WEBVTT - Conversations About Marketing

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<v Speaker 1>Who would you say is the funniest person that was

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<v Speaker 1>marketing will but they really ain't that funny? Who's not

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<v Speaker 1>real funny? But it's marketed like the Messiah but he's

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<v Speaker 1>not funny? Fucking Kevin Hard. Kevin Hart is funny something right,

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<v Speaker 1>let's go. We were supposed to be actually video recording

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<v Speaker 1>this first one. We could do that. I've done worse.

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<v Speaker 1>What you mean video record what We're supposed to be

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<v Speaker 1>doing a podcast at the podcast studio, not in the

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<v Speaker 1>recording studio, and had a camera set up so we

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<v Speaker 1>could record and start doing visuals because we've missed a

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<v Speaker 1>lot of marketing because of that. We're leaving a lot

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<v Speaker 1>on the table and then we'll get on that next week. Yeah,

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<v Speaker 1>so we need to get that done. We're gonna do

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<v Speaker 1>that next week instead of just walking the hunt of yards.

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<v Speaker 1>We don't have the camera still here, cameras at home,

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<v Speaker 1>but I need to set them up. I need that

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<v Speaker 1>joker comes set them up. Are we gonna get that

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<v Speaker 1>little mixing board I've been seeing everybody having the podcast

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<v Speaker 1>operates our three cameras. Uh, we can do that and

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<v Speaker 1>talk about the one like they had a blue leg

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<v Speaker 1>Cavs all of them had it so far. I've seen

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<v Speaker 1>Kevin was trying to call, said he was gonna help us,

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<v Speaker 1>so I'll make sure I reach out to him because

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<v Speaker 1>people want to see this ship, and I didn't realize

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<v Speaker 1>it was a big deal. So it's a huge deal.

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<v Speaker 1>I don't know why, but it is. M hm. So

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<v Speaker 1>no seilings, g l my man Peter, and the ship

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<v Speaker 1>is not as usual. I own a motherfucking engineer. Tip

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<v Speaker 1>my Nigga king a K A Diddy a k A

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<v Speaker 1>Leon phelps the ladies man. Damn right, it's a lady.

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<v Speaker 1>You gotta watch that, bro because you are the ladies man.

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<v Speaker 1>Like the way he talks ship. I can see him

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<v Speaker 1>with that brown suit on. You know, his life should

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<v Speaker 1>be a movie and and Tim Meadows should play him.

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<v Speaker 1>That would work. Broke dick dog. Oh god, So this

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<v Speaker 1>is the subject today? Is meat today? Subject we really

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<v Speaker 1>just talked about that happened to me in a movie

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<v Speaker 1>and a ladies man and I ain't got no lady.

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<v Speaker 1>That's funny. You got ladies, that's ironic. You got the

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<v Speaker 1>ladies man with no lady. That's ladies. You just get

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<v Speaker 1>rid of all the ladies all the time, you know, more.

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<v Speaker 1>It's a lated Yeah, yeah, I'm gonna watch that. I'm

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<v Speaker 1>gonna watch that keep so today right, Yeah, I'm on

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<v Speaker 1>a clubhouse and this whole weekend because has been like

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<v Speaker 1>all our wore on Karen Civil. You ever heard of

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<v Speaker 1>Karen Civil? Was it Karen Civil or Karen Civil? I

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<v Speaker 1>have not. So Karen Civil is like a a really

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<v Speaker 1>brilliant marketing lady. Um. She does a little bit of publicity,

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<v Speaker 1>a little bit of brand. She does more I'm sure promotion.

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<v Speaker 1>She probably knows a lot about ads. Let's let's set

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<v Speaker 1>kind of a standardized achievement threshold for that industry, will

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<v Speaker 1>call it the Pete test. If you can allocate a

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<v Speaker 1>thousand man hours to making me famous and it works,

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<v Speaker 1>then you're you're adequate in the field. If not, you

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<v Speaker 1>ain't ship. You just got lucky and you're the ultimate test. Yeah,

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<v Speaker 1>if you can make me famous, oh bit you good?

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<v Speaker 1>Oh look it's so lower story short, like they've been

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<v Speaker 1>on her head. So it's his story. UM shout out

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<v Speaker 1>to Helmi Joinning Lucas. I've been working with Joining for

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<v Speaker 1>a while now. Um, join her is a big inspiration

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<v Speaker 1>for Tupac Must Die. Joinner Lucas is like the super

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<v Speaker 1>creative god when it comes to making these records on

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<v Speaker 1>these visuals. And his manager is my guy, Drew. Drew

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<v Speaker 1>is like one of the straightest shooters you'll ever meet

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<v Speaker 1>in this business. Uber talented, uber knowledge knowledgeable when it

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<v Speaker 1>comes to promotion and adds, He's unbelievable. It's like tough

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<v Speaker 1>um long story short. Journa writes a letter or he

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<v Speaker 1>tweets some ship about a situation that happened with him

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<v Speaker 1>and caring civil I'm pulling it up right now so

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<v Speaker 1>I could read to you the tweets to see if

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<v Speaker 1>he's in the podcast room, I'll have that up on

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<v Speaker 1>the screen for you exactly. But of course you're in

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<v Speaker 1>the recording studio in my way, and we're doing and

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<v Speaker 1>we're doing the crypt style always always, we're in a

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<v Speaker 1>deep blue sea. Anyway, to make a long story short,

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<v Speaker 1>he was saying, he gave her somewhere between sixty dollars

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<v Speaker 1>for her to do some work, and he was totally

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<v Speaker 1>unsatisfied what the efforts made by Karen and other people. Right,

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<v Speaker 1>Jason Lee who runs Holly one Unlock, and I know Jason,

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<v Speaker 1>Jason's a cool dude. I did a boxing event with him. Um,

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<v Speaker 1>real cool guy, as cool as hell, um and somebody

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<v Speaker 1>else and they're just now it's a mob on Karen's head.

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<v Speaker 1>They are on Karen's ass, man, and it's bad as fuck.

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<v Speaker 1>You know, make sure y'all look it up and you listen.

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<v Speaker 1>It's bad. Cameron has been owner. Um, Cameron was on Karen. Anyway,

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<v Speaker 1>everybody's on caring ass right now, and I tried to

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<v Speaker 1>stay away from it because I don't like joining mobs.

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<v Speaker 1>Like usually the mob is wrong a game band. What's

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<v Speaker 1>you talking about? Yeah, I'm seven Street Crib, not the

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<v Speaker 1>Mob to the North. Yeah, but that's still different. Like

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<v Speaker 1>we don't have a big mob of people. I know,

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<v Speaker 1>we have a very center core of truly distinguished gentleman

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<v Speaker 1>you feel me? That make it work. Long story short,

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<v Speaker 1>I thought about that whole situation right, and I didn't

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<v Speaker 1>want to be a part of the mob, even though

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<v Speaker 1>my little sis was putting together the room. And that

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<v Speaker 1>was hard because I always support my little sis shout

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<v Speaker 1>out the key to because she's a super solid But

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<v Speaker 1>it's a lot of artists trying to get into the

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<v Speaker 1>business and me and my home girl tesling was arguing

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<v Speaker 1>about it. I love Tesla with all my heart. She's

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<v Speaker 1>one of the illness uh like like she's like a

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<v Speaker 1>super knowledgeable person about anything going on, but her real

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<v Speaker 1>kill is politics. And I think the average artist doesn't understand.

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<v Speaker 1>So even you as a comedian and everything you do,

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<v Speaker 1>Pete and King, you two as an artists, as a brand,

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<v Speaker 1>I don't think motherfucker's understand what marketing is about. Um.

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<v Speaker 1>I think people tend to believe they just lack exposure her.

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<v Speaker 1>The average person trying to get any in any business

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<v Speaker 1>when it comes to entertaining the their problem is they

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<v Speaker 1>think they lack exposure. But it's not a lack of exposure.

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<v Speaker 1>You don't have the act for sure, I don't where

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<v Speaker 1>you at. So the average person will hire Karen right

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<v Speaker 1>and maybe pay her entirely too much because of her

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<v Speaker 1>brand of success or that's being reported, and they don't

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<v Speaker 1>have the story that fits what she does well. They

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<v Speaker 1>don't have the metrics, they don't have the following. Even

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<v Speaker 1>if she had a situation with Pepsi, you feel me,

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<v Speaker 1>and she's got people brand deals and PEPSI. If you

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<v Speaker 1>got two hundred followers PEPSI probably just not gonna funk

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<v Speaker 1>with you, yet you might have paid Karen said, well

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<v Speaker 1>ten thousand dollars a month, believing that was in the

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<v Speaker 1>cards for you. But my question is do you agree

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<v Speaker 1>with the story like she did something wrong or do

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<v Speaker 1>you just people think that people don't understand exactly what

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<v Speaker 1>she did honestly in that particular situation with Joyner and

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<v Speaker 1>Um and Karen, I don't know, Like I mean, I

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<v Speaker 1>don't think Jodna got a reason to lie. But again,

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<v Speaker 1>it's always gonna be what's supposed to happen is what

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<v Speaker 1>actually can happen. Yeah, so yeah, yeah, to give you know,

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<v Speaker 1>X images of some sort of content that she could

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<v Speaker 1>run that, well, that may not be what it is, right,

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<v Speaker 1>the value needed to obtain certain things to make certain

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<v Speaker 1>things like we people tend to look for publicists to

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<v Speaker 1>create stories out of nothing. Yeah, like prime example, like

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<v Speaker 1>when I when I went on that whole journey and

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<v Speaker 1>I started studying records. Um, it took me a year

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<v Speaker 1>to get to a rudimentary understanding of what records were about.

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<v Speaker 1>Yet I'm still learning, right, I'm like a doctor. I

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<v Speaker 1>went to school and I keep learning every year about records.

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<v Speaker 1>But I got to a a fossil understanding of what

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<v Speaker 1>records were about in a year hip hop another year.

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<v Speaker 1>I got to a rudimentary, fossil like understanding of what

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<v Speaker 1>hip hop was. Marketing took three years. It was a

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<v Speaker 1>long journey to understand, and King was around me at

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<v Speaker 1>that time for me to figure out marketing. Marketing is

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<v Speaker 1>one of the most misappropriated concepts because ever when you

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<v Speaker 1>hear people talk about marketing, bro that ship sounds so stupid.

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<v Speaker 1>And I mean, there's people with jobs. It's people who

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<v Speaker 1>got degrees, and I can tell you right now because

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<v Speaker 1>they don't know shit about marketing. And when I say

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<v Speaker 1>they don't know shit about marketing, they don't know shit

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<v Speaker 1>about marketing. So a lot of times you have you know,

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<v Speaker 1>artists and brands and entertainers just spending money, and most

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<v Speaker 1>of the time I think it's because they lack They

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<v Speaker 1>feel like they just lack exposure. Somebody told them that

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<v Speaker 1>their stink was something. And the reality is if you're

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<v Speaker 1>sticking something, you will have a lot of action way

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<v Speaker 1>before you have you know, exposure. Yeah, you get a

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<v Speaker 1>pr person when you're career is way past prime and

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<v Speaker 1>you need to trump up some sort of weird affair

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<v Speaker 1>to try to get on the Dancing with the Stars.

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<v Speaker 1>I wouldn't go that for I think you get a

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<v Speaker 1>pr person when you actually have a story worth telling. Yeah, like,

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<v Speaker 1>what's an attractive story? What do you think marketing is?

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<v Speaker 1>King Man? You know you've been on my head about it.

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<v Speaker 1>I have no clue. It's crazy, right, And my question

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<v Speaker 1>is is there different levels of marketing When you say,

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<v Speaker 1>like a person has a product or themselves or a

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<v Speaker 1>good product with a good following, would that be one

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<v Speaker 1>level of marketing versus somebody that has nothing in their

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<v Speaker 1>expectations is to be marketed like somebody that has a story.

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<v Speaker 1>I don't know what. Yeah, I understand what you're saying.

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<v Speaker 1>I think it's it's like the level of marketing dimensional,

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<v Speaker 1>but it's certainly two dimensional, you know, Like you said,

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<v Speaker 1>it's easier to market somebody with the story than it

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<v Speaker 1>is with somebody without a story. So it's at a

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<v Speaker 1>different level of you need the product that's marketable, but

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<v Speaker 1>you also need to like if you have someone's marketable,

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<v Speaker 1>you there's certain like efficiency metrics and and being in

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<v Speaker 1>touch with like various analytics where you know, okay, if

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<v Speaker 1>you do this in a BC or D fashion, it's

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<v Speaker 1>gonna have a greater reach. And if you do it

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<v Speaker 1>in G H I and J fashion, you know what

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<v Speaker 1>I mean? And this is what I don't like about marketing,

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<v Speaker 1>because we just really didn't say ship even though we

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<v Speaker 1>said a lot marketing right for me? Now, whether the

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<v Speaker 1>best marketing mind you grew with me or not, I

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<v Speaker 1>don't give a funk. I know I'm right. Marketing for

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<v Speaker 1>me is the story about something like marketing is the

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<v Speaker 1>choice of the new generation. The brand of the product

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<v Speaker 1>is pepsi. Marketing is the choice of the new generation. Um, Promotion, advertising,

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<v Speaker 1>publicity is how you deliver said marketing the actual story itself. Right,

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<v Speaker 1>That's a big thing to me. That's how I simplified it. Right.

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<v Speaker 1>So an artist who doesn't have a story to tell,

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<v Speaker 1>like you, you're trying to pay somebody to come up

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<v Speaker 1>with something to make it intriguing. Yeah. Um. One thing

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<v Speaker 1>that maybe not want to sign artists anymore is I

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<v Speaker 1>don't know if anyone is really as talented as they

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<v Speaker 1>used to be. Um. I would only sign an artist

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<v Speaker 1>that had enough talents where whenever they did they could

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<v Speaker 1>sit in front of seven eleven and do that and

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<v Speaker 1>people will put money inside of a pot for them. Like,

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<v Speaker 1>that's how talented you needed to be. You could sit

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<v Speaker 1>out in front of seven eleven and do whatever that talents. So,

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<v Speaker 1>if you tell jokes, your jokes are so funny that

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<v Speaker 1>people would drop dollars in your pot. If you sing,

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<v Speaker 1>you're sing so good, people would come and drop dollars

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<v Speaker 1>in your pot. If you wrap, you wrap so good,

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<v Speaker 1>people would drop dollars in your pot. If people won't

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<v Speaker 1>just drop dollars in your pot, you know, I wouldn't

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<v Speaker 1>sign nobody no more. That's true. I tried a similar

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<v Speaker 1>approach when I was contemplating signing strippers. I had a

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<v Speaker 1>bunch of strippers in front of seven eleven off of

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<v Speaker 1>what was it like, not corn Bloom, but one of

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<v Speaker 1>those streets, and seven eleven over there. I just couldn't

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<v Speaker 1>make a red scent. Went out of business in six

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<v Speaker 1>months as strippers. So what I'm saying is, I think

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<v Speaker 1>that's when you can start formulating the stories. What's happening

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<v Speaker 1>now is you have a lot of products that our

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<v Speaker 1>stories are formulated around them, But yet when they get

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<v Speaker 1>down to the talent man, nobody dropping the dollar in

0:14:16.440 --> 0:14:20.880
<v Speaker 1>the pot for these motherfuckers. They're not good. They're not

0:14:21.200 --> 0:14:25.120
<v Speaker 1>they haven't put enough working on their fucking ship. So really,

0:14:25.160 --> 0:14:28.760
<v Speaker 1>the genius of that situation particularly is the marketing person,

0:14:29.480 --> 0:14:32.640
<v Speaker 1>whoever that person is, they're the true talent. Problem is

0:14:32.720 --> 0:14:36.200
<v Speaker 1>the act itself is not the talent anymore. Um. Back

0:14:36.240 --> 0:14:43.479
<v Speaker 1>to the concept of marketing and and ship about the business, Um,

0:14:43.560 --> 0:14:46.400
<v Speaker 1>some things are not We're in a time now man,

0:14:46.440 --> 0:14:55.280
<v Speaker 1>with social media, right, because where everybody needs their own content.

0:14:55.440 --> 0:15:01.000
<v Speaker 1>Everybody is a star, right, and you're you're empowering them, right,

0:15:01.320 --> 0:15:05.400
<v Speaker 1>You're empowering them on their own platform to create conversation

0:15:05.440 --> 0:15:09.120
<v Speaker 1>for their own platform. Everybody want to post viral content.

0:15:10.320 --> 0:15:14.400
<v Speaker 1>Everybody wants content that's engaging. So as a content creator,

0:15:14.960 --> 0:15:18.080
<v Speaker 1>if you're not you know, mindful of that right there,

0:15:18.840 --> 0:15:26.480
<v Speaker 1>you're doing yourself a disservice. So I think most people

0:15:26.520 --> 0:15:31.200
<v Speaker 1>are hiring publicists when they don't even have a story.

0:15:31.560 --> 0:15:35.120
<v Speaker 1>So then that publicist needs to create a story for you,

0:15:35.440 --> 0:15:38.040
<v Speaker 1>right that still fits and then you have a breakdown

0:15:38.080 --> 0:15:39.840
<v Speaker 1>and artists as far as the brand, like does it

0:15:39.920 --> 0:15:49.600
<v Speaker 1>fit that person's brand? Um, So a lot of people

0:15:49.640 --> 0:15:52.440
<v Speaker 1>feel like they need publicists or they feel like that's

0:15:52.440 --> 0:15:54.960
<v Speaker 1>all they're missing is money for this and money for that.

0:15:55.360 --> 0:15:59.960
<v Speaker 1>Money for advertising? Bro, what are you advertising? What are

0:16:00.080 --> 0:16:03.880
<v Speaker 1>you advertising? Is it worthy of me talking about it? Like?

0:16:03.920 --> 0:16:07.560
<v Speaker 1>If you have to spend twenty million dollars to get

0:16:07.600 --> 0:16:12.720
<v Speaker 1>twenty million views, your product isn't great what I'm saying, Like,

0:16:13.760 --> 0:16:17.360
<v Speaker 1>especially as a hip hop anything in hip hop concerned.

0:16:18.200 --> 0:16:20.160
<v Speaker 1>Hip hop is all word of mouth. That's what makes

0:16:20.200 --> 0:16:26.200
<v Speaker 1>it so sweet. It takes much less dollars. Um, So

0:16:26.240 --> 0:16:30.920
<v Speaker 1>it just depends. Um. A lot of people don't need publicists.

0:16:31.680 --> 0:16:35.920
<v Speaker 1>They don't have a story to tell. What's what's what's

0:16:35.960 --> 0:16:38.800
<v Speaker 1>great about their story? Like what's great about the story

0:16:38.800 --> 0:16:41.680
<v Speaker 1>of the song? If you just make a song that's

0:16:41.720 --> 0:16:44.200
<v Speaker 1>about funck bitches or I got a nice watch on?

0:16:45.160 --> 0:16:48.640
<v Speaker 1>Why do I care to talk about it? See back

0:16:48.640 --> 0:16:50.920
<v Speaker 1>when hip hop first started in its infancy, when I

0:16:50.960 --> 0:16:54.160
<v Speaker 1>was a little last kid. Um, not when it started,

0:16:54.160 --> 0:16:56.400
<v Speaker 1>but when it started kind of coming into its real

0:16:56.920 --> 0:17:00.840
<v Speaker 1>prime in the nineties and stuff. When I was a kid. Um,

0:17:00.960 --> 0:17:02.880
<v Speaker 1>all that means in his mind is when it started

0:17:02.920 --> 0:17:05.360
<v Speaker 1>being more centatored around Los Samueles, which is a little

0:17:05.359 --> 0:17:08.199
<v Speaker 1>bit more familiar. He's still a little ass kid, That's

0:17:08.200 --> 0:17:10.800
<v Speaker 1>what I'm tripping out about I wouldn't say that. I

0:17:10.840 --> 0:17:13.240
<v Speaker 1>wouldn't say that. I just think I think. I think

0:17:13.240 --> 0:17:15.600
<v Speaker 1>once you get into the nineties, you just have representation

0:17:15.680 --> 0:17:20.720
<v Speaker 1>of all the country. You got a better act, you

0:17:20.720 --> 0:17:24.560
<v Speaker 1>get twisted and do or die, you get common right,

0:17:24.640 --> 0:17:27.840
<v Speaker 1>you get you know, outcast, you getting all the HUMANDU

0:17:27.880 --> 0:17:29.800
<v Speaker 1>Priest stuff. He's doing one the other day from New

0:17:29.920 --> 0:17:31.800
<v Speaker 1>York was talking about the only gay like and you

0:17:31.840 --> 0:17:34.720
<v Speaker 1>see that with it, and it's very obvious why that is.

0:17:34.880 --> 0:17:37.520
<v Speaker 1>Like people from New York think that they have some

0:17:37.640 --> 0:17:40.159
<v Speaker 1>sort of equity steak and hip hop culture because from

0:17:40.200 --> 0:17:42.920
<v Speaker 1>being from New York, I'm gonna impart any kind of

0:17:42.960 --> 0:17:46.119
<v Speaker 1>contributor to the culture that made this genre. So if

0:17:46.160 --> 0:17:49.760
<v Speaker 1>you discredit New York's value of the genre, you discredited me.

0:17:50.359 --> 0:17:53.040
<v Speaker 1>I call him like rap races. Yeah, it's like how

0:17:53.080 --> 0:17:55.600
<v Speaker 1>white people act towards Black country, Like, bro, you're not

0:17:55.800 --> 0:17:57.600
<v Speaker 1>part of that leaving each other white people that started

0:17:57.640 --> 0:18:00.600
<v Speaker 1>this country. You're just white. Yeah, I'm saying they trying

0:18:00.600 --> 0:18:03.159
<v Speaker 1>to act like they was like like Thomas Jefferson or

0:18:03.200 --> 0:18:06.080
<v Speaker 1>George Watson was up. Bro, You're not down. You're just white, bro.

0:18:06.400 --> 0:18:08.560
<v Speaker 1>But that's what a lot of people do. So what

0:18:08.840 --> 0:18:11.840
<v Speaker 1>what the reason I called the nineties that the twilight

0:18:11.920 --> 0:18:14.399
<v Speaker 1>years of hip hop is because you've got equal representation

0:18:14.680 --> 0:18:19.120
<v Speaker 1>of all the country. Right, you got you know, death

0:18:19.240 --> 0:18:22.000
<v Speaker 1>row Snoop, you know, you got the ship qu was

0:18:22.080 --> 0:18:26.359
<v Speaker 1>doing mac ten and you had bone, you had you know,

0:18:26.520 --> 0:18:31.000
<v Speaker 1>twist to do a die. You had eminem late at

0:18:31.040 --> 0:18:33.919
<v Speaker 1>that time. Right then in the South the ghetto boys

0:18:34.000 --> 0:18:37.640
<v Speaker 1>scar face right, you got juveniles coming out right, cash

0:18:37.720 --> 0:18:40.159
<v Speaker 1>money moving, no limit is starting to do damage, right,

0:18:40.240 --> 0:18:42.640
<v Speaker 1>and Luke was already in the fourth swing. You even

0:18:42.680 --> 0:18:44.600
<v Speaker 1>had a little Trick Daddy on the East coat. You

0:18:44.680 --> 0:18:48.600
<v Speaker 1>had Biggie Woutang nas J. So that's why I say

0:18:48.680 --> 0:18:52.480
<v Speaker 1>you got equal representation of of all cultures and hip

0:18:52.520 --> 0:18:55.400
<v Speaker 1>hop to choose from, Like all right, who's actually has

0:18:55.440 --> 0:18:58.240
<v Speaker 1>a great culture and who's making the best music. So

0:18:58.400 --> 0:19:00.359
<v Speaker 1>that's why I say that. But back to the point, um,

0:19:00.680 --> 0:19:02.119
<v Speaker 1>and I think the cool part about that, I'll say

0:19:02.160 --> 0:19:05.199
<v Speaker 1>on the same notice, what we've seen go away from

0:19:05.280 --> 0:19:12.680
<v Speaker 1>that is there was a decentralized, entrepreneuristic type of foothold

0:19:12.760 --> 0:19:16.119
<v Speaker 1>in that era where you could get more of a

0:19:17.720 --> 0:19:21.480
<v Speaker 1>genuine authenticity rather than you have now like a corporate

0:19:21.560 --> 0:19:25.320
<v Speaker 1>footprint that's homogenized every other region of the country, which

0:19:25.320 --> 0:19:27.440
<v Speaker 1>were gonna get you that because I had me and

0:19:27.520 --> 0:19:29.800
<v Speaker 1>Mr fab had Adulpe conversation about that. So make sure

0:19:29.840 --> 0:19:33.720
<v Speaker 1>we're talking like shout out to Mr Northdunkland. Um, long

0:19:33.800 --> 0:19:36.359
<v Speaker 1>story short back at that time, just to have the

0:19:36.520 --> 0:19:39.639
<v Speaker 1>title of the song, to use bitch in the title

0:19:39.720 --> 0:19:43.720
<v Speaker 1>of a song in the early nineties was prolific. Yeah,

0:19:44.040 --> 0:19:47.320
<v Speaker 1>like Dan did he call her a bit like saying

0:19:47.440 --> 0:19:51.600
<v Speaker 1>nigga or because all of these initial things were like

0:19:52.440 --> 0:19:55.920
<v Speaker 1>huge in the music world. They were like correct me

0:19:55.960 --> 0:19:59.359
<v Speaker 1>if I'm wrong, but I really really want to say.

0:19:59.480 --> 0:20:03.159
<v Speaker 1>Maxine Waters had a congressional hearing calling out Snoop Dog

0:20:03.760 --> 0:20:10.080
<v Speaker 1>over bitches and host a little boy sell host short forty.

0:20:10.440 --> 0:20:12.359
<v Speaker 1>All this stuff is in the nineties, so you had

0:20:12.560 --> 0:20:16.240
<v Speaker 1>equal representation of all the country. Right, you had everybody

0:20:16.520 --> 0:20:19.000
<v Speaker 1>putting their being in for dope music and who ship

0:20:19.119 --> 0:20:24.359
<v Speaker 1>is fired? So um, I think at that time period

0:20:24.480 --> 0:20:27.000
<v Speaker 1>some of the things that we're doing now, right, it

0:20:27.160 --> 0:20:29.560
<v Speaker 1>was just the ship to have a dope ass loop

0:20:29.920 --> 0:20:32.320
<v Speaker 1>and rhyme over that motherfucker with some drums was fired.

0:20:33.000 --> 0:20:36.560
<v Speaker 1>But this is thirty years later. You know what I'm saying, so,

0:20:37.840 --> 0:20:41.080
<v Speaker 1>I think the story is kind of like mainstream now,

0:20:41.520 --> 0:20:43.840
<v Speaker 1>like Justin Bieber is calling women bitches in his song.

0:20:44.200 --> 0:20:46.480
<v Speaker 1>There's still guys. I mean, honestly, if we're being real

0:20:46.600 --> 0:20:49.200
<v Speaker 1>like this, still rappers talking about like pushing rocks and

0:20:49.200 --> 0:20:54.840
<v Speaker 1>still pushing rocks. Just not over here. I mean, that's

0:20:55.200 --> 0:20:57.679
<v Speaker 1>but but but that's my point, and let me let

0:20:57.720 --> 0:21:04.120
<v Speaker 1>me say this. So, um, that was the story then

0:21:04.240 --> 0:21:07.399
<v Speaker 1>to say bitch, Yeah, I saw all the publics need

0:21:07.440 --> 0:21:10.840
<v Speaker 1>to Oh he's the one that said bitch, you know,

0:21:11.119 --> 0:21:15.000
<v Speaker 1>or or Mactin called himself Charles Manson, how dare you know?

0:21:15.320 --> 0:21:19.679
<v Speaker 1>That was it? You get protested. So I think today

0:21:19.840 --> 0:21:26.120
<v Speaker 1>we're you know, black culture is becoming very close to mainstream.

0:21:27.400 --> 0:21:30.679
<v Speaker 1>You know, the way black women look is pretty mainstream

0:21:30.760 --> 0:21:38.040
<v Speaker 1>method really soft ware. I mean, the way that talk

0:21:38.320 --> 0:21:42.800
<v Speaker 1>is mainstream. There's a section on Netflix dedicated purely to white,

0:21:42.880 --> 0:21:48.000
<v Speaker 1>liberal funded black cinema. And I've been thinking that the

0:21:48.080 --> 0:21:55.920
<v Speaker 1>new hip hop is almost conservative, like because everything in

0:21:56.040 --> 0:21:58.720
<v Speaker 1>black culture, the way we felt about the police is

0:21:58.800 --> 0:22:02.280
<v Speaker 1>so falsely over red resented in the media. Like I

0:22:02.400 --> 0:22:04.000
<v Speaker 1>was on seeing it Bro and they were playing for

0:22:04.200 --> 0:22:07.040
<v Speaker 1>the police. The beat Bro almost cried, like, what the

0:22:07.280 --> 0:22:13.119
<v Speaker 1>fuck did the baby get canceled over some ship that

0:22:13.240 --> 0:22:17.000
<v Speaker 1>you feel like was really entrenched in the black community

0:22:17.240 --> 0:22:22.240
<v Speaker 1>or outside the black community outside. I think the baby

0:22:22.359 --> 0:22:25.360
<v Speaker 1>situation what was so funny to me is I don't

0:22:25.400 --> 0:22:27.600
<v Speaker 1>think it was homophobic at oh. I think at worst

0:22:27.640 --> 0:22:30.639
<v Speaker 1>it was like exclusionary, like, yeah, you're excluded if you

0:22:30.640 --> 0:22:34.080
<v Speaker 1>suck that. I'm just saying, like, he's like, yo, if

0:22:34.080 --> 0:22:37.760
<v Speaker 1>you suck dick, if you suck dick, if you don't

0:22:37.800 --> 0:22:40.840
<v Speaker 1>suck dick, makes some noise, if you ain't sucking thing

0:22:40.880 --> 0:22:43.399
<v Speaker 1>in the part, that's exclusion. They like, I wouldn't go

0:22:43.480 --> 0:22:45.439
<v Speaker 1>to el John concert to be upset back you if

0:22:45.440 --> 0:22:47.480
<v Speaker 1>you suck make some noise. I just wouldn't make noise.

0:22:47.840 --> 0:22:50.560
<v Speaker 1>I would not leave the concert feeling like that Elton

0:22:50.640 --> 0:22:54.359
<v Speaker 1>John excluded me. That's different than the In this case,

0:22:54.480 --> 0:22:58.640
<v Speaker 1>there's a there's a bridge that needs to be addressed

0:22:58.720 --> 0:23:03.359
<v Speaker 1>between the act and the recoil. You know, but but

0:23:03.600 --> 0:23:11.840
<v Speaker 1>but but even so, back up, back up. So the festivals,

0:23:12.000 --> 0:23:17.720
<v Speaker 1>right are controlled by corporations, right, so are starting to

0:23:17.800 --> 0:23:22.359
<v Speaker 1>control So are the apps? Yep, that's true. Twitter, yet

0:23:23.000 --> 0:23:27.159
<v Speaker 1>whatever you think you better get every app YouTube is

0:23:27.240 --> 0:23:31.520
<v Speaker 1>owned by Google. Google owns the search engines, Apple owns

0:23:31.600 --> 0:23:37.040
<v Speaker 1>Apple Music, Spotify. Are these are all big, large scale

0:23:37.119 --> 0:23:40.680
<v Speaker 1>corporate that are funded by effectively the same four or

0:23:40.720 --> 0:23:46.760
<v Speaker 1>five financial entities. Yeah, And to be honest, we've had

0:23:47.160 --> 0:23:51.280
<v Speaker 1>blatant language put out by the Press Secretary to President

0:23:51.359 --> 0:23:55.720
<v Speaker 1>United States saying, we are monitoring these various companies for

0:23:55.920 --> 0:23:59.040
<v Speaker 1>content that goes onto their platforms that we disagree with

0:23:59.119 --> 0:24:01.840
<v Speaker 1>it that we feel as quote threatening to our message

0:24:02.240 --> 0:24:06.680
<v Speaker 1>end quote. Yeah. So when you're talking about that, that's

0:24:06.680 --> 0:24:10.520
<v Speaker 1>why I say there's a difference between the inflammatory Act

0:24:10.960 --> 0:24:16.000
<v Speaker 1>and the bridge to the recoil. The bridge and the

0:24:16.119 --> 0:24:19.200
<v Speaker 1>real The recoil was what we saw. The act was

0:24:19.280 --> 0:24:26.040
<v Speaker 1>what he said. The bridge was white liberal corporate America

0:24:26.480 --> 0:24:31.760
<v Speaker 1>and political powers that works symbiotically with those entities, saying,

0:24:32.119 --> 0:24:37.520
<v Speaker 1>holy shit, if we see a fracturing between gay and

0:24:37.680 --> 0:24:41.280
<v Speaker 1>black America and one of them defects to the other party,

0:24:41.680 --> 0:24:45.440
<v Speaker 1>we're gonna lose like a ten percent market share of

0:24:45.520 --> 0:24:47.560
<v Speaker 1>the vote, and we're gonna lose all our fucking power.

0:24:47.960 --> 0:24:51.040
<v Speaker 1>So we can't allow any fracturing between all these miniature

0:24:51.119 --> 0:24:54.480
<v Speaker 1>minority groups. So we've glued together. So I deptly because

0:24:54.480 --> 0:24:57.479
<v Speaker 1>if one of them defaults, we lose our majority. M hm.

0:24:59.200 --> 0:25:03.040
<v Speaker 1>Ship as working right there. Hip hop long story short,

0:25:03.280 --> 0:25:06.600
<v Speaker 1>great point. Um, but that's what I was saying, King,

0:25:06.720 --> 0:25:12.720
<v Speaker 1>So hip hop the way we're doing it now, people

0:25:12.880 --> 0:25:16.040
<v Speaker 1>think they need exposure, so they think that same generic story.

0:25:16.640 --> 0:25:20.240
<v Speaker 1>It's just missing exposure. It's like, no, that story is

0:25:20.280 --> 0:25:25.680
<v Speaker 1>not exciting anymore. Um. I was gonna put out a song.

0:25:25.800 --> 0:25:27.320
<v Speaker 1>I had a song on Spotify. I got a song

0:25:27.400 --> 0:25:29.360
<v Speaker 1>with me a gang called Gainst. The book is real dope.

0:25:30.080 --> 0:25:32.440
<v Speaker 1>Shout out to Fingers he produced it this fire. Um.

0:25:33.359 --> 0:25:35.320
<v Speaker 1>But I was trying to figure out how to market

0:25:35.400 --> 0:25:39.040
<v Speaker 1>it right. Stop asking that everybody, Like, man, how do

0:25:39.119 --> 0:25:41.280
<v Speaker 1>we need to market this song? The song is on Spotify?

0:25:41.440 --> 0:25:43.920
<v Speaker 1>So how do we market the song on Spotify? I

0:25:44.000 --> 0:25:45.639
<v Speaker 1>was like, oh, you should shoot a video for it.

0:25:46.240 --> 0:25:48.159
<v Speaker 1>I'm like, well, you have to put the video on YouTube,

0:25:48.160 --> 0:25:50.560
<v Speaker 1>and then I have to make marketable content for YouTube.

0:25:51.760 --> 0:25:53.560
<v Speaker 1>I'm trying to get people to be on Spotify. I

0:25:53.600 --> 0:25:55.960
<v Speaker 1>don't want to make them jump from platform and the platform.

0:25:56.480 --> 0:26:00.719
<v Speaker 1>How do I market it right on Spotify? Um? Oh,

0:26:00.800 --> 0:26:02.520
<v Speaker 1>well you could make a dance. How somebody make a

0:26:02.640 --> 0:26:04.440
<v Speaker 1>dance and put it on TikTok, I'm like, but then

0:26:04.560 --> 0:26:08.199
<v Speaker 1>I have to make more content to TikTok, and then

0:26:08.240 --> 0:26:11.560
<v Speaker 1>I have to market it on TikTok and to get

0:26:11.600 --> 0:26:15.280
<v Speaker 1>people go to Spotify. And what I realized was nobody

0:26:15.600 --> 0:26:21.119
<v Speaker 1>fucking had a solution. Everything meant going to another platform

0:26:21.320 --> 0:26:24.000
<v Speaker 1>to create more content that I would have to spend

0:26:24.160 --> 0:26:28.639
<v Speaker 1>money to market, right, to try to get people to

0:26:28.840 --> 0:26:34.120
<v Speaker 1>go back to Spotify. Yeah, and that's that. The more

0:26:34.160 --> 0:26:36.320
<v Speaker 1>I learned that, I'm starting to realize people don't know

0:26:36.480 --> 0:26:39.399
<v Speaker 1>shit about marketing. Even some of the people that's paid

0:26:39.440 --> 0:26:42.760
<v Speaker 1>good money don't know. I mean, that's the same kind

0:26:42.840 --> 0:26:47.880
<v Speaker 1>of quadre as you would look at in n where

0:26:47.920 --> 0:26:52.440
<v Speaker 1>you would say, well, what's the video value that Dr

0:26:52.560 --> 0:26:56.720
<v Speaker 1>dre felt for nothing but a g thing video? And

0:26:56.840 --> 0:26:59.480
<v Speaker 1>where were the ramifications on the profit side that you

0:26:59.480 --> 0:27:02.320
<v Speaker 1>would see Blockbuster music in the suburbs who saw the

0:27:02.520 --> 0:27:04.159
<v Speaker 1>video and then went to the store and bought it.

0:27:04.560 --> 0:27:07.160
<v Speaker 1>Because that's kind of the same thing. I'm gonna tell

0:27:07.160 --> 0:27:09.520
<v Speaker 1>you what's different about Well, I'm gonna tell you what's

0:27:09.560 --> 0:27:14.680
<v Speaker 1>different right. So at that time, right, you only saw

0:27:14.880 --> 0:27:20.840
<v Speaker 1>videos in two places YEP, MTV BT, So at that point,

0:27:20.920 --> 0:27:26.240
<v Speaker 1>it is only exposure, right, and then even then if

0:27:26.280 --> 0:27:28.240
<v Speaker 1>they just did a video like you did videos in

0:27:28.320 --> 0:27:32.760
<v Speaker 1>the eighties in New York videos, now, how many places

0:27:32.920 --> 0:27:36.800
<v Speaker 1>really not? How many players can you see a video?

0:27:37.640 --> 0:27:40.000
<v Speaker 1>How many places can you identify video that was seen

0:27:40.800 --> 0:27:46.240
<v Speaker 1>over ten million times on that platform? Like four six

0:27:46.680 --> 0:27:50.639
<v Speaker 1>max ship Man, I see videos on Okay, So it's like,

0:27:50.840 --> 0:27:54.320
<v Speaker 1>the problem is like if I say YouTube, YouTube has

0:27:55.119 --> 0:28:00.359
<v Speaker 1>millions of billions of channel, millions of channels, millions, right,

0:28:00.480 --> 0:28:03.040
<v Speaker 1>so you have to spend a ton of money just

0:28:03.160 --> 0:28:06.520
<v Speaker 1>to try to get the exposure. Really that scattered out

0:28:07.880 --> 0:28:12.320
<v Speaker 1>um Twitter? I see videos there. I see videos on Facebook.

0:28:12.440 --> 0:28:15.840
<v Speaker 1>I see videos on Instagram, I see videos on Vine.

0:28:16.600 --> 0:28:20.160
<v Speaker 1>So and and there's videos on Vine this year, man,

0:28:20.280 --> 0:28:24.040
<v Speaker 1>stop and nobody's seen nothing on Vine about five excuse

0:28:24.280 --> 0:28:27.360
<v Speaker 1>TikTok one of the alright, TikTok. So you basically you're

0:28:27.359 --> 0:28:31.800
<v Speaker 1>talking about three corporations Google, Facebook, TikTok. But I'm saying

0:28:31.880 --> 0:28:35.680
<v Speaker 1>the problem is now there's millions of channels between them,

0:28:36.720 --> 0:28:41.880
<v Speaker 1>millions of channels versus MTV and BT. But the same thing,

0:28:41.920 --> 0:28:44.680
<v Speaker 1>it's like you're you're still talking about sourcing and stuff

0:28:44.720 --> 0:28:48.520
<v Speaker 1>like that. So most of those channels are like startup

0:28:48.560 --> 0:28:51.360
<v Speaker 1>record labels that nobody ever heard from and nobody has

0:28:51.400 --> 0:28:54.960
<v Speaker 1>ever seen. Most of those channels have a told cumulative

0:28:55.000 --> 0:28:57.520
<v Speaker 1>viewership of less than a hundred. But I'm not even

0:28:57.520 --> 0:29:00.920
<v Speaker 1>talking about the villis of those I'm saying the things

0:29:01.000 --> 0:29:05.040
<v Speaker 1>that's needed is completely different. Right, the way you get exposure.

0:29:05.520 --> 0:29:09.840
<v Speaker 1>Not to mention he was at when they dropped Number

0:29:09.880 --> 0:29:11.720
<v Speaker 1>the G thing, right and I and I believe this

0:29:11.880 --> 0:29:13.720
<v Speaker 1>in my whole heart, like one day of Sugar Out

0:29:13.720 --> 0:29:17.880
<v Speaker 1>will talk to him about it, but I genuinely believe

0:29:17.960 --> 0:29:20.800
<v Speaker 1>they didn't even gamble with Number the G Thing. I

0:29:20.960 --> 0:29:23.400
<v Speaker 1>think they looked at the success that was Boys in

0:29:23.440 --> 0:29:26.520
<v Speaker 1>the Hood that had just happened the year before, and

0:29:26.600 --> 0:29:30.080
<v Speaker 1>they was like, Yo, this is what people want. They

0:29:30.240 --> 0:29:33.520
<v Speaker 1>want this from the West Coast. I think that changed

0:29:33.520 --> 0:29:36.440
<v Speaker 1>how snooping it was gonna dress. I think it changed

0:29:36.520 --> 0:29:39.200
<v Speaker 1>everything how they shot the videos because of the success

0:29:39.600 --> 0:29:41.680
<v Speaker 1>of Boys in the Hood at the film this is

0:29:41.760 --> 0:29:44.280
<v Speaker 1>a fucking hood movie that does seventy million dollars with

0:29:44.360 --> 0:29:47.800
<v Speaker 1>a brand new producer Rest of Soul and John brand

0:29:47.800 --> 0:29:51.600
<v Speaker 1>new Director of Soul, John Singleton. Um So I don't

0:29:51.640 --> 0:29:54.360
<v Speaker 1>even think they gambled culturally, I think they you know,

0:29:54.720 --> 0:29:56.840
<v Speaker 1>Colors had already did a lot of the heavy lifting.

0:29:57.640 --> 0:29:59.560
<v Speaker 1>Um boys in the hood finished the job, and now

0:29:59.640 --> 0:30:03.680
<v Speaker 1>somebody just had to bring it to music versus today,

0:30:03.720 --> 0:30:07.200
<v Speaker 1>if you shoot that same video, it's just not exciting.

0:30:09.280 --> 0:30:12.920
<v Speaker 1>You could put low riders in there, people playing volleyball

0:30:13.320 --> 0:30:16.840
<v Speaker 1>at the park, going to a party, and it's not

0:30:17.400 --> 0:30:22.200
<v Speaker 1>the same. But like, how many rappers tried to do

0:30:22.440 --> 0:30:24.920
<v Speaker 1>the same thing out of l A at the same

0:30:25.040 --> 0:30:32.800
<v Speaker 1>time and failed, Like nobody did that in nobody had

0:30:32.840 --> 0:30:38.960
<v Speaker 1>tried and failed after but but again after them dudes

0:30:39.000 --> 0:30:48.080
<v Speaker 1>did at first, sure, but at that point when we

0:30:48.120 --> 0:30:52.160
<v Speaker 1>start trying to account for unicorns and marketing. But but

0:30:52.280 --> 0:30:57.120
<v Speaker 1>that's not that's not a unicorn, nough p Like hip

0:30:57.160 --> 0:31:02.640
<v Speaker 1>hop is about culture, right, and you're really displaying lifestyle.

0:31:03.240 --> 0:31:06.760
<v Speaker 1>That's that's what it's about. The languages, lifestyle, the visuals

0:31:06.840 --> 0:31:10.240
<v Speaker 1>is lifestyle, right, So it's not a unicorn. It's the

0:31:10.400 --> 0:31:14.040
<v Speaker 1>earliest culturally you've seen in music when it came to

0:31:14.160 --> 0:31:19.240
<v Speaker 1>West Coast l a gainst the rep this is the first.

0:31:19.680 --> 0:31:22.120
<v Speaker 1>That wasn't the first. It was the first to do it, right,

0:31:24.400 --> 0:31:28.200
<v Speaker 1>But I don't know who was the first Tride who

0:31:28.320 --> 0:31:31.200
<v Speaker 1>was before Dr Dre and Snoop and n that put

0:31:31.640 --> 0:31:35.360
<v Speaker 1>thirty low riders in the video volleyball though like that,

0:31:35.560 --> 0:31:39.240
<v Speaker 1>like n w A and I teeing, those guys were

0:31:39.360 --> 0:31:42.880
<v Speaker 1>trying to say somehow capture that and they were not

0:31:43.000 --> 0:31:45.680
<v Speaker 1>doing it successfully. Well, I don't think that's what they did.

0:31:45.760 --> 0:31:48.480
<v Speaker 1>I think I think musically they were able to do

0:31:48.600 --> 0:31:51.240
<v Speaker 1>certain things right, but I think even visually they gave

0:31:51.280 --> 0:31:54.760
<v Speaker 1>you pieces right where you're seeing dickies. I don't recall

0:31:54.840 --> 0:31:57.200
<v Speaker 1>in w A videos having low riders in them because

0:31:57.280 --> 0:31:59.800
<v Speaker 1>they didn't know at that time that anybody gave a

0:32:00.080 --> 0:32:03.400
<v Speaker 1>damn about it, Which is why I said, bushes in

0:32:03.480 --> 0:32:08.520
<v Speaker 1>the Hood became the test study on what people wanted

0:32:08.600 --> 0:32:12.640
<v Speaker 1>from us. For me too, Papa Must Die became a

0:32:12.760 --> 0:32:17.640
<v Speaker 1>test study of what people want from me, you know

0:32:17.680 --> 0:32:19.640
<v Speaker 1>what I mean. And that's the tricky part, Like I

0:32:19.760 --> 0:32:22.560
<v Speaker 1>had to gamble myself right what they have boys in

0:32:22.640 --> 0:32:28.080
<v Speaker 1>the hood to gamble. So back to marketing, it's a

0:32:28.160 --> 0:32:31.400
<v Speaker 1>confusion that people feel like they just lack exposure. They don't.

0:32:31.760 --> 0:32:35.120
<v Speaker 1>It's not a lack of exposure. You don't have anything

0:32:35.200 --> 0:32:41.720
<v Speaker 1>worthy of being exposed. You just have content. So when

0:32:41.800 --> 0:32:49.440
<v Speaker 1>people come to me and they say, Okay. When people

0:32:49.520 --> 0:32:51.360
<v Speaker 1>come to me and they say, gee, man, what am

0:32:51.400 --> 0:32:53.280
<v Speaker 1>I doing wrong? And I'm like, yeah, you just gotta

0:32:53.360 --> 0:32:58.760
<v Speaker 1>develop your act. Your act is underdeveloped. You know what

0:32:58.800 --> 0:33:01.360
<v Speaker 1>I'm saying. Your act is underdeveloped. And we're in the

0:33:01.480 --> 0:33:06.560
<v Speaker 1>time now where somebody could get lucky, right and they

0:33:06.600 --> 0:33:10.680
<v Speaker 1>can make one song and that song. Right now, we're

0:33:10.680 --> 0:33:13.600
<v Speaker 1>watching people practice like people don't have to try out

0:33:13.640 --> 0:33:16.000
<v Speaker 1>for the league. Man, Like they could draft you at

0:33:16.040 --> 0:33:19.760
<v Speaker 1>the park and put you right into the NBA. You

0:33:19.880 --> 0:33:22.960
<v Speaker 1>may be an underdeveloped talent, but because everybody's watching you

0:33:23.080 --> 0:33:25.800
<v Speaker 1>and you got the attention and you had a good game,

0:33:26.280 --> 0:33:29.560
<v Speaker 1>people really think you could play in the league, and

0:33:29.640 --> 0:33:34.160
<v Speaker 1>they put you in there. Undeveloped. Um. Back to the

0:33:34.240 --> 0:33:38.320
<v Speaker 1>original point about people like Karen Civil and people like uh,

0:33:39.520 --> 0:33:43.520
<v Speaker 1>any publicist or marketing person, it still comes down to

0:33:43.680 --> 0:33:48.719
<v Speaker 1>you having something worthy of being marketed. Is your act developed?

0:33:49.840 --> 0:33:53.440
<v Speaker 1>And most people don't think about that day. Everybody is

0:33:53.520 --> 0:33:57.640
<v Speaker 1>so confused right now that they don't understand their job

0:33:57.720 --> 0:34:01.320
<v Speaker 1>is to create the event. They're too busy mistaking themselves

0:34:01.520 --> 0:34:05.840
<v Speaker 1>for the event. Your job, right king, is to create

0:34:05.960 --> 0:34:11.760
<v Speaker 1>the event. What's the moment you just score the moment,

0:34:13.800 --> 0:34:15.759
<v Speaker 1>and I don't think people do a good job of that.

0:34:16.280 --> 0:34:20.840
<v Speaker 1>And I don't care who you hire, you know, I

0:34:20.840 --> 0:34:24.520
<v Speaker 1>don't give a funk who you hire. Like, if you

0:34:24.680 --> 0:34:29.120
<v Speaker 1>don't have a fully developed act, you're gonna spend a

0:34:29.200 --> 0:34:32.680
<v Speaker 1>lot more money that you're gonna make you don't lose

0:34:32.719 --> 0:34:39.240
<v Speaker 1>some money. And like, comedy is an easier case study

0:34:39.320 --> 0:34:42.760
<v Speaker 1>of this because there's less variables. Like I said, comedy

0:34:42.920 --> 0:34:45.120
<v Speaker 1>is I don't want to say it's the hardest thing

0:34:45.200 --> 0:34:48.319
<v Speaker 1>to do, but it's the most I am. I saying

0:34:48.360 --> 0:34:51.759
<v Speaker 1>this is like some half as parts time comedian. Like

0:34:51.800 --> 0:34:54.759
<v Speaker 1>there's literally nothing else in which you could go in

0:34:54.920 --> 0:35:00.080
<v Speaker 1>front of an audience and have nothing else there but you.

0:35:00.200 --> 0:35:01.839
<v Speaker 1>If you go out and sing a song, even if

0:35:01.840 --> 0:35:04.560
<v Speaker 1>you wrote the song and the music when you perform it,

0:35:05.000 --> 0:35:08.279
<v Speaker 1>there's music playing behind you, you know, and it all like,

0:35:08.400 --> 0:35:12.160
<v Speaker 1>this is probably not your music. Maybe it is commed.

0:35:12.239 --> 0:35:14.440
<v Speaker 1>You walk out into a stone silent room with a

0:35:14.560 --> 0:35:18.239
<v Speaker 1>microphone and a spotlight. Those are your tools, you know,

0:35:18.360 --> 0:35:21.359
<v Speaker 1>So if you don't have it, it's not like, oh, well,

0:35:21.440 --> 0:35:23.200
<v Speaker 1>Stone Stones a good rapper, but they were on a

0:35:23.239 --> 0:35:25.080
<v Speaker 1>bad label at the wrong time or whatever. The funk.

0:35:25.120 --> 0:35:28.000
<v Speaker 1>It might be like there's a million excuses you walk

0:35:28.040 --> 0:35:30.880
<v Speaker 1>out there. Everybody else has nothing but a spotlight and

0:35:30.920 --> 0:35:33.000
<v Speaker 1>the mic. If you suck, you suck. If you're good,

0:35:33.040 --> 0:35:36.360
<v Speaker 1>you're good. It's definitely a lot pure of a judge

0:35:36.360 --> 0:35:40.720
<v Speaker 1>of talent. Yeah, so that's to to assess, like, who

0:35:40.760 --> 0:35:43.800
<v Speaker 1>would you say is the funniest person that was marketing

0:35:43.840 --> 0:35:51.000
<v Speaker 1>will but they really ain't that funny? Uh the who

0:35:51.080 --> 0:35:53.239
<v Speaker 1>do you think I'm gonna fucking say? I don't know.

0:35:54.960 --> 0:35:58.840
<v Speaker 1>Who's not real funny? But it's marketed like the Messiah

0:35:59.680 --> 0:36:04.799
<v Speaker 1>but is not funny? Yeah, who's not funny? Who? Who

0:36:05.120 --> 0:36:08.400
<v Speaker 1>can't write a joke on a piece of paper? Fucking

0:36:08.480 --> 0:36:14.480
<v Speaker 1>Kevin Hart? Kevin is funny? Something NRT look And it's

0:36:14.480 --> 0:36:16.239
<v Speaker 1>not even the hard Cat beef and I'm a Cat

0:36:16.320 --> 0:36:19.839
<v Speaker 1>Williams guy, Right, it's not even about that. The two

0:36:19.880 --> 0:36:23.400
<v Speaker 1>of them never never interact with another one another, even indirectly,

0:36:23.480 --> 0:36:26.960
<v Speaker 1>one time in life. Because you're satting out two things

0:36:27.000 --> 0:36:30.000
<v Speaker 1>that remind me, remember that that interview that Cat Williams

0:36:30.040 --> 0:36:32.200
<v Speaker 1>did on that radio show in Atlanta a few years

0:36:32.239 --> 0:36:37.000
<v Speaker 1>ago at Wanda Lady. She was yeah, and he says

0:36:37.120 --> 0:36:41.200
<v Speaker 1>something about the other chick. He's like, look, I'm a writer.

0:36:41.280 --> 0:36:43.680
<v Speaker 1>I only care what you can write. Anybody can read

0:36:43.800 --> 0:36:47.120
<v Speaker 1>that can read you know. So to me, if I

0:36:47.280 --> 0:36:52.480
<v Speaker 1>can't turn the ship on silent and just watched the

0:36:54.480 --> 0:36:56.080
<v Speaker 1>the what do you call it? Where the words come

0:36:56.120 --> 0:37:00.920
<v Speaker 1>across the TV and it's funny to me, I don't

0:37:00.960 --> 0:37:03.480
<v Speaker 1>really give a funk. You go up there with a

0:37:04.320 --> 0:37:07.799
<v Speaker 1>material is trash. He's he He performs that beautifully. He's

0:37:07.840 --> 0:37:11.200
<v Speaker 1>one of the best. He Kevin Hart is the greatest

0:37:11.760 --> 0:37:15.120
<v Speaker 1>brilliant performer of bad jokes that has ever existed in

0:37:15.200 --> 0:37:19.200
<v Speaker 1>that genre. He's a He's a virtuoso of performance. And

0:37:19.400 --> 0:37:24.440
<v Speaker 1>he is the most average passer by a comedian um

0:37:24.840 --> 0:37:27.520
<v Speaker 1>with depend on the path that has ever made a

0:37:28.000 --> 0:37:30.400
<v Speaker 1>made a dollar in that industry. So he's not funny

0:37:30.480 --> 0:37:34.480
<v Speaker 1>at all. I've never laughed, and I've seen him live.

0:37:34.600 --> 0:37:37.160
<v Speaker 1>I've seen him live four or five times in small

0:37:37.239 --> 0:37:39.319
<v Speaker 1>rooms to an hour eighty minute set. I've seen every

0:37:39.320 --> 0:37:44.840
<v Speaker 1>ship he's ever done. I never laughed. He's a brilliant comedy.

0:37:44.880 --> 0:37:48.279
<v Speaker 1>I mean, honestly, I've said since Jump, since since since

0:37:48.320 --> 0:37:51.080
<v Speaker 1>soul Play, I'm like, yeah, I didn't like that movie.

0:37:51.400 --> 0:37:56.840
<v Speaker 1>Fuck the movie. He's a really really likable guy, and

0:37:56.960 --> 0:38:01.719
<v Speaker 1>he's a great actor, and he's brilliant conveying the human

0:38:01.800 --> 0:38:08.000
<v Speaker 1>experience on screen whatever, like you ever noticed, like he's

0:38:09.360 --> 0:38:12.359
<v Speaker 1>his character is always that. But even if you take

0:38:12.480 --> 0:38:15.680
<v Speaker 1>that out out, even when he's just a guy who

0:38:18.000 --> 0:38:20.719
<v Speaker 1>can have a hard day, who's a well intended guy

0:38:20.760 --> 0:38:22.839
<v Speaker 1>and a nice guy who's down on his luck caught

0:38:22.920 --> 0:38:25.840
<v Speaker 1>a bad break, he can transcend some sort of a

0:38:26.000 --> 0:38:30.600
<v Speaker 1>feeling of of of empathy or sympathy or whichever one

0:38:31.360 --> 0:38:37.360
<v Speaker 1>through the screen with the greatest actors who have ever lived.

0:38:38.719 --> 0:38:42.040
<v Speaker 1>He's as good at that as Tom Hanks. He gets

0:38:42.120 --> 0:38:45.400
<v Speaker 1>no credit for that. He gets all the credit for comedy,

0:38:46.360 --> 0:38:53.000
<v Speaker 1>which he sucks at. I don't give a fuck. He

0:38:53.080 --> 0:38:58.480
<v Speaker 1>can call me whatever he is. He Tom Hanks, like

0:38:58.840 --> 0:39:03.880
<v Speaker 1>like Tom Hanks before Forrest Gump in Philadelphia was like

0:39:04.200 --> 0:39:08.000
<v Speaker 1>the top of the pyramid for like comedic actors. He

0:39:08.080 --> 0:39:10.759
<v Speaker 1>did from Bosom Buddies to like the House With like

0:39:10.960 --> 0:39:14.640
<v Speaker 1>like the Money Pit Movie to the Biggest Great He

0:39:14.840 --> 0:39:19.600
<v Speaker 1>was as good as it gets, unlikable, funny, whatever. Kevin

0:39:19.640 --> 0:39:21.960
<v Speaker 1>hard is better than that. I don't know if I

0:39:22.040 --> 0:39:25.520
<v Speaker 1>agree with Kevin Hardby like he's better than that. He's not.

0:39:27.080 --> 0:39:32.240
<v Speaker 1>He ain't fucking I mean as far as film film funny,

0:39:32.719 --> 0:39:35.360
<v Speaker 1>that's a different funny. It's a different script. It's a

0:39:35.480 --> 0:39:39.759
<v Speaker 1>different world. Like, that's a different thing. You know, if

0:39:39.800 --> 0:39:43.920
<v Speaker 1>I would say, Kevin Hart, what is my favorite Kevin hartbid? Um?

0:39:45.400 --> 0:39:49.080
<v Speaker 1>You know what? The what was the thing? The Ostrich?

0:39:50.680 --> 0:39:54.880
<v Speaker 1>The Ostrich bid is fucking funny? Is the Ostris been funny?

0:39:55.239 --> 0:39:58.239
<v Speaker 1>You got? Like, honestly, I don't even remember any individual

0:39:58.280 --> 0:40:02.360
<v Speaker 1>bid he's ever done. God damn man Like, so just

0:40:02.520 --> 0:40:06.800
<v Speaker 1>I mean, give me a synopsis of it. Okay, okay,

0:40:07.800 --> 0:40:11.520
<v Speaker 1>you know what I get it. I mean, he's he's

0:40:11.560 --> 0:40:14.160
<v Speaker 1>the only like Kevin. I like Kevin is not a

0:40:14.200 --> 0:40:19.520
<v Speaker 1>bit I like Kevin Harts the film he does. So

0:40:19.640 --> 0:40:23.680
<v Speaker 1>you're saying ship is really all marketing. I'm not saying

0:40:23.719 --> 0:40:26.719
<v Speaker 1>it's all marketing. So there is talent, as far as

0:40:26.760 --> 0:40:32.799
<v Speaker 1>it's all performance and the personality is marketable. It's all

0:40:32.960 --> 0:40:35.439
<v Speaker 1>personality and it's all marketing that person So you're saying

0:40:35.480 --> 0:40:38.800
<v Speaker 1>the gift is his delivery, not necessarily the continency for sure,

0:40:39.040 --> 0:40:43.360
<v Speaker 1>but the marketing, like your personality, like cat is is

0:40:43.640 --> 0:40:48.319
<v Speaker 1>it's just sun Yeah. But he's just generally a much

0:40:48.400 --> 0:40:51.000
<v Speaker 1>funny your human being. But he's not. He's not marketable.

0:40:51.719 --> 0:40:58.320
<v Speaker 1>He's not large scale marketable scale matters like is my

0:40:58.520 --> 0:41:01.520
<v Speaker 1>mom gonna go buy PEPs it because Cat Williams popped

0:41:01.560 --> 0:41:03.399
<v Speaker 1>on the screen and says so no. But if Kevin

0:41:03.480 --> 0:41:05.399
<v Speaker 1>Hart says he is thirsty and had a long day,

0:41:05.440 --> 0:41:08.960
<v Speaker 1>she's buying a pepper? Why is that? Though? What? What

0:41:09.120 --> 0:41:11.239
<v Speaker 1>is it? What would it be about Kevin Hart? Excuse me?

0:41:11.640 --> 0:41:13.640
<v Speaker 1>What would it be about? Cat? And I? Actually no,

0:41:13.800 --> 0:41:17.320
<v Speaker 1>Cat like well like Cat is the night like a

0:41:17.400 --> 0:41:22.680
<v Speaker 1>few He is the nicest comedian I ever met. In

0:41:22.840 --> 0:41:26.560
<v Speaker 1>my hate the image people have of Cat Williams bro

0:41:28.320 --> 0:41:31.040
<v Speaker 1>when I tell you he is one of the bro.

0:41:31.200 --> 0:41:34.040
<v Speaker 1>He came to my studio right, Me and Tommy got

0:41:34.120 --> 0:41:36.839
<v Speaker 1>the studio signal hill right. He's like, yeah, I'm gonna

0:41:36.840 --> 0:41:39.239
<v Speaker 1>come funk with you. I was like, for sure, because

0:41:39.239 --> 0:41:40.719
<v Speaker 1>I'm aout to lat Like I'm gonna come. We're gonna

0:41:40.719 --> 0:41:44.880
<v Speaker 1>do two songs. It's like all right, for sure? So

0:41:44.960 --> 0:41:46.960
<v Speaker 1>I texted the address. He pulled up. He got about

0:41:47.000 --> 0:41:50.160
<v Speaker 1>seven bras with him. Right. This is before I finished

0:41:50.160 --> 0:41:52.120
<v Speaker 1>the Blue room, the second room. He set up a

0:41:52.200 --> 0:41:55.560
<v Speaker 1>bar in the blue room had the girl's servant drinks.

0:41:56.320 --> 0:41:58.399
<v Speaker 1>He's rapping it. We're chopping it up. He just giving

0:41:58.440 --> 0:42:01.680
<v Speaker 1>me game when I kill you. He is the most

0:42:01.800 --> 0:42:04.600
<v Speaker 1>pleasant human being you can meet, as far as just

0:42:04.719 --> 0:42:07.400
<v Speaker 1>a great guy. To be that successful, even at that

0:42:07.600 --> 0:42:12.160
<v Speaker 1>time it was crazy and it's just this ridiculous thing.

0:42:12.360 --> 0:42:14.279
<v Speaker 1>Even when I saw him going to a war stow,

0:42:14.320 --> 0:42:16.919
<v Speaker 1>he said, gee, what's up, man, You're good. I'm good,

0:42:17.000 --> 0:42:19.719
<v Speaker 1>because for sure, Man, let me like. He is just

0:42:19.880 --> 0:42:23.480
<v Speaker 1>an awesome guy. But the narrative on him is so

0:42:23.880 --> 0:42:29.480
<v Speaker 1>fucked up. The marketing on Cat as a person is horrible.

0:42:30.000 --> 0:42:33.120
<v Speaker 1>It is so not fitting to how wonderful of a

0:42:33.239 --> 0:42:36.080
<v Speaker 1>fucking guy he is. And some of that is on Cat.

0:42:36.200 --> 0:42:38.560
<v Speaker 1>And like I'll tell you, I got my my cast

0:42:38.600 --> 0:42:42.879
<v Speaker 1>story is different. The night that he and Sugar we're

0:42:42.960 --> 0:42:46.799
<v Speaker 1>going to the comedy store and there was this thing

0:42:46.880 --> 0:42:49.520
<v Speaker 1>with TMZ and all the police showed up and shut

0:42:49.640 --> 0:42:53.040
<v Speaker 1>Sunset down and someone pulled a gun on TMZ. Well,

0:42:53.200 --> 0:42:59.320
<v Speaker 1>probably Cat, but I'm in the green room backstage afterwards.

0:42:59.400 --> 0:43:02.880
<v Speaker 1>This Cat is freeway ric. It's like Red Grant. It's me.

0:43:03.080 --> 0:43:05.640
<v Speaker 1>It's this girl who lived in his apartment building that

0:43:05.680 --> 0:43:09.440
<v Speaker 1>I was doing leasing sales at who wanted to try

0:43:09.520 --> 0:43:12.759
<v Speaker 1>to see some entertainment ship, try to whatever because she

0:43:12.800 --> 0:43:15.760
<v Speaker 1>was graduate USC and stuff and like two other girls

0:43:15.880 --> 0:43:21.080
<v Speaker 1>like whatever. Cat was like, you know how a freeway.

0:43:21.160 --> 0:43:26.280
<v Speaker 1>Rick doesn't have a facial expression. I've seen him ten times.

0:43:27.120 --> 0:43:30.160
<v Speaker 1>Cat was on another level talking about some ship and

0:43:30.280 --> 0:43:33.719
<v Speaker 1>whatever else to the point where like Rick is looking

0:43:33.719 --> 0:43:35.879
<v Speaker 1>across the room like with his first I ever seen

0:43:35.880 --> 0:43:37.960
<v Speaker 1>the facial expression. It was the can somebody get this man?

0:43:39.840 --> 0:43:42.080
<v Speaker 1>And then everybody leaves the room and I'm near with

0:43:42.200 --> 0:43:44.520
<v Speaker 1>this girl who I wasn't trying to funk her nothing

0:43:44.760 --> 0:43:48.160
<v Speaker 1>like I didn't give nothing about this woman and he

0:43:48.640 --> 0:43:50.399
<v Speaker 1>but Cat sees me sitting next to her, and he's

0:43:50.440 --> 0:43:54.520
<v Speaker 1>so fucking nice. He goes out, gets a bottle of champagne,

0:43:54.640 --> 0:43:56.840
<v Speaker 1>comes back and pours us drinks and asks if I

0:43:56.960 --> 0:44:00.600
<v Speaker 1>need anything. M He wouldn't have known me if he

0:44:00.719 --> 0:44:02.839
<v Speaker 1>ran me over in the driveway on his way out.

0:44:02.960 --> 0:44:07.879
<v Speaker 1>I just people saying Cat, I have never unless he's

0:44:07.960 --> 0:44:11.279
<v Speaker 1>like another person, because I think Cat is a kind

0:44:11.320 --> 0:44:15.000
<v Speaker 1>of person that you can't do things too, because he's

0:44:15.000 --> 0:44:18.279
<v Speaker 1>gonna stand up for herself, and I think sometimes we

0:44:18.360 --> 0:44:20.880
<v Speaker 1>get the story of him standing up for herself I

0:44:21.000 --> 0:44:23.840
<v Speaker 1>think that's the marketing. We're giddy, Oh Cat did this?

0:44:24.080 --> 0:44:26.759
<v Speaker 1>What did you do the Cat? Because that became my

0:44:27.000 --> 0:44:29.799
<v Speaker 1>question for everybody, Oh man, Cat do this? What did

0:44:29.880 --> 0:44:32.640
<v Speaker 1>they do to Cat? Once I started finding out what

0:44:32.800 --> 0:44:35.440
<v Speaker 1>they did, I think he did half of the ship

0:44:35.560 --> 0:44:38.000
<v Speaker 1>that I would have did. Well, let's look at Cat like,

0:44:38.200 --> 0:44:40.640
<v Speaker 1>because I can relate to Cat in this regard. I

0:44:40.760 --> 0:44:42.600
<v Speaker 1>heard like through like, I used to run around with

0:44:42.640 --> 0:44:44.239
<v Speaker 1>Red Grand a lot. He used to work with him,

0:44:44.280 --> 0:44:49.000
<v Speaker 1>and they're all cool people. But Cat's a small guy,

0:44:49.480 --> 0:44:55.920
<v Speaker 1>so he's kind of like everything about it. It's like

0:44:56.080 --> 0:44:58.040
<v Speaker 1>when I go to the nightclub, if I'm not with

0:44:58.200 --> 0:45:02.680
<v Speaker 1>all my friends, Oh that's that white dude. He knows

0:45:02.760 --> 0:45:06.719
<v Speaker 1>such and such. He's talked to us and girls. People come.

0:45:09.160 --> 0:45:11.839
<v Speaker 1>Cat is targeted, so they try to punk him at

0:45:11.880 --> 0:45:14.960
<v Speaker 1>every chance and every time he stands up. That's what

0:45:15.040 --> 0:45:17.600
<v Speaker 1>we see on the news. Yeah, okay, so but that's

0:45:17.640 --> 0:45:21.399
<v Speaker 1>my point back to marketing, right, it becomes that same

0:45:21.480 --> 0:45:26.040
<v Speaker 1>conversation where but let me tell you the thing about

0:45:26.120 --> 0:45:29.520
<v Speaker 1>real niggas, like he needs Cat vers Kevin. Kevin is

0:45:29.600 --> 0:45:32.880
<v Speaker 1>great at portraying himself as the victim for the for

0:45:33.040 --> 0:45:37.400
<v Speaker 1>the camera, Cat doesn't do that. Yeah, well you know

0:45:37.520 --> 0:45:40.960
<v Speaker 1>what it is, Kat, Kevin and Lebron are the same

0:45:41.080 --> 0:45:45.880
<v Speaker 1>kind of people, right, They're busy trying to control the narrative.

0:45:46.400 --> 0:45:49.120
<v Speaker 1>A person like me and Cat are the same, very

0:45:49.280 --> 0:45:52.360
<v Speaker 1>very good We're not trying to control the narratives. Like

0:45:52.560 --> 0:45:54.320
<v Speaker 1>as much as I give a funk about what you

0:45:54.400 --> 0:45:56.600
<v Speaker 1>think about me, I don't give a funk that I

0:45:56.760 --> 0:45:58.840
<v Speaker 1>give a funk about what you think of me. And

0:45:59.000 --> 0:46:02.560
<v Speaker 1>I think that's where a nigger like me, a cat

0:46:02.800 --> 0:46:05.919
<v Speaker 1>was cool, like he could tell like I just didn't

0:46:05.960 --> 0:46:10.120
<v Speaker 1>give a funk. And it was like the girl that

0:46:10.280 --> 0:46:12.800
<v Speaker 1>came here that day, right, she lied to somebody and

0:46:12.880 --> 0:46:17.160
<v Speaker 1>said I hit women. She was here today, No, that

0:46:17.280 --> 0:46:20.560
<v Speaker 1>was here a couple of weeks ago, years ago. Remember

0:46:21.160 --> 0:46:26.239
<v Speaker 1>I wasn't here that day, Yes she was. Yeah, I

0:46:26.360 --> 0:46:32.200
<v Speaker 1>was confused, Yeah yeah, yeah. So somebody asked me how

0:46:32.320 --> 0:46:34.200
<v Speaker 1>did I feel about it? And I'm like, man, this crip.

0:46:34.280 --> 0:46:36.280
<v Speaker 1>I don't give a fucking bitches think I hit bitches.

0:46:39.760 --> 0:46:41.840
<v Speaker 1>I'm not in the business of trying to show people.

0:46:42.400 --> 0:46:45.160
<v Speaker 1>I'm not trying to present myself as a good human being.

0:46:45.200 --> 0:46:47.920
<v Speaker 1>I'm too busy being a good human being to worry

0:46:47.920 --> 0:46:51.160
<v Speaker 1>about if you think I'm good, and that's a hard

0:46:51.239 --> 0:46:55.359
<v Speaker 1>thing for people to swallow. I'm not trying to staying

0:46:55.440 --> 0:46:58.759
<v Speaker 1>lying around you. What's like, what are you gonna do?

0:47:00.719 --> 0:47:02.640
<v Speaker 1>You know what I'm saying, that's really my attitude. Like,

0:47:05.760 --> 0:47:09.880
<v Speaker 1>my marketing has been off so bad for years that

0:47:10.000 --> 0:47:12.240
<v Speaker 1>as I started to read, you know, as I started

0:47:12.280 --> 0:47:15.240
<v Speaker 1>to finally align it up, you know, around two thousand

0:47:15.320 --> 0:47:18.280
<v Speaker 1>nineteen two problems done. Since then, like I've been aligning

0:47:18.360 --> 0:47:21.520
<v Speaker 1>it and and and putting it in order, you could

0:47:21.600 --> 0:47:25.680
<v Speaker 1>see the tyrant two people that I am. It's starting

0:47:25.760 --> 0:47:29.080
<v Speaker 1>to match up to where you know, King might think

0:47:29.120 --> 0:47:32.960
<v Speaker 1>I'm just like this fucked up person, but at least

0:47:33.040 --> 0:47:38.480
<v Speaker 1>everybody else thinks so too. You know, it's nobody. Yeah, yeah,

0:47:38.480 --> 0:47:45.120
<v Speaker 1>it's no, it's nobody. It's no confusion now. Um, But

0:47:45.280 --> 0:47:48.919
<v Speaker 1>I don't also spend time worrying about what King thinks

0:47:49.000 --> 0:47:52.680
<v Speaker 1>of me. I'm his boy, I got your back, I

0:47:52.719 --> 0:47:54.719
<v Speaker 1>got your best entriest at heart. I'm not trying to

0:47:54.840 --> 0:47:58.040
<v Speaker 1>convince you. I'm not trying to market myself as your friend.

0:47:58.440 --> 0:48:02.080
<v Speaker 1>I'm too busy being your friend in with this podcast.

0:48:02.200 --> 0:48:04.600
<v Speaker 1>I'm not trying to convince you that we can be successful.

0:48:04.600 --> 0:48:06.960
<v Speaker 1>I'm too busy trying to figure out how to be successful.

0:48:07.680 --> 0:48:12.839
<v Speaker 1>I'm using the energy of my verbs differently like I'm

0:48:12.840 --> 0:48:16.120
<v Speaker 1>I'm I'm putting the energy that I use to to

0:48:16.440 --> 0:48:20.880
<v Speaker 1>to bring verbs to life differently. I'm not trying to

0:48:21.040 --> 0:48:26.080
<v Speaker 1>convince King that I'm his partner. I'm being a good partner.

0:48:26.960 --> 0:48:29.719
<v Speaker 1>So that's the point where you're not worried about marketing right,

0:48:29.800 --> 0:48:31.760
<v Speaker 1>But you gotta also do it in front of everybody

0:48:31.800 --> 0:48:34.279
<v Speaker 1>and not give a funk. So if I make a

0:48:34.440 --> 0:48:39.440
<v Speaker 1>song right and people don't like the song, that's your fault.

0:48:40.960 --> 0:48:42.640
<v Speaker 1>I'm not trying to convince you to like the song.

0:48:44.200 --> 0:48:49.600
<v Speaker 1>Fuck you. That's my marketing. My marketing is every bit

0:48:49.800 --> 0:48:53.560
<v Speaker 1>of This is what I realized about the appeal in

0:48:53.640 --> 0:48:58.200
<v Speaker 1>the marketing power of gangster rapping. Gangster rap because is

0:48:58.280 --> 0:49:03.200
<v Speaker 1>the greatest thing every vented. Because gangster rappers all about attitude.

0:49:03.560 --> 0:49:05.320
<v Speaker 1>As long as you got an attitude to chip on

0:49:05.440 --> 0:49:09.439
<v Speaker 1>your shoulder, you'll be fine in this motherfucker. The first

0:49:09.560 --> 0:49:12.600
<v Speaker 1>day you lose your thorns as a rose, you're worthless.

0:49:13.600 --> 0:49:21.719
<v Speaker 1>You're worthless. So being a gangster rapper, my job is

0:49:21.800 --> 0:49:26.040
<v Speaker 1>to be able to creatively talk about crimes. Yeah right

0:49:26.080 --> 0:49:29.759
<v Speaker 1>now gangster rapping still because everybody's rapping about the same crime.

0:49:30.719 --> 0:49:35.680
<v Speaker 1>I'll murder you. I'll murder you. It's the only crime.

0:49:36.200 --> 0:49:40.040
<v Speaker 1>You compare that to ice cubes crimes. Ice kill was

0:49:40.080 --> 0:49:43.680
<v Speaker 1>talking about burning up Korean people's stores, jumping on jewels,

0:49:43.840 --> 0:49:47.680
<v Speaker 1>anybody he felt was a threat to the to his

0:49:47.800 --> 0:49:50.360
<v Speaker 1>status Q as the black man in the black community,

0:49:50.719 --> 0:49:54.560
<v Speaker 1>he had no problem talking about committing crimes. He was

0:49:54.680 --> 0:49:59.240
<v Speaker 1>the most colorful crime creator, the most colorful crime creator

0:49:59.400 --> 0:50:02.239
<v Speaker 1>in are John right and and so when Dre and

0:50:02.280 --> 0:50:05.320
<v Speaker 1>Snoop came about and they were talking about remember snooping

0:50:05.360 --> 0:50:08.320
<v Speaker 1>them talking about making me and stuff, they dick and

0:50:08.640 --> 0:50:10.719
<v Speaker 1>Snoop was like he was protected by niggas with big Dick.

0:50:10.800 --> 0:50:12.440
<v Speaker 1>I don't know, what is it about the nineties where

0:50:12.440 --> 0:50:14.960
<v Speaker 1>these niggas was like super duper saying a lot of

0:50:15.040 --> 0:50:17.520
<v Speaker 1>gay ship dubb and it was talking about people cold

0:50:17.560 --> 0:50:25.279
<v Speaker 1>hankers till you love me. What is it about the

0:50:25.400 --> 0:50:27.799
<v Speaker 1>nineties to wear these niggas was just like super love

0:50:27.880 --> 0:50:30.840
<v Speaker 1>with the thought of doing sexual ship to men. It

0:50:31.000 --> 0:50:34.960
<v Speaker 1>was just quite weird. But maybe it's prints it came from,

0:50:35.040 --> 0:50:37.880
<v Speaker 1>you know, I don't know, but she was like on

0:50:37.920 --> 0:50:40.600
<v Speaker 1>the regional level. To me, I think that, and I'm

0:50:40.719 --> 0:50:42.800
<v Speaker 1>extraordinarily a Bias is one of my top two or

0:50:42.840 --> 0:50:46.400
<v Speaker 1>three favorite rappers of all time. But like they were

0:50:46.480 --> 0:50:50.719
<v Speaker 1>not there. There was like the pimp fad phase of

0:50:50.840 --> 0:50:52.680
<v Speaker 1>hip hop for a few years, you know, all that

0:50:52.800 --> 0:50:54.920
<v Speaker 1>ship and it wasn't anything worth a damn. But like

0:50:55.040 --> 0:50:57.680
<v Speaker 1>sugar Free was calmed down and really talking about really

0:50:57.760 --> 0:51:00.680
<v Speaker 1>living that life and really talking about them cries and

0:51:00.840 --> 0:51:04.600
<v Speaker 1>really taking those and I think that's the different That's

0:51:04.640 --> 0:51:09.800
<v Speaker 1>the cornerstone of gangster rap. So a gangster, right is

0:51:09.960 --> 0:51:14.600
<v Speaker 1>somebody willing or that commits crimes to advance their agendists

0:51:14.800 --> 0:51:17.360
<v Speaker 1>Like how like this as a guy, as a rapper,

0:51:17.440 --> 0:51:19.279
<v Speaker 1>as or whatever what was the name of a song,

0:51:19.640 --> 0:51:23.000
<v Speaker 1>And I really like, I'm not trying to ship. It

0:51:23.080 --> 0:51:25.279
<v Speaker 1>just happens to be an example for this one particular song,

0:51:26.360 --> 0:51:28.520
<v Speaker 1>the song with like the steel drums and fifty did

0:51:28.560 --> 0:51:34.520
<v Speaker 1>with Snoop about Peppina. Okay, how fucking far is that

0:51:34.920 --> 0:51:37.879
<v Speaker 1>from a sugar Free track. It's a light year away.

0:51:37.960 --> 0:51:40.680
<v Speaker 1>It's just other than the same letter P existing in

0:51:40.760 --> 0:51:43.560
<v Speaker 1>a song. It's not even the same crime. It's definitely

0:51:43.640 --> 0:51:46.000
<v Speaker 1>not detailed as well. But but to get back to

0:51:46.080 --> 0:51:47.719
<v Speaker 1>the point, King, That's what I'm saying though, because that's

0:51:47.719 --> 0:51:53.080
<v Speaker 1>what I'm saying, Pete, Like gangster rap is about crime. Now,

0:51:53.239 --> 0:51:57.719
<v Speaker 1>can you make the crime desirable enough for people to

0:51:57.800 --> 0:51:59.839
<v Speaker 1>get behind you and root for you to get away

0:51:59.880 --> 0:52:04.000
<v Speaker 1>with committing it? Question? That's the trick. Do you think

0:52:04.080 --> 0:52:09.399
<v Speaker 1>that like it took me? I was probably an early

0:52:09.480 --> 0:52:11.719
<v Speaker 1>teenager when I first really heard a lot of ship

0:52:11.840 --> 0:52:14.520
<v Speaker 1>of UM sorry DJ Quicks music, like to really sit

0:52:14.600 --> 0:52:17.080
<v Speaker 1>down and listen to it. I didn't know what a

0:52:17.160 --> 0:52:19.320
<v Speaker 1>lot of this ship was that he was talking about

0:52:21.040 --> 0:52:26.040
<v Speaker 1>until I was until I had really lived in l

0:52:26.160 --> 0:52:31.040
<v Speaker 1>A and being around and really entrenched in parts of

0:52:31.160 --> 0:52:33.480
<v Speaker 1>Los Angeles where I can understand what he's talking about.

0:52:33.800 --> 0:52:36.960
<v Speaker 1>The trees and ship. I don't know what his ship was,

0:52:37.080 --> 0:52:41.160
<v Speaker 1>super duper. It was very very consific. Yeah, versus like

0:52:41.480 --> 0:52:45.560
<v Speaker 1>you listen to let me ride, want to seven around

0:52:45.560 --> 0:52:51.080
<v Speaker 1>and get kindle very frank. I always say that UM

0:52:52.719 --> 0:52:55.120
<v Speaker 1>with Dre and them and and if Snoop was able

0:52:55.200 --> 0:52:57.719
<v Speaker 1>to do with West Coast gangster Rap, there's a lot

0:52:57.800 --> 0:53:00.400
<v Speaker 1>to do with what Michael Jackson was able to do

0:53:00.600 --> 0:53:06.879
<v Speaker 1>with you know, R and b or whatever. Yeah, where

0:53:06.920 --> 0:53:09.919
<v Speaker 1>it's like you're able to convey it in a much

0:53:10.040 --> 0:53:13.760
<v Speaker 1>easier and digestible thing. You know. They called Michael Jackson

0:53:14.000 --> 0:53:17.480
<v Speaker 1>the king of pop. Prior to him, the music was

0:53:17.600 --> 0:53:20.719
<v Speaker 1>not pop. No, pop was not what he was making. No, no,

0:53:21.000 --> 0:53:23.360
<v Speaker 1>he just got really popular. Okay, So back to the

0:53:23.400 --> 0:53:27.080
<v Speaker 1>point I'm glad I'm saying, so marketing again, right, becomes

0:53:27.160 --> 0:53:29.840
<v Speaker 1>that so if you understand, most people don't do the

0:53:29.920 --> 0:53:33.160
<v Speaker 1>work to understand. So they're just hiring somebody and they're like, Okay,

0:53:33.160 --> 0:53:36.840
<v Speaker 1>I just lack exposure. No, you don't lack exposure. You

0:53:37.000 --> 0:53:40.320
<v Speaker 1>lacked an act. That's ego, but who don't have it

0:53:40.400 --> 0:53:42.800
<v Speaker 1>in it? I'm so great. If more people just heard me,

0:53:42.880 --> 0:53:45.759
<v Speaker 1>they'd appreciate it. Was. It was a young dude on

0:53:45.920 --> 0:53:48.840
<v Speaker 1>Me and head Me and DJ head Live. I heard that,

0:53:50.440 --> 0:53:54.400
<v Speaker 1>Yeah better than Snoop. I'm better than Snoop to pocket

0:53:54.640 --> 0:53:59.360
<v Speaker 1>and and and he was like, yeah, well y'all got me.

0:53:59.400 --> 0:54:00.960
<v Speaker 1>Don't hear something? Now y'all heard my song? So I

0:54:01.239 --> 0:54:04.480
<v Speaker 1>want anyone? I'm like, yeah, that's not marketing, bro, that

0:54:04.719 --> 0:54:08.160
<v Speaker 1>that's not really a good storyline, Like you just become

0:54:08.200 --> 0:54:10.640
<v Speaker 1>the guy whose music who said that music is, but

0:54:10.719 --> 0:54:14.279
<v Speaker 1>everybody who heard the song wasn't particularly infastuated with it.

0:54:16.000 --> 0:54:18.719
<v Speaker 1>And I understand. It seems so simple because you're looking

0:54:18.760 --> 0:54:20.520
<v Speaker 1>at the way the little satan little boy with the

0:54:20.600 --> 0:54:23.319
<v Speaker 1>rainbow here is moving. So you're like, well, whatever it takes.

0:54:23.360 --> 0:54:26.399
<v Speaker 1>And I'm like, he's probably the worst example that. That's

0:54:26.440 --> 0:54:29.120
<v Speaker 1>the scary thing in marketing, man, where you I'm starting

0:54:29.160 --> 0:54:32.399
<v Speaker 1>to realize people will do anything, and it's like, I'm

0:54:32.440 --> 0:54:34.360
<v Speaker 1>starting to think some men are getting slept, but like

0:54:34.640 --> 0:54:36.960
<v Speaker 1>some men is taking dick to get in on this business.

0:54:37.960 --> 0:54:40.800
<v Speaker 1>Like you heard those stories, You're starting to think that

0:54:41.200 --> 0:54:44.960
<v Speaker 1>I did not believe that forever about that in the nineties,

0:54:46.440 --> 0:54:50.400
<v Speaker 1>I did not say the niggas. Hey, I thought you

0:54:50.480 --> 0:54:52.520
<v Speaker 1>said that he was doing that to night He's talking

0:54:52.560 --> 0:54:55.640
<v Speaker 1>all that gay ship, doing that co hangers and ship