WEBVTT - Thalía: Amor A La Mexicana

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<v Speaker 1>So it's kidding, Leana. I want to be the one

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<v Speaker 1>asking the questions this time.

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<v Speaker 2>Oh, Jojo coming in hot today, I wasn't ready.

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<v Speaker 1>Do you use me? It's Jose Antonio and then come

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<v Speaker 1>in hot every day. Thanks. Anyway, my question for.

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<v Speaker 2>You, hum, I'm ready.

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<v Speaker 1>How do you bring that bad bitch energy to a

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<v Speaker 1>situation that needs it?

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<v Speaker 2>Well? What kind of bad bitch are we being? Are

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<v Speaker 2>we being somebody that needs a raise? Are we trying

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<v Speaker 2>to break up with a boyfriend? Are we trying to

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<v Speaker 2>cut off negative energy? I think it depends on what

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<v Speaker 2>our situation calls for. Because I think you have to

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<v Speaker 2>temper the bad bitch energy in a direction and channel it.

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<v Speaker 1>That's good. And also here's the thing, like, so what

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<v Speaker 1>do you think, do you like pump yourself up to

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<v Speaker 1>get that bad bitch.

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<v Speaker 2>Girl or oh yeah, I feel like you have to

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<v Speaker 2>be like very Sasha fierce about it, you know, because

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<v Speaker 2>I think naturally people probably aren't that way when they

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<v Speaker 2>just like open their eyes and wake up in the morning.

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<v Speaker 2>So I think whether you need it, I mean, okay,

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<v Speaker 2>most of us that don't have your special energy or

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<v Speaker 2>not like that, So I think, listen, sometimes you need

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<v Speaker 2>a liquid courage. Sometimes you need a pump up song,

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<v Speaker 2>I mean, or you could always just close your eyes

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<v Speaker 2>and picture Daliah, because last time we checked in on her.

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<v Speaker 1>She was sitting on the desk of De La Visa's president,

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<v Speaker 1>casually checking her French manny and telling him I want

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<v Speaker 1>to be famous, world famous.

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<v Speaker 2>Now we don't actually know that she sat on the desk,

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<v Speaker 2>nor do we know that she was rocking a French

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<v Speaker 2>but this is the late eighties, so it is one

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<v Speaker 2>hundred percent possible. Here's what we do know. This girl

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<v Speaker 2>made her ambitions known in no uncertain terms. Bitch was

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<v Speaker 2>direct power.

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<v Speaker 1>Moves, honey, make them feel like you're sitting on their

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<v Speaker 1>desk and looking at them like they're netting.

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<v Speaker 2>It is indeed giving boss, bitch, And after starring in

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<v Speaker 2>a smash hit team telenovela and becoming the most popular

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<v Speaker 2>member of Mexico's top teen pop band, Dahlia had more

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<v Speaker 2>where that came from.

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<v Speaker 1>This rising star showed no signs of slowing, so Delivisa

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<v Speaker 1>president Emilio Askataga did the smart thing and buzzed his

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<v Speaker 1>assistant Rosita, I'm going to need you to book this

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<v Speaker 1>girl a one way ticket to Holly.

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<v Speaker 2>As an actor and a singer, Dalia had maxed out

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<v Speaker 2>her time inside the Laisa's talent incubation machine.

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<v Speaker 1>And when you stop seeing gains Hun, that's when you

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<v Speaker 1>got to look into a new trainer.

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<v Speaker 2>So Dalia spent much of nineteen eighty nine in la

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<v Speaker 2>studying English and taking singing, dancing, and acting courses at

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<v Speaker 2>the University of California, And she also reinvented her look.

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<v Speaker 2>Remember how much Ardalia loved Sandy and Grease the musical, Well,

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<v Speaker 2>Dalia dropped the stylish child from the wardrobe of Finbriice

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<v Speaker 2>and donned a ruffled, braw and studded leather.

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<v Speaker 1>Jacket aka good bye miss Andrad and hello Sandy.

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<v Speaker 2>I mean, I guess that is one way to go

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<v Speaker 2>back to your question, Joseph, to channel your inner bad bitch, Like,

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<v Speaker 2>if you want to be the part, you should dress

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<v Speaker 2>the part.

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<v Speaker 1>I'm putting on some leather right now, Hane.

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<v Speaker 2>I mean, it's amazing to me that this girl went

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<v Speaker 2>from like teen wholesome pop to like straddling a motorcycle

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<v Speaker 2>in a full leather outfit worthy of sons of anarchy.

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<v Speaker 1>Well done.

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<v Speaker 2>I'm not seeing any chaps in these pictures, Those come later,

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<v Speaker 2>don't you worry. Dalia was showing skin and she wasn't

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<v Speaker 2>shy about it. In Christina Aguilera's terms, she basically went

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<v Speaker 2>from reflection to dirty in half the time. But at

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<v Speaker 2>this time, think back, this move was risque, and much

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<v Speaker 2>like with Ekstina, the press had something to say.

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<v Speaker 1>Because when you bring out your inner bad bitch, you

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<v Speaker 1>bring out all the jumps. Want to bring a bitch down.

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<v Speaker 2>Facts. But remember, Balia wasn't alone. And while she wasn't

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<v Speaker 2>exactly flying off to happily ever after in the passenger

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<v Speaker 2>seat of a T bird grease reference, yep, she wasn't

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<v Speaker 2>about to let a couple of scandals dim her light. Wait,

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<v Speaker 2>a couple of scandals, of course, this is the telenovela episode.

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<v Speaker 2>There's gonna be Escandalo after escandalo, But you gotta wait

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<v Speaker 2>for that because that's coming up after the break. I'm

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<v Speaker 2>your host, Lilianavoscaz.

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<v Speaker 1>And I'm Joseph Carrio and this is Becoming an Icon.

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<v Speaker 2>A weekly podcast where we give you the rundown on

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<v Speaker 2>how today's most famous LATINV stars have shaped pop culture.

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<v Speaker 1>And give it the world some extra level.

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<v Speaker 2>Sit back and get comfortable.

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<v Speaker 1>Because we are going in the.

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<v Speaker 2>Only way we know how with Buena buenasriesas and a

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<v Speaker 2>lot of opinions as we relive their greatest achievements on

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<v Speaker 2>our journey to find out what makes them so iconic.

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<v Speaker 2>Dhalia's self titled solo debut was a buzzworthy affair. Before

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<v Speaker 2>saying goodbye to t Medicin, she had appeared with the

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<v Speaker 2>group on their seventh and eighth albums, both of which

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<v Speaker 2>had sold a cool million copies.

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<v Speaker 1>And after her in Boulina Rubio's very public fight on

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<v Speaker 1>stage at at Timidice concert, it was clear who was

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<v Speaker 1>the most popular member of.

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<v Speaker 2>The group, so all jokes aside. Her new look for

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<v Speaker 2>the album was a big swing, and she struck gold

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<v Speaker 2>two times gold to exact at two hundred thousand units sold.

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<v Speaker 1>Within two weeks, the record had completely sold out, and

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<v Speaker 1>we're talking Vinyl's CDs and passetts.

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<v Speaker 2>And that's despite one of her promo singles being banned

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<v Speaker 2>from the radio.

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<v Speaker 1>Because Dali's Bad Girl debut didn't stop with her looks.

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<v Speaker 2>First, Dalia's lead single Unpacto Andreoss was attacked by critics

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<v Speaker 2>for sado masochistic lyrics. Should we read reverse.

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<v Speaker 1>Salucelo razrunyao yerrelo, gosas lololo enojate or yallo.

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<v Speaker 2>H ya translation for all of our non Spanish speaking

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<v Speaker 2>listeners seduce him, scratch him, cut him, enjoy his pain,

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<v Speaker 2>scold him, get angry, hate him. It's getting hot today.

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<v Speaker 2>The controversy would build to the point where the album's

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<v Speaker 2>second single, Saliva, would be banned from several radio stations, but.

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<v Speaker 1>The rest of the album singles were uncontroversial. There's the

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<v Speaker 1>ballad Amara Sul and the final single Pienzunthi, which.

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<v Speaker 2>Is a ballad dedicated to her producer and romantic partner

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<v Speaker 2>Alfredo Diaz or Thas Scandalo.

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<v Speaker 1>Those two Nasty Girls singles were co written by Talia

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<v Speaker 1>and Ordaz over days in the studio that probably felt

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<v Speaker 1>more like steamy knights in the studio, if you know

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<v Speaker 1>what I mean.

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<v Speaker 2>Ordaz was introduced to Talia by Televisa's president as the

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<v Speaker 2>producer on Talia's debut. He and Talia worked closely together

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<v Speaker 2>on every track, and.

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<v Speaker 1>As production on the album neared completion, Dalia and Ordaz

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<v Speaker 1>were seen in public together more and more.

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<v Speaker 2>This would be enough for tabloid fodder on its own.

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<v Speaker 2>But the bigger piece here is that Ordaz was about

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<v Speaker 2>twice Dalia's age.

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<v Speaker 1>Double is Scandalo, And when she wasn't being hounded about

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<v Speaker 1>her spicy new look, Dalia was fielding questions about that

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<v Speaker 1>or daddy.

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<v Speaker 2>I can't believe you just called him that. And even

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<v Speaker 2>though her solo debut was a resounding success, all the

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<v Speaker 2>negative attention from the press about her racy new persona,

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<v Speaker 2>as well as quote unquote concerned parents who took her

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<v Speaker 2>first singles as proof of Satan worship, eventually wore Aaliyah down.

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<v Speaker 1>Listen always with the Satan, these.

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<v Speaker 2>People latinos man, it's always, it's always in the devil

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<v Speaker 2>there is. Dahlia was hit hard by depression.

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<v Speaker 1>Quote. I didn't want to go out anymore. I didn't

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<v Speaker 1>want to sing. I didn't want to promote the album nothing.

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<v Speaker 2>We've said it before, we will say it forever. Fame

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<v Speaker 2>will test a bitch, even a bad one, but especially

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<v Speaker 2>when you're twenty years old.

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<v Speaker 1>But as we've also said before, Dahlia wasn't alone. Your Landa,

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<v Speaker 1>Dalia's momager and most trusted fam dropped an okay, yeah

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<v Speaker 1>and gave her daughter.

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<v Speaker 2>A choice quote if you want, we'll stop everything artistic.

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<v Speaker 2>We'll pack our bags and leave the country to study

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<v Speaker 2>to become a lawyer, a doctor, a psychologist, whatever you want.

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<v Speaker 2>Or option two, if you want to continue being an

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<v Speaker 2>artist and make a name for yourself in this industry,

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<v Speaker 2>we'll fight tooth and nail and nobody is going to

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<v Speaker 2>break you. But right now, you have to tell me

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<v Speaker 2>what we're going to do.

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<v Speaker 1>Would you call that a pep talk or like, is

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<v Speaker 1>that more of an ultimatum?

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<v Speaker 2>I would say that is empowered decision forcing that. I

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<v Speaker 2>do it a lot with my toddler. If you want

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<v Speaker 2>to do this or when you do this, we can

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<v Speaker 2>do this. I think it's kind of how you have

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<v Speaker 2>to talk to your children when they're right on the

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<v Speaker 2>border of being not just kids but also adults. Right like,

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<v Speaker 2>you're saying you want this, but how bad do you

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<v Speaker 2>want it?

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<v Speaker 1>Do you really?

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<v Speaker 2>You know? And by the way, I will love you

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<v Speaker 2>unconditionally regardless of the choice, which I think is the

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<v Speaker 2>most important piece of the conversation. Do whatever you want,

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<v Speaker 2>no skin off my back, because I love you no

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<v Speaker 2>matter what. But I have to know who I'm supporting

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<v Speaker 2>in this. So are you gonna be a bad bitch.

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<v Speaker 2>Are we going home? Are gonna be a doctor? You decide, Max,

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<v Speaker 2>and I think in these conversations, Yolanda reawakened her daughter's confidence.

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<v Speaker 1>But not long after that, Dalia's relationship with our dogs

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<v Speaker 1>would hit some rough waters. For reasons we'll get into

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<v Speaker 1>in just a bit.

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<v Speaker 2>Dalia was still determined to become her words, not just famous,

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<v Speaker 2>world famous, but between the press and the personal drama,

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<v Speaker 2>she needed to get away. So Dalia and her mother

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<v Speaker 2>found a two birds, one stone solution christ Trip.

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<v Speaker 1>Dalia Joli hopped on a plane and zoomed to Espana,

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<v Speaker 1>and after meeting some of Spanish television's movers and shakers

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<v Speaker 1>over unaskanyas they landed, Talia a spot on the Spanish

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<v Speaker 1>variety show vip Nocee.

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<v Speaker 2>Telia quickly became a fixture in Spanish household, charming audiences

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<v Speaker 2>nationwide and showing off that Hollywood grade singing and dancing.

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<v Speaker 1>That girls trip turned into a six month engagement in Spain,

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<v Speaker 1>and that six month engagement in Spain led to one

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<v Speaker 1>of Dalia's most iconic eras.

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<v Speaker 2>It's nineteen ninety one and Dalia's mother receives.

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<v Speaker 1>A phone call, well can we say for funzies that

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<v Speaker 1>they were sleeping in after a long night of.

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<v Speaker 2>Tatpath Yes, sure, Okay, It's nineteen ninety one. Dalia and

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<v Speaker 2>her mom are sleeping in after some wild, crazy, kind

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<v Speaker 2>of raunchy knight fueled by vermouth and choriso.

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<v Speaker 1>When the phone rings, Yulando's arm creeps out from under

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<v Speaker 1>the duvet, gropes around the night's den and finds the handset.

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<v Speaker 1>She musters a graghy alla and listens to the voice

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<v Speaker 1>on the other end.

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<v Speaker 2>But she's not really listening until she hears the following name,

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<v Speaker 2>Valentine Pimstein.

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<v Speaker 1>Dalia and Yulanda joel to wake and sit up, pill

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<v Speaker 1>marks on their faces, hair spray, all as the Valentine

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<v Speaker 1>Pinstein see signor the Valentine Pinkstein, the man who would

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<v Speaker 1>come to be known as the father of the pink telenovella.

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<v Speaker 2>And you might be asking yourself what the fuck is

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<v Speaker 2>a pink telenovela? Well, all the craziest tropes and images

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<v Speaker 2>you might think of when you hear the word deelenovela

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<v Speaker 2>basically come from the pink delenovela.

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<v Speaker 1>Melodramatic romance check plot twist like amnesia and an evil

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<v Speaker 1>twin siblings. Check crazy fight scenes, a woman going blind

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<v Speaker 1>after witnessing her husband cheating.

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<v Speaker 2>Oh yeah, check double check.

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<v Speaker 1>Talking dogs, evil witches, poison check check check.

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<v Speaker 2>Valentine was a Chilean producer of more than sixty such telenovelas,

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<v Speaker 2>including Los Ricos, Tambien, Joran, viv Rumpoco, and Chucco el Roto,

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<v Speaker 2>and he wanted Talia to start in not one, not two,

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<v Speaker 2>but three felenovelas known as Las Marias.

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<v Speaker 1>These three telenovelas were each inspired by Cinderella. So poor

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<v Speaker 1>girl meets rich boy, they find forbid in love, and

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<v Speaker 1>that's basically all they have in common with Cinderella, because

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<v Speaker 1>from there they get absolutely Craig Gray.

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<v Speaker 2>And for Joseph to call something Craig Gray, you know

0:13:35.520 --> 0:13:39.880
<v Speaker 2>it's got to be off the rails, okay. And this

0:13:40.000 --> 0:13:43.360
<v Speaker 2>turned out to be the opportunity of a lifetime for

0:13:43.480 --> 0:13:47.360
<v Speaker 2>Talia Valentine. Pimstein's tele novelas had helped launch the career

0:13:47.520 --> 0:13:51.000
<v Speaker 2>of none other than Veronica Castro.

0:13:51.360 --> 0:13:56.840
<v Speaker 1>Aka the actress slash singer slash interviewer who added Diane

0:13:56.840 --> 0:13:59.920
<v Speaker 1>Sawyer sit down with Talia and paulin Arrubio after their

0:14:00.040 --> 0:14:01.160
<v Speaker 1>on stage throwdown.

0:14:01.160 --> 0:14:06.720
<v Speaker 2>Aka Dalia's own hashtag goals. Dalia immediately said yes, when

0:14:06.720 --> 0:14:09.080
<v Speaker 2>do I start? But there was one holdout in the

0:14:09.120 --> 0:14:13.720
<v Speaker 2>conversations that followed. The l'visa president, Emilio Askataga, the very

0:14:13.720 --> 0:14:18.080
<v Speaker 2>same man who had sent Dalia to Hollywood. Emilio's objection

0:14:18.559 --> 0:14:20.800
<v Speaker 2>Dalia was too young for the project.

0:14:21.240 --> 0:14:24.360
<v Speaker 1>Okay, gay, she's too young to please Cinderella, but she's

0:14:24.480 --> 0:14:26.280
<v Speaker 1>not too young to parade around in a brawl.

0:14:26.600 --> 0:14:29.680
<v Speaker 2>Yeah, and parade around? Excuse me? When did my co

0:14:29.760 --> 0:14:31.760
<v Speaker 2>host turn into Abraham Vania.

0:14:32.520 --> 0:14:35.760
<v Speaker 1>Don't get interested. I'm here for the parading. What I'm

0:14:35.800 --> 0:14:39.040
<v Speaker 1>not here for is a big daddy Emilio calling the shots.

0:14:39.120 --> 0:14:42.920
<v Speaker 2>I mean, I am not here for men making decisions

0:14:43.000 --> 0:14:47.000
<v Speaker 2>about women's careers. How about that bo But don't worry

0:14:47.080 --> 0:14:49.720
<v Speaker 2>because one day that the le Visa president got a

0:14:49.760 --> 0:14:54.400
<v Speaker 2>buzz from his secretary. There's someone here to see you,

0:14:54.560 --> 0:14:55.359
<v Speaker 2>she said.

0:14:56.320 --> 0:14:58.080
<v Speaker 1>Or for funzies. Can we say he was trying to

0:14:58.120 --> 0:14:59.960
<v Speaker 1>take a nap off of a double whiskey soda.

0:15:00.120 --> 0:15:02.720
<v Speaker 2>I mean, we just went from Cinderella to madmis so

0:15:03.200 --> 0:15:06.600
<v Speaker 2>let's go for it. Okay, this guy's definitely a power luncher. Okay,

0:15:06.600 --> 0:15:09.600
<v Speaker 2>so he was slumped over his desk. Emilio Groggiley asks

0:15:09.640 --> 0:15:12.920
<v Speaker 2>the secretary who's there, and the name he hears makes

0:15:12.960 --> 0:15:16.480
<v Speaker 2>him bolt upright with a fountain pen stuck to his face.

0:15:17.640 --> 0:15:23.080
<v Speaker 2>The Valentine Peinstein, the Man, the Myth, the Legend, and

0:15:23.240 --> 0:15:27.080
<v Speaker 2>mister Beamestein convinced Askataga to let the Lia star in

0:15:27.120 --> 0:15:32.280
<v Speaker 2>the first novella of the trilogy, Maria Mercedes, the.

0:15:32.240 --> 0:15:35.320
<v Speaker 1>Story of a poor girl supporting her broken family by

0:15:35.360 --> 0:15:38.640
<v Speaker 1>sellaring lottery tickets on the street. Abandoned by her mother

0:15:38.720 --> 0:15:41.960
<v Speaker 1>and scorned by her alcoholic father, fate throws young Maria

0:15:42.040 --> 0:15:45.360
<v Speaker 1>a curveball, or perhaps a lifeline, when she falls in

0:15:45.360 --> 0:15:48.000
<v Speaker 1>love with a young millionaire Josse Luis del Lmo.

0:15:48.640 --> 0:15:52.080
<v Speaker 2>Dahlia basically threw her life into the production of this show.

0:15:52.400 --> 0:15:55.000
<v Speaker 2>She arrived at the studio at six am and left

0:15:55.000 --> 0:15:58.600
<v Speaker 2>at midnight, totaling an eighteen hour workday.

0:15:58.880 --> 0:16:02.440
<v Speaker 1>Dang Theyan't got no sad in Mexico.

0:16:01.360 --> 0:16:05.080
<v Speaker 2>No for real. Dalia even rented a house across the

0:16:05.120 --> 0:16:08.640
<v Speaker 2>street from Televisa in order to always be on call

0:16:08.680 --> 0:16:09.240
<v Speaker 2>for filming.

0:16:09.600 --> 0:16:13.360
<v Speaker 1>This all sounds like a hard hitting Hollywood Reporter article or.

0:16:13.400 --> 0:16:17.440
<v Speaker 2>Another podcast add it to the list. iHeart to be clear,

0:16:18.040 --> 0:16:21.440
<v Speaker 2>very few people can actually survive or work like this.

0:16:22.080 --> 0:16:26.480
<v Speaker 2>Under most circumstances, this would feel untenable. But when you're young,

0:16:26.720 --> 0:16:29.720
<v Speaker 2>and when you have the right mix of people, sometimes

0:16:29.760 --> 0:16:32.040
<v Speaker 2>you can get lucky and actually have a lot of

0:16:32.040 --> 0:16:33.160
<v Speaker 2>fun on the grind.

0:16:34.160 --> 0:16:37.440
<v Speaker 1>True, and Dahlia did have the right mix of people. Specifically,

0:16:37.680 --> 0:16:40.360
<v Speaker 1>she got to work with her big sister. That's right,

0:16:40.680 --> 0:16:41.320
<v Speaker 1>big Sis.

0:16:41.440 --> 0:16:46.520
<v Speaker 2>Laura Sabatta, Dalia's original inspo, played the evil stepmother to

0:16:46.600 --> 0:16:50.960
<v Speaker 2>Talia Cinderella, and because this is Dalia, her character had

0:16:50.960 --> 0:16:54.840
<v Speaker 2>a rebellious streak. That means that this Cinderella collapped back

0:16:54.920 --> 0:16:57.920
<v Speaker 2>at her evil stepmother, leading to some of the most

0:16:58.360 --> 0:17:01.800
<v Speaker 2>iconic fight scenes in telen novella history.

0:17:02.640 --> 0:17:04.040
<v Speaker 1>Let's watch one right now.

0:17:04.480 --> 0:17:08.040
<v Speaker 2>Auviy okay, So let's set the stage. First. Of all,

0:17:08.200 --> 0:17:14.520
<v Speaker 2>the hair, so much hair, so curly, so big, so dramatic.

0:17:16.040 --> 0:17:21.280
<v Speaker 2>The clothes. I will never forget this French's mustard yellow suit.

0:17:21.520 --> 0:17:26.160
<v Speaker 1>No, no, no, away she pulls up those raggety sleep.

0:17:26.840 --> 0:17:29.560
<v Speaker 2>Oh no, but she's not messing around. They are about

0:17:29.600 --> 0:17:31.880
<v Speaker 2>to throw down, down, down, down.

0:17:31.920 --> 0:17:34.160
<v Speaker 1>Oh she does and they're slapping each other and it's

0:17:34.240 --> 0:17:35.920
<v Speaker 1>just so insane.

0:17:36.560 --> 0:17:41.919
<v Speaker 2>Yeah, I mean, Maria Mercedis is synonymous with a slap

0:17:42.359 --> 0:17:44.600
<v Speaker 2>like Bill Smith. Will Smith has nothing.

0:17:45.000 --> 0:17:50.720
<v Speaker 1>Oh sh keep my wife's name out your mouth slapping.

0:17:52.240 --> 0:17:55.760
<v Speaker 2>They should have watched this before. They're big moment at

0:17:55.760 --> 0:17:59.680
<v Speaker 2>the Oscars. According to Dahlia, she and her sister would

0:17:59.720 --> 0:18:03.119
<v Speaker 2>break into fits of laughter for twenty minutes at a

0:18:03.160 --> 0:18:07.520
<v Speaker 2>time on set, sometimes breaking repeatedly over the same line.

0:18:07.960 --> 0:18:10.200
<v Speaker 1>Dang, thank got no iatzi in Mexico.

0:18:10.680 --> 0:18:13.359
<v Speaker 2>Seriously, though, big ups to whoever was holding the boom

0:18:13.359 --> 0:18:16.399
<v Speaker 2>mic through all of that. According to Talia, though it

0:18:16.520 --> 0:18:20.639
<v Speaker 2>was good vibes all throughout the set and throughout the cast.

0:18:20.960 --> 0:18:24.480
<v Speaker 1>According to the actor who played Dalia's love interest, arthurro Pnicice,

0:18:24.760 --> 0:18:27.520
<v Speaker 1>Dalia loved to have lunch at a seafood restaurant close

0:18:27.560 --> 0:18:29.760
<v Speaker 1>to tell Visa and would show up to set a

0:18:29.760 --> 0:18:30.960
<v Speaker 1>reeking of garlic.

0:18:31.560 --> 0:18:34.440
<v Speaker 2>The day of their very first kiss scene, Dalia went

0:18:34.640 --> 0:18:38.760
<v Speaker 2>soul brat and ate fish with extra garlic sauce, purely

0:18:39.000 --> 0:18:42.000
<v Speaker 2>to troll arturo When arturo Ka went to this, he

0:18:42.080 --> 0:18:44.879
<v Speaker 2>staged a counter attack by snarping down a red onion

0:18:45.040 --> 0:18:48.000
<v Speaker 2>and blowing in her face during their kiss. When the

0:18:48.000 --> 0:18:52.760
<v Speaker 2>director called action, they locked lips and both wanted to hurl.

0:18:53.520 --> 0:18:55.720
<v Speaker 1>That was our first on screen kiss.

0:18:56.320 --> 0:18:59.720
<v Speaker 2>Well, in the show, Maria doesn't want to kiss Josse Luise,

0:19:00.119 --> 0:19:02.560
<v Speaker 2>so it actually was a happy onset accident.

0:19:02.880 --> 0:19:07.200
<v Speaker 1>Wow. Tele novela magic y'all. Maria Mercedez would become an

0:19:07.200 --> 0:19:10.480
<v Speaker 1>instant hit in Mexico and was broadcast in one hundred

0:19:10.480 --> 0:19:14.560
<v Speaker 1>different countries. Cut to President Askaraga calling out Valentine.

0:19:14.119 --> 0:19:20.199
<v Speaker 2>Pinstein, Askataga simply told Pimstein two words, all three, and

0:19:20.240 --> 0:19:23.040
<v Speaker 2>so Talia starred in the next to theelenvelas of the trilogy,

0:19:23.280 --> 0:19:25.520
<v Speaker 2>Marie mar and Maria La del Barrio.

0:19:26.440 --> 0:19:30.200
<v Speaker 1>Marie mar is basically the same story as Maria Mercedes,

0:19:30.359 --> 0:19:31.960
<v Speaker 1>except it takes place on the coast.

0:19:32.240 --> 0:19:33.840
<v Speaker 2>I mean that is so classic. They're like, we don't

0:19:33.840 --> 0:19:35.600
<v Speaker 2>need a new story, we just need a news backdrop.

0:19:35.720 --> 0:19:40.560
<v Speaker 2>Just get me another soundstage. The show is remembered for

0:19:40.680 --> 0:19:45.080
<v Speaker 2>Thalia's coastal accent and for Talia's best friend and confident

0:19:45.160 --> 0:19:48.479
<v Speaker 2>on the show, a talking dog. Oh yes, a la,

0:19:48.760 --> 0:19:50.040
<v Speaker 2>Look who's talking now?

0:19:50.760 --> 0:19:52.760
<v Speaker 1>You mean the movie with the talking babies?

0:19:53.200 --> 0:19:57.440
<v Speaker 2>No, The sequel to the sequel with the talking dogs.

0:19:57.880 --> 0:19:59.960
<v Speaker 1>Ugh, wait, you mean the movie where the two dogs

0:20:00.160 --> 0:20:01.280
<v Speaker 1>the cat or trying to go home?

0:20:01.480 --> 0:20:03.760
<v Speaker 2>No what, that's homeward bound.

0:20:04.600 --> 0:20:06.440
<v Speaker 1>You know what, Let's just stick to Dalia girl.

0:20:06.720 --> 0:20:10.120
<v Speaker 2>Great call. Next in the trilogy, Maria la del Barrio

0:20:10.400 --> 0:20:14.400
<v Speaker 2>storrying Talia as a poor girl wearing a homemade jughead crown. Yes,

0:20:14.800 --> 0:20:18.359
<v Speaker 2>like jughead from the Archie copics. Just roll with it,

0:20:18.440 --> 0:20:21.000
<v Speaker 2>you guys. I promise I am not trolling you and

0:20:21.040 --> 0:20:23.679
<v Speaker 2>making this up. I promise this is actual facts, like

0:20:23.760 --> 0:20:26.680
<v Speaker 2>you can google this. Okay. So this is Dalia as

0:20:26.720 --> 0:20:29.000
<v Speaker 2>a poor girl with her jug head crown and hanging

0:20:29.040 --> 0:20:33.480
<v Speaker 2>out with even more animal friends because Talia, I don't know.

0:20:33.520 --> 0:20:35.240
<v Speaker 2>I guess she just loved animals.

0:20:35.520 --> 0:20:39.439
<v Speaker 1>But more importantly, it featured La Rena Itati Cantrel as

0:20:39.480 --> 0:20:43.520
<v Speaker 1>the villain Soria Montenegro, who you may know from.

0:20:43.520 --> 0:20:51.200
<v Speaker 2>My aka the notorious iconic. Positively a that shit scene

0:20:51.320 --> 0:20:55.439
<v Speaker 2>where Soriya walks in on her Levernando aka Maria's adoptive

0:20:55.440 --> 0:20:57.440
<v Speaker 2>son of fifteen years because the show has a time

0:20:57.520 --> 0:21:04.080
<v Speaker 2>skipp duh kissing Soria's wheelchair bound adoptive daughter Alicia, whom

0:21:04.160 --> 0:21:08.360
<v Speaker 2>she's stuck taking care of after marrying and murdering Alicia's

0:21:08.400 --> 0:21:11.600
<v Speaker 2>widow or father for the money, and then just goes

0:21:11.640 --> 0:21:12.960
<v Speaker 2>absolutely apian on both of them.

0:21:13.000 --> 0:21:15.920
<v Speaker 1>The story is bananas and we love it for that

0:21:16.119 --> 0:21:20.000
<v Speaker 1>point is. Punters are thrown, hair is pulled, the wheelchair

0:21:20.040 --> 0:21:22.880
<v Speaker 1>is knocked over. Find it on YouTube if you've been

0:21:22.920 --> 0:21:23.920
<v Speaker 1>living under a rock.

0:21:24.920 --> 0:21:29.320
<v Speaker 2>Dalia threw down in several scenes with Ita, and the

0:21:29.359 --> 0:21:32.480
<v Speaker 2>two women gave each other a full permission to really

0:21:32.560 --> 0:21:36.520
<v Speaker 2>truly slap the shit out of each other, closely choreographing

0:21:36.560 --> 0:21:38.000
<v Speaker 2>where their hands would land.

0:21:38.240 --> 0:21:41.679
<v Speaker 1>Sitalia, we slapped each other so hard that our jaws

0:21:41.840 --> 0:21:45.520
<v Speaker 1>almost almost almost came off.

0:21:45.680 --> 0:21:49.760
<v Speaker 2>I mean, between both of these fights, our girl likes

0:21:49.760 --> 0:21:51.760
<v Speaker 2>to take a punch, like she likes to be hurt.

0:21:51.880 --> 0:21:54.520
<v Speaker 2>Now I understand the lyrics for the first song, and

0:21:54.600 --> 0:21:59.360
<v Speaker 2>now that's some pat shit and we don't have time

0:21:59.400 --> 0:22:02.200
<v Speaker 2>to get into the story. But it's also worth noting

0:22:02.440 --> 0:22:05.280
<v Speaker 2>Dalia got bitten by a monkey while filming this show.

0:22:05.400 --> 0:22:08.719
<v Speaker 2>And listen, we love a queen who will bleed for

0:22:08.760 --> 0:22:09.280
<v Speaker 2>their art.

0:22:10.200 --> 0:22:12.120
<v Speaker 1>You mean, got rabies for their art.

0:22:12.400 --> 0:22:14.359
<v Speaker 2>Look a little rabies is worth it when you're reaching

0:22:14.440 --> 0:22:17.200
<v Speaker 2>all of Latin America, parts of the Middle East, Europe,

0:22:17.240 --> 0:22:20.440
<v Speaker 2>and East Asia. Fun fact, one of the biggest fan

0:22:20.480 --> 0:22:23.560
<v Speaker 2>bases for Marimar. The second show in the trilogy was

0:22:23.600 --> 0:22:26.520
<v Speaker 2>the Philippines. Dalia even went on a tour of East

0:22:26.520 --> 0:22:30.560
<v Speaker 2>Asia in the early nineties, and fans swarmed her for autographs.

0:22:30.880 --> 0:22:34.000
<v Speaker 2>She was even invited to meet the country's president.

0:22:34.119 --> 0:22:36.760
<v Speaker 1>Dang so like. Dalia told the president of Fela Visa

0:22:36.760 --> 0:22:39.960
<v Speaker 1>that she wanted to be world famous in nineteen eighty eight, and.

0:22:39.960 --> 0:22:42.879
<v Speaker 2>Five years later she did it, and she was still

0:22:42.920 --> 0:22:46.399
<v Speaker 2>releasing music even as she was working eighteen hour production days.

0:22:46.760 --> 0:22:49.000
<v Speaker 2>But even as the music went on, the heartbreak that

0:22:49.080 --> 0:22:52.320
<v Speaker 2>Dalia went to Spain to escape would look awfully small

0:22:52.480 --> 0:23:07.480
<v Speaker 2>compared to what was coming. Let's rewind a bit. Remember

0:23:07.680 --> 0:23:10.399
<v Speaker 2>why Talia skipped out of Mexico City for Spain in

0:23:10.440 --> 0:23:12.200
<v Speaker 2>the first place. Mm hmm.

0:23:12.320 --> 0:23:15.040
<v Speaker 1>The press was coming after her. Things reading complicated with

0:23:15.080 --> 0:23:19.040
<v Speaker 1>her Silver Fox Boo and collaborator Alfredo Diaz Ordas.

0:23:19.320 --> 0:23:23.320
<v Speaker 2>Right about that complication. One of the questions the press

0:23:23.400 --> 0:23:26.840
<v Speaker 2>loved at Tahlia was about Ordas popping the question.

0:23:27.640 --> 0:23:32.080
<v Speaker 1>Art imitates life, y'all, and Talia's life was dramatico no

0:23:32.240 --> 0:23:34.000
<v Speaker 1>tucking dogs or poison.

0:23:33.680 --> 0:23:38.399
<v Speaker 2>Though Ordas had indeed asked Talia to be his bride

0:23:38.440 --> 0:23:41.879
<v Speaker 2>after the release of her self titled debut, and you

0:23:41.920 --> 0:23:45.160
<v Speaker 2>can guess how Dalia responded, Yeah, you.

0:23:45.160 --> 0:23:47.160
<v Speaker 1>Don't skip town on a girls trip because you want

0:23:47.160 --> 0:23:48.600
<v Speaker 1>to show off the rock on your finger.

0:23:49.160 --> 0:23:54.480
<v Speaker 2>Still, Dalia's situationship with Ordaz continued despite her rejecting him,

0:23:54.760 --> 0:23:58.840
<v Speaker 2>as did their professional partnership. Dalia's sophomore album, nineteen ninety

0:23:58.880 --> 0:24:03.160
<v Speaker 2>one's Mono dec Gristal, was entirely produced by Urdas.

0:24:04.280 --> 0:24:07.320
<v Speaker 1>The album kept two things going from Talia's debut, the

0:24:07.520 --> 0:24:11.480
<v Speaker 1>iconic pop rock sound and the resounding success the album's

0:24:11.560 --> 0:24:14.880
<v Speaker 1>lead single, Soulor broke the top ten in Mexico El

0:24:14.960 --> 0:24:18.119
<v Speaker 1>Sa Lalor and Latin radio stations based in Hollywood.

0:24:18.760 --> 0:24:22.480
<v Speaker 2>With Mundo de Cristal World of Glass, Dalia again netted

0:24:22.520 --> 0:24:25.760
<v Speaker 2>a gold certified album, but it would be her last

0:24:25.800 --> 0:24:28.679
<v Speaker 2>album working with Ordaz because a couple years later, in

0:24:28.760 --> 0:24:31.639
<v Speaker 2>nineteen ninety four, her world was shattered.

0:24:32.400 --> 0:24:35.160
<v Speaker 1>In the two years that followed Mundo de Cristal's release,

0:24:35.480 --> 0:24:38.600
<v Speaker 1>or Doaz again popped a question, and this time she

0:24:38.680 --> 0:24:39.440
<v Speaker 1>said yes.

0:24:39.880 --> 0:24:43.280
<v Speaker 2>But it wasn't meant to be Ordas had been fighting

0:24:43.320 --> 0:24:46.960
<v Speaker 2>a battle with liver cancer caused by complications from hepatitis,

0:24:47.480 --> 0:24:50.280
<v Speaker 2>and while working on the second entry in the Mariaz trilogy,

0:24:50.520 --> 0:24:54.879
<v Speaker 2>Marie mad Balia received word that her fiancee had died.

0:24:56.119 --> 0:24:59.040
<v Speaker 1>Dalia would share in an interview that upon hearing the news,

0:24:59.200 --> 0:25:02.359
<v Speaker 1>her soul was detached from her body, yet somehow she

0:25:02.480 --> 0:25:03.200
<v Speaker 1>kept on working.

0:25:03.880 --> 0:25:07.160
<v Speaker 2>Apart from finishing out the madai Est trilogy, she recorded

0:25:07.200 --> 0:25:10.959
<v Speaker 2>a third album, nineteen ninety three's Love and poured her

0:25:11.040 --> 0:25:16.320
<v Speaker 2>grief into a trap dedicated toward of that sung you know, I.

0:25:16.320 --> 0:25:20.240
<v Speaker 1>Kind of feel like if I was in the situation where,

0:25:20.560 --> 0:25:23.639
<v Speaker 1>you know, I had just lost someone, I think I

0:25:23.680 --> 0:25:28.200
<v Speaker 1>would definitely bury myself in work. I think that's who

0:25:28.280 --> 0:25:28.720
<v Speaker 1>I am.

0:25:29.400 --> 0:25:31.919
<v Speaker 2>I completely agree. I don't think that you would be

0:25:32.000 --> 0:25:35.520
<v Speaker 2>one to kind of like couch raw with Emily and

0:25:35.600 --> 0:25:38.240
<v Speaker 2>Paris playing in the background. I feel like you would

0:25:38.240 --> 0:25:42.520
<v Speaker 2>be doing so much. You'd be doing the most to

0:25:42.720 --> 0:25:45.080
<v Speaker 2>create a distraction from the pain and trauma.

0:25:46.000 --> 0:25:48.480
<v Speaker 1>But like, you know, here's the thing, I think that

0:25:48.520 --> 0:25:51.760
<v Speaker 1>sometimes people could see that as not caring. Yes, and

0:25:51.800 --> 0:25:54.040
<v Speaker 1>it's not that I don't care. I care so much,

0:25:54.400 --> 0:25:57.320
<v Speaker 1>but it's just, you know, I like for people. I

0:25:57.400 --> 0:26:00.199
<v Speaker 1>wonder if people talk shit about Bellah because you know,

0:26:00.280 --> 0:26:03.440
<v Speaker 1>she was just doing doing more and more, and it's like, dude,

0:26:03.520 --> 0:26:05.720
<v Speaker 1>your fiance just died. Bro, Like do you care?

0:26:06.320 --> 0:26:07.840
<v Speaker 2>I am going to say this and I say it

0:26:07.920 --> 0:26:12.560
<v Speaker 2>all the time. Grieving does not look the same for everybody.

0:26:12.920 --> 0:26:15.520
<v Speaker 2>And this idea that people should do this or do

0:26:15.640 --> 0:26:19.200
<v Speaker 2>that to grieve or feel is like, just focus on you, boo,

0:26:19.480 --> 0:26:20.320
<v Speaker 2>focus on you.

0:26:21.080 --> 0:26:24.399
<v Speaker 1>It's so hard. So so it is focusing on you.

0:26:24.440 --> 0:26:26.679
<v Speaker 1>But how do you bring that bad bitch energy when

0:26:26.760 --> 0:26:29.320
<v Speaker 1>you're when you're grieving, Like, how do you do it?

0:26:30.119 --> 0:26:33.640
<v Speaker 2>Maybe you just channel it all into the art. Maybe

0:26:33.680 --> 0:26:38.280
<v Speaker 2>it becomes even more deeply personal and healing in a way.

0:26:38.920 --> 0:26:40.560
<v Speaker 2>I think you just have to work. I mean, I

0:26:40.600 --> 0:26:43.320
<v Speaker 2>think that's what separates like, you know, an artist from

0:26:43.359 --> 0:26:45.720
<v Speaker 2>an icon, Like she goes down in these people's lives

0:26:45.760 --> 0:26:46.520
<v Speaker 2>and you never know it.

0:26:46.560 --> 0:26:46.720
<v Speaker 1>You know.

0:26:46.720 --> 0:26:48.000
<v Speaker 2>I always think about that, like.

0:26:48.080 --> 0:26:49.480
<v Speaker 1>Damn, that was good what you said.

0:26:49.640 --> 0:26:52.160
<v Speaker 2>You know, Like what happens when Taylor Swift is having

0:26:52.160 --> 0:26:54.439
<v Speaker 2>a bad day? Like what happens when like Travis like

0:26:54.880 --> 0:26:56.960
<v Speaker 2>goes missing and does a text her back that night?

0:26:57.119 --> 0:26:59.600
<v Speaker 2>She's kissed, but she has to go up on stage

0:26:59.680 --> 0:27:01.160
<v Speaker 2>and she's still got to perform.

0:27:01.400 --> 0:27:02.480
<v Speaker 1>Yeah, yeah, they can't.

0:27:02.800 --> 0:27:04.960
<v Speaker 2>They cannot have a bad day. They can't have a

0:27:04.960 --> 0:27:05.360
<v Speaker 2>bad day.

0:27:06.440 --> 0:27:09.359
<v Speaker 1>Dalia's tribute to her late fiance was the lead single

0:27:09.520 --> 0:27:13.600
<v Speaker 1>off of Love. It was one of her highest chart toppers, yet.

0:27:14.040 --> 0:27:17.440
<v Speaker 2>So was the album Proper, which exceeded her earlier LP

0:27:17.600 --> 0:27:22.000
<v Speaker 2>success in Mexico and benefited from Talia's version in global audience.

0:27:22.359 --> 0:27:25.400
<v Speaker 2>Case in point, the album went gold in the Philippines

0:27:25.560 --> 0:27:28.480
<v Speaker 2>and the theme song to Maria Mercedes, sung by Talia,

0:27:28.880 --> 0:27:31.760
<v Speaker 2>was added to later editions of the album.

0:27:32.160 --> 0:27:36.280
<v Speaker 1>All Talias Telenovela's theme songs were certified bops and they've

0:27:36.280 --> 0:27:39.159
<v Speaker 1>got the chart history to prove it. But still to

0:27:39.240 --> 0:27:43.080
<v Speaker 1>reach true global superstardom, Dalia had a bit more climbing

0:27:43.119 --> 0:27:45.000
<v Speaker 1>to do, and in.

0:27:44.960 --> 0:27:48.720
<v Speaker 2>Nineteen ninety five, at the Acapulco Music Festival, she would

0:27:48.760 --> 0:27:51.160
<v Speaker 2>meet the man who would help her do it, none

0:27:51.280 --> 0:27:55.960
<v Speaker 2>other than Emilio Estefan. At the time, Talia had wrapped

0:27:56.000 --> 0:27:58.760
<v Speaker 2>up her contract with Fonovisa de la Visa's record label.

0:27:58.920 --> 0:28:02.040
<v Speaker 1>Emilia was taken with Elia's friendliness and kindness and with

0:28:02.119 --> 0:28:05.479
<v Speaker 1>her voice. He told her, if someday a record company

0:28:05.520 --> 0:28:08.200
<v Speaker 1>signs you, I promise I'll do at least two songs

0:28:08.200 --> 0:28:08.439
<v Speaker 1>for you.

0:28:09.280 --> 0:28:12.280
<v Speaker 2>A few months later, Dalia signed with none other than

0:28:12.480 --> 0:28:17.320
<v Speaker 2>EMI International, Home to Selena, among others. And that's when

0:28:17.400 --> 0:28:19.080
<v Speaker 2>Emilio received a phone.

0:28:18.840 --> 0:28:22.320
<v Speaker 1>Call for fun these can we say that he and

0:28:22.359 --> 0:28:25.800
<v Speaker 1>Gloria were lying asleep at the huge Miami mcmanson next

0:28:25.840 --> 0:28:26.919
<v Speaker 1>to an infinity pool.

0:28:27.280 --> 0:28:32.280
<v Speaker 2>I think this predates infinity pools because it's the nineties,

0:28:32.320 --> 0:28:35.199
<v Speaker 2>but okay, we can go with it. So Emilio gropes

0:28:35.280 --> 0:28:37.200
<v Speaker 2>for the phone, and the voice on the other end

0:28:37.359 --> 0:28:39.560
<v Speaker 2>makes him sit bold upright.

0:28:39.920 --> 0:28:44.760
<v Speaker 1>It's Yolanda Sodi, the Yolanda Sodi.

0:28:44.680 --> 0:28:48.240
<v Speaker 2>And she told him my girls on a major and

0:28:48.320 --> 0:28:49.440
<v Speaker 2>you've got a promise to keep.

0:28:50.160 --> 0:28:52.360
<v Speaker 1>That's next time, I'm Becoming an Icon.

0:28:53.840 --> 0:28:58.080
<v Speaker 2>On the next Becoming an Icon, Dalia's skyrockets to the top,

0:28:58.440 --> 0:29:00.520
<v Speaker 2>stays there and finds new love.

0:29:01.000 --> 0:29:04.840
<v Speaker 1>But like a telenovela, it only gets crazier from there.

0:29:08.400 --> 0:29:12.480
<v Speaker 2>Becoming an Icon is presented by Sonoo and Iheart'smichael Durda

0:29:12.600 --> 0:29:17.280
<v Speaker 2>podcast network. Listen to Becoming an Icon on the iHeartRadio app,

0:29:17.440 --> 0:29:20.640
<v Speaker 2>Apple podcast, or wherever you get your podcast