1
00:00:00,440 --> 00:00:03,080
Speaker 1: Yo, yo yo. Welcome to another episode. If it's up

2
00:00:03,120 --> 00:00:06,440
Speaker 1: that podcast, I am your active and attractive host for

3
00:00:06,519 --> 00:00:10,119
Speaker 1: another episode of the fastest growing podcasts in the world.

4
00:00:10,200 --> 00:00:13,840
Speaker 1: Right now, Listen to Vibes is how vibrations always high

5
00:00:13,840 --> 00:00:18,640
Speaker 1: and big, homing on every part of the world today.

6
00:00:19,120 --> 00:00:21,439
Speaker 1: I have someone man that I was looking forward to

7
00:00:21,480 --> 00:00:24,520
Speaker 1: speak with. He's a force to be wrecking with in

8
00:00:24,560 --> 00:00:27,760
Speaker 1: this comedic world. I got the homie nav Green. What's

9
00:00:27,760 --> 00:00:28,600
Speaker 1: going on? My brother?

10
00:00:28,680 --> 00:00:29,520
Speaker 2: What it do? Man?

11
00:00:30,120 --> 00:00:32,839
Speaker 1: Pleasure to be here, man, appreciate that, brother, Sure, I

12
00:00:32,880 --> 00:00:35,640
Speaker 1: appreciate that. You know you you in this game. It's content.

13
00:00:35,680 --> 00:00:38,880
Speaker 1: Game is some motherfucker man. Yah.

14
00:00:39,720 --> 00:00:41,199
Speaker 2: I feel like it could it could go.

15
00:00:41,400 --> 00:00:43,960
Speaker 3: It could drain you at times, and then I feel

16
00:00:43,960 --> 00:00:46,000
Speaker 3: like you got to get rejuvenated with it too. You

17
00:00:46,040 --> 00:00:48,440
Speaker 3: do sometimes just take a break like and when I

18
00:00:48,479 --> 00:00:51,800
Speaker 3: say a break, like a mental break like live life too,

19
00:00:52,280 --> 00:00:54,520
Speaker 3: so you can have something to talk about it even do.

20
00:00:55,440 --> 00:00:57,320
Speaker 1: Is that how you draw your shit up? Yeah?

21
00:00:57,360 --> 00:00:59,959
Speaker 3: Because I was noticing like sometime we come off the wrong,

22
00:01:00,200 --> 00:01:04,040
Speaker 3: we might go I'm back doing something work related. I

23
00:01:04,080 --> 00:01:07,080
Speaker 3: ain't had time to like get no, you know what

24
00:01:07,120 --> 00:01:07,480
Speaker 3: I mean?

25
00:01:07,640 --> 00:01:10,320
Speaker 1: Yeah, and only love us content creators can understand that

26
00:01:10,360 --> 00:01:13,080
Speaker 1: because you pulled from literally your soul with.

27
00:01:13,000 --> 00:01:15,920
Speaker 3: This right real life is not saying I'm getting material

28
00:01:16,040 --> 00:01:20,200
Speaker 3: from my family, but I gotta be around my family experience, Yeah,

29
00:01:20,360 --> 00:01:22,480
Speaker 3: just to know what's going on in the world. And

30
00:01:22,520 --> 00:01:25,160
Speaker 3: when I say the world, like what what going on

31
00:01:25,319 --> 00:01:30,000
Speaker 3: like in the city, like going through you feel I

32
00:01:30,000 --> 00:01:32,399
Speaker 3: can't do that if all I'm doing is around the

33
00:01:32,440 --> 00:01:35,600
Speaker 3: work around people with money, Yeah, because they don't know

34
00:01:35,640 --> 00:01:36,160
Speaker 3: the struggle.

35
00:01:37,600 --> 00:01:40,360
Speaker 1: Yeah, that's why. And sometimes you can feel like you

36
00:01:40,440 --> 00:01:43,160
Speaker 1: call in between this thing. You be like, why ain't

37
00:01:43,160 --> 00:01:45,280
Speaker 1: broken enough to be in the hood every day, but

38
00:01:45,319 --> 00:01:47,000
Speaker 1: I ain't rich enough to be in the birds and

39
00:01:47,319 --> 00:01:51,240
Speaker 1: why You're right, you know what I'm saying. So you

40
00:01:51,280 --> 00:01:54,320
Speaker 1: get stuck in the middle of That's why nigga feel alienated.

41
00:01:54,360 --> 00:01:57,720
Speaker 1: And now I'm trying to figure out why people say

42
00:01:57,760 --> 00:02:00,520
Speaker 1: this is lonely at the top ship. I don't think

43
00:02:00,600 --> 00:02:03,680
Speaker 1: it's because. I think it's because to get to the top,

44
00:02:03,800 --> 00:02:07,760
Speaker 1: you gotta sad so much skin that it's like, damn

45
00:02:07,760 --> 00:02:11,640
Speaker 1: where everybody you look around, Damn where everybody go, And

46
00:02:11,680 --> 00:02:12,960
Speaker 1: that's where you disconnected it.

47
00:02:13,280 --> 00:02:15,600
Speaker 3: And then cause it's like what you just saying that

48
00:02:15,919 --> 00:02:18,680
Speaker 3: it's some shit that like, I can't keep being around

49
00:02:18,720 --> 00:02:21,320
Speaker 3: this type of shit, though, but sometimes I need to

50
00:02:21,360 --> 00:02:22,120
Speaker 3: come around it.

51
00:02:22,200 --> 00:02:24,520
Speaker 1: Just for to speak on behalf of this kind of.

52
00:02:24,480 --> 00:02:28,280
Speaker 2: Shitpeak on behalf of that shit, and then got damn motivate.

53
00:02:27,840 --> 00:02:31,320
Speaker 1: Me some more to never go back. I come from

54
00:02:31,360 --> 00:02:34,560
Speaker 1: that well what yeah, so yeah, And I think, like

55
00:02:35,080 --> 00:02:39,200
Speaker 1: we was talking man, for me content creation. I look

56
00:02:39,240 --> 00:02:42,240
Speaker 1: at podcasts, man, and this is this is deep. But

57
00:02:42,320 --> 00:02:45,800
Speaker 1: I look at it like almost like the Bible. I

58
00:02:45,840 --> 00:02:49,680
Speaker 1: look at it like life experiences and stories. Right, some

59
00:02:49,760 --> 00:02:52,760
Speaker 1: of them are lessons, some of them are experiences. You

60
00:02:52,840 --> 00:02:54,840
Speaker 1: may see me sit down with a drug dealer they

61
00:02:54,919 --> 00:02:57,400
Speaker 1: did twenty years. You may see me sit down with

62
00:02:57,440 --> 00:03:00,520
Speaker 1: a doctor that been saving lives for twenty years. I'm

63
00:03:00,560 --> 00:03:03,440
Speaker 1: talking to him about his experiences. I'm talking to him

64
00:03:03,480 --> 00:03:06,120
Speaker 1: about his lessons. You see what I'm saying. So the

65
00:03:06,160 --> 00:03:08,919
Speaker 1: podcast thing, to me is what I always try to

66
00:03:09,040 --> 00:03:12,440
Speaker 1: leave something like somebody gonna watch this and gain something

67
00:03:12,440 --> 00:03:15,520
Speaker 1: from you, just on like damn, what neff? How the

68
00:03:15,520 --> 00:03:18,320
Speaker 1: fuck he did that? Here's something I want to start

69
00:03:18,360 --> 00:03:20,079
Speaker 1: talking to talk to you about. Have you ever been

70
00:03:20,120 --> 00:03:22,880
Speaker 1: in a movie? Yeah? I saw you in a few,

71
00:03:22,919 --> 00:03:24,800
Speaker 1: but for the people who don't know, tell them the

72
00:03:24,840 --> 00:03:25,880
Speaker 1: movies you've been in.

73
00:03:26,240 --> 00:03:26,840
Speaker 2: I'd have been in.

74
00:03:28,280 --> 00:03:31,000
Speaker 3: I'm gonna say coming to America to our talk, but

75
00:03:31,400 --> 00:03:34,960
Speaker 3: you know what I'm saying, the role. That's when I

76
00:03:35,040 --> 00:03:37,400
Speaker 3: understood how movies work, though, i'ma be honest with you,

77
00:03:37,680 --> 00:03:41,520
Speaker 3: because like we was on set so many days and

78
00:03:41,560 --> 00:03:44,920
Speaker 3: then when they start editing that shit, my part got

79
00:03:45,000 --> 00:03:48,120
Speaker 3: smaller and smaller and smaller. But then from the bigger,

80
00:03:49,160 --> 00:03:52,840
Speaker 3: bigger scale of it, they edited a lot of the

81
00:03:52,880 --> 00:03:54,760
Speaker 3: other movie out. But I'm looking at it from my

82
00:03:54,840 --> 00:03:56,840
Speaker 3: point like, damn, I wanted this to be this and

83
00:03:57,000 --> 00:03:59,520
Speaker 3: wanted this to be that, when sometimes it's just all

84
00:03:59,600 --> 00:04:02,520
Speaker 3: about like would you just say a lesson in that.

85
00:04:02,400 --> 00:04:05,560
Speaker 1: Right and then you building resume? Yeah, so getting on,

86
00:04:05,760 --> 00:04:09,120
Speaker 1: getting on, coming to America. How did that come about? Uh?

87
00:04:09,240 --> 00:04:13,600
Speaker 3: We had audition. I had audition for another role. So

88
00:04:14,600 --> 00:04:17,600
Speaker 3: the first thing aud audition with who though where at

89
00:04:17,880 --> 00:04:21,840
Speaker 3: La No, it was in that in Atlanta. Wow, So

90
00:04:21,880 --> 00:04:23,719
Speaker 3: Atlanta's having those kind of auditions.

91
00:04:23,800 --> 00:04:26,360
Speaker 2: Yeah. So the first audition was.

92
00:04:27,880 --> 00:04:29,920
Speaker 3: A role that Tracy Morgan got, But at the time,

93
00:04:29,960 --> 00:04:31,160
Speaker 3: I don't know who got the role.

94
00:04:31,880 --> 00:04:32,480
Speaker 1: I was it for.

95
00:04:33,720 --> 00:04:34,480
Speaker 2: He was the uncle.

96
00:04:34,960 --> 00:04:37,279
Speaker 1: Okay, it was in the same movie. Yeah, the same Okay,

97
00:04:37,320 --> 00:04:40,280
Speaker 1: So you came to audition for Coming to America and

98
00:04:40,320 --> 00:04:42,080
Speaker 1: then that role they just said.

99
00:04:42,640 --> 00:04:45,320
Speaker 3: So I did the uncle role. Then I didn't get that.

100
00:04:45,760 --> 00:04:48,360
Speaker 3: So then they came back and like it was an

101
00:04:48,360 --> 00:04:51,760
Speaker 3: audition for a cousin. So that's when all the comedians

102
00:04:51,760 --> 00:04:54,799
Speaker 3: in Atlanta all us in there. So I'm looking around

103
00:04:54,800 --> 00:04:58,400
Speaker 3: the room. I'm being under Desi Banks was in there.

104
00:04:59,360 --> 00:05:03,120
Speaker 3: They had Disney bangs, they had laugh Love, they had man,

105
00:05:03,200 --> 00:05:05,279
Speaker 3: any comedian that's in Atlanta.

106
00:05:04,800 --> 00:05:07,039
Speaker 2: They run to get that. We was in there.

107
00:05:07,600 --> 00:05:09,440
Speaker 3: So I'm looking around the room, And to be honest

108
00:05:09,440 --> 00:05:12,880
Speaker 3: with you, I was like, Bro, I said, all these

109
00:05:12,920 --> 00:05:14,120
Speaker 3: motherfuckers in shape.

110
00:05:15,240 --> 00:05:18,200
Speaker 2: I said, they're looking for somebody short. In fact, I

111
00:05:18,320 --> 00:05:19,159
Speaker 2: got this, bitch.

112
00:05:19,640 --> 00:05:23,280
Speaker 3: I look up, Rodney Perry come through here a little shorter, here,

113
00:05:23,279 --> 00:05:26,760
Speaker 3: a little God damn got competition.

114
00:05:28,200 --> 00:05:29,400
Speaker 2: Man, what's so crazy?

115
00:05:29,440 --> 00:05:29,560
Speaker 1: Bro?

116
00:05:30,080 --> 00:05:32,599
Speaker 2: Both of us got the part for real, Me and

117
00:05:32,720 --> 00:05:35,200
Speaker 2: Rodney different parts.

118
00:05:35,440 --> 00:05:36,200
Speaker 1: Yeah, we was in the.

119
00:05:36,160 --> 00:05:38,440
Speaker 3: Same move, but it was like for the like for

120
00:05:38,480 --> 00:05:40,080
Speaker 3: the family, for his family.

121
00:05:40,080 --> 00:05:41,839
Speaker 1: So, so how does audition go though?

122
00:05:42,200 --> 00:05:44,120
Speaker 3: Man, you go in the audition, you don't you don't

123
00:05:44,120 --> 00:05:46,400
Speaker 3: really know what they're looking for. Everybody reading the line

124
00:05:46,520 --> 00:05:49,040
Speaker 3: the same lines, so you kind of slick, gotta bring

125
00:05:49,120 --> 00:05:49,680
Speaker 3: something different.

126
00:05:49,960 --> 00:05:52,520
Speaker 1: So do you walk in and it's four people at

127
00:05:52,560 --> 00:05:55,080
Speaker 1: the table and they said you walk in on some

128
00:05:55,160 --> 00:05:56,200
Speaker 1: American idol ship.

129
00:05:56,320 --> 00:05:58,880
Speaker 3: Yeah, it's something. Some some of the rooms be different.

130
00:05:58,920 --> 00:06:02,719
Speaker 3: Some of it might be just you and the casting

131
00:06:03,160 --> 00:06:03,880
Speaker 3: casting director.

132
00:06:03,920 --> 00:06:06,960
Speaker 1: See that's that's that's that's weird. It could be one

133
00:06:07,000 --> 00:06:10,719
Speaker 1: on one time because you tape and a nigga. Don't

134
00:06:10,720 --> 00:06:12,400
Speaker 1: give up because you can be like, I promise I'm

135
00:06:12,480 --> 00:06:16,440
Speaker 1: funnier than this. That don't mean yeah, you don't even

136
00:06:16,480 --> 00:06:19,400
Speaker 1: know how you what they are they giving you any response,

137
00:06:20,520 --> 00:06:25,279
Speaker 1: fad please, And that's the thing.

138
00:06:25,360 --> 00:06:29,560
Speaker 3: So like with stand up, you hear that immediately. You

139
00:06:29,600 --> 00:06:31,680
Speaker 3: know if a Joe hit Man you could be in there.

140
00:06:31,720 --> 00:06:33,160
Speaker 3: You felt like you did good as hell?

141
00:06:33,480 --> 00:06:36,080
Speaker 1: What is the what? Let's what is the reason for

142
00:06:36,200 --> 00:06:39,200
Speaker 1: not giving feedback in the moment for a table read

143
00:06:39,320 --> 00:06:42,000
Speaker 1: or something, because most of.

144
00:06:42,000 --> 00:06:42,880
Speaker 2: The time, if the.

145
00:06:44,440 --> 00:06:46,560
Speaker 3: If the producer a directed, a lot of people got

146
00:06:46,680 --> 00:06:49,480
Speaker 3: to see that tape, so they might be taping it

147
00:06:49,560 --> 00:06:52,600
Speaker 3: and let somebody see it and they going through.

148
00:06:53,040 --> 00:06:55,880
Speaker 2: You gotta think if they don't audition thirty people.

149
00:06:56,240 --> 00:06:59,760
Speaker 3: They want to go through thirty people tapes, so they

150
00:06:59,760 --> 00:07:02,360
Speaker 3: don't know exactly what the producer and everybody got to

151
00:07:02,400 --> 00:07:03,360
Speaker 3: come into ingreeients.

152
00:07:03,400 --> 00:07:05,560
Speaker 1: That's what it is. It's that I can't make the

153
00:07:05,640 --> 00:07:08,000
Speaker 1: decision on my own, even if I say, boy, he's

154
00:07:08,040 --> 00:07:11,400
Speaker 1: smoking this, I can't even make that decision just me.

155
00:07:11,920 --> 00:07:14,360
Speaker 1: I still got to take that to the table, and

156
00:07:14,400 --> 00:07:17,560
Speaker 1: it's around the producing say something else though, and somebody

157
00:07:17,560 --> 00:07:19,600
Speaker 1: had to tell me sometimes it ain't even about talent

158
00:07:19,680 --> 00:07:20,240
Speaker 1: with that stuff.

159
00:07:20,440 --> 00:07:22,840
Speaker 3: It ain't even about Sometimes you might not just fit

160
00:07:22,880 --> 00:07:25,960
Speaker 3: a cast. Everybody tall and you short, how you gonna

161
00:07:25,960 --> 00:07:28,800
Speaker 3: be in their family? Or everybody short and you six

162
00:07:28,840 --> 00:07:31,640
Speaker 3: feet right, everybody light skin, you can't be the dark

163
00:07:31,680 --> 00:07:32,960
Speaker 3: skin brother, right.

164
00:07:33,160 --> 00:07:35,640
Speaker 2: So sometimes it's about like you just don't have a look.

165
00:07:35,800 --> 00:07:39,080
Speaker 1: So do they consider that in auditioning, Like did all

166
00:07:39,120 --> 00:07:43,040
Speaker 1: of those comics come just saying I'm auditioning period, Nigga.

167
00:07:43,040 --> 00:07:44,760
Speaker 1: I don't care if they say they looking, because they

168
00:07:44,760 --> 00:07:47,040
Speaker 1: can't be looking for you and Dezzit Banks for the

169
00:07:47,040 --> 00:07:50,120
Speaker 1: same role. If we taking that into consideration.

170
00:07:50,320 --> 00:07:53,520
Speaker 3: Yeah, but sometimes they don't know the look until they

171
00:07:53,760 --> 00:07:57,200
Speaker 3: cast it everybody else, So sometimes then they'll start piecing

172
00:07:57,240 --> 00:07:58,040
Speaker 3: everybody together.

173
00:07:58,200 --> 00:07:59,920
Speaker 2: Well he got this role, he got this role.

174
00:08:00,360 --> 00:08:02,360
Speaker 3: But they might go together, makes sense, you see what

175
00:08:02,360 --> 00:08:05,040
Speaker 3: I'm saying, Or they might fit, the chemistry might work,

176
00:08:05,280 --> 00:08:08,320
Speaker 3: makes sense. So it's like a it's like a puzzle.

177
00:08:09,880 --> 00:08:11,760
Speaker 3: They piecing that shit together and you don't even know.

178
00:08:11,800 --> 00:08:14,800
Speaker 3: You in there going off a dream and a damn dollar,

179
00:08:15,520 --> 00:08:16,280
Speaker 3: they don't even know.

180
00:08:16,360 --> 00:08:20,200
Speaker 1: Like part of the quake. Them broke your whole dreams

181
00:08:20,240 --> 00:08:22,480
Speaker 1: in half. You're thinking, Man, I went in and pulled

182
00:08:22,480 --> 00:08:23,240
Speaker 1: my heart.

183
00:08:23,000 --> 00:08:25,760
Speaker 2: Out, man, and that's what I had to see early.

184
00:08:25,880 --> 00:08:29,920
Speaker 3: So sometimes I was like down in myself, like damn,

185
00:08:29,960 --> 00:08:31,160
Speaker 3: what it gonna take for this shit.

186
00:08:31,240 --> 00:08:34,160
Speaker 1: Yeah, but before we get to that, Coming to America,

187
00:08:34,520 --> 00:08:37,760
Speaker 1: you auditioned in front of who George Pierre and then

188
00:08:38,559 --> 00:08:41,120
Speaker 1: shout out, shout out whoever that is. I'm sure somebody

189
00:08:41,160 --> 00:08:43,840
Speaker 1: that make it decison. You know what I'm saying, got

190
00:08:43,840 --> 00:08:47,240
Speaker 1: you all. So I'm saying that's just so you one

191
00:08:47,320 --> 00:08:50,240
Speaker 1: on one? Was it just you and him? Yeah?

192
00:08:50,280 --> 00:08:51,760
Speaker 3: It was one on one and he had the camera,

193
00:08:51,760 --> 00:08:54,080
Speaker 3: so you gotta think he the casting director.

194
00:08:54,400 --> 00:08:56,480
Speaker 2: So he said, a listen, is it like this right here?

195
00:08:56,520 --> 00:08:58,720
Speaker 3: Like, yeah, how I'm looking at the camera right now

196
00:08:59,360 --> 00:09:02,240
Speaker 3: after I do my seen okay, take boom, I'm out

197
00:09:02,240 --> 00:09:02,800
Speaker 3: the door.

198
00:09:02,760 --> 00:09:06,920
Speaker 1: And so is they saying something like I'm the brother

199
00:09:07,000 --> 00:09:08,960
Speaker 1: and they give a line and you react or like

200
00:09:09,040 --> 00:09:11,480
Speaker 1: I'm saying, how are they doing this? Are you just

201
00:09:11,559 --> 00:09:14,960
Speaker 1: reading lines? Or yeah? So they'll read and I read okay,

202
00:09:15,000 --> 00:09:18,080
Speaker 1: So they are interacting with you, so you okay.

203
00:09:18,120 --> 00:09:19,840
Speaker 2: So but you gotta think they read dry.

204
00:09:19,880 --> 00:09:22,880
Speaker 3: They ain't putting no character behind the ship like somebody

205
00:09:23,000 --> 00:09:24,319
Speaker 3: just reading they supposed to.

206
00:09:24,480 --> 00:09:26,400
Speaker 1: So the brother said, why are you in my room?

207
00:09:26,600 --> 00:09:28,839
Speaker 1: And then you gotta come and that's the.

208
00:09:28,840 --> 00:09:33,160
Speaker 3: Character and you done read that ship drives head that

209
00:09:33,360 --> 00:09:36,160
Speaker 3: like that like you would have been. You're doing all

210
00:09:36,280 --> 00:09:36,640
Speaker 3: this shit.

211
00:09:37,559 --> 00:09:39,880
Speaker 1: She just sitting there and ain't cool.

212
00:09:40,040 --> 00:09:42,679
Speaker 3: Yeah, come on, hard to deal with? How many times

213
00:09:42,720 --> 00:09:47,880
Speaker 3: have you auditioned? Oh man, I don't audition so many times?

214
00:09:47,960 --> 00:09:48,200
Speaker 1: Yeah?

215
00:09:48,720 --> 00:09:50,679
Speaker 3: Yeah, and you know what, I didn't have got to

216
00:09:50,679 --> 00:09:55,200
Speaker 3: the point I don't be given the damn Yeah. And

217
00:09:55,240 --> 00:09:56,920
Speaker 3: when I say I don't be given down. No, I

218
00:09:56,960 --> 00:09:59,439
Speaker 3: want the part. But it's like I know it might

219
00:09:59,520 --> 00:10:02,520
Speaker 3: this not might y'all. Sometimes they don't need numbers, bro,

220
00:10:03,040 --> 00:10:05,280
Speaker 3: Sometimes they just need people to audition.

221
00:10:05,720 --> 00:10:07,559
Speaker 2: They already know who they want.

222
00:10:07,800 --> 00:10:10,280
Speaker 1: They're going just through the process.

223
00:10:10,720 --> 00:10:12,960
Speaker 3: So sometimes, like you gotta think, when you get to

224
00:10:13,040 --> 00:10:16,880
Speaker 3: a place where you're comfortable, it's like, hey, what's for

225
00:10:16,920 --> 00:10:17,439
Speaker 3: me is for.

226
00:10:17,440 --> 00:10:20,160
Speaker 1: Me, But what does that is? Making money outside of

227
00:10:20,160 --> 00:10:22,840
Speaker 1: their system? There you go, because boy, they check depending

228
00:10:22,840 --> 00:10:24,240
Speaker 1: on that audition that.

229
00:10:24,040 --> 00:10:26,880
Speaker 3: Your things with you you ain't gonna get you. You're

230
00:10:26,880 --> 00:10:29,680
Speaker 3: gonna give a damn big let's go with that. So

231
00:10:29,760 --> 00:10:32,280
Speaker 3: it's like, I'm touring, I give money outside of this.

232
00:10:32,440 --> 00:10:34,960
Speaker 1: So it's like I'm doing this many times, I.

233
00:10:34,960 --> 00:10:37,319
Speaker 3: Don't winning there and I ain't got ship else going,

234
00:10:37,800 --> 00:10:40,800
Speaker 3: and motherfucker, I'm in there like I'm doing a Shakespeare player.

235
00:10:41,000 --> 00:10:44,280
Speaker 2: Nigga. Got one line we all though.

236
00:10:45,800 --> 00:10:52,679
Speaker 1: Screened. Hey added line, Yeah, trying to put something on it.

237
00:10:53,480 --> 00:10:56,000
Speaker 1: We just just stick to the script. See that's what

238
00:10:56,040 --> 00:11:02,760
Speaker 1: I'm saying. That's that's breaking the thank too. Yeah, they said, sir,

239
00:11:02,920 --> 00:11:07,400
Speaker 1: that's unnecessary. Not just read it just a little too much.

240
00:11:07,400 --> 00:11:10,800
Speaker 1: Producers wasn't going that way with they a better fucked

241
00:11:10,880 --> 00:11:12,240
Speaker 1: up trying to get y'all a little.

242
00:11:12,280 --> 00:11:14,080
Speaker 2: They were practicing all at the house.

243
00:11:14,200 --> 00:11:17,959
Speaker 1: Man, they did shit the water to do so. So

244
00:11:18,040 --> 00:11:21,320
Speaker 1: you so all right after the audition, you don't know.

245
00:11:21,360 --> 00:11:24,640
Speaker 1: If you get it, you leave there, what happens. Uh.

246
00:11:24,840 --> 00:11:29,680
Speaker 3: After I left there, the agency they called me.

247
00:11:29,720 --> 00:11:32,760
Speaker 2: They were like, what's your schedule between these dates?

248
00:11:32,800 --> 00:11:33,280
Speaker 1: So I was like.

249
00:11:33,400 --> 00:11:35,320
Speaker 3: She was like, they're not saying you got the part,

250
00:11:35,360 --> 00:11:38,280
Speaker 3: but they just making sure that you're available. I was like, hell, yeah,

251
00:11:38,320 --> 00:11:41,240
Speaker 3: I'm available. So then she was like, okay, I'm gonna

252
00:11:41,320 --> 00:11:43,839
Speaker 3: let him know. Then I hit her back like because

253
00:11:43,840 --> 00:11:45,640
Speaker 3: a week none went by. I was like, they still

254
00:11:45,679 --> 00:11:47,840
Speaker 3: ain't saying nothing. She was like, no, but no one

255
00:11:47,880 --> 00:11:49,839
Speaker 3: else has casted it, so you're still good.

256
00:11:50,800 --> 00:11:52,000
Speaker 1: Then like a week.

257
00:11:53,760 --> 00:11:56,320
Speaker 3: No, maybe like four days later she called me and

258
00:11:56,360 --> 00:11:59,439
Speaker 3: I was hited somewhere, and then she was like, I

259
00:11:59,480 --> 00:12:00,280
Speaker 3: got some good news.

260
00:12:00,280 --> 00:12:00,920
Speaker 1: I was like, what's up.

261
00:12:00,960 --> 00:12:03,160
Speaker 3: She was like, you got the park And I was

262
00:12:03,200 --> 00:12:06,280
Speaker 3: stuck because that was during the time right there, I

263
00:12:06,360 --> 00:12:08,680
Speaker 3: was going through some shiit, like just like when I

264
00:12:08,720 --> 00:12:12,160
Speaker 3: say going through some shit like career wise, like I'm like, bro,

265
00:12:12,760 --> 00:12:15,320
Speaker 3: I need something to shake with this ship and not

266
00:12:15,440 --> 00:12:17,839
Speaker 3: saying and then you know at the time you're thinking

267
00:12:17,840 --> 00:12:20,280
Speaker 3: about it, like it ain't for me because I know

268
00:12:20,320 --> 00:12:23,560
Speaker 3: where I am talent wise and ability wise. But it's

269
00:12:23,600 --> 00:12:25,920
Speaker 3: like we do certain stuff and want certain stuff though,

270
00:12:26,360 --> 00:12:29,880
Speaker 3: prove it like I'm here now, I'm at a certain

271
00:12:30,000 --> 00:12:30,920
Speaker 3: level where I do this.

272
00:12:31,040 --> 00:12:35,360
Speaker 2: But why I was stuck? I'm like, man, she was like.

273
00:12:35,960 --> 00:12:38,000
Speaker 3: You ain't saying and I was like, man, I want

274
00:12:38,000 --> 00:12:41,760
Speaker 3: to cry. I rub with God was like, boy, I

275
00:12:41,800 --> 00:12:42,240
Speaker 3: needed this.

276
00:12:42,320 --> 00:12:42,960
Speaker 1: It was like a win.

277
00:12:43,480 --> 00:12:45,920
Speaker 3: You know, you gotta if you go through like if

278
00:12:45,920 --> 00:12:50,240
Speaker 3: we're talking sports and if you go through preseason, summer

279
00:12:50,320 --> 00:12:52,760
Speaker 3: camp and all training camps all this type of stuff,

280
00:12:52,800 --> 00:12:54,920
Speaker 3: you feel what I'm saying. It's like, why I do

281
00:12:55,000 --> 00:12:57,000
Speaker 3: want to make it to the playoffs. You feel what

282
00:12:57,000 --> 00:12:58,800
Speaker 3: I'm saying. So that's why I look at it.

283
00:12:59,040 --> 00:13:02,480
Speaker 1: Before that time, what what what were you doing?

284
00:13:02,520 --> 00:13:05,480
Speaker 3: Were you doing stand up? Just stand up? Just doing

285
00:13:05,520 --> 00:13:07,040
Speaker 3: stand up? And I had like how you said, I

286
00:13:07,080 --> 00:13:09,920
Speaker 3: have many auditions. I have been auditioning for so much shit.

287
00:13:10,080 --> 00:13:11,719
Speaker 3: What would the dates like stand up?

288
00:13:11,840 --> 00:13:13,720
Speaker 1: Like? How many dates a year were you doing?

289
00:13:13,880 --> 00:13:14,320
Speaker 2: That ship?

290
00:13:14,440 --> 00:13:17,640
Speaker 3: I think during that time, boy, it was scattered. That's

291
00:13:17,679 --> 00:13:21,880
Speaker 3: before even eighty five South, Yeah and right, and like bruh,

292
00:13:21,920 --> 00:13:28,080
Speaker 3: everything just start like start piecing together like organically. After that,

293
00:13:28,600 --> 00:13:31,719
Speaker 3: I started touring with eighty five South, and now it

294
00:13:31,800 --> 00:13:34,239
Speaker 3: was like them dates coming so now when the auditions

295
00:13:34,520 --> 00:13:37,560
Speaker 3: be coming in. Sometimes it was a time where like bohy,

296
00:13:37,559 --> 00:13:40,240
Speaker 3: I gotta do this audition. But it's like you gotta

297
00:13:40,280 --> 00:13:47,240
Speaker 3: get back hungry too sometimes like it we don't appreciate starving.

298
00:13:48,480 --> 00:13:52,360
Speaker 1: Yeah for real, Yeah, because it's starting point. Boy, we

299
00:13:52,400 --> 00:13:53,199
Speaker 1: was monsters.

300
00:13:53,200 --> 00:13:56,679
Speaker 2: Why try to hit three rooms a night?

301
00:13:56,760 --> 00:13:57,439
Speaker 1: You know what I'm saying.

302
00:13:57,880 --> 00:14:00,760
Speaker 3: Work on a crowd Now it's like I'm gonna get

303
00:14:00,800 --> 00:14:04,680
Speaker 3: some resk fresha wa, get your fat ass.

304
00:14:05,400 --> 00:14:08,920
Speaker 1: So so all right, so that was you said they

305
00:14:09,000 --> 00:14:11,280
Speaker 1: cut you out? What's the editing process? They don't even

306
00:14:11,320 --> 00:14:12,640
Speaker 1: let you know? Was your wife?

307
00:14:14,400 --> 00:14:15,080
Speaker 2: Especially me?

308
00:14:15,120 --> 00:14:17,720
Speaker 3: They ain't gonna let me though, because even when I

309
00:14:17,760 --> 00:14:20,200
Speaker 3: was on set, you gotta think, man, everybody in this

310
00:14:20,400 --> 00:14:24,920
Speaker 3: movie has been in many and multiple films.

311
00:14:25,360 --> 00:14:28,880
Speaker 2: So it's like I'm Eddie Murphy, ur sene Yo, Tracy

312
00:14:28,920 --> 00:14:30,720
Speaker 2: More and Leslie.

313
00:14:30,320 --> 00:14:34,200
Speaker 3: Jones like all these people. Man, I think I had

314
00:14:34,680 --> 00:14:37,480
Speaker 3: the least amount of credits on that whole call Shet.

315
00:14:37,760 --> 00:14:38,120
Speaker 1: Yeah.

316
00:14:38,160 --> 00:14:40,360
Speaker 3: So it's like when I'm on set, I'm like, man,

317
00:14:40,720 --> 00:14:45,520
Speaker 3: but we had so we had about five scenes five yeah,

318
00:14:45,560 --> 00:14:49,120
Speaker 3: five different scenes. But then the movie so they were

319
00:14:49,120 --> 00:14:51,920
Speaker 3: shooting so much they had to edit it down.

320
00:14:52,560 --> 00:14:54,560
Speaker 1: I wonder why they did it, Like, is that just

321
00:14:54,680 --> 00:14:55,760
Speaker 1: process for Hollywood?

322
00:14:56,560 --> 00:14:59,880
Speaker 3: Well, on that they had money. And when I said

323
00:14:59,880 --> 00:15:03,520
Speaker 3: they they had money, certain films they only shoot. They

324
00:15:03,840 --> 00:15:06,240
Speaker 3: got a certain a lot a lot of days. And

325
00:15:06,320 --> 00:15:07,880
Speaker 3: they were like, you know, they don't want to waste

326
00:15:07,960 --> 00:15:12,320
Speaker 3: no money with this. This is a big paramount film.

327
00:15:12,640 --> 00:15:14,840
Speaker 3: They got the money right, so they could shoot. We

328
00:15:14,840 --> 00:15:16,560
Speaker 3: can shoot whatever. We gonna see what we're gonna use.

329
00:15:16,680 --> 00:15:19,280
Speaker 1: Yeah yeah type yeah, yeah, yeah, thats what it was.

330
00:15:19,640 --> 00:15:22,040
Speaker 1: So in that that's the biggest movie you done, probably

331
00:15:22,160 --> 00:15:24,720
Speaker 1: the biggest movie. Yeah. What's the biggest stage you done done?

332
00:15:25,000 --> 00:15:26,880
Speaker 2: The biggest stage? Oh? Man?

333
00:15:27,080 --> 00:15:33,200
Speaker 3: Oh it was in Greensboro, North, North Carolina. That Greensboro Coliseum.

334
00:15:33,840 --> 00:15:36,200
Speaker 3: It was eighty five South show Man they had them

335
00:15:36,200 --> 00:15:39,880
Speaker 3: for it had thirteen k in there. And when I

336
00:15:39,920 --> 00:15:43,680
Speaker 3: say usually when we go on stage before the show

337
00:15:43,840 --> 00:15:49,720
Speaker 3: opens up, it'd be like seventy percent field. On this day, Brun,

338
00:15:49,880 --> 00:15:52,280
Speaker 3: I'm talking about them folks were ready. They was one

339
00:15:52,360 --> 00:15:55,280
Speaker 3: hundred percent field by time gonna stay. So los on

340
00:15:55,320 --> 00:15:58,200
Speaker 3: the side. He was like, man, it's thirteen thousand now.

341
00:15:58,560 --> 00:15:59,840
Speaker 3: He was like, you're finna peel a little bit that

342
00:16:00,160 --> 00:16:04,240
Speaker 3: I like I said thirteen thousand, Well, I ain't never

343
00:16:04,360 --> 00:16:06,160
Speaker 3: talked to that many people at one time.

344
00:16:06,400 --> 00:16:06,960
Speaker 2: It's different.

345
00:16:07,000 --> 00:16:10,040
Speaker 3: Like you might see people watching you know what I mean,

346
00:16:10,120 --> 00:16:12,120
Speaker 3: watch something you done did online and you see all

347
00:16:12,120 --> 00:16:14,600
Speaker 3: them views. But to watch it at one time and

348
00:16:14,640 --> 00:16:17,000
Speaker 3: you get that immediate response, that big roar.

349
00:16:17,440 --> 00:16:22,080
Speaker 1: I was like, what, that's shit different. Then that's the

350
00:16:22,160 --> 00:16:24,480
Speaker 1: thing in the big rou though, But it changes your

351
00:16:24,600 --> 00:16:28,120
Speaker 1: response time, it changes your joke because you got to

352
00:16:28,160 --> 00:16:29,040
Speaker 1: allow time for.

353
00:16:29,280 --> 00:16:32,440
Speaker 2: Them, Yeah, to travel. Yeah, that little.

354
00:16:32,200 --> 00:16:34,440
Speaker 1: In that little bitty room, it's it's boom bam and

355
00:16:34,520 --> 00:16:36,800
Speaker 1: boom bam. It's a different cadence. Yeah, but in that

356
00:16:36,920 --> 00:16:41,440
Speaker 1: big room it's boom boom bam. Then then you grabbed

357
00:16:41,480 --> 00:16:45,080
Speaker 1: it back. Yeah, yeah, how do you develop that? How

358
00:16:45,080 --> 00:16:46,560
Speaker 1: do you the more you do it?

359
00:16:47,080 --> 00:16:50,360
Speaker 3: Because I remember at first, like you just said, coming

360
00:16:50,360 --> 00:16:53,720
Speaker 3: from like doing comedy clubs and even going to doing theaters,

361
00:16:53,800 --> 00:16:55,640
Speaker 3: I didn't realize the cadence.

362
00:16:56,160 --> 00:16:56,760
Speaker 1: You know what I'm saying.

363
00:16:56,800 --> 00:16:59,080
Speaker 3: I'm on the next joke, but it's like you ain't

364
00:16:59,080 --> 00:17:01,640
Speaker 3: get time for them. The the head back there, let

365
00:17:01,680 --> 00:17:04,400
Speaker 3: it breathe, and then it's just getting more comfortable. I'll

366
00:17:04,440 --> 00:17:06,840
Speaker 3: be walking on stage now at them big shows. Like

367
00:17:06,920 --> 00:17:09,919
Speaker 3: it's like I'm still in a room right because I'm like,

368
00:17:10,080 --> 00:17:11,199
Speaker 3: I know what comes with it?

369
00:17:11,320 --> 00:17:16,120
Speaker 1: Right? Do you where you from Atlanta? Yeah?

370
00:17:16,119 --> 00:17:16,800
Speaker 2: I'm from Atlanta.

371
00:17:17,000 --> 00:17:19,840
Speaker 1: So what what clubs were you working coming up? In?

372
00:17:19,880 --> 00:17:21,200
Speaker 1: What year did you start?

373
00:17:21,640 --> 00:17:25,159
Speaker 3: Man twenty fourteen? Man in Atlanta? See, this is the

374
00:17:25,200 --> 00:17:29,440
Speaker 3: thing in Atlanta. It was coming to clubs. You had uptown,

375
00:17:29,640 --> 00:17:32,960
Speaker 3: you had Atlanta coming to theater, you had clubs like Punchline.

376
00:17:33,200 --> 00:17:35,600
Speaker 3: But in Atlanta, it's a lot of bars that we

377
00:17:35,760 --> 00:17:39,240
Speaker 3: work work out jokes here and dog, it be coming

378
00:17:39,280 --> 00:17:41,560
Speaker 3: to nights in bars. They don't even know it's coming

379
00:17:41,600 --> 00:17:41,920
Speaker 3: to night.

380
00:17:42,240 --> 00:17:42,480
Speaker 1: Yeah.

381
00:17:42,640 --> 00:17:47,080
Speaker 3: Them niggas be shoe pool loud as a motherfucker. Man Washington,

382
00:17:47,240 --> 00:17:49,240
Speaker 3: we might be doing coming in the game.

383
00:17:49,640 --> 00:17:52,240
Speaker 1: Oh my goodness. And then you competing.

384
00:17:53,560 --> 00:17:56,520
Speaker 3: But I'm telling you, I don't regret it for nothing

385
00:17:56,520 --> 00:18:00,439
Speaker 3: because it's like if I do coming to what's somebody

386
00:18:00,560 --> 00:18:02,920
Speaker 3: coming and they know they gonna laugh or they want

387
00:18:02,960 --> 00:18:05,480
Speaker 3: to laugh. I got a way better chance than when

388
00:18:05,520 --> 00:18:08,399
Speaker 3: I started. Now I gotta get these motherfuckers attention. And

389
00:18:08,440 --> 00:18:11,200
Speaker 3: when you finally get their attention, like okay.

390
00:18:11,800 --> 00:18:14,760
Speaker 1: Yeah nah, but it's a hard fight. Nigga fighting that

391
00:18:14,920 --> 00:18:18,840
Speaker 1: Sunday night game or something, or that cowboy game. Man,

392
00:18:18,960 --> 00:18:22,080
Speaker 1: that's a problem. So you doing jokes that, do you

393
00:18:22,119 --> 00:18:23,919
Speaker 1: write them down? How you how you doing.

394
00:18:23,880 --> 00:18:26,959
Speaker 3: Sometime with that? They don't like they don't want to

395
00:18:27,359 --> 00:18:30,440
Speaker 3: hear no scripted like, no scripted joke you had that day.

396
00:18:30,440 --> 00:18:33,000
Speaker 3: Something you gotta you gotta catch some shit that's going

397
00:18:33,040 --> 00:18:33,720
Speaker 3: on in the room.

398
00:18:33,840 --> 00:18:37,959
Speaker 1: You know what. It's something about niggas, man, Because I

399
00:18:38,000 --> 00:18:43,560
Speaker 1: studied comedy, white folks, they'll work they jokes. Man, Niggas

400
00:18:43,560 --> 00:18:47,000
Speaker 1: feel like they gotta keep doing new jokes, like it's

401
00:18:47,000 --> 00:18:50,760
Speaker 1: something every time I talk here's a black comic talk,

402
00:18:51,960 --> 00:18:54,200
Speaker 1: at least in the New Age, because I know back

403
00:18:54,240 --> 00:18:56,399
Speaker 1: in the day that was what it was. But it

404
00:18:56,400 --> 00:18:59,960
Speaker 1: feels like that there's something attached to saying the same

405
00:19:00,280 --> 00:19:02,440
Speaker 1: jokes over and no. How do you feel about that?

406
00:19:02,640 --> 00:19:03,840
Speaker 1: Is that routine or what?

407
00:19:04,440 --> 00:19:05,560
Speaker 2: I think? It's like?

408
00:19:05,600 --> 00:19:06,399
Speaker 1: What's with me?

409
00:19:06,520 --> 00:19:08,919
Speaker 3: Sometimes like I might get tired of a joke that

410
00:19:09,000 --> 00:19:12,520
Speaker 3: I undid or said, or sometimes like you might get

411
00:19:12,680 --> 00:19:15,840
Speaker 3: different tasks to add on that joke because I feel

412
00:19:15,840 --> 00:19:19,080
Speaker 3: like a joke always could get better. So sometimes I

413
00:19:19,200 --> 00:19:21,120
Speaker 3: might leave it alone and come back and get it

414
00:19:21,280 --> 00:19:23,359
Speaker 3: and have some more stuff to go with it. But

415
00:19:23,480 --> 00:19:27,679
Speaker 3: sometimes even being topical going on with current events, we

416
00:19:27,760 --> 00:19:30,520
Speaker 3: got to talk about something that's going on current even

417
00:19:30,600 --> 00:19:33,080
Speaker 3: just to have what's my take on this, what's my

418
00:19:33,160 --> 00:19:34,239
Speaker 3: thought process on this.

419
00:19:34,560 --> 00:19:37,000
Speaker 2: But then it's like if.

420
00:19:36,800 --> 00:19:39,359
Speaker 3: People don't went to your shows and done seen you do,

421
00:19:40,200 --> 00:19:42,240
Speaker 3: you don't want you don't want the motherfucker to be

422
00:19:42,320 --> 00:19:45,200
Speaker 3: thet it all right, bro, we heard this one.

423
00:19:45,400 --> 00:19:48,600
Speaker 1: But on the other hand, you got comics like Bird Christner,

424
00:19:49,280 --> 00:19:51,800
Speaker 1: Well he can come and do the machine story and

425
00:19:51,880 --> 00:19:54,560
Speaker 1: they ever sit it for five or six, seven years,

426
00:19:54,600 --> 00:19:58,880
Speaker 1: and people go crazy knowing and anticipating the joke. That's

427
00:19:58,880 --> 00:20:02,000
Speaker 1: what I'm saying something with black comedy, where like now

428
00:20:02,000 --> 00:20:05,520
Speaker 1: we ain't respecting that, don't know, win't know your family,

429
00:20:05,600 --> 00:20:09,280
Speaker 1: don't bring it up here again. And but you know,

430
00:20:09,440 --> 00:20:13,080
Speaker 1: like you say, now, there is a place where I

431
00:20:13,160 --> 00:20:17,119
Speaker 1: believe a joke is finished, right and it becomes a set,

432
00:20:17,640 --> 00:20:21,280
Speaker 1: and that set is done when you continue to do

433
00:20:21,359 --> 00:20:24,480
Speaker 1: that set over and over, not a joke, because that's

434
00:20:24,480 --> 00:20:27,359
Speaker 1: a developmental process that a joke has to go through.

435
00:20:27,720 --> 00:20:29,520
Speaker 1: You work it in the little room, you work it

436
00:20:29,560 --> 00:20:31,639
Speaker 1: in the big room, work it with the women.

437
00:20:32,119 --> 00:20:35,119
Speaker 3: Different reasons too, like you know what I'm saying, Yeah,

438
00:20:35,720 --> 00:20:38,040
Speaker 3: give you different takes on it, but I think, what

439
00:20:38,720 --> 00:20:39,880
Speaker 3: what that even saying.

440
00:20:39,960 --> 00:20:40,320
Speaker 1: It's like.

441
00:20:42,480 --> 00:20:45,120
Speaker 3: I feel like if it's something current like safe instance,

442
00:20:45,600 --> 00:20:49,960
Speaker 3: if you're still doing jokes about when Obama was the president,

443
00:20:50,200 --> 00:20:52,560
Speaker 3: Yeah all right, bro, Yeah you feel what I'm saying,

444
00:20:53,240 --> 00:20:55,760
Speaker 3: like sooner or later, like we shouldn't even have no

445
00:20:55,840 --> 00:20:57,040
Speaker 3: more sloppy with it.

446
00:20:57,080 --> 00:21:00,000
Speaker 1: They're they're do it like a family joke or joke

447
00:21:00,280 --> 00:21:03,359
Speaker 1: about my son, Yeah, you know, like a bird Christ

448
00:21:03,400 --> 00:21:06,240
Speaker 1: and a joke with it. It's a machine joke where

449
00:21:06,240 --> 00:21:09,080
Speaker 1: he running to somebody in Russia and da da da

450
00:21:08,680 --> 00:21:11,399
Speaker 1: d you know. And so it's that they ain't gonna

451
00:21:11,400 --> 00:21:12,800
Speaker 1: be a slap enough to just.

452
00:21:12,920 --> 00:21:15,760
Speaker 3: Yeah, so them type of jokes. But sometimes people want

453
00:21:16,040 --> 00:21:19,399
Speaker 3: I'll be seeing people requesting little little Duffall to do

454
00:21:19,560 --> 00:21:23,199
Speaker 3: jokes even like yeah on the road, like Carlos, they

455
00:21:23,280 --> 00:21:24,880
Speaker 3: might ask him to do like we want to hear

456
00:21:24,920 --> 00:21:27,600
Speaker 3: such and such. So at times people want to hear

457
00:21:27,640 --> 00:21:30,720
Speaker 3: them jokes, but you don't slip, you know, forgot about them,

458
00:21:31,200 --> 00:21:34,560
Speaker 3: like I wonder, I wonder, like what the difference is though,

459
00:21:35,280 --> 00:21:37,960
Speaker 3: you know, but you freestyle for the most not freestyle,

460
00:21:38,000 --> 00:21:40,840
Speaker 3: but you do you repeat jokes or you Yeah.

461
00:21:40,640 --> 00:21:43,200
Speaker 2: I repeat jokes and I do CrowdWork. I mix it in.

462
00:21:44,040 --> 00:21:47,640
Speaker 3: Yeah, So like yeah, I want to, and like I might,

463
00:21:47,960 --> 00:21:50,320
Speaker 3: I'm not gonna do to set the same way. I

464
00:21:50,400 --> 00:21:52,920
Speaker 3: might put this joke in front or add something new

465
00:21:52,960 --> 00:21:54,840
Speaker 3: to this or something like that, so it won't be

466
00:21:54,960 --> 00:21:57,399
Speaker 3: like you don't watch the same thing in case you

467
00:21:57,480 --> 00:21:58,840
Speaker 3: came back from last week.

468
00:21:58,920 --> 00:22:01,480
Speaker 2: You know what I'm saying, last right whenever you saw.

469
00:22:01,400 --> 00:22:04,400
Speaker 1: It, and then I know, go ahead.

470
00:22:04,440 --> 00:22:09,000
Speaker 3: I noticed with eighty five South, they they crowd travel.

471
00:22:09,720 --> 00:22:13,080
Speaker 3: You might see them because you know they're doing strictly improblems.

472
00:22:13,119 --> 00:22:16,240
Speaker 3: They a motherfucker might come see them in Charlotte and

473
00:22:16,280 --> 00:22:20,600
Speaker 3: then turn around and come see them and mephis or.

474
00:22:20,560 --> 00:22:21,720
Speaker 2: See them in Nash Bear.

475
00:22:22,040 --> 00:22:25,240
Speaker 3: So it's like, shit, if I knew y'all nigga travel

476
00:22:25,400 --> 00:22:27,440
Speaker 3: like this or gonna be coming to all the show.

477
00:22:27,680 --> 00:22:29,280
Speaker 3: You see what I'm saying, So you gotta mix it

478
00:22:29,320 --> 00:22:30,120
Speaker 3: up a little bit like.

479
00:22:30,080 --> 00:22:33,080
Speaker 1: That for them, Yeah, yeah, yeah, but some people don't.

480
00:22:33,160 --> 00:22:35,720
Speaker 1: Some people don't, and then you're doing the comic of

481
00:22:35,800 --> 00:22:38,159
Speaker 1: this service. I guess when you don't give them a

482
00:22:38,240 --> 00:22:42,600
Speaker 1: chance to do that, sit across the world. Right, That's

483
00:22:42,600 --> 00:22:47,080
Speaker 1: why Dave and them take the phones, you know, Kevin Hard,

484
00:22:47,119 --> 00:22:50,840
Speaker 1: all these guys that lock it up with us, because

485
00:22:50,880 --> 00:22:54,120
Speaker 1: this is they will walk off if you see your recorder. Yeah,

486
00:22:54,520 --> 00:22:57,880
Speaker 1: serious about that, because when they hear this, it needs

487
00:22:57,920 --> 00:23:01,560
Speaker 1: to be unique to the ear. Because you can step

488
00:23:01,560 --> 00:23:04,520
Speaker 1: on a joke. That's a real thing to step on

489
00:23:04,600 --> 00:23:07,520
Speaker 1: a joke, you know what I mean, even like hecklers

490
00:23:07,680 --> 00:23:10,600
Speaker 1: do that. Motherfucker be in the crowd, then figured out

491
00:23:10,640 --> 00:23:13,359
Speaker 1: where you're going, and I think the best, the better,

492
00:23:13,720 --> 00:23:17,200
Speaker 1: the better jokes. Niggas don't know where you're going right

493
00:23:18,960 --> 00:23:22,320
Speaker 1: at the end. Yeah, Nah, you're definitely right, yeah, man,

494
00:23:22,720 --> 00:23:25,119
Speaker 1: But I like I like comedy, man, I don't know.

495
00:23:25,160 --> 00:23:29,080
Speaker 1: It's something about it that I think. You know, y'all

496
00:23:29,119 --> 00:23:34,320
Speaker 1: are like very unique individuals to be able to craft

497
00:23:34,400 --> 00:23:37,200
Speaker 1: those jokes up, you know what I mean? Something about

498
00:23:37,240 --> 00:23:39,560
Speaker 1: that process, brother, make people laugh, bro.

499
00:23:40,000 --> 00:23:42,200
Speaker 3: And then when somebody might be going through some shit,

500
00:23:42,320 --> 00:23:44,200
Speaker 3: that's when it be like, you know, after the show,

501
00:23:44,400 --> 00:23:46,639
Speaker 3: like man, I need it is I just such and

502
00:23:46,720 --> 00:23:50,199
Speaker 3: such such like like damn and the fact that you

503
00:23:50,320 --> 00:23:52,840
Speaker 3: came out and you forgot about that during that time.

504
00:23:53,200 --> 00:23:54,200
Speaker 2: It be on something.

505
00:23:54,400 --> 00:23:56,440
Speaker 1: That's that's the dope part about it. You feel what

506
00:23:56,440 --> 00:23:59,639
Speaker 1: I'm saying. And so with a to five self, how

507
00:23:59,720 --> 00:24:02,359
Speaker 1: much would you say that helped you? Eighty five?

508
00:24:02,560 --> 00:24:04,399
Speaker 2: Oh, man, tremendous.

509
00:24:04,800 --> 00:24:07,800
Speaker 3: The reason why I say that because it's like seeing

510
00:24:07,840 --> 00:24:12,199
Speaker 3: so many seeing so many different type of people the

511
00:24:12,320 --> 00:24:18,080
Speaker 3: age range, and then just like hitting different regions that

512
00:24:18,119 --> 00:24:21,120
Speaker 3: I probably want to hit, like, you know, like doing

513
00:24:21,160 --> 00:24:24,040
Speaker 3: my trajectory. I want to hit it this fast, you

514
00:24:24,040 --> 00:24:26,560
Speaker 3: know what I'm saying, or being in different this situation

515
00:24:26,680 --> 00:24:30,200
Speaker 3: this fast, like even going to LA and being out

516
00:24:30,240 --> 00:24:33,000
Speaker 3: there doing like you know what I'm saying, doing certain shows.

517
00:24:33,040 --> 00:24:35,000
Speaker 3: So it was like, okay, Beck.

518
00:24:35,560 --> 00:24:41,600
Speaker 1: You know, I think that the tribe is so important too, man,

519
00:24:41,720 --> 00:24:45,800
Speaker 1: like to just have that tribe of men moving together

520
00:24:46,400 --> 00:24:49,720
Speaker 1: in and out of these states, you know, serving these fans.

521
00:24:49,800 --> 00:24:52,000
Speaker 1: You have an off night, he picked it up, he

522
00:24:52,200 --> 00:24:54,480
Speaker 1: killed it to not Yeah, you know what I'm saying,

523
00:24:54,560 --> 00:24:58,160
Speaker 1: These things help man, because by me maneuvering this thing

524
00:24:58,240 --> 00:25:02,480
Speaker 1: by myself that off night, don't you see it?

525
00:25:02,960 --> 00:25:03,560
Speaker 2: You see it?

526
00:25:04,480 --> 00:25:06,880
Speaker 1: But see as y'all move as a collective, man, it's

527
00:25:06,880 --> 00:25:10,320
Speaker 1: something about to try. Because human beings are tribal people.

528
00:25:11,000 --> 00:25:13,800
Speaker 1: You know what I mean, and sometimes the people you

529
00:25:13,880 --> 00:25:16,199
Speaker 1: grew up with a lot of times you don't end

530
00:25:16,280 --> 00:25:16,960
Speaker 1: up in business.

531
00:25:17,119 --> 00:25:19,639
Speaker 3: Man, they don't understand it sometimes, like you know what

532
00:25:19,680 --> 00:25:23,119
Speaker 3: I'm saying, Like just like you got cousins, you just

533
00:25:23,160 --> 00:25:26,880
Speaker 3: got homeboys, Like we'se homeboys. We grew up together because

534
00:25:26,920 --> 00:25:29,560
Speaker 3: we were in the same neighborhood. But that don't mean

535
00:25:29,600 --> 00:25:31,920
Speaker 3: we always thought the same, you know what I'm saying,

536
00:25:32,480 --> 00:25:35,680
Speaker 3: And that's sometimes we don't as we grow, like nigga,

537
00:25:35,760 --> 00:25:40,240
Speaker 3: you still not thinking how or I could be I

538
00:25:40,280 --> 00:25:41,040
Speaker 3: could be at fault.

539
00:25:41,200 --> 00:25:44,000
Speaker 1: I might be thinking too big. But how we're supposed

540
00:25:44,000 --> 00:25:46,880
Speaker 1: to what it is we we we changing and yeah,

541
00:25:47,000 --> 00:25:49,760
Speaker 1: we we went through the same things, but we took

542
00:25:49,920 --> 00:25:53,240
Speaker 1: different things from you know, And I think sometimes that

543
00:25:53,400 --> 00:25:57,080
Speaker 1: breeds envy because people next to you think they deserve

544
00:25:57,160 --> 00:26:00,320
Speaker 1: what you got right without putting the work in cause

545
00:26:00,320 --> 00:26:02,920
Speaker 1: they somewhere figures that they was handed to you.

546
00:26:03,359 --> 00:26:05,720
Speaker 2: Man, then they don't see the like you know what

547
00:26:05,760 --> 00:26:06,120
Speaker 2: I'm saying.

548
00:26:06,200 --> 00:26:10,760
Speaker 3: Sometimes our wings get broadcasted way more than our els.

549
00:26:11,240 --> 00:26:11,320
Speaker 1: Like.

550
00:26:11,400 --> 00:26:15,680
Speaker 3: But it's like the losses be there. Yeah, and when

551
00:26:15,680 --> 00:26:18,160
Speaker 3: them losses there, you don't want that do it?

552
00:26:18,200 --> 00:26:21,080
Speaker 1: And them long nights blind they don't know what a

553
00:26:21,160 --> 00:26:23,720
Speaker 1: nigga go through like me. I've been traveling all day.

554
00:26:24,160 --> 00:26:26,840
Speaker 1: People don't know, Like yo, You just see the views

555
00:26:26,920 --> 00:26:29,840
Speaker 1: and move and the niggas here and there. Like there's

556
00:26:29,880 --> 00:26:35,959
Speaker 1: people working hard and chasing these ideas. But for anybody listening, though,

557
00:26:36,040 --> 00:26:40,640
Speaker 1: you gotta remember that there's reward on the other side

558
00:26:40,680 --> 00:26:41,520
Speaker 1: of sacrifice.

559
00:26:41,760 --> 00:26:42,320
Speaker 2: Mm.

560
00:26:42,320 --> 00:26:45,080
Speaker 1: And so when we don't do that, when we don't

561
00:26:45,119 --> 00:26:49,440
Speaker 1: give ourselves anything in the future, we do ourselves a disservice,

562
00:26:49,560 --> 00:26:52,280
Speaker 1: and sacrifice is the only way to do that. You

563
00:26:52,320 --> 00:26:55,479
Speaker 1: see what I'm saying. You don't like a wolf. A

564
00:26:55,520 --> 00:26:58,399
Speaker 1: wolf for eat everything that it has because it's afraid

565
00:26:58,440 --> 00:27:01,439
Speaker 1: it'll be stolen from it if itsself nothing later on.

566
00:27:01,560 --> 00:27:04,359
Speaker 1: It don't say like you ever see a dog bury

567
00:27:04,440 --> 00:27:07,320
Speaker 1: a bone, You ever see them take meet and put

568
00:27:07,359 --> 00:27:09,879
Speaker 1: it somewhere for later on. A wolf won't do that

569
00:27:09,960 --> 00:27:13,439
Speaker 1: because it's so afraid that whatever it takes, because of

570
00:27:13,440 --> 00:27:17,000
Speaker 1: the mentality, whatever it has, if it don't eat it now,

571
00:27:17,520 --> 00:27:20,119
Speaker 1: somebody else is gonna get it. And sometimes we have

572
00:27:20,320 --> 00:27:23,760
Speaker 1: that mentality. And I gotta be able to shout with niggas.

573
00:27:23,760 --> 00:27:23,879
Speaker 2: Bro.

574
00:27:23,920 --> 00:27:26,320
Speaker 1: I done taught myself that this year, I want to

575
00:27:26,400 --> 00:27:29,760
Speaker 1: share with people. I want to not just anybody because

576
00:27:29,800 --> 00:27:35,640
Speaker 1: Sharon ain't giving and not getting People think Sharon Sharon

577
00:27:35,920 --> 00:27:41,520
Speaker 1: is initiating the barter and trading system. It ain't saying

578
00:27:41,560 --> 00:27:44,080
Speaker 1: that I'm gonna give you everything and get nothing.

579
00:27:43,880 --> 00:27:47,160
Speaker 2: New turned that.

580
00:27:47,600 --> 00:27:48,399
Speaker 1: You know what I'm saying.

581
00:27:49,720 --> 00:27:53,320
Speaker 2: A nonprofit, we ain't doing that.

582
00:27:54,040 --> 00:27:57,520
Speaker 1: You know what I'm saying, what do you? How much

583
00:27:57,560 --> 00:27:59,040
Speaker 1: content do you create a week?

584
00:27:59,760 --> 00:27:59,920
Speaker 2: Man?

585
00:28:00,040 --> 00:28:05,160
Speaker 3: And so we started the sports show. Uh broken play

586
00:28:05,240 --> 00:28:08,720
Speaker 3: that's hard. Yeah, So it came from like us just

587
00:28:08,760 --> 00:28:10,959
Speaker 3: being around. They always hear about me, like you know,

588
00:28:11,240 --> 00:28:14,600
Speaker 3: I gave them on sports like you know, everybody got advice.

589
00:28:14,359 --> 00:28:17,159
Speaker 1: Right, I got a whole list of niggas.

590
00:28:17,880 --> 00:28:19,080
Speaker 2: Yeah, so I gave.

591
00:28:20,560 --> 00:28:21,280
Speaker 1: Man you know what.

592
00:28:21,560 --> 00:28:26,359
Speaker 3: And I was telling people you don't be hitting bro

593
00:28:26,800 --> 00:28:30,479
Speaker 3: without telling somebout it. When you see what when you

594
00:28:30,600 --> 00:28:32,480
Speaker 3: hit and you see how much you don't put in,

595
00:28:32,600 --> 00:28:33,520
Speaker 3: you really ain't hit.

596
00:28:34,600 --> 00:28:36,120
Speaker 2: That shouldn't mind thing, bro.

597
00:28:36,240 --> 00:28:40,200
Speaker 1: Niggas knocking five from this ship? Yeah man, you ain't

598
00:28:40,280 --> 00:28:45,680
Speaker 1: hitting bro. Yeah, well it's whooping you, but you winning sometime.

599
00:28:46,320 --> 00:28:48,920
Speaker 1: What's your ratio though? How you looking on that ship?

600
00:28:49,000 --> 00:28:51,320
Speaker 1: Do you know that ship? Or is you bullshipping over

601
00:28:51,480 --> 00:28:52,160
Speaker 1: with your money.

602
00:28:53,080 --> 00:28:57,000
Speaker 3: I'm gonna look doing a little bow because it's like,

603
00:28:57,040 --> 00:29:00,400
Speaker 3: you know what I'm saying, what what fuck me up?

604
00:29:00,440 --> 00:29:03,280
Speaker 3: If I get an early loss, I.

605
00:29:03,600 --> 00:29:06,680
Speaker 2: N him now cha Yeah, now I'm chasing No.

606
00:29:07,160 --> 00:29:11,120
Speaker 3: I straight bet too, So I might straight bet, like

607
00:29:11,120 --> 00:29:13,400
Speaker 3: like the cowboys just fucked me up. I had them

608
00:29:13,400 --> 00:29:15,840
Speaker 3: on Parlais, had them on straight bed bet niggas in

609
00:29:15,880 --> 00:29:18,000
Speaker 3: the city, all that type of shit. They fucked me

610
00:29:18,080 --> 00:29:19,640
Speaker 3: up so that I was like, I'm gonna take a

611
00:29:19,680 --> 00:29:20,520
Speaker 3: couple of days off.

612
00:29:21,640 --> 00:29:23,160
Speaker 1: How much you be betting on them ship?

613
00:29:23,840 --> 00:29:28,280
Speaker 2: So like on my straight on my Parlais, I do

614
00:29:28,320 --> 00:29:29,560
Speaker 2: like one hundred dollars three.

615
00:29:29,400 --> 00:29:31,040
Speaker 1: Team and you and what that brain?

616
00:29:31,200 --> 00:29:33,360
Speaker 2: I think that brain let's brain six hundred.

617
00:29:33,560 --> 00:29:36,440
Speaker 1: See then that's a hundred gone. Yeah.

618
00:29:36,480 --> 00:29:39,520
Speaker 3: But then my straight bed Now this supposedly supposed to

619
00:29:39,560 --> 00:29:42,760
Speaker 3: be the lock, the straight bet. Yeah, my straight bet,

620
00:29:42,880 --> 00:29:44,520
Speaker 3: this is what Oh I know this is gonna hit.

621
00:29:44,720 --> 00:29:46,800
Speaker 3: So if I lose the hundred, I ain't tripped. Now my

622
00:29:46,880 --> 00:29:50,640
Speaker 3: lock lose, I'm fucked up. So my lock be five hundred.

623
00:29:50,680 --> 00:29:53,720
Speaker 3: I bet straight so sometimes yeah, I might lose.

624
00:29:54,560 --> 00:29:59,880
Speaker 1: So now like nigga badly make up for the straight

625
00:30:00,240 --> 00:30:00,840
Speaker 1: if you lose.

626
00:30:01,520 --> 00:30:05,080
Speaker 3: No, sometime my lock might be on the parlay.

627
00:30:05,160 --> 00:30:08,760
Speaker 1: Yeah you mak yeah, yeah, see, but I know niggas

628
00:30:08,800 --> 00:30:11,800
Speaker 1: been ten k yeah, and I tell you niggas hitting man.

629
00:30:13,040 --> 00:30:15,920
Speaker 1: People watching this, No, it's people living on sports. Oh yeah,

630
00:30:16,240 --> 00:30:17,240
Speaker 1: I'm fast.

631
00:30:17,280 --> 00:30:21,600
Speaker 3: Big, Yeah, it's big, that shiit big. We asked somebody

632
00:30:21,640 --> 00:30:23,640
Speaker 3: to come in and he breaking down. He was like,

633
00:30:23,760 --> 00:30:25,840
Speaker 3: because you know what I'm saying, a lot of us

634
00:30:25,880 --> 00:30:28,960
Speaker 3: be gambling. He looking at it, like, no, you get

635
00:30:29,080 --> 00:30:31,880
Speaker 3: one better day if you lose that shit. He was like,

636
00:30:32,080 --> 00:30:35,480
Speaker 3: spread your money out over thirty days. It ain't many.

637
00:30:35,560 --> 00:30:38,040
Speaker 3: He was like spreading that. Spreads your money out on

638
00:30:38,080 --> 00:30:40,760
Speaker 3: thirty days. And he was like, you're gonna win more

639
00:30:40,760 --> 00:30:43,720
Speaker 3: than you lose. But like, if you gambling, I can't

640
00:30:43,760 --> 00:30:45,959
Speaker 3: tell you nothing because you're gonna want to keep doing it.

641
00:30:46,200 --> 00:30:48,200
Speaker 3: You doing this shit, like we gotta get money out

642
00:30:48,280 --> 00:30:50,800
Speaker 3: this shit. He been one hundred k back that.

643
00:30:50,880 --> 00:30:53,000
Speaker 1: What I'm telling you, I got niggas that I know

644
00:30:53,080 --> 00:30:56,840
Speaker 1: for one hundred percent fact, my guys one million percent.

645
00:30:56,960 --> 00:31:00,960
Speaker 1: This ain't knowing his participation, I'm telling you not because

646
00:31:01,000 --> 00:31:04,560
Speaker 1: I'm hearing it. I know for a fact that niggas

647
00:31:04,640 --> 00:31:09,800
Speaker 1: is winning forty racks, sixty recks at a time, seventy

648
00:31:09,880 --> 00:31:12,040
Speaker 1: racks at a time. So I'm saying, and it got

649
00:31:12,040 --> 00:31:14,120
Speaker 1: me wanting to go over there, but I know it's trickery.

650
00:31:14,280 --> 00:31:15,880
Speaker 1: Oh yeah, for sure, you're gonna.

651
00:31:15,680 --> 00:31:18,760
Speaker 3: Have your good you man, the same way you win it,

652
00:31:18,800 --> 00:31:20,000
Speaker 3: the same way you lose it.

653
00:31:20,440 --> 00:31:22,880
Speaker 1: So like, what about the niggas selling the bets though

654
00:31:23,040 --> 00:31:23,960
Speaker 1: you don't fuck with that?

655
00:31:24,120 --> 00:31:26,200
Speaker 2: Yeah, shit, that's the one he was telling.

656
00:31:26,360 --> 00:31:30,160
Speaker 3: So like, bro, he he would sell his bets and

657
00:31:30,280 --> 00:31:35,080
Speaker 3: like forty people by the bets, so like.

658
00:31:33,720 --> 00:31:36,840
Speaker 1: Like he's smoking it, he's killing it. Even if he lose,

659
00:31:36,920 --> 00:31:37,440
Speaker 1: he wins.

660
00:31:37,520 --> 00:31:38,640
Speaker 2: Yeah, he got something.

661
00:31:38,840 --> 00:31:41,720
Speaker 1: That's my bet. Forty people paying me to get my

662
00:31:41,800 --> 00:31:43,720
Speaker 1: best that payment. That's like ian.

663
00:31:44,280 --> 00:31:46,719
Speaker 3: But it'd be like it's sometime they'll sit there and

664
00:31:46,760 --> 00:31:48,880
Speaker 3: study that ship four and five hours.

665
00:31:49,080 --> 00:31:51,480
Speaker 1: Man, niggas having five and six TV's on in the

666
00:31:51,520 --> 00:31:55,360
Speaker 1: trap fucking with that ship right now today, little bitty joints,

667
00:31:55,440 --> 00:31:57,960
Speaker 1: big joints. It just looks ugly with.

668
00:31:58,040 --> 00:32:00,200
Speaker 2: How they got the prize. Pitch with the player. You

669
00:32:00,200 --> 00:32:02,200
Speaker 2: ain't even got a you ain't even got your team,

670
00:32:02,200 --> 00:32:03,040
Speaker 2: ain't even gotta win.

671
00:32:03,200 --> 00:32:06,320
Speaker 1: Shout out Mike Priz picks just got my situation with

672
00:32:06,480 --> 00:32:08,680
Speaker 1: priz picking, so you could.

673
00:32:08,440 --> 00:32:10,560
Speaker 3: More or less they ass now you on that ship.

674
00:32:10,680 --> 00:32:13,560
Speaker 3: So it's like, bro, now it's like you might be

675
00:32:13,600 --> 00:32:15,880
Speaker 3: watching the game. And I was watching the game with

676
00:32:15,920 --> 00:32:19,000
Speaker 3: the kids the other day, and you know, they got

677
00:32:19,000 --> 00:32:19,920
Speaker 3: their favorite player.

678
00:32:20,000 --> 00:32:22,040
Speaker 2: They hey, hey today today?

679
00:32:22,480 --> 00:32:28,400
Speaker 3: Yeah yeah, take his as he going to motherfucking Craze.

680
00:32:28,440 --> 00:32:32,480
Speaker 3: I got him on the least, not today, boy, break

681
00:32:32,520 --> 00:32:33,400
Speaker 3: that motherfucker.

682
00:32:33,480 --> 00:32:36,800
Speaker 1: Man, I'm talking about real that sports bending world is

683
00:32:36,840 --> 00:32:40,400
Speaker 1: a different world. That ship rolls up quickly, and I

684
00:32:40,440 --> 00:32:42,760
Speaker 1: said to myself, Man, if I need, I need to

685
00:32:42,760 --> 00:32:45,840
Speaker 1: get into that ship because it's more than just imposted bending.

686
00:32:45,960 --> 00:32:48,920
Speaker 1: It's some science on that ship. Hell yeah, and I

687
00:32:48,960 --> 00:32:52,360
Speaker 1: believe the teams to be involved. I be seeing him

688
00:32:52,400 --> 00:32:54,640
Speaker 1: sometime and say, you know we need three.

689
00:32:54,840 --> 00:32:56,640
Speaker 2: Look, and I'm gonna tell you another thing. Bro.

690
00:32:56,840 --> 00:32:58,920
Speaker 3: When they be doing certain stuff, I was like, bro,

691
00:32:58,960 --> 00:33:02,720
Speaker 3: they know the over under. It can't be over the motherfucker.

692
00:33:02,760 --> 00:33:05,520
Speaker 3: Just come down there and popa three. Bring you down nineteen.

693
00:33:05,800 --> 00:33:08,120
Speaker 3: Run the fucking clock out. Man, what you're doing? Yes,

694
00:33:08,560 --> 00:33:11,320
Speaker 3: So I know what I'm saying. Referee, they could slow

695
00:33:11,360 --> 00:33:13,960
Speaker 3: the game down. Call files now and they in the

696
00:33:14,040 --> 00:33:16,840
Speaker 3: penalty early. So anytime they get filed, they at.

697
00:33:16,720 --> 00:33:18,120
Speaker 1: The free throw line at count.

698
00:33:18,280 --> 00:33:20,880
Speaker 3: Sometimes you hear the commentation like, oh they're letting them

699
00:33:20,920 --> 00:33:24,400
Speaker 3: play no motherfucking out today, call them foul.

700
00:33:24,480 --> 00:33:26,480
Speaker 1: And that's but that's what I'm saying. So they all

701
00:33:26,960 --> 00:33:29,480
Speaker 1: I believe them to be involved. Man, I'm saying to myself,

702
00:33:29,720 --> 00:33:32,280
Speaker 1: I believe the folksed to be involved. Man like you say,

703
00:33:32,360 --> 00:33:35,200
Speaker 1: it'll be like, yo, why they kicking the field goal?

704
00:33:35,400 --> 00:33:36,200
Speaker 1: What's going on?

705
00:33:36,320 --> 00:33:37,000
Speaker 2: You can't win?

706
00:33:37,320 --> 00:33:39,560
Speaker 1: It is no reason to kick a field goal right

707
00:33:39,600 --> 00:33:43,440
Speaker 1: now boom yo. That is only helping the bet. There's

708
00:33:43,800 --> 00:33:47,000
Speaker 1: literally no other reason for that. So and I don't

709
00:33:47,040 --> 00:33:48,760
Speaker 1: think is it against the rules for them to bet

710
00:33:48,800 --> 00:33:52,640
Speaker 1: on themselves? Yeah, it is. I guarantee they still betting

711
00:33:52,640 --> 00:33:56,200
Speaker 1: on this. They are nigga through they people, nigga. Yeah,

712
00:33:56,040 --> 00:33:59,880
Speaker 1: A media puts in fact that athletes has been self

713
00:34:00,080 --> 00:34:01,680
Speaker 1: through their people. Nigga. Yeah.

714
00:34:02,000 --> 00:34:04,560
Speaker 3: You might see a nigga go out there, blood sweat

715
00:34:04,640 --> 00:34:07,680
Speaker 3: and tells but he had over. He ain't even think

716
00:34:07,760 --> 00:34:10,800
Speaker 3: about passing. Yeah, well I got.

717
00:34:10,640 --> 00:34:14,719
Speaker 1: Myself for a half a rat man, but so so

718
00:34:14,840 --> 00:34:18,239
Speaker 1: you did. So they did the use sports bend and

719
00:34:18,320 --> 00:34:19,720
Speaker 1: they they said let's do a show.

720
00:34:20,080 --> 00:34:20,279
Speaker 2: Yeah.

721
00:34:20,480 --> 00:34:22,640
Speaker 3: So, like we had just started coming up, like let's

722
00:34:22,680 --> 00:34:26,120
Speaker 3: just talk about sports. So we started doing the sports Prize.

723
00:34:26,120 --> 00:34:28,160
Speaker 3: Pitch came in, shout out to them, and then we

724
00:34:28,320 --> 00:34:29,080
Speaker 3: just started.

725
00:34:29,000 --> 00:34:33,520
Speaker 1: Got pick yeah, okay, fuck hey. You know one thing

726
00:34:33,560 --> 00:34:36,920
Speaker 1: about they trying to tap in with the Coulture you

727
00:34:36,960 --> 00:34:38,960
Speaker 1: frock with Mike? Who you fucking with Mike?

728
00:34:39,760 --> 00:34:40,040
Speaker 2: Yeah?

729
00:34:40,080 --> 00:34:42,279
Speaker 3: So and then another thing with them, you know what,

730
00:34:42,360 --> 00:34:50,600
Speaker 3: it's like bruh, like they getting people. This ship like

731
00:34:50,640 --> 00:34:53,600
Speaker 3: a drug. I don't want to say it like that,

732
00:34:53,640 --> 00:34:56,359
Speaker 3: but this ship like a because I'm seeing niggas who

733
00:34:56,400 --> 00:34:59,520
Speaker 3: I ain't never think man, man them niggas A man,

734
00:34:59,560 --> 00:35:02,000
Speaker 3: I've seen nigga like, boy, I need this so bad.

735
00:35:02,080 --> 00:35:05,040
Speaker 2: He been three dollars Like bro, man, don't.

736
00:35:04,800 --> 00:35:08,840
Speaker 1: Put that on a millionaires sweating sweating Yeah, so niggas

737
00:35:08,920 --> 00:35:11,799
Speaker 1: is on it, man. I think it rejuvenated sports. What

738
00:35:11,920 --> 00:35:15,560
Speaker 1: gambling did for sports. It literally center shock.

739
00:35:15,440 --> 00:35:17,759
Speaker 3: With the viewership going to come back up now because

740
00:35:17,800 --> 00:35:18,919
Speaker 3: niggas is watching the game.

741
00:35:19,160 --> 00:35:19,359
Speaker 2: Bro.

742
00:35:19,520 --> 00:35:22,120
Speaker 3: I be watching teams that I don't even know what

743
00:35:22,239 --> 00:35:25,600
Speaker 3: state they until we go to the city. Sometimes I'm like, damn,

744
00:35:25,680 --> 00:35:28,440
Speaker 3: this is what Siana at They gonna been on schools

745
00:35:28,440 --> 00:35:28,719
Speaker 3: like that.

746
00:35:28,960 --> 00:35:33,120
Speaker 1: Yeah, the fuck is a you know he s nigga

747
00:35:33,160 --> 00:35:36,600
Speaker 1: with low voice like, bro, we might be passing.

748
00:35:37,120 --> 00:35:39,719
Speaker 2: I'm like, what it's what is school at?

749
00:35:40,280 --> 00:35:44,920
Speaker 1: Been on college and all sports bending world. I think

750
00:35:45,320 --> 00:35:47,840
Speaker 1: it picked up the It picked up sports because you

751
00:35:47,880 --> 00:35:48,760
Speaker 1: gotta watch it.

752
00:35:48,840 --> 00:35:51,720
Speaker 3: And I got ESPN Plus on my phone now because

753
00:35:51,719 --> 00:35:53,319
Speaker 3: that way you watch all the school.

754
00:35:53,040 --> 00:35:54,399
Speaker 2: That they're not gonna show on TV.

755
00:35:54,800 --> 00:35:57,759
Speaker 1: And now we're watching Watford, all them even even if

756
00:35:57,800 --> 00:36:01,279
Speaker 1: it even if they don't seeing it viewership, right, let's

757
00:36:01,320 --> 00:36:04,239
Speaker 1: just say they don't see the spiking viewership, but the

758
00:36:04,400 --> 00:36:08,720
Speaker 1: interaction and involvement and how people care about it because

759
00:36:09,000 --> 00:36:11,880
Speaker 1: money is attached to because you know, even if you

760
00:36:12,040 --> 00:36:14,319
Speaker 1: checking the score, you busy, you gotta go to NBA

761
00:36:14,440 --> 00:36:17,160
Speaker 1: dot com. I got the renting them speak on it before,

762
00:36:17,280 --> 00:36:22,000
Speaker 1: like I've heard Irvis Kyprie Irving say, Yo, niggas need

763
00:36:22,000 --> 00:36:24,359
Speaker 1: to quit hitting me about what they bet. Yeah, so

764
00:36:24,680 --> 00:36:27,160
Speaker 1: I'm telling you niggas is hitting them. Boyd Man, I

765
00:36:27,200 --> 00:36:28,120
Speaker 1: got two thousand.

766
00:36:29,280 --> 00:36:33,560
Speaker 3: Kevin Durant, probably the realist nigga. Somebody had said the

767
00:36:33,640 --> 00:36:37,560
Speaker 3: rest my guy. He somebody had said something about, man,

768
00:36:37,800 --> 00:36:40,200
Speaker 3: you cost me such and say he was like, y'all, nigga,

769
00:36:40,200 --> 00:36:41,399
Speaker 3: don't hit me when y'all win.

770
00:36:41,560 --> 00:36:44,640
Speaker 1: You don't send me nothing that nigga said. Nigga, you rich.

771
00:36:45,400 --> 00:36:48,200
Speaker 2: I can't even argue with you on that now though.

772
00:36:49,200 --> 00:36:51,920
Speaker 1: But both of them, both of that's real. Yeah, niggas

773
00:36:51,920 --> 00:36:55,719
Speaker 1: not mad at them players, man, Niggas hit them folks.

774
00:36:55,200 --> 00:36:57,640
Speaker 2: Man, No, folks don't play the back to back game.

775
00:36:58,000 --> 00:37:01,719
Speaker 1: The rap niggas. Guess what rap niggas really be mad

776
00:37:01,800 --> 00:37:05,440
Speaker 1: at these athletes. Nigga, you they put the bag on you. Niggas.

777
00:37:06,880 --> 00:37:08,960
Speaker 1: They ain't sitting in front ro because they no hell

778
00:37:09,040 --> 00:37:13,840
Speaker 1: of fan. Niggas say, they come on hard. Yeah, nigga,

779
00:37:13,920 --> 00:37:16,640
Speaker 1: let's get it going. Niggas is in there. Nigga mad.

780
00:37:16,719 --> 00:37:19,719
Speaker 1: Nigga sistick grain on this motherfucker. I'm telling you they

781
00:37:19,800 --> 00:37:20,640
Speaker 1: betting man.

782
00:37:21,760 --> 00:37:23,160
Speaker 2: You dead that right though?

783
00:37:23,239 --> 00:37:27,840
Speaker 1: For real? Nigga be mad here, that's crazy, im a

784
00:37:27,880 --> 00:37:30,960
Speaker 1: nigga from being your favorite player too. You done fell

785
00:37:31,000 --> 00:37:36,040
Speaker 1: out what the nigga unfollowed. Don't block the niggas so

786
00:37:36,280 --> 00:37:38,960
Speaker 1: you don't even know. You don't even know, you don't man.

787
00:37:39,880 --> 00:37:44,239
Speaker 1: Kyrie Irving told them, nigga, man, stop calling me listen, Bro,

788
00:37:44,760 --> 00:37:48,440
Speaker 1: I don't tell nobody to bet on me. Man. Niggas

789
00:37:48,480 --> 00:37:50,800
Speaker 1: don't care nothing about your family being in turn on

790
00:37:51,719 --> 00:37:56,600
Speaker 1: niggas don't give a damn about you. Yeah, how I

791
00:37:57,040 --> 00:38:00,319
Speaker 1: like what your mental state is like you, I'm on

792
00:38:00,360 --> 00:38:02,120
Speaker 1: my Space. I think a nigga need to have a

793
00:38:02,160 --> 00:38:04,640
Speaker 1: mood on Instagram where you know a nigga moved before

794
00:38:04,640 --> 00:38:05,040
Speaker 1: the game.

795
00:38:05,840 --> 00:38:08,440
Speaker 2: If a niggas say angry all ship, he might go for.

796
00:38:08,520 --> 00:38:11,360
Speaker 1: To night or I ain't betting if he's sad. You

797
00:38:12,640 --> 00:38:17,040
Speaker 1: what that nigga put saying that nigga say't he's sad? Nigga?

798
00:38:16,920 --> 00:38:20,480
Speaker 1: That nigga? So people don't know like and I bet,

799
00:38:20,760 --> 00:38:22,640
Speaker 1: I bet it's offensive. Like, Bro, you don't think I

800
00:38:22,719 --> 00:38:25,959
Speaker 1: might trying my hardest right some people might not be though,

801
00:38:26,320 --> 00:38:30,719
Speaker 1: but them guys, it be offensive to question some of

802
00:38:30,760 --> 00:38:34,520
Speaker 1: them men. That is solidified in putting the work in

803
00:38:34,760 --> 00:38:37,720
Speaker 1: time after time, time after time.

804
00:38:38,640 --> 00:38:40,719
Speaker 3: But then, brother, think about it, how we look at

805
00:38:40,760 --> 00:38:44,600
Speaker 3: sports like that. Imagine if a nigga did our life

806
00:38:44,719 --> 00:38:47,000
Speaker 3: like that. You know what I'm saying and what we

807
00:38:47,080 --> 00:38:47,720
Speaker 3: do at our.

808
00:38:49,080 --> 00:38:50,320
Speaker 1: But they do it to us.

809
00:38:50,480 --> 00:38:52,480
Speaker 2: Yeah, but it just ain't no more.

810
00:38:54,560 --> 00:38:56,839
Speaker 1: We get nigga ainting the light of nigga ass up

811
00:38:56,840 --> 00:38:57,400
Speaker 1: in the coming.

812
00:38:57,520 --> 00:38:59,680
Speaker 3: Yeah, but they ain't. You don't see no nigga betting

813
00:38:59,680 --> 00:39:01,360
Speaker 3: on you know, like you know what I'm saying.

814
00:39:02,800 --> 00:39:03,160
Speaker 1: It, Madden.

815
00:39:03,200 --> 00:39:05,239
Speaker 3: If you feel like you're good and a nigga, you

816
00:39:05,280 --> 00:39:08,520
Speaker 3: go in and see they said I can't go six points?

817
00:39:08,600 --> 00:39:11,319
Speaker 1: Yeah, you know what I'm damn. That's fun. Yeah, that's

818
00:39:11,320 --> 00:39:13,359
Speaker 1: fucked up. You'd have made it to the lead, worked

819
00:39:13,440 --> 00:39:16,000
Speaker 1: all your life. They got you down for one point

820
00:39:16,040 --> 00:39:25,040
Speaker 1: to day that up yeah wow, yeah to get one rebound.

821
00:39:25,320 --> 00:39:29,879
Speaker 1: But now a a comedian and a crowd that ain't

822
00:39:29,960 --> 00:39:33,400
Speaker 1: giving him nothing. That silence of the crowd. Have you

823
00:39:33,400 --> 00:39:34,200
Speaker 1: ever dealt with that?

824
00:39:34,840 --> 00:39:38,799
Speaker 2: Man? Damn? Yeah, I done dealt with that. It's been

825
00:39:38,800 --> 00:39:39,520
Speaker 2: a long time.

826
00:39:39,600 --> 00:39:43,440
Speaker 1: Though. You're going to familiar places. Some of them people

827
00:39:43,560 --> 00:39:46,200
Speaker 1: crave now, man, to go to people that don't. Really

828
00:39:47,880 --> 00:39:51,239
Speaker 1: it's biased. Some people like to work their jokes some

829
00:39:51,320 --> 00:39:55,800
Speaker 1: of the greats, or work their jokes amongst the people

830
00:39:55,800 --> 00:39:58,040
Speaker 1: that may not necessarily be their crowd.

831
00:39:58,200 --> 00:40:01,440
Speaker 3: Yeah, but man, I'm gonna tell you this. I had

832
00:40:01,480 --> 00:40:05,279
Speaker 3: I had tour with Drewski in twenty twenty three. Shout

833
00:40:05,520 --> 00:40:09,520
Speaker 3: Drew Man shout out Drew, what kind of comedy man?

834
00:40:09,680 --> 00:40:13,600
Speaker 3: So he was doing that could have been he'll come

835
00:40:13,640 --> 00:40:16,080
Speaker 3: out and do stand up and then he'll do like

836
00:40:16,280 --> 00:40:19,400
Speaker 3: uh like you sign into his label. So it was

837
00:40:19,400 --> 00:40:22,279
Speaker 3: a dope ass concept, dope ass show. So I was

838
00:40:22,320 --> 00:40:25,239
Speaker 3: doing the tour, I go up and do twenty minutes. Bro,

839
00:40:25,440 --> 00:40:27,960
Speaker 3: I'm seeing people. We might hit cities that I done

840
00:40:28,080 --> 00:40:30,960
Speaker 3: been in a long time A lot of times.

841
00:40:31,040 --> 00:40:32,719
Speaker 2: I ain't gonna say a long time. A lot of times.

842
00:40:33,400 --> 00:40:36,880
Speaker 3: Bro, I'm seeing people I never would back nigga. It

843
00:40:36,920 --> 00:40:40,280
Speaker 3: was so many white people when we did Memphis because

844
00:40:40,320 --> 00:40:43,600
Speaker 3: he bring out a different crowd. He got a different

845
00:40:43,880 --> 00:40:48,839
Speaker 3: man man. He reached bro, And that's what I realized.

846
00:40:49,120 --> 00:40:51,120
Speaker 3: So this one, I'm doing my jokes in front of

847
00:40:51,120 --> 00:40:54,640
Speaker 3: these I'm like, oh, this ship here. And when I

848
00:40:54,680 --> 00:40:58,239
Speaker 3: say here is like it translates on both sides because

849
00:40:58,239 --> 00:41:00,600
Speaker 3: it's been times where you know people it was like,

850
00:41:01,640 --> 00:41:03,800
Speaker 3: oh he could do that in front of a nigger crowd.

851
00:41:04,360 --> 00:41:07,279
Speaker 1: What kind of joke? What kind of joke like about what?

852
00:41:08,000 --> 00:41:10,640
Speaker 3: Like? Bro, I talk about shit, I talk about me,

853
00:41:10,719 --> 00:41:12,719
Speaker 3: I talk about my family, talk about kids.

854
00:41:12,480 --> 00:41:14,600
Speaker 2: Look what's going on in the world.

855
00:41:14,960 --> 00:41:17,280
Speaker 3: And sometimes it was like, you know, even with my accent,

856
00:41:17,400 --> 00:41:19,520
Speaker 3: you won't hear people say certain stuff like oh, it

857
00:41:19,600 --> 00:41:21,840
Speaker 3: won't translate you know what I'm saying. They won't be

858
00:41:21,880 --> 00:41:26,959
Speaker 3: able to understand it went over there instantly. Ship Like bro,

859
00:41:27,040 --> 00:41:28,920
Speaker 3: when you got it, you got that ship. That why

860
00:41:28,960 --> 00:41:31,640
Speaker 3: you can't listen to certain shit people say. You might

861
00:41:31,680 --> 00:41:34,600
Speaker 3: want to change your you know, try to try to

862
00:41:34,600 --> 00:41:36,400
Speaker 3: project your voice, you know, try to.

863
00:41:36,520 --> 00:41:38,640
Speaker 1: I know in them auditions you get a lot of that.

864
00:41:38,800 --> 00:41:41,320
Speaker 3: Yeah, they cause they hear it. Man, I might audition

865
00:41:41,440 --> 00:41:43,400
Speaker 3: for something in New York. I'm talking just like that.

866
00:41:44,719 --> 00:41:46,120
Speaker 3: I ain't trying to change my voice.

867
00:41:46,120 --> 00:41:48,600
Speaker 1: And because I don't know, I don't. I ain't never tried.

868
00:41:49,000 --> 00:41:49,759
Speaker 2: It's all I know.

869
00:41:50,400 --> 00:41:53,319
Speaker 3: Say anything how they say, let me talk to you

870
00:41:53,360 --> 00:41:55,960
Speaker 3: for a second. One time I was on set. I

871
00:41:56,040 --> 00:41:58,960
Speaker 3: was on set the movie. It was based out of

872
00:41:59,000 --> 00:42:01,880
Speaker 3: New Jersey, but I had no got the role and

873
00:42:01,920 --> 00:42:02,640
Speaker 3: I said something.

874
00:42:02,680 --> 00:42:06,759
Speaker 2: They were like, oh, could you try to, uh try to.

875
00:42:09,040 --> 00:42:13,120
Speaker 3: Your accent? Yeah, like you were getting frustrated trying to explain.

876
00:42:13,560 --> 00:42:16,240
Speaker 3: So now I'm trying to. I can't do it on spot.

877
00:42:16,320 --> 00:42:17,960
Speaker 3: There's some shit I gotta train to do.

878
00:42:18,400 --> 00:42:21,640
Speaker 1: See. That's the thing, man, that's I think every time

879
00:42:21,680 --> 00:42:24,759
Speaker 1: I hear about Hollywood, and I'm from the outside looking in,

880
00:42:24,840 --> 00:42:28,680
Speaker 1: so my perspective could be skewed a bit, but I

881
00:42:28,800 --> 00:42:33,840
Speaker 1: tend to view it and say, man, sometimes they have

882
00:42:34,160 --> 00:42:39,920
Speaker 1: unreasonable request. And then I think this leads me to

883
00:42:40,000 --> 00:42:46,719
Speaker 1: the dress conversation. Right, have you ever wore dress as

884
00:42:46,719 --> 00:42:48,279
Speaker 1: a coming? Would you do that? Nah?

885
00:42:48,440 --> 00:42:48,600
Speaker 2: Win?

886
00:42:49,200 --> 00:42:52,239
Speaker 3: And and I don't know, like the stipulation with that

887
00:42:52,320 --> 00:42:56,799
Speaker 3: shit I wentn't wasn't no dress for one because of

888
00:42:56,800 --> 00:43:02,200
Speaker 3: how I'm built, like like I look like a like

889
00:43:02,200 --> 00:43:06,920
Speaker 3: a little thick bit. But nah, all jose aside, Bro,

890
00:43:07,040 --> 00:43:08,960
Speaker 3: it's like you see you hear all that type of.

891
00:43:08,920 --> 00:43:11,680
Speaker 2: Stuff, Like, Bro, it's like I feel like.

892
00:43:14,640 --> 00:43:19,319
Speaker 3: It's women actresses, Like what what what I'm portraying with this?

893
00:43:19,480 --> 00:43:21,000
Speaker 3: You know what I'm saying? What I'm doing with this?

894
00:43:21,400 --> 00:43:24,040
Speaker 3: And I think if you probably would have caught somebody

895
00:43:24,080 --> 00:43:26,680
Speaker 3: in their younger, younger years, you know what I'm saying

896
00:43:26,719 --> 00:43:30,480
Speaker 3: when you just like, because I grew up when I

897
00:43:30,520 --> 00:43:33,200
Speaker 3: say younger years, do what I'm gonna say. But I

898
00:43:33,200 --> 00:43:35,480
Speaker 3: grew up watching Mark. I used to think it was

899
00:43:35,560 --> 00:43:39,759
Speaker 3: hilarious him doing Shy doing Mama Pain. So I didn't

900
00:43:39,760 --> 00:43:41,719
Speaker 3: look at it as like a man in a dress.

901
00:43:42,040 --> 00:43:45,120
Speaker 3: What if that was forced? That's what I didn't know.

902
00:43:45,840 --> 00:43:49,040
Speaker 3: We don't know until you start hearing those conversations. And now,

903
00:43:49,520 --> 00:43:53,279
Speaker 3: you know, we get old and I'm like, damn, you

904
00:43:53,320 --> 00:43:55,600
Speaker 3: see they have a list of comedians and showing a

905
00:43:55,600 --> 00:43:58,480
Speaker 3: little collages of comedians, So damn.

906
00:43:58,200 --> 00:44:00,319
Speaker 2: What all this is about? You feel saying?

907
00:44:00,360 --> 00:44:02,000
Speaker 1: What do you think? That's what I'm saying. What, well,

908
00:44:02,040 --> 00:44:03,880
Speaker 1: let's talk about that. I want to know what that

909
00:44:03,960 --> 00:44:06,800
Speaker 1: shit is about. That's what I don't know yet that

910
00:44:07,040 --> 00:44:09,880
Speaker 1: I'm trying to worry. It gotta be, Yeah, it gotta

911
00:44:09,920 --> 00:44:11,919
Speaker 1: be some crazy shit. But when you see that type

912
00:44:11,920 --> 00:44:14,840
Speaker 1: of shit, like what's funny about it? But if you

913
00:44:14,960 --> 00:44:18,200
Speaker 1: were in your younger years, those times when you would

914
00:44:18,239 --> 00:44:21,720
Speaker 1: starve in auditions, if they were to say, yo, a drest,

915
00:44:22,320 --> 00:44:23,520
Speaker 1: get it done, because you.

916
00:44:23,560 --> 00:44:26,319
Speaker 3: Gotta think I'm still I'm knowing now I'm talking about

917
00:44:26,400 --> 00:44:28,960
Speaker 3: like when I used to watch Martin and watch you know,

918
00:44:29,160 --> 00:44:31,080
Speaker 3: watch Jamie Foxx do Wander those type.

919
00:44:32,080 --> 00:44:33,799
Speaker 2: I thought it was funny at the time.

920
00:44:33,880 --> 00:44:36,239
Speaker 3: But now when I'm older and I'm saying, like I

921
00:44:36,320 --> 00:44:39,400
Speaker 3: might if they talk about madea or something like that, like.

922
00:44:40,200 --> 00:44:41,319
Speaker 2: What's funny about this shit?

923
00:44:41,640 --> 00:44:44,880
Speaker 3: And then my thing is like, like you said that,

924
00:44:44,880 --> 00:44:48,160
Speaker 3: this shit getting repetitive, and and why don't these gentlemen

925
00:44:48,280 --> 00:44:51,200
Speaker 3: come out on behalf of our community? Right if they

926
00:44:51,320 --> 00:44:54,960
Speaker 3: see that all of these gentlemen bro were saying that

927
00:44:55,120 --> 00:44:58,399
Speaker 3: Jamie Foxes the morn Lawrence the tyler peer is as

928
00:44:58,480 --> 00:45:01,200
Speaker 3: powerful as you guys a if you did it for

929
00:45:01,280 --> 00:45:04,760
Speaker 3: whatever reason, why don't these gentlemen come out to say something.

930
00:45:05,080 --> 00:45:08,880
Speaker 2: Or what I'm saying it wasn't no, and yo, y'all

931
00:45:08,920 --> 00:45:09,640
Speaker 2: got that wrong?

932
00:45:10,360 --> 00:45:17,439
Speaker 1: This you hell no nigga I wrote that. But it's like, say, so, man,

933
00:45:17,520 --> 00:45:23,200
Speaker 1: how y'all quiet? Listen, twenty five niggas is silent. Ain't

934
00:45:23,280 --> 00:45:26,160
Speaker 1: nobody on the list come out to dispute ain, Yo,

935
00:45:26,280 --> 00:45:27,879
Speaker 1: that ain't what it is family.

936
00:45:27,680 --> 00:45:30,840
Speaker 3: No, no, no, no, y'all got that rong for the

937
00:45:30,920 --> 00:45:33,560
Speaker 3: other niggas. But me, I wrote that point on my own.

938
00:45:33,840 --> 00:45:35,840
Speaker 3: I put myself in that motherfucker.

939
00:45:35,440 --> 00:45:38,759
Speaker 1: Jow y'all leaving room and didn't even speculator even that

940
00:45:38,920 --> 00:45:44,400
Speaker 1: can speak to the environment, right. Sometimes it's it's just

941
00:45:44,440 --> 00:45:47,080
Speaker 1: like niggas leave with money because they know these a

942
00:45:47,120 --> 00:45:50,359
Speaker 1: lot of girls gold diggers. Sometimes women are gold diggers, right,

943
00:45:50,400 --> 00:45:52,560
Speaker 1: so sometimes you leave with money. That's why when you

944
00:45:52,560 --> 00:45:55,239
Speaker 1: put cheese on the rat trap, it's because you know,

945
00:45:55,280 --> 00:45:56,920
Speaker 1: the cheese to get him over there, to get his

946
00:45:57,080 --> 00:46:01,720
Speaker 1: neck snap. You feel me. So it's the same thing

947
00:46:02,080 --> 00:46:05,080
Speaker 1: they try to. They lead you over there knowing that

948
00:46:05,440 --> 00:46:09,680
Speaker 1: if I put the dress on, they're green lighted. But

949
00:46:09,719 --> 00:46:12,600
Speaker 1: if I just come regular, funny, If I just come regular,

950
00:46:12,760 --> 00:46:14,759
Speaker 1: they ain't gonna grin. But if I put the dress on,

951
00:46:14,840 --> 00:46:17,840
Speaker 1: I got a better chance, and I'm green lightning. And

952
00:46:17,960 --> 00:46:19,160
Speaker 1: sometimes it can be that.

953
00:46:19,280 --> 00:46:21,680
Speaker 3: And Dave Chappelle he had spoken on one time when

954
00:46:21,719 --> 00:46:24,040
Speaker 3: he was on Blue Streak set, they had put a

955
00:46:24,120 --> 00:46:27,200
Speaker 3: dress in his trailer, but it never was in the script.

956
00:46:27,680 --> 00:46:29,439
Speaker 3: They were like, nah, we thought it would be funny

957
00:46:29,400 --> 00:46:31,960
Speaker 3: if we do that. Like he did an interview about it,

958
00:46:32,000 --> 00:46:34,239
Speaker 3: but he told him, no, he didn't do it.

959
00:46:34,280 --> 00:46:34,960
Speaker 2: You know what I'm saying.

960
00:46:35,040 --> 00:46:38,319
Speaker 3: But it was like, sometimes I guess they'll tell you

961
00:46:39,120 --> 00:46:41,640
Speaker 3: why you on set or something like that, or just

962
00:46:41,680 --> 00:46:43,719
Speaker 3: you know, just bring it just to try you.

963
00:46:43,800 --> 00:46:45,920
Speaker 2: Maybe I don't know, but he told him.

964
00:46:45,960 --> 00:46:49,360
Speaker 1: Now, but you're saying you wouldn't do it, nahy, Now

965
00:46:49,360 --> 00:46:50,520
Speaker 1: you ain't gonna see me in no dress.

966
00:46:50,680 --> 00:46:51,520
Speaker 2: No, you ain't gonna see me. No.

967
00:46:52,640 --> 00:46:55,200
Speaker 1: I just think it's interesting though. Why don't you think

968
00:46:55,280 --> 00:46:58,080
Speaker 1: no one comes out to speak on that? Man?

969
00:47:00,080 --> 00:47:02,719
Speaker 2: Yeah, I don't, bro.

970
00:47:02,880 --> 00:47:05,680
Speaker 3: This is how I look at it, like some shit

971
00:47:05,760 --> 00:47:09,000
Speaker 3: you gotta like say if like, if you know what

972
00:47:09,000 --> 00:47:12,279
Speaker 3: I'm saying, or maybe they they used to allegations on

973
00:47:12,320 --> 00:47:12,920
Speaker 3: them what they like.

974
00:47:13,000 --> 00:47:14,600
Speaker 2: I can't address everyone.

975
00:47:14,239 --> 00:47:17,480
Speaker 3: On them twenty five different people though, but man, it's

976
00:47:17,520 --> 00:47:19,880
Speaker 3: like if you it's like it's some kind of cold

977
00:47:19,960 --> 00:47:20,680
Speaker 3: attached to it.

978
00:47:20,880 --> 00:47:24,600
Speaker 1: Twenty five like it's like twenty comics bro literally on

979
00:47:24,680 --> 00:47:28,239
Speaker 1: their collage thing. Nobody won't come out and say, y'all

980
00:47:28,280 --> 00:47:32,520
Speaker 1: have the wrong idea about Hollywood, y'all have it wrong right.

981
00:47:32,680 --> 00:47:35,200
Speaker 1: Nobody forced me to do that. I was never put

982
00:47:35,239 --> 00:47:38,080
Speaker 1: in that circumspart on that. Nobody won't say that that

983
00:47:38,280 --> 00:47:40,799
Speaker 1: says something that's just like where we're from.

984
00:47:40,920 --> 00:47:43,279
Speaker 3: I say, the two worst things somebody could put on

985
00:47:43,320 --> 00:47:45,480
Speaker 3: you is like if you not you know what I'm saying,

986
00:47:45,800 --> 00:47:49,279
Speaker 3: is if you a snitch or you gay? Yes, if

987
00:47:49,320 --> 00:47:51,319
Speaker 3: somebody say that, I feel like you defend or you.

988
00:47:51,320 --> 00:47:54,960
Speaker 1: Got HIV aids. Oh, you got to come out of yo.

989
00:47:55,080 --> 00:48:02,120
Speaker 1: That's untrue, untrue. Yeah, I got kids and everything. He Now,

990
00:48:02,200 --> 00:48:06,040
Speaker 1: I know you call me a fuck nigga. Ain't because

991
00:48:06,040 --> 00:48:09,400
Speaker 1: you might. I might have did some, but look, don't

992
00:48:09,440 --> 00:48:13,440
Speaker 1: have HIV. You know, nigga, you can make the news

993
00:48:13,480 --> 00:48:16,520
Speaker 1: for having a like that's a serious thing, you know.

994
00:48:16,680 --> 00:48:19,160
Speaker 1: So got the dispute. You've seen that girl. It was

995
00:48:19,200 --> 00:48:21,839
Speaker 1: a girl who said somebody had a st d missed

996
00:48:21,920 --> 00:48:23,520
Speaker 1: him up in college and all that he had to

997
00:48:23,520 --> 00:48:27,839
Speaker 1: get his results and go live and all you saw that. Yeah,

998
00:48:28,480 --> 00:48:31,799
Speaker 1: he was in college. Yeah, what happened? They broke up

999
00:48:31,840 --> 00:48:34,319
Speaker 1: and she just did the ship? She said, what he

1000
00:48:34,440 --> 00:48:36,040
Speaker 1: dirt his ship dick dirt?

1001
00:48:36,160 --> 00:48:37,480
Speaker 2: Yeah, what was it? HIV?

1002
00:48:38,440 --> 00:48:39,480
Speaker 1: She said, HIV?

1003
00:48:39,760 --> 00:48:44,320
Speaker 3: Yeah, So he had his family made him go get chested.

1004
00:48:44,400 --> 00:48:46,879
Speaker 2: He went live. Then defendy name.

1005
00:48:47,239 --> 00:48:50,399
Speaker 1: You got to so tell me why dudes got our

1006
00:48:50,440 --> 00:48:54,880
Speaker 1: whole entire community. This is the whole sector of the

1007
00:48:54,960 --> 00:48:58,040
Speaker 1: black community that's saying, Yo, there's something going on with

1008
00:48:58,080 --> 00:49:00,920
Speaker 1: the dresses, and not one of them the niggas in

1009
00:49:01,000 --> 00:49:06,000
Speaker 1: a dress can come out and clarify these voices alloud.

1010
00:49:06,040 --> 00:49:10,239
Speaker 1: So I just for some reason, I don't I don't

1011
00:49:10,320 --> 00:49:13,759
Speaker 1: understand that are your movies that you have been auditioning

1012
00:49:13,760 --> 00:49:16,000
Speaker 1: what they for Hollywood? Have they all been in Atlanta?

1013
00:49:17,480 --> 00:49:18,320
Speaker 2: Yeah?

1014
00:49:19,360 --> 00:49:21,160
Speaker 1: So is Atlanta Hollywood now?

1015
00:49:21,680 --> 00:49:21,960
Speaker 2: Man?

1016
00:49:22,080 --> 00:49:26,000
Speaker 3: So look, this is what they do. Filming in Atlanta

1017
00:49:26,040 --> 00:49:29,560
Speaker 3: is cheaper than filming in la you know what I'm saying.

1018
00:49:30,040 --> 00:49:31,840
Speaker 3: So a lot of them they cast for movies and

1019
00:49:31,880 --> 00:49:33,640
Speaker 3: then when they get here they have to cast certain

1020
00:49:33,680 --> 00:49:36,480
Speaker 3: roles to fill out the movie. So it might be

1021
00:49:36,600 --> 00:49:40,640
Speaker 3: sometimes cheaper than flying a comedian from La n to

1022
00:49:40,760 --> 00:49:42,680
Speaker 3: do certain parts of certain roles.

1023
00:49:42,719 --> 00:49:45,080
Speaker 1: But you never been approach on no weird shit in

1024
00:49:45,520 --> 00:49:48,040
Speaker 1: no hell No, I wonder like that's what I'm saying.

1025
00:49:48,080 --> 00:49:48,920
Speaker 1: I think they come with you.

1026
00:49:49,120 --> 00:49:51,680
Speaker 3: Oh and then another thing, maybe I'm right where I

1027
00:49:51,719 --> 00:49:54,319
Speaker 3: need to be. Well, a nigga don't need to come

1028
00:49:54,480 --> 00:49:56,960
Speaker 3: drive me with that ship up. I know, like what

1029
00:49:57,000 --> 00:49:57,440
Speaker 3: the fuck?

1030
00:49:58,480 --> 00:50:01,600
Speaker 1: Yeah? Yeah good, Yeah, I couldn't whisper that shit. I'm like,

1031
00:50:01,640 --> 00:50:04,440
Speaker 1: what y'all boy to see? And that's you know, I've

1032
00:50:04,480 --> 00:50:06,040
Speaker 1: seen something there and I want to talk to you

1033
00:50:06,080 --> 00:50:09,680
Speaker 1: about this. Oh, for those on the where a couple

1034
00:50:09,719 --> 00:50:12,120
Speaker 1: of days ago there was a twenty versus one with

1035
00:50:12,320 --> 00:50:17,239
Speaker 1: Krishan Rock. This circumstance with a couple of YouTube individuals

1036
00:50:17,360 --> 00:50:22,239
Speaker 1: ended up in pure violence with the reason that ended

1037
00:50:22,280 --> 00:50:25,000
Speaker 1: up in pure violence is because the guys. I guess

1038
00:50:25,000 --> 00:50:28,200
Speaker 1: there's a couple different YouTube crews that meet to do

1039
00:50:28,239 --> 00:50:30,640
Speaker 1: this twenty versus one, which is where they get twenty

1040
00:50:30,680 --> 00:50:34,120
Speaker 1: girls verse one dude or twenty dudes verse one. Okay,

1041
00:50:35,000 --> 00:50:37,399
Speaker 1: they take the rappers, right, they bring a rapper through

1042
00:50:37,440 --> 00:50:39,720
Speaker 1: and you bring the girl out on some old school

1043
00:50:39,760 --> 00:50:42,800
Speaker 1: game show kind of shit. This one was a twenty

1044
00:50:42,880 --> 00:50:47,319
Speaker 1: verse one for Krishan, So twenty men trying to get

1045
00:50:47,400 --> 00:50:51,400
Speaker 1: her attention. For some reason, they get into it about

1046
00:50:51,440 --> 00:50:54,600
Speaker 1: the content and saying I want to release the content first.

1047
00:50:55,440 --> 00:50:58,640
Speaker 1: There's an argument about that to the tune of a

1048
00:50:58,680 --> 00:51:03,280
Speaker 1: fight breaks out, footage comes out, guns out. The reason

1049
00:51:03,320 --> 00:51:07,000
Speaker 1: I'm bringing this up is because the the energy of

1050
00:51:07,120 --> 00:51:13,200
Speaker 1: this dude reminded me of the circumstance that I think

1051
00:51:13,280 --> 00:51:16,920
Speaker 1: sometimes you be like. It just was a weird energy.

1052
00:51:17,040 --> 00:51:19,760
Speaker 1: So it's a bigger guy, right, he get the fighting

1053
00:51:19,800 --> 00:51:22,399
Speaker 1: with the dude. He do some kind of spinning back.

1054
00:51:22,640 --> 00:51:27,120
Speaker 1: He missing everything, big boy, missing everything. He going, but

1055
00:51:27,160 --> 00:51:29,279
Speaker 1: he got hard. I could tell this brought him because

1056
00:51:29,320 --> 00:51:33,520
Speaker 1: he got hard. And I know the secret. And I

1057
00:51:33,560 --> 00:51:35,680
Speaker 1: know the secret because I come from hustling. I kept

1058
00:51:35,719 --> 00:51:38,439
Speaker 1: a fat nigga with me, keep a fat nigga which

1059
00:51:38,560 --> 00:51:42,640
Speaker 1: he had everything he got, an ounce and a half

1060
00:51:42,680 --> 00:51:45,920
Speaker 1: of everything you want under this bedy in his neighbor.

1061
00:51:46,120 --> 00:51:49,040
Speaker 1: I come from this. Niggas watching this right now saying

1062
00:51:49,040 --> 00:51:52,239
Speaker 1: he ain't lying. I had niggas ran with me with

1063
00:51:52,440 --> 00:51:56,920
Speaker 1: doping their neighbors under they flaps of they bed list under.

1064
00:51:56,920 --> 00:52:00,160
Speaker 1: They sigh. Yeah, we riding around the hood like that

1065
00:52:00,280 --> 00:52:02,720
Speaker 1: because I come from a hood where they had got

1066
00:52:02,600 --> 00:52:04,000
Speaker 2: A nig pantry