1 00:00:01,080 --> 00:00:07,640 Speaker 1: Real people, real celebrity joined the Breakfast Yeah, it's the 2 00:00:07,680 --> 00:00:09,760 Speaker 1: world most dangerous morning to show the Breakfast Club. And 3 00:00:09,800 --> 00:00:12,680 Speaker 1: we got a guest in the building. He broke by 4 00:00:12,680 --> 00:00:16,119 Speaker 1: the name of my bottom. What's good? What's up? My 5 00:00:16,160 --> 00:00:22,640 Speaker 1: brother and I don't know, stun Absolutely straight's gonna have 6 00:00:22,680 --> 00:00:26,520 Speaker 1: some issues this morning. I'm gonna listen. I'm gonna try 7 00:00:26,560 --> 00:00:29,040 Speaker 1: my best to understand. I love the Jamaican accent, you 8 00:00:29,080 --> 00:00:31,400 Speaker 1: know what I'm saying. Yeah, you gotta do that. You 9 00:00:31,400 --> 00:00:34,120 Speaker 1: are gonna be performing in Brooklyn though, Yeah, definitely Kings 10 00:00:34,200 --> 00:00:36,519 Speaker 1: Theater tonight. That is kind of like being in Jamaica 11 00:00:36,560 --> 00:00:43,800 Speaker 1: in some ways. Yeah, Brooklyn nuts and exactly tell me, okay, yeah, definitely. 12 00:00:43,800 --> 00:00:46,600 Speaker 1: You know that's a lot of energy surrounding you right now. Man, 13 00:00:47,280 --> 00:00:49,199 Speaker 1: it's always good energy. But then it's you know, you're 14 00:00:49,200 --> 00:00:52,840 Speaker 1: getting some bad, bad, negative things said in the press. Yeah, 15 00:00:52,760 --> 00:00:59,600 Speaker 1: well they're done, I'm saying in publicity, any publicity, publicity, 16 00:01:00,400 --> 00:01:02,720 Speaker 1: Like I saw more people out here stuck. How about 17 00:01:02,720 --> 00:01:05,120 Speaker 1: that things guys that don't know where from nothing to something? 18 00:01:05,160 --> 00:01:07,880 Speaker 1: I get me absolutely. I saw a petition that said 19 00:01:08,040 --> 00:01:11,440 Speaker 1: they try to get you deported. Oh, I think barely 20 00:01:11,480 --> 00:01:15,320 Speaker 1: anybody signed that that's garbage. Yeah, I don't know. More 21 00:01:15,360 --> 00:01:18,200 Speaker 1: than a million funds now America millions are fund so 22 00:01:18,800 --> 00:01:20,880 Speaker 1: peat you somebody, I try to get a petitions for 23 00:01:20,959 --> 00:01:22,840 Speaker 1: more far to get deported on the funds that might 24 00:01:22,880 --> 00:01:26,880 Speaker 1: get put a petition stee another US. Yeah, and I 25 00:01:27,160 --> 00:01:30,880 Speaker 1: read more easily. Yeah and listen and if anybody you've 26 00:01:30,880 --> 00:01:33,200 Speaker 1: probably done more collaborations. We're artists in the United States 27 00:01:33,240 --> 00:01:36,040 Speaker 1: and any other reggae artist. Yeah, definitely, but you are 28 00:01:36,080 --> 00:01:39,400 Speaker 1: with the best. Yeah, so automatically that's you know, yeah, 29 00:01:39,680 --> 00:01:44,200 Speaker 1: Ace Hood DJ Khaled, I know you did. Yeah, definitely, 30 00:01:44,200 --> 00:01:46,840 Speaker 1: I ain't know. I got this new UM single me 31 00:01:46,920 --> 00:01:50,960 Speaker 1: in Future ain't going but bro. Yeah there was a 32 00:01:50,960 --> 00:01:54,080 Speaker 1: remix of that too with um Yeah yeah, you know, 33 00:01:54,200 --> 00:01:57,600 Speaker 1: with just um just sending down mind state drop it. 34 00:01:57,680 --> 00:02:00,600 Speaker 1: So yeah, I have beef at one point, right, definitely, 35 00:02:00,680 --> 00:02:03,560 Speaker 1: I don't know. Over the years, we'll go at it hard. 36 00:02:03,600 --> 00:02:06,200 Speaker 1: They don't know, boy, you don't know where street so 37 00:02:06,960 --> 00:02:10,160 Speaker 1: you know, I really recognized, really getment. So after this 38 00:02:10,280 --> 00:02:12,120 Speaker 1: time they are, you know, there most to be out 39 00:02:12,160 --> 00:02:13,840 Speaker 1: calm say it. Don't know our times you know where 40 00:02:13,919 --> 00:02:16,360 Speaker 1: for child and set things together so that you would 41 00:02:16,360 --> 00:02:18,120 Speaker 1: see them that you know the way I know it, 42 00:02:18,160 --> 00:02:20,720 Speaker 1: said boy, not, well, mean it was a legendary and 43 00:02:20,919 --> 00:02:23,040 Speaker 1: life style legendary and everything. You know, it's still have 44 00:02:23,120 --> 00:02:25,520 Speaker 1: to teach them and then something good man, I'm knowing, 45 00:02:25,560 --> 00:02:28,280 Speaker 1: said boy, you know at one point, who can't have 46 00:02:28,360 --> 00:02:30,440 Speaker 1: you wanted to see him? You know, and it must 47 00:02:30,480 --> 00:02:32,400 Speaker 1: not admit that it wasn't really a issue. It must 48 00:02:32,440 --> 00:02:33,760 Speaker 1: not have been a real issue if y'all you know, 49 00:02:33,880 --> 00:02:36,280 Speaker 1: could come back together. Okay, you know where it was. 50 00:02:36,320 --> 00:02:37,880 Speaker 1: The part to get that back in the day is 51 00:02:37,919 --> 00:02:41,600 Speaker 1: like twelve, thirteen, fourteen years ago, Like you don't know 52 00:02:41,600 --> 00:02:44,320 Speaker 1: when you know it's all about the alliance. I don't know. No, 53 00:02:44,440 --> 00:02:47,200 Speaker 1: it's all about the goalie and the guards agetment. Now 54 00:02:47,280 --> 00:02:49,440 Speaker 1: let me ask you this, um the verse fro vibe 55 00:02:49,480 --> 00:02:51,880 Speaker 1: card Town did he do that on his phone and 56 00:02:52,960 --> 00:02:56,360 Speaker 1: something that no, well, um, you know with us linked 57 00:02:56,400 --> 00:02:59,440 Speaker 1: with teaching and with us meant the magic because you 58 00:02:59,520 --> 00:03:05,480 Speaker 1: don't anything when I really Saythesia and I've always ferment 59 00:03:05,520 --> 00:03:07,320 Speaker 1: the magic up and don't know you have a lot 60 00:03:07,360 --> 00:03:11,200 Speaker 1: of things doing. So what is t TJ. That's um 61 00:03:11,240 --> 00:03:14,480 Speaker 1: one of the one of jump big producer. That's the 62 00:03:14,480 --> 00:03:18,959 Speaker 1: guy who I'm producer. I'm so special, okay, Um, no 63 00:03:19,200 --> 00:03:23,200 Speaker 1: games and songs like answer them, now them, no, you 64 00:03:23,280 --> 00:03:25,760 Speaker 1: know them kind of something. You Last time I was 65 00:03:25,760 --> 00:03:28,360 Speaker 1: in Jamaica, I was talking to my driver when I 66 00:03:28,360 --> 00:03:30,560 Speaker 1: was leaving the airport and I was like, okay, so 67 00:03:30,600 --> 00:03:33,120 Speaker 1: who you like better? Movado advised Cartel and he was like, 68 00:03:33,120 --> 00:03:35,880 Speaker 1: it's just so divided here. That was a couple of 69 00:03:35,960 --> 00:03:38,680 Speaker 1: years ago, so you know, that's when it was really divided. 70 00:03:38,720 --> 00:03:41,840 Speaker 1: But was Yeah, that's when the way I go outed 71 00:03:42,800 --> 00:03:46,120 Speaker 1: you guys really going out, Yeah, you know you can 72 00:03:46,160 --> 00:03:52,400 Speaker 1: divide the whole place. Yeah, drumming a cup Africa ilands, 73 00:03:52,880 --> 00:03:58,160 Speaker 1: you know, and nowhere downside music play. You know at 74 00:03:58,200 --> 00:04:01,920 Speaker 1: that point you know why it split it. You know 75 00:04:01,960 --> 00:04:04,640 Speaker 1: what I mean is that they asked Goali, I said, guys, 76 00:04:04,640 --> 00:04:08,000 Speaker 1: tough is just awesome, right, So you don't know. And 77 00:04:08,040 --> 00:04:10,400 Speaker 1: then even with Bounty Killer had to be difficult because 78 00:04:10,400 --> 00:04:12,120 Speaker 1: I know you're both came up on the Bounty Killer. 79 00:04:12,560 --> 00:04:16,279 Speaker 1: Yeah we care with the CM Steve and then I guess, 80 00:04:16,440 --> 00:04:19,400 Speaker 1: um keepen going at you. Yeah, yeah, well they don't 81 00:04:19,400 --> 00:04:23,479 Speaker 1: know what said, as we said, don't know. In life, 82 00:04:24,040 --> 00:04:26,599 Speaker 1: you never you never really know the ones who tarry 83 00:04:26,680 --> 00:04:30,160 Speaker 1: Nannie are you never know what is going to happen tomorrow. 84 00:04:30,800 --> 00:04:32,520 Speaker 1: You know what I mean, the greatest in my life 85 00:04:32,520 --> 00:04:36,120 Speaker 1: and and and you know, keep it blising, keep on 86 00:04:36,320 --> 00:04:40,120 Speaker 1: being successful. They get me. That's what goalie guard desire about. 87 00:04:41,040 --> 00:04:43,039 Speaker 1: You think you guys can come back together though, because 88 00:04:43,040 --> 00:04:44,800 Speaker 1: that is somebody you consider well. As I said, you 89 00:04:44,880 --> 00:04:47,720 Speaker 1: never know what tomorrow brings. You know what I mean, 90 00:04:47,880 --> 00:04:50,240 Speaker 1: anything can happen tomorrow. You know all people have I 91 00:04:50,320 --> 00:04:53,960 Speaker 1: saying saying what a run alreadier to run back that 92 00:04:54,120 --> 00:04:56,479 Speaker 1: has has married life for you? That was a surprise 93 00:04:56,480 --> 00:05:00,240 Speaker 1: for a lot. I don't know. I don't know over 94 00:05:00,320 --> 00:05:03,320 Speaker 1: the years, you know, you know when we started and 95 00:05:03,720 --> 00:05:06,440 Speaker 1: becomes our mind. I don't know. You have set yourself 96 00:05:06,520 --> 00:05:08,760 Speaker 1: that we are there and don't know you can do 97 00:05:08,920 --> 00:05:11,039 Speaker 1: the bug wild think cards and I got kids, you know, 98 00:05:11,640 --> 00:05:13,880 Speaker 1: big kids, you know, and you have to Welcome to 99 00:05:13,960 --> 00:05:15,960 Speaker 1: the club man. Yeah, I got two kids in the US, 100 00:05:15,960 --> 00:05:18,760 Speaker 1: and I got two of my first two kids in Jamaica. 101 00:05:19,320 --> 00:05:21,400 Speaker 1: Oh yeah, Sharlamagne actually just be sen he got married 102 00:05:21,400 --> 00:05:25,159 Speaker 1: as well. Welcome to the club, bro, Yeah everything you 103 00:05:25,240 --> 00:05:29,560 Speaker 1: just said. Yeah, I for really, guys, not like we're 104 00:05:29,760 --> 00:05:31,920 Speaker 1: you know, our teams again, you know what I mean? 105 00:05:33,000 --> 00:05:35,719 Speaker 1: Big people know they don't know my first um kid 106 00:05:36,000 --> 00:05:40,159 Speaker 1: and she's fourteen going fifteen. You know, my first son 107 00:05:40,400 --> 00:05:43,680 Speaker 1: thirteen this week, you know what I mean. So you 108 00:05:43,800 --> 00:05:48,040 Speaker 1: don't know. You know, I've had your body after Tink, 109 00:05:48,120 --> 00:05:49,680 Speaker 1: you know, for the youths and future, you know what 110 00:05:49,680 --> 00:05:53,680 Speaker 1: I mean. So that's what Goli got desire about, you know, 111 00:05:53,839 --> 00:05:56,719 Speaker 1: from nothing to something. So we startled from nothing. I know, 112 00:05:57,400 --> 00:05:59,840 Speaker 1: you know we have too much for those Every time 113 00:05:59,839 --> 00:06:01,440 Speaker 1: you say you don't know, I'm sitting here like I 114 00:06:01,480 --> 00:06:05,440 Speaker 1: really don't know because I don't understand. But Angela from Brooklyn, 115 00:06:05,480 --> 00:06:07,400 Speaker 1: So I guess you understand. You here, I can understand 116 00:06:07,560 --> 00:06:11,160 Speaker 1: little things. Yeah anything right now, that's starting to asks one. 117 00:06:11,200 --> 00:06:13,640 Speaker 1: That's why we're here, you know what I mean. Simple? 118 00:06:14,200 --> 00:06:16,120 Speaker 1: What's going on with shot too? Because they've been talking 119 00:06:16,160 --> 00:06:20,240 Speaker 1: about that movie so long? Yeah, but um, I think 120 00:06:20,240 --> 00:06:22,920 Speaker 1: they're trying to get the little kid, the low Kiashians 121 00:06:23,200 --> 00:06:26,359 Speaker 1: um for for the longest while. I know you know 122 00:06:26,480 --> 00:06:32,480 Speaker 1: that they're trying to flementing probably to other islands from Yeah, yeah, 123 00:06:32,560 --> 00:06:35,480 Speaker 1: you don't know what it means. I'm on straight Joey 124 00:06:35,480 --> 00:06:38,640 Speaker 1: as you know, but it's just the rurk. So but 125 00:06:38,680 --> 00:06:40,640 Speaker 1: that's how we had fund them forget them things together 126 00:06:40,720 --> 00:06:44,200 Speaker 1: and I'm gonna be there. Is it hard for you 127 00:06:44,240 --> 00:06:45,760 Speaker 1: to be in Jamaica because I know at a certain 128 00:06:45,760 --> 00:06:47,760 Speaker 1: point you felt like the cops are really targeting you? 129 00:06:47,800 --> 00:06:50,280 Speaker 1: And yeah, what I haven't been to Joemy over here 130 00:06:50,320 --> 00:06:54,440 Speaker 1: and you stay you staying away on purpose? Yeah, Well 131 00:06:54,440 --> 00:06:58,760 Speaker 1: they don't know certain things. Huh. I don't need to 132 00:06:59,000 --> 00:07:03,080 Speaker 1: ums and and and put together, So you don't know, well, 133 00:07:03,160 --> 00:07:07,320 Speaker 1: us I go on puny until things good, but until then, 134 00:07:07,320 --> 00:07:10,320 Speaker 1: I don't know us be It's it's fun taps. It's 135 00:07:10,360 --> 00:07:15,000 Speaker 1: one tapas never stop it get me no never you 136 00:07:15,080 --> 00:07:23,000 Speaker 1: get that right? Big songs, oh songs, Yeah, yeah, got 137 00:07:23,040 --> 00:07:27,240 Speaker 1: you you absolutely. How is it working with Cali because 138 00:07:27,240 --> 00:07:29,400 Speaker 1: it seems like it's like you don't need I mean, 139 00:07:29,400 --> 00:07:32,240 Speaker 1: I don't know the good like you don't need Calibottle. 140 00:07:32,320 --> 00:07:33,560 Speaker 1: You know what I'm saying. Well, I mean I don't 141 00:07:33,600 --> 00:07:38,320 Speaker 1: know desiready Um, legendary bill board, the artists over the years. 142 00:07:38,360 --> 00:07:40,520 Speaker 1: But unity is the key, you know what I mean? 143 00:07:41,080 --> 00:07:44,200 Speaker 1: And you don't know man Kelly been friends for years, Okay, 144 00:07:44,280 --> 00:07:48,080 Speaker 1: you know what I mean. So even um that the 145 00:07:48,200 --> 00:07:50,560 Speaker 1: life start us and everything, you know, you know, it 146 00:07:50,680 --> 00:07:53,400 Speaker 1: doesn't really have anything to do with the friendship there, 147 00:07:53,400 --> 00:07:56,320 Speaker 1: you know, and the respect that is key for friends 148 00:07:56,320 --> 00:07:59,040 Speaker 1: and over the years, you know, so you know that's 149 00:07:59,040 --> 00:08:01,440 Speaker 1: all we even we even said we were the best 150 00:08:01,480 --> 00:08:03,800 Speaker 1: goalie side. I don't know, you know, because you know 151 00:08:03,840 --> 00:08:05,680 Speaker 1: exactly about that. You wanted to that guy, you know, 152 00:08:06,960 --> 00:08:10,640 Speaker 1: m DJ Kelly from in the nineties, like probably ninety seven, 153 00:08:10,720 --> 00:08:14,800 Speaker 1: ninety years, you know, so well over seventeen years. No, no, 154 00:08:15,440 --> 00:08:17,520 Speaker 1: so you don't know. You and Jake also have a 155 00:08:17,520 --> 00:08:21,280 Speaker 1: great relationship. I know he recorded in Jamaica, so yeah, 156 00:08:20,840 --> 00:08:23,600 Speaker 1: yeah in three jams. No, I wasn't really there, and 157 00:08:24,000 --> 00:08:25,240 Speaker 1: I don't know when they come and JOm me in 158 00:08:25,280 --> 00:08:28,640 Speaker 1: a car, I don't know a Gali guard. You bring 159 00:08:28,640 --> 00:08:33,400 Speaker 1: too much of this guy. Yeah, so you know, whenever 160 00:08:33,440 --> 00:08:37,520 Speaker 1: I time Jesus M I don't know him pasture give 161 00:08:37,679 --> 00:08:40,640 Speaker 1: my whole hour two O you known couple will move again. 162 00:08:40,880 --> 00:08:43,280 Speaker 1: I don't know. I have the citific tic here. Then 163 00:08:43,320 --> 00:08:44,719 Speaker 1: who you gotta call If you are an artist and 164 00:08:44,760 --> 00:08:47,000 Speaker 1: you want to go to Jamaica and record, I'm sure 165 00:08:47,040 --> 00:08:49,240 Speaker 1: you can't just go there like I'm sure who who 166 00:08:49,400 --> 00:08:51,720 Speaker 1: I mean you can I mean, you could go there 167 00:08:51,760 --> 00:08:57,520 Speaker 1: if you want that leave you know what I mean. 168 00:08:57,880 --> 00:09:00,280 Speaker 1: I mean, you don't know what jumping jump me because 169 00:09:00,360 --> 00:09:02,160 Speaker 1: a nice country. You know, you don't know jomming A 170 00:09:02,200 --> 00:09:05,480 Speaker 1: couple of people love you know, enteritys and I'm ready 171 00:09:05,520 --> 00:09:09,920 Speaker 1: are r and b rum artists, epop artists, you know 172 00:09:09,960 --> 00:09:12,880 Speaker 1: what I mean? Um downside the artists, it doesn't matter. 173 00:09:12,960 --> 00:09:14,920 Speaker 1: I mean, it's just all about whenever I tell me 174 00:09:14,960 --> 00:09:17,600 Speaker 1: I got John said, you have to have the respect 175 00:09:17,640 --> 00:09:19,600 Speaker 1: that you know what I mean. Cars, It's all about 176 00:09:19,640 --> 00:09:21,959 Speaker 1: the street, you know, you know, jomma we do with 177 00:09:22,040 --> 00:09:24,280 Speaker 1: the street, you know what I mean. So that's why 178 00:09:24,320 --> 00:09:27,560 Speaker 1: you're fighting on the most artists are most rappers. I'm 179 00:09:27,640 --> 00:09:30,360 Speaker 1: coming to jomming them. Try for link with the powerful ones. 180 00:09:30,440 --> 00:09:33,120 Speaker 1: You know, the bustle on the street, you know, and 181 00:09:33,400 --> 00:09:36,760 Speaker 1: you know that's all Goali goddis coming place, you know 182 00:09:36,760 --> 00:09:40,640 Speaker 1: what I mean, Because I'm a street orientated person, you 183 00:09:40,679 --> 00:09:42,679 Speaker 1: know what you know what I mean, Stick to the street, 184 00:09:42,720 --> 00:09:43,920 Speaker 1: you know what I mean. I think you're making the 185 00:09:43,920 --> 00:09:45,800 Speaker 1: beautiful place. Every time we go there, they say, don't 186 00:09:45,880 --> 00:09:49,680 Speaker 1: leave the resort. Yeah, man, because I'm spending out at 187 00:09:49,720 --> 00:09:52,600 Speaker 1: the morning of the results, so I am the other 188 00:09:52,720 --> 00:09:56,240 Speaker 1: result go up on the street. I'm going at the ghetto. 189 00:09:57,120 --> 00:09:58,760 Speaker 1: You know what I mean. I meant the people let 190 00:09:58,760 --> 00:10:01,199 Speaker 1: me see. I'm spending because I'm of the US. I know. 191 00:10:01,240 --> 00:10:03,520 Speaker 1: I know some guys that did that. They was actually 192 00:10:03,640 --> 00:10:08,480 Speaker 1: Olympic track runners and they got robbed. Yeah, where, I 193 00:10:08,559 --> 00:10:10,120 Speaker 1: don't get me the line, I don't know. I don't know. 194 00:10:11,520 --> 00:10:18,400 Speaker 1: You gotta be with the right people that morning. That's 195 00:10:18,400 --> 00:10:26,719 Speaker 1: what money. I have money so and not even a 196 00:10:26,800 --> 00:10:30,160 Speaker 1: PR Friday. It was like, yeah, money, So I don't 197 00:10:30,160 --> 00:10:34,120 Speaker 1: know what's going on. Sounds amazing, I love it, but 198 00:10:34,160 --> 00:10:36,200 Speaker 1: I don't know what's going on. But there are ever 199 00:10:36,320 --> 00:10:38,520 Speaker 1: issues you're making with people thinking that maybe you working 200 00:10:38,559 --> 00:10:40,719 Speaker 1: with all these other artists in the United States was 201 00:10:40,760 --> 00:10:43,640 Speaker 1: like selling out, like you know, yeah people, Um, you 202 00:10:43,760 --> 00:10:47,000 Speaker 1: don't know people. It's they ye have people with um 203 00:10:48,000 --> 00:10:50,319 Speaker 1: think different, you know what I mean, every one to 204 00:10:50,400 --> 00:10:52,679 Speaker 1: them one opinion, you know what I mean, But you 205 00:10:52,760 --> 00:10:56,920 Speaker 1: as don't know. You know, once you know that the goal, 206 00:10:57,600 --> 00:11:00,200 Speaker 1: you know what I mean, you're ming for, your working 207 00:11:00,280 --> 00:11:04,360 Speaker 1: for like even goalie guard No, I mean, who doesn't 208 00:11:04,400 --> 00:11:06,000 Speaker 1: want to be in more of other shoes right now 209 00:11:06,480 --> 00:11:09,480 Speaker 1: as I did inside the artists. And it's not easy, guys. 210 00:11:09,520 --> 00:11:11,600 Speaker 1: And I mean I built this for like ten years now, 211 00:11:12,559 --> 00:11:14,040 Speaker 1: you know what I mean. So even when I when 212 00:11:14,080 --> 00:11:16,199 Speaker 1: I left Jommica a couple of years ago, you know 213 00:11:16,200 --> 00:11:19,800 Speaker 1: what I mean, and and come here in the US 214 00:11:19,840 --> 00:11:22,600 Speaker 1: and then start put putting out of that work and everything. 215 00:11:23,160 --> 00:11:24,959 Speaker 1: You know, most people like yo, we need them to 216 00:11:25,040 --> 00:11:28,480 Speaker 1: come back. Jo. What Goalie gard do is, you know, 217 00:11:28,559 --> 00:11:30,720 Speaker 1: let us keep that, let us keep the fight blizers 218 00:11:30,760 --> 00:11:33,400 Speaker 1: and then you know, continue to making now those big 219 00:11:33,760 --> 00:11:36,319 Speaker 1: number and songs and know what I mean I'm talking 220 00:11:36,400 --> 00:11:39,640 Speaker 1: about you know number and from in the UK, back 221 00:11:39,679 --> 00:11:42,480 Speaker 1: to Canada, back to Japan. You know Lewis place is 222 00:11:42,600 --> 00:11:45,480 Speaker 1: enough for years so and and and you know, linking 223 00:11:45,559 --> 00:11:49,600 Speaker 1: up with these epop wrappers and and and and Wholso 224 00:11:49,720 --> 00:11:51,800 Speaker 1: if I doing the music, you know what I mean, 225 00:11:52,000 --> 00:11:54,839 Speaker 1: it's just a great thing because that's all our music 226 00:11:55,559 --> 00:11:58,680 Speaker 1: get deer now and even get more bigger, oh dear, 227 00:11:58,720 --> 00:12:01,480 Speaker 1: And what I mean by bye bye bye bye, by 228 00:12:01,640 --> 00:12:03,959 Speaker 1: extending it, you know what I mean? With with with 229 00:12:04,320 --> 00:12:08,240 Speaker 1: with other John music and an artist and all that, 230 00:12:08,600 --> 00:12:11,200 Speaker 1: Why is it? Why is it easy for a dancehall 231 00:12:11,320 --> 00:12:13,840 Speaker 1: artists to get along with artists like here from America, 232 00:12:13,920 --> 00:12:15,160 Speaker 1: but it's hard for you are to get along with 233 00:12:15,200 --> 00:12:18,679 Speaker 1: each other sometimes well don't know, no, you don't know, 234 00:12:18,840 --> 00:12:22,679 Speaker 1: ye yeah, the zero botot crabbing, crabbing the buyer absolutely 235 00:12:22,840 --> 00:12:26,520 Speaker 1: yeah yeah. So sometimes I don't say about that crabbing, 236 00:12:26,559 --> 00:12:28,640 Speaker 1: that barrier of the thing. But as we say, you 237 00:12:28,720 --> 00:12:33,880 Speaker 1: don't know, I will come from poor communities and poorer families. 238 00:12:33,960 --> 00:12:37,960 Speaker 1: You know, well, well we're couping our places were people 239 00:12:38,040 --> 00:12:39,839 Speaker 1: are every day on cost every day, you know, so 240 00:12:40,400 --> 00:12:42,120 Speaker 1: you don't know it. Go when I'm on start make 241 00:12:42,559 --> 00:12:44,040 Speaker 1: you know, if you're not your head for your body, 242 00:12:44,040 --> 00:12:46,520 Speaker 1: you know, you're don trip from the from the grid 243 00:12:46,640 --> 00:12:50,400 Speaker 1: point I've I've been successful, you know what I mean. 244 00:12:50,840 --> 00:12:54,480 Speaker 1: So so so that's all moon speedper our moonst artists 245 00:12:54,760 --> 00:12:57,319 Speaker 1: can't get that doun, you know what I mean. But 246 00:12:57,440 --> 00:13:00,240 Speaker 1: we are zero to over the years, as I I mean, 247 00:13:00,280 --> 00:13:02,920 Speaker 1: as I said, over ten years. No now I mean Goali, 248 00:13:02,960 --> 00:13:05,679 Speaker 1: God been been keeping it up there and and I 249 00:13:05,840 --> 00:13:09,880 Speaker 1: been making our allies those great great music you know 250 00:13:09,920 --> 00:13:12,320 Speaker 1: what I mean, for the fun. So after ten years, 251 00:13:12,520 --> 00:13:15,920 Speaker 1: you know what I mean, if somebody not really putting 252 00:13:17,040 --> 00:13:22,040 Speaker 1: that much work as a goalie guard, then why you know, 253 00:13:22,280 --> 00:13:24,240 Speaker 1: even in an argument with that person, you know, I 254 00:13:24,320 --> 00:13:26,439 Speaker 1: mean what I mean, then us feel as if that 255 00:13:26,559 --> 00:13:30,120 Speaker 1: person not really in in my league. But you don't know, 256 00:13:30,200 --> 00:13:32,559 Speaker 1: it's all about dan sound music and we're all one 257 00:13:32,679 --> 00:13:34,760 Speaker 1: human being, you know what I mean. We're all from 258 00:13:34,800 --> 00:13:37,559 Speaker 1: Jomica so so so goalie guard. If I don't have 259 00:13:37,600 --> 00:13:40,240 Speaker 1: a problem with the artists, you know what I mean, 260 00:13:40,440 --> 00:13:43,280 Speaker 1: But that's don't have a problem with him, right, How 261 00:13:43,320 --> 00:13:47,160 Speaker 1: did you end up working with jay Z? Oh? Whether 262 00:13:47,400 --> 00:13:51,480 Speaker 1: you don't know me, Goligard? When I see this um 263 00:13:51,880 --> 00:13:58,199 Speaker 1: the under Acci, which I mean under Underack, you know 264 00:13:58,360 --> 00:14:03,120 Speaker 1: that that was such a um huge song and such 265 00:14:03,160 --> 00:14:06,960 Speaker 1: a huge successful Goliguard you know, Um, I didn't even 266 00:14:07,040 --> 00:14:09,719 Speaker 1: know when jay Z went on the stand you know 267 00:14:09,800 --> 00:14:11,679 Speaker 1: with us a weird cup. Oh, it wasn't like he 268 00:14:11,800 --> 00:14:13,839 Speaker 1: hits you when he was like, yell, no, he hit 269 00:14:13,920 --> 00:14:15,760 Speaker 1: me after he did it, you know what I mean? 270 00:14:15,960 --> 00:14:18,760 Speaker 1: And then after the bars up on the song, No him, 271 00:14:19,960 --> 00:14:21,920 Speaker 1: you know him, try to find you know, not try 272 00:14:22,000 --> 00:14:24,400 Speaker 1: him fighting Goliad because I wasn't really hard to fight, 273 00:14:25,200 --> 00:14:28,360 Speaker 1: you know what I mean and you know in Millian 274 00:14:28,400 --> 00:14:30,040 Speaker 1: Cup and you know I must say yo, you know, 275 00:14:30,120 --> 00:14:32,560 Speaker 1: I respect you man, and you know you got great 276 00:14:32,640 --> 00:14:35,760 Speaker 1: talent and everything. You know, I don't know me goliguard 277 00:14:35,800 --> 00:14:38,320 Speaker 1: in An he has been a great admired raf jay 278 00:14:38,440 --> 00:14:43,640 Speaker 1: z Um music and you know he's all Bursuana and everything. 279 00:14:43,680 --> 00:14:45,880 Speaker 1: You know. He oh he dealt to this Bes business 280 00:14:45,920 --> 00:14:48,120 Speaker 1: and everything. You know what I mean. So you know 281 00:14:48,240 --> 00:14:51,720 Speaker 1: it was just a grid one of the grid's moment 282 00:14:51,800 --> 00:14:54,920 Speaker 1: for me and in my music career, you know what 283 00:14:54,960 --> 00:14:56,920 Speaker 1: I mean to know that you know jay z and 284 00:14:57,040 --> 00:15:00,440 Speaker 1: know over the years of growing up listening to Tulpac Big, 285 00:15:01,000 --> 00:15:03,320 Speaker 1: you know what I mean, jay z and and you 286 00:15:03,400 --> 00:15:06,960 Speaker 1: know doctor g and and those people you know Dre Yeah, 287 00:15:07,240 --> 00:15:10,440 Speaker 1: I mean, so you know, so for doors people um 288 00:15:10,640 --> 00:15:12,680 Speaker 1: to come on and reach out to me, you know 289 00:15:12,720 --> 00:15:15,720 Speaker 1: what I mean, and and go on my music, you know, 290 00:15:15,840 --> 00:15:17,360 Speaker 1: one of the greatest. And now you trying to find 291 00:15:17,400 --> 00:15:23,320 Speaker 1: a shanty? Did that work out? You know? I mean, 292 00:15:25,280 --> 00:15:30,440 Speaker 1: what did you make it? When they want to smash? 293 00:15:30,920 --> 00:15:34,040 Speaker 1: You don't know? What's that kind of thinking? That guy? 294 00:15:36,720 --> 00:15:55,400 Speaker 1: I kind of tamper out. Yeah, well definitely, you know 295 00:15:55,480 --> 00:16:00,560 Speaker 1: what I'm a I'm is that fun enough a shanty? 296 00:16:00,960 --> 00:16:04,120 Speaker 1: Just like even Maria carrying out and them girls from 297 00:16:04,880 --> 00:16:07,280 Speaker 1: bucking the deers, you know what I mean, coming up 298 00:16:07,280 --> 00:16:09,360 Speaker 1: before we even become a star, you know where I 299 00:16:09,440 --> 00:16:12,280 Speaker 1: listened to them say oh she's pretty or our voice pretty? 300 00:16:12,440 --> 00:16:15,920 Speaker 1: You know. So, but I meant her a couple of times, 301 00:16:16,720 --> 00:16:19,680 Speaker 1: you know what I mean? So I guess that that 302 00:16:19,760 --> 00:16:22,440 Speaker 1: would rare called in time. Yeah, so damn, I'm sure 303 00:16:22,520 --> 00:16:26,200 Speaker 1: she is. Well, Um, I didn't really try that add 304 00:16:26,280 --> 00:16:30,000 Speaker 1: to reach out to Yeah, whenever time I see her, 305 00:16:30,080 --> 00:16:34,040 Speaker 1: I think I love and thinking what I mean. So, 306 00:16:34,280 --> 00:16:37,160 Speaker 1: you know, she's a beautiful girl and a beautiful but 307 00:16:37,280 --> 00:16:40,000 Speaker 1: Shantivada want to work with you, definitely make it happen 308 00:16:40,840 --> 00:16:42,640 Speaker 1: now being a ladies man, that was a hard Now 309 00:16:42,720 --> 00:16:45,760 Speaker 1: that she married, the things changed, The women not change 310 00:16:47,560 --> 00:16:49,280 Speaker 1: love me. I feel like the girls want to give 311 00:16:49,280 --> 00:16:52,920 Speaker 1: you more now. The girls love because you know, the 312 00:16:53,000 --> 00:16:55,280 Speaker 1: most girl looking look and said that. You know, I'm 313 00:16:55,320 --> 00:16:57,920 Speaker 1: sorry she should never get a chance enough for be that, 314 00:16:58,240 --> 00:17:02,160 Speaker 1: for being that special. Get tumped out. I mean, yeah, 315 00:17:03,320 --> 00:17:11,399 Speaker 1: forget that squeezed that sez what happened? Philip child Man. 316 00:17:11,480 --> 00:17:14,040 Speaker 1: We saw a story on TMZ there's being racist towards 317 00:17:14,080 --> 00:17:20,199 Speaker 1: you or something, yeah, something like, um, it was just disrespectful, 318 00:17:21,160 --> 00:17:25,359 Speaker 1: you know what I mean. Because I'm gonna figure figure 319 00:17:25,840 --> 00:17:27,840 Speaker 1: more than lesson I'm because you I mean, I'm a 320 00:17:27,880 --> 00:17:30,680 Speaker 1: Persian going down them's the two rest that you would 321 00:17:30,720 --> 00:17:33,280 Speaker 1: walk you know, you know what I mean. We don't 322 00:17:33,320 --> 00:17:35,840 Speaker 1: know what they think. You know what I mean. At 323 00:17:35,880 --> 00:17:38,960 Speaker 1: the time, there wasn't anybody else in the restaurant, you 324 00:17:39,000 --> 00:17:41,399 Speaker 1: know what I mean. Son, if they might say, yo 325 00:17:41,640 --> 00:17:44,240 Speaker 1: as whooping the restaurant, the tools at them come in first, 326 00:17:46,359 --> 00:17:48,800 Speaker 1: you know what I mean, But you know them just 327 00:17:49,640 --> 00:17:52,000 Speaker 1: being disrespectful and with a stock I bought it. You 328 00:17:52,119 --> 00:17:53,920 Speaker 1: don't know, you know what haven two two? I'm in 329 00:17:54,000 --> 00:17:56,200 Speaker 1: planning too much. Guys. It's not that actually give them 330 00:17:56,520 --> 00:17:59,159 Speaker 1: a free promotion or something, right, you know what I mean. 331 00:17:59,680 --> 00:18:03,520 Speaker 1: They apologize though, Yeah, they apologize. Did they give you 332 00:18:03,560 --> 00:18:06,080 Speaker 1: a food free? I didn't want They didn't apologize? Then 333 00:18:06,600 --> 00:18:08,920 Speaker 1: we didn't. Yeah, we didn't even want something free, you 334 00:18:08,920 --> 00:18:10,199 Speaker 1: know what I mean, because as we said, we as 335 00:18:10,280 --> 00:18:14,960 Speaker 1: joumming can we're very you know, yeah, you know what 336 00:18:14,960 --> 00:18:17,480 Speaker 1: I mean, And and and you know we're pro that 337 00:18:17,520 --> 00:18:19,720 Speaker 1: will say so wherever time you don't know what this. 338 00:18:19,800 --> 00:18:27,400 Speaker 1: Whenever time Johnny accuns in a in a stand show 339 00:18:27,480 --> 00:18:31,119 Speaker 1: me a can you know what I mean? So I 340 00:18:31,200 --> 00:18:35,639 Speaker 1: mean what I mean? You know what I mean. So 341 00:18:36,000 --> 00:18:39,639 Speaker 1: whenever time Johnna counts in our building a new so 342 00:18:40,359 --> 00:18:42,840 Speaker 1: you know where he is keeping pro and and you 343 00:18:42,960 --> 00:18:46,399 Speaker 1: know where he is keep that like shanning for you know, 344 00:18:46,560 --> 00:18:50,359 Speaker 1: for that. So I'm paying my food now, unlike Charlemagne 345 00:18:50,359 --> 00:18:52,920 Speaker 1: who will not pay for his food. For my food 346 00:18:53,119 --> 00:18:56,240 Speaker 1: extras have to leave a tip and things like that. 347 00:18:56,840 --> 00:18:58,399 Speaker 1: You know what I mean. Back in the days, whenever 348 00:18:58,440 --> 00:19:01,399 Speaker 1: I have cash that thus that going somewhere hard and 349 00:19:01,920 --> 00:19:03,719 Speaker 1: leave tip. You know what I mean. Welcome take your 350 00:19:03,800 --> 00:19:07,800 Speaker 1: tip on everything, No mean a little bit. I cash 351 00:19:07,920 --> 00:19:10,280 Speaker 1: that for all over. You know what I mean? With 352 00:19:10,480 --> 00:19:13,520 Speaker 1: us going on? Please say I take one pee and 353 00:19:13,600 --> 00:19:17,679 Speaker 1: we'll leave the tip on hunt backing. I mean. Now 354 00:19:17,680 --> 00:19:19,920 Speaker 1: it's a record label. Do you still have artists sign 355 00:19:20,680 --> 00:19:22,640 Speaker 1: you're a record I know you had your own label. Yeah, 356 00:19:22,680 --> 00:19:26,160 Speaker 1: I got my artists, my dian side artist enjoy mecause 357 00:19:26,160 --> 00:19:28,560 Speaker 1: that chrees start chrees, scrats and you know a couple 358 00:19:28,680 --> 00:19:30,840 Speaker 1: more of them. You know what I mean, because you know, 359 00:19:31,280 --> 00:19:33,760 Speaker 1: as I said, you know there recking and this situation, 360 00:19:33,880 --> 00:19:37,760 Speaker 1: and you know, as soon as everything great and then 361 00:19:37,840 --> 00:19:40,080 Speaker 1: you're gonna hear more about my artists. I mean they're 362 00:19:40,080 --> 00:19:42,760 Speaker 1: out of the beginning Jomerica and in the Islands. You 363 00:19:42,840 --> 00:19:47,119 Speaker 1: know what I mean. You have a visa issue right now? No, um, 364 00:19:47,600 --> 00:19:52,120 Speaker 1: I don't have a visa issue, okay out there I'm 365 00:19:52,200 --> 00:19:54,920 Speaker 1: living in the US. I couldn't have a visa issue, Okay. 366 00:19:55,480 --> 00:19:57,280 Speaker 1: I mean I might just have a little traveling the 367 00:19:57,359 --> 00:20:03,200 Speaker 1: issue at times. But sor right, what do you think 368 00:20:03,280 --> 00:20:05,400 Speaker 1: when you're being from Jamaica when you see like all 369 00:20:05,440 --> 00:20:08,800 Speaker 1: the police brutality that goes on in America, had they 370 00:20:08,920 --> 00:20:10,680 Speaker 1: just gun down and a black males, what do I 371 00:20:10,720 --> 00:20:14,440 Speaker 1: mean to me? To me your you people probably just 372 00:20:14,600 --> 00:20:16,800 Speaker 1: going through a door situation. I'll being going through that 373 00:20:16,880 --> 00:20:19,040 Speaker 1: for years. And I mean I got more than twenty 374 00:20:19,160 --> 00:20:22,120 Speaker 1: charity friends that died by the hands of the police 375 00:20:22,200 --> 00:20:25,000 Speaker 1: just like that, you know what I mean. So and 376 00:20:25,160 --> 00:20:28,399 Speaker 1: that's just my friends. So the stink of what I'm 377 00:20:28,440 --> 00:20:30,280 Speaker 1: trying to say to you, you know what I mean, 378 00:20:30,359 --> 00:20:32,800 Speaker 1: it's it's just the same situation all over you know, 379 00:20:32,840 --> 00:20:34,840 Speaker 1: when I'm on the bean a chigger, You know what 380 00:20:34,840 --> 00:20:36,880 Speaker 1: I mean, if I'm not that respect or that love 381 00:20:37,480 --> 00:20:40,120 Speaker 1: for people, then you know what I mean, white waiting 382 00:20:40,840 --> 00:20:45,119 Speaker 1: going to happen. It's gonna be Bloodshed's happen over and 383 00:20:45,240 --> 00:20:48,680 Speaker 1: over and over again. The next little girl, the next 384 00:20:48,760 --> 00:20:51,440 Speaker 1: little boy grew up without appearing. You know what I 385 00:20:51,480 --> 00:20:53,959 Speaker 1: mean when they ask him, what's up? Tell the police 386 00:20:54,000 --> 00:20:58,520 Speaker 1: killing my father? You know what I mean, cycle said 387 00:20:59,480 --> 00:21:04,359 Speaker 1: my father myvadova. Okay, okay, a man video got you, Yeah, 388 00:21:05,840 --> 00:21:09,679 Speaker 1: it got there, we have it. You seem very intense. 389 00:21:13,000 --> 00:21:14,440 Speaker 1: I feel like he about to pull him a shitty 390 00:21:14,440 --> 00:21:18,800 Speaker 1: out of anybody. We do appreciate you coming do this 391 00:21:18,880 --> 00:21:21,119 Speaker 1: your first time on the breakfast. Yeah, definitely give me 392 00:21:21,160 --> 00:21:24,120 Speaker 1: a word before you leave. Man, I always say poor 393 00:21:27,480 --> 00:21:32,200 Speaker 1: cratches money, No, I don't want to cry. When the 394 00:21:32,240 --> 00:21:38,720 Speaker 1: guy dropped moncle my uncle moncle uncle moncle Monkle said, 395 00:21:38,720 --> 00:21:43,840 Speaker 1: they don't say Japan, moncle, and I jump me say 396 00:21:44,320 --> 00:21:47,359 Speaker 1: with some crutches, all right, give me off, give me 397 00:21:47,440 --> 00:21:56,560 Speaker 1: a yeah. Straight to the men. We can say I 398 00:21:56,600 --> 00:22:00,239 Speaker 1: had no to give. I have a bottle like you've 399 00:22:00,240 --> 00:22:02,240 Speaker 1: for coming to the new album up. Theyin't getto Bible 400 00:22:02,359 --> 00:22:05,199 Speaker 1: coming up the show. Um get to Bible. That's one 401 00:22:05,240 --> 00:22:08,680 Speaker 1: of my you would single, That's that's one of my 402 00:22:08,720 --> 00:22:12,399 Speaker 1: big single. Okay, right, you know, so we're in the 403 00:22:12,440 --> 00:22:14,800 Speaker 1: shoot working on the album. Right, I'm not gonna be 404 00:22:14,800 --> 00:22:16,920 Speaker 1: the name of the album. No, oh okay, No, we're 405 00:22:16,960 --> 00:22:19,440 Speaker 1: doing We're doing Teva work und up und the name 406 00:22:19,480 --> 00:22:21,920 Speaker 1: of the album. You know. But because I don't have 407 00:22:22,000 --> 00:22:24,200 Speaker 1: some much singles out there. You know, we have songs 408 00:22:24,240 --> 00:22:26,520 Speaker 1: like my one, and we have songs like NA use them, 409 00:22:26,960 --> 00:22:28,439 Speaker 1: you know what I mean. We have songs like at 410 00:22:28,480 --> 00:22:30,520 Speaker 1: the Top is just so much eats songs, so much 411 00:22:30,560 --> 00:22:32,560 Speaker 1: big song, you know what I mean. So get up 412 00:22:32,600 --> 00:22:35,320 Speaker 1: by But that's just one of my next single. Where 413 00:22:35,359 --> 00:22:38,800 Speaker 1: you recording it? Well, I'm um, I record most of 414 00:22:38,920 --> 00:22:42,080 Speaker 1: my songs bucking Florida, you know what I mean. If 415 00:22:42,119 --> 00:22:44,520 Speaker 1: I'm in New you know, I'm sometimes I'm over by 416 00:22:44,520 --> 00:22:47,840 Speaker 1: a platinum songs working are or if I'm with we 417 00:22:48,000 --> 00:22:50,960 Speaker 1: the best and it's true, but most of the times 418 00:22:51,040 --> 00:22:53,159 Speaker 1: I'm in my shoot out my house, you know what 419 00:22:53,200 --> 00:22:55,879 Speaker 1: I mean. That's that's where I advised um those songs, 420 00:22:56,000 --> 00:22:59,040 Speaker 1: even that song with Nicki Minaj. Most of those songs 421 00:22:59,040 --> 00:23:01,480 Speaker 1: and what I mean, yeah, we we're the best of 422 00:23:01,560 --> 00:23:05,040 Speaker 1: through cash money right, yeah, you ever you worry about money. 423 00:23:05,520 --> 00:23:08,760 Speaker 1: I'm I'm with, I'm with We're the best though. You 424 00:23:08,800 --> 00:23:11,560 Speaker 1: know what I mean, you're going to called you know, yeah, 425 00:23:11,720 --> 00:23:13,879 Speaker 1: my my thing with me and Kelly, they get man, 426 00:23:14,000 --> 00:23:16,639 Speaker 1: I don't know what's don't know a street thing on, 427 00:23:17,160 --> 00:23:19,080 Speaker 1: you know what I mean. So Kelly manure from them 428 00:23:19,119 --> 00:23:21,560 Speaker 1: a long time there, got you on the street and everything, 429 00:23:21,640 --> 00:23:25,040 Speaker 1: so let's keep it. That's true. Got you basically you know, 430 00:23:25,200 --> 00:23:27,679 Speaker 1: not to play you you want not to play an 431 00:23:27,960 --> 00:23:34,240 Speaker 1: jumping kind of don't know. We're the best. Speaks. They 432 00:23:34,280 --> 00:23:36,960 Speaker 1: don't know a father on the world family, thank you 433 00:23:37,040 --> 00:23:39,760 Speaker 1: for coming, King stunt Jumping A club absolutely, it's the 434 00:23:39,760 --> 00:23:41,760 Speaker 1: Breakfast Club. Breakfast Club