WEBVTT - #535 - YS

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<v Speaker 1>Why I'm here.

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<v Speaker 2>Y'all know what it is. Check me out on a

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<v Speaker 2>Bulltleg keV podcast. Everybody tap in.

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<v Speaker 3>Hey, before we start the episode, we're gonna remind everybody, man,

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<v Speaker 3>we got one of the biggest radio shows in the country,

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<v Speaker 3>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 3>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 3>we've been able to add. Man, we want to give

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<v Speaker 3>a shout out to ninety three point nine the Beat

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<v Speaker 3>in Honolulu. That's right, Hawaii, We over there going crazy.

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<v Speaker 3>I also want to give a shout out Hot ninety

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<v Speaker 3>eight three and Tucson. Shout out to Tucson going crazy.

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<v Speaker 3>Also want to give a shout out to Wild ninety

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<v Speaker 3>four one in Tampa going crazy.

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<v Speaker 4>We just got Richmond.

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<v Speaker 3>We also just got the good folks in Bakersfield at

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<v Speaker 3>Hot one O four to seven. So we're going crazy

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<v Speaker 3>on the radio with my partner James Andre Jefferson Junior

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<v Speaker 3>for the Bootleg keV Show. So make sure you tune

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<v Speaker 3>in and you can listen anywhere on that iHeart Radio app.

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<v Speaker 4>That's right. Let's get into the interview, all right, yo,

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<v Speaker 4>Bootleg cav Man, we in here. We got my guy

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<v Speaker 4>ys in the building.

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<v Speaker 1>Yo.

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<v Speaker 3>We hear on the show before with your with the

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<v Speaker 3>meet the Woops guys for Shure. Hell Y, y'all did

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<v Speaker 3>the cipher over here obviously doing your solo thing. You

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<v Speaker 3>just locked in officially with O tr Yep.

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<v Speaker 1>Shout out OTR.

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<v Speaker 4>Yeah, well, how did that come to come to be?

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<v Speaker 1>Really with my bro Neil? Shout out Neil too.

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<v Speaker 3>Uh.

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<v Speaker 1>I call him my Indian brother, you know.

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<v Speaker 2>But we was just really Neil been helping me before

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<v Speaker 2>I even knew Neil, you me, I didn't even know,

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<v Speaker 2>like he was even behind a lot of the shit

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<v Speaker 2>was behind. Helped me with Alamo way back in like

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<v Speaker 2>twenty nineteen, twenty twenty. So he used to tell me

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<v Speaker 2>with a little bit of shit, he said. But we

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<v Speaker 2>just never properly met. So then we ended up meeting

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<v Speaker 2>when I did the song with UH with Lefty gun Play, Yeah,

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<v Speaker 2>and I locked in with Lefty. Really, me and Lefty

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<v Speaker 2>locked in through each other, but I really properly met

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<v Speaker 2>Lefty with J three, we're here to J three, that's

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<v Speaker 2>my brother were from the same hug We pull up

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<v Speaker 2>over there, We did the Uh. We did a song

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<v Speaker 2>we did like two three songs, shot the video for Stupid,

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<v Speaker 2>and then that's when I really officially locked in with

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<v Speaker 2>like Neil and Solas, Like that's where I met solus

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<v Speaker 2>at at the video and we just start fucking with

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<v Speaker 2>each other.

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<v Speaker 3>Yeah, what do you think is the biggest misconception about Lefty?

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<v Speaker 3>Because I feel like a lot of people don't get

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<v Speaker 3>to spend actual time and then.

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<v Speaker 1>You know, I really fuck with Lefty other ship.

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<v Speaker 2>I just feel like he just rang and cut and

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<v Speaker 2>motherfuckers ain't used to you know, seeing that much. You

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<v Speaker 2>know rawness and you know on camera like for real,

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<v Speaker 2>you know a lot of people try to clean it up.

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<v Speaker 1>He just don't. He don't give a fuck.

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<v Speaker 4>I feel like people don't realize that he's like a

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<v Speaker 4>good dude dude.

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<v Speaker 2>Yeah yeah, bro, bro solid, like I ain't gonna lie,

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<v Speaker 2>And he always got good energy to him for me,

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<v Speaker 2>me speaking, you know, every time I don't seen him, man,

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<v Speaker 2>he got good energy.

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<v Speaker 4>So yeah, what's the latest to meet the woops ship?

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<v Speaker 1>Meet the Whoops Man?

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<v Speaker 4>We got it going.

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<v Speaker 2>We were really putting together like a complimation tape.

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<v Speaker 1>Like well, really Ruger is shout out Ruger.

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<v Speaker 2>He basically just told everybody like, man, everybody sent me

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<v Speaker 2>a single like a solo song, and then we got

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<v Speaker 2>we got we got songs together as a group two

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<v Speaker 2>because we got a big project coming. I don't want

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<v Speaker 2>to say you know who with or whatever, you know,

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<v Speaker 2>but we got a big project coming with a big

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<v Speaker 2>producer and some good features on there, good names.

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<v Speaker 1>It's a lot of good shit coming from that.

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<v Speaker 2>But we're gonna also drop like a complimation tape just

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<v Speaker 2>so we can keep the streets going, you know, keep

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<v Speaker 2>our buzz up, and just you know, still be working.

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<v Speaker 4>You obviously from the same areas Kendrick for sure.

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<v Speaker 3>You're in the Not Like Us video, try and put

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<v Speaker 3>his arm around you, pull you into the video, and shit,

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<v Speaker 3>what was like the environment, like just being being at

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<v Speaker 3>that shoot, man, because it seems like we're gonna look

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<v Speaker 3>back at that shit like ten twenty years from.

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<v Speaker 4>Now, come on history. You know that shit was crazy.

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<v Speaker 2>I ain't gonna lie, bro, that shit still fucked me up.

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<v Speaker 2>It was a real, like surreal moment, especially because like

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<v Speaker 2>I'm like, you gotta know me to know, like I'm

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<v Speaker 2>like a laid back type of dude, Like I got different,

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<v Speaker 2>Like you know, I got my days, you know, where

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<v Speaker 2>I could you know, be different or whatever you wanna

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<v Speaker 2>call it. But I'm really chill, laid back, so I

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<v Speaker 2>wasn't even really like I ain't gonna say I won't

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<v Speaker 2>pressed about getting the video, but that wasn't the only scene.

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<v Speaker 2>So I'm like, man, I'm a fucker on catch him

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<v Speaker 2>at the you know, comfor the corus too, even though

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<v Speaker 2>I really didn't.

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<v Speaker 1>It's crazy, but my older homies they.

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<v Speaker 2>Like pushed me to the like the front of the crowd,

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<v Speaker 2>like nigga, get up there, like once you see your face,

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<v Speaker 2>he gonna grab you rot. So I'm like, shit, fuck you.

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<v Speaker 2>I just I just got to try to push my

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<v Speaker 2>way through the crowd and shit, so many like supporters

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<v Speaker 2>and shit out there. You know, I don't like calling

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<v Speaker 2>people fans. There's so many supporters out there. Hey damn,

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<v Speaker 2>there they running to me. I'm running to them, you know,

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<v Speaker 2>like we just all trying to get to the same spot.

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<v Speaker 2>I'm getting my like little love on the side too,

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<v Speaker 2>but right won't see me. He just like grab me,

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<v Speaker 2>like I'm like, oh this shit real. Like I never

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<v Speaker 2>had a conversation with him.

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<v Speaker 4>You guys, never talked to you, just just knew you.

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<v Speaker 2>Were yeah, like I never had a like before that,

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<v Speaker 2>Like we have never had a conversation ever. And I

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<v Speaker 2>didn't even know I was gonna perform at the pop

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<v Speaker 2>out until where you call him shout out jay Worthy.

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<v Speaker 3>Feel was that like one of those because I heard

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<v Speaker 3>a few of the performances were like day of ads

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<v Speaker 3>or like super last minute ads.

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<v Speaker 1>We won super last minute We for showing to rehearsal.

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<v Speaker 2>We went to rehearsal like twice you feel me before,

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<v Speaker 2>But even like how fast that ship kicked off? It

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<v Speaker 2>was like damn we performing with doc like yeah, right

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<v Speaker 2>for show, like and then we didn't know we was

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<v Speaker 2>a group until the day of the show, Like we

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<v Speaker 2>was just.

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<v Speaker 3>All, yeah, we were just allow artists on one song

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<v Speaker 3>c yeah rappers.

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<v Speaker 1>Shut up Worthy put it together.

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<v Speaker 2>I mean he put the he put us doing a

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<v Speaker 2>little feature and ship together and we kept it going.

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<v Speaker 2>But it was like, man, we can't because you know

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<v Speaker 2>how the banner was, Yeah, but we can't in there,

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<v Speaker 2>we can't put uh everyone's names. Yeah, what what're gonna

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<v Speaker 2>what You're gonna call y'allself? So we came up with

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<v Speaker 2>that name shout out j three bro shout out here

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<v Speaker 2>to J three. We came up with that name and

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<v Speaker 2>we all we were saying, meet the Parkers. It was

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<v Speaker 2>like meet the Whoops, and it was like meet the Woops.

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<v Speaker 1>It just stuck like, like.

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<v Speaker 3>That's crazy. I didn't even realize that ship. Like, I

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<v Speaker 3>guess we're a group guys.

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<v Speaker 2>Day of bro I swear to god, that's why everybody

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<v Speaker 2>expecting so much from us, and it's like, we don't.

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<v Speaker 2>We don't get y'all. What y'all expecting that, what y'all

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<v Speaker 2>won't and a little bit more. But just bear with

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<v Speaker 2>us because we didn't even know we was a fucking

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<v Speaker 2>group and to the day of the show. So now

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<v Speaker 2>we're kicking up everything just together, you know. And we

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<v Speaker 2>all got solo careers too, so it's kind of hard

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<v Speaker 2>to get six individual people together all the time that

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<v Speaker 2>didn't start off as a group, right, So.

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<v Speaker 4>You ended up doing the pop out.

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<v Speaker 3>Vick was telling me you also did, like you were

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<v Speaker 3>working on some gn X shit. Maybe that might come

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<v Speaker 3>out on the Deluxe Man.

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<v Speaker 1>Yeah, man, I'm waiting to see you know.

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<v Speaker 4>So what what was that Like you were in the studio?

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<v Speaker 1>I didn't, I ain't.

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<v Speaker 2>I didn't been in the studio, but we ain't really

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<v Speaker 2>you know, cook like too much and nothing up yet,

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<v Speaker 2>but it's been, it's been in the talks, it's been

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<v Speaker 2>in the works for show.

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<v Speaker 3>So after the video shoot to pop out and all that,

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<v Speaker 3>were able to connect.

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<v Speaker 2>With hell yeah, yeah, no, no, now it's different. Now

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<v Speaker 2>that's you feel me?

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<v Speaker 4>What was your first combo with him?

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<v Speaker 1>Like ship?

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<v Speaker 2>My first conversation with him really was just him telling

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<v Speaker 2>me like, like I always like me personally.

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<v Speaker 1>I used to he used to always.

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<v Speaker 2>Tell my older homies like hey, tell tell like young

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<v Speaker 2>wys like tell him keep doing this thing.

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<v Speaker 1>It'd just be on some ship like that. But we

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<v Speaker 1>ain't never chopped it up.

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<v Speaker 2>But when we chopped it up, he was really just

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<v Speaker 2>telling me, like everybody said a lot of good shit

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<v Speaker 2>about you, bro, like you the youngest, like coming from

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<v Speaker 2>over there, you got charisma, you got oil to you,

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<v Speaker 2>like a lot of people speak highly of you. So

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<v Speaker 2>don't let yourself down. Don't let people down, you know,

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<v Speaker 2>And I'm like that straight up, like you feel me then, like, Bro,

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<v Speaker 2>I ain't gonna lie. Like one of the first time

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<v Speaker 2>I ever talked to him on the phone was on

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<v Speaker 2>the phone for like an hour, like a real hour.

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<v Speaker 2>Just chopping it up talking about real life shit. We

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<v Speaker 2>weren't even talking about music. Wow, we were just talking

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<v Speaker 2>about real life shit. Just you know, he just he

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<v Speaker 2>could see like a lot of himself and me like

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<v Speaker 2>this trying to navigate through the streets and you know,

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<v Speaker 2>make it out of this shit the best way, you know,

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<v Speaker 2>we can. So I really fuck with Bro like he

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<v Speaker 2>didn't help me on some real life shit like outside

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<v Speaker 2>of music too, like that I wouldn't even speak on.

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<v Speaker 1>He wouldn't even speak on. It's certain ship that brough.

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<v Speaker 2>It really did for me just in this this thing

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<v Speaker 2>time of us knowing each other already be like damn

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<v Speaker 2>like Bro.

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<v Speaker 4>Through Yeah, he throw for real, shot to Kendrick.

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<v Speaker 2>Man, shout out to Bro, and we had the billboard

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<v Speaker 2>in the hood up for like them in like eight months.

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<v Speaker 1>I was right on Rose Crans the album.

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<v Speaker 2>I used to like get off and catch the bus

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<v Speaker 2>right there, Like that shit big to me.

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<v Speaker 3>I feel like there has to be some sort of

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<v Speaker 3>like deluxe to the album coming because he he kicked

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<v Speaker 3>the super Bowl off with an unreleased.

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<v Speaker 4>You know what I'm saying, Like there's something coming.

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<v Speaker 2>He got some tricks up his sleeve. But he's so confidential.

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<v Speaker 2>We only gonna know when it's time to when it's

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<v Speaker 2>time to.

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<v Speaker 3>Strike when, because obviously you're very close with with J three, Like,

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<v Speaker 3>uh yeah, that's my every day, it's my dog.

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<v Speaker 4>He uh he did.

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<v Speaker 3>He under like because a lot of times, at least

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<v Speaker 3>I heard a lot of people didn't realize that they

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<v Speaker 3>were gonna make the album until the album dropped. Yeah,

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<v Speaker 3>then they heard themselves on the album, like oh ship.

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<v Speaker 2>Another thing, a lot of people didn't know who was

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<v Speaker 2>on that motherfucker with them.

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<v Speaker 3>Right because because the features were listed exactly, so you

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<v Speaker 3>were like, and J three is not like a household name.

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<v Speaker 3>So you hear this voice, You're like, who wait, who's this? Well,

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<v Speaker 3>I gotta wait for the internet to tell me.

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<v Speaker 1>It's like, yeah, that's yeah.

0:09:15.200 --> 0:09:17.440
<v Speaker 3>When it first dropped, When it first dropped, I was

0:09:17.440 --> 0:09:20.160
<v Speaker 3>in Thailand leaving rolling loud damn.

0:09:20.800 --> 0:09:23.040
<v Speaker 4>And that ship dropped and I was like, what the fuck?

0:09:23.480 --> 0:09:24.400
<v Speaker 1>Out of the blue too?

0:09:24.559 --> 0:09:26.600
<v Speaker 4>Out of the blue like out of nowhere?

0:09:26.840 --> 0:09:27.680
<v Speaker 1>I said. It was crazy.

0:09:27.720 --> 0:09:30.679
<v Speaker 3>I'm I'm listening to the album and I'm trying to decide, Like, yo,

0:09:31.040 --> 0:09:32.760
<v Speaker 3>I remember when I first heard Lefty at the end

0:09:32.800 --> 0:09:35.040
<v Speaker 3>of TV off I was like, what the fuck.

0:09:34.920 --> 0:09:36.760
<v Speaker 1>Like I can catch your out?

0:09:36.800 --> 0:09:37.400
<v Speaker 4>What the fuck?

0:09:37.480 --> 0:09:39.320
<v Speaker 2>I was thinking too, Like when he first dropped, like

0:09:39.400 --> 0:09:40.880
<v Speaker 2>damn why he didn't put the features on them, but

0:09:40.960 --> 0:09:42.600
<v Speaker 2>it kind of was like low key and trieving.

0:09:43.000 --> 0:09:44.040
<v Speaker 1>It kind of made you want to know.

0:09:44.200 --> 0:09:47.480
<v Speaker 4>When Cardi did the same thing and Cardi's album first dropped.

0:09:47.760 --> 0:09:50.120
<v Speaker 3>He was like, like everyone had to break down the

0:09:50.120 --> 0:09:51.679
<v Speaker 3>features and then it took a few days from them

0:09:51.720 --> 0:09:52.120
<v Speaker 3>to go up.

0:09:52.800 --> 0:09:54.320
<v Speaker 2>It was just like, look like you're looking at it

0:09:54.360 --> 0:09:56.559
<v Speaker 2>like them and make you want to know. Like it's

0:09:56.679 --> 0:09:58.920
<v Speaker 2>kind of more like you know, who the fuck.

0:09:58.840 --> 0:09:59.520
<v Speaker 4>Is this right?

0:09:59.800 --> 0:10:01.640
<v Speaker 1>You know, if you don't already know the voice.

0:10:01.480 --> 0:10:03.679
<v Speaker 3>Right, not for sure because there's a lot of a

0:10:03.720 --> 0:10:04.920
<v Speaker 3>lot of young up and coming arll.

0:10:05.000 --> 0:10:07.320
<v Speaker 1>Yeah, he put on, he put on for the Coast.

0:10:07.800 --> 0:10:09.920
<v Speaker 1>He brought the light back. Yeah, straight up, he brought

0:10:09.920 --> 0:10:10.440
<v Speaker 1>the light back.

0:10:10.760 --> 0:10:13.440
<v Speaker 3>Do you feel like, uh, you know, there's like a

0:10:13.679 --> 0:10:15.679
<v Speaker 3>because now it's like the pressures up right, So it's

0:10:15.720 --> 0:10:18.199
<v Speaker 3>like hell yeah, now that the light's back on, l

0:10:18.280 --> 0:10:19.480
<v Speaker 3>A and what we're gonna do with it?

0:10:19.679 --> 0:10:23.000
<v Speaker 2>Yes, I feel like I'm for shore playing pressure this year.

0:10:23.000 --> 0:10:26.439
<v Speaker 2>I'm this for show gonna be my my my best year.

0:10:26.480 --> 0:10:28.520
<v Speaker 2>I'm a manifest out right here on bulet K. It's

0:10:28.520 --> 0:10:29.440
<v Speaker 2>gonna be my best year.

0:10:29.679 --> 0:10:29.880
<v Speaker 4>Yeah.

0:10:29.880 --> 0:10:31.760
<v Speaker 3>I feel like, you know, Wally's in a good position.

0:10:32.200 --> 0:10:34.720
<v Speaker 3>I don't know if he's announced his new situation, a

0:10:34.720 --> 0:10:35.520
<v Speaker 3>great situation.

0:10:36.840 --> 0:10:38.240
<v Speaker 1>I just left Miami with Wally.

0:10:38.880 --> 0:10:41.959
<v Speaker 4>Yeah, shout to Wally. He's a shot of music video

0:10:41.960 --> 0:10:42.840
<v Speaker 4>on my pizza restaurant.

0:10:43.520 --> 0:10:46.640
<v Speaker 1>I was supposed to be there late doing bullshit on

0:10:46.840 --> 0:10:48.319
<v Speaker 1>go Nah.

0:10:48.360 --> 0:10:49.880
<v Speaker 3>I just think I think it's a good opportunity. I

0:10:49.920 --> 0:10:51.840
<v Speaker 3>just feel like, you know, people got to be intentional.

0:10:51.840 --> 0:10:53.680
<v Speaker 3>They got to move with intention, you know.

0:10:53.760 --> 0:10:56.680
<v Speaker 4>For show, the music's gotta be well thought out.

0:10:56.840 --> 0:10:59.880
<v Speaker 3>Yeah, it can't just be no, let's throw some shit out.

0:10:59.880 --> 0:11:02.240
<v Speaker 3>Just see what I look, what's focused? You know, Like

0:11:02.760 --> 0:11:05.800
<v Speaker 3>so I think that's what's I feel like that's really

0:11:05.840 --> 0:11:07.880
<v Speaker 3>like what artists gotta do. They really gotta tap in.

0:11:07.920 --> 0:11:09.840
<v Speaker 3>I was talking to Blast about that. He's like, you like,

0:11:09.880 --> 0:11:12.680
<v Speaker 3>people casts gotta like dropp an attention. They got to

0:11:12.679 --> 0:11:16.360
<v Speaker 3>really put a roll out together. Yeah, make make a

0:11:16.400 --> 0:11:18.439
<v Speaker 3>real effort.

0:11:18.240 --> 0:11:20.800
<v Speaker 1>To you to pr on and all that, and also.

0:11:20.640 --> 0:11:22.720
<v Speaker 3>Just make an effort to make the music like timeless

0:11:23.400 --> 0:11:26.000
<v Speaker 3>show ship. If gn X is the bar is like ship, man,

0:11:26.600 --> 0:11:27.360
<v Speaker 3>you for that?

0:11:27.880 --> 0:11:30.199
<v Speaker 2>Nah real ship and yeah, yeah, no you don't want no,

0:11:30.720 --> 0:11:32.880
<v Speaker 2>you don't want no music. That's just only gonna lies

0:11:33.800 --> 0:11:35.960
<v Speaker 2>for a period of time, you know, like you don't

0:11:35.960 --> 0:11:37.880
<v Speaker 2>want to just you don't want that.

0:11:38.000 --> 0:11:40.480
<v Speaker 4>So have you've been in the studio with Kendrick yet?

0:11:40.600 --> 0:11:40.840
<v Speaker 1>Yeah?

0:11:40.960 --> 0:11:41.240
<v Speaker 4>I have?

0:11:41.440 --> 0:11:44.640
<v Speaker 1>By when you know, what is it laying nothing down? Though?

0:11:44.800 --> 0:11:45.720
<v Speaker 4>Was he laying sh it down?

0:11:46.280 --> 0:11:48.400
<v Speaker 1>We was really just vibeing, just hanging out playing.

0:11:49.240 --> 0:11:51.240
<v Speaker 4>Yeah, I'm just going to know me and Ship.

0:11:51.320 --> 0:11:53.680
<v Speaker 3>Like his studio process gotta be crazy. It was curious,

0:11:53.720 --> 0:11:57.160
<v Speaker 3>like his writing process like so many artists nowadays, like

0:11:57.200 --> 0:11:58.240
<v Speaker 3>they don't write right.

0:11:58.679 --> 0:11:59.319
<v Speaker 1>I don't write.

0:11:59.360 --> 0:11:59.920
<v Speaker 4>You punch in.

0:12:00.240 --> 0:12:02.240
<v Speaker 1>I punched it. I started off writing though.

0:12:02.120 --> 0:12:05.560
<v Speaker 4>For sure, but like you gotta write again man, Yeah.

0:12:05.520 --> 0:12:07.040
<v Speaker 1>That's what everybody be saying though.

0:12:07.080 --> 0:12:10.000
<v Speaker 3>But because at the end of the day, I feel like,

0:12:10.000 --> 0:12:13.439
<v Speaker 3>like I said, every bar matters more. For sure, you're

0:12:13.480 --> 0:12:16.640
<v Speaker 3>not lying if you're in the studio everybody's drinking and

0:12:16.640 --> 0:12:19.400
<v Speaker 3>you're just trying to find a line because you got

0:12:19.440 --> 0:12:20.000
<v Speaker 3>the micro.

0:12:20.120 --> 0:12:22.240
<v Speaker 1>I'm saying, yeah, there's no it's no purpose.

0:12:22.280 --> 0:12:23.640
<v Speaker 4>There's no purpose. It's no purpose.

0:12:23.640 --> 0:12:25.559
<v Speaker 3>Like yo, when you write that Ship out or you

0:12:25.679 --> 0:12:28.000
<v Speaker 3>going there with a game plan. It's a little different. Now,

0:12:28.040 --> 0:12:29.880
<v Speaker 3>it's different like if it's a melody.

0:12:29.760 --> 0:12:32.760
<v Speaker 1>For sure, way more melody is different.

0:12:32.480 --> 0:12:33.880
<v Speaker 3>Because you're like, Yo, I'm gonna cut a hook, I'm

0:12:33.880 --> 0:12:35.400
<v Speaker 3>gonna cut a bridge, and I'm gonna just drop a

0:12:35.440 --> 0:12:36.160
<v Speaker 3>melody real quick.

0:12:36.160 --> 0:12:36.800
<v Speaker 4>I'm gonna fill it in.

0:12:36.840 --> 0:12:38.480
<v Speaker 3>But if it's like a verse, like you gotta kind

0:12:38.520 --> 0:12:41.200
<v Speaker 3>of try to put that that, I feel like people

0:12:41.200 --> 0:12:42.400
<v Speaker 3>got to start doing that ship again.

0:12:42.559 --> 0:12:44.360
<v Speaker 1>No, for sure, did you hear the artist back to

0:12:44.400 --> 0:12:45.320
<v Speaker 1>the basics sometimes?

0:12:45.360 --> 0:12:46.839
<v Speaker 4>Like j Co still writes on his ship.

0:12:47.640 --> 0:12:49.880
<v Speaker 3>You know, I'm sure Kendrick be writing yeah, has to.

0:12:49.960 --> 0:12:52.000
<v Speaker 3>There's no way Kendrick don't write yeah.

0:12:51.760 --> 0:12:54.200
<v Speaker 2>You know, come on, I'm pretty sure. I ain't saying

0:12:54.200 --> 0:12:56.280
<v Speaker 2>he don't never punch in, and but I'm saying, like,

0:12:57.800 --> 0:13:00.520
<v Speaker 2>kicking that ship? What got you so tapped in with

0:13:00.559 --> 0:13:07.240
<v Speaker 2>the Detroit ship man, the Troit just fucked with me

0:13:07.360 --> 0:13:12.199
<v Speaker 2>like they always just embraced Yeah, well, I've been Detroit

0:13:12.240 --> 0:13:15.080
<v Speaker 2>more than any place like the world for real, shout

0:13:15.080 --> 0:13:18.120
<v Speaker 2>out Peasy, uh team he saw Peasy from Detroit.

0:13:18.120 --> 0:13:20.640
<v Speaker 1>You feem me ghetto boys. He uh.

0:13:21.200 --> 0:13:23.199
<v Speaker 2>He was like one of the first first artists to

0:13:23.320 --> 0:13:25.400
<v Speaker 2>like reach out to me like that wasn't from here,

0:13:26.000 --> 0:13:29.240
<v Speaker 2>and he was just just basically telling him like like

0:13:29.280 --> 0:13:31.120
<v Speaker 2>I fun with your sound, Bro, like I really like

0:13:31.160 --> 0:13:32.680
<v Speaker 2>what you're doing. You got an image, like you know,

0:13:32.800 --> 0:13:35.760
<v Speaker 2>keep pushing, keep going. And then one of my an

0:13:35.920 --> 0:13:41.480
<v Speaker 2>r's he showed, uh, hell of a shout out. Hell yeah,

0:13:41.520 --> 0:13:46.320
<v Speaker 2>he showed. They showed hell ofa my song hell of

0:13:46.480 --> 0:13:49.760
<v Speaker 2>like flying out here like straight up, that was it was.

0:13:50.400 --> 0:13:51.080
<v Speaker 1>It was that fast.

0:13:51.120 --> 0:13:52.520
<v Speaker 2>I was supposed to out there for like a week,

0:13:53.080 --> 0:13:54.640
<v Speaker 2>like man, you gotta stay in another week.

0:13:54.920 --> 0:13:57.000
<v Speaker 1>They pushed my flight back. Me and Bro made a

0:13:57.000 --> 0:14:00.520
<v Speaker 1>whole album and then ship. Ever since then, it's just

0:14:00.559 --> 0:14:02.680
<v Speaker 1>like the troch has been you know my place like

0:14:02.679 --> 0:14:03.120
<v Speaker 1>you feel me.

0:14:03.160 --> 0:14:03.960
<v Speaker 4>I love it out there.

0:14:04.160 --> 0:14:09.079
<v Speaker 2>I got songs with everybody out there, Snapdog, Pero, Giovanni, Gmo, Stacks,

0:14:09.120 --> 0:14:10.280
<v Speaker 2>I have some skiller.

0:14:10.040 --> 0:14:13.880
<v Speaker 1>Baby, all them dudes. Bro, I really fuck with everybody?

0:14:15.400 --> 0:14:15.960
<v Speaker 4>Are you this?

0:14:16.640 --> 0:14:18.920
<v Speaker 3>What's the ot R debut album? Gonna sound like man?

0:14:19.000 --> 0:14:20.200
<v Speaker 3>And it's almost done.

0:14:20.800 --> 0:14:25.000
<v Speaker 2>The fucking album is done, straight up, The album is done.

0:14:25.440 --> 0:14:27.640
<v Speaker 2>We just we're putting the finishing touches on it. We

0:14:27.760 --> 0:14:29.920
<v Speaker 2>just gotta I have to get the fucking cover art mate.

0:14:30.360 --> 0:14:32.400
<v Speaker 2>I'm just getting all the little like intimits and pieces

0:14:32.440 --> 0:14:32.920
<v Speaker 2>done for real.

0:14:33.000 --> 0:14:33.920
<v Speaker 1>But everything is done.

0:14:33.920 --> 0:14:36.640
<v Speaker 2>All the songs is done, songs is turned in, the

0:14:36.720 --> 0:14:39.320
<v Speaker 2>album basically turned in for show mixing master all that.

0:14:39.440 --> 0:14:40.840
<v Speaker 1>I got some great features on there.

0:14:41.680 --> 0:14:45.400
<v Speaker 4>Can you reveal any for sure for you? I got

0:14:45.480 --> 0:14:48.640
<v Speaker 4>up Lefties on there, come on, of course.

0:14:49.480 --> 0:14:51.600
<v Speaker 1>I got Lefty and J three on one. You came

0:14:51.760 --> 0:14:53.080
<v Speaker 1>on on.

0:14:52.560 --> 0:14:54.800
<v Speaker 2>On one called Essays and the Woops. So if you'rell

0:14:54.840 --> 0:14:57.360
<v Speaker 2>familiar with the stupid, the stupid song that we did,

0:14:57.600 --> 0:15:00.880
<v Speaker 2>it's kind of like a stupid version part two type

0:15:00.920 --> 0:15:02.640
<v Speaker 2>ship you feel me, But we just called the Essays

0:15:02.640 --> 0:15:05.560
<v Speaker 2>and the Whoops. I got some ship on there with

0:15:05.680 --> 0:15:10.320
<v Speaker 2>Psy Shout out Peas again. I got something on.

0:15:10.320 --> 0:15:14.600
<v Speaker 4>There with young Hood, a young Hood from Doubts.

0:15:14.680 --> 0:15:18.520
<v Speaker 1>Yep, he artists, Yep, straight up.

0:15:18.520 --> 0:15:21.160
<v Speaker 4>He can freestyle, Bro, His freestyle game is crazy.

0:15:21.320 --> 0:15:24.320
<v Speaker 1>Yeah, man, Bro got some ship. We cooked that cooked banger.

0:15:24.960 --> 0:15:26.960
<v Speaker 3>He came up here and he rapped for like twelve

0:15:27.000 --> 0:15:28.320
<v Speaker 3>minutes straight off the top of his head.

0:15:28.360 --> 0:15:29.200
<v Speaker 4>That ship was insane.

0:15:29.400 --> 0:15:30.360
<v Speaker 1>No, I believe it too.

0:15:30.600 --> 0:15:32.640
<v Speaker 2>God, we had just well, I literally just got off

0:15:32.640 --> 0:15:34.600
<v Speaker 2>the phone him two days ago, just chopping up game.

0:15:34.680 --> 0:15:36.600
<v Speaker 4>Just yeah, I saw him. He just went viral south By.

0:15:37.320 --> 0:15:40.840
<v Speaker 2>Yeah, he was popping it talking ship O god hard

0:15:41.880 --> 0:15:44.920
<v Speaker 2>and I got my bro from from my label kto

0:15:45.160 --> 0:15:46.200
<v Speaker 2>he up and coming artist.

0:15:46.560 --> 0:15:46.760
<v Speaker 4>Bro.

0:15:47.200 --> 0:15:50.000
<v Speaker 1>He go crazy And I got lots l something.

0:15:50.040 --> 0:15:51.600
<v Speaker 2>I don't want to say it before I said I

0:15:51.600 --> 0:15:53.160
<v Speaker 2>got loads l something on there from.

0:15:53.000 --> 0:15:55.120
<v Speaker 1>The rack some features.

0:15:55.120 --> 0:15:56.520
<v Speaker 2>I got like two three more on there two. I

0:15:56.520 --> 0:15:58.240
<v Speaker 2>just can't think of everybody's name right now. I got

0:15:58.240 --> 0:15:59.760
<v Speaker 2>like at least seven eight features on there.

0:15:59.720 --> 0:16:03.240
<v Speaker 4>Fire, J three and Lefty, I like it. I just

0:16:03.280 --> 0:16:04.880
<v Speaker 4>saw J three with Playboy Cardi.

0:16:05.840 --> 0:16:09.160
<v Speaker 1>Man, Playboy Cardi bandlocked in with us. You feel me?

0:16:09.200 --> 0:16:09.400
<v Speaker 3>Yeah?

0:16:09.560 --> 0:16:12.560
<v Speaker 1>Man, this shit get deep. This ship run a long

0:16:12.640 --> 0:16:14.960
<v Speaker 1>way on God Free g wee man Free Weed.

0:16:15.280 --> 0:16:15.480
<v Speaker 2>Yeah.

0:16:15.680 --> 0:16:18.320
<v Speaker 4>Like oh, ship likes play with Cardid, a bunch of guys.

0:16:18.720 --> 0:16:20.680
<v Speaker 2>Him and J three got in a real relationship. That

0:16:20.680 --> 0:16:22.440
<v Speaker 2>sh it ain't just rap. Like they really fuck with

0:16:22.440 --> 0:16:22.760
<v Speaker 2>each other.

0:16:22.800 --> 0:16:24.320
<v Speaker 1>That's true. They really homies.

0:16:24.360 --> 0:16:24.520
<v Speaker 2>You know.

0:16:24.600 --> 0:16:26.520
<v Speaker 1>I never met Cardi, but I was crazy.

0:16:26.560 --> 0:16:29.600
<v Speaker 3>Shout out to bron he got a crazy crazy movement

0:16:29.600 --> 0:16:29.960
<v Speaker 3>going right.

0:16:31.880 --> 0:16:32.160
<v Speaker 4>Yo.

0:16:32.360 --> 0:16:35.200
<v Speaker 3>Uh we for you man, I heard you you lost

0:16:35.200 --> 0:16:38.040
<v Speaker 3>your brother last year. Yeah, how hard is that to

0:16:38.080 --> 0:16:39.800
<v Speaker 3>deal with? Man, I can only imagine like getting to

0:16:39.880 --> 0:16:40.800
<v Speaker 3>the grief of that situation.

0:16:41.280 --> 0:16:42.280
<v Speaker 4>Probably still shop.

0:16:42.360 --> 0:16:43.560
<v Speaker 1>I'm still grieving for Show.

0:16:43.640 --> 0:16:46.520
<v Speaker 2>But should I just be trying to keep my head on,

0:16:46.600 --> 0:16:48.480
<v Speaker 2>you know, and just push for bro, you feel me

0:16:48.600 --> 0:16:50.440
<v Speaker 2>like at the end of the day, you know, I'll

0:16:50.480 --> 0:16:54.720
<v Speaker 2>just be trying to sometimes, Like my cousin told me,

0:16:54.760 --> 0:16:56.960
<v Speaker 2>some real ship, like you either gonna drown in that

0:16:57.000 --> 0:16:58.800
<v Speaker 2>ship or you're gonna have to like put that fuel

0:16:58.800 --> 0:16:59.640
<v Speaker 2>to your fire.

0:16:59.480 --> 0:17:01.920
<v Speaker 3>Yeah, or you use it to That's the thing. People

0:17:01.960 --> 0:17:04.800
<v Speaker 3>either get lost in that kind of like tragedy and

0:17:04.920 --> 0:17:06.720
<v Speaker 3>let it become their identity for.

0:17:06.720 --> 0:17:08.960
<v Speaker 1>Shure or that's what I use it.

0:17:09.040 --> 0:17:11.000
<v Speaker 2>But you gotta, like I said, you gotta get back

0:17:11.040 --> 0:17:14.280
<v Speaker 2>to self sometimes, like and even though like you know,

0:17:14.359 --> 0:17:17.359
<v Speaker 2>you ain't gonna always you ain't gonna always want to

0:17:17.440 --> 0:17:20.480
<v Speaker 2>put on a fake's mouth for the tramra or you know,

0:17:20.560 --> 0:17:23.280
<v Speaker 2>fell away. But when everybody looking at you and you

0:17:23.280 --> 0:17:26.080
<v Speaker 2>you know, you the one, like everybody betting on you,

0:17:26.080 --> 0:17:28.840
<v Speaker 2>you can't really like slip. You know, you can't show

0:17:28.880 --> 0:17:31.120
<v Speaker 2>them that even when you ain't feeling it her when

0:17:31.119 --> 0:17:33.359
<v Speaker 2>you fucked up real you can't show them that. So

0:17:33.400 --> 0:17:35.359
<v Speaker 2>it's like and then my brother we got kids. I

0:17:35.359 --> 0:17:37.040
<v Speaker 2>got a son, My brother got a daughter, Like I

0:17:37.080 --> 0:17:38.080
<v Speaker 2>gotta be there for my niece.

0:17:38.160 --> 0:17:40.440
<v Speaker 4>He now you're damn near. Now you damn near the dad.

0:17:41.560 --> 0:17:43.680
<v Speaker 2>For show, And I gotta you know, I always been

0:17:43.720 --> 0:17:45.080
<v Speaker 2>like the backbone of my family.

0:17:45.119 --> 0:17:47.439
<v Speaker 1>Like I'm the youngest of my siblings. So it's like,

0:17:48.040 --> 0:17:49.280
<v Speaker 1>that's my only brother.

0:17:49.160 --> 0:17:51.080
<v Speaker 4>So you're forced to be the young og kind of

0:17:51.160 --> 0:17:51.440
<v Speaker 4>you know.

0:17:51.480 --> 0:17:53.200
<v Speaker 1>For sure on God for show for sure.

0:17:53.240 --> 0:17:56.080
<v Speaker 2>But that's like he already know he watching down him

0:17:56.119 --> 0:17:58.920
<v Speaker 2>and my granny, My all my loved ones that's gone.

0:17:58.960 --> 0:17:59.640
<v Speaker 1>They see this ship.

0:17:59.680 --> 0:18:02.239
<v Speaker 2>Even they pushed with me every day. So I had

0:18:02.280 --> 0:18:03.720
<v Speaker 2>to just get out of that ship through and just

0:18:04.280 --> 0:18:04.880
<v Speaker 2>snap back.

0:18:05.040 --> 0:18:07.440
<v Speaker 1>But it'll fuck you up though. I still I'm still

0:18:07.440 --> 0:18:09.800
<v Speaker 1>a grieving today. Imagine I'm still agreeving today.

0:18:10.080 --> 0:18:12.879
<v Speaker 4>What do you take away from?

0:18:12.920 --> 0:18:14.760
<v Speaker 3>And I don't want to get into the specifics too much,

0:18:14.840 --> 0:18:18.520
<v Speaker 3>but you know this, uh, all this stuff happening in

0:18:18.640 --> 0:18:21.520
<v Speaker 3>LA with people getting hit because of the podcast appearances

0:18:21.560 --> 0:18:23.400
<v Speaker 3>and certain man.

0:18:23.280 --> 0:18:25.360
<v Speaker 1>Ain't nobody telling them, people to telling themselves.

0:18:25.400 --> 0:18:27.960
<v Speaker 4>But then it's it's a wild time, right, It's it's

0:18:28.000 --> 0:18:28.840
<v Speaker 4>it's kind of crazy.

0:18:29.000 --> 0:18:31.000
<v Speaker 1>You get on this motherfucker you. You don't got to

0:18:31.040 --> 0:18:31.639
<v Speaker 1>answer nothing you.

0:18:32.040 --> 0:18:33.320
<v Speaker 4>Say this, bro, I will tell you this.

0:18:33.600 --> 0:18:35.560
<v Speaker 3>With all this ship was going on, I'm like, man,

0:18:35.600 --> 0:18:37.439
<v Speaker 3>I'm just so glad I don't I don't play in

0:18:37.440 --> 0:18:38.600
<v Speaker 3>the weeds with none of that ship.

0:18:38.720 --> 0:18:41.639
<v Speaker 1>Nah, straight up, And and I like that. And you

0:18:41.800 --> 0:18:42.840
<v Speaker 1>gona you don't.

0:18:43.080 --> 0:18:46.000
<v Speaker 2>You gonna list longer than motherfuckers because motherfucker don't want

0:18:46.000 --> 0:18:47.600
<v Speaker 2>to come back and fuck with you.

0:18:47.760 --> 0:18:49.600
<v Speaker 3>That's That's the one thing is I always tell people.

0:18:49.600 --> 0:18:52.640
<v Speaker 3>I'm like, man, like I'll take shit out, you know.

0:18:53.160 --> 0:18:55.440
<v Speaker 1>When it's crazy. I was just talking to my old head.

0:18:55.520 --> 0:18:57.359
<v Speaker 2>Not to cut you off, but he was just saying

0:18:57.400 --> 0:18:59.320
<v Speaker 2>and motherfuckers waiting on you to say some crazy shit

0:18:59.359 --> 0:19:00.000
<v Speaker 2>on get.

0:18:59.880 --> 0:19:01.960
<v Speaker 3>So they could put it out and click bait you

0:19:02.040 --> 0:19:03.159
<v Speaker 3>and then now you're fucked.

0:19:03.320 --> 0:19:03.520
<v Speaker 1>Yeah.

0:19:03.600 --> 0:19:05.320
<v Speaker 3>But like, look, I'm not even trying to shoot on

0:19:05.320 --> 0:19:06.480
<v Speaker 3>Adam because Adam is my friend.

0:19:06.480 --> 0:19:08.960
<v Speaker 4>And you know, I think, are you speaking real ship?

0:19:09.040 --> 0:19:11.600
<v Speaker 3>Adam's got his business model and what he's comfortable with

0:19:11.680 --> 0:19:12.359
<v Speaker 3>doing for sure.

0:19:12.480 --> 0:19:15.040
<v Speaker 4>I just know, like when all this ship is happening.

0:19:14.840 --> 0:19:18.119
<v Speaker 3>I'm like, bro, I'm just I'm over here, like yep,

0:19:18.560 --> 0:19:20.560
<v Speaker 3>come on, I fucking with nothing.

0:19:21.320 --> 0:19:24.600
<v Speaker 2>You don't get it the regular organic way you feel like,

0:19:25.560 --> 0:19:27.400
<v Speaker 2>way like a nigga ain't trying to If we don't

0:19:27.400 --> 0:19:29.000
<v Speaker 2>go viral with this bitch, we don't go voral.

0:19:29.080 --> 0:19:30.359
<v Speaker 4>It is what it is, you feel me.

0:19:30.480 --> 0:19:32.679
<v Speaker 1>We ain't pressing, fishing viral straight up.

0:19:32.720 --> 0:19:34.960
<v Speaker 2>And that's but that's why nigga's going. I could drop

0:19:34.960 --> 0:19:37.200
<v Speaker 2>a song today tomorrow brow and blow up. I'm always

0:19:37.200 --> 0:19:38.840
<v Speaker 2>come back and fuck with you for that because it's

0:19:38.840 --> 0:19:40.840
<v Speaker 2>like he ain't trying to put me in a trick bag,

0:19:40.920 --> 0:19:41.080
<v Speaker 2>you know.

0:19:41.400 --> 0:19:45.720
<v Speaker 3>Yeah, And it's almost like that same type of approach

0:19:45.800 --> 0:19:47.240
<v Speaker 3>some artists us with their music.

0:19:47.280 --> 0:19:49.080
<v Speaker 4>They're like, how can I go viral with this song?

0:19:49.080 --> 0:19:51.720
<v Speaker 4>As opposed to niggas be publicity? How can I make

0:19:51.760 --> 0:19:52.399
<v Speaker 4>a good song?

0:19:52.560 --> 0:19:55.159
<v Speaker 3>It's like let me, let me make some like you know,

0:19:55.280 --> 0:19:57.600
<v Speaker 3>let me make some ship that's gonna stir up some

0:19:57.640 --> 0:19:58.280
<v Speaker 3>ship online.

0:19:58.280 --> 0:20:00.520
<v Speaker 2>And yeah, for sure, I feel like if I don't

0:20:00.520 --> 0:20:03.640
<v Speaker 2>go viral, just either me like you know, like either

0:20:03.680 --> 0:20:06.040
<v Speaker 2>me going off my image or my music. Like I

0:20:06.080 --> 0:20:08.199
<v Speaker 2>won't probably go viral because I'm not like with the

0:20:08.240 --> 0:20:09.480
<v Speaker 2>publicity stunt ship.

0:20:09.600 --> 0:20:12.439
<v Speaker 3>What you gotta focus on is like the longevity for

0:20:12.800 --> 0:20:15.560
<v Speaker 3>like yo, I might not get there first, but I'm

0:20:15.600 --> 0:20:16.840
<v Speaker 3>gonna get there and I'm gonna last.

0:20:17.119 --> 0:20:19.280
<v Speaker 2>I feel like nobody from the West blows up that

0:20:19.359 --> 0:20:21.000
<v Speaker 2>fast though, like we all kind of got like a

0:20:21.040 --> 0:20:22.040
<v Speaker 2>slow and steady race.

0:20:22.240 --> 0:20:23.440
<v Speaker 1>I feel like the only one that.

0:20:23.480 --> 0:20:26.560
<v Speaker 2>Kind of took off Hella fast and I'm not even

0:20:26.560 --> 0:20:27.520
<v Speaker 2>gonna say hello fast.

0:20:27.560 --> 0:20:28.720
<v Speaker 1>But was like Draco.

0:20:29.520 --> 0:20:33.080
<v Speaker 2>Yeah, maybe Racco took off Hello fast like he had

0:20:33.119 --> 0:20:34.639
<v Speaker 2>like a couple of Probably he probably had like three

0:20:34.760 --> 0:20:37.000
<v Speaker 2>or four years without him blowing up, and then after

0:20:37.040 --> 0:20:37.880
<v Speaker 2>that he was out of there.

0:20:38.040 --> 0:20:41.320
<v Speaker 1>Look out long, YG been rappings.

0:20:41.840 --> 0:20:45.360
<v Speaker 3>Blast was around for people don't realize Blast was a problem.

0:20:45.760 --> 0:20:48.520
<v Speaker 3>You feel me like I grew up around for a

0:20:48.520 --> 0:20:49.000
<v Speaker 3>long time.

0:20:49.240 --> 0:20:49.760
<v Speaker 1>I grew up.

0:20:49.720 --> 0:20:52.240
<v Speaker 2>Listening like when I was in elementary like you feel me, Jake,

0:20:53.320 --> 0:20:56.719
<v Speaker 2>Joe Moses YG problem like this was the niggas like

0:20:57.240 --> 0:21:00.240
<v Speaker 2>you got in middle school, like t Flop, LIKEE was

0:21:00.240 --> 0:21:02.680
<v Speaker 2>the legend they had they like everybody had they time

0:21:02.680 --> 0:21:04.200
<v Speaker 2>and they way if you feel I'm saying so, it's

0:21:04.240 --> 0:21:05.760
<v Speaker 2>like I just feel like when it comes to the

0:21:05.760 --> 0:21:08.760
<v Speaker 2>West Coast, like we don't push each other enough, right,

0:21:09.160 --> 0:21:11.120
<v Speaker 2>we we pushed the niggas.

0:21:11.119 --> 0:21:12.000
<v Speaker 1>That's not from out here.

0:21:12.040 --> 0:21:14.480
<v Speaker 2>Morning, we push each other, Like I don't want to

0:21:14.520 --> 0:21:16.720
<v Speaker 2>put no names on nothing, but out of town artists

0:21:16.720 --> 0:21:19.480
<v Speaker 2>could drop an album today and the niggas out here

0:21:19.480 --> 0:21:22.600
<v Speaker 2>posting it, the bitches out here posting it, everybody listening

0:21:22.600 --> 0:21:25.080
<v Speaker 2>to a vibe into it. Let us let another LA

0:21:25.160 --> 0:21:27.800
<v Speaker 2>artists drop man only motherfuckers that's posting that Sally, it's

0:21:27.840 --> 0:21:30.880
<v Speaker 2>either his camp or the hoodie from or his day

0:21:30.960 --> 0:21:33.760
<v Speaker 2>one down supporters like it ain't the love don't be pure?

0:21:33.800 --> 0:21:35.840
<v Speaker 3>Yeah, I just feel like sometimes in LA, like there's

0:21:35.840 --> 0:21:37.520
<v Speaker 3>obviously the politics aspect of it.

0:21:37.520 --> 0:21:38.160
<v Speaker 1>That kills us.

0:21:38.920 --> 0:21:41.480
<v Speaker 4>It does every time it can get in the way,

0:21:41.520 --> 0:21:42.520
<v Speaker 4>for sure, No, every.

0:21:42.320 --> 0:21:45.680
<v Speaker 2>Time it kills us. Little do we know every time? Bro,

0:21:45.760 --> 0:21:48.280
<v Speaker 2>Like even when it's not seen and it might not

0:21:48.640 --> 0:21:49.560
<v Speaker 2>be behind the camera.

0:21:49.480 --> 0:21:51.040
<v Speaker 3>It might not even be the main artists who are

0:21:51.080 --> 0:21:53.320
<v Speaker 3>on that ship. But this is like the crew or

0:21:53.359 --> 0:21:55.680
<v Speaker 3>the management or whoever, Like the people don't even realize

0:21:55.720 --> 0:21:56.000
<v Speaker 3>that shit.

0:21:56.240 --> 0:21:58.280
<v Speaker 1>You don't realize until you start moving around, Like like

0:21:58.359 --> 0:21:58.920
<v Speaker 1>you said.

0:21:58.720 --> 0:22:00.200
<v Speaker 4>Like I always say, like like.

0:22:00.119 --> 0:22:02.679
<v Speaker 3>There's a like we never got to hear and it

0:22:02.760 --> 0:22:05.679
<v Speaker 3>never would have happened, probably, but I always wanted to

0:22:05.680 --> 0:22:09.239
<v Speaker 3>hear and I never knew why it never happened. But

0:22:09.320 --> 0:22:12.040
<v Speaker 3>Schoolboy Q and Nipsey not doing a record together while

0:22:12.040 --> 0:22:14.280
<v Speaker 3>they were alive is insane because.

0:22:14.080 --> 0:22:16.120
<v Speaker 4>They're both like legends and they were both coming.

0:22:15.880 --> 0:22:20.120
<v Speaker 3>Out and tell you, I know why since I moved

0:22:20.160 --> 0:22:23.199
<v Speaker 3>to LA and I was like, Oh, that's not to

0:22:23.240 --> 0:22:24.760
<v Speaker 3>say that they didn't want to work together.

0:22:24.840 --> 0:22:26.600
<v Speaker 1>Yeah, but it's like they just can't.

0:22:26.680 --> 0:22:26.879
<v Speaker 4>You know.

0:22:27.160 --> 0:22:31.560
<v Speaker 2>It's like there's just circulation protocol exactly.

0:22:31.560 --> 0:22:33.879
<v Speaker 3>There's just certain ship where it's like if you know,

0:22:33.920 --> 0:22:35.439
<v Speaker 3>you know, like, well, damn, this artist is probably never

0:22:35.480 --> 0:22:37.320
<v Speaker 3>gonna work with this artist, like real shit.

0:22:37.240 --> 0:22:39.760
<v Speaker 1>Like you can't. Yeah, that's fucked up though.

0:22:39.960 --> 0:22:41.320
<v Speaker 3>Yeah, and that's why I think it's kind of cool,

0:22:41.359 --> 0:22:43.600
<v Speaker 3>like some of the younger artists, like uh, seem to

0:22:43.600 --> 0:22:46.679
<v Speaker 3>be just kind of like trying to bridge, trying you

0:22:46.720 --> 0:22:49.240
<v Speaker 3>know for sure. So that's what you know. I think

0:22:49.240 --> 0:22:51.280
<v Speaker 3>there's some some light at the end of the tunnel

0:22:51.320 --> 0:22:51.920
<v Speaker 3>with that ship.

0:22:51.800 --> 0:22:56.240
<v Speaker 1>For sure's trying. It just be hard, Yeah, it'd be hard.

0:22:56.440 --> 0:22:58.400
<v Speaker 4>Yeah, when is your album coming out?

0:22:58.680 --> 0:22:59.120
<v Speaker 1>Oh?

0:22:59.119 --> 0:23:01.320
<v Speaker 2>Man, I ain't gonna lie. I keep telling the motherfuckers.

0:23:01.760 --> 0:23:02.760
<v Speaker 2>I said February.

0:23:02.880 --> 0:23:05.560
<v Speaker 1>Now I'm saying Mark March is over three days. I

0:23:05.600 --> 0:23:07.760
<v Speaker 1>just want to say April.

0:23:07.960 --> 0:23:09.800
<v Speaker 4>April's in like four days, five days.

0:23:09.800 --> 0:23:15.040
<v Speaker 2>It's driving though that calls tears, blood swim tears. I

0:23:15.400 --> 0:23:17.720
<v Speaker 2>got fifteen songs on there, oudn't dropped. I put five

0:23:17.760 --> 0:23:19.600
<v Speaker 2>more on there for y'all. First, I was only gonna

0:23:19.600 --> 0:23:22.600
<v Speaker 2>put ten. I put fifteen on there. I plan on

0:23:22.640 --> 0:23:24.440
<v Speaker 2>shooting the video damn near everyone.

0:23:24.680 --> 0:23:27.560
<v Speaker 3>So wo's it been like working with OTR and Solace

0:23:27.560 --> 0:23:30.600
<v Speaker 3>because I fuck I got a crazy independent wave going

0:23:30.680 --> 0:23:31.040
<v Speaker 3>right now.

0:23:31.400 --> 0:23:33.439
<v Speaker 2>Man, I fuck with all to your bro straight up,

0:23:33.480 --> 0:23:34.800
<v Speaker 2>like it ain't been nothing but love.

0:23:35.640 --> 0:23:37.840
<v Speaker 1>Man and Solas. We click like you feel me. Me

0:23:37.920 --> 0:23:38.240
<v Speaker 1>and Bro.

0:23:38.720 --> 0:23:42.159
<v Speaker 2>We have real life conversations outside of the business, like

0:23:42.800 --> 0:23:45.040
<v Speaker 2>there's good business too. Yeah, we care about each other

0:23:45.040 --> 0:23:47.360
<v Speaker 2>well being and ship like that just really became my home,

0:23:47.640 --> 0:23:49.840
<v Speaker 2>like you feel me out And it's crazy because Man

0:23:49.920 --> 0:23:51.800
<v Speaker 2>Solas click fast like I said I was, I got

0:23:51.840 --> 0:23:57.400
<v Speaker 2>introduced bright Neil, But Man, Sola's just been like we've

0:23:57.400 --> 0:23:58.760
<v Speaker 2>been with it like you find me. I've been in

0:23:58.760 --> 0:23:59.240
<v Speaker 2>the studio.

0:23:59.240 --> 0:24:01.639
<v Speaker 1>Bro pulled up, come work with me.

0:24:01.680 --> 0:24:04.239
<v Speaker 2>Shout out my brose Uh he's an engineer over there,

0:24:04.320 --> 0:24:07.359
<v Speaker 2>o tr bro mixing master of my ship. Like everybody

0:24:07.359 --> 0:24:09.200
<v Speaker 2>trying to keep everything in house. You feel what I'm saying.

0:24:10.400 --> 0:24:13.240
<v Speaker 2>We got Siscatto on the camera, you feel me. We

0:24:13.359 --> 0:24:16.119
<v Speaker 2>got Pete on the camera, We got shooters on the camera.

0:24:16.520 --> 0:24:19.080
<v Speaker 2>My relative got X two filmed it. He Finla come

0:24:19.160 --> 0:24:21.840
<v Speaker 2>through squad. We trust you feel me. We got all

0:24:21.880 --> 0:24:23.479
<v Speaker 2>type of shit going on with O Tiar though, like

0:24:23.480 --> 0:24:25.520
<v Speaker 2>O tr really do fuck with me. And we got

0:24:25.520 --> 0:24:26.399
<v Speaker 2>two projects dropping.

0:24:26.440 --> 0:24:27.399
<v Speaker 4>I just want dope.

0:24:27.440 --> 0:24:29.320
<v Speaker 1>We got two projects dropping. I put that out here

0:24:29.359 --> 0:24:30.000
<v Speaker 1>on it too.

0:24:29.920 --> 0:24:30.719
<v Speaker 4>So there it is.

0:24:30.760 --> 0:24:31.520
<v Speaker 1>Just do it well.

0:24:31.560 --> 0:24:33.520
<v Speaker 3>I appreciate you pulling up man Labrorn to know where

0:24:33.520 --> 0:24:34.719
<v Speaker 3>they can find you on Instagram?

0:24:34.880 --> 0:24:39.800
<v Speaker 1>Why is thirty shot underscore underscore on Instagram? Uh? Well,

0:24:40.520 --> 0:24:45.560
<v Speaker 1>what's that? What? Twitter? X whatever? Official wires? Thirty shot

0:24:45.920 --> 0:24:48.520
<v Speaker 1>YouTube ys? You feel me? So yeah, y'all know why

0:24:48.720 --> 0:24:49.960
<v Speaker 1>thirty I'm here there.

0:24:49.960 --> 0:24:53.320
<v Speaker 4>It is Man album coming in probably, let's be honest,

0:24:53.480 --> 0:24:55.520
<v Speaker 4>but maybe maybe April April.

0:24:55.640 --> 0:24:57.800
<v Speaker 1>Hey quote me on this. Hey y'all seeing this, y'all

0:24:57.840 --> 0:24:59.200
<v Speaker 1>watching this ship April.

0:24:58.880 --> 0:25:03.280
<v Speaker 4>Sounds to me there it is perfect