WEBVTT - #537- NAV

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<v Speaker 1>You want SAPIs your boy Nave check me out on

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<v Speaker 1>Bootleg keV podcast.

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<v Speaker 2>Ay before we start the episode, we're gonna remind everybody, man,

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<v Speaker 2>we got one of the biggest radio shows in the country,

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<v Speaker 2>syndicated in almost one hundred cities all over. Shout out

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<v Speaker 2>to iHeartRadio. All right, some of the latest cities that

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<v Speaker 2>we've been able to add. Man, want to give a

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<v Speaker 2>shout out to ninety three point nine the Beat in Honolulu.

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<v Speaker 2>That's right, Hawaii, We over there going crazy. I also

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<v Speaker 2>want to give a shout out Hot ninety eight three

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<v Speaker 2>and Tucson. Shout out to Tucson going crazy. Also want

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<v Speaker 2>to give a shout out to Wild ninety four one

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<v Speaker 2>in Tampa going crazy. We just got Richmond. We also

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<v Speaker 2>just got the good folks in Bakersfield at Hot one

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<v Speaker 2>O four to seven. So we're going crazy on the

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<v Speaker 2>radio with my partner James Andre Jefferson Junior for the

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<v Speaker 2>Bootleg CAV Show.

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<v Speaker 1>So make sure you.

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<v Speaker 2>Tune in and you can listen anywhere on that iHeart

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<v Speaker 2>Radio app. That's right, let's get into the interview Buutleg

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<v Speaker 2>CAV Podcasts Bootleg CAV Show special guest. His new album

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<v Speaker 2>is officially out and it's crazy too. I just was

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<v Speaker 2>in the road trip from Phoenix to La bumping the

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<v Speaker 2>new album. We got the homie Nab in the building,

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<v Speaker 2>So welcome man. Good to see you, buddy. Yeah, we're

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<v Speaker 2>just talking about wrestling. H You were there when John

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<v Speaker 2>Cena did the heel turn in Toronto?

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<v Speaker 1>Yeah?

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<v Speaker 2>What was that like? In person?

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<v Speaker 1>It was fire because I could see the angle when

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<v Speaker 1>he was hugging Cody Rose and his face changed. I

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<v Speaker 1>could see that from where I was sitting. Yeah, his

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<v Speaker 1>face was like like if I was facing the other way.

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<v Speaker 2>I was like the rock had a spell on him. Yeah.

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<v Speaker 1>I got to see like how it looked on TV. Yeah,

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<v Speaker 1>it was a crazy experience.

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<v Speaker 2>Yea, I had to it was Are you like a

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<v Speaker 2>wrestling fan or were you? Just say it was in Toronto.

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<v Speaker 1>Growing up way more than now with the you guys.

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<v Speaker 1>But my friends who I played video games with, like

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<v Speaker 1>the WW. They got me back into.

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<v Speaker 2>It's a great game. It wasn't tap like a theme

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<v Speaker 2>song for a pay per view. Yeah yeah, I remember

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<v Speaker 2>tap back yo, y'all. X O boys just got the

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<v Speaker 2>WW sewed up cash Man. Cash got the biggest fan.

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<v Speaker 2>He is the biggest fan. I think the Weekend has

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<v Speaker 2>had like the theme song for many like six years

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<v Speaker 2>straight or something. Crazy. Yeah, it's wild. Yeah, No shout

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<v Speaker 2>outs to cash Man. He's and and he looks good too.

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<v Speaker 2>He's like he gotta be on keto or something. What's

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<v Speaker 2>going on with cash But he looked good.

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<v Speaker 1>I'm trying on the same program.

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<v Speaker 2>Last time I saw him, I was like, you're not

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<v Speaker 2>on a Osempic. He's like, nah, bro, this is all

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<v Speaker 2>like I'm working out and I'm eating right. It's true. Nah,

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<v Speaker 2>It's it's fire. How you feel, man, you got the

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<v Speaker 2>new body of workout. How's it feel feel relieved? You know?

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<v Speaker 1>Yeah, I feel like I gave my Day One fans

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<v Speaker 1>everything they're asking for.

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<v Speaker 2>Yeah, dude, I still think like my favorite project to

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<v Speaker 2>yours was your self titled Shit of Course, which is

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<v Speaker 2>so fire. It was also like you're most like, you know,

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<v Speaker 2>like drugged out album.

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<v Speaker 1>Yeah that shit was sick for sure.

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<v Speaker 2>But but but like, how long you've been working on

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<v Speaker 2>this on this project, It's obviously been some time, like

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<v Speaker 2>three years. Yeah, I feel like I feel like when

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<v Speaker 2>you take your time like that, it's like.

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<v Speaker 1>Even longer though, because some of the songs were older

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<v Speaker 1>songs where I just took the lyrics off the beat

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<v Speaker 1>and I'm like, put it on a new beat, and

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<v Speaker 1>they could have been four or five years old.

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<v Speaker 2>Yeah, it's crazy too, because when you work on something

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<v Speaker 2>that long, I'm assuming like you could get demn itis

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<v Speaker 2>on Ship too every day where you're like, yeah, we

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<v Speaker 2>love this song two years ago.

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<v Speaker 1>But demo demo itis, mixed itis every time of its

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<v Speaker 1>reverb itis, compression itis.

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<v Speaker 2>Yeah, like everything, Why my ad lits sound different on

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<v Speaker 2>this one than they sounded everything? Yeah, how do you

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<v Speaker 2>get over that?

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<v Speaker 1>Like?

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<v Speaker 2>How do you fight through it? Like you just there

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<v Speaker 2>is a collection of minds in the room. They're like

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<v Speaker 2>now like the OG version of this really is the ship.

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<v Speaker 1>Like there's certain tricks for certain things like Temple. I

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<v Speaker 1>have a trick for Temple, okay, which is if you

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<v Speaker 1>want to speed up a song, Oh man, I just

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<v Speaker 1>give a game. But I know a lot of people

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<v Speaker 1>know this probably, but if you want to speed up

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<v Speaker 1>a song and want to feel normal with that new Temple,

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<v Speaker 1>you speed it up really fast and then like speed

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<v Speaker 1>it down really slow, like slower than the original Temple

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<v Speaker 1>and get play that for a bit and then speed

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<v Speaker 1>it back to that new temple that you want. Kind of,

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<v Speaker 1>I gotta trick your brain. It's like if you're trying

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<v Speaker 1>to slow down a song, slow down really slow, and

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<v Speaker 1>then bring it back up to where you're trying to

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<v Speaker 1>put it like it's.

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<v Speaker 2>Like it's a thing something like that. I don't know,

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<v Speaker 2>and then you're you're you're you're speeding up like the

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<v Speaker 2>vocals and everything. I like to find spots for the

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<v Speaker 2>temples of the songs. Yeah, it's interesting too because nowadays,

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<v Speaker 2>like you didn't do obviously a lot of artists will

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<v Speaker 2>do like where they'll put a single out and they'll

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<v Speaker 2>be like a fucking used to be back in the

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<v Speaker 2>day when we was growing up, you get a chopped

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<v Speaker 2>in screwed version. Nowadays you get a sped up version

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<v Speaker 2>for TikTok She's Crazy.

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<v Speaker 1>Yeah, I don't know. Some songs just sound cool like

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<v Speaker 1>they do. They get the whole craze.

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<v Speaker 2>But I just remember, like you know, fools would be

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<v Speaker 2>high as fuck listening to chopped and screwed versions of

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<v Speaker 2>like fifty Said and Mike Jones.

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<v Speaker 1>And shit and some times, man, everything's faster.

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<v Speaker 2>Was that shit? Every big in Toronto, like the Ahe

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<v Speaker 2>Town shit.

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<v Speaker 1>I mean if you're like a super fan of hip hop,

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<v Speaker 1>yeah yeah, but not on a like whole scale.

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<v Speaker 2>Right what uh? You know you obviously kind of got

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<v Speaker 2>into the game being a producer. You're a hell of

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<v Speaker 2>a producer. How much of the production on this album

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<v Speaker 2>did you handle? I know metro Booman has his hands

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<v Speaker 2>in on some, but like what was kind of like

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<v Speaker 2>your production side on this Like.

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<v Speaker 1>Like on like a record like the metro boom in one,

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<v Speaker 1>I might not do anything. I just like just maybe

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<v Speaker 1>someone ranging, But every other one I'm pretty much got

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<v Speaker 1>my hands dirty, like and like songs like need You

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<v Speaker 1>that was like a beat made from scratch by me

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<v Speaker 1>and the drums, like my engineer came through the drums,

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<v Speaker 1>you know what I mean. But all the music, like

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<v Speaker 1>the playing music stuff, majority of us me.

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<v Speaker 2>Yeah, yeah, I can't imagine. Like when you're a producer,

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<v Speaker 2>it's probably hard to give because you get gave the

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<v Speaker 2>reins up. You metro got crazy album together? Yeah classic.

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<v Speaker 2>Somebody say that's your bit bet sound, you know what

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<v Speaker 2>I'm saying.

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<v Speaker 1>Like even that, like some people's favorite song on that

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<v Speaker 1>was like like oh call me help me down, Like

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<v Speaker 1>help me down? Was me being in the studio and

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<v Speaker 1>playing those chords and metro liking and the drums.

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<v Speaker 2>Yeah, it's a collaboration.

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<v Speaker 1>Yeah, exactly.

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<v Speaker 2>Yo, what can you speak back to because I feel

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<v Speaker 2>like the record that kind of changed your life and

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<v Speaker 2>kind of like got people hip to where you were

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<v Speaker 2>or who you were as an artist was Beabs in

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<v Speaker 2>the Trap. How big of a moment was that for you?

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<v Speaker 2>Because I remember the video like it was kind of

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<v Speaker 2>like an album cut, but they did a video and

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<v Speaker 2>ship for it, and like it kind of like put

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<v Speaker 2>you on the map in terms of people like like

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<v Speaker 2>like could you have such a distinct voice? And people

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<v Speaker 2>are like, who the fuck is this?

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<v Speaker 1>People really thought it was justin bieber m Beabs in

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<v Speaker 1>the Trap. Then Travis didn't list his features on the tracks,

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<v Speaker 1>and some people don't know who I was at all,

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<v Speaker 1>right when the album came out, I probably had like

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<v Speaker 1>maybe ten twenty thousand followers, maybe less, I don't know.

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<v Speaker 1>And yeah, it's like it was like recognition that came

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<v Speaker 1>slowly later, Like I wanted it as soon as they

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<v Speaker 1>dropping like hello, like nobody's saying me up making this

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<v Speaker 1>v to being on there, but it took a little

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<v Speaker 1>bit longer. But it was still the same thing.

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<v Speaker 2>Yeah, definitely, Like was my top two or three record

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<v Speaker 2>on that album too? Right, Yeah, for sure. And then

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<v Speaker 2>you got I mean, are shooting the video helped too?

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<v Speaker 1>That helped you, yeah, because they're like, hey, it's me.

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<v Speaker 1>But even then they're like, who's that?

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<v Speaker 2>Are you aware? Like for a wave there, like like

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<v Speaker 2>twenty seventeen eighteen, anybody who had your haircut had the

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<v Speaker 2>NAV cut. Like it became a.

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<v Speaker 1>Thing absolutely, Like I started seeing it a lot in

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<v Speaker 1>like places like Vancouver, in Canada.

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<v Speaker 2>In Arizona, there were Mexicans who would have your haircut

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<v Speaker 2>and they would ask for the NAV.

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<v Speaker 1>No, but okay, that's cool. But there's another one that's

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<v Speaker 1>like more hair. The Edgars.

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<v Speaker 2>The Edgar it's you have definitely a version of the

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<v Speaker 2>more hair you haven't cleaned up adds way exactly, it's

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<v Speaker 2>way more. You gotta you have a Canadian Edgar like that.

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<v Speaker 1>It's way more hair. These guys got helmets on their head.

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<v Speaker 2>You know.

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<v Speaker 1>Edgars are crazy.

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<v Speaker 2>Yeah, yeah, yeah, yeah. You go to a knots Done

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<v Speaker 2>down here. Oh man, don't go to Knotsberry Farm during

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<v Speaker 2>the summertime. The Edgars are running wild out there. Bro

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<v Speaker 2>and the Wild dude they're wild. Yeah.

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<v Speaker 1>You see some edgars in the wild, you'd be like, whoa,

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<v Speaker 1>they don't give a fuck about nothing. Yeah, they had

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<v Speaker 1>to cash out for sure because they got the helmet on.

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<v Speaker 2>One hundred percent. Man yo for you man, Like, Uh,

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<v Speaker 2>it's been uh, it's been a pretty crazy year, uh

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<v Speaker 2>for the team obviously. Uh, the new weekend albums out?

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<v Speaker 2>Your album is out. What's the camaraderie like, you know,

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<v Speaker 2>you were at the Cardi show, cardies on your ship.

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<v Speaker 2>What's the camaraderie like with the XO team as a whole,

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<v Speaker 2>Because I feel like you guys have always kind of

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<v Speaker 2>moved together, you know, even if even if you weren't

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<v Speaker 2>in cycle, you know what I mean.

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<v Speaker 1>I mean, ship it's just about like, you know, everybody

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<v Speaker 1>being team players, you know, knowing their roles and it's

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<v Speaker 1>just it's like a family, you know what I'm saying,

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<v Speaker 1>Like the biggest dude will pick up garbage off the floor,

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<v Speaker 1>you know what I mean. Like it's like everybody's humble

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<v Speaker 1>and ground and from a similar background. So that's easy.

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<v Speaker 1>Now what Cardi is, We've been cool with him from

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<v Speaker 1>like way back. You know, It's like one of his

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<v Speaker 1>first shows in.

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<v Speaker 2>L A one time I got canceled or some shit

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<v Speaker 2>you ate the show got canceled or you guys got canceled.

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<v Speaker 2>Oh okay, okay, yeah now Cardi's a I mean you

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<v Speaker 2>saw the show.

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<v Speaker 1>It was wild.

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<v Speaker 2>Yeah, so much fire.

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<v Speaker 1>But the one that we're talking about was like some

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<v Speaker 1>like basement blaze I forgot from underground shiit like that's

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<v Speaker 1>how long we know?

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<v Speaker 2>Yeah? Yeah. The Cardia live experience was interesting. I was

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<v Speaker 2>standing right there and we're just like, there's that dude

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<v Speaker 2>with the long hair, the white dude, wasn't.

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<v Speaker 1>They damn the crowd? Yeah, Birdberry, whatever is.

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<v Speaker 2>That dude on stage? We were like, yo, is he good?

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<v Speaker 2>It looked like he was having like a like an

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<v Speaker 2>out of body experience, like his spirit was being torn

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<v Speaker 2>into the sky like live on stage. And then there's

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<v Speaker 2>the bald white dude like running. It was just yeah,

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<v Speaker 2>it was wild.

0:09:01.600 --> 0:09:03.080
<v Speaker 1>You see when he jumped in the crowd though, and

0:09:03.120 --> 0:09:05.640
<v Speaker 1>he missed it. Miss man. These kids all they do

0:09:05.720 --> 0:09:07.480
<v Speaker 1>is they're holding their phones up. They're not ready for

0:09:07.840 --> 0:09:08.400
<v Speaker 1>you gotta be like.

0:09:08.440 --> 0:09:10.000
<v Speaker 2>He also hit the front of the gate. To be fair,

0:09:10.200 --> 0:09:12.160
<v Speaker 2>I think he misjudged the.

0:09:11.720 --> 0:09:13.560
<v Speaker 1>Gee, he made it over. I think he just hit

0:09:13.600 --> 0:09:14.000
<v Speaker 1>the floor.

0:09:14.240 --> 0:09:15.959
<v Speaker 2>Yeah. No, that's the other thing. I mean, back in

0:09:16.000 --> 0:09:20.280
<v Speaker 2>the day he used to be able to CrowdSurf. Confidently,

0:09:20.960 --> 0:09:22.280
<v Speaker 2>not anymore smartphones.

0:09:22.400 --> 0:09:23.000
<v Speaker 1>You get dropped.

0:09:23.440 --> 0:09:25.959
<v Speaker 2>I can't imagine where you You weren't crowdsurfing back in

0:09:26.000 --> 0:09:27.959
<v Speaker 2>the night. Nah, it was crowdsurfing.

0:09:27.960 --> 0:09:28.360
<v Speaker 1>I don't know.

0:09:28.559 --> 0:09:30.000
<v Speaker 2>Yeah, crowdsurfing, mosh pitting.

0:09:30.880 --> 0:09:32.200
<v Speaker 1>I didn't really go to shows like that.

0:09:32.320 --> 0:09:36.400
<v Speaker 2>Yeah, what was your first concert? M hm? I feel

0:09:36.400 --> 0:09:39.439
<v Speaker 2>like nas nos. Yeah, that's a good first show. Did

0:09:39.440 --> 0:09:42.240
<v Speaker 2>he forget a lot of his lyrics? No, he's got

0:09:42.240 --> 0:09:44.280
<v Speaker 2>this thing where he like forgets like half a one

0:09:44.320 --> 0:09:45.719
<v Speaker 2>mic every time he performs it.

0:09:45.800 --> 0:09:48.120
<v Speaker 1>No way, shit happens. It happens to me too. Now.

0:09:48.120 --> 0:09:51.240
<v Speaker 2>He is my favoriterapper of all time. We got my favorite.

0:09:51.559 --> 0:09:52.120
<v Speaker 1>He's the goat.

0:09:53.000 --> 0:09:54.960
<v Speaker 2>But I've seen him like thirty times, and every time,

0:09:55.080 --> 0:09:57.240
<v Speaker 2>for whatever reason, he could just never remember the one

0:09:57.280 --> 0:09:57.920
<v Speaker 2>mic lyrics.

0:09:58.200 --> 0:09:58.960
<v Speaker 1>That's crazy.

0:09:59.480 --> 0:10:01.720
<v Speaker 2>It is all. It's an interesting song because there's so

0:10:01.800 --> 0:10:04.480
<v Speaker 2>much like you know, but yeah, shots and NOAs he's

0:10:04.559 --> 0:10:05.600
<v Speaker 2>what's your favorite album?

0:10:06.080 --> 0:10:14.400
<v Speaker 1>Oh man, that's tough, Like I am still madic one

0:10:14.400 --> 0:10:18.080
<v Speaker 1>of those hard choice though, but still Mad. I think

0:10:18.120 --> 0:10:19.640
<v Speaker 1>still mad And that's like when I grew up, Like

0:10:19.679 --> 0:10:22.720
<v Speaker 1>I I grew up and the first NAS album I

0:10:22.760 --> 0:10:25.400
<v Speaker 1>heard was still Madic. I had to go backwards, you

0:10:25.440 --> 0:10:28.960
<v Speaker 1>had to go kind of dig in Nostradamis and I

0:10:29.040 --> 0:10:31.360
<v Speaker 1>Am as a double set. Yeah, and it was cheap

0:10:31.400 --> 0:10:33.199
<v Speaker 1>and ship because it's already been off. So of course

0:10:33.440 --> 0:10:35.000
<v Speaker 1>got that and then I started getting him. Then I

0:10:35.000 --> 0:10:36.960
<v Speaker 1>went all the way back to Illadic Life's of Bitch

0:10:36.960 --> 0:10:37.480
<v Speaker 1>and those songs.

0:10:37.480 --> 0:10:39.400
<v Speaker 2>You know, yeah, no, still Madic. I feel like it's

0:10:39.440 --> 0:10:41.559
<v Speaker 2>the one that can like it's either ill Madic or

0:10:41.559 --> 0:10:42.040
<v Speaker 2>still mad.

0:10:42.000 --> 0:10:43.840
<v Speaker 1>And then like I Give You Power or whatever album

0:10:43.880 --> 0:10:44.160
<v Speaker 1>that so.

0:10:44.240 --> 0:10:47.000
<v Speaker 2>Of course that was on that was that was on

0:10:47.160 --> 0:10:47.800
<v Speaker 2>his second album.

0:10:48.120 --> 0:10:50.439
<v Speaker 1>Like the penmanship is unbelievable.

0:10:49.960 --> 0:10:54.800
<v Speaker 2>Not for sure, affirmative action, incredible fire here he said push, No,

0:10:54.840 --> 0:10:56.480
<v Speaker 2>you're good, you're good shots, And I don't think a

0:10:56.480 --> 0:10:58.000
<v Speaker 2>lot of people think that, Like I feel like people

0:10:58.000 --> 0:11:00.200
<v Speaker 2>would be surprised, like yo, that you're in NAS head.

0:11:00.320 --> 0:11:04.120
<v Speaker 1>Not for real? Like shit was like you know, telling stories,

0:11:05.960 --> 0:11:06.600
<v Speaker 1>break down.

0:11:06.559 --> 0:11:08.079
<v Speaker 2>The name of the album on my way to Rexdale,

0:11:08.120 --> 0:11:09.360
<v Speaker 2>What's where is rex Stale where you're from?

0:11:09.440 --> 0:11:10.040
<v Speaker 1>Or yeah, that's what.

0:11:10.080 --> 0:11:12.840
<v Speaker 2>I'm from the neighbor area. What's it like in Rexdale?

0:11:13.080 --> 0:11:15.240
<v Speaker 1>It's whatever you wanted to be. It's like, you want

0:11:15.280 --> 0:11:17.920
<v Speaker 1>to be smart and go to school and then go

0:11:17.960 --> 0:11:19.480
<v Speaker 1>to college. You could do that. You want to be

0:11:19.480 --> 0:11:21.080
<v Speaker 1>in trouble in the streets, you could be doing that.

0:11:21.640 --> 0:11:23.400
<v Speaker 1>Like anything you want to be, you could be that. Yeah,

0:11:23.400 --> 0:11:26.120
<v Speaker 1>you know what I'm saying. But some areas are a

0:11:26.160 --> 0:11:28.160
<v Speaker 1>little bit more disadvantage where you're like you don't really

0:11:28.160 --> 0:11:29.840
<v Speaker 1>have as much as a choice, but you still got a.

0:11:29.840 --> 0:11:33.400
<v Speaker 2>Choice when you I feel like, were your parents like

0:11:33.480 --> 0:11:36.080
<v Speaker 2>behind you doing music or was it something you had

0:11:36.080 --> 0:11:37.400
<v Speaker 2>to kind of convince them to do.

0:11:38.120 --> 0:11:40.120
<v Speaker 1>My mom just wanted me to do anything. She's like

0:11:40.160 --> 0:11:43.320
<v Speaker 1>anything but just some bullshoes something. Yeah, you know, it

0:11:43.360 --> 0:11:45.200
<v Speaker 1>took me an extra year to get out of high school.

0:11:45.440 --> 0:11:46.959
<v Speaker 1>I was like a failure in high school, you know,

0:11:47.280 --> 0:11:50.520
<v Speaker 1>really embarrassing thing. So you were held back. Yeah, wow,

0:11:50.600 --> 0:11:52.600
<v Speaker 1>I have to finish up. And when I finished up,

0:11:52.679 --> 0:11:54.440
<v Speaker 1>it was like what do I want to do? And

0:11:54.480 --> 0:11:56.280
<v Speaker 1>there was a studio school and I told my parents, like,

0:11:56.280 --> 0:11:57.719
<v Speaker 1>I want to go to studios. We learn it It's

0:11:57.720 --> 0:11:59.240
<v Speaker 1>far away, like on a bus an hour and a

0:11:59.240 --> 0:12:02.000
<v Speaker 1>half away every day and it cost it quite a bit.

0:12:02.320 --> 0:12:04.600
<v Speaker 1>So I just so my parents like put me down

0:12:04.640 --> 0:12:06.440
<v Speaker 1>for it and I'll figure it out later, the money thing,

0:12:06.480 --> 0:12:06.600
<v Speaker 1>you know.

0:12:06.720 --> 0:12:08.079
<v Speaker 2>So like when you would go there, you learn like

0:12:08.080 --> 0:12:09.080
<v Speaker 2>pro tools and shit and.

0:12:09.000 --> 0:12:14.240
<v Speaker 1>Pro tools, class SSL, yeah all that shit. Yeah damn.

0:12:14.280 --> 0:12:15.719
<v Speaker 2>So you were able to like you could track, you

0:12:15.760 --> 0:12:16.880
<v Speaker 2>could engineer, you can do everything.

0:12:16.960 --> 0:12:18.640
<v Speaker 1>Yeah, so that's why I did. I just I did

0:12:18.640 --> 0:12:20.199
<v Speaker 1>definite a while. I made beats and I tracked people

0:12:20.360 --> 0:12:21.839
<v Speaker 1>until I became myself.

0:12:22.000 --> 0:12:24.240
<v Speaker 2>In twenty twenty five. How are you making beats? Is

0:12:24.280 --> 0:12:25.959
<v Speaker 2>it still fil studio? Is it able toon?

0:12:26.080 --> 0:12:29.600
<v Speaker 1>Is it logic for melodies because the quantizer it just

0:12:29.679 --> 0:12:32.360
<v Speaker 1>works right away, you know what I mean? And fl

0:12:32.440 --> 0:12:35.120
<v Speaker 1>for drums. And now my friends are convincing me to

0:12:35.160 --> 0:12:36.000
<v Speaker 1>move on to Ableton.

0:12:36.320 --> 0:12:39.240
<v Speaker 2>People love Ableton, Like if you find somebody who loves Ableton,

0:12:39.320 --> 0:12:41.800
<v Speaker 2>they will sell Like it's like it's like finding a

0:12:41.840 --> 0:12:43.840
<v Speaker 2>Mormon or something. They swear by it, you know.

0:12:44.679 --> 0:12:46.960
<v Speaker 1>So I'm about to have three programs under my belts

0:12:46.760 --> 0:12:48.520
<v Speaker 1>and I know he use pro tools as well.

0:12:48.600 --> 0:12:51.839
<v Speaker 2>Yeah, no, Ableton's vibe. Talk to me about for you?

0:12:52.400 --> 0:12:55.320
<v Speaker 2>How much are you focused on? Like, like do you

0:12:55.360 --> 0:12:58.439
<v Speaker 2>even care to produce outside of your own shit, Like

0:12:58.480 --> 0:13:00.280
<v Speaker 2>are you sending beat packs out? Is that something that

0:13:00.320 --> 0:13:00.960
<v Speaker 2>you're still.

0:13:00.760 --> 0:13:04.080
<v Speaker 1>Like uptil now? I haven't really been a beat pack

0:13:04.240 --> 0:13:06.319
<v Speaker 1>center kind of person, like if I collabed on the

0:13:06.360 --> 0:13:08.880
<v Speaker 1>beat ended up getting placed, for example, like I clabbed

0:13:08.920 --> 0:13:10.160
<v Speaker 1>on the beat and it went from back to back.

0:13:10.240 --> 0:13:11.520
<v Speaker 1>I collabed on the beat and then went on like

0:13:11.559 --> 0:13:13.880
<v Speaker 1>Koda Black album with Ben billions, but he had to beat.

0:13:13.920 --> 0:13:17.240
<v Speaker 1>You know he's doing that from just me from my

0:13:17.360 --> 0:13:19.640
<v Speaker 1>email or from my phone. I'm going to start now

0:13:19.679 --> 0:13:22.360
<v Speaker 1>because I just recently set up a studio in my

0:13:22.360 --> 0:13:25.080
<v Speaker 1>living room. So I had a full blown studio in

0:13:25.120 --> 0:13:27.000
<v Speaker 1>one of my rooms in my house. But I don't

0:13:27.040 --> 0:13:28.240
<v Speaker 1>like being trot through in the room, so I like

0:13:28.240 --> 0:13:29.760
<v Speaker 1>being in the living room. So I've moved everything to

0:13:29.800 --> 0:13:31.640
<v Speaker 1>the living room. So your living room is the studio. Now.

0:13:31.679 --> 0:13:33.240
<v Speaker 1>I got two set ups, a real studio and then

0:13:33.240 --> 0:13:36.839
<v Speaker 1>like a cool studio like Yamaha's with a suboofer and

0:13:36.840 --> 0:13:39.480
<v Speaker 1>a Midi keyboard and my laptop, and I've been making

0:13:39.520 --> 0:13:40.959
<v Speaker 1>beats down. I've been making beats more often, so I

0:13:41.040 --> 0:13:42.760
<v Speaker 1>might start sending the ones that I don't want to

0:13:42.840 --> 0:13:43.199
<v Speaker 1>use out.

0:13:43.280 --> 0:13:45.160
<v Speaker 2>Well, then you gets your album out, so now it's like, Okay,

0:13:45.200 --> 0:13:46.720
<v Speaker 2>I got all this shit. You probably probably sitting on

0:13:46.720 --> 0:13:47.880
<v Speaker 2>hell of shit, like how many You probably got a

0:13:47.880 --> 0:13:49.079
<v Speaker 2>lot of stuff that didn't make the album too, A

0:13:49.080 --> 0:13:51.160
<v Speaker 2>lot of songs, a lot of beats. Deluxe coming.

0:13:51.840 --> 0:13:53.520
<v Speaker 1>I want to put the deluxe out, the one that

0:13:53.520 --> 0:13:54.800
<v Speaker 1>we sold on my site.

0:13:55.000 --> 0:13:59.400
<v Speaker 2>Yeah, are you? I'm always always wondering when when you

0:13:59.480 --> 0:14:02.640
<v Speaker 2>cause I think this happened. Every time there's like a

0:14:02.640 --> 0:14:04.800
<v Speaker 2>big song like back to Back, you didn't really know

0:14:04.840 --> 0:14:06.280
<v Speaker 2>that that was gonna end up being what it was

0:14:06.320 --> 0:14:06.679
<v Speaker 2>going to be.

0:14:06.760 --> 0:14:07.440
<v Speaker 1>Absolutely not.

0:14:07.679 --> 0:14:09.120
<v Speaker 2>I feel like that happens all the time. Like I

0:14:09.120 --> 0:14:11.199
<v Speaker 2>think with the ether Beat, the same shit happened with

0:14:11.640 --> 0:14:16.000
<v Speaker 2>with Ron Browse. Really was was there? Like was there

0:14:16.080 --> 0:14:18.480
<v Speaker 2>any what was the gift in the curse of that situation?

0:14:21.800 --> 0:14:23.800
<v Speaker 2>Could you end up with with with with meet mil.

0:14:23.720 --> 0:14:25.680
<v Speaker 1>On tap you know years later? Yeah? To be honest,

0:14:25.760 --> 0:14:29.200
<v Speaker 1>it was a tricky situation because at first I wasn't

0:14:29.200 --> 0:14:32.320
<v Speaker 1>really getting credited like that because of the whoever I

0:14:32.360 --> 0:14:33.880
<v Speaker 1>made the beaule who didn't want to I don't know,

0:14:34.120 --> 0:14:36.080
<v Speaker 1>And then as later on I ended up clearing that

0:14:36.160 --> 0:14:38.600
<v Speaker 1>up and getting the credit publicly, but I was I

0:14:38.640 --> 0:14:40.840
<v Speaker 1>was already popping as an artist before everybody knew that

0:14:40.880 --> 0:14:42.920
<v Speaker 1>I produced back to back. And the way I got

0:14:42.920 --> 0:14:45.840
<v Speaker 1>popping as an artist was, you know, meet Mile really

0:14:46.160 --> 0:14:49.320
<v Speaker 1>discovered my music and was like showing a person and

0:14:49.360 --> 0:14:51.560
<v Speaker 1>people like, you know, gosh and this and that, and

0:14:51.600 --> 0:14:53.560
<v Speaker 1>he was really like going through that whole thing. At

0:14:53.600 --> 0:14:55.880
<v Speaker 1>the same time, they didn't not knowing that I produced it,

0:14:56.360 --> 0:14:58.800
<v Speaker 1>and I didn't know it was going for that song.

0:14:59.120 --> 0:15:00.480
<v Speaker 1>It's not like I knew it was one for that

0:15:00.640 --> 0:15:02.040
<v Speaker 1>and it was just kind of awkward. Like I remember

0:15:02.120 --> 0:15:03.680
<v Speaker 1>like going around the first time and being like, damn,

0:15:03.680 --> 0:15:05.640
<v Speaker 1>I wonder if he knows, like you know what I mean,

0:15:05.680 --> 0:15:10.040
<v Speaker 1>if cousin knows, because I really fucked with him. So yeah,

0:15:10.280 --> 0:15:13.600
<v Speaker 1>that was a stretching interesting you guys, I mean doing fucking.

0:15:13.760 --> 0:15:15.400
<v Speaker 2>I mean taps one of my favorite songs right.

0:15:15.520 --> 0:15:19.720
<v Speaker 1>One of my biggest records, which is like it's dope, YO.

0:15:19.960 --> 0:15:23.520
<v Speaker 2>Talk to me about your because I feel like you've

0:15:23.560 --> 0:15:25.240
<v Speaker 2>kind of been adopted by l A a bit here.

0:15:25.800 --> 0:15:28.080
<v Speaker 2>I think I remember seeing you when Nip did his

0:15:28.240 --> 0:15:32.560
<v Speaker 2>grand opening the Marathon store in like two thousand and seven.

0:15:33.680 --> 0:15:35.800
<v Speaker 2>You were out there, what was your relationship, like with it.

0:15:35.840 --> 0:15:38.480
<v Speaker 1>When he was here, Man, damn slow in Bucks. You

0:15:38.520 --> 0:15:41.560
<v Speaker 1>know that's one of their closest friends, dropped the Queens.

0:15:41.640 --> 0:15:43.200
<v Speaker 1>Yeah exactly. You know. He spent a lot of time

0:15:43.200 --> 0:15:45.400
<v Speaker 1>in Queen's. So when I went over there, I went

0:15:45.400 --> 0:15:47.480
<v Speaker 1>with Sloan Bucks and that day they even want to

0:15:47.480 --> 0:15:48.720
<v Speaker 1>take me. I was like, yo, yeah, I just leave

0:15:48.720 --> 0:15:49.760
<v Speaker 1>me in the house all the time. I'm a young

0:15:49.840 --> 0:15:51.960
<v Speaker 1>artist at the time. They didn't want to take me everyone.

0:15:51.960 --> 0:15:53.280
<v Speaker 1>I'm like, I'm going there, but I want to go

0:15:53.680 --> 0:15:55.640
<v Speaker 1>when I go. When I when I first go there,

0:15:55.800 --> 0:15:58.680
<v Speaker 1>niffs Nips coming out of the car and he told me, Yo,

0:15:58.800 --> 0:16:01.200
<v Speaker 1>I fucked with re up with Belly. He's like, I

0:16:01.280 --> 0:16:03.480
<v Speaker 1>fucked with that verse. I'm like whatever, real, I'm like,

0:16:03.560 --> 0:16:05.680
<v Speaker 1>damn tried to Belly one of the greatest of all time.

0:16:05.960 --> 0:16:08.080
<v Speaker 1>Know who I am is crazy. So Nip's like, yo,

0:16:08.120 --> 0:16:10.080
<v Speaker 1>come on, like come in the store. I went crazy,

0:16:10.080 --> 0:16:11.680
<v Speaker 1>bought all the stuff from my boys and all that shit,

0:16:11.720 --> 0:16:15.240
<v Speaker 1>got everything from people back home. So after that, he's like, yo,

0:16:15.760 --> 0:16:17.560
<v Speaker 1>come on, let's go smoke in the front kick doing it.

0:16:17.600 --> 0:16:19.800
<v Speaker 1>More than he's like, yo, let's get in the ATV.

0:16:19.960 --> 0:16:23.320
<v Speaker 1>Their bikes together. I'm like okay, and he's like, I'm

0:16:23.320 --> 0:16:24.520
<v Speaker 1>like when you learn how to drive, He's like, oh,

0:16:24.600 --> 0:16:26.400
<v Speaker 1>just last week, I'm like, nah, I'm not hopping out.

0:16:27.480 --> 0:16:29.520
<v Speaker 1>I started going yoh yeah, wait up away for Bucks

0:16:29.600 --> 0:16:31.480
<v Speaker 1>Bucks over there, Like no, I'm not getting off a yo.

0:16:31.600 --> 0:16:34.400
<v Speaker 1>Nip always showed me love seeing him like multiple times

0:16:34.400 --> 0:16:38.480
<v Speaker 1>after that, always love. He is knowledge and recipes of

0:16:38.560 --> 0:16:39.120
<v Speaker 1>that man bro.

0:16:39.120 --> 0:16:42.960
<v Speaker 2>Great guy. Man, you're a shroom guy. Yeah.

0:16:42.960 --> 0:16:44.520
<v Speaker 1>I was hard on it before, but I've just slowed

0:16:44.560 --> 0:16:44.920
<v Speaker 1>down on it.

0:16:44.960 --> 0:16:47.360
<v Speaker 2>Now. What is your Have you ever had like a

0:16:47.360 --> 0:16:48.920
<v Speaker 2>hero's dose level of Like.

0:16:49.080 --> 0:16:51.520
<v Speaker 1>Yeah, it has. I feel like your tolerance goes up

0:16:51.560 --> 0:16:53.440
<v Speaker 1>the more you take it. So I did a rolling

0:16:53.480 --> 0:16:56.560
<v Speaker 1>loud back in Toronto when my album just dropped, and

0:16:56.720 --> 0:16:59.840
<v Speaker 1>I took over five grams in the studio.

0:17:00.120 --> 0:17:02.400
<v Speaker 2>So yeah, that's my sister start.

0:17:02.920 --> 0:17:05.520
<v Speaker 1>She has a fiance now, the one that lives in Toronto,

0:17:05.920 --> 0:17:08.200
<v Speaker 1>and she brought him to the studio because we're gonna

0:17:08.200 --> 0:17:10.080
<v Speaker 1>go together. And one of my sisters the show. This

0:17:10.160 --> 0:17:12.520
<v Speaker 1>guy couldn't believe what you were seeing. He was because

0:17:12.520 --> 0:17:13.960
<v Speaker 1>he never been around that kind of shit. So he

0:17:14.040 --> 0:17:16.560
<v Speaker 1>was like, Yo, this guy just took all those shrooms

0:17:16.840 --> 0:17:19.399
<v Speaker 1>he just made three beats and now he's about to

0:17:19.440 --> 0:17:22.520
<v Speaker 1>go perform at Rolling Loud And when I was so

0:17:23.119 --> 0:17:24.840
<v Speaker 1>fried when I went on roll Out, but it was

0:17:24.880 --> 0:17:26.600
<v Speaker 1>like I was so used to it that like my

0:17:26.800 --> 0:17:29.040
<v Speaker 1>lyrics that I usually forget were like only a teleprompter

0:17:29.160 --> 0:17:31.840
<v Speaker 1>in my mind. And like when I when I went

0:17:32.280 --> 0:17:33.960
<v Speaker 1>on stage, I literally grabbed my sister. I was like,

0:17:34.000 --> 0:17:36.639
<v Speaker 1>looked at her eyes. I was like, watch this. And

0:17:36.760 --> 0:17:39.080
<v Speaker 1>then I went on stage and I was like performing

0:17:39.119 --> 0:17:40.880
<v Speaker 1>and celebrating at the same time because my album's outso

0:17:40.880 --> 0:17:43.000
<v Speaker 1>I'm just like it had to be the best shit ever.

0:17:43.359 --> 0:17:45.520
<v Speaker 1>It was the best performance I ever. Like, I don't

0:17:45.560 --> 0:17:47.920
<v Speaker 1>know if the crowd felt the same way, but I

0:17:48.040 --> 0:17:50.080
<v Speaker 1>felt like I was half for the best performance of

0:17:50.160 --> 0:17:50.680
<v Speaker 1>my whole life.

0:17:50.880 --> 0:17:52.800
<v Speaker 2>Yo. It's like shrews. Like if you take a ship

0:17:52.880 --> 0:17:54.520
<v Speaker 2>ton and you know, like you said, if you know

0:17:54.600 --> 0:17:57.440
<v Speaker 2>what you're doing, you can like use him as a

0:17:57.480 --> 0:17:58.480
<v Speaker 2>super powerful That's.

0:17:58.320 --> 0:18:00.320
<v Speaker 1>The point I was taking them since they weren't working. Yeah,

0:18:00.359 --> 0:18:01.879
<v Speaker 1>I had to take so much. I took a hero

0:18:02.080 --> 0:18:02.719
<v Speaker 1>whole hero bar.

0:18:03.520 --> 0:18:07.000
<v Speaker 2>Yeah. Belly gave me a book about uh, I forget

0:18:07.040 --> 0:18:08.680
<v Speaker 2>what it was called. It's at my house. I read

0:18:08.720 --> 0:18:10.879
<v Speaker 2>it it's about it's about it kind of like the

0:18:10.920 --> 0:18:13.600
<v Speaker 2>whole whole books about this doctor wrote this book about

0:18:14.600 --> 0:18:17.520
<v Speaker 2>psilocybin therapy and shit. And I remember it goes one

0:18:17.560 --> 0:18:19.240
<v Speaker 2>time I was at Belly's house and you've probably seen

0:18:19.280 --> 0:18:22.280
<v Speaker 2>this thing. This motherfucker has this uh this thing with

0:18:22.440 --> 0:18:24.760
<v Speaker 2>sand on it and when you play the music that

0:18:25.480 --> 0:18:26.880
<v Speaker 2>it makes fat yeah.

0:18:27.280 --> 0:18:29.639
<v Speaker 1>And I was tripping the fuck out because I was like, this.

0:18:29.840 --> 0:18:32.520
<v Speaker 2>Is crazy, Like this is like music is real, Like

0:18:32.640 --> 0:18:35.520
<v Speaker 2>it's tangible, like you could see the frequencies like with

0:18:35.600 --> 0:18:35.960
<v Speaker 2>the sand.

0:18:36.040 --> 0:18:38.560
<v Speaker 1>In some way or another. They say this, even this

0:18:38.720 --> 0:18:39.600
<v Speaker 1>desk is made up of.

0:18:39.640 --> 0:18:43.040
<v Speaker 2>Frequency, for sure. Have you had a bad trip though?

0:18:43.800 --> 0:18:46.719
<v Speaker 1>My first trip ever was about trip. My first trip ever,

0:18:46.760 --> 0:18:49.639
<v Speaker 1>I was like eighteen years old and we did it

0:18:49.800 --> 0:18:52.160
<v Speaker 1>with a couple of my little Indian homies. We did

0:18:52.200 --> 0:18:54.080
<v Speaker 1>it in Toronto and we we just had I had

0:18:54.080 --> 0:18:57.320
<v Speaker 1>a horrible trip. And one thing I noticed was back

0:18:57.400 --> 0:18:59.040
<v Speaker 1>then I was running around with the wrong crowd, doing

0:18:59.040 --> 0:19:01.320
<v Speaker 1>the wrong things, feeling school Da da da da, and

0:19:01.480 --> 0:19:03.719
<v Speaker 1>my homie, who was like the weirdo and people made

0:19:03.720 --> 0:19:05.720
<v Speaker 1>fun of him kind of type shit, he was having

0:19:05.760 --> 0:19:08.560
<v Speaker 1>a great trip and that kind of like taught me something.

0:19:08.600 --> 0:19:10.560
<v Speaker 1>I'm like, this guy just is himself all the time.

0:19:10.840 --> 0:19:12.400
<v Speaker 1>So that's why I feel like you and I'm trying

0:19:12.440 --> 0:19:14.480
<v Speaker 1>to be something. I'm not hanging out with the wrong

0:19:14.480 --> 0:19:16.520
<v Speaker 1>people doing the wrong things. And it really like when

0:19:16.560 --> 0:19:18.600
<v Speaker 1>I came out of that ship, I graduated high school,

0:19:19.119 --> 0:19:21.040
<v Speaker 1>switched up who I'm hanging out with. Everything went. So

0:19:21.119 --> 0:19:23.159
<v Speaker 1>it was a good trip technically it turned out to be,

0:19:23.240 --> 0:19:25.440
<v Speaker 1>but the trip during it horrible, terrible. Every time I

0:19:25.440 --> 0:19:27.359
<v Speaker 1>closed my eyes, fib breathing and dragon coming at me.

0:19:27.400 --> 0:19:29.359
<v Speaker 1>When I opened something bads happening everything. I couldn't get

0:19:29.359 --> 0:19:31.840
<v Speaker 1>away from the ship. Have you done d MT? No, No,

0:19:31.960 --> 0:19:33.359
<v Speaker 1>that's what I want to do that ship. But I'm

0:19:33.400 --> 0:19:35.159
<v Speaker 1>hell scared, bro, think I'm ready. I feel like, once

0:19:35.200 --> 0:19:37.840
<v Speaker 1>you're spiritually balance, while you're sober, right, you can handle

0:19:37.880 --> 0:19:38.280
<v Speaker 1>all that shit.

0:19:38.520 --> 0:19:40.359
<v Speaker 2>Yeah you're you're you're pretty sober now, right.

0:19:40.720 --> 0:19:42.640
<v Speaker 1>Yeah, I smoked weed every day. But like in terms

0:19:42.680 --> 0:19:44.960
<v Speaker 1>of like, you know, the ship you were rapping about,

0:19:45.080 --> 0:19:46.800
<v Speaker 1>I'll tap into stuff, you know what I mean, Like

0:19:46.880 --> 0:19:48.720
<v Speaker 1>if it's like I'm in the studio.

0:19:48.440 --> 0:19:50.360
<v Speaker 2>For your all time best druggie rapper. By the way,

0:19:50.440 --> 0:19:53.800
<v Speaker 2>In terms of the subject subject matter, appreciated.

0:19:53.280 --> 0:19:56.560
<v Speaker 1>Those the drugs kids are I'll tap into some ship

0:19:56.640 --> 0:19:58.199
<v Speaker 1>Like if I'm in the studio for two weeks, there

0:19:58.280 --> 0:20:01.040
<v Speaker 1>might be a day where we are dabbling something just

0:20:01.080 --> 0:20:03.040
<v Speaker 1>to get a different kind of vibe. Not every day, right,

0:20:03.440 --> 0:20:04.560
<v Speaker 1>that's just going to kill you.

0:20:04.800 --> 0:20:07.240
<v Speaker 2>Yeah. No, I feel like, you know, especially, I feel

0:20:07.280 --> 0:20:09.400
<v Speaker 2>like when you get first got in the game, Fetanah

0:20:09.440 --> 0:20:13.080
<v Speaker 2>wouldn't really like dang for real, you know, fast forward.

0:20:13.160 --> 0:20:14.920
<v Speaker 2>Now it's like you it's like you gotta get the

0:20:14.960 --> 0:20:16.199
<v Speaker 2>drug testing kids and ship out.

0:20:16.240 --> 0:20:17.960
<v Speaker 1>Yeah, even if you gotta trust the source and it

0:20:18.040 --> 0:20:19.760
<v Speaker 1>is good work, it's it no't matter that shit isn't

0:20:19.800 --> 0:20:22.240
<v Speaker 1>gonna work you eventually, for sure, eventually.

0:20:22.440 --> 0:20:25.200
<v Speaker 2>Even the weed now is fucking because they're spraying the well, no,

0:20:25.280 --> 0:20:28.560
<v Speaker 2>they're spraying weed with the turfs. It's it's like, what

0:20:28.640 --> 0:20:30.520
<v Speaker 2>are you even smoking in New York?

0:20:30.600 --> 0:20:31.600
<v Speaker 1>And New York is heavy right now?

0:20:31.880 --> 0:20:32.720
<v Speaker 2>In New York is bad.

0:20:32.880 --> 0:20:34.840
<v Speaker 1>Young dudes, the young dudes, they want that over the

0:20:34.920 --> 0:20:36.639
<v Speaker 1>regular weed. Yeah, because like you're like, give me the

0:20:36.640 --> 0:20:37.200
<v Speaker 1>shit with the turfs.

0:20:37.200 --> 0:20:39.480
<v Speaker 2>They're getting some bullshit packs from LA and then they

0:20:39.720 --> 0:20:41.159
<v Speaker 2>you know, they'll spruce them up.

0:20:41.320 --> 0:20:45.000
<v Speaker 1>So from week lemon cherry yeah, the Turfs on.

0:20:45.119 --> 0:20:48.960
<v Speaker 2>One hundred percent. Man, you're a big hockey fan growing

0:20:49.040 --> 0:20:51.360
<v Speaker 2>up more so ya is that just like because you're

0:20:51.359 --> 0:20:52.639
<v Speaker 2>from Canada, Because I don't get it.

0:20:52.800 --> 0:20:56.119
<v Speaker 1>Grew up playing and ship like Maple Leafs. Maple Leaves,

0:20:56.520 --> 0:20:58.479
<v Speaker 1>they're the best they've ever been. But damn, bro, they

0:20:58.480 --> 0:21:01.600
<v Speaker 1>haven't got a Stanley Cupping sixty years or some shit.

0:21:01.680 --> 0:21:02.800
<v Speaker 1>So I was like, I'm just waiting on that.

0:21:03.440 --> 0:21:05.119
<v Speaker 2>Yeah, So like, are you would you see a bigger

0:21:05.320 --> 0:21:06.800
<v Speaker 2>Raptors fan or Maple Leaves.

0:21:06.680 --> 0:21:09.240
<v Speaker 1>Fan Raptors fan, But I'm not gonna lie. Bandwagon the

0:21:09.320 --> 0:21:13.880
<v Speaker 1>Raptors this last championship. I was growing up and Vince

0:21:13.960 --> 0:21:16.080
<v Speaker 1>Carter and Tracy McGrady. Of course that was my favorite team.

0:21:16.440 --> 0:21:19.359
<v Speaker 2>Yeah, the Dunk Contest days were crazy. So before the

0:21:19.480 --> 0:21:21.879
<v Speaker 2>before you bandwagon the Raptors after they won with the

0:21:22.320 --> 0:21:25.639
<v Speaker 2>Kawhi thing where you like a fan of another random team. Curry, Oh, Steph,

0:21:26.080 --> 0:21:27.159
<v Speaker 2>you're just a bandwagon.

0:21:27.520 --> 0:21:30.320
<v Speaker 1>No, no, no, no, just Curry Curry. We've been seeing

0:21:30.400 --> 0:21:31.959
<v Speaker 1>Curry how good he is back in the day when

0:21:31.960 --> 0:21:33.879
<v Speaker 1>he had Monte Ellis on the team. So if you

0:21:33.960 --> 0:21:38.440
<v Speaker 1>want to Andrew David Lee, he's playing a game and

0:21:38.480 --> 0:21:40.480
<v Speaker 1>Monte Ellis was a star. But when you passed the Curry,

0:21:40.480 --> 0:21:42.600
<v Speaker 1>he's hitting the threes. Likes just Curry, guys, Curry got

0:21:42.720 --> 0:21:44.760
<v Speaker 1>fire and we've watched him grow into who he is.

0:21:44.800 --> 0:21:46.840
<v Speaker 1>I'm like, well, I like Curry Curry for sure?

0:21:47.440 --> 0:21:51.960
<v Speaker 2>Have you uh if? I feel like obviously their hip

0:21:51.960 --> 0:21:55.520
<v Speaker 2>hop scene in India has been blowing up. Uh you

0:21:55.600 --> 0:21:58.520
<v Speaker 2>know it's like his own thing. Like how tapped in?

0:21:58.600 --> 0:21:58.960
<v Speaker 1>Are you? Like?

0:21:59.080 --> 0:22:01.359
<v Speaker 2>Obviously you're huge here, but are you tapped in it all?

0:22:01.400 --> 0:22:02.360
<v Speaker 2>To like what was going on over there?

0:22:02.720 --> 0:22:05.200
<v Speaker 1>I know everything that's going on. I'm aware of everything

0:22:05.320 --> 0:22:06.879
<v Speaker 1>that is going on, but topped in as far as

0:22:06.960 --> 0:22:08.680
<v Speaker 1>like how many people have had many music with? Yeah,

0:22:08.800 --> 0:22:12.760
<v Speaker 1>only really EP Dyllans so far, and I plan on

0:22:12.840 --> 0:22:14.239
<v Speaker 1>working with everybody if I can.

0:22:14.640 --> 0:22:16.520
<v Speaker 2>Yeah, what's the homies name? With the Big Dogs record?

0:22:16.600 --> 0:22:20.719
<v Speaker 2>I had him on Kine Uh wait a minute, get

0:22:20.800 --> 0:22:21.359
<v Speaker 2>what the fuck is?

0:22:21.960 --> 0:22:25.479
<v Speaker 1>Oh? That's going I bumped into him actually in Thailand?

0:22:26.160 --> 0:22:29.359
<v Speaker 2>Well now, Thailand. Yeah, I was there, Yeah, yeah, we

0:22:29.400 --> 0:22:31.440
<v Speaker 2>didn't really I didn't see you there, but I was there. Yeah,

0:22:31.600 --> 0:22:34.360
<v Speaker 2>I was there for twelve days. How was your Thailand experience?

0:22:35.600 --> 0:22:40.360
<v Speaker 1>Its good? Was it nice? Nice? Good food? Yeah.

0:22:40.520 --> 0:22:42.960
<v Speaker 2>So good food, good food, good food. Did you just

0:22:43.320 --> 0:22:45.480
<v Speaker 2>stay in that area? Did you go to Bangkok Pataya

0:22:45.600 --> 0:22:48.720
<v Speaker 2>and then Bangkok Pattaya's got that street man.

0:22:48.680 --> 0:22:50.960
<v Speaker 1>The hotel is unbelievable to all that street we don't

0:22:52.760 --> 0:22:55.440
<v Speaker 1>that streets gets fishy, real fishy, man.

0:22:55.640 --> 0:22:57.879
<v Speaker 2>Yeah, the street joints super fishy.

0:22:58.520 --> 0:23:01.879
<v Speaker 1>Yeah, you're like, you can see them, they got you

0:23:01.960 --> 0:23:04.399
<v Speaker 1>can see them. Anybody who says they get tricked, they

0:23:04.440 --> 0:23:07.600
<v Speaker 1>didn't get tricked. Hell known, impossible, impossible.

0:23:08.720 --> 0:23:10.760
<v Speaker 2>But yeah, no, it's a it's a great place, great food.

0:23:11.160 --> 0:23:14.040
<v Speaker 2>There's elephants too. You know, I ain't see the elephants

0:23:14.040 --> 0:23:17.360
<v Speaker 2>and tigers. I'm glad I ain't. Yeah, yeah, yeah, yeah yeah.

0:23:17.400 --> 0:23:19.600
<v Speaker 2>And they got a bootleg mall there. That's fucking crazy.

0:23:19.960 --> 0:23:22.159
<v Speaker 1>None. I went to a real mall. They felt like America,

0:23:22.359 --> 0:23:25.679
<v Speaker 1>five story fake mall. I would love to go there

0:23:25.800 --> 0:23:27.000
<v Speaker 1>just to see its fire.

0:23:27.400 --> 0:23:29.399
<v Speaker 2>All my kids got Travis Scott's that they don't know

0:23:29.440 --> 0:23:32.359
<v Speaker 2>are fake. My kids are running around with fake shooting.

0:23:34.160 --> 0:23:35.560
<v Speaker 2>I said, wait, how much of these?

0:23:35.720 --> 0:23:36.399
<v Speaker 1>I looked at him.

0:23:36.440 --> 0:23:38.560
<v Speaker 2>I said, oh no, we're doing this.

0:23:39.280 --> 0:23:40.760
<v Speaker 1>I had to buy a whole new suitcase just to

0:23:40.800 --> 0:23:43.120
<v Speaker 1>bring fake gifts back. Yeah, for sure.

0:23:43.359 --> 0:23:44.040
<v Speaker 2>It's good times.

0:23:44.080 --> 0:23:44.240
<v Speaker 1>Man.

0:23:46.400 --> 0:23:48.080
<v Speaker 2>Shout out to a shout out to uh, you know

0:23:48.280 --> 0:23:50.359
<v Speaker 2>Thailand and and and and and the hustlers out there.

0:23:50.840 --> 0:23:53.960
<v Speaker 1>Is there a tour coming absolutely as soon as we can.

0:23:54.560 --> 0:23:56.000
<v Speaker 2>Are you Are you already trying to figure out like

0:23:56.040 --> 0:23:57.240
<v Speaker 2>the date, like the dates.

0:23:57.080 --> 0:23:59.200
<v Speaker 1>I've been on, you know, my team about it having

0:23:59.240 --> 0:24:01.320
<v Speaker 1>like only starting this to announce and they're working on

0:24:01.359 --> 0:24:02.200
<v Speaker 1>it right now, so we'll get it.

0:24:02.400 --> 0:24:04.000
<v Speaker 2>Uh. Did you go to Coachella last weekend?

0:24:04.359 --> 0:24:04.399
<v Speaker 1>No?

0:24:05.240 --> 0:24:06.720
<v Speaker 2>Yeah, I feel like you were the kind of guy

0:24:06.760 --> 0:24:08.720
<v Speaker 2>to be at every fest. I feel like at Coachella

0:24:08.760 --> 0:24:11.560
<v Speaker 2>you'd see nap backstage. Really, I don't know, it just

0:24:11.640 --> 0:24:13.840
<v Speaker 2>feels like your kind of thing. You're going this weekend?

0:24:14.359 --> 0:24:15.600
<v Speaker 1>N I don't know why.

0:24:15.640 --> 0:24:17.920
<v Speaker 2>I just don't feel like when this year. Maybe because

0:24:17.960 --> 0:24:20.119
<v Speaker 2>it's fucking in the middle of the desert and I

0:24:20.240 --> 0:24:22.240
<v Speaker 2>have been so many times. It's like how many times

0:24:22.240 --> 0:24:24.200
<v Speaker 2>do you need to fucking go to understand what the happening?

0:24:24.320 --> 0:24:26.119
<v Speaker 1>Yeah, and last year I was performing, so it was

0:24:26.160 --> 0:24:26.800
<v Speaker 1>more lit.

0:24:26.720 --> 0:24:30.600
<v Speaker 2>You know, talk about your uh, your just chemistry with

0:24:30.640 --> 0:24:32.639
<v Speaker 2>a guy like metro Booman, who you know is one

0:24:32.680 --> 0:24:34.760
<v Speaker 2>of the greatest producers. If not at this point fuck.

0:24:34.800 --> 0:24:37.520
<v Speaker 2>I think he's got the best producer album ever, Heroes

0:24:37.560 --> 0:24:40.360
<v Speaker 2>and Villains a classic. But uh, what y'all's like chemistry?

0:24:40.440 --> 0:24:42.560
<v Speaker 2>Like in the studio, how'd you guys kind of hone in.

0:24:42.880 --> 0:24:45.879
<v Speaker 1>And Cash put us together at first like a lot

0:24:45.920 --> 0:24:49.800
<v Speaker 1>of people, but just genuine relationships my brother and my friend,

0:24:50.080 --> 0:24:52.520
<v Speaker 1>my dog, you know, and and and then on top

0:24:52.560 --> 0:24:54.840
<v Speaker 1>of we we both make beats, both make music, so

0:24:55.640 --> 0:24:58.160
<v Speaker 1>it's just easy. I don't know, like I haven't worked

0:24:58.160 --> 0:25:00.639
<v Speaker 1>on them in a long time since Perfect. And then

0:25:00.680 --> 0:25:03.119
<v Speaker 1>the day that we finally sat down and locked in

0:25:03.400 --> 0:25:06.080
<v Speaker 1>for this album, it was just flowing, like just like

0:25:06.359 --> 0:25:07.879
<v Speaker 1>back in the day no Time Lost. We did like

0:25:07.920 --> 0:25:09.119
<v Speaker 1>four three four songs in the night.

0:25:10.160 --> 0:25:12.520
<v Speaker 2>Yeah, it's crazy too, because like I feel like you

0:25:12.640 --> 0:25:14.879
<v Speaker 2>got to kind of have a different approach when you

0:25:14.920 --> 0:25:16.520
<v Speaker 2>worked on Perfect timing where you're doing like a full

0:25:16.560 --> 0:25:18.800
<v Speaker 2>collaborative album with somebody. Did y'all know that told you

0:25:19.000 --> 0:25:20.080
<v Speaker 2>but you guys were going to do it? Did it

0:25:20.200 --> 0:25:21.960
<v Speaker 2>just happened where it was like, damn, we got like

0:25:22.240 --> 0:25:23.720
<v Speaker 2>a bunch of joints. Then we might as well make

0:25:23.760 --> 0:25:24.760
<v Speaker 2>this ship a project.

0:25:25.160 --> 0:25:27.440
<v Speaker 1>We knew we're gonna do a project called Perfect timing,

0:25:28.040 --> 0:25:29.760
<v Speaker 1>and we knew we were working on it, and then

0:25:29.800 --> 0:25:31.720
<v Speaker 1>there'll be like La sessions. Then he'd traveled to go

0:25:31.760 --> 0:25:34.680
<v Speaker 1>do something untravelable something, and then we where we really

0:25:34.720 --> 0:25:38.359
<v Speaker 1>locked in was in Atlanta at I can't remember the

0:25:38.359 --> 0:25:41.800
<v Speaker 1>studios name, but it's far out in the bluffs. That's

0:25:41.840 --> 0:25:42.840
<v Speaker 1>what we locked in through.

0:25:43.400 --> 0:25:47.000
<v Speaker 2>A great album Part two one day. I know, God

0:25:47.040 --> 0:25:51.520
<v Speaker 2>bless for sure. You do a lot of video gaming too, Yeah,

0:25:51.760 --> 0:25:53.879
<v Speaker 2>what's your what's your go to games? Right now?

0:25:54.000 --> 0:25:55.800
<v Speaker 1>I played the Weirdest Ship, like I played Call of Duty.

0:25:55.800 --> 0:25:58.040
<v Speaker 1>Obviously I play sports games and stuff, But right now

0:25:58.080 --> 0:26:02.560
<v Speaker 1>I'm playing Schedule at one of it and playing Billatrot

0:26:02.720 --> 0:26:05.120
<v Speaker 1>is a card game that's really popular. Schedule one. You're

0:26:05.160 --> 0:26:09.800
<v Speaker 1>playing a drug dealing game, like you literally could sell

0:26:09.880 --> 0:26:12.600
<v Speaker 1>anything on PlayStation. No, it's on Steam, like you know,

0:26:12.800 --> 0:26:14.960
<v Speaker 1>like on the oh yeah, the app. Yeah, it's the

0:26:15.000 --> 0:26:17.000
<v Speaker 1>biggest game on it right now. I think like most

0:26:17.040 --> 0:26:19.600
<v Speaker 1>highest rat is it like some grand theft auto ship bro. No,

0:26:20.119 --> 0:26:22.840
<v Speaker 1>it's like shitty graphics but good concept.

0:26:23.359 --> 0:26:24.520
<v Speaker 2>So you're like a drug dealer.

0:26:24.840 --> 0:26:27.400
<v Speaker 1>Yeah, you make you can sell we you can sell dope.

0:26:27.480 --> 0:26:30.200
<v Speaker 1>You just gotta you gotta have your workers to work

0:26:30.320 --> 0:26:32.960
<v Speaker 1>and have plants and set up lights and all that

0:26:33.080 --> 0:26:34.760
<v Speaker 1>and like have a like, oh so you can set

0:26:34.840 --> 0:26:37.760
<v Speaker 1>up like a grow a packaging station. It's like mad intricate,

0:26:37.800 --> 0:26:38.119
<v Speaker 1>you know what I.

0:26:38.160 --> 0:26:40.800
<v Speaker 2>Mean, What the fuck? And you're doing streaming and all

0:26:40.880 --> 0:26:41.160
<v Speaker 2>that too?

0:26:41.760 --> 0:26:43.720
<v Speaker 1>Nah, no, no, I did the other day I played

0:26:43.720 --> 0:26:45.080
<v Speaker 1>Call of Duty with Biffle on streamed.

0:26:45.320 --> 0:26:46.680
<v Speaker 2>Do you feel, like, how do you feel about the whole?

0:26:46.840 --> 0:26:48.399
<v Speaker 2>I feel like the streaming shit's kind of cool, Like

0:26:48.440 --> 0:26:49.760
<v Speaker 2>for the most part, it feels like, you know, I

0:26:49.800 --> 0:26:52.320
<v Speaker 2>think guy's like a like super cool, like DDG is

0:26:52.359 --> 0:26:53.880
<v Speaker 2>doing this thing. Some of these guys are a little

0:26:53.880 --> 0:26:56.560
<v Speaker 2>corny to be honest, But how do you feel about it?

0:26:56.560 --> 0:26:58.080
<v Speaker 2>Because it feels like that's kind of the new media,

0:26:58.160 --> 0:26:58.800
<v Speaker 2>like the streaming guy.

0:26:58.800 --> 0:27:01.120
<v Speaker 1>I mean, I think things us evolve, you know, yeah,

0:27:01.320 --> 0:27:03.240
<v Speaker 1>and it's either you get with the times or you

0:27:03.320 --> 0:27:05.119
<v Speaker 1>just get left in the dust. And it's like what

0:27:05.240 --> 0:27:07.280
<v Speaker 1>they're doing is cool. I just don't know about it

0:27:07.320 --> 0:27:08.560
<v Speaker 1>for me and my brain, you know what I mean.

0:27:08.640 --> 0:27:10.800
<v Speaker 1>But what they're doing is cool and it does well.

0:27:10.840 --> 0:27:12.720
<v Speaker 1>And I think a lot of them have cool personalities.

0:27:12.760 --> 0:27:14.280
<v Speaker 2>Like yeah, I went on DDG stream and I was

0:27:14.359 --> 0:27:17.920
<v Speaker 2>helling nervous because I was like whatever I say, Oh,

0:27:17.960 --> 0:27:21.359
<v Speaker 2>that's it. It's like not coming down, that's it. You

0:27:21.440 --> 0:27:23.920
<v Speaker 2>gotta have pr training for real for sure, and they'll

0:27:23.920 --> 0:27:26.560
<v Speaker 2>clip the fuck out of here. Dude. They clipped everything

0:27:26.600 --> 0:27:28.840
<v Speaker 2>like him and I just started having a conversation about

0:27:28.880 --> 0:27:31.080
<v Speaker 2>like my pizza restaurant and ship, and then like it

0:27:31.200 --> 0:27:32.560
<v Speaker 2>turned into some other ship and then I had to

0:27:32.600 --> 0:27:35.520
<v Speaker 2>stop and be like, oh shit, like there's like cameras

0:27:35.680 --> 0:27:36.359
<v Speaker 2>on the walls and.

0:27:36.400 --> 0:27:38.800
<v Speaker 1>Because like farming now they call it or off farming,

0:27:38.880 --> 0:27:39.920
<v Speaker 1>clip farming.

0:27:39.800 --> 0:27:43.840
<v Speaker 2>Dude, the clip farming. Yeah, no, it's wild. It's almost

0:27:43.880 --> 0:27:46.439
<v Speaker 2>like that's the whole point of streaming is like how

0:27:46.480 --> 0:27:49.240
<v Speaker 2>are we gonna just fucking We got to give these

0:27:49.280 --> 0:27:50.040
<v Speaker 2>clippers some ship.

0:27:50.200 --> 0:27:52.560
<v Speaker 1>Now, when I was with Neon like off camera like before,

0:27:52.680 --> 0:27:55.239
<v Speaker 1>like he's super cool, he was. We were in New

0:27:55.320 --> 0:27:56.640
<v Speaker 1>York and we're doing other things and I just seen

0:27:56.680 --> 0:27:58.680
<v Speaker 1>him were his head's as streaming like that shit is

0:27:58.720 --> 0:28:00.960
<v Speaker 1>stress for sure. He's like, how can we make contact

0:28:01.000 --> 0:28:03.000
<v Speaker 1>out of the content out of this? And then next thing,

0:28:03.080 --> 0:28:04.520
<v Speaker 1>why are you think about your head? Is how can

0:28:04.560 --> 0:28:05.840
<v Speaker 1>we get a clip? How can we get something?

0:28:06.240 --> 0:28:08.399
<v Speaker 2>Yo? Let's go run around the projects with Jim Jones.

0:28:08.640 --> 0:28:09.520
<v Speaker 2>Ye see what happens.

0:28:09.640 --> 0:28:11.680
<v Speaker 1>He's had a video shoot with us that ship. It

0:28:11.800 --> 0:28:14.560
<v Speaker 1>wasn't strong enough content, Yea, it wasn't insane bro, Like, yo, man,

0:28:14.600 --> 0:28:16.040
<v Speaker 1>this shit's got to be a little more crazy. Does

0:28:16.080 --> 0:28:20.120
<v Speaker 1>anybody any guns? Right? Shout out to the streamers, Man,

0:28:20.240 --> 0:28:23.320
<v Speaker 1>I get it. Nobody's crazy. It's like it's like not sustainable.

0:28:23.359 --> 0:28:25.199
<v Speaker 2>I feel like long term, yeah, because it's like if

0:28:25.240 --> 0:28:27.480
<v Speaker 2>you're Neon and you're like thirty five, at one point

0:28:27.520 --> 0:28:29.320
<v Speaker 2>you're like, damn, I still trying to run around and

0:28:29.400 --> 0:28:30.320
<v Speaker 2>chase like moments.

0:28:30.560 --> 0:28:32.040
<v Speaker 1>Yeah, it's kind of like hip hop too.

0:28:32.520 --> 0:28:35.360
<v Speaker 2>It is, Yep, it is. It's like the SoundCloud era

0:28:35.560 --> 0:28:37.359
<v Speaker 2>but for content makers right now, man.

0:28:37.320 --> 0:28:40.520
<v Speaker 1>And that audience is very like chew you up and

0:28:40.560 --> 0:28:41.360
<v Speaker 1>spit you out quick.

0:28:41.520 --> 0:28:42.960
<v Speaker 2>How do you think you were because I feel like

0:28:43.040 --> 0:28:46.200
<v Speaker 2>you were kind of like you were coming into the

0:28:46.240 --> 0:28:48.680
<v Speaker 2>game during the SoundCloud era and what I like to

0:28:48.720 --> 0:28:50.440
<v Speaker 2>call the dark Ages of hip hop in terms of

0:28:50.560 --> 0:28:52.200
<v Speaker 2>like some of the stuff that was getting signed and shit.

0:28:52.280 --> 0:28:54.120
<v Speaker 2>You know, we think about some artists that pop in

0:28:54.120 --> 0:28:57.200
<v Speaker 2>our heads when I say that, But like you were

0:28:57.240 --> 0:29:00.800
<v Speaker 2>able to kind of like withstand that era, that era

0:29:00.920 --> 0:29:03.680
<v Speaker 2>of music was was really there was some bad shit

0:29:04.080 --> 0:29:06.000
<v Speaker 2>that was popping, and a lot of people were doing

0:29:06.040 --> 0:29:09.960
<v Speaker 2>shit for like Instagram likes and clout and getting signed

0:29:10.000 --> 0:29:12.400
<v Speaker 2>off of that shit, and you didn't really have a

0:29:12.440 --> 0:29:15.200
<v Speaker 2>big public profile. You weren't doing like in person interviews

0:29:15.320 --> 0:29:17.240
<v Speaker 2>like I like, you weren't like you didn't have that

0:29:17.880 --> 0:29:20.920
<v Speaker 2>ANTIQ shit going on. Like did you ever like feel

0:29:20.920 --> 0:29:22.760
<v Speaker 2>any pressure when you first got into the game, tore

0:29:22.800 --> 0:29:26.680
<v Speaker 2>like I guess playing the circus with these other fucks. Hmm.

0:29:28.560 --> 0:29:31.480
<v Speaker 1>Sometimes I thought maybe it might help me, you know,

0:29:31.640 --> 0:29:33.280
<v Speaker 1>move the needle right and for this shit like that.

0:29:33.960 --> 0:29:37.160
<v Speaker 1>But no, I'm never going to compromise who I am

0:29:37.280 --> 0:29:39.560
<v Speaker 1>and do some sucker shit. I just I'd rather I'd

0:29:39.680 --> 0:29:43.840
<v Speaker 1>rather be fucking number fucking twenty in the world, number

0:29:43.920 --> 0:29:46.240
<v Speaker 1>forty in the world, number top one hundred in the world,

0:29:46.320 --> 0:29:48.680
<v Speaker 1>right and remain like myself and true to myself and

0:29:48.760 --> 0:29:50.080
<v Speaker 1>my morals, like you know what I mean, because that's

0:29:50.080 --> 0:29:52.719
<v Speaker 1>still great. Like people expect everybody just to be number one,

0:29:52.800 --> 0:29:55.520
<v Speaker 1>Like I'm cool being top one hundred, top of thousand

0:29:55.800 --> 0:29:58.440
<v Speaker 1>cares like money, right, Like you're doing shows, people showing

0:29:58.480 --> 0:30:01.440
<v Speaker 1>up to the shows, buying tickets. We having stuff. I'm happy.

0:30:01.640 --> 0:30:03.800
<v Speaker 2>I think that's important too. Is like I always tell

0:30:03.880 --> 0:30:06.200
<v Speaker 2>artists that, man, don't pocket watch. There's so many artists

0:30:06.240 --> 0:30:08.280
<v Speaker 2>will pocket watch, and not even necessarily money, but just

0:30:08.360 --> 0:30:11.600
<v Speaker 2>they'll look at what other artists are doing or other

0:30:11.760 --> 0:30:14.840
<v Speaker 2>artists recognition, and then they get all self conscious about

0:30:14.840 --> 0:30:17.120
<v Speaker 2>what they're doing, and it's like not not just do

0:30:17.320 --> 0:30:20.840
<v Speaker 2>you right, and you your fans will appreciate that more

0:30:20.880 --> 0:30:22.320
<v Speaker 2>than you trying to fucking.

0:30:22.520 --> 0:30:24.560
<v Speaker 1>Do its like even like money, while I shit like that,

0:30:24.760 --> 0:30:26.640
<v Speaker 1>like me and me even like I'm a producer, so

0:30:26.720 --> 0:30:28.000
<v Speaker 1>I'm producing a lot of my own ship, so I'm

0:30:28.000 --> 0:30:29.400
<v Speaker 1>getting the different kind of slice of the pot, you

0:30:29.440 --> 0:30:31.680
<v Speaker 1>know what I'm saying on the good songs that it is.

0:30:31.960 --> 0:30:34.120
<v Speaker 2>Are you able to like when you have like a

0:30:34.160 --> 0:30:36.840
<v Speaker 2>budget for an album? I know some artists will have

0:30:36.920 --> 0:30:39.800
<v Speaker 2>like a budget for producers. Do you like, like, are

0:30:39.840 --> 0:30:41.239
<v Speaker 2>you taking out of you are you paying yourself out

0:30:41.280 --> 0:30:41.800
<v Speaker 2>of your budget?

0:30:42.000 --> 0:30:42.040
<v Speaker 1>No?

0:30:42.280 --> 0:30:42.800
<v Speaker 2>For production?

0:30:43.200 --> 0:30:46.040
<v Speaker 1>And I pay all my producers, well everybody, because I

0:30:46.040 --> 0:30:47.760
<v Speaker 1>have respect for producers because I'm one of them. I

0:30:47.840 --> 0:30:48.400
<v Speaker 1>know how it goes.

0:30:48.600 --> 0:30:50.160
<v Speaker 2>And that's the thing that happens a lot of times.

0:30:50.280 --> 0:30:52.160
<v Speaker 1>I don't know exactly how the loops, you know what

0:30:52.160 --> 0:30:52.440
<v Speaker 1>I mean.

0:30:52.640 --> 0:30:54.520
<v Speaker 2>And then sometimes you'll see somebody will have a loop

0:30:54.560 --> 0:30:56.840
<v Speaker 2>on a beat and then they get a little crazy.

0:30:56.880 --> 0:30:59.840
<v Speaker 2>You start talking shit online, like bro the worst.

0:30:59.640 --> 0:31:01.600
<v Speaker 1>One is and you use a loop from one guy

0:31:01.640 --> 0:31:02.920
<v Speaker 1>and when it comes to clearing it, you find that

0:31:02.960 --> 0:31:05.040
<v Speaker 1>there's four other guys that I was playing guitar and

0:31:05.080 --> 0:31:08.360
<v Speaker 1>the cow bell on it, like, piss you off.

0:31:08.440 --> 0:31:09.480
<v Speaker 2>Four guys did one loop.

0:31:09.520 --> 0:31:11.360
<v Speaker 1>That's why I'd be talking everybody like make sure are

0:31:11.400 --> 0:31:13.160
<v Speaker 1>you sure you did this by yourself? I'll be like

0:31:13.200 --> 0:31:15.320
<v Speaker 1>before I even want to recorder, and now I'd be

0:31:15.400 --> 0:31:16.440
<v Speaker 1>like making sure yeah.

0:31:16.520 --> 0:31:18.520
<v Speaker 2>And like now, even with Splice, I feel like Spice

0:31:18.520 --> 0:31:20.160
<v Speaker 2>has changed it so much because like, if you're just

0:31:20.280 --> 0:31:23.720
<v Speaker 2>like scrolling through Splice, you could just fine, like, but

0:31:23.800 --> 0:31:26.280
<v Speaker 2>then the shit that's on Splice, it's like I think

0:31:26.320 --> 0:31:28.320
<v Speaker 2>when you do shit on Splice, right, isn't it royalty

0:31:28.400 --> 0:31:31.680
<v Speaker 2>free if you use it? Yeah? No it is. Yeah,

0:31:31.680 --> 0:31:33.560
<v Speaker 2>I'm pretty sure it is. You ever go on Spice?

0:31:34.280 --> 0:31:38.680
<v Speaker 1>I tried it once? Yeah. Uh. Like me, I'll use

0:31:38.800 --> 0:31:41.240
<v Speaker 1>like something like a Splice, but I use Arcade a

0:31:41.240 --> 0:31:43.200
<v Speaker 1>little bit more because our kide is easier to like

0:31:43.320 --> 0:31:45.640
<v Speaker 1>run to me but I still end up finding it,

0:31:45.680 --> 0:31:48.120
<v Speaker 1>like finding myself taking the shit out or like barely

0:31:48.240 --> 0:31:50.000
<v Speaker 1>leaving just a little vocal sample and the rest of

0:31:50.080 --> 0:31:51.760
<v Speaker 1>it was like the always the first chords and the

0:31:51.760 --> 0:31:53.760
<v Speaker 1>first ship that gets laid down the foundation is gonna

0:31:53.800 --> 0:31:55.960
<v Speaker 1>be rob like me. And then I might add like

0:31:55.960 --> 0:31:58.160
<v Speaker 1>a little vocal sample from a garcade or something in there,

0:31:58.240 --> 0:32:00.360
<v Speaker 1>like drown it out. But I don't like to make

0:32:00.400 --> 0:32:02.400
<v Speaker 1>anything that's like recognizable that you could find it. And

0:32:02.400 --> 0:32:03.200
<v Speaker 1>they're like, how did you do this?

0:32:03.680 --> 0:32:04.000
<v Speaker 2>Somebody?

0:32:04.080 --> 0:32:07.280
<v Speaker 1>We know exactly what used this because I like that

0:32:07.400 --> 0:32:09.880
<v Speaker 1>I pressed one button. Damn mad people's using this, I

0:32:09.920 --> 0:32:10.480
<v Speaker 1>know right away.

0:32:10.600 --> 0:32:12.080
<v Speaker 2>Have you ever gone on YouTube and just typed in

0:32:12.200 --> 0:32:13.920
<v Speaker 2>nav type beats just to see what's on there.

0:32:13.880 --> 0:32:15.240
<v Speaker 1>All the time? All the time?

0:32:15.280 --> 0:32:15.880
<v Speaker 2>Ever? Any heat?

0:32:16.440 --> 0:32:20.640
<v Speaker 1>Huh? Is ever? Any heat? Out of ten? To be honest,

0:32:20.720 --> 0:32:22.240
<v Speaker 1>maybe one or two which is.

0:32:22.240 --> 0:32:24.720
<v Speaker 2>Great, which is not bad because it was zero. Yeah zero.

0:32:24.800 --> 0:32:25.920
<v Speaker 1>Some of them like, oh this is kind of fire.

0:32:26.560 --> 0:32:28.680
<v Speaker 2>I'll do all the time, yeah, all the time. Do

0:32:28.720 --> 0:32:31.640
<v Speaker 2>you ever do anything on a type beat nap time? No?

0:32:31.720 --> 0:32:33.400
<v Speaker 1>I would, I would though if I if I vibe

0:32:33.400 --> 0:32:34.719
<v Speaker 1>to it, for sure, I don't care. I'll find them

0:32:34.760 --> 0:32:35.040
<v Speaker 1>in PIM.

0:32:35.280 --> 0:32:37.720
<v Speaker 2>Yeah, that's dope. That's important. What made you kind of

0:32:37.720 --> 0:32:39.760
<v Speaker 2>because when you first got into the game, like I said,

0:32:39.840 --> 0:32:43.800
<v Speaker 2>like you were very like protective of your image and

0:32:43.920 --> 0:32:46.440
<v Speaker 2>not necessarily like you didn't do any like any interviews

0:32:46.440 --> 0:32:49.480
<v Speaker 2>you would do weren't on camera. What was the thought

0:32:49.480 --> 0:32:51.200
<v Speaker 2>precess behind that and what kind of had you kind

0:32:51.200 --> 0:32:52.960
<v Speaker 2>of like change that perspective and start just kind of

0:32:52.960 --> 0:32:54.600
<v Speaker 2>getting out there more in terms of just throwing people

0:32:54.600 --> 0:32:54.959
<v Speaker 2>who you were.

0:32:55.360 --> 0:32:58.320
<v Speaker 1>I mean when I first met Cash, he just was

0:32:58.360 --> 0:33:00.400
<v Speaker 1>looking at my Instagram on my phone. He's like, let

0:33:00.400 --> 0:33:03.120
<v Speaker 1>me see it on YouTube, and he's like, are you

0:33:03.120 --> 0:33:04.800
<v Speaker 1>attached to any of this stuff on here? Because the

0:33:04.840 --> 0:33:07.360
<v Speaker 1>posts were in the post kind of whack right, And

0:33:07.480 --> 0:33:09.560
<v Speaker 1>I'm like nah, And he's like cool, I'm just started

0:33:09.600 --> 0:33:11.640
<v Speaker 1>leading shit. You're cool, Like yeah, we give shit, do

0:33:11.680 --> 0:33:15.600
<v Speaker 1>whatever you want, man. You He deleted that ship and

0:33:15.680 --> 0:33:19.080
<v Speaker 1>then literally like I had four thousand followers and like

0:33:19.160 --> 0:33:21.720
<v Speaker 1>literally like after that, like the following weeks, I started

0:33:21.720 --> 0:33:24.560
<v Speaker 1>blowing up so much and people had no idea. Then

0:33:24.600 --> 0:33:26.200
<v Speaker 1>they'd have my old pictures be like, oh, this is him.

0:33:26.200 --> 0:33:27.200
<v Speaker 1>They're like, no, it's not him.

0:33:27.880 --> 0:33:28.800
<v Speaker 2>They was black.

0:33:28.840 --> 0:33:30.800
<v Speaker 1>They thought I was this thought was that, I'm like,

0:33:31.720 --> 0:33:34.120
<v Speaker 1>they're just working out. I don't know, shit, just worked out.

0:33:34.120 --> 0:33:36.800
<v Speaker 1>But then I got really frustrated with Ship. And then

0:33:36.840 --> 0:33:39.560
<v Speaker 1>one time I was in the club with Abel the weekend.

0:33:39.600 --> 0:33:43.560
<v Speaker 1>I was in the club with him and and the

0:33:44.480 --> 0:33:47.600
<v Speaker 1>manager owner of the club in Toronto screamed on me

0:33:47.720 --> 0:33:51.120
<v Speaker 1>for smoking weed, Like screamed on me because yeah, and

0:33:51.200 --> 0:33:53.600
<v Speaker 1>the security guard piece watched the whole thing go down,

0:33:54.400 --> 0:33:55.840
<v Speaker 1>and and this is my first time ever going out

0:33:55.840 --> 0:33:57.680
<v Speaker 1>with him, yeah, and he looked at it go down,

0:33:57.760 --> 0:33:59.560
<v Speaker 1>and then he kind of went and told Abe what happened.

0:33:59.560 --> 0:34:01.880
<v Speaker 1>He's like, what he said, what happened? He's I'm like, yo,

0:34:02.200 --> 0:34:03.920
<v Speaker 1>this guy told me not to smoke. He's like what

0:34:04.040 --> 0:34:05.680
<v Speaker 1>the fuck. He's like, I'll kick everybody out of this

0:34:05.720 --> 0:34:07.520
<v Speaker 1>club and will be the only one that will smoke.

0:34:07.640 --> 0:34:08.799
<v Speaker 1>And I'm like, for real. He's like, you know what, Bro,

0:34:08.840 --> 0:34:10.080
<v Speaker 1>I'm tied to the Ship. He's like, if you do

0:34:10.200 --> 0:34:12.040
<v Speaker 1>need to see who you are, takes a picture of

0:34:12.120 --> 0:34:14.000
<v Speaker 1>me and post it on his Instagram like he's a

0:34:14.080 --> 0:34:14.480
<v Speaker 1>real one.

0:34:14.520 --> 0:34:14.600
<v Speaker 2>Bro.

0:34:14.680 --> 0:34:15.840
<v Speaker 1>At the end of the day, it was like the

0:34:15.920 --> 0:34:17.600
<v Speaker 1>great reveal, so I need did that. I was like,

0:34:17.680 --> 0:34:21.239
<v Speaker 1>oh shit, up now, oh shit, you know what I mean?

0:34:21.840 --> 0:34:24.560
<v Speaker 1>So that was like twenty sixteen, twenty seventeen, Yeah, yo,

0:34:24.640 --> 0:34:25.080
<v Speaker 1>what was like?

0:34:25.200 --> 0:34:27.160
<v Speaker 2>What was it like? Your dms had to be kind

0:34:27.160 --> 0:34:29.960
<v Speaker 2>of crazy after that, just people being like, bro, what

0:34:30.120 --> 0:34:31.040
<v Speaker 2>the fuck? Yeah?

0:34:31.320 --> 0:34:32.880
<v Speaker 1>Yeah, yeah, that's sick crazy.

0:34:33.200 --> 0:34:35.920
<v Speaker 2>It's like, what's that show on that Nick Cannon's assuming

0:34:36.480 --> 0:34:38.439
<v Speaker 2>people don't know the voice under the suit?

0:34:38.560 --> 0:34:41.399
<v Speaker 1>And then I couldn't go back around the same people

0:34:41.440 --> 0:34:43.759
<v Speaker 1>no more for a minute. I have to like go

0:34:43.880 --> 0:34:44.319
<v Speaker 1>do my thing.

0:34:44.600 --> 0:34:48.120
<v Speaker 2>Yeah, are you guys any plans on uh going to

0:34:48.400 --> 0:34:50.160
<v Speaker 2>uh this GNX tour in Toronto?

0:34:51.080 --> 0:34:52.080
<v Speaker 1>I'm shore the mom in the city.

0:34:52.120 --> 0:34:54.920
<v Speaker 2>Go check it out. It's gonna be crazy. Yeah. Yeah.

0:34:55.000 --> 0:34:56.640
<v Speaker 2>Do you think he's anything to worry about out there?

0:34:57.400 --> 0:34:57.759
<v Speaker 1>I don't know.

0:34:58.120 --> 0:35:02.040
<v Speaker 2>Yeah. You love GNX great? Yes, yes, sure, yeah he's

0:35:02.120 --> 0:35:04.799
<v Speaker 2>I think I think it's, in my opinion, his best

0:35:04.840 --> 0:35:07.799
<v Speaker 2>album right now that it's sat with me. Yeah. Are

0:35:07.840 --> 0:35:08.600
<v Speaker 2>you a big Kendrick guy?

0:35:09.320 --> 0:35:11.120
<v Speaker 1>Yeah? I have my favorites from him?

0:35:11.200 --> 0:35:13.600
<v Speaker 2>What you're like, because I feel like Kendrick has like

0:35:13.880 --> 0:35:17.000
<v Speaker 2>the critical ship, which is like to Pimp a Butterfly,

0:35:17.200 --> 0:35:18.960
<v Speaker 2>which is like, to me, like an art piece that

0:35:19.960 --> 0:35:22.520
<v Speaker 2>aged so well. Obviously good kid Mad City. But I

0:35:22.560 --> 0:35:25.600
<v Speaker 2>feel like gn X is like the Slaps in terms

0:35:25.600 --> 0:35:26.560
<v Speaker 2>of like replayability.

0:35:26.680 --> 0:35:29.279
<v Speaker 1>Yeah, I feel like every music has its place, you know, right,

0:35:29.600 --> 0:35:31.960
<v Speaker 1>Like like there's club records that I want to listen

0:35:32.000 --> 0:35:33.359
<v Speaker 1>to when you're in the club in the party mood,

0:35:33.600 --> 0:35:36.040
<v Speaker 1>but when I'm driving, I might listen to some nahs

0:35:36.120 --> 0:35:38.399
<v Speaker 1>just you know, or just like some Kendred Like it's

0:35:38.440 --> 0:35:41.040
<v Speaker 1>different even my music, like my last album, I don't

0:35:41.040 --> 0:35:43.760
<v Speaker 1>think it's a club album or a record type album.

0:35:44.000 --> 0:35:45.759
<v Speaker 1>It's just some shit you drive to late night's just

0:35:45.800 --> 0:35:46.279
<v Speaker 1>for the vibe.

0:35:46.360 --> 0:35:48.640
<v Speaker 2>Like what's the best Shrewman music for you? I'm gonna

0:35:48.640 --> 0:35:50.680
<v Speaker 2>say I'm gonna start at Taming Pala and Your Boy

0:35:50.760 --> 0:35:51.200
<v Speaker 2>the Weekend.

0:35:52.200 --> 0:35:55.400
<v Speaker 1>I'd say those are definitely good choices. Honestly, I'm not

0:35:55.400 --> 0:35:58.000
<v Speaker 1>even being biased me, you know what I'm saying. Do

0:35:58.080 --> 0:36:00.480
<v Speaker 1>you shreme out to your own shit? When I made

0:36:00.520 --> 0:36:02.840
<v Speaker 1>the song need You, which is a song about extasy

0:36:02.920 --> 0:36:05.080
<v Speaker 1>on my album and the ouch and everything, like we

0:36:05.400 --> 0:36:09.240
<v Speaker 1>literally did true but I don't repeat.

0:36:09.520 --> 0:36:11.480
<v Speaker 2>Yeah, I found this like there's a have you heard

0:36:11.520 --> 0:36:14.759
<v Speaker 2>of Mac DeMarco? No, So Mac de Marco is like

0:36:14.840 --> 0:36:17.200
<v Speaker 2>this like white dude, he kind of looks like Chris

0:36:17.280 --> 0:36:20.719
<v Speaker 2>but if you let himself go. But he's like this

0:36:20.880 --> 0:36:24.560
<v Speaker 2>white dude in all his music videos are like fucking

0:36:24.680 --> 0:36:27.439
<v Speaker 2>crazy bro like this fool's got like a dragon face

0:36:27.520 --> 0:36:29.239
<v Speaker 2>in one of them. But I feel like his whole

0:36:29.400 --> 0:36:33.480
<v Speaker 2>entire genre is like Mac de Marco. He's hardest fuck.

0:36:33.680 --> 0:36:34.520
<v Speaker 1>I'm gonna check it out.

0:36:34.800 --> 0:36:38.239
<v Speaker 2>Great psilocybin music. Yeah, if you're fucking ever, like in

0:36:38.320 --> 0:36:40.920
<v Speaker 2>a Coachella or Joshua Tree in a hot tub just

0:36:40.960 --> 0:36:45.520
<v Speaker 2>throwing some yep, that's it. Yeah, you'll love it. Due cool. Uh.

0:36:45.600 --> 0:36:47.200
<v Speaker 2>Any any new artists that you're fucking with, I feel

0:36:47.200 --> 0:36:48.239
<v Speaker 2>like you got your ear to the street. Youre always

0:36:48.239 --> 0:36:50.279
<v Speaker 2>work with new artists. Anybody you're you're rocking with right now?

0:36:51.120 --> 0:36:55.480
<v Speaker 1>New you know obviously the Destroyed, Lonely Ken, Carson net Spend,

0:36:55.840 --> 0:36:57.319
<v Speaker 1>you know what I mean, My boy John Ross put

0:36:57.400 --> 0:37:01.279
<v Speaker 1>me on, Put me on about that kid. Yeah, Like,

0:37:01.360 --> 0:37:03.640
<v Speaker 1>if you name somebody, I'll probably be like, yeah, right

0:37:03.640 --> 0:37:06.560
<v Speaker 1>now I'm drawing blanks. Anybody at LA name somebody. I

0:37:06.600 --> 0:37:06.840
<v Speaker 1>don't know.

0:37:06.960 --> 0:37:08.280
<v Speaker 2>So many people in LA. They're amazing.

0:37:08.320 --> 0:37:12.480
<v Speaker 1>Ship freaking O th Guiredo Britos a legend, you know,

0:37:14.400 --> 0:37:20.520
<v Speaker 1>the blast Beano the shortlight Mafia dudes, I actually the

0:37:20.560 --> 0:37:22.560
<v Speaker 1>short lines back together. Yeah, bum thing. I do it

0:37:22.600 --> 0:37:23.319
<v Speaker 1>a long time ago.

0:37:23.400 --> 0:37:24.520
<v Speaker 2>Oh g Z or Phoenix, oh.

0:37:24.520 --> 0:37:27.440
<v Speaker 1>G Z Vancouver, and there was like yo, this o

0:37:27.600 --> 0:37:29.640
<v Speaker 1>giz like he's in the club, like he's like besides

0:37:29.640 --> 0:37:31.840
<v Speaker 1>your section. That him, Like yeo, who cares? Then we

0:37:31.880 --> 0:37:33.439
<v Speaker 1>said what's up? And I was like, yo, guy's cool,

0:37:33.520 --> 0:37:34.560
<v Speaker 1>Like no, he's the best.

0:37:34.760 --> 0:37:35.160
<v Speaker 2>They're cool.

0:37:35.360 --> 0:37:35.560
<v Speaker 1>Yeah.

0:37:35.640 --> 0:37:37.879
<v Speaker 2>A lot of people like all time great hip hop

0:37:37.920 --> 0:37:41.080
<v Speaker 2>hair two had the same Like I told the other

0:37:41.120 --> 0:37:42.440
<v Speaker 2>I said, were you able to cut your hairs?

0:37:42.440 --> 0:37:45.080
<v Speaker 1>I seen him in the strip Cluver. Was that sounds

0:37:45.080 --> 0:37:48.719
<v Speaker 1>a bit deep as fun Sam's? Yeah, that's one thing.

0:37:48.760 --> 0:37:51.160
<v Speaker 1>I just seen him in the color Yo, great shot

0:37:51.200 --> 0:37:51.680
<v Speaker 1>like Mafia.

0:37:51.719 --> 0:37:54.000
<v Speaker 2>Have you had the hot wings and Sam's the hot

0:37:54.040 --> 0:37:56.160
<v Speaker 2>wings the chicken wings of Sam's. No, I don't really

0:37:56.239 --> 0:37:59.000
<v Speaker 2>like to eat in the strip clubs in LA really. Yeah.

0:37:59.040 --> 0:38:00.920
<v Speaker 1>I eat in the strip clubs like Houston, Atlanta.

0:38:01.480 --> 0:38:03.680
<v Speaker 2>The only one to eat at Sam's everything. You know

0:38:03.800 --> 0:38:05.800
<v Speaker 2>that if you always ordering food that I noticed it

0:38:05.880 --> 0:38:07.799
<v Speaker 2>is good. Foo, I'm gonna try it. But you're right,

0:38:08.000 --> 0:38:10.160
<v Speaker 2>I think your first inclination. Miami's got good food too,

0:38:10.160 --> 0:38:12.040
<v Speaker 2>if you go to Tutties and you get that fried lobster.

0:38:11.880 --> 0:38:13.799
<v Speaker 1>You know you got crazy food. They got the best.

0:38:14.040 --> 0:38:15.120
<v Speaker 1>Boobyock got crazy boo.

0:38:16.160 --> 0:38:17.520
<v Speaker 2>What's your favorite Miami strip club?

0:38:17.960 --> 0:38:18.440
<v Speaker 1>Boo Trap?

0:38:18.760 --> 0:38:19.480
<v Speaker 2>For different reasons.

0:38:19.520 --> 0:38:21.680
<v Speaker 1>Obviously, it's just how late it's opening. The vibe. It's

0:38:21.719 --> 0:38:25.640
<v Speaker 1>like a club. Yeah, don't it's like just perverted vibes.

0:38:25.680 --> 0:38:27.880
<v Speaker 1>Guys are sitting watching on the stage. Yeah, you'll get

0:38:27.920 --> 0:38:30.560
<v Speaker 1>a little bit that perverted exactly. Yes, I like the

0:38:30.600 --> 0:38:32.040
<v Speaker 1>ones where it is like a party. We just strip

0:38:32.280 --> 0:38:34.640
<v Speaker 1>in the background type ship then all over the blaze. Yes,

0:38:34.840 --> 0:38:35.399
<v Speaker 1>it's a vibe.

0:38:35.680 --> 0:38:37.640
<v Speaker 2>I'm gonna go with Tutties just for the perverted.

0:38:37.840 --> 0:38:40.040
<v Speaker 1>You want some Thailand ship, No, no, no, no no,

0:38:40.440 --> 0:38:42.560
<v Speaker 1>I just like to get the massage ladies.

0:38:43.320 --> 0:38:44.759
<v Speaker 2>The new you'd be sitting there eating.

0:38:44.880 --> 0:38:49.320
<v Speaker 1>No no, no, you're the new room guru, new guru.

0:38:49.600 --> 0:38:51.640
<v Speaker 1>Somebody has to put that mixtape out, the new.

0:38:53.239 --> 0:38:57.040
<v Speaker 2>Not me anyway. Look, the new album is out, man,

0:38:57.440 --> 0:38:57.959
<v Speaker 2>it's dope.

0:38:58.160 --> 0:39:00.680
<v Speaker 1>Uh. You got a lot of music. Witheo shot coming

0:39:00.719 --> 0:39:02.399
<v Speaker 1>all the way. We did like three for this album.

0:39:02.440 --> 0:39:04.040
<v Speaker 1>We'll see if we do another one, but I'm onto

0:39:04.080 --> 0:39:06.080
<v Speaker 1>the next project. Trying to put someone out again, Yeah,

0:39:06.120 --> 0:39:08.000
<v Speaker 1>because I mean we had a gap between this one.

0:39:08.080 --> 0:39:10.359
<v Speaker 1>More gaps, man, I'm trying to get your gap. Yeah,

0:39:10.640 --> 0:39:12.919
<v Speaker 1>what has been the coolest advice you've gotten?

0:39:13.280 --> 0:39:17.040
<v Speaker 2>Being around like cash and and sal and and enabling

0:39:17.120 --> 0:39:19.680
<v Speaker 2>those guys because obviously you know they're the biggest there is.

0:39:20.080 --> 0:39:21.440
<v Speaker 2>So I can only imagine just.

0:39:22.320 --> 0:39:26.960
<v Speaker 1>A lot of slogans, you know, yeah, like uh, you know,

0:39:27.040 --> 0:39:30.239
<v Speaker 1>don't pocket watch, uh, don't dip your pen and company inc.

0:39:31.120 --> 0:39:32.480
<v Speaker 1>A lot of ship you know what I'm saying. That's

0:39:32.480 --> 0:39:34.400
<v Speaker 1>always a good the ones a lot of a lot

0:39:34.480 --> 0:39:36.520
<v Speaker 1>of a lot of ones in one liners that you'll

0:39:36.560 --> 0:39:37.920
<v Speaker 1>never forget, never dip your.

0:39:37.880 --> 0:39:40.800
<v Speaker 2>Pen in company inc. I like that, you know what

0:39:40.840 --> 0:39:42.239
<v Speaker 2>I'm saying, Open for.

0:39:42.320 --> 0:39:44.560
<v Speaker 1>Interpretation, Open for interpretation.

0:39:44.719 --> 0:39:46.759
<v Speaker 2>If you're a club owner, don't fuck the bottle.

0:39:46.520 --> 0:39:50.040
<v Speaker 1>Girls exactly exactly gets it.

0:39:50.440 --> 0:39:52.480
<v Speaker 2>I do own a night club and we don't fuck

0:39:52.520 --> 0:39:53.120
<v Speaker 2>the bottle girls.

0:39:53.280 --> 0:39:55.600
<v Speaker 1>Good you can't. It's it's tough.

0:39:55.800 --> 0:39:58.440
<v Speaker 2>Yeah anyway, Noah, I appreciate you, brother man. The new

0:39:58.480 --> 0:40:01.200
<v Speaker 2>album is out, everybody go support it, and uh, anything

0:40:01.239 --> 0:40:03.320
<v Speaker 2>else you got coming on the way right now? No,

0:40:03.640 --> 0:40:06.160
<v Speaker 2>no soon, though, Yeah, I feel like you should fucking

0:40:06.480 --> 0:40:08.919
<v Speaker 2>you're funny dude man, Like now that you're like doing shit,

0:40:09.040 --> 0:40:10.480
<v Speaker 2>like I feel like people are kind of seeing like

0:40:10.520 --> 0:40:13.400
<v Speaker 2>you're like a fucking a fucking dude, you know, like

0:40:13.480 --> 0:40:14.200
<v Speaker 2>a dude's dude.

0:40:14.520 --> 0:40:16.799
<v Speaker 1>I'm just chilling. I don't know. Whatever the idea they

0:40:16.840 --> 0:40:17.759
<v Speaker 1>had to me before, I don't know.

0:40:17.840 --> 0:40:19.719
<v Speaker 2>Next time, we're bringing some white claws because we are

0:40:19.760 --> 0:40:23.799
<v Speaker 2>white claw drinkers, and uh, we're gonna microdose to start

0:40:23.840 --> 0:40:27.400
<v Speaker 2>the pod facts, Yes vibes for sure, my dog nap there.

0:40:27.440 --> 0:40:29.200
<v Speaker 1>It is bouleg Cap Podcast boo