1623
01:16:23,520 --> 01:16:25,559
Speaker 1: do one out of ten. Okay, let's just will keep

1624
01:16:25,600 --> 01:16:27,479
Speaker 1: it easy and we'll make one the worst and ten

1625
01:16:27,520 --> 01:16:30,040
Speaker 1: the best. Our option this week. One out of ten

1626
01:16:30,200 --> 01:16:34,559
Speaker 1: horror movie d coms, one out of ten sick Boards

1627
01:16:34,840 --> 01:16:40,200
Speaker 1: enthralling quilt exhibits one out of ten, soggy casts which

1628
01:16:40,479 --> 01:16:43,360
Speaker 1: sounds like a sex thing, one out of ten. Julie tsunamis,

1629
01:16:44,120 --> 01:16:48,800
Speaker 1: one out of ten computer graphic whales, dead fish smells,

1630
01:16:49,880 --> 01:16:52,960
Speaker 1: or one out of ten unexplained peeping toms. Which would

1631
01:16:52,960 --> 01:16:55,040
Speaker 1: you like to do this week's Brina, I'm gonna let you.

1632
01:16:55,000 --> 01:16:57,559
Speaker 2: Pay think it, you know, give a little nod to

1633
01:16:57,640 --> 01:17:02,000
Speaker 2: my fave, my favor movie. Let's dude you Julisnami's.

1634
01:17:01,439 --> 01:17:03,519
Speaker 1: Okay, you got it. We're gonna do one to attend.

1635
01:17:03,560 --> 01:17:07,400
Speaker 1: Julie sunamis, okay, I go first, you go first. The

1636
01:17:07,439 --> 01:17:09,200
Speaker 1: title threw me. I can't get over it. I'm gonna

1637
01:17:09,200 --> 01:17:12,920
Speaker 1: be totally honest. I can't. Don't set me up for

1638
01:17:13,040 --> 01:17:15,880
Speaker 1: a surfing movie. If it's not a surfing movie, do

1639
01:17:16,000 --> 01:17:19,320
Speaker 1: not call it BMX bandit's if they're neither bmxing nor

1640
01:17:19,439 --> 01:17:22,840
Speaker 1: bandits in the movie. That's not you know again, that's

1641
01:17:22,960 --> 01:17:25,120
Speaker 1: if call it something else. If you're not going to

1642
01:17:25,200 --> 01:17:29,479
Speaker 1: show war amongst the stars, don't call it star wars.

1643
01:17:30,120 --> 01:17:33,400
Speaker 1: So I was expecting a surfing movie. I was expecting

1644
01:17:33,439 --> 01:17:38,840
Speaker 1: a Disney Channel typical Girl out of Water comes and

1645
01:17:38,960 --> 01:17:41,280
Speaker 1: joins this cool click in Hawaii, they teach you how

1646
01:17:41,320 --> 01:17:44,360
Speaker 1: to surf. There's the good surfer, there's the bad surfer,

1647
01:17:44,439 --> 01:17:46,080
Speaker 1: there's the locals that don't want to have everything. It

1648
01:17:46,160 --> 01:17:49,519
Speaker 1: ends in the big surfing competition DCOM. That's what I'm expecting.

1649
01:17:50,439 --> 01:17:54,200
Speaker 1: It wasn't that. No, it wasn't bad. The first of

1650
01:17:54,200 --> 01:17:56,880
Speaker 1: all the good things. It was pretty to watch. The

1651
01:17:57,120 --> 01:18:02,000
Speaker 1: the the landscape looked incredible. The acting was good. I

1652
01:18:02,120 --> 01:18:04,439
Speaker 1: thought some of the characters were very well written. The

1653
01:18:04,479 --> 01:18:08,840
Speaker 1: adults were great. I loved the relationships. Was not expecting

1654
01:18:09,320 --> 01:18:13,280
Speaker 1: this movie. That being said, I think I'm being fair

1655
01:18:13,760 --> 01:18:17,400
Speaker 1: all the way around in giving this movie a six

1656
01:18:17,479 --> 01:18:22,280
Speaker 1: point five. Julie Tsunamis. I think that's a pretty fair score.

1657
01:18:22,880 --> 01:18:27,040
Speaker 1: They had I known what was going to happen, and

1658
01:18:27,080 --> 01:18:28,960
Speaker 1: it was going to be this and not a surfing movie,

1659
01:18:29,000 --> 01:18:30,639
Speaker 1: it probably could have been a seven or a seven

1660
01:18:30,680 --> 01:18:34,799
Speaker 1: and a half. But some of the stuff, the whale

1661
01:18:34,840 --> 01:18:38,679
Speaker 1: thing was really bad. Not her not knowing anything about

1662
01:18:38,720 --> 01:18:43,080
Speaker 1: her mom was really strange. Yeah, so yes, I think

1663
01:18:43,120 --> 01:18:45,479
Speaker 1: I'm fair at a six point five. I could go

1664
01:18:45,520 --> 01:18:46,880
Speaker 1: a soft seven, but I'm going to keep it a

1665
01:18:46,920 --> 01:18:49,599
Speaker 1: six point five. Julie tsunamis what about you?

1666
01:18:50,520 --> 01:18:54,360
Speaker 2: So for me, I'm literally just a tiny bit above.

1667
01:18:54,400 --> 01:19:01,400
Speaker 2: You agreed there were not necessarily just things kind of

1668
01:19:01,479 --> 01:19:05,160
Speaker 2: just like brushed over very quickly that I would have

1669
01:19:05,200 --> 01:19:07,639
Speaker 2: loved a little bit more explaining or you know, things

1670
01:19:07,720 --> 01:19:13,160
Speaker 2: here in Yeah, Well, that I think was if they

1671
01:19:13,400 --> 01:19:15,720
Speaker 2: if they if there there was something that led up

1672
01:19:15,720 --> 01:19:18,040
Speaker 2: to it that they decided to cut, they should have

1673
01:19:18,080 --> 01:19:20,280
Speaker 2: cut those. It's not like it was it would have

1674
01:19:20,320 --> 01:19:22,040
Speaker 2: taken much. I mean it would have been to like

1675
01:19:22,160 --> 01:19:26,280
Speaker 2: eighty one minutes or whatever, sorry, eighty five, eighty four

1676
01:19:26,360 --> 01:19:28,439
Speaker 2: minutes or whatever. So it sound like they would have

1677
01:19:28,479 --> 01:19:32,559
Speaker 2: really cut a ton. It's just kind of weird. Again,

1678
01:19:32,600 --> 01:19:34,639
Speaker 2: I thought, I thought all the kids. To me, this

1679
01:19:34,960 --> 01:19:38,080
Speaker 2: was if you see this movie and then go, okay,

1680
01:19:38,080 --> 01:19:41,080
Speaker 2: put it in the timeframe of where Disney was, It's

1681
01:19:41,120 --> 01:19:44,320
Speaker 2: perfectly where it was shot and filmed and everything. It's

1682
01:19:44,479 --> 01:19:47,640
Speaker 2: right in that that that mecca. You can see it.

1683
01:19:47,760 --> 01:19:52,639
Speaker 2: Of course, we've seen Disney just explode and just build

1684
01:19:52,720 --> 01:19:55,200
Speaker 2: and be so much better than this. So this isn't

1685
01:19:55,200 --> 01:19:57,439
Speaker 2: one of the best d coms. But for me, it

1686
01:19:57,520 --> 01:20:00,320
Speaker 2: was the nostalgia. It was sure. It was the movies

1687
01:20:00,360 --> 01:20:02,760
Speaker 2: that I was watching all the time, and you know,

1688
01:20:02,840 --> 01:20:07,000
Speaker 2: there they aren't always great. Like I said, or like

1689
01:20:07,080 --> 01:20:10,000
Speaker 2: you said, I think what would have made this even

1690
01:20:10,040 --> 01:20:12,920
Speaker 2: better would have been more surfing, you know. But then

1691
01:20:13,360 --> 01:20:15,120
Speaker 2: I just don't know where they would have found those

1692
01:20:15,200 --> 01:20:18,559
Speaker 2: child actors to be able to do that, or because

1693
01:20:18,560 --> 01:20:23,559
Speaker 2: this was really well casted in her being thirteen, find

1694
01:20:23,800 --> 01:20:27,120
Speaker 2: doubles that age. Yeah, maybe you know what I mean, Like, we.

1695
01:20:27,400 --> 01:20:30,000
Speaker 1: Know there's got to be some thirteen year old killer

1696
01:20:30,080 --> 01:20:33,120
Speaker 1: surfers in Hawaii, in Australia, Ortia.

1697
01:20:33,200 --> 01:20:35,200
Speaker 2: There should there could have been, but that's not where

1698
01:20:35,439 --> 01:20:38,880
Speaker 2: we know that. That's not Disney's like place. They don't

1699
01:20:38,920 --> 01:20:41,599
Speaker 2: do a lot, so they don't have a lot of intel,

1700
01:20:41,640 --> 01:20:45,840
Speaker 2: I guess. So anyway, I thought it was good and

1701
01:20:45,920 --> 01:20:48,400
Speaker 2: it was really fun to rewatch because it was a

1702
01:20:48,439 --> 01:20:50,519
Speaker 2: movie that I saw when I was younger, and I

1703
01:20:50,640 --> 01:20:53,439
Speaker 2: enjoyed it, and the auditioned for and I auditioned for it,

1704
01:20:53,479 --> 01:20:56,240
Speaker 2: and I remember being bummed when it came out, going, Man,

1705
01:20:56,880 --> 01:20:58,760
Speaker 2: that would have been cool. I would have loved to

1706
01:20:58,920 --> 01:21:00,960
Speaker 2: like learn how to surfn more than what I know

1707
01:21:01,080 --> 01:21:04,120
Speaker 2: right now, and YadA, YadA whatever. I'm going to give

1708
01:21:04,120 --> 01:21:09,360
Speaker 2: it a seven. Julie Tsunamis because I did like it.

1709
01:21:09,439 --> 01:21:13,920
Speaker 2: I remember liking it. There were definitely some flaws. I

1710
01:21:14,000 --> 01:21:16,320
Speaker 2: wanted more. I would have loved to give this an

1711
01:21:16,360 --> 01:21:17,559
Speaker 2: eight and a half time.

1712
01:21:17,640 --> 01:21:18,719
Speaker 1: I agree, I agree.

1713
01:21:18,880 --> 01:21:21,160
Speaker 2: I couldn't because I wanted more surfing.

1714
01:21:21,320 --> 01:21:22,839
Speaker 1: Yep, I agree with you one hundred percent.

1715
01:21:22,760 --> 01:21:23,800
Speaker 2: But I could go to movie.

1716
01:21:24,120 --> 01:21:25,960
Speaker 1: I'm actually gonna change I'm going to change my vote.

1717
01:21:25,960 --> 01:21:27,479
Speaker 1: I'm going to change my number, which I don't think

1718
01:21:27,479 --> 01:21:29,000
Speaker 1: I've ever done before. And I'm gonna agree with you

1719
01:21:29,080 --> 01:21:31,080
Speaker 1: at a seven because the kids were good.

1720
01:21:31,320 --> 01:21:36,000
Speaker 2: The kids were and for the time how much adults

1721
01:21:36,040 --> 01:21:38,280
Speaker 2: we got in it too. It wasn't too adults, and

1722
01:21:38,320 --> 01:21:40,879
Speaker 2: it wasn't two kids where the adults just weren't involved.

1723
01:21:41,080 --> 01:21:44,040
Speaker 2: They were. The storylines of the adults were awesome.

1724
01:21:44,160 --> 01:21:45,840
Speaker 1: Yeah, no, you're right. I could give it a seven

1725
01:21:45,880 --> 01:21:47,800
Speaker 1: and live with that. So it's going to be seven.

1726
01:21:48,360 --> 01:21:51,439
Speaker 2: Guys, I'm starting to rub off on the you are

1727
01:21:51,760 --> 01:21:52,040
Speaker 2: you are?

1728
01:21:52,680 --> 01:21:55,080
Speaker 1: I'm telling you, Hey, I'm rubbing off on you. You dropped.

1729
01:21:55,920 --> 01:22:00,560
Speaker 2: Things are happened here on Magical Now, I'm telling you,

1730
01:22:00,680 --> 01:22:02,720
Speaker 2: we're rubbing off on each other. And I gave him

1731
01:22:02,760 --> 01:22:05,040
Speaker 2: a math bomb. Let's just let's just say that that's

1732
01:22:05,080 --> 01:22:05,519
Speaker 2: what it was.

1733
01:22:06,640 --> 01:22:09,360
Speaker 1: It did it boosted it up. Thank god. Our next

1734
01:22:09,400 --> 01:22:13,840
Speaker 1: movie O people, we are doing our first threequel ever.

1735
01:22:13,920 --> 01:22:16,760
Speaker 1: We're gearing up for the debut of Zombies four with

1736
01:22:16,880 --> 01:22:19,880
Speaker 1: our recap of Zombies three. We can't wait any longer.

1737
01:22:19,920 --> 01:22:21,720
Speaker 1: We need to catch up on the franchise. It is

1738
01:22:21,840 --> 01:22:24,640
Speaker 1: time for the newest installment and obviously this one is

1739
01:22:24,640 --> 01:22:26,640
Speaker 1: available to stream now in Disney Plus, so you can

1740
01:22:26,640 --> 01:22:28,719
Speaker 1: get ahead of the podcast now and check it out,

1741
01:22:29,120 --> 01:22:31,240
Speaker 1: and for more info, you can follow us at Magical

1742
01:22:31,280 --> 01:22:47,759
Speaker 1: Rewind Pod on the Instagram Machine. Bye everybody, iye