WEBVTT - Listener Mail: Mirages and More

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail. My name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 1>We hope you're doing all right. On this Monday. We

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<v Speaker 1>were just talking off Mike about movies shot in Arizona

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<v Speaker 1>and about and about how my brain is kind of

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<v Speaker 1>wrecked right now because Rachel and I earlier we're listening

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<v Speaker 1>to a very nice playlist full of great music. But

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<v Speaker 1>the playlist was called good Times, Great Oldies. It was

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<v Speaker 1>just something Rachel found on the Internet. And then it's

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<v Speaker 1>full of music from the nineties, which that is awful.

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<v Speaker 1>Don't do that. It's like music for ancient mummies. And

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<v Speaker 1>then it's that goat yea song. Well, you know, it's

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<v Speaker 1>it's just how it works. You reached that point where

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<v Speaker 1>you know, all the the hits you remember are the classics, right, Yeah,

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<v Speaker 1>everything becomes gs rock eventually. But now I'm loaded up

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<v Speaker 1>on indigol Arles and and Sonny came home and all that,

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<v Speaker 1>so so I'm ready to talk about fatim or Ghana.

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<v Speaker 1>Rob would you like to jump right into the email. Yeah,

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<v Speaker 1>let's do it. We received a number of listener mails

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<v Speaker 1>regarding this episode, which was a super fun to put together,

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<v Speaker 1>and um yeah, it seems to resonate with with everyone.

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<v Speaker 1>And I guess came out at just the right time

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<v Speaker 1>because we received a number of different um emails regarding

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<v Speaker 1>a new image that has just come out. Yeah, so

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<v Speaker 1>this was the ship that was cited floating in the

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<v Speaker 1>air over the horizon off the Cornish coast. A bunch

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<v Speaker 1>of listeners sent this to us. This may have been

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<v Speaker 1>This may have been the thing that was like the

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<v Speaker 1>single largest number of listeners sending the same news article. Yeah, yeah,

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<v Speaker 1>And I think this story was published maybe the same

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<v Speaker 1>day as our fatimor Ghana episode or maybe the day after.

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<v Speaker 1>I'm not sure, but uh so you can look up

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<v Speaker 1>pictures of it on the internet if you haven't seen

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<v Speaker 1>it already, look up like ship floating Cornish coast or something.

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<v Speaker 1>Uh it should come right up and to read from

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<v Speaker 1>the BBC news report about it. This is an unsigned

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<v Speaker 1>article of course, so I can't tell you the author,

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<v Speaker 1>but images of what appears to be a hovering ship

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<v Speaker 1>have been captured as a result of a rare optical

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<v Speaker 1>illusion off the coast of England. David Morris took a

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<v Speaker 1>photo of the ship near Falmouth, Cornwall. BBC meteorologist David

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<v Speaker 1>Brain said the superior mirage occurred because of special atmospheric

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<v Speaker 1>conditions that bend light. He said the illusion is common

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<v Speaker 1>in the Arctic that can appear very rarely in the

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<v Speaker 1>UK during winter. Mr Morris said he was stunned after

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<v Speaker 1>capturing the picture while looking out to see from the

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<v Speaker 1>hamlet of Gillen. Mr Brain said quote Superior mirages occur

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<v Speaker 1>because of the weather condition known as temperature inversion, where

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<v Speaker 1>cold air lies close to the sea and warmer air

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<v Speaker 1>above it. Since cold air is denser than warm air,

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<v Speaker 1>it bends light towards the eyes of someone standing on

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<v Speaker 1>the ground or on the coast, changing how a distant

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<v Speaker 1>object appears. Superior mirages can produce a few different types

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<v Speaker 1>of images. Here a distant ship appears to float high

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<v Speaker 1>above its actual position, but sometimes an object below the

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<v Speaker 1>horizon can become visible. And yeah, it is a really

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<v Speaker 1>striking image. I will say it has, at least in

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<v Speaker 1>this photo, it has greater clarity than most superior mirages.

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<v Speaker 1>Usually somehow they look a little bit more I don't know,

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<v Speaker 1>faded or ethereal, lending themselves well to spectral interpretations. This

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<v Speaker 1>one looks quite straightforward. It just looks like a ship

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<v Speaker 1>in the air. Yeah, and it really Yeah, it's one

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<v Speaker 1>of these where it's not a situation in which you

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<v Speaker 1>would look at this and be like, I guess it

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<v Speaker 1>kind of looks like a ship floating above the horizon.

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<v Speaker 1>Now it's it's it's it's very confusing to look at

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<v Speaker 1>if you don't know what you're seeing here. So yeah,

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<v Speaker 1>great serendipity. We did not know this, this photo would

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<v Speaker 1>be published here, this article would be coming out around

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<v Speaker 1>the time of the episode, so so yeah, it was

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<v Speaker 1>a nice surprise. Thanks for everybody who send it our way. Yeah. Absolutely,

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<v Speaker 1>I'm not sure I would have necessarily caught it otherwise. Um,

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<v Speaker 1>let's see what else do we have, And we have

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<v Speaker 1>more listener mail regarding the photomorgana. Uh. This one comes

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<v Speaker 1>to us from Chris, Hi, Robert and Joe. Just finished

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<v Speaker 1>listening to your excellent episode on Potomorgana. And I was

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<v Speaker 1>not familiar with this term, but I did know what

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<v Speaker 1>a mirage was and have been lucky enough to see

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<v Speaker 1>a few during travels in the Southwest United States. The

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<v Speaker 1>example that I am sharing is from the area of

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<v Speaker 1>country that I live in. This was an excellent story

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<v Speaker 1>at quite a breathtaking photo of Chicago taken from the

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<v Speaker 1>shores of Michigan. Here is a link to the news

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<v Speaker 1>story about it, and I checked this out. Chris attaches

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<v Speaker 1>a link to an article by Tom Coombs explaining the

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<v Speaker 1>mirage or case of looming. I'm not sure quite which

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<v Speaker 1>one it is. It's one or the other that is

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<v Speaker 1>apparently explaining this photograph of the skyline of Chicago that

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<v Speaker 1>could be seen from the opposite shore of the Great Lake.

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<v Speaker 1>And yeah, if you look at it, it is it

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<v Speaker 1>is quite a beautiful picture. It's got some eighties mall colors,

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<v Speaker 1>kind of Miami vice and the pink and blue hues,

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<v Speaker 1>but it is quite beautiful. Yeah. It looks like he

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<v Speaker 1>could be a you know, cover image for a vapor

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<v Speaker 1>wave album for sure. That's what I was thinking. Yes, um, yeah,

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<v Speaker 1>And it has the appearance of like a city in

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<v Speaker 1>the clouds, or or a city so just so towering

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<v Speaker 1>that it's somehow visible above the horizon. It's it's interesting

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<v Speaker 1>anyway that the listening mail continues as the article states,

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<v Speaker 1>it's impossible to see Chicago from that far away, some

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<v Speaker 1>fifty seven miles, but with a mirage it looks significantly closer.

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<v Speaker 1>Oh and with that being said, it could be very

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<v Speaker 1>easy to see how travelers through the ages have imagined

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<v Speaker 1>things being much closer than the actually word due to

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<v Speaker 1>this phenomenon. Keep up the great work, and as always,

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<v Speaker 1>thanks for continuing to blow our minds. Chris. Yeah, thanks Chris.

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<v Speaker 1>So Yes. I was reading this article and it seems

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<v Speaker 1>to me that basically, depending on the elevation at which

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<v Speaker 1>you're standing, it maybe sometimes should be possible to see

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<v Speaker 1>the tops of the very tallest buildings in the Chicago

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<v Speaker 1>skyline from across the lake, just given the normal geometry

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<v Speaker 1>the curvature of the earth. But you definitely shouldn't be

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<v Speaker 1>able to see down to where it looks like you

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<v Speaker 1>can see in this photo, which is it looks like

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<v Speaker 1>you can see the city all the way down to

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<v Speaker 1>the ground level, not just like the peak of the

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<v Speaker 1>Sears Tower and the other tallest buildings. Um. And so,

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<v Speaker 1>one of the funny things I was reading in this

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<v Speaker 1>article is that apparently, according to this guy Tom Coombs, uh,

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<v Speaker 1>some flat earth people were using the photo as evidence

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<v Speaker 1>that well, look, the Chicago skyline is visible on the

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<v Speaker 1>opposite side of the lake in this photo, proof that

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<v Speaker 1>the Earth is actually flat. And that just made me think,

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<v Speaker 1>if people are actually saying that, what do they think

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<v Speaker 1>about like the millions of other photos where you can't

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<v Speaker 1>see it, Like, what's going on there? I think you're

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<v Speaker 1>you're already putting way too much thought, more thought than

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<v Speaker 1>they put into um saying ah, here it is proof

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<v Speaker 1>of of the Earth's flatness. Uh so very weirdly. This

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<v Speaker 1>next message also will touch on something that's sort of

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<v Speaker 1>peripheral to, uh to some of the bizarre flat Earth beliefs. Rob,

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<v Speaker 1>do you ever come across this claim? Apparently some flat earthers,

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<v Speaker 1>you know, you ask the question, well, okay, what happens

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<v Speaker 1>if you get to the edge of the disc? They

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<v Speaker 1>believe the Earth is some kind of flat disc, or

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<v Speaker 1>at least claim to believe that. It's hard to tell

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<v Speaker 1>with a lot of them, like whether they genuinely believe

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<v Speaker 1>this or whether they're just sort of like saying it

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<v Speaker 1>for fun. Um, Yes, yes, I know where you're going.

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<v Speaker 1>This is the idea that at the edge of the

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<v Speaker 1>disc you will encounter vast ice walls that keep you

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<v Speaker 1>from falling off the Earth, and I guess maybe they

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<v Speaker 1>keep the oceans from flowing off and landing on the turtle.

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<v Speaker 1>I guess so. Um yeah, So the ice walls are

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<v Speaker 1>a common feature of the flat earth mythology, so just

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<v Speaker 1>keep that in mind. That will come up again in

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<v Speaker 1>this next message from Dempsey. Oh and this one is

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<v Speaker 1>about both the Fata Morgana episode and the previous episodes

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<v Speaker 1>that we talked about with halos and optical phenomena like

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<v Speaker 1>the sun dogs and things like that. So Dempsey says, Hey, guys,

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<v Speaker 1>I'm a long time slash first time fan. I'm a

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<v Speaker 1>physics grad student at u A. Fairbanks that studies crazy fluids.

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<v Speaker 1>In truth, I study the turbulence in Tokomax, a type

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<v Speaker 1>of nuclear fusion reactor. Along this path was an incredibly

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<v Speaker 1>interesting class on geophysical fluid dynamics or g f D,

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<v Speaker 1>the study of planetary scale fluids meaning atmosphere and oceans,

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<v Speaker 1>their interactions that occur at given boundaries, and many other

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<v Speaker 1>interesting things. In the class, we learned the finest inner

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<v Speaker 1>workings of several optical illusions that one could see, especially

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<v Speaker 1>ones from the cold. Being a huge fan of sustainable living,

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<v Speaker 1>I bike ski or walk to school every day. On

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<v Speaker 1>top of finally catching up on all of stuff to

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<v Speaker 1>blow your mind and seeing all of the aurora in commute.

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<v Speaker 1>This has grown my optical illusion checklist better. Yet, the

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<v Speaker 1>sleep deprived ramble of a first year grad student from

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<v Speaker 1>science building the cabin has also led to the occasional

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<v Speaker 1>false paranormal sighting. Oh, Dempsey, you know how to grab

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<v Speaker 1>our attention? Um, so yeah, so Dempsey goes on. The

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<v Speaker 1>first sighting occurred the winter before taking g f D.

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<v Speaker 1>Remember that's geophysical fluid dynamics, and I had absolutely no

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<v Speaker 1>idea it was a possibility. Skiing home late one cloudy

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<v Speaker 1>night after grading, it was perfectly calm with no wind,

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<v Speaker 1>and it was a bitter cold, better than thirty degrees

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<v Speaker 1>fahrenheit below. This commute was also along a hiking path

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<v Speaker 1>in the woods that allowed for almost no light pollution.

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<v Speaker 1>I stopped in a clearing to catch my breath. When

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<v Speaker 1>looking in the distance towards home, four or five beams

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<v Speaker 1>of light connecting the forest to the clouds appeared. These

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<v Speaker 1>columns of white light were huge, laser like beams that

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<v Speaker 1>were stable and did not flicker. Beams were so powerful

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<v Speaker 1>and caught me so unaware that it was all I

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<v Speaker 1>could do to avoid the fight or flight panic, to

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<v Speaker 1>get lost and hide in the forest aliens. Later in GFD,

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<v Speaker 1>I learned in that kind of cold, when ice precipitates

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<v Speaker 1>from the clouds humidity, it can form a crystal so

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<v Speaker 1>small it can't be seen. This crystal based structure is

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<v Speaker 1>most likely to form in a flat paper like sheet.

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<v Speaker 1>When these sheets of crystal float to the ground like

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<v Speaker 1>a falling leaf, they act like either a lens or

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<v Speaker 1>a mirror, depending on the way that the light strikes it. Ultimately,

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<v Speaker 1>the combination of the street lights that were already on

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<v Speaker 1>and the temperature dropping to a given sweet spot for

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<v Speaker 1>the humidity and pressure that day led to false UFO

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<v Speaker 1>beams that got a rise out of me. Wow, that

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<v Speaker 1>that is amazing. I have never heard of that before.

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<v Speaker 1>Dempsey goes on the sun dogs are my favorite illusion.

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<v Speaker 1>It turns out there essentially a glorified cold weather rainbow.

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<v Speaker 1>When white light from the sun like some small round thing,

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<v Speaker 1>like a tiny ice crystal, it is deflected along a

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<v Speaker 1>cone from the point to possibly your eye. This is

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<v Speaker 1>why rainbows are always the same shape arc I'm a

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<v Speaker 1>little confused on this next sentence, I Dempsey says, when

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<v Speaker 1>we see them get brighter, not grow and extend. Not

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<v Speaker 1>quite sure about that, but there may be a type

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<v Speaker 1>of there. Uh. This is also why the halo around

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<v Speaker 1>the moon has a specific fixed angular size. The same

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<v Speaker 1>behavior leads to sundogs in the polar regions of the

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<v Speaker 1>world at the polls during the winter when the temperature

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<v Speaker 1>is right to make small ray Leigh scatterers. The sun

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<v Speaker 1>is low near the horizon. If present when the conditions

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<v Speaker 1>are perfect, this can actually result in a ring of

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<v Speaker 1>rainbow around the Sun. During these conditions, it is possible

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<v Speaker 1>to have as many as four additional suns at the

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<v Speaker 1>vertices of pie divided by two pie, three pie divided

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<v Speaker 1>by two and two pie surrounding the Sun. As you

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<v Speaker 1>guys know, this can also lead to false UFO encounters,

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<v Speaker 1>not in my case, though I got the burning bush

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<v Speaker 1>experience earlier. This semester. We had a negative ten degree

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<v Speaker 1>fahrenheit snow day. On this commute, I admired the beauty

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<v Speaker 1>of this impossibly fine stacked dust in the trees. I

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<v Speaker 1>had been walking up to a crested ridge to suddenly

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<v Speaker 1>see a lone birch in a clearing engulfed in the

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<v Speaker 1>brightest red flame I had ever seen. It was only

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<v Speaker 1>after changing my position by several meters that it was

0:12:25.320 --> 0:12:27.880
<v Speaker 1>easy to tell that it was only a chance alignment

0:12:27.880 --> 0:12:31.480
<v Speaker 1>with a sun dog in the early morning sun. Unfortunately,

0:12:31.480 --> 0:12:33.600
<v Speaker 1>it was too cold and my phone died before I

0:12:33.600 --> 0:12:36.000
<v Speaker 1>could get the picture. So here is one from later

0:12:36.040 --> 0:12:38.480
<v Speaker 1>on without the snow. That should be a good starting

0:12:38.480 --> 0:12:41.840
<v Speaker 1>point for a mental image. And uh and Dempsey attaches

0:12:41.960 --> 0:12:44.440
<v Speaker 1>an image of like a thicket of trees with the

0:12:44.480 --> 0:12:46.680
<v Speaker 1>sun shining from right behind them. That does make it

0:12:46.760 --> 0:12:49.319
<v Speaker 1>kind of look like the trees on fire. Now here,

0:12:49.360 --> 0:12:51.520
<v Speaker 1>we're coming back to the ice wall. I think I'm

0:12:51.600 --> 0:12:54.000
<v Speaker 1>riding after the morning walk listening to the episode on

0:12:54.080 --> 0:12:56.840
<v Speaker 1>Fatim Morgana. I may not have been listening closely enough.

0:12:56.960 --> 0:12:59.800
<v Speaker 1>I may have been staring at it too intently. But

0:13:00.000 --> 0:13:03.400
<v Speaker 1>did you guys mention the ice wall that sometimes results

0:13:03.880 --> 0:13:07.480
<v Speaker 1>from Fairbanks? Looking south, one can see the Alaska slash

0:13:07.559 --> 0:13:11.480
<v Speaker 1>Dnnali range miles away, with many small valleys and ridges

0:13:11.520 --> 0:13:14.920
<v Speaker 1>between the Fata Morgana seems to result in a in

0:13:15.000 --> 0:13:18.240
<v Speaker 1>a hundreds of foot high ice wall visible hundreds of

0:13:18.240 --> 0:13:21.320
<v Speaker 1>miles away. Here's a picture, and then there is a

0:13:21.360 --> 0:13:23.360
<v Speaker 1>picture for us to look at that that does look

0:13:23.400 --> 0:13:26.679
<v Speaker 1>extremely strange. Yeah, it's it's quite impressive. It does look

0:13:26.720 --> 0:13:29.120
<v Speaker 1>like some sort of Titanic ice wall. I don't know

0:13:29.200 --> 0:13:31.880
<v Speaker 1>if it has ever had religious significance, but I imagine

0:13:31.920 --> 0:13:35.240
<v Speaker 1>it's influenced ideas in literature like Game of Thrones and

0:13:35.320 --> 0:13:38.959
<v Speaker 1>in conspiracy theories like the Flat Earth. One last illusion

0:13:39.000 --> 0:13:42.040
<v Speaker 1>to look for occurs when the sun crosses a sharp boundary,

0:13:42.120 --> 0:13:46.320
<v Speaker 1>giving the quote green flash from Lots of Lore. I

0:13:46.320 --> 0:13:48.120
<v Speaker 1>don't remember if this came up in Fatim Moor, Ghana,

0:13:48.200 --> 0:13:51.160
<v Speaker 1>but it is yeah, related phenomena often observed by sailors.

0:13:51.760 --> 0:13:54.280
<v Speaker 1>Dempsey goes on, this is much harder to see because

0:13:54.320 --> 0:13:56.640
<v Speaker 1>it is literally a flash of green light that you

0:13:56.679 --> 0:13:58.959
<v Speaker 1>can see when staring at the sun at the exact

0:13:59.040 --> 0:14:02.199
<v Speaker 1>right moment the sun goes below the ocean pirates of

0:14:02.280 --> 0:14:04.959
<v Speaker 1>the Caribbean style or dips behind the peak of a

0:14:05.040 --> 0:14:09.360
<v Speaker 1>huge mountain range Alaska style. Hopefully this was interesting or

0:14:09.360 --> 0:14:11.480
<v Speaker 1>at least a little bit funny. Always looking forward to

0:14:11.480 --> 0:14:14.080
<v Speaker 1>our next walk, Dempsey, Yeah, I love all these of

0:14:14.080 --> 0:14:16.160
<v Speaker 1>these images. This was I was hoping, you know, that

0:14:16.720 --> 0:14:20.160
<v Speaker 1>people would send in photographs and yeah, that they that

0:14:20.240 --> 0:14:22.920
<v Speaker 1>they've provided a number of them here. Yeah, and really

0:14:22.960 --> 0:14:26.320
<v Speaker 1>appreciate the interpretive context as well. I had never heard

0:14:26.320 --> 0:14:30.680
<v Speaker 1>of that idea before about um light being reflected against

0:14:30.800 --> 0:14:33.640
<v Speaker 1>or through these like sheet like crystal svice. I'm gonna

0:14:33.680 --> 0:14:41.520
<v Speaker 1>have to look that up, all right. Here's another one.

0:14:41.560 --> 0:14:43.840
<v Speaker 1>This one comes to us from m R and it

0:14:44.000 --> 0:14:47.960
<v Speaker 1>is a response to our Halo episodes. Hi, Joe and Robert.

0:14:48.000 --> 0:14:50.360
<v Speaker 1>I was introduced to your podcast by my husband, who

0:14:50.360 --> 0:14:52.480
<v Speaker 1>has been listening for many years now. I hope this

0:14:52.560 --> 0:14:54.520
<v Speaker 1>doesn't sound too weird, but we listened to the show

0:14:54.600 --> 0:14:57.840
<v Speaker 1>every night to fall asleep. I will say that is

0:14:57.880 --> 0:14:59.880
<v Speaker 1>not that is not weird. We've been I think we

0:15:00.120 --> 0:15:02.600
<v Speaker 1>heard of heard from people like this for for years

0:15:02.640 --> 0:15:04.920
<v Speaker 1>and uh and you know, we're we're happy to help

0:15:04.960 --> 0:15:08.480
<v Speaker 1>you drift off into a pleasant slumber. And we do

0:15:08.520 --> 0:15:12.320
<v Speaker 1>apologize for the rare occurrences where some sort of loud

0:15:12.360 --> 0:15:15.000
<v Speaker 1>noise at the end of the episode disturbs that anyway,

0:15:15.040 --> 0:15:17.880
<v Speaker 1>they continue. We're the type of people who like to

0:15:17.920 --> 0:15:21.360
<v Speaker 1>have background noise. I'm like that as well. After the

0:15:21.400 --> 0:15:23.800
<v Speaker 1>first night that my husband suggested stuff to blow your mind,

0:15:23.840 --> 0:15:27.280
<v Speaker 1>it became our permanent routine. Yeah, the quick aside, Joe,

0:15:27.320 --> 0:15:30.760
<v Speaker 1>This reminds me when I was when I was a kid,

0:15:30.880 --> 0:15:32.560
<v Speaker 1>or maybe in junior high. I remember going to the

0:15:32.600 --> 0:15:37.520
<v Speaker 1>bookstore and I was purchasing a Dune book and the

0:15:37.640 --> 0:15:41.040
<v Speaker 1>teller there was very excited and she told me how

0:15:41.400 --> 0:15:45.560
<v Speaker 1>she and her husband put David Lynch's Dune on every

0:15:45.680 --> 0:15:49.080
<v Speaker 1>night to go to sleep too. Yeah, so I was.

0:15:49.160 --> 0:15:52.320
<v Speaker 1>I remember being really impressed with that. That that because like, wow,

0:15:52.360 --> 0:15:54.560
<v Speaker 1>that maybe this that is what adult life is like.

0:15:54.640 --> 0:15:57.160
<v Speaker 1>I don't know. You know, there are many things about

0:15:57.200 --> 0:15:59.920
<v Speaker 1>that movie that are dream like, beyond their their dream

0:16:00.040 --> 0:16:02.840
<v Speaker 1>like in ways that are not suggested by the original book.

0:16:02.920 --> 0:16:07.120
<v Speaker 1>They're they're very particularly Lynch. And one example is the

0:16:07.160 --> 0:16:10.320
<v Speaker 1>recurring pug. You know, the pug of House of Tradees.

0:16:10.520 --> 0:16:12.800
<v Speaker 1>Do you remember this? I do remember the pug that

0:16:12.960 --> 0:16:15.600
<v Speaker 1>is such a David Lynch detailed the book, I'm quite sure,

0:16:15.720 --> 0:16:18.200
<v Speaker 1>makes no mention of a pug, and yet in many

0:16:18.280 --> 0:16:20.400
<v Speaker 1>scenes in the movie there's just a pug. There's one

0:16:20.440 --> 0:16:22.960
<v Speaker 1>scene where I believe Patrick Stewart is leading a bunch

0:16:23.000 --> 0:16:25.680
<v Speaker 1>of troops charging into battle against the soldiers of House

0:16:25.720 --> 0:16:30.160
<v Speaker 1>Harconin and he's holding the pug in his arms. Well,

0:16:30.160 --> 0:16:32.800
<v Speaker 1>you know, it's a regal dog. It's it's it's befitting

0:16:32.840 --> 0:16:36.040
<v Speaker 1>of a noble house. Yeah, but anyway, that is that's

0:16:36.080 --> 0:16:39.240
<v Speaker 1>not Mr. Uh, that's not their story. This is a

0:16:39.400 --> 0:16:42.600
<v Speaker 1>story from you know, from when I was younger. Anyway,

0:16:42.760 --> 0:16:45.240
<v Speaker 1>Mr continues, I've always wanted to write in but I

0:16:45.280 --> 0:16:48.880
<v Speaker 1>never had much to contribute until you mentioned synthesia as

0:16:48.880 --> 0:16:53.040
<v Speaker 1>a synisthet myself, what I listened to for relaxation depends

0:16:53.080 --> 0:16:58.080
<v Speaker 1>heavily on the colors and textures I gather from people's voices. Luckily,

0:16:58.280 --> 0:17:01.800
<v Speaker 1>both of you have very calming colors. Joe's voice is

0:17:01.840 --> 0:17:06.120
<v Speaker 1>a dusty, icy purple that moves in symmetrical liquid like waves.

0:17:06.640 --> 0:17:10.400
<v Speaker 1>It has a slight, silvery glitter effect as well. Robert's

0:17:10.480 --> 0:17:13.560
<v Speaker 1>voice actually has two colors. It's mostly a reddish maroon,

0:17:14.119 --> 0:17:18.520
<v Speaker 1>but it's supplemented by an occasional splash of pastel orange.

0:17:18.960 --> 0:17:21.560
<v Speaker 1>The texture feels pointed or spiky, but the tips of

0:17:21.600 --> 0:17:25.000
<v Speaker 1>these spikes are rounded and smooth, kind of conical. Both

0:17:25.040 --> 0:17:27.880
<v Speaker 1>of your voices are very cool toned, which is great

0:17:27.920 --> 0:17:31.280
<v Speaker 1>for relaxation and sleep in my case. Your individual colors

0:17:31.440 --> 0:17:35.280
<v Speaker 1>also complement each other quite well, sometimes separate voices speaking

0:17:35.280 --> 0:17:38.600
<v Speaker 1>together can have colors that clash, which is not as

0:17:38.640 --> 0:17:41.720
<v Speaker 1>conducive for sleep. WHOA though, well, this is the first

0:17:41.720 --> 0:17:45.320
<v Speaker 1>time I've ever had somebody described me in terms of synesthesia.

0:17:45.400 --> 0:17:47.960
<v Speaker 1>I guess this would not be person color synesthesia. This

0:17:48.000 --> 0:17:52.080
<v Speaker 1>would be like auditory, like just the sounds of the voices. Yeah,

0:17:52.119 --> 0:17:54.439
<v Speaker 1>but but I like this. I'm already reading more into it,

0:17:54.520 --> 0:17:57.159
<v Speaker 1>like you know, like my own relationship with the color orange.

0:17:57.200 --> 0:18:00.440
<v Speaker 1>And so for anyway, they continue. But where I met

0:18:00.440 --> 0:18:03.040
<v Speaker 1>my husband, I watched videos that triggered a s MR

0:18:03.160 --> 0:18:05.840
<v Speaker 1>tinkling sensation in order to fall asleep. I think a

0:18:06.040 --> 0:18:08.960
<v Speaker 1>s MR could be an interesting topic for a future episode.

0:18:09.160 --> 0:18:12.320
<v Speaker 1>Thanks for being a part of my nightly routine. MR. Well,

0:18:12.320 --> 0:18:14.240
<v Speaker 1>thank you, m R. I will say, I do not

0:18:14.320 --> 0:18:17.160
<v Speaker 1>think we have ever gotten a message like this before. Yeah,

0:18:17.200 --> 0:18:19.680
<v Speaker 1>I know this is insightful. I mean, like like we've

0:18:19.680 --> 0:18:23.200
<v Speaker 1>said with with synesesia, it's it's it's not universally insightful,

0:18:23.240 --> 0:18:27.359
<v Speaker 1>like the pastel orange is not universally my color for everyone.

0:18:27.400 --> 0:18:30.399
<v Speaker 1>But it's interesting that that's how it is received with

0:18:30.480 --> 0:18:32.879
<v Speaker 1>one individual. But can you tell me the colors of

0:18:32.880 --> 0:18:35.640
<v Speaker 1>the pug It's white and brown or it's black. That's

0:18:35.680 --> 0:18:37.120
<v Speaker 1>those are my guests. I think those are the two

0:18:37.160 --> 0:18:40.240
<v Speaker 1>colors they come in, right, Yeah, I guess so in

0:18:40.320 --> 0:18:42.359
<v Speaker 1>my experience. Anyway, maybe there are other colors of the

0:18:42.440 --> 0:18:45.320
<v Speaker 1>of the pug. I can't remember the color of the

0:18:45.320 --> 0:18:47.640
<v Speaker 1>pug of House of Tradees. I think it's maybe sort

0:18:47.680 --> 0:19:00.000
<v Speaker 1>of sort of a beige dog. Yeah, all right, here's

0:19:00.000 --> 0:19:02.560
<v Speaker 1>another one. This one comes to us from Anna. Hello,

0:19:02.640 --> 0:19:05.280
<v Speaker 1>Robert and Joe. I've just listened to your second episode

0:19:05.280 --> 0:19:08.080
<v Speaker 1>on Halos and you asked for any examples of halos

0:19:08.080 --> 0:19:10.720
<v Speaker 1>and horror sci fi movies. Well, I just happened to

0:19:10.720 --> 0:19:14.320
<v Speaker 1>watch an episode of Doctor Who called Voyage of the Damned.

0:19:15.320 --> 0:19:18.240
<v Speaker 1>This is a long episode and features robot angels called

0:19:18.359 --> 0:19:21.200
<v Speaker 1>the Host. At the start, uh, they are merely robots

0:19:21.240 --> 0:19:23.240
<v Speaker 1>to give out information, but then there is a point

0:19:23.240 --> 0:19:26.440
<v Speaker 1>where they turn evil. They take off their halos above

0:19:26.480 --> 0:19:28.760
<v Speaker 1>their head and use them as deadly weapons to throw

0:19:28.800 --> 0:19:31.399
<v Speaker 1>at people. This is definitely worth a watch. It was

0:19:31.440 --> 0:19:34.560
<v Speaker 1>on recently here in Australia a repeat. I only meant

0:19:34.560 --> 0:19:36.480
<v Speaker 1>to watch a little bit of it, but David Tennant

0:19:36.480 --> 0:19:38.959
<v Speaker 1>is so charming I watched the whole thing. It has

0:19:39.000 --> 0:19:41.040
<v Speaker 1>a lot of lovely elements to it. There's a scene

0:19:41.080 --> 0:19:43.200
<v Speaker 1>at a cocktail party where Doctor Who is a bit

0:19:43.240 --> 0:19:46.119
<v Speaker 1>like James Bond chatting up a pretty girl, except that

0:19:46.160 --> 0:19:48.600
<v Speaker 1>he is interested in her as a person and she

0:19:48.760 --> 0:19:53.920
<v Speaker 1>just happens to be Uh, who's this Kylie Minogue? Kylie Minogue? Well?

0:19:53.920 --> 0:19:56.800
<v Speaker 1>Where should I know? Kylie Minogue from Kylie Minogue is

0:19:56.840 --> 0:20:01.280
<v Speaker 1>as a musician? Oh, just helped us out. I was

0:20:01.320 --> 0:20:04.040
<v Speaker 1>thinking of the music video of hers, directed by Michelle

0:20:04.040 --> 0:20:08.399
<v Speaker 1>Gondry's which is an interesting video. And but also I

0:20:08.440 --> 0:20:12.199
<v Speaker 1>just looked her up and apparently she portrayed Cammy in

0:20:12.280 --> 0:20:17.280
<v Speaker 1>The Street Fighter movie. That should make it worthwhile for you. Right, well, yeah,

0:20:17.400 --> 0:20:21.119
<v Speaker 1>we're talking about the one um the street Fighter movie, right,

0:20:21.160 --> 0:20:25.679
<v Speaker 1>the one yes with all Julia Yes, yeah, yeah, okay,

0:20:25.760 --> 0:20:28.879
<v Speaker 1>all right, excellent. I mean, just more more reason for

0:20:28.960 --> 0:20:32.360
<v Speaker 1>us to uh to to to rewatch that film. Yeah.

0:20:32.400 --> 0:20:35.399
<v Speaker 1>But so apparently she's in a she's in a Doctor

0:20:35.440 --> 0:20:39.199
<v Speaker 1>Who episode. I did not know that. Okay, anyway, they

0:20:39.240 --> 0:20:43.119
<v Speaker 1>continue Also it has alien culture trying to explain Christmas. Uh.

0:20:43.240 --> 0:20:47.760
<v Speaker 1>They so so called expert on Earth cultures says things like, uh,

0:20:48.280 --> 0:20:50.919
<v Speaker 1>like there is a figure called Santa who has clause

0:20:51.000 --> 0:20:54.040
<v Speaker 1>and will punish you if you are bad and it Christmas.

0:20:54.119 --> 0:20:57.480
<v Speaker 1>Humans will eat people from Turkey. Anyway, keep up the

0:20:57.480 --> 0:20:59.840
<v Speaker 1>excellent work, Anna. So, I guess it's kind of like

0:20:59.840 --> 0:21:02.240
<v Speaker 1>that that exercise we often talk about, like how would

0:21:02.240 --> 0:21:07.840
<v Speaker 1>aliens try to describe or understand human culture? So it

0:21:07.880 --> 0:21:10.440
<v Speaker 1>sounds like there was an exercise in in that. I'm

0:21:10.560 --> 0:21:14.440
<v Speaker 1>very tickled by the idea of James Bond, except he's

0:21:14.440 --> 0:21:20.320
<v Speaker 1>interested in her as a person. Yeah, yeah, Bond. Bond

0:21:20.359 --> 0:21:23.080
<v Speaker 1>generally comes off as something of a creep, doesn't he hum?

0:21:24.080 --> 0:21:28.520
<v Speaker 1>But he's our creep, is he? I think he's British.

0:21:28.520 --> 0:21:31.200
<v Speaker 1>Oh that's true. Well he's he's on our side of something.

0:21:32.800 --> 0:21:35.920
<v Speaker 1>He's against the people who want to kill the whole world. Yeah,

0:21:35.920 --> 0:21:46.359
<v Speaker 1>well that's true. Yeah, he ultimately does good work. All right,

0:21:46.400 --> 0:21:50.240
<v Speaker 1>you ready to talk some weird house, let's do it. Okay?

0:21:50.280 --> 0:21:53.080
<v Speaker 1>This first message, actually, we're gonna look at a couple

0:21:53.080 --> 0:21:55.679
<v Speaker 1>of messages about Split Second, and both of them have

0:21:55.840 --> 0:21:58.040
<v Speaker 1>to do with the question we brought up in Split Second,

0:21:58.240 --> 0:22:02.000
<v Speaker 1>the question of why is it that that the tough

0:22:02.040 --> 0:22:04.320
<v Speaker 1>guys in the movie you want to make somebody look

0:22:04.359 --> 0:22:06.760
<v Speaker 1>like a really bad to the bone dude, you give

0:22:06.840 --> 0:22:11.720
<v Speaker 1>them a long coat? Where does that come from? So here? Uh?

0:22:11.760 --> 0:22:14.919
<v Speaker 1>Thomas gets in touch with us about split Second to say, Hi,

0:22:15.119 --> 0:22:18.760
<v Speaker 1>Robin Joe, I really enjoy your podcast. The broad coverage

0:22:18.800 --> 0:22:22.280
<v Speaker 1>both between and within the episodes makes it really enjoyable.

0:22:22.760 --> 0:22:25.280
<v Speaker 1>In your Weird House Cinema episode about Split Second, you

0:22:25.320 --> 0:22:27.920
<v Speaker 1>wonder about the origin of the long code in movies.

0:22:28.480 --> 0:22:31.080
<v Speaker 1>That got me thinking about when it is used. It's

0:22:31.119 --> 0:22:34.520
<v Speaker 1>usually by a lone ranger type of hero or by

0:22:34.600 --> 0:22:39.320
<v Speaker 1>outlaw types of villains, often combined with motorcycles, a modern

0:22:39.359 --> 0:22:42.879
<v Speaker 1>take on the wild West aesthetics Western movies seem to

0:22:42.880 --> 0:22:44.960
<v Speaker 1>me to be the origin of the coats. But are

0:22:45.000 --> 0:22:48.040
<v Speaker 1>they a modern idea or were they used by real cowboys?

0:22:48.320 --> 0:22:50.520
<v Speaker 1>I turned to the Internet for an answer and quickly

0:22:50.560 --> 0:22:54.720
<v Speaker 1>found the duster, a long travel coat worn by cowboys

0:22:54.720 --> 0:22:57.879
<v Speaker 1>in order to protect their clothes from rain and trail dust.

0:22:58.480 --> 0:23:01.200
<v Speaker 1>This is only me speculating, but these long coats and

0:23:01.240 --> 0:23:03.639
<v Speaker 1>the way they flowed in the wind were probably found

0:23:03.640 --> 0:23:06.520
<v Speaker 1>to work really well on the silver screen and made

0:23:06.520 --> 0:23:09.200
<v Speaker 1>a part of the dress code for the cinematic wild West,

0:23:09.200 --> 0:23:13.440
<v Speaker 1>while also being somewhat historically correct, earning itself a permanent

0:23:13.480 --> 0:23:17.719
<v Speaker 1>place in the cinematic wardrobe kind regards to Moss, and

0:23:17.760 --> 0:23:19.920
<v Speaker 1>I will say, yeah, I think there is probably something

0:23:19.960 --> 0:23:22.320
<v Speaker 1>to that. There could be other traditions feeding into it

0:23:22.359 --> 0:23:23.960
<v Speaker 1>as well, but it does seem to me that a

0:23:24.000 --> 0:23:26.959
<v Speaker 1>lot of the aesthetic elements of what makes a like

0:23:27.000 --> 0:23:28.960
<v Speaker 1>a tough guy or you know, bad to the bone

0:23:29.040 --> 0:23:31.919
<v Speaker 1>dude in modern cinema are very much derived from the

0:23:31.960 --> 0:23:35.560
<v Speaker 1>genre conventions that you first see that you first seeing westerns,

0:23:35.600 --> 0:23:39.240
<v Speaker 1>like bikers being sort of reimagined cowboys and so forth.

0:23:39.840 --> 0:23:42.040
<v Speaker 1>Oh yeah, absolutely. Um, It's one of those things where

0:23:42.080 --> 0:23:44.040
<v Speaker 1>when we we kind of stumbled onto the question in

0:23:44.080 --> 0:23:47.320
<v Speaker 1>the episode, we didn't really have an answer. But now

0:23:47.359 --> 0:23:49.680
<v Speaker 1>that I'm reminded of Westerns, like, I feel like this

0:23:49.960 --> 0:23:52.359
<v Speaker 1>has to be the has to be the answer, or

0:23:52.359 --> 0:23:54.960
<v Speaker 1>at least a primary part of the answer, because I'm

0:23:54.960 --> 0:23:58.159
<v Speaker 1>also reminded of just how just how many cowboy films

0:23:58.160 --> 0:24:02.480
<v Speaker 1>they were, and how much of of like the cinematic

0:24:02.560 --> 0:24:06.760
<v Speaker 1>and TV output for a while was just Westerns. And

0:24:06.880 --> 0:24:11.000
<v Speaker 1>you you you hear various filmmakers that we think of

0:24:11.359 --> 0:24:14.520
<v Speaker 1>for their like sci fi, uh and and or fantasy,

0:24:14.560 --> 0:24:17.000
<v Speaker 1>but ginerally like sci fi and horror output. And a

0:24:17.000 --> 0:24:20.120
<v Speaker 1>lot of those those directors they grew up watching these westerns,

0:24:20.160 --> 0:24:22.960
<v Speaker 1>and they're very they're very open about the influence of

0:24:23.000 --> 0:24:26.240
<v Speaker 1>Westerns on their own films. Like John Carpenter is someone

0:24:26.280 --> 0:24:29.119
<v Speaker 1>who's who has touched on this before, you know, especially

0:24:29.280 --> 0:24:31.600
<v Speaker 1>I think even talking about his early films as essentially

0:24:31.640 --> 0:24:34.200
<v Speaker 1>being uh, you know, remakes of westerns. You know, they're

0:24:34.200 --> 0:24:37.959
<v Speaker 1>basically westerns, but they they've taken on this this this

0:24:38.119 --> 0:24:40.639
<v Speaker 1>altered style. I mean, you can also apply that to

0:24:40.680 --> 0:24:43.359
<v Speaker 1>Star Wars and you know, so many things that we

0:24:44.040 --> 0:24:46.880
<v Speaker 1>you know, we don't think of as being really connected

0:24:46.920 --> 0:24:50.440
<v Speaker 1>to cowboys, but but the cowboy DNA is there. Yeah.

0:24:50.440 --> 0:24:52.200
<v Speaker 1>I think in a lot of ways, Han Solo is

0:24:52.240 --> 0:24:55.440
<v Speaker 1>probably sort of the Man with No Name, except made

0:24:55.480 --> 0:24:59.320
<v Speaker 1>a little bit like funnier and more approachable. Uh And

0:24:59.320 --> 0:25:01.280
<v Speaker 1>and you can even see it in some that are

0:25:01.359 --> 0:25:04.560
<v Speaker 1>just direct adaptations, like what is it? Was it that

0:25:04.600 --> 0:25:07.840
<v Speaker 1>Sean Connery movie Outland that's just high noon in space?

0:25:08.240 --> 0:25:11.400
<v Speaker 1>Oh yeah, and it works like but but a big

0:25:11.440 --> 0:25:13.639
<v Speaker 1>part of it was like this was this was everybody's

0:25:13.640 --> 0:25:16.679
<v Speaker 1>diet beforehand, and then you know, you're living increasingly in

0:25:16.720 --> 0:25:19.320
<v Speaker 1>the space age, and people weren't influenced by all this

0:25:19.600 --> 0:25:22.440
<v Speaker 1>sci fi literature as well. And yeah, so your westerns

0:25:22.920 --> 0:25:25.200
<v Speaker 1>stay structurally more or less the same, but they take

0:25:25.320 --> 0:25:28.920
<v Speaker 1>on this this new vibe. Yeah, and I think especially

0:25:29.200 --> 0:25:32.840
<v Speaker 1>especially in the way that traditional ideas about like toughness

0:25:32.960 --> 0:25:37.239
<v Speaker 1>and masculinity are reproduced across film in the era, So

0:25:37.320 --> 0:25:39.440
<v Speaker 1>like it's often going to be like a like a tough,

0:25:39.680 --> 0:25:42.920
<v Speaker 1>cool male character. They're trying to like show him as

0:25:42.920 --> 0:25:45.119
<v Speaker 1>a bad dude, And so they're trying to make you

0:25:45.160 --> 0:25:46.880
<v Speaker 1>think back to things that are in your head from

0:25:46.920 --> 0:25:49.200
<v Speaker 1>the Western movies of old, and that long coat is

0:25:49.200 --> 0:25:51.639
<v Speaker 1>going to be one of them. Yeah. But then again,

0:25:51.720 --> 0:25:53.720
<v Speaker 1>on the you know, it goes without saying, you also

0:25:53.760 --> 0:25:57.080
<v Speaker 1>have an awful gangster movies and stuff. So you know,

0:25:57.240 --> 0:26:00.480
<v Speaker 1>Dick Tracy wore a long coat bright yellow, but a

0:26:00.480 --> 0:26:03.760
<v Speaker 1>long coat nonetheless, and the Shadow wore a long coat,

0:26:03.880 --> 0:26:06.439
<v Speaker 1>so uh yeah, there's there's probably a bit of that

0:26:06.480 --> 0:26:08.800
<v Speaker 1>in there as well. So you have the cowboy DNA,

0:26:08.960 --> 0:26:11.600
<v Speaker 1>you have the noir DNA, and it all kind of

0:26:11.640 --> 0:26:14.359
<v Speaker 1>feeds into your new visions of science fiction. So the

0:26:14.400 --> 0:26:16.880
<v Speaker 1>cowboy wears the long coat to keep the dust off.

0:26:17.400 --> 0:26:20.480
<v Speaker 1>The noir hero wears the long coat what. I guess

0:26:20.480 --> 0:26:22.399
<v Speaker 1>to keep the rain out right because they lived in

0:26:22.480 --> 0:26:26.159
<v Speaker 1>some kind of like rainy nasty or maybe I don't know,

0:26:26.160 --> 0:26:33.840
<v Speaker 1>maybe just because it's the style of the era. Yeah,

0:26:34.000 --> 0:26:36.080
<v Speaker 1>all right, here's another one. This one comes to from Jerry,

0:26:36.680 --> 0:26:39.119
<v Speaker 1>Joe and Robert. I just finished your episode on Split Second.

0:26:39.240 --> 0:26:41.320
<v Speaker 1>In that episode, you had a question about when the

0:26:41.359 --> 0:26:43.639
<v Speaker 1>long coat, like the one Neo Warre and Matrix, became

0:26:43.680 --> 0:26:46.919
<v Speaker 1>a thing. While it was certainly something that was already

0:26:46.920 --> 0:26:48.760
<v Speaker 1>popular as part of the sci fi aesthetic by the

0:26:48.800 --> 0:26:52.240
<v Speaker 1>end of the eighties, compare with the protagonist of Albert

0:26:52.720 --> 0:26:56.040
<v Speaker 1>Puns Nemesis, which came out the same year. A Split

0:26:56.080 --> 0:26:59.200
<v Speaker 1>Second would love an episode on this great slash awful film.

0:26:59.520 --> 0:27:02.800
<v Speaker 1>I susp act its origin as a badass protact protagonist

0:27:02.840 --> 0:27:06.160
<v Speaker 1>fashion comes from eastwoods Man with no name character. There's

0:27:06.160 --> 0:27:10.159
<v Speaker 1>a great scene in the film Wrestler's Rhapsody that pokes

0:27:10.200 --> 0:27:13.240
<v Speaker 1>fun at this, and they include a link. I clicked

0:27:13.280 --> 0:27:15.520
<v Speaker 1>on this and this is funny. It's got a This

0:27:15.600 --> 0:27:17.920
<v Speaker 1>appears to be some kind of Western parody movie. I've

0:27:17.920 --> 0:27:20.720
<v Speaker 1>never seen it before, but the clip is funny because

0:27:20.720 --> 0:27:23.520
<v Speaker 1>it takes place on a train and it's this one

0:27:23.560 --> 0:27:26.640
<v Speaker 1>train car where these two rich you know, ranch owners

0:27:26.680 --> 0:27:29.760
<v Speaker 1>are debating. They've got some kind of rivalry, and each

0:27:29.760 --> 0:27:34.000
<v Speaker 1>one just has this army of looming cowboy dude standing

0:27:34.040 --> 0:27:36.520
<v Speaker 1>behind them. And on one side they're all wearing chaps,

0:27:36.560 --> 0:27:40.359
<v Speaker 1>and on the other side they're all wearing dusters. Andy

0:27:40.400 --> 0:27:42.399
<v Speaker 1>Griffith's in this. It looks like, yeah, he's one of

0:27:42.440 --> 0:27:45.399
<v Speaker 1>the he's one of the like rancher dudes. Okay, well,

0:27:45.440 --> 0:27:47.359
<v Speaker 1>I don't think I was familiar with this film. It

0:27:47.400 --> 0:27:51.040
<v Speaker 1>looks funny. Now. Nemesis, which they mentioned, Uh here that

0:27:51.200 --> 0:27:53.760
<v Speaker 1>is that is already on my my list. I haven't

0:27:53.760 --> 0:27:56.880
<v Speaker 1>watched it yet, but I remember seeing the box art

0:27:56.880 --> 0:27:59.480
<v Speaker 1>when I was younger, and it's now that i've I've

0:27:59.480 --> 0:28:02.359
<v Speaker 1>spotted an Amazon Prime It's it's on my list of

0:28:02.400 --> 0:28:05.320
<v Speaker 1>things to watch. At some point. I hear great things

0:28:05.359 --> 0:28:08.359
<v Speaker 1>about it, like it's supposed to be ultimately a lower

0:28:08.400 --> 0:28:14.760
<v Speaker 1>budget film that has some some some definite sci fi aspirations. Uh,

0:28:15.000 --> 0:28:16.800
<v Speaker 1>it's supposed to be supposed to be worth watching, so

0:28:16.880 --> 0:28:19.680
<v Speaker 1>I'm excited for it. Oh. Albert Paiune has made a

0:28:19.800 --> 0:28:23.360
<v Speaker 1>number of quite funny B movies that I've really enjoyed.

0:28:23.440 --> 0:28:26.760
<v Speaker 1>He made the Captain America, not the not the like

0:28:26.880 --> 0:28:29.680
<v Speaker 1>new you know, high budget Marvel one like the well

0:28:29.680 --> 0:28:32.639
<v Speaker 1>I guess it was always Marvel maybe, but the Captain

0:28:32.680 --> 0:28:36.800
<v Speaker 1>America that came out in the year nineteen. Oh. Yes,

0:28:37.000 --> 0:28:39.880
<v Speaker 1>this was the one with Ronnie Cox Allinger kid in

0:28:39.920 --> 0:28:43.240
<v Speaker 1>it and Ronnie Cox yeah, and Ned Beatty. This movie

0:28:43.400 --> 0:28:46.440
<v Speaker 1>is I remember there's one part in it. Maybe maybe

0:28:46.440 --> 0:28:48.520
<v Speaker 1>I'm remembering this wrong, but the part that stands out

0:28:48.520 --> 0:28:52.280
<v Speaker 1>in my head is that Captain America has been frozen

0:28:52.360 --> 0:28:55.160
<v Speaker 1>in ice, I think, for for many decades and wakes

0:28:55.240 --> 0:28:58.600
<v Speaker 1>up in the nineties and as soon as he wakes up,

0:28:58.840 --> 0:29:01.600
<v Speaker 1>just like the bad guys, wounds are there with motorcycles

0:29:01.640 --> 0:29:04.560
<v Speaker 1>like to ambush him and I don't know what they're

0:29:04.640 --> 0:29:08.680
<v Speaker 1>just immediately there. But as possible, my memory is not

0:29:08.720 --> 0:29:10.760
<v Speaker 1>being fair to it. But I recall this one being

0:29:11.000 --> 0:29:15.680
<v Speaker 1>uh bad but enjoyable. And he also made Cyborg, which

0:29:15.760 --> 0:29:19.760
<v Speaker 1>is another cloud Van Damn movie, uh that I that

0:29:19.840 --> 0:29:23.120
<v Speaker 1>I recall fondly watching with my dad, and there's like

0:29:23.160 --> 0:29:25.520
<v Speaker 1>a great there's a great villain character in it who

0:29:25.600 --> 0:29:27.760
<v Speaker 1>is called a pirate, but he doesn't have a ship.

0:29:27.880 --> 0:29:32.480
<v Speaker 1>They're just like land pirates. Yeah, I'm glancing. It is

0:29:32.720 --> 0:29:35.760
<v Speaker 1>his full filmography here, and yeah, there's a lot of

0:29:35.760 --> 0:29:38.719
<v Speaker 1>stuff in here that looks it looks really cool if

0:29:38.760 --> 0:29:41.680
<v Speaker 1>I recall correctly. The plot of Cyborg is that there

0:29:41.800 --> 0:29:44.080
<v Speaker 1>is a cyborg who must get to the c d

0:29:44.240 --> 0:29:48.040
<v Speaker 1>C command center in Atlanta because this because she has

0:29:48.160 --> 0:29:52.720
<v Speaker 1>in her robot brain a cure for the disease that

0:29:52.800 --> 0:29:55.040
<v Speaker 1>has ravaged Earth, and they can come up with a

0:29:55.120 --> 0:29:58.720
<v Speaker 1>vaccine for it, I guess. And the pirates stop her

0:29:58.880 --> 0:30:00.760
<v Speaker 1>along the way and she said, as I can cure

0:30:00.760 --> 0:30:03.280
<v Speaker 1>all this death and disease, and the lead pirates says,

0:30:03.320 --> 0:30:08.440
<v Speaker 1>but I like the Death and Disease. Yeah, yeah, I

0:30:08.560 --> 0:30:10.720
<v Speaker 1>don't think I've ever watched it in its entirety, but

0:30:11.120 --> 0:30:13.400
<v Speaker 1>I've been familiar with it by reputation for a while.

0:30:13.760 --> 0:30:15.720
<v Speaker 1>But the whole thing with the CDC, that's essentially the

0:30:15.760 --> 0:30:18.719
<v Speaker 1>same thing they did in um, The Walking Dead. Right, Well,

0:30:18.720 --> 0:30:20.440
<v Speaker 1>I don't know. I I never made it past the

0:30:20.520 --> 0:30:23.720
<v Speaker 1>second episode of The Walking Dead. People say it's good.

0:30:23.760 --> 0:30:26.280
<v Speaker 1>I mean, someday, maybe I'll get there. I remember thinking

0:30:26.320 --> 0:30:28.800
<v Speaker 1>I really liked the first episode. I really hated the

0:30:28.800 --> 0:30:32.960
<v Speaker 1>second episode, and then I never saw anymore. Yeah, I

0:30:32.960 --> 0:30:36.280
<v Speaker 1>don't think any of Cyborg was filmed in Georgia, but

0:30:36.600 --> 0:30:39.840
<v Speaker 1>glancing at the filming locations, they weirdly enough, seems like

0:30:39.840 --> 0:30:43.760
<v Speaker 1>they filmed it in North Carolina and Arizona. So yeah,

0:30:43.840 --> 0:30:45.640
<v Speaker 1>with a little bit of California thrown in there for

0:30:45.680 --> 0:30:49.160
<v Speaker 1>good measure. Wikipedia tells me that Cyborg is the first

0:30:49.240 --> 0:30:53.120
<v Speaker 1>in Paiune's Cyborg trilogy. Oh yeah, so there's Cyborg two

0:30:53.240 --> 0:30:55.680
<v Speaker 1>and Cyborg three. I'm getting there. Yeah, there's gonna be

0:30:55.760 --> 0:30:59.080
<v Speaker 1>so much more because they're Cyborgs in Nemesis as well. Right,

0:30:59.080 --> 0:31:03.000
<v Speaker 1>that's that's my understand Probably I'm not familiar with Nemesis. Actually, yeah,

0:31:03.120 --> 0:31:05.320
<v Speaker 1>Nemesis is supposed to be like a like a a

0:31:05.400 --> 0:31:10.000
<v Speaker 1>cyberpunk adventure with you know, killer cyborgs and so forth,

0:31:10.440 --> 0:31:13.400
<v Speaker 1>big guns, that sort of thing. Oh wow, it's got

0:31:13.440 --> 0:31:17.160
<v Speaker 1>Brian James, it's got uh carry here are Yuki Tagawa.

0:31:18.160 --> 0:31:21.240
<v Speaker 1>Yeah yeah, it's good. That's got a good cast, Thomas Jane.

0:31:21.600 --> 0:31:23.880
<v Speaker 1>So okay, I'll watch it. I'm on. I'm on the

0:31:23.880 --> 0:31:29.000
<v Speaker 1>hook for Nemesis now. All right, Well, I guess that's

0:31:29.040 --> 0:31:31.000
<v Speaker 1>about it. That's all we have time for. You know,

0:31:31.040 --> 0:31:34.800
<v Speaker 1>we received a lot of other listener mails related to

0:31:34.840 --> 0:31:37.760
<v Speaker 1>these topics. And you know we'll read some more of

0:31:37.800 --> 0:31:41.160
<v Speaker 1>them next time. But keep it coming, keep responding to episodes,

0:31:41.200 --> 0:31:46.520
<v Speaker 1>older episodes, newer episodes, uh core episodes of the show, artifact, weird,

0:31:46.560 --> 0:31:49.880
<v Speaker 1>how cinema, whatever the case may be. Just reach out

0:31:49.920 --> 0:31:51.920
<v Speaker 1>to us, and you know, we don't have time to

0:31:51.920 --> 0:31:54.280
<v Speaker 1>read everything on the show, but we we read everything

0:31:54.320 --> 0:31:57.160
<v Speaker 1>that comes in, at least to ourselves. In the meantime,

0:31:57.200 --> 0:31:59.080
<v Speaker 1>if you want to check out other episodes of Stuff

0:31:59.120 --> 0:32:00.720
<v Speaker 1>to Boil your Mind, you can find us in the

0:32:00.800 --> 0:32:02.960
<v Speaker 1>Stuff to Blow Your Mind podcast feed and you'll find

0:32:02.960 --> 0:32:06.320
<v Speaker 1>that wherever you get your podcasts. Huge thanks as always

0:32:06.320 --> 0:32:09.760
<v Speaker 1>to our excellent audio producer Seth Nicholas Johnson. If you

0:32:09.760 --> 0:32:11.720
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0:32:11.760 --> 0:32:14.120
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0:32:14.160 --> 0:32:16.320
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0:32:16.360 --> 0:32:26.800
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0:32:26.920 --> 0:32:29.440
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