1 00:00:01,400 --> 00:00:04,360 Speaker 1: Hey, time travelers. This has Heather iine Horn, co creator 2 00:00:04,400 --> 00:00:07,880 Speaker 1: of Nicki Fixes Time Mix Up. Next, be kind and 3 00:00:08,000 --> 00:00:10,600 Speaker 1: rewind to the nineties for a most epic episode of 4 00:00:10,680 --> 00:00:13,600 Speaker 1: Nicki Fix. But first, a quick word from our sponsor, 5 00:00:17,400 --> 00:00:20,760 Speaker 1: Iron Horn's Epic Productions, and I Heart Radio present Nikki 6 00:00:20,840 --> 00:00:31,920 Speaker 1: Fixes Time Mix. Do you think Dante knows we're headed 7 00:00:31,960 --> 00:00:35,400 Speaker 1: to steal back your guitar, Nicky. I don't know if 8 00:00:35,400 --> 00:00:39,040 Speaker 1: he's figured out I'm a time traveler, well, because it 9 00:00:39,120 --> 00:00:42,920 Speaker 1: sounds completely insane, but he wouldn't have stashed it away 10 00:00:42,960 --> 00:00:46,279 Speaker 1: if he didn't have suspicions. And he recognized us at 11 00:00:46,320 --> 00:00:56,280 Speaker 1: Asbury Park before we escaped, that means he take it. EASi, Liam, 12 00:00:56,320 --> 00:01:02,000 Speaker 1: You're still solid, You're still here, hanging there, and I'm 13 00:01:02,040 --> 00:01:05,840 Speaker 1: sorry I caused you to never be born, but I 14 00:01:05,840 --> 00:01:12,720 Speaker 1: I definitely feel I don't know, fin You're fine. Just 15 00:01:12,800 --> 00:01:15,480 Speaker 1: looks like you trimmed down by a few pounds, that's all. 16 00:01:15,760 --> 00:01:22,399 Speaker 1: I don't know if I can go on haleam, Yeah, 17 00:01:22,760 --> 00:01:25,919 Speaker 1: don't milk it too hard, but just concentrate on good things, 18 00:01:26,440 --> 00:01:29,640 Speaker 1: like what are you gonna do after we fix everything? 19 00:01:30,000 --> 00:01:34,679 Speaker 1: Like my bucket list? Yeah? Okay, Well make a name 20 00:01:34,720 --> 00:01:38,080 Speaker 1: for myself that isn't tainted by my sucky dad. Do 21 00:01:38,280 --> 00:01:43,600 Speaker 1: something heroic. Watch every Marvel movie in order in one sitting. 22 00:01:44,000 --> 00:01:47,600 Speaker 1: Uncovered the Secrets of the Illuminati. Kiss a girl I 23 00:01:47,720 --> 00:01:51,240 Speaker 1: really like, hear a perfect song and helped put it 24 00:01:51,240 --> 00:01:55,640 Speaker 1: out in the world. Learned close up Magic. That's a 25 00:01:55,720 --> 00:01:59,080 Speaker 1: really good list. It doesn't matter I want to do 26 00:01:59,120 --> 00:02:02,440 Speaker 1: any of it less we fixed this timeline speaking of, 27 00:02:03,320 --> 00:02:05,720 Speaker 1: we have to get to Dante's fault in the back 28 00:02:05,760 --> 00:02:08,840 Speaker 1: of his estate, underneath the antenna. That's where I buried 29 00:02:08,880 --> 00:02:12,960 Speaker 1: my keys in right under the boulder, next to the trail. 30 00:02:13,960 --> 00:02:17,200 Speaker 1: Let's see if they're still there and hope that they 31 00:02:17,280 --> 00:02:20,160 Speaker 1: still work. There's the front gate. We're not using the 32 00:02:20,160 --> 00:02:22,639 Speaker 1: dirt access road in the back. The security is all 33 00:02:22,680 --> 00:02:25,520 Speaker 1: to keep people from getting on the property. If we're 34 00:02:25,520 --> 00:02:29,480 Speaker 1: already inside, that'll be our best shot. I hope something 35 00:02:29,480 --> 00:02:31,840 Speaker 1: good comes out of my mouth in the next thirty seconds, 36 00:02:32,400 --> 00:03:06,440 Speaker 1: because it's showtime. We'll visit those along. I'd like to 37 00:03:06,440 --> 00:03:11,200 Speaker 1: get inside the house my music paid for. Please. I 38 00:03:11,240 --> 00:03:12,959 Speaker 1: know I'm supposed to be on my way to the 39 00:03:13,320 --> 00:03:16,760 Speaker 1: It never rains in summer music cruise experience right now, 40 00:03:17,320 --> 00:03:24,680 Speaker 1: but I forgot all my swimsuits. Crazy, all right, so 41 00:03:24,760 --> 00:03:27,600 Speaker 1: you can open the gate now, Mr Diamonds. Not with you. 42 00:03:28,000 --> 00:03:32,919 Speaker 1: Mr Diamonds is a little too important to help me pack. 43 00:03:33,280 --> 00:03:36,480 Speaker 1: Don't you think I mean there are deals to be made? 44 00:03:36,520 --> 00:03:41,240 Speaker 1: Am I right? I'm sorry, but this is highly unusual. 45 00:03:41,880 --> 00:03:46,160 Speaker 1: I'm under specific instructions from mister Diamonds not to let 46 00:03:46,200 --> 00:03:49,480 Speaker 1: anyone on the gumpa. Do you really think those instructions 47 00:03:49,480 --> 00:03:53,720 Speaker 1: are meant for me? I guess not. M But who 48 00:03:53,760 --> 00:03:58,600 Speaker 1: are your friends? These are v I P s. You 49 00:03:58,680 --> 00:04:03,640 Speaker 1: see they have this way and he doesn't have. Oh 50 00:04:03,680 --> 00:04:07,280 Speaker 1: he doesn't look pretty bad. Sorry, Msnes All opens again 51 00:04:07,440 --> 00:04:11,360 Speaker 1: right away. Don't give up. You're gonna make it up. 52 00:04:14,600 --> 00:04:21,360 Speaker 1: Thank you, Nicky. That was awesome. Picked up a few 53 00:04:21,400 --> 00:04:24,599 Speaker 1: tricks over the years. What next. We won't have much time. 54 00:04:24,640 --> 00:04:27,320 Speaker 1: Once we get in, he'll call his supervisor to double 55 00:04:27,400 --> 00:04:31,800 Speaker 1: check my story, so we have to be quick. Keep driving, Bobby. 56 00:04:32,000 --> 00:04:34,119 Speaker 1: The back of the estate is up ahead, just past 57 00:04:34,200 --> 00:04:38,440 Speaker 1: the hedge. Mace. Jeez, this place is big. It's even 58 00:04:38,480 --> 00:04:41,600 Speaker 1: bigger than when I lived here. He bought up every 59 00:04:41,720 --> 00:04:46,880 Speaker 1: parcel of land with my money. Are those statues of 60 00:04:46,920 --> 00:04:51,080 Speaker 1: my dad? As each of the Greek gods. Yeah, and 61 00:04:51,200 --> 00:04:54,279 Speaker 1: you're telling me you had trouble figuring out he was 62 00:04:54,320 --> 00:04:57,919 Speaker 1: a giant narcissist. Point Bobby, and this isn't even the 63 00:04:57,920 --> 00:05:00,120 Speaker 1: worst of it. You should see his pent hou us 64 00:05:00,120 --> 00:05:03,800 Speaker 1: in Vegas. In this timeline, Dante made a fortune early 65 00:05:03,839 --> 00:05:06,920 Speaker 1: in his career. He only grew from there. How did 66 00:05:06,920 --> 00:05:12,000 Speaker 1: he do that? What changed me? In order to get 67 00:05:12,040 --> 00:05:16,200 Speaker 1: my music out there? I will subtly tipped him off 68 00:05:16,200 --> 00:05:18,880 Speaker 1: to some of the changes coming in the music industry 69 00:05:19,240 --> 00:05:23,640 Speaker 1: MP three's streaming. He got in early on everything and 70 00:05:23,760 --> 00:05:27,400 Speaker 1: was hailed as a genius in the process, the nostradamus 71 00:05:27,520 --> 00:05:31,400 Speaker 1: of the music industry. Whole number one of time travel. 72 00:05:31,680 --> 00:05:34,839 Speaker 1: Don't tell anyone what happens in the future. If you 73 00:05:34,880 --> 00:05:37,560 Speaker 1: want to say, I told you so, you have every 74 00:05:37,640 --> 00:05:40,680 Speaker 1: right too. We always hated Dante Diamond, and you gave 75 00:05:40,760 --> 00:05:44,000 Speaker 1: him everything. Well. I asked you if you thought people 76 00:05:44,000 --> 00:05:47,159 Speaker 1: could change, and you said yes, that kindness in the 77 00:05:47,240 --> 00:05:50,880 Speaker 1: right moment could flip the script. I thought I could 78 00:05:50,880 --> 00:05:53,880 Speaker 1: make him a better person. I didn't mean so kind 79 00:05:53,920 --> 00:05:56,800 Speaker 1: you make him even worse. Once I was in it, 80 00:05:56,839 --> 00:05:59,680 Speaker 1: I just kept justifying it, telling myself I could get 81 00:05:59,680 --> 00:06:02,479 Speaker 1: through to him. If I stuck with it. But you're right, 82 00:06:03,080 --> 00:06:06,120 Speaker 1: I just made it worse and now it's too late. 83 00:06:06,760 --> 00:06:09,679 Speaker 1: I'm sorry. Well, if you pull this off, it won't 84 00:06:09,680 --> 00:06:12,359 Speaker 1: ever happen. What matters now is that we get the 85 00:06:12,400 --> 00:06:17,080 Speaker 1: guitar and undo all of this. You're still mad at me, Bobby, 86 00:06:17,360 --> 00:06:21,960 Speaker 1: I know it. I just don't understand why you would 87 00:06:21,960 --> 00:06:25,600 Speaker 1: trust him the way you did. Because I was a teenager, 88 00:06:26,240 --> 00:06:29,000 Speaker 1: because I was all by myself, because I was scared. 89 00:06:29,839 --> 00:06:32,760 Speaker 1: Pretty soon I realized I had no home, no family, 90 00:06:32,839 --> 00:06:36,760 Speaker 1: no money, no identification. There wasn't even a record that 91 00:06:36,839 --> 00:06:40,559 Speaker 1: I existed. Yeah, but him, out of all the people 92 00:06:40,560 --> 00:06:42,599 Speaker 1: in the world, he was the only one there to 93 00:06:42,680 --> 00:06:45,480 Speaker 1: fix it. When the I r S came after me, 94 00:06:45,839 --> 00:06:48,600 Speaker 1: when the FBI realized I was a non person, they 95 00:06:48,600 --> 00:06:52,279 Speaker 1: were threatening to deport me. I was a kid who 96 00:06:52,279 --> 00:06:57,000 Speaker 1: had never lived outside of Jersey. I never realized how 97 00:06:57,120 --> 00:07:01,720 Speaker 1: controlling all this would make him. The more money he got, 98 00:07:01,960 --> 00:07:05,120 Speaker 1: the more power he got, the weirder it all became. 99 00:07:06,520 --> 00:07:09,520 Speaker 1: I tried to get away, but you can't go too 100 00:07:09,520 --> 00:07:13,119 Speaker 1: far without a birth certificate or a Social Security card 101 00:07:13,520 --> 00:07:17,720 Speaker 1: for credit history, and Dante made up a whole identity 102 00:07:17,760 --> 00:07:21,160 Speaker 1: for me to keep me safe here and then put 103 00:07:21,200 --> 00:07:24,640 Speaker 1: me under a conservative ship, and I had no power 104 00:07:24,680 --> 00:07:27,040 Speaker 1: to fight it and no one to go to for help. 105 00:07:28,240 --> 00:07:32,480 Speaker 1: Now I'm property of Diamond International. I'm not even a 106 00:07:32,520 --> 00:07:35,960 Speaker 1: real person, and certainly not a real musician. I mean, 107 00:07:36,000 --> 00:07:40,000 Speaker 1: you guys heard me. I'm just another brand. I may 108 00:07:40,040 --> 00:07:43,240 Speaker 1: as well be a hologram. I didn't know that's how 109 00:07:43,280 --> 00:07:48,800 Speaker 1: it was. How could you? But now I know there's 110 00:07:48,880 --> 00:07:53,400 Speaker 1: more to life than fame. People cheering for you can 111 00:07:53,440 --> 00:07:57,760 Speaker 1: never replace people being there for you. I love you 112 00:07:57,840 --> 00:08:01,360 Speaker 1: so much, Bobby. The world sucks without you as my 113 00:08:01,440 --> 00:08:06,360 Speaker 1: best friend. I hope you can forgive me. I love 114 00:08:06,360 --> 00:08:11,320 Speaker 1: you too, obviously. There it is the antenna. Let's get 115 00:08:11,400 --> 00:08:13,640 Speaker 1: us the hell out of here and fix all this, 116 00:08:14,280 --> 00:08:16,840 Speaker 1: and the sooner the better, because this place gives me 117 00:08:16,880 --> 00:08:49,400 Speaker 1: the creeps. M this is them, all right, My keys, 118 00:08:49,600 --> 00:08:51,800 Speaker 1: just where I buried them. Now, let's see if they 119 00:08:51,840 --> 00:09:00,760 Speaker 1: work over here. Bingo, there's another door, but this one 120 00:09:00,800 --> 00:09:04,320 Speaker 1: has a keypad. I got this day of my first hit. 121 00:09:04,440 --> 00:09:17,079 Speaker 1: I Bett's inner sinking. WHOA look at all this stuff. 122 00:09:17,640 --> 00:09:24,520 Speaker 1: It's all junk flyers, old clothes, cassette tapes. It's like 123 00:09:24,520 --> 00:09:28,559 Speaker 1: a hoarder's paradise. Why have a security fortress around this. 124 00:09:29,280 --> 00:09:32,520 Speaker 1: One person's junk is another one's treasure. My dad was 125 00:09:32,600 --> 00:09:35,880 Speaker 1: the same in my time. He collects things for the 126 00:09:36,120 --> 00:09:40,439 Speaker 1: archives exactly. Some of it he's sitting on until the 127 00:09:40,520 --> 00:09:43,959 Speaker 1: value goes up again in the fan market. Other stuff 128 00:09:44,000 --> 00:09:46,800 Speaker 1: he rotates into exhibits at the museum. How are we 129 00:09:46,840 --> 00:09:49,360 Speaker 1: supposed to find the guitar and this mountain of junk? 130 00:09:49,760 --> 00:09:55,720 Speaker 1: Start digging? Look at this contracts for Pink Katy, Perry, 131 00:09:56,200 --> 00:10:00,800 Speaker 1: Miley Cyrus. He bought up their contracts and Perry them 132 00:10:01,000 --> 00:10:04,160 Speaker 1: fed their songs to other artists on his roster. They 133 00:10:04,160 --> 00:10:06,719 Speaker 1: don't even have careers here. One of them is a 134 00:10:06,760 --> 00:10:10,600 Speaker 1: math teacher. Wait a minute, Liam, is this it? Let's 135 00:10:10,600 --> 00:10:15,079 Speaker 1: see scratch mark next to the third fret, initials burned 136 00:10:15,080 --> 00:10:19,080 Speaker 1: in on the underside. Yes, Bobby, Yes, I've got it. Now, 137 00:10:19,160 --> 00:10:28,480 Speaker 1: let's go before he knows we're here. Okay, I'm afraid 138 00:10:28,640 --> 00:10:32,160 Speaker 1: you can't leave, Miss Range. God, you scared me. I'm 139 00:10:32,200 --> 00:10:36,160 Speaker 1: going to have to ask you guitar now. Of course 140 00:10:36,880 --> 00:10:40,559 Speaker 1: we probably tripped some silent alarm. Listen. I already told 141 00:10:40,600 --> 00:10:42,840 Speaker 1: you that Mr Diamond wanted me to get this for 142 00:10:42,960 --> 00:10:45,719 Speaker 1: him Okay, I'll call him now. If you don't believe me, 143 00:10:46,720 --> 00:10:51,920 Speaker 1: don't embarrass yourself, Summer, Dante. Ever since I saw your 144 00:10:51,960 --> 00:10:55,840 Speaker 1: old friends Bobby and Liam at the show, I knew 145 00:10:55,880 --> 00:10:58,640 Speaker 1: you'd head here. I've had my eye on you. Well, 146 00:10:58,679 --> 00:11:01,000 Speaker 1: all of that is about to chance. Ange. I'll take 147 00:11:01,080 --> 00:11:08,800 Speaker 1: that guitar, young lady, since it belongs to me anyway, No, hey, hey, 148 00:11:09,080 --> 00:11:16,720 Speaker 1: let go no security. Bring these kids to the police 149 00:11:16,760 --> 00:11:21,320 Speaker 1: station and charge them with trespassing and theft. We're not 150 00:11:21,400 --> 00:11:24,920 Speaker 1: leaving without her, then go, Dante. Don't ruin their lives 151 00:11:24,960 --> 00:11:29,360 Speaker 1: with a juvenile record. This is between you and me, Carl. 152 00:11:29,880 --> 00:11:33,480 Speaker 1: You can go now. I'll handle these kids myself. Yes, 153 00:11:36,400 --> 00:11:39,320 Speaker 1: give us back the guitar. Ben gave that to Nikki. 154 00:11:39,400 --> 00:11:43,080 Speaker 1: It belongs to her. It belongs to me, just like 155 00:11:43,120 --> 00:11:46,880 Speaker 1: everything else of hers. Now, Summer, we have to get 156 00:11:46,920 --> 00:11:49,520 Speaker 1: you down to the pier. The cruise can't take off 157 00:11:49,559 --> 00:11:54,720 Speaker 1: without its star attraction. I'm not going. You're under contract, Summer, 158 00:11:54,920 --> 00:11:59,120 Speaker 1: I said, I'm not going. Yes you are. I'll tell 159 00:11:59,160 --> 00:12:02,640 Speaker 1: the truth about you, about everything you've done to me. 160 00:12:02,800 --> 00:12:07,920 Speaker 1: I'll go to the press. Go ahead, try it. I 161 00:12:07,960 --> 00:12:09,839 Speaker 1: can make all of that go away with a wave 162 00:12:09,920 --> 00:12:14,160 Speaker 1: of my hand. You see, kids, Summer suffers from bouts 163 00:12:14,160 --> 00:12:19,000 Speaker 1: of nervous exhaustion. She has delusions that she's a time traveler. 164 00:12:19,400 --> 00:12:22,800 Speaker 1: She's out of touch with reality. It affects her work. 165 00:12:23,720 --> 00:12:25,920 Speaker 1: Sometimes she gets it into her head to do things 166 00:12:25,960 --> 00:12:31,000 Speaker 1: like Renegan contracts and miss show dates. She costs herself 167 00:12:31,000 --> 00:12:35,200 Speaker 1: a lot of money that way, sad. That's why the 168 00:12:35,240 --> 00:12:38,319 Speaker 1: courts agreed she can't be relied on to look after 169 00:12:38,360 --> 00:12:42,480 Speaker 1: her own self interests. Oh, but don't worry, fans, I've 170 00:12:42,480 --> 00:12:45,680 Speaker 1: always got my eye on her. Shut up. What I 171 00:12:45,760 --> 00:12:48,640 Speaker 1: don't understand is why would you want to leave all 172 00:12:48,679 --> 00:12:52,679 Speaker 1: of this? I gave you everything, summer, a life, a career. 173 00:12:52,720 --> 00:12:55,959 Speaker 1: I even gave you a name. When we started. We 174 00:12:55,960 --> 00:12:58,760 Speaker 1: were a team. But nothing I do is ever enough? 175 00:12:58,960 --> 00:13:02,520 Speaker 1: Is it? What do I get in return? You abandoned me. 176 00:13:02,679 --> 00:13:06,160 Speaker 1: I thought this was the life I wanted, Okay, it's not. 177 00:13:07,040 --> 00:13:10,520 Speaker 1: Instead of letting me go, you trapped me because I 178 00:13:10,600 --> 00:13:13,520 Speaker 1: know how good you could be. You always do that. 179 00:13:14,000 --> 00:13:17,280 Speaker 1: You never let people shine on their own. And who 180 00:13:17,320 --> 00:13:20,480 Speaker 1: are you, kid? Besides the third wheel? No one asked 181 00:13:20,480 --> 00:13:24,800 Speaker 1: for I see it now. You're scared of being alone, 182 00:13:25,480 --> 00:13:29,480 Speaker 1: of being abandoned. You don't know me. I know Leonard though, 183 00:13:30,559 --> 00:13:35,079 Speaker 1: Leonard mccowski. Leonard thought no one took him seriously, that 184 00:13:35,160 --> 00:13:38,400 Speaker 1: he had to play hardball, pounce on weakness, exact revenge. 185 00:13:39,600 --> 00:13:43,559 Speaker 1: But you really just want someone to tell you right enough. 186 00:13:43,720 --> 00:13:46,720 Speaker 1: There's no one left to do that, is there? Because 187 00:13:46,760 --> 00:13:50,000 Speaker 1: you've surrounded yourself with people whose love and loyalty is 188 00:13:50,080 --> 00:13:53,640 Speaker 1: under contract. They stay close to you because they have to, 189 00:13:53,840 --> 00:13:58,280 Speaker 1: not because they choose to, because otherwise you're afraid they'll 190 00:13:58,320 --> 00:14:01,960 Speaker 1: leave you. A hundreds of people on payroll who like 191 00:14:02,120 --> 00:14:06,760 Speaker 1: me just fine. They don't really like you, Leonard, don't 192 00:14:07,120 --> 00:14:09,800 Speaker 1: call me that. Back in my time, I was always 193 00:14:09,840 --> 00:14:13,600 Speaker 1: afraid that I wasn't good enough for you. That was 194 00:14:13,679 --> 00:14:17,719 Speaker 1: never the problem. You were afraid that I didn't love you. 195 00:14:17,960 --> 00:14:22,200 Speaker 1: What love me? Who the hell are you? Kid? My 196 00:14:22,280 --> 00:14:26,880 Speaker 1: name is Liam, Liam mccowski. What. I'm a guy who 197 00:14:26,960 --> 00:14:30,960 Speaker 1: was just like you, a guy who loves music and musicians. 198 00:14:31,520 --> 00:14:34,680 Speaker 1: I always rejected that because I didn't want to be you. 199 00:14:35,360 --> 00:14:39,960 Speaker 1: But I'm not you. I like my name, my real name. 200 00:14:40,400 --> 00:14:43,240 Speaker 1: I like my crooked nose and the gap in my teeth. 201 00:14:43,840 --> 00:14:47,440 Speaker 1: I like that I could talk for hours about amps 202 00:14:47,480 --> 00:14:52,160 Speaker 1: and woofers and distortion pedals. Seriously, kid, if you don't 203 00:14:52,280 --> 00:14:57,040 Speaker 1: shut up, and you you're a guy who loves music 204 00:14:57,640 --> 00:15:02,120 Speaker 1: and you love musicians or you to think of what 205 00:15:02,160 --> 00:15:05,560 Speaker 1: you could be if you really cared for them over 206 00:15:05,680 --> 00:15:09,720 Speaker 1: kind of relationship we could have had. Stop stop walking 207 00:15:09,720 --> 00:15:13,120 Speaker 1: towards me. This isn't your life, This isn't any of 208 00:15:13,160 --> 00:15:16,640 Speaker 1: our lives. But you have a chance right now to 209 00:15:16,760 --> 00:15:23,000 Speaker 1: make things right. Let Nikki go and give us the guitar. Dad, Dad, 210 00:15:23,960 --> 00:15:31,160 Speaker 1: look at the guitar. It's slowly. It shocked me. It's okay, 211 00:15:31,360 --> 00:15:37,920 Speaker 1: it's okay, quick Nikki, here, it's into play a song. No, nope, 212 00:15:38,040 --> 00:15:49,840 Speaker 1: you're not going anywhere. You're staying right here. Yeah. Now 213 00:15:50,400 --> 00:15:59,480 Speaker 1: you to help me? He a lot to sin and 214 00:16:00,080 --> 00:16:20,120 Speaker 1: now what who WHOA? I tell us? Hey, Nicky stands. 215 00:16:20,480 --> 00:16:23,480 Speaker 1: Want to uncover more epic time travel secrets. Head to 216 00:16:23,640 --> 00:16:28,000 Speaker 1: EP universe on Instagram and TikTok for more totally twisty details. 217 00:16:28,480 --> 00:16:31,320 Speaker 1: More Nicky fixes up next the first A quick word 218 00:16:31,320 --> 00:16:41,600 Speaker 1: from our sponsor, Hey, time travelers, welcome back. I want 219 00:16:41,600 --> 00:16:44,680 Speaker 1: to uncover more totally twisty time travel secrets. Head to 220 00:16:44,840 --> 00:16:57,080 Speaker 1: e ep universe dot com to learn more and now here. 221 00:16:57,160 --> 00:17:02,160 Speaker 1: She is the pop sensation you've been waiting for, Old Bridge, 222 00:17:02,200 --> 00:17:05,840 Speaker 1: mall give it up for your very own summer wor 223 00:17:17,840 --> 00:17:22,920 Speaker 1: uh where are we? Oh man? That's not seven time 224 00:17:23,600 --> 00:17:28,160 Speaker 1: and I haven't wait. I remember this. This was part 225 00:17:28,160 --> 00:17:31,199 Speaker 1: of a tri state multil that Dante put together to 226 00:17:31,280 --> 00:17:35,560 Speaker 1: generate Grasswoods Bus. Yes, that means it worked. We went 227 00:17:35,600 --> 00:17:40,120 Speaker 1: back again, all right, But that also means we didn't 228 00:17:40,200 --> 00:17:42,440 Speaker 1: wind up where we started. This is about a year 229 00:17:42,600 --> 00:17:49,400 Speaker 1: after you both left, so well, time travel isn't precise. 230 00:17:50,200 --> 00:17:52,560 Speaker 1: There must be something else in this time that we 231 00:17:52,640 --> 00:17:55,680 Speaker 1: have to sit right, Nicky, what's going on right now 232 00:17:55,720 --> 00:17:59,840 Speaker 1: in your life? Here? M m. This is the con 233 00:18:00,040 --> 00:18:03,160 Speaker 1: or that convinces the executives of Galaxy Records that I'm 234 00:18:03,200 --> 00:18:07,880 Speaker 1: a viable investment. They're excited by my fan base. Everything 235 00:18:07,960 --> 00:18:11,640 Speaker 1: changes after today. This is when I truly stop being 236 00:18:11,760 --> 00:18:16,719 Speaker 1: nicky fix and become some marines. So that means this 237 00:18:16,880 --> 00:18:20,639 Speaker 1: is a cross point in toss Nerd speak. Please, we 238 00:18:20,760 --> 00:18:23,280 Speaker 1: have to find a way to talk to you before 239 00:18:23,400 --> 00:18:27,520 Speaker 1: that deal happens. You know, not you you, but the 240 00:18:27,560 --> 00:18:30,479 Speaker 1: other you. I'll be signing autographs and the sam goodies 241 00:18:30,600 --> 00:18:41,560 Speaker 1: upstairs after the concert that'll be our best shot. Oh 242 00:18:42,880 --> 00:19:09,760 Speaker 1: shows day people, people ah welve, I said overly light, 243 00:19:10,480 --> 00:19:13,600 Speaker 1: Get in line. Oh my god, is that what are 244 00:19:13,600 --> 00:19:18,120 Speaker 1: to be wearing? That's way too much makeup. Don't judge me. 245 00:19:18,600 --> 00:19:21,280 Speaker 1: People were super into it, as you can see. Let's 246 00:19:21,280 --> 00:19:26,280 Speaker 1: get Come on you guys. There's a hole in the crowd. Nicki, Niggie, 247 00:19:26,720 --> 00:19:31,280 Speaker 1: get back in line. Shee's me sorry, excuse me, sorry 248 00:19:31,520 --> 00:19:35,480 Speaker 1: part of me? Whoa, whoa, whoa? Where do you think 249 00:19:35,480 --> 00:19:38,399 Speaker 1: you're going? We have to talk to Nicki. Um, Summer, 250 00:19:38,880 --> 00:19:42,320 Speaker 1: it's okay. I'm her best friend, so is everyone here. 251 00:19:42,680 --> 00:19:45,720 Speaker 1: The whole line is best friends for her. But it's 252 00:19:45,760 --> 00:19:50,000 Speaker 1: an emergency. Honestly, we really do know her. Get back 253 00:19:50,000 --> 00:19:53,800 Speaker 1: in line, get get don't get listened, buddy. We're here 254 00:19:53,840 --> 00:19:56,600 Speaker 1: to save that girl's future. So you can either let 255 00:19:56,680 --> 00:19:58,800 Speaker 1: us through and be on the right side of history, 256 00:19:59,160 --> 00:20:01,480 Speaker 1: or we can run you go from But either way, 257 00:20:01,680 --> 00:20:09,760 Speaker 1: we're talking to Summer. Back the line. Maybe we should 258 00:20:09,840 --> 00:20:13,240 Speaker 1: just wait in line. Guys, we travel thirty years. It's 259 00:20:13,280 --> 00:20:34,160 Speaker 1: a little bit more time, right right, Come on, Nikkia, man, 260 00:20:34,240 --> 00:20:37,400 Speaker 1: this line is pretty insane. How long do you think 261 00:20:37,400 --> 00:20:39,840 Speaker 1: the weight is from all the way back here at 262 00:20:39,920 --> 00:20:43,320 Speaker 1: least a couple of hours. That's too long. I stopped 263 00:20:43,320 --> 00:20:45,600 Speaker 1: signing autographs at five. Do you think we'll make it 264 00:20:45,600 --> 00:20:48,520 Speaker 1: to her in time? I don't know. Okay, you guys, 265 00:20:48,520 --> 00:20:50,760 Speaker 1: stay here and hold the spot. Wait where are you going? 266 00:20:50,880 --> 00:20:52,800 Speaker 1: I'm gonna go try and sneak in with the Rose 267 00:20:52,840 --> 00:20:55,000 Speaker 1: downstairs and see if I can leave a message and 268 00:20:55,000 --> 00:21:01,120 Speaker 1: her equipment just in case. Good thinking. Just be careful, 269 00:21:01,440 --> 00:21:08,160 Speaker 1: you too, seeing a little bit? What was that? What 270 00:21:08,200 --> 00:21:13,119 Speaker 1: was what that? What? That was a moment between you 271 00:21:13,160 --> 00:21:20,360 Speaker 1: and Liam? What? No? Maybe shut up? You're blushing. Oh 272 00:21:20,359 --> 00:21:23,639 Speaker 1: my god, Bobby, I thought I saw a spark between you, 273 00:21:23,680 --> 00:21:27,240 Speaker 1: and tell me everything. Have you kissed? No? Why not 274 00:21:27,840 --> 00:21:30,639 Speaker 1: kiss him? He's a good guy. Let's just focus on 275 00:21:30,640 --> 00:21:34,240 Speaker 1: the task at hand, all right, Okay, okay, okay, But 276 00:21:34,320 --> 00:21:38,199 Speaker 1: I'm in my forties now, so I've like done stuff 277 00:21:38,440 --> 00:21:42,639 Speaker 1: with boys. If you need any advice, I'm just saying, Nigi, 278 00:21:43,160 --> 00:21:46,240 Speaker 1: we still have a whole space time continuum thing to repair, 279 00:21:46,720 --> 00:21:48,679 Speaker 1: so the timeline can go back to normal and we 280 00:21:48,720 --> 00:21:50,399 Speaker 1: can all go home and you can go on a 281 00:21:50,520 --> 00:21:54,360 Speaker 1: date with Liam. Whoa. I've only been waiting like forever 282 00:21:54,520 --> 00:21:57,159 Speaker 1: for you guys to get together. I never thought so 283 00:21:57,240 --> 00:22:01,159 Speaker 1: much could happen in a few days. But yeah, I 284 00:22:01,280 --> 00:22:07,879 Speaker 1: like Liam. Oh, I really missed our girl talks. Okay, okay, 285 00:22:08,359 --> 00:22:11,320 Speaker 1: back to the task at hand. If Nikki's anything like 286 00:22:11,400 --> 00:22:14,280 Speaker 1: I was, and she is, then she may not be 287 00:22:14,400 --> 00:22:17,879 Speaker 1: too receptive. Success kind of goes to your head for 288 00:22:17,920 --> 00:22:21,160 Speaker 1: the first couple of years. I think you know it all. 289 00:22:21,400 --> 00:22:23,080 Speaker 1: I have faith in you to do the right thing. 290 00:22:23,680 --> 00:22:28,720 Speaker 1: I always have. Actually, I might have an idea. Can 291 00:22:28,760 --> 00:22:31,840 Speaker 1: you hold down the fort here? I'll be right back. Sure, 292 00:22:39,320 --> 00:22:42,399 Speaker 1: excuse me. I was told to put this piece with 293 00:22:42,480 --> 00:22:49,119 Speaker 1: Nicky's kit Summer's Kid. Do you know where that is? Thanks? 294 00:22:50,960 --> 00:22:55,800 Speaker 1: I know she was incredible. Well, thank you, Mr Bullet. 295 00:22:56,200 --> 00:22:58,640 Speaker 1: I'm excited to finally meet you in person and discuss 296 00:22:58,680 --> 00:23:03,560 Speaker 1: bigger and brighter things for Summer's future. I agree she 297 00:23:03,880 --> 00:23:10,840 Speaker 1: is star material. Okay, let's see you then, Chow. Hey, 298 00:23:11,080 --> 00:23:14,280 Speaker 1: you're Dante Diamond, aren't you? Do? I know you kind 299 00:23:14,320 --> 00:23:18,719 Speaker 1: of We met at the Millennium Rink, all right, that place. 300 00:23:19,480 --> 00:23:23,000 Speaker 1: Sorry I don't remember your name. That's okay, it doesn't matter. 301 00:23:24,440 --> 00:23:27,920 Speaker 1: Nice seeing you again. Thanks for coming out. Before you go, 302 00:23:28,040 --> 00:23:32,639 Speaker 1: I want to say something. You're really great at this stuff, 303 00:23:33,240 --> 00:23:38,000 Speaker 1: bringing people together, making things happen, helping artists to develop 304 00:23:38,040 --> 00:23:43,480 Speaker 1: their voice. You're really talented. So just in case no 305 00:23:43,520 --> 00:23:47,560 Speaker 1: one else has said it to you, good job. Well 306 00:23:48,359 --> 00:23:52,600 Speaker 1: that was unexpected. No, usually people just see summer and 307 00:23:52,840 --> 00:23:57,080 Speaker 1: not the behind the scenes stuff. So thanks. One more thing. 308 00:23:57,560 --> 00:24:01,159 Speaker 1: Now that I have some perspective on things, I realized 309 00:24:01,320 --> 00:24:07,360 Speaker 1: something important. I uh, I mean your artists they love you, 310 00:24:08,320 --> 00:24:10,280 Speaker 1: but they'll come a time and they really need you 311 00:24:10,320 --> 00:24:13,679 Speaker 1: to love them back, to put them as people ahead 312 00:24:13,680 --> 00:24:18,919 Speaker 1: of everything else. Don't lose sight of that. Okay, um, 313 00:24:19,040 --> 00:24:23,400 Speaker 1: were we in class together or something or something? See 314 00:24:23,400 --> 00:24:29,880 Speaker 1: you around Leonard? Hey? Uh? Can I at least give 315 00:24:29,920 --> 00:24:46,520 Speaker 1: you a T shirt to my number one fan love 316 00:24:46,720 --> 00:24:53,000 Speaker 1: Summer Rains. Thanks so much for coming out Liam over here? 317 00:24:53,359 --> 00:24:55,760 Speaker 1: Any luck? I heard my dad on the phone with 318 00:24:55,800 --> 00:24:59,960 Speaker 1: the label the clock is ticking. How about you almost 319 00:25:00,000 --> 00:25:01,960 Speaker 1: to the front of the line. I think we'll be 320 00:25:01,960 --> 00:25:05,160 Speaker 1: able to talk to her in time. Where's Nikki? Older? Nikki? 321 00:25:05,240 --> 00:25:07,840 Speaker 1: I mean, she says she was stepping out, but she 322 00:25:08,200 --> 00:25:11,399 Speaker 1: hasn't come back yet. I've been watching Nicky sign as 323 00:25:11,400 --> 00:25:14,960 Speaker 1: I've gotten closer, and she looks so different. Her hair 324 00:25:15,040 --> 00:25:19,320 Speaker 1: is different. No, not that she's signing autographs, but she 325 00:25:19,480 --> 00:25:23,480 Speaker 1: isn't even looking up at anyone. She doesn't seem like Nikki. Yeah, 326 00:25:23,520 --> 00:25:29,040 Speaker 1: well that's not Nikki now, that's Summer Rains Nuts, that's us. 327 00:25:30,160 --> 00:25:32,200 Speaker 1: Thank you so much for coming out today and supporting 328 00:25:32,240 --> 00:25:35,119 Speaker 1: live music. Who should I make the autograph out to you? 329 00:25:35,200 --> 00:25:40,119 Speaker 1: Forget my name already, Bobby Liam? Oh my god, what 330 00:25:40,160 --> 00:25:43,040 Speaker 1: are you doing here? We've come back again to get 331 00:25:43,040 --> 00:25:45,600 Speaker 1: you out of here. It's time to come home. That's 332 00:25:45,720 --> 00:25:49,239 Speaker 1: really nice of you. But I'm good here. No, you 333 00:25:49,320 --> 00:25:53,800 Speaker 1: can't go through with this. You're ruining your light. She's right, Nikki, 334 00:25:54,240 --> 00:25:57,199 Speaker 1: you're missing up the time continuum. We've seen how it 335 00:25:57,240 --> 00:26:01,280 Speaker 1: turns out. It is not pretty. Things are great here. 336 00:26:01,840 --> 00:26:05,320 Speaker 1: I'm great here, Nikki. This isn't your life. We have 337 00:26:05,480 --> 00:26:08,399 Speaker 1: to go home. Did you even save the rink? Do 338 00:26:08,480 --> 00:26:10,320 Speaker 1: you know what's going to happen to Ben? And is 339 00:26:10,400 --> 00:26:13,800 Speaker 1: still managing the rink? It seems fine, it's not going 340 00:26:13,840 --> 00:26:18,000 Speaker 1: to be. Are these two given you our time? The rains? No? No, no, 341 00:26:18,119 --> 00:26:22,840 Speaker 1: they're fine. Thanks alright, alright, I get it. Listen. I 342 00:26:22,880 --> 00:26:25,119 Speaker 1: can't talk about this here. I have to finish up 343 00:26:25,119 --> 00:26:28,320 Speaker 1: and do some press photos. But when I'm done. It's 344 00:26:28,359 --> 00:26:31,480 Speaker 1: the three of us. Yeah, we'll sit down and talk 345 00:26:31,520 --> 00:26:34,800 Speaker 1: it all out. When will that be an hour? I'll 346 00:26:34,840 --> 00:26:37,600 Speaker 1: meet you at the food court at six. Okay, okay, 347 00:26:38,240 --> 00:26:48,479 Speaker 1: we'll see you there. Yep, see you there. What time 348 00:26:48,560 --> 00:26:56,360 Speaker 1: is it? Eight? She's not coming is? She doesn't look 349 00:26:56,400 --> 00:26:59,440 Speaker 1: like it. She lied to us. This is like when 350 00:26:59,480 --> 00:27:04,440 Speaker 1: she let go of my hand. I'm so mad. What 351 00:27:04,480 --> 00:27:08,720 Speaker 1: do we do now? We'll figure it out. We should 352 00:27:08,720 --> 00:27:12,920 Speaker 1: connect with other Nikki. Maybe she's having better luck. Too bad? 353 00:27:12,960 --> 00:27:16,600 Speaker 1: We can't text again. How are we supposed to find 354 00:27:16,640 --> 00:27:20,800 Speaker 1: anyone with no technology? Old bridge? Isn't that big? Come on? 355 00:27:26,720 --> 00:27:31,359 Speaker 1: All rights out there? And we're coming to the Millennium 356 00:27:31,480 --> 00:27:38,359 Speaker 1: Rank on another Friday night. I thought i'd find you 357 00:27:38,440 --> 00:27:43,240 Speaker 1: here instead up your friends? Who are you? Oh? Wait 358 00:27:43,280 --> 00:27:48,399 Speaker 1: a minute, Oh my god? Are you? Me and Nikki? 359 00:27:49,200 --> 00:28:05,840 Speaker 1: We need to talk. Ironhorn's Epic Productions and I Heart 360 00:28:05,920 --> 00:28:10,360 Speaker 1: Radio presented Nicky Fix's Time Mix, created an executive produced 361 00:28:10,359 --> 00:28:15,480 Speaker 1: by Heather Ironhorn and Adam Stafferni. Executive produced by iHeart 362 00:28:15,600 --> 00:28:22,879 Speaker 1: Radio head writer Cecil Castellucci, writers Blue Beckford, Barrew, Louis Cornfeld, 363 00:28:23,480 --> 00:28:28,919 Speaker 1: Natalia yan Check, and Adam Stafferroni, directed by Rebecca Cunningham, 364 00:28:29,000 --> 00:28:32,800 Speaker 1: with performances by Judy Alice Lee as Nicky fix To, 365 00:28:32,920 --> 00:28:37,200 Speaker 1: Lea Romina as Bobby, Joshua evans Is, Leah Tyler Kies 366 00:28:37,280 --> 00:28:41,000 Speaker 1: as Dante, Diamond and Leonard and Baron Bass as Ben. 367 00:28:41,840 --> 00:28:47,440 Speaker 1: Additional voices more of Vincent Haleb Yen, David Shattrow, Late 368 00:28:47,520 --> 00:28:51,680 Speaker 1: Walsh Leger, and Scott Hoffman as record shop clerk host. 369 00:28:51,760 --> 00:28:56,080 Speaker 1: Sound by Chapter four Sound supervision and sound designed by 370 00:28:56,440 --> 00:29:01,320 Speaker 1: Sarah Gibble Lasker Assistant sound editing by Andrew Berger, Natalie 371 00:29:01,400 --> 00:29:06,440 Speaker 1: Escudera and Zachary Spiser. Music composed by Murray A lightburn 372 00:29:07,280 --> 00:29:12,040 Speaker 1: Lyrics by Natalia Yancheck and Murray A light Burner. Produced 373 00:29:12,040 --> 00:29:19,000 Speaker 1: by Arupe Sanakaila, Development writer, Scott Hoffman, Development executive Greg Lockard, 374 00:29:19,640 --> 00:29:24,920 Speaker 1: line producer Anna Stepcom, Production coordinator and script supervisor Laura 375 00:29:24,960 --> 00:29:31,720 Speaker 1: Martin Operations Laura Coffman, Marketing and Publicity, Jesse Post Digital Marketing, 376 00:29:32,080 --> 00:29:37,479 Speaker 1: Jennifer Gennaro Social Media Ashley Lynn Nicol, Great of direction 377 00:29:37,520 --> 00:29:41,480 Speaker 1: and designed by Ryan mccannon. A special thank you to 378 00:29:41,920 --> 00:29:46,440 Speaker 1: the Shadow Uniforn Einhorn's Epic Productions and I Heart Radio 379 00:29:46,480 --> 00:29:55,800 Speaker 1: Present Nikki fix his time nets. Any time travelers check 380 00:29:55,840 --> 00:29:59,280 Speaker 1: out more incredible adventures at e ep universe dot com. 381 00:29:59,640 --> 00:30:02,280 Speaker 1: Dig a to the secrets of time travel or explore 382 00:30:02,320 --> 00:30:06,120 Speaker 1: our other shows lethalt A, Tiktah's Mystery, See You in 383 00:30:06,160 --> 00:30:12,600 Speaker 1: Your Nightmares, Daughters of d C and more. H