1 00:00:18,920 --> 00:00:22,599 Speaker 1: Hey there, Fana Ritos, and welcome back to How Rude Tanarritos. 2 00:00:22,960 --> 00:00:25,880 Speaker 1: Today we have a fun interview for you. We have 3 00:00:26,000 --> 00:00:31,240 Speaker 1: interviewed actors, directors, screenwriters, prop masters, and a warm up guy. 4 00:00:31,480 --> 00:00:34,479 Speaker 1: But today we are flipping the script and we are 5 00:00:34,479 --> 00:00:38,360 Speaker 1: going to interview someone who has interviewed us many times 6 00:00:38,400 --> 00:00:43,320 Speaker 1: in the past, celebrity reporter Rennie Dieball. Rennie was a 7 00:00:43,360 --> 00:00:46,440 Speaker 1: writer and editor for People magazine when she pitched and 8 00:00:46,600 --> 00:00:50,519 Speaker 1: scored the exclusive cover story of the Fuller House reboot 9 00:00:50,560 --> 00:00:53,800 Speaker 1: in twenty fifteen. She was the only reporter on set 10 00:00:53,840 --> 00:00:56,160 Speaker 1: when we taped the pilot, and she has so many 11 00:00:56,200 --> 00:00:59,840 Speaker 1: fun stories to share. She is an incredible writer, a 12 00:01:00,080 --> 00:01:03,440 Speaker 1: Full House super fan, and now a dear, dear friend 13 00:01:03,440 --> 00:01:05,800 Speaker 1: of ours. Please welcome Rennie. 14 00:01:06,200 --> 00:01:07,880 Speaker 2: We're so excited to see you. Rennie. 15 00:01:07,920 --> 00:01:11,280 Speaker 3: You have had such a. 16 00:01:10,000 --> 00:01:15,959 Speaker 2: A huge part of the full Fuller Lives. Me Andrea 17 00:01:16,080 --> 00:01:16,720 Speaker 2: like you. 18 00:01:16,720 --> 00:01:20,600 Speaker 3: You really have such a great connection to the full 19 00:01:20,640 --> 00:01:24,800 Speaker 3: and Fuller House cast. I would so you sent ab 20 00:01:25,160 --> 00:01:27,720 Speaker 3: a pitch to be on the podcast, which was amazing, 21 00:01:27,800 --> 00:01:28,480 Speaker 3: by the way. 22 00:01:28,560 --> 00:01:31,240 Speaker 1: No other guest has done that. So you are great 23 00:01:32,400 --> 00:01:33,080 Speaker 1: to make it happen. 24 00:01:33,360 --> 00:01:36,280 Speaker 3: But you have to tell listeners about it, because you know, 25 00:01:36,319 --> 00:01:41,240 Speaker 3: we have we've pretty much stuck to guests, guest stars 26 00:01:41,240 --> 00:01:44,040 Speaker 3: on the show, writers, directors. 27 00:01:43,520 --> 00:01:45,839 Speaker 2: And things, and you're one of the first kind. 28 00:01:45,680 --> 00:01:50,280 Speaker 3: Of outside sources that we've had on the show. 29 00:01:50,360 --> 00:01:54,640 Speaker 2: But after you hear her pitch as to why she should. 30 00:01:54,440 --> 00:01:57,720 Speaker 3: Be that person, uh, I'm just saying, you're gonna be 31 00:01:57,800 --> 00:02:00,760 Speaker 3: voting for her. So yeah, I'm I'm writing your name 32 00:02:00,800 --> 00:02:01,640 Speaker 3: on a fill in ballot. 33 00:02:01,680 --> 00:02:05,080 Speaker 1: So I'm excited we get to interview you today. 34 00:02:05,240 --> 00:02:07,600 Speaker 4: It's like fop in the script, actually very weird, but 35 00:02:07,640 --> 00:02:10,120 Speaker 4: I'm looking forward to it. I would rather be interviewed by. 36 00:02:11,919 --> 00:02:14,400 Speaker 1: Well, hopefully we do. Hopefully we do well, because you 37 00:02:14,440 --> 00:02:16,320 Speaker 1: know this is you know how we roll here. We're 38 00:02:16,400 --> 00:02:18,600 Speaker 1: a little unhinged, right prepared. 39 00:02:18,680 --> 00:02:22,440 Speaker 3: I'm I'm ill, i have no idea what I'm gonna do. 40 00:02:22,480 --> 00:02:23,799 Speaker 3: I'm on cold medicine. 41 00:02:24,200 --> 00:02:25,040 Speaker 4: That's why we listen. 42 00:02:25,400 --> 00:02:27,520 Speaker 2: Yeah, exactly unhinged, is right. 43 00:02:30,120 --> 00:02:32,240 Speaker 1: So we described in the intro a little bit of 44 00:02:32,240 --> 00:02:36,040 Speaker 1: your background how you were a celebrity reporter, writer editor 45 00:02:36,080 --> 00:02:40,240 Speaker 1: for People magazine for fifteen years, but way before that, 46 00:02:40,400 --> 00:02:43,440 Speaker 1: you were a super fan a full house growing up, 47 00:02:43,720 --> 00:02:46,800 Speaker 1: so you sort of manifested all of this, your interviews 48 00:02:46,840 --> 00:02:49,240 Speaker 1: with Full House cast, and now your friendship with me 49 00:02:49,360 --> 00:02:52,840 Speaker 1: and Jody. So take us back to the very beginning 50 00:02:53,200 --> 00:02:56,040 Speaker 1: when you were a little girl watching Full House. Tell 51 00:02:56,120 --> 00:02:57,000 Speaker 1: us what the show meant to you. 52 00:02:57,480 --> 00:02:59,520 Speaker 4: Yeah. Well, the show came out when I was seven 53 00:02:59,600 --> 00:03:02,760 Speaker 4: years old, so I was certainly you know, the target audience. 54 00:03:03,240 --> 00:03:07,679 Speaker 4: I watched TGIF every Friday, you know, and as as 55 00:03:07,720 --> 00:03:14,040 Speaker 4: you kids don't realize, right, dinner had to be done right, 56 00:03:14,120 --> 00:03:16,200 Speaker 4: you had to have your bathroom break, and then it 57 00:03:16,240 --> 00:03:18,600 Speaker 4: was taking half time and the only you know, the 58 00:03:18,600 --> 00:03:21,160 Speaker 4: only off time was in between the shows. So it 59 00:03:21,280 --> 00:03:23,680 Speaker 4: was it was a fixture in my childhood, the way 60 00:03:23,720 --> 00:03:27,200 Speaker 4: it was for so many people. And then when I 61 00:03:27,240 --> 00:03:30,079 Speaker 4: had my first baby, I rediscovered all of you. I 62 00:03:30,639 --> 00:03:33,320 Speaker 4: I in those you know, three am feedings where you're like, 63 00:03:33,360 --> 00:03:35,720 Speaker 4: how on earth am I going to stay awake? Yes, 64 00:03:36,000 --> 00:03:38,160 Speaker 4: I was flipping channels and it was like, oh, I'll 65 00:03:38,160 --> 00:03:40,840 Speaker 4: revisit the Tanners, you know. So and now, of course, 66 00:03:40,840 --> 00:03:43,960 Speaker 4: my daughters are eight and twelve and they are obsessed 67 00:03:44,000 --> 00:03:46,640 Speaker 4: with full and Fuller. So you all have been a 68 00:03:46,640 --> 00:03:50,240 Speaker 4: part of my life via my TV forever since the eighties. 69 00:03:51,840 --> 00:03:55,640 Speaker 1: That's so great, Like You've just been preparing your whole 70 00:03:55,640 --> 00:03:57,760 Speaker 1: life and now you have two little super fans at 71 00:03:57,800 --> 00:04:00,520 Speaker 1: home too, so they have kids there, gonna have to 72 00:04:00,560 --> 00:04:03,400 Speaker 1: introduce uh your grandchildren to full House. 73 00:04:03,480 --> 00:04:06,840 Speaker 4: And now Aby is my Joey McIntyre. I think I 74 00:04:06,920 --> 00:04:10,200 Speaker 4: joked to the pitch right that was so great? I 75 00:04:10,240 --> 00:04:13,080 Speaker 4: don't can I can I text her how to write? 76 00:04:13,440 --> 00:04:16,920 Speaker 2: Remember Abe? Like I said, I know you have people 77 00:04:16,920 --> 00:04:17,920 Speaker 2: who know who you are. 78 00:04:17,839 --> 00:04:20,800 Speaker 1: To I know. I was so flattered when you said that. 79 00:04:20,880 --> 00:04:22,880 Speaker 1: I was like, really, oh no, you know, Rennie, you 80 00:04:22,920 --> 00:04:26,200 Speaker 1: can you text me anytime like whatever? If you haven't 81 00:04:26,200 --> 00:04:28,039 Speaker 1: saw me at three am, just text me. I'll be like, 82 00:04:28,040 --> 00:04:31,600 Speaker 1: hey me too. Let's talk about right. 83 00:04:32,000 --> 00:04:33,719 Speaker 2: Maybe you'll be like, hold on, I'm bird watching in 84 00:04:33,720 --> 00:04:34,320 Speaker 2: the middle of the night. 85 00:04:35,480 --> 00:04:36,000 Speaker 1: There's owls. 86 00:04:36,279 --> 00:04:37,080 Speaker 2: Let me slip. 87 00:04:37,880 --> 00:04:40,800 Speaker 4: Outside watch on live stream. 88 00:04:40,839 --> 00:04:44,440 Speaker 1: Okay, So take us back to I mean, I know 89 00:04:44,480 --> 00:04:47,760 Speaker 1: you have a varied history with John Stamos and and 90 00:04:47,839 --> 00:04:51,320 Speaker 1: Bob Saggett. You met them before Fuller House came back 91 00:04:51,360 --> 00:04:55,720 Speaker 1: into existence, but kind of set us up for how 92 00:04:55,880 --> 00:04:59,760 Speaker 1: you pitched the cover story for full the Fuller House, 93 00:05:01,000 --> 00:05:04,360 Speaker 1: how you got the exclusive bring us back? Tell us 94 00:05:04,360 --> 00:05:05,320 Speaker 1: exactly how that happened. 95 00:05:05,600 --> 00:05:08,320 Speaker 4: Yeah, so my whole career at People, I really I 96 00:05:08,360 --> 00:05:12,719 Speaker 4: set myself up as the full house beat reporter because 97 00:05:12,760 --> 00:05:15,360 Speaker 4: I started right after I graduated college in two thousand 98 00:05:15,360 --> 00:05:17,960 Speaker 4: and two and had, you know, loved you guys growing 99 00:05:18,040 --> 00:05:20,560 Speaker 4: up and wanted to cover whatever all of the cast 100 00:05:20,600 --> 00:05:23,719 Speaker 4: members were doing after the fact. So that's how I 101 00:05:23,800 --> 00:05:26,680 Speaker 4: met a lot of you over the years, and so 102 00:05:26,800 --> 00:05:29,960 Speaker 4: being the full house beat reporter, it only made sense 103 00:05:29,960 --> 00:05:32,800 Speaker 4: when there was buzz about, you know, a spinoff to 104 00:05:32,839 --> 00:05:35,080 Speaker 4: put me on it. So I want to say this 105 00:05:35,240 --> 00:05:40,240 Speaker 4: was twenty fifteen ish mine to do a story on 106 00:05:40,360 --> 00:05:44,159 Speaker 4: Laurie Laughlin and her daughters, not related to Fuller, and 107 00:05:44,240 --> 00:05:45,919 Speaker 4: while I was in LA I was living in New 108 00:05:46,000 --> 00:05:48,919 Speaker 4: York at the time. We also made it like a 109 00:05:48,960 --> 00:05:51,919 Speaker 4: pitch mission for me, and I met with Netflix and 110 00:05:52,080 --> 00:05:56,040 Speaker 4: WB to sell them on People being the only outlet, 111 00:05:56,200 --> 00:06:00,120 Speaker 4: you know at the taping of the first episode, and 112 00:06:00,160 --> 00:06:02,640 Speaker 4: I love to interview people. I'm a writer, I'm a 113 00:06:02,680 --> 00:06:06,160 Speaker 4: homebody and an introvert. I am not a salesperson. However, 114 00:06:06,920 --> 00:06:10,280 Speaker 4: when it came to my favorite show, it was very 115 00:06:10,400 --> 00:06:15,440 Speaker 4: natural to pitch my magazine and myself as you know, 116 00:06:15,520 --> 00:06:18,280 Speaker 4: the outlet and the person who should cover it. And 117 00:06:18,360 --> 00:06:21,039 Speaker 4: you know, I talk a lot at schools about my 118 00:06:21,080 --> 00:06:23,760 Speaker 4: work as an author, and I end up telling them 119 00:06:23,800 --> 00:06:26,240 Speaker 4: that story because as soon as I put a picture 120 00:06:26,240 --> 00:06:28,719 Speaker 4: on screen of your cast, everybody thinks, I, you know, 121 00:06:29,360 --> 00:06:31,159 Speaker 4: I'm worth listening to you. 122 00:06:31,200 --> 00:06:33,400 Speaker 1: Up street cred now right right? 123 00:06:33,600 --> 00:06:36,400 Speaker 4: And so I tell them, you know, in those pitches, 124 00:06:37,120 --> 00:06:43,080 Speaker 4: and I've just let my real enthusiasm, my authentic enthusiasm 125 00:06:43,200 --> 00:06:46,039 Speaker 4: for the show come through. And I think that's what 126 00:06:46,240 --> 00:06:49,599 Speaker 4: did it? I mean, who doesn't want to align with 127 00:06:49,760 --> 00:06:53,560 Speaker 4: somebody who is so excited about a project or about actors. 128 00:06:54,760 --> 00:06:57,120 Speaker 4: So I actually think it really worked to my advantage. 129 00:06:58,320 --> 00:07:01,800 Speaker 4: And you know, getting out to the set and being 130 00:07:01,839 --> 00:07:04,080 Speaker 4: part of all that, My gosh, it was like a 131 00:07:04,080 --> 00:07:06,800 Speaker 4: lifetime ago now, and yet right I can't believe it. 132 00:07:07,440 --> 00:07:10,880 Speaker 2: Uh it's ten years ago. I'm just ten years? What 133 00:07:11,520 --> 00:07:13,760 Speaker 2: ten out of that? 134 00:07:13,760 --> 00:07:17,320 Speaker 1: That's crazy? Were I? And that was an overwhelming week 135 00:07:17,360 --> 00:07:20,480 Speaker 1: for me? So I barely remember meeting you, no offense, 136 00:07:20,520 --> 00:07:22,520 Speaker 1: but it was just a crazy week. I do remember 137 00:07:22,520 --> 00:07:25,680 Speaker 1: the group cast picture that we took set dressed in 138 00:07:25,720 --> 00:07:28,520 Speaker 1: our costume, and you snuck in for one of those photos. 139 00:07:29,000 --> 00:07:30,760 Speaker 1: So were you there the whole week. Were you there 140 00:07:30,800 --> 00:07:32,920 Speaker 1: just on tape days? Tell us about that week. 141 00:07:32,960 --> 00:07:35,960 Speaker 4: It was two days. It was the do you call 142 00:07:36,000 --> 00:07:37,040 Speaker 4: it like a blocking day? 143 00:07:37,040 --> 00:07:39,800 Speaker 3: The day before, oh, like our pre tape day, Yeah, yeah, 144 00:07:39,800 --> 00:07:40,360 Speaker 3: tape Yeah. 145 00:07:40,480 --> 00:07:43,040 Speaker 4: So I was there for that and then the tape day, 146 00:07:43,120 --> 00:07:45,280 Speaker 4: and then the next day I met the three of 147 00:07:45,320 --> 00:07:49,080 Speaker 4: you with Candae at that Santa Monica hotel that's like 148 00:07:49,160 --> 00:07:53,560 Speaker 4: right on the water, looks like a castle. Yeah, yes, yes, yeah, 149 00:07:53,600 --> 00:07:56,920 Speaker 4: so it was. It was the best three days. And 150 00:07:56,960 --> 00:08:00,440 Speaker 4: I remember after the taping going back to my hotel 151 00:08:00,560 --> 00:08:02,720 Speaker 4: room and like doing a little dance because you know, 152 00:08:02,720 --> 00:08:04,240 Speaker 4: I had to be professional the whole time. 153 00:08:04,360 --> 00:08:07,480 Speaker 2: I was right like, no, you didn't, No, you really didn't, 154 00:08:07,600 --> 00:08:09,840 Speaker 2: not for not on our set. That was that's not 155 00:08:09,880 --> 00:08:11,200 Speaker 2: a requirement, right. 156 00:08:11,160 --> 00:08:13,760 Speaker 4: Right, But you know, I let the inner fan girl 157 00:08:13,800 --> 00:08:16,000 Speaker 4: out and I probably said out loud, you know, talking 158 00:08:16,000 --> 00:08:19,240 Speaker 4: to myself, like I can leave people now, like there's 159 00:08:19,400 --> 00:08:21,960 Speaker 4: nothing left for me to do. What could I wanted 160 00:08:21,960 --> 00:08:25,040 Speaker 4: to do more than this? So it was a very 161 00:08:25,080 --> 00:08:28,320 Speaker 4: special assignment and actually probably the beginning of deciding to 162 00:08:28,320 --> 00:08:30,600 Speaker 4: go out on my own and write books and be 163 00:08:30,680 --> 00:08:34,480 Speaker 4: an editor and a book collaborator and amazing so good 164 00:08:34,520 --> 00:08:35,160 Speaker 4: turning points. 165 00:08:35,200 --> 00:08:38,120 Speaker 3: Well, I still have that People cover hanging up here 166 00:08:38,160 --> 00:08:40,240 Speaker 3: in my office right behind me. I just it's such 167 00:08:40,240 --> 00:08:43,360 Speaker 3: a great picture of everybody. Yeah, I have kept it 168 00:08:43,400 --> 00:08:44,000 Speaker 3: hanging up there. 169 00:08:44,240 --> 00:08:45,880 Speaker 1: Oh. That was so exciting for us to be on 170 00:08:45,920 --> 00:08:48,599 Speaker 1: the cover of People, right, we were so excited to 171 00:08:49,000 --> 00:08:51,800 Speaker 1: finally get a cover. Yeah, tell us about that first 172 00:08:51,800 --> 00:08:54,480 Speaker 1: that tape night when we were doing the live audience 173 00:08:54,520 --> 00:08:59,000 Speaker 1: show for the taping. What where were you sitting? What 174 00:08:59,120 --> 00:09:02,120 Speaker 1: was what were the vibe like? Were people whispering? Like? 175 00:09:02,160 --> 00:09:02,240 Speaker 2: What? 176 00:09:02,400 --> 00:09:03,640 Speaker 1: Tell us about the atmosphere. 177 00:09:03,679 --> 00:09:05,800 Speaker 4: I mean, I don't know that I've ever been in 178 00:09:05,880 --> 00:09:09,040 Speaker 4: a room, in a space with that much excitement. I 179 00:09:09,120 --> 00:09:12,880 Speaker 4: was in the bleachers where the whole audience sits okay, 180 00:09:12,920 --> 00:09:17,400 Speaker 4: And I actually, thanks to Aby, have been working on 181 00:09:18,080 --> 00:09:21,199 Speaker 4: Jeff's upcoming book. And he writes about the book that 182 00:09:21,320 --> 00:09:24,520 Speaker 4: the applause that happened when the curtain first came up 183 00:09:24,840 --> 00:09:26,640 Speaker 4: and it was just the set. None of you had 184 00:09:26,640 --> 00:09:30,920 Speaker 4: made your entrances yet, just the set. It was like 185 00:09:31,080 --> 00:09:35,560 Speaker 4: four minutes straight, me and all of us. It was 186 00:09:35,640 --> 00:09:38,520 Speaker 4: just such a visceral emotional reaction, like here's this living 187 00:09:38,600 --> 00:09:40,280 Speaker 4: room that we all kind of grew up in too, 188 00:09:40,480 --> 00:09:43,959 Speaker 4: and it's back there back so Jeff writes in the book, 189 00:09:44,240 --> 00:09:46,200 Speaker 4: such a funny turn of phrase. He was like, it 190 00:09:46,320 --> 00:09:49,559 Speaker 4: lasted four minutes, and they were applauding furniture. 191 00:09:49,760 --> 00:09:53,280 Speaker 2: Right, yeah, exactly, the couch. And it's true the couch 192 00:09:53,360 --> 00:09:55,360 Speaker 2: needed its own title card, right. 193 00:09:55,440 --> 00:09:59,319 Speaker 4: I remember John Stamo said that that first Netflix preview 194 00:09:59,360 --> 00:10:02,360 Speaker 4: where they panned through the set made him cry. So 195 00:10:02,480 --> 00:10:06,800 Speaker 4: it's something about that that furniture. You guys, anyway, as 196 00:10:06,840 --> 00:10:09,559 Speaker 4: you all you know, came out for the first time, 197 00:10:10,280 --> 00:10:12,440 Speaker 4: I mean that alone probably took an hour, you know, 198 00:10:12,520 --> 00:10:16,880 Speaker 4: because you had to write applause for each person, just 199 00:10:16,920 --> 00:10:20,000 Speaker 4: the way the jokes landed, and being in a room 200 00:10:20,040 --> 00:10:22,760 Speaker 4: of people who all, I mean, it feels like we 201 00:10:22,840 --> 00:10:24,760 Speaker 4: wanted it as much as you all did, you know, 202 00:10:24,920 --> 00:10:27,440 Speaker 4: So just to be a part of that energy, it 203 00:10:27,480 --> 00:10:29,640 Speaker 4: was just the most the most special night. 204 00:10:30,480 --> 00:10:31,679 Speaker 2: Yeah, it really was. 205 00:10:31,920 --> 00:10:34,600 Speaker 3: And I'm so glad that you got to like see 206 00:10:34,640 --> 00:10:36,719 Speaker 3: that and be there for it because it really was 207 00:10:36,880 --> 00:10:39,720 Speaker 3: like just an incredible energy. 208 00:10:39,840 --> 00:10:42,280 Speaker 1: Yeah, and it's so cool to hear your perspective because 209 00:10:42,280 --> 00:10:45,160 Speaker 1: we've talked to each other about that night and some 210 00:10:45,200 --> 00:10:47,280 Speaker 1: crew members, but we've never talked to somebody who was 211 00:10:47,720 --> 00:10:50,840 Speaker 1: in the audience. As a fan, you know, that's so 212 00:10:50,920 --> 00:10:52,280 Speaker 1: cool to get your perspective. 213 00:10:52,800 --> 00:10:56,080 Speaker 4: And as a reporter, you know, you all talk about 214 00:10:56,120 --> 00:10:57,960 Speaker 4: how much you love each other, so that's you know, 215 00:10:58,040 --> 00:11:00,280 Speaker 4: it's obvious to see. You know, it's obvious when you 216 00:11:00,320 --> 00:11:03,000 Speaker 4: hear it as a fan, but to really see it, 217 00:11:03,080 --> 00:11:05,000 Speaker 4: you know, like when you're in those bleachers, you're looking 218 00:11:05,000 --> 00:11:08,080 Speaker 4: at the set that they're filming at the moment, right, 219 00:11:08,160 --> 00:11:10,079 Speaker 4: there's other sets that you can see. And then you 220 00:11:10,120 --> 00:11:13,040 Speaker 4: can also see when actors are sort of just telling 221 00:11:13,040 --> 00:11:15,960 Speaker 4: the fans this not you too. Oh yeah, you can 222 00:11:16,040 --> 00:11:19,760 Speaker 4: see like two actors off in the corner like kind 223 00:11:19,760 --> 00:11:23,000 Speaker 4: of chatting while the whole thing's happening. And so to 224 00:11:23,160 --> 00:11:25,800 Speaker 4: actually see it, to see the love and to see 225 00:11:26,480 --> 00:11:28,679 Speaker 4: you know, these great friends of so many decades hanging 226 00:11:28,679 --> 00:11:31,000 Speaker 4: out with each other, it was just, you know, as 227 00:11:31,040 --> 00:11:35,160 Speaker 4: a fan first before a reporter, it was like, it's true. Really, 228 00:11:35,679 --> 00:11:37,679 Speaker 4: it was so special to see. 229 00:11:38,200 --> 00:11:41,040 Speaker 1: Yeah, absolutely, it's yeah, we can't we can't get rid 230 00:11:41,120 --> 00:11:43,800 Speaker 1: of each other. We love each other too much. It's 231 00:11:43,840 --> 00:11:44,360 Speaker 1: so true. 232 00:11:44,960 --> 00:11:47,600 Speaker 3: Seriously that yeah, I'm just singing back to that first 233 00:11:47,679 --> 00:11:51,679 Speaker 3: night though, Like how exciting it was and how Yeah. 234 00:11:51,720 --> 00:11:52,800 Speaker 3: I think we all. 235 00:11:52,559 --> 00:11:55,440 Speaker 2: Felt like, well, i'll 's speak for myself. I was like, 236 00:11:56,160 --> 00:11:57,760 Speaker 2: what have we done? Like, I don't know. 237 00:11:57,760 --> 00:12:00,440 Speaker 3: It was just like this moment of like, oh wow, 238 00:12:01,320 --> 00:12:03,479 Speaker 3: oh boy, yeah yeah. 239 00:12:03,120 --> 00:12:06,200 Speaker 4: How often are you sharing a space with people and 240 00:12:06,280 --> 00:12:08,160 Speaker 4: everyone and those hundreds of people in the room and 241 00:12:08,240 --> 00:12:12,280 Speaker 4: everyone wanted this so badly and now it's happening, right, yea, 242 00:12:12,679 --> 00:12:15,800 Speaker 4: Danny and Jesse are right there in the kitchen like 243 00:12:15,840 --> 00:12:16,480 Speaker 4: it just. 244 00:12:18,120 --> 00:12:21,079 Speaker 1: That's so cool. I remember feeling very nervous because I'm like, 245 00:12:21,080 --> 00:12:24,720 Speaker 1: I haven't memorized lines and decades my script. 246 00:12:24,760 --> 00:12:25,360 Speaker 2: I can't do this. 247 00:12:26,520 --> 00:12:29,160 Speaker 1: Yeah, I'm sure Jody and I were hanging on to 248 00:12:29,200 --> 00:12:31,880 Speaker 1: our scripts, our binkies as we call that, right, binkis 249 00:12:31,880 --> 00:12:32,839 Speaker 1: that we can't let go of. 250 00:12:33,160 --> 00:12:35,480 Speaker 2: Right. We were probably just looking for what drawer. 251 00:12:35,559 --> 00:12:37,800 Speaker 3: Bob hid his end so that we could glance at 252 00:12:37,800 --> 00:12:38,920 Speaker 3: it while we were in a scene. 253 00:12:40,160 --> 00:12:43,600 Speaker 4: Oh and Jody, your younger daughter was like the star 254 00:12:43,760 --> 00:12:46,720 Speaker 4: of the bleachers. Oh that's right. 255 00:12:46,880 --> 00:12:48,240 Speaker 2: B got up and sang that. 256 00:12:48,240 --> 00:12:51,640 Speaker 4: Night, singing yep, yep, yep. John like did a little 257 00:12:51,679 --> 00:12:52,480 Speaker 4: interview with her. 258 00:12:52,559 --> 00:12:53,600 Speaker 2: It was yeah, that's right. 259 00:12:53,679 --> 00:12:55,400 Speaker 4: Yeah, she was fans with us. 260 00:12:55,679 --> 00:12:58,400 Speaker 2: She's very shy as you can tell. 261 00:12:58,520 --> 00:13:02,040 Speaker 3: It's unfortunate she didn't at any of my enthusiasm or 262 00:13:02,760 --> 00:13:05,960 Speaker 3: love of performance. So yeah, yeah, we're trying to bring 263 00:13:06,000 --> 00:13:09,560 Speaker 3: her out of Michelle. You know, no, I do I 264 00:13:09,600 --> 00:13:11,920 Speaker 3: remember that though. I have actually a great picture of that. 265 00:13:13,080 --> 00:13:17,679 Speaker 3: I'm standing there cheering her on and she's singing in 266 00:13:17,760 --> 00:13:21,640 Speaker 3: the in the audience, and you can see video village 267 00:13:21,640 --> 00:13:25,080 Speaker 3: behind me, and you see Bob Boyette who's not looking 268 00:13:25,120 --> 00:13:30,000 Speaker 3: at be but who's looking at me. Oh, and it's 269 00:13:30,000 --> 00:13:32,960 Speaker 3: a really like he's like looking like this, and he 270 00:13:33,040 --> 00:13:34,720 Speaker 3: came over to me at the end and he said 271 00:13:34,800 --> 00:13:36,959 Speaker 3: it like it was like seeing you all over again, 272 00:13:37,000 --> 00:13:40,120 Speaker 3: and it really brought me back. So yeah, that was 273 00:13:40,320 --> 00:13:42,880 Speaker 3: I have a really wonderful photo of that moment. 274 00:13:43,320 --> 00:13:47,280 Speaker 1: Yeah, yeah, that's so special, very full circle moment. Ye, 275 00:13:47,480 --> 00:13:51,400 Speaker 1: right special. Who were you most nervous to interview of 276 00:13:51,440 --> 00:13:52,760 Speaker 1: the whole cast? 277 00:13:53,400 --> 00:13:57,280 Speaker 4: Good question, Probably Candice, only because she was the only 278 00:13:57,320 --> 00:14:01,560 Speaker 4: one I hadn't met up to them come and what 279 00:14:01,960 --> 00:14:04,160 Speaker 4: ended up happening, excuse me with you all is that 280 00:14:04,840 --> 00:14:06,880 Speaker 4: I interviewed a lot of you at the very beginning 281 00:14:06,920 --> 00:14:10,960 Speaker 4: of my career and thought this is so easy. Celebrities 282 00:14:10,960 --> 00:14:14,520 Speaker 4: aren't the us and I mean everybody, just each one 283 00:14:14,520 --> 00:14:17,480 Speaker 4: of you more than the next. Was so welcoming and 284 00:14:17,600 --> 00:14:21,440 Speaker 4: warm and made my job easy that I thought, this 285 00:14:21,520 --> 00:14:25,400 Speaker 4: is celebrities just like you two talk about. You thought 286 00:14:25,440 --> 00:14:28,240 Speaker 4: that your set was all sets right then. I out 287 00:14:28,240 --> 00:14:30,560 Speaker 4: there in the world as a people reporter, and not 288 00:14:30,640 --> 00:14:35,000 Speaker 4: every celebrity is as lovely as you all. I knew 289 00:14:35,000 --> 00:14:37,240 Speaker 4: that Kantus would be just as lovely, and she was. 290 00:14:38,160 --> 00:14:40,040 Speaker 4: But yeah, I think the nerves were just there because 291 00:14:40,040 --> 00:14:42,080 Speaker 4: she was the only one of the crew who I 292 00:14:42,120 --> 00:14:45,320 Speaker 4: hadn't met before and lo and behold, she's just like 293 00:14:45,360 --> 00:14:47,920 Speaker 4: the rest of you and couldn't have made my job 294 00:14:48,040 --> 00:14:48,960 Speaker 4: easier or more fun. 295 00:14:49,400 --> 00:14:50,720 Speaker 1: Oh that's so great. 296 00:14:51,520 --> 00:14:52,000 Speaker 2: I would say. 297 00:14:52,000 --> 00:14:56,360 Speaker 3: The hardest job of interviewing the cast, particularly when Bob 298 00:14:56,440 --> 00:15:00,840 Speaker 3: was with us, was just trying to wrangle and corral 299 00:15:01,080 --> 00:15:05,880 Speaker 3: us into a coherent answer. I'm sure that there was 300 00:15:06,480 --> 00:15:09,240 Speaker 3: a lot of questions asked that never got answered and 301 00:15:09,280 --> 00:15:12,720 Speaker 3: got completely sidetracked, and uh, you know, that was probably 302 00:15:12,720 --> 00:15:15,120 Speaker 3: the hardest part of interviewing the cast of Full House 303 00:15:15,320 --> 00:15:18,400 Speaker 3: is keeping us on track well. 304 00:15:18,320 --> 00:15:21,080 Speaker 4: On the set of Fuller for those two days. My 305 00:15:21,520 --> 00:15:24,160 Speaker 4: strategy actually having seen this was to separate the. 306 00:15:24,120 --> 00:15:25,600 Speaker 2: Guys, and oh, yeah, you have to. 307 00:15:26,360 --> 00:15:28,280 Speaker 3: They can't be They're like like kids in a classroom 308 00:15:28,280 --> 00:15:30,200 Speaker 3: where you're like, you guys can't sit next to each other. 309 00:15:30,760 --> 00:15:33,520 Speaker 4: Right, the three women you were easy to speak with 310 00:15:33,720 --> 00:15:36,520 Speaker 4: as a group. You played off each other easy. Those 311 00:15:36,600 --> 00:15:38,760 Speaker 4: guys forget it. I think I knew that going in 312 00:15:39,080 --> 00:15:40,840 Speaker 4: like this is going to be a one on one. 313 00:15:40,720 --> 00:15:43,520 Speaker 1: Kind of smart Yes, you had done your homework, you 314 00:15:43,600 --> 00:15:46,560 Speaker 1: knew what hit me right, yeah, right. 315 00:15:46,560 --> 00:15:49,560 Speaker 4: Well, And to that end. One time that I interviewed 316 00:15:49,600 --> 00:15:53,000 Speaker 4: Bob a couple of years before Fuller came to be, 317 00:15:53,680 --> 00:15:56,720 Speaker 4: I saw that distraction in real life, but in the 318 00:15:56,760 --> 00:16:00,800 Speaker 4: sweetest way promoting his memoir. And so I met him 319 00:16:00,800 --> 00:16:03,040 Speaker 4: at a bookstore in DC, where I was living at 320 00:16:03,040 --> 00:16:06,200 Speaker 4: the time, and we're in the back room to do 321 00:16:06,240 --> 00:16:08,480 Speaker 4: the interview. He has yet to go out and meet 322 00:16:08,480 --> 00:16:11,080 Speaker 4: the fans and sign books and stuff like that, and 323 00:16:11,120 --> 00:16:14,680 Speaker 4: there's a landline ringing incessantly in the back room with us, 324 00:16:14,880 --> 00:16:16,320 Speaker 4: and we're doing our best to ignore it, like an 325 00:16:16,360 --> 00:16:20,040 Speaker 4: employee's going to come answer it. Nobody did. So Bob 326 00:16:20,080 --> 00:16:20,800 Speaker 4: took it upon. 327 00:16:21,320 --> 00:16:23,640 Speaker 3: Himself and loves to answer a phone that he's not 328 00:16:23,680 --> 00:16:26,000 Speaker 3: supposed to do. He's done that many many times. 329 00:16:26,080 --> 00:16:26,320 Speaker 4: Yeah. 330 00:16:26,880 --> 00:16:28,640 Speaker 2: I didn't know that, yeah, oh yeah, yeah, yeah. 331 00:16:29,000 --> 00:16:31,000 Speaker 4: I thought he was going to do a bit. He 332 00:16:31,160 --> 00:16:33,000 Speaker 4: was just Bob, and he was trying to help the 333 00:16:33,040 --> 00:16:35,720 Speaker 4: caller on the other end of the line find the 334 00:16:35,760 --> 00:16:37,960 Speaker 4: book that they were looking for, which was not Bob's book. 335 00:16:38,440 --> 00:16:40,840 Speaker 4: And then a manager someone comes in and they were 336 00:16:40,880 --> 00:16:43,240 Speaker 4: horrified that Bob had to answer their phone, you know. 337 00:16:43,600 --> 00:16:45,440 Speaker 2: Right right, You're like, I'm trying, really, I just. 338 00:16:45,400 --> 00:16:47,320 Speaker 4: Was it about right right? And he hung up and 339 00:16:47,360 --> 00:16:49,400 Speaker 4: he goes, well, I just wanted to help. It was 340 00:16:49,440 --> 00:16:51,000 Speaker 4: so sweet and sincere. 341 00:16:51,120 --> 00:16:53,440 Speaker 1: You know, he's so Bobs. 342 00:16:54,680 --> 00:16:58,920 Speaker 4: I didn't know for sure he did, but after the interview, 343 00:16:59,440 --> 00:17:01,960 Speaker 4: I think my sitter might have called my babysitter and 344 00:17:02,000 --> 00:17:04,720 Speaker 4: I like muted it real quick, and I was like, oh, 345 00:17:04,760 --> 00:17:07,959 Speaker 4: I'm sorry, my eighteen month old is home with the babysitter. 346 00:17:08,480 --> 00:17:11,119 Speaker 4: And the way he lit up and just wanted to 347 00:17:11,119 --> 00:17:15,040 Speaker 4: talk about my toddler and his girls, right, I mean 348 00:17:15,080 --> 00:17:18,320 Speaker 4: it was you know, I'd interviewed hundreds of actors and 349 00:17:18,400 --> 00:17:21,000 Speaker 4: stars to that point, and it was just so striking 350 00:17:21,000 --> 00:17:23,800 Speaker 4: that he wanted to have an actual conversation about. 351 00:17:23,720 --> 00:17:26,280 Speaker 2: Yeah, and daughters, Like I got. 352 00:17:25,640 --> 00:17:29,000 Speaker 4: A glimpse of that incredible kindness that you all talk about. 353 00:17:29,160 --> 00:17:29,880 Speaker 2: Yeah, for sure. 354 00:17:30,359 --> 00:17:35,240 Speaker 1: Oh thanks, it's yeah, he's just the best. We love 355 00:17:35,280 --> 00:17:37,040 Speaker 1: him and miss him, and we talk about him all 356 00:17:37,040 --> 00:17:38,359 Speaker 1: the time when we're together. 357 00:17:46,240 --> 00:17:48,520 Speaker 3: It's so crazy though, all of the sort of like 358 00:17:48,560 --> 00:17:52,119 Speaker 3: you were talking about interviewing Bob and you know, working 359 00:17:52,119 --> 00:17:54,880 Speaker 3: on Jeff's book and having met John and I mean 360 00:17:54,880 --> 00:17:58,320 Speaker 3: you worked on the cover story for People when Zoe 361 00:17:58,440 --> 00:18:01,200 Speaker 3: was born, you know, so you and I had met 362 00:18:01,280 --> 00:18:03,760 Speaker 3: years earlier. Like there was a lot it was so 363 00:18:03,880 --> 00:18:06,800 Speaker 3: nice to have you there, like you said, because not 364 00:18:06,840 --> 00:18:10,399 Speaker 3: only were you a fan, but you were familiar to 365 00:18:10,480 --> 00:18:12,439 Speaker 3: a lot of us. It was like we knew that 366 00:18:12,560 --> 00:18:15,560 Speaker 3: you were just as excited to be there as we were. 367 00:18:15,960 --> 00:18:16,200 Speaker 1: Yeah. 368 00:18:16,280 --> 00:18:17,959 Speaker 4: Oh that's so nice to hear. Yeah. You know, as 369 00:18:18,000 --> 00:18:21,040 Speaker 4: a baby reporter, you kind of feel like I have 370 00:18:21,119 --> 00:18:23,679 Speaker 4: to be a professional and I can't be a fangirl. 371 00:18:23,760 --> 00:18:26,919 Speaker 4: But I mean as an author now, not that I 372 00:18:26,960 --> 00:18:28,600 Speaker 4: hear from a lot of fans, but when I do, 373 00:18:28,840 --> 00:18:31,239 Speaker 4: there's no better feeling, you know, So I'm sure your 374 00:18:31,359 --> 00:18:34,399 Speaker 4: end of things to have a reporter who's invested in 375 00:18:34,480 --> 00:18:36,600 Speaker 4: your work and really enjoys your work and wants to 376 00:18:36,600 --> 00:18:39,359 Speaker 4: see what you're going to do next, Like why you know, 377 00:18:39,600 --> 00:18:41,560 Speaker 4: looking back, why wouldn't that be a good thing? 378 00:18:41,640 --> 00:18:45,840 Speaker 1: So, yeah, well, how do you prepare for a celebrity interview? 379 00:18:45,840 --> 00:18:47,880 Speaker 1: What goes into that? How do you prep? How many 380 00:18:47,960 --> 00:18:50,640 Speaker 1: questions do you prepare? Tell us a little bit about. 381 00:18:50,440 --> 00:18:53,960 Speaker 4: That, so as you do. I'm sure have noticed because 382 00:18:54,000 --> 00:18:55,679 Speaker 4: I listened to your podcast all the time and your 383 00:18:55,720 --> 00:18:59,320 Speaker 4: great interviewers. I think that the really good stuff comes 384 00:18:59,359 --> 00:19:01,800 Speaker 4: out of the follow up questions. You know, So you 385 00:19:01,840 --> 00:19:04,280 Speaker 4: go into an interview, certainly with a list of questions, 386 00:19:04,320 --> 00:19:07,480 Speaker 4: but as you're chatting, you're actually engaged in that conversation. 387 00:19:07,720 --> 00:19:11,480 Speaker 4: You know something that the that the person says is 388 00:19:11,480 --> 00:19:13,280 Speaker 4: going to spark a new question in your mind, And 389 00:19:13,280 --> 00:19:15,320 Speaker 4: I find I end up finding that that's where the 390 00:19:15,440 --> 00:19:19,080 Speaker 4: really good stuff is. So making it a real conversation 391 00:19:19,359 --> 00:19:21,200 Speaker 4: and not just I have to get through my list 392 00:19:21,240 --> 00:19:25,680 Speaker 4: of questions helps a lot. And prep work does too. 393 00:19:25,920 --> 00:19:28,399 Speaker 4: You know. It's one thing when you grow up with 394 00:19:28,440 --> 00:19:31,120 Speaker 4: a show and you were a teenager when you could 395 00:19:31,119 --> 00:19:33,800 Speaker 4: like read the magazines about those people, like then you've 396 00:19:33,800 --> 00:19:36,960 Speaker 4: got the background down pat But over the years of people. 397 00:19:36,960 --> 00:19:38,760 Speaker 4: You know, I interviewed plenty of people who I didn't 398 00:19:38,840 --> 00:19:42,000 Speaker 4: really know, but I would go home after work and 399 00:19:42,080 --> 00:19:44,640 Speaker 4: watch their movies or listen to their music. I mean, 400 00:19:44,640 --> 00:19:47,359 Speaker 4: it was kind of unbelievable sometimes that I was getting 401 00:19:47,400 --> 00:19:49,520 Speaker 4: paid for this, you know, because I would just dig 402 00:19:49,560 --> 00:19:52,199 Speaker 4: into what they did and kind of get to know 403 00:19:52,280 --> 00:19:54,960 Speaker 4: them before I even met them. 404 00:19:54,960 --> 00:19:58,240 Speaker 1: That's so fun, Like talk about a blending of art 405 00:19:58,280 --> 00:19:59,960 Speaker 1: and life and hearts and every. 406 00:20:00,160 --> 00:20:04,440 Speaker 4: Totally, totally, I felt like the luckiest twenty two year 407 00:20:04,440 --> 00:20:05,880 Speaker 4: old to land that job on. 408 00:20:05,800 --> 00:20:10,000 Speaker 1: The I'm trying to figure out how to phrase this 409 00:20:10,080 --> 00:20:12,679 Speaker 1: question because I know people are going to want to 410 00:20:12,720 --> 00:20:15,840 Speaker 1: know who is the most difficult celebrity you interviewed. I'm 411 00:20:15,840 --> 00:20:18,439 Speaker 1: not going to ask that, but is there. 412 00:20:18,280 --> 00:20:20,359 Speaker 2: A way you can talk about it? I'm just kidding. 413 00:20:20,400 --> 00:20:24,119 Speaker 1: Yeah, Well, without naming names, can you tell us about 414 00:20:24,119 --> 00:20:27,720 Speaker 1: like a difficult interaction or what makes for a difficult interview? 415 00:20:27,800 --> 00:20:30,240 Speaker 1: Is it when they show too much? 416 00:20:31,960 --> 00:20:32,120 Speaker 2: Well? 417 00:20:32,160 --> 00:20:34,959 Speaker 4: I got to say, maybe I wasn't a great celebrity 418 00:20:35,000 --> 00:20:38,240 Speaker 4: interviewer because you know, I never wanted to push to 419 00:20:38,280 --> 00:20:40,000 Speaker 4: get the dirt, you know what I mean? 420 00:20:40,119 --> 00:20:40,680 Speaker 2: Right? Yeah? 421 00:20:40,760 --> 00:20:44,000 Speaker 4: Yeah, as a reader and a fan, I would love 422 00:20:44,080 --> 00:20:46,400 Speaker 4: to feel like I'm getting to know the person right, 423 00:20:46,480 --> 00:20:49,000 Speaker 4: So in my interviews, that's what I want to kind 424 00:20:49,000 --> 00:20:51,159 Speaker 4: of get to, like who are you beyond the character? 425 00:20:51,200 --> 00:20:51,639 Speaker 4: Who I know? 426 00:20:52,080 --> 00:20:52,280 Speaker 2: You know? 427 00:20:52,320 --> 00:20:54,240 Speaker 4: I left that to the reporters who are better at 428 00:20:54,280 --> 00:20:57,480 Speaker 4: digging up the dirt. So I didn't have a ton 429 00:20:57,640 --> 00:21:00,439 Speaker 4: of tough experiences because I wasn't the one as signed 430 00:21:00,520 --> 00:21:03,240 Speaker 4: to be like finding out about how the marriage broke up. 431 00:21:03,280 --> 00:21:05,040 Speaker 1: Or anything right right, right right. 432 00:21:04,880 --> 00:21:08,600 Speaker 4: But I did have one terrible experience with a very 433 00:21:08,840 --> 00:21:11,240 Speaker 4: very famous person who I will tell you privately. I 434 00:21:11,280 --> 00:21:13,800 Speaker 4: will not name them on the show, but she was 435 00:21:13,840 --> 00:21:18,000 Speaker 4: on an extremely popular TV series and I had been 436 00:21:18,040 --> 00:21:21,080 Speaker 4: on the job at People for all of two weeks. 437 00:21:21,320 --> 00:21:23,160 Speaker 4: I mean it was pluck me out of my college 438 00:21:23,240 --> 00:21:25,840 Speaker 4: dorm room and I'm on the job, and I met 439 00:21:25,840 --> 00:21:29,560 Speaker 4: her on the red carpet and she didn't give me 440 00:21:29,600 --> 00:21:34,560 Speaker 4: anything I needed. Again, not pushing for no personal stories, no, 441 00:21:34,800 --> 00:21:40,199 Speaker 4: like children really like benign stuff, and celebrities know as 442 00:21:40,280 --> 00:21:42,840 Speaker 4: much as reporters know what we need. Right, I need 443 00:21:42,840 --> 00:21:43,440 Speaker 4: a sound. 444 00:21:43,200 --> 00:21:45,359 Speaker 3: Bite, of course, it's a right word. It's a you 445 00:21:45,400 --> 00:21:47,920 Speaker 3: scratch my back, I'll scratch yours. I'll give you a 446 00:21:47,960 --> 00:21:49,920 Speaker 3: little moment, a quick funny lip. 447 00:21:49,680 --> 00:21:52,280 Speaker 4: But yeah, thirty seconds right exactly. 448 00:21:52,000 --> 00:21:54,679 Speaker 2: Exactly on each other to get SoundBite, you know. 449 00:21:55,400 --> 00:21:57,639 Speaker 4: And this was two thousand and two, so people really 450 00:21:57,680 --> 00:22:02,120 Speaker 4: were going to celebrity weeklies were Yeah, even if it's 451 00:22:02,200 --> 00:22:06,440 Speaker 4: just a funny line. So what, you know, what she's wearing, 452 00:22:07,840 --> 00:22:10,359 Speaker 4: what was going on in her TV series at the time. Nothing. 453 00:22:10,400 --> 00:22:13,000 Speaker 4: She gives me nothing. So we go into the event, 454 00:22:13,240 --> 00:22:16,080 Speaker 4: which was a TV industry event. It wasn't like the 455 00:22:16,200 --> 00:22:19,320 Speaker 4: met Gala, you know, there was reporters everywhere. I asked 456 00:22:19,320 --> 00:22:22,159 Speaker 4: the publicist if I could continue speaking to her. The 457 00:22:22,160 --> 00:22:25,000 Speaker 4: publicist said sure, it brought me over. She takes one 458 00:22:25,000 --> 00:22:27,560 Speaker 4: look at me from her table, does like the up 459 00:22:27,560 --> 00:22:31,600 Speaker 4: and down like this, rolls her eyes and says, didn't 460 00:22:31,600 --> 00:22:34,800 Speaker 4: I talk to you already? And this was an actress 461 00:22:34,840 --> 00:22:39,040 Speaker 4: who I loved. So that's like a punch in the gut, 462 00:22:39,080 --> 00:22:42,280 Speaker 4: you know. So I'm stumbling and bumbling and just explaining 463 00:22:42,280 --> 00:22:44,760 Speaker 4: that I need a cute quote to bring to my editor, please, 464 00:22:44,800 --> 00:22:48,320 Speaker 4: you know. She gives me nothing again. And now I'm contemplating, like, 465 00:22:48,680 --> 00:22:50,040 Speaker 4: how am I going to get to the bathroom to 466 00:22:50,080 --> 00:22:51,520 Speaker 4: cry without anyone? 467 00:22:52,680 --> 00:22:53,120 Speaker 1: Yeah? 468 00:22:53,200 --> 00:22:56,919 Speaker 4: I turn around and the publicist has John Stewart for me, 469 00:22:57,840 --> 00:23:00,560 Speaker 4: and that was a lovely interaction. And right after him 470 00:23:01,160 --> 00:23:04,200 Speaker 4: was Oprah Winfrey, who couldn't have been kinder and more 471 00:23:04,280 --> 00:23:06,800 Speaker 4: lovely to me. And I am a baby on the 472 00:23:06,880 --> 00:23:10,040 Speaker 4: job here right like we're right. So I think that 473 00:23:10,040 --> 00:23:14,560 Speaker 4: that pretty much encapsulates my people experience in general, because 474 00:23:15,080 --> 00:23:18,040 Speaker 4: every now and again there was a tough situation right 475 00:23:18,280 --> 00:23:20,840 Speaker 4: that outweighed the bad bye a mile. 476 00:23:21,119 --> 00:23:24,800 Speaker 1: Oh good. I'm glad you had that immediate distraction to 477 00:23:24,840 --> 00:23:26,399 Speaker 1: stop the tears and write. 478 00:23:26,880 --> 00:23:30,359 Speaker 4: Otherwise I would have been crying in John Stewart's arms. 479 00:23:30,080 --> 00:23:32,600 Speaker 3: Which isn't That's also not a terrible thing, you know 480 00:23:32,640 --> 00:23:34,720 Speaker 3: what I mean. He's yeah, we love John Stewart. 481 00:23:35,600 --> 00:23:39,560 Speaker 1: Yeah, he'd probably be very comforting about that. Just give 482 00:23:39,600 --> 00:23:40,160 Speaker 1: your hand again. 483 00:23:40,200 --> 00:23:42,040 Speaker 2: I mean, it'd be hilarious. I feel like you make 484 00:23:42,040 --> 00:23:43,760 Speaker 2: a good joke to snap you right out of it, 485 00:23:43,840 --> 00:23:44,040 Speaker 2: you know. 486 00:23:44,920 --> 00:23:45,280 Speaker 1: Yeah. 487 00:23:45,400 --> 00:23:47,440 Speaker 4: Oh, and speaking of Oprah, this will make you laugh. 488 00:23:47,920 --> 00:23:51,960 Speaker 4: I worked on a book with Terry Crews once and 489 00:23:52,000 --> 00:23:54,399 Speaker 4: it was all about his marriage. Was called Stronger Together. 490 00:23:54,600 --> 00:23:57,880 Speaker 4: It was an audible original, so I had pretty limited 491 00:23:57,920 --> 00:24:01,560 Speaker 4: time with him, and I remember asking something that he 492 00:24:01,880 --> 00:24:05,480 Speaker 4: like started to tear up, and then he actually started crying, 493 00:24:05,520 --> 00:24:08,720 Speaker 4: and I'm sitting in the man's living room going, I'm 494 00:24:08,720 --> 00:24:10,920 Speaker 4: Oprah Winfrey. This is amazing. I'm so good at this. 495 00:24:11,359 --> 00:24:15,040 Speaker 4: Later in the interview, he tells me about all the 496 00:24:15,040 --> 00:24:17,800 Speaker 4: therapy he's done and how is his emotions are right 497 00:24:17,840 --> 00:24:20,399 Speaker 4: at the surface, and you know, he speaks out against 498 00:24:20,560 --> 00:24:23,159 Speaker 4: toxic masculinity. And it was just so funny because he's 499 00:24:23,240 --> 00:24:25,000 Speaker 4: essentially telling me he cries all the time. And I 500 00:24:25,040 --> 00:24:28,160 Speaker 4: was like, oh, I'll take that self compliment back. 501 00:24:29,480 --> 00:24:32,000 Speaker 3: You're like, I thought I was digging deep here. He's like, no, no, no, 502 00:24:32,040 --> 00:24:36,199 Speaker 3: I'm just I love that also about him. That's kind 503 00:24:36,240 --> 00:24:36,879 Speaker 3: of amazing. 504 00:24:37,080 --> 00:24:37,320 Speaker 1: Yeah. 505 00:24:37,400 --> 00:24:41,640 Speaker 4: Yeah, he was on a long list of wonderful celebrities. 506 00:24:41,960 --> 00:24:45,760 Speaker 1: That's all. Well, And speaking of wonderful celebrities, we know 507 00:24:45,800 --> 00:24:48,520 Speaker 1: how much you love John Stamos, and you met John 508 00:24:49,119 --> 00:24:52,440 Speaker 1: before Fuller House a few years ago. Tell us about 509 00:24:52,440 --> 00:24:54,920 Speaker 1: the first time you met John A dream come true? 510 00:24:54,920 --> 00:24:58,280 Speaker 4: I'm sure, yeah, yeah. I think I saw him in 511 00:24:58,359 --> 00:25:02,600 Speaker 4: cabaret in college, right, which was, you know, a total 512 00:25:02,680 --> 00:25:05,720 Speaker 4: fangirl experience. How do you not love that? You know, 513 00:25:05,800 --> 00:25:07,520 Speaker 4: in New York after a Broadway show, you go to 514 00:25:07,560 --> 00:25:10,439 Speaker 4: the stage door, you know, for an autograph and couldn't 515 00:25:10,480 --> 00:25:14,280 Speaker 4: have been kinder. And then my first interview with him 516 00:25:14,280 --> 00:25:17,240 Speaker 4: for people was a few years later. Was either another 517 00:25:17,280 --> 00:25:20,560 Speaker 4: Broadway show or maybe a TV show that he was on. 518 00:25:20,600 --> 00:25:25,480 Speaker 4: I can't remember, because he totally derailed the interview for 519 00:25:25,600 --> 00:25:29,800 Speaker 4: me before it even got started. His publicist or manager 520 00:25:30,080 --> 00:25:34,560 Speaker 4: someone probably referred to me as he the name Rennie, 521 00:25:34,560 --> 00:25:37,919 Speaker 4: maybe being a little bit like ambiguous as to do so. 522 00:25:38,000 --> 00:25:42,000 Speaker 4: He was expecting a male reporter. So he called my 523 00:25:42,080 --> 00:25:45,040 Speaker 4: office number and I pick up and there's this pause, 524 00:25:45,119 --> 00:25:48,560 Speaker 4: and I'm like, are we disconnected? You know? And then 525 00:25:48,680 --> 00:25:53,239 Speaker 4: he says to me, are you you're a girl? I 526 00:25:53,359 --> 00:25:57,840 Speaker 4: was like yes. He said, oh, sorry, my my manager, 527 00:25:57,880 --> 00:26:00,760 Speaker 4: my publicist or whatever told me you were a guy. 528 00:26:00,840 --> 00:26:03,480 Speaker 4: And he pauses and then he goes, Rennie's a hot 529 00:26:03,560 --> 00:26:08,600 Speaker 4: nam for a girl. Just about exploded in that little 530 00:26:08,600 --> 00:26:12,520 Speaker 4: office and he took away all of that professionalism and 531 00:26:13,119 --> 00:26:16,879 Speaker 4: just like a giggling mess. He derailed the interview before 532 00:26:16,920 --> 00:26:17,959 Speaker 4: it even got started. 533 00:26:18,280 --> 00:26:20,240 Speaker 1: Amazing he has that effect on people. 534 00:26:20,359 --> 00:26:24,359 Speaker 4: Yeah, no, but he I've interviewed him for lots of 535 00:26:24,359 --> 00:26:28,680 Speaker 4: projects over the years. I have a funny Netflix story 536 00:26:28,680 --> 00:26:29,840 Speaker 4: about him if you have time for it. 537 00:26:29,920 --> 00:26:31,320 Speaker 1: Oh oh yeah, we got all the time. 538 00:26:31,359 --> 00:26:32,000 Speaker 2: We got time. 539 00:26:32,240 --> 00:26:36,400 Speaker 4: Yeah. Yeah. So I interviewed him a bunch about different projects. 540 00:26:36,400 --> 00:26:38,720 Speaker 4: But then I got a really fun assignment one day 541 00:26:39,200 --> 00:26:42,639 Speaker 4: when Netflix and John decided to go in on this 542 00:26:42,720 --> 00:26:48,399 Speaker 4: April Fool's joke. Might even remember this. Netflix pretended to 543 00:26:48,440 --> 00:26:52,880 Speaker 4: make this documentary docuseries about him that was like took 544 00:26:52,920 --> 00:26:57,359 Speaker 4: itself very seriously, yes, all about Stamoss, right, and so 545 00:26:58,440 --> 00:27:01,440 Speaker 4: he is in on this joke where then they say, 546 00:27:01,640 --> 00:27:05,520 Speaker 4: April Fools, this isn't real, and there's footage of him, 547 00:27:05,560 --> 00:27:08,000 Speaker 4: like like cell phone footage of him storming into the 548 00:27:08,040 --> 00:27:11,960 Speaker 4: Netflix office and saying, how could you do this to me? 549 00:27:12,119 --> 00:27:15,679 Speaker 4: You're you're diminishing my brand, the Stamos brand. And so 550 00:27:15,720 --> 00:27:18,359 Speaker 4: since people is in on this as well, I had 551 00:27:18,359 --> 00:27:22,200 Speaker 4: a story ready to go about this incident that was captured, right, 552 00:27:22,640 --> 00:27:25,000 Speaker 4: so funny and so much fun because we're, you know, 553 00:27:25,000 --> 00:27:29,280 Speaker 4: we're interacting audience about this terrible behavior from Stamos. And 554 00:27:29,320 --> 00:27:33,280 Speaker 4: then I tweeted it, dating myself this whole interview. I 555 00:27:33,400 --> 00:27:37,159 Speaker 4: tweeted it because this is many years ago, and I 556 00:27:37,240 --> 00:27:41,000 Speaker 4: said something like from my personal account, like I'll always 557 00:27:41,000 --> 00:27:43,440 Speaker 4: be a John Stamos fan, but this kind of behavior 558 00:27:43,560 --> 00:27:47,120 Speaker 4: is just embarrassing, you know, And he tweets me publicly 559 00:27:48,200 --> 00:27:52,399 Speaker 4: f off off and he spelled out the F and 560 00:27:52,440 --> 00:27:54,600 Speaker 4: I was like, this is the greatest thing ever. 561 00:27:54,400 --> 00:27:57,720 Speaker 2: Right Twitter beef, Yeah, you know. 562 00:27:58,680 --> 00:28:01,840 Speaker 4: And then of course we revealed to readers that everybody's 563 00:28:01,840 --> 00:28:05,919 Speaker 4: in on the joke, you know, Hilary's Yeah, that was 564 00:28:06,000 --> 00:28:08,439 Speaker 4: very funny. And then he gave me a tour of 565 00:28:08,480 --> 00:28:12,080 Speaker 4: the set on the Fuller House business, yeah and round 566 00:28:12,119 --> 00:28:16,000 Speaker 4: things out and you all have really long days on set. 567 00:28:16,040 --> 00:28:19,720 Speaker 4: I didn't realize so he had been there. I don't 568 00:28:19,720 --> 00:28:21,360 Speaker 4: want to know how many hours. It was the end 569 00:28:21,359 --> 00:28:23,320 Speaker 4: of the day and he was like, you want to 570 00:28:23,560 --> 00:28:25,800 Speaker 4: come on, I'll take you on a tour, and it 571 00:28:25,840 --> 00:28:27,919 Speaker 4: was amazing. We went to every room. I learned like 572 00:28:27,960 --> 00:28:31,199 Speaker 4: the little backstories. He almost stole the prop for me, 573 00:28:31,280 --> 00:28:33,840 Speaker 4: but as I understand it, that's kind of frowned upon. 574 00:28:33,920 --> 00:28:38,080 Speaker 3: So only you go, what prop were you going to steal? 575 00:28:38,320 --> 00:28:40,200 Speaker 4: I wanted the duck head from the kitchen. 576 00:28:40,520 --> 00:28:45,120 Speaker 2: Yes, oh yeah, yeah, the cookie it's not in my office. 577 00:28:45,840 --> 00:28:48,800 Speaker 1: John has took that. Yeah, somebody did John, It wasn't me. 578 00:28:48,840 --> 00:28:50,200 Speaker 2: He did want that at the end of the show, 579 00:28:50,200 --> 00:28:52,120 Speaker 2: and you were like, where's that duck? Yeah, duck was 580 00:28:52,120 --> 00:28:53,760 Speaker 2: missing anybody out there? 581 00:28:54,920 --> 00:28:57,080 Speaker 4: So it was too soon. I get that, I understand. 582 00:28:57,160 --> 00:28:58,960 Speaker 1: Yeah, yeah, you had to wait till the end of 583 00:28:59,000 --> 00:29:01,680 Speaker 1: the season. It was like a flea market. Everybody watched 584 00:29:01,680 --> 00:29:02,600 Speaker 1: the stage on that for. 585 00:29:02,640 --> 00:29:03,320 Speaker 2: The last show. 586 00:29:03,720 --> 00:29:06,080 Speaker 3: If everyone did it at once, they couldn't stop us. 587 00:29:06,120 --> 00:29:09,800 Speaker 1: You know, that's so great. 588 00:29:09,960 --> 00:29:13,120 Speaker 3: Now you've worked with Andrea and Jeff on both of 589 00:29:13,160 --> 00:29:17,200 Speaker 3: their memoirs. What was that experience like for you? I mean, 590 00:29:17,320 --> 00:29:19,760 Speaker 3: you know, obviously you're a full house fan, but what 591 00:29:19,800 --> 00:29:22,840 Speaker 3: was it like getting to work with them on things 592 00:29:22,880 --> 00:29:27,280 Speaker 3: that were much more personal and not just full house specific? 593 00:29:27,360 --> 00:29:31,000 Speaker 4: You know, sure, sure, Well, I started ghost writing in 594 00:29:31,120 --> 00:29:32,720 Speaker 4: two thousand and eight, so had done a bunch of 595 00:29:32,760 --> 00:29:35,920 Speaker 4: books before this and realized that it's really what I 596 00:29:35,920 --> 00:29:38,440 Speaker 4: wanted to do, and it's what I ultimately transitioned to. 597 00:29:39,680 --> 00:29:42,160 Speaker 4: So with Andrea, you know, we met at that hotel 598 00:29:42,160 --> 00:29:46,560 Speaker 4: in Santa Monica, and I remember seeing her. She arrived first, 599 00:29:46,880 --> 00:29:49,360 Speaker 4: and I was like, is that her? Like I couldn't 600 00:29:49,400 --> 00:29:52,480 Speaker 4: tell one hundred percent, and not just because she wasn't 601 00:29:52,520 --> 00:29:56,520 Speaker 4: wearing the fried eggs on the scarf. It wasn't about 602 00:29:56,640 --> 00:30:01,360 Speaker 4: Kimmy Gibler hair and makeup. It's the way carries herself. 603 00:30:01,840 --> 00:30:05,200 Speaker 4: She's just an entirely different human And I was like, 604 00:30:05,400 --> 00:30:06,880 Speaker 4: is it her, I'm going to take a chance, And 605 00:30:06,920 --> 00:30:09,200 Speaker 4: it was her. And I was just so struck by 606 00:30:09,200 --> 00:30:13,840 Speaker 4: her story of child stardom, decades off being a quote 607 00:30:13,920 --> 00:30:18,959 Speaker 4: unquote normal person and then back to stardom. So I 608 00:30:19,040 --> 00:30:22,360 Speaker 4: was thrilled when I talked to her people and they 609 00:30:22,400 --> 00:30:24,560 Speaker 4: said that she was in fact interested in writing a book. 610 00:30:25,520 --> 00:30:28,680 Speaker 4: And you know, I think over the process I did 611 00:30:28,680 --> 00:30:32,440 Speaker 4: become like less fan and more regular person, right, I 612 00:30:32,440 --> 00:30:37,280 Speaker 4: mean at her kitchen table with her sweet doggie and 613 00:30:37,360 --> 00:30:41,000 Speaker 4: listening kids on the block, you know, as we brainstormed 614 00:30:41,040 --> 00:30:44,840 Speaker 4: like it doesn't get much better than that. And then 615 00:30:45,240 --> 00:30:48,960 Speaker 4: Andrea was nice enough to refer me to Jeff when 616 00:30:49,000 --> 00:30:53,360 Speaker 4: he was and is working on his memoir, and that 617 00:30:54,800 --> 00:30:57,240 Speaker 4: one of the most striking things to me about his book. 618 00:30:57,640 --> 00:30:59,360 Speaker 4: And he didn't believe me on this, but I think 619 00:30:59,400 --> 00:31:02,440 Speaker 4: you too will. The stories that are not about Full 620 00:31:02,520 --> 00:31:05,760 Speaker 4: House are some of the best parts of that book. 621 00:31:05,800 --> 00:31:08,640 Speaker 2: Oh, absolutely right. I Mean that's the thing is once 622 00:31:08,640 --> 00:31:10,000 Speaker 2: do you know Jeff and how. 623 00:31:09,840 --> 00:31:12,040 Speaker 3: Long he's been in this business and what he's done 624 00:31:12,160 --> 00:31:14,640 Speaker 3: and what you know, like you'll just pop off with 625 00:31:14,680 --> 00:31:16,200 Speaker 3: stories and you're like, oh my god, that's where you've 626 00:31:16,240 --> 00:31:16,920 Speaker 3: been doing this. 627 00:31:16,920 --> 00:31:19,080 Speaker 2: Forever since you were you were a baby, and you 628 00:31:19,200 --> 00:31:19,680 Speaker 2: sort of. 629 00:31:20,080 --> 00:31:25,160 Speaker 3: Happened into amazing circumstances over and over, you know, and 630 00:31:25,200 --> 00:31:26,040 Speaker 3: you have all. 631 00:31:25,920 --> 00:31:28,360 Speaker 2: Of this amazing life story. 632 00:31:28,720 --> 00:31:32,480 Speaker 4: Yeah. Yeah, and he's so modest, you know that he 633 00:31:32,720 --> 00:31:36,280 Speaker 4: totally waived me. It's not that interesting. It's beyond I mean, 634 00:31:36,360 --> 00:31:38,360 Speaker 4: I don't I honestly don't think I ever saw an 635 00:31:38,360 --> 00:31:41,200 Speaker 4: episode of Laverne and Shirley. But his storytelling is so 636 00:31:41,320 --> 00:31:44,800 Speaker 4: good it becomes so invested in this book in like 637 00:31:45,280 --> 00:31:48,680 Speaker 4: young Jeff as Yeah, it's called him and his you know, 638 00:31:48,760 --> 00:31:51,360 Speaker 4: trials and tribulations on Laverne and Shirley and Buzz and 639 00:31:51,400 --> 00:31:54,160 Speaker 4: Buddies and these shows that I'm not even familiar with, 640 00:31:54,240 --> 00:31:57,040 Speaker 4: but now I want to go back and watch so 641 00:31:57,040 --> 00:32:01,120 Speaker 4: so learning about you know, the man the name on 642 00:32:01,200 --> 00:32:04,360 Speaker 4: the TV screen was so exciting, and he really is. 643 00:32:04,920 --> 00:32:08,680 Speaker 4: He's just as kind as you all have said. He 644 00:32:08,800 --> 00:32:12,960 Speaker 4: called me once either ahead of or late for our meeting, 645 00:32:13,040 --> 00:32:15,400 Speaker 4: so I wasn't expecting it. I'm in the car. My 646 00:32:15,440 --> 00:32:17,040 Speaker 4: eight year old is sitting next to me, and his 647 00:32:17,120 --> 00:32:19,640 Speaker 4: name pops up, you know, on the screen, and her 648 00:32:19,840 --> 00:32:22,600 Speaker 4: jaw drops open, like she has seen me with in 649 00:32:22,600 --> 00:32:25,400 Speaker 4: photos with all of you, and like that's cool, you know, 650 00:32:25,480 --> 00:32:28,400 Speaker 4: that's fine, mom whatever. Seeing Jess's name in our car, 651 00:32:28,560 --> 00:32:31,520 Speaker 4: she like went banana. She couldn't believe it, And so 652 00:32:31,640 --> 00:32:33,120 Speaker 4: I answered and we were laughing. 653 00:32:33,160 --> 00:32:35,800 Speaker 3: I love that she was name recognition just reading it 654 00:32:35,840 --> 00:32:37,040 Speaker 3: was like, I know that guy. 655 00:32:37,160 --> 00:32:39,840 Speaker 4: Yeah, amazing, Jeff, I'm gonna have to call you back. 656 00:32:39,920 --> 00:32:42,840 Speaker 4: My daughter is sitting here completely starstruck that Jeff Franklin 657 00:32:43,040 --> 00:32:47,160 Speaker 4: called me and he was laughing, and she goes, his 658 00:32:47,400 --> 00:32:49,600 Speaker 4: name is on my TV every day. 659 00:32:50,960 --> 00:32:52,120 Speaker 2: That's so cute. 660 00:32:52,280 --> 00:32:54,000 Speaker 1: He's like the Wizard of Awe. It's like meeting the 661 00:32:54,000 --> 00:32:55,680 Speaker 1: Wizard of Awe. You're like, oh my gosh, the man 662 00:32:55,760 --> 00:32:57,440 Speaker 1: behind the show. It's so cool. 663 00:32:57,800 --> 00:33:01,120 Speaker 4: And as a writer, you know, it was not intimidating 664 00:33:01,120 --> 00:33:04,239 Speaker 4: because he's so so kind, but it was. It was 665 00:33:04,280 --> 00:33:07,600 Speaker 4: amazing to get to meet the brains behind, you know, 666 00:33:07,640 --> 00:33:09,440 Speaker 4: a show I loved so much and a writer who 667 00:33:09,480 --> 00:33:13,600 Speaker 4: I who I respect so much. So yeah, I mean, 668 00:33:14,320 --> 00:33:17,200 Speaker 4: as a reporter, as a fan, like live in the 669 00:33:17,280 --> 00:33:19,640 Speaker 4: dream to be able to, you know, go deeper and 670 00:33:20,280 --> 00:33:22,680 Speaker 4: collaborate on something as special as bringing a book into 671 00:33:22,680 --> 00:33:23,000 Speaker 4: the world. 672 00:33:30,520 --> 00:33:32,640 Speaker 1: I knew you'd be the perfect fit because Jeff, when 673 00:33:32,640 --> 00:33:35,280 Speaker 1: he started writing this book years ago, he kept coming 674 00:33:35,320 --> 00:33:37,000 Speaker 1: to me for advice, like, how do you put together 675 00:33:37,040 --> 00:33:39,920 Speaker 1: a book proposal? What goes into it? How do you 676 00:33:39,920 --> 00:33:43,480 Speaker 1: talk to publishers? And I'm like, okay, I've published one book, 677 00:33:43,560 --> 00:33:45,840 Speaker 1: Jeff one, and it was because of Rennie. 678 00:33:45,480 --> 00:33:48,280 Speaker 2: Like you made a literary agent or something. I don't 679 00:33:48,520 --> 00:33:50,720 Speaker 2: talk to me because I think you need someone who 680 00:33:50,720 --> 00:33:51,120 Speaker 2: knows things. 681 00:33:51,200 --> 00:33:53,080 Speaker 1: Yeah, I'm like, you need Rennie. And he's like, well, 682 00:33:53,120 --> 00:33:54,560 Speaker 1: I don't want to ghost writer. And I said, no, 683 00:33:54,680 --> 00:33:56,440 Speaker 1: I didn't. I didn't want to ghost writer either. But 684 00:33:56,480 --> 00:34:00,440 Speaker 1: she's more like, I love that you call yourself a 685 00:34:00,480 --> 00:34:03,200 Speaker 1: book doctor because you're not writing the books for us, 686 00:34:03,240 --> 00:34:06,000 Speaker 1: but you're kind of like helping us tetris it into 687 00:34:06,240 --> 00:34:09,799 Speaker 1: something coherent, right, and teaching. I learned so much just 688 00:34:09,840 --> 00:34:12,439 Speaker 1: about the publishing world, and yeah, how do you pitch 689 00:34:12,480 --> 00:34:14,440 Speaker 1: a book? How do you put together a proposal? There's 690 00:34:14,480 --> 00:34:16,080 Speaker 1: a lot that goes into it. 691 00:34:16,400 --> 00:34:17,640 Speaker 4: Yeah, almost more work. 692 00:34:17,440 --> 00:34:20,440 Speaker 1: Goes into the proposal than the actual book, so truly. 693 00:34:20,400 --> 00:34:23,960 Speaker 4: It's part Yeah. I mean, writing a book is an 694 00:34:24,040 --> 00:34:28,000 Speaker 4: incredible feat and a creative endeavor. Publishing a book is 695 00:34:28,600 --> 00:34:31,400 Speaker 4: a business, and so a lot of people you know, 696 00:34:31,480 --> 00:34:34,200 Speaker 4: appreciate help that way. And I just love to be 697 00:34:34,760 --> 00:34:37,239 Speaker 4: part of a book's process, you know, however I can, 698 00:34:37,280 --> 00:34:41,680 Speaker 4: whether it is ghost writing or you know, book doctoring, 699 00:34:41,840 --> 00:34:43,640 Speaker 4: architecturing something along. 700 00:34:43,760 --> 00:34:44,200 Speaker 2: Yeah. 701 00:34:44,280 --> 00:34:46,920 Speaker 1: Yeah, oh you were just You're just the best. Like 702 00:34:47,000 --> 00:34:49,960 Speaker 1: you made a dream come true for me because I 703 00:34:49,960 --> 00:34:51,800 Speaker 1: don't know if I ever I've always said, oh, I 704 00:34:51,840 --> 00:34:54,799 Speaker 1: want to write a book someday, but we always say 705 00:34:54,840 --> 00:34:56,560 Speaker 1: that and then do you actually like do it? But 706 00:34:56,560 --> 00:34:58,440 Speaker 1: you were the one that gave me that push. You 707 00:34:58,480 --> 00:35:00,200 Speaker 1: gave me that nudge. You're like, you have a story 708 00:35:00,239 --> 00:35:02,240 Speaker 1: and you you've got a book in you and I'm like really, 709 00:35:02,520 --> 00:35:04,640 Speaker 1: so you gave me the confidence and then you gave 710 00:35:04,640 --> 00:35:07,000 Speaker 1: me the tools. And you were just so lovely and 711 00:35:07,080 --> 00:35:09,719 Speaker 1: have such a great bedside manner, and it was just 712 00:35:09,920 --> 00:35:13,799 Speaker 1: like becoming friends, Like we became close friends during all 713 00:35:13,840 --> 00:35:15,800 Speaker 1: those months you came to my house for a weekend. 714 00:35:15,840 --> 00:35:17,600 Speaker 1: I think I dragged you to one of my kids 715 00:35:18,080 --> 00:35:20,480 Speaker 1: like soccer events or meet. 716 00:35:22,040 --> 00:35:27,560 Speaker 4: And your picture on the wall at your favorite Mexican place. Yes, 717 00:35:28,239 --> 00:35:31,920 Speaker 4: what's the pairing. It's like Bill Clinton Barbara Streisan. 718 00:35:31,560 --> 00:35:35,120 Speaker 2: And it's yeah, yeah, yeah, yeah, I'm right next to it. 719 00:35:35,160 --> 00:35:37,000 Speaker 1: I think I'm right next to Hillary Clinton. So I'm 720 00:35:37,080 --> 00:35:39,200 Speaker 1: very I'm just like, yes, exactly. 721 00:35:39,440 --> 00:35:41,160 Speaker 3: Tell me if she was wearing a sombrewer with a 722 00:35:41,160 --> 00:35:43,000 Speaker 3: Cadillac Margarita. 723 00:35:43,280 --> 00:35:44,600 Speaker 2: I know that's all I want. 724 00:35:44,719 --> 00:35:46,839 Speaker 3: It's just her and a giant hat with like a 725 00:35:46,880 --> 00:35:49,440 Speaker 3: shot in one hand and a giant salt rimmed like 726 00:35:49,640 --> 00:35:50,439 Speaker 3: boat in the other. 727 00:35:50,960 --> 00:35:55,560 Speaker 1: Yeah, that'll be the next photo right right. 728 00:35:56,840 --> 00:35:56,960 Speaker 4: Now. 729 00:35:57,239 --> 00:36:01,560 Speaker 3: You not only have like booked and ghost written other books, 730 00:36:01,560 --> 00:36:03,400 Speaker 3: but you have started writing children's books. 731 00:36:04,880 --> 00:36:06,960 Speaker 2: Tell us a little bit about I mean, obviously you 732 00:36:07,000 --> 00:36:07,760 Speaker 2: are a mom. 733 00:36:07,560 --> 00:36:10,680 Speaker 3: You have kids, But tell us like what your inspiration 734 00:36:10,880 --> 00:36:14,600 Speaker 3: for writing children's books was and and how that's different 735 00:36:14,680 --> 00:36:19,120 Speaker 3: than writing like, you know, adult novel, not adult well 736 00:36:19,160 --> 00:36:20,040 Speaker 3: you know what I mean. 737 00:36:20,440 --> 00:36:23,479 Speaker 2: Yeah, yeah, yeah, that almost went weird. Okay, I'll stop talking. 738 00:36:24,040 --> 00:36:26,560 Speaker 4: Funny enough. I am writing a romance book right now, 739 00:36:26,560 --> 00:36:30,399 Speaker 4: which is very okay. And it's funny because people will 740 00:36:30,400 --> 00:36:31,839 Speaker 4: say to me, like, how's your book going, And I'm 741 00:36:31,880 --> 00:36:33,920 Speaker 4: like the picture book or the book that is nothing 742 00:36:34,040 --> 00:36:35,080 Speaker 4: like a picture bib. 743 00:36:35,080 --> 00:36:38,440 Speaker 2: Right, yeah, two, very different the picture books, I guess. 744 00:36:38,200 --> 00:36:43,680 Speaker 4: But right, well, I started out writing an equestrian series. 745 00:36:43,719 --> 00:36:46,279 Speaker 4: I've been a horse person and a competitive a question 746 00:36:46,400 --> 00:36:50,040 Speaker 4: in my whole life. And then I transitioned into picture 747 00:36:50,040 --> 00:36:53,200 Speaker 4: books because I was, you know, seeing the world through 748 00:36:53,239 --> 00:36:57,880 Speaker 4: my young girl's eyes, and I was very struck by 749 00:36:58,040 --> 00:37:02,200 Speaker 4: how early in life we are subjected to the food 750 00:37:02,280 --> 00:37:05,319 Speaker 4: police and the body police. So my first book is 751 00:37:05,360 --> 00:37:09,040 Speaker 4: called be Is for Bellies, a Celebration of Everybody, and 752 00:37:09,080 --> 00:37:11,640 Speaker 4: it's all about body acceptance and mantras for you know, 753 00:37:11,719 --> 00:37:15,160 Speaker 4: the littlest readers. And then my second picture book is 754 00:37:15,239 --> 00:37:17,520 Speaker 4: called Fiona and the Peculiar. 755 00:37:17,000 --> 00:37:20,000 Speaker 2: Praise and I love that one, by the way, oh 756 00:37:20,040 --> 00:37:21,640 Speaker 2: thank you. And it was so cute. 757 00:37:21,680 --> 00:37:24,640 Speaker 3: I wound up giving it to my daughter, my daughter's 758 00:37:24,800 --> 00:37:29,000 Speaker 3: boyfriend's little sister, who is five, and she reads and 759 00:37:29,239 --> 00:37:29,799 Speaker 3: loved it. 760 00:37:30,000 --> 00:37:31,479 Speaker 2: So yeah, very cute. 761 00:37:31,480 --> 00:37:35,120 Speaker 4: I'm glad to hear it. I was, you know, having girls, 762 00:37:35,400 --> 00:37:37,919 Speaker 4: the first thing anybody says is they're so cute, They're 763 00:37:37,960 --> 00:37:40,359 Speaker 4: so beautiful. And I just happened to get into this 764 00:37:40,400 --> 00:37:43,160 Speaker 4: habit when they were really little, of saying to the 765 00:37:43,200 --> 00:37:46,520 Speaker 4: person and really to that to my girls, and you're 766 00:37:46,560 --> 00:37:50,759 Speaker 4: so smart and you're so strong because we women, we 767 00:37:51,000 --> 00:37:53,600 Speaker 4: are raised to believe that that's where our worth is 768 00:37:53,640 --> 00:37:56,400 Speaker 4: and that's what where our value is. And it's not 769 00:37:56,640 --> 00:37:59,719 Speaker 4: done with malice. It's not even intentional, right, Like you 770 00:37:59,800 --> 00:38:01,799 Speaker 4: just you hear it enough and you think, well, this 771 00:38:01,840 --> 00:38:05,799 Speaker 4: is the greatest thing about me, right, It's ingrained, right right. 772 00:38:05,880 --> 00:38:08,239 Speaker 4: So the trick in picture books if you want to 773 00:38:08,280 --> 00:38:10,560 Speaker 4: impart a lesson is to not make it seem like 774 00:38:10,600 --> 00:38:13,400 Speaker 4: a lesson book, because who wants to read that between 775 00:38:13,480 --> 00:38:17,640 Speaker 4: kids and parents. So Fiona is a cat who goes 776 00:38:17,680 --> 00:38:21,000 Speaker 4: through the day doing all these incredible things and nobody notices. 777 00:38:21,040 --> 00:38:24,600 Speaker 4: They just call her beautiful and lovely and gorgeous. And 778 00:38:24,920 --> 00:38:27,280 Speaker 4: you have to read the book to see what happens. 779 00:38:27,320 --> 00:38:31,680 Speaker 4: But takeaway is that we are more than our appearances. 780 00:38:31,719 --> 00:38:34,759 Speaker 4: And hopefully it was done in a fun way that kids. 781 00:38:34,560 --> 00:38:38,920 Speaker 1: Like, oh, such great messages behind your books, Like this 782 00:38:39,080 --> 00:38:41,799 Speaker 1: is so needed. I wish I still had little kids 783 00:38:42,000 --> 00:38:43,839 Speaker 1: when I have grandchildren. When I have grandchildren, these are 784 00:38:43,840 --> 00:38:45,520 Speaker 1: the first books that they read. 785 00:38:46,080 --> 00:38:46,319 Speaker 4: Things. 786 00:38:46,800 --> 00:38:49,240 Speaker 1: Is just it's so important And I was so proud 787 00:38:50,160 --> 00:38:52,319 Speaker 1: when you published Bias for bellies. I was like, oh 788 00:38:52,400 --> 00:38:54,680 Speaker 1: my gosh, she did it like it was just such 789 00:38:54,680 --> 00:38:58,840 Speaker 1: a such a win for me too, just as your friend. Yeah, yeah, no, 790 00:38:58,960 --> 00:39:01,640 Speaker 1: it's really important work. Thank you for doing that. And 791 00:39:02,120 --> 00:39:05,960 Speaker 1: you told me one time that writing children's books is 792 00:39:06,080 --> 00:39:10,520 Speaker 1: just as difficult, maybe more so than writing regular books. 793 00:39:10,880 --> 00:39:14,919 Speaker 1: How but there's so many fewer words in a picture book, 794 00:39:15,000 --> 00:39:17,880 Speaker 1: So how is it difficult in that way? 795 00:39:18,080 --> 00:39:20,480 Speaker 4: I think it just comes down to the fewer the words, 796 00:39:20,520 --> 00:39:23,839 Speaker 4: the more every word has to count right to get 797 00:39:23,840 --> 00:39:26,640 Speaker 4: it exactly right down to the letter. I mean, my 798 00:39:26,719 --> 00:39:29,680 Speaker 4: Fiona book is probably six hundred words, you know, and 799 00:39:30,160 --> 00:39:35,360 Speaker 4: your books are probably sixty thousand words. So it's about 800 00:39:35,400 --> 00:39:38,960 Speaker 4: being that exacting. It's about telling a story between words, 801 00:39:39,160 --> 00:39:42,840 Speaker 4: and and I'm not the illustrator, so leaving room for 802 00:39:42,880 --> 00:39:47,440 Speaker 4: the illustrator to tell part of the stories. Plus it's 803 00:39:47,480 --> 00:39:50,760 Speaker 4: just a really crowded market, you know. Yeah, people write 804 00:39:50,840 --> 00:39:53,160 Speaker 4: picture books. A lot of people think writing picture books 805 00:39:53,239 --> 00:39:55,600 Speaker 4: is easy, so there's a lot out there for agents 806 00:39:55,600 --> 00:39:58,759 Speaker 4: and editors to sort through. That's why I write romance 807 00:39:58,800 --> 00:40:01,400 Speaker 4: levels now picture books are too hard. 808 00:40:02,040 --> 00:40:04,080 Speaker 2: Yeah, I've had to move on for picture books. 809 00:40:04,080 --> 00:40:06,640 Speaker 4: It was too stressful, exactly. 810 00:40:07,560 --> 00:40:09,759 Speaker 1: Do you write the book first or do you do 811 00:40:09,840 --> 00:40:12,560 Speaker 1: the illustration? Tell us how what's the order of progression 812 00:40:12,560 --> 00:40:14,239 Speaker 1: between illustrator writer. 813 00:40:14,560 --> 00:40:19,680 Speaker 4: Yeah, publisher Unless it's an author illustrator, a picture book 814 00:40:19,680 --> 00:40:23,000 Speaker 4: is sold just based on the manuscript, so literally selling 815 00:40:23,040 --> 00:40:25,319 Speaker 4: a document which is tipped like two pages, you know, 816 00:40:27,040 --> 00:40:30,719 Speaker 4: and then the publisher typically picks the illustrator, you know, 817 00:40:30,800 --> 00:40:33,359 Speaker 4: someone whose style they like it, you know, it fits 818 00:40:33,360 --> 00:40:37,680 Speaker 4: into their vision. And on some books the author gets 819 00:40:37,800 --> 00:40:40,960 Speaker 4: input on the visuals, and on other books not at all, 820 00:40:41,680 --> 00:40:44,080 Speaker 4: and it just depends on the publisher. So I got 821 00:40:44,120 --> 00:40:47,080 Speaker 4: to be very involved with Fiona, which was really exciting 822 00:40:47,120 --> 00:40:48,399 Speaker 4: to get to say, Like, the. 823 00:40:48,520 --> 00:40:52,640 Speaker 2: Visuals were great on it. They were really yeah, really cute. 824 00:40:52,920 --> 00:40:56,360 Speaker 4: Yeah, and you know, a little imposter syndrome sneaks in. 825 00:40:56,400 --> 00:40:58,120 Speaker 4: I'm like, I don't know what, I don't know anything 826 00:40:58,120 --> 00:41:02,719 Speaker 4: about the visuals, Okay, yeah, but I but I told 827 00:41:02,760 --> 00:41:05,880 Speaker 4: her what I was picturing, and she just brought it 828 00:41:05,960 --> 00:41:07,279 Speaker 4: to life in the most beautiful way. 829 00:41:07,760 --> 00:41:09,960 Speaker 1: Oh that's so cool. That's got to be so cool 830 00:41:09,960 --> 00:41:12,719 Speaker 1: to see the visuals, Like was it anything that you 831 00:41:12,760 --> 00:41:15,320 Speaker 1: imagined in your head or was it a completely different 832 00:41:15,360 --> 00:41:16,879 Speaker 1: take that the illustrator had on. 833 00:41:16,920 --> 00:41:17,279 Speaker 4: Oh it was. 834 00:41:18,000 --> 00:41:18,359 Speaker 3: It was. 835 00:41:18,520 --> 00:41:20,600 Speaker 4: It was pretty similar to what I saw in my head. 836 00:41:20,640 --> 00:41:23,960 Speaker 4: And she and I never spoke directly, so it was 837 00:41:24,000 --> 00:41:28,399 Speaker 4: like this wizardry right like this, So yeah, so that 838 00:41:28,480 --> 00:41:30,080 Speaker 4: was a That was a super cool experience. 839 00:41:30,960 --> 00:41:33,480 Speaker 1: That's so great. That's so great. What can you share 840 00:41:33,480 --> 00:41:36,640 Speaker 1: about your upcoming work, your romance novel, any other picture 841 00:41:36,680 --> 00:41:38,640 Speaker 1: books you're writing? Can you share anything or is it 842 00:41:38,640 --> 00:41:39,400 Speaker 1: still under wraps? 843 00:41:39,520 --> 00:41:43,399 Speaker 4: Yeah? Nothing, nothing yet with those, but I will tell 844 00:41:43,440 --> 00:41:45,960 Speaker 4: you I have an incredible book that I co authored 845 00:41:45,960 --> 00:41:50,719 Speaker 4: coming out in March called The ADHD Field Guide for Adults. 846 00:41:51,000 --> 00:41:52,239 Speaker 2: Oh my god, I need it. 847 00:41:52,640 --> 00:41:57,440 Speaker 3: HI on the limit an advanced copy, but I have 848 00:41:57,520 --> 00:41:59,080 Speaker 3: a raging case of add. 849 00:41:58,960 --> 00:42:01,800 Speaker 4: Well talked about it on the pod and I noticed, 850 00:42:01,800 --> 00:42:04,680 Speaker 4: since I put you on the list, She's. 851 00:42:04,520 --> 00:42:06,320 Speaker 2: Like, I know, yeah, yeah, yeah, no, you've been a list. 852 00:42:08,640 --> 00:42:12,080 Speaker 4: It is written by Kate Osborne and Eric Good, who 853 00:42:12,080 --> 00:42:16,080 Speaker 4: are big content creators in the ADHD space, and I 854 00:42:16,120 --> 00:42:19,080 Speaker 4: was lucky enough to kind of shepherd it along with. 855 00:42:19,000 --> 00:42:20,360 Speaker 2: Them and contribute to awesome. 856 00:42:20,960 --> 00:42:24,320 Speaker 4: I didn't know much about ADHD at the beginning of 857 00:42:24,360 --> 00:42:28,040 Speaker 4: the process, but oh my god, I this book is 858 00:42:28,080 --> 00:42:31,360 Speaker 4: going to help so many people. The working title for 859 00:42:31,400 --> 00:42:34,680 Speaker 4: a really long time was you are not an f up? 860 00:42:35,120 --> 00:42:38,920 Speaker 4: Like yes, that like f starsky because it's such an 861 00:42:39,000 --> 00:42:44,480 Speaker 4: insidious it is. People don't like the term disorder, but 862 00:42:46,120 --> 00:42:49,640 Speaker 4: they just is part of every every part of your life. 863 00:42:50,239 --> 00:42:53,919 Speaker 4: And so we interviewed, we spoke to hundreds of people 864 00:42:53,920 --> 00:42:56,680 Speaker 4: who are fans of theirs and put their experiences in 865 00:42:56,719 --> 00:42:58,879 Speaker 4: the book too. And I just think people are going 866 00:42:58,960 --> 00:43:01,799 Speaker 4: to feel so seen reading this. 867 00:43:02,360 --> 00:43:05,399 Speaker 2: Yeah. I can't I can't wait to uh, I can't 868 00:43:05,400 --> 00:43:06,439 Speaker 2: wait to check that out. Yeah. 869 00:43:06,480 --> 00:43:09,480 Speaker 3: I have a good friend of mine who's doing a 870 00:43:09,520 --> 00:43:13,880 Speaker 3: lot of who's a therapist and has done a lot 871 00:43:13,920 --> 00:43:16,120 Speaker 3: of work with ADHD stuff, and she says, it's, you 872 00:43:16,120 --> 00:43:18,759 Speaker 3: know the thing people always say about adhds, it's not 873 00:43:18,840 --> 00:43:23,480 Speaker 3: attention deficit. You you have too much attention to everything 874 00:43:23,520 --> 00:43:28,560 Speaker 3: around you and you don't know how to like tune 875 00:43:28,560 --> 00:43:30,600 Speaker 3: all that out and do one thing at a time. 876 00:43:30,800 --> 00:43:33,440 Speaker 3: And then it just sounds like screaming noise in your 877 00:43:33,440 --> 00:43:36,279 Speaker 3: head because you can't figure out which direction to go. 878 00:43:36,880 --> 00:43:38,680 Speaker 3: And then you just yell at yourself that you're such 879 00:43:38,719 --> 00:43:40,839 Speaker 3: an idiot that you can't do anything because you don't 880 00:43:40,840 --> 00:43:41,560 Speaker 3: even you can't even. 881 00:43:41,400 --> 00:43:41,959 Speaker 2: Brush your teeth. 882 00:43:41,960 --> 00:43:43,560 Speaker 3: Look at you can't even figure out how to do 883 00:43:43,600 --> 00:43:45,080 Speaker 3: that because you have to go to the store and 884 00:43:45,080 --> 00:43:46,719 Speaker 3: you have to pick up toothpaste and you haven't done 885 00:43:46,760 --> 00:43:47,520 Speaker 3: that for two days. 886 00:43:47,760 --> 00:43:48,759 Speaker 2: That's the thing. 887 00:43:49,280 --> 00:43:52,520 Speaker 4: I had no idea, the shame element that, Oh it's awful. 888 00:43:53,960 --> 00:43:56,959 Speaker 3: So the first, the first day I took my ADHD meds, 889 00:43:56,960 --> 00:44:00,640 Speaker 3: which was I as an adult, I cried because I 890 00:44:00,719 --> 00:44:03,360 Speaker 3: did not know that my head didn't have to be 891 00:44:03,520 --> 00:44:07,000 Speaker 3: that loud wow and screaming at me and it was. 892 00:44:07,160 --> 00:44:08,200 Speaker 2: Yeah, it was life changing. 893 00:44:08,800 --> 00:44:11,400 Speaker 3: So I'm glad that people are like finally talking about it, 894 00:44:11,480 --> 00:44:16,359 Speaker 3: particularly with women we you know, and adult women who 895 00:44:16,680 --> 00:44:19,680 Speaker 3: sort of didn't get you know, we were just the chatterboxes. 896 00:44:19,880 --> 00:44:24,719 Speaker 3: We didn't necessarily get you diagnosed or helped along with it. 897 00:44:24,800 --> 00:44:27,600 Speaker 2: So that's so cool. I love it, very excited. 898 00:44:27,880 --> 00:44:30,520 Speaker 1: Yeah, you're doing good work, You're doing important work. Full 899 00:44:30,560 --> 00:44:35,720 Speaker 1: house ADHD Children's book, Like this is everything, I mean, positivity. 900 00:44:35,520 --> 00:44:37,560 Speaker 2: All three of those big fans, you know what I mean? 901 00:44:37,719 --> 00:44:43,720 Speaker 1: Yeah, do your girls listen to Howard Tannerito's Are they fans? 902 00:44:43,719 --> 00:44:45,440 Speaker 1: Will you let them listen to this episode? 903 00:44:45,920 --> 00:44:48,360 Speaker 4: This one? For sure, it's amazing. I got Louise to 904 00:44:48,360 --> 00:44:50,839 Speaker 4: school today because she was like, I have to stay home. 905 00:44:50,920 --> 00:44:56,719 Speaker 4: I have to see Stephanie. Katie has a special affinity 906 00:44:57,200 --> 00:45:00,759 Speaker 4: for a B and Kimmi Gibbler because was nice enough 907 00:45:00,840 --> 00:45:03,520 Speaker 4: to bring us to a taping of the show a 908 00:45:03,560 --> 00:45:06,799 Speaker 4: fuller later in it, Yes, why are Joey McIntyre because 909 00:45:06,800 --> 00:45:08,400 Speaker 4: I didn't want to ask you that. I was like, 910 00:45:08,840 --> 00:45:11,000 Speaker 4: I can't believe I'm going to ask her for something, and. 911 00:45:10,960 --> 00:45:16,360 Speaker 3: I right, and she is so difficult, Like she's so intimidating, 912 00:45:16,400 --> 00:45:17,960 Speaker 3: you know what I mean, Like you get and you're like, 913 00:45:18,000 --> 00:45:18,920 Speaker 3: oh god, I don't know. 914 00:45:18,880 --> 00:45:21,239 Speaker 2: How she could go either way? Right, Yeah, No, it's 915 00:45:21,320 --> 00:45:22,920 Speaker 2: very scary to deal with. Andrew Barbera. 916 00:45:23,360 --> 00:45:28,840 Speaker 4: Soise Louise is a Stephanie girl, and so she's horrified 917 00:45:28,840 --> 00:45:29,880 Speaker 4: that she's not here for this. 918 00:45:30,080 --> 00:45:32,520 Speaker 3: Renny, this has been such an amazing interview, and like 919 00:45:32,600 --> 00:45:36,640 Speaker 3: you are such a you're like a cousin of the 920 00:45:36,680 --> 00:45:39,000 Speaker 3: full House fam now, you know what I mean, You're 921 00:45:39,040 --> 00:45:42,520 Speaker 3: in our extended family. You've been there for so many 922 00:45:42,680 --> 00:45:46,440 Speaker 3: of our important moments, both with the show and personally, 923 00:45:46,719 --> 00:45:52,280 Speaker 3: and and you're just a really amazing, awesome, talented human. 924 00:45:52,480 --> 00:45:55,840 Speaker 3: So it like we kind of couldn't be luckier that 925 00:45:56,760 --> 00:45:59,759 Speaker 3: we have such an amazing writer who happens to have 926 00:46:00,360 --> 00:46:02,920 Speaker 3: such a big love for all of us, because it 927 00:46:03,040 --> 00:46:04,160 Speaker 3: definitely comes in handy. 928 00:46:04,800 --> 00:46:10,160 Speaker 4: Yeah, feeling as mutual. It has been pleasure and you know, 929 00:46:10,440 --> 00:46:14,279 Speaker 4: fullest house, another vote for that one. 930 00:46:13,480 --> 00:46:14,000 Speaker 2: All us out. 931 00:46:14,000 --> 00:46:15,800 Speaker 1: Hey, if we make it happen, you're going to be 932 00:46:15,880 --> 00:46:18,239 Speaker 1: the only reporter you have to come back to the Yeah, yeah, 933 00:46:18,280 --> 00:46:20,879 Speaker 1: world first. Yeah, because we'd be the only one on set. 934 00:46:20,920 --> 00:46:21,839 Speaker 1: You get the exclusive. 935 00:46:22,160 --> 00:46:24,200 Speaker 2: Yes, absolutely love it. 936 00:46:25,640 --> 00:46:28,040 Speaker 1: Thank you so much, Ny, We love you so much, 937 00:46:28,160 --> 00:46:33,160 Speaker 1: love you so good to see you. Thanks bye. 938 00:46:33,480 --> 00:46:37,440 Speaker 2: Oh that was so great. She's always such a pleasure 939 00:46:37,480 --> 00:46:37,920 Speaker 2: to talk to. 940 00:46:38,480 --> 00:46:41,400 Speaker 1: Oh, this was just such a natural fit too. She's like, 941 00:46:41,760 --> 00:46:44,080 Speaker 1: what a cool interview to get to interview somebody who's 942 00:46:44,080 --> 00:46:45,600 Speaker 1: interviewed celebrities for something. 943 00:46:45,760 --> 00:46:46,400 Speaker 2: It's very meta. 944 00:46:46,520 --> 00:46:49,080 Speaker 1: Yeah, it is so meta. And yeah that was just 945 00:46:49,320 --> 00:46:52,799 Speaker 1: I learned stories that I had never heard before. Yeah, 946 00:46:53,040 --> 00:46:55,600 Speaker 1: learned some things about her today that I didn't know before. 947 00:46:55,760 --> 00:46:56,799 Speaker 1: And I just love it. 948 00:46:56,960 --> 00:46:59,600 Speaker 2: No, that was great. And she's always been. 949 00:47:00,960 --> 00:47:03,960 Speaker 3: So kind to us and the show and just really 950 00:47:04,239 --> 00:47:08,160 Speaker 3: been a supporter of ours out in media. 951 00:47:08,280 --> 00:47:12,000 Speaker 2: And you know that's wasn't always the case with full house. 952 00:47:12,320 --> 00:47:14,840 Speaker 2: You know, we took a lot of grief over the 953 00:47:14,920 --> 00:47:17,440 Speaker 2: years for you know, being a family sitcom and all 954 00:47:17,440 --> 00:47:19,640 Speaker 2: this kind of stuff. So when you have a. 955 00:47:19,520 --> 00:47:23,000 Speaker 3: Writer who actually loves what the show is and what 956 00:47:23,040 --> 00:47:24,799 Speaker 3: we are as a family, that that means a lot 957 00:47:24,800 --> 00:47:27,640 Speaker 3: because she really she gets it, you know, and she 958 00:47:28,120 --> 00:47:30,400 Speaker 3: was the target audience when we were doing it. 959 00:47:30,560 --> 00:47:33,520 Speaker 1: She was the target audience. And she's so dang talented. 960 00:47:33,560 --> 00:47:36,920 Speaker 1: But she's so wanting other people to shine like that. 961 00:47:37,040 --> 00:47:39,160 Speaker 1: Yeah yeah, yeah, such a big heart. Yeah. 962 00:47:39,280 --> 00:47:41,160 Speaker 2: And it's like she said, she's not the she's not 963 00:47:41,280 --> 00:47:42,960 Speaker 2: the reporter. 964 00:47:43,040 --> 00:47:46,399 Speaker 3: That's like, oh, so tell me about how the real dark. 965 00:47:46,440 --> 00:47:48,160 Speaker 3: So yeah, she's like, if you don't, I don't want 966 00:47:48,160 --> 00:47:49,200 Speaker 3: it to be uncomfortable. 967 00:47:49,520 --> 00:47:49,960 Speaker 2: Yeah, I know. 968 00:47:50,040 --> 00:47:52,319 Speaker 1: She just wants to be friends with everybody. Yeah, and 969 00:47:52,440 --> 00:47:54,839 Speaker 1: just let them shine. And yeah I love that about her. 970 00:47:55,239 --> 00:47:57,279 Speaker 2: Oh well that was so great. Yeah, I love it. 971 00:47:57,320 --> 00:47:59,480 Speaker 3: And make sure to check out her children's books, be 972 00:47:59,760 --> 00:48:02,960 Speaker 3: Is Bellies and Fiona and the Peculiar Praise. They are 973 00:48:03,000 --> 00:48:06,920 Speaker 3: really really fun and great books and so incredibly illustrated too. 974 00:48:08,080 --> 00:48:10,439 Speaker 3: So thank you guys for joining us on another fun 975 00:48:10,480 --> 00:48:12,560 Speaker 3: episode of How Rude. Tana Rito's If you want to 976 00:48:12,600 --> 00:48:14,680 Speaker 3: find us on Instagram, you can check us out at 977 00:48:14,680 --> 00:48:17,719 Speaker 3: how Rude Podcast or send us an email at like 978 00:48:17,760 --> 00:48:21,920 Speaker 3: Rennie did at No, she emailed you personally, but you 979 00:48:21,960 --> 00:48:24,680 Speaker 3: can send us an email at Howard Tannatos at gmail 980 00:48:24,719 --> 00:48:25,360 Speaker 3: dot com. 981 00:48:25,760 --> 00:48:30,120 Speaker 2: Check out our merch store at howardemerch dot com. And 982 00:48:31,280 --> 00:48:31,760 Speaker 2: what else? 983 00:48:32,160 --> 00:48:32,960 Speaker 1: I think you covered it? 984 00:48:33,480 --> 00:48:34,480 Speaker 2: Cover everything. 985 00:48:35,880 --> 00:48:36,480 Speaker 1: Feeling right now. 986 00:48:36,680 --> 00:48:40,879 Speaker 3: I don't even know what's happening. Uh, well, everybody, it's 987 00:48:40,920 --> 00:48:43,600 Speaker 3: been a pleasure. We love you, Tanta Rito's. We'll see 988 00:48:43,600 --> 00:48:47,239 Speaker 3: you next time. And remember the world is small, the 989 00:48:47,280 --> 00:48:53,960 Speaker 3: house is full. Oh no, I lost it. I had 990 00:48:54,000 --> 00:48:55,000 Speaker 3: a thing and I lost it. 991 00:48:56,480 --> 00:48:59,640 Speaker 1: What it was children's books, body positivity. 992 00:49:00,360 --> 00:49:01,720 Speaker 2: Bellies, it's full bellies. 993 00:49:01,719 --> 00:49:04,400 Speaker 1: Oh, it's full of bellies, bodies of all types. 994 00:49:04,560 --> 00:49:07,040 Speaker 2: Yes, there we go. I'm hungry now