1 00:00:05,160 --> 00:00:07,840 Speaker 1: Hey, this is Anny and Samantha, and welcome to stuff 2 00:00:07,840 --> 00:00:19,400 Speaker 1: I've never told your protection of ihear radio and it 3 00:00:19,560 --> 00:00:23,200 Speaker 1: is Thursday, so welcome to another happy hour. It is 4 00:00:23,239 --> 00:00:27,080 Speaker 1: actually Thursday as we record this as well, which doesn't 5 00:00:27,120 --> 00:00:29,360 Speaker 1: happen too too often. No, is it actually happy our 6 00:00:29,440 --> 00:00:35,879 Speaker 1: time though, is just considered happy somewhere it is. You 7 00:00:35,920 --> 00:00:40,680 Speaker 1: don't need to talk about that. As always, speaking up 8 00:00:40,680 --> 00:00:44,239 Speaker 1: with these episodes, drink responsibly if you choose to do so. 9 00:00:44,320 --> 00:00:46,479 Speaker 1: We love to have just these moments to kind of 10 00:00:46,479 --> 00:00:50,280 Speaker 1: wind down and relax. However, way that maybe for you. 11 00:00:51,040 --> 00:00:54,360 Speaker 1: And speaking of Samantha, what are you sipping on? I 12 00:00:54,400 --> 00:00:59,600 Speaker 1: am actually sipping on a Samuel Adams, Yes, Adams Cold 13 00:01:00,000 --> 00:01:03,840 Speaker 1: at white Ill, because I do enjoy good winter ill drinks. 14 00:01:04,319 --> 00:01:08,360 Speaker 1: And sam Adams has actually a pretty good reputation for 15 00:01:08,480 --> 00:01:10,400 Speaker 1: who they are and what they do and for being 16 00:01:10,440 --> 00:01:14,000 Speaker 1: such a pretty popular brand and apparently it's still independent. 17 00:01:14,120 --> 00:01:17,440 Speaker 1: I didn't know this, And yeah, they they're they're known 18 00:01:17,480 --> 00:01:21,720 Speaker 1: to have uh bars fully staffed with women as the 19 00:01:21,840 --> 00:01:24,160 Speaker 1: lead and all that. So I was like, yeah, I'm 20 00:01:24,200 --> 00:01:26,520 Speaker 1: down to day some same Adams to day. What about you? 21 00:01:27,240 --> 00:01:31,920 Speaker 1: That sounds nice. I'm drinking a bargarita with sparkling water 22 00:01:32,840 --> 00:01:35,760 Speaker 1: I wanted to make. I recently discovered and I know 23 00:01:35,800 --> 00:01:38,039 Speaker 1: this sounds a little gross, probably to some people, but 24 00:01:38,040 --> 00:01:42,160 Speaker 1: I recently discovered a hot chocolate red wine drink and 25 00:01:42,200 --> 00:01:45,560 Speaker 1: it's actually really good. But I'm out of hot chocolate, 26 00:01:45,800 --> 00:01:53,600 Speaker 1: so plan B. Is it warm? Mhm? I have doubts. 27 00:01:54,160 --> 00:01:57,360 Speaker 1: I did as well. But over on the other show, 28 00:01:57,400 --> 00:02:01,280 Speaker 1: I do savor. We just in an episode the Hot Toddy, 29 00:02:01,440 --> 00:02:03,640 Speaker 1: and I saw that a couple of years ago. It 30 00:02:03,720 --> 00:02:07,360 Speaker 1: was just a really popular hot Toddy and I was like, okay, 31 00:02:07,400 --> 00:02:11,079 Speaker 1: but yeah, it was really nice. I really liked it. 32 00:02:11,160 --> 00:02:14,200 Speaker 1: But last I don't have it right now. So you 33 00:02:14,280 --> 00:02:18,000 Speaker 1: just put hot chocolate and wine together. Uh yeah, pretty much. 34 00:02:18,040 --> 00:02:21,600 Speaker 1: You kind of heat up some milk slowly so it 35 00:02:21,639 --> 00:02:23,680 Speaker 1: doesn't scald, and then you take it off the heat. 36 00:02:24,120 --> 00:02:28,400 Speaker 1: You add hot chocolate like a hot chocolate packet, mix it, 37 00:02:28,480 --> 00:02:31,560 Speaker 1: and then add half a cup of red wine. Mix 38 00:02:31,600 --> 00:02:38,320 Speaker 1: it and then oh, milky and alcohol. It's a risky, Yeah, 39 00:02:38,360 --> 00:02:40,680 Speaker 1: it's risky. It's a risky proposition. I don't know if 40 00:02:40,680 --> 00:02:41,799 Speaker 1: you have to use the milk. That was just the 41 00:02:41,840 --> 00:02:44,120 Speaker 1: recipe I used, because normally I make hot chocolate with water. 42 00:02:44,840 --> 00:02:47,880 Speaker 1: I like mine with milk. I got some chocolate bombs 43 00:02:48,120 --> 00:02:50,400 Speaker 1: did not go off as I thought. I am sad 44 00:02:50,440 --> 00:02:54,799 Speaker 1: about that for you. The video it literally was a 45 00:02:54,880 --> 00:03:02,560 Speaker 1: bloop bloop. Oh what a let down. Yeah, so I 46 00:03:02,639 --> 00:03:04,320 Speaker 1: kind of did a complete one eighty of what I 47 00:03:04,360 --> 00:03:07,120 Speaker 1: was expecting to do and have margarita. But you know 48 00:03:07,560 --> 00:03:12,960 Speaker 1: that's such as life. Me too, Me too. Um So 49 00:03:13,040 --> 00:03:16,120 Speaker 1: today we are going to be talking about a song 50 00:03:16,200 --> 00:03:19,280 Speaker 1: which I think is the first in these Happy Hour segments. 51 00:03:19,360 --> 00:03:20,960 Speaker 1: I we should do a Happy Hour segment about at 52 00:03:21,000 --> 00:03:24,160 Speaker 1: kara yoke preferences. Well, see, that's what I'm saying because 53 00:03:24,320 --> 00:03:27,160 Speaker 1: I think it's so funny to me because I have 54 00:03:27,280 --> 00:03:32,680 Speaker 1: the nerdiest song selections and some random ludicrous in there 55 00:03:33,400 --> 00:03:35,400 Speaker 1: um as compared to you. We have very different songs 56 00:03:35,440 --> 00:03:38,360 Speaker 1: we request, but I want this song is a new 57 00:03:38,400 --> 00:03:40,400 Speaker 1: song I want to sing, and also I've never gotten 58 00:03:40,440 --> 00:03:42,920 Speaker 1: to do it. But I want to do the Tiffany 59 00:03:42,920 --> 00:03:47,360 Speaker 1: Hattish song from Lego the Lego Movie too. I think 60 00:03:47,360 --> 00:03:49,640 Speaker 1: that's gonna be hard. Fine, So we're gonna we're gonna 61 00:03:49,840 --> 00:03:53,280 Speaker 1: dig for some of these songs. See, we found there 62 00:03:53,280 --> 00:03:56,160 Speaker 1: are some places in Atlanta where you can bring either 63 00:03:56,240 --> 00:03:59,440 Speaker 1: a flash drive or you can request beforehand and they'll 64 00:03:59,480 --> 00:04:02,080 Speaker 1: get them for you. But I bet literally no one 65 00:04:02,120 --> 00:04:06,600 Speaker 1: in history in Atlanta at least has requested Tiffany Hattich's 66 00:04:06,640 --> 00:04:09,240 Speaker 1: song from Like a Movie to you. I would be surprised, 67 00:04:11,200 --> 00:04:15,200 Speaker 1: so specific, very specific. It's an excellent song, and that's 68 00:04:15,200 --> 00:04:17,719 Speaker 1: a shame. It's a shame I can't find it. I've 69 00:04:17,760 --> 00:04:21,840 Speaker 1: looked last time, years ago before COVID and we were 70 00:04:21,839 --> 00:04:25,240 Speaker 1: doing karaoke. I looked for that song and people looked 71 00:04:25,240 --> 00:04:29,680 Speaker 1: at me, like, what are you talking about? Well, if 72 00:04:29,720 --> 00:04:32,960 Speaker 1: I thought funny because our groups, specifically when I say 73 00:04:32,960 --> 00:04:36,200 Speaker 1: I agree with I heard kids like to jump into 74 00:04:36,360 --> 00:04:40,320 Speaker 1: musical numbers. And I was very surprised by this because 75 00:04:40,720 --> 00:04:44,359 Speaker 1: we have a coworker who loves her show tunes. That 76 00:04:44,440 --> 00:04:47,040 Speaker 1: threw me off. And then we have the boys really 77 00:04:47,120 --> 00:04:49,919 Speaker 1: like the Pokemon song and I didn't know that was 78 00:04:49,960 --> 00:04:53,000 Speaker 1: a thing. Wasn't there a Dragon ball Z song? But 79 00:04:53,040 --> 00:04:55,120 Speaker 1: they also liked to sing that popped up at one 80 00:04:55,120 --> 00:05:00,080 Speaker 1: point in time, and of course the Mulan classic. But 81 00:05:00,120 --> 00:05:03,440 Speaker 1: I'm like my crew, who are yes of the older 82 00:05:03,520 --> 00:05:07,880 Speaker 1: generation typically stick with the nineties early two thousand's eighties, 83 00:05:08,120 --> 00:05:11,599 Speaker 1: sixties country music like hits, So to jump into that, 84 00:05:11,760 --> 00:05:18,279 Speaker 1: I'm like, huh, yeah, yeah, I think I think there's, 85 00:05:18,360 --> 00:05:21,080 Speaker 1: you know, the kind of fun of everybody knows the words, 86 00:05:21,080 --> 00:05:23,920 Speaker 1: and there's definitely nostalgia especially for Pokemon going on, because 87 00:05:23,920 --> 00:05:26,039 Speaker 1: I've never heard or seen that either, but I now 88 00:05:26,080 --> 00:05:28,520 Speaker 1: I requested because I like to see everybody a light 89 00:05:28,640 --> 00:05:31,680 Speaker 1: up when it comes on. But one of my favorite 90 00:05:31,720 --> 00:05:35,480 Speaker 1: karaoke experiences is our friend and co worker Alex, who 91 00:05:35,520 --> 00:05:39,000 Speaker 1: does a firm role among many other things. He once 92 00:05:39,200 --> 00:05:42,600 Speaker 1: it was my birthday and you know, it was early 93 00:05:42,640 --> 00:05:45,000 Speaker 1: in the night, so a lot more people were coming, 94 00:05:45,040 --> 00:05:46,920 Speaker 1: but at that point there's only five of us maybe, 95 00:05:47,120 --> 00:05:58,160 Speaker 1: and he requested happy Birthday. So funny. I mean, like 96 00:05:58,240 --> 00:06:01,000 Speaker 1: I said, it isn't a different experien is I never 97 00:06:01,040 --> 00:06:05,039 Speaker 1: really thought about it, but it's different experiences with different crews. 98 00:06:05,320 --> 00:06:07,679 Speaker 1: And because I was so stuck with my one crew, 99 00:06:07,839 --> 00:06:09,880 Speaker 1: which you know, I love my crew, and then coming 100 00:06:09,920 --> 00:06:14,880 Speaker 1: to this, I was like, what, it's it's a very 101 00:06:15,040 --> 00:06:19,400 Speaker 1: far flung crowd, like will go all over the place. 102 00:06:20,240 --> 00:06:22,760 Speaker 1: It's it's very funny and everybody has sort of their 103 00:06:22,760 --> 00:06:25,000 Speaker 1: songs that they request every time, and so it's sort 104 00:06:25,040 --> 00:06:28,359 Speaker 1: of it's become like, oh, Lauren's going up here, it 105 00:06:28,400 --> 00:06:30,840 Speaker 1: comes bon Jovi Dead or a lot like you know, 106 00:06:32,480 --> 00:06:34,359 Speaker 1: So yeah, I know for a little while. Yours was 107 00:06:34,440 --> 00:06:38,720 Speaker 1: also Hamilton's Yes, which is related to this. Yeah, that's 108 00:06:38,720 --> 00:06:41,479 Speaker 1: what I'm gonna Is this going to be replacing? It 109 00:06:41,600 --> 00:06:43,920 Speaker 1: might be. I love doing the Hamilton's one. I I 110 00:06:44,000 --> 00:06:47,200 Speaker 1: do my shot, but that song is six and a 111 00:06:47,240 --> 00:06:50,400 Speaker 1: half minutes long, so I always feel bad because it's 112 00:06:50,440 --> 00:06:53,200 Speaker 1: kind of hogging the time, So I usually do it 113 00:06:53,240 --> 00:06:56,240 Speaker 1: at the very end because I don't want to take 114 00:06:56,320 --> 00:06:58,559 Speaker 1: up time with and plus I know for some people 115 00:06:58,560 --> 00:07:00,839 Speaker 1: that's annoying when people come on do a show tune 116 00:07:00,920 --> 00:07:02,680 Speaker 1: for six and a half minutes, and I understand that, 117 00:07:02,839 --> 00:07:05,800 Speaker 1: so I'm not trying to do that. This song is 118 00:07:05,800 --> 00:07:11,000 Speaker 1: a regular a regular linked three minute song, so you know, 119 00:07:11,240 --> 00:07:13,400 Speaker 1: I don't know if it will replace it, but certainly 120 00:07:13,680 --> 00:07:17,120 Speaker 1: I wouldn't feel as bad singing it, although only me 121 00:07:17,200 --> 00:07:19,240 Speaker 1: and probably my friend Marissa, who is the person who 122 00:07:19,240 --> 00:07:21,040 Speaker 1: put this song on my radar in the first place, 123 00:07:21,040 --> 00:07:23,080 Speaker 1: would know the lyrics. And part of the fun is 124 00:07:23,640 --> 00:07:26,240 Speaker 1: that everybody knows the song that you're singing, and they 125 00:07:26,240 --> 00:07:28,280 Speaker 1: can all get in on it. So I don't know. 126 00:07:28,520 --> 00:07:31,640 Speaker 1: I'm definitely gonna do it one day. I don't know 127 00:07:31,720 --> 00:07:47,679 Speaker 1: if it'll be a regular okay, okay, yes, but okay. 128 00:07:47,720 --> 00:07:50,840 Speaker 1: We we've talked around the topic a lot, but we 129 00:07:50,880 --> 00:07:54,400 Speaker 1: haven't gotten to it. Um So we are talking about 130 00:07:54,400 --> 00:07:58,440 Speaker 1: a song from the new animated Disney musical movie in Conto, 131 00:07:58,600 --> 00:08:01,880 Speaker 1: which is called surface Pressure, which is yes, written by 132 00:08:02,040 --> 00:08:06,520 Speaker 1: Lynn mnuelman Randa from Hamilton's um and performed by Jessica Darrow. 133 00:08:07,040 --> 00:08:09,440 Speaker 1: And the reaction me and some of my friends and 134 00:08:09,520 --> 00:08:11,680 Speaker 1: including Marissa who was the one who was like, she 135 00:08:11,720 --> 00:08:13,240 Speaker 1: texted me and said, I need you to listen to 136 00:08:13,320 --> 00:08:15,560 Speaker 1: this song and see if you identify as much as 137 00:08:15,600 --> 00:08:19,920 Speaker 1: I do. And as of writing this outline, which today 138 00:08:20,000 --> 00:08:23,920 Speaker 1: is the thirteenth of January two, the Encantos soundtrack is 139 00:08:24,080 --> 00:08:25,880 Speaker 1: number one on the charts and it's the first time 140 00:08:26,080 --> 00:08:30,120 Speaker 1: it's happened for a soundtrack in forever. It unseated Adele, 141 00:08:30,840 --> 00:08:33,640 Speaker 1: so I think it's resonating with a lot of folks, 142 00:08:34,360 --> 00:08:37,800 Speaker 1: and it was the top grossing animated film of one. 143 00:08:38,320 --> 00:08:39,880 Speaker 1: I hate that there has to be an asterix with 144 00:08:39,920 --> 00:08:41,560 Speaker 1: all this stuff that they're kind of does because of 145 00:08:41,600 --> 00:08:45,200 Speaker 1: covid um right, but yes, it was the top animated 146 00:08:45,200 --> 00:08:49,760 Speaker 1: film of one and it came out in December recently, 147 00:08:50,280 --> 00:08:55,439 Speaker 1: and as we've been talking about TikTok, it is dominating TikTok. Yeah, 148 00:08:55,520 --> 00:08:57,520 Speaker 1: I've seen I've seen a lot of that, and it's 149 00:08:57,520 --> 00:09:00,000 Speaker 1: really funny because I probably watched it the day after 150 00:09:00,040 --> 00:09:05,520 Speaker 1: it came out UM on Disney Plus. And I loved 151 00:09:05,559 --> 00:09:08,280 Speaker 1: this song surface Pressure, and I loved we Don't Talk 152 00:09:08,280 --> 00:09:10,560 Speaker 1: About Bruno, which I know all the words to that 153 00:09:10,640 --> 00:09:12,880 Speaker 1: as well. I love most of the soundtrack, but two 154 00:09:12,880 --> 00:09:15,120 Speaker 1: of those are my favorite. And then I was kind 155 00:09:15,120 --> 00:09:16,680 Speaker 1: of like, why do I love this song so much? 156 00:09:16,720 --> 00:09:18,640 Speaker 1: And then I heard it was dominating TikTok, and I 157 00:09:18,720 --> 00:09:22,439 Speaker 1: was like, what, I guess it is really good. It's 158 00:09:22,480 --> 00:09:28,200 Speaker 1: really popular, It's it's very good. It's excellent. Anyway. The 159 00:09:28,240 --> 00:09:31,080 Speaker 1: plot of this movie in a nutshell follows the Magical family. 160 00:09:31,640 --> 00:09:34,800 Speaker 1: Each member gets a power and corresponding door in their 161 00:09:34,840 --> 00:09:37,400 Speaker 1: magical house that is called Casita. The house is called 162 00:09:37,440 --> 00:09:41,479 Speaker 1: Casita when they come of age. Um. Everybody except Mirabelle, 163 00:09:41,520 --> 00:09:45,960 Speaker 1: who doesn't receive a power or a door. Um. Though 164 00:09:46,280 --> 00:09:49,200 Speaker 1: I have seen a lot of theories about this on 165 00:09:49,240 --> 00:09:51,559 Speaker 1: YouTube that maybe she did get a power, or maybe 166 00:09:52,120 --> 00:09:54,720 Speaker 1: she somehow related to Vin Diesel and Fast and Furious. 167 00:09:54,760 --> 00:09:57,880 Speaker 1: I'm telling you wild theories out there. The house is 168 00:09:57,920 --> 00:10:01,400 Speaker 1: magic is failing, as our are some of the family's powers, 169 00:10:01,440 --> 00:10:03,920 Speaker 1: and the story follows Mirabel trying to get to the 170 00:10:03,920 --> 00:10:06,920 Speaker 1: bottom of why the magic is failing, and bonding with 171 00:10:06,920 --> 00:10:09,880 Speaker 1: her family and doing some healing along the way. It's 172 00:10:09,880 --> 00:10:14,079 Speaker 1: a sweet family story. One of the key aspects of 173 00:10:14,120 --> 00:10:17,040 Speaker 1: the story and in particular the songs, is that several 174 00:10:17,120 --> 00:10:20,600 Speaker 1: of the characters solo musical numbers are about how they 175 00:10:20,720 --> 00:10:25,160 Speaker 1: in some ways resent their gift or in Mirabel's case, 176 00:10:25,400 --> 00:10:29,199 Speaker 1: her lack of gift. Her oldest sister Isabella, resents being 177 00:10:29,240 --> 00:10:33,280 Speaker 1: perfect and struggles to keep up that image. Her second 178 00:10:33,320 --> 00:10:37,680 Speaker 1: oldest sister, Louisa, who is strong um really buff with 179 00:10:37,720 --> 00:10:41,000 Speaker 1: super strength. That's her gift, but she struggles with anxieties 180 00:10:41,360 --> 00:10:43,920 Speaker 1: of failing the family and not being strong enough, not 181 00:10:44,000 --> 00:10:46,520 Speaker 1: being enough. But she sings about in the song service 182 00:10:46,559 --> 00:10:51,200 Speaker 1: pressure and Yes. Marissa was like, you've got to You've 183 00:10:51,240 --> 00:10:53,200 Speaker 1: got to watch it. You've gotta tell me if you 184 00:10:53,280 --> 00:10:57,480 Speaker 1: identify and immediately, I mean within the first verse, I 185 00:10:57,559 --> 00:11:02,200 Speaker 1: was like, oh, no, yeah, some tears which oh no. 186 00:11:03,040 --> 00:11:07,199 Speaker 1: And the song alternates between a strong, flat singing voice 187 00:11:07,240 --> 00:11:10,640 Speaker 1: portraying how Louisa is on the outside um, contrasted with 188 00:11:10,679 --> 00:11:13,160 Speaker 1: a softer, more vulnerable voice for how she feels on 189 00:11:13,200 --> 00:11:15,640 Speaker 1: the inside um. And here are some lyrics to give 190 00:11:15,640 --> 00:11:20,439 Speaker 1: you a taste. I'm not gonna sing it, no, just 191 00:11:20,960 --> 00:11:23,480 Speaker 1: give me the chorus, because I don't have a clue 192 00:11:23,480 --> 00:11:25,800 Speaker 1: what the song, what the song is about. I gotta 193 00:11:25,880 --> 00:11:30,840 Speaker 1: go no, just one verse, no, no, no, no. It's 194 00:11:30,840 --> 00:11:33,480 Speaker 1: funny though one definitely go listen to you if you 195 00:11:33,480 --> 00:11:36,200 Speaker 1: haven't heard already. It's amazing. But to me and my 196 00:11:36,280 --> 00:11:38,839 Speaker 1: younger brother used to have a game where we would 197 00:11:39,040 --> 00:11:42,319 Speaker 1: say lyrics to each other and whoever started it got 198 00:11:42,360 --> 00:11:44,040 Speaker 1: to pick the song and we would see who was 199 00:11:44,120 --> 00:11:46,640 Speaker 1: the first to laugh, because when you just say lyrics, 200 00:11:47,559 --> 00:11:52,560 Speaker 1: it often sounds yeah. So here we go. I'm gonna 201 00:11:52,559 --> 00:11:58,360 Speaker 1: say some lyrics. So under the surface was Hercules ever like? Yo? 202 00:11:58,440 --> 00:12:01,160 Speaker 1: I don't want to fight Servius under the surface. I'm 203 00:12:01,160 --> 00:12:03,439 Speaker 1: pretty sure I'm worthless if I can't be of service. 204 00:12:03,760 --> 00:12:06,120 Speaker 1: A fall our crack, the straw and the stack that 205 00:12:06,160 --> 00:12:08,480 Speaker 1: breaks the camel's back. What breaks the camel's back. It's 206 00:12:08,559 --> 00:12:11,080 Speaker 1: pressure like a chip trip drip that will never stop. 207 00:12:11,640 --> 00:12:16,600 Speaker 1: Bow wow ye. Give it to your sister. Your sister 208 00:12:16,679 --> 00:12:19,160 Speaker 1: is older. Give her all the heavy things we can't shoulder. 209 00:12:19,440 --> 00:12:21,199 Speaker 1: Who am I If I can't run with the ball? 210 00:12:21,559 --> 00:12:23,800 Speaker 1: Give it to your sister, Your sister stronger. See if 211 00:12:23,800 --> 00:12:26,040 Speaker 1: she can hang on a little longer. Who am I 212 00:12:26,040 --> 00:12:29,400 Speaker 1: if I can't carry it all? If I falter? But wait, 213 00:12:29,840 --> 00:12:33,000 Speaker 1: if I could shake the crushing weight of expectations, would 214 00:12:33,000 --> 00:12:35,839 Speaker 1: that free some room up for joy or relaxation or 215 00:12:35,920 --> 00:12:38,960 Speaker 1: simple pleasure. Give it to your sister. It doesn't hurt. 216 00:12:39,000 --> 00:12:41,400 Speaker 1: And see if she can handle every family burden watches 217 00:12:41,400 --> 00:12:44,040 Speaker 1: she buckles and bins but never breaks. Give it to 218 00:12:44,080 --> 00:12:46,400 Speaker 1: your sister, and never wonder if the same pressure would 219 00:12:46,400 --> 00:12:48,360 Speaker 1: have pulled you under. Who am I if I don't 220 00:12:48,400 --> 00:12:51,400 Speaker 1: have what it takes? No cracks, no breaks, no mistakes, 221 00:12:51,640 --> 00:12:56,800 Speaker 1: no pressure. Nice. Yes, it's so hard not to see 222 00:12:56,840 --> 00:12:58,920 Speaker 1: it because it's so good, and I know everyone's like 223 00:12:58,960 --> 00:13:02,079 Speaker 1: you butchered it, But I can't do it. Disney will 224 00:13:02,120 --> 00:13:08,040 Speaker 1: come from me. I can't have it. Um. So. One 225 00:13:08,040 --> 00:13:11,080 Speaker 1: of the interesting things has been seeing how many people 226 00:13:11,520 --> 00:13:15,559 Speaker 1: relate to these songs and why, and how some interpret 227 00:13:15,600 --> 00:13:18,240 Speaker 1: the whole movie as a warning about relying too much 228 00:13:18,360 --> 00:13:22,400 Speaker 1: on our gifts or defining ourselves too much by our accomplishments, 229 00:13:22,640 --> 00:13:26,160 Speaker 1: and how damaging and limiting and stressful that can be. 230 00:13:26,520 --> 00:13:28,320 Speaker 1: And that's something you and I have talked about a 231 00:13:28,360 --> 00:13:33,040 Speaker 1: lot of this, the productivity trap of you know, the 232 00:13:33,080 --> 00:13:35,840 Speaker 1: workaholic being a good thing. Are all of these for 233 00:13:35,920 --> 00:13:38,559 Speaker 1: women often like selfless being the best thing you can 234 00:13:38,600 --> 00:13:40,920 Speaker 1: be in defining yourself that way, and how that can 235 00:13:41,000 --> 00:13:45,880 Speaker 1: just where you doubt right finding your worth and what 236 00:13:45,960 --> 00:13:49,800 Speaker 1: you can give exactly exactly. And so I'm not going 237 00:13:49,840 --> 00:13:51,760 Speaker 1: to go too much into my own family dynamics of 238 00:13:51,840 --> 00:13:54,600 Speaker 1: the dynamics between me and my siblings because it's actually 239 00:13:54,600 --> 00:13:56,480 Speaker 1: really hard for me to talk about. It's kind of 240 00:13:56,559 --> 00:13:58,679 Speaker 1: new for me to realize how triggering this is for me, 241 00:13:59,240 --> 00:14:02,200 Speaker 1: and I'm very aware that we have different perspectives on 242 00:14:02,280 --> 00:14:05,360 Speaker 1: a lot of stuff that's happened. But whether they put 243 00:14:05,400 --> 00:14:07,640 Speaker 1: it on me or not, I did feel this way, 244 00:14:07,720 --> 00:14:10,760 Speaker 1: like I felt a responsibility to keep the family, to 245 00:14:10,840 --> 00:14:14,640 Speaker 1: get there, to stay strong when everything was awful. Um 246 00:14:14,679 --> 00:14:16,800 Speaker 1: a part of that could be being the only daughter 247 00:14:17,000 --> 00:14:19,600 Speaker 1: in the middle child because I have two brothers, one 248 00:14:19,680 --> 00:14:22,000 Speaker 1: older and one younger. My family used to joke that 249 00:14:22,040 --> 00:14:23,680 Speaker 1: I was so strong that I would quote be the 250 00:14:23,760 --> 00:14:26,000 Speaker 1: last one standing, which I was very proud of, but 251 00:14:26,040 --> 00:14:29,840 Speaker 1: I also resented, and in turn, I think that led 252 00:14:29,880 --> 00:14:33,360 Speaker 1: to some resentment of me because outwardly it appeared as 253 00:14:33,360 --> 00:14:36,120 Speaker 1: though I never struggled, though I was very very very 254 00:14:36,200 --> 00:14:40,840 Speaker 1: much struggling very much um. And I felt so responsible 255 00:14:40,880 --> 00:14:43,840 Speaker 1: that for everything that went wrong, I took all of 256 00:14:43,840 --> 00:14:46,840 Speaker 1: that on. It's my fault, And to this day I 257 00:14:46,880 --> 00:14:49,320 Speaker 1: feel a lot of guilt for not doing a better job, 258 00:14:49,880 --> 00:14:53,080 Speaker 1: even though I was a kid. So hearing this song 259 00:14:53,200 --> 00:14:56,360 Speaker 1: was like a solved because I thought, yes, yes, yep, yep, 260 00:14:56,560 --> 00:15:00,240 Speaker 1: that's it yep. And also so it was painful. It 261 00:15:00,320 --> 00:15:03,600 Speaker 1: was painful, and yeah there were tears because it's been 262 00:15:03,680 --> 00:15:06,800 Speaker 1: so long how I defined myself And you're kind of 263 00:15:06,840 --> 00:15:10,920 Speaker 1: like when you take that away, world and what am I? Yeah? 264 00:15:11,040 --> 00:15:15,560 Speaker 1: What am I? Yeah? Uh? And I was telling you 265 00:15:15,640 --> 00:15:20,040 Speaker 1: before that someone did at the specific TikTok of a 266 00:15:20,160 --> 00:15:22,880 Speaker 1: man who was listening. She wanted him to listen to 267 00:15:22,920 --> 00:15:25,200 Speaker 1: this specific song because she was like, this is him 268 00:15:25,240 --> 00:15:28,800 Speaker 1: to the core um and his face like as it 269 00:15:28,920 --> 00:15:32,800 Speaker 1: continue to like seep into his mind the actual lyrics 270 00:15:32,800 --> 00:15:34,480 Speaker 1: and what I was saying him, And at the end 271 00:15:34,520 --> 00:15:36,120 Speaker 1: he just kind of stops and he goes, that's me, 272 00:15:36,880 --> 00:15:39,600 Speaker 1: and that's kind of like what I'm hearing with you. 273 00:15:39,800 --> 00:15:42,280 Speaker 1: And I think there's been a lot of conversation about 274 00:15:42,320 --> 00:15:45,520 Speaker 1: the realism that is laid on in trying to keep 275 00:15:45,560 --> 00:15:49,040 Speaker 1: it together and being the sinner. I find it. And 276 00:15:49,040 --> 00:15:51,320 Speaker 1: I'm not gonna say too much, but like, I see 277 00:15:51,320 --> 00:15:55,520 Speaker 1: why Marissa would have been like, oh, yeah, this is 278 00:15:55,560 --> 00:15:57,720 Speaker 1: not only for me but for you. But here we are. 279 00:15:58,200 --> 00:16:01,120 Speaker 1: You do have a lot of similarities in the realm 280 00:16:01,160 --> 00:16:05,000 Speaker 1: and me I come off as very independent like myself 281 00:16:05,280 --> 00:16:08,120 Speaker 1: but nobody my family is not depended on me. I 282 00:16:08,160 --> 00:16:13,960 Speaker 1: have forever the outside child. Um, And that's a whole 283 00:16:13,960 --> 00:16:16,280 Speaker 1: different conversation. But yeah, so for me, it's like I 284 00:16:16,280 --> 00:16:19,760 Speaker 1: don't necessarily get this because I don't think my family 285 00:16:19,760 --> 00:16:22,560 Speaker 1: depends on me in any way whatsoever like that. But 286 00:16:22,560 --> 00:16:25,240 Speaker 1: at the same time, that pressure that I've seen that 287 00:16:25,320 --> 00:16:28,760 Speaker 1: happens within and we talked about with the parunification episode, 288 00:16:29,000 --> 00:16:35,080 Speaker 1: this is absolutely it. Yeah, yeah, for sure, And I 289 00:16:35,080 --> 00:16:37,840 Speaker 1: saw again it's so funny when you research something for 290 00:16:37,880 --> 00:16:40,160 Speaker 1: this show, and then immediately every article that Google is 291 00:16:40,200 --> 00:16:42,320 Speaker 1: telling me was about that thing. I saw a lot 292 00:16:42,360 --> 00:16:44,600 Speaker 1: of articles from people who were saying, you know, I'm 293 00:16:44,640 --> 00:16:46,480 Speaker 1: not I don't have siblings, but I still related to 294 00:16:46,480 --> 00:16:48,200 Speaker 1: this because I still feel this pressure in this kind 295 00:16:48,200 --> 00:16:50,000 Speaker 1: of to act this way on the outside and this 296 00:16:50,000 --> 00:16:53,640 Speaker 1: way on the inside. And uh, I think that's the 297 00:16:53,680 --> 00:16:56,720 Speaker 1: power of a good song and good media in general, 298 00:16:56,760 --> 00:17:01,600 Speaker 1: is that people can connect from all different types of backgrounds. 299 00:17:01,680 --> 00:17:08,520 Speaker 1: And I think also after this happens, it's funny, slash sad. 300 00:17:08,600 --> 00:17:12,440 Speaker 1: But Luisa's powers fail um and she's not strong anymore. 301 00:17:13,040 --> 00:17:15,320 Speaker 1: She she gets them back in the end, but I 302 00:17:15,359 --> 00:17:22,080 Speaker 1: guess spoilers, spoilers, sorry, her powers kind of fail and 303 00:17:22,160 --> 00:17:25,080 Speaker 1: she's crying and she's trying to hide it and she 304 00:17:25,119 --> 00:17:27,080 Speaker 1: doesn't know what to do or who she is, and 305 00:17:27,119 --> 00:17:30,560 Speaker 1: the younger sister, Mirabelle is kind of like, you know, 306 00:17:30,680 --> 00:17:33,800 Speaker 1: you can, You're so much more than that, like you're 307 00:17:33,840 --> 00:17:37,439 Speaker 1: not just that. So it's very sweet. It's very sweet. 308 00:17:39,320 --> 00:17:43,200 Speaker 1: I highly recommend it. I highly recommend the soundtrack. Hopefully 309 00:17:43,200 --> 00:17:46,960 Speaker 1: one day, Samantha, probably not anytime soon, but you'll get 310 00:17:47,000 --> 00:17:52,040 Speaker 1: to hear me sing it to karaoke. I'm excited. It's 311 00:17:52,119 --> 00:17:54,680 Speaker 1: a good We might have to do like private setting 312 00:17:54,880 --> 00:17:57,760 Speaker 1: of like me just sitting you a karaoke machine and 313 00:17:57,840 --> 00:18:01,640 Speaker 1: making you to film yourself. Don't temp me, I'll do 314 00:18:01,720 --> 00:18:09,040 Speaker 1: it video regret all will I don't think so? Oh boy, 315 00:18:09,359 --> 00:18:20,040 Speaker 1: that's how well. Cheers on that note, Samantha, and cheers 316 00:18:20,080 --> 00:18:24,359 Speaker 1: to you. Listen talk about Bruno. That song is so 317 00:18:24,400 --> 00:18:26,720 Speaker 1: good too. I was like, I've i've she dared me 318 00:18:26,800 --> 00:18:28,400 Speaker 1: to sing it. I could do all the lyrics as 319 00:18:28,440 --> 00:18:32,919 Speaker 1: I got it for both of these, but I won't. Well, listeners, 320 00:18:33,680 --> 00:18:35,240 Speaker 1: thank you so much for being with us. If you 321 00:18:35,280 --> 00:18:37,360 Speaker 1: have any song that you want to talk about that's 322 00:18:37,400 --> 00:18:41,000 Speaker 1: really resonated with you, or any any issue that we 323 00:18:41,080 --> 00:18:42,880 Speaker 1: touched on here, or anything that we should talk about 324 00:18:42,920 --> 00:18:46,159 Speaker 1: happy hours, anybody we should highlight in these happy hours. 325 00:18:46,200 --> 00:18:51,240 Speaker 1: It's in the brewing beverage industry, please contact us. You 326 00:18:51,240 --> 00:18:52,960 Speaker 1: can email us a Stephanie your Mom stuff at I 327 00:18:53,000 --> 00:18:55,720 Speaker 1: heart me dot com. You can find us on Twitter 328 00:18:55,920 --> 00:18:58,600 Speaker 1: at moms podcast or on Instagram at stuff We ever 329 00:18:58,680 --> 00:19:01,360 Speaker 1: told you. Thanks as always to our super producer, Christina, 330 00:19:01,600 --> 00:19:05,280 Speaker 1: thank you and thanks to you for listening. Stephone never 331 00:19:05,320 --> 00:19:07,159 Speaker 1: told you. Protection of I Hire Radio from more podcast 332 00:19:07,200 --> 00:19:08,840 Speaker 1: on my heart Radio, visit the i heart Radio app, 333 00:19:08,880 --> 00:19:11,240 Speaker 1: Apple podcast, or wherever you listen to your favorite shows.