WEBVTT - Growing Up Urkel – Jaleel White Reveals Family Matters

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<v Speaker 1>Really now, really.

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<v Speaker 2>Really now really Hello and welcome to really No Really

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<v Speaker 2>with Jason, Alexander and Peter Tilden, who suggests that if

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<v Speaker 2>you subscribe to our show, you'll swell with joy as

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<v Speaker 2>you say out loud, did I do that?

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<v Speaker 1>And speaking of that famous line?

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<v Speaker 2>Jaliel White is an actor, producer, author, and screenwriter who

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<v Speaker 2>is best known as the speaker of that iconic line

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<v Speaker 2>Steve Erkele on the ABC sitcom Family Matters. Erkell is

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<v Speaker 2>a role he played from the age of twelve until

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<v Speaker 2>he was twenty one. In this episode, Jialiel discusses his

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<v Speaker 2>instant immense fame and how he dealt with the hostility

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<v Speaker 2>it caused within.

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<v Speaker 1>His new TV family.

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<v Speaker 2>He also explains the effect an all white writing staff

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<v Speaker 2>had on an all black cast and his feelings about

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<v Speaker 2>Seinfeld and what that sitcom meant to nineties kids of color.

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<v Speaker 2>Julia also reveals why Family Matters could never exist again

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<v Speaker 2>and what happened when a studio boss told him to

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<v Speaker 2>con seal the man bulge in an aging Erkle's pants.

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<v Speaker 1>Really no Really, here's Jason and Peter. So there are

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<v Speaker 1>those I'm not one of them.

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<v Speaker 3>There are those that would say in the pantheon of

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<v Speaker 3>television icons. I might have a a small place.

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<v Speaker 4>Or you're playing my own little ship, playing the Huble

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<v Speaker 4>thing little.

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<v Speaker 3>I might have a small shelf between Carol O'Connor, you know,

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<v Speaker 3>Alan all. But but I started as as an adult.

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<v Speaker 3>We have a gentleman on today who you probably know

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<v Speaker 3>his actual name.

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<v Speaker 1>But if I said Steve Arkle, I have a feeling,

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<v Speaker 1>and here's what remedia among us would go, Steve Kle.

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<v Speaker 4>And the thing's so fascinating about his career and how

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<v Speaker 4>big he got and how he got big and how

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<v Speaker 4>he got cast. I mean, it's so multi tier. But

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<v Speaker 4>there really no really for me, was because everybody knows

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<v Speaker 4>Erkele kees and icon in that pantheon.

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<v Speaker 1>It's one of those characters that well, the thing that.

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<v Speaker 4>Got me though I never thought of that there really

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<v Speaker 4>not really was that he did that character from age

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<v Speaker 4>twelve to twenty one, and I go, he was twenty

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<v Speaker 4>one when he was doing Rkle and the network's giving

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<v Speaker 4>him notes like cover up your balls, right, I don't

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<v Speaker 4>think the network gives us. They never did that in

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<v Speaker 4>the shows.

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<v Speaker 3>We actually I was told to cover yes. In the

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<v Speaker 3>eighth season of Seinfeld, they said, cover up your balls.

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<v Speaker 3>I don't know why I love I.

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<v Speaker 1>Love your guy.

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<v Speaker 4>We got it. Hey, there's so many questions I want

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<v Speaker 4>to ask.

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<v Speaker 1>It is remarkable. Here's the thing.

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<v Speaker 3>It's remarkable to me on a number of levels, what

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<v Speaker 3>Julia has been able to do. First of all, to

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<v Speaker 3>maintain a character that began as a child. When you

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<v Speaker 3>meet characters on television that begin his children, there's a

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<v Speaker 3>certain charm that a child has right as the actor.

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<v Speaker 3>It grows up more often than not the thing that

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<v Speaker 3>made you attracted to that character kind of and also

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<v Speaker 3>they outgrow.

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<v Speaker 4>As you grow older. You learned resentment, you learn so contracted.

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<v Speaker 3>The character had staying power for as long as it's amazing.

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<v Speaker 3>That's one thing. Then we hear, unfortunately, just tragic stories

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<v Speaker 3>of of to have the kind of stardom that that

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<v Speaker 3>Juliel had at an early age. I mean I was

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<v Speaker 3>in my thirties and it messed with my head to

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<v Speaker 3>be a kid and undergo it.

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<v Speaker 1>It's a really.

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<v Speaker 3>Very off putting thing for most kids, and most people

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<v Speaker 3>who have become child stars.

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<v Speaker 1>Grow up and they have real emotional problems in life.

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<v Speaker 4>Well, also, you saw The Troubles, the documentary The Dark side,

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<v Speaker 4>which just Nickelodeon what went on there? But why am

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<v Speaker 4>I talking to you if you're sitting right there because

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<v Speaker 4>you're paid to not much. But I think it's audit.

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<v Speaker 4>I think it is in order.

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<v Speaker 3>Live Julia White, good to see you right here in

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<v Speaker 3>this studio all the way.

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<v Speaker 1>From soon to be Why don't.

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<v Speaker 4>You get that stock? Why don't you believe out? Is

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<v Speaker 4>that we believe that out already? Thanks? Kay good. It's

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<v Speaker 4>real smart and Jason who lives at and his daughter

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<v Speaker 4>going to you know, it's I couldn't wait to get you.

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<v Speaker 4>In the book, it's called grown Up with a Forward

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<v Speaker 4>by Item Standler. Congratulations, thank you, so many questions first

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<v Speaker 4>of all, but the interesting thing you were supposed to

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<v Speaker 4>be on Cosby that started out as you were going

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<v Speaker 4>to be, I mean to the point where you thought

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<v Speaker 4>you were signed right.

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<v Speaker 1>Yeah, they named the character Rudy after you were going

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<v Speaker 1>to play Rudy.

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<v Speaker 5>The character was already Rudy.

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<v Speaker 6>There were only boys auditioning role and at the last minute,

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<v Speaker 6>this little girl comes walking in and it was came

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<v Speaker 6>down between me and her in front of Brandon Tartakov

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<v Speaker 6>all people.

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<v Speaker 5>He rest in peace.

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<v Speaker 4>You came in as a one time shot like an

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<v Speaker 4>episode thirteen on a show that wasn't chuggling along was okay?

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<v Speaker 4>One was okay and you popped? But could you talk

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<v Speaker 4>about if you can get back into your twelve year

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<v Speaker 4>old head? What did that feel? What was that like?

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<v Speaker 4>How did you find out that it wasn't going to

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<v Speaker 4>be one? What exploded? Was it at the table?

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<v Speaker 1>Read?

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<v Speaker 4>Was there audience response? Because that I don't understand how

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<v Speaker 4>that all of a sudden took off and they when the.

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<v Speaker 5>Light bulb lit up, it was audience response.

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<v Speaker 6>But the thing I love about it when I look

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<v Speaker 6>back on it and I talk about it extensively in

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<v Speaker 6>the book is I had no expectation and I'm trying

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<v Speaker 6>to get back to that now as an adult, I

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<v Speaker 6>wanted to say a genesis, that's it.

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<v Speaker 5>My dad made it.

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<v Speaker 6>My dad made a deal with me that whenever I

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<v Speaker 6>booked a job, I could get one of anything I wanted.

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<v Speaker 5>And now that I'm a parent, what a genius move.

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<v Speaker 6>Because I didn't like going on auditions anymore because they

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<v Speaker 6>were starting to become too infrequent and they were disrupting

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<v Speaker 6>my basketball practices. And as a black kid with braces

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<v Speaker 6>at five foot four, the calls just weren't coming in

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<v Speaker 6>in the in the seventh grade, so I didn't get

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<v Speaker 6>an audition like maybe once every six weeks. And so

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<v Speaker 6>I'm like, you know, my mom didn't like me having

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<v Speaker 6>one foot in and one foot out because auditions come up,

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<v Speaker 6>you gotta go like tomorrow. You know, they don't give

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<v Speaker 6>you a lot of time to go on an audition,

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<v Speaker 6>even back then. So my dad said, Gail, he doesn't

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<v Speaker 6>see what's in it for. Because my parents never told

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<v Speaker 6>me how much money I ever made from any of

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<v Speaker 6>my jobs. I didn't find out how much money I

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<v Speaker 6>was earning until I was fifteen. So I did seventy

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<v Speaker 6>episodes of that show and never knew how much money

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<v Speaker 6>I was ever making.

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<v Speaker 5>So my dad said, Gail, just give him something. You

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<v Speaker 5>know he needs something.

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<v Speaker 6>And he said, well, what if you ever book a job,

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<v Speaker 6>you get one of whatever you want.

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<v Speaker 5>And so think about it.

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<v Speaker 6>Back then, right in Circuit City, Fedco Radio Shack, Toys

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<v Speaker 6>of Rust, these are my places foot locker that I

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<v Speaker 6>want to go buy something at the top of the shelf.

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<v Speaker 6>One hundred ninety nine bucks absurd, right, a lot of

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<v Speaker 6>money to spend, you know, when you translate that to

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<v Speaker 6>the initial pay, the residuals. It's nothing. So I was

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<v Speaker 6>fired up. All I wanted was the saga genesis I

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<v Speaker 6>do the show. A fraternity shows up that week for

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<v Speaker 6>our taping and chance my character's names and in between

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<v Speaker 6>all the scenes that I wasn't in. And what's what

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<v Speaker 6>I really love about that memory was we filmed at

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<v Speaker 6>the Lorimar Lot which is now the Sony Lot, and

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<v Speaker 6>we parked our car at the main structure where all

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<v Speaker 6>of the crew parks because we weren't cast, so we

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<v Speaker 6>didn't give one of the fancy parking spots. And I

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<v Speaker 6>remember walking back pretty much with members of the audience.

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<v Speaker 6>They were like, man, you did a great job man,

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<v Speaker 6>because they're walking back to their cars that I was

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<v Speaker 6>walking back to my car, and you know it was.

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<v Speaker 5>It wasn't any greater of an exercise.

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<v Speaker 6>Then I hit my mark and I made them laugh

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<v Speaker 6>and I got my sake genesis, and that's it.

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<v Speaker 5>I wish it were deeper.

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<v Speaker 4>And then they reached out to your family right away

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<v Speaker 4>that oh.

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<v Speaker 5>The negotiation was basically taking place.

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<v Speaker 6>That Saturday and snow and then I was in class

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<v Speaker 6>at Huntington Junior High in sam Ma Reno and I

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<v Speaker 6>got called out of class and it was my mom

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<v Speaker 6>telling me get home work because for the week they're

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<v Speaker 6>bringing you back.

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<v Speaker 4>So okay. So the next thing I want to ask

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<v Speaker 4>is this. I heard you talk about how they put

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<v Speaker 4>this together. There was the Jefferson so there were a

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<v Speaker 4>hit black show or a couple of black shows. So

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<v Speaker 4>they started pulling people in to try and form the show.

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<v Speaker 4>And these people are all I think you said, they

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<v Speaker 4>were all told they're going to be the start.

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<v Speaker 6>Well that's kind of my theory when I look back

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<v Speaker 6>on it, and I realized why certain feelings might have

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<v Speaker 6>been hurt in the beginning. Now that I understand what

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<v Speaker 6>the TV development process is, I usurped all of that. Right,

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<v Speaker 6>some people resent when you've done that, But I was

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<v Speaker 6>a kid.

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<v Speaker 4>But how does a twelve year old kid then got

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<v Speaker 4>a twelve year old kid who's in a whatever, we

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<v Speaker 4>pick a number one to ten, hostile environment, they're not happy?

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<v Speaker 1>Yeah, it was how did.

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<v Speaker 4>You handle that? Did you know it at the time?

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<v Speaker 1>Oh?

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<v Speaker 5>You know, it was.

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<v Speaker 6>Like I said, it's well documented that I wasn't well

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<v Speaker 6>received by the adults in the beginning. However, I just

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<v Speaker 6>I like to give them some props because you don't

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<v Speaker 6>do two hundred and fifteen episodes and it's all through hostility,

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<v Speaker 6>you know, they came around. I made them laugh like

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<v Speaker 6>I made anybody else laugh on set. We had great memories.

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<v Speaker 6>I think one of my greatest memories of at least

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<v Speaker 6>being with the adults, particularly with Reggie and who played

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<v Speaker 6>Carl and Joe Marie, was when we shot two episodes

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<v Speaker 6>in Paris in nineteen ninety six. We were the first

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<v Speaker 6>black show to ever shoot episodes in Europe, and that

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<v Speaker 6>was that was a big deal, and.

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<v Speaker 5>So we were there for ten days.

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<v Speaker 6>I was I was there for a little bit longer

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<v Speaker 6>because the producers brought me in so I could have

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<v Speaker 6>some fun in Paris first because I was in every scene.

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<v Speaker 5>So once we started working, they had whole days. I

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<v Speaker 5>had no whole days.

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<v Speaker 6>But that was the time, I remember where that was

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<v Speaker 6>the height of our bonding, you know, that was our

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<v Speaker 6>whole cast, the top of Jules Verne twelve thousand dollars

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<v Speaker 6>meal saying like there was no there was no infighting

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<v Speaker 6>going on back and so sometimes I like to help

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<v Speaker 6>them even remember you had a good time making this.

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<v Speaker 3>Great and we came around when most young actors are

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<v Speaker 3>casting as something. They're cast for an essential thing that

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<v Speaker 3>they bring to the table. You know they're not They're

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<v Speaker 3>not They're not becoming chameleons. They're not transforming into a

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<v Speaker 3>character that they don't walk around in. But you know

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<v Speaker 3>you ain't hercle and you never were. How did you

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<v Speaker 3>what made you think I need to do something for this?

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<v Speaker 3>And how did you find that guy that voice, that persona,

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<v Speaker 3>that Sega genesis?

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<v Speaker 5>I just I'm telling you I but.

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<v Speaker 3>Did you actually think, Oh, if I just walk in

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<v Speaker 3>even though I'm five for him, that's not going to be.

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<v Speaker 6>So the essence of me, Jason is I'm a little

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<v Speaker 6>amateur athlete and I love to find ways to just win.

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<v Speaker 6>I don't care if we're playing ping pong or board

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<v Speaker 6>game whatever. It's like, we got we gotta win, huh.

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<v Speaker 6>And And I so when I saw the character description

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<v Speaker 6>called for a nerd, I knew I was on the

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<v Speaker 6>shorter end of life. And I literally I had a

0:11:01.559 --> 0:11:03.240
<v Speaker 6>growth spread on the show that saved my life. I

0:11:03.280 --> 0:11:07.640
<v Speaker 6>grew nine inches between fifteen and seventeen. And when I

0:11:07.679 --> 0:11:09.360
<v Speaker 6>would get called to play, you know a kid who

0:11:09.400 --> 0:11:11.080
<v Speaker 6>stole something, or a tough kid or something like that,

0:11:11.200 --> 0:11:12.720
<v Speaker 6>was like they were looking at me and like, get

0:11:12.720 --> 0:11:14.679
<v Speaker 6>out of here, kid, John Singles is about to make

0:11:14.679 --> 0:11:15.679
<v Speaker 6>some movies to take care of that.

0:11:15.640 --> 0:11:17.959
<v Speaker 5>For us in the next few years.

0:11:18.400 --> 0:11:20.960
<v Speaker 6>I really felt like I could get this role, and

0:11:21.000 --> 0:11:23.440
<v Speaker 6>so that fired me up. I just I looked on

0:11:23.480 --> 0:11:25.760
<v Speaker 6>the page and like, I can do that. So then

0:11:25.800 --> 0:11:31.120
<v Speaker 6>my character references actually were where I was starting to

0:11:31.200 --> 0:11:33.760
<v Speaker 6>at that point just look at other people and just

0:11:33.800 --> 0:11:37.760
<v Speaker 6>try to impersonate them. So I had a VHS tape

0:11:38.160 --> 0:11:42.480
<v Speaker 6>of the Best of Saturday Night Live, and Martin Shortt

0:11:42.520 --> 0:11:45.960
<v Speaker 6>was on that doing Ed Grimley. So I popped in

0:11:46.000 --> 0:11:50.600
<v Speaker 6>that tape and I just started borrowing his mannerisms. And

0:11:50.720 --> 0:11:53.160
<v Speaker 6>so the reality was, and I didn't think about this

0:11:53.240 --> 0:11:56.560
<v Speaker 6>at the time, but because I was black and because

0:11:56.559 --> 0:11:59.040
<v Speaker 6>it was the nineties were then like we have today,

0:11:59.800 --> 0:12:03.520
<v Speaker 6>nobody really caught on to this kid doing a bad

0:12:03.720 --> 0:12:07.679
<v Speaker 6>Ed Grimley or and pee Wee Herman mashup, and so

0:12:07.800 --> 0:12:11.080
<v Speaker 6>it became my own. And also, quite frankly, nobody would

0:12:11.120 --> 0:12:14.560
<v Speaker 6>even give me the intellectual capacity to even think to

0:12:14.640 --> 0:12:15.440
<v Speaker 6>reference that.

0:12:15.800 --> 0:12:16.240
<v Speaker 5>And do it.

0:12:16.280 --> 0:12:19.320
<v Speaker 6>So me, I love and I've always loved hearing when

0:12:19.559 --> 0:12:23.480
<v Speaker 6>when an actor had an actual reference, like like Johnny

0:12:23.480 --> 0:12:29.360
<v Speaker 6>Depp the pick the guy from the Rolling Stones Richard.

0:12:29.920 --> 0:12:31.360
<v Speaker 6>So like, when I heard that story, I was like, Yo,

0:12:31.400 --> 0:12:31.920
<v Speaker 6>that's what I did.

0:12:31.880 --> 0:12:32.360
<v Speaker 5>With ed River.

0:12:33.760 --> 0:12:38.280
<v Speaker 4>There's another layer that in at that point in television

0:12:38.440 --> 0:12:41.880
<v Speaker 4>history your writing staff, you have black shows with all

0:12:41.960 --> 0:12:46.040
<v Speaker 4>white writers. Did that help the ercle character because they're

0:12:46.040 --> 0:12:48.640
<v Speaker 4>writing a nerd from their experience of in the white

0:12:48.679 --> 0:12:50.040
<v Speaker 4>world what a nerd would be.

0:12:50.240 --> 0:12:55.040
<v Speaker 6>So I think that's part of the the frustration examining

0:12:55.080 --> 0:12:55.800
<v Speaker 6>the show.

0:12:58.520 --> 0:12:59.480
<v Speaker 5>Looking backwards.

0:13:00.600 --> 0:13:02.720
<v Speaker 6>You have to respect what television was, and you have

0:13:02.760 --> 0:13:05.880
<v Speaker 6>to respect how much we've grown, you know, and there's

0:13:05.880 --> 0:13:07.800
<v Speaker 6>no need to castigate it back this just no, it

0:13:07.880 --> 0:13:11.440
<v Speaker 6>is what it was, and you know it was. If

0:13:11.480 --> 0:13:17.640
<v Speaker 6>ABC wanted a family show, they didn't say, oh, we

0:13:17.679 --> 0:13:20.160
<v Speaker 6>want white producers. They just went to the most proven

0:13:20.200 --> 0:13:22.920
<v Speaker 6>producers they actually go to, and they just would happen

0:13:22.960 --> 0:13:24.160
<v Speaker 6>to be white at that time.

0:13:24.280 --> 0:13:24.640
<v Speaker 1>Got it.

0:13:25.559 --> 0:13:27.880
<v Speaker 6>Now we've evolved to a different era where oh, nobody

0:13:27.920 --> 0:13:29.640
<v Speaker 6>would think to put on a black show that didn't

0:13:29.640 --> 0:13:32.199
<v Speaker 6>have black writers because that would be authentically insulting.

0:13:32.880 --> 0:13:34.640
<v Speaker 5>But at the time that wasn't the thinking.

0:13:35.120 --> 0:13:39.000
<v Speaker 6>So getting back to your something you brought up about

0:13:39.200 --> 0:13:43.559
<v Speaker 6>the adult leads, I feel like when they conceived the show,

0:13:44.080 --> 0:13:46.480
<v Speaker 6>they went to Miller Boy at ABC and they said,

0:13:46.480 --> 0:13:48.400
<v Speaker 6>all right, we need a black family show.

0:13:48.440 --> 0:13:50.599
<v Speaker 5>So they did the the tried.

0:13:50.320 --> 0:13:52.640
<v Speaker 6>And true thing, pick a character off of an existing

0:13:52.640 --> 0:13:55.000
<v Speaker 6>show and let's do the spinoff. So they went to

0:13:55.040 --> 0:13:58.280
<v Speaker 6>Joe Marie and she was the elevator operator on Perfect Strangers,

0:13:58.600 --> 0:14:00.719
<v Speaker 6>and so of course that's a big moment. Further, this

0:14:00.880 --> 0:14:03.520
<v Speaker 6>is your show, your show, just your show, Oh my god,

0:14:03.600 --> 0:14:06.880
<v Speaker 6>my own show. She's thinking, okay, but then behind the scenes,

0:14:06.920 --> 0:14:09.920
<v Speaker 6>executives being executives, trying to reduce risk and hedge their beds.

0:14:11.120 --> 0:14:12.719
<v Speaker 5>We need some more star power though. We got to

0:14:12.720 --> 0:14:13.440
<v Speaker 5>add to her, you know.

0:14:13.960 --> 0:14:16.800
<v Speaker 6>But they gotta be careful going out getting too big

0:14:16.840 --> 0:14:18.840
<v Speaker 6>of a star because now that star is gonna want

0:14:18.840 --> 0:14:21.160
<v Speaker 6>to change maybe aspects of the show that mill Boy would.

0:14:22.120 --> 0:14:24.000
<v Speaker 5>So they got to go and hire an actor and

0:14:24.120 --> 0:14:24.640
<v Speaker 5>not a star.

0:14:25.400 --> 0:14:27.840
<v Speaker 6>So okay, and even back then, you know what, what

0:14:27.960 --> 0:14:29.800
<v Speaker 6>black actors or stars are you going to get the

0:14:29.840 --> 0:14:35.000
<v Speaker 6>short list? They get Reginald vel Johnson from Diard. Right, oh,

0:14:35.080 --> 0:14:37.440
<v Speaker 6>this makes perfect sense. But to show you their lack

0:14:37.480 --> 0:14:40.320
<v Speaker 6>of creativity, they actually make the guy wear the same

0:14:40.440 --> 0:14:46.440
<v Speaker 6>uniform that he wore and die hard on our shot. Right,

0:14:50.440 --> 0:14:52.800
<v Speaker 6>you're kidding me, right, I don't know what that conversation was.

0:14:52.880 --> 0:14:55.120
<v Speaker 6>I'm exhibiting it like a professor, not looking back, and

0:14:55.120 --> 0:14:57.480
<v Speaker 6>I'm going, oh, I see exactly what took place here.

0:14:57.480 --> 0:15:00.880
<v Speaker 6>So you throw them all on the set and now

0:15:00.320 --> 0:15:03.320
<v Speaker 6>and now for the big cherry on top. You give

0:15:03.400 --> 0:15:07.560
<v Speaker 6>them all white writers who don't understand much about black

0:15:07.640 --> 0:15:08.960
<v Speaker 6>nuanced comedy at all.

0:15:09.200 --> 0:15:10.240
<v Speaker 4>Congratulations.

0:15:10.600 --> 0:15:12.520
<v Speaker 6>So they get on the set and they start quarreling

0:15:12.560 --> 0:15:14.440
<v Speaker 6>with each other, right, like I wouldn't say it.

0:15:14.560 --> 0:15:17.000
<v Speaker 5>There's literally an episode of Family Matters.

0:15:17.040 --> 0:15:19.200
<v Speaker 6>I went back during pandemic and I started watching the

0:15:19.280 --> 0:15:22.440
<v Speaker 6>early episodes. I wasn't in because obviously during pandemic you

0:15:22.520 --> 0:15:25.720
<v Speaker 6>only have time to watch yourself. So so an early

0:15:25.760 --> 0:15:30.800
<v Speaker 6>episode wasn't in and Tema Hopkins enters the door as

0:15:30.840 --> 0:15:33.160
<v Speaker 6>Aunt Rachel. She throws up in the front door. She says,

0:15:33.200 --> 0:15:39.720
<v Speaker 6>after a long dad work. She goes oivey, not authentic.

0:15:41.800 --> 0:15:43.400
<v Speaker 4>Wow, And I'm like.

0:15:43.600 --> 0:15:45.120
<v Speaker 6>And I say this like, I had to play it

0:15:45.160 --> 0:15:48.320
<v Speaker 6>back again. I was like, are you serious? He throws

0:15:48.400 --> 0:15:50.440
<v Speaker 6>up at the door, just like this guy right.

0:15:50.320 --> 0:15:51.160
<v Speaker 1>Over here, Jason.

0:15:51.240 --> 0:15:54.240
<v Speaker 5>She says, ohivey and Listen.

0:15:54.520 --> 0:15:56.520
<v Speaker 6>She put her heart and soul into that oid Vey

0:15:56.760 --> 0:15:59.440
<v Speaker 6>you could tell too, like Teba was a company woman.

0:16:00.600 --> 0:16:04.560
<v Speaker 4>Wow, was working on a lot of levels. I was

0:16:04.600 --> 0:16:07.960
<v Speaker 4>working on a lot of levels for her, right, wow, wow.

0:16:08.480 --> 0:16:09.760
<v Speaker 5>Wow.

0:16:09.800 --> 0:16:12.080
<v Speaker 6>When I talk about the show and how I've gone

0:16:12.160 --> 0:16:17.320
<v Speaker 6>back and taken it apart, like like Legos, I'm like,

0:16:17.960 --> 0:16:21.000
<v Speaker 6>I was just the last guy that made sense out

0:16:21.080 --> 0:16:21.720
<v Speaker 6>of Oise.

0:16:22.240 --> 0:16:24.240
<v Speaker 1>Yeah, oh my god.

0:16:24.920 --> 0:16:27.400
<v Speaker 4>But the writers must have found it easier to if

0:16:27.440 --> 0:16:30.800
<v Speaker 4>somebody during an episode doesn't deliver the way they think

0:16:30.840 --> 0:16:34.560
<v Speaker 4>they should, the entire writer's room goes let's now write

0:16:34.640 --> 0:16:37.320
<v Speaker 4>more for that when it diminished that they punish people

0:16:37.720 --> 0:16:40.240
<v Speaker 4>behind the scenes, and people don't realize that that goes on.

0:16:40.640 --> 0:16:42.520
<v Speaker 5>It's my faith. Listen, it's are you kidding me?

0:16:42.560 --> 0:16:44.560
<v Speaker 6>Of course, I mean it's it's it's one of the

0:16:44.600 --> 0:16:47.480
<v Speaker 6>bigger jokes that most people would never be privy to.

0:16:48.480 --> 0:16:50.400
<v Speaker 6>But a lot of the writers' rooms don't even think

0:16:50.400 --> 0:16:51.520
<v Speaker 6>a lot of the actors are.

0:16:51.360 --> 0:16:55.640
<v Speaker 1>Good, right right, Oh yeah, I've heard there'll.

0:16:55.240 --> 0:16:57.600
<v Speaker 6>Be a regular cast member and it's like, oh, she's awful,

0:16:57.640 --> 0:16:58.800
<v Speaker 6>she can't deliver that line.

0:16:58.840 --> 0:17:01.400
<v Speaker 5>Okay, make it something different. But they keep that to

0:17:01.440 --> 0:17:04.000
<v Speaker 5>themselves and that's how a lot of you know.

0:17:04.160 --> 0:17:08.360
<v Speaker 6>Unfortunately, I think kids who grow up as being a

0:17:08.400 --> 0:17:12.240
<v Speaker 6>family member on a show grow up with an overinflated

0:17:12.320 --> 0:17:16.400
<v Speaker 6>idea of their acting ability. And that's because they had

0:17:16.440 --> 0:17:19.439
<v Speaker 6>to be pacified to be in episodes of the show.

0:17:19.840 --> 0:17:22.720
<v Speaker 6>But nobody ever pulled them aside and said, hey, don't

0:17:22.760 --> 0:17:25.240
<v Speaker 6>you take some classes in the off season. Do you

0:17:25.280 --> 0:17:27.280
<v Speaker 6>want to continue to act? You want to act in theater?

0:17:27.359 --> 0:17:29.199
<v Speaker 6>Do you want to do this on Broadway? Don't you

0:17:29.240 --> 0:17:32.160
<v Speaker 6>get with this person? Nobody ever thinks to elevate their

0:17:32.240 --> 0:17:33.840
<v Speaker 6>skills or ask them if they want to do this

0:17:33.920 --> 0:17:35.720
<v Speaker 6>long term, beyond just this show?

0:17:36.840 --> 0:17:39.639
<v Speaker 1>And what was How did that relate to you?

0:17:39.720 --> 0:17:43.080
<v Speaker 3>Were you aware that that you wanted to continue to

0:17:43.119 --> 0:17:47.399
<v Speaker 3>forge a path in this and how? Because I'm sure

0:17:47.800 --> 0:17:49.720
<v Speaker 3>I invite you, and I'm sure you will correct me

0:17:49.720 --> 0:17:52.080
<v Speaker 3>if I'm wrong. You seem to have come out of

0:17:52.920 --> 0:17:58.199
<v Speaker 3>child's stardom more intact than most child actors do, not

0:17:58.240 --> 0:18:03.400
<v Speaker 3>only intact spiritually, but as you have a I think

0:18:03.440 --> 0:18:05.680
<v Speaker 3>you have a pathway in this business that's wide open

0:18:05.720 --> 0:18:06.120
<v Speaker 3>to what.

0:18:06.040 --> 0:18:06.720
<v Speaker 1>You want to do.

0:18:06.880 --> 0:18:08.639
<v Speaker 3>And you know, thank you, well, you have to do

0:18:08.760 --> 0:18:10.439
<v Speaker 3>what we all have to do these days is we

0:18:10.480 --> 0:18:12.399
<v Speaker 3>can't sit and wait for somebody to do annoyingt this.

0:18:12.480 --> 0:18:14.240
<v Speaker 1>We have to create something and bring it to them.

0:18:14.520 --> 0:18:16.560
<v Speaker 3>But you're actively doing that and it feels like the

0:18:16.600 --> 0:18:19.080
<v Speaker 3>doors are wide open, and that would make you sort

0:18:19.119 --> 0:18:22.479
<v Speaker 3>of breathing rare air. How did you How did you

0:18:22.600 --> 0:18:25.280
<v Speaker 3>chart that course with family or on your own?

0:18:25.320 --> 0:18:27.280
<v Speaker 6>You know, I'm not going to pretend like it wasn't

0:18:28.359 --> 0:18:32.560
<v Speaker 6>difficult at times. Talk about those times specifically in the book,

0:18:33.000 --> 0:18:36.399
<v Speaker 6>like I didn't feel like I became an adult and

0:18:36.440 --> 0:18:39.560
<v Speaker 6>I started learning about people in the world to the

0:18:39.600 --> 0:18:42.960
<v Speaker 6>show inded the day the show inded, there were certain

0:18:43.000 --> 0:18:46.800
<v Speaker 6>individuals that delighted in letting me know you've been canceled

0:18:46.920 --> 0:18:50.840
<v Speaker 6>and we don't have to treat you that way anymore. So,

0:18:51.640 --> 0:18:53.000
<v Speaker 6>like I said, man, at the at the end of

0:18:53.040 --> 0:18:54.720
<v Speaker 6>the day, I got it. I got a great mom

0:18:54.760 --> 0:19:00.680
<v Speaker 6>and dad who, for all of their shortcomings not knowing

0:19:00.720 --> 0:19:06.320
<v Speaker 6>certain aspects of the business, they had one instinct that's

0:19:06.400 --> 0:19:08.639
<v Speaker 6>just a miracle if it lands in your life, and

0:19:08.640 --> 0:19:11.359
<v Speaker 6>that was we're gonna protect our son. And my mom

0:19:11.520 --> 0:19:14.280
<v Speaker 6>she was obsessed with not leaving me alone on a

0:19:14.280 --> 0:19:17.680
<v Speaker 6>movie studio lot, so she was a hover MoMA, and

0:19:17.720 --> 0:19:19.879
<v Speaker 6>you know, I'd be in a bathroom sneaking a donut

0:19:19.960 --> 0:19:21.160
<v Speaker 6>before table reading because.

0:19:20.960 --> 0:19:22.960
<v Speaker 5>She didn't like me to have sugar on the set.

0:19:23.080 --> 0:19:25.439
<v Speaker 6>And these were what I was worried about, is my

0:19:25.440 --> 0:19:27.520
<v Speaker 6>mom lurking around the corner seeing me eat a donor.

0:19:27.600 --> 0:19:29.840
<v Speaker 4>She was always there, oh, because she was the kids

0:19:29.880 --> 0:19:32.000
<v Speaker 4>and the kids who in watching that. It was hard

0:19:32.040 --> 0:19:35.000
<v Speaker 4>to watch The Dark Tide. I don't watch that if

0:19:35.040 --> 0:19:37.400
<v Speaker 4>I felt like though that the kids who got abused

0:19:37.600 --> 0:19:38.680
<v Speaker 4>were the ones whose parents.

0:19:38.520 --> 0:19:44.160
<v Speaker 6>Weren't around bingo. And it's like, I don't say bingo.

0:19:45.000 --> 0:19:47.640
<v Speaker 6>Also we're here having a conversation. But I don't say

0:19:47.640 --> 0:19:50.880
<v Speaker 6>that to diminish what that is. I just say that

0:19:50.920 --> 0:19:54.880
<v Speaker 6>to say, you know, I really wish our media would

0:19:54.880 --> 0:19:57.919
<v Speaker 6>sometimes just let up off of the kids that had

0:19:57.960 --> 0:20:00.760
<v Speaker 6>a harder time, because would you make fun of somebody

0:20:00.760 --> 0:20:04.560
<v Speaker 6>else who came from an alcoholic parent background or a

0:20:04.680 --> 0:20:08.240
<v Speaker 6>background where they had to overcome parents who quite frankly,

0:20:08.320 --> 0:20:09.600
<v Speaker 6>just didn't have it in them.

0:20:09.720 --> 0:20:12.560
<v Speaker 4>Well, and also I can see it in this business.

0:20:12.560 --> 0:20:17.040
<v Speaker 4>It's so addicting and talks. You know that a parent

0:20:17.080 --> 0:20:18.760
<v Speaker 4>would think when you take your kid to a set,

0:20:18.800 --> 0:20:22.520
<v Speaker 4>there's a teacher there there's adults around. Oh, I don't

0:20:22.560 --> 0:20:25.520
<v Speaker 4>need to be here because I feel pretty comfortable that

0:20:25.600 --> 0:20:28.160
<v Speaker 4>my child will be in good hands, not knowing at

0:20:28.160 --> 0:20:30.280
<v Speaker 4>all the agendas and who those people are in their

0:20:30.280 --> 0:20:31.320
<v Speaker 4>backgrounds and what's going on.

0:20:31.440 --> 0:20:33.760
<v Speaker 6>So about the background checks they didn't do back then,

0:20:34.119 --> 0:20:36.920
<v Speaker 6>Oh my god, I absolutely know. We worked around predators

0:20:36.920 --> 0:20:39.000
<v Speaker 6>and people who had records in rap sheets and what

0:20:39.040 --> 0:20:40.600
<v Speaker 6>do you are you kiddy? Darius told me one of

0:20:40.640 --> 0:20:42.440
<v Speaker 6>the funniest stories. He doesn't mind, by the way, the

0:20:42.440 --> 0:20:44.400
<v Speaker 6>guy who play Eddie Winslow. I will never call people

0:20:44.400 --> 0:20:46.960
<v Speaker 6>by our character names. But Darius told me one of

0:20:47.000 --> 0:20:52.399
<v Speaker 6>the funniest stories. Had no idea that the prop master,

0:20:52.480 --> 0:20:54.520
<v Speaker 6>at least one of our early prop masters, would just

0:20:54.640 --> 0:20:58.399
<v Speaker 6>leave beers for him in the prop room, because I

0:20:58.400 --> 0:21:00.639
<v Speaker 6>guess he had walked in on her doing something she

0:21:00.640 --> 0:21:03.560
<v Speaker 6>should have been doing, and her way of rewarding him was, Hey,

0:21:03.560 --> 0:21:04.000
<v Speaker 6>if you want.

0:21:03.920 --> 0:21:05.040
<v Speaker 5>A beer, I always leave you one.

0:21:06.200 --> 0:21:06.680
<v Speaker 4>Wow.

0:21:07.440 --> 0:21:09.280
<v Speaker 5>And so he always had car bloss and go get

0:21:09.320 --> 0:21:09.840
<v Speaker 5>beers out of.

0:21:09.800 --> 0:21:12.520
<v Speaker 4>The proper room, because yeah, he had a deal going all.

0:21:12.600 --> 0:21:16.800
<v Speaker 6>Right here, I am trying to dodge my mom sneaking donuts, and.

0:21:16.720 --> 0:21:18.480
<v Speaker 4>You're taking all this in by the way you ended up.

0:21:18.720 --> 0:21:22.560
<v Speaker 4>You ended up writing writing an episode or several two episodes.

0:21:22.600 --> 0:21:24.639
<v Speaker 6>I'm so proud of those episodes that they were both

0:21:24.880 --> 0:21:27.640
<v Speaker 6>the highest rated episode for each respective see.

0:21:27.480 --> 0:21:30.080
<v Speaker 4>Which is incredible. And also because there was no internet there.

0:21:30.119 --> 0:21:32.440
<v Speaker 4>Do you remember. I remember Mickey I interviewed Mickey Donalds

0:21:32.480 --> 0:21:34.040
<v Speaker 4>and the monkeys were huge whatever, And I said, when

0:21:34.040 --> 0:21:35.480
<v Speaker 4>did you realize how big they were? I said, well,

0:21:35.480 --> 0:21:37.360
<v Speaker 4>there's no internet. I didn't know, he said. I went

0:21:37.480 --> 0:21:41.399
<v Speaker 4>Christmas shopping from my family at the mall and I'm looking,

0:21:41.440 --> 0:21:44.919
<v Speaker 4>I'm wondering, who's here that people are running to, and

0:21:44.960 --> 0:21:46.560
<v Speaker 4>I realized they were running to me, and I had

0:21:46.600 --> 0:21:49.119
<v Speaker 4>to run out to my car because I had no

0:21:49.240 --> 0:21:51.440
<v Speaker 4>idea that it spread. Did you have any idea?

0:21:51.920 --> 0:21:54.159
<v Speaker 6>So that's how you you know, that's how you know

0:21:54.240 --> 0:21:56.960
<v Speaker 6>you're famous. Back then, you were the last one to

0:21:57.000 --> 0:21:59.399
<v Speaker 6>know you were famous. You stepped off a plane, you

0:21:59.480 --> 0:22:03.520
<v Speaker 6>checked into a hotel. I remember the first, the first

0:22:03.600 --> 0:22:08.119
<v Speaker 6>inkling that things were different was I did Regis and

0:22:08.240 --> 0:22:11.800
<v Speaker 6>Kathy Lee and I stayed at the Park Regency on

0:22:11.960 --> 0:22:14.520
<v Speaker 6>on Park Avenue, and for our family that was a

0:22:14.520 --> 0:22:15.040
<v Speaker 6>big deal.

0:22:15.080 --> 0:22:16.520
<v Speaker 5>You know, you only heard.

0:22:16.359 --> 0:22:19.000
<v Speaker 6>About Park Avenue from different strokes at that point. Now

0:22:19.080 --> 0:22:22.160
<v Speaker 6>here we are where we're staying here, and we checked

0:22:22.200 --> 0:22:25.000
<v Speaker 6>into our room. The phone rang and my dad answered,

0:22:25.040 --> 0:22:27.360
<v Speaker 6>and my mom's putting away our clothes and my dad

0:22:27.480 --> 0:22:29.560
<v Speaker 6>just like, uh huh. He's having this long conversation and

0:22:29.560 --> 0:22:32.239
<v Speaker 6>finding My mom's like, who are you talking to? And

0:22:32.280 --> 0:22:35.679
<v Speaker 6>he's like, yeah, it's it's a fan. He's really a

0:22:35.680 --> 0:22:39.520
<v Speaker 6>big fan of Jalil's. And somebody had found out that

0:22:39.560 --> 0:22:41.000
<v Speaker 6>this is where I was going to be staying for

0:22:41.520 --> 0:22:46.040
<v Speaker 6>the appearance on the Regis the next day and called

0:22:46.080 --> 0:22:48.040
<v Speaker 6>our room and wanted to talk to me, and my

0:22:48.160 --> 0:22:51.199
<v Speaker 6>dad gave me the phone, and my mom freaking lost it.

0:22:51.320 --> 0:22:54.679
<v Speaker 5>She's like, could my dad get my dad's brain?

0:22:54.760 --> 0:22:56.520
<v Speaker 6>At that time, he's just like this man is just

0:22:56.520 --> 0:22:58.760
<v Speaker 6>saying all these wonderful things that my son should hear

0:22:59.000 --> 0:22:59.920
<v Speaker 6>about himself.

0:23:00.760 --> 0:23:05.240
<v Speaker 7>He's not thinking dead. You've been stocked and again, and

0:23:05.280 --> 0:23:06.600
<v Speaker 7>he gave me the phone. I talked to the guy

0:23:06.640 --> 0:23:08.280
<v Speaker 7>for a couple of minutes and thank you very much.

0:23:08.720 --> 0:23:11.119
<v Speaker 7>And my mom's like, don't you ever you hand that

0:23:11.160 --> 0:23:11.600
<v Speaker 7>phone again?

0:23:11.640 --> 0:23:11.879
<v Speaker 1>Do it?

0:23:11.880 --> 0:23:12.000
<v Speaker 4>Well?

0:23:12.040 --> 0:23:17.959
<v Speaker 3>You know, because that that transitional moment, You're right, I

0:23:18.040 --> 0:23:23.480
<v Speaker 3>clocked mine. I was doing entertainment tonight, just barely in

0:23:23.480 --> 0:23:26.320
<v Speaker 3>our third season entertainment tonight. I said, yeah, we'll interview

0:23:26.400 --> 0:23:29.000
<v Speaker 3>you'll be our fourth guest or whatever. And they're shooting

0:23:29.080 --> 0:23:32.200
<v Speaker 3>b roll on the street, just me and the whoever

0:23:32.280 --> 0:23:36.080
<v Speaker 3>the person interviewing me was. And this van drives by,

0:23:48.080 --> 0:23:49.720
<v Speaker 3>and they're shooting b roll on the.

0:23:49.720 --> 0:23:53.399
<v Speaker 1>Street, just me and the whoever the person interviewing me was.

0:23:54.200 --> 0:23:58.000
<v Speaker 3>And this van drives by. It's a black family and

0:23:58.119 --> 0:23:59.879
<v Speaker 3>a girl I put her at nine years old, ten

0:24:00.040 --> 0:24:03.560
<v Speaker 3>years old, leans out the window and shouts, I love you, George,

0:24:04.240 --> 0:24:08.959
<v Speaker 3>And I went, how was she watching? How are well?

0:24:09.000 --> 0:24:11.119
<v Speaker 3>I'm doing a show first of all that appeals to

0:24:11.200 --> 0:24:13.800
<v Speaker 3>a black family and a nine year old child. What

0:24:14.320 --> 0:24:16.840
<v Speaker 3>is happening here? And that's when I went old, I'm

0:24:16.880 --> 0:24:20.560
<v Speaker 3>not aware of quite what, and and then that change.

0:24:20.680 --> 0:24:24.480
<v Speaker 3>But for you, what I have never been able to

0:24:24.600 --> 0:24:30.920
<v Speaker 3>understand is I would not have handled child stardom well.

0:24:31.520 --> 0:24:35.600
<v Speaker 3>I had all kinds of complex ego issues to figure out,

0:24:35.760 --> 0:24:39.200
<v Speaker 3>personality issues to figure out took years and years of therapy.

0:24:39.280 --> 0:24:41.720
<v Speaker 1>I'm still in therapy trying to figure out all out.

0:24:42.359 --> 0:24:46.600
<v Speaker 1>But how did it? I know you had a good

0:24:46.800 --> 0:24:49.000
<v Speaker 1>you had good parents, and they stayed at your side.

0:24:50.600 --> 0:24:54.760
<v Speaker 3>But that kind of notoriety, that kind of power on

0:24:54.920 --> 0:24:59.320
<v Speaker 3>a set for a young person can set them off

0:24:59.359 --> 0:25:02.280
<v Speaker 3>in away, and then it's not reality. And then reality

0:25:02.359 --> 0:25:04.760
<v Speaker 3>hits in. When the show gets canceled, the world changes.

0:25:05.320 --> 0:25:06.960
<v Speaker 3>How did you navigate this journey?

0:25:07.000 --> 0:25:09.840
<v Speaker 6>It's not just good parenting, I'm telling you though, It's

0:25:11.000 --> 0:25:15.480
<v Speaker 6>all about intentions. And also, you just brought up something

0:25:15.680 --> 0:25:18.800
<v Speaker 6>that I absolutely have to throw into this conversation that

0:25:18.920 --> 0:25:21.160
<v Speaker 6>it was a shock for you for a black girl

0:25:22.080 --> 0:25:26.119
<v Speaker 6>to say George in your mind, a black girl couldn't

0:25:26.119 --> 0:25:28.840
<v Speaker 6>be watching. Let me tell you, let me tell you

0:25:28.920 --> 0:25:33.520
<v Speaker 6>something screw with these TV networks. Tell you when you syndicate.

0:25:33.640 --> 0:25:36.160
<v Speaker 6>First of all, that's a big, big, big deal. That's

0:25:36.200 --> 0:25:41.240
<v Speaker 6>a far bigger deal than just streaming. Okay, your show

0:25:41.280 --> 0:25:44.639
<v Speaker 6>appealed to far more minorities and blacks than you realize.

0:25:44.640 --> 0:25:45.560
<v Speaker 1>As a matter of fact, I.

0:25:45.640 --> 0:25:48.480
<v Speaker 6>Used to get in trouble with my own showrunner because

0:25:50.520 --> 0:25:53.680
<v Speaker 6>you guys came on Thursdays. That was our block and

0:25:53.760 --> 0:25:57.680
<v Speaker 6>tape today. So we did our we tape, we filmed

0:25:57.720 --> 0:25:59.320
<v Speaker 6>our show, and we were a film show. We actually

0:25:59.359 --> 0:26:03.240
<v Speaker 6>had thirty five million film, a three camera film. We

0:26:03.400 --> 0:26:05.760
<v Speaker 6>filmed our show on Fridays, so we came to work

0:26:05.800 --> 0:26:10.280
<v Speaker 6>on Fridays on Seinfeld highs. Oh Man, this fool is

0:26:10.359 --> 0:26:13.680
<v Speaker 6>selling muffins without the top man. Oh Man, it was

0:26:13.720 --> 0:26:18.520
<v Speaker 6>like and George, George and Steinbrenner last night. Oh man,

0:26:18.520 --> 0:26:21.440
<v Speaker 6>it was like, so I'm coming. I'm literally coming to

0:26:21.560 --> 0:26:26.040
<v Speaker 6>work every day partially in my in my like age

0:26:26.280 --> 0:26:29.560
<v Speaker 6>sixteen seventeenth, that's when you gots are just killing. And

0:26:29.680 --> 0:26:32.200
<v Speaker 6>it was like, I'm looking at Kramer now as my

0:26:32.359 --> 0:26:36.280
<v Speaker 6>role model. Wow, because I'm seeing the spastic nature of

0:26:36.359 --> 0:26:39.000
<v Speaker 6>his character, and I'm also watched the evolution of his

0:26:39.200 --> 0:26:42.119
<v Speaker 6>character because it wasn't nearly as spastik in the beginning,

0:26:42.160 --> 0:26:44.680
<v Speaker 6>and neither was mine. And that's something that just kind

0:26:44.720 --> 0:26:48.560
<v Speaker 6>of happens once the audience starts to hang on to

0:26:48.680 --> 0:26:52.080
<v Speaker 6>every word because they love you before you've even spoken.

0:26:52.560 --> 0:26:54.600
<v Speaker 6>He was just hitting the door and there is just

0:26:54.680 --> 0:26:57.440
<v Speaker 6>you know, he could just start twitching and they would

0:26:57.520 --> 0:26:59.919
<v Speaker 6>just starting and guess what, I could do the same thing.

0:27:00.600 --> 0:27:02.760
<v Speaker 6>So I saw that in him, and I fell in

0:27:02.960 --> 0:27:06.440
<v Speaker 6>love with Seinfeld and I would watch you guys religiously.

0:27:07.000 --> 0:27:09.920
<v Speaker 6>But as I got older, and even being in college,

0:27:10.080 --> 0:27:13.159
<v Speaker 6>I found it annoying that people would think, oh, you

0:27:13.320 --> 0:27:14.320
<v Speaker 6>watched Seinfeld.

0:27:15.440 --> 0:27:16.680
<v Speaker 5>I'm like, dude, don't do that.

0:27:17.200 --> 0:27:19.040
<v Speaker 6>Don't put I know New York Undercover was on at

0:27:19.080 --> 0:27:21.399
<v Speaker 6>the same time, and Martin and Living Single, and I

0:27:21.480 --> 0:27:22.120
<v Speaker 6>catch those shows.

0:27:22.160 --> 0:27:22.919
<v Speaker 5>How I catch them too.

0:27:23.000 --> 0:27:29.360
<v Speaker 6>But I've always thought black culture is treated very monolithic

0:27:29.880 --> 0:27:30.560
<v Speaker 6>in Hollywood.

0:27:30.720 --> 0:27:33.840
<v Speaker 5>Yeah, and it's a delight to hear you note that.

0:27:33.920 --> 0:27:35.960
<v Speaker 6>That was a black girl, because I'm here to tell

0:27:36.000 --> 0:27:38.920
<v Speaker 6>you there's a lot of black girls and Hispanic girls

0:27:38.960 --> 0:27:41.560
<v Speaker 6>and Puerto Rican girls that grew up loving some George

0:27:41.600 --> 0:27:42.200
<v Speaker 6>canstinno oh.

0:27:42.320 --> 0:27:43.000
<v Speaker 1>And I've met him.

0:27:43.119 --> 0:27:47.600
<v Speaker 3>It was just a I had assumed I had underestimated

0:27:47.880 --> 0:27:50.520
<v Speaker 3>my own show. I thought, yep, we had a very

0:27:51.080 --> 0:27:53.879
<v Speaker 3>niche on It's very specific. I said, it's not going

0:27:53.920 --> 0:27:56.239
<v Speaker 3>to appel the women. It's going to be guys who

0:27:56.359 --> 0:27:59.240
<v Speaker 3>live in big cities and they're from like twenty one

0:27:59.280 --> 0:28:00.760
<v Speaker 3>to thirty five years, so they're the only ones that

0:28:00.800 --> 0:28:01.320
<v Speaker 3>they're going to get.

0:28:01.359 --> 0:28:03.040
<v Speaker 6>I could see it in the formula. You guys hit

0:28:03.080 --> 0:28:06.720
<v Speaker 6>your stride once they got rid of the stand ups. Well, yeah,

0:28:06.800 --> 0:28:08.399
<v Speaker 6>that's when they determined that they got rid of the

0:28:08.440 --> 0:28:10.840
<v Speaker 6>stand up. That's when the show took off. But again,

0:28:11.040 --> 0:28:13.760
<v Speaker 6>people don't understand what we go through. The stand up

0:28:13.880 --> 0:28:15.200
<v Speaker 6>is how you sold the show.

0:28:15.160 --> 0:28:17.200
<v Speaker 1>Right, That was the idea, that was the whole anchor.

0:28:18.680 --> 0:28:21.760
<v Speaker 6>He'll extend the story from his stand up and not

0:28:21.880 --> 0:28:23.800
<v Speaker 6>even realizing dude, that's just slowing it down.

0:28:24.200 --> 0:28:25.280
<v Speaker 1>Yeah, that's right.

0:28:25.359 --> 0:28:27.199
<v Speaker 3>The premise of the show, the early premise was how

0:28:27.200 --> 0:28:28.560
<v Speaker 3>does the stand up create this material?

0:28:28.560 --> 0:28:29.480
<v Speaker 4>I would care we'll.

0:28:29.320 --> 0:28:31.520
<v Speaker 1>Show the day and then the stand up it'll be

0:28:31.600 --> 0:28:31.920
<v Speaker 1>a bump.

0:28:32.160 --> 0:28:34.280
<v Speaker 3>And then they realized, well, first of all, Jerry said,

0:28:34.400 --> 0:28:36.200
<v Speaker 3>I'm doing stand up I've never done in a club.

0:28:36.280 --> 0:28:37.640
<v Speaker 1>I don't like this, then feel good.

0:28:37.840 --> 0:28:41.000
<v Speaker 3>I wouldn't. I wouldn't perform this material. And that's really

0:28:41.040 --> 0:28:43.680
<v Speaker 3>what it was. He said, I didn't write the stand up.

0:28:43.880 --> 0:28:47.440
<v Speaker 3>I wouldn't do this stand up. Okay, but that's how it.

0:28:47.600 --> 0:28:49.760
<v Speaker 3>But then they had confidence that the show could stand

0:28:49.840 --> 0:28:50.000
<v Speaker 3>on it.

0:28:50.200 --> 0:28:52.120
<v Speaker 5>By the time you guys finish, your suckers were doing

0:28:52.200 --> 0:28:53.360
<v Speaker 5>like twenty two scenes.

0:28:53.480 --> 0:29:00.080
<v Speaker 3>I was like, this is what I want to to

0:29:00.160 --> 0:29:04.120
<v Speaker 3>get into it with you next is what was very

0:29:04.160 --> 0:29:06.640
<v Speaker 3>clear from our interaction outside but also in just you know,

0:29:06.720 --> 0:29:11.240
<v Speaker 3>reading what you're up to. So you're you're now a

0:29:11.320 --> 0:29:14.480
<v Speaker 3>builder you're building stuff, You're making stuff.

0:29:14.560 --> 0:29:16.600
<v Speaker 1>I mean, you're doing exactly what I tell all the.

0:29:17.240 --> 0:29:19.320
<v Speaker 3>College students that go check out in New York or

0:29:19.440 --> 0:29:21.840
<v Speaker 3>la I go just go home and build something.

0:29:22.120 --> 0:29:25.040
<v Speaker 1>Make them come to you. What what's all the stuff

0:29:25.080 --> 0:29:26.560
<v Speaker 1>you got? You got the book? I know you have

0:29:27.280 --> 0:29:28.440
<v Speaker 1>a cannabis company or.

0:29:28.640 --> 0:29:33.080
<v Speaker 6>So yeah, I started a the streets, created a strain

0:29:33.240 --> 0:29:38.360
<v Speaker 6>called Purple Oracle, and I even saw myself name checked

0:29:38.400 --> 0:29:41.520
<v Speaker 6>on Billions and all these different shows, and people would

0:29:41.560 --> 0:29:43.440
<v Speaker 6>go to dispensaries and they would send me, you know,

0:29:43.800 --> 0:29:45.840
<v Speaker 6>you know, they would send me text message and be like,

0:29:45.880 --> 0:29:48.000
<v Speaker 6>hey man, you're getting paid money off this. Because people's

0:29:48.000 --> 0:29:49.520
<v Speaker 6>idea of what we get paid off of and what

0:29:49.640 --> 0:29:53.840
<v Speaker 6>we don't is absolutely insane. All right, So I formed

0:29:53.840 --> 0:29:57.440
<v Speaker 6>a company called It's Purple Right, and it was actually

0:29:57.720 --> 0:30:01.160
<v Speaker 6>kind of a joke. It's purple on and when people

0:30:01.320 --> 0:30:04.640
<v Speaker 6>see us, they think they're being discreet, but they're not.

0:30:04.840 --> 0:30:07.920
<v Speaker 6>They're staring and they're whispering, and it's hert cole.

0:30:08.000 --> 0:30:08.600
<v Speaker 5>Look, it's hert cole.

0:30:08.680 --> 0:30:09.080
<v Speaker 4>It's tricle.

0:30:09.320 --> 0:30:11.280
<v Speaker 5>And so I just wanted to have something to say

0:30:11.320 --> 0:30:13.080
<v Speaker 5>back if I ever caught them and be like, it's

0:30:13.080 --> 0:30:14.600
<v Speaker 5>not oracle. It's purple, and.

0:30:14.680 --> 0:30:15.320
<v Speaker 4>That was just the.

0:30:16.800 --> 0:30:17.360
<v Speaker 5>Cannabis cover.

0:30:17.720 --> 0:30:22.320
<v Speaker 6>We profess to make the best purple Oracle, and I'll

0:30:22.360 --> 0:30:26.040
<v Speaker 6>be damned if I'm prevented from selling purple Oracle as

0:30:26.120 --> 0:30:27.120
<v Speaker 6>a strain off.

0:30:28.440 --> 0:30:31.920
<v Speaker 1>This this drive. So there's the book, there's the cannabis line,

0:30:31.960 --> 0:30:32.959
<v Speaker 1>what else, what else you got?

0:30:33.000 --> 0:30:34.160
<v Speaker 4>We talked about it a little.

0:30:33.920 --> 0:30:36.280
<v Speaker 6>Bit about it flip side. I'm a game show host

0:30:36.400 --> 0:30:38.800
<v Speaker 6>on the flip side. I love flip Side. It's it

0:30:38.920 --> 0:30:41.800
<v Speaker 6>allows me to connect with an older demographic. And then

0:30:41.880 --> 0:30:45.120
<v Speaker 6>after that, I'm doing some fun stuff online. I started

0:30:45.160 --> 0:30:48.280
<v Speaker 6>this little talk show it's just called Just a Minute

0:30:48.320 --> 0:30:50.720
<v Speaker 6>with Julie White, and it's it's just we do a

0:30:50.800 --> 0:30:54.400
<v Speaker 6>whole entire late night show in less than a minute.

0:30:54.960 --> 0:30:56.240
<v Speaker 4>That's it, and it's funny.

0:30:57.520 --> 0:30:58.040
<v Speaker 1>It was really fun.

0:30:58.120 --> 0:31:00.200
<v Speaker 4>We watched it with John Sally and because as you

0:31:00.280 --> 0:31:02.600
<v Speaker 4>know comedy and you know timing and you know cutting,

0:31:02.920 --> 0:31:05.960
<v Speaker 4>you managed to do a good setup. You managed to

0:31:06.080 --> 0:31:09.800
<v Speaker 4>then give whatever joke you were doing content. Then you

0:31:09.880 --> 0:31:13.360
<v Speaker 4>went to a mini commercial. You've got a commercial in

0:31:13.440 --> 0:31:17.760
<v Speaker 4>the minute and half. The boat and fantasy organically kind

0:31:17.800 --> 0:31:19.960
<v Speaker 4>of fit the tone of the thing, and then you

0:31:20.120 --> 0:31:24.520
<v Speaker 4>closed it out because if it's viral, who needs the show?

0:31:25.080 --> 0:31:26.600
<v Speaker 4>Just cut out, cut out the middleman.

0:31:26.760 --> 0:31:30.000
<v Speaker 1>Let's just do the clip. What where are you? Ten

0:31:30.120 --> 0:31:30.560
<v Speaker 1>years from now?

0:31:30.640 --> 0:31:34.080
<v Speaker 5>Oh wow, ten years from now, I'd like to be

0:31:34.160 --> 0:31:35.120
<v Speaker 5>producing a lot more.

0:31:35.920 --> 0:31:39.520
<v Speaker 6>At this point, I'm just as excited about identifying talent

0:31:40.120 --> 0:31:42.720
<v Speaker 6>as I as I was about being talent when I

0:31:42.840 --> 0:31:45.720
<v Speaker 6>was young. It's fun to see somebody that's younger than you,

0:31:45.800 --> 0:31:48.560
<v Speaker 6>that's faster than you. That's it's they got it. They

0:31:48.680 --> 0:31:51.880
<v Speaker 6>got the you know what I'm saying message they did,

0:31:51.920 --> 0:31:54.280
<v Speaker 6>They're gonna. You know, it's fun to look at Wimby

0:31:54.360 --> 0:31:56.040
<v Speaker 6>coming to the NBA. It's fun to look at this

0:31:56.160 --> 0:31:58.719
<v Speaker 6>kid Cooper Flag got a duke and no he'd be like, oh,

0:31:58.840 --> 0:31:59.560
<v Speaker 6>he got it. You know.

0:32:00.560 --> 0:32:02.280
<v Speaker 5>That's what I'd really like to be doing, is just

0:32:02.440 --> 0:32:04.760
<v Speaker 5>paying it forward at a huge level.

0:32:05.080 --> 0:32:07.560
<v Speaker 4>So curiously, I know why people write books because they

0:32:07.920 --> 0:32:09.920
<v Speaker 4>it makes you. You go through a process and the

0:32:09.920 --> 0:32:11.600
<v Speaker 4>book has a lot in there. What do your hope

0:32:11.640 --> 0:32:13.280
<v Speaker 4>happens to flow when you go on the book tour?

0:32:13.720 --> 0:32:16.400
<v Speaker 4>What do you want the outcome to be for the book?

0:32:16.440 --> 0:32:17.520
<v Speaker 4>What do you want the takeaway?

0:32:18.280 --> 0:32:20.600
<v Speaker 5>Well, you know, the dream for me was.

0:32:22.080 --> 0:32:26.160
<v Speaker 6>Everybody's talked about reboots, and I was never officially offered

0:32:26.160 --> 0:32:28.040
<v Speaker 6>a reboot. I just want that to be I was

0:32:28.080 --> 0:32:30.960
<v Speaker 6>never officially offered. I was offered an opportunity to sign

0:32:31.000 --> 0:32:34.280
<v Speaker 6>a blind contract with the studio and then they would

0:32:34.280 --> 0:32:37.440
<v Speaker 6>go off and make the reboot. Okay, so that's be

0:32:37.560 --> 0:32:40.040
<v Speaker 6>clear about that. And I said, no, I'm not turning

0:32:40.120 --> 0:32:43.400
<v Speaker 6>down the opportunity to work with you guys, because executives

0:32:43.480 --> 0:32:43.880
<v Speaker 6>come and go.

0:32:45.880 --> 0:32:46.160
<v Speaker 1>For me.

0:32:46.480 --> 0:32:51.000
<v Speaker 6>The show that I want to make is inspired by

0:32:51.040 --> 0:32:54.800
<v Speaker 6>the book. I feel like they've missed an opportunity to

0:32:54.880 --> 0:32:57.320
<v Speaker 6>make a great wonder years that's said in the nineties.

0:32:57.920 --> 0:32:59.680
<v Speaker 6>I just want to be a conduit to talk about

0:32:59.680 --> 0:33:02.640
<v Speaker 6>all the things in the nineties and what my childhood

0:33:02.760 --> 0:33:04.920
<v Speaker 6>was like. I don't think you can get a kid

0:33:05.000 --> 0:33:07.160
<v Speaker 6>to the Emmys or the Golden Globe by playing Steve

0:33:07.240 --> 0:33:10.360
<v Speaker 6>Verkle Junior. Because Laura and Steve had a kid. That's

0:33:10.400 --> 0:33:13.480
<v Speaker 6>a Twitter pitch. It's corny, that's not that that that's

0:33:13.720 --> 0:33:16.600
<v Speaker 6>that's right, that's low grade. But to have a kid

0:33:17.640 --> 0:33:21.640
<v Speaker 6>who wanted to get a Sega Genesis, went on an audition,

0:33:23.040 --> 0:33:26.360
<v Speaker 6>grabbed a VHS for inspiration, got nervous at the end

0:33:26.360 --> 0:33:29.040
<v Speaker 6>because he saw other boys that stole his outfit and

0:33:29.160 --> 0:33:32.240
<v Speaker 6>started dressing like him for the callback and said, I'm

0:33:32.240 --> 0:33:34.160
<v Speaker 6>gonna go in here and add and raise the bar

0:33:34.280 --> 0:33:36.640
<v Speaker 6>another level. And I'm just never gonna let him meet

0:33:36.680 --> 0:33:38.520
<v Speaker 6>jal Ill. That's what I did on my callback for

0:33:38.760 --> 0:33:41.360
<v Speaker 6>for Steve Verkle. I walked in, I introduced myself as

0:33:41.440 --> 0:33:43.680
<v Speaker 6>Steve Verkle to Bill and Michael because I just.

0:33:43.720 --> 0:33:44.320
<v Speaker 5>Wanted an edge.

0:33:44.360 --> 0:33:47.680
<v Speaker 6>I was just a I just wanted an edge. I'm like,

0:33:47.840 --> 0:33:50.560
<v Speaker 6>that's an awesome pilot man, and it's it's weird to

0:33:51.480 --> 0:33:54.640
<v Speaker 6>have to say it out. It's fun to say it

0:33:54.720 --> 0:33:57.600
<v Speaker 6>to you guys, but it also is a little insecure

0:33:57.680 --> 0:33:58.560
<v Speaker 6>where it's like, is.

0:33:58.560 --> 0:34:00.440
<v Speaker 4>This because you're ready to get kicked the teeth?

0:34:02.640 --> 0:34:05.200
<v Speaker 6>But I know that works, and I know that works

0:34:05.280 --> 0:34:10.480
<v Speaker 6>because the character serves as a conduit for revisiting nineties

0:34:10.600 --> 0:34:14.000
<v Speaker 6>values what they were and what they are not any longer.

0:34:14.640 --> 0:34:17.200
<v Speaker 6>And my two parents also, who have such an amazing

0:34:17.320 --> 0:34:22.600
<v Speaker 6>story of what it is to have a a a

0:34:22.760 --> 0:34:26.480
<v Speaker 6>child star just land at the center of their universe.

0:34:27.480 --> 0:34:29.000
<v Speaker 4>Thank you for coming on. I think the books you've

0:34:29.040 --> 0:34:32.080
<v Speaker 4>been called cover your balls, but that's that's okay. I

0:34:32.239 --> 0:34:34.719
<v Speaker 4>just think it says so much about the network about

0:34:34.760 --> 0:34:41.239
<v Speaker 4>how you had says it all.

0:34:42.400 --> 0:34:44.680
<v Speaker 5>Yeah, I could talk to you guys all day of day.

0:34:55.200 --> 0:34:59.279
<v Speaker 4>What a what a cool guy, you know, interesting personality

0:34:59.400 --> 0:35:01.960
<v Speaker 4>and very small art and very aware of what he did,

0:35:02.080 --> 0:35:04.480
<v Speaker 4>what he was and what he wants to beat.

0:35:04.560 --> 0:35:05.080
<v Speaker 1>And you know it.

0:35:07.880 --> 0:35:11.640
<v Speaker 3>I don't know why it's so banal to say, but

0:35:12.680 --> 0:35:15.160
<v Speaker 3>it makes the work he did as that character even

0:35:15.239 --> 0:35:18.520
<v Speaker 3>more spectacular because you go, he's nothing like that character.

0:35:18.640 --> 0:35:22.200
<v Speaker 3>This was a guy who figured out at twelve, Oh,

0:35:22.480 --> 0:35:25.160
<v Speaker 3>if I do a little bit of Marty Short and

0:35:25.239 --> 0:35:29.000
<v Speaker 3>a little bit of this, I can make them. I'll

0:35:29.040 --> 0:35:32.600
<v Speaker 3>wear the glasses and I'll do the thing. I mean,

0:35:33.840 --> 0:35:37.600
<v Speaker 3>this is a really sharp, sharp kid man.

0:35:38.000 --> 0:35:41.160
<v Speaker 4>Yes, and also, like he said, he's competitive. I know

0:35:41.239 --> 0:35:42.520
<v Speaker 4>we didn't get to it, but he was playing he

0:35:42.600 --> 0:35:45.080
<v Speaker 4>was playing basketball at the lot with George Clint. He

0:35:45.200 --> 0:35:47.600
<v Speaker 4>can pick up games and he's not that tall. Like

0:35:47.680 --> 0:35:49.759
<v Speaker 4>he said, he just wanted to win. He wanted to

0:35:49.880 --> 0:35:53.359
<v Speaker 4>win and really competitive. And while he was here he's

0:35:53.360 --> 0:35:55.800
<v Speaker 4>shooting stuff. There's like no downtime with him now that

0:35:55.920 --> 0:35:58.520
<v Speaker 4>he doesn't for the joy of doing. He really enjoys it.

0:35:58.840 --> 0:36:01.000
<v Speaker 1>I didn't quite know I was going to ask you

0:36:01.000 --> 0:36:01.399
<v Speaker 1>a question.

0:36:02.040 --> 0:36:04.759
<v Speaker 4>I knew he would be interesting. But he in one

0:36:04.840 --> 0:36:07.200
<v Speaker 4>of the interviews given I want to get your take

0:36:07.239 --> 0:36:09.840
<v Speaker 4>on this, he said, the biggest joy for him is

0:36:09.880 --> 0:36:12.320
<v Speaker 4>when people come up to say, you were my childhood.

0:36:13.480 --> 0:36:15.560
<v Speaker 4>What do people say about George? Now you get a

0:36:15.640 --> 0:36:17.839
<v Speaker 4>lot of hey George, can't stand you though, But what's

0:36:17.920 --> 0:36:20.200
<v Speaker 4>the thing that warms your heart when people come up.

0:36:20.239 --> 0:36:21.640
<v Speaker 1>We've talked about it. It's it's the.

0:36:23.400 --> 0:36:25.719
<v Speaker 3>It's the people who come up to say that the

0:36:25.880 --> 0:36:29.680
<v Speaker 3>show and or I got them through something really difficult.

0:36:30.040 --> 0:36:32.279
<v Speaker 3>You know, I've talked to people who have lost parents

0:36:32.400 --> 0:36:36.080
<v Speaker 3>or lost children, or you know, I had devastating illnesses.

0:36:36.480 --> 0:36:39.560
<v Speaker 1>I've talked to soldiers who were serving overseas and.

0:36:41.160 --> 0:36:43.399
<v Speaker 3>They would put on the show and they would find

0:36:43.440 --> 0:36:45.359
<v Speaker 3>a way back to some laughter and joy, and they

0:36:46.080 --> 0:36:47.640
<v Speaker 3>cared enough to come share that with you.

0:36:47.800 --> 0:36:51.520
<v Speaker 4>So, mister GOHI yes, hello, hello, sorry to do sorry

0:36:51.560 --> 0:36:53.319
<v Speaker 4>to do seiinfel talk there. But I had Jason here.

0:36:53.360 --> 0:36:56.200
<v Speaker 1>I figured why not, right, you should well listen.

0:36:57.360 --> 0:36:59.239
<v Speaker 8>Now we know that we just have to wait for

0:36:59.320 --> 0:37:01.839
<v Speaker 8>the growth bert to happen, to reinverate.

0:37:04.360 --> 0:37:07.320
<v Speaker 1>Now, the one thing I did want to get to is.

0:37:07.400 --> 0:37:10.560
<v Speaker 8>Of course, his character Racle was one of the most

0:37:10.719 --> 0:37:14.360
<v Speaker 8>famous really nerds of television history.

0:37:15.000 --> 0:37:17.600
<v Speaker 1>Where did the word nerd come from?

0:37:18.520 --> 0:37:18.680
<v Speaker 2>Oh?

0:37:18.920 --> 0:37:20.800
<v Speaker 1>Is it an first of let me ask this? Is

0:37:20.840 --> 0:37:24.720
<v Speaker 1>it an anagram for something? Maybe?

0:37:25.280 --> 0:37:29.640
<v Speaker 8>Maybe I will say it's unclear, there's no definitive answer.

0:37:30.000 --> 0:37:33.520
<v Speaker 1>But that is actually one of the top five I

0:37:33.600 --> 0:37:42.000
<v Speaker 1>can see. It's like, not entirely or not exactly regular dude. Well,

0:37:42.080 --> 0:37:47.120
<v Speaker 1>what is nerd? Spell backwards? Oh? Uhr?

0:37:48.560 --> 0:37:52.240
<v Speaker 4>And that got us what spell backwards?

0:37:53.600 --> 0:37:56.080
<v Speaker 1>Whats on again? What does it mean? I don't know. Yeah.

0:37:56.200 --> 0:38:00.680
<v Speaker 8>One of the ideas of nerd came from college slang,

0:38:01.000 --> 0:38:07.399
<v Speaker 8>from spelling drunk backwards. So nerd or nerd I guess

0:38:07.480 --> 0:38:10.520
<v Speaker 8>that k would be silent. Nerd was sort of a

0:38:11.200 --> 0:38:14.440
<v Speaker 8>underground sort of thing. But the most popular, and.

0:38:14.480 --> 0:38:17.080
<v Speaker 1>Again there's very little evidence one where the other.

0:38:17.400 --> 0:38:21.840
<v Speaker 8>But the most popular is and because it appears before

0:38:21.960 --> 0:38:25.600
<v Speaker 8>anywhere else is a doctor seuss Entry in the nineteen

0:38:25.719 --> 0:38:29.440
<v Speaker 8>fifty book If I Ran the Zoo. But that was

0:38:29.600 --> 0:38:33.359
<v Speaker 8>just basically one of those sort of nonsense phrases that happened.

0:38:33.040 --> 0:38:35.160
<v Speaker 1>To include the word nerdy. Know.

0:38:35.880 --> 0:38:40.719
<v Speaker 8>Within the next few years it became very popular as

0:38:41.080 --> 0:38:44.160
<v Speaker 8>what it would later become with other words such as

0:38:44.320 --> 0:38:46.880
<v Speaker 8>scurve meaning the same thing.

0:38:46.840 --> 0:38:49.879
<v Speaker 1>But that one, of course, did not stand the test

0:38:49.960 --> 0:38:50.319
<v Speaker 1>of time.

0:38:50.680 --> 0:38:54.719
<v Speaker 4>Wow, catch up, prevenge of not so much.

0:38:55.040 --> 0:38:56.919
<v Speaker 3>When you want to play a little game. Sure, here's

0:38:56.960 --> 0:38:59.120
<v Speaker 3>what I was thinking. There are actors that get get

0:38:59.239 --> 0:39:00.680
<v Speaker 3>defined as a one character.

0:39:01.360 --> 0:39:02.600
<v Speaker 1>Oh thing.

0:39:03.040 --> 0:39:05.239
<v Speaker 3>So I'll either give you the actor, you name the character.

0:39:05.239 --> 0:39:07.279
<v Speaker 3>I'll give you the character. You name the actor. See

0:39:07.280 --> 0:39:12.120
<v Speaker 3>if we can do it? All right, Rupert Grint?

0:39:14.360 --> 0:39:17.600
<v Speaker 4>Oh, but that's from Harry Potter.

0:39:17.760 --> 0:39:18.439
<v Speaker 1>What's the character?

0:39:18.480 --> 0:39:19.239
<v Speaker 4>I don't know?

0:39:21.239 --> 0:39:27.200
<v Speaker 1>Who played? John snow herv Schleckman David do you want

0:39:27.239 --> 0:39:30.600
<v Speaker 1>to play? Yeah, he's been in a bunch of things.

0:39:31.840 --> 0:39:34.040
<v Speaker 1>He's very popular. Yeah, but if you say the name

0:39:34.200 --> 0:39:36.080
<v Speaker 1>Kit Harrington, they're gonna go John.

0:39:38.680 --> 0:39:43.359
<v Speaker 3>George Reeves, Superman, Superman, a lot of films, a lot

0:39:43.400 --> 0:39:44.240
<v Speaker 3>of TV Superman.

0:39:46.560 --> 0:39:49.239
<v Speaker 1>Name any other movie the Bella Lagosi was in.

0:39:50.680 --> 0:39:53.240
<v Speaker 4>But he also played Frankenstein in one movie too, because

0:39:53.280 --> 0:39:56.080
<v Speaker 4>he played Yeah, because somebody was in a cheap movie.

0:39:56.160 --> 0:39:58.239
<v Speaker 1>Yes, yes, I thought it was the wolf Man. I

0:39:58.320 --> 0:39:58.920
<v Speaker 1>thought he was the on.

0:40:02.600 --> 0:40:05.560
<v Speaker 3>Alan Alda. What's the one role that everybody What was

0:40:05.560 --> 0:40:11.120
<v Speaker 3>the name of Hawkeye peers. This man did so much,

0:40:11.320 --> 0:40:16.799
<v Speaker 3>so many movies, so much TV Archie Bunker, what.

0:40:16.880 --> 0:40:20.400
<v Speaker 4>An amazing, amazing Yeah, all right, yep, how do you

0:40:20.480 --> 0:40:24.919
<v Speaker 4>switch that? Watch the reversial bye bye bye bye bye

0:40:24.920 --> 0:40:25.680
<v Speaker 4>bye all right to you?

0:40:25.920 --> 0:40:27.400
<v Speaker 1>Ye really?

0:40:30.120 --> 0:40:32.320
<v Speaker 2>As another episode of Really No Really, it comes to

0:40:32.400 --> 0:40:35.040
<v Speaker 2>a close. I know you're asking what actors have played

0:40:35.040 --> 0:40:37.640
<v Speaker 2>a single role the longest. Well, before we do the

0:40:37.760 --> 0:40:39.520
<v Speaker 2>roll call, let's thank our guest.

0:40:39.400 --> 0:40:40.080
<v Speaker 1>Julia White.

0:40:40.400 --> 0:40:43.160
<v Speaker 2>You can follow Julia on his website Julia White dot com,

0:40:43.320 --> 0:40:45.879
<v Speaker 2>on Instagram, X and Facebook. He is at Julia White

0:40:46.040 --> 0:40:49.319
<v Speaker 2>and look for his book Growing Up Ercle. Find all

0:40:49.440 --> 0:40:53.160
<v Speaker 2>pertinent links in our show notes, our little show hangs

0:40:53.200 --> 0:40:56.360
<v Speaker 2>out on Instagram, TikTok, YouTube, and threads at Really No

0:40:56.520 --> 0:40:59.439
<v Speaker 2>Really Podcast, And of course you can share your thoughts

0:40:59.480 --> 0:41:02.960
<v Speaker 2>and feedback with us online at reallynoreli dot com. If

0:41:03.000 --> 0:41:06.759
<v Speaker 2>you have a really some amazing factor story that boggles

0:41:06.840 --> 0:41:09.239
<v Speaker 2>your mind, share it with us, and if we use it,

0:41:09.480 --> 0:41:11.240
<v Speaker 2>we will send you a little gift.

0:41:11.640 --> 0:41:14.560
<v Speaker 1>Nothing life changing, obviously, but it's the thought that counts.

0:41:15.239 --> 0:41:17.840
<v Speaker 2>Check out our full episodes on YouTube, hit that subscribe

0:41:17.840 --> 0:41:20.040
<v Speaker 2>button and take that bell. So here updated when we

0:41:20.120 --> 0:41:23.400
<v Speaker 2>release new videos and episodes, which we do each Tuesday,

0:41:23.680 --> 0:41:26.840
<v Speaker 2>so listen and follow us on the iHeartRadio app, Apple

0:41:26.920 --> 0:41:30.400
<v Speaker 2>Podcasts or wherever you get your podcasts. And now the

0:41:30.440 --> 0:41:32.640
<v Speaker 2>answer to the question what actors have played a single

0:41:32.760 --> 0:41:34.959
<v Speaker 2>role of the longest Well, When an actor is lucky

0:41:35.040 --> 0:41:37.319
<v Speaker 2>enough to land a winning role with staying power, there

0:41:37.320 --> 0:41:40.000
<v Speaker 2>are usually few reasons to walk away, and here are

0:41:40.040 --> 0:41:41.800
<v Speaker 2>a few actors who have stretched.

0:41:41.440 --> 0:41:42.799
<v Speaker 1>A winner for the longest time.

0:41:43.200 --> 0:41:46.040
<v Speaker 2>Murska Hargaateay has been bringing in the purpse on Law

0:41:46.080 --> 0:41:49.040
<v Speaker 2>and Order SVU for over twenty four seasons and five

0:41:49.160 --> 0:41:52.720
<v Speaker 2>hundred episodes. Kelsey Grammar has been playing doctor Fraser Crane

0:41:52.800 --> 0:41:55.239
<v Speaker 2>on one show or another, from Cheers to Fraser for

0:41:55.360 --> 0:41:58.000
<v Speaker 2>over twenty years. The Great Peter falk Don to a

0:41:58.040 --> 0:42:01.640
<v Speaker 2>wrinkled raincoat and foiled Murders Colombo, a role he played

0:42:01.680 --> 0:42:04.839
<v Speaker 2>in various series and incarnations for nearly thirty five years.

0:42:05.200 --> 0:42:06.360
<v Speaker 1>But the hands down.

0:42:06.280 --> 0:42:09.960
<v Speaker 2>Winner has to be everyone's favorite Frog Kermit, who has

0:42:10.000 --> 0:42:14.480
<v Speaker 2>gray star television screens for a staggering sixty seven years. Really,

0:42:14.560 --> 0:42:16.640
<v Speaker 2>No really is coming up on the end of two seasons,

0:42:16.960 --> 0:42:19.799
<v Speaker 2>hardly a contender to beat Kermit, But then again, it's

0:42:19.880 --> 0:42:23.600
<v Speaker 2>not Easy, Being Green, Really No, Really is production of

0:42:23.680 --> 0:42:25.520
<v Speaker 2>iHeartRadio and Blase Entertainment